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    <title>The Guardian</title>
    <link>https://www.theguardian.com/uk</link>
    <description>Latest news, sport, business, comment, analysis and reviews from the Guardian, the world's leading liberal voice</description>
    <language>en-gb</language>
    <copyright>Guardian News and Media Limited or its affiliated companies. All rights reserved. 2026</copyright>
    <pubDate>Sun, 17 May 2026 16:22:58 GMT</pubDate>
    <dc:date>2026-05-17T16:22:58Z</dc:date>
    <dc:language>en-gb</dc:language>
    <dc:rights>Guardian News and Media Limited or its affiliated companies. All rights reserved. 2026</dc:rights>
    <image>
      <title>The Guardian</title>
      <url>https://assets.guim.co.uk/images/guardian-logo-rss.c45beb1bafa34b347ac333af2e6fe23f.png</url>
      <link>https://www.theguardian.com</link>
    </image>
    <item>
      <title>What does stress really do to our bodies – and when does it become a big problem?</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/secrets-of-the-body-stress</link>
      <description>&lt;p&gt;From an elevated heart rate to weakened immunity, experts explain the hidden physical costs of chronic stress – and why our bodies aren’t built to stay on high alert&lt;br&gt;&lt;/p&gt;&lt;p&gt;You wake up later than planned, so it’s a rush to get everything sorted out ahead of the school run. While you’re waiting for the toaster, idiotically, you check your phone. Something has happened, and your timeline is a scalding-hot mess of the worst takes imaginable. One of your children has left their shoes somewhere unfathomable, and there’s an envelope on your doormat scolding you for driving in a bus lane.&lt;/p&gt;&lt;p&gt;You’re undeniably stressed, and your body’s likely to respond by ramping up the same biological systems that evolved to deal with inter-tribe disputes and mammoth attacks. But is there a downside to being stressed – and having these systems switched on – all the time? Take a calming breath, and let’s dig into the science.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/secrets-of-the-body-stress"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/lifeandstyle/mindfulness">Mindfulness</category>
      <category domain="https://www.theguardian.com/society/mental-health">Mental health</category>
      <category domain="https://www.theguardian.com/lifeandstyle/health-and-wellbeing">Health &amp; wellbeing</category>
      <category domain="https://www.theguardian.com/society/anxiety">Anxiety</category>
      <pubDate>Sun, 17 May 2026 04:00:28 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/secrets-of-the-body-stress</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/5a9593669b44821c86d9550288007c3d468a681e/0_0_2500_2000/master/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6985f87f0c3937454b07fbfb68b0e957">
        <media:credit scheme="urn:ebu">Composite: Guardian Design;  wilpunt/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/5a9593669b44821c86d9550288007c3d468a681e/0_0_2500_2000/master/2500.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=89d760601ec37714f56b02541941d96e">
        <media:credit scheme="urn:ebu">Composite: Guardian Design;  wilpunt/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/5a9593669b44821c86d9550288007c3d468a681e/0_0_2500_2000/master/2500.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=12811c91965cdb58b55112cff278acad">
        <media:credit scheme="urn:ebu">Composite: Guardian Design;  wilpunt/Getty Images</media:credit>
      </media:content>
      <dc:creator>Joel Snape</dc:creator>
      <dc:date>2026-05-17T04:00:28Z</dc:date>
    </item>
    <item>
      <title>Harry Styles review – a genuinely charismatic performer who has pulled off one of the hardest tricks in pop</title>
      <link>https://www.theguardian.com/music/2026/may/17/harry-styles-together-together-tour-genuinely-charismatic-performer-amsterdam-live-concert-review</link>
      <description>&lt;p&gt;&lt;strong&gt;Johan Cruijff Arena, the Netherlands&lt;br&gt;&lt;/strong&gt;Styles’ first stop in his Together, Together tour, which will see him perform lengthy residencies around the world, is a reminder of how talented he is&lt;/p&gt;&lt;p&gt;Midway through the opening night of his world tour, Harry Styles asks where the audience in the Johan Cruijff Arena have come from. To judge by their response, residents of Amsterdam are vastly outnumbered by those who have travelled vast distances to be here: further investigation on the part of the singer reveals audience members from Switzerland and Ireland.&lt;/p&gt;&lt;p&gt;It’s evidence of what – to use a modern term – a huge flex the Together, Together tour is. There are doubtless sound reasons for performing lengthy residencies at single venues rather than dutifully dragging yourself around the globe – Styles’ 10 shows in Amsterdam are the only gigs he’s playing in mainland Europe, followed by similarly lengthy sojourns at venues in London, São Paulo, Mexico City, New York City, Melbourne and Sydney – but it also helps underline the scale of the former One Direction star’s solo success. Twelve consecutive nights at Wembley is a feat not even Taylor Swift’s Eras tour could match. Here, it suggests, is a man who’s not only pulled off one of the hardest tricks in pop – the journey from manufactured boyband member to respected solo artist is a notoriously thorny one – but done it with an almost unparalleled degree of aplomb. You’d have to look back to George Michael’s post-Wham! career to find even a vague equivalent.&lt;/p&gt; &lt;a href="https://www.theguardian.com/music/2026/may/17/harry-styles-together-together-tour-genuinely-charismatic-performer-amsterdam-live-concert-review"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/music/harry-styles">Harry Styles</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/music/popandrock">Pop and rock</category>
      <category domain="https://www.theguardian.com/world/netherlands">Netherlands</category>
      <pubDate>Sun, 17 May 2026 00:05:56 GMT</pubDate>
      <guid>https://www.theguardian.com/music/2026/may/17/harry-styles-together-together-tour-genuinely-charismatic-performer-amsterdam-live-concert-review</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/e10a582d7d7f305556b90f820833422225b678a4/250_0_5000_4002/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9bacf13166a80f1feb47ddbb400ae0a2">
        <media:credit scheme="urn:ebu">Photograph: Anthony Pham/Getty Images for HS</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/e10a582d7d7f305556b90f820833422225b678a4/250_0_5000_4002/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8ebde8200889d299a32142611ea583a6">
        <media:credit scheme="urn:ebu">Photograph: Anthony Pham/Getty Images for HS</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/e10a582d7d7f305556b90f820833422225b678a4/250_0_5000_4002/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b0bc10d0fd31cba5bafba99cc4864fea">
        <media:credit scheme="urn:ebu">Photograph: Anthony Pham/Getty Images for HS</media:credit>
      </media:content>
      <dc:creator>Alexis Petridis</dc:creator>
      <dc:date>2026-05-17T00:05:56Z</dc:date>
    </item>
    <item>
      <title>‘Feels like an illusion’: inside post-Maduro Venezuela’s bewildering new era</title>
      <link>https://www.theguardian.com/world/ng-interactive/2026/may/17/feels-like-an-illusion-how-trump-seizing-maduro-has-changed-little-in-venezuela</link>
      <description>&lt;p&gt;Four months after Trump’s surprise raid, a political thaw has descended – but mingled with hope is trepidation for what comes next&lt;/p&gt;&lt;p&gt;When Ángel Linares heard a strange buzz followed by an explosion, his first thought was that neighbours were setting off fireworks to celebrate the new year.&lt;/p&gt;&lt;p&gt;Then his windows shattered, the building’s walls shook and its facade was ripped off, sending him flying on to the ground of an apartment suddenly reduced to rubble. His 85-year-old mother, Jesucita, feared Venezuela’s northern coast had been devastated by an earthquake, like the one she remembers from 1967.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/ng-interactive/2026/may/17/feels-like-an-illusion-how-trump-seizing-maduro-has-changed-little-in-venezuela"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/venezuela">Venezuela</category>
      <category domain="https://www.theguardian.com/world/americas">Americas</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/us-news/us-foreign-policy">US foreign policy</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <pubDate>Sun, 17 May 2026 05:00:29 GMT</pubDate>
      <guid>https://www.theguardian.com/world/ng-interactive/2026/may/17/feels-like-an-illusion-how-trump-seizing-maduro-has-changed-little-in-venezuela</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/9f7760b79293f5981959de75c3f0925bef2686af/495_0_3333_2667/master/3333.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fa3b4c91d48b8f83fb8ebe854575fd6f">
        <media:credit scheme="urn:ebu">Photograph: Andrea Hernández Briceño/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/9f7760b79293f5981959de75c3f0925bef2686af/495_0_3333_2667/master/3333.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=453818312dfde4a3d4f31886c69657d9">
        <media:credit scheme="urn:ebu">Photograph: Andrea Hernández Briceño/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/9f7760b79293f5981959de75c3f0925bef2686af/495_0_3333_2667/master/3333.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dedffb993e01ef2fde13fd8cfc0fc77f">
        <media:credit scheme="urn:ebu">Photograph: Andrea Hernández Briceño/The Guardian</media:credit>
      </media:content>
      <dc:creator>Tom Phillips and María de los Ángeles Graterol in Catia La Mar</dc:creator>
      <dc:date>2026-05-17T05:00:29Z</dc:date>
    </item>
    <item>
      <title>Journalism has never been a more dangerous pursuit</title>
      <link>https://www.theguardian.com/membership/2026/may/17/journalism-has-never-been-a-more-dangerous-pursuit</link>
      <description>&lt;p&gt;Facts can be expensive in a dangerous world. I have covered some brutal wars during my three decades at the Guardian, but journalists are now actively targeted in a way I have never seen &lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;a href="https://support.theguardian.com/"&gt;Support independent journalism today&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;It has never been so dangerous to be a journalist than now, and the threat keeps growing. The Committee to Protect Journalists (CPJ) recorded 129 deaths of reporters and other media workers in 2025, the most it has ever recorded, and five more than the previous record, which was last year.&lt;/p&gt;&lt;p&gt;I have worked for the Guardian for more than three decades and covered some brutal wars, but journalists are now in the crosshairs, actively targeted, in a way I have never seen before.&lt;/p&gt; &lt;a href="https://www.theguardian.com/membership/2026/may/17/journalism-has-never-been-a-more-dangerous-pursuit"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/media/press-freedom">Press freedom</category>
      <category domain="https://www.theguardian.com/world/ukraine">Ukraine</category>
      <category domain="https://www.theguardian.com/world/israel-hamas-war">Israel-Gaza war</category>
      <category domain="https://www.theguardian.com/media/media">Media</category>
      <category domain="https://www.theguardian.com/media/pressandpublishing">Newspapers &amp; magazines</category>
      <category domain="https://www.theguardian.com/media/journalist-safety">Journalist safety</category>
      <pubDate>Sun, 17 May 2026 07:00:31 GMT</pubDate>
      <guid>https://www.theguardian.com/membership/2026/may/17/journalism-has-never-been-a-more-dangerous-pursuit</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/352ab385a55df2288c0e86b6e74c65be4e7c6d32/336_0_3360_2688/master/3360.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8fde336a9a4851dfa36ae9ab98f4d2cd">
        <media:credit scheme="urn:ebu">Photograph: AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/352ab385a55df2288c0e86b6e74c65be4e7c6d32/336_0_3360_2688/master/3360.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=29d76ef603682322c79a42caf1562a4b">
        <media:credit scheme="urn:ebu">Photograph: AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/352ab385a55df2288c0e86b6e74c65be4e7c6d32/336_0_3360_2688/master/3360.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=208ee95f2268be8214db01db313c61ed">
        <media:credit scheme="urn:ebu">Photograph: AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Julian Borger</dc:creator>
      <dc:date>2026-05-17T07:00:31Z</dc:date>
    </item>
    <item>
      <title>Dining across the divide: ‘I think Starmer is a dead man walking. She wasn’t sold on that’</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/dining-across-the-divide-keith-amanda-keir-starmer-dead-man-walking</link>
      <description>&lt;p&gt;They were surprised to agree on some topics. But could the scientist and the lawyer see eye to eye on the future of the monarchy?&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;Want to meet someone from across the divide? Click &lt;a href="https://www.theguardian.com/lifeandstyle/2026/mar/18/would-you-like-to-take-part-in-dining-across-the-divide"&gt;here&lt;/a&gt; to find out how&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;strong&gt;Keith, 48, Leeds&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Occupation&lt;/strong&gt; University lecturer in medical microbiology&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/dining-across-the-divide-keith-amanda-keir-starmer-dead-man-walking"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/society/social-trends">Social trends</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <pubDate>Sun, 17 May 2026 11:00:37 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/dining-across-the-divide-keith-amanda-keir-starmer-dead-man-walking</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/97bf0f2bbebd8c4d8c6dd497a82c5519656905da/394_0_7200_5760/master/7200.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=57fbec7301d920173a1933e35bcc03fe">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/97bf0f2bbebd8c4d8c6dd497a82c5519656905da/394_0_7200_5760/master/7200.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1e679587f2ec26654e06d21adf054a34">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/97bf0f2bbebd8c4d8c6dd497a82c5519656905da/394_0_7200_5760/master/7200.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dee4209d758f8d71ebb7f1d2358b57eb">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <dc:creator>Erica Buist</dc:creator>
      <dc:date>2026-05-17T11:00:37Z</dc:date>
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    <item>
      <title>Am I being taken for a fool by my family over taking care of my mum? | Annalisa Barbieri</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/taken-for-fool-by-family-over-mum-annalisa-barbieri</link>
      <description>&lt;p&gt;Your mother expects to be taken on holiday and your siblings aren’t pulling their weight, so you’re right to be angry as things clearly aren’t fair&lt;/p&gt;&lt;p&gt;&lt;strong&gt;For years&lt;/strong&gt;&lt;strong&gt;, it has fallen &lt;/strong&gt;&lt;strong&gt;to me and my sister &lt;/strong&gt;&lt;strong&gt;to &lt;/strong&gt;&lt;strong&gt;take my mother on holiday&lt;/strong&gt;&lt;strong&gt;. &lt;/strong&gt;&lt;strong&gt;Now, she has a big birthday coming up and &lt;/strong&gt;&lt;strong&gt;wants me to arrange a trip abroad. I have three other siblings, &lt;/strong&gt;&lt;strong&gt;who have never &lt;/strong&gt;&lt;strong&gt;taken her on holiday&lt;/strong&gt;&lt;strong&gt;, so&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;&lt;strong&gt;to prod them into action&lt;/strong&gt;&lt;strong&gt; I spoke with one of my brothers, who expressed disbelief &lt;/strong&gt;&lt;strong&gt;at my &lt;/strong&gt;&lt;strong&gt;mum’s request and told me I&amp;nbsp;was a fool for &lt;/strong&gt;&lt;strong&gt;going along with it.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;I can’t decide if he’s being mean (our father &lt;/strong&gt;&lt;strong&gt;died a few years ago and she doesn’t have friends to go &lt;/strong&gt;&lt;strong&gt;with)&lt;/strong&gt;&lt;strong&gt; or &lt;/strong&gt;&lt;strong&gt;if I am the fool in the family&lt;/strong&gt;&lt;strong&gt;.&lt;/strong&gt;&lt;strong&gt; I&amp;nbsp;have young kids and a tight budget, &lt;/strong&gt;&lt;strong&gt;but our &lt;/strong&gt;&lt;strong&gt;holiday has to be arranged to suit “&lt;/strong&gt;&lt;strong&gt;Granny”, &lt;/strong&gt;&lt;strong&gt;so it ends up being &lt;/strong&gt;&lt;strong&gt;a less adventurous&lt;/strong&gt;&lt;strong&gt;, more &lt;/strong&gt;&lt;strong&gt;expensive&lt;/strong&gt;&lt;strong&gt; trip than my siblings &lt;/strong&gt;&lt;strong&gt;take with their kids.&lt;/strong&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/taken-for-fool-by-family-over-mum-annalisa-barbieri"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/family">Family</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/lifeandstyle/parents-and-parenting">Parents and parenting</category>
      <pubDate>Sun, 17 May 2026 05:00:30 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/taken-for-fool-by-family-over-mum-annalisa-barbieri</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/b7688c48fa408e7d3a8d6b4fe2211ec3a7d31e97/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3d91e3fd39bde148d1736bc720fe76dc">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/b7688c48fa408e7d3a8d6b4fe2211ec3a7d31e97/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=44115b7dbac8732ef7cfcd79d083c4d4">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/b7688c48fa408e7d3a8d6b4fe2211ec3a7d31e97/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=466c2dae72f869213bb54a946f1170f4">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <dc:creator>Annalisa Barbieri</dc:creator>
      <dc:date>2026-05-17T05:00:30Z</dc:date>
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    <item>
      <title>Top of Labour in row over EU as Nandy challenges Streeting’s remarks</title>
      <link>https://www.theguardian.com/politics/2026/may/17/culture-secretary-lisa-nandy-says-wes-streeting-rejoin-eu-call-odd</link>
      <description>&lt;p&gt;Ex-health secretary’s allies rally to defend him after culture secretary calls his comments about rejoining bloc ‘odd’&lt;/p&gt;&lt;p&gt;A row has broken out at the top of the Labour party over whether Britain should try to rejoin the EU after Wes Streeting said the country should eventually seek to regain membership.&lt;/p&gt;&lt;p&gt;Streeting, who resigned as health secretary last week in protest at Keir Starmer’s leadership, kicked off a war of words after he argued on Saturday that Britain’s future lay back in the EU.&lt;/p&gt; &lt;a href="https://www.theguardian.com/politics/2026/may/17/culture-secretary-lisa-nandy-says-wes-streeting-rejoin-eu-call-odd"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/politics/labour">Labour</category>
      <category domain="https://www.theguardian.com/politics/labourleadership">Labour party leadership</category>
      <category domain="https://www.theguardian.com/world/eu">European Union</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/politics/lisa-nandy">Lisa Nandy</category>
      <category domain="https://www.theguardian.com/politics/wes-streeting">Wes Streeting</category>
      <category domain="https://www.theguardian.com/politics/andyburnham">Andy Burnham</category>
      <category domain="https://www.theguardian.com/politics/keir-starmer">Keir Starmer</category>
      <category domain="https://www.theguardian.com/politics/byelections">Byelections</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 14:10:23 GMT</pubDate>
      <guid>https://www.theguardian.com/politics/2026/may/17/culture-secretary-lisa-nandy-says-wes-streeting-rejoin-eu-call-odd</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/435439d0cd4bfdd7f3478a704b9b12f7e8ff7b1a/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e33888df60168f390f0e4a445e60f8d4">
        <media:credit scheme="urn:ebu">Composite: Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/435439d0cd4bfdd7f3478a704b9b12f7e8ff7b1a/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4103094c260ba604d69cffb56907af35">
        <media:credit scheme="urn:ebu">Composite: Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/435439d0cd4bfdd7f3478a704b9b12f7e8ff7b1a/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6cbd971e1e83f713e04a729b3c634cf6">
        <media:credit scheme="urn:ebu">Composite: Getty Images</media:credit>
      </media:content>
      <dc:creator>Kiran Stacey Policy editor</dc:creator>
      <dc:date>2026-05-17T14:10:23Z</dc:date>
    </item>
    <item>
      <title>Yvette Cooper wrote Palestine Action article despite CPS warning it could affect trial</title>
      <link>https://www.theguardian.com/uk-news/2026/may/17/yvette-cooper-palestine-action-article-despite-cps-warning-trial</link>
      <description>&lt;p&gt;Exclusive: Then-home secretary justified proscription of group in newspaper column despite advice it might unfairly impact trial of six activists&lt;/p&gt;&lt;p&gt;Yvette Cooper wrote a newspaper column about Palestine Action despite prosecutors warning it could prejudice criminal proceedings against six activists from the group, it can be revealed.&lt;/p&gt;&lt;p&gt;The then-home secretary wrote the column justifying &lt;a href="https://www.theguardian.com/politics/2025/jul/04/ban-on-palestine-action-to-take-effect-after-legal-challenge-fails?CMP=Share_iOSApp_Other"&gt;Palestine Action’s proscription&lt;/a&gt; even though the Crown Prosecution Service advised it might unfairly impact a trial concerning a 2024 break-in at an Israeli arms manufacturer’s factory.&lt;/p&gt; &lt;a href="https://www.theguardian.com/uk-news/2026/may/17/yvette-cooper-palestine-action-article-despite-cps-warning-trial"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 07:00:32 GMT</pubDate>
      <guid>https://www.theguardian.com/uk-news/2026/may/17/yvette-cooper-palestine-action-article-despite-cps-warning-trial</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/8abcb2bd6c6009ecd2deed1a7edc2337bf9c2652/66_0_4164_3333/master/4164.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9941f6bd2eba3e955b4b25c0f066a585">
        <media:credit scheme="urn:ebu">Photograph: Ben Stansall/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/8abcb2bd6c6009ecd2deed1a7edc2337bf9c2652/66_0_4164_3333/master/4164.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=72c82e2f3294015cca1613d7fc6f117a">
        <media:credit scheme="urn:ebu">Photograph: Ben Stansall/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/8abcb2bd6c6009ecd2deed1a7edc2337bf9c2652/66_0_4164_3333/master/4164.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8ce57c182983b1a727881b0233c088b4">
        <media:credit scheme="urn:ebu">Photograph: Ben Stansall/AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Haroon Siddique Legal affairs correspondent</dc:creator>
      <dc:date>2026-05-17T07:00:32Z</dc:date>
    </item>
    <item>
      <title>At least four people killed in Russia as Ukraine launches retaliatory strikes</title>
      <link>https://www.theguardian.com/world/2026/may/17/people-killed-in-russia-ukraine-retaliatory-strikes-moscow</link>
      <description>&lt;p&gt;Wave of almost 600 drones launched across 14 regions, after Moscow’s deadly three-day attack on Ukraine last week&lt;/p&gt;&lt;p&gt;At least four people have been killed in a large-scale retaliatory strike by Ukraine on Russia’s regions, including Moscow, the Russian authorities have said.&lt;/p&gt;&lt;p&gt;The wave of almost 600 Ukrainian drones struck overnight across 14 Russian regions, as well as the Crimean peninsula and the Black and Azov seas, the Russian defence ministry said on Sunday, with the region around the capital among the worst-hit.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/2026/may/17/people-killed-in-russia-ukraine-retaliatory-strikes-moscow"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/russia">Russia</category>
      <category domain="https://www.theguardian.com/world/ukraine">Ukraine</category>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 17 May 2026 09:48:35 GMT</pubDate>
      <guid>https://www.theguardian.com/world/2026/may/17/people-killed-in-russia-ukraine-retaliatory-strikes-moscow</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/14fbe1994795d16e7c284bcaeeef7c258aa09728/30_0_1201_960/master/1201.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ee12dcbc70d5bdbe692329682bc5b769">
        <media:credit scheme="urn:ebu">Photograph: Moscow regional Governor Andrei Vorobyov/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/14fbe1994795d16e7c284bcaeeef7c258aa09728/30_0_1201_960/master/1201.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bb910d39234a27b8c09f36b83d990ee3">
        <media:credit scheme="urn:ebu">Photograph: Moscow regional Governor Andrei Vorobyov/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/14fbe1994795d16e7c284bcaeeef7c258aa09728/30_0_1201_960/master/1201.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6c2662c48a76bec407c0141078c9cbcb">
        <media:credit scheme="urn:ebu">Photograph: Moscow regional Governor Andrei Vorobyov/Reuters</media:credit>
      </media:content>
      <dc:creator>Jon Henley and agencies</dc:creator>
      <dc:date>2026-05-17T09:48:35Z</dc:date>
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    <item>
      <title>Police arrest 43 during unite the kingdom rally and pro-Palestine march in London</title>
      <link>https://www.theguardian.com/uk-news/2026/may/17/arrests-unite-the-kingdom-rally-pro-palestine-march-london</link>
      <description>&lt;p&gt;Officers were allegedly racially abused at Tommy Robinson march, which failed to draw huge numbers it was hoping for&lt;/p&gt;&lt;p&gt;Tommy Robinson’s unite the kingdom rally failed to get the huge numbers it wanted to march through London, with police confident less than half joined his protest on Saturday compared with an event last year.&lt;/p&gt;&lt;p&gt;The far-right rally happened on the same day as a pro-Palestinian march, and the Metropolitan police said that 43 arrests had been made during the two events.&lt;/p&gt; &lt;a href="https://www.theguardian.com/uk-news/2026/may/17/arrests-unite-the-kingdom-rally-pro-palestine-march-london"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 16:21:35 GMT</pubDate>
      <guid>https://www.theguardian.com/uk-news/2026/may/17/arrests-unite-the-kingdom-rally-pro-palestine-march-london</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a0fae41ea85fbc902d49f92d545394021b23c553/421_0_4164_3331/master/4164.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=46aa090720eed1db1bc665f137584b94">
        <media:credit scheme="urn:ebu">Photograph: Andrea Domeniconi/SOPA Images/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a0fae41ea85fbc902d49f92d545394021b23c553/421_0_4164_3331/master/4164.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=93d428c10af29750a9b246bb1ff343d4">
        <media:credit scheme="urn:ebu">Photograph: Andrea Domeniconi/SOPA Images/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a0fae41ea85fbc902d49f92d545394021b23c553/421_0_4164_3331/master/4164.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f33e45d052c2550a727dfdd3e8ae8c06">
        <media:credit scheme="urn:ebu">Photograph: Andrea Domeniconi/SOPA Images/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Vikram Dodd Police and crime correspondent</dc:creator>
      <dc:date>2026-05-17T16:21:35Z</dc:date>
    </item>
    <item>
      <title>Met police officers accused of sleeping while on duty protecting royal family</title>
      <link>https://www.theguardian.com/uk-news/2026/may/17/met-police-officers-accused-of-sleeping-while-on-duty-protecting-royal-family-windsor-castle</link>
      <description>&lt;p&gt;Unspecified number of officers from royalty and specialist protection team being investigated, force confirms&lt;/p&gt;&lt;p&gt;Police officers accused of being asleep when they were supposed to be protecting the royal family at Windsor Castle have been placed under investigation.&lt;/p&gt;&lt;p&gt;An unspecified number of officers from the Metropolitan police’s royalty and specialist protection team are being investigated after concerns were raised, the force confirmed. The Sun, which first reported &lt;a href="https://www.thesun.co.uk/royals/39130068/cops-guarding-king-charles-asleep-on-job-probe/"&gt;the story&lt;/a&gt;, said up to 30 officers were involved.&lt;/p&gt; &lt;a href="https://www.theguardian.com/uk-news/2026/may/17/met-police-officers-accused-of-sleeping-while-on-duty-protecting-royal-family-windsor-castle"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/uk/metropolitan-police">Metropolitan police</category>
      <category domain="https://www.theguardian.com/uk/police">Police</category>
      <category domain="https://www.theguardian.com/uk-news/berkshire">Berkshire</category>
      <category domain="https://www.theguardian.com/uk-news/-iopc">Independent Office for Police Conduct</category>
      <category domain="https://www.theguardian.com/uk/monarchy">Monarchy</category>
      <category domain="https://www.theguardian.com/uk-news/england">England</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 13:57:35 GMT</pubDate>
      <guid>https://www.theguardian.com/uk-news/2026/may/17/met-police-officers-accused-of-sleeping-while-on-duty-protecting-royal-family-windsor-castle</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/d510c47ed374ce94bf773559517068e2a44b8024/1127_2_5196_4157/master/5196.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dcb8c67f2e40510676eb6bdeb4a46255">
        <media:credit scheme="urn:ebu">Photograph: Martin Godwin/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/d510c47ed374ce94bf773559517068e2a44b8024/1127_2_5196_4157/master/5196.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c8dcf5230abe67d17e6bfade18ef1ee0">
        <media:credit scheme="urn:ebu">Photograph: Martin Godwin/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/d510c47ed374ce94bf773559517068e2a44b8024/1127_2_5196_4157/master/5196.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6f172d20200a58ccd974fa2122262fd9">
        <media:credit scheme="urn:ebu">Photograph: Martin Godwin/The Guardian</media:credit>
      </media:content>
      <dc:creator>Matthew Weaver</dc:creator>
      <dc:date>2026-05-17T13:57:35Z</dc:date>
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    <item>
      <title>France v England: Women’s Six Nations 2026 finale – rugby union live</title>
      <link>https://www.theguardian.com/sport/live/2026/may/17/france-v-england-womens-six-nations-2026-finale-rugby-union-live</link>
      <description>&lt;p&gt; Updates from this 4.45pm BST decider in Bordeaux&lt;br&gt; &lt;a href="https://www.theguardian.com/sport/2016/aug/18/sign-up-to-the-breakdown"&gt;Sign up for The Breakdown&lt;/a&gt; | &lt;a href="mailto:lee.calvert.casual@theguardian.com"&gt;Email Lee&lt;/a&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;7 mins.&lt;/strong&gt; T Feleu has her first crash ball run of the game from a scrum and Harrison does well to hold onto her leg for dear life to stop the big woman breaking the line. The ball is recycled quickly and Kebaya finds herself a mile offside in the defensive line.&lt;/p&gt;&lt;p&gt;That’s three penalties in the opening minutes given against England.&lt;/p&gt; &lt;a href="https://www.theguardian.com/sport/live/2026/may/17/france-v-england-womens-six-nations-2026-finale-rugby-union-live"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/sport/womens-six-nations">Women's Six Nations</category>
      <category domain="https://www.theguardian.com/sport/france-womens-rugby-union-team">France women's rugby union team</category>
      <category domain="https://www.theguardian.com/sport/england-womens-rugby-union-team">England women's rugby union team</category>
      <category domain="https://www.theguardian.com/sport/womens-rugby-union">Women's rugby union</category>
      <category domain="https://www.theguardian.com/sport/rugby-union">Rugby union</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 16:18:18 GMT</pubDate>
      <guid>https://www.theguardian.com/sport/live/2026/may/17/france-v-england-womens-six-nations-2026-finale-rugby-union-live</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/ba0e84a9e136ac079991b6e53cc09e92de5621dd/271_121_2989_2392/master/2989.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=31e494ee9cb8ce8d746d19fd3ff2b4a7">
        <media:credit scheme="urn:ebu">Photograph: Gaizka Iroz/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/ba0e84a9e136ac079991b6e53cc09e92de5621dd/271_121_2989_2392/master/2989.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ecbd8c9ae6b020abe9b1c398061d605c">
        <media:credit scheme="urn:ebu">Photograph: Gaizka Iroz/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/ba0e84a9e136ac079991b6e53cc09e92de5621dd/271_121_2989_2392/master/2989.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=38a1bcb5468cc5b2dc88f8d187928c5d">
        <media:credit scheme="urn:ebu">Photograph: Gaizka Iroz/AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Lee Calvert</dc:creator>
      <dc:date>2026-05-17T16:18:18Z</dc:date>
    </item>
    <item>
      <title>Adam Driver saving response to Lena Dunham allegations ‘for my book’</title>
      <link>https://www.theguardian.com/film/2026/may/17/adam-driver-response-lena-dunham-allegations-book-cannes-film-festival</link>
      <description>&lt;p&gt;Actor otherwise has ‘no comment’ on Girls creator’s claims about his on-set behaviour as he speaks at Cannes film festival&lt;/p&gt;&lt;p&gt;For weeks, Adam Driver has avoided commenting on allegations made about his on-set behaviour by Lena Dunham in her hit new memoir, Famesick.&lt;/p&gt;&lt;p&gt;But at a press conference for Paper Tiger at the Cannes film festival on Sunday, the actor briefly broke his silence when asked by the Guardian about &lt;a href="https://www.theguardian.com/culture/2026/apr/11/lena-dunham-interview-memoir-famesick-rehab-fame-broken-friendships"&gt;Dunham’s account&lt;/a&gt;. “I have no comment on any of that – I’m saving it all for my book,” he responded, provoking laughter in the room.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/17/adam-driver-response-lena-dunham-allegations-book-cannes-film-festival"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/adam-driver">Adam Driver</category>
      <category domain="https://www.theguardian.com/culture/lena-dunham">Lena Dunham</category>
      <category domain="https://www.theguardian.com/tv-and-radio/girls">Girls</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/tv-and-radio/tv-and-radio">Television &amp; radio</category>
      <pubDate>Sun, 17 May 2026 15:56:26 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/17/adam-driver-response-lena-dunham-allegations-book-cannes-film-festival</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/8060cf3f74a0caa497a39d6beb51062ad3249856/949_5_3997_3198/master/3997.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4e178c17576b6874d1ee04fa2bb421bf">
        <media:credit scheme="urn:ebu">Photograph: Daniele Cifalà/NurPhoto/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/8060cf3f74a0caa497a39d6beb51062ad3249856/949_5_3997_3198/master/3997.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f2edb1141c135f355c80d080659060f4">
        <media:credit scheme="urn:ebu">Photograph: Daniele Cifalà/NurPhoto/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/8060cf3f74a0caa497a39d6beb51062ad3249856/949_5_3997_3198/master/3997.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=35c0404c59329a1daa8bb65af3a053dd">
        <media:credit scheme="urn:ebu">Photograph: Daniele Cifalà/NurPhoto/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Nadia Khomami in Cannes</dc:creator>
      <dc:date>2026-05-17T15:56:26Z</dc:date>
    </item>
    <item>
      <title>German minister defends decision to allow attempt to rescue whale Timmy</title>
      <link>https://www.theguardian.com/environment/2026/may/17/german-minister-defends-decision-rescue-stranded-whale-timmy</link>
      <description>&lt;p&gt;Humpback stranded on sandbank was unlikely to survive, experts had said, recommending it be left to die in peace&lt;/p&gt;&lt;p&gt;The German authorities have defended their decision to allow a risky rescue attempt of a stranded whale to go ahead, despite experts warning it was “inadvisable” because the animal was hurt and unlikely to survive.&lt;/p&gt;&lt;p&gt;The saga of the whale, known as Timmy, had gripped Germany since the beached humpback was spotted stranded on Timmendorfer beach, a sandbank in shallow waters near the coast, &lt;a href="https://www.theguardian.com/world/2026/mar/24/humpback-whale-stranded-german-coast"&gt;nearly two months ago&lt;/a&gt;.&lt;/p&gt; &lt;a href="https://www.theguardian.com/environment/2026/may/17/german-minister-defends-decision-rescue-stranded-whale-timmy"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/environment/whales">Whales</category>
      <category domain="https://www.theguardian.com/world/animal-welfare">Animal welfare</category>
      <category domain="https://www.theguardian.com/world/germany">Germany</category>
      <category domain="https://www.theguardian.com/world/denmark">Denmark</category>
      <category domain="https://www.theguardian.com/environment/cetaceans">Cetaceans</category>
      <category domain="https://www.theguardian.com/environment/marine-life">Marine life</category>
      <category domain="https://www.theguardian.com/environment/wildlife">Wildlife</category>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/world/animals">Animals</category>
      <pubDate>Sun, 17 May 2026 14:56:47 GMT</pubDate>
      <guid>https://www.theguardian.com/environment/2026/may/17/german-minister-defends-decision-rescue-stranded-whale-timmy</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a69edd79620d278853a4945abecd317ac7b8d830/570_0_1350_1080/master/1350.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ed8382d8bcfce13327ad4625b3b57940">
        <media:credit scheme="urn:ebu">Photograph: Action Press/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a69edd79620d278853a4945abecd317ac7b8d830/570_0_1350_1080/master/1350.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1920c8b761178f6db08e762563f62199">
        <media:credit scheme="urn:ebu">Photograph: Action Press/Shutterstock</media:credit>
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      <media:content width="700" url="https://i.guim.co.uk/img/media/a69edd79620d278853a4945abecd317ac7b8d830/570_0_1350_1080/master/1350.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e6ddef2d89556c5243142a351345ec41">
        <media:credit scheme="urn:ebu">Photograph: Action Press/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Donna Ferguson and Guardian staff</dc:creator>
      <dc:date>2026-05-17T14:56:47Z</dc:date>
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    <item>
      <title>‘It was like a mosh pit’: Swatch closes stores as watch launch causes crowding and scuffles</title>
      <link>https://www.theguardian.com/world/2026/may/17/swatch-royal-pop-launch-chaos-closures</link>
      <description>&lt;p&gt;French police fire teargas and UK shops close for safety reasons as hundreds queue for Royal Pop timepieces that make up Audemars Piguet collaboration&lt;/p&gt;&lt;p&gt;The launch of limited-edition Swatch watches descended into chaos in several European cities and New York, with French police firing teargas to restore order at a store near Paris.&lt;/p&gt;&lt;p&gt;Hundreds of people waited through the night from Friday into Saturday – and in some cases for several days – hoping to buy the Royal Pop timepieces, made in collaboration with the luxury watchmaker Audemars Piguet.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/2026/may/17/swatch-royal-pop-launch-chaos-closures"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <category domain="https://www.theguardian.com/world/paris">Paris</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/world/france">France</category>
      <category domain="https://www.theguardian.com/world/netherlands">Netherlands</category>
      <category domain="https://www.theguardian.com/world/italy">Italy</category>
      <category domain="https://www.theguardian.com/money/consumer-affairs">Consumer affairs</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 17 May 2026 10:50:55 GMT</pubDate>
      <guid>https://www.theguardian.com/world/2026/may/17/swatch-royal-pop-launch-chaos-closures</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/62795d723c9c0cc0b4cc472adada9284fce53451/753_0_4615_3692/master/4615.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=335378f5f470fbcd3392fad0e96731c5">
        <media:credit scheme="urn:ebu">Photograph: Salvatore Di Nolfi/EPA</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/62795d723c9c0cc0b4cc472adada9284fce53451/753_0_4615_3692/master/4615.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=93955f05147c815d86e5a26c9ecccc41">
        <media:credit scheme="urn:ebu">Photograph: Salvatore Di Nolfi/EPA</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/62795d723c9c0cc0b4cc472adada9284fce53451/753_0_4615_3692/master/4615.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=461420947dd02eea4b16691b5edf654e">
        <media:credit scheme="urn:ebu">Photograph: Salvatore Di Nolfi/EPA</media:credit>
      </media:content>
      <dc:creator>Agence France-Presse in Paris</dc:creator>
      <dc:date>2026-05-17T10:50:55Z</dc:date>
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    <item>
      <title>‘You only have so much space’: the limits of reducing infection risk on cruise ships</title>
      <link>https://www.theguardian.com/science/2026/may/17/limits-of-reducing-infection-risk-on-cruise-ships</link>
      <description>&lt;p&gt;It is hardly a surprise that outbreaks can occur and experts say many of the factors involved are not easy to change&lt;/p&gt;&lt;p&gt;It was a voyage that promised such stuff as dreams are made of, yet within weeks the Atlantic expedition of the MV Hondius had become a nightmare, with &lt;a href="https://www.theguardian.com/world/2026/may/03/three-passengers-dead-after-suspected-hantavirus-outbreak-on-cruise-ship"&gt;three passengers dead&lt;/a&gt; from hantavirus and more showing symptoms.&lt;/p&gt;&lt;p&gt;Meanwhile, an &lt;a href="https://www.theguardian.com/world/2026/may/13/france-confines-passengers-cruise-ship-norovirus-death-bordeaux"&gt;outbreak of norovirus&lt;/a&gt; is under investigation on another cruise ship, while flu, &lt;em&gt;E coli&lt;/em&gt; and varicella – the virus that causes chickenpox – have also caused problems in such settings. Perhaps most memorably, in 2020 &lt;a href="https://www.theguardian.com/global-development/2020/mar/06/inside-the-cruise-ship-that-became-a-coronavirus-breeding-ground-diamond-princess"&gt;the Diamond Princess&lt;/a&gt; became a breeding ground for Covid, with passengers and crew quarantined for two weeks off the coast of Japan and more than 700 of the 3,711 people onboard eventually testing positive.&lt;/p&gt; &lt;a href="https://www.theguardian.com/science/2026/may/17/limits-of-reducing-infection-risk-on-cruise-ships"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/science/infectiousdiseases">Infectious diseases</category>
