deadwebzine

Zorndyke On Mayor Altar’s Edge Review

Tue, 28 Aug 2012 07:56:03 GMT

Zorndyke On Mayor Altar’s Edge Review

Ой, какой хороший олд скульный дезнячок, пришёл из Италии ))))
Музыка шатается то в сторону треша аля Metallica), то в сторону Cannibal Corpse и Nunslaughter – вот такой крепкий сплав треша и дез металла ). К моему удовольствию здесь мало н

удных соло партий, их практически нет, что выделяет этот коллектив из толпы. Постепенно слушатель погружается в трясину технического брутал деза старой закалки. Тут присутствуют два вокала, один – гнилой, низкий гроулинг второй граничащий с блек, чистый олд скульный, хриплый скриминг.
Ближе к концу альбома понимаешь, что ребята сделали – прокрутили кучу фишек из 80х годов через мясорубку дез металла. (На ум приходит только Engorged , которые 80-е склеили с грайндкором … но это другая история)
Альбом рекомендуется к прослушиванию !!!! 9 из 10 балов)))))

Zorndyke On Mayor Altar’s Edge Review

1 Meine schwarze Flügeln
2 Sledgehammer Murderer
3 Lunch for the Worms
4 Hordes of the Primordial Chaos
5 Headshot
6 Chamber of Bones
7 Tenochtitlán Claims Blood / On Mayor Altar’s Edge
8 Decomposing Alive

Deadwebzine

Destroyers Of The Faith 2012

Tue, 25 Oct 2011 10:57:49 GMT

Metal Hammer is proud to announce that legendary death metal innovators Cannibal Corpse will headline the first-ever edition of Destroyers Of The Faith, and will be bringing with them some of the biggest names in extreme music.

CC drummer Paul Mazurkiewicz says: “Just being a part of such a killer package and having these bands on there… It’s gonna be an exciting time and a great tour for the UK. I hope all the fans are really pumped for this one, because we definitely are! This is the first time that this is happening in the UK, and it’s very exciting.”

Joining the New York titans of gore on this history-making trek will be none other than bowel-exploding doom metal kings Triptykon, spearheaded by seminal extreme metal icon Tom G. Warrior of Celtic Frost and Hellhammer fame. And, as if that wasn’t enough, both bands will also be joined by veteran Norwegian progressive black metallers Enslaved and rising Arizona death metal favourites, Job For A Cowboy.

JFAC frontman Jonny Davy adds: “It’s the perfect tour! We still feel like we have a lot to prove, and this is the perfect tour to get in everyone’s faces.”

07.03 – Bristol – O2 Academy
08.03 – Glasgow – O2 ABC
09.03 – Manchester – Academy
10.03 – London – HMV Forum
11.03 – Birmingham – HMV Institute

http://deadwebzine.wordpress.com/

Bloodstock Tickets available online

Tue, 15 Mar 2011 13:26:57 GMT

DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD

Sun, 10 Oct 2010 23:13:37 GMT

DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD

Finally, after a few years of preparation, here we have a split release by two Croatian grindcore bands exploring different angles of the genre in full 79 minutes blast. Desinence Mortification from Pula are probably the longest-lasting Croatian grindcore band after the legendary Patareni. On their side of this CD they offer around 30 minutes of old-school grindcore, including 6 tracks from their album from 2009, 7 tracks taken off demo from 2001, and 10 tracks recorded live in 1995. Highly recommended for fans of early Napalm Death, Brutal Truth, Fear Of God and Patareni. Intense and brain-melting! Giht Shasie from Split have been making experimental dadaistic digital grindcore from 2002 to 2005 and again from 2008 to present. Due to frequent break-ups, the band is sometimes reffered to as Pok. (Deceased) Giht Shasie. After their 2004 material, a few friends of band remixed their tracks and also did a few collaborations. Those friends are Electrocutionerdz (Canada), Discopath, DJ Implant, Gruuthaagy, Mad Shepard and Rural & 4 (all from Croatia). After a few mockery albums recorded in 2008, the band reappeared to play another gig of grindcore material. In April 2009, live tracks including old material, were recorded along with a few new songs. In 2010, new studio tracks were finished together with a remix by obscure Croatian electro-industrial pioneers Zidar Betonsky. All in all, their side of CD contains over 40 minutes of raw digital grind, evocating the most creative moments of works by Agoraphobic Nosebleed, The Locust, Phantomsmasher or Ministry. Sick.»

