Mini Ahi Tuna Tacos

Closeup of one of the mini Ahi tuna tacos

This burger quickly turned into lunch. Yum.

Peppers, Brie, Steak ‘n’ Creamy Mashed Potatoes & Gravy

Duck tostada things

Some yummy dates filled with…? I need to chat with the chef about these descriptions!

a Cuban-inspired dish – chicken, plantains, black beans – looks delicious

This was my take-home – “Mac ‘n’ Chorizo” – and as good as it sounds!

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I’ll begin with the moment that I realized something unexplainable had occurred. As I said before, this alone didn’t originally strike me as particularly odd; and I possibly could’ve overlooked it completely had I not put it in context of other things that had happened, or with what I would learn a few minutes later. It was Monday morning, two days after I photographed this awesome wedding, and I was at The Buttery in Santa Cruz sipping my Americano and sorting through the 1600+ photos I’d shot two days earlier, picking which ones to keep or throw out. I was looking at a series of images of the bride and groom dancing with some friends. They were on the outdoor upper patio (next to the “Library”), which served as a small dance area next to the bar at Tarpy’s Roadhouse in Monterey. Since it was dark, I had two off-camera light sources illuminating the scene – a 30″ softbox camera right as the key light, and a single speedlight clamped to an elevated garden/fence area that was providing backlighting to the dancers at about hip height.

The thing that caught my attention in the photo was the distinct white vapor cloud illuminated by the single speedlight. My first thought was “Did my flash explode?” But no, it continued to work normally in subsequent shots. I was taking photos pretty much every second for this series, so I backed up in time by one second. In this first photo (below), you can see the “mist cloud” forming around the periphery of the brightest part of the flash, but it clearly hasn’t coalesced yet. Keep in mind the time between this shot and THE shot is only one second. The frames immediately thereafter were blocked by people, but no evidence of any smoke cloud can be seen in between. The first clear shot I had after the cloud had fully formed was 12 seconds later, and there was no evidence of it at all in that shot. Keep in mind that without the flashes going off, you really can’t see anything as it was so dark. Here’s the series of photos, my comments beneath each (note: all images shot on a Nikon D800 w/ 50mm lens @ F2.8 1/50th sec ISO 800; off-camera Nikon speedlights are triggered and synced by Pocketwizard Flex TT5 units; RAW files edited in Lightroom, but only with basic exposure tweaks):

8:46:03pm (-1 second from event) – Mist cloud is starting to form, visible around flare from the flash

8:46:04pm (unexplained event full visual) – the vapor/mist(?) cloud is fully formed abour 4 or 5 feet behind and in-between the couple. It appears to emanate from the same location as there’s no directional movement. It is clearly a thick or dense phenomena with compact shape, not spreading out or dissipating like you’d expect smoke to do outdoors with people nearby dancing and moving quickly, which would disturb the air in the small patio area.

Closeup crop of the cloud, highlights compressed a little bit to enhance detail.

8:46:05pm (+1 second from event) – Although the bride is blocking most of the area, upon closer inspection along the edge of the bride’s profile head/shoulder, there is some air distortion, like whorls or turbulence, something I’d associate with heat distortion from a jet engine

Closeup crop, notice the whorl-like disturbance in the air. Not sure if the cloud is still there behind the bride (given that’s it is only one second after its full appearance).

I converted the same crop into black and white to see the disturbance a little more clearly along the bride’s profile.

8:46:09pm (+5 seconds from event) – This is a strange triple exposure, something that happens when another flash goes off at almost the same time as mine. Except that normally this would mean an overexposure. I have three speedlights firing into the soft box camera right, providing most of the illumination here, I can only assume that each of these flashes went off slightly out of sync over the course of the 1/50th second exposure, which–to be honest, has never happened in the several years I’ve been using the setup. The off-camera flash system I use is synced by radio frequency aka instantaneous, no lag. I can’t explain this electrical stuttering. At all. If there wasn’t all this other circumstantial evidence of weirdness going on, I wouldn’t have thought twice about this photo and would have quickly culled it out, deleting it forever.

8:46:10pm (+6 seconds from event) – Although the groom is blocking the space, you can’t see any evidence of the vapor behind – as you’d expect from smoke or mist dissipating 6 seconds later

8:46:12pm (+8 seconds from event) – Again, nothing to be seen in-between or behind people

8:46:16pm (+12 seconds from event) – The first shot where you can clearly see the rear flash and space around it – and no distortion or vapor is apparent. Just the normal lens flare.

8:46:18pm (+14 seconds from event) – Similar composition to the original photo – and there’s nothing to see here. I didn’t notice any of this while shooting as it was dark and I wasn’t looking at the camera between shots. I’m just glad I was snapping off photos so quickly so I could get a real sense of the fleeting nature of this phenomenon.

Of course my culling process completely came to a halt at this point as I went back and forth through this series of images. My mind naturally sought explanations for the visual anomaly, and every one I had to discount.

1. Was it caused by the flash physically exploding or malfunctioning? No, it was manually set at its lowest setting of 1/128th power, and continued to operate and expose the scene consistently before and after.
2. Was it caused by someone’s cigarette? No, there was nobody standing there, and nobody smoking anywhere anyway. Plus the cloud appeared at hip/chest height.
3. Was it caused by someone exhaling? No, again no one there, not high enough in the air, and it was a warm evening.
4. Was it caused by the vapor from the heat of the flash? This seemed like the most rational explanation, given it happened near the same height as the speedlight, BUT barely any heat is given off at that power setting, and even at full power the heat can only be felt an inch or two away. Plus, it was not. Cold. Out.

