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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CkYGR3Y7cCp7ImA9WhVXEko.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147</id><updated>2012-04-12T23:35:26.808+01:00</updated><category term="g.bortolotti" /><category term="felix 06" /><category term="felix 14" /><category term="reading" /><category term="g.marzaioli" /><category term="felix 04" /><category term="j.leon" /><category term="p.febbraro" /><category term="felix 09" /><category term="main" /><category term="nuove uscite" /><category term="felix 12" /><category term="catalogo giugno 2007" /><category term="joe ross" /><category term="felix 16" /><category term="r.sekiguchi" /><category term="a.raos" /><category term="a.inglese" /><category term="j.flores-haboud" /><category term="felix 02" /><category term="felix 07" /><category term="felix 03" /><category term="recensione" /><category term="m.zaffarano" /><category term="felix 10" /><category term="photo" /><category term="k.fraser" /><category term="felix 05" /><category term="c.bordini" /><category term="statement(s)" /><category term="felix 08" /><category term="é.suchère" /><category term="felix 01" /><category term="felix 17" /><category term="felix 11" /><category term="j.-m.gleize" /><category term="m.pizzi" /><category term="felix 15" /><category term="felix 13" /><category term="a.broggi" /><category term="j.scappettone" /><category term="g.mesa" /><title>THE FELIX SERIES</title><subtitle type="html">of readings &amp; micro-chaps</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://felixseries.blogspot.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>43</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/felixseries" /><feedburner:info uri="felixseries" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:browserFriendly></feedburner:browserFriendly><entry gd:etag="W/&quot;CkAESX46fCp7ImA9Wx9TEUo.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-4513914834357960898</id><published>2010-11-19T13:45:00.000+01:00</published><updated>2010-11-19T13:45:08.014+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-11-19T13:45:08.014+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="recensione" /><category scheme="http://www.blogger.com/atom/ns#" term="m.pizzi" /><title>Recensione a Marina Pizzi, "Dallo stesso altrove"</title><content type="html">Una recensione al felix di &lt;b&gt;Marina Pizzi&lt;/b&gt;, &lt;i&gt;Dallo stesso altrove&lt;/i&gt; compare su Poesia2punto0: qui:&lt;br /&gt;
&lt;a href="http://www.poesia2punto0.com/2010/11/18/marina-pizzi-dallo-stesso-altrove/#more-3854"&gt;http://www.poesia2punto0.com/2010/11/18/marina-pizzi-dallo-stesso-altrove/#more-3854 &lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-4513914834357960898?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/4513914834357960898?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/4513914834357960898?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2010/11/recensione-marina-pizzi-dallo-stesso.html" title="Recensione a Marina Pizzi, &quot;Dallo stesso altrove&quot;" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;CEINQn4_fCp7ImA9Wx5SE0g.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-6575663630912770938</id><published>2010-08-09T12:16:00.000+01:00</published><updated>2010-08-09T12:16:33.044+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-08-09T12:16:33.044+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="g.marzaioli" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 17" /><title>alcuni "Moduli" online</title><content type="html">&amp;nbsp;&amp;nbsp; &lt;br /&gt;
Grazie a Lidia Riviello, che ospita alcuni &lt;i&gt;Moduli di prima fase&lt;/i&gt;, di Giulio Marzaioli, in&lt;br /&gt;
&lt;br /&gt;
&lt;b&gt;&lt;a href="http://absolutepoetry.org/Giulio-Marzaioli-estratti-da"&gt;http://absolutepoetry.org/Giulio-Marzaioli-estratti-da&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;
&amp;nbsp;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-6575663630912770938?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6575663630912770938?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6575663630912770938?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2010/08/alcuni-moduli-online.html" title="alcuni &quot;Moduli&quot; online" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;CkMARn4-fSp7ImA9WxFWFEo.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-6569343762646655555</id><published>2010-05-20T10:10:00.008+01:00</published><updated>2010-06-02T10:20:47.055+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-06-02T10:20:47.055+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="g.marzaioli" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 04" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 01" /><category scheme="http://www.blogger.com/atom/ns#" term="m.zaffarano" /><category scheme="http://www.blogger.com/atom/ns#" term="g.mesa" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 17" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><title>La Camera verde a Berlino, sabato 29 maggio 2010</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span font="" style="font-family: Arial,Helvetica,Verdana; font-size: x-small;"&gt;&lt;a href="http://www.blogger.com/post-edit.g?blogID=4134081950935687147&amp;amp;postID=6569343762646655555" name="Cameraverde"&gt;&lt;b&gt;Samstag, 29. Mai 2010, 19.30 Uhr, Eintritt: 5,-  Euro&lt;br /&gt;
&lt;span style="color: red;"&gt;La Camera Verde a Berlino&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;&lt;b&gt;&lt;br /&gt;
Ein Verlags- und Kulturzentrum aus Rom zu Gast in Berlin&lt;br /&gt;
Lesung in deutscher und italienischer Sprache mit Ausstellungseröffnung&lt;br /&gt;
Mit den Lyrikern Giulio Marzaioli, Michele Zaffarano, Giuliano Mesa  sowie dem Direktor von La Camera Verde, Giovanni Andrea Semerano, dem  Herausgeber  der Lyrik-Reihe felix, Marco Giovenale, und den Übersetzerinnen  Elisabetta Mengaldo und Angela Sanmann&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
Die italienischen Lyriker Giulio Marzaioli, Michele Zaffarano und  Giuliano Mesa präsentieren eine Auswahl ihrer poetischen Texte, die sich  als  experimentelle Suche nach poetischen Ausdrucksformen jenseits  traditioneller Gattungsgrenzen verstehen. Ihre Arbeiten sind in der von  Marco Giovenale  herausgegebenen Reihe &lt;a href="http://felixseries.blogspot.com/"&gt;&lt;b&gt;&lt;i&gt;felix&lt;/i&gt;&lt;/b&gt;&lt;/a&gt; im Verlag La Camera Verde erschienen.&lt;br /&gt;
&lt;br /&gt;
Neben den Autoren tragen die Übersetzerinnen Angela Sanmann und  Elisabetta Mengaldo die eigens für die Lesung angefertigten deutschen  Fassungen vor.  Außerdem führen sie ein Gespräch mit dem Verleger Andrea Semerano über  die Ursprünge und die Perspektiven seines Verlages (in italienischer und  deutscher  Sprache). Ein zweisprachiges Heft mit den Texten liegt kostenlos aus.&lt;br /&gt;
&lt;br /&gt;
Zugleich: Eröffnung der Foto-Ausstellung von &lt;b&gt;Christian Sanmann&lt;/b&gt; &lt;i&gt;berlin.  (un)gleichzeitiges&lt;/i&gt; zu Gedichten von Angela Sanmann. Der  dazugehörige  zweisprachige Foto-Lyrikband &lt;i&gt;berliNO allo stesso tempo&lt;/i&gt; wurde 2009  bei der Camera Verde veröffentlicht.&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: center;"&gt;&lt;span font="" style="font-family: Arial,Helvetica,Verdana; font-size: x-small;"&gt;&amp;gt;&amp;gt; &lt;a href="http://www.lettretage.de/Programm5-10.html"&gt;http://www.lettretage.de/Programm5-10.html&lt;/a&gt; &amp;lt;&amp;lt; &lt;/span&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;&lt;a href="http://slowforward.files.wordpress.com/2010/05/berlin_29_5_.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="52" src="http://slowforward.files.wordpress.com/2010/05/berlin_29_5_.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-6569343762646655555?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6569343762646655555?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6569343762646655555?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2010/05/la-camera-verde-berlino.html" title="La Camera verde a Berlino, sabato 29 maggio 2010" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;CU8GR3o5fCp7ImA9WxFTE00.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-387058178442242385</id><published>2010-04-03T15:08:00.002+01:00</published><updated>2010-04-03T15:10:26.424+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2010-04-03T15:10:26.424+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="g.marzaioli" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 17" /><title>10 aprile 2010: nuovo felix: "Moduli di prima fase", di Giulio Marzaioli</title><content type="html">&lt;div style="text-align: center;"&gt;sabato 10 aprile  2010, ore 20:00 &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;presso il centro culturale&amp;nbsp;&lt;/div&gt;&lt;div style="text-align: center;"&gt;La Camera Verde &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;(via G. Miani 20, quartiere Ostiense)&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;presentazione di &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;i&gt;&lt;span style="font-size: large;"&gt;moduli di prima fase &lt;/span&gt;&lt;/i&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;di &lt;b&gt;Giulio Marzaioli &lt;/b&gt;&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;collana felix a cura di Marco Giovenale &lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;