      <category domain="https://www.theguardian.com/world/hantavirus">Hantavirus</category>
      <category domain="https://www.theguardian.com/travel/cruises">Cruises</category>
      <category domain="https://www.theguardian.com/science/science">Science</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 17 May 2026 14:00:40 GMT</pubDate>
      <guid>https://www.theguardian.com/science/2026/may/17/limits-of-reducing-infection-risk-on-cruise-ships</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/c04372a374fb30688e03c707d5ca6d7927a72113/490_0_3333_2667/master/3333.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=326d0bb846eb1433258209d6d6b4433a">
        <media:credit scheme="urn:ebu">Photograph: Ramón de la Rocha/EPA</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/c04372a374fb30688e03c707d5ca6d7927a72113/490_0_3333_2667/master/3333.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3a405ca1cb5f8ab67b303ebb5b731579">
        <media:credit scheme="urn:ebu">Photograph: Ramón de la Rocha/EPA</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/c04372a374fb30688e03c707d5ca6d7927a72113/490_0_3333_2667/master/3333.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e44fb81b284d31f596980b2085ecf1f6">
        <media:credit scheme="urn:ebu">Photograph: Ramón de la Rocha/EPA</media:credit>
      </media:content>
      <dc:creator>Nicola Davis Science correspondent</dc:creator>
      <dc:date>2026-05-17T14:00:40Z</dc:date>
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      <title>‘I want my choice’: terminally ill people join Rankin to demand revival of assisted dying bill</title>
      <link>https://www.theguardian.com/society/2026/may/17/terminally-ill-people-rankin-london-demand-revival-assisted-dying-bill</link>
      <description>&lt;p&gt;British photographer collaborates with Dignity in Dying in run-up to private member’s ballot, after stalling of England and Wales bill in Lords&lt;/p&gt;&lt;p&gt;Just before Christmas 2023, the renowned British photographer and director Rankin set up a small pop-up studio in London’s Carnaby Street for a &lt;a href="https://www.all-about-photo.com/photo-articles/photo-article/1465/rankin-live"&gt;RankinLIVE&lt;/a&gt; event.&lt;/p&gt;&lt;p&gt;People could turn up to sit for a cover-style Rankin portrait: an image to mark a special occasion, perhaps, such as a birthday, or wedding vows renewal, or beating cancer. “And this amazing woman walked in called &lt;a href="https://www.theguardian.com/society/2024/mar/20/woman-ending-life-at-dignitas-calls-for-uk-law-change-paola-marra"&gt;Paola Marra&lt;/a&gt;,” he said. “I asked what the occasion was, and she said: ‘I’m going to Dignitas.’”&lt;/p&gt; &lt;a href="https://www.theguardian.com/society/2026/may/17/terminally-ill-people-rankin-london-demand-revival-assisted-dying-bill"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/assisted-suicide">Assisted dying</category>
      <category domain="https://www.theguardian.com/artanddesign/rankin">Rankin</category>
      <category domain="https://www.theguardian.com/society/death-and-dying">Death and dying</category>
      <category domain="https://www.theguardian.com/uk-news/england">England</category>
      <category domain="https://www.theguardian.com/uk/wales">Wales</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/society/cancer">Cancer</category>
      <category domain="https://www.theguardian.com/law/law">Law</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 13:08:25 GMT</pubDate>
      <guid>https://www.theguardian.com/society/2026/may/17/terminally-ill-people-rankin-london-demand-revival-assisted-dying-bill</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/c6456c0300cb61c65c133c31e3f8fa95f669f887/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f00f3b20bae9fda088d646f1fc5e8105">
        <media:credit scheme="urn:ebu">Photograph: Rankin</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/c6456c0300cb61c65c133c31e3f8fa95f669f887/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5af06d2a7aec09ccab820241c96dcdf0">
        <media:credit scheme="urn:ebu">Photograph: Rankin</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/c6456c0300cb61c65c133c31e3f8fa95f669f887/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=949a598df56e8093923a4ba6f4a5b3fe">
        <media:credit scheme="urn:ebu">Photograph: Rankin</media:credit>
      </media:content>
      <dc:creator>Caroline Davies</dc:creator>
      <dc:date>2026-05-17T13:08:25Z</dc:date>
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      <title>A ‘tax-the-rich’ billionaire candidate? Democrats are intrigued</title>
      <link>https://www.theguardian.com/us-news/2026/may/17/tom-steyer-billionaire-candidate-democrats</link>
      <description>&lt;p&gt;Tom Steyer has built his campaign for governor of California around affordability – he’s not the only Democrat testing the party’s appetite for a populist from the 1%&lt;/p&gt;&lt;p&gt;Tom Steyer has built his campaign for governor of California around affordability – and taxing the uber-wealthy.&lt;/p&gt;&lt;p&gt;It is perhaps an unusual message for a candidate with an &lt;a href="https://www.forbes.com/profile/thomas-steyer/"&gt;estimated&lt;/a&gt; net worth of $2.4bn. But the hedge fund founder-turned climate activist and liberal mega-donor is pitching himself as a different kind of billionaire: one who wants people like him to pay far more in taxes.&lt;/p&gt; &lt;a href="https://www.theguardian.com/us-news/2026/may/17/tom-steyer-billionaire-candidate-democrats"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/us-news/california">California</category>
      <category domain="https://www.theguardian.com/us-news/tom-steyer">Tom Steyer</category>
      <category domain="https://www.theguardian.com/us-news/us-politics">US politics</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/us-news/west-coast">West Coast</category>
      <pubDate>Sun, 17 May 2026 15:06:55 GMT</pubDate>
      <guid>https://www.theguardian.com/us-news/2026/may/17/tom-steyer-billionaire-candidate-democrats</guid>
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        <media:credit scheme="urn:ebu">Photograph: Brian Cahn/ZUMA Press Wire/Shutterstock</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/9376b4bac6969f8774ab340b19bb86886ea8a198/158_0_6471_5178/master/6471.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e85ffaa264ef6e260a61462abd44ebd5">
        <media:credit scheme="urn:ebu">Photograph: Brian Cahn/ZUMA Press Wire/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/9376b4bac6969f8774ab340b19bb86886ea8a198/158_0_6471_5178/master/6471.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b5d43f66b670432ca022072659b33a3a">
        <media:credit scheme="urn:ebu">Photograph: Brian Cahn/ZUMA Press Wire/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Lauren Gambino in Los Angeles</dc:creator>
      <dc:date>2026-05-17T15:06:55Z</dc:date>
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      <title>Ellie Simmonds looks back: ‘Without swimming, my mum says I would probably have ended up in jail!’</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/ellie-simmonds-looks-back-interview-paralympic-swimmer-retired</link>
      <description>&lt;p&gt;The Paralympic swimmer on being a teenage champion, seeking her birth mother, and the joy of retirement&lt;/p&gt;&lt;p&gt;Born in Walsall in 1994, Ellie Simmonds is a&amp;nbsp;retired Paralympic swimmer and TV presenter. She moved to Swansea when she was 11 to train with the GB squad and at 13 was the youngest member of the British team at the Beijing 2008 Paralympics, winning two gold medals. She won two further golds at London 2012, breaking two world records, and a fifth gold at Rio 2016. Since retiring in 2021, she has presented for BBC Sport, and her documentaries include A World Without Dwarfism? and &lt;a href="https://www.theguardian.com/tv-and-radio/2023/jul/06/ellie-simmonds-finding-my-secret-family-review-a-hugely-moving-journey-into-the-paralympians-past"&gt;Finding My Secret Family&lt;/a&gt;. Along with Stephen Fry and Mo Farah, she takes part in &lt;a href="https://www.celebrationday.com/"&gt;Celebration Day&lt;/a&gt; on 25 May, to honour those who are no longer with us.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;This is me&lt;/strong&gt;&lt;strong&gt; in my grandma’s garden&lt;/strong&gt; in&amp;nbsp;Walsall. I have happy memories of being there – we would bake cakes or play outside all day. It’s a typical image&amp;nbsp;of me aged four – energetic, non-stop and vibrant. Mum says I was never one to sit inside and watch TV, despite her efforts to occasionally get me to chill out on the sofa. Screen time wasn’t for me.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/ellie-simmonds-looks-back-interview-paralympic-swimmer-retired"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/sport/eleanor-simmonds">Ellie Simmonds</category>
      <category domain="https://www.theguardian.com/sport/paralympicsgb">ParalympicsGB</category>
      <category domain="https://www.theguardian.com/sport/paralympics">Paralympics</category>
      <category domain="https://www.theguardian.com/sport/disability-sport">Disability and sport</category>
      <category domain="https://www.theguardian.com/sport/swimming">Swimming</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <category domain="https://www.theguardian.com/lifeandstyle/family">Family</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category>
      <pubDate>Sun, 17 May 2026 13:00:41 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/ellie-simmonds-looks-back-interview-paralympic-swimmer-retired</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a1b1df3add22501b991c4b1e820dfb058a811937/1198_26_5143_4116/master/5143.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca6c82917159eb089f6c88f33c111595">
        <media:credit scheme="urn:ebu">Photograph: Pål Hansen/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a1b1df3add22501b991c4b1e820dfb058a811937/1198_26_5143_4116/master/5143.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cfe3541df92d7bd6c687aff41d6f324a">
        <media:credit scheme="urn:ebu">Photograph: Pål Hansen/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a1b1df3add22501b991c4b1e820dfb058a811937/1198_26_5143_4116/master/5143.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=58c4b992dd387a0e270bcf92e61813ac">
        <media:credit scheme="urn:ebu">Photograph: Pål Hansen/The Guardian</media:credit>
      </media:content>
      <dc:creator>Harriet Gibsone</dc:creator>
      <dc:date>2026-05-17T13:00:41Z</dc:date>
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    <item>
      <title>What should win this year’s International Booker?</title>
      <link>https://www.theguardian.com/books/2026/may/17/what-should-win-this-years-international-booker</link>
      <description>&lt;p&gt;Political oppression in Tehran, a witch’s tale from France, a film-maker in Nazi Germany …  we weigh up the contenders for the International Booker prize 2026&lt;/p&gt;&lt;p&gt;This year’s International Booker prize shortlisted titles are a diverse bunch, both geographically – from Brazil to Taiwan – and in style, from mainstream blockbuster to experimental jeu d’esprit. As in recent&amp;nbsp;years, independent presses are rewarded for their efforts in promoting translated fiction, providing four of the six titles. And the &lt;a href="https://www.theguardian.com/books/2021/sep/10/why-translators-should-be-named-on-book-covers"&gt;campaign&lt;/a&gt; for proper recognition of translators is finally paying off: for the first time in the prize’s 10-year history, all six books name the translator on the front cover. Here’s our guide to the prospects for each, ahead of the winner announcement on 19 May.&lt;/p&gt;&lt;p&gt;German-Iranian novelist Shida Bazyar reminds us in her novel &lt;strong&gt;The Nights &lt;/strong&gt;&lt;strong&gt;Are Quiet in Tehran&lt;/strong&gt;&lt;strong&gt; &lt;/strong&gt;(Scribe), translated by Ruth Martin, that the people of Iran are the victims of history many times over. The story comes from four members of an Iranian family over 30 years. In 1979, young Behzad greets the Islamic revolution that deposes the Shah, but his hopes for a communist utopia (“a new Cuba”) are thwarted. Instead, he’s surrounded by people who have been waiting for the chance to become bullies all their lives. He and his wife, Nahid, flee to Germany: she takes over the story in 1989, followed by their daughter, Laleh, in 1999.&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/2026/may/17/what-should-win-this-years-international-booker"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/man-booker-international-prize">International Booker prize</category>
      <category domain="https://www.theguardian.com/books/fiction-in-translation">Fiction in translation</category>
      <category domain="https://www.theguardian.com/culture/awards-and-prizes">Awards and prizes</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sun, 17 May 2026 15:00:44 GMT</pubDate>
      <guid>https://www.theguardian.com/books/2026/may/17/what-should-win-this-years-international-booker</guid>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/04a8f4e3a9724a8669b062aed8a6810a345f4fed/0_0_2953_2362/master/2953.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dbd72f81c909a20907ad7989b5b9567c">
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      <media:content width="700" url="https://i.guim.co.uk/img/media/04a8f4e3a9724a8669b062aed8a6810a345f4fed/0_0_2953_2362/master/2953.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d7f72b98768847eb034d4a5b921975cc">
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      </media:content>
      <dc:creator>John Self</dc:creator>
      <dc:date>2026-05-17T15:00:44Z</dc:date>
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    <item>
      <title>Rowing through the fog: how to increase your tolerance for uncertainty</title>
      <link>https://www.theguardian.com/wellness/2026/may/17/author-simone-stolzoff</link>
      <description>&lt;p&gt;Journalist Simone Stolzoff in a new book explores why modern life makes not knowing harder – and how to learn to live with it&lt;/p&gt;&lt;p&gt;Simone Stolzoff describes himself as “naturally an uncertain person” inclined to rumination and self-doubt. This tendency benefits him in his work as a journalist, but can otherwise be a double-edged sword.&lt;/p&gt;&lt;p&gt;While working for a magazine in &lt;a href="https://www.theguardian.com/us-news/new-york"&gt;New York&lt;/a&gt;, Stolzoff was approached about a job at a design firm in San Francisco. Now, he laughs at how tortured he felt “having to decide between two attractive career paths”.&lt;/p&gt; &lt;a href="https://www.theguardian.com/wellness/2026/may/17/author-simone-stolzoff"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/wellness/wellness">Well actually</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/technology/artificialintelligenceai">AI (artificial intelligence)</category>
      <category domain="https://www.theguardian.com/technology/technology">Technology</category>
      <category domain="https://www.theguardian.com/technology/computing">Computing</category>
      <pubDate>Sun, 17 May 2026 16:00:42 GMT</pubDate>
      <guid>https://www.theguardian.com/wellness/2026/may/17/author-simone-stolzoff</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/bcac787c03f4a1c4f2b92da40f1d0b59b8e3b731/0_0_3000_2400/master/3000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=27bf955176bb2fd7aacb13220ccddd73">
        <media:credit scheme="urn:ebu">Composite: Rita Liu/The Guardian/Getty Images/Simone Stolzoff</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/bcac787c03f4a1c4f2b92da40f1d0b59b8e3b731/0_0_3000_2400/master/3000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0988dd9578a10be71829dca14e2f8840">
        <media:credit scheme="urn:ebu">Composite: Rita Liu/The Guardian/Getty Images/Simone Stolzoff</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/bcac787c03f4a1c4f2b92da40f1d0b59b8e3b731/0_0_3000_2400/master/3000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=62baebf4e01857c60a3bdfe245265d51">
        <media:credit scheme="urn:ebu">Composite: Rita Liu/The Guardian/Getty Images/Simone Stolzoff</media:credit>
      </media:content>
      <dc:creator>Elle Hunt</dc:creator>
      <dc:date>2026-05-17T16:00:42Z</dc:date>
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    <item>
      <title>‘It’s not healthy for me to be doing so much’: from Adolescence to His Dark Materials, how Jack Thorne took over TV</title>
      <link>https://www.theguardian.com/stage/2026/may/17/jack-thorne-falling-adolescence-stephen-graham-this-is-england-keeley-hawes-paapa-essiedu</link>
      <description>&lt;p&gt;He has made smash hit shows for Netflix and has adapted Harry Potter for the stage. Yet the in-demand writer’s latest show Falling is new territory for him – a love story&lt;/p&gt;&lt;p&gt;I hear Jack Thorne before I&amp;nbsp;see&amp;nbsp;him. We’re meeting in a quiet cafe in Hampstead, north London, to discuss his very first love story for TV, Falling. I catch snatches of him chatting with various waiters – “Thank you, good sir” and “Lovely, lovely” – before he appears in front of me, all smiles but a little nervous, too.&amp;nbsp;Which is surprising given this is the writer who had a hand in hits such as Skins, Shameless and&amp;nbsp;the This Is England trilogy, co-created a cluster of brilliant adaptations (His Dark Materials, Lord of the Flies, Enola Holmes) and is steadily building&amp;nbsp;up a vast canon of work inspired by disturbing but fascinating real-life stories (National Treasure, Toxic Town, The Hack). Most notably, he also co-created the Netflix series Adolescence, winner of endless awards, including and viewed by 140 million people and counting.&lt;/p&gt;&lt;p&gt;The ridiculous thing is that Thorne’s theatre career is as illustrious as his TV work. There’s the small matter of Harry Potter and the Cursed Child on stage (an experience that Thorne found rewarding but, with all eyes on him, “not always a lot of fun”); plus his takes on A Christmas Carol and the chilling Let the Right One In. He drew on his family’s own experiences with IVF for the screenplay to the movie Joy, and is currently co-writing Sam Mendes’s highly publicised but super-secret four-film series about&amp;nbsp;the Beatles (“I’m not allowed to talk about that”).&lt;/p&gt; &lt;a href="https://www.theguardian.com/stage/2026/may/17/jack-thorne-falling-adolescence-stephen-graham-this-is-england-keeley-hawes-paapa-essiedu"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/stage/jack-thorne">Jack Thorne</category>
      <category domain="https://www.theguardian.com/culture/television">Television</category>
      <category domain="https://www.theguardian.com/tv-and-radio/adolescence">Adolescence</category>
      <category domain="https://www.theguardian.com/stage/stage">Stage</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/tv-and-radio/tv-and-radio">Television &amp; radio</category>
      <pubDate>Sun, 17 May 2026 09:00:34 GMT</pubDate>
      <guid>https://www.theguardian.com/stage/2026/may/17/jack-thorne-falling-adolescence-stephen-graham-this-is-england-keeley-hawes-paapa-essiedu</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/2399e81c89ccb0b0aae10ef932fa1e90ef3ab0e9/454_1348_7530_6024/master/7530.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4441b2a8bdb2e40475d0698be7d9fdd8">
        <media:credit scheme="urn:ebu">Illustration: Neil Jamieson/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/2399e81c89ccb0b0aae10ef932fa1e90ef3ab0e9/454_1348_7530_6024/master/7530.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2473005042af0d9591fa09419326cfe0">
        <media:credit scheme="urn:ebu">Illustration: Neil Jamieson/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/2399e81c89ccb0b0aae10ef932fa1e90ef3ab0e9/454_1348_7530_6024/master/7530.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b44d0a45754a62ed47912e99fa022104">
        <media:credit scheme="urn:ebu">Illustration: Neil Jamieson/The Guardian</media:credit>
      </media:content>
      <dc:creator>Miriam Gillinson</dc:creator>
      <dc:date>2026-05-17T09:00:34Z</dc:date>
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    <item>
      <title>The kindness of strangers: A driver warned me I was being followed, then made sure I got home safely</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/18/kindness-strangers-being-followed-taxi-driver-got-me-home-safely</link>
      <description>&lt;p&gt;I walked faster, sure that someone was lurking somewhere. Then a taxi pulled up next to me with an older businessman in the back seat&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;Read more in &lt;a href="https://www.theguardian.com/lifeandstyle/series/kindness-of-strangers"&gt;the kindness of strangers series&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;The Sydney suburb of Darlinghurst was not a safe place in the 1980s. There was this jittery vibe when the next heroin batch was coming in and people were overdosing like mad. But the area was also home to a scene of people who were into making little films or art and just going to the clubs in great clothes and dancing our butts off. I was one of them – 23, quite pretty and a hip underground darling.&lt;/p&gt;&lt;p&gt;One night I was walking home from Oxford Street after clubbing. I was always wary of my surroundings, because you grew up very quickly living in that area. But it was a nice night for a walk so I went for it. I remember how dark it was; a slender moon offering little in the way of light.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/18/kindness-strangers-being-followed-taxi-driver-got-me-home-safely"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/women">Women</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/lifeandstyle/australian-lifestyle">Australian lifestyle</category>
      <category domain="https://www.theguardian.com/australia-news/sydney">Sydney</category>
      <category domain="https://www.theguardian.com/australia-news/australia-news">Australia news</category>
      <pubDate>Sun, 17 May 2026 15:00:42 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/18/kindness-strangers-being-followed-taxi-driver-got-me-home-safely</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/eca5b23fd39a5c86d2bbb318c96d84b32778bb29/688_79_2994_2398/master/2994.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=285fe08c07b723ee8c9588f9bf502dbc">
        <media:credit scheme="urn:ebu">Composite: Victoria Hart/Guardian Design/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/eca5b23fd39a5c86d2bbb318c96d84b32778bb29/688_79_2994_2398/master/2994.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7bf9991ea27b6f95cfd3966f69f8be07">
        <media:credit scheme="urn:ebu">Composite: Victoria Hart/Guardian Design/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/eca5b23fd39a5c86d2bbb318c96d84b32778bb29/688_79_2994_2398/master/2994.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5da4e116770db6a2134e7122eef210ed">
        <media:credit scheme="urn:ebu">Composite: Victoria Hart/Guardian Design/Alamy</media:credit>
      </media:content>
      <dc:creator>Alison Muir as told to Katie Cunningham</dc:creator>
      <dc:date>2026-05-17T15:00:42Z</dc:date>
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      <title>Moulin review – László Nemes’s resistance hero drama is chilling, stirring and surprisingly conventional</title>
      <link>https://www.theguardian.com/film/2026/may/17/moulin-review-laszlo-nemes-jean-moulin-rfrench-resistance-klaus-barbie</link>
      <description>&lt;p&gt;&lt;strong&gt;Cannes film festival:&lt;/strong&gt; The Son of Saul director’s dramatisation of Jean Moulin’s torture by Klaus Barbie both benefits and suffers from its mainstream approach&lt;/p&gt;&lt;p&gt;László Nemes made his Cannes debut 11 years ago with the terrifying, Oscar-winning Holocaust drama &lt;a href="https://www.theguardian.com/film/2016/apr/28/son-of-saul-review-auschwitz-holocaust"&gt;Son of Saul&lt;/a&gt;, and followed that up with &lt;a href="https://www.theguardian.com/film/2018/sep/03/sunset-review-laszlo-nemes"&gt;Sunset&lt;/a&gt;, his elegant, mysterious drama of pre-first world war Budapest. His next film, &lt;a href="https://www.theguardian.com/film/2025/aug/28/orphan-review-laszlo-nemes-fable-of-resentment-and-rage-in-post-uprising-hungary"&gt;Orphan&lt;/a&gt;, released in the UK last week, was a comparably enigmatic film set in post-second world war Hungary. But his new film in the Cannes competition is a basically pretty conventionally acted, conventionally directed, conventionally conceived wartime movie shot in the sepia-subdued colours of an old photograph, all about French resistance heroism and French resistance leader Jean Moulin, who went down in history for refusing to talk under torture.&lt;/p&gt;&lt;p&gt;The overall effect isn’t really like Jean-Pierre Melville’s film Army of Shadows; maybe closer to the 70s BBC TV show Secret Army. Nemes’s final scene is even rather sentimentally stirring, though the director then tries to cancel this sugary moment with a final premonition of the death camps. At all events, he undoubtedly brings impeccable craftsmanship, and the performances and production design are strong.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/17/moulin-review-laszlo-nemes-jean-moulin-rfrench-resistance-klaus-barbie"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/laszlo-nemes">László Nemes</category>
      <category domain="https://www.theguardian.com/world/france">France</category>
      <category domain="https://www.theguardian.com/world/secondworldwar">Second world war</category>
      <category domain="https://www.theguardian.com/world/nazism">Nazism</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 17 May 2026 15:55:57 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/17/moulin-review-laszlo-nemes-jean-moulin-rfrench-resistance-klaus-barbie</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/ec8d732869fbb70aa13ed88ff01e5af69b5e4618/446_0_3878_3104/master/3878.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=85b75cc788ad6b6c49c8dd64b1445026">
        <media:credit scheme="urn:ebu">Photograph: Pitchipoi productions</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/ec8d732869fbb70aa13ed88ff01e5af69b5e4618/446_0_3878_3104/master/3878.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=202ff66ef74db7c13d2af6628cf42d24">
        <media:credit scheme="urn:ebu">Photograph: Pitchipoi productions</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/ec8d732869fbb70aa13ed88ff01e5af69b5e4618/446_0_3878_3104/master/3878.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6ffbd749e722caa9263b43838dc0d73b">
        <media:credit scheme="urn:ebu">Photograph: Pitchipoi productions</media:credit>
      </media:content>
      <dc:creator>Peter Bradshaw</dc:creator>
      <dc:date>2026-05-17T15:55:57Z</dc:date>
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      <title>Did a hitman kill a New York gallerist? Art world rocked by murder-for-hire trial</title>
      <link>https://www.theguardian.com/us-news/2026/may/17/brent-daniel-sikkema-trial-murder-for-hire-trial</link>
      <description>&lt;p&gt;Daniel Sikkema is accused of hiring someone to kill his husband, Brent Sikkema, amid a divorce and alleged fights over money&lt;/p&gt;&lt;p&gt;In the early morning hours of 14 January 2024, a hitman slipped into the renowned New York City gallerist &lt;a href="https://www.theguardian.com/world/2024/jan/18/brazil-man-arrested-killing-us-art-dealer-brent-sikkema"&gt;Brent Sikkema&lt;/a&gt;’s Rio de Janeiro townhouse.&lt;/p&gt;&lt;p&gt;The alleged assassin, Alejandro Triana Prevez, grabbed a kitchen knife and traveled to Sikkema’s upstairs bedroom. An altercation unfolded near the bedroom door. As Sikkema, 75, struggled for his life, Prevez stabbed him, a lawsuit filed in New York state civil court alleges.&lt;/p&gt; &lt;a href="https://www.theguardian.com/us-news/2026/may/17/brent-daniel-sikkema-trial-murder-for-hire-trial"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/us-news/new-york">New York</category>
      <category domain="https://www.theguardian.com/us-news/us-crime">US crime</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <pubDate>Sun, 17 May 2026 13:00:40 GMT</pubDate>
      <guid>https://www.theguardian.com/us-news/2026/may/17/brent-daniel-sikkema-trial-murder-for-hire-trial</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/bb61685bd202fb88412321f1705af00d5710a989/1652_0_1606_1285/master/1606.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=15e224f6cb7abbdcf1b3896d9cda99f1">
        <media:credit scheme="urn:ebu">Photograph: Will Ragozzino/Patrick McMullan via Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/bb61685bd202fb88412321f1705af00d5710a989/1652_0_1606_1285/master/1606.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c1fb5b92ea3d05ec6d19b1726b926f4e">
        <media:credit scheme="urn:ebu">Photograph: Will Ragozzino/Patrick McMullan via Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/bb61685bd202fb88412321f1705af00d5710a989/1652_0_1606_1285/master/1606.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a3c3dbe6eec0e571250ae7fa6facc61f">
        <media:credit scheme="urn:ebu">Photograph: Will Ragozzino/Patrick McMullan via Getty Images</media:credit>
      </media:content>
      <dc:creator>Victoria Bekiempis</dc:creator>
      <dc:date>2026-05-17T13:00:40Z</dc:date>
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    <item>
      <title>A man’s search for his daughter’s killer, the secrets to spotting a liar – and what is hot divorcee energy?</title>
      <link>https://www.theguardian.com/news/2026/may/16/six-great-reads-tim-miller-divorcee-energy-narges-mohammadi</link>
      <description>&lt;p&gt;Need something brilliant to read this weekend? Here are six of our favourite pieces from the last seven days&lt;/p&gt; &lt;a href="https://www.theguardian.com/news/2026/may/16/six-great-reads-tim-miller-divorcee-energy-narges-mohammadi"&gt;Continue reading...&lt;/a&gt;</description>
      <pubDate>Sat, 16 May 2026 05:00:01 GMT</pubDate>
      <guid>https://www.theguardian.com/news/2026/may/16/six-great-reads-tim-miller-divorcee-energy-narges-mohammadi</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/9997e7b4b82577ddef6fdb2cefc2d11e9346f25f/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=14b833409e29ce15060ecdeafb9fc162">
        <media:credit scheme="urn:ebu">Photograph: Max Burkhalter/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/9997e7b4b82577ddef6fdb2cefc2d11e9346f25f/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=90dfe3d09732b58677fd7a73a9d75c9c">
        <media:credit scheme="urn:ebu">Photograph: Max Burkhalter/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/9997e7b4b82577ddef6fdb2cefc2d11e9346f25f/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3b024020771584e073f9a3a6e6d02f3e">
        <media:credit scheme="urn:ebu">Photograph: Max Burkhalter/The Guardian</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-16T05:00:01Z</dc:date>
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    <item>
      <title>From Normal to Ania Magliano: your complete entertainment guide to the week ahead</title>
      <link>https://www.theguardian.com/culture/2026/may/16/entertainment-guide-week-ahead-cinema-theatre-art-music-ania-magliano-normal-odenkirk-wheatley</link>
      <description>&lt;p&gt;Bob Odenkirk’s a put-upon lawman in Ben Wheatley’s latest, and the SNL UK star is back out on tour&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Normal&lt;/strong&gt;&lt;br&gt;&lt;em&gt;Out now&lt;br&gt;&lt;/em&gt;Ben Wheatley (Sightseers) returns with an action crime thriller starring Bob Odenkirk as a man serving as interim sheriff in the fictional little town of Normal, Minnesota, a place that turns out to have some unexpectedly big secrets involving the yakuza. Also starring Henry Winkler and Lena Headey.&lt;/p&gt; &lt;a href="https://www.theguardian.com/culture/2026/may/16/entertainment-guide-week-ahead-cinema-theatre-art-music-ania-magliano-normal-odenkirk-wheatley"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/stage/stage">Stage</category>
      <category domain="https://www.theguardian.com/stage/dance">Dance</category>
      <category domain="https://www.theguardian.com/stage/theatre">Theatre</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/television">Television</category>
      <category domain="https://www.theguardian.com/tv-and-radio/tv-and-radio">Television &amp; radio</category>
      <category domain="https://www.theguardian.com/artanddesign/art">Art</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/games/games">Games</category>
      <pubDate>Sat, 16 May 2026 05:00:02 GMT</pubDate>
      <guid>https://www.theguardian.com/culture/2026/may/16/entertainment-guide-week-ahead-cinema-theatre-art-music-ania-magliano-normal-odenkirk-wheatley</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/ffe7f72739c9ffc7b8e93c5f07c40e3e6d382ca8/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=91713ec6ccfc0f1c6e323943a787b1ec">
        <media:credit scheme="urn:ebu">Composite: AP</media:credit>
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        <media:credit scheme="urn:ebu">Composite: AP</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/ffe7f72739c9ffc7b8e93c5f07c40e3e6d382ca8/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b323b6797b045991a26c3e734ad36c4d">
        <media:credit scheme="urn:ebu">Composite: AP</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-16T05:00:02Z</dc:date>
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      <title>US PGA golf, a Six Nations decider and Premier League drama – follow with us</title>
      <link>https://www.theguardian.com/sport/2026/may/15/fa-cup-final-us-pga-golf-and-premier-league-drama-awaits-follow-with-us</link>
      <description>&lt;p&gt;Here’s how to follow along with our coverage – the finest writing and up-to-the-minute reports&lt;/p&gt; &lt;a href="https://www.theguardian.com/sport/2026/may/15/fa-cup-final-us-pga-golf-and-premier-league-drama-awaits-follow-with-us"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <pubDate>Fri, 15 May 2026 16:01:36 GMT</pubDate>
      <guid>https://www.theguardian.com/sport/2026/may/15/fa-cup-final-us-pga-golf-and-premier-league-drama-awaits-follow-with-us</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f49705801468cff68e7e4861915511b5d855a68b/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ea2f032d9d4b355e76a581fc131e1064">
        <media:credit scheme="urn:ebu">Composite: Guardian Design, AP</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/f49705801468cff68e7e4861915511b5d855a68b/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=df38158e9e16a13ac0a33141ab9dc65b">
        <media:credit scheme="urn:ebu">Composite: Guardian Design, AP</media:credit>
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      <media:content width="700" url="https://i.guim.co.uk/img/media/f49705801468cff68e7e4861915511b5d855a68b/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5a9f689ddacca3759c7414a0a58bdb3c">
        <media:credit scheme="urn:ebu">Composite: Guardian Design, AP</media:credit>
      </media:content>
      <dc:creator>Guardian sport</dc:creator>
      <dc:date>2026-05-15T16:01:36Z</dc:date>
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    <item>
      <title>Rivals to The Christophers: the week in rave reviews</title>
      <link>https://www.theguardian.com/culture/2026/may/16/rivals-to-the-christophers-the-week-in-rave-reviews</link>
      <description>&lt;p&gt;Jilly Cooper’s over-the-top TV industry romp returns, and Ian McKellen and Michaela Coel make a bracing artistic double act. Here’s the pick of the week’s culture, taken from the Guardian’s best-rated reviews&lt;/p&gt; &lt;a href="https://www.theguardian.com/culture/2026/may/16/rivals-to-the-christophers-the-week-in-rave-reviews"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/culture/television">Television</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <pubDate>Sat, 16 May 2026 05:00:00 GMT</pubDate>
      <guid>https://www.theguardian.com/culture/2026/may/16/rivals-to-the-christophers-the-week-in-rave-reviews</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/7acc10e2fc8fade25b50af6aff2ee8a56f23405c/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2ba486c54a39a0aec372154859ab9886">
        <media:credit scheme="urn:ebu">Composite: DISNEY+</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/7acc10e2fc8fade25b50af6aff2ee8a56f23405c/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=acb60d71e8f65a9d3ca333e32ad37279">
        <media:credit scheme="urn:ebu">Composite: DISNEY+</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/7acc10e2fc8fade25b50af6aff2ee8a56f23405c/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2460a93042792793a5ad9b989cd40262">
        <media:credit scheme="urn:ebu">Composite: DISNEY+</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-16T05:00:00Z</dc:date>
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    <item>
      <title>Newcastle v West Ham: Premier League – live</title>
      <link>https://www.theguardian.com/football/live/2026/may/17/newcastle-v-west-ham-premier-league-live</link>
      <description>&lt;p&gt;⚽ Updates from this crucial 5.30pm BST kick-off&lt;br&gt;⚽ &lt;a href="https://www.theguardian.com/football/premierleague/table"&gt;The table&lt;/a&gt; | &lt;a href="https://www.theguardian.com/info/2022/nov/14/football-daily-email-sign-up"&gt;Sign up to Football Daily&lt;/a&gt; | &lt;a href="mailto:daniel.harris.casual@theguardian.com"&gt;Email Daniel&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Brentford 2-2 Crystal Palace&lt;/p&gt;&lt;p&gt;Everton 1-3 Sunderland&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/live/2026/may/17/newcastle-v-west-ham-premier-league-live"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/premierleague">Premier League</category>
      <category domain="https://www.theguardian.com/football/newcastleunited">Newcastle United</category>
      <category domain="https://www.theguardian.com/football/westhamunited">West Ham United</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 16:20:31 GMT</pubDate>
      <guid>https://www.theguardian.com/football/live/2026/may/17/newcastle-v-west-ham-premier-league-live</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/443456465ea93070994ee40b3e2e4cf9a69e79a1/407_0_3330_2665/master/3330.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=49db6c3af8493286579f247f4b94fc23">
        <media:credit scheme="urn:ebu">Photograph: Scott Heppell/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/443456465ea93070994ee40b3e2e4cf9a69e79a1/407_0_3330_2665/master/3330.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1757a3e60d08a567aff4378ffbf42e92">
        <media:credit scheme="urn:ebu">Photograph: Scott Heppell/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/443456465ea93070994ee40b3e2e4cf9a69e79a1/407_0_3330_2665/master/3330.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3beaf8d5785098bed870d0bc87d2bb60">
        <media:credit scheme="urn:ebu">Photograph: Scott Heppell/Reuters</media:credit>
      </media:content>
      <dc:creator>Daniel Harris</dc:creator>
      <dc:date>2026-05-17T16:20:31Z</dc:date>
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    <item>
      <title>Bruno Fernandes equals assist record as Manchester United hold off battling Forest</title>
      <link>https://www.theguardian.com/football/2026/may/17/manchester-united-nottingham-forest-premier-league-match-report</link>
      <description>&lt;p&gt;This is the new Manchester United era of happy accidents being overseen by Michael Carrick and helped by confusing officiating as they edged past Nottingham Forest. If it was not for a lack of obvious options five months ago, United and Carrick may not have been reunited, nor would they be third in the Premier League and heading back to the Champions League, on the day Bruno Fernandes equalled the all-time Premier League assist record.&lt;/p&gt;&lt;p&gt;Carrick &lt;a href="https://www.theguardian.com/football/2026/may/15/manchester-united-close-to-confirming-michael-carrick-as-permanent-head-coach"&gt;has a two-year contract on the table&lt;/a&gt; and cannot require too much mulling over. The improving Old Trafford atmosphere was further boosted after the final home game being won partly thanks to a bizarre decision by Michael Salisbury to allow a Matheus Cunha goal to stand, on account of Bryan Mbeumo’s clear handball in the buildup being “accidental”, much to the confusion of everyone without a whistle.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/manchester-united-nottingham-forest-premier-league-match-report"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/premierleague">Premier League</category>
      <category domain="https://www.theguardian.com/football/manchester-united">Manchester United</category>
      <category domain="https://www.theguardian.com/football/nottinghamforest">Nottingham Forest</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 13:36:25 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/manchester-united-nottingham-forest-premier-league-match-report</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/935e58f99838e18b0113733c85e8e4e67f5fc55b/255_0_2647_2117/master/2647.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=46da886e1fef5a87405e089f358720ed">
        <media:credit scheme="urn:ebu">Photograph: Phil Noble/Reuters</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/935e58f99838e18b0113733c85e8e4e67f5fc55b/255_0_2647_2117/master/2647.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4f3ea8ff841ad64ef977c05a343a7d16">
        <media:credit scheme="urn:ebu">Photograph: Phil Noble/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/935e58f99838e18b0113733c85e8e4e67f5fc55b/255_0_2647_2117/master/2647.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a57c6a057c9508f72130f5daf3f16a36">
        <media:credit scheme="urn:ebu">Photograph: Phil Noble/Reuters</media:credit>
      </media:content>
      <dc:creator>Will Unwin at Old Trafford</dc:creator>
      <dc:date>2026-05-17T13:36:25Z</dc:date>
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    <item>
      <title>Calvert-Lewin pounces late for Leeds to hit Brighton’s European ambitions</title>
      <link>https://www.theguardian.com/football/2026/may/17/leeds-brighton-premier-league-match-report</link>
      <description>&lt;p&gt;Brighton’s hopes of a return to European football next season took a potentially significant turn for the worse after Dominic Calvert-Lewin’s late goal ensured another home victory for a Leeds team that continues to thrive in the latter stages of the campaign.&lt;/p&gt;&lt;p&gt;Fabian Hürzeler’s side have been magnificent again this season and, going into the final weekend, their destiny is still in their own hands in terms of securing a second appearance in European competition. However, Brighton may look back on this afternoon in West Yorkshire as one that could prove to be a missed opportunity.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/leeds-brighton-premier-league-match-report"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/premierleague">Premier League</category>