http://www.myspace.com/desinencemortification
http://www.myspace.com/geehtshasie
http://www.myspace.com/hyperionrec
http://www.myspace.com/guranjeslitice

Darkness Wish Angels — Debut Album Scheduled on 20.06.2010

Mon, 24 May 2010 17:24:49 GMT

Darkness Wish Angels Кировоградская symphonic power metal группа начала свое существование 8 сентября 2009 года.
Первый состав группы был таким :
• Стреленко Михаил – электрогитара , вокал
• Войтенко Олег – ударные
• Будулатий Андрей – бас гитара
• Алина – вокал
Со временем, после месяца репетиций, группа берет клавишника Гончарова Влада. За два месяца рок-коллектив дает жизнь восьми темам. Из-за низких вокальных данных и разногласий с коллективом группу покидает вокалистка. Спустя немного времени, гитарист приглашает на вокал Дерий Юлию. Состав группы :
• Стреленко Михаил – вокал, электрогитара
• Дерий Юлия – вокал
• Войтенко Олег – ударные
• Гончаров Влад – клавишные
• Будулатий Андрей – Бас гитара
До весны группа нарабатывает материал на первый альбом, в который войдет 13 песен.
Первый дебютный концерт состоялся 3.05.2010 в городе Долинская, который увенчался большим успехом. После чего группа дает сольный концерт 8.05.2010 в родном городе Кировограде, который проходит тоже успешно. На лето 2010 года у power metallистов намечается концертный тур по Украине. С 19 по 25 июня группа выступит с сольным концертом в городе Долинская, возможно коллектив заодно захватит такие города как Запорожье, Донецк, Киев, Светловодск, Одесса. С 10 июня рок-группа начинает запись дебютного альбома, выпуск первого альбома планируется 20.06.2010 года. Альбом можно будет прослушать на сайте рок-группы, заказать можно также по таким номерам: 0993601434 – Вадим, 0999438706 – Harley.

Darkness Wish Angels – Symphonic Power Metal Band
Band Manangement / Booking
Harley
Tel 38 0999438706
Vadim Ruchko
tel: 38 099 360 14 34

Web site: http://darknesswishangels.eu5.org
Blog: http://darknesswishangels.eu5.org/blog

Myspace: http://www.myspace.com/darknesswishangels
Twitter: http://twitter.com/dwa_ukraine
Facebook: http://www.facebook.com/pages/Darkness-Wish-Angels/119133004792143?ref=sgm
Youtube: http://www.youtube.com/darknesswishangels
Audiostreet: http://www.audiostreet.net/darknesswishangels
Last.fm: http://www.last.fm/music/darkness+wish+angels
PureVolume: http://www.purevolume.com/DarknessWishAngels
Soundclick: http://www.soundclick.com/darknesswishangels

Ideal Bread, A Steve Lacy Repertory Band, Releases 2nd CD, Transmit on Cuneiform Records June 8th

Mon, 10 May 2010 19:41:43 GMT

deal Bread Release 2nd Album,
Transmit, Vol. 2 of the Music of Steve Lacy
Exploring The Underappreciated Original
Compositions of Steve Lacy

Album Streets June 8, 2010 on Cuneiform Records

Ideal Breads Plays Two NYC Gigs in June:

Sun. June 6 — Live Studio Event @ 58№ 6 Media Labs — 8:00 PM
Sun. June 13 — Undead JazzFest @ Kenny's Castaways — 6:40 PM

Cuneiform Records is very proud to release Transmit, the second album from the Steve Lacy repertory band Ideal Bread. The quartet of expert improvisers and composers includes baritone saxophonist Josh Sinton, cornetist Kirk Knuffke, bassist Reuben Radding and drummer Tomas Fujiwara; they adhere to Lacy’s unique vision while giving each composition new life with their unique approach to free improvisation and ensemble interplay.