&lt;/div&gt;&lt;div style="text-align: center;"&gt;* &lt;/div&gt;&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;Giulio Marzaioli ha scritto opere in poesia e prosa, oltre che per il teatro, per le arti figurative, per la video arte, per la fotografia. Suoi testi sono pubblicati presso varie case editrici e sono tradotti in Francia, Stati Uniti, Germania, Spagna, Svezia. Ultimamente alla scrittura unisce la ricerca per immagini. Da circa dieci anni collabora con La Camera Verde.&lt;/span&gt; &lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;* &lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: justify;"&gt;&lt;span style="font-size: x-small;"&gt;Serie di moduli sono state pubblicate su ΄Runbook΄ (in traduzione inglese), Absolute Poetry, ΄Versodove΄, ΄OR΄ (in traduzione inglese), ΄il verri΄, bina, lettere grosse, ‘Nioques’ (in traduzione francese). I moduli dialogono con immagini create da Teresa Iaria nella video-installazione ‘M Project’.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-387058178442242385?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/387058178442242385?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/387058178442242385?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2010/04/10-aprile-2010-nuovo-felix-moduli-di.html" title="10 aprile 2010: nuovo felix: &quot;Moduli di prima fase&quot;, di Giulio Marzaioli" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;D04BRnYzfyp7ImA9WxNbEkQ.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-1227101367267491896</id><published>2009-11-15T15:33:00.002+01:00</published><updated>2009-11-15T15:39:17.887+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-15T15:39:17.887+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 16" /><category scheme="http://www.blogger.com/atom/ns#" term="j.-m.gleize" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><title>19 novembre, Empiria: "In vista laterale", di Jean-Marie Gleize</title><content type="html">&lt;div  class="gmail_quote" style="font-family:trebuchet ms;"&gt;&lt;div class="gmail_quote"&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:100%;"&gt;Giovedì 19 novembre, alle ore 20:30&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="gmail_quote"&gt;&lt;div class="gmail_quote"&gt;&lt;div class="gmail_quote"&gt;&lt;div class="gmail_quote"&gt;  &lt;div class="gmail_quote"&gt;&lt;div&gt;&lt;p class="MsoNormal" style="margin-bottom: 12pt; text-align: center;" align="center"&gt; &lt;span style=";font-size:100%;color:black;"  &gt;  presso la &lt;b&gt;Libreria Empirìa&lt;/b&gt;&lt;br /&gt;(Roma, via Baccina 79)&lt;/span&gt;&lt;span style=";font-size:100%;color:black;"  &gt; &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;color:black;"  &gt;Jean-Marie Gleize&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;color:black;"  &gt; &lt;/span&gt;&lt;/p&gt;       &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt;incontra il (suo) pubblico e dialoga con:&lt;/span&gt;&lt;span style=";font-size:100%;color:black;"  &gt; &lt;/span&gt;&lt;/p&gt;       &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;span style="color:black;"&gt;Alessandro De Francesco,&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color:black;"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span style="color:black;"&gt;Marco Giovenale, Luigi Magno&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;span style=";font-size:100%;color:black;"  &gt;&lt;br /&gt;&lt;br /&gt;su&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;color:black;"  &gt;IN VISTA LATERALE&lt;/span&gt;&lt;span style="font-weight: bold;font-size:100%;color:black;"  &gt; &lt;/span&gt;&lt;/p&gt;       &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:78%;color:black;"  &gt;[ La Camera Verde, collana felix, 2009,&lt;br /&gt;traduzione di Michele Zaffarano ]&lt;/span&gt;&lt;span style=";font-size:78%;color:black;"  &gt; &lt;/span&gt;&lt;/p&gt;       &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_U_M2FoLGxKE/SwASgFU2I1I/AAAAAAAACbM/GdBVeRYKldA/s1600-h/J-M_Gleize_en_face_lat%C3%A9rale.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 135px; height: 200px;" src="http://1.bp.blogspot.com/_U_M2FoLGxKE/SwASgFU2I1I/AAAAAAAACbM/GdBVeRYKldA/s200/J-M_Gleize_en_face_lat%C3%A9rale.jpg" alt="" id="BLOGGER_PHOTO_ID_5404339895239320402" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style=";font-size:100%;color:black;"  &gt;Lettura di&lt;/span&gt;&lt;/p&gt;       &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt;Jean-Marie Gleize&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;   &lt;span style=";font-size:100%;color:black;"  &gt;* &lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-bottom: 12pt; text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt;Nel corso della serata saranno proposti inoltre brani di testi di Gleize usciti in rivista, a cura di Alessandro De Francesco&lt;/span&gt;&lt;/p&gt;   &lt;p class="MsoNormal" style="margin: 5pt 0cm; text-align: center;" align="center"&gt;     &lt;span style=";font-size:100%;color:black;"  &gt;*&lt;span&gt;  &lt;/span&gt;*&lt;span&gt;  &lt;/span&gt;*&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="text-align: justify;"&gt;&lt;span style=";font-size:85%;color:black;"  &gt;Jean-Marie Gleize è p&lt;/span&gt;&lt;span style=";font-size:85%;color:black;"  &gt;rofessore di letteratura contemporanea all’Ecole Normale Supérieure di Lione, dove ha diretto il Centre d’études poétiques. &lt;i&gt;Léman&lt;/i&gt; (1990), &lt;i&gt;Le Principe de nudité intégrale&lt;/i&gt; (1995), &lt;i&gt;Les Chiens noirs de la prose&lt;/i&gt; (1999), &lt;i&gt;Néon,&lt;/i&gt; (2002) e &lt;i&gt;Film à venir &lt;/i&gt;(2007) costituiscono le tappe fondamentali del suo progetto creativo. Fondatore e direttore della rivista sperimentale &lt;i&gt;Nioques&lt;/i&gt;, ha pubblicato studi e saggi sulla poesia moderna e contemporanea tra cui &lt;i&gt;Poésie et figuration&lt;/i&gt; (1983), &lt;i&gt;A noir &lt;/i&gt;(1992), &lt;i&gt;Sorties&lt;/i&gt; (2009). Attualmente è &lt;i&gt;visiting professor&lt;/i&gt; presso l’Università degli studi Roma Tre dove tiene regolamente seminari e conferenze.&lt;/span&gt;&lt;/p&gt;       &lt;p class="MsoNormal" style="text-align: center;"&gt;&lt;span style=";font-size:85%;color:black;"  &gt;Una scheda estesa è leggibile all'indirizzo &lt;a href="http://slowforward.wordpress.com/2009/10/21/jmgleize/" target="_blank"&gt;http://slowforward.wordpress.&lt;wbr&gt;com/2009/10/21/jmgleize/&lt;/a&gt;&lt;/span&gt;&lt;/p&gt;   &lt;p style="text-align: center;"&gt;&lt;span style="font-size:85%;"&gt;Alcuni suoi testi in &lt;a href="http://gammm.org/" target="_blank"&gt;gammm.org&lt;/a&gt;:&lt;/span&gt;&lt;/p&gt;  &lt;span style="font-size:85%;"&gt;&lt;a href="http://gammm.org/index.php/2006/07/28/il-sonetto-come-mistero-formale-jean-marie-gleize-1999/" title="jean-marie gleize. il sonetto come mistero formale" target="_blank"&gt; &lt;/a&gt;&lt;/span&gt; &lt;div style="text-align: center;"&gt;&lt;span style="font-size:85%;"&gt;&lt;b&gt;&lt;a href="http://gammm.org/index.php/2007/06/11/la-poesia-e-fatta-da-tutti-jean-marie-gleize-1995/" title="gleize. la poesia è fatta da tutti" target="_blank"&gt;la poesia è fatta da tutti&lt;/a&gt;&lt;/b&gt;. 1995&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://gammm.org/index.php/2006/07/28/il-sonetto-come-mistero-formale-jean-marie-gleize-1999/" title="jean-marie gleize. il sonetto come mistero formale" target="_blank"&gt;  &lt;b&gt;il sonetto come mistero formale&lt;/b&gt;&lt;/a&gt;. 1999&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://gammm.org/wp-content/uploads/2008/01/gleize-bisogna-dire-il-nome-delle-cose.pdf" title="j.m.gleize. bisogna dire il nome delle cose" target="_blank"&gt;&lt;b&gt;bisogna dire il nome delle cose&lt;/b&gt;&lt;/a&gt; [pdf 96 Kb]&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt; &lt;p class="MsoNormal" style="margin: 5pt 0cm; text-align: center;" align="center"&gt;     &lt;span style=";font-size:100%;color:black;"  &gt;*&lt;span&gt;  &lt;/span&gt;*&lt;span&gt;  &lt;/span&gt;*&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;p class="MsoNormal" style="margin-bottom: 12pt; text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;b&gt;&lt;span style="color: rgb(255, 0, 0);"&gt;!! PREVIEW !!&lt;/span&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 12pt; text-align: center;" align="center"&gt;   &lt;span style="font-size:85%;"&gt;&lt;b&gt;in conclusione della serata, alcuni degli autori di &lt;i&gt;Prosa in prosa&lt;/i&gt;&lt;i&gt; &lt;/i&gt;(Le Lettere, novembre 2009),&lt;br /&gt;leggeranno in anteprima alcuni brani dall'antologia, èdita nella collana &lt;a href="http://www.lelettere.it/site/e_SuppliersList.asp?CategoriaNews=&amp;amp;IdSupplier=60" target="_blank"&gt;Fuoriformato&lt;/a&gt; diretta da Andrea Cortellessa.&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="margin-bottom: 12pt; text-align: center;" align="center"&gt;&lt;span style="font-size:85%;"&gt;G.Bortolotti, A.Broggi, M.Giovenale, A.Inglese, A.Raos, M.Zaffarano, &lt;i&gt;Prosa in prosa. Con 504 illustrazioni in bianco e nero nel testo&lt;/i&gt;,&lt;br /&gt; Le Lettere, 2009. Prefazione di Paolo Giovannetti, postfazione di Antonio Loreto&lt;/span&gt;&lt;/p&gt;&lt;p class="MsoNormal" style="margin-bottom: 12pt; text-align: center;" align="center"&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class="MsoNormal" style="text-align: center;" align="center"&gt;&lt;span style=";font-size:100%;color:black;"  &gt; *    *    *&lt;br /&gt;&lt;br /&gt;Empirìa&lt;br /&gt;&lt;span style="font-size:85%;"&gt;via Baccina 79 (quartiere Monti)&lt;br /&gt;tel.0669940850  fax 0645426832&lt;br /&gt;&lt;a href="http://www.empiria.com/" target="_blank"&gt;&lt;span style="color: rgb(0, 0, 204);"&gt;www.empiria.com&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt; &lt;/div&gt; &lt;/div&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:100%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-1227101367267491896?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/1227101367267491896?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/1227101367267491896?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2009/11/19-novembre-empiria-in-vista-laterale.html" title="19 novembre, Empiria: &quot;In vista laterale&quot;, di Jean-Marie Gleize" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/_U_M2FoLGxKE/SwASgFU2I1I/AAAAAAAACbM/GdBVeRYKldA/s72-c/J-M_Gleize_en_face_lat%C3%A9rale.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;DEECQ3g9cCp7ImA9WxNUFkw.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-980957419174199525</id><published>2009-11-07T08:00:00.006+01:00</published><updated>2009-11-07T18:57:42.668+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-11-07T18:57:42.668+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 16" /><category scheme="http://www.blogger.com/atom/ns#" term="j.-m.gleize" /><title>13 novembre 2009: nuovo felix: di Jean-Marie Gleize</title><content type="html">&lt;div style="text-align: center;"&gt;Roma, venerdì &lt;span style="font-weight: bold;"&gt;13 novembre&lt;/span&gt; 2009, alle &lt;span style="font-weight: bold;"&gt;ore 20:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;presso il centro culturale La camera verde&lt;br /&gt;(via G. Miani 20, quartiere Ostiense)&lt;br /&gt;&lt;br /&gt;presentazione del libro di &lt;span style="font-weight: bold;"&gt;Jean-Marie Gleize&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;font-size:130%;" &gt;&lt;span style="font-style: italic;"&gt;IN VISTA LATERALE&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;collana felix a cura di Marco Giovenale&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;traduzione dal francese:&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Michele Zaffarano&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;lettura dell'autore, presente in Camera verde&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Interverrà inoltre&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-weight: bold;"&gt;Luigi Magno&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-weight: bold;"&gt;Jean-Marie Gleize&lt;/span&gt; (Parigi, 1946) è uno scrittore, poeta e saggista francese, attualmente professore di letteratura francese contemporanea all’École Normale Supérieure di Lione. Una scheda sul suo lavoro è leggibile online &lt;a href="http://slowforward.wordpress.com/2009/10/21/jmgleize/"&gt;su slowforward&lt;/a&gt;.