      <category domain="https://www.theguardian.com/football/leedsunited">Leeds United</category>
      <category domain="https://www.theguardian.com/football/brightonfootball">Brighton &amp; Hove Albion</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 16:10:33 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/leeds-brighton-premier-league-match-report</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/c08bf3bb3fa7cc15557d89b6df586cc19e01c589/387_0_2872_2298/master/2872.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d84b1bff9aa5a7bc1a285c17ef436aa9">
        <media:credit scheme="urn:ebu">Photograph: Chris Radburn/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/c08bf3bb3fa7cc15557d89b6df586cc19e01c589/387_0_2872_2298/master/2872.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b33fc3fbfd1b449df99dbadce2b0b60c">
        <media:credit scheme="urn:ebu">Photograph: Chris Radburn/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/c08bf3bb3fa7cc15557d89b6df586cc19e01c589/387_0_2872_2298/master/2872.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1e36a53a048e31b3f8e9140dd745b49f">
        <media:credit scheme="urn:ebu">Photograph: Chris Radburn/Reuters</media:credit>
      </media:content>
      <dc:creator>Aaron Bower at Elland Road</dc:creator>
      <dc:date>2026-05-17T16:10:33Z</dc:date>
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      <title>Giro d’Italia: Vingegaard climbs away to take stage nine win while Eulálio stays in pink</title>
      <link>https://www.theguardian.com/sport/2026/may/17/giro-ditalia-vingegaard-stage-nine-victory-eulalio</link>
      <description>&lt;ul&gt;&lt;li&gt;&lt;p&gt;Danish rider wins for second time in three days &lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Eulálio clings on after summit finish at Corno alle Scale&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;Jonas Vingegaard triumphed for the second time in three days to win stage nine of the Giro d’Italia on Sunday, with the Dane going solo at the end of the climb to the finish, while Afonso Eulálio remains in the overall lead.&lt;/p&gt;&lt;p&gt;The Visma-Lease a Bike rider tracked race rival Felix Gall (Decathlon) when the Austrian attacked near the end of the 184km stage from Cervia to Corno alle Scale, but Vingegaard powered away in the closing kilometre, with his Visma teammate Davide Piganzoli coming in third.&lt;/p&gt; &lt;a href="https://www.theguardian.com/sport/2026/may/17/giro-ditalia-vingegaard-stage-nine-victory-eulalio"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/sport/giro-d-italia">Giro d'Italia</category>
      <category domain="https://www.theguardian.com/sport/jonas-vingegaard">Jonas Vingegaard</category>
      <category domain="https://www.theguardian.com/sport/cycling">Cycling</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 15:46:43 GMT</pubDate>
      <guid>https://www.theguardian.com/sport/2026/may/17/giro-ditalia-vingegaard-stage-nine-victory-eulalio</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/b4600382a08c3784388e37c8bc3d9f97a1645cfd/827_698_4004_3203/master/4004.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d0bb17febf72585a8edcaf78b0689fdf">
        <media:credit scheme="urn:ebu">Photograph: Massimo Paolone/LaPresse/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/b4600382a08c3784388e37c8bc3d9f97a1645cfd/827_698_4004_3203/master/4004.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2bed6bc9fc6fc9a2f098e8687f168beb">
        <media:credit scheme="urn:ebu">Photograph: Massimo Paolone/LaPresse/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/b4600382a08c3784388e37c8bc3d9f97a1645cfd/827_698_4004_3203/master/4004.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bffb53e485f41b25e9ad53523888eba0">
        <media:credit scheme="urn:ebu">Photograph: Massimo Paolone/LaPresse/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Reuters</dc:creator>
      <dc:date>2026-05-17T15:46:43Z</dc:date>
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    <item>
      <title>Grim denouement of stunning Scottish Premiership title race must prompt shift in attitudes</title>
      <link>https://www.theguardian.com/football/2026/may/17/grim-denouement-of-stunning-scottish-premiership-title-race-must-prompt-shift-in-attitudes</link>
      <description>&lt;p&gt;The SPFL and SFA wobble at the knees when it comes to punishing their biggest clubs but scenes at Celtic Park risk setting a dangerous precedent&lt;/p&gt;&lt;p&gt;The placing of a full stop on any league campaign offers cause for reflection. In Scotland, there are reasons to wonder if the grim denouement to a stunning title race will prompt a shift in attitudes on two fronts. Whether a Celtic board which has been castigated for its stewardship regards &lt;a href="https://www.theguardian.com/football/2026/may/16/celtic-stun-hearts-at-the-last-in-dramatic-final-day-shootout-to-retain-scottish-title"&gt;the securing of another title&lt;/a&gt; as vindication is an intriguing question. More immediate is how the champions and others will respond to the grim scenes that triggered an enforced conclusion to the visit of Hearts. The behaviour of a section of the Celtic support is so unruly during dominance that one wonders what on earth may happen if the team struggle badly.&lt;/p&gt;&lt;p&gt;On Sunday, the Scottish Professional Football League “utterly condemned” Celtic supporters who flooded on to the pitch at the time of Callum Osmand’s third goal. “Supporters entering the field of play in any circumstances is wholly unacceptable and puts those participating and working at a match at risk,” added the SPFL. Hearts players were accosted and abused during their most crushing of moments, having lost the opportunity to break the Old Firm’s four decades of title dominance.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/grim-denouement-of-stunning-scottish-premiership-title-race-must-prompt-shift-in-attitudes"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/scottish-premiership">Scottish Premiership</category>
      <category domain="https://www.theguardian.com/football/celtic">Celtic</category>
      <category domain="https://www.theguardian.com/football/hearts">Hearts</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 14:02:20 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/grim-denouement-of-stunning-scottish-premiership-title-race-must-prompt-shift-in-attitudes</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/6c55a32b8e267540b3d9a4040849df3301a7c31b/0_189_2901_2321/master/2901.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=44fb1821a576173276064c83f996bab5">
        <media:credit scheme="urn:ebu">Photograph: Jamie Johnston/Focus Images Ltd/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/6c55a32b8e267540b3d9a4040849df3301a7c31b/0_189_2901_2321/master/2901.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=44d823aee648871a9a36ee358171c9f3">
        <media:credit scheme="urn:ebu">Photograph: Jamie Johnston/Focus Images Ltd/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/6c55a32b8e267540b3d9a4040849df3301a7c31b/0_189_2901_2321/master/2901.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0900685f8bbca30a97ea58da4ae302c8">
        <media:credit scheme="urn:ebu">Photograph: Jamie Johnston/Focus Images Ltd/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Ewan Murray</dc:creator>
      <dc:date>2026-05-17T14:02:20Z</dc:date>
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    <item>
      <title>From Wiltshire to Wembley: Semenyo’s ‘surreal’ journey hits new heights</title>
      <link>https://www.theguardian.com/football/2026/may/17/from-wiltshire-to-wembley-semenyo-surreal-journey-hits-new-heights</link>
      <description>&lt;p&gt;Manchester City’s FA Cup hero started career with loans to Bath City and Newport and heads back to Bournemouth next&lt;/p&gt;&lt;p&gt;When it comes to Antoine Semenyo, it is almost impossible not to fixate on his career journey. Everybody loves a triumph over adversity, a rise from the lowest level to the very top, and the narrative arc with the Manchester City winger is practically perfect.&lt;/p&gt;&lt;p&gt;There were the relentless rejections by the clubs in every corner of London as he grew up, culminating in the one from Crystal Palace at 15 that led him to stop playing football for a year. The rebuild at the Wiltshire Sports Academy in Swindon and South Gloucestershire and Stroud College in Bristol, which led to the big break at Bristol City, and a first professional contract at 17.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/from-wiltshire-to-wembley-semenyo-surreal-journey-hits-new-heights"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/manchestercity">Manchester City</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 16:00:43 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/from-wiltshire-to-wembley-semenyo-surreal-journey-hits-new-heights</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/64222e29d8b4d048d021bcf89b3921c440a3c7b5/0_0_2917_2333/master/2917.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d9425f62eb6b8db31102b995cee6173a">
        <media:credit scheme="urn:ebu">Photograph: News Images/NurPhoto/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/64222e29d8b4d048d021bcf89b3921c440a3c7b5/0_0_2917_2333/master/2917.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=22b3be6ece6f9001f9f0dcef8e2ab3ba">
        <media:credit scheme="urn:ebu">Photograph: News Images/NurPhoto/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/64222e29d8b4d048d021bcf89b3921c440a3c7b5/0_0_2917_2333/master/2917.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=07bcf97a2ae34f353ba1629ca3d65169">
        <media:credit scheme="urn:ebu">Photograph: News Images/NurPhoto/Shutterstock</media:credit>
      </media:content>
      <dc:creator>David Hytner</dc:creator>
      <dc:date>2026-05-17T16:00:43Z</dc:date>
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    <item>
      <title>Hampshire v Notts, Yorkshire v Surrey and more: county cricket day three – live</title>
      <link>https://www.theguardian.com/sport/live/2026/may/17/hampshire-v-notts-yorkshire-v-surrey-and-more-county-cricket-day-three-live</link>
      <description>&lt;p&gt; Updates from around the grounds on day three&lt;br&gt; &lt;a href="https://www.theguardian.com/sport/2016/aug/18/sign-up-to-the-spin"&gt;Sign up for The Spin&lt;/a&gt; | &lt;a href="mailto:tanya.aldred.freelance@theguardian.com"&gt;Email Tanya&lt;/a&gt; or post below the line&lt;/p&gt;&lt;p&gt;&lt;strong&gt;OK, scratch Beau Webster&lt;/strong&gt; from the below, he’s just been wiped out by Tom Norton, a full delivery, and an edge snaffled up by Colin Inrgam low at first slip. Warks 141-7&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Not much to report yet here&lt;/strong&gt; at Headingley. St Michael’s church looks lush and lovely with greenery and that many-capped slip cordon awaits.&lt;/p&gt; &lt;a href="https://www.theguardian.com/sport/live/2026/may/17/hampshire-v-notts-yorkshire-v-surrey-and-more-county-cricket-day-three-live"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/sport/county-championship">County Championship</category>
      <category domain="https://www.theguardian.com/sport/countychampionship1stdivisioncricket">County Championship Division One</category>
      <category domain="https://www.theguardian.com/sport/countychampionship2nddivisioncricket">County Championship Division Two</category>
      <category domain="https://www.theguardian.com/sport/essex">Essex</category>
      <category domain="https://www.theguardian.com/sport/leicestershire">Leicestershire</category>
      <category domain="https://www.theguardian.com/sport/hampshire">Hampshire</category>
      <category domain="https://www.theguardian.com/sport/nottinghamshire">Nottinghamshire</category>
      <category domain="https://www.theguardian.com/sport/warwickshireccc">Warwickshire</category>
      <category domain="https://www.theguardian.com/sport/glamorganccc">Glamorgan</category>
      <category domain="https://www.theguardian.com/sport/yorkshire">Yorkshire</category>
      <category domain="https://www.theguardian.com/sport/surrey">Surrey</category>
      <category domain="https://www.theguardian.com/sport/somerset">Somerset</category>
      <category domain="https://www.theguardian.com/sport/sussexccc">Sussex</category>
      <category domain="https://www.theguardian.com/sport/kent">Kent</category>
      <category domain="https://www.theguardian.com/sport/durham">Durham</category>
      <category domain="https://www.theguardian.com/sport/gloucestershireccc">Gloucestershire</category>
      <category domain="https://www.theguardian.com/sport/northamptonshire">Northamptonshire</category>
      <category domain="https://www.theguardian.com/sport/middlesex">Middlesex</category>
      <category domain="https://www.theguardian.com/sport/derbyshire">Derbyshire</category>
      <category domain="https://www.theguardian.com/sport/lancashire">Lancashire</category>
      <category domain="https://www.theguardian.com/sport/worcestershire">Worcestershire</category>
      <category domain="https://www.theguardian.com/sport/cricket">Cricket</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 16:06:32 GMT</pubDate>
      <guid>https://www.theguardian.com/sport/live/2026/may/17/hampshire-v-notts-yorkshire-v-surrey-and-more-county-cricket-day-three-live</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/3b23f3c459069dbbe3bd79f22f525361bfbdc89d/268_0_2917_2333/master/2917.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7fe0c5f0c5cb969b7465de74726a0f21">
        <media:credit scheme="urn:ebu">Photograph: Dave Vokes/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/3b23f3c459069dbbe3bd79f22f525361bfbdc89d/268_0_2917_2333/master/2917.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=24f9ab0c0ee84d856f61172532f744ab">
        <media:credit scheme="urn:ebu">Photograph: Dave Vokes/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/3b23f3c459069dbbe3bd79f22f525361bfbdc89d/268_0_2917_2333/master/2917.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=004a9c3384cd6001a8dedeaf9fc1fbad">
        <media:credit scheme="urn:ebu">Photograph: Dave Vokes/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Tanya Aldred at Headingley</dc:creator>
      <dc:date>2026-05-17T16:06:32Z</dc:date>
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    <item>
      <title>Xabi Alonso coup shows Chelsea and BlueCo now see the value of aura</title>
      <link>https://www.theguardian.com/football/2026/may/17/xabi-alonso-coup-shows-chelsea-and-blueco-now-see-the-value-of-aura</link>
      <description>&lt;p&gt;The former Real Madrid manager’s desire to sign and create mentality monsters breaks with previous club policy&lt;/p&gt;&lt;p&gt;The Chelsea end was mostly empty by the time the players went to collect their losers’ medals. There was no grand ovation for the beaten team. The disconnect was evident after &lt;a href="https://www.theguardian.com/football/2026/may/16/manchester-city-win-fa-cup-final-as-semenyo-magic-sinks-chelsea"&gt;defeat to Manchester City in the FA Cup final&lt;/a&gt;, underlining how one of Xabi Alonso’s first challenges as Chelsea’s new manager will be to lift the mood and get players, fans and owners pulling in the same direction after a hugely disappointing season.&lt;/p&gt;&lt;p&gt;Many people are wondering why Alonso has agreed &lt;a href="https://www.theguardian.com/football/2026/may/17/xabi-alonso-confirmed-as-chelsea-manager-on-four-year-contract"&gt;to take over on a four-year deal&lt;/a&gt;. Why, after running into player power and reluctance to build a project at Real Madrid, would you choose Chelsea? Just how big is the payoff?&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/xabi-alonso-coup-shows-chelsea-and-blueco-now-see-the-value-of-aura"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/chelsea">Chelsea</category>
      <category domain="https://www.theguardian.com/football/xabi-alonso">Xabi Alonso</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <pubDate>Sun, 17 May 2026 10:09:41 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/xabi-alonso-coup-shows-chelsea-and-blueco-now-see-the-value-of-aura</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/e7468708b7f402c60a774890aa2996fee13d42a7/571_804_3675_2940/master/3675.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a33938309a3ae56d6c435d5fc0e01553">
        <media:credit scheme="urn:ebu">Photograph: Michael Probst/AP</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/e7468708b7f402c60a774890aa2996fee13d42a7/571_804_3675_2940/master/3675.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=420951a09723d511e4652cd0cead5976">
        <media:credit scheme="urn:ebu">Photograph: Michael Probst/AP</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/e7468708b7f402c60a774890aa2996fee13d42a7/571_804_3675_2940/master/3675.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=51383cad6da6ea21b5674e75ca7a9128">
        <media:credit scheme="urn:ebu">Photograph: Michael Probst/AP</media:credit>
      </media:content>
      <dc:creator>Jacob Steinberg</dc:creator>
      <dc:date>2026-05-17T10:09:41Z</dc:date>
    </item>
    <item>
      <title>European football: Roma close to Champions League return after beating Lazio</title>
      <link>https://www.theguardian.com/football/2026/may/17/european-football-roma-lazio-milan-juventus-napoli</link>
      <description>&lt;ul&gt;&lt;li&gt;&lt;p&gt;Gianluca Mancini’s headers earn 2-0 win in Rome derby&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Milan beat Genoa 2-1; Juventus lose to Fiorentina 2-0&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;&lt;strong&gt;Roma&lt;/strong&gt; took a huge step towards returning to the Champions League by beating &lt;strong&gt;Lazio&lt;/strong&gt; 2-0 in a feisty derby which finished with both teams down to 10 men, while Napoli won 3-0 at Pisa to secure a top-four spot.&lt;/p&gt;&lt;p&gt;Gianluca Mancini smashed home two headers from corners, one in each half, at the Stadio Olimpico to move Roma up to fourth thanks also to Juventus’s shock 2-0 home defeat by Fiorentina.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/european-football-roma-lazio-milan-juventus-napoli"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/europeanfootball">European club football</category>
      <category domain="https://www.theguardian.com/football/serieafootball">Serie A</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <category domain="https://www.theguardian.com/football/roma">Roma</category>
      <category domain="https://www.theguardian.com/football/lazio">Lazio</category>
      <category domain="https://www.theguardian.com/football/juventus">Juventus</category>
      <category domain="https://www.theguardian.com/football/fiorentina">Fiorentina</category>
      <category domain="https://www.theguardian.com/football/acmilan">Milan</category>
      <category domain="https://www.theguardian.com/football/genoa">Genoa</category>
      <category domain="https://www.theguardian.com/football/napoli">Napoli</category>
      <category domain="https://www.theguardian.com/football/pisa">Pisa</category>
      <pubDate>Sun, 17 May 2026 12:55:30 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/european-football-roma-lazio-milan-juventus-napoli</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/960e2e88407380848e92e8b4e11d39d64c94605d/0_0_5558_4446/master/5558.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a60324110a900cc98c812e642f749e47">
        <media:credit scheme="urn:ebu">Photograph: Gregorio Borgia/AP</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/960e2e88407380848e92e8b4e11d39d64c94605d/0_0_5558_4446/master/5558.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=09b0252becbccd2bb68c8ef54ca17fb7">
        <media:credit scheme="urn:ebu">Photograph: Gregorio Borgia/AP</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/960e2e88407380848e92e8b4e11d39d64c94605d/0_0_5558_4446/master/5558.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b6c9dcb890e244b11784df61898def4d">
        <media:credit scheme="urn:ebu">Photograph: Gregorio Borgia/AP</media:credit>
      </media:content>
      <dc:creator>Agencies</dc:creator>
      <dc:date>2026-05-17T12:55:30Z</dc:date>
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    <item>
      <title>Whatever happens with the leadership, Labour must tackle the issue of social care head-on | Heather Stewart</title>
      <link>https://www.theguardian.com/business/2026/may/17/leadership-labour-must-tackle-issue-social-care-head-on</link>
      <description>&lt;p&gt;The challenge of how to look after an ageing population has been ducked by politicians for too long&lt;/p&gt;&lt;p&gt;If a new Labour leader wants to underline their determination to wrestle with Britain’s political challenges, it is hard to think of a better place to start than with the creaking social care settlement.&lt;/p&gt;&lt;p&gt;A new collection of essays, to be published by the Fabian Society this week, urges the government – whoever leads it – to crack on with creating a “national care service” more closely aligned to the NHS and ensure it is properly funded.&lt;/p&gt; &lt;a href="https://www.theguardian.com/business/2026/may/17/leadership-labour-must-tackle-issue-social-care-head-on"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/social-care">Social care</category>
      <category domain="https://www.theguardian.com/politics/labour">Labour</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/politics/andyburnham">Andy Burnham</category>
      <category domain="https://www.theguardian.com/business/economics">Economics</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <pubDate>Sun, 17 May 2026 11:52:06 GMT</pubDate>
      <guid>https://www.theguardian.com/business/2026/may/17/leadership-labour-must-tackle-issue-social-care-head-on</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/19bfb0dfa3a2cf8477d712d76767709c2e4316e2/2063_332_1312_1051/master/1312.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0a053d6d567cc565cd8b7614e9802213">
        <media:credit scheme="urn:ebu">Photograph: Neil Harrison/PA</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/19bfb0dfa3a2cf8477d712d76767709c2e4316e2/2063_332_1312_1051/master/1312.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9e78086f4e2554a2f2f74db9224eb165">
        <media:credit scheme="urn:ebu">Photograph: Neil Harrison/PA</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/19bfb0dfa3a2cf8477d712d76767709c2e4316e2/2063_332_1312_1051/master/1312.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5678394b5d610eb86cd230bdac6bbe79">
        <media:credit scheme="urn:ebu">Photograph: Neil Harrison/PA</media:credit>
      </media:content>
      <dc:creator>Heather Stewart</dc:creator>
      <dc:date>2026-05-17T11:52:06Z</dc:date>
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      <title>I submitted my day to fate – and plunged headfirst into bananas and burpees | Emma Beddington</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/17/i-submitted-my-day-to-fate-and-plunged-headfirst-into-bananas-and-burpees</link>
      <description>&lt;p&gt;In an age in which the algorithm constantly guides us towards things we already like, I tried to stop being a control freak, imprisoned by my preferences. It wasn’t easy&lt;/p&gt;&lt;p&gt;How predictable is your life? I drink my coffee from the same Moomin mug every morning and run a tight roster of weekly meals. My Ocado order never varies. On weekends, we buy the same seeded sourdough loaf; do the same chores; see the same friends. That might sound stultifying, but it comforts me in a chaotic world.&lt;/p&gt;&lt;p&gt;Is it a coping mechanism, an expression of my control-freak tendencies? Probably, which is why I was gripped and horrified in equal measure by an extract from &lt;a href="https://guardianbookshop.com/how-to-not-know-9781529147599/?utm_source=editoriallink&amp;amp;utm_medium=merch&amp;amp;utm_campaign=article"&gt;How Not to Know&lt;/a&gt; by Simone Stoltzoff in &lt;a href="https://www.theatlantic.com/family/2026/05/algorithm-decision-making-randomization/687098/"&gt;the Atlantic&lt;/a&gt; about Max Hawkins, a software engineer who, feeling “trapped by his optimised life”, decided to randomise radically. Hawkins built an algorithm for a “random ride generator” that took him to surprise locations: a hospital, a leather bar, a bowling alley. Then, enthused by those early experiences, he went further and let chance decide where he lived, what he wore and even his tattoos. “In choosing randomly,” he said, “I found freedom.”&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/17/i-submitted-my-day-to-fate-and-plunged-headfirst-into-bananas-and-burpees"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/science/psychology">Psychology</category>
      <category domain="https://www.theguardian.com/lifeandstyle/health-and-wellbeing">Health &amp; wellbeing</category>
      <pubDate>Sun, 17 May 2026 13:00:40 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/17/i-submitted-my-day-to-fate-and-plunged-headfirst-into-bananas-and-burpees</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/41e53223ab397a4e2e3b092d31b7ff77bb47ad0c/633_0_3239_2592/master/3239.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c64398a2cb8bd19ebcb5f958499bdceb">
        <media:credit scheme="urn:ebu">Photograph: Markku Ulander/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/41e53223ab397a4e2e3b092d31b7ff77bb47ad0c/633_0_3239_2592/master/3239.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9be99b4420a1156ed87a081127edcda4">
        <media:credit scheme="urn:ebu">Photograph: Markku Ulander/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/41e53223ab397a4e2e3b092d31b7ff77bb47ad0c/633_0_3239_2592/master/3239.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e725512f7c0983d788847efc6e079924">
        <media:credit scheme="urn:ebu">Photograph: Markku Ulander/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Emma Beddington</dc:creator>
      <dc:date>2026-05-17T13:00:40Z</dc:date>
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      <title>It may not feel like it, but hope is on the horizon: Trump, Netanyahu and Putin’s powers appear to be waning | Simon Tisdall</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/17/hope-horizon-trump-netanyahu-putin-powers-waning</link>
      <description>&lt;p&gt;Plummeting approval ratings for these three poisonous comrades-in-arms show voters are demoralised and tiring of forever wars – the west could soon breathe again&lt;/p&gt;&lt;p&gt;Feeling depressed about the state of the world? Worried about the future? You’re not alone. Pessimism about politics is the new normal among the peoples of the west. Major conflicts in Europe and the Middle East and the harms caused by right-left extremism, stagnating economies, inequality, corruption, terrorism, racism, big tech, mass extinctions and the climate crisis make for shared nightmares.&lt;/p&gt;&lt;p&gt;Growing numbers of people simply refuse to personally engage with current events via the news media, finding them too anxiety-inducing (so they probably won’t be reading this). In a Reuters Institute survey last year, 40% of respondents in about 50 countries said they sometimes or often &lt;a href="https://www.theguardian.com/society/ng-interactive/2025/sep/01/news-avoidance-high-anxiety"&gt;avoid the news altogether&lt;/a&gt;, a rise of 29% on 2017.&lt;/p&gt;&lt;p&gt;Simon Tisdall is a Guardian foreign affairs commentator&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/17/hope-horizon-trump-netanyahu-putin-powers-waning"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/us-news/donaldtrump">Donald Trump</category>
      <category domain="https://www.theguardian.com/world/benjamin-netanyahu">Benjamin Netanyahu</category>
      <category domain="https://www.theguardian.com/world/vladimir-putin">Vladimir Putin</category>
      <category domain="https://www.theguardian.com/world/israel">Israel</category>
      <category domain="https://www.theguardian.com/world/russia">Russia</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/us-news/us-foreign-policy">US foreign policy</category>
      <pubDate>Sun, 17 May 2026 05:00:30 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/17/hope-horizon-trump-netanyahu-putin-powers-waning</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/5186f740c8351b5af796cfddb62c60e97cc8c8eb/472_0_4723_3779/master/4723.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=67b0a7a1afe6924e62761dc05537fd85">
        <media:credit scheme="urn:ebu">Photograph: Joe Raedle/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/5186f740c8351b5af796cfddb62c60e97cc8c8eb/472_0_4723_3779/master/4723.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fb79ce40de5c6ce9c47cd9e69c85d8a7">
        <media:credit scheme="urn:ebu">Photograph: Joe Raedle/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/5186f740c8351b5af796cfddb62c60e97cc8c8eb/472_0_4723_3779/master/4723.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8422ecaca906174aa5a688d058aae9c5">
        <media:credit scheme="urn:ebu">Photograph: Joe Raedle/Getty Images</media:credit>
      </media:content>
      <dc:creator>Simon Tisdall</dc:creator>
      <dc:date>2026-05-17T05:00:30Z</dc:date>
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      <title>Illness narratives are broken – and they’re failing women like me | Emma Hardy</title>
      <link>https://www.theguardian.com/society/2026/may/18/women-chronic-illness-narratives-broken</link>
      <description>&lt;p&gt;People want my life with premenstrual dysphoric disorder to be told as a neat arc. But chronic illnesses are more like messy, looping spirals – and realising that gave me hope&lt;/p&gt;&lt;p&gt;There was a moment, deep in the throes of my illness, when I realised I was never getting better. There was no cure for me: only ways to manage. At that time I was not managing very well.&lt;/p&gt;&lt;p&gt;Of course, writing about my past self in this way gives the illusion that I was &lt;em&gt;once&lt;/em&gt; in the throes of my illness and that it did get better. This is deceptive. I live with a chronic illness called premenstrual dysphoric disorder, or PMDD. It is a severe form of premenstrual illness that leads to depression, anger and even suicidal ideation. It rears its head in the week or two before menstruation then goes away. One week I’d be lying on my bedroom floor, unable to move, starting fights with my partner. Then my period would come and I’d be back at work, seemingly fine, and completely oblivious to the person I’d been mere days before. Notably, this illness is chronic and recurring. I am always &lt;em&gt;in&lt;/em&gt;, or &lt;em&gt;just out of&lt;/em&gt;, or &lt;em&gt;about to enter&lt;/em&gt; the throes of my illness. It does not &lt;em&gt;get better&lt;/em&gt; in any static sense.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;a href="https://www.theguardian.com/australia-news/2021/dec/21/sign-up-for-five-great-reads-guardian-australias-wrap-of-our-best-summer-stories"&gt;Sign up for a weekly email featuring our best reads&lt;/a&gt;&lt;/strong&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/society/2026/may/18/women-chronic-illness-narratives-broken"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/womens-health">Women's health</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/books/australian-books">Australian books</category>
      <category domain="https://www.theguardian.com/society/menstruation">Menstruation</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/society/mental-health">Mental health</category>
      <pubDate>Sun, 17 May 2026 15:00:43 GMT</pubDate>
      <guid>https://www.theguardian.com/society/2026/may/18/women-chronic-illness-narratives-broken</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/be643c3489aae23ff53fb165396b5e734a37d802/506_249_3903_3122/master/3903.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d192ca64caaf6c64524f6490d36f3cfd">
        <media:credit scheme="urn:ebu">Illustration: Malte Mueller/Getty Images/fStop</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/be643c3489aae23ff53fb165396b5e734a37d802/506_249_3903_3122/master/3903.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=aa1ba018ac124fae962b50f841c675d3">
        <media:credit scheme="urn:ebu">Illustration: Malte Mueller/Getty Images/fStop</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/be643c3489aae23ff53fb165396b5e734a37d802/506_249_3903_3122/master/3903.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1f399ad315a472c6650dd395cfdd544f">
        <media:credit scheme="urn:ebu">Illustration: Malte Mueller/Getty Images/fStop</media:credit>
      </media:content>
      <dc:creator>Emma Hardy</dc:creator>
      <dc:date>2026-05-17T15:00:43Z</dc:date>
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      <title>I’ve learned not to cling to my beliefs – even the ones that shaped me | Nadine Levy</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/18/learned-not-to-cling-to-my-beliefs</link>
      <description>&lt;p&gt;When held with curiosity, beliefs can be productive, creative and alive, but they can also imprison us, closing down life itself&lt;/p&gt;&lt;p&gt;At a recent conference, I found myself in conversation with a fellow participant. We were exchanging ideas when I saw his expression shift. He began to speak at length about what it meant to be human on the spiritual path. As he spoke, I started to feel less like a collaborator and more like a one-person audience.&lt;/p&gt;&lt;p&gt;About 10 minutes in, I drifted. I wondered what they would offer us for lunch and whether I would make it home on the train.&lt;/p&gt;&lt;p&gt;Dr Nadine Levy is a senior lecturer at the &lt;a href="https://www.nantien.edu.au/"&gt;Nan Tien Institute&lt;/a&gt;. She coordinates its health and social wellbeing program and the graduate certificate in applied mindfulness&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/18/learned-not-to-cling-to-my-beliefs"&gt;Continue reading...&lt;/a&gt;</description>
      <pubDate>Sun, 17 May 2026 15:00:43 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/18/learned-not-to-cling-to-my-beliefs</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/fb81f011d5fd12dbce8c094c4795931556292af2/0_0_2500_2000/master/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4efc0d8f086d5f5d91f72e268d5dae7f">
        <media:credit scheme="urn:ebu">Composite: Guardian Design/Getty Images</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/fb81f011d5fd12dbce8c094c4795931556292af2/0_0_2500_2000/master/2500.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=508eae46e8caec08a50322c97ae78d77">
        <media:credit scheme="urn:ebu">Composite: Guardian Design/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/fb81f011d5fd12dbce8c094c4795931556292af2/0_0_2500_2000/master/2500.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6cca951ac192704a87b337ae5c83bd4b">
        <media:credit scheme="urn:ebu">Composite: Guardian Design/Getty Images</media:credit>
      </media:content>
      <dc:creator>Nadine Levy</dc:creator>
      <dc:date>2026-05-17T15:00:43Z</dc:date>
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      <title>Plaid Cymru has forged a brand of inclusive nationalism. That's why it beat Reform in Wales | Rhiannon Lucy Cosslett</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/17/plaid-cymru-inclusive-nationalism-reform-wales-senedd</link>
      <description>&lt;p&gt;Growing up in Gwynedd, I was made to feel ‘not Welsh enough’. But things have changed – and the Senedd victory shows the politics of exclusion has no answer&lt;/p&gt;&lt;p&gt;Plaid Cymru and its leader, Rhun ap Iorwerth, made political history this month: &lt;a href="https://www.theguardian.com/uk-news/2026/may/08/plaid-cymru-biggest-party-wales-senedd-labour-reform"&gt;they won the Senedd&lt;/a&gt;. For the first time ever,&lt;strong&gt; &lt;/strong&gt;Wales now has a progressive majority that is not dependent on Labour. Polls had put Plaid and Reform UK neck and neck. In the run-up to the election, some of my Welsh friends were panicking. They were relieved that Reform came second.&lt;/p&gt;&lt;p&gt;I was never convinced that Reform’s brand of essentially English ethno-nationalism was ever going to triumph in Wales. The party seemed to think it could transpose its tactics from next door and that they’d work in the same way. Yet unlike Plaid, Reform UK has no story to tell about what it means to be Welsh.&lt;/p&gt;&lt;p&gt;Rhiannon Lucy Cosslett is a Guardian columnist&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/17/plaid-cymru-inclusive-nationalism-reform-wales-senedd"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/politics/welsh-elections-2026">Welsh elections 2026</category>
      <category domain="https://www.theguardian.com/politics/plaid-cymru">Plaid Cymru</category>
      <category domain="https://www.theguardian.com/politics/brexit-party">Reform UK</category>
      <category domain="https://www.theguardian.com/politics/rhun-ap-iorwerth">Rhun ap Iorwerth</category>
      <category domain="https://www.theguardian.com/uk/wales">Wales</category>
      <category domain="https://www.theguardian.com/politics/may-2026-elections">May 2026 elections</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/politics/local-elections-2026">Local elections 2026</category>
      <pubDate>Sun, 17 May 2026 07:00:32 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/17/plaid-cymru-inclusive-nationalism-reform-wales-senedd</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/1c3a70cc5076a48dc3a9a672450b71352eeed610/315_0_3000_2400/master/3000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=61a7c7518d6dee7a87b594e3ef878916">
        <media:credit scheme="urn:ebu">Photograph: Kian Abdullah/Huw Evans/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/1c3a70cc5076a48dc3a9a672450b71352eeed610/315_0_3000_2400/master/3000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ff7f8d8c9a467a6e7e2c41475d6d5b10">
        <media:credit scheme="urn:ebu">Photograph: Kian Abdullah/Huw Evans/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/1c3a70cc5076a48dc3a9a672450b71352eeed610/315_0_3000_2400/master/3000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9e6d97f58c57b035eb5a1213bafb9a42">
        <media:credit scheme="urn:ebu">Photograph: Kian Abdullah/Huw Evans/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Rhiannon Lucy Cosslett</dc:creator>
      <dc:date>2026-05-17T07:00:32Z</dc:date>
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      <title>Why Brooklyn Beckham is – bear with me – a brilliant role model | Polly Hudson</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/17/why-brooklyn-beckham-is-bear-with-me-a-brilliant-role-model</link>
      <description>&lt;p&gt;He gets slammed as an entitled nepo baby, and just keeps doing what he enjoys, unruffled. Here are five things I’d do, if only I had his confidence&lt;/p&gt;&lt;p&gt;Nepo babies provoke a unique brand of ire. Fittingly, they seem to bring out the toddler in many of us; a foot-stamping tantrum sense of &lt;em&gt;but that’s not fair. &lt;/em&gt;These privileged golden children are born into guaranteed luxury and opportunity they haven’t worked for, and – we are convinced, despite never having met them – do not deserve.&lt;/p&gt;&lt;p&gt;Some nepo babies attract fury by lazing around on constant holidays, or securing starring roles far beyond their skill set, others because they indulge in wild-eyed, consequence-free party lifestyles. Brooklyn Beckham does it by making sandwiches.&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/17/why-brooklyn-beckham-is-bear-with-me-a-brilliant-role-model"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/lifeandstyle/brooklyn-beckham">Brooklyn Beckham</category>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/lifeandstyle/social-etiquette">Social etiquette</category>
      <pubDate>Sun, 17 May 2026 04:00:28 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/17/why-brooklyn-beckham-is-bear-with-me-a-brilliant-role-model</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/24b5312ae8e576d76d0e12a60c04a31d111217a4/358_0_4587_3669/master/4587.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1fa5a07b960c00e53bcd7d42d5e18a8b">
        <media:credit scheme="urn:ebu">Photograph: Cindy Ord/MG24/Getty Images for The Met Museum/Vogue</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/24b5312ae8e576d76d0e12a60c04a31d111217a4/358_0_4587_3669/master/4587.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=389b7f03442e0a06744434b4368d0f17">
        <media:credit scheme="urn:ebu">Photograph: Cindy Ord/MG24/Getty Images for The Met Museum/Vogue</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/24b5312ae8e576d76d0e12a60c04a31d111217a4/358_0_4587_3669/master/4587.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6ad0ef78304239d60c5a7328acd97f75">
        <media:credit scheme="urn:ebu">Photograph: Cindy Ord/MG24/Getty Images for The Met Museum/Vogue</media:credit>
      </media:content>
      <dc:creator>Polly Hudson</dc:creator>
      <dc:date>2026-05-17T04:00:28Z</dc:date>
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      <title>The Guardian view on Middlemarch: the greatest novel in the English language | Editorial</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/16/the-guardian-view-on-middlemarch-the-greatest-novel-in-the-english-language</link>
      <description>&lt;p&gt;George Eliot’s masterpiece of provincial life still has much to teach us about sympathy and tolerance&lt;/p&gt;&lt;p&gt;Virgina Woolf declared Middlemarch &lt;a href="https://www.newyorker.com/magazine/2011/02/14/middlemarch-and-me"&gt;“one of the few English novels written for grown-up people”&lt;/a&gt;. Henry&amp;nbsp;James said that some of its scenes were the most intelligent in English fiction. Even Martin Amis, over 100 years later, called it&lt;a href="https://www.theguardian.com/books/2014/feb/28/middlemarch-george-eliot-martin-amis-as-byatt"&gt; “a novel without weaknesses”&lt;/a&gt;. Now this 900-page portrait of 19th-century provincial life has been voted the best novel of all time in a &lt;a href="https://www.theguardian.com/books/ng-interactive/2026/may/12/the-100-best-novels-of-all-time"&gt;Guardian poll&lt;/a&gt; of writers, academics and critics.&lt;/p&gt;&lt;p&gt;George Eliot (the pen name of Mary Ann Evans) was already a highly successful novelist by the time Middlemarch was published in instalments in 1871 and 1872. Beginning with a marriage, and a deeply unhappy one, it upends “the marriage plot” established by Jane Austen. Nineteen-year-old Dorothea Brooke has “a passionate desire to know and to think”, and a&amp;nbsp;longing “to lead a grand life here – now – in England”. Unfortunately, that England didn’t afford many opportunities for women, and she misguidedly hitches her idealism to the desiccated scholar Casaubon. This is not the novel’s only disastrous marriage. The ambitious young doctor Tertius Lydgate makes an ill-suited match to the vain and shallow Rosamond Vincy.&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/16/the-guardian-view-on-middlemarch-the-greatest-novel-in-the-english-language"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/books/georgeeliot">George Eliot</category>
