Muzeul Municipiului București și Asociația „Bucureștiul meu drag” vă invită vineri, 11 septembrie 2026, ora 18:30, la vernisajul expoziției în aer liber „Trecut-au anii 2026”, găzduită de Palatul Suțu (Bd. I. C. Brătianu, nr. 2).

Evenimentul este dedicat Zilelor Bucureștiului și continuă tradiția expozițiilor fotografice „then and now” organizate la început de toamnă.

Anul acesta expoziția aduce în fața publicului fotografiile-document surprinse de Cristian Malide, tatăl lui Cristian Malide și prietenul lui Nick Pisica, majoritatea fotografiilor sunt din anii ’90, ani marcați de construcțiile abandonate după revoluție, în contrast cu imagini realizate în prezent, în 2026, de un grup de pasionați de fotografie. Ca de fiecare dată, Mihai Petre a indentificat, nu știu cum, toate locurile de fotografiat, iar Luciana Gingărașu ne-a ajutat cu afișul expoziției.

Cadrele lui Cristian Malide au fost refăcute de: Alexandru Iordan, Ana Pîslaru, Anda Stăncescu, Andrei Bîrsan, Andrei Pîslaru, Andreia Bîrsan, Antonio Gherdan, Bogdan A-popei, Camelia Stan, Constanța Boroneanț, Cristian Berbec, Cristian Malide, Dan Șendroiu, Daniel Mihai, Dragoș Oproiu, Eli Driu, Florian Marin, Gabriel Cristea, Ioan Herișanu, Ioana Banică, Lucia Simion, Luciana Gingărașu, Mihaela Bîrsan, Mihaela Petre, Mihaela Tulea, Mihai Andrieș, Mihai Petre, Paulina Șelaru, Radu Iacob, Răzvan Pașol, Sabin Prodan și Simona Manolache.

Expoziția poate fi vizitată gratuit, în aer liber, pe gardul Palatului Suțu, 24/24, 7 zile din 7, în perioada 11 septembrie - 11 octombrie 2026.

Andrei Bîrsan
Fondator „Bucureștiul meu drag”

North America’s largest trance music festival Dreamstate SoCal 2026 is set to host the worldwide debut of electronic music legend Paul van Dyk’s newest live performance concept, The Essence of Acid, bringing the pioneering artist’s latest production to the historic Queen Mary Waterfront on Saturday, November 21 in Long Beach, CA.

The Essence of Acid is built around a live electronic setup, with van Dyk performing alongside the hardware used to shape the show's sound. The performance will combine exclusive new material, acid-focused compositions, live reinterpretations of selected catalogue tracks, and recognizable records rebuilt specifically for the concept.

The concept also expands the live setup into the visual production. Paul performs with the Boutique Series, a collection based on the iconic TB-303, TR-808 and TR-909, on the show's visual language, alongside imagery inspired by circuitry, oscilloscopes, waveforms and other elements of analog electronic production. Lighting, screens, lasers and stage elements are designed to develop in tandem with the music throughout the performance.

Known for its focus on the history, evolution and future of trance and electronic music, global dance music experience curator Insomniac’s trance brand and festival vertical Dreamstate will provide the setting for The Essence of Acid to make its first appearance worldwide. It will explore acid as an influence across electronic music, incorporating the sound of the Roland TB-303 alongside synthesisers, drum machines, sequencers and effects. The concept’s focus on acid reflects Dreamstate’s own ethos of celebrating the sounds that have shaped trance culture while championing the artists and innovations defining its present and future.

Paul van Dyk has been a defining figure in global electronic music for more than three decades, with a career spanning landmark productions, international performances and multiple generations of electronic music fans. His connection to Dreamstate dates back to the festival’s inaugural edition in 2015, where he took the stage for the first-ever Dreamstate SoCal, making his return with The Essence of Acid a natural continuation. Acid is already an established part of Paul’s musical catalogue. His previous work in the style includes ‘Acid’ with Chicago House pioneer DJ Pierre and ‘ACID TRAXXX’, as well as his solo release ‘Filthy Acid’. The Essence of Acid builds on that connection, taking the sound from the studio into a dedicated live performance.

Dreamstate SoCal 2026 will take place on Friday, November 20 and Saturday, November 21. Two-day and single-day GA and 21+ VIP tickets to Dreamstate SoCal 2026 are on sale now.

Paul van Dyk Presents 'The Essence of Acid'

Dreamstate SoCal, Saturday, November 21st, 2026

Tickets: Available Here

Find out more & follow:

Paul van Dyk: Instagram | Spotify | TikTok | Website | Beatport | Traxsource

Dreamstate SoCal: Website | Instagram | TikTok | Facebook

Nici pe jos până la Paris, nici sculptor ortodox, nici ultimul dac: ce spun de fapt documentele despre Brâncuși 

PostModernism Museum a derulat proiectul cultural „Mituri și realități mai mult sau mai puțin adevărate, cu și despre Brâncuși”, în anul comemorativ Brâncuși150 și finanțat de Ministerul Culturii. Timp de câteva luni, proiectul a propus o abordare de cercetare a figurii sculptorului: a luat câteva dintre miturile care îi însoțesc imaginea - mersul pe jos până la Paris, „prințul țăran”, presupusa donație către statul român sau identitatea de sculptor ortodox - și le-a pus în discuție cu experți care au cercetat și analizat sursele documentare. Rezultatul e un Brâncuși mai complex, strategic și contradictoriu decât mitul, și tocmai de aceea mai fascinant. 

Proiectul reunește dialoguri profesionale realizate de istoricul de artă Cosmin Nasui, fiecare cu un invitat care privește sculptorul și opera sa din perspective complementare, diferite. 

Regizorul Cornel Mihalache, director al Centrului „Constantin Brâncuși” din Târgu Jiu, vorbește despre falsurile și instrumentalizările naționaliste care circulă azi online, de la demolarea Coloanei în 1997 până la demersurile recente de „repatriere” a osemintelor. 

Cornel Mihalache - Mituri și realități mai mult sau mai puțin adevărate, cu și despre Brâncuși

Istoricul și colecționarul Radu A. Pircă reconstituie, cu recensăminte și rapoarte medicale, Gorjul copilăriei lui Brâncuși și demontează clișeul sărăciei cu date, nu cu legende - pornind chiar de la cuvântul „evadare”, folosit de sculptor. 

Radu A. Pircă - Mituri și realități mai mult sau mai puțin adevărate, cu și despre Brâncuși

Doina Lemny, cercetătoare peste treizeci de ani la Centre Pompidou și autoare a circa zece cărți despre artist, arată cât de puțin documentată rămâne, de fapt, tinerețea acestuia. 