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:85%;"&gt;Centro Culturale LA CAMERA VERDE&lt;br /&gt;via Giovanni Miani n.20.&lt;br /&gt;00154 Roma.&lt;br /&gt;Cell. 3405263877&lt;br /&gt;email: lacameraverde [at] tiscali [dot] it&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-980957419174199525?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/980957419174199525?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/980957419174199525?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2009/11/13-novembre-2009-nuovo-felix-di-jean.html" title="13 novembre 2009: nuovo felix: di Jean-Marie Gleize" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;DkUBQ3g8cSp7ImA9WxJWEE0.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-5252503268336132677</id><published>2009-06-14T18:11:00.008+01:00</published><updated>2009-06-14T19:30:52.679+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-06-14T19:30:52.679+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 15" /><category scheme="http://www.blogger.com/atom/ns#" term="c.bordini" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><title>18 giugno: nuovo felix: Carlo Bordini, "I diritti inumani ed altre storie"</title><content type="html">&lt;div style="text-align: center;"&gt;Roma, giovedì &lt;strong&gt;18 giugno&lt;/strong&gt; 2009, alle &lt;span style="font-weight: bold;"&gt;ore 20:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;presso il centro culturale La camera verde&lt;br /&gt;(via G. Miani 20, quartiere Ostiense)&lt;br /&gt;&lt;br /&gt;presentazione del libro di &lt;strong&gt;Carlo Bordini&lt;/strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;br /&gt;I DIRITTI INUMANI&lt;br /&gt;ed altre storie&lt;/em&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;felix&lt;/a&gt; a cura di Marco Giovenale&lt;/span&gt;&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;br /&gt;*&lt;/div&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:78%;"&gt;&lt;strong&gt;Carlo Bordini&lt;/strong&gt; ha pubblicato diversi libri di poesia, in parte esauriti. Quelli ancora reperibili sono: &lt;em&gt;Mangiare&lt;/em&gt;, Empirìa 1995; &lt;em&gt;Polvere&lt;/em&gt;, Empirìa 1999; &lt;em&gt;Purpureo Nettare&lt;/em&gt;, Alla pasticceria del pesce 2006; &lt;em&gt;Sasso&lt;/em&gt;, Scheiwiller 2008. Ha pubblicato, come narratore: &lt;em&gt;Manuale di autodistruzione&lt;/em&gt;, Fazi 1998 – 2004; &lt;em&gt;Pezzi di ricambio&lt;/em&gt;, Empirìa 2003;  &lt;em&gt;Gustavo – una malattia mentale&lt;/em&gt;, Avagliano 2006. Ha curato, con altri: &lt;em&gt;Renault 4 – Scrittori a Roma prima della morte di Moro&lt;/em&gt;, Avagliano 2007; &lt;em&gt;Dal fondo - la poesia dei marginali&lt;/em&gt;, Savelli 1978 (ristampato in Avagliano 2007). Con l’editore Luca Sossella ha pubblicato, nel 2008, &lt;em&gt;Non è un gioco – appunti di viaggio sulla poesia in America Latina&lt;/em&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/div&gt; &lt;p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt; &lt;div style="text-align: center;"&gt;&lt;strong&gt;&lt;span style="font-size:78%;"&gt;Centro Culturale LA CAMERA VERDE&lt;br /&gt;via Giovanni Miani n.20.&lt;br /&gt;00154 Roma.&lt;br /&gt;Cell. 3405263877&lt;br /&gt;email: lacameraverde [at] tiscali [dot] it&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-5252503268336132677?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/5252503268336132677?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/5252503268336132677?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2009/06/18-giugno-nuovo-felix-carlo-bordini-i.html" title="18 giugno: nuovo felix: Carlo Bordini, &quot;I diritti inumani ed altre storie&quot;" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;CEYAQ3c8eCp7ImA9WxVaFUs.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-4051334815437455075</id><published>2009-04-12T17:11:00.002+01:00</published><updated>2009-04-12T19:49:02.970+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-04-12T19:49:02.970+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 07" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><category scheme="http://www.blogger.com/atom/ns#" term="j.flores-haboud" /><title>15 aprile: Jeamel Flores-Haboud a Roma: lettura in Camera verde</title><content type="html">&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;A Roma, &lt;b&gt;mercoledì 15 aprile&lt;/b&gt; 2009, alle ore 19:30&lt;/p&gt;  &lt;p style="text-align: center;" mce_style="text-align:center;"&gt;presso il centro culturale La camera verde&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;span style="font-size:85%;"&gt;(via G. Miani 20)&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;Lettura di &lt;b&gt;Jeamel Flores-Haboud&lt;/b&gt;&lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;a href="http://i206.photobucket.com/albums/bb209/differx/JFlores-Haboud_Pleamor_.jpg"&gt;&lt;img style="width: 100px; height: 159px;" src="http://i206.photobucket.com/albums/bb209/differx/JFlores-Haboud_Pleamor_.jpg" align="center" border="0" vspace="0" hspace="15" /&gt;&lt;/a&gt;&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;span style="font-size:130%;"&gt;da &lt;a href="http://felixseries.blogspot.com/2008/01/jeamel-flores-haboud-pleamor.html" mce_href="http://felixseries.blogspot.com/2008/01/jeamel-flores-haboud-pleamor.html" target="_blank"&gt;&lt;b&gt;&lt;i&gt;Pleamor&lt;/i&gt;&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;[ &lt;a href="http://felixseries.blogspot.com/" mce_href="http://felixseries.blogspot.com/" target="_blank"&gt;collana felix&lt;/a&gt;, poesie tradotte da Giuliano Mesa ]&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt; &lt;/p&gt;&lt;p style="text-align: center;" mce_style="text-align:center;"&gt;Intervengono, con l'autrice, Giuliano Mesa e Marco Giovenale&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt; §&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;span style="font-size:85%;"&gt;Centro Culturale LA CAMERA VERDE&lt;br /&gt;via Giovanni Miani 20&lt;br /&gt;00154 Roma&lt;br /&gt;tel. 3405263877&lt;br /&gt;email: lacameraverde [at] tiscali [dot] it&lt;/span&gt;&lt;/p&gt; &lt;p style="text-align: center;" mce_style="text-align:center;"&gt;&lt;span style="font-size:85%;"&gt;&lt;a href="http://www.lacameraverde.com/" mce_href="http://www.lacameraverde.com/" target="_blank"&gt;www.lacameraverde.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-4051334815437455075?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/4051334815437455075?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/4051334815437455075?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2009/04/15-aprile-jeamel-flores-haboud-roma.html" title="15 aprile: Jeamel Flores-Haboud a Roma: lettura in Camera verde" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;DkMARn0_fSp7ImA9WxVUEU4.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-5448682521823244944</id><published>2009-03-15T15:12:00.005+01:00</published><updated>2009-03-15T17:27:27.345+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2009-03-15T17:27:27.345+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="a.raos" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 14" /><category scheme="http://www.blogger.com/atom/ns#" term="r.sekiguchi" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><title>Mercoledì 18 marzo: nuovo felix: di Ryôko Sekiguchi</title><content type="html">&lt;div style="text-align: center;"&gt;A Roma, mercoledì &lt;span style="font-weight: bold;"&gt;18 marzo&lt;/span&gt; 2009, alle &lt;span style="font-weight: bold;"&gt;ore 20:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;presso il Centro culturale&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;La camera verde&lt;/span&gt;&lt;br /&gt;(via G.Miani 20)&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_U_M2FoLGxKE/Sb0sMj3Z3PI/AAAAAAAAB_w/-gAeAzx8S-o/s1600-h/apparizione.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 120px; height: 181px;" src="http://3.bp.blogspot.com/_U_M2FoLGxKE/Sb0sMj3Z3PI/AAAAAAAAB_w/-gAeAzx8S-o/s400/apparizione.jpg" alt="" id="BLOGGER_PHOTO_ID_5313451729664728306" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;presentazione del libro &lt;span style="font-style: italic;"&gt;felix&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-weight: bold;"&gt;APPARIZIONE &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;font-size:130%;" &gt;(studi vapore) / indagine sul vapore&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;di &lt;span style="font-weight: bold;"&gt;Ryôko Sekiguchi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;edizione trilingue (giapponese, francese, italiana)&lt;br /&gt;a cura di Andrea Raos&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Sarà presente l'autrice, che leggerà alcuni brani&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Interventi di Andrea Raos e Marco Giovenale&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Ryôko Sekiguchi è nata a Tokyo nel 1970, vive a Parigi. Scrive in giapponese e in francese. Sei libri in giapponese, sette in francese. Tra gli altri: &lt;span style="font-style: italic;"&gt;Calque&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Héliotropes&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Deux marchés&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;de nouveau&lt;/span&gt; (presso POL), &lt;span style="font-style: italic;"&gt;Adagio ma non troppo&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Série Grenade suivi de Etudes Vapeur&lt;/span&gt; (Le Bleu du Ciel). Ha tradotto Jean Echenoz, Atiq Rahimi, Pierre Alferi, Gozo Yoshimasu e Yoko Tawada.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;a differenza di una posizione lirica del testo, è il movimento contrario a brillare (e convincere) nei testi di Ryôko Sekiguchi: la &lt;span style="font-style: italic;"&gt;lirica della posizione del testo&lt;/span&gt;. quindi la collocazione geometrica dei blocchi di prosa. il loro reorientamento. così come il colore non è l’oggetto dell’innamorarsi dello sguardo autoriale, ma il soggetto di quella azione percettiva, di quel guardare. lo &lt;span style="font-style: italic;"&gt;agisce&lt;/span&gt;, gli dà orizzonte.&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;[ m.g. ]&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;*  *  *&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;::: Collana FELIX :::&lt;br /&gt;&lt;br /&gt;La camera verde&lt;br /&gt;via G.Miani 20 - 00154 Roma&lt;br /&gt;tel. 3405263877&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-5448682521823244944?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/5448682521823244944?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/5448682521823244944?