      <category domain="https://www.theguardian.com/books/janeausten">Jane Austen</category>
      <category domain="https://www.theguardian.com/books/charlottebronte">Charlotte Brontë</category>
      <pubDate>Sat, 16 May 2026 07:15:23 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/16/the-guardian-view-on-middlemarch-the-greatest-novel-in-the-english-language</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f90e92dd68710211a231eec15acce342ea277611/0_361_2053_1641/master/2053.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bcb84427cffe07a5c6b5238b0b97cefc">
        <media:credit scheme="urn:ebu">Photograph: Moviestore Collection Ltd/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f90e92dd68710211a231eec15acce342ea277611/0_361_2053_1641/master/2053.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ee98267004bc2c194f0a4d9640cd704a">
        <media:credit scheme="urn:ebu">Photograph: Moviestore Collection Ltd/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f90e92dd68710211a231eec15acce342ea277611/0_361_2053_1641/master/2053.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=55eeaf4042408dcd2029eaf84e379844">
        <media:credit scheme="urn:ebu">Photograph: Moviestore Collection Ltd/Alamy</media:credit>
      </media:content>
      <dc:creator>Editorial</dc:creator>
      <dc:date>2026-05-16T07:15:23Z</dc:date>
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      <title>The Guardian view on Trump in Beijing: the US and China are playing the waiting game | Editorial</title>
      <link>https://www.theguardian.com/commentisfree/2026/may/15/the-guardian-view-on-trump-in-beijing-the-us-and-china-are-playing-the-waiting-game</link>
      <description>&lt;p&gt;The president’s meeting with Xi Jinping was superficially cordial, extending a truce borne of necessity&lt;/p&gt;&lt;p&gt;“American strength back on the world stage,” crowed the White House social media post: a curious remark, when the attached video showed the stars and stripes fluttering beneath a long row of Chinese flags, and People’s Liberation Army soldiers marching in unison.&lt;/p&gt;&lt;p&gt;This week’s &lt;a href="https://www.theguardian.com/us-news/2026/may/15/what-was-achieved-trump-xi-summit-beijing"&gt;visit to Beijing&lt;/a&gt; offered the kind of style that Donald Trump enjoys – parading troops, a banquet&amp;nbsp;and a polite if not markedly enthusiastic welcome from a strongman he called “really a friend” – but little apparent substance. The public account of the encounter will be partial: Mr Trump’s former adviser John Bolton has &lt;a href="https://www.theguardian.com/us-news/2020/jun/17/john-bolton-book-trump-china-dictators-saudi-arabia"&gt;claimed&lt;/a&gt; that in previous conversations the US president begged Xi Jinping for help to win re-election and urged him to “go ahead” with internment camps for Uyghurs in Xinjiang. But this meeting appears to have been about &lt;a href="https://www.theguardian.com/us-news/2026/may/15/what-was-achieved-trump-xi-summit-beijing"&gt;stabilising the&amp;nbsp;relationship&lt;/a&gt;, not shifting it.&lt;/p&gt; &lt;a href="https://www.theguardian.com/commentisfree/2026/may/15/the-guardian-view-on-trump-in-beijing-the-us-and-china-are-playing-the-waiting-game"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/us-news/donaldtrump">Donald Trump</category>
      <category domain="https://www.theguardian.com/us-news/us-foreign-policy">US foreign policy</category>
      <category domain="https://www.theguardian.com/us-news/us-politics">US politics</category>
      <category domain="https://www.theguardian.com/world/xi-jinping">Xi Jinping</category>
      <category domain="https://www.theguardian.com/world/china">China</category>
      <category domain="https://www.theguardian.com/world/asia-pacific">Asia Pacific</category>
      <pubDate>Fri, 15 May 2026 16:59:51 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/2026/may/15/the-guardian-view-on-trump-in-beijing-the-us-and-china-are-playing-the-waiting-game</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/56a1b36a749a37f633212c2ffeff20da67f12179/157_0_1706_1365/master/1706.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cce1ed6d8fd3f17d5d100fc52bccc5b2">
        <media:credit scheme="urn:ebu">Photograph: White House Press Office/APAImages/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/56a1b36a749a37f633212c2ffeff20da67f12179/157_0_1706_1365/master/1706.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e8032c70dbed32047b517182a697f4db">
        <media:credit scheme="urn:ebu">Photograph: White House Press Office/APAImages/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/56a1b36a749a37f633212c2ffeff20da67f12179/157_0_1706_1365/master/1706.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=990f83a3da675bd28a29a7a0a84a4a67">
        <media:credit scheme="urn:ebu">Photograph: White House Press Office/APAImages/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Editorial</dc:creator>
      <dc:date>2026-05-15T16:59:51Z</dc:date>
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      <title>How to reach the lost in an age of disinformation | Letters</title>
      <link>https://www.theguardian.com/media/2026/may/15/how-to-reach-the-lost-in-an-age-of-disinformation</link>
      <description>&lt;p&gt;Readers respond to a long read article by editor-in-chief Katharine Viner on surviving the information crisis&lt;/p&gt;&lt;p&gt;Katharine Viner’s long read is excellent in its analysis of the challenges posed by unscrupulous leaders and rampant technology, and in its account of the good work being done by the Guardian &lt;em&gt;(&lt;/em&gt;&lt;a href="https://www.theguardian.com/media/ng-interactive/2026/may/06/how-to-survive-the-information-crisis-we-once-talked-about-fake-news-now-reality-itself-feels-fake"&gt;&lt;em&gt;How to survive the information crisis: ‘We once talked about fake news – now reality itself feels fake’, 6 May&lt;/em&gt;&lt;/a&gt;&lt;em&gt;)&lt;/em&gt;. But I can’t help thinking that it is preaching to the converted: it is not Guardian readers, but those who might hold very different views, who need to be convinced of the arguments put forward.&lt;/p&gt;&lt;p&gt;Reading the article, I was hoping to hear more about efforts being made to reach out to those unlikely to share the values espoused by the Guardian. How can these values be communicated, for example, to Maga followers or, dare I say, readers of the Daily Mail? Here, a leaf can be taken out of the Guardian’s own “&lt;a href="https://www.theguardian.com/lifeandstyle/series/dining-across-the-divide"&gt;Dining across the divide&lt;/a&gt;” feature.&lt;/p&gt; &lt;a href="https://www.theguardian.com/media/2026/may/15/how-to-reach-the-lost-in-an-age-of-disinformation"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/media/media">Media</category>
      <category domain="https://www.theguardian.com/media/theguardian">The Guardian</category>
      <category domain="https://www.theguardian.com/media/pressandpublishing">Newspapers &amp; magazines</category>
      <category domain="https://www.theguardian.com/media/newspapers">Newspapers</category>
      <category domain="https://www.theguardian.com/media/magazines">Magazines</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Fri, 15 May 2026 16:56:13 GMT</pubDate>
      <guid>https://www.theguardian.com/media/2026/may/15/how-to-reach-the-lost-in-an-age-of-disinformation</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/7a768d33da6cf13b0e4ddb942e2e72401cfd3041/351_0_3511_2809/master/3511.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dee9731747a3e92fe4293f4c9b714417">
        <media:credit scheme="urn:ebu">Photograph: Polly Thomas/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/7a768d33da6cf13b0e4ddb942e2e72401cfd3041/351_0_3511_2809/master/3511.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=057488a2d493395ecba712774b123774">
        <media:credit scheme="urn:ebu">Photograph: Polly Thomas/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/7a768d33da6cf13b0e4ddb942e2e72401cfd3041/351_0_3511_2809/master/3511.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=53dc8f6ffdde7e5fadab0b7634ef079d">
        <media:credit scheme="urn:ebu">Photograph: Polly Thomas/Getty Images</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-15T16:56:13Z</dc:date>
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    <item>
      <title>Richard Dawkins and the question of AI consciousness | Letters</title>
      <link>https://www.theguardian.com/technology/2026/may/15/richard-dawkins-and-the-question-of-ai-consciousness</link>
      <description>&lt;p&gt;&lt;strong&gt;Salley Vickers &lt;/strong&gt;and&lt;strong&gt; Carrie Eckersley &lt;/strong&gt;respond to a letter on Richard Dawkins and his chats with AI bots&lt;/p&gt;&lt;p&gt;I was delighted to read Dr Simon Nieder’s cogent rebuttal of Richard Dawkins’s attribution of consciousness to the responses engendered by AI (&lt;a href="https://www.theguardian.com/technology/2026/may/10/mistaking-ai-behaviour-for-conscious-being"&gt;Letters, 10 May&lt;/a&gt;). That human consciousness appears to have an innate tendency to project itself on to various othernesses has long been understood – John Ruskin termed it the pathetic fallacy – and that children animate their loved toys is readily observable.&lt;/p&gt;&lt;p&gt;But Wordsworth’s attribution of emotion to a mountain or my granddaughter’s lively conversations with Spice, her toy sloth, are, happily, unlikely to be dangerous. The conclusion that a widely harvested body of data on human response is equivalent to consciousness is naive and rather shocking in someone such as Prof Dawkins, who has founded his reputation and criticism of religious beliefs on a stringent rationalism.&lt;br&gt;&lt;strong&gt;Salley Vickers&lt;/strong&gt;&lt;br&gt;&lt;em&gt;London&lt;/em&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/technology/2026/may/15/richard-dawkins-and-the-question-of-ai-consciousness"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/technology/artificialintelligenceai">AI (artificial intelligence)</category>
      <category domain="https://www.theguardian.com/technology/chatbots">Chatbots</category>
      <category domain="https://www.theguardian.com/technology/technology">Technology</category>
      <category domain="https://www.theguardian.com/science/dawkins">Richard Dawkins</category>
      <category domain="https://www.theguardian.com/science/science">Science</category>
      <pubDate>Fri, 15 May 2026 16:56:01 GMT</pubDate>
      <guid>https://www.theguardian.com/technology/2026/may/15/richard-dawkins-and-the-question-of-ai-consciousness</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/81a5a055326cef41e145cb74127306aadb720004/824_0_6257_5006/master/6257.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0b6643a7dafd72c21ac95bdfee3509c0">
        <media:credit scheme="urn:ebu">Photograph: Alamy/PA</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/81a5a055326cef41e145cb74127306aadb720004/824_0_6257_5006/master/6257.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b32c5e8b86ae1e16b18e201fdaf5eca3">
        <media:credit scheme="urn:ebu">Photograph: Alamy/PA</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/81a5a055326cef41e145cb74127306aadb720004/824_0_6257_5006/master/6257.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c490104dae82bda890c085f36ce45592">
        <media:credit scheme="urn:ebu">Photograph: Alamy/PA</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-15T16:56:01Z</dc:date>
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    <item>
      <title>Panini sticker album feature stirred childhood memories | Letters</title>
      <link>https://www.theguardian.com/football/2026/may/15/panini-sticker-album-feature-stirred-childhood-memories</link>
      <description>&lt;p&gt;&lt;strong&gt;Denis Hodžić&lt;/strong&gt; was surprised to see a photograph of his favourite childhood hobby in his favourite paper&lt;/p&gt;&lt;p&gt;Your lovely article about Panini football stickers (&lt;a href="https://www.theguardian.com/football/2026/may/09/writers-on-their-world-cup-panini-collecting-days-we-all-remember-the-playground-twerp"&gt;Writers on their World Cup Panini collecting days: ‘We all remember the playground twerp’, 9 May&lt;/a&gt;) reminded me of my own sticker albums from the 70s and 80s. My favourite album and World Cup was Spain 1982.&lt;/p&gt;&lt;p&gt;I watched the games in Yugoslavia, where I grew up. We excitedly followed our own team, which in the end failed to live up to its reputation as the “European Brazilians”. The Brazilian Brazilians, meanwhile, had a fabulous team of their own, full of charismatic superstars who looked great on stickers and were the most valuable currency in the playground.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/15/panini-sticker-album-feature-stirred-childhood-memories"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/panini-stickers">Panini stickers</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Fri, 15 May 2026 16:55:51 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/15/panini-sticker-album-feature-stirred-childhood-memories</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/e5fa6ac357656a94faebf8752bbc8b178702ece2/376_0_3748_2999/master/3748.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=774ddba82fc4565282667796f66e500b">
        <media:credit scheme="urn:ebu">Photograph: Andrej Isaković/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/e5fa6ac357656a94faebf8752bbc8b178702ece2/376_0_3748_2999/master/3748.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4473c89a1da974f61fbd4451ebaa1f2a">
        <media:credit scheme="urn:ebu">Photograph: Andrej Isaković/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/e5fa6ac357656a94faebf8752bbc8b178702ece2/376_0_3748_2999/master/3748.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f50589ff9f06c9b4ba94daccc1344a60">
        <media:credit scheme="urn:ebu">Photograph: Andrej Isaković/AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-15T16:55:51Z</dc:date>
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    <item>
      <title>Schemes and strategies for scattering ashes | Letter</title>
      <link>https://www.theguardian.com/society/2026/may/15/schemes-and-strategies-for-scattering-ashes</link>
      <description>&lt;p&gt;&lt;strong&gt;Maggie Rylance&lt;/strong&gt; deployed a red spotted handkerchief in memory of her dad, while &lt;strong&gt;Terry O’Hara&lt;/strong&gt; was tempted by the Parthenon&lt;/p&gt;&lt;p&gt;The letter (&lt;a href="https://www.theguardian.com/society/2026/may/08/ash-scattering-is-a-risky-business"&gt;8 May&lt;/a&gt;) responding to Zoe Williams’ article about scattering her mum’s ashes brought back fond memories of Dad. He was a farmer and always carried a red spotted handkerchief in his pocket. When he was muck-spreading, he would get out of the tractor cab, hold the handkerchief up to check which way the wind was blowing, and make sure he drove in a direction that protected the cab from being covered in muck.&lt;/p&gt;&lt;p&gt;It was a family joke that we should use the same method when spreading his and Mum’s ashes. We saved a red spotted handkerchief and did exactly that. It worked well and no one got covered in ash.&lt;br&gt;&lt;strong&gt;Maggie Rylance&lt;/strong&gt;&lt;br&gt;&lt;em&gt;Winchester&lt;/em&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/society/2026/may/15/schemes-and-strategies-for-scattering-ashes"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/death-and-dying">Death and dying</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/lifeandstyle/family">Family</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Fri, 15 May 2026 16:55:56 GMT</pubDate>
      <guid>https://www.theguardian.com/society/2026/may/15/schemes-and-strategies-for-scattering-ashes</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/8ce45e37e8d251afe7ae89f7f86039684b9de766/960_0_4800_3840/master/4800.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3a5de59c8c65f1352d8256c79c17d03d">
        <media:credit scheme="urn:ebu">Photograph: Sorin Colac/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/8ce45e37e8d251afe7ae89f7f86039684b9de766/960_0_4800_3840/master/4800.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f3c792d27cbfb9094431c198dd0c2138">
        <media:credit scheme="urn:ebu">Photograph: Sorin Colac/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/8ce45e37e8d251afe7ae89f7f86039684b9de766/960_0_4800_3840/master/4800.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5c003881a5665a0c114a90e4a40bb7ce">
        <media:credit scheme="urn:ebu">Photograph: Sorin Colac/Alamy</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-15T16:55:56Z</dc:date>
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    <item>
      <title>Jeremy Nguyen on the must-have fashion accessory for kids – cartoon</title>
      <link>https://www.theguardian.com/commentisfree/picture/2026/may/16/jeremy-nguyen-kids-keychains-fashion-cartoon</link>
      <description>&lt;a href="https://www.theguardian.com/commentisfree/picture/2026/may/16/jeremy-nguyen-kids-keychains-fashion-cartoon"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/children">Children</category>
      <category domain="https://www.theguardian.com/fashion/fashion">Fashion</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sat, 16 May 2026 10:00:07 GMT</pubDate>
      <guid>https://www.theguardian.com/commentisfree/picture/2026/may/16/jeremy-nguyen-kids-keychains-fashion-cartoon</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a6ca3b66fc81f1d1d8c69bb17f4b8728719f1cc0/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=825407d9f19fcdf6d1eb58385d54bf23">
        <media:credit scheme="urn:ebu">Illustration: Jeremy Nguyen/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a6ca3b66fc81f1d1d8c69bb17f4b8728719f1cc0/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=65e11527a2668c85a05383567bbf7591">
        <media:credit scheme="urn:ebu">Illustration: Jeremy Nguyen/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a6ca3b66fc81f1d1d8c69bb17f4b8728719f1cc0/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ea3ebe7da371024452993ba08285094f">
        <media:credit scheme="urn:ebu">Illustration: Jeremy Nguyen/The Guardian</media:credit>
      </media:content>
      <dc:creator>Jeremy Nguyen</dc:creator>
      <dc:date>2026-05-16T10:00:07Z</dc:date>
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      <title>Bulgaria wins 70th Eurovision contest with Dara and Bangaranga</title>
      <link>https://www.theguardian.com/world/2026/may/17/bulgaria-wins-70th-eurovision-contest-dara-bangaranga</link>
      <description>&lt;p&gt;The UK finished last as the contest, held in Vienna, saw five countries boycott it over the participation of Israel&lt;/p&gt;&lt;p&gt;Bulgaria has won the 2026 Eurovision song contest after singer Dara swept to victory with the song Bangaranga.&lt;/p&gt;&lt;p&gt;The 27-year-old singer’s triumph is a first victory in the 70-year history of the song contest for Bulgaria, which only joined Eurovision in 2005 and sat out the last three editions.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/2026/may/17/bulgaria-wins-70th-eurovision-contest-dara-bangaranga"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/tv-and-radio/eurovision">Eurovision</category>
      <category domain="https://www.theguardian.com/tv-and-radio/tv-and-radio">Television &amp; radio</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/tv-and-radio/eurovision-2026">Eurovision 2026</category>
      <pubDate>Sat, 16 May 2026 23:20:16 GMT</pubDate>
      <guid>https://www.theguardian.com/world/2026/may/17/bulgaria-wins-70th-eurovision-contest-dara-bangaranga</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a469e55a224967e7c4b946045be638c4e749e999/653_261_2794_2235/master/2794.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2ccb16c707ac834d632987269e5d5a8c">
        <media:credit scheme="urn:ebu">Photograph: Lisa Leutner/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a469e55a224967e7c4b946045be638c4e749e999/653_261_2794_2235/master/2794.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9be407e8cdc5d766328932bc173803c3">
        <media:credit scheme="urn:ebu">Photograph: Lisa Leutner/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a469e55a224967e7c4b946045be638c4e749e999/653_261_2794_2235/master/2794.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d43609bacd09a87da13d33fde82d40fe">
        <media:credit scheme="urn:ebu">Photograph: Lisa Leutner/Reuters</media:credit>
      </media:content>
      <dc:creator>Philip Oltermann and Martin Belam in Vienna</dc:creator>
      <dc:date>2026-05-16T23:20:16Z</dc:date>
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      <title>WHO says Ebola outbreak in DRC and Uganda is ‘emergency’ of international concern</title>
      <link>https://www.theguardian.com/world/2026/may/17/who-ebola-outbreak-congo-uganda-global-health-emergency</link>
      <description>&lt;p&gt;At least 80 deaths and 246 suspected cases in DRC’s Ituri province, while Uganda reports spread from travellers&lt;/p&gt;&lt;p&gt;An Ebola outbreak in the Democratic Republic of the Congo and Uganda is a “public health emergency of international concern”, the World Health Organization has said.&lt;/p&gt;&lt;p&gt;The WHO &lt;a href="https://www.who.int/news/item/17-05-2026-epidemic-of-ebola-disease-in-the-democratic-republic-of-the-congo-and-uganda-determined-a-public-health-emergency-of-international-concern"&gt;made its declaration&lt;/a&gt; on Sunday after more than 80 deaths and 246 suspected cases linked to &lt;a href="https://www.theguardian.com/global-development/2026/may/15/ebola-outbreak-drc-africa-deaths"&gt;the outbreak&lt;/a&gt; of the Bundibugyo virus, prompting Africa’s top health official to say he was “on panic mode”.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/2026/may/17/who-ebola-outbreak-congo-uganda-global-health-emergency"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/ebola">Ebola</category>
      <category domain="https://www.theguardian.com/world/congo">Democratic Republic of the Congo</category>
      <category domain="https://www.theguardian.com/world/uganda">Uganda</category>
      <category domain="https://www.theguardian.com/world/africa">Africa</category>
      <category domain="https://www.theguardian.com/world/world-health-organization">World Health Organization</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 17 May 2026 10:06:57 GMT</pubDate>
      <guid>https://www.theguardian.com/world/2026/may/17/who-ebola-outbreak-congo-uganda-global-health-emergency</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/405ff6ecdb65f7c061687223f2aea862f934b007/464_0_3558_2846/master/3558.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bef36edfca3d5f98dd18784de1175067">
        <media:credit scheme="urn:ebu">Photograph: Jospin Mwisha/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/405ff6ecdb65f7c061687223f2aea862f934b007/464_0_3558_2846/master/3558.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1b54dc52d48ffee4e76e7fdae7e784b9">
        <media:credit scheme="urn:ebu">Photograph: Jospin Mwisha/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/405ff6ecdb65f7c061687223f2aea862f934b007/464_0_3558_2846/master/3558.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b7630512344a1a157ec5337517b9c87a">
        <media:credit scheme="urn:ebu">Photograph: Jospin Mwisha/AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Kat Lay Global health correspondent and agencies</dc:creator>
      <dc:date>2026-05-17T10:06:57Z</dc:date>
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      <title>‘Jim Crow 2.0’: South Carolina’s Republicans move to oust state’s only Black congressman since 1897</title>
      <link>https://www.theguardian.com/us-news/2026/may/17/james-clyburn-south-carolina-redistricting</link>
      <description>&lt;p&gt;James Clyburn could now find his district dismantled after supreme court effectively gutted Voting Rights Act&lt;/p&gt;&lt;p&gt;South Carolina has had exactly one Black representative in Congress since 1897: James Clyburn. A proposal to redraw the state’s political map would dismantle the district he represents.&lt;/p&gt;&lt;p&gt;The state’s sixth congressional district starts on its southern border with Georgia, in the suburbs of Savannah, moving a hundred miles north to wind around the heart of Charleston, before cutting through Black belt farmland to the state capital of Columbia, another 115 miles away.&lt;/p&gt; &lt;a href="https://www.theguardian.com/us-news/2026/may/17/james-clyburn-south-carolina-redistricting"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/us-news/south-carolina">South Carolina</category>
      <category domain="https://www.theguardian.com/us-news/house-of-representatives">House of Representatives</category>
      <category domain="https://www.theguardian.com/us-news/us-congress">US Congress</category>
      <category domain="https://www.theguardian.com/world/race">Race</category>
      <category domain="https://www.theguardian.com/us-news/republicans">Republicans</category>
      <category domain="https://www.theguardian.com/us-news/democrats">Democrats</category>
      <category domain="https://www.theguardian.com/us-news/us-politics">US politics</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <pubDate>Sun, 17 May 2026 12:00:38 GMT</pubDate>
      <guid>https://www.theguardian.com/us-news/2026/may/17/james-clyburn-south-carolina-redistricting</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/026657efc9c241d965e8e0a3855b79b69ebdffe9/392_0_3919_3136/master/3919.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=46f19b57a9d7ea17b95b8f50ab3f485e">
        <media:credit scheme="urn:ebu">Photograph: Jemal Countess/Getty Images for Congressional Black Caucus Foundation</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/026657efc9c241d965e8e0a3855b79b69ebdffe9/392_0_3919_3136/master/3919.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=39fc25c213a08fede0ea84deb3c971b4">
        <media:credit scheme="urn:ebu">Photograph: Jemal Countess/Getty Images for Congressional Black Caucus Foundation</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/026657efc9c241d965e8e0a3855b79b69ebdffe9/392_0_3919_3136/master/3919.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0568c0b3f44bb6b291a2d01ea89cbe56">
        <media:credit scheme="urn:ebu">Photograph: Jemal Countess/Getty Images for Congressional Black Caucus Foundation</media:credit>
      </media:content>
      <dc:creator>George Chidi in Columbia</dc:creator>
      <dc:date>2026-05-17T12:00:38Z</dc:date>
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    <item>
      <title>Ian McKellen ‘emotional’ as he opens County Durham theatre space</title>
      <link>https://www.theguardian.com/uk-news/2026/may/17/ian-mckellen-opens-county-durham-theatre-horden-ensemble-84</link>
      <description>&lt;p&gt;Actor says Ensemble 84 in Horden, employing local talent, is how a professional repertory company should be&lt;/p&gt;&lt;p&gt;It’s a chilly spring evening in what was once a Catholic church in a left-behind County Durham pit village, and Ian McKellen admits he is feeling emotional.&lt;/p&gt;&lt;p&gt;“This is the only company of actors in the United Kingdom and it’s in … Horden?” he says. “I’m feeling very emotional. This fulfils all my romantic dreams I’ve had ever since I discovered the joys of theatre-going and acting.”&lt;/p&gt; &lt;a href="https://www.theguardian.com/uk-news/2026/may/17/ian-mckellen-opens-county-durham-theatre-horden-ensemble-84"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/uk-news/county-durham">County Durham</category>
      <category domain="https://www.theguardian.com/culture/ian-mckellen">Ian McKellen</category>
      <category domain="https://www.theguardian.com/stage/theatre">Theatre</category>
      <category domain="https://www.theguardian.com/uk-news/north-of-england">North of England</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/stage/stage">Stage</category>
      <pubDate>Sun, 17 May 2026 10:23:04 GMT</pubDate>
      <guid>https://www.theguardian.com/uk-news/2026/may/17/ian-mckellen-opens-county-durham-theatre-horden-ensemble-84</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/8b130a8a3fb519c3e115ee0f5f12be1414f18c3b/746_0_7022_5618/master/7022.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c2b7bdd462cc60c02820a21895e22f07">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/8b130a8a3fb519c3e115ee0f5f12be1414f18c3b/746_0_7022_5618/master/7022.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a2c81a042c8f2e48014a829664638f08">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/8b130a8a3fb519c3e115ee0f5f12be1414f18c3b/746_0_7022_5618/master/7022.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=52daceb6a171e0d323a70e5f667adb34">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <dc:creator>Mark Brown North of England correspondent</dc:creator>
      <dc:date>2026-05-17T10:23:04Z</dc:date>
    </item>
    <item>
      <title>‘Got!’: Panini 1970 World Cup sticker book completed after 56 years</title>
      <link>https://www.theguardian.com/football/2026/may/17/got-panini-1970-world-cup-sticker-book-completed-after-56-years</link>
      <description>&lt;p&gt;Fan buys missing Chile sticker for £150 after finding almost completed album in his loft&lt;/p&gt;&lt;p&gt;Last week, Stephen Butler completed a collection that he started almost 60 years ago. With the final piece in place, it’s now worth thousands of pounds, but he has no interest in selling it.&lt;/p&gt;&lt;p&gt;Butler was moving house five years ago when he stumbled across a box in the loft that he had not thought about in years. Inside was his old school cap, some exercise books, photos and, in the middle of it all, a 1970 Panini World Cup sticker book.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/got-panini-1970-world-cup-sticker-book-completed-after-56-years"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/panini-stickers">Panini stickers</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 06:00:32 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/got-panini-1970-world-cup-sticker-book-completed-after-56-years</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/4373124cde69b2ead2262166d666f58b5a3909be/601_0_3333_2667/master/3333.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=65a4a8db350db71dcc3e2ed31bb0e56c">
        <media:credit scheme="urn:ebu">Photograph: Héctor Vivas/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/4373124cde69b2ead2262166d666f58b5a3909be/601_0_3333_2667/master/3333.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=484c78fd5f0c55d43845c0dde5255c78">
        <media:credit scheme="urn:ebu">Photograph: Héctor Vivas/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/4373124cde69b2ead2262166d666f58b5a3909be/601_0_3333_2667/master/3333.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ddeec18c69b59856c781acd20669c6ca">
        <media:credit scheme="urn:ebu">Photograph: Héctor Vivas/Getty Images</media:credit>
      </media:content>
      <dc:creator>Isaaq Tomkins</dc:creator>
      <dc:date>2026-05-17T06:00:32Z</dc:date>
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    <item>
      <title>‘Green card for the planet’? Fifa’s World Cup is on pace to be a climate catastrophe</title>
      <link>https://www.theguardian.com/football/2026/may/17/world-cup-climate-change</link>
      <description>&lt;p&gt;The 2022 World Cup failed to deliver on its environmental promises. From air travel emissions to heat-related dangers, the 2026 edition will be even worse&lt;/p&gt;&lt;p&gt;Soccer fans are increasingly watching preparations for the 2026 World Cup through their fingers. The most popular sporting event on the planet is awash in controversy, whether it’s the eye-watering &lt;a href="https://www.theguardian.com/football/2026/may/11/world-cup-2026-ticket-prices-fifa-sport-politics"&gt;ticket prices&lt;/a&gt;, the question of Iran’s &lt;a href="https://www.theguardian.com/football/2026/apr/24/iran-welcome-at-us-world-cup-2026-italy"&gt;participation&lt;/a&gt; while the president of one of the host countries &lt;a href="https://www.nytimes.com/2026/04/05/us/politics/trump-iran-war-crimes-truth-social.html?searchResultPosition=1"&gt;threatens&lt;/a&gt; war crimes against it, or the role that US Immigration and Customs Enforcement &lt;a href="https://www.theguardian.com/football/2026/feb/10/ice-director-testimony-world-cup-2026-operations"&gt;may&lt;/a&gt; or &lt;a href="https://www.nytimes.com/athletic/7260086/2026/05/07/world-cup-ice-rubio-stadium-trump-fifa/?searchResultPosition=1"&gt;may not&lt;/a&gt; play in policing the event. And yet, lost in the political pyrotechnics is a fiasco that carries as much long-term peril as any: the tournament’s staggering contribution to runaway climate change.&lt;/p&gt;&lt;p&gt;The 2026 World Cup is not only the most politically combustible tournament in modern history, but it is also on track to be the “&lt;a href="https://www.newweather.org/wp-content/uploads/2025/07/FIFAs_climate_blind_spot.pdf"&gt;most polluting&lt;/a&gt;” World Cup ever, with total greenhouse gas emissions hitting nearly two times the historical average. Scientists conservatively project that the tournament will generate around 9m tons of carbon dioxide equivalent. Air travel &lt;a href="https://www.newweather.org/wp-content/uploads/2025/07/FIFAs_climate_blind_spot.pdf"&gt;comprises&lt;/a&gt; approximately 7.7m tons of this carbon budget, and more than four times that of the average for tournaments held between 2010 and 2022. The researchers note that the worst-case upper estimate for air transport is about 13.7m tons of CO2. That may sound bad, but that’s just because World Cup emissions have never been worse.&lt;/p&gt; &lt;a href="https://www.theguardian.com/football/2026/may/17/world-cup-climate-change"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/football/world-cup-2026">World Cup 2026</category>
      <category domain="https://www.theguardian.com/football/world-cup-football">World Cup</category>
      <category domain="https://www.theguardian.com/sport/sport">Sport</category>
      <category domain="https://www.theguardian.com/football/football">Football</category>
      <category domain="https://www.theguardian.com/environment/climate-crisis">Climate crisis</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <pubDate>Sun, 17 May 2026 10:00:35 GMT</pubDate>
      <guid>https://www.theguardian.com/football/2026/may/17/world-cup-climate-change</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/47bbc787d0a03fc6128bb1a7df27633e7938ace3/364_0_3640_2912/master/3640.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=eb665fc876ef1d7bedc3a277b2453bd3">
        <media:credit scheme="urn:ebu">Photograph: George Walker IV/AP</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/47bbc787d0a03fc6128bb1a7df27633e7938ace3/364_0_3640_2912/master/3640.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3c8d83ae9c8457b07cadc61bd556ba3a">
        <media:credit scheme="urn:ebu">Photograph: George Walker IV/AP</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/47bbc787d0a03fc6128bb1a7df27633e7938ace3/364_0_3640_2912/master/3640.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8284d641ea462e26d54b851faf839a0d">
        <media:credit scheme="urn:ebu">Photograph: George Walker IV/AP</media:credit>
      </media:content>
      <dc:creator>Jules Boykoff</dc:creator>
      <dc:date>2026-05-17T10:00:35Z</dc:date>
    </item>
    <item>
      <title>Fire and ‘sheer volume’: how Britain’s 6m-vape problem is putting recycling under strain</title>
      <link>https://www.theguardian.com/society/2026/may/17/disposable-vapes-suez-uk</link>
      <description>&lt;p&gt;Despite the ban on disposables, waste professionals say the mountain of discarded devices is a £1bn-a-year issue &lt;/p&gt;&lt;p&gt;It is 2pm and Ana, 47, has just started the afternoon shift at the Suez recycling plant near Birmingham city centre, standing beneath a sign reading “Non-ferrous sorting station” with a bucket of vapes in front of her. Sorting and dismantling them is part of her job as a site operative.&lt;/p&gt;&lt;p&gt;Recycling them is not simple. Each bucket holds between 40 and 50 devices, and over the course of a shift, she gets through about half a bucket. Using a hammer, she has to smash each vape open, pry out the batteries and separate each component into a different container.&lt;/p&gt; &lt;a href="https://www.theguardian.com/society/2026/may/17/disposable-vapes-suez-uk"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/e-cigarettes">Vaping</category>
      <category domain="https://www.theguardian.com/environment/recycling">Recycling</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/environment/waste">Waste</category>
      <category domain="https://www.theguardian.com/society/smoking">Smoking</category>
      <category domain="https://www.theguardian.com/environment/ethical-living">Ethical and green living</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 08:00:33 GMT</pubDate>
      <guid>https://www.theguardian.com/society/2026/may/17/disposable-vapes-suez-uk</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/637852efcfec3a48e46ba55bedb600da91cb3b48/1350_1407_4384_3507/master/4384.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0ce2a121736402398f81c6bfedc31d6b">
        <media:credit scheme="urn:ebu">Photograph: Fabio De Paola/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/637852efcfec3a48e46ba55bedb600da91cb3b48/1350_1407_4384_3507/master/4384.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3c4547f93d252886e378088d4edc904f">
        <media:credit scheme="urn:ebu">Photograph: Fabio De Paola/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/637852efcfec3a48e46ba55bedb600da91cb3b48/1350_1407_4384_3507/master/4384.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0fa9cf92a3c9e5206e938bc98d7cf2ea">
        <media:credit scheme="urn:ebu">Photograph: Fabio De Paola/The Guardian</media:credit>
      </media:content>
      <dc:creator>Sarah Marsh Consumer affairs correspondent</dc:creator>
      <dc:date>2026-05-17T08:00:33Z</dc:date>
    </item>
    <item>
      <title>The American epoch of oil is collapsing. What comes next could be ugly | Jonathan Watts</title>
      <link>https://www.theguardian.com/us-news/ng-interactive/2026/may/17/america-china-energy-oil-renewables</link>
      <description>&lt;p&gt;China is dominating the energy transition with astonishing result, while fossil fuel fascists in the US try to turn back the clock&lt;/p&gt;&lt;p&gt;“Farewell,” the flag-waving Chinese children chanted to Donald Trump as he strolled along the red carpet back to Air Force One at the end of his summit with Xi Jinping in Beijing.&lt;/p&gt;&lt;p&gt;The US leader &lt;a href="https://www.cnbc.com/2026/05/15/trump-xi-summit-energy-purchase-china-iran-war-oil-shock-.html"&gt;claimed&lt;/a&gt; he was leaving with a cluster of “fantastic” trade deals to sell US oil, jets and soya beans to China. That has not been confirmed by his smiling host, but one thing was crystal clear from the two days of meetings: the global balance of power is shifting, from the declining petrostate in the west to the rising electrostate in the east.&lt;/p&gt; &lt;a href="https://www.theguardian.com/us-news/ng-interactive/2026/may/17/america-china-energy-oil-renewables"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/environment/energy">Energy</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/environment/fossil-fuels">Fossil fuels</category>
      <category domain="https://www.theguardian.com/environment/renewableenergy">Renewable energy</category>
      <category domain="https://www.theguardian.com/world/china">China</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/world/asia-pacific">Asia Pacific</category>
      <category domain="https://www.theguardian.com/us-news/trump-administration">Trump administration</category>
      <category domain="https://www.theguardian.com/us-news/us-politics">US politics</category>
      <category domain="https://www.theguardian.com/us-news/donaldtrump">Donald Trump</category>
      <category domain="https://www.theguardian.com/environment/electric-cars">Electric, hybrid and low-emission cars</category>
      <pubDate>Sun, 17 May 2026 13:00:41 GMT</pubDate>
      <guid>https://www.theguardian.com/us-news/ng-interactive/2026/may/17/america-china-energy-oil-renewables</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/356717d663c73160b1df7704cce1e067fd4fd270/1_0_2999_2400/master/2999.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=94c0e78010c2fcb55f97e744d97b9907">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/356717d663c73160b1df7704cce1e067fd4fd270/1_0_2999_2400/master/2999.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a6e17badd7a71cda893d7ed0f4916c88">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/356717d663c73160b1df7704cce1e067fd4fd270/1_0_2999_2400/master/2999.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=885d2cb5103ff1311a45d2d117d8543f">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <dc:creator>Jonathan Watts</dc:creator>
      <dc:date>2026-05-17T13:00:41Z</dc:date>
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    <item>
      <title>Experts sound alarm as North America’s bees start swarm season unusually early</title>
      <link>https://www.theguardian.com/environment/2026/may/17/north-america-bees-early-swarm-season</link>
      <description>&lt;p&gt;After record losses last year, beekeepers report a warm winter has led to bees ‘waking up earlier’ this year&lt;/p&gt;&lt;p&gt;After a series of &lt;a href="https://www.theguardian.com/us-news/2026/apr/09/hottest-march-on-record"&gt;record-breaking &lt;/a&gt;US &lt;a href="https://www.theguardian.com/us-news/2026/mar/20/heatwave-us-west-climate-crisis"&gt;heatwaves&lt;/a&gt;, the 2026 bee swarm season in North America has started 17 days earlier than last year, pushing beekeepers to adapt to a rapidly shifting season while raising new questions about how honeybees are responding to the climate crisis.&lt;/p&gt;&lt;p&gt;According to a &lt;a href="https://beeswarmed.org/season"&gt;new report&lt;/a&gt; published by Swarmed, a tracking network of more than 10,000 beekeepers, focused on safe and ethical honeybee relocation, this year’s unusually early swarm season follows several years of record colony declines worldwide.&lt;/p&gt; &lt;a href="https://www.theguardian.com/environment/2026/may/17/north-america-bees-early-swarm-season"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/environment/bees">Bees</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/environment/climate-crisis">Climate crisis</category>
      <category domain="https://www.theguardian.com/environment/insects">Insects</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/world/animals">Animals</category>
      <pubDate>Sun, 17 May 2026 12:00:38 GMT</pubDate>
      <guid>https://www.theguardian.com/environment/2026/may/17/north-america-bees-early-swarm-season</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/e8089c874219f0e1f7ef79c49b49ac275dca665d/468_0_4680_3744/master/4680.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=39d325dc94121edc8b6d9bc29b65c0e3">
        <media:credit scheme="urn:ebu">Photograph: bo1982/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/e8089c874219f0e1f7ef79c49b49ac275dca665d/468_0_4680_3744/master/4680.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=65271c7a27202662147d7e93f56d796b">