If anyone deserves such a project, it is soprano saxophone innovator Steve Lacy (1930—2004). He was an integral component of Cecil Taylor’s first unit, having emerged from the Dixieland revival of the late 1950s; he would then go on to liberate the soprano saxophone and reform the landscape of composition in improvised music. “Steve Lacy is one of the most idiosyncratic composers in what we call free jazz,” states Josh Sinton. “People who love free music may initially have a hard time coming to terms with his work, because they aren’t ready for the repetition and traditional rigor he brought to his pieces.”

Sinton has first-hand experience with Lacy’s brand of disciplined freedom. The group has performed with Lacy’s widow and long-standing collaborator, cellist and vocalist Irene Aebi, and she introduced Sinton to some of the tunes on Ideal Bread’s second release. However, Sinton’s relationship with Lacy’s work long predates that association. He studied with the revered soprano saxophonist from 2002—2004, as he finished up a graduate degree in jazz performance at New England Conservatory. “I took lessons from him and served as his copyist, but I also would catch his shows as often as I could. Often, we would just get together and talk. I learned something from him on every occasion.”

Upon moving to Brooklyn, New York in the summer of 2004, Sinton would bring Lacy’s music to many of his introductory sessions. “Not many people were playing Lacy’s pieces in New York at that time,” states Sinton. “Really, it had to do with the paucity of scores, and that no one was transcribing what didn’t exist in score.” Sinton proceeded to do just that, amassing a formidable library of transcriptions from which Ideal Bread draws inspiration. The music is a continual source of challenge and inspiration to Sinton. “I’m still mystified by Lacy’s approach,” Sinton muses. “Some of his writing has the repetitive quality of a nursery rhyme, some of it is more akin to Webern or other atonal composers. I’d watch Steve respond to questions about his compositional method by playing the compositions, and I am also coming to terms with the music by playing it.” The group began as a trio, Fujiwara only joining after Ideal Bread’s first six months of existence. The lineup has remained constant since, and the group has been performing regularly since 2006.

(L-R: Tomas Fujiwara, Reuben Radding, Kirk Knuffke, Josh Sinton)

Sinton compares Ideal Bread’s approach to Lacy’s championing of iconoclasts such as Thelonious Monk or Herbie Nichols. “I listen to multiple versions of a tune, and I treat the repeated elements as the composition; the rest is determined case by case.” Despite wishing to remain loyal to Lacy’s conceptions, the quartet’s 2008 eponymous debut (KMB) demonstrated with force that Ideal Bread is no mere group of imitators. Transmit makes the case even more clearly. Their rollicking reading of “The Dumps” combines elements from several versions of the tune, which Lacy performed in both solo and ensemble situations. The trilled introductory passage is there, as might be heard on Lacy’s Sands rendition, but Ideal Bread adds a whimsically wicked vocal break before launching into the fleet-footed melody proper. Lacy’s trademark near-unisons stand out as Radding and Fujiwara provide angular and rhythmically varied support to Sinton and Knuffke as they blow over this freebop masterpiece. Yet, raw energy never precludes precision. The four musicians play with the tightness and beauty of any classical music ensemble, most evidently in the Monkishly quirky polyphony of “Flakes.” Sinton calls this early 1970s piece one of Lacy’s “greatest hits,” and it appears on many of his finest albums. The present version is closest to that from Lacy’s Black Saint classic Window, but Sinton and company give the melody additional clarity with a march feel, eschewing the original’s loping swing. Radding and Sinton breathe as one, their sound perfectly unified as Knuffke rolls out the head in gentle bursts.

Knuffke’s solo on “Flakes” references a tiny half-step motive from the tune’s intro, which, according to Sinton, is quite deliberate. “When I’d perform with Lacy, he would have us craft our solos from material found in the composition, either directly or by implication. That is often the approach we take.” Sinton’s hard-driving solo on “As Usual” derives from the tune’s highly chromatic mode. Far from impeding freedom, the practice increases the group’s focus, allowing them to expose and explore each compositional structure in minute detail while unifying each performance.

The disc exudes vigor as a live feel is constantly palpable. A first-rate recording and mix captures each musician’s contributions in clear and present sound. Every nuance in Fujiwara’s brush work carries “The Breath” airily along, and Radding’s resonantly introspective solo introduction to “Clichés” sings and grooves by turn before the band kicks it into high gear. It all adds up to a wonderful journey through Lacy’s startling and diverse sound-world, one of which the composer most certainly would have been proud.