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2009/03/mercoledi-18-marzo-nuovo-felix-di-ryoko.html" title="Mercoledì 18 marzo: nuovo felix: di Ryôko Sekiguchi" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_U_M2FoLGxKE/Sb0sMj3Z3PI/AAAAAAAAB_w/-gAeAzx8S-o/s72-c/apparizione.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;D04ARXo4cSp7ImA9WxRTFUs.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-5777196174963152916</id><published>2008-09-04T12:02:00.000+01:00</published><updated>2008-09-04T23:05:44.439+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-09-04T23:05:44.439+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 11" /><category scheme="http://www.blogger.com/atom/ns#" term="j.leon" /><title>Jon Leon, Diphasic Rumors</title><content type="html">&lt;div style="text-align: right;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_U_M2FoLGxKE/SJ2kg_hhEjI/AAAAAAAABL8/TsZef12sHT4/s1600-h/diphasic+rumors.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 126px; height: 184px;" src="http://4.bp.blogspot.com/_U_M2FoLGxKE/SJ2kg_hhEjI/AAAAAAAABL8/TsZef12sHT4/s320/diphasic+rumors.jpg" alt="" id="BLOGGER_PHOTO_ID_5232519228789166642" border="0" /&gt;&lt;/a&gt;Jon Leon&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Diphasic Rumors&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;span style="font-size:78%;"&gt;&lt;br /&gt;Poesia. Edizione bilingue.&lt;br /&gt;Traduzione italiana a cura di Gherardo Bortolotti&lt;br /&gt;&lt;/span&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;Felix&lt;/a&gt;,&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;La camera verde, Roma, giugno 2008&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;*&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;Nato nel 1982, Jon Leon è scrittore e videoartista. Vive negli Stati Uniti, a Raleigh, in North Carolina. Tra i suoi libri: &lt;span style="font-style: italic;"&gt;Right Now the Music and the Life Rule&lt;/span&gt; (Sunset Debris Intl, 2006), &lt;span style="font-style: italic;"&gt;TRACT &lt;/span&gt;(Dusie, 2006), &lt;span style="font-style: italic;"&gt;Hit Wave&lt;/span&gt; (Kitchen Press, 2008), e &lt;span style="font-style: italic;"&gt;Alexandra&lt;/span&gt; (Cosa Nostra Editions, 2008). Nuove poesie compaiono in «Fence», «Soft Targets», «The New Review of Literature». Nel 2007 con Alyssa Wolf ha prodotto «The | Black Economy», rivista cartacea che ha ospitato nuovi poeti italiani e americani.&lt;/span&gt;&lt;span style="font-size:85%;"&gt; &lt;/span&gt; &lt;/p&gt;&lt;p style="text-align: justify;"&gt;*&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;"il principio dei testi di Jon Leon è la discontinuità, la sconnessione, o un eccesso intenzionale di fratture. o – ancora meglio – il lavoro e l'insistenza ossessiva sui momenti di legame (saltato). ossessione &lt;span style="font-style: italic;"&gt;felice&lt;/span&gt;. la violenza si esercita su punti di avvio o chiusura, su quei frangenti di esitazione della frase in cui tutto può succedere. (e tutto, di fatto, negli snodi e svolte delle poesie, succede: viene fatto accadere)." [m.g.]&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-5777196174963152916?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/5777196174963152916?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/5777196174963152916?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/04/jon-leon-diphasic-rumors.html" title="Jon Leon, Diphasic Rumors" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_U_M2FoLGxKE/SJ2kg_hhEjI/AAAAAAAABL8/TsZef12sHT4/s72-c/diphasic+rumors.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;D04FQnsyeSp7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-7649216770263459477</id><published>2008-08-08T10:01:00.000+01:00</published><updated>2008-11-13T04:11:53.591+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:53.591+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="k.fraser" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 10" /><title>Kathleen Fraser, Witness / Testimone</title><content type="html">&lt;div style="text-align: right;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKoz20wPDI/AAAAAAAABJY/fUqtiLZKdkc/s1600-h/K.Fraser_Witness_Testimone_.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 167px; height: 116px;" src="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKoz20wPDI/AAAAAAAABJY/fUqtiLZKdkc/s400/K.Fraser_Witness_Testimone_.jpg" alt="" id="BLOGGER_PHOTO_ID_5206909728037289010" border="0"&gt;&lt;/a&gt;Kathleen Fraser&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;br /&gt;&lt;font style="font-weight: bold;"&gt;Witness / Testimone&lt;/font&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;font size="1"&gt;&lt;br /&gt;Poesia. Edizione bilingue.&lt;br /&gt;Traduzione italiana a cura di Marco Giovenale&lt;br /&gt;&lt;/font&gt;&lt;p&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;font size="1"&gt;Collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;Felix&lt;/a&gt;,&lt;br /&gt;&lt;/font&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;font size="1"&gt;La camera verde, Roma, maggio 2008&lt;br /&gt;&lt;/font&gt;&lt;/p&gt;&lt;p align="right"&gt;*&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;font size="2"&gt;I libri di Kathleen Fraser comprendono 20 raccolte di poesie – cinque in collaborazione con i pittori americani JoAnn Ugolini, Sam Francis, Mel Bochner, Hermine Ford e David Marshall – e un libro di saggi di poetica: &lt;font style="font-style: italic;"&gt;Translating the Unspeakable: Poetry and the Innovative Necessity&lt;/font&gt; (2000). Fraser ha tradotto opere di Maria Obino e Andrea Raos, e soggiorna spesso in Italia. I suoi testi murali per &lt;font style="font-style: italic; font-weight: bold;"&gt;ii ss&lt;/font&gt;, composti in collaborazione con i disegni di Hermine Ford, sono stati esposti a Roma al Pratt Institute of Architecture (2007). Raccolte recenti: &lt;font style="font-style: italic;"&gt;Discrete Categories Forced Into Coupling&lt;/font&gt; (Apogee, 2004) e il testo in collage &lt;font style="font-style: italic;"&gt;hi   dde   violeth   I   dde   violet&lt;/font&gt;  (Nomados Press, 2003). Ha vinto i premi Guggenheim e N.E.A. di poesia. Un’intervista è in&lt;a href="http://jacketmagazine.com/33/fraser-ivby-rosenthal.shtml"&gt; http://jacketmagazine.com/33/fraser-ivby-rosenthal.shtml&lt;/a&gt;.&lt;/font&gt;&lt;font size="2"&gt; &lt;/font&gt; &lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;font size="2"&gt;*&lt;/font&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;font size="2"&gt;"due meccanismi contrapposti e bilanciati – la messa a fuoco dei dettagli e la parallela sfocatura di ogni 'lente' che 'sorvola' visioni d’insieme – determinano due caratteristiche del poemetto: la dizione politica &lt;font style="font-style: italic;"&gt;non &lt;/font&gt;retorica, e la crisi anche grammaticale dei soggetti che prendono parola. definiti – parlanti – svaniscono. i frammenti, le voci e oscillazioni, le frasi disperse, irrintracciabili, i commenti raccolti nel dopo-distruzione non possono (non chiedono di) essere ricondotti a figure note, né a una icona o torre definita, che qui semmai è &lt;font style="font-style: italic;"&gt;tour abolie&lt;/font&gt;. " [m.g.]&lt;/font&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;font size="2"&gt;&lt;br /&gt;&lt;/font&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-7649216770263459477?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/7649216770263459477?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/7649216770263459477?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/08/kathleen-fraser-witness-testimone.html" title="Kathleen Fraser, Witness / Testimone" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKoz20wPDI/AAAAAAAABJY/fUqtiLZKdkc/s72-c/K.Fraser_Witness_Testimone_.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;AkQGQXo_cCp7ImA9WxdXF0k.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-3400539183046950912</id><published>2008-06-29T15:03:00.002+01:00</published><updated>2008-06-29T15:05:20.448+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-06-29T15:05:20.448+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 13" /><category scheme="http://www.blogger.com/atom/ns#" term="p.febbraro" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><title>... di piccole foglie sparse e di giardini ...</title><content type="html">&lt;div style="text-align: center;"&gt;Sabato &lt;span style="font-weight: bold;"&gt;5 luglio&lt;/span&gt; 2008, ore 20:30&lt;br /&gt;&lt;br /&gt;La camera verde&lt;br /&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;Roma, via G. Miani 20&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;PER PAOLA FEBBRARO&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;presentazione di&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Paola &lt;span style="font-weight: bold;"&gt;Febbraro&lt;/span&gt;, .&lt;span style="font-style: italic;"&gt;.. di piccole foglie sparse e di giardini ...&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Poesie. Collana &lt;a href="http://felixseries.blogspot.com"&gt;felix&lt;/a&gt;, La camera verde, Roma 2008&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-3400539183046950912?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/3400539183046950912?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/3400539183046950912?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/06/di-piccole-foglie-sparse-e-di-giardini.html" title="... di piccole foglie sparse e di giardini ..." /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;D04FQnY7fip7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-8813681782006334663</id><published>2008-06-16T11:58:00.003+01:00</published><updated>2008-11-13T04:11:53.806+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:53.806+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="recensione" /><category scheme="http://www.blogger.com/atom/ns#" term="j.scappettone" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 12" /><title>Recensione di Laura Cingolani a “Thing Ode”, di Jennifer Scappettone</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.crakweb.it/scappettone,2,484.html"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 376px; height: 353px;" src="http://2.bp.blogspot.com/_U_M2FoLGxKE/SFZHgepw82I/AAAAAAAABKE/APlUctTEUFM/s400/recensione+thing+ode.jpg" alt="" id="BLOGGER_PHOTO_ID_5212432242037551970" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;&lt;span style="font-size:78%;"&gt;&lt;span style="font-style: italic;"&gt;click to read&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-8813681782006334663?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8813681782006334663?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8813681782006334663?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/06/recensione-di-laura-cingolani-thing-ode.html" title="Recensione di Laura Cingolani a “Thing Ode”, di Jennifer Scappettone" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/_U_M2FoLGxKE/SFZHgepw82I/AAAAAAAABKE/APlUctTEUFM/s72-c/recensione+thing+ode.