Doina Lemny - Mituri și realități mai mult sau mai puțin adevărate, cu și despre Brâncuși

Arhitectul Dorin Ștefan, membru al Academiei Române, citește opera dinspre perspectiva arhitecturală a spațiului, formelor și proporțiilor.

Dorin Ștefan - Mituri și realități mai mult sau mai puțin adevărate, cu și despre Brâncuși

Iar Dodo Niță, cel mai important cercetător al benzii desenate românești, explică de ce Brâncuși este încă puțin prezent în acest mediu - un episod despre cum și o relativă absență poate fi o poveste. 

Brâncuși în benzi desenate cu Dodo Niță în seria „Mituri și realități ... cu și despre Brâncuși”

Toate dialogurile rămân accesibile gratuit și permanent. Până acum peste 71.000 de vizualizări pe YouTube. 

Cercetarea a fost adusă în spațiul public și prin prezentarea expozițională itinerantă „Codul Brâncuși”, construită în tehnica tipăririi pe straturi color suprapuse: fiecare strat devine vizibil doar privit printr-o lentilă roșie sau albastră, iar gestul simplu de a schimba perspectiva de privire prin lentile colorate desface, fizic, distanța dintre mit și document. Expoziția a însoțit școala de vară urbană de la Târgu Jiu, unde au fost programate două seminarii intensive:„Deconstrucția miturilor lui Brâncuși” și „Drepturi de autor și cadrul legislativ în industriile creative”. Expoziția a fost prezentată și în cadrul festivalului „Brâncuși Nocturn”, organizat de Asociația Docuart.

Proiectul a fost realizat alături de Centrul de Cercetare, Documentare și Promovare „Constantin Brâncuși” din Târgu Jiu, Asociația pentru Dezvoltare Regională și Politici Europene și Modernism.ro, ca parteneri de proiect și alături de Liceul de Arte „Constantin Brăiloiu”, Universitatea „Constantin Brâncuși” din Târgu Jiu - Institutul de Cercetare Dezvoltare și Inovare, și Asociația Docuart, ca parteneri de comunicare pentru seminarii și expoziție.

Toate materialele produse rămân disponibile ca resursă educațională permanentă și gratuită aici https://www.postmodernism.ro/mituri-si-realitati-mai-mult-sau-mai-putin-adevarate-cu-si-despre-brancusi/

Proiect cultural finanțat de Ministerul Culturii

Definitive Recordings presents Roland Leesker’s rework of Soft House Company’s 1990 House classic ‘What You Need’, alongside the unveiling of his new artist moniker, Mysterious Eastern Force.

First released on vinyl in June, the single now arrives digitally, bringing both versions to a wider audience. The original mix sees Roland stay close to the classic arrangement while injecting a new driving feel, keeping the focus firmly on the groove and character of the original production.

Roland Leesker Comments:

“I heard ‘What You Need’ again two years ago during Movement in Detroit, when The Three Chairs played it in their set, and it hit me straight in the heart all over again. I immediately wanted to work with the original. So I decided to rebuild the track myself from the ground up, creating my own cover version as the basis for a new interpretation.”

Alongside the Original Mix, the Mysterious Eastern Force Edit introduces a new artist identity for Roland. The eleven-minute version retains the essence of the original while adding a more energetic bassline and subtle acid elements, developing the track into an extended, hypnotic groove that connects early House influences with a contemporary club approach.

Soft House Company’s ‘What You Need’ emerged in 1990 during the formative era of House music and has remained a recognised record among DJs and collectors. Roland’s version approaches the track from a contemporary production perspective while retaining the structure and identity of the original.

Roland Leesker Shares:

“The original was written by Claudio Rispoli, better known as DJ Mozart, who sadly passed away last year. Claudio was one of the true pioneers of Italian club culture and a resident at the legendary Baia degli Angeli and later an important producer behind records and projects that helped take Italian dance music around the world. For me, this version is really a tribute: to Claudio, to the original record and to that particular emotional quality that the best House music can carry across generations. Hearing it again in Detroit almost 35 years after it was made and feeling that same reaction immediately was ultimately the reason I had to make this.”

Roland Leesker has been active in House music since the late 1980s, with roots in Frankfurt’s club scene and a journey that has since taken him through New York, Berlin, and the international electronic music circuit. His production history reaches back to the mid-1990s, including ‘L’Essentiel’, created in 1995 with Ricardo Villalobos under the R+R project, while his later solo catalogue on Get Physical has developed across House, Acid, Electro and Detroit-influenced sounds. His work includes collaborations and remixes involving artists such as DJ Pierre, Roland Clark, Robert Hood and Terrence Parker, alongside his debut album ‘Searching For Peace’ and recent releases including his remix of Inner City’s ‘Pennies From Heaven’. Together, these releases and collaborations continue to build a dedicated global fanbase within the House music community.

This release brings together Roland Leesker’s Original Mix and the extended Mysterious Eastern Force Edit, connecting a 1990 House record with a contemporary interpretation and introducing a new artist identity in the process. Following its vinyl-only release in June, the record is now available digitally via Definitive Recordings.

Roland Leesker - What You Need

Released: October 2nd, 2026

Label: Definitive Recordings

Stream & Purchase

Find Out More & Follow:

Roland Leesker: Beatport | Traxsource | Spotify

Definitive Recordings: Instagram | Beatport | Traxsource | Spotify

REYUS Collaborates With Vocalist Émilie Rachel On ‘Deeper Water’ Taken From His Debut Album ‘I’m Listening’

Independent electronic artist REYUS collaborates with London singer-songwriter Émilie Rachel on ‘Deeper Water’, a dance-driven, genre-blending second single taken from his upcoming debut album ‘I’m Listening’.

Drawing upon elements of Trance, Garage, House, Hard House and Pop, ‘Deeper Water’ showcases REYUS’ ability to glide between different corners of electronic music while creating a record that remains focused on melody, emotion and storytelling. Featuring the vocals of collaborator Émilie Rachel, the track brings an energetic yet introspective quality to the album, continuing the emotional narrative that runs throughout ‘I’m Listening’.

‘Deeper Water’ fits naturally within the introspective world of REYUS’ forthcoming 20-track album, which explores internal thought, anxiety, relationships and human connection. While the project moves freely between electronic, House, Garage, Techno, Pop and Rock, each record is shaped by the feeling and idea behind it rather than being confined to a particular genre.

The collaboration marks the latest addition to REYUS’ growing catalogue of work with vocalists and artists from across the electronic music scene. Émilie Rachel brings her experience as a singer-songwriter within dance music to the record, having worked with respected producers and DJs including Nicky Romero and Fleur Shore. Her track ‘Ego’ with Zen, released via Selected, has amassed more than 7 million streams, while her releases have received support from BBC Radio 1, including Danny Howard.