        <media:credit scheme="urn:ebu">Photograph: bo1982/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/e8089c874219f0e1f7ef79c49b49ac275dca665d/468_0_4680_3744/master/4680.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d6dca270ce4e2e546a4410aeca413467">
        <media:credit scheme="urn:ebu">Photograph: bo1982/Getty Images</media:credit>
      </media:content>
      <dc:creator>Maya Yang</dc:creator>
      <dc:date>2026-05-17T12:00:38Z</dc:date>
    </item>
    <item>
      <title>Sons of jailed Saudi scholars urge Cambridge to drop plans to train Riyadh staff</title>
      <link>https://www.theguardian.com/education/2026/may/17/sons-scholars-facing-death-penalty-cambrige-judge-business-school-saudi-defence-ministry</link>
      <description>&lt;p&gt;Exclusive: Families of men facing death penalty join opposition to proposals to run courses for defence ministry&lt;/p&gt;&lt;p&gt;The families of two scholars facing the death penalty in Saudi Arabia have appealed to the University of Cambridge to drop proposals to run staff training courses for Riyadh’s defence ministry.&lt;/p&gt;&lt;p&gt;The Guardian revealed last week that Cambridge’s Judge business school has been authorised to offer “leadership development” and “innovation management” training for the Saudi defence ministry’s staff, despite internal opposition within the university over the kingdom’s record on human rights and academic freedom.&lt;/p&gt; &lt;a href="https://www.theguardian.com/education/2026/may/17/sons-scholars-facing-death-penalty-cambrige-judge-business-school-saudi-defence-ministry"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/education/cambridgeuniversity">University of Cambridge</category>
      <category domain="https://www.theguardian.com/world/saudiarabia">Saudi Arabia</category>
      <category domain="https://www.theguardian.com/education/administration">University administration</category>
      <category domain="https://www.theguardian.com/education/university-funding">University funding</category>
      <category domain="https://www.theguardian.com/law/human-rights">Human rights</category>
      <category domain="https://www.theguardian.com/education/higher-education">Higher education</category>
      <category domain="https://www.theguardian.com/education/education">Education</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 15:30:51 GMT</pubDate>
      <guid>https://www.theguardian.com/education/2026/may/17/sons-scholars-facing-death-penalty-cambrige-judge-business-school-saudi-defence-ministry</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/4041b1ff83d02e6f7b37e1bcd8386c7c49cfb0d4/0_0_3518_2815/master/3518.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d0bc9bcd3393a9a93cf31006e3197001">
        <media:credit scheme="urn:ebu">Photograph: Chris Harris/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/4041b1ff83d02e6f7b37e1bcd8386c7c49cfb0d4/0_0_3518_2815/master/3518.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0b7d09a9580f4a0ebc6d99bb89292cd3">
        <media:credit scheme="urn:ebu">Photograph: Chris Harris/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/4041b1ff83d02e6f7b37e1bcd8386c7c49cfb0d4/0_0_3518_2815/master/3518.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a3c8c602e3b5de05e10f196710fcc818">
        <media:credit scheme="urn:ebu">Photograph: Chris Harris/Alamy</media:credit>
      </media:content>
      <dc:creator>Richard Adams and Wilf Vall</dc:creator>
      <dc:date>2026-05-17T15:30:51Z</dc:date>
    </item>
    <item>
      <title>Printmaking skills of Manet, Van Gogh and more celebrated in Bath show</title>
      <link>https://www.theguardian.com/artanddesign/2026/may/17/printmaking-manet-van-gogh-whistler-bath-exhibition</link>
      <description>&lt;p&gt;Exhibition explores how artists mainly known for their paintings helped revive a skill that had fallen out of fashion&lt;/p&gt;&lt;p&gt;They may be best known for their vibrant oil paintings but an exhibition opening in the English West Country is focusing instead on the subtle printmaking skills of artists such as Édouard Manet, Vincent van Gogh and Paul Gauguin.&lt;/p&gt;&lt;p&gt;More than 50 prints created mainly by impressionists, post-impressionists and cubists are going on display at the &lt;a href="https://www.holburne.org/"&gt;Holburne Museum&lt;/a&gt; in Bath.&lt;/p&gt; &lt;a href="https://www.theguardian.com/artanddesign/2026/may/17/printmaking-manet-van-gogh-whistler-bath-exhibition"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/artanddesign/art">Art</category>
      <category domain="https://www.theguardian.com/artanddesign/exhibition">Exhibitions</category>
      <category domain="https://www.theguardian.com/artanddesign/manet">Édouard Manet</category>
      <category domain="https://www.theguardian.com/artanddesign/vincent-van-gogh">Vincent van Gogh</category>
      <category domain="https://www.theguardian.com/artanddesign/henri-de-toulouse-lautrec">Henri de Toulouse-Lautrec</category>
      <category domain="https://www.theguardian.com/artanddesign/pablo-picasso">Pablo Picasso</category>
      <category domain="https://www.theguardian.com/uk-news/somerset">Somerset</category>
      <category domain="https://www.theguardian.com/uk-news/england">England</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sun, 17 May 2026 15:00:41 GMT</pubDate>
      <guid>https://www.theguardian.com/artanddesign/2026/may/17/printmaking-manet-van-gogh-whistler-bath-exhibition</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/56fa27e3310eea81228e18d97af570beff971c8a/694_156_4359_3487/master/4359.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4a9285f5bede3e471c2544c028331204">
        <media:credit scheme="urn:ebu">Photograph: Karen Robinson/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/56fa27e3310eea81228e18d97af570beff971c8a/694_156_4359_3487/master/4359.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=02018af981a9ba700bf105075efb7744">
        <media:credit scheme="urn:ebu">Photograph: Karen Robinson/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/56fa27e3310eea81228e18d97af570beff971c8a/694_156_4359_3487/master/4359.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=040b85cde954c06ed603ddb8d271f5c6">
        <media:credit scheme="urn:ebu">Photograph: Karen Robinson/The Guardian</media:credit>
      </media:content>
      <dc:creator>Steven Morris</dc:creator>
      <dc:date>2026-05-17T15:00:41Z</dc:date>
    </item>
    <item>
      <title>Thames Water investors say temporary nationalisation would slow its recovery</title>
      <link>https://www.theguardian.com/business/2026/may/17/thames-water-investors-say-temporary-nationalisation-would-slow-its-recovery</link>
      <description>&lt;p&gt;Comments come after Andy Burnham says he would renationalise water and other businesses as PM&lt;/p&gt;&lt;p&gt;Investors in Thames Water have told the Labour government that a temporary nationalisation of the embattled company would slow its turnaround, after calls from Andy Burnham &lt;a href="https://www.theguardian.com/politics/2026/may/16/andy-burnham-energy-water-under-public-control-keir-starmer"&gt;to put key utilities under public control&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;As Keir Starmer’s grip on power appeared to be fading, the Greater Manchester mayor suggested at the weekend that the renationalisation of water and energy would form part of his policy agenda should he become prime minister.&lt;/p&gt; &lt;a href="https://www.theguardian.com/business/2026/may/17/thames-water-investors-say-temporary-nationalisation-would-slow-its-recovery"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/business/thames-water">Thames Water</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/business/water-industry">Water industry</category>
      <category domain="https://www.theguardian.com/business/regulators">Regulators</category>
      <category domain="https://www.theguardian.com/politics/labour">Labour</category>
      <category domain="https://www.theguardian.com/politics/andyburnham">Andy Burnham</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 12:16:40 GMT</pubDate>
      <guid>https://www.theguardian.com/business/2026/may/17/thames-water-investors-say-temporary-nationalisation-would-slow-its-recovery</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/567e7153785aa20485ebcc32b46d4b783b18567e/850_889_5716_4575/master/5716.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3fbf8b82cf1b022fcd48b70499a79bb5">
        <media:credit scheme="urn:ebu">Photograph: Graeme Robertson/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/567e7153785aa20485ebcc32b46d4b783b18567e/850_889_5716_4575/master/5716.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6d2b487093d628e1e470e66ed0f7cd1b">
        <media:credit scheme="urn:ebu">Photograph: Graeme Robertson/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/567e7153785aa20485ebcc32b46d4b783b18567e/850_889_5716_4575/master/5716.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=35d4db92e32d84dfa3a0e799a00a4a22">
        <media:credit scheme="urn:ebu">Photograph: Graeme Robertson/The Guardian</media:credit>
      </media:content>
      <dc:creator>Sarah Butler</dc:creator>
      <dc:date>2026-05-17T12:16:40Z</dc:date>
    </item>
    <item>
      <title>‘You could dig up a lot of asphalt’: Tim Smit’s Chelsea garden prioritises growing food</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/tim-smit-eden-project-chelsea-garden-community-garden-vegetables</link>
      <description>&lt;p&gt;Eden Project founder wants to inspire councils to build community gardens so young people can grow vegetables&lt;/p&gt;&lt;p&gt;Local councils should “rip up asphalt” to build community gardens so young people can grow vegetables, a co-founder of the Eden Project has said.&lt;/p&gt;&lt;p&gt;Tim Smit, who opened the giant biomes in Cornwall in 2000, has designed an “edimental” garden for the Chelsea flower show with the landscape designers Harry Holding and Alex Michaelis. The concept behind it is that plants such as cabbages and strawberries are beautiful but edible and should be placed alongside traditional bedding plants.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/tim-smit-eden-project-chelsea-garden-community-garden-vegetables"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/chelseaflowershow">Chelsea flower show</category>
      <category domain="https://www.theguardian.com/environment/access-to-green-space">Access to green space</category>
      <category domain="https://www.theguardian.com/uk/eden-project">Eden Project</category>
      <category domain="https://www.theguardian.com/lifeandstyle/gardens">Gardens</category>
      <category domain="https://www.theguardian.com/society/communities">Communities</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 06:00:30 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/tim-smit-eden-project-chelsea-garden-community-garden-vegetables</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/5a4c16dd2efe3dd500a2a85e7b40d7536d28f712/468_0_4681_3745/master/4681.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b2ec503a3c3023d821fcfd43bc46499c">
        <media:credit scheme="urn:ebu">Photograph: supplied</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/5a4c16dd2efe3dd500a2a85e7b40d7536d28f712/468_0_4681_3745/master/4681.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3554d6d5ac64be51a22d4f88d266137c">
        <media:credit scheme="urn:ebu">Photograph: supplied</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/5a4c16dd2efe3dd500a2a85e7b40d7536d28f712/468_0_4681_3745/master/4681.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8fa6c43c1357f521a19f7ae539827865">
        <media:credit scheme="urn:ebu">Photograph: supplied</media:credit>
      </media:content>
      <dc:creator>Helena Horton</dc:creator>
      <dc:date>2026-05-17T06:00:30Z</dc:date>
    </item>
    <item>
      <title>‘The real work begins now’: Roma take centre stage as Hungary brings in new government</title>
      <link>https://www.theguardian.com/world/2026/may/17/roma-rights-hungary-new-government-magyar-orban</link>
      <description>&lt;p&gt;Campaigners say symbolism of Magyar inauguration must translate into real change for Roma rights after years of Orbán discrimination&lt;/p&gt;&lt;p&gt;The clutch of young Roma boys in black bow ties were lined up beneath the ornate arches and royal frescoes of Hungary’s dazzling parliament. Moments after Péter Magyar was sworn in, bringing an end to Viktor Orbán’s 16 years in power, the young musicians launched into the unofficial anthem of Roma in Hungary, leaving many MPs wiping away tears.&lt;/p&gt;&lt;p&gt;It was an extraordinary moment – one that fused the &lt;a href="https://www.theguardian.com/world/2026/apr/13/now-im-hopeful-hungarians-welcome-the-morning-after-16-years-of-orban-rule"&gt;nationwide hope&lt;/a&gt; for change with the longstanding aspirations of the country’s most marginalised community. Roma rights campaigners have seized the moment, calling on the new government to ensure that the symbolism of last weekendtranslates into real change.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/2026/may/17/roma-rights-hungary-new-government-magyar-orban"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/roma-gypsies-and-travellers">Roma, Gypsies and Travellers</category>
      <category domain="https://www.theguardian.com/world/hungary">Hungary</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <category domain="https://www.theguardian.com/world/peter-magyar">Péter Magyar</category>
      <pubDate>Sun, 17 May 2026 13:00:39 GMT</pubDate>
      <guid>https://www.theguardian.com/world/2026/may/17/roma-rights-hungary-new-government-magyar-orban</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/5940474858bf59eb713ade95d3f1793efab6e443/527_0_3276_2621/master/3276.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=91cb32906b1de608aa3d2c8d847ef984">
        <media:credit scheme="urn:ebu">Photograph: Bernadett Szabó/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/5940474858bf59eb713ade95d3f1793efab6e443/527_0_3276_2621/master/3276.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b79a7331be5eddfa5a379a6aabd128c9">
        <media:credit scheme="urn:ebu">Photograph: Bernadett Szabó/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/5940474858bf59eb713ade95d3f1793efab6e443/527_0_3276_2621/master/3276.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=71b51332190db0c58bec0fdb28f0e3ab">
        <media:credit scheme="urn:ebu">Photograph: Bernadett Szabó/Reuters</media:credit>
      </media:content>
      <dc:creator>Ashifa Kassam and Flora Garamvolgyi in Budapest</dc:creator>
      <dc:date>2026-05-17T13:00:39Z</dc:date>
    </item>
    <item>
      <title>Workers racing to turn reflecting pool blue for Trump may be at risk, union warns</title>
      <link>https://www.theguardian.com/us-news/2026/may/17/trump-washington-dc-reflecting-pool</link>
      <description>&lt;p&gt;Union representative concerned about safety as workers rush to finish repainting DC pool before 250th celebrations&lt;/p&gt;&lt;p&gt;Workers renovating one of Washington DC’s most historically symbolic sites in a project ordered by &lt;a href="https://www.theguardian.com/us-news/donaldtrump"&gt;Donald Trump&lt;/a&gt; may be risking their safety as they race to finish on time for the US’s &lt;a href="https://www.theguardian.com/us-news/2025/may/04/trump-us-250th-anniversary"&gt;250th&lt;/a&gt; &lt;a href="https://www.theguardian.com/us-news/2026/apr/29/trump-freedom-truck-museum-exhibit"&gt;anniversary celebrations&lt;/a&gt;, a union monitoring the site has warned.&lt;/p&gt;&lt;p&gt;Trade union scrutiny has focused on the reflecting pool on the US capital’s National Mall – &lt;a href="https://www.youtube.com/shorts/U4YDBQco2SE"&gt;scene of Martin Luther King’s 1963 “I have a dream speech”&lt;/a&gt; – after it was drained of water and fenced off from the public to allow contractors the chance to upgrade it by 4 July.&lt;/p&gt; &lt;a href="https://www.theguardian.com/us-news/2026/may/17/trump-washington-dc-reflecting-pool"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/us-news/washington-dc">Washington DC</category>
      <category domain="https://www.theguardian.com/us-news/us-unions">US unions</category>
      <category domain="https://www.theguardian.com/us-news/us-politics">US politics</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/us-news/donaldtrump">Donald Trump</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/us-news/trump-administration">Trump administration</category>
      <pubDate>Sun, 17 May 2026 10:00:36 GMT</pubDate>
      <guid>https://www.theguardian.com/us-news/2026/may/17/trump-washington-dc-reflecting-pool</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/62b4848a0f3d166bdcd01d8489513ffd8f7c38cf/705_0_7014_5615/master/7014.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=09617440f1402d0112addd5addf5c910">
        <media:credit scheme="urn:ebu">Photograph: Jacquelyn Martin/AP</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/62b4848a0f3d166bdcd01d8489513ffd8f7c38cf/705_0_7014_5615/master/7014.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5de705f586bf33afd9cc143dbdfc1bf0">
        <media:credit scheme="urn:ebu">Photograph: Jacquelyn Martin/AP</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/62b4848a0f3d166bdcd01d8489513ffd8f7c38cf/705_0_7014_5615/master/7014.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=30bcd1276da9ed68b661aa823d09533c">
        <media:credit scheme="urn:ebu">Photograph: Jacquelyn Martin/AP</media:credit>
      </media:content>
      <dc:creator>Robert Tait in Washington</dc:creator>
      <dc:date>2026-05-17T10:00:36Z</dc:date>
    </item>
    <item>
      <title>‘It’s no longer exceptional’: Karachi struggles under brutal new reality of extreme heat</title>
      <link>https://www.theguardian.com/world/2026/may/17/its-no-longer-exceptional-karachi-struggles-under-brutal-new-reality-of-extreme-heat</link>
      <description>&lt;p&gt;Experts say the unseasonably hot weather across south Asia shows the impact of the climate crisis&lt;/p&gt;&lt;p&gt;An intense and prolonged heatwave has been causing misery for millions across Pakistan and India.&lt;/p&gt;&lt;p&gt;In southern Pakistan throughout April and May, temperatures have risen far above seasonal norms. In Sindh, daytime temperatures have frequently crossed 44C to 46C, forcing residents indoors during peak afternoon hours and severely affecting outdoor labourers, transport workers and farming communities.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/2026/may/17/its-no-longer-exceptional-karachi-struggles-under-brutal-new-reality-of-extreme-heat"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/pakistan">Pakistan</category>
      <category domain="https://www.theguardian.com/world/india">India</category>
      <category domain="https://www.theguardian.com/world/south-and-central-asia">South and central Asia</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/environment/climate-crisis">Climate crisis</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/environment/extreme-heat">Extreme heat</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <pubDate>Sun, 17 May 2026 05:00:30 GMT</pubDate>
      <guid>https://www.theguardian.com/world/2026/may/17/its-no-longer-exceptional-karachi-struggles-under-brutal-new-reality-of-extreme-heat</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f0e598e1d28cfd300f7bc8c5240bd32704926b65/415_0_4560_3648/master/4560.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=676bf32a127d5637fff8506622a60466">
        <media:credit scheme="urn:ebu">Photograph: Rehan Khan/EPA</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f0e598e1d28cfd300f7bc8c5240bd32704926b65/415_0_4560_3648/master/4560.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=48ca21c4d4c73206f73e4c63fdf117d1">
        <media:credit scheme="urn:ebu">Photograph: Rehan Khan/EPA</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f0e598e1d28cfd300f7bc8c5240bd32704926b65/415_0_4560_3648/master/4560.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8d519f95d6cb16f9a95082850f13cc2d">
        <media:credit scheme="urn:ebu">Photograph: Rehan Khan/EPA</media:credit>
      </media:content>
      <dc:creator>Asad Mumtaz Rid</dc:creator>
      <dc:date>2026-05-17T05:00:30Z</dc:date>
    </item>
    <item>
      <title>Passenger banned from Qantas after allegedly biting attendant on flight from Australia to US</title>
      <link>https://www.theguardian.com/business/2026/may/17/qantas-passenger-banned-alleged-biting-flight-attendant-melbourne-tahiti-dallas-ntwnfb</link>
      <description>&lt;p&gt;Flight from Melbourne to Dallas forced to land in Tahiti due to man’s alleged disruptive behaviour&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;a href="https://www.theguardian.com/australia-news/live/2026/may/17/australia-news-live-stafford-queensland-labor-lnp-jim-chalmers-federal-budget-anthony-albanese-angus-taylor-aukus-coalition-ntwnfb"&gt;Follow our Australia news live blog for latest updates&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;li&gt;&lt;p&gt;Get our &lt;a href="https://www.theguardian.com/email-newsletters?CMP=cvau_sfl"&gt;breaking news email&lt;/a&gt;, &lt;a href="https://app.adjust.com/w4u7jx3"&gt;free app&lt;/a&gt; or &lt;a href="https://www.theguardian.com/australia-news/series/full-story?CMP=cvau_sfl"&gt;daily news podcast&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;A passenger has been banned from future Qantas travel after a plane travelling on a long-haul flight from Australia to the US was diverted at the weekend after the man allegedly bit a flight attendant.&lt;/p&gt;&lt;p&gt;The QF21 flight left Melbourne at 2.30pm on Friday en route to Dallas and was diverted to Papeete in Tahiti seven hours later when the behaviour of the disruptive passenger forced it to land.&lt;/p&gt; &lt;a href="https://www.theguardian.com/business/2026/may/17/qantas-passenger-banned-alleged-biting-flight-attendant-melbourne-tahiti-dallas-ntwnfb"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/business/qantas">Qantas</category>
      <category domain="https://www.theguardian.com/business/theairlineindustry">Airline industry</category>
      <category domain="https://www.theguardian.com/australia-news/australia-news">Australia news</category>
      <category domain="https://www.theguardian.com/world/air-transport">Air transport</category>
      <category domain="https://www.theguardian.com/world/french-polynesia">French Polynesia</category>
      <category domain="https://www.theguardian.com/australia-news/australian-federal-police">Australian federal police</category>
      <pubDate>Sun, 17 May 2026 05:31:28 GMT</pubDate>
      <guid>https://www.theguardian.com/business/2026/may/17/qantas-passenger-banned-alleged-biting-flight-attendant-melbourne-tahiti-dallas-ntwnfb</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f0a3219add598b4fac2035fa203b2720bc096d76/537_520_4774_3820/master/4774.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b5c041532829c5f1948216c68b5e749d">
        <media:credit scheme="urn:ebu">Photograph: Hollie Adams/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f0a3219add598b4fac2035fa203b2720bc096d76/537_520_4774_3820/master/4774.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9ac380f7822fbee85274cdb902f3511b">
        <media:credit scheme="urn:ebu">Photograph: Hollie Adams/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f0a3219add598b4fac2035fa203b2720bc096d76/537_520_4774_3820/master/4774.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=493f54467224e212b28f0b46d96439fb">
        <media:credit scheme="urn:ebu">Photograph: Hollie Adams/Reuters</media:credit>
      </media:content>
      <dc:creator>Caitlin Cassidy</dc:creator>
      <dc:date>2026-05-17T05:31:28Z</dc:date>
    </item>
    <item>
      <title>Will a Nationwide customer’s boardroom challenge shake up UK corporate governance?</title>
      <link>https://www.theguardian.com/business/2026/may/17/nationwide-customer-boardroom-corporate-governance-mutual</link>
      <description>&lt;p&gt;A decade after Theresa May spoke of radical reform, the mutual faces a bid that is testing the limits of democracy&lt;/p&gt;&lt;p&gt;In July 2016, in a canalside conference centre in central Birmingham, Theresa May took the stage for a speech that would formally launch her Tory leadership bid.&lt;/p&gt;&lt;p&gt;The home secretary of six years was seen as a safe pair of hands, including by the business community still reeling from the shock result of the Brexit referendum. What business had not banked on, though, was a social reform platform that would see May pledge to rein in corporate Britain and give workers and consumers seats on company boards.&lt;/p&gt; &lt;a href="https://www.theguardian.com/business/2026/may/17/nationwide-customer-boardroom-corporate-governance-mutual"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/business/nationwide">Nationwide</category>
      <category domain="https://www.theguardian.com/business/corporate-governance">Corporate governance</category>
      <category domain="https://www.theguardian.com/business/banking">Banking</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/money/banks">Banks and building societies</category>
      <category domain="https://www.theguardian.com/business/financial-sector">Financial sector</category>
      <pubDate>Sun, 17 May 2026 10:00:35 GMT</pubDate>
      <guid>https://www.theguardian.com/business/2026/may/17/nationwide-customer-boardroom-corporate-governance-mutual</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/d278334e79ea58da68fccd5e19fb119638f8354e/681_0_4266_3415/master/4266.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e337f47ffe1367fd2b53c0da6270d152">
        <media:credit scheme="urn:ebu">Photograph: Michael Kemp/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/d278334e79ea58da68fccd5e19fb119638f8354e/681_0_4266_3415/master/4266.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a9798d7adeb400bdfd2352e727058f44">
        <media:credit scheme="urn:ebu">Photograph: Michael Kemp/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/d278334e79ea58da68fccd5e19fb119638f8354e/681_0_4266_3415/master/4266.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=834f71699d24e31aae24b57f910220da">
        <media:credit scheme="urn:ebu">Photograph: Michael Kemp/Alamy</media:credit>
      </media:content>
      <dc:creator>Kalyeena Makortoff Banking correspondent</dc:creator>
      <dc:date>2026-05-17T10:00:35Z</dc:date>
    </item>
    <item>
      <title>JLR and General Motors eye £900m contract to build new range of military trucks</title>
      <link>https://www.theguardian.com/business/2026/may/17/jaguar-land-rover-general-motors-military-contract-trucks</link>
      <description>&lt;p&gt;Carmakers aim to expand into UK defence sector, exploiting spending boom by Nato countries&lt;/p&gt;&lt;p&gt;Jaguar Land Rover and General Motors are considering an expansion into UK defence via a £900m military contract, as carmakers seek to exploit a spending boom by Nato countries racing to rearm.&lt;/p&gt;&lt;p&gt;The manufacturers are among a group of automotive firms vying to make thousands of 4x4s for the armed forces to replace an ageing fleet of Land Rovers&lt;strong&gt; &lt;/strong&gt;that have been out of production since 2016.&lt;/p&gt; &lt;a href="https://www.theguardian.com/business/2026/may/17/jaguar-land-rover-general-motors-military-contract-trucks"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/business/automotive-industry">Automotive industry</category>
      <category domain="https://www.theguardian.com/business/jaguar-land-rover">Jaguar Land Rover</category>
      <category domain="https://www.theguardian.com/business/generalmotors">General Motors</category>
      <category domain="https://www.theguardian.com/business/manufacturing-sector">Manufacturing sector</category>
      <category domain="https://www.theguardian.com/uk/military">Military</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 17 May 2026 06:00:30 GMT</pubDate>
      <guid>https://www.theguardian.com/business/2026/may/17/jaguar-land-rover-general-motors-military-contract-trucks</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a7d0aa865193bb749f182c1f7fd06e634e5be240/16_0_2630_2104/master/2630.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=044a056f57e383bdb06be20380f2c865">
        <media:credit scheme="urn:ebu">Photograph: Chamois</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a7d0aa865193bb749f182c1f7fd06e634e5be240/16_0_2630_2104/master/2630.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=642a00991549f3fd492dc3e7418b838a">
        <media:credit scheme="urn:ebu">Photograph: Chamois</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a7d0aa865193bb749f182c1f7fd06e634e5be240/16_0_2630_2104/master/2630.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1a475f5a5e2c002bc1402777fc60cacf">
        <media:credit scheme="urn:ebu">Photograph: Chamois</media:credit>
      </media:content>
      <dc:creator>Alex Daniel</dc:creator>
      <dc:date>2026-05-17T06:00:30Z</dc:date>
    </item>
    <item>
      <title>Canvas hack: is it ever a good idea to pay a ransom, and what happens to the data?</title>
      <link>https://www.theguardian.com/technology/2026/may/17/canvas-hack-cyber-criminals-data-ransom-paid</link>
      <description>&lt;p&gt;Businesses are advised against paying – but many are prepared to deal to protect users’ privacy&lt;/p&gt;&lt;p&gt;After a week of outages, hundreds of millions of students’ data stolen, delayed assignment due dates and school login pages being defaced by hackers, the US tech firm Instructure – which operates the education platform Canvas, used by education providers worldwide – announced it had &lt;a href="https://www.theguardian.com/technology/2026/may/12/canvas-hacker-deal-student-stolen-data"&gt;“reached an agreement with the unauthorised actor”&lt;/a&gt; behind the ransomware attack.&lt;/p&gt;&lt;p&gt;Experts read the careful language as a sign that a ransom has been paid. The company has not confirmed this.&lt;/p&gt; &lt;a href="https://www.theguardian.com/technology/2026/may/17/canvas-hack-cyber-criminals-data-ransom-paid"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/technology/cybercrime">Cybercrime</category>
      <category domain="https://www.theguardian.com/technology/hacking">Hacking</category>
      <category domain="https://www.theguardian.com/technology/technology">Technology</category>
      <category domain="https://www.theguardian.com/australia-news/australia-news">Australia news</category>
      <category domain="https://www.theguardian.com/world/privacy">Privacy</category>
      <category domain="https://www.theguardian.com/australia-news/australian-education">Australian education</category>
      <category domain="https://www.theguardian.com/australia-news/business-australia">Business</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/technology/data-computer-security">Data and computer security</category>
      <pubDate>Sat, 16 May 2026 18:00:16 GMT</pubDate>
      <guid>https://www.theguardian.com/technology/2026/may/17/canvas-hack-cyber-criminals-data-ransom-paid</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f27ed92768f00c2600ddb861b45646028eb178a3/501_0_5840_4672/master/5840.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=384d346af29079d4cfb2c50c280ea8e3">
        <media:credit scheme="urn:ebu">Photograph: Boonchai Wedmakawand/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f27ed92768f00c2600ddb861b45646028eb178a3/501_0_5840_4672/master/5840.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dac77b5e8bba9dd8fe26fb9b24768e78">
        <media:credit scheme="urn:ebu">Photograph: Boonchai Wedmakawand/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f27ed92768f00c2600ddb861b45646028eb178a3/501_0_5840_4672/master/5840.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=089291afc9ae9d19d7e29a2da7ecde3a">
        <media:credit scheme="urn:ebu">Photograph: Boonchai Wedmakawand/Getty Images</media:credit>
      </media:content>
      <dc:creator>Josh Taylor Technology reporter</dc:creator>
      <dc:date>2026-05-16T18:00:16Z</dc:date>
    </item>
    <item>
      <title>CBS News insiders fear Bari Weiss will soon enact ‘massive changes’ to 60 Minutes</title>
      <link>https://www.theguardian.com/media/2026/may/16/cbs-bari-weiss-60-minutes</link>
      <description>&lt;p&gt;With layoffs widely expected and editorial tensions deepening, correspondents await a post-season shakeup&lt;/p&gt;&lt;p&gt;At a time when viewers are fleeing traditional television shows, the &lt;a href="https://www.theguardian.com/media/cbs"&gt;CBS&lt;/a&gt; Sunday newsmagazine 60 Minutes remains in a class of its own. The 12 April episode, which featured Pope Leo and a story on great white sharks, drew an astounding 10.1 million total viewers. The show is trending as the most-watched news program for the current broadcast season. So, as the saying goes, if it ain’t broke, why fix it?&lt;/p&gt;&lt;p&gt;That’s what some CBS News employees and veterans are wondering, amid persistent rumors that the show’s 59th season will look very different than the 58th, which ends on 17 May.&lt;/p&gt; &lt;a href="https://www.theguardian.com/media/2026/may/16/cbs-bari-weiss-60-minutes"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/media/cbs">CBS</category>
      <category domain="https://www.theguardian.com/us-news/bari-weiss">Bari Weiss</category>
      <category domain="https://www.theguardian.com/media/ustelevision">US television industry</category>
      <category domain="https://www.theguardian.com/media/media">Media</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/us-news/us-politics">US politics</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <pubDate>Sat, 16 May 2026 11:00:08 GMT</pubDate>
      <guid>https://www.theguardian.com/media/2026/may/16/cbs-bari-weiss-60-minutes</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/0a4d5f3502feb1becf01e7ff6e7b1f3c58b85191/0_0_6778_5422/master/6778.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1fe0a18b1d48c0735def1baa067abfbf">
        <media:credit scheme="urn:ebu">Photograph: Jai Lennard/CBS via Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/0a4d5f3502feb1becf01e7ff6e7b1f3c58b85191/0_0_6778_5422/master/6778.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7eea538471cc0fa908ae6ad9d86befcb">
        <media:credit scheme="urn:ebu">Photograph: Jai Lennard/CBS via Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/0a4d5f3502feb1becf01e7ff6e7b1f3c58b85191/0_0_6778_5422/master/6778.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d4d771377b28bcd3c1c7a30af4147065">
        <media:credit scheme="urn:ebu">Photograph: Jai Lennard/CBS via Getty Images</media:credit>
      </media:content>
      <dc:creator>Jeremy Barr in Washington</dc:creator>
      <dc:date>2026-05-16T11:00:08Z</dc:date>
    </item>
    <item>
      <title>The 100 best novels of all time</title>
      <link>https://www.theguardian.com/books/ng-interactive/2026/may/12/the-100-best-novels-of-all-time</link>
      <description>&lt;p&gt;&lt;em&gt;The top 100 novels of all time published in English, as voted for by authors, critics and academics worldwide. How many have you read?&lt;/em&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/ng-interactive/2026/may/12/the-100-best-novels-of-all-time"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/fiction">Fiction</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/books/fiction-in-translation">Fiction in translation</category>
      <pubDate>Sat, 16 May 2026 05:00:40 GMT</pubDate>
      <guid>https://www.theguardian.com/books/ng-interactive/2026/may/12/the-100-best-novels-of-all-time</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/0b235abe226a90f26f501bc5ae6d8d02dbd58865/0_0_2953_2362/master/2953.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cc5ae7301f27be4091172fd30bea8203">
        <media:credit scheme="urn:ebu">Illustration: Lisa Sheehan/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/0b235abe226a90f26f501bc5ae6d8d02dbd58865/0_0_2953_2362/master/2953.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a48cf59993567009b774a5f02c6b637d">
        <media:credit scheme="urn:ebu">Illustration: Lisa Sheehan/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/0b235abe226a90f26f501bc5ae6d8d02dbd58865/0_0_2953_2362/master/2953.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=043a20feb06fac06b258f8b689dcff44">
        <media:credit scheme="urn:ebu">Illustration: Lisa Sheehan/The Guardian</media:credit>
      </media:content>
      <dc:creator>As voted for by authors, critics and journalists</dc:creator>
      <dc:date>2026-05-16T05:00:40Z</dc:date>
    </item>
    <item>
      <title>‘They lost a historic opportunity’: Ken Loach laments Your Party infighting</title>
      <link>https://www.theguardian.com/film/2026/may/17/ken-loach-your-party-infighting-jeremy-corbyn-zarah-sultana</link>
      <description>&lt;p&gt;Film-maker and longtime Corbyn ally says ‘poor behaviour’ squandered chance to unite the left in fight against far right&lt;/p&gt;&lt;p&gt;Ken Loach has accused &lt;a href="https://www.theguardian.com/politics/2026/feb/26/leadership-corbyn-settled-but-your-party-struggle-relevance-just-begun"&gt;Your Party&lt;/a&gt; of squandering an opportunity to unite the left in the fight against the far right after the upstart socialist movement founded by the former Labour figures Jeremy Corbyn and Zarah Sultana became &lt;a href="https://www.theguardian.com/politics/2026/feb/26/leadership-corbyn-settled-but-your-party-struggle-relevance-just-begun"&gt;mired in infighting&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;“There was great hope when Jeremy Corbyn and Zarah Sultana joined forces; 800,000 people expressed interest – that’s three times the size of a political party,” he said. “But I’m afraid some of the behaviours were very poor and they lost a historic opportunity.”&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/17/ken-loach-your-party-infighting-jeremy-corbyn-zarah-sultana"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/ken-loach">Ken Loach</category>
      <category domain="https://www.theguardian.com/politics/your-party">Your Party</category>
      <category domain="https://www.theguardian.com/politics/jeremy-corbyn">Jeremy Corbyn</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/politics/labour">Labour</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/politics/zarah-sultana">Zarah Sultana</category>
      <category domain="https://www.theguardian.com/world/far-right">The far right</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <pubDate>Sun, 17 May 2026 06:00:31 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/17/ken-loach-your-party-infighting-jeremy-corbyn-zarah-sultana</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/485c61aa2df70c84399db5ec3ecedacba2d71552/0_1740_4287_3429/master/4287.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=43eccc9e5df92e83d1bd8be71c34446d">
        <media:credit scheme="urn:ebu">Photograph: Antonio Olmos/The Observer</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/485c61aa2df70c84399db5ec3ecedacba2d71552/0_1740_4287_3429/master/4287.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=adfa4b0a11f687c31418507e22d131a4">
        <media:credit scheme="urn:ebu">Photograph: Antonio Olmos/The Observer</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/485c61aa2df70c84399db5ec3ecedacba2d71552/0_1740_4287_3429/master/4287.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a695fbd624432c75b8d07fdfbe0a95a3">
        <media:credit scheme="urn:ebu">Photograph: Antonio Olmos/The Observer</media:credit>
      </media:content>
      <dc:creator>Nadia Khomami in Cannes</dc:creator>
      <dc:date>2026-05-17T06:00:31Z</dc:date>
    </item>
    <item>
      <title>Paper Tiger review – Adam Driver and Scarlett Johansson reunite for heavyweight James Gray saga</title>
      <link>https://www.theguardian.com/film/2026/may/17/paper-tiger-review-adam-driver-scarlett-johansson-miles-teller-james-gray</link>
      <description>&lt;p&gt;&lt;strong&gt;Cannes film festival:&lt;/strong&gt; The Marriage Story stars team up with Miles Teller for this sombre and impressive story of shady dealings in 80s New York&lt;/p&gt;&lt;p&gt;With this muscular, heartfelt and sombre new picture set in 1980s New York, &lt;a href="https://www.theguardian.com/film/2019/mar/18/streaming-james-gray-the-immigrant"&gt;James Gray&lt;/a&gt; again resurrects the spirit of Elia Kazan in a blue-collar tragedy of fraternal loyalty and betrayal; a movie about men and their horror of appearing weak and failing to protect their families. Paper Tiger has that distinctive Gray colour palette: a perpetual late-afternoon autumn of subdued ochres, reds and browns. And there are his keynote family supper scenes, the characteristic presence of the Russian community in New York, and the potent, tribal codes of the NYPD: part mob, part trade union, part masonic clan whose membership responsibilities and perks go on well after retirement.&lt;/p&gt;&lt;p&gt;Adam Driver, Scarlett Johansson and Miles Teller give weighted, intelligent performances at the film’s centre: all three characters, in their different ways, have Springsteenian hungry hearts. Teller is Irwin Pearl, a modest, working-class guy who is a qualified engineer in Queens, doing well at his trade but still concerned about paying for his teen sons’ – Scott (Gavin Goudey) and Benjamin (Roman Engel) – college education. He’s married to Hester, played with forthright authority by Johansson, sporting frizzy hair and glasses that make her look like one of the Golden Girls.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/17/paper-tiger-review-adam-driver-scarlett-johansson-miles-teller-james-gray"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/scarlettjohansson">Scarlett Johansson</category>
      <category domain="https://www.theguardian.com/film/adam-driver">Adam Driver</category>
      <category domain="https://www.theguardian.com/film/miles-teller">Miles Teller</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <pubDate>Sun, 17 May 2026 10:35:55 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/17/paper-tiger-review-adam-driver-scarlett-johansson-miles-teller-james-gray</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/2b9ed427cf4e48f83e84e3c51bbeafd9de3caa6a/1487_41_1958_1567/master/1958.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a74a3e1525c9393201a79cae879b30b7">
        <media:credit scheme="urn:ebu">Photograph: DR</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/2b9ed427cf4e48f83e84e3c51bbeafd9de3caa6a/1487_41_1958_1567/master/1958.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4a935604a05c54bf559d61e0acb182f9">
        <media:credit scheme="urn:ebu">Photograph: DR</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/2b9ed427cf4e48f83e84e3c51bbeafd9de3caa6a/1487_41_1958_1567/master/1958.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=13ba283cdbc47e929daedfe053ea2eb5">
        <media:credit scheme="urn:ebu">Photograph: DR</media:credit>
      </media:content>
      <dc:creator>Peter Bradshaw</dc:creator>
      <dc:date>2026-05-17T10:35:55Z</dc:date>
    </item>
    <item>