Perhaps the strangest factor is how quickly it appeared and disappeared. If it was smoke, it would have lingered and dissipated, likely floating up in the process. This white cloud appeared at a specific location, not at head height, without any implied directional movement, and disappeared just as quickly. It reminds me of the photos you see of the cloud around a jet fighter formed by a sonic boom. And even though there were periodic low-flying aircraft given our proximity to the airport, that by no means explains this phenomenon.

OK, so back to the “other things” that, in their context, led me to consider more supernatural explanations for the visual conundrum I’d captured on my camera. Earlier in the evening, I’d walked out to the patio to set up my lights for the dancing that was going to happen, and the bride and groom accompanied me. The couple were standing together about 8 feet from me and we were talking. Then the bride exhaled and noticed that she could see her breath. So of course both her and her husband started breathing out so we could see their breath forming in the air. We all just kind of laughed about it, thinking it was weird as it wasn’t cold out. I asked her later (after finding the weird photo) if she remembered that moment, and whether she felt cold. She said she did remember, but that she didn’t have a sense of being cold at the time. Anyways, when I recalled this event, it took on a different context given the photo I’d found – and of course the photo by association became even more mysterious. Which leads me to the third “thing” that really solidified things in my mind as a possible-supernatural-occurence.

The Buttery doesn’t have wi-fi, so I got out my phone and performed a quick google search for “Tarpy’s Roadhouse Ghost” – and guess what? Turns out the place is considered haunted by many people, especially those who have worked at the property. I didn’t go into this situation knowing Tarpy’s has an interesting history, I only knew it was an old building that used to be a house. After a little online research, I discovered the original owner had been lynched in 1873 for murdering his neighbor, and that over the years there’s been quite a few “tragic deaths” on the property. I watched a seven minute YouTube video filled with interviews from employees’ stories of “chills,” seeing a ghostly female apparition, strange voices, and even poltergeist-like presences making a mess in the kitchen. Take all this with a grain of salt, as I do, but keep in mind my experience began with a strange photo, and I made my way to the ghostly/supernatural presence only based on my direct experience. I had no idea about the history of the house when I shot the wedding, and I can honestly say that the whole experience on the wedding day was awesome. The staff at Tarpy’s are all incredibly nice, the food is insanely good – so I don’t want to tarnish the image of the restaurant in any way. I’d happily shoot there again, although I would definitely be on the lookout for weirdness!

So was it a ghost? I don’t know. It was a cloud of mist that was most definitely there, captured in high-resolution and well-lit. Given the strange breath-clouds experienced earlier in the day, and now knowing a little about its haunted history, I’m definitely open to the possibility that I photographed a unexplained presence that night. I find the whole thing fascinating, and will leave it to you to draw your own conclusions. Until next time…

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Anyways, Sarah and Anthony. Adorable, sweet, and open to my ideas. Even the ones that should stay in my head. My inner dialogue speaks out loud during shoots, sometimes I’m genuinely surprised by the things that I say. But the results are what matter. Check out these two lovebirds – I’m sorry I won’t be your wedding photographer back East, I hope you hire someone awesome! More photos to peruse at the mothership website www.GoodEyePhotography.com.

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The ladies finally arrived, and we commenced with the ceremony. Only it was way too windy, so we had to back away from the bluff edge a tad. And the veil wasn’t really cooperating with all the wind. But nobody cared, because the moment was special. They exchanged vows, rings, kissed, and it was done. Then I got to do what I never have the chance to do with all-day weddings–spend the next two hours taking awesome photos with the bride and groom! I *love* this time, and elopements really spoil me in that regard. The storm was quickly closing in on us, creating some eerie, ominous, but truly beautiful light. I took full advantage of it, I think. We had just hiked back up to our cars when the first drops began to fall. We huddled under the trees next to our cars while Konstantin’s mom cut up and distributed her delicious homemade salmon rolls along with cups of apple juice. We all grinned at each other, knowing we’d all shared a really cool afternoon together and beat the weather at it’s own game. Enjoy my favorite photos below, check the rest out at www.GoodEyePhotography.com.

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Kelly and Nat are one such couple for whom elopement was the perfect solution, and they sought me out to capture every moment. I met them and their officiant at the trailhead to what’s known as “Wedding Rock” –  a prominent group of boulders nestled at the edge of a bluff overlooking the ocean and residential hilly areas of Southern Carmel. Ken Robins was their amazing officiant; with two decades of experience, anyone looking to tie the know in the Monterey/Carmel area should check out his website www.CarmelWeddingCeremonies.com. The fog cleared and the wind died down before we arrived, and it all came back after we left. The sun even peeked through after there ceremony, it was just so perfect. After the ceremony and photos on the bluff, we walked down to the beach to explore interesting places to take more photos. Kelly and Nat were all smiles, and I could tell were having a great time. I was honored to be their photographer-of-choice for such an intimate, special time in their lives. There’s a bunch more photos and even some video clips of the ceremony at www.GoodEyePhotography.com. Enjoy my faves below.

Planning a romantic elopement in the Monterey / Carmel area?
Bay Area Destination Wedding Photographer Chris Schmauch wants to capture the moment! (831) 216-6210

If you haven’t already, feel free to review our portfolio site, browse past weddings, check our romantic engagement sessions, follow our business on Facebook (like us while you’re at it!), or read our awesome Yelp reviews.