Based south of London in Dorking, England, REYUS began writing music at the age of 10, inspired by the late Tim Bergling. By the age of 16, he had performed his first club show, beginning a journey that would see him spend nine years developing his sound across the underground under multiple aliases before launching his own label and company to release music independently.

REYUS has developed a reputation for his eclectic catalogue and captivating performances, with his music championed by artists including Tiësto, Four Tet, Gorgon City, Jamie xx, Bicep, Vintage Culture, Diplo, Solomun, Mau P and CamelPhat. His 2025 REYUS & Friends headline events saw him tour the UK and Ibiza, performing at E1, Studio 338, Ministry of Sound, Café Mambo, 528 Ibiza and B Club Kensington. Alongside his own events, he has appeared on line-ups with leading artists such as Maceo Plex, Groove Armada, Adriatique, Confidence Man, Basement Jaxx, Sparrow & Barbossa, and more.

Recorded at studios in Hackney, London, Dorking and Ibiza, ‘I’m Listening’ brings together the different environments and experiences that have influenced REYUS’ creative process. Across its 20 tracks, the album draws influence from artists including Four Tet, Jamie xx, Bicep and Fred again, while maintaining an identity shaped by REYUS’ own eclectic approach to electronic music.

With ‘Deeper Water’, REYUS continues the rollout of his debut album ‘I’m Listening’, delivering a dance record that continues the album’s deeper exploration of emotion, storytelling and human connection.

REYUS, Émilie Rachel - Deeper Water

Official Release: September 11th, 2026

Label: REYUS Music

Stream & Purchase

Find Out More & Follow:

REYUS: Website | Instagram | Spotify | Beatport

Émilie Rachel: Instagram | Spotify

Eduard Shyfrin and his blues-rock outfit, Shyfrin Alliance, announce two brand-new remixes of single 'Whiskey Blues' - by house music pioneer Todd Terry.

The remixes reimagine the smoky, guitar-driven atmosphere of the original track through Todd Terry's signature dancefloor energy, blending deep grooves, rhythmic house beats, and soulful textures into a fresh crossover release designed for both club audiences and longtime fans alike.

Originally celebrated for its gritty storytelling and blues-infused sound, 'Whiskey Blues' takes on an entirely new dimension in this collaboration, introducing the band to electronic music listeners worldwide.

"Whiskey Blues is not just a song, it's a state of the soul. The remixes were chosen not to replace the original feeling, but to give the songs emotions a new pulse, allowing it to reach people in a new way."

Todd Terry, whose pioneering work helped define global house music culture, delivers not one but two, remix's that balance classic club sensibilities with modern production, creating a track equally suited for late-night dancefloors and summer playlists.

Beyond his musical pursuits, Eduard Shyfrin is internationally recognized for a multifaceted career spanning science, business, philosophy, and the arts. Trained as a physicist and later emerging as a successful entrepreneur and industrial leader, he has built a reputation for integrating rigorous intellectual inquiry with creative expression.

In parallel with his business achievements, Shyfrin has devoted significant attention to philosophical and spiritual studies, authoring works that explore the intersection of ancient wisdom traditions, modern science, and human consciousness. This synthesis of disciplines informs the artistic vision behind Shyfrin Alliance, where music becomes another medium for reflection, meaning, and emotional connection.

Stay tuned, as the Todd Terry mixes of 'Whiskey Blues' touch down.

Connect with Shyfrin Alliance:

www.shyfrinalliance.com

www.soundcloud.com/shyfrin-alliance

www.youtube.com/@ShyfrinAlliance

Project contact: Debra Eriksen (Oracle Entertainment) - debra@oracleentertainment.com

Artist: Prisma Deer, Vishap, Hotmood
Title: It's Jazz
Label: Cross Fade
Cat No: CF075
Format: Digital
Genre: House, Nu Disco
Release Date: 04/09/26
Buy / Pre Order: https://www.traxsource.com/title/2865109/its-jazz

Costa Rican artists and label heads Prisma Deer and Vishap join forces on “It’s Jazz.” True to its title, the track pays homage to the genre by pairing classic saxophone and piano samples with a contemporary house groove by adding a thick Moog bassline and a vibraphone solo. Vishap enriches the tribute with a spoken-word vocal delivery. On remix duties, Mexican producer Hotmood turns the original on its head—rearranging the vibraphone, adding custom percussion, and layering new textures to dial up the energy.

Web / Social Media Links:

Prisma Deer
Instragram: https://www.instagram.com/prismadeer/
soundcloud: https://www.soundcloud.com/prismadeer

Vishap
Instragram: https://www.instagram.com/dj_vishap/
soundcloud: https://www.soundcloud.com/djvishap

Hotmood
Instragram: https://www.instagram.com/hotmood78/
soundcloud: https://www.soundcloud.com/hotmood

Cross Fade
Instragram: https://www.instagram.com/crossfadecr
soundcloud: https://www.soundcloud.com/crossfadecr

Paradise Riccione 2026: Jamie Jones brings Paradise to Cocoricò on 19 September 2026 for the legendary club’s final night of the summer season

Every season reaches its final chapter. Some deserve an unforgettable ending. Paradise takes over Cocoricò on 19 September.On Saturday, 19 September, Cocoricò Riccione will host Paradise for the first time, the event series founded and curated by Welsh DJ and producer Jamie Jones, marking the closing night of yet another extraordinary season at the legendary Romagna club.A finale worthy of a summer that has once again confirmed Cocoricò as an absolute reference point for electronic music in Italy and beyond. The night’s lineup will unfold across the club’s two stages, the Pyramid and the Titilla Jäger Garden, delivering ten hours of non-stop music in an event designed to bring the summer season to a spectacular close. Founded in 2013 at DC-10 Ibiza, Paradise continued its journey at Amnesia and, more recently, at UNVRS, becoming over the years a regular presence at some of the world’s leading clubs and festivals. Its arrival in Riccione marks a highly anticipated debut, bringing one of the most influential brands in the international house and techno scene to the heart of Romagna for the first time.