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;CU4CRHw6fSp7ImA9WxdRGU4.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-6132197626275042765</id><published>2008-06-08T14:41:00.006+01:00</published><updated>2008-06-08T15:06:05.215+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-06-08T15:06:05.215+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 11" /><category scheme="http://www.blogger.com/atom/ns#" term="j.scappettone" /><category scheme="http://www.blogger.com/atom/ns#" term="j.leon" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 12" /><title>Due nuovi felix: di Jon Leon e di Jennifer Scappettone</title><content type="html">&lt;div style="text-align: center;"&gt;Roma, &lt;span style="font-weight: bold;"&gt;sabato 14 giugno&lt;/span&gt;, ore &lt;span style="font-weight: bold;"&gt;20:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;La camera verde&lt;/span&gt; (via G.Miani 20)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;presentazione dei libri&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Diphasic Rumors&lt;/span&gt; -- di &lt;span style="font-weight: bold;"&gt;Jon Leon&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;e&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Thing Ode / Ode oggettuale&lt;/span&gt; -- di &lt;span style="font-weight: bold;"&gt;Jennifer Scappettone&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;-- testi in inglese e in traduzione italiana --&lt;br /&gt;&lt;br /&gt;Collana Felix : &lt;a href="http://felixseries.blogspot.com/"&gt;http://felixseries.blogspot.com&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Interviene Gherardo Bortolotti, curatore della traduzione italiana di &lt;span style="font-style: italic;"&gt;Diphasic Rumors&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Leggeranno i testi:&lt;br /&gt;&lt;br /&gt;Gherardo Bortolotti, Marco Giovenale, Jennifer Scappettone&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;*&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;Jon &lt;span style="font-weight: bold;"&gt;Leon&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Diphasic Rumors&lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;Traduzione italiana di Gherardo Bortolotti&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Nato nel 1982, Jon Leon è scrittore e videoartista. Vive negli Stati Uniti, a Raleigh, in North Carolina. Tra i suoi libri: &lt;span style="font-style: italic;"&gt;Right Now the Music and the Life Rule&lt;/span&gt; (Sunset Debris Intl, 2006), &lt;span style="font-style: italic;"&gt;TRACT &lt;/span&gt;(Dusie, 2006), &lt;span style="font-style: italic;"&gt;Hit Wave&lt;/span&gt; (Kitchen Press, 2008), e &lt;span style="font-style: italic;"&gt;Alexandra&lt;/span&gt; (Cosa Nostra Editions, 2008). Nuove poesie compaiono in «Fence», «Soft Targets», «The New Review of Literature».&lt;br /&gt;&lt;br /&gt;"il principio dei testi di Jon Leon è la discontinuità, la sconnessione, o un eccesso intenzionale di fratture. o – ancora meglio – il lavoro e l'insistenza ossessiva sui momenti di legame (saltato). ossessione &lt;span style="font-style: italic;"&gt;felice&lt;/span&gt;. la violenza si esercita su punti di avvio o chiusura, su quei frangenti di esitazione della frase in cui tutto può succedere. (e tutto, di fatto, negli snodi e svolte delle poesie, succede: viene fatto accadere)" [m.g.]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;*&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;Jennifer &lt;span style="font-weight: bold;"&gt;Scappettone&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Thing Ode / Ode oggettuale&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Traduzione dell'autrice, in dialogo con Marco Giovenale&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;Jennifer Scappettone è nata a New York nel 1972.  Ha pubblicato le raccolte &lt;span style="font-style: italic;"&gt;Err-Residence&lt;/span&gt; (Bronze Skull, 2007) e &lt;span style="font-style: italic;"&gt;Beauty [Is the New Absurdity]&lt;/span&gt; (dusi/e kollectiv, 2007). &lt;span style="font-style: italic;"&gt;Ode oggettuale&lt;/span&gt; appartiene a un libro di poesie intitolato &lt;span style="font-style: italic;"&gt;From Dame Quickly&lt;/span&gt;, che uscirà nel 2008 per Litmus Press. Ha tradotto dall’italiano l’opera poetica di Amelia Rosselli. Sta lavorando a una monografia critica intitolata &lt;span style="font-style: italic;"&gt;Venice and the Digressive Invention of the Modern&lt;/span&gt;. Insegna Letteratura e Creative Writing all’Università di Chicago.&lt;br /&gt;&lt;br /&gt;"«beyond the swing—the security», &lt;span style="font-style: italic;"&gt;oltre l’altalena&lt;/span&gt; (e l’oscillazione, l’oscillare) &lt;span style="font-style: italic;"&gt;la sicurezza&lt;/span&gt; : così ironizza il mosaico di Jennifer Scappettone, ode e codice oggettuale che si disassembla e si ricombina in questo libro in due sezioni (diversamente organizzate) che non si specchiano né semplicemente si variano l’una con l’altra, ma si implicano contrastandosi e gettando rami in direzioni e linee simili. (come sono somiglianti fra loro i membri di una stessa famiglia, nel noto esempio di Wittgenstein)" [m.g.]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;p align="left"&gt; &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-6132197626275042765?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6132197626275042765?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6132197626275042765?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/06/due-nuovi-felix-di-jon-leon-e-di.html" title="Due nuovi felix: di Jon Leon e di Jennifer Scappettone" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;D04FRX45fip7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-260026920179878221</id><published>2008-06-08T14:00:00.000+01:00</published><updated>2008-11-13T04:11:54.026+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:54.026+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 09" /><category scheme="http://www.blogger.com/atom/ns#" term="m.pizzi" /><title>Marina Pizzi, Dallo stesso altrove</title><content type="html">&lt;div style="text-align: right;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKlM20wPCI/AAAAAAAABJQ/KsRQqLXrUkc/s1600-h/M.Pizzi_+Dallo+stesso+altrove_.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 104px; height: 160px;" src="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKlM20wPCI/AAAAAAAABJQ/KsRQqLXrUkc/s400/M.Pizzi_+Dallo+stesso+altrove_.jpg" alt="" id="BLOGGER_PHOTO_ID_5206905759487507490" border="0" /&gt;&lt;/a&gt;Marina Pizzi&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Dallo stesso altrove&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;poesie&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;Felix&lt;/a&gt;,&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;La camera verde, Roma, maggio 2008&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;*&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;Marina Pizzi è nata a Roma, dove vive, il 5-5-55. Ha pubblicato i libri di poesia: &lt;span style="font-style: italic;"&gt;Il giornale dell'esule&lt;/span&gt; (Crocetti 1986), &lt;span style="font-style: italic;"&gt;Gli angioli patrioti&lt;/span&gt; (ivi 1988), &lt;span style="font-style: italic;"&gt;Acquerugiole &lt;/span&gt;(ivi 1990), &lt;span style="font-style: italic;"&gt;Darsene il respiro&lt;/span&gt; (Fondazione Corrente 1993), &lt;span style="font-style: italic;"&gt;La devozione di stare&lt;/span&gt; (Anterem 1994), &lt;span style="font-style: italic;"&gt;Le arsure &lt;/span&gt; (LietoColle 2004), &lt;/span&gt;&lt;span style="font-size:85%;"&gt;&lt;span style="font-style: italic;"&gt;L’acciuga della sera i fuochi della tara&lt;/span&gt; (Luca Pensa 2006). Alcune raccolte inedite in carta sono rintracciabili sul web. Cura i seguenti blog di poesia: &lt;a href="http://marinapizzisconfortidico.splinder.com/"&gt;Sconforti di consorte&lt;/a&gt;, &lt;a href="http://marinapizzibrindisiecipr.splinder.com/"&gt;Brindisi e cipressi&lt;/a&gt;, &lt;a href="http://marinapizzisorpresedelpa.splinder.com/"&gt;Sorprese del pane nero&lt;/a&gt;. &lt;/span&gt; &lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;*&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;"già dal titolo il paradosso entra nel libro di Marina Pizzi: in uno &lt;span style="font-style: italic;"&gt;stesso/altro&lt;/span&gt; che non è Borges ma semmai marcatura materiale di assenze: «un sillabario vuoto», maschera o calco che viene pianto. ogni ipotesi di «nuova vita» finisce=inizia allora in «perimetri di pericoli», nel «torto di vederci». ma in questo nastro che si rovescia su sé, e che sarebbe una serie di espedienti (il)logici se mancasse di buio (e davvero non ne manca), scatta una forbice a tagliare ogni facile attesa o formula del buio stesso. anche il nero, che pure arriva sempre, è &lt;span style="font-style: italic;"&gt;sfatato&lt;/span&gt;, e l’infinito del verbo è un imprevisto: un impervio «morire per non morire / così come fan tutti»" [m.g.]&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-260026920179878221?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/260026920179878221?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/260026920179878221?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/06/marina-pizzi-dallo-stesso-altrove.html" title="Marina Pizzi, Dallo stesso altrove" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKlM20wPCI/AAAAAAAABJQ/KsRQqLXrUkc/s72-c/M.Pizzi_+Dallo+stesso+altrove_.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;D04FRX88eSp7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-8759879826707337461</id><published>2008-06-01T14:16:00.007+01:00</published><updated>2008-11-13T04:11:54.171+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:54.171+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="é.suchère" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 08" /><title>Éric Suchère, Surfaces || Dans l'atmosphère de</title><content type="html">&lt;div style="text-align: right;"&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKiD20wPBI/AAAAAAAABJI/8e0-ZwUZk10/s1600-h/Such%C3%A8re_+Surfaces_titre.jpg"&gt;&lt;img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 104px; height: 160px;" src="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKiD20wPBI/AAAAAAAABJI/8e0-ZwUZk10/s400/Such%C3%A8re_+Surfaces_titre.jpg" alt="" id="BLOGGER_PHOTO_ID_5206902306333801490" border="0" /&gt;&lt;/a&gt;Éric Suchère&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: right;"&gt;&lt;b&gt;Surfaces || Dans l'atmosphère de&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Traduzione ital. di Massimo Sannelli e Andrea Raos.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Testo in francese e in italiano.