      <title>John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow</title>
      <link>https://www.theguardian.com/film/2026/may/16/john-lennon-last-interview-review-steven-soderbergh</link>
      <description>&lt;p&gt;&lt;strong&gt;Cannes film festival:&lt;/strong&gt; Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder&lt;/p&gt;&lt;p&gt;Coming just after &lt;a href="https://www.theguardian.com/film/2026/may/14/the-christophers-review-ian-mckellen-michaela-coel"&gt;his superb feature The Christophers&lt;/a&gt;, Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death.&lt;/p&gt;&lt;p&gt;The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of fate, although the film avoids emphasising the interview’s obviously macabre context, understandably preferring a positive emphasis. Inevitably, though, the unacknowledged irony flavours what we see and hear: a fundamentally happy, hopeful man looking forward to the future, behind whom a dark shadow is looming.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/16/john-lennon-last-interview-review-steven-soderbergh"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/film/stevensoderbergh">Steven Soderbergh</category>
      <category domain="https://www.theguardian.com/music/johnlennon">John Lennon</category>
      <category domain="https://www.theguardian.com/technology/artificialintelligenceai">AI (artificial intelligence)</category>
      <category domain="https://www.theguardian.com/technology/computing">Computing</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/technology/technology">Technology</category>
      <pubDate>Sat, 16 May 2026 16:36:08 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/16/john-lennon-last-interview-review-steven-soderbergh</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/cc5f4a4cac3c884ec30df1c1f1d3eaafc6a3e6a4/179_0_985_788/master/985.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1e18cd01a6cd09dce5b3dcb387bcbfb6">
        <media:credit scheme="urn:ebu">Photograph: Cannes film festival</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/cc5f4a4cac3c884ec30df1c1f1d3eaafc6a3e6a4/179_0_985_788/master/985.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8e6c695d5a06fa9f8e07aaa91ddda5e0">
        <media:credit scheme="urn:ebu">Photograph: Cannes film festival</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/cc5f4a4cac3c884ec30df1c1f1d3eaafc6a3e6a4/179_0_985_788/master/985.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=59b95d06cf1d127c8c7098a0c893af90">
        <media:credit scheme="urn:ebu">Photograph: Cannes film festival</media:credit>
      </media:content>
      <dc:creator>Peter Bradshaw</dc:creator>
      <dc:date>2026-05-16T16:36:08Z</dc:date>
    </item>
    <item>
      <title>The Beloved review – Javier Bardem turns in a career-scariest performance</title>
      <link>https://www.theguardian.com/film/2026/may/16/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance</link>
      <description>&lt;p&gt;&lt;strong&gt;Cannes film festival:&lt;/strong&gt; This tremendously alarming drama from Rodrigo Sorogoyen is a meditation on male auteurs entirely without sentimentality&lt;/p&gt;&lt;p&gt;Javier Bardem gives his scariest performance since No Country For Old Men in this disquieting new film about emotional abuse from Spanish director Rodrigo Sorogoyen, who made 2023 rural noir shocker &lt;a href="https://www.theguardian.com/film/2023/mar/22/the-beasts-review-unsettling-rural-noir-is-a-euro-arthouse-twist-on-straw-dogs"&gt;The Beasts&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;It’s a film about a film-shoot – often the occasion for whimsy or sentimentality or woozy rapture about the magic of cinema. Not here. And given this and Paweł Pawlikowski’s &lt;a href="https://www.theguardian.com/stage/2025/nov/09/fatherland-review-hampstead-theatre-london"&gt;Fatherland&lt;/a&gt;, this year could be the Cannes of father-daughter dysfunction.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/16/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/javierbardem">Javier Bardem</category>
      <category domain="https://www.theguardian.com/film/world-cinema">World cinema</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <pubDate>Sat, 16 May 2026 17:46:50 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/16/the-beloved-review-javier-bardem-turns-in-a-career-scariest-performance</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/16bfcd7ad602b3f15b404a7346030b3fa6521302/718_220_1767_1413/master/1767.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=78d18ed671a3fd0b5403bd6f8eb693f2">
        <media:credit scheme="urn:ebu">Photograph: Courtesy Cannes film festival</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/16bfcd7ad602b3f15b404a7346030b3fa6521302/718_220_1767_1413/master/1767.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ee5307d41611b6bd54d2bc37e6c9dcfc">
        <media:credit scheme="urn:ebu">Photograph: Courtesy Cannes film festival</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/16bfcd7ad602b3f15b404a7346030b3fa6521302/718_220_1767_1413/master/1767.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8a8f4a9a97389b001b78ee1f0e842967">
        <media:credit scheme="urn:ebu">Photograph: Courtesy Cannes film festival</media:credit>
      </media:content>
      <dc:creator>Peter Bradshaw</dc:creator>
      <dc:date>2026-05-16T17:46:50Z</dc:date>
    </item>
    <item>
      <title>TV tonight: Timothy Spall’s hit murder mystery comedy returns</title>
      <link>https://www.theguardian.com/tv-and-radio/2026/may/17/tv-tonight-timothy-spalls-hit-mystery-comedy-returns</link>
      <description>&lt;p&gt;Quirky crime series Death Valley is back with its unlikely detective duo. Plus: Australian thriller The Family Next Door. Here’s what to watch this evening &lt;/p&gt;&lt;p&gt;&lt;strong&gt;8.15pm, BBC One&lt;/strong&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/tv-and-radio/2026/may/17/tv-tonight-timothy-spalls-hit-mystery-comedy-returns"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/tv-and-radio/tv-and-radio">Television &amp; radio</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sun, 17 May 2026 05:15:29 GMT</pubDate>
      <guid>https://www.theguardian.com/tv-and-radio/2026/may/17/tv-tonight-timothy-spalls-hit-mystery-comedy-returns</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/0041904032b50453c91caef781fc5445767be8a0/714_0_3571_2857/master/3571.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=157d4d4ad102421341cb657f3e7bc958">
        <media:credit scheme="urn:ebu">Photograph: BBC/BBC Studios/Simon Ridgway</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/0041904032b50453c91caef781fc5445767be8a0/714_0_3571_2857/master/3571.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d6a98e2eb91b0be25414f7f5c7a48e5e">
        <media:credit scheme="urn:ebu">Photograph: BBC/BBC Studios/Simon Ridgway</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/0041904032b50453c91caef781fc5445767be8a0/714_0_3571_2857/master/3571.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6754b1ae6d59d2d03133b6c04c08740d">
        <media:credit scheme="urn:ebu">Photograph: BBC/BBC Studios/Simon Ridgway</media:credit>
      </media:content>
      <dc:creator>Hollie Richardson, Priya Elan, Graeme Virtue, Phil Harrison and Simon Wardell</dc:creator>
      <dc:date>2026-05-17T05:15:29Z</dc:date>
    </item>
    <item>
      <title>Anne-Sophie Mutter review – star violinist celebrates 50 years in brilliant style</title>
      <link>https://www.theguardian.com/music/2026/may/17/anne-sophie-mutter-review-barbican-star-violinist</link>
      <description>&lt;p&gt;&lt;strong&gt;The Barbican, London&lt;/strong&gt;&lt;br&gt;Mutter’s anniversary tour opened with a programme of Beethoven, André Previn and – ever a champion of new music – the European premiere of Aftab Darvishi’s Likoo, a rhapsodic lament for women under the Iranian regime&lt;/p&gt;&lt;p&gt;On 23 August, 1976, a 13-year-old violinist made her debut at the Lucerne festival – with her older brother Christoph at the piano. By the time the concert finished Anne-Sophie Mutter was the toast of the festival, invited to play for no less than Herbert von Karajan. It was the start of a career that has since yielded more than 50 albums, four Grammy awards, and works by a Who’s Who of 20th-century greats: Krzysztof Penderecki; Henri Dutilleux; Witold Lutosławski; Sofia Gubaidulina; John Williams.&lt;/p&gt;&lt;p&gt;So now, aged 62, Mutter is celebrating 50 years on the concert platform. And she’s doing it her way. If anyone was expecting the German star to launch her anniversary tour on Saturday night with a big concerto, they will have been disappointed. An only somewhat full Barbican Hall suggested fans may have voted with their feet. Those who risked it got Mutter in activist mode, using her platform not to revisit triumphs but to champion new music and young artists.&lt;/p&gt; &lt;a href="https://www.theguardian.com/music/2026/may/17/anne-sophie-mutter-review-barbican-star-violinist"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/music/classical-music-and-opera">Classical music</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/culture/barbican">Barbican</category>
      <pubDate>Sun, 17 May 2026 13:46:24 GMT</pubDate>
      <guid>https://www.theguardian.com/music/2026/may/17/anne-sophie-mutter-review-barbican-star-violinist</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/28990cfd25f2d42567cfefffc2f4b516527ae8a9/19_198_3730_2984/master/3730.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5e54db110f3805e7ef311ba7afb225a2">
        <media:credit scheme="urn:ebu">Photograph: Mark Allan</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/28990cfd25f2d42567cfefffc2f4b516527ae8a9/19_198_3730_2984/master/3730.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=820735d44f67716f59fb85d655c71468">
        <media:credit scheme="urn:ebu">Photograph: Mark Allan</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/28990cfd25f2d42567cfefffc2f4b516527ae8a9/19_198_3730_2984/master/3730.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c9ab6b0349458050ff7987058f2e2fd9">
        <media:credit scheme="urn:ebu">Photograph: Mark Allan</media:credit>
      </media:content>
      <dc:creator>Alexandra Coghlan</dc:creator>
      <dc:date>2026-05-17T13:46:24Z</dc:date>
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    <item>
      <title>Britten Sinfonia: Britten in America review – delightful music from a fruitful vacation</title>
      <link>https://www.theguardian.com/music/2026/may/17/britten-sinfonia-in-america-review-kings-place</link>
      <description>&lt;p&gt;&lt;strong&gt;Kings Place, London&lt;/strong&gt;&lt;br&gt;This was a virtuosic, witty performance of a mixed programme of works mostly by Benjamin Britten and Aaron Copland, who spent the summer of 1939 together in Woodstock&lt;/p&gt;&lt;p&gt;An internationally acclaimed composer from “the land without music”, the reviver of British opera and co-founder of the Aldeburgh festival: &lt;a href="https://www.theguardian.com/music/2020/sep/16/britten-where-to-start-with-his-music"&gt;Benjamin Britten&lt;/a&gt; is firmly ensconced in our national cultural pantheon. The time when he and his soon to be life-partner, the &lt;a href="https://www.theguardian.com/music/2022/jul/11/it-all-comes-back-to-darling-peter-setting-britten-and-pears-love-letters-to-music-conor-mitchell"&gt;tenor Peter Pears&lt;/a&gt;, boarded an ocean liner and travelled to North America in spring 1939 as “a vacation from the general European atmosphere” – not returning until mid-1942 – has proved harder to celebrate. But in a season marking the 50th anniversary of the composer’s death, the &lt;a href="https://www.brittensinfonia.com/"&gt;Britten Sinfonia&lt;/a&gt; have grasped the nettle.&lt;/p&gt;&lt;p&gt;The result is a programme split mainly between works by Britten and Aaron Copland, who spent the summer of 1939 together in Woodstock. Cue tennis, swimming and mutual admiration. But Britten was also hard at work – first on his Young Apollo, a fanfare commissioned by the Canadian Broadcasting Corporation, and then on his song cycle Les Illuminations. Directing from the violin, Zoë Beyers launched a taut, witty performance of the former. Amid so much energetically engaged string playing, pianist Huw Watkins’ mercurial scales and delicate sweeps of glissando provoked audible giggles of delight from audience members behind me.&lt;/p&gt; &lt;a href="https://www.theguardian.com/music/2026/may/17/britten-sinfonia-in-america-review-kings-place"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/music/britten-sinfonia">Britten Sinfonia</category>
      <category domain="https://www.theguardian.com/music/classical-music-and-opera">Classical music</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sun, 17 May 2026 12:11:59 GMT</pubDate>
      <guid>https://www.theguardian.com/music/2026/may/17/britten-sinfonia-in-america-review-kings-place</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f0b044493a780cef68a51d787486a1ba26447a4f/230_0_3450_2760/master/3450.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=79e7352efaa38d0b9a70117caacdfb33">
        <media:credit scheme="urn:ebu">Photograph: Shoël Stadlen</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f0b044493a780cef68a51d787486a1ba26447a4f/230_0_3450_2760/master/3450.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ebc74d028f3dd00860ad89fe5893dd6a">
        <media:credit scheme="urn:ebu">Photograph: Shoël Stadlen</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f0b044493a780cef68a51d787486a1ba26447a4f/230_0_3450_2760/master/3450.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bb1586e77d60fb9e9d3f3dfb89d43834">
        <media:credit scheme="urn:ebu">Photograph: Shoël Stadlen</media:credit>
      </media:content>
      <dc:creator>Flora Willson</dc:creator>
      <dc:date>2026-05-17T12:11:59Z</dc:date>
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      <title>Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster</title>
      <link>https://www.theguardian.com/music/2026/may/15/drake-iceman-maid-of-honour-habibti-review-triple-album-comeback-is-a-boring-bloated-disaster</link>
      <description>&lt;p&gt;&lt;strong&gt;(OVO/Republic)&lt;br&gt;&lt;/strong&gt;It’s possible that the world’s biggest rapper is using this epic content drop to get out of his record deal, but aside from some bright spots on Iceman, should the public really be subjected to it?&lt;/p&gt;&lt;p&gt;It is easy to over-estimate Drake’s fall from grace. True, he was unanimously declared the loser in &lt;a href="https://www.theguardian.com/music/2024/apr/23/a-lot-of-rich-guys-arguing-inside-the-rap-beef-of-the-decade-with-drake-kendrick-lamar-future-rick-ross-kanye-west"&gt;the most high-profile rap beef&lt;/a&gt; of recent times, and is currently engaged in a protracted legal battle with his own record company over said rap battle that everyone except Drake and his lawyers seems to think smacks of the worst kind of bad loserdom. He is also fighting lawsuits &lt;a href="https://www.theguardian.com/music/2026/jan/05/drake-accused-of-using-online-casino-money-to-artificially-inflate-streams-in-class-action-case-ntwnfb"&gt;alleging&lt;/a&gt; that he illegally misled viewers during gambling livestreams – pretending to bet his own money while actually using funds from an online casino he promotes – and that he furthermore channelled funds from said online casino into artificially inflating streaming figures (Drake has not commented on the allegations; Stake, the casino, described one of the lawsuits as “nonsense”). Also in the lawsuits is Adin Ross, a denizen of the manosphere who Drake has been palling around with, unbothered that the other guests on Ross’s stream have included Andrew Tate and Nick Fuentes.&lt;/p&gt;&lt;p&gt;Equally, Drake is still the most-streamed rapper in the world. Had all this really impacted on his mainstream popularity, his last album – Some Sexy Songs 4 U&lt;strong&gt;,&lt;/strong&gt; 2025’s collaboration with PartyNextDoor – would have died at the box office, rather than entering the US charts at No 1 and going on to sell a million copies. If his public reputation is looking a little tarnished, well, we live in an era of short attention spans and shorter memories: it would probably only take one unequivocal banger – a One Dance or Hotline Bling 2.0 – for the slate to be wiped clean.&lt;/p&gt; &lt;a href="https://www.theguardian.com/music/2026/may/15/drake-iceman-maid-of-honour-habibti-review-triple-album-comeback-is-a-boring-bloated-disaster"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/music/drake">Drake</category>
      <category domain="https://www.theguardian.com/music/rap">Rap</category>
      <category domain="https://www.theguardian.com/music/music">Music</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/music/r-and-b">R&amp;B</category>
      <category domain="https://www.theguardian.com/music/dance-music">Dance music</category>
      <pubDate>Fri, 15 May 2026 15:08:03 GMT</pubDate>
      <guid>https://www.theguardian.com/music/2026/may/15/drake-iceman-maid-of-honour-habibti-review-triple-album-comeback-is-a-boring-bloated-disaster</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/2d511c6ef323a51547c65e58d5b251a4ccbdab49/286_209_1630_1303/master/1630.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c66d74a1e24326cd84f891702a854b8d">
        <media:credit scheme="urn:ebu">Photograph: Simone Joyner/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/2d511c6ef323a51547c65e58d5b251a4ccbdab49/286_209_1630_1303/master/1630.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cfcea0d227025ff6aa8db58e810efe9c">
        <media:credit scheme="urn:ebu">Photograph: Simone Joyner/Getty Images</media:credit>
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      <media:content width="700" url="https://i.guim.co.uk/img/media/2d511c6ef323a51547c65e58d5b251a4ccbdab49/286_209_1630_1303/master/1630.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cfd265a7842b2fc1a6da613de30f8155">
        <media:credit scheme="urn:ebu">Photograph: Simone Joyner/Getty Images</media:credit>
      </media:content>
      <dc:creator>Alexis Petridis</dc:creator>
      <dc:date>2026-05-15T15:08:03Z</dc:date>
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      <title>The Guide #243: Ear-splitting gigs that were worth the after-ring</title>
      <link>https://www.theguardian.com/culture/2026/may/15/gigs-so-loud-they-made-our-ears-hurt-but-were-worth-the-after-ring</link>
      <description>&lt;p&gt;In this week’s newsletter: Sometimes they were enough to send our music critics and readers straight back out the door again – but mostly just noisy enough to make their clothes shake&lt;/p&gt;&lt;p&gt;Bowel-shuddering basslines. Drum fills that bounce off the walls like gunfire. Guitars resembling a pneumatic drill drilling into another pneumatic drill. A truly loud gig stays with you, figuratively and literally, as anyone who has spent the days after one accompanied by a troubling ringing in their ears can confirm.&lt;/p&gt;&lt;p&gt;Last week, prompted, strangely enough, by an old Alistair Cooke column suggesting that Janis Joplin’s group Big Brother and the Holding Company was noisy enough to cause permanent hearing damage in guinea pigs, we asked Guide readers to share their own loudest gig experiences. We had a huge response, with tons of you sharing memories of eardrum-piercing encounters with all manner of bands and artists, across genres and decades. So we thought we’d devote this week’s newsletter to your stories of extreme noise terror, along with a few from the Guardian’s music critics, who are often on the frontlines when it comes to aural assault.&lt;/p&gt; &lt;a href="https://www.theguardian.com/culture/2026/may/15/gigs-so-loud-they-made-our-ears-hurt-but-were-worth-the-after-ring"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Fri, 15 May 2026 16:00:44 GMT</pubDate>
      <guid>https://www.theguardian.com/culture/2026/may/15/gigs-so-loud-they-made-our-ears-hurt-but-were-worth-the-after-ring</guid>
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        <media:credit scheme="urn:ebu">Photograph: Roger Kisby/WireImage</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/3b006b8ee598c4711bc2e20e0cc1880734cc915f/0_0_2500_2000/master/2500.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6150d8daaa6bf453685bfb30fca4709d">
        <media:credit scheme="urn:ebu">Photograph: Roger Kisby/WireImage</media:credit>
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      <media:content width="700" url="https://i.guim.co.uk/img/media/3b006b8ee598c4711bc2e20e0cc1880734cc915f/0_0_2500_2000/master/2500.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ee6a30a30229e2aa258de00ac5f5c6f6">
        <media:credit scheme="urn:ebu">Photograph: Roger Kisby/WireImage</media:credit>
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      <dc:creator>Gwilym Mumford</dc:creator>
      <dc:date>2026-05-15T16:00:44Z</dc:date>
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      <title>‘I’m so grateful I got to live these days’: A Ghost in the Throat author Doireann Ní Ghríofa on recovering from depression</title>
      <link>https://www.theguardian.com/books/2026/may/16/im-so-grateful-i-got-to-live-these-days-a-ghost-in-the-throat-author-doireann-ni-ghriofa-on-recovering-from-depression</link>
      <description>&lt;p&gt;The acclaimed author and poet talks about her new book, telling the true stories of patients at a derelict Victorian psychiatric hospital – a place in which she might have found herself at a different time&lt;/p&gt;&lt;p&gt;Doireann Ní Ghríofa wrote much of her first book of prose, A Ghost in the Throat, sitting in her car on the top floor of a multistorey car park,&amp;nbsp;having dropped her children off at school in Cork city. Whatever works: her imaginative journey into the life and mind of 18th-century Irish poet Eibhlín Dubh Ní Chonaill was so convincing and original that it captivated readers and won the James Tait Black biography prize and, in Ireland, the An Post book of the year award. Having published several well-regarded collections of poetry, it seemed as if this blend of biography, memoir and meditation had enlarged the way in which she could write about her abiding preoccupation: the ever-present past.&lt;/p&gt;&lt;p&gt;She returned to her car to work on her new book, Said the Dead. But this time, it was parked in front of a vast building high on a hill overlooking the river Lee, one half of it derelict and the other half transformed into apartments. Its history was long: originally referred to simply as the district asylum at the end of the 18th century, a grand gothic-revival building had been constructed during the 1840s, and named, after Ireland’s Lord Lieutenant, the Eglinton Lunatic Asylum; in the 20th century, it became the Cork District Mental Hospital and, in its last incarnation before closing in 1992, Our Lady’s Psychiatric Hospital. Many such institutions existed across Ireland, a patchwork of private and public mental health provision that operated against the backdrop of colonial rule, poverty and famine.&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/2026/may/16/im-so-grateful-i-got-to-live-these-days-a-ghost-in-the-throat-author-doireann-ni-ghriofa-on-recovering-from-depression"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/history">History books</category>
      <category domain="https://www.theguardian.com/books/biography">Biography books</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/books/autobiography-and-memoir">Autobiography and memoir</category>
      <pubDate>Sat, 16 May 2026 08:01:04 GMT</pubDate>
      <guid>https://www.theguardian.com/books/2026/may/16/im-so-grateful-i-got-to-live-these-days-a-ghost-in-the-throat-author-doireann-ni-ghriofa-on-recovering-from-depression</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/38a72ba3fa149249e32d56525afc8d9af6fba607/0_1897_3648_2917/master/3648.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ed22ee91cdee3510bd13bd3367cc1b5d">
        <media:credit scheme="urn:ebu">Photograph: Clare Keogh</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/38a72ba3fa149249e32d56525afc8d9af6fba607/0_1897_3648_2917/master/3648.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=07f61b75462e50febee6765fd59ebd49">
        <media:credit scheme="urn:ebu">Photograph: Clare Keogh</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/38a72ba3fa149249e32d56525afc8d9af6fba607/0_1897_3648_2917/master/3648.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4d9c91431f70eb865c765c46b829d03e">
        <media:credit scheme="urn:ebu">Photograph: Clare Keogh</media:credit>
      </media:content>
      <dc:creator>Alex Clark</dc:creator>
      <dc:date>2026-05-16T08:01:04Z</dc:date>
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      <title>Ian Watson obituary</title>
      <link>https://www.theguardian.com/books/2026/may/15/ian-watson-obituary</link>
      <description>&lt;p&gt;Innovative and award-winning science-fiction writer whose novels extended to horror, fantasy and the Warhammer franchise&lt;/p&gt;&lt;p&gt;The author Ian Watson, who has died aged 82 after suffering from oesophageal cancer, established his reputation as an exhilarating, intellectually adventurous writer of science fiction with his first novel, The Embedding (1973), winner of the Prix Apollo in France. It was followed by The Jonah Kit (1975), winner of the British Science Fiction Association award. Reviewing his third novel, The Martian Inca (1977), &lt;a href="https://www.theguardian.com/books/2009/apr/19/jg-ballard-obituary"&gt;JG Ballard&lt;/a&gt; described the author as “the most interesting British SF writer of ideas – or, more accurately, &lt;a href="https://www.facebook.com/groups/2232690590/posts/10174000813400591/"&gt;the only British SF writer of ideas&lt;/a&gt;”.&lt;/p&gt;&lt;p&gt;Many of Ian’s novels dealt with dauntingly complex, even unanswerable, questions about communication, language, perception and consciousness (human, animal, even alien minds), but others were lighter. Though he was always identified with science fiction, his range as a writer expanded to include horror, fantasy and “the great, lurid, Gothic fun” of the Warhammer franchise books.&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/2026/may/15/ian-watson-obituary"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/science-fiction">Science fiction books</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/books/fiction">Fiction</category>
      <pubDate>Fri, 15 May 2026 15:27:52 GMT</pubDate>
      <guid>https://www.theguardian.com/books/2026/may/15/ian-watson-obituary</guid>
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        <media:credit scheme="urn:ebu">Photograph: Alberto Morante/EPA/Shutterstock</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/004e9284509b5fbd77cb165838a33a605a2e74b7/193_1467_2164_1731/master/2164.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5520279403da6cd04ea00c7dfbea5cfa">
        <media:credit scheme="urn:ebu">Photograph: Alberto Morante/EPA/Shutterstock</media:credit>
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      <media:content width="700" url="https://i.guim.co.uk/img/media/004e9284509b5fbd77cb165838a33a605a2e74b7/193_1467_2164_1731/master/2164.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7742a7b422135a9aa08ef3e9e5efd3d4">
        <media:credit scheme="urn:ebu">Photograph: Alberto Morante/EPA/Shutterstock</media:credit>
      </media:content>
      <dc:creator>Lisa Tuttle</dc:creator>
      <dc:date>2026-05-15T15:27:52Z</dc:date>
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      <title>The best recent crime and thrillers – review roundup</title>
      <link>https://www.theguardian.com/books/2026/may/15/the-best-recent-and-thrillers-review-roundup</link>
      <description>&lt;p&gt;Honey by Imani Thompson; Quite Ugly One Evening by Chris Brookmyre; The Final Chapter by CB Everett; The Hollow Boys by Tariq Ashkanani; Shrink Solves Murder by Philippa Perry&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;a href="https://guardianbookshop.com/honey-9780008759773/?utm_source=editoriallink&amp;amp;utm_medium=merch&amp;amp;utm_campaign=article"&gt;Honey&lt;/a&gt; by Imani Thompson (Borough, £16.99)&lt;/strong&gt;&lt;br&gt;
 Thompson’s smart and incisive debut centres on Yrsa, a young Black woman studying for a sociology PhD and teaching undergraduates at Cambridge. Irritated by her solipsistic, over-privileged students and tired of situationships, she’s fed up with life, and men in particular. Her first killing – that of a much older supervisor who reneges on his promise to leave his wife for a colleague, and steals her research in the process – is an accident, but Yrsa, who has catastrophically poor impulse control, enjoys the sensation and, more importantly, gets away with it. “It’s theory in action”: as victims pile up, her academic research provides a spurious rationale for justifiable anger, as with Hugh, who used her for bragging rights (“Black girl magic, 20 points”). But somebody is on to her, and things are starting to spin out of control … The best kind of campus novel, satirical and razor-sharp, crossed with a crime story: Thompson is an exciting new voice.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;a href="https://guardianbookshop.com/quite-ugly-one-evening-9780349145822/?utm_source=editoriallink&amp;amp;utm_medium=merch&amp;amp;utm_campaign=article"&gt;Quite Ugly One Evening&lt;/a&gt; by Chris Brookmyre (Abacus, £22)&lt;/strong&gt;&lt;br&gt;
 Thirty years after Brookmyre’s debut, his latest novel to feature journalist Jack Parlabane makes a tonal return to his earlier, more irreverent style. Now 60, Jack feels increasingly like a “Boomer Ambassador” to the younger colleagues who are snapping at his heels. With his job on the line, he agrees to investigate a cold case: the death, 40 years earlier, of an MI5 operative. It’s thought to be connected to the Maskyn family, creators of much-loved but now contentious Thunderbirds-style TV series The Imaginators, and Parlabane finds himself on the transatlantic cruise liner hosting the 60th anniversary convention as “several hundred emotionally stunted fanboy incels alongside an over-remunerated family of nepo babies, trust fund pukes and outright fascists” duke it out over The Imaginators’ legacy. Masterfully plotted and scalpel-sharp, this is a riotously good read that uses a Golden Age set-up to take aim at the culture wars, while also providing a thoroughly satisfying mystery.&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/2026/may/15/the-best-recent-and-thrillers-review-roundup"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/books/thrillers">Thrillers</category>
      <category domain="https://www.theguardian.com/books/crime">Crime fiction</category>
      <pubDate>Fri, 15 May 2026 11:00:38 GMT</pubDate>
      <guid>https://www.theguardian.com/books/2026/may/15/the-best-recent-and-thrillers-review-roundup</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/803e9b61e8d024ad2956c0da1245b882689749dc/0_2740_5464_4369/master/5464.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=63cb31870de92206724472264c3910be">
        <media:credit scheme="urn:ebu">Photograph: PR</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/803e9b61e8d024ad2956c0da1245b882689749dc/0_2740_5464_4369/master/5464.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0acd911894e8aa7f1f7ca12f440d0563">
        <media:credit scheme="urn:ebu">Photograph: PR</media:credit>
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        <media:credit scheme="urn:ebu">Photograph: PR</media:credit>
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      <dc:creator>Laura Wilson</dc:creator>
      <dc:date>2026-05-15T11:00:38Z</dc:date>
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      <title>Cast Away by Francesca de Tores review – gripping portrait of the real-life Robinson Crusoe</title>
      <link>https://www.theguardian.com/books/2026/may/15/cast-away-by-francesca-de-tores-review-gripping-portrait-of-the-real-life-robinson-crusoe</link>
      <description>&lt;p&gt;This fascinating novel about 18th-century privateer Alexander Selkirk, abandoned on a tiny island in the South Pacific, becomes a revelatory meditation on humanity&lt;/p&gt;&lt;p&gt;It’s hard to think of many superficial affinities between Frank O’Hara, the queer poet and&amp;nbsp;art critic whose urbane voice is synonymous with 60s Manhattan, and Alexander Selkirk, the 18th-century Scottish privateer whose marooning on a tiny island in the South Pacific would eventually inspire Daniel Defoe’s Robinson Crusoe. Yet, curiously, it is a line from O’Hara’s poem &lt;a href="https://www.poetryfoundation.org/poems/53219/mayakovsky"&gt;Mayakovsky&lt;/a&gt; that Francesca de Tores refits for Selkirk’s mouth at the opening of her new novel, Cast Away.&lt;/p&gt;&lt;p&gt;Selkirk insists that he is cast upon the island “only by the catastrophe of my personality” – “which is a sobering thing, even for a man used to being sober”. And while the O’Hara of Mayakovsky is famously content to wait “for the catastrophe of my personality / to seem beautiful again, / and interesting, and modern”, Selkirk – newly and utterly alone on “a stony blemish in the ocean”, 400 miles off the coast of Chile – spends his first three days and nights on the island blind drunk on the cask of flip left behind with him as a courtesy from his&amp;nbsp;erstwhile crewmates, raging at his&amp;nbsp;fate. This act of unexpected transhistorical ventriloquism is a suitably strange beginning to a surprisingly uncanny novel.&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/2026/may/15/cast-away-by-francesca-de-tores-review-gripping-portrait-of-the-real-life-robinson-crusoe"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/fiction">Fiction</category>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Fri, 15 May 2026 06:00:29 GMT</pubDate>
      <guid>https://www.theguardian.com/books/2026/may/15/cast-away-by-francesca-de-tores-review-gripping-portrait-of-the-real-life-robinson-crusoe</guid>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/fb790bee830d43b10923a4c34283c9bf61ccafe3/936_0_4680_3744/master/4680.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4bdf13df1d223417263178065dd5ee16">
        <media:credit scheme="urn:ebu">Photograph: robertharding/Alamy</media:credit>
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      <media:content width="700" url="https://i.guim.co.uk/img/media/fb790bee830d43b10923a4c34283c9bf61ccafe3/936_0_4680_3744/master/4680.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e5057efdb8dd9ceb633276ca749c3b7c">
        <media:credit scheme="urn:ebu">Photograph: robertharding/Alamy</media:credit>
      </media:content>
      <dc:creator>AK Blakemore</dc:creator>
      <dc:date>2026-05-15T06:00:29Z</dc:date>
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      <title>How Forza Horizon took on Japan with deep research – and 360-degree cameras</title>
      <link>https://www.theguardian.com/games/2026/may/15/how-forza-horizon-took-on-japan-with-deep-research-and-360-degree-cameras</link>
      <description>&lt;p&gt;The open world driving sim has roared through locations from Colorado to Australia, its authentic feel resting on exhaustive research. But, as the team explain, this was the toughest challenge yet&lt;/p&gt;&lt;p&gt;Since the arrival of the original Forza Horizon in 2012, a game that revolutionised open world driving sims by setting players loose in a virtual Colorado, British developer Playground Games has promised authenticity with its settings. For each instalment, design teams are sent out on location to take thousands of photos, hours of video, even detailed captures of the sky, before construction of a virtual copy begins. It’s a huge undertaking. But it seems that for much of the past decade, one country remained slightly out of reach – an intimidating prospect. “Japan has been on our shortlist for several games now,” says design director, Torben Ellert. “But we just didn’t feel like we were ready to take on the challenge of building it.”&lt;/p&gt;&lt;p&gt;It’s not just about the sheer variety of the country’s landscape. There’s something else going on. Most video game players hold an image of what it is like to explore Japan. It may be inspired by the fictitious rural town of Inaba in Persona 4, or the busy docks of Yokosuka in &lt;a href="https://www.theguardian.com/technology/2014/may/02/shenmue-sega-classic-14-years-too-late"&gt;Shenmue&lt;/a&gt;, or perhaps the neon-drenched Kabukichō district of Tokyo, which forms a regular backdrop in the Yakuza series. For decades, gamers around the world have been bombarded with images of the country that are often highly stylised and fragmented, but nonetheless potent and persuasive. As art director Don Arceta puts it, “with Japan there’s such an expectation [of] what gamers want - it’s a certain version of Japan that they picture.”&lt;/p&gt; &lt;a href="https://www.theguardian.com/games/2026/may/15/how-forza-horizon-took-on-japan-with-deep-research-and-360-degree-cameras"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/games/games">Games</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/games/xbox">Xbox</category>
      <category domain="https://www.theguardian.com/games/xbox-series-s-x">Xbox series S/X</category>
      <category domain="https://www.theguardian.com/games/racing-games">Racing games</category>
      <pubDate>Fri, 15 May 2026 10:20:32 GMT</pubDate>
      <guid>https://www.theguardian.com/games/2026/may/15/how-forza-horizon-took-on-japan-with-deep-research-and-360-degree-cameras</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/7b049add557fd9f5322584784ca1c951422c74a8/1012_2_2637_2112/master/2637.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=00641686f82d8aa160efbc2fd2533402">
        <media:credit scheme="urn:ebu">Photograph: Microsoft</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/7b049add557fd9f5322584784ca1c951422c74a8/1012_2_2637_2112/master/2637.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=34981fbc284406eb6ccdabdbf7e18176">
        <media:credit scheme="urn:ebu">Photograph: Microsoft</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/7b049add557fd9f5322584784ca1c951422c74a8/1012_2_2637_2112/master/2637.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c6f38d7455247bb24aea520420f22542">
        <media:credit scheme="urn:ebu">Photograph: Microsoft</media:credit>
      </media:content>
      <dc:creator>Keith Stuart</dc:creator>
      <dc:date>2026-05-15T10:20:32Z</dc:date>
    </item>
    <item>
      <title>Star Fox 64, a game I loved in my childhood, is returning – but I have mixed feelings</title>
      <link>https://www.theguardian.com/games/2026/may/13/a-game-i-loved-in-my-childhood-is-returning-but-i-have-mixed-feelings</link>
      <description>&lt;p&gt;Why are Nintendo releasing a straight-up remake of the space-flight shooter – with many of its original limitations – rather than a fresh new take?&lt;/p&gt;&lt;p&gt;The Nintendo 64 was not my first video game console, but it was my formative one. Getting to grips with 3D movement in Super Mario 64 with that weird three-pronged controller is one of my most visceral childhood memories; the long, &lt;em&gt;long&lt;/em&gt; wait for The Legend of Zelda: Ocarina of Time was the background noise to a huge chunk of my youth. But back in the 1990s (in the UK at least), it felt as if &lt;em&gt;nobody &lt;/em&gt;had an N64. When everybody had a PlayStation instead, I felt I was the only kid in my whole city who cared more about Banjo-Kazooie than Crash Bandicoot.&lt;/p&gt;&lt;p&gt;If even Zelda seemed comparatively niche in Europe in the 90s, Lylat Wars (known elsewhere as Star Fox 64) was a real deep cut. It’s a 1997 space-flight shooter starring Fox McCloud and his squad of animal pilots laser-blasting across different planets in nimble crafts called Arwings. I played this game to absolute death in 1998, when I got it for my birthday alongside the fabled Rumble Pak, which made your controller vibrate and shudder whenever something cool was happening on screen (fun fact: Lylat Wars was the first console game to feature controller rumble). But I really hadn’t thought about it much since. Then, last week, Nintendo announced a Switch 2 remake.&lt;/p&gt; &lt;a href="https://www.theguardian.com/games/2026/may/13/a-game-i-loved-in-my-childhood-is-returning-but-i-have-mixed-feelings"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/games/games">Games</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/games/retro-games">Retro games</category>
      <category domain="https://www.theguardian.com/games/nintendo">Nintendo</category>
      <category domain="https://www.theguardian.com/games/nintendo-switch-2">Nintendo Switch 2</category>
      <pubDate>Wed, 13 May 2026 14:00:02 GMT</pubDate>
      <guid>https://www.theguardian.com/games/2026/may/13/a-game-i-loved-in-my-childhood-is-returning-but-i-have-mixed-feelings</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f519cbe0d42b5fa582165b2def1a3d1336a86c7f/599_0_2700_2160/master/2700.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=763d446a547dad087197054e0c661773">
        <media:credit scheme="urn:ebu">Photograph: Nintendo</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f519cbe0d42b5fa582165b2def1a3d1336a86c7f/599_0_2700_2160/master/2700.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c2da55afdf96b5bf386ffa1e50832a1d">
        <media:credit scheme="urn:ebu">Photograph: Nintendo</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f519cbe0d42b5fa582165b2def1a3d1336a86c7f/599_0_2700_2160/master/2700.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9d0850c4b45dcd63a915adbe5e1a0345">
        <media:credit scheme="urn:ebu">Photograph: Nintendo</media:credit>
      </media:content>
      <dc:creator>Keza MacDonald</dc:creator>
      <dc:date>2026-05-13T14:00:02Z</dc:date>
    </item>
    <item>
      <title>Streaming platform Twitch lets users enter viral ‘mogging’ beauty contests</title>
      <link>https://www.theguardian.com/games/2026/may/10/mogging-gen-z-and-why-streaming-platform-twitch-hanged-rules-omoggle</link>
      <description>&lt;p&gt;Previously prohibited use of websites such as Omoggle that connect a streamer to a stranger’s video feed now allowed &lt;/p&gt;&lt;p&gt;Last week, at 4am, 19-year-old Sammy Amz was scrolling through X when something caught his eye: a popular Twitch streamer was competing in a 1v1 “mog-off” with a stranger, and losing.&lt;/p&gt;&lt;p&gt;The next day he opened the Omoggle gaming website and began to play. Quickly he matched with another user – green dots appeared on their faces onscreen, as the website began to compare their measurements: canthal tilt, palpebral fissure ratio, nose-to-face width ratio and so on.&lt;/p&gt; &lt;a href="https://www.theguardian.com/games/2026/may/10/mogging-gen-z-and-why-streaming-platform-twitch-hanged-rules-omoggle"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/games/games">Games</category>
      <category domain="https://www.theguardian.com/society/men">Men</category>
      <category domain="https://www.theguardian.com/games/twitch">Twitch</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/society/youngpeople">Young people</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sun, 10 May 2026 11:00:25 GMT</pubDate>