PARADISE RICCIONE: THE FULL LINEUPTaking to the decks will be Jamie Jones, the founder of Paradise and the celebrated Hot Creations label. Joining him will be Carlita, the Turkish-Italian DJ and producer born in Istanbul, and London-based Max Dean, one of the rising stars of the new UK house scene and founder of the Nexup label.Completing the lineup are Joe Rolét, Saraga, Irish DJ and producer Krystal Klear, and fellow Irish artist Saoirse, founder of the Body Movements festival. The bill also features Italian DJ and producer Leon and HoneyLuv, originally from Cleveland and founder of the 4 Tha Luv label. Since 1989, Cocoricò has been one of the defining landmarks of global electronic music, a club that has consistently anticipated new trends, welcomed leading figures from the international scene and become a reference point for generations of music lovers. The closing night of the extraordinary 2026 summer season becomes the latest chapter in that history, reaffirming a vision built around musical discovery, openness to the global scene and an identity capable of evolving with the times.

Tickets: https://www.ticketsms.it/it/event/Paradise-Riccione-Riccione-Cocoric-19-09-2026

For more infos: cocorico.it. instagram.com/cocoricoriccione

There's a place in Milano, Italia where concrete preserves memory and sound finds space to transform: its name is ex Macello, which for three years, thanks to Vision Open Air, has become an Italian and international must for electronic music lovers.

September 2026, Saturday 5^th: Vision Open Air restarts after its summer break, and it does so in the best possible way, with Charlotte de Witte and her techno, ready to become living matter, resonating and amplifying in this open-air, post-industrial space.

The world's number one techno DJ according to DJ Mag's Top 100 DJs, Charlotte de Witte is celebrating her first fifteen years of career with her debut album — recently released with a deluxe vinyl version — her performances at Flanders Expo in Ghent, her upcoming EP "Amor" out April 30^th 2026 on her own label KNTXT, and much more. Most notably her recent set in Piazza Matteotti in Genova, a performance that went truly viral, drawing tens of thousands of people on site and endless social media interactions, further demonstrating that djs have long been the real rock stars of the third millennium, and de Witte is a true queen of techno.

Vision Open Air on Saturday, September 5th isn't just a reunion in Milano after the summer: it's a new beginning, where music, spaces, and people are ready to unite thanks to the universal language of electronic music. This is the first event of a September that, thanks to Vision Open Air, will be richer than ever.

Further infos and tickets here. 

Maria Balabaș în discuție cu Andrei Bucureci despre Radio Vis. Brâncuși la Bazar de muziclă

Ce se întâmplă atunci când copiilor din mediul rural le dai un microfon, un spațiu de creație și libertatea de a-și spune poveștile? Radio Vis. Brâncuși a pornit de la o întrebare simplă și greu de ignorat: dacă Brâncuși s-ar fi născut în 2026, într-un sat, cât de departe ar fi ajuns? Răspunsul nu se găsește într-un muzeu, ci în imaginarul unei noi generații. 

Proiectul de educație prin cultură, realizat de Asociația Minimorum, a adus împreună radio, sunet, scriere creativă și sculptură pentru a crea contexte în care copiii să nu fie doar spectatori ai culturii, ci autori și co-creatori. 

50 de copii din școlile gimnaziale din Cârța și Bruiu au participat la activitățile proiectului, alături de 5 copii implicați în atelierele intensive din Șomartin, 20 de copii la atelierul de sunet din cadrul festivalului Venetic. Untitled (Gherdeal) și alți 20 de copii la atelierul de sunet de la Muzeul de Pânze și Povești din Mândra.

Documentar creativ în care Constantin Brâncuși întâlnește imaginarul copiilor din mediul rural. 

Autor: Maria Balabaș

Pentru Asociația Minimorum, radioul este mai mult decât un instrument prin care o voce ajunge mai departe. Este un spațiu în care o voce poate apărea pentru prima dată. Într-un context rural în care accesul la experiențe culturale și la artiști profesioniști este încă limitat, Radio Vis. Brâncuși a construit un mic laborator de imaginație: copiii au scris, au ascultat, au înregistrat, au lucrat cu sunetul și au transformat ideile în forme artistice. 

Radioul și sculptura au devenit două moduri de a privi aceeași lume, unul invizibil, făcut din voce, zgomot, tăcere și memorie, celălalt material, făcut din lut, mâini și obiecte. Iar Brâncuși a fost mai degrabă un punct de plecare decât un model de urmat: o invitație de a înțelege că arta poate începe oriunde, inclusiv într-un sat, cu o idee care încă nu știe încotro va ajunge. Poate că asta este, de fapt, miza Radio Vis: nu să le arătam sau spunem copiilor ce este cultura, ci să le oferim un loc în care propria lor voce să devină produs cultural.

https://www.radioromaniacultural.ro/sectiuni-articole/produs-de-radio-romania/maria-balabas-o-locuire-intr-un-mediu-de-sat-parca-te-aduce-la-propriu-cu-picioarele-pe-pamant-si-atunci-ritmurile-devin-altele-id54889.html

„Radio Vis. Brâncuși” este un proiect al Asociației Minimorum co-finanțat de Ministerul Culturii. 

Intre 30 septembrie si 4 octombrie 2026, Bucuresti gazduieste cea de-a saptea ediție a Romanian Jewelry Week, cel mai mare eveniment internațional din Romania dedicat bijuteriei contemporane. Peste 290 de designeri din mai mult de 50 de tari vor aduce in capitala Romaniei o gama larga de perspective, practici si sensibilitați din scena internaționala a bijuteriei contemporane.

Saptamana bijuteriei se deschide miercuri, 30 septembrie, de la ora 18:00, la Biblioteca Naționala a Romaniei, cu vernisajul oficial si un preview exclusiv al targului de bijuterie, care isi va dezvalui intreaga amploare pe 3 si 4 octombrie. Alaturi de targ, programul din acest an reuneste 17 expoziții colective internaționale, printre care Global Creative Graduate Showcase, A Shared Silence (Iran), Legnica Silver Festival, Precious Collective, Maralkunst (Norvegia), Saudi Metalsmith, International Amber Association, Krama Team Greece, MindMink Edition, Slovenian Jewelry Week, Unnecessary Jewellery, Plus One Collective, Assamblage School, The Sense of Beauty, Adoc Madrid si Clova Miniature Art.

Aceasta ediție introduce si o noua componenta dedicata a programului. O serie de workshopuri si conferințe cu locuri limitate exploreaza tehnica, materialul si noile tehnologii din bijuteria de autor, cu sesiuni susținute de Anne Edwards (Founder & Director, Co-Creative Jewellers Ltd | Edwards Jewellery | INTERACCT Jewellery), Dr. Sophie Boons (Senior Lecturer, Design Crafts, University of the West of England, Marea Britanie) si Alain Roggeman. Un panel internațional, „Tracing Origins: Mapping Local Histories of Contemporary Jewelry”, moderat de curatoarea Anna Wójcik-Korbas, reuneste designeri din mai multe țari, care prezinta istoriile locale, artistii, scolile si tehnicile care au marcat evoluția bijuteriei contemporane in propriile comunitați.