&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;Felix&lt;/a&gt;,&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;La camera verde, Roma, maggio 2008&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;*&lt;/p&gt;&lt;p align="left"&gt; &lt;/p&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;Éric Suchère (1967) vive a Parigi. Tra i suoi libri: &lt;span style="font-style: italic;"&gt;L'image différentielle&lt;/span&gt;, Voix Éditions, 2001; &lt;span style="font-style: italic;"&gt;Le motif Albertine&lt;/span&gt;, MeMo, 2002; &lt;span style="font-style: italic;"&gt;Lent (...un autre mois...)&lt;/span&gt;, Le Bleu du Ciel, 2003; &lt;span style="font-style: italic;"&gt;Surfaces&lt;/span&gt;, Contrat Maint, 2004; &lt;span style="font-style: italic;"&gt;Fixe, désole en hiver&lt;/span&gt;, Les petits matins, 2005; &lt;span style="font-style: italic;"&gt;Dans l'atmosphère de&lt;/span&gt;, Contrat Maint, 2008; &lt;span style="font-style: italic;"&gt;Résume antérieur&lt;/span&gt;, Le mot et le reste, 2008. Éric Suchère è stato tradotto più volte online in italiano (e il suo &lt;span style="font-style: italic;"&gt;Fixe, désole en hiver&lt;/span&gt; è in traduzione italiana presso le Edizioni di Cantarena, a cura di Massimo Sannelli).&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;*&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;"nei testi di Suchère il percorso è all’apparenza sempre quello dell’occhio sulla superficie (delle immagini) del visibile, pixel per pixel. (&lt;span style="font-style: italic;"&gt;Surfaces&lt;/span&gt;). (e dunque: &lt;span style="font-style: italic;"&gt;ékphrasis&lt;/span&gt;). a loro volta, e lentamente, un mese dopo l’altro [&lt;span style="font-style: italic;"&gt;Lent (...un autre mois...)&lt;/span&gt;], le sue prose brevi coprono di riquadri digitali una scacchiera non preesistente. anzi: la gremiscono=formano. una casella al mese. pavimentano una base che non c’è, che affiora solo entro i margini dell’atto della sua (dis)organizzazione, punto dopo punto dopo punto" [m.g.]&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-8759879826707337461?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8759879826707337461?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8759879826707337461?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/06/ric-suchre-surfaces-dans-latmosphre-de.html" title="Éric Suchère, Surfaces || Dans l'atmosphère de" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_U_M2FoLGxKE/SEKiD20wPBI/AAAAAAAABJI/8e0-ZwUZk10/s72-c/Such%C3%A8re_+Surfaces_titre.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;CEIHQn09eyp7ImA9WxdRE04.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-3558794689847418184</id><published>2008-05-27T01:32:00.002+01:00</published><updated>2008-06-01T16:02:13.363+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-06-01T16:02:13.363+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 09" /><category scheme="http://www.blogger.com/atom/ns#" term="m.pizzi" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><category scheme="http://www.blogger.com/atom/ns#" term="k.fraser" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 10" /><title>Due nuovi felix</title><content type="html">&lt;div style="text-align: center;"&gt;Sabato &lt;span style="font-weight: bold;"&gt;31 maggio&lt;/span&gt;, ore 20:00&lt;br /&gt;&lt;br /&gt;La camera verde&lt;br /&gt;&lt;span style="font-size:85%;"&gt;(via G.Miani 20)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;presentazione di due nuovi &lt;span style="font-weight: bold;"&gt;felix&lt;/span&gt; :&lt;br /&gt;&lt;span style="font-style: italic;"&gt;&lt;br /&gt;&lt;br /&gt;Dallo stesso altrove&lt;/span&gt;, di &lt;span style="font-weight: bold;"&gt;Marina Pizzi&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;e&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Witness&lt;/span&gt;, di &lt;span style="font-weight: bold;"&gt;Kathleen Fraser&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;saranno presenti le autrici &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;§&lt;br /&gt;&lt;div&gt;  &lt;/div&gt;&lt;p style="text-align: left;" class="MsoNormal"&gt;&lt;span style="font-size:78%;"&gt;Marina Pizzi è nata a Roma, dove vive, il 5-5-55. Ha pubblicato i libri di poesia: &lt;span style="font-style: italic;"&gt;Il giornale dell'esule&lt;/span&gt; (Crocetti 1986), &lt;span style="font-style: italic;"&gt;Gli angioli patrioti &lt;/span&gt;(ivi 1988), &lt;span style="font-style: italic;"&gt;Acquerugiole &lt;/span&gt;(ivi 1990), &lt;span style="font-style: italic;"&gt;Darsene il respiro&lt;/span&gt; (Fondazione Corrente 1993), &lt;span style="font-style: italic;"&gt;La devozione di stare&lt;/span&gt; (Anterem 1994), &lt;span style="font-style: italic;"&gt;Le arsure&lt;/span&gt; (LietoColle 2004), &lt;span style="font-style: italic;"&gt;L’acciuga della sera i fuochi della tara&lt;/span&gt; (Luca Pensa 2006). Alcune raccolte inedite in carta sono rintracciabili sul Web. Cura i seguenti blog di poesia: &lt;a href="http://marinapizzisconfortidico.splinder.com/"&gt;http://marinapizzisconfortidico.splinder.com&lt;/a&gt; (Sconforti di consorte), &lt;a href="http://marinapizzibrindisiecipr.splinder.com/"&gt;http://marinapizzibrindisiecipr.splinder.com&lt;/a&gt; (Brindisi e cipressi), &lt;a href="http://marinapizzisorpresedelpa.splinder.com/"&gt;http://marinapizzisorpresedelpa.splinder.com&lt;/a&gt; (Sorprese del pane nero).&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: left;" class="MsoNormal"&gt;&lt;span style="font-size:78%;"&gt;I libri di Kathleen Fraser comprendono 20 raccolte di poesie – cinque in collaborazione con i pittori americani JoAnn Ugolini, Sam Francis, Mel Bochner, Hermine Ford e David Marshall – e un libro di saggi di poetica: &lt;span style="font-style: italic;"&gt;Translating the Unspeakable: Poetry and the Innovative Necessity&lt;/span&gt; (2000). Fraser ha tradotto opere di Maria Obino e Andrea Raos, e tiene lezioni in Italia ogni anno in primavera. I suoi testi murali per &lt;span style="font-style: italic; font-weight: bold;"&gt;ii ss&lt;/span&gt;, composti in collaborazione con i disegni di Hermine Ford, sono stati esposti a Roma al Pratt Institute of Architecture (2007). Raccolte recenti: &lt;span style="font-style: italic;"&gt;Discrete Categories Forced Into Coupling&lt;/span&gt; (Apogee, 2004) e il testo in collage &lt;span style="font-style: italic;"&gt;hi   dde   violeth   I   dde   violet&lt;/span&gt;  (Nomados Press, 2003). Ha vinto i premi Guggenheim e N.E.A. di poesia. Un’intervista è in &lt;a href="http://jacketmagazine.com/33/fraser-ivby-rosenthal.shtml"&gt;http://jacketmagazine.com/33/fraser-ivby-rosenthal.shtml&lt;/a&gt;.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-3558794689847418184?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/3558794689847418184?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/3558794689847418184?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/05/due-nuovi-felix.html" title="Due nuovi felix" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;DUYCQX8_eSp7ImA9WxdSF0w.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-8601868921900152941</id><published>2008-05-22T23:28:00.002+01:00</published><updated>2008-05-25T13:06:00.141+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-05-25T13:06:00.141+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="é.suchère" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 08" /><title>Éric Suchère, "Surfaces || Dans l'atmosphère de"</title><content type="html">&lt;p style="text-align: center;"&gt;Roma, lunedì &lt;strong&gt;26 maggio&lt;/strong&gt;, ore 20:00&lt;br /&gt;La camera verde (via G.Miani 20)&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;strong&gt;Éric Suchère legge alcuni suoi testi &lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;editi e inediti&lt;/strong&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;Traduzioni di Andrea Raos e Michele Zaffarano&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;+&lt;/p&gt;&lt;p style="text-align: center;"&gt;PRESENTAZIONE dell'ottavo libro della &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;collana felix&lt;/a&gt; :&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;strong&gt;Éric Suchère, &lt;em&gt;Surfaces&lt;/em&gt; || &lt;em&gt;Dans l'atmosphère de&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;[ La camera verde, 2008 -- versioni italiane di Massimo Sannelli e Andrea Raos ]&lt;/p&gt;&lt;br /&gt;&lt;p style="text-align: center;"&gt;§&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;span style="font-size:78%;"&gt;Incontro a cura di Marco Giovenale, Andrea Raos, Michele Zaffarano&lt;/span&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;/p&gt;&lt;p align="left"&gt;&lt;/p&gt;&lt;br /&gt;&lt;p style="text-align: justify;"&gt;&lt;a href="http://pagesperso-orange.fr/poesie.suchere/" target="_blank"&gt;Éric Suchère&lt;/a&gt; è stato tradotto più volte online in italiano (e il suo &lt;em&gt;Fixe, désole en hiver&lt;/em&gt; è stato stampato in traduzione italiana presso le Edizioni di Cantarena, a cura di Massimo Sannelli). Questa occasione di lettura è la prima a Roma.&lt;/p&gt;&lt;p style="text-align: justify;"&gt;É.S. è nato nel 1967 e vive a Parigi. Tra i suoi libri: &lt;em&gt;L'image différentielle&lt;/em&gt;, Voix Éditions, 2001; &lt;em&gt;Le motif Albertine&lt;/em&gt;, MeMo, 2002; &lt;em&gt;Lent (...un autre mois...)&lt;/em&gt;, Le Bleu du Ciel, 2003; &lt;em&gt;Surfaces&lt;/em&gt;, Contrat Maint, 2004; &lt;em&gt;Fixe, désole en hiver&lt;/em&gt;, Les petits matins, 2005; &lt;em&gt;Dans l'atmosphère de&lt;/em&gt;, Contrat Maint, 2008; &lt;em&gt;Résume antérieur&lt;/em&gt;, Le mot et le reste, 2008.&lt;/p&gt;&lt;p style="text-align: justify;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;&lt;/p&gt;&lt;p style="text-align: center;"&gt;*  *  *&lt;/p&gt;&lt;p style="text-align: center;"&gt;La camera verde&lt;/p&gt;&lt;p style="text-align: center;"&gt;Roma, via G. Miani 20&lt;/p&gt;&lt;p style="text-align: center;"&gt;tel. 340-5263877&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-8601868921900152941?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8601868921900152941?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8601868921900152941?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/05/ric-suchre-surfaces-dans-latmosphre-de.html" title="Éric Suchère, &quot;Surfaces || Dans l'atmosphère de&quot;" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;CkMBSHc4fSp7ImA9WB9aEk0.