CD RELEASE DATE: June 08, 2010

Links

Ideal Bread on MySpace / Ideal Bread on Facebook

Josh Sinton's Website
Kirk Knuffke's Website
Reuben Radding's Website
Tomas Fujiwara's Website

Cuneiform Records

For more information contact: Matt Merewitz at Fully Altered Media; call 215—629-6155 or email matt@fullyaltered.com

Give Praise is now part of the DEADWEBZINE family!

Fri, 16 Apr 2010 20:42:49 GMT

Give Praise is now part of the DEADWEBZINE family! Check their page out, interview, reviews, etc. Metal, Punkrock, Powerviolence, Grind! There is a Give Praise news feed there, as well as News Feeds for a slew of labels! Radical!

ABYSMAL DAWN: Set To Enter The Studio

Sat, 03 Apr 2010 12:21:07 GMT

Los Angeles, CA’s ABYSMAL DAWN will begin recording the follow-up album to their Relapse debut Programmed To Consume this May at Trench Studio in Corona, CA with John Haddad (PHOBIA, INTRONAUT, HIRAX). The album will be mixed by Erik Rutan (HATE ETERNAL, VITAL REMAINS, CANNIBAL CORPSE) at his Mana Recording Studios in St. Petersburg, FL. A fall release date is expected.
ABYSMAL DAWN’s Charles Elliot commented on the upcoming album; “It’s always great to work with John Haddad, whom we’ve worked with on our previous two releases. This time we thought we’d try something a little different though as far as the mix goes. After to speaking to Erik Rutan at great length we know he’s the man for the job. He’s a living legend and knows how real death metal should sound! Everyone in the band is really excited to be working with him and we know this is going to be our most crushing release yet. We’ve been hard at work demoing all the material before we enter the studio and things sound amazing already! This will be our catchiest yet most extreme and technical release to date.
We’re also happy to be working with our new drummer Scott Fuller (ex-HAVOK, ex-SKITZO, ex-ASHES OF ICONS). Scott comes from more of a thrash background but was born to play death metal and has never had the outlet for that until now. So far it’s been a real pleasure to be in a band with someone with the same fire for this music as Mike and I again. A fitting replacement for Terry with even more chops to boot.”
Additional recording details will be made available shortly.

Audio samples and video from the band’s Programmed To Consume album can be viewed online now via the ABYSMAL DAWN MySpace page: Myspace.com/AbymsalDawn.

TERROR Preparing To Enter Studio
1. GRAVEHILL ISSUES TEXAS TOUR REPORT AND STUDIO UPDATE
  1. INFERNAEON ENTER STUDIO, REVEAL NEW MEMBERS AND BEHIND THE SCENES VIDEO

deadwebzine

Zorndyke On Mayor Altar’s Edge Review

Destroyers Of The Faith 2012

Bloodstock Tickets available online

DESINENCE MORTIFICATION/GIHT SHASIE CROATIAN GRINDCORE SPLIT CD PRO MADE CD

Darkness Wish Angels — Debut Album Scheduled on 20.06.2010

Ideal Bread, A Steve Lacy Repertory Band, Releases 2nd CD, Transmit on Cuneiform Records June 8th

Give Praise is now part of the DEADWEBZINE family!

ABYSMAL DAWN: Set To Enter The Studio

MUMAKIL / BLOCKHEADS Release Split 7�

WINTERHORDE has posted two brand new songs

DEATHRIDERS – Metal Thrashing Mad Video!

GRAVEHILL ISSUES TEXAS TOUR REPORT AND STUDIO UPDATE

SPLICE – 1st Trailer – Sarah Polley, Adrien Brodys

Resident Evil Afterlife Trailer

BLOOD MORTIZED has parted ways with guitarist Benny MobergBLOOD MORTIZED has parted ways with guitarist Benny Moberg

Wacken Open Air 2010 – Line Up Update

First video footage of Finnish death metallers HATEFLESH

Enter Sandman — Jazz Version

“Option Paralysis” sold around 7,100 copies in the United States

SOILWORK have finished recording their new album

ICARUS WITCH have announced the addition of second guitarist

ROYAL HUNT has signed a deal with Scarlet Records

DEW-SCENTED Reveal “Invocation” Cover Art

Skyforger Will Release A New Album On April 26

New video from Swedish black metallers SETHERIAL