      <guid>https://www.theguardian.com/games/2026/may/10/mogging-gen-z-and-why-streaming-platform-twitch-hanged-rules-omoggle</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/b27415149c0bb162247a844efd7a4b8951aa4ad1/71_0_5088_4070/master/5088.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cddac8cd76c1ff07de865d721540e27e">
        <media:credit scheme="urn:ebu">Photograph: Westend61 GmbH/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/b27415149c0bb162247a844efd7a4b8951aa4ad1/71_0_5088_4070/master/5088.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=da7bff9892e6e3c85f5bd39a734e64e8">
        <media:credit scheme="urn:ebu">Photograph: Westend61 GmbH/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/b27415149c0bb162247a844efd7a4b8951aa4ad1/71_0_5088_4070/master/5088.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=12d3c97992f6668dffe828d1fb73e01b">
        <media:credit scheme="urn:ebu">Photograph: Westend61 GmbH/Alamy</media:credit>
      </media:content>
      <dc:creator>Isaaq Tomkins</dc:creator>
      <dc:date>2026-05-10T11:00:25Z</dc:date>
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    <item>
      <title>Mixtape review – tongues, trolleys and classic 90s tracks celebrate teenage misadventure</title>
      <link>https://www.theguardian.com/games/2026/may/07/mixtape-review</link>
      <description>&lt;p&gt;&lt;strong&gt;PS5, Xbox, PC, Switch 2; Annapurna Interactive&lt;br&gt;&lt;/strong&gt;The nostalgic antics of a trio of tenacious teens make for silly yet undeniably enjoyable gameplay, framed by a playlist of bona fide bangers&lt;/p&gt;&lt;p&gt;The older we get, the more we tend to romanticise our teenage years. As bills pile up, we yearn for the simple days of drinking cider in parks. We often tend to forget the bad parts: the frustrating lack of autonomy, the unrequited crushes and the doofuses you’re forced to tolerate in the playground. But after four hours spent hanging out with the pretentious teens in Mixtape, I felt pretty relieved to be in my 30s.&lt;/p&gt;&lt;p&gt;Set in a nondescript town in northern California, Mixtape follows the exploits of tenacious trio Rockford, Slater and Cassandra as they head to a legendary party on their last day of high school. With Rockford about to leave her friends to move to the big city, she wants to immortalise the gang’s time together in musical form. Every song on a carefully curated mixtape triggers a totally tubular flashback to one of their shared memories.&lt;/p&gt; &lt;a href="https://www.theguardian.com/games/2026/may/07/mixtape-review"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/games/games">Games</category>
      <category domain="https://www.theguardian.com/games/playstation-5">PlayStation 5</category>
      <category domain="https://www.theguardian.com/games/xbox-series-s-x">Xbox series S/X</category>
      <category domain="https://www.theguardian.com/games/nintendo-switch-2">Nintendo Switch 2</category>
      <category domain="https://www.theguardian.com/games/nintendo-switch">Nintendo Switch</category>
      <category domain="https://www.theguardian.com/games/pc">PC</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/film/teen-movies">Teen movies</category>
      <pubDate>Thu, 07 May 2026 13:00:49 GMT</pubDate>
      <guid>https://www.theguardian.com/games/2026/may/07/mixtape-review</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/d087c6900eb9c55aeea1623c8cc97977d211272c/1004_281_2001_1601/master/2001.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=59a2b992543cd2ae91f756a6363e8609">
        <media:credit scheme="urn:ebu">Photograph: Annapurna Interactive</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/d087c6900eb9c55aeea1623c8cc97977d211272c/1004_281_2001_1601/master/2001.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=141b444e5ca862153a0555b4e3e327c5">
        <media:credit scheme="urn:ebu">Photograph: Annapurna Interactive</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/d087c6900eb9c55aeea1623c8cc97977d211272c/1004_281_2001_1601/master/2001.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1316008b480a3981db5580fd9a2c855d">
        <media:credit scheme="urn:ebu">Photograph: Annapurna Interactive</media:credit>
      </media:content>
      <dc:creator>Tom Regan</dc:creator>
      <dc:date>2026-05-07T13:00:49Z</dc:date>
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    <item>
      <title>Mother Courage and her Children review – moving, funny and savage portrait of life during wartime</title>
      <link>https://www.theguardian.com/stage/2026/may/17/mother-courage-and-her-children-review-shakespeares-globe-michelle-terry-bertolt-brecht</link>
      <description>&lt;p&gt;&lt;strong&gt;Shakespeare’s Globe, London&lt;/strong&gt;&lt;br&gt;Forgoing Brecht’s usual distanciation, Anna Jordan’s new translation and Michelle Terry’s lovable performance bring out the humanity of a woman doing what’s necessary to keep herself and her family alive&lt;/p&gt;&lt;p&gt;This production of Bertolt Brecht’s masterpiece seems to break the first rule of Brecht’s epic theatre, which requires emotional distance. It conjures Brecht’s upside down world, in which war denotes order and profit, while underlining all the losses that Mother Courage faces in spite of her relentless entrepreneurialism and attempts at profiteering – selling anything from burgers to ammunition and sex. But it is human, moving and funny. The distance closes and the production becomes devastating in its most savage moments, when Mother Courage loses her children, one by one.&lt;/p&gt;&lt;p&gt;Translator Anna Jordan justifies these moments by interpreting Brecht’s rule of &lt;em&gt;verfr&lt;/em&gt;&lt;em&gt;emdungseffekt&lt;/em&gt; as making the drama “strange” rather than distanced. And in director Elle While’s powerful production, the emotional drama is tightly controlled, flaring up momentarily. In between flare ups, the narrator (Max Runham) pulls us away from the intimacies of this family to draw the bigger picture, summarising the gyrations of war and Courage’s travails over the years.&lt;/p&gt; &lt;a href="https://www.theguardian.com/stage/2026/may/17/mother-courage-and-her-children-review-shakespeares-globe-michelle-terry-bertolt-brecht"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/stage/theatre">Theatre</category>
      <category domain="https://www.theguardian.com/stage/shakespeares-globe">Shakespeare's Globe</category>
      <category domain="https://www.theguardian.com/stage/stage">Stage</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/stage/bertolt-brecht">Bertolt Brecht</category>
      <category domain="https://www.theguardian.com/stage/michelle-terry">Michelle Terry</category>
      <pubDate>Sun, 17 May 2026 11:45:49 GMT</pubDate>
      <guid>https://www.theguardian.com/stage/2026/may/17/mother-courage-and-her-children-review-shakespeares-globe-michelle-terry-bertolt-brecht</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/d14b092bd30fe873d243f9952db07d643cd86b30/315_0_3146_2517/master/3146.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=945cb30981a14c917c78c6375adad7bd">
        <media:credit scheme="urn:ebu">Photograph: Marc Brenner</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/d14b092bd30fe873d243f9952db07d643cd86b30/315_0_3146_2517/master/3146.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0622ffb65614452b83f41c0a22e8aaca">
        <media:credit scheme="urn:ebu">Photograph: Marc Brenner</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/d14b092bd30fe873d243f9952db07d643cd86b30/315_0_3146_2517/master/3146.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=891fca003ad7607e07c7499d5e0409ce">
        <media:credit scheme="urn:ebu">Photograph: Marc Brenner</media:credit>
      </media:content>
      <dc:creator>Arifa Akbar</dc:creator>
      <dc:date>2026-05-17T11:45:49Z</dc:date>
    </item>
    <item>
      <title>Stage Kiss review – behind-the-scenes romcom is charming but slippery</title>
      <link>https://www.theguardian.com/stage/2026/may/17/stage-kiss-review-hampstead-theatre</link>
      <description>&lt;p&gt;&lt;strong&gt;Hampstead theatre, London&lt;br&gt;&lt;/strong&gt;A first love is rekindled on stage and off in Sarah Ruhl’s metatheatrical romance and farcical send-up of hammy old musicals&lt;/p&gt;&lt;p&gt;It doesn’t take long for the protagonists of &lt;a href="https://www.theguardian.com/books/2022/sep/17/sarah-ruhl-smile-story-of-a-face-this-is-the-age-of-narcissus-somethings-got-to-give"&gt;Sarah Ruhl&lt;/a&gt;’s 2011-set romantic comedy – two actors who have been cast in a 1930s melodrama called The Last Kiss – to realise they’ve signed up for a theatrical flop in the making. The director is hopeless, all wafting hands and evasive “just trust your instincts”; the young supporting cast are as wooden as the boards they’re tentatively treading; and the bombastic script feels ludicrous to the pair’s naturalistically trained ears.&lt;/p&gt;&lt;p&gt;There is also a whopper of an art-imitating-life situation afoot: the pair, elusively named He and She, are portraying but also happen to be first loves, reuniting to crackling chemistry despite She and her character each being married with a grownup daughter.&lt;/p&gt; &lt;a href="https://www.theguardian.com/stage/2026/may/17/stage-kiss-review-hampstead-theatre"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/stage/theatre">Theatre</category>
      <category domain="https://www.theguardian.com/stage/stage">Stage</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/stage/hampstead-theatre">Hampstead theatre</category>
      <category domain="https://www.theguardian.com/stage/blanche-mcintyre">Blanche McIntyre</category>
      <pubDate>Sun, 17 May 2026 09:46:04 GMT</pubDate>
      <guid>https://www.theguardian.com/stage/2026/may/17/stage-kiss-review-hampstead-theatre</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/fe0b28c67d9a8971bf3b3cdca40ec458a287ab0a/0_1600_3943_3155/master/3943.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f3a79cb1dbc2cda7cb89f7a417fe4f3a">
        <media:credit scheme="urn:ebu">Photograph: Helen Murray</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/fe0b28c67d9a8971bf3b3cdca40ec458a287ab0a/0_1600_3943_3155/master/3943.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=74fe1e083f1e7f3e95556cf069c2e00c">
        <media:credit scheme="urn:ebu">Photograph: Helen Murray</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/fe0b28c67d9a8971bf3b3cdca40ec458a287ab0a/0_1600_3943_3155/master/3943.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6a3c751754ae5e7b2cf3a66da0c24328">
        <media:credit scheme="urn:ebu">Photograph: Helen Murray</media:credit>
      </media:content>
      <dc:creator>Lucinda Everett</dc:creator>
      <dc:date>2026-05-17T09:46:04Z</dc:date>
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    <item>
      <title>Eclipse review – W1A creator’s dark comedy about matters of life and death in Devon</title>
      <link>https://www.theguardian.com/stage/2026/may/15/eclipse-review-minerva-theatre-chichester-john-morton</link>
      <description>&lt;p&gt;&lt;strong&gt;Minerva theatre, Chichester&lt;br&gt;&lt;/strong&gt;John Morton’s debut as a playwright is a finely crafted family drama with shades of Alan Ayckbourn&lt;/p&gt;&lt;p&gt;As a TV writer-director, John Morton specialises in the sort of English talk that either means nothing at all or something completely different from what was said. In the sitcoms Twenty Twelve, W1A and currently &lt;a href="https://www.theguardian.com/tv-and-radio/2026/apr/08/twenty-twenty-six-review-hugh-bonneville-bbc"&gt;Twenty Twenty Six&lt;/a&gt;, the hesitations, repetitions and desperate metaphors – in conversations that sound improvised but are precisely written – reveal corporate conceit and deceit. But the stilted and stalled speech in Morton’s playwriting debut, Eclipse, represents unsaid and unsayable things among the gathered family of Edward, a late-stage cancer patient who has asked to die under “home hospice” care at an old rectory in Devon.&lt;/p&gt;&lt;p&gt;Edward, confined behind a door in the corner of the convincingly lived-in kitchen that dominates Simon Higlett’s set, is never seen or heard but feels completely real. That theatrical illusion recalls theatre’s genius of offstage characters, Alan Ayckbourn, as do many of those we see: bickering siblings Jonathan (Rupert Penry-Jones) and Sarah (Sarah Parish), diffident and assertive respectively, and the latter’s hapless, tactless husband, Graham (Paul Thornley). The pair of end-care nurses – gently attentive Karen (Selina Cadell) and self-consciously jolly Linda (Lizzie Hopley) – are also familiar English comedy types.&lt;/p&gt; &lt;a href="https://www.theguardian.com/stage/2026/may/15/eclipse-review-minerva-theatre-chichester-john-morton"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/stage/theatre">Theatre</category>
      <category domain="https://www.theguardian.com/stage/stage">Stage</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/stage/chichester-festival-theatre">Chichester Festival theatre</category>
      <pubDate>Fri, 15 May 2026 19:00:48 GMT</pubDate>
      <guid>https://www.theguardian.com/stage/2026/may/15/eclipse-review-minerva-theatre-chichester-john-morton</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/9c1ff413cff7f108dbd50e7135db0fd1e2796eb3/496_288_2474_1979/master/2474.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fbde4581e60830b6d92238e65f49a96d">
        <media:credit scheme="urn:ebu">Photograph: Ellie Kurttz</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/9c1ff413cff7f108dbd50e7135db0fd1e2796eb3/496_288_2474_1979/master/2474.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=68e5943d857f0574e5ce386046ee5478">
        <media:credit scheme="urn:ebu">Photograph: Ellie Kurttz</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/9c1ff413cff7f108dbd50e7135db0fd1e2796eb3/496_288_2474_1979/master/2474.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cbfd6e38be0c9ba2ed64ae3a3db353fe">
        <media:credit scheme="urn:ebu">Photograph: Ellie Kurttz</media:credit>
      </media:content>
      <dc:creator>Mark Lawson</dc:creator>
      <dc:date>2026-05-15T19:00:48Z</dc:date>
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    <item>
      <title>‘I couldn’t believe we weren’t falling over ourselves for it’: Asia-Pacific art finally conquers Britain</title>
      <link>https://www.theguardian.com/artanddesign/2026/may/16/asia-pacific-art-britain</link>
      <description>&lt;p&gt;Britain seems to finally have an eye for art from the Asia-Pacific, with several big recent exhibitions, including the new Rising Voices show at the V&amp;amp;A. Why did it take so long?&lt;/p&gt;&lt;p&gt;An imposing new figure is greeting visitors inside the main entrance of the Victoria and Albert Museum (V&amp;amp;A) in South Kensington. Standing on one side of the domed hall, across from the galleries dedicated to medieval and Renaissance European art, is a lifesize, fibreglass sculpture of a burly bouncer. The Māori nametag hanging from his belt loop suggests he has travelled a long way from home. &lt;br&gt;&lt;br&gt;
 This character, Kapa Haka (Whero) by Michael Parekōwhai from Aotearoa New Zealand, is a symbolic guardian for the exhibition Rising Voices: Contemporary Art from Asia, Australia and the Pacific. Produced in partnership with the Queensland Art Gallery | Gallery of Modern Art (QAGOMA) in Brisbane, the show includes more than 70 works which have never before been exhibited in the UK, by artists from 25 countries who have featured through the decades in QAGOMA’s Asia Pacific Triennial of Contemporary Art (APT).&lt;/p&gt;&lt;p&gt;It’s the latest in a recent wave of shows that have brought works from Australian galleries to international institutions. Last year, Tate Modern hosted &lt;a href="https://www.theguardian.com/artanddesign/2025/jul/08/emily-kam-kngwarray-review-tate-modern-london-indigenous-australian-artist"&gt;Emily Kam Kngwarray&lt;/a&gt; in collaboration with the National Gallery of Australia, and the National Gallery of Victoria’s exhibition The Stars We Do Not See: Australian Indigenous Art is now &lt;a href="https://www.theguardian.com/artanddesign/2024/sep/20/ngv-indigenous-art-exhibition-the-stars-we-do-not-see-america-tour"&gt;touring the US&lt;/a&gt;.&lt;/p&gt; &lt;a href="https://www.theguardian.com/artanddesign/2026/may/16/asia-pacific-art-britain"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/artanddesign/art">Art</category>
      <category domain="https://www.theguardian.com/artanddesign/australian-art">Australian art</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/artanddesign/v-and-a">V&amp;A</category>
      <category domain="https://www.theguardian.com/world/asia-pacific">Asia Pacific</category>
      <category domain="https://www.theguardian.com/culture/museums">Museums</category>
      <pubDate>Fri, 15 May 2026 15:00:44 GMT</pubDate>
      <guid>https://www.theguardian.com/artanddesign/2026/may/16/asia-pacific-art-britain</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/7125c65f60e335e8083441d6bebad842858bfbc1/751_0_6800_5443/master/6800.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4264eb5e7fce77a9f5671c374d5ce5b3">
        <media:credit scheme="urn:ebu">Photograph: David Parry</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/7125c65f60e335e8083441d6bebad842858bfbc1/751_0_6800_5443/master/6800.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b5cfdf7dbfffa62b6c796e1a325353a6">
        <media:credit scheme="urn:ebu">Photograph: David Parry</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/7125c65f60e335e8083441d6bebad842858bfbc1/751_0_6800_5443/master/6800.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f09ab90ba113990dac8987fdd382c4ac">
        <media:credit scheme="urn:ebu">Photograph: David Parry</media:credit>
      </media:content>
      <dc:creator>Oliver Giles</dc:creator>
      <dc:date>2026-05-15T15:00:44Z</dc:date>
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    <item>
      <title>Harlem Renaissance documentary finally gets global premiere 50 years after cameras rolled</title>
      <link>https://www.theguardian.com/film/2026/may/16/harlem-renaissance-documentary-once-upon-time-william-greaves</link>
      <description>&lt;p&gt;Once Upon a Time in Harlem, completed by relatives of William Greaves after his death, showcased at Cannes&lt;/p&gt;&lt;p&gt;In 1969, the pioneering documentarian William Greaves wrote of his fury over the racially degrading stereotypes that white film producers threw up on American screens. “It became clear to me that unless we black people began to produce information for screen and television there would always be a distortion of the ‘black image,’” he said.&lt;/p&gt;&lt;p&gt;Three years later, Greaves began work on what he considered the most important footage he ever shot: a feature documentary gathering surviving figures of the &lt;a href="https://www.theguardian.com/artanddesign/2024/mar/04/harlem-renaissance-metropolitan-museum-review"&gt;Harlem Renaissance&lt;/a&gt; to reflect on the movement they had built half a century earlier.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/16/harlem-renaissance-documentary-once-upon-time-william-greaves"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/film/documentary">Documentary films</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/world/race">Race</category>
      <pubDate>Sat, 16 May 2026 12:00:09 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/16/harlem-renaissance-documentary-once-upon-time-william-greaves</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/0719ce9c2e3efb2d94c996114d8af48a901e3f7d/654_0_2700_2160/master/2700.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=64833f5884c2d9a38fb3a71b7da7e962">
        <media:credit scheme="urn:ebu">Photograph: William Greaves Productions</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/0719ce9c2e3efb2d94c996114d8af48a901e3f7d/654_0_2700_2160/master/2700.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=695bb8a9008f08567a445555c83b3f35">
        <media:credit scheme="urn:ebu">Photograph: William Greaves Productions</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/0719ce9c2e3efb2d94c996114d8af48a901e3f7d/654_0_2700_2160/master/2700.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=121dd04cba0a0917d7208422f87d4776">
        <media:credit scheme="urn:ebu">Photograph: William Greaves Productions</media:credit>
      </media:content>
      <dc:creator>Nadia Khomami Arts and culture correspondent</dc:creator>
      <dc:date>2026-05-16T12:00:09Z</dc:date>
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    <item>
      <title>Photo London 2026 Student Award – in pictures</title>
      <link>https://www.theguardian.com/artanddesign/gallery/2026/may/16/photo-london-2026-student-award-in-pictures</link>
      <description>&lt;p&gt;The &lt;a href="https://photolondon.org/photo-london-announces-the-2026-student-award-shortlist/"&gt;Photo London 2026 Student Award&lt;/a&gt; has been given to Akanksya Dahal of Ravensbourne University London from a shortlist of four artists nominated by tutors at UK universities. The three other nominees were Anna Bradshaw of Birmingham City University, Bo Fan of London College of Communication, and Madison Hafner of Falmouth University. The judging panel was Fiona Shields, the head of photography at the Guardian; Lisa Springer, the curator of photography at the V&amp;amp;A; the photographer Mimi Mollica; and Kimberly Hoang, the picture editor at the British Red Cross&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;a href="https://photolondon.org/"&gt;Photo London takes place at Olympia&lt;/a&gt; until 17 May&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt; &lt;a href="https://www.theguardian.com/artanddesign/gallery/2026/may/16/photo-london-2026-student-award-in-pictures"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category>
      <category domain="https://www.theguardian.com/uk/london">London</category>
      <category domain="https://www.theguardian.com/education/arts">Arts</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/education/students">Students</category>
      <category domain="https://www.theguardian.com/education/universities">Universities</category>
      <pubDate>Sat, 16 May 2026 11:00:08 GMT</pubDate>
      <guid>https://www.theguardian.com/artanddesign/gallery/2026/may/16/photo-london-2026-student-award-in-pictures</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/cbd4af07d78e710310c80e259c3b71f93498a93d/0_528_1080_863/master/1080.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bfc6e670aefbadc14ae66d9fae7eb2ea">
        <media:credit scheme="urn:ebu">Photograph: Anna Bradshaw/Birmingham City University/c/o Photo London</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/cbd4af07d78e710310c80e259c3b71f93498a93d/0_528_1080_863/master/1080.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=142b9bcf64b13092f8c362a26c54fdfd">
        <media:credit scheme="urn:ebu">Photograph: Anna Bradshaw/Birmingham City University/c/o Photo London</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/cbd4af07d78e710310c80e259c3b71f93498a93d/0_528_1080_863/master/1080.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3bfed11ea71e5045256f4a0be24c214b">
        <media:credit scheme="urn:ebu">Photograph: Anna Bradshaw/Birmingham City University/c/o Photo London</media:credit>
      </media:content>
      <dc:creator>Matt Fidler</dc:creator>
      <dc:date>2026-05-16T11:00:08Z</dc:date>
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      <title>‘The skill of the fishers with their foot-controlled oars was miraculous’: Alahattin Kanlioğlu’s best phone picture</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/16/alahattin-kanlioglu-best-phone-picture</link>
      <description>&lt;p&gt;The Turkish photographer was enchanted by this scene of a flower seller and monks on a lake in Myanmar&lt;/p&gt;&lt;p&gt;Alahattin Kanlioğlu had worked in the faculty of communications at Ege University in Izmir, Turkey, for more than two decades before he took this image. A photography specialist, he first visited Myanmar in 2019, and was so captivated by the region that he returned in December 2025 to host a&amp;nbsp;photography workshop. As part of the trip, the group of six&amp;nbsp;visited Inle Lake, in the Shan Hills.&lt;/p&gt;&lt;p&gt;“The people of this region live in wooden houses built on tree stumps. Some surround the lake, but others are on the water, as if they’re floating,” Kanlioğlu says. “Agriculture and fishing are two of the main livelihoods here and, uniquely, the fishers use&amp;nbsp;foot-controlled oars to steer the boat, keeping a hand free for their catch.”&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/16/alahattin-kanlioglu-best-phone-picture"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/artanddesign/art">Art</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sat, 16 May 2026 10:00:06 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/16/alahattin-kanlioglu-best-phone-picture</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a7134c51ac8d9f828d78c5ad79c70fe2efe59040/126_0_3780_3024/master/3780.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=58c12796494fd3e47a62a1b3906bd94c">
        <media:credit scheme="urn:ebu">Photograph: Alahattin Kanlioğlu</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a7134c51ac8d9f828d78c5ad79c70fe2efe59040/126_0_3780_3024/master/3780.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=88fd2d748340a52ba76f7a22a0aba444">
        <media:credit scheme="urn:ebu">Photograph: Alahattin Kanlioğlu</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a7134c51ac8d9f828d78c5ad79c70fe2efe59040/126_0_3780_3024/master/3780.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f42ea02d69667614c0ae4b4f388618aa">
        <media:credit scheme="urn:ebu">Photograph: Alahattin Kanlioğlu</media:credit>
      </media:content>
      <dc:creator>Grace Holliday</dc:creator>
      <dc:date>2026-05-16T10:00:06Z</dc:date>
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      <title>From men on dog leads to public breast-fondling, Valie Export’s art demanded a total feminist revolution</title>
      <link>https://www.theguardian.com/artanddesign/2026/may/15/valie-export-tribute-performance-artist-femisim</link>
      <description>&lt;p&gt;The performance artist was a brilliantly subversive pioneer whose work exposed the predicament of women living in a world that was not made for us  &lt;br&gt;• &lt;a href="https://www.theguardian.com/world/2026/may/14/renowned-feminist-artist-and-film-maker-valie-export-dies-aged-85"&gt;Renowned feminist artist and film-maker Valie Export dies aged 85&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Punk, intellectual, feminist, theorist, brave as hell, vulnerable, funny, Valie Export was a hero to many women. Since the 1960s, she was driven by a fierce conviction that art and media would play an essential role in women’s liberation: that women must picture their own reality in the name of social progress. In &lt;a href="https://www.are.na/block/20093595"&gt;Women’s Art: A Manifesto&lt;/a&gt; (1972), she wrote that women must “use art as a means of expression, so as to influence the consciousness of all of us”. What she demanded was revolution.&lt;/p&gt;&lt;p&gt;I keep returning to her work. Can’t stay away. I have written about her in relation to violence in women’s art. Her work was heavy with explicit threat and pain, and she made evident the violence of forcing women’s bodies to inhabit structures that were not designed for them. For the 1973 performance Hyperbuliashe crept naked through a corridor of electrified wires, exposing herself voluntarily to shocks.&lt;/p&gt; &lt;a href="https://www.theguardian.com/artanddesign/2026/may/15/valie-export-tribute-performance-artist-femisim"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/artanddesign/art">Art</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Fri, 15 May 2026 12:18:17 GMT</pubDate>
      <guid>https://www.theguardian.com/artanddesign/2026/may/15/valie-export-tribute-performance-artist-femisim</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/86c76bf2af6cc149cf875ff843cc83a703b6c18f/165_0_1101_881/master/1101.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1f026f85a35d39ce3e640072c570b5ec">
        <media:credit scheme="urn:ebu">Photograph: You Tube</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/86c76bf2af6cc149cf875ff843cc83a703b6c18f/165_0_1101_881/master/1101.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=42575169ac29675180af370de356bc21">
        <media:credit scheme="urn:ebu">Photograph: You Tube</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/86c76bf2af6cc149cf875ff843cc83a703b6c18f/165_0_1101_881/master/1101.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c90bfef27afa941dc20f0c74757e3c5f">
        <media:credit scheme="urn:ebu">Photograph: You Tube</media:credit>
      </media:content>
      <dc:creator>Hettie Judah</dc:creator>
      <dc:date>2026-05-15T12:18:17Z</dc:date>
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      <title>What happened to the ‘little refugee girl’?: the 102-year-old Holocaust survivor whose story started outside my doorstep</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/102-year-old-holocaust-survivor-berlin-australia-friendship-brass-plaques</link>
      <description>&lt;p&gt;For years, I polished the brass plaques in front of my apartment dedicated to a Jewish mother and daughter who were murdered by the Nazis. Then a message out of the blue connected me to a surviving child …&lt;/p&gt;&lt;p&gt;At the grand, biblical age of 102, Sonja Ibermann Cowan has zero interest in wasting her time. There are delicious great-grandbabies to be serenaded, uproarious meals to share with her three beloved daughters, and meaningful celebrations of the high holidays to mark with her Melbourne rabbi, who makes house calls. Five years ago, she decided to invest some of that precious time in what became a friendship with me, across the world in Berlin, her birthplace.&lt;/p&gt;&lt;p&gt;The boredom of the pandemic certainly played a part. Cooped up at home under much stricter Covid-19 restrictions than we had in Germany – Sonja joked about being “&lt;em&gt;eingesperrt” &lt;/em&gt;(locked up) – she and her extended close-knit family started turning their attention to the&amp;nbsp;past. Her grandson Benjamin Preiss, a journalist at the Australian newspaper The Age, embarked on an &amp;nbsp;ambitious research project to uncover the mysteries of Sonja’s life and her mother’s and sister’s murders in the Holocaust.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/102-year-old-holocaust-survivor-berlin-australia-friendship-brass-plaques"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/friendship">Friendship</category>
      <category domain="https://www.theguardian.com/world/holocaust">Holocaust</category>
      <category domain="https://www.theguardian.com/world/nazism">Nazism</category>
      <category domain="https://www.theguardian.com/world/secondworldwar">Second world war</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Sun, 17 May 2026 03:00:27 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/102-year-old-holocaust-survivor-berlin-australia-friendship-brass-plaques</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/531e69e5f7fea3a8ae33fed7e6c817ac5e9f39f3/242_0_5002_4002/master/5002.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=75a008b82da064d8794b4987b61065da">
        <media:credit scheme="urn:ebu">Photograph: Charlie Kinross/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/531e69e5f7fea3a8ae33fed7e6c817ac5e9f39f3/242_0_5002_4002/master/5002.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=371a7ce1c4760ade9a79905a286f1d44">
        <media:credit scheme="urn:ebu">Photograph: Charlie Kinross/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/531e69e5f7fea3a8ae33fed7e6c817ac5e9f39f3/242_0_5002_4002/master/5002.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f1fcf1e20dc9734207c62970c9fca20a">
        <media:credit scheme="urn:ebu">Photograph: Charlie Kinross/The Guardian</media:credit>
      </media:content>
      <dc:creator>Deborah Cole</dc:creator>
      <dc:date>2026-05-17T03:00:27Z</dc:date>
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      <title>The moment I knew: After a 2,500km bike ride it clicked – marriage probably wouldn’t be the hardest thing we’d do</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/moment-knew-after-cycling-odyssey</link>
      <description>&lt;p&gt;For &lt;strong&gt;Evan Lewis&lt;/strong&gt; and Dat Tien Lewis, a cycling odyssey was a test of their relationship. A quiet whisky session revealed how far they’d come&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;Find more stories from &lt;a href="https://www.theguardian.com/lifeandstyle/series/the-moment-i-knew"&gt;the moment I knew series&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;I met Dat in San Francisco in 2015. I had left a tourism consulting role in China and moved to the US to start my own Mongolian vodka product. Dat was a specialised nurse. He loved being a nurse.&lt;/p&gt;&lt;p&gt;They say opposites attract and I think that rings true for us. He had this way of calming a room. Dat would arrive at a party and somehow the volume in the room would come down a little bit. He did the same with me. It was a very busy time trying to build my business but he was always there – very supportive and curious about what I was doing. We moved quite quickly into the relationship and spent a lot of time together.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/moment-knew-after-cycling-odyssey"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/australian-lifestyle">Australian lifestyle</category>
      <category domain="https://www.theguardian.com/lifeandstyle/marriage">Marriage</category>
      <category domain="https://www.theguardian.com/travel/cyclingholidays">Cycling holidays</category>
      <category domain="https://www.theguardian.com/lifeandstyle/relationships">Relationships</category>
      <category domain="https://www.theguardian.com/travel/europe">Europe holidays</category>
      <category domain="https://www.theguardian.com/travel/japan">Japan holidays</category>
      <pubDate>Sat, 16 May 2026 20:00:20 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/moment-knew-after-cycling-odyssey</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a23c15a10e4fd5a45f3f6fd97662c1e99f816eac/831_459_2959_2367/master/2959.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0be80ee379554dd4f37ded5686812179">
        <media:credit scheme="urn:ebu">Photograph: Evan Lewis and Dat Tien Lewis</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a23c15a10e4fd5a45f3f6fd97662c1e99f816eac/831_459_2959_2367/master/2959.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b31dc3b5de6daca816c3fc32fb30fc47">
        <media:credit scheme="urn:ebu">Photograph: Evan Lewis and Dat Tien Lewis</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a23c15a10e4fd5a45f3f6fd97662c1e99f816eac/831_459_2959_2367/master/2959.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=36db75ad1820dae3071f102344db28de">
        <media:credit scheme="urn:ebu">Photograph: Evan Lewis and Dat Tien Lewis</media:credit>
      </media:content>
      <dc:creator>As told to Rosamund Brennan</dc:creator>
      <dc:date>2026-05-16T20:00:20Z</dc:date>
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    <item>
      <title>Dyson Supersonic Travel hair dryer review: kiss goodbye to subpar holiday hair</title>
      <link>https://www.theguardian.com/thefilter/2026/may/17/dyson-supersonic-travel-hair-dryer-review</link>
      <description>&lt;p&gt;Fed up with frizzy and dehydrated locks? Dyson’s latest travel model allows effortless styling on the go – but at a cost&lt;/p&gt;&lt;p&gt;• &lt;a href="https://www.theguardian.com/thefilter/2025/aug/26/best-hairdryers-uk"&gt;&lt;strong&gt;The best hair dryers – tested&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;With the summer holidays fast approaching, the usual anxieties might be taking hold: pickpockets and touts, lost passport, severe sunburn, holiday tummy, and – perhaps most pressingly – the horrors of the hotel hair dryer. That last one is not to be underestimated: an outdated dryer with one scorching heat setting is a fast track to frizzy, dehydrated, unfabulous hair – not something you want immortalised in your holiday photos.&lt;/p&gt;&lt;p&gt;Worry not, though: Dyson promises to fix that particular woe. The British engineering brand has shrunk its &lt;a href="https://www.johnlewis.com/dyson-supersonic-curly-coily-hair-dryer-prussian-blue/p113563726"&gt;Supersonic&lt;/a&gt; into a smaller, lighter, travel-friendly dryer offering the same powerful airflow and heat-control technology as its full-size sibling. So does this admittedly very stylish compact dryer really justify its premium price?&lt;/p&gt; &lt;a href="https://www.theguardian.com/thefilter/2026/may/17/dyson-supersonic-travel-hair-dryer-review"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/hair-care">Hair care</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/fashion/beauty">Beauty</category>
      <category domain="https://www.theguardian.com/fashion/womens-hair">Women's hair</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <pubDate>Sun, 17 May 2026 13:00:39 GMT</pubDate>
      <guid>https://www.theguardian.com/thefilter/2026/may/17/dyson-supersonic-travel-hair-dryer-review</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/91da153f9cdbaff7be1823f2e4b25aff9d34af9c/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a1e847b725ea590479a31a52b4bc2e5a">
        <media:credit scheme="urn:ebu">Photograph: Lise Smith/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/91da153f9cdbaff7be1823f2e4b25aff9d34af9c/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3bcf74ff5bf1f32e0bb313270ceecccc">
        <media:credit scheme="urn:ebu">Photograph: Lise Smith/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/91da153f9cdbaff7be1823f2e4b25aff9d34af9c/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6831f7a14ca36fadb3f05c645886af94">
        <media:credit scheme="urn:ebu">Photograph: Lise Smith/The Guardian</media:credit>
      </media:content>
      <dc:creator>Lise Smith</dc:creator>
      <dc:date>2026-05-17T13:00:39Z</dc:date>
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    <item>
      <title>The food filter: ‘Don’t be fooled by fancy packaging’ – the best (and worst) supermarket shortbread, tasted and rated | The food filter</title>
      <link>https://www.theguardian.com/thefilter/2026/may/16/best-worst-supermarket-shortbread-tasted-rated</link>
      <description>&lt;p&gt;Dunk, nibble or wolf them down: this classic biscuit is at its best when it’s just sugar, butter and flour, so be wary of those that stray from the rules&lt;/p&gt;&lt;p&gt;• &lt;a href="https://www.theguardian.com/thefilter/2025/jan/18/best-chocolate-biscuits"&gt;The best extra-chocolatey biscuits&lt;/a&gt;&lt;/p&gt;&lt;p&gt;At its best and simplest, shortbread is made using a classic 1:2:3 ratio – one part sugar, two parts butter and three parts flour, by weight. Perhaps unsurprisingly, few supermarket shortbreads stick to that golden rule and include other ingredients such as cornflour and raising agents; they’re nothing to worry about – but some cut the butter (and costs) by using rapeseed oil, margarine or worse.&lt;/p&gt;&lt;p&gt;Unlike most manufactured products, however, the price of shortbread doesn’t always reflect the level of processing, and some of the cheapest are also the least processed. Look out for “all-butter” on the label, to make sure the shortbread doesn’t include oil and has that classic, buttery taste. And don’t be fooled by fancy packaging.&lt;/p&gt; &lt;a href="https://www.theguardian.com/thefilter/2026/may/16/best-worst-supermarket-shortbread-tasted-rated"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/food/biscuits">Biscuits</category>
      <category domain="https://www.theguardian.com/food/snacks">Snacks</category>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Sat, 16 May 2026 12:00:10 GMT</pubDate>
      <guid>https://www.theguardian.com/thefilter/2026/may/16/best-worst-supermarket-shortbread-tasted-rated</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/6886bbd00ed7e0291d70e28dedc357dcd7bd790d/403_0_6674_5342/master/6674.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e3c6537fa0972d2462b5a5cbc1936682">
        <media:credit scheme="urn:ebu">Photograph: Robert Billington/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/6886bbd00ed7e0291d70e28dedc357dcd7bd790d/403_0_6674_5342/master/6674.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=acf8d86eede9efd31e92a0baa15198e2">
        <media:credit scheme="urn:ebu">Photograph: Robert Billington/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/6886bbd00ed7e0291d70e28dedc357dcd7bd790d/403_0_6674_5342/master/6674.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ce9c3b7c4a78788cad7aad42fd33a1f8">
        <media:credit scheme="urn:ebu">Photograph: Robert Billington/The Guardian</media:credit>
      </media:content>
      <dc:creator>Tom Hunt</dc:creator>
      <dc:date>2026-05-16T12:00:10Z</dc:date>
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      <title>Jess Cartner-Morley’s 52 women’s summer wardrobe updates for under £100</title>
      <link>https://www.theguardian.com/thefilter/2026/may/15/womens-summer-wardrobe-updates-uk</link>
      <description>&lt;p&gt;Whether it’s sandals comfy enough for walking, linen trousers or timeless sunnies, the secret to great summer style is all about keeping things simple&lt;/p&gt;&lt;p&gt;Don’t overthink it. That’s the key to summer style. The best looks are the ones you reach for when you aren’t thinking about clothes, but about the sunny weather, the long evenings, the good times.&lt;/p&gt;&lt;p&gt;You’ll already have your summer anchors, the pieces you come back to every year. The sundress that always works. Denim shorts that only get better with age. A breezy linen shirt you can wear open over swimwear or tucked into just about anything. These are your personal treasures, the pieces that never let you down. But it wouldn’t be summer without a bit of personality thrown in. Suddenly there’s room for pieces that might have felt a bit “extra” a few months ago. Stripes, florals, a pop of red – they all work when the sun’s out.&lt;/p&gt; &lt;a href="https://www.theguardian.com/thefilter/2026/may/15/womens-summer-wardrobe-updates-uk"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/fashion/fashion">Fashion</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/fashion/womens-dresses">Women's dresses</category>
      <category domain="https://www.theguardian.com/fashion/women-s-tops">Women's tops</category>
      <category domain="https://www.theguardian.com/fashion/womens-coats">Women's coats and jackets</category>
      <category domain="https://www.theguardian.com/fashion/womens-shoes">Women's shoes</category>
      <category domain="https://www.theguardian.com/fashion/women-s-shirts">Women's shirts</category>
      <category domain="https://www.theguardian.com/fashion/accessories">Accessories</category>
      <pubDate>Fri, 15 May 2026 14:00:42 GMT</pubDate>