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-8034752841262437703</id><published>2008-01-01T16:06:00.000+01:00</published><updated>2008-01-01T16:14:19.935+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-01-01T16:14:19.935+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 07" /><category scheme="http://www.blogger.com/atom/ns#" term="g.mesa" /><category scheme="http://www.blogger.com/atom/ns#" term="j.flores-haboud" /><title>Jeamel Flores - Haboud, PLEAMOR</title><content type="html">&lt;p align="right"&gt;&lt;a href="http://i206.photobucket.com/albums/bb209/differx/JFlores-Haboud_Pleamor_.jpg"&gt;&lt;img style="width: 100px; height: 159px;" src="http://i206.photobucket.com/albums/bb209/differx/JFlores-Haboud_Pleamor_.jpg" align="left" border="0" hspace="15" vspace="0" /&gt;&lt;/a&gt;Jeamel Flores - Haboud&lt;/p&gt;&lt;div style="text-align: right;"&gt;&lt;b&gt;PLEAMOR&lt;/b&gt;&lt;br /&gt;&lt;/div&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;15 poesie. Traduzione di Giuliano Mesa.&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Testo spagnolo a fronte.&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;Collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;Felix&lt;/a&gt;,&lt;br /&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;&lt;span style="font-size:78%;"&gt;La camera verde, Roma, dicembre 2007&lt;/span&gt;&lt;/p&gt;&lt;p align="right"&gt;*&lt;/p&gt;&lt;p align="left"&gt; &lt;/p&gt;&lt;br /&gt;&lt;p&gt;&lt;/p&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;Jeamel Flores Haboud è nata a Lima (Perù) nel 1970. Ha pubblicato tre libri di poesia: &lt;i&gt;Desde los oscuros rincones&lt;/i&gt; (Editorial Colmillo Blanco, Lima, 1995); &lt;i&gt;Todo era lejos&lt;/i&gt; (PUCP, Lima, 2000) e &lt;i&gt;Ariadna - Arianna&lt;/i&gt; (in edizione bilingue spagnolo-italiano, Instituto Italiano de Cultura, Lima, 2002). Alcuni testi di &lt;i&gt;Pleamor&lt;/i&gt; sono apparsi sulla rivista «Fábula» (Estate 2006), sul sito &lt;a href="http://gammm.org/"&gt;http://gammm.org&lt;/a&gt; (febbraio 2007) e sulla rivista «La Camera Verde» (novembre 2007). Del saggio &lt;i&gt;En la masmédula y la esencia de la palabra. Oliverio Girondo entre la realidad y el deseo&lt;/i&gt;, una parte è stata pubblicata nel 2007 come e-book da Biagio Cepollaro (&lt;a href="http://www.cepollaro.it/poesiaitaliana/E-book.htm"&gt;http://www.cepollaro.it/poesiaitaliana/E-book.htm&lt;/a&gt;) col titolo &lt;i&gt;La ricerca dell’essere. “En la masmédula”: temi etici tra Girondo e Lévinas&lt;/i&gt;. Il romanzo &lt;i&gt;La rosa del virreinato&lt;/i&gt; è in corso di stampa presso Plural Editores, La Paz (Bolivia). Ha partecipato a incontri letterari internazionali. Suoi scritti sono apparsi su varie riviste e antologie in Perù e all’estero, tra le quali &lt;i&gt;En tous lieux nulle part ici. Une anthologie&lt;/i&gt; (Le Bleu du Ciel, Paris, 2006).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;*&lt;/span&gt;&lt;/div&gt;&lt;p style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;“alla scrittura di Jeamel Flores-Haboud, ricca di invenzioni e neoformazioni verbali, di nodi di senso dati da un funambolismo felice del suono, nominante, non è affatto negata la strada del canto e della &lt;i&gt;clarté&lt;/i&gt; amorosa, così come di certa durezza dichiarativa. sono anzi questi i suoi punti di forza” [m.g.]&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:85%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-8034752841262437703?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8034752841262437703?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8034752841262437703?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2008/01/jeamel-flores-haboud-pleamor.html" title="Jeamel Flores - Haboud, PLEAMOR" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;A0QCRXo7cSp7ImA9WB9aEUQ.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-6209851475020975455</id><published>2007-12-09T16:26:00.000+01:00</published><updated>2008-01-01T15:56:04.409+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-01-01T15:56:04.409+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 07" /><category scheme="http://www.blogger.com/atom/ns#" term="g.mesa" /><category scheme="http://www.blogger.com/atom/ns#" term="j.flores-haboud" /><title>DOPPIA PRESENTAZIONE in Camera verde: Jeamel Flores-Haboud, PLEAMOR + Omaggio a Charles Baudelaire: SPLEEN, macchinazione per fiori</title><content type="html">&lt;p align="center"&gt;Roma, giovedì &lt;strong&gt;13 dicembre&lt;/strong&gt; 2007, dalle ore 20:00&lt;/p&gt; &lt;p align="center"&gt;presso il centro culturale LA CAMERA VERDE (via G.Miani 20)&lt;/p&gt; &lt;p align="center"&gt;&lt;br /&gt;&lt;/p&gt; &lt;p align="center"&gt;&lt;strong&gt;Jeamel Flores-Haboud&lt;/strong&gt;, &lt;strong&gt;&lt;em&gt;PLEAMOR&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p align="center"&gt;15 poesie tradotte da Giuliano Mesa&lt;/p&gt; &lt;p align="center"&gt;collana &lt;a href="http://felixseries.blogspot.com/" target="_blank"&gt;Felix&lt;/a&gt;&lt;/p&gt; &lt;p align="center"&gt;+&lt;/p&gt; &lt;p align="center"&gt;“Omaggio ai &lt;em&gt;Fiori del Male&lt;/em&gt;  di &lt;strong&gt;Charles Baudelaire&lt;/strong&gt;: 1857-2007″&lt;/p&gt; &lt;p align="center"&gt;Presentazione del libro&lt;/p&gt; &lt;p align="center"&gt; &lt;strong&gt;&lt;em&gt; SPLEEN&lt;/em&gt; / macchinazione per fiori&lt;/strong&gt;&lt;/p&gt; &lt;p align="center"&gt;di Marco Giovenale e Alfredo  Anzellini&lt;/p&gt; &lt;p&gt;§&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Jeamel Flores-Haboud, &lt;em&gt;PLEAMOR&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;18 poesie tradotte dallo spagnolo da Giuliano Mesa. Collana Felix.&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:78%;"&gt;Jeamel Flores Haboud è nata a Lima (Perù) nel 1970. Ha pubblicato tre libri di poesia: &lt;em&gt;Desde los oscuros rincones&lt;/em&gt; (Editorial Colmillo Blanco, Lima, 1995); &lt;em&gt;Todo era lejos&lt;/em&gt; (PUCP, Lima, 2000) e &lt;em&gt;Ariadna - Arianna&lt;/em&gt; (in edizione bilingue spagnolo-italiano, Instituto Italiano de Cultura, Lima, 2002). Alcuni testi di &lt;em&gt;Pleamor&lt;/em&gt; sono apparsi sulla rivista «Fábula» (Estate 2006), sul sito &lt;a href="http://gammm.org/"&gt;http://gammm.org&lt;/a&gt; (febbraio 2007) e sulla rivista «La Camera Verde» (novembre 2007). Del saggio &lt;em&gt;En la masmédula y la esencia de la palabra. Oliverio Girondo entre la realidad y el deseo&lt;/em&gt;, una parte è stata pubblicata nel 2007 come e-book da Biagio Cepollaro (&lt;a href="http://www.cepollaro.it/poesiaitaliana/E-book.htm"&gt;http://www.cepollaro.it/poesiaitaliana/E-book.htm&lt;/a&gt;) col titolo &lt;em&gt;La ricerca dell’essere. “En la masmédula”: temi etici tra Girondo e Lévinas&lt;/em&gt;. Il romanzo &lt;em&gt;La rosa del virreinato&lt;/em&gt; è in corso di stampa presso Plural Editores, La Paz (Bolivia). Ha partecipato a incontri letterari internazionali. Suoi scritti sono apparsi su varie riviste e antologie in Perù e all’estero, tra le quali &lt;em&gt;En tous lieux nulle part ici. Une anthologie&lt;/em&gt; (Le Bleu du Ciel, Paris, 2006).&lt;br /&gt;&lt;/span&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:78%;"&gt;“alla scrittura di Jeamel Flores-Haboud, ricca di invenzioni e neoformazioni verbali, di nodi di senso dati da un funambolismo felice del suono, nominante, non è affatto negata la strada del canto e della &lt;em&gt;clarté&lt;/em&gt; amorosa, così come di certa durezza dichiarativa. sono anzi questi i suoi punti di forza” [m.g.]&lt;/span&gt;&lt;/p&gt; &lt;p&gt;§&lt;/p&gt; &lt;p&gt;&lt;strong&gt;Alfredo Anzellini e Marco Giovenale,&lt;em&gt; SPLEEN / macchinazione per fiori&lt;/em&gt;&lt;/strong&gt;&lt;/p&gt; &lt;p&gt;&lt;span style="font-size:78%;"&gt;In occasione dei 150 anni dalla stampa dei &lt;em&gt;Fiori del male&lt;/em&gt;, la Camera verde pubblica una serie di immagini di Alfredo Anzellini legate alle poesie; e un doppio testo di Marco Giovenale: la traduzione dei quattro &lt;em&gt;Spleen&lt;/em&gt; + una sequenza di sought poems italiani ‘inventati’ a partire dalle &lt;em&gt;Fleurs&lt;/em&gt;.&lt;/span&gt;&lt;/p&gt; &lt;p align="left"&gt; &lt;/p&gt; &lt;p align="right"&gt;LA CAMERA VERDE&lt;/p&gt; &lt;p align="right"&gt;via G. Miani  20, Roma&lt;/p&gt; &lt;p align="right"&gt;tel. 340.5263877&lt;/p&gt;&lt;p align="right"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-6209851475020975455?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6209851475020975455?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/6209851475020975455?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2007/11/doppia-presentazione-in-camera-verde.html" title="DOPPIA PRESENTAZIONE in Camera verde: Jeamel Flores-Haboud, PLEAMOR + Omaggio a Charles Baudelaire: SPLEEN, macchinazione per fiori" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;DEQBR3s6cCp7ImA9WB9WFEw.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-8496087010002405081</id><published>2007-11-18T21:04:00.000+01:00</published><updated>2007-11-18T21:05:56.518+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2007-11-18T21:05:56.518+01:00</app:edited><title>13 dicembre</title><content type="html">&lt;div style="text-align: center;"&gt;Il tredici dicembre&lt;br /&gt;&lt;br /&gt;...&lt;br /&gt;&lt;br /&gt;un nuovo felix!!&lt;br /&gt;&lt;br /&gt;tenetevi pronti&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;:)&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-8496087010002405081?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8496087010002405081?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8496087010002405081?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2007/11/13-dicembre.html" title="13 dicembre" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;D04FRXcycCp7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-416541765312878720</id><published>2007-11-06T22:55:00.000+01:00</published><updated>2008-11-13T04:11:54.998+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:54.998+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="a.inglese" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 05" /><category scheme="http://www.blogger.com/atom/ns#" term="a.broggi" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 06" /><title>Sabato 10 novembre: felix di Alessandro Broggi e Andrea Inglese</title><content type="html">&lt;div style="text-align: center;"&gt;&lt;br /&gt;Roma, sabato &lt;span style="font-weight: bold;"&gt;10 novembre&lt;/span&gt;, ore 20:00&lt;br /&gt;&lt;br /&gt;presso il centro culturale &lt;span style="font-weight: bold;"&gt;La camera verde&lt;/span&gt; (via G.Miani 20)&lt;br /&gt;&lt;br /&gt;presentazione delle due nuove plaquettes della&lt;br /&gt;collana &lt;span style="color: rgb(51, 51, 255); font-weight: bold;"&gt;FELIX&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_U_M2FoLGxKE/RzdGFgU3yrI/AAAAAAAAA58/85THB1ePz78/s1600-h/0607.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer; width: 185px; height: 140px;" src="http://3.bp.blogspot.com/_U_M2FoLGxKE/RzdGFgU3yrI/AAAAAAAAA58/85THB1ePz78/s400/0607.jpg" alt="" id="BLOGGER_PHOTO_ID_5131647360802736818" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:100%;"&gt;&lt;span style="font-style: italic;"&gt;Total living&lt;/span&gt;, di &lt;span style="font-weight: bold;"&gt;Alessandro Broggi&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;e&lt;br /&gt;&lt;br /&gt;&lt;span style="font-style: italic;"&gt;Prati/Pelouses&lt;/span&gt;, di &lt;span style="font-weight: bold;"&gt;Andrea Inglese&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Saranno presenti gli autori.