Pentru prima data, membrii juriului, curatori de renume si profesionisti ai industriei internaționale se reunesc in cadrul Romanian Jewelry Week Summit 2026, un forum dedicat dialogului si schimbului de idei privind evoluția bijuteriei contemporane si relația acesteia cu arta, designul, industria si noile practici de creație. De la New York la Atena, München si Madrid, nume de referința din muzee, galerii si targuri internaționale vor juriza lucrarile expuse si vor acorda premiile in cadrul ceremoniei de deschidere.

„Cred in bijuterie ca in una dintre cele mai subtile si mai relevante manifestari creative ale omului. Artistul bijutier sublimeaza in constiința lui creativa - de la visele colective, la temerile si traumele umanitații si le reintoarce societații in forma bijuteriei. Totodata, creatorul de bijuterie contemporana se cauta si se exprima pe sine. Piața acestui tip de bijuterie este si ea in crestere: o data prin piețele emergente - asa cum este si Romania - apoi prin prisma infrastructurii academice si muzeale. Tot mai multe muzee din lume iau in serios o colecție permanenta de bijuterie contemporana. Tot mai multe galerii ridica nivelul si exigențele de selecție la nivel muzeal. ” David Sandu – curator si fondator Romanian Jewelry Week

Juriul oficial al Romanian Jewelry Week include:

David Sandu – Curator & Fondator Romanian Jewelry Week

Bryna Pomp – Curator, MAD About Jewelry, Museum of Arts and Design, New York

Giusy Morza – Exhibition Manager, Handwerk & Design, München, alaturi de Claudia Lassner – Designer, Curator & Co-Organizator SCHMUCKmuenchen

Irina Probst – Exhibition Manager Inhorgenta München, Germania

Justyna Teodorczyk – Director, Gallery of Art in Legnica, Polonia

Byron Vafeiadis – Curator of Education and Collections, Ilias Lalaounis Jewelry Museum, Atena

Magdalena Vélez Salinas – President & Co-Founder AdOC, Organizator Contemporary Goldsmithing Exhibition, Madrid, Spania

Jennifer Altmann – Jurnalista freelance, New York City

Pe langa juriul internațional, Romanian Jewelry Week va acorda si o serie de premii speciale, menite sa evidențieze si sa susțina vocile emergente si proiectele inovatoare din bijuteria contemporana, prin recunoasterea unor profesionisti influenți din domeniu: galerii, platforme culturale si reviste de design:

Andreia Gabriela Popescu – Senior Lecturer, Assamblage Contemporary Jewelry School

Enzo Carbone – Antreprenor, designer, Fondator & CEO Prodes Italia (Artistar Jewels si Milano Jewelry Week)

Muriel Piaser – Fondatoare Precious Room by Muriel Piaser

Monica Cecchini – Fondatoare Incinque Open Art Monti si Rome Jewelry Week

Jessica Armstrong – Fondatoare & Manager, Pistachios Contemporary Art Jewelry Gallery, Chicago, SUA

Lost in Jewellery Magazine

MyDaybyDay Gallery, Roma

Constanta Miscu – Curator of beautiful design la OTOTO

Mihaela Ion – Fondatoare & Creative Cultural Director, Revista Atelierul

Romanian Jewelry Week 2026 lanseaza si Growing Gems, o secțiune noua dedicata artistilor pentru care slefuirea pietrei devine, ea insasi, o practica creativa si conceptuala. Juriul secțiunii ii reuneste pe Sharareh Aghaei, castigatoarea Marelui Premiu 2023, Sławomir Fijałkowski, David Sandu si Maria Julia Kunap.

Romanian Jewelry Week este organizat de Assamblage - Asociația Naționala a Autorilor si Designerilor de Bijuterie Contemporana, din 2020.

Brilliant soul, jazz, funk trio Jonson, Jonson & Jonson (aka Joe Cang, Danny Schogger and Phil Thornalley) roll out their impressive debut album, ‘Back To The Buffet’ on their newly spawned Swamp Recordings label. Joe’s voice is just awesome and carries that warm cracked honey tone and the three of them write and produce with the kind of instinct that only comes from years of playing for real people in real rooms. 'Back To The Buffet' moves with a deep pocket. One moment you are in the middle of a raw soul burner that feels like it was tracked at three in the morning. The next you are drifting through Latin jazz colours, then the funk kicks in and your hips start telling you what to do. The album features their singles, ‘Keep Falling For It’, ‘Circles’, ‘Hip Pocket’ and ‘Trouble’, along with a feast of other soulful delights including highlights such as ‘Neighbours’, ‘Thru Their Eyes’ and ‘Magical’. Every tune has that effortless lived in groove, nothing rushed, nothing forced, just the raw talent of three very accomplished musicians who know how to deliver quality soulful vibes and poignant songwriting.

The Oddball Creatives come out swinging with the fresh and jazzy ‘Wondering & Wishing Like Me’, a mighty fine project oozing with real top-notch musical chemistry. Joseph Malik and Daniel Walls have been building their Oddball Creatives world for a while now, from the early ‘Only Fans’ and ‘Adult Contemporary’ releases to their work shaping Kameelah Waheed’s standout singles ‘My Whole World’ and ‘Be A Lion’. But this new release hails the moment where everything all comes together with a serious cast: Kameela Waheed bringing that warm, grounded vocal presence; Colin Steele adding his award‑winning trumpet lines; Darren Morris colouring the edges with Hammond and Wurlitzer; ENIA on backing vocals; and Joseph Malik himself, returning through an old vocal take rescued from the Young Fathers studio; as he and Daniel Walls really bring the magic on this production. The song itself is soulful, beautifully human, and fabulously textured. Joseph and Kameela sit together effortlessly, weaving melodies and spoken word in a way that nods to the Native Tongues era. It’s the kind of track that feels honest, and built from real experience, and performed by a bunch of creative oddballs who know exactly what they’re doing! Refreshingly different!

• Artist: Finest Wear
• Title: For The People EP
• Label: Minor Sounds
• Cat No: MS005
• Format: Digital & Streaming
• Genre: Deep House / Garage House
• Release Date: 04.09.2026
• Buy / Pre Order:
• Bandcamp - https://minorsoundsmusic.bandcamp.com/
• Traxsource - https://www.traxsource.com/label/73918/minor-sounds
• Beatport - https://www.beatport.com/label/minor-sounds/129215

After a productive few months in the studio, Finest Wear returns with his fifth release on Minor Sounds, presenting to you - For The People EP, landing on 4th September 2026.