      <guid>https://www.theguardian.com/thefilter/2026/may/15/womens-summer-wardrobe-updates-uk</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/bbfca3d522a78838ad230adfebd691ddb98c9339/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0e1a02dea68ba340dca699913e421704">
        <media:credit scheme="urn:ebu">Photograph: Edward Berthelot/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/bbfca3d522a78838ad230adfebd691ddb98c9339/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=25c942dea02fe4137ac3c37f3a4f2422">
        <media:credit scheme="urn:ebu">Photograph: Edward Berthelot/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/bbfca3d522a78838ad230adfebd691ddb98c9339/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c5960070d72196dcd4d0d9d48a5dcbf9">
        <media:credit scheme="urn:ebu">Photograph: Edward Berthelot/Getty Images</media:credit>
      </media:content>
      <dc:creator>Jess Cartner-Morley</dc:creator>
      <dc:date>2026-05-15T14:00:42Z</dc:date>
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      <title>The best camping chairs in the UK: 12 genuinely comfortable outdoor chairs, tested</title>
      <link>https://www.theguardian.com/thefilter/2025/jun/24/best-camping-chairs-folding-uk</link>
      <description>&lt;p&gt;There’s a perfect perch for every camper. Here are our favourites, from ultralight models to inflatable pods&lt;/p&gt;&lt;p&gt;&lt;strong&gt;• &lt;/strong&gt;&lt;a href="https://www.theguardian.com/thefilter/2025/jun/20/best-tents-uk"&gt;&lt;strong&gt;The best tents for camping: 10 expert picks for every outdoor adventure&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;Ready to carry on camping this summer? I don’t think it’s an exaggeration to say that a good collapsible camping chair can change your life. If you’ve never used one before, you’ll be astonished at how comfy a folding chair is, letting you sit off the cold ground when you’re cooking, eating or just chilling out around the fire, and making every evening at camp a social occasion.&lt;/p&gt;&lt;p&gt;There’s a folding camping chair out there to suit everyone, including wild campers who only carry the &lt;a href="https://www.theguardian.com/thefilter/2025/jul/23/camping-essentials-uk"&gt;essentials&lt;/a&gt;, glampers and campervan fans who like a bit of luxury. I’ve tested 15 of the best folding camping chairs, from tiny portable stools that collapse to the size of a baguette to cushioned monster chairs that wouldn’t look out of place in your sitting room, at prices to suit all budgets and starting from just £15.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Best camping chair overall: &lt;br&gt;&lt;/strong&gt;Montbell Base Camp chair&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Best budget camping chair:&lt;/strong&gt;&lt;br&gt;
 Mountain Warehouse folding chair&lt;/p&gt; &lt;a href="https://www.theguardian.com/thefilter/2025/jun/24/best-camping-chairs-folding-uk"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/travel/camping">Camping holidays</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <category domain="https://www.theguardian.com/travel/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/lifeandstyle/gardens">Gardens</category>
      <pubDate>Fri, 15 May 2026 10:09:53 GMT</pubDate>
      <guid>https://www.theguardian.com/thefilter/2025/jun/24/best-camping-chairs-folding-uk</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/ad4417831d97e212e22a02abd98bc93ec1c18122/0_2095_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bca9e1b849fe24f277725bda823a2685">
        <media:credit scheme="urn:ebu">Composite: PR Image</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/ad4417831d97e212e22a02abd98bc93ec1c18122/0_2095_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=39cee49167e09c67998fbc699f1ef09d">
        <media:credit scheme="urn:ebu">Composite: PR Image</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/ad4417831d97e212e22a02abd98bc93ec1c18122/0_2095_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5fa7473900b70728cdc9cf87f361391d">
        <media:credit scheme="urn:ebu">Composite: PR Image</media:credit>
      </media:content>
      <dc:creator>Sian Lewis</dc:creator>
      <dc:date>2026-05-15T10:09:53Z</dc:date>
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    <item>
      <title>How to make the perfect risotto primavera - recipe | Felicity Cloake's How to make the perfect …</title>
      <link>https://www.theguardian.com/food/2026/may/17/how-to-make-the-perfect-risotto-primavera-recipe-felicity-cloake</link>
      <description>&lt;p&gt;Light enough for spring lunch, hearty enough to satisfy as dinner on a chilly night, and as good a starter as it is a main&lt;/p&gt;&lt;p&gt;I cannot preface this recipe better than&lt;a href="https://www.thetimes.com/life-style/food-drink/article/risotto-alla-primavera-spring-vegetable-risotto-recipe-fjm9jbhn6"&gt; Skye McAlpine, who writes that&lt;/a&gt;, “as the name suggests, this risotto is a celebration of spring and all the glorious, verdant produce the season brings with it”. Verdant, certainly, but also pleasingly dense – this is a dish that champions the abundance of this time of year, while also acknowledging that it can still be bloody chilly once the sun goes down, both here in the UK and in north-east Italy, where risotto originates. It’s also a dish that’s versatile enough to incorporate whatever looks good in your local area over the coming weeks, as well as one that can be served in smaller portions as a &lt;em&gt;primi piatti,&lt;/em&gt; or in more generous ones as a main course.&lt;/p&gt; &lt;a href="https://www.theguardian.com/food/2026/may/17/how-to-make-the-perfect-risotto-primavera-recipe-felicity-cloake"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/food/italian-food-and-drink">Italian food and drink</category>
      <category domain="https://www.theguardian.com/food/starter">Starter</category>
      <category domain="https://www.theguardian.com/food/main-course">Main course</category>
      <category domain="https://www.theguardian.com/food/rice">Rice</category>
      <category domain="https://www.theguardian.com/food/vegetables">Vegetables</category>
      <category domain="https://www.theguardian.com/food/cheese">Cheese</category>
      <category domain="https://www.theguardian.com/food/spring-food-and-drink">Spring food and drink</category>
      <pubDate>Sun, 17 May 2026 12:00:38 GMT</pubDate>
      <guid>https://www.theguardian.com/food/2026/may/17/how-to-make-the-perfect-risotto-primavera-recipe-felicity-cloake</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/3c57bdf4020c97432c111d2e47c4abe84cf9e0e4/207_1844_4988_3991/master/4988.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=546ab4f39c698031ad852f191532c759">
        <media:credit scheme="urn:ebu">Photograph: Robert Billington/The Guardian. Food styling: Loïc Parisot.</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/3c57bdf4020c97432c111d2e47c4abe84cf9e0e4/207_1844_4988_3991/master/4988.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dab2669e441eefcb193fd821c088804c">
        <media:credit scheme="urn:ebu">Photograph: Robert Billington/The Guardian. Food styling: Loïc Parisot.</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/3c57bdf4020c97432c111d2e47c4abe84cf9e0e4/207_1844_4988_3991/master/4988.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9c4176b921eb9132aae5b3f6340e508c">
        <media:credit scheme="urn:ebu">Photograph: Robert Billington/The Guardian. Food styling: Loïc Parisot.</media:credit>
      </media:content>
      <dc:creator>Felicity Cloake</dc:creator>
      <dc:date>2026-05-17T12:00:38Z</dc:date>
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      <title>Auguste, London E8: ‘Some fleeting moments of greatness’ – restaurant review | Grace Dent on restaurants</title>
      <link>https://www.theguardian.com/food/2026/may/17/auguste-london-e8-restaurant-review-grace-dent</link>
      <description>&lt;p&gt;As is the peril with most small plates restaurants, this meal is more a collection of loose ideas than a coherent dinner&lt;/p&gt;&lt;p&gt;&lt;a href="https://www.instagram.com/auguste__london"&gt;Auguste&lt;/a&gt;, a brand spanking new Italian restaurant in Hackney, east London, is named, loosely, after a clown. The &lt;a href="https://whitney.org/collection/works/6081"&gt;Edward Hopper painting Soir Bleu&lt;/a&gt; hangs on the wall, depicting a tragic sort in a whiteface mask sitting forlornly in a cafe surrounded by hipsters. The clown’s light veneer of calm, it seems, masks his bare tolerance of both his life and his fellow customers. Hopper painted it in 1914, and now, more than a century later, this same sad clown feels more than a little symbolic of all those who have chosen a life in hospitality at this time. Paint on a smile! Get out there! Make the crowds happy! If only business rates could be paid with a bucketload of glitter …&lt;/p&gt;&lt;p&gt;Auguste’s owners, chef Mike Bagnall and general manager Dylan Walters, have taken over the 32-seater premises formerly known as &lt;a href="https://www.theguardian.com/food/2023/may/05/papi-london-e8-restaurant-review-grace-dent"&gt;Papi&lt;/a&gt;, which recently upped sticks and moved on to a much larger site at &lt;a href="https://www.goldentooth.co.uk/"&gt;The Golden Tooth&lt;/a&gt; in Newington Green. The space has been transformed from its Papi days as an extremely hip, European-influenced, irreverent, small plates, low-intervention wine and hyper-cool spot, to its new incarnation as, well, an extremely hip, Abruzzo-influenced, irreverent, small plates, low-intervention wine and hyper-cool spot. &lt;em&gt;Plus ça change, plus c’est la même chose&lt;/em&gt;, you might be thinking, but &lt;em&gt;pas exactement&lt;/em&gt;! The room now has white tablecloths and the big draw on Auguste’s menu are its skewers or, to be precise, &lt;em&gt;arrosticini&lt;/em&gt;. Think tiny mini kebabs with the meat cut into 1cm cubes, then grilled over something called a &lt;em&gt;furnacella&lt;/em&gt;. The live-fire craze among London hospitality’s menfolk shows no signs of abating. Man make fire. Fire good.&lt;/p&gt; &lt;a href="https://www.theguardian.com/food/2026/may/17/auguste-london-e8-restaurant-review-grace-dent"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/food/restaurants">Restaurants</category>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/food/italian-food-and-drink">Italian food and drink</category>
      <pubDate>Sun, 17 May 2026 05:00:30 GMT</pubDate>
      <guid>https://www.theguardian.com/food/2026/may/17/auguste-london-e8-restaurant-review-grace-dent</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/8635d24f57208c32b2a9df899284dcfb8fcafdd7/757_0_5733_4587/master/5733.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ccd2a1b68dbb1a821a2cd9bb21f81f03">
        <media:credit scheme="urn:ebu">Photograph: Amy Heycock/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/8635d24f57208c32b2a9df899284dcfb8fcafdd7/757_0_5733_4587/master/5733.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e5c5a54d838cc8567831f5a51b72abfe">
        <media:credit scheme="urn:ebu">Photograph: Amy Heycock/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/8635d24f57208c32b2a9df899284dcfb8fcafdd7/757_0_5733_4587/master/5733.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=697050ac4f0ee0ab95484fc58630747e">
        <media:credit scheme="urn:ebu">Photograph: Amy Heycock/The Guardian</media:credit>
      </media:content>
      <dc:creator>Grace Dent</dc:creator>
      <dc:date>2026-05-17T05:00:30Z</dc:date>
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      <title>Meera Sodha’s recipe for cauliflower and parmesan risotto with lemon breadcrumbs | Meera Sodha recipes</title>
      <link>https://www.theguardian.com/food/2026/may/16/cauliflower-parmesan-risotto-recipe-lemon-breadcrumbs-meera-sodha</link>
      <description>&lt;p&gt;A lighter risotto made with whizzed cauliflower as well as rice, but with a reassuringly rich cheese sauce&lt;/p&gt;&lt;p&gt;In series eight of &lt;a href="https://www.theguardian.com/tv-and-radio/peep-show"&gt;Peep Show&lt;/a&gt;, Mark (David Mitchell) is working as a salesman in a bathroom shop when a customer asks him for a “modern but traditional” bathroom. Aghast, he tells the customer that these opposing styles can’t be married when his boss, Super Hans, swoops in to say they can: “Fancy taps but a rainforest shower head?” I was reminded of this silliness because here I’ve tried to create a risotto of opposing styles: lighter than a traditional one, because I’m using some blitzed cauliflower, while maintaining that richness you get from a cauliflower cheese. I think it works, but I’ll let you be the judge.&lt;/p&gt; &lt;a href="https://www.theguardian.com/food/2026/may/16/cauliflower-parmesan-risotto-recipe-lemon-breadcrumbs-meera-sodha"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/food/rice">Rice</category>
      <category domain="https://www.theguardian.com/food/vegetables">Vegetables</category>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/food/main-course">Main course</category>
      <category domain="https://www.theguardian.com/food/fruit">Fruit</category>
      <category domain="https://www.theguardian.com/food/bread">Bread</category>
      <category domain="https://www.theguardian.com/food/cheese">Cheese</category>
      <category domain="https://www.theguardian.com/food/italian-food-and-drink">Italian food and drink</category>
      <category domain="https://www.theguardian.com/food/herbs-and-spices">Herbs and spices</category>
      <pubDate>Sat, 16 May 2026 05:00:01 GMT</pubDate>
      <guid>https://www.theguardian.com/food/2026/may/16/cauliflower-parmesan-risotto-recipe-lemon-breadcrumbs-meera-sodha</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/1b927d1c40e29d354a0e86683277db7a332a4e45/0_1294_3663_2931/master/3663.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fbb474519d656f8ca2fa3fc3e98db981">
        <media:credit scheme="urn:ebu">Photograph: Louise Hagger/The Guardian,  Food Styling: Emily Kydd, Prop Styling: Jennifer Kay, Food Styling Assistant: Eden Owen-Jones</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/1b927d1c40e29d354a0e86683277db7a332a4e45/0_1294_3663_2931/master/3663.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fdbe7dc3728043064a64d0ee6537c131">
        <media:credit scheme="urn:ebu">Photograph: Louise Hagger/The Guardian,  Food Styling: Emily Kydd, Prop Styling: Jennifer Kay, Food Styling Assistant: Eden Owen-Jones</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/1b927d1c40e29d354a0e86683277db7a332a4e45/0_1294_3663_2931/master/3663.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ecbaaf33b6b20f80ce2d22b26d46f4d3">
        <media:credit scheme="urn:ebu">Photograph: Louise Hagger/The Guardian,  Food Styling: Emily Kydd, Prop Styling: Jennifer Kay, Food Styling Assistant: Eden Owen-Jones</media:credit>
      </media:content>
      <dc:creator>Meera Sodha</dc:creator>
      <dc:date>2026-05-16T05:00:01Z</dc:date>
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    <item>
      <title>Dates double in sales as consumers move away from ultra-processed snacks</title>
      <link>https://www.theguardian.com/food/2026/may/15/dates-food-health-social-media-trends</link>
      <description>&lt;p&gt;Viral recipes and fibre awareness boost demand for sweet fruit amid shift towards healthier alternatives&lt;/p&gt;&lt;p&gt;Instead of a customary biscuit or a chocolate bar to combat the 4pm slump, people are reaching for a more natural sweet alternative: dates.&lt;/p&gt;&lt;p&gt;The sweet fruit has been thrust into the snacking spotlight by a combination of viral recipes on social media, growing awareness about fibre intake and increasing demand for alternatives to ultra-processed foods.&lt;/p&gt; &lt;a href="https://www.theguardian.com/food/2026/may/15/dates-food-health-social-media-trends"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/food/snacks">Snacks</category>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/food/fruit">Fruit</category>
      <category domain="https://www.theguardian.com/media/social-media">Social media</category>
      <category domain="https://www.theguardian.com/society/ultra-processed-foods">Ultra-processed foods</category>
      <category domain="https://www.theguardian.com/lifeandstyle/diets-dieting">Diets and dieting</category>
      <category domain="https://www.theguardian.com/business/fooddrinks">Food &amp; drink industry</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Fri, 15 May 2026 13:00:42 GMT</pubDate>
      <guid>https://www.theguardian.com/food/2026/may/15/dates-food-health-social-media-trends</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/280f4e18a1995e41a3a987926918766051e3707d/450_0_5006_4004/master/5006.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3b45c54b12c8de23ce187e318643662e">
        <media:credit scheme="urn:ebu">Photograph: Arx0nt/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/280f4e18a1995e41a3a987926918766051e3707d/450_0_5006_4004/master/5006.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9ff9c5ded705c3d6d51cfad07c7720d1">
        <media:credit scheme="urn:ebu">Photograph: Arx0nt/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/280f4e18a1995e41a3a987926918766051e3707d/450_0_5006_4004/master/5006.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b5eafd622af8303489d9495806c33dc6">
        <media:credit scheme="urn:ebu">Photograph: Arx0nt/Getty Images</media:credit>
      </media:content>
      <dc:creator>Chloe Mac Donnell</dc:creator>
      <dc:date>2026-05-15T13:00:42Z</dc:date>
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    <item>
      <title>This is how we do it: ‘My sex life with her is completely separate to my life as a divorced father’</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/this-is-how-we-do-it-sex-life-after-divorce-late-forties</link>
      <description>&lt;p&gt;A casual arrangement became something more substantial for Shani and Can, who are happy living in the moment&lt;br&gt;• &lt;a href="https://www.theguardian.com/lifeandstyle/2026/mar/04/would-you-and-your-sexual-partner-like-to-share-the-story-of-what-you-get-up-to-in-the-bedroom"&gt;&lt;strong&gt;How do you do it? Share the story of your sex life, anonymously&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;I was used to telling people that I could only offer them adventure, but with Shani that wasn’t true&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/this-is-how-we-do-it-sex-life-after-divorce-late-forties"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/lifeandstyle/sex">Sex</category>
      <category domain="https://www.theguardian.com/lifeandstyle/relationships">Relationships</category>
      <pubDate>Sun, 17 May 2026 10:00:36 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/this-is-how-we-do-it-sex-life-after-divorce-late-forties</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/6b57d326862d5435b30c1b089b2718b512ac43e0/0_0_2000_1600/master/2000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ff49c03f3f9e907ed0fb2d3b4057b286">
        <media:credit scheme="urn:ebu">Illustration: Ryan Gillett/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/6b57d326862d5435b30c1b089b2718b512ac43e0/0_0_2000_1600/master/2000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b399da27808e6db63d564fd313fa55a1">
        <media:credit scheme="urn:ebu">Illustration: Ryan Gillett/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/6b57d326862d5435b30c1b089b2718b512ac43e0/0_0_2000_1600/master/2000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=47a7ee9593caf2d44f174699a4e13b4e">
        <media:credit scheme="urn:ebu">Illustration: Ryan Gillett/The Guardian</media:credit>
      </media:content>
      <dc:creator>As told to Olivia Ladanyi</dc:creator>
      <dc:date>2026-05-17T10:00:36Z</dc:date>
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    <item>
      <title>Blind date: ‘Distance shouldn’t stand in the way of love … I did have to catch the last train home though’</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/16/blind-date-frances-eddie</link>
      <description>&lt;p&gt;Frances, 77, a retired marketing manager, meets Eddie, 86, an activist&lt;/p&gt;&lt;p&gt;&lt;strong&gt;What were you hoping for?&lt;/strong&gt;&lt;br&gt;
 A lovely evening with pleasant company.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/16/blind-date-frances-eddie"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/dating">Dating</category>
      <category domain="https://www.theguardian.com/lifeandstyle/relationships">Relationships</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Sat, 16 May 2026 05:00:03 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/16/blind-date-frances-eddie</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/3410b25ec4d42f3798f423c7b0557ac7b8c4f12c/0_0_5000_4000/master/5000.png?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9e79e8dcb108ca5240ab88941c7d05e4">
        <media:credit scheme="urn:ebu">Composite: Fabio De Paola &amp; Alicia Canter</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/3410b25ec4d42f3798f423c7b0557ac7b8c4f12c/0_0_5000_4000/master/5000.png?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3aa8f0a273405654523cacf25b31ca87">
        <media:credit scheme="urn:ebu">Composite: Fabio De Paola &amp; Alicia Canter</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/3410b25ec4d42f3798f423c7b0557ac7b8c4f12c/0_0_5000_4000/master/5000.png?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=aeb15e523fb7771d71dfd8be34401d43">
        <media:credit scheme="urn:ebu">Composite: Fabio De Paola &amp; Alicia Canter</media:credit>
      </media:content>
      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2026-05-16T05:00:03Z</dc:date>
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    <item>
      <title>Killer counterfeits: the flea treatments that could send you rushing to the vet</title>
      <link>https://www.theguardian.com/money/2026/may/17/killer-counterfeits-flea-treatments-rushing-to-vet-fake-chemicals</link>
      <description>&lt;p&gt;Some cheap fakes contain toxic chemicals that make pets seriously unwell – and leave you with a big bill&lt;/p&gt;&lt;p&gt;You want to save money whenever you can so when you see the usual brand of flea treatment for your cat listed at half the normal price, you click “buy”.&lt;/p&gt;&lt;p&gt;It arrives and you apply it to your pet, but they fall ill and you have to rush to the vet for treatment.&lt;/p&gt; &lt;a href="https://www.theguardian.com/money/2026/may/17/killer-counterfeits-flea-treatments-rushing-to-vet-fake-chemicals"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/pets">Pets</category>
      <category domain="https://www.theguardian.com/money/scamsandfraud">Scams</category>
      <category domain="https://www.theguardian.com/money/consumer-affairs">Consumer affairs</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/money/money">Money</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sun, 17 May 2026 06:00:31 GMT</pubDate>
      <guid>https://www.theguardian.com/money/2026/may/17/killer-counterfeits-flea-treatments-rushing-to-vet-fake-chemicals</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/cb1d12c0517809ab0f2d268804cd1ee06d1f4cdf/956_244_2688_2150/master/2688.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=49306e45ee9c1d2de76d87dbcc08bba4">
        <media:credit scheme="urn:ebu">Photograph: Simon Leigh/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/cb1d12c0517809ab0f2d268804cd1ee06d1f4cdf/956_244_2688_2150/master/2688.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=910bf9aa393eb4e41515723194081f74">
        <media:credit scheme="urn:ebu">Photograph: Simon Leigh/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/cb1d12c0517809ab0f2d268804cd1ee06d1f4cdf/956_244_2688_2150/master/2688.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4bb467c160e95a8a5ea403f7e91062cd">
        <media:credit scheme="urn:ebu">Photograph: Simon Leigh/Alamy</media:credit>
      </media:content>
      <dc:creator>Shane Hickey</dc:creator>
      <dc:date>2026-05-17T06:00:31Z</dc:date>
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    <item>
      <title>‘The Iran war left my insurance policy void’: how the conflict is affecting travellers</title>
      <link>https://www.theguardian.com/money/2026/may/16/travel-insurance-refund-iran-war-policy-void-uk-travellers</link>
      <description>&lt;p&gt;A student could lose hundreds after the UK changed travel advice – others face flight cancellations due to fuel shortages&lt;/p&gt;&lt;p&gt;In February, when Lottie Cornwall booked a summer trip to Lebanon, she was excited at the prospect of introducing her boyfriend to her Lebanese extended family.&lt;/p&gt;&lt;p&gt;“My mum’s whole side of the family live there,” she says. “I last saw my grandmother and cousins in 2022. My heritage means everything to me, and this was a chance for my boyfriend to meet my family, and to show him where I come from and why I’m so in love with it.”&lt;/p&gt; &lt;a href="https://www.theguardian.com/money/2026/may/16/travel-insurance-refund-iran-war-policy-void-uk-travellers"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/money/travelinsurance">Travel insurance</category>
      <category domain="https://www.theguardian.com/business/insurance">Insurance industry</category>
      <category domain="https://www.theguardian.com/business/travelleisure">Travel &amp; leisure</category>
      <category domain="https://www.theguardian.com/money/consumer-affairs">Consumer affairs</category>
      <category domain="https://www.theguardian.com/money/insurance">Insurance</category>
      <category domain="https://www.theguardian.com/money/money">Money</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/world/us-israel-war-on-iran">US-Israel war on Iran</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/travel/lebanon">Lebanon</category>
      <pubDate>Sat, 16 May 2026 09:04:55 GMT</pubDate>
      <guid>https://www.theguardian.com/money/2026/may/16/travel-insurance-refund-iran-war-policy-void-uk-travellers</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f502c706d87a4fe63b86c478dfdc13108a6c673c/55_0_2500_2000/master/2500.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=4aa86952a58c86aa336ed9074b1a3f4f">
        <media:credit scheme="urn:ebu">Photograph: Lara Safa/Getty Images/500px</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f502c706d87a4fe63b86c478dfdc13108a6c673c/55_0_2500_2000/master/2500.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=85cdee099ffd781a5ba03f49ff1c791e">
        <media:credit scheme="urn:ebu">Photograph: Lara Safa/Getty Images/500px</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f502c706d87a4fe63b86c478dfdc13108a6c673c/55_0_2500_2000/master/2500.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0d4847c36e0ba106a6a3dc1b74388c75">
        <media:credit scheme="urn:ebu">Photograph: Lara Safa/Getty Images/500px</media:credit>
      </media:content>
      <dc:creator>Zoe Wood</dc:creator>
      <dc:date>2026-05-16T09:04:55Z</dc:date>
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    <item>
      <title>Royal Caribbean ‘unfairly’ charged me over booking for disabled son</title>
      <link>https://www.theguardian.com/money/2026/may/12/royal-caribbean-booking-disabled-son-cruise</link>
      <description>&lt;p&gt;We had booked a cruise for him and his carers, but we had a string of problems when we tried to change names&lt;/p&gt;&lt;p&gt;&lt;strong&gt;In November 2024, I booked a cruise for my wife, myself and our severely disabled son &lt;/strong&gt;&lt;strong&gt;for this July. I’d booked well in advance to ensure an accessible cabin for my son. &lt;/strong&gt;&lt;strong&gt;At home, he needs &lt;/strong&gt;&lt;strong&gt;round-the-clock care from a rota of eight carers, so we &lt;/strong&gt;&lt;strong&gt;made &lt;/strong&gt;&lt;strong&gt;extra &lt;/strong&gt;&lt;strong&gt;bookings for &lt;/strong&gt;&lt;strong&gt;three to accompany him.&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;Because the care team has other commitments, I couldn’t confirm their names at the time of booking and was told to do so by this April, when the balance had to be paid.&lt;/strong&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/money/2026/may/12/royal-caribbean-booking-disabled-son-cruise"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/money/money">Money</category>
      <category domain="https://www.theguardian.com/money/consumer-affairs">Consumer affairs</category>
      <category domain="https://www.theguardian.com/money/consumer-rights-money">Consumer rights</category>
      <category domain="https://www.theguardian.com/world/disability">Disability</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <category domain="https://www.theguardian.com/travel/cruises">Cruises</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <pubDate>Tue, 12 May 2026 06:00:16 GMT</pubDate>
      <guid>https://www.theguardian.com/money/2026/may/12/royal-caribbean-booking-disabled-son-cruise</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/8bfdcf8e431593bcf6ae038ca109ef4e23e277a9/642_0_2823_2260/master/2823.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8b7c75f479e3f1f5f63d62b74821ed4b">
        <media:credit scheme="urn:ebu">Photograph: Joe Raedle/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/8bfdcf8e431593bcf6ae038ca109ef4e23e277a9/642_0_2823_2260/master/2823.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0efef64069dd1e4fd9ce2312a4dcdf2c">
        <media:credit scheme="urn:ebu">Photograph: Joe Raedle/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/8bfdcf8e431593bcf6ae038ca109ef4e23e277a9/642_0_2823_2260/master/2823.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5c234d40daf9c80f4c2b75226c306e1c">
        <media:credit scheme="urn:ebu">Photograph: Joe Raedle/Getty Images</media:credit>
      </media:content>
      <dc:creator>Anna Tims</dc:creator>
      <dc:date>2026-05-12T06:00:16Z</dc:date>
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    <item>
      <title>UK savings: six traps to avoid when you’re finding a new deal</title>
      <link>https://www.theguardian.com/money/2026/may/11/uk-savings-traps-new-deal-account-good-rates</link>
      <description>&lt;p&gt;If you are looking for a new account, there are some good rates around, but also pitfalls to watch out for&lt;/p&gt;&lt;p&gt;Earning as much as 7% on your savings sounds great – but what’s the catch? The top-paying accounts often come with strings attached, which could mean your money is not working as hard as you thought.&lt;/p&gt;&lt;p&gt;That’s important because there is a lot of cash sitting in fixed-rate savings accounts that are about to reach the end of their term. The total amount in accounts maturing between April and June is £90bn, according to the savings app Spring – and that money will need to find a new home.&lt;/p&gt; &lt;a href="https://www.theguardian.com/money/2026/may/11/uk-savings-traps-new-deal-account-good-rates"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/money/savings">Savings</category>
      <category domain="https://www.theguardian.com/money/savings-rates">Savings rates</category>
      <category domain="https://www.theguardian.com/money/banks">Banks and building societies</category>
      <category domain="https://www.theguardian.com/money/money">Money</category>
      <category domain="https://www.theguardian.com/business/banking">Banking</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Mon, 11 May 2026 06:00:47 GMT</pubDate>
      <guid>https://www.theguardian.com/money/2026/may/11/uk-savings-traps-new-deal-account-good-rates</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/e80e1fa5bf4a45cbee7e0cbaa15024505b78613b/0_0_4404_3523/master/4404.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b26772f2e2c71cb3c9b06fe2d044e246">
        <media:credit scheme="urn:ebu">Photograph: Warren Bourne/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/e80e1fa5bf4a45cbee7e0cbaa15024505b78613b/0_0_4404_3523/master/4404.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=213a80486fc52cc15235bbc4263055ba">
        <media:credit scheme="urn:ebu">Photograph: Warren Bourne/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/e80e1fa5bf4a45cbee7e0cbaa15024505b78613b/0_0_4404_3523/master/4404.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=dc040d97863cbc097d1041da8087e2ff">
        <media:credit scheme="urn:ebu">Photograph: Warren Bourne/Alamy</media:credit>
      </media:content>
      <dc:creator>Holly Mead</dc:creator>
      <dc:date>2026-05-11T06:00:47Z</dc:date>
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    <item>
      <title>Readers reply: Which organisms are most beneficial to humans without us realising?</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/17/readers-reply-which-organisms-are-most-beneficial-to-humans-without-us-realising</link>
      <description>&lt;p&gt;The long-running series in which readers answer other readers’ questions on subjects ranging from trivial flights of fancy to profound scientific and philosophical concepts&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;This week’s question: &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/youre-supposed-to-be-quiet-in-the-cinema-so-why-are-the-snacks-so-loud"&gt;You’re supposed to be quiet in the cinema. So why are the snacks so loud?&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;I was recently beset by a plague of clothes moths. After hours of research, I discovered the miracle that is the parasitic wasp, or &lt;em&gt;Trichogramma evanescens&lt;/em&gt; – near-microscopic beasts that you can order online (in sachets of 2,000 wasps!), the life’s calling of which is to destroy clothes moth eggs.&lt;/p&gt;&lt;p&gt;It made me wonder: is there anything else in our daily lives that is so beneficial to us, but which few of us have heard of – or realise is there? &lt;em&gt;John Forward, Brixton&lt;/em&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/17/readers-reply-which-organisms-are-most-beneficial-to-humans-without-us-realising"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/environment/bees">Bees</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/environment/insects">Insects</category>
      <category domain="https://www.theguardian.com/environment/wildlife">Wildlife</category>
      <category domain="https://www.theguardian.com/lifeandstyle/health-and-wellbeing">Health &amp; wellbeing</category>
      <category domain="https://www.theguardian.com/world/animals">Animals</category>
      <category domain="https://www.theguardian.com/science/fungi">Fungi</category>
      <category domain="https://www.theguardian.com/science/science">Science</category>
      <pubDate>Sun, 17 May 2026 13:00:41 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/17/readers-reply-which-organisms-are-most-beneficial-to-humans-without-us-realising</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/6fe6ce8ce3ca44c628fd10968407dbee605c174a/288_0_4691_3754/master/4691.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f5a8318bb14e44cee6b661e84eeb07a9">
        <media:credit scheme="urn:ebu">Photograph: Dominika Zarzycka/SOPA Images/Shutterstock</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/6fe6ce8ce3ca44c628fd10968407dbee605c174a/288_0_4691_3754/master/4691.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=cd7849da1e3ee5b64694b209b77447d8">
        <media:credit scheme="urn:ebu">Photograph: Dominika Zarzycka/SOPA Images/Shutterstock</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/6fe6ce8ce3ca44c628fd10968407dbee605c174a/288_0_4691_3754/master/4691.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=23522c25671a58730315621a54acecf0">
        <media:credit scheme="urn:ebu">Photograph: Dominika Zarzycka/SOPA Images/Shutterstock</media:credit>
      </media:content>
      <dc:creator />
      <dc:date>2026-05-17T13:00:41Z</dc:date>
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      <title>Antidepressants in pregnancy do not raise children’s risk of autism or ADHD, study finds</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/14/antidepressants-pregnancy-not-raise-childrens-risk-autism-adhd-stud</link>
      <description>&lt;p&gt;Researchers say risk comes from ‘other factors, including genetic predisposition to mental health conditions’&lt;/p&gt;&lt;p&gt;Taking antidepressants during pregnancy does not increase the risk of children going on to develop autism or attention deficit hyperactivity disorder (ADHD), according to an analysis of more than half a million pregnancies.&lt;/p&gt;&lt;p&gt;The &lt;a href="https://info.thelancet.com/e3t/Ctc/RF+113/cs6tF04/VVR7W41RVKPcW6bLvpz6bSb7cW7FnbcL5N_KgtN3DlwGW3qgz0W95jsWP6lZ3lMW8WwqXZ5lVHdrW749z_L31ssMbW1JZWSC1hF_RcVVCKl37nzWvSN8MZ8BBD4-DKW1jMQ0Z1b9gL3W5dCmql3qLGbVW7pFwzz6hm7fqW5vJfrb1cwlghN6VfqrkVxHhdW5BbhYG5lZRf-W2xKQ8Q3y3KK2W838q_r641BWPW4xC4d25v8k46W1QflC21d6JR1W5VBq7N262s20W54nh2f3DrwtmW45v_xX15y2GdW7HZK8f8slS63M8Qq60By1VfVgMp7c8xNDW1N2wKb6bRhzRTW6cbm8W46mCRQW2Ftj0K1YcrXdW5H5xBm4QY6mSW7gLmq471lrWLW30W2d18fglq4W6zkn103H8jlGW3ylgDR6KlRSfN5Rt57Hd26qjf4WXwhY04"&gt;study&lt;/a&gt;, conducted by researchers at the University of Hong Kong and published in the Lancet Psychiatry, analysed data from 37 existing studies that included 600,000 pregnant women who had taken antidepressants, and 25 million women who had no antidepressant use during their pregnancies.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/14/antidepressants-pregnancy-not-raise-childrens-risk-autism-adhd-stud"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/pregnancy">Pregnancy</category>
      <category domain="https://www.theguardian.com/society/mental-health">Mental health</category>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/society/depression">Depression</category>
      <category domain="https://www.theguardian.com/society/childrens-health">Children's health</category>
      <category domain="https://www.theguardian.com/society/autism">Autism</category>
      <category domain="https://www.theguardian.com/society/neurodiversity">Neurodiversity</category>
      <category domain="https://www.theguardian.com/society/attention-deficit-hyperactivity-disorder">Attention deficit hyperactivity disorder</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <pubDate>Thu, 14 May 2026 22:30:19 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/14/antidepressants-pregnancy-not-raise-childrens-risk-autism-adhd-stud</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/aee4de41e3c515cce611126390b36da4322b174c/637_0_6880_5504/master/6880.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3ac89e878a7f31e9e13e390848144e74">
        <media:credit scheme="urn:ebu">Photograph: Posed by model; d3sign/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/aee4de41e3c515cce611126390b36da4322b174c/637_0_6880_5504/master/6880.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7ee14e98b012a62f1e2d58cbe00320e3">
        <media:credit scheme="urn:ebu">Photograph: Posed by model; d3sign/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/aee4de41e3c515cce611126390b36da4322b174c/637_0_6880_5504/master/6880.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=50563d3cde4556df282e36f131c72f34">
        <media:credit scheme="urn:ebu">Photograph: Posed by model; d3sign/Getty Images</media:credit>
      </media:content>
      <dc:creator>Tobi Thomas Health and inequalities correspondent</dc:creator>
      <dc:date>2026-05-14T22:30:19Z</dc:date>
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    <item>
      <title>Getting children to eat their vegetables starts in the womb, researchers suggest</title>
      <link>https://www.theguardian.com/society/2026/may/13/children-eat-vegetables-starts-in-womb-researchers-suggest</link>
      <description>&lt;p&gt;Rather than bribery, or hiding carrots under ketchup, the key may be to expose foetuses to healthy flavours&lt;/p&gt;&lt;p&gt;It is an age-old battle with small children that most parents will recognise: please, please, eat your vegetables.&lt;/p&gt;&lt;p&gt;Some will read them books &lt;a href="https://www.youtube.com/watch?v=pxF45T51W9E"&gt;with titles such as The Boy Who Loved Broccoli&lt;/a&gt;. Others have been known to smother veg in tomato ketchup, or &lt;a href="https://www.theguardian.com/lifeandstyle/ng-interactive/2025/oct/11/getting-kids-eat-veg-curbing-screen-time-parenting-hacks-that-actually-work"&gt;mix avocado and fruit with Greek yoghurt and call it icecream&lt;/a&gt;. Or resort to plain bribery.&lt;/p&gt; &lt;a href="https://www.theguardian.com/society/2026/may/13/children-eat-vegetables-starts-in-womb-researchers-suggest"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/society/health">Health</category>
      <category domain="https://www.theguardian.com/lifeandstyle/parents-and-parenting">Parents and parenting</category>
      <category domain="https://www.theguardian.com/science/medical-research">Medical research</category>
      <category domain="https://www.theguardian.com/society/children">Children</category>
      <category domain="https://www.theguardian.com/food/vegetables">Vegetables</category>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/lifeandstyle/family">Family</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/science/science">Science</category>
      <category domain="https://www.theguardian.com/education/durhamuniversity">Durham University</category>
      <category domain="https://www.theguardian.com/society/society">Society</category>
      <category domain="https://www.theguardian.com/education/higher-education">Higher education</category>
      <category domain="https://www.theguardian.com/education/cambridgeuniversity">University of Cambridge</category>
      <pubDate>Wed, 13 May 2026 04:00:21 GMT</pubDate>
      <guid>https://www.theguardian.com/society/2026/may/13/children-eat-vegetables-starts-in-womb-researchers-suggest</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/9608d701d253e603b352aae6378d2c1ea8888161/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6d432d0d5cfe05bda3ae2854f6bb2314">
        <media:credit scheme="urn:ebu">Composite: Durham University</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/9608d701d253e603b352aae6378d2c1ea8888161/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f67a81b99f3e279f02471c302f2b09c8">
        <media:credit scheme="urn:ebu">Composite: Durham University</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/9608d701d253e603b352aae6378d2c1ea8888161/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c6a3247b7b1b697de991e4bd39f8038d">
        <media:credit scheme="urn:ebu">Composite: Durham University</media:credit>
      </media:content>
      <dc:creator>Mark Brown</dc:creator>
      <dc:date>2026-05-13T04:00:21Z</dc:date>
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      <title>Capes, crinkles and couture: the best red carpet looks from the Cannes film festival – in pictures</title>
      <link>https://www.theguardian.com/fashion/gallery/2026/may/16/capes-crinkles-and-couture-the-best-red-carpet-looks-from-the-cannes-film-festival-in-pictures</link>
      <description>&lt;p&gt;The style on the Croisette is off to a strong start&lt;/p&gt; &lt;a href="https://www.theguardian.com/fashion/gallery/2026/may/16/capes-crinkles-and-couture-the-best-red-carpet-looks-from-the-cannes-film-festival-in-pictures"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/fashion/fashion">Fashion</category>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sat, 16 May 2026 05:01:01 GMT</pubDate>
      <guid