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;[n.b.: la traduzione in francese dei testi di &lt;span style="font-style: italic;"&gt;Prati&lt;/span&gt;, &lt;span style="font-style: italic;"&gt;Pelouses&lt;/span&gt;, è di&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Magali Amougou, Éric Houser, Laurent Grisel&lt;/span&gt; ]&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;§&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;Alessandro Broggi è nato nel 1973 a Varese. Principali lavori: &lt;span style="font-style: italic;"&gt;inezie &lt;/span&gt;(LietoColle, 2002; pref. di G.Neri); &lt;span style="font-style: italic;"&gt;Quaderni aperti&lt;/span&gt; (nel &lt;span style="font-style: italic;"&gt;IX Quaderno di poesia italiana&lt;/span&gt;, Marcos y Marcos, 2007, a cura F.Buffoni, con pref. di U.Fiori). Testi in antologie: &lt;span style="font-style: italic;"&gt;Verso i bit&lt;/span&gt; (LietoColle, 2005), &lt;span style="font-style: italic;"&gt;Il presente della poesia italiana&lt;/span&gt; (LietoColle, 2006), &lt;span style="font-style: italic;"&gt;L’esperienza-divenire delle arti&lt;/span&gt; (Fondazione Baruchello, 2006). Su riviste: «Almanacco del Ramo d’Oro», «Atelier», «La Clessidra», «La Mosca di Milano», «Poesia». In siti: Dissidenze, Liberinversi, Microcritica, Nazione indiana, &lt;a href="http://gammm.org"&gt;GAMMM&lt;/a&gt; (di cui è redattore) e &lt;a href="http://lietocolle.it/ulisse/"&gt;L’Ulisse&lt;/a&gt; (testata che dirige con S.Salvi e I.Testa). &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:85%;"&gt;"nelle quartine di &lt;span style="font-style: italic; font-weight: bold;"&gt;Total living &lt;/span&gt;è attiva, come oggetto, come installazione, una superficie verbale che, lasciata allo zero assoluto della freddezza pubblicitaria, del vocabolario da rotocalco o soap opera, cade sì in frantumi ma tirandosi dietro del tutto esplicitamente e strategicamente le retoriche da cui parte" [m.g.]&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: center;"&gt;§&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;Andrea Inglese (1967) è poeta e critico. Vive a Parigi. Ha pubblicato un saggio di teoria del romanzo dal titolo &lt;span style="font-style: italic;"&gt;L’eroe segreto. Il personaggio nella modernità dalla confessione al solipsismo&lt;/span&gt; (2003) e le raccolte poetiche &lt;span style="font-style: italic;"&gt;Prove d’inconsistenza&lt;/span&gt;, in &lt;span style="font-style: italic;"&gt;VI Quaderno italiano&lt;/span&gt; (Marcos y Marcos, 1998), &lt;span style="font-style: italic;"&gt;Inventari &lt;/span&gt;(Zona 2001), &lt;span style="font-style: italic;"&gt;Bilico &lt;/span&gt;(d’if, 2004), &lt;span style="font-style: italic;"&gt;Quello che si vede&lt;/span&gt; (Arcipelago, 2006), &lt;span style="font-style: italic;"&gt;Colonne d’aveugles&lt;/span&gt; (edizione bilingue, Le Clou Dans Le Fer, 2007)  e l’E-book, &lt;span style="font-style: italic;"&gt;L’indomestico&lt;/span&gt; (Biagio Cepollaro E-dizioni &lt;a href="http://cepollaro.it/"&gt;www.cepollaro.it&lt;/a&gt;, 2005). È uno dei fondatori del blog collettivo Nazioneindiana (&lt;a href="http://www.nazioneindiana.com/"&gt;www.nazioneindiana.com&lt;/a&gt;) e cura «Per una critica futura», trimestrale di critica in rete:&lt;br /&gt;&lt;a href="http://www.blogger.com/www.cepollaro.it/poesiaitaliana/CRITICA/critica.htm"&gt;www.cepollaro.it/poesiaitaliana/CRITICA/critica.htm&lt;/a&gt;&lt;/span&gt;.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div style="text-align: justify;"&gt;&lt;span style="font-size:85%;"&gt;"i &lt;span style="font-style: italic; font-weight: bold;"&gt;Prati&lt;/span&gt; delle prose brevi di Andrea Inglese arrivano e vanno – e talvolta appena compaiono – da/a/in costellazioni di eventi e figure che un’iperdefinizione da scena o schermo (sia Beckett o Buñuel) paradossalmente smonta. tanto il dicibile è accumulato ed elencato e insomma &lt;span style="font-style: italic;"&gt;detto&lt;/span&gt;, tanto il mondo viene sottratto e polverizzato – sganciato dal già noto" [m.g.]&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-416541765312878720?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/416541765312878720?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/416541765312878720?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2007/11/sabato-10-novembre-felix-di-alessandro.html" title="Sabato 10 novembre: felix di Alessandro Broggi e Andrea Inglese" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_U_M2FoLGxKE/RzdGFgU3yrI/AAAAAAAAA58/85THB1ePz78/s72-c/0607.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;DEAFRHYyfCp7ImA9WB9XEko.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-8129448525994203143</id><published>2007-11-04T17:44:00.001+01:00</published><updated>2007-11-05T16:31:55.894+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2007-11-05T16:31:55.894+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="felix 05" /><category scheme="http://www.blogger.com/atom/ns#" term="nuove uscite" /><category scheme="http://www.blogger.com/atom/ns#" term="reading" /><category scheme="http://www.blogger.com/atom/ns#" term="felix 06" /><title>Letture imminenti</title><content type="html">&lt;div style="text-align: justify;"&gt;Letture imminenti:&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;Giuliano Mesa&lt;/span&gt; sarà in &lt;span style="font-weight: bold;"&gt;Camera verde&lt;/span&gt; (via G.Miani 20, Ostiense) &lt;span style="font-weight: bold;"&gt;giovedì 8 novembre&lt;/span&gt;, a partire &lt;span style="font-weight: bold;"&gt;dalle ore 21:00&lt;/span&gt;, per la terza delle &lt;span style="font-style: italic;"&gt;Conversazioni &lt;/span&gt;da lui proposte. Il titolo di questo incontro è: &lt;span style="font-style: italic;"&gt;Dopo Auschwitz. What is the Word: Samuel Beckett&lt;/span&gt;. (Indispensabile la prenotazione: al tel. 340-5263877).&lt;br /&gt;&lt;br /&gt;&lt;a href="http://poeticinvention.blogspot.com/2007/06/ryoko-sekiguchis-new-book.html"&gt;&lt;span style="font-weight: bold;"&gt;Ryoko Sekiguchi&lt;/span&gt;&lt;/a&gt; è a Roma. Leggerà presso la libreria Bibli (via dei Fienaroli, Trastevere) &lt;span style="font-weight: bold;"&gt;venerdì 9&lt;/span&gt;, a partire dalle 19:30. Con lei, proporranno nuovi testi anche &lt;span style="font-weight: bold;"&gt;Laura Pugno&lt;/span&gt;, &lt;span style="font-weight: bold;"&gt;Christophe Marchand-Kiss&lt;/span&gt;, e &lt;b&gt;Andrea Raos&lt;/b&gt; e &lt;b&gt;Michele Zaffarano&lt;/b&gt; - che curano le traduzioni dal francese.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-weight: bold;"&gt;NUOVI FELIX: Sabato 10 novembre&lt;/span&gt;, presentazione eccezionale in &lt;span style="font-weight: bold;"&gt;Camera verde&lt;/span&gt; (via G.Miani 20): escono &lt;span style="color: rgb(255, 0, 0);"&gt;due nuove plaquettes nella collana:&lt;/span&gt; &lt;span&gt;si tratta di &lt;/span&gt;&lt;span style="font-style: italic;"&gt;Total living&lt;/span&gt;, di &lt;span style="font-weight: bold;"&gt;Alessandro Broggi&lt;/span&gt;, e di &lt;span style="font-style: italic;"&gt;Prati/Pelouses&lt;/span&gt;, di &lt;span style="font-weight: bold;"&gt;Andrea Inglese&lt;/span&gt;. Saranno presenti gli autori.&lt;br /&gt;&lt;/div&gt;&lt;br /&gt;&lt;p align="left"&gt; &lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-8129448525994203143?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8129448525994203143?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/8129448525994203143?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2007/11/letture-imminenti.html" title="Letture imminenti" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author></entry><entry gd:etag="W/&quot;D04FRH87eyp7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-3671143635027974939</id><published>2007-11-04T17:35:00.000+01:00</published><updated>2008-11-13T04:11:55.103+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:55.103+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="photo" /><title>Gennaio 2007, Michele Zaffarano</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_U_M2FoLGxKE/Ry31E11E0sI/AAAAAAAAA5k/rorma0zQ-HU/s1600-h/DSC_2244_BWr.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://3.bp.blogspot.com/_U_M2FoLGxKE/Ry31E11E0sI/AAAAAAAAA5k/rorma0zQ-HU/s400/DSC_2244_BWr.jpg" alt="" id="BLOGGER_PHOTO_ID_5129025014162838210" border="0" /&gt;&lt;/a&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-3671143635027974939?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/3671143635027974939?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/3671143635027974939?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2007/11/michele-zaffarano-gennaio-2007.html" title="Gennaio 2007, Michele Zaffarano" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/_U_M2FoLGxKE/Ry31E11E0sI/AAAAAAAAA5k/rorma0zQ-HU/s72-c/DSC_2244_BWr.jpg" height="72" width="72" /></entry><entry gd:etag="W/&quot;D04FRHw-cCp7ImA9WxRVFUk.&quot;"><id>tag:blogger.com,1999:blog-4134081950935687147.post-2886800820059132951</id><published>2007-10-21T15:52:00.001+01:00</published><updated>2008-11-13T04:11:55.258+01:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2008-11-13T04:11:55.258+01:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="photo" /><title>Gennaio 2007, Gherardo Bortolotti</title><content type="html">&lt;a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_U_M2FoLGxKE/RxtoBtyQ_wI/AAAAAAAAA4M/8wadS5OpnlE/s1600-h/DSC_2234_BWr.jpg"&gt;&lt;img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://4.bp.blogspot.com/_U_M2FoLGxKE/RxtoBtyQ_wI/AAAAAAAAA4M/8wadS5OpnlE/s400/DSC_2234_BWr.jpg" alt="" id="BLOGGER_PHOTO_ID_5123803379743653634" border="0" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;span style="font-size:78%;"&gt;fotografia di Alberto Duò&lt;/span&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/4134081950935687147-2886800820059132951?l=felixseries.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/2886800820059132951?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/4134081950935687147/posts/default/2886800820059132951?v=2" /><link rel="alternate" type="text/html" href="http://felixseries.blogspot.com/2007/10/gennaio-2007-gherardo-bortolotti.html" title="Gennaio 2007, Gherardo Bortolotti" /><author><name>differx</name><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="31" height="32" src="http://photos1.blogger.com/blogger/734/1411/320/mg2221.0506.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_U_M2FoLGxKE/RxtoBtyQ_wI/AAAAAAAAA4M/8wadS5OpnlE/s72-c/DSC_2234_BWr.jpg" height="72" width="72" /></entry></feed>