Staying true to its title, For The People is a collection built for the dance floor while remaining firmly rooted in the underground. Blending deep house and garage house influences, the EP showcases Finest Wear's signature sound warm analogue basslines, crisp drums, rich synth textures, and infectious grooves that move effortlessly between intimate late-night sessions and peak-time club moments.

Leading the release is the title track, For The People, a synth-laden journey driven by tight percussion, warm analogue low end, and the unmistakable rolling energy that has become synonymous with Finest Wear's productions.

Next up is Keep On Lovin', where smooth, rolling beats powered by the new LM Drum combine with trademark basslines, lush synth patterns, and tasteful garage inspired vocal cuts to create an irresistible groove.

The third cut, Midnight Kiss, explores the deeper and more melodic side of Finest Wear's sound. Built around classic 4x4 rhythms, a gentle rolling bass line, soulful vocal textures, and a sweet, hypnotic acid line running throughout, it delivers a warm late night appeal making it a perfect weapon for those after-hours moments.

Closing the EP is Deep Down, The darkest offering of the four, Diving into deeper underground territory, it pairs hypnotic moody synth stabs work, a rolling low-end, and cool oldskool vocal snippets.

Finest Wear continues to refine his distinctive blend of deep house and garage influences, delivering four cuts designed with one purpose in mind, keeping people moving from the first track to the last.

Web / Social Media Links:

https://minorsoundsmusic.bandcamp.com/

https://soundcloud.com/minorsoundsmusic

https://www.instagram.com/minorsoundsmusic

The Intimacy of Finding Your Sound

 A Conversation with Sojo on His New Album, "Melancolía".

Sojo, thank you so much for taking the time to sit down and talk. I’ve been listening to Melancolía on repeat for a couple of weeks now. There's something deeply honest in the album's overall vibe. I feel like in today's electronic music scene, we're often surrounded by a saturation of sounds explicitly designed for peak-time club sets, but Melancolía feels more like a space to inhabit, a sort of intimate dialogue with machines and synthesizers.

Where does the name come from, and what was your initial approach to the album?

"It all started with the third track, which is where the album gets its name, "Melancolía." This was the very first track I composed when the Sonicware Liven Evoke arrived from Japan. It’s an extremely interesting synth that innovates with this "acoustronic" sound signature. I absolutely loved it for creating super soulful pads, sound effects, and even dub textures."

What were you up to during those days, and how did you arrive at the overall concept for the album?

"Around that time, I was going out to the park a lot with the synth, and that's where the first melodies that shape the album came to life. Later on, while experimenting in the studio, I realized it was also great for creating basslines. By just adding a bit of warmth from an analog mixer to dress up that "digital" sound, I got these incredibly deep bass tones. I used it that way for the basslines on tracks like "Profundo Cariño" and "Se Me Perdió Hada".

"For me, music has always been my most honest form of expression, and this is my most personal album. All the vocals and lyrics, though simple, were written and sung by me. It was a journey of learning and evolving toward a sound that feels increasingly unique and moves away from generic loops."

This album definitely sounds deeply personal and unique. It feels like you successfully translated everything you're sharing into the music itself. It gives us that sense of missing, not from a place of wanting to go back to a specific time, but rather fondly remembering moments and people.

What was the technical and emotional process like?

"I truly just let myself be guided by improvisation. It was an ongoing conversation with the hardware over a few months, during which we ended up with more than 20 tracks. It was really hard to narrow it down to the ones that felt the most honest to me. After Uyopía, I wanted to make a shorter and more concise album."

That idea of "conversing with the machines" strikes me as one of the most accurate and poetic ways to describe working with hardware. In the end, synths and sequencers don't just follow orders; they have their own quirks and dynamics that react organically to how you're feeling. Bringing that level of honesty into the process completely shifts the final result.

Narrowing down twenty jams into a handful of tracks that truly embody the essence of “Melancolía” must have required surgical precision and total detachment. Leaving out over ten pieces that undoubtedly had their own value couldn't have been easy.

What kind of space or mindset do you hope listeners discover within these frequencies?

"It's like looking through an old photo album with your friends or family—each song represents a different memory. The first time you rode a bike, your first toy, your first scraped knee, that moment you sigh over someone who is still by your side, the time a dance performance gave you goosebumps, or that feeling when you cry on the dance floor."

Crying on the dance floor... Wow. What a beautiful, visceral way to put it. That’s what real electronic music is all about: those moments where collective catharsis and personal introspection meet. Having “Melancolía” act as a sonic photo album—where every frequency evokes everything from childhood innocence to present-day vulnerability—gives the record an incredible human dimension. It's a sanctuary.

The album art caught our attention—what is it? It looks like some kind of black thing.

"Exactly that: a black thing, a black bile. From the Greek melankholía  (μελαγχολία) a deep, quiet sadness."

Sojo, it has been an absolute pleasure talking with you. Best of luck, and congratulations on this release.

You can support the album via the label Bandcamp; it is also available on all digital platforms.

https://sojomx.bandcamp.com/album/melancol-a-fign58

Faster (soundtrack) și Pandele Radu (mural) x Un-hidden București

Astăzi lansăm în premieră pe feeder.ro soundtrack-ul noii lucrări multidisciplinare realizate în co-producție de 🔊 Faster (coloană sonoră) și 🎨 Pandele Radu (mural), parte din proiectul Un-hidden București.

Faster semnează componenta sonoră a lucrării, un fragment audio care va însoți intervenția vizuală realizată de Pandele Radu. Întâlnirea dintre cele două medii va prinde formă în perioada 14–18 septembrie, pe Bulevardul Expoziției din București, când artistul vizual va realiza în spațiul public un nou mural inspirat din opera și moștenirea lui Constantin Brâncuși.

Pornind de la universul lui Brâncuși, proiectul explorează felul în care arta urbană și muzica electronică pot intra în dialog, transformând spațiul public într-un loc pentru noi experiențe și interpretări.

Zidul pictat de Pandele ca o pânză de mari dimensiuni, și fragmentul sonor realizat de Faster vor construi o nouă lucrare care va dezvălui treptat, elemente inspirate din opera sculptorului modernist Brâncuși.

Apasă play și ascultă, în premieră pe feeder.ro, soundtrack-ul lucrării. Apoi urmărește transformarea zidului între 14 și 18 septembrie, în cadrul Un-hidden București.

• Artists: Faster
• Title: Pentru mine
• Label: feeder sound
• Release date: 31 Aug 2026
• Format: digital

Proiectul Un-hidden București este co-finanțat de Primăria Municipiului București prin ARCUB în cadrul Programului „București în premieră” 2026. În 2026, ARCUB sărbătorește 30 de ani de proiecte care au modelat scena culturală a Bucureștiului. Pentru informații detaliate despre programul de finanțare al Primăriei Municipiului București prin ARCUB, puteți accesa www.arcub.ro.

Conținutul acestui material nu reprezintă în mod necesar poziţia oficială a Primăriei Municipiului București sau ARCUB.

About feeder sound

feeder sound is a showcase of local and international talent alike, comprised of DJ sets and fresh tunes meticulously curated in a sound collection that promotes mutual recognition and cultural exchange between musicians worldwide. Visit the project’s pages, feeder sound, EP reviews, and exclusive premiere to learn more about current and future activities.

„Dialoguri imaginare cu Brâncuși” se încheie cu două evenimente pentru public

„Dialoguri imaginare cu Brâncuși” continuă la Craiova cu o serie de activități dedicate publicului

Proiectul „Dialoguri imaginare cu Brâncuși: Extinderea limitelor expresiei artistice” continuă la GLORIÆ Art Gallery din Craiova cu două evenimente dedicate publicului: atelierul creativ și turul ghidat din 8 septembrie, urmate de masa rotundă și finisajul expoziției din 15 septembrie.

Inițiat de Asociația Empower Art & Artists, în parteneriat cu Fundația SerArte și GLORIÆ Art Gallery, și finanțat de Ministerul Culturii, proiectul aduce în atenția publicului sculptura contemporană printr-o expoziție de grup care reunește lucrările a șase artiste tinere și emergente: Alexandra Brînzac, Lorena Cocioni, Miruna-Ioana Copăcel, Andreea Grigoraș, Ana Ionescu și Ana Pascu. Expoziția propune un dialog între moștenirea brâncușiană și formele de expresie ale prezentului.

Curatoriată de Gloria Berceanu și Valentin Boiangiu, expoziția ocupă atât spațiul interior, cât și grădina galeriei, punând lucrările în relație cu arhitectura și mediul înconjurător.

„În urma experienței acestui proiect și a vizitelor de cercetare de la Târgu-Jiu și Craiova, care ne-au oferit ocazia unei întâlniri directe cu unele dintre cele mai importante lucrări ale lui Brâncuși, de la Ansamblul Monumental „Calea Eroilor” până la „Sărutul”, expus la Muzeul de Artă Craiova, pot spune cu convingere că moștenirea brâncușiană este vie și continuă să inspire.

Cred că este momentul să ne unim forțele – operatorii culturali, instituțiile de cultură și autoritățile – pentru a pune cu adevărat în valoare Ansamblul de la Târgu-Jiu – o resursă culturală extraordinară. Bilbao a demonstrat că un reper cultural poate transforma imaginea și destinul turistic al unui oraș. Târgu-Jiu are deja o capodoperă de valoare universală.”— Angela Izvercian, inițiatoarea proiectului și co-fondatoarea Asociației Empower Art & Artists

Pentru artistele participante, întâlnirea cu opera lui Brâncuși a însemnat și o apropiere de contextul cultural și uman în care acesta și-a construit limbajul artistic.Artista Miruna-Ioana Copăcel subliniază importanța oamenilor care au susținut realizarea Ansamblului Monumental de la Târgu-Jiu, în special rolul Arethiei Tătărescu și al Ligii Naționale a Femeilor Gorjene:

„Mi-a plăcut să văd și partea aceasta a lui Brâncuși, omul care era înconjurat și încurajat de alți oameni care au văzut importanța sculpturii și au făcut-o să se întâmple.”

Pentru Alexandra Brînzac, vizitele de cercetare au oferit o perspectivă diferită asupra operei artistului:

„Cel mai mult m-a impresionat legătura dintre operă și contextul în care s-a format. Vizitând Craiova și Târgu Jiu, am început să observ în arhitectura locală și în simplitatea formelor elemente pe care le regăsesc și în limbajul sculptural al lui Brâncuși. Experiența mi-a schimbat perspectiva asupra operei sale, pe care am putut să o privesc și prin prisma contextului cultural și vizual din care provine.”

8 septembrie: creație, explorare și dialog

Primul dintre evenimentele programate în această ultimă etapă este dedicat în mod special elevilor și tinerilor. Pe 8 septembrie, la GLORIÆ Art Gallery, Valentin Boiangiu și Laura Semenov susțin un atelier creativ pornind de la universul artistic al lui Brâncuși și de la lucrările celor șase artiste din expoziție.

Programul începe cu un tur ghidat al expoziției, menit să ofere participanților repere pentru înțelegerea lucrărilor și a perspectivelor curatoriale. Turul va urmări relațiile dintre sculptură, instalație, obiect și spațiu, precum și felul în care artistele construiesc propriile răspunsuri la provocarea unui dialog imaginar cu Brâncuși.

15 septembrie: sculptura dincolo de limitele expoziției

Programul proiectului se încheie pe 15 septembrie, printr-o masă rotundă și finisajul expoziției.

Masa rotundă, moderată de Valentin Boinagiu, co-curatorul expoziției, va aduce împreună perspective asupra sculpturii contemporane și asupra experienței celor șase artiste, deschizând o conversație despre materialitate, libertatea de expresie, relația dintre corp și obiect, raportul dintre tradiție și experiment și locul sculpturii în arta contemporană.

CALENDAR ACTIVITĂȚI CONEXE

8 septembrie 2026 | 10:00–12:30
Atelier creativ pentru elevi și tineri & tur ghidat. Acces gratuit.
Participare la atelier se face în limita locurilor disponibile.

15 septembrie 2026 | 18:00 -20:00
Masă rotundă & finisajul expoziției
Intrare liberă.

Locație: GLORIÆ Art Gallery, Str. Alexandru Macedonski nr. 49, Craiova

Expoziția „Dialoguri imaginare cu Brâncuși: Extinderea limitelor expresiei artistice” poate fi vizitată până la 15 septembrie 2026, la GLORIÆ Art Gallery din Craiova.

Parteneri instituționali: Muzeul de Artă Craiova și Centrul de Cercetare, Documentare și Promovare „Constantin Brâncuși”

Parteneri media: RFI România, Radio România Cultural, Empower Artists, Urban, The Institute, Feeder.ro, Curatorial.ro, ArTeVezi, Modernism, IQads

Phil Rodriguez presents “Hold Me,” a vocal-driven electronic composition released through Skyline Archive, the independent label he established in 2026 as a framework for connecting new productions with earlier recordings, visual material, memory and physical formats.

Operating as the melodic and emotionally open identity within the label, Phil Rodriguez works here with extended progression, spacious arrangement and a vocal positioned at the centre of the composition.

The track gradually unfolds rather than moving rapidly toward a conventional climax. Its rhythmic foundation maintains a steady club-oriented pulse while melodic layers enter with restraint, leaving considerable room in the arrangement for the vocal passages.

This emphasis on space becomes one of the most interesting elements of the production.

Instead of functioning as a separate topline, the voice shapes the movement of the instrumental itself. Repetition changes its context with each return, while the surrounding melodies progressively increase tension without overwhelming the central idea.

Rodriguez cites the emotional role of vocals in projects such as Delerium, Fragma and Chicane as part of the conceptual background to the track. The influence appears less in direct stylistic references than in the decision to treat the human voice as the emotional anchor of an electronic composition.

The project also reconnects with a much longer musical history.

In 1995, Phil Rodriguez released “Repetive” through Geckoo as GECK 003, later appearing on the Serious Beats 17 compilation. “Evolute” followed on Dance Opera, while “Closer” appeared through Indépendance Records and was subsequently released in Germany through Fog Area with a R.O.O.S. remix.

His current work through Skyline Archive places those earlier experiences inside a new structure.

The label uses two central production identities: Phil Rodriguez for its melodic, vocal and expansive material and Marc Henry for its rawer, more hypnotic and technically focused output. Other catalogue strands include Wippe Roma, whose material will also form part of the imprint’s first vinyl release.

“Hold Me” will next appear in physical form as “Hold Me (Original Club Mix)” on Side A of SALP 001, the first Skyline Archive vinyl release.

The record is completed by:

A — Phil Rodriguez – Hold Me (Original Club Mix)
B1 — Marc Henry – Neurotronik (Analog Acid Rework)
B2 — Wippe Roma – Saga (Marc Henry Rework)

Mastering and lacquer cutting for the project have been entrusted to Matt Colton at Metropolis Studios in London, with the pressing planned at Record Industry in Haarlem.

With “Hold Me,” Phil Rodriguez brings a warm and emotionally direct approach to a production that remains firmly connected to the club, using long-form development and carefully managed space rather than immediate impact to establish its character.

“I am Csalogány and my goal is to make people feel.”

Hungarian artist Csalogány explores psychology, emotional experience and the inner workings of the mind through music. Her work revolves around a central question: how can our most elusive internal processes be transformed into sound? Rather than simply explaining emotions, her songs aim to create emotional landscapes that allow listeners to experience them.

The project first gained wider attention through Kikeltető, a Hungarian talent programme for emerging underground artists, and has since appeared on both domestic and international stages. One of Csalogány’s defining works, “Peremvidék (F3160)”, has also received international recognition through its accompanying music video, which won first prize at the London Music Video Awards, took second place at the Berlin Music Video Awards in 2026, and was selected for the Odense International Film Festival.

The title refers to F31.60, the ICD code for a mixed state of bipolar disorder, in which symptoms associated with mania and depression can be present at the same time. The song attempts to capture the complexity and contradiction of this state through sound. Directed by Péter Becz, the video reflects on these layers through the story of a female museum attendant who, amid the monotony of her work, encounters a painting of a horse. The moment breaks through her apathy and leads her towards dance as a means of self-expression and identity-building. The film stars dancer and choreographer Bettina Rose Jurák, with cinematography by Marcell Csillag and production by Beyond.

An emotional experience this complex cannot be approached from a single perspective. This idea became the starting point for revisiting the original track: to explore the same state from another angle while remaining faithful to its emotional core. “F3160 (Reimagined)” was born from this approach, not simply as an alternative version, but as a new interpretation of the psychological landscape behind Peremvidék.

“F3160 (Reimagined)” marks the beginning of a new era for Csalogány, expanding her musical language while keeping the transformation of inner experience into sound at the centre of her work. The goal remains simple: to make people feel.

Mosimann continues his descent into the darker corners of club culture with the latest instalment of his underground techno project, Traumwerk. 

In slick succession to the first instalment released during peak season, two-track compilation Traumwerk SUMMER26_002 now pushes the Traumwerk aesthetic further into hypnotic, late-night territory. Conceived as a space for Mosimann to step outside the boundaries of his established output, Traumwerk is built around raw club energy, stripped-back production and the physical connection between sound and dancefloor. 

‘Traumen’ infatuates the room with its minimal composition, slick techno pulse, and atmospheric, progressive textures that swarm each intoxicating build for moments of pure club ecstasy. ‘Neunundsechzig’ takes a darker tone, surrendering entirely to a driving techno beat, ebbed with lucidly distorted vocal cuts. 

Together, the two tracks underline the increasingly defined sonic language of Traumwerk: immersive, instinctive and designed exclusively for the after dark hours.  

Forming the core ethos of Voulez-Vous, Mosimann's debut Ibiza residency at Cova Santa, the series explores the deeper end of French electronic music through a carefully curated underground line-up, culminating on 12th September. That darker energy continues to seep into every corner of Mosimann's live world, with a B2B alongside MALAA at Touquet Music Beach Festival on 29th August, before handing over to ARTBAT and Peggy Gou. 

In October, Mosimann takes over Zénith Paris for two sold-out performances on 17 and 18 October, before turning the venue into the starting point and final destination of Dream Night, a 24-hour live marathon spanning five concerts and four of Paris' nightlife spaces. The journey moves from Zénith to T7, Virage Paris, Central Chapelle and back to Zénith for its final chapter, combining DJ sets, live performances, guests and surprises across the night. 

As Mosimann's live world expands to ever-bigger stages, Traumwerk SUMMER26_002 keeps its focus firmly on the dancefloor, delivering another hypnotic chapter in his ongoing exploration of underground techno. 

Mosimann presents Traumwerk ‘SUMMER26_002’ is out now on Sony Music. 

Traumwerk – SUMMER26_002 

Traumen 

Neunundsechzig 

Mosimann presents Voulez-Vous at Cova Santa, Ibiza 

16th May, 6th June, 8th August, 12th September 2026  

Tickets on sale now.   

Mosimann online: 

Website | Instagram | Facebook | YouTube | TikTok | Spotify   

Bohemian Disco boss Jason Herd links up with the brilliant UK live crew Golden Gate and NYC vocal powerhouse Jessie Wagner (Nile Rodgers/Chic, Three Degrees, Duran Duran) for a vibrant new spin on Martha Wash’s 90s soulful gem, 'Carry On'. This trio of talent flips the classic into a full‑bodied disco house burner, stacked with punchy drums, a rolling bass groove, shimmering strings, tight guitar flicks, standout keys and Jessie’s huge, heartfelt vocal taking centre stage, creating a peach of a new rendition. Jason also drops one of his funky trademark late‑night dubs, loaded with a chunky elastic bassline, filtered string sweeps, cheeky vocal chops and a breakdown built to blow the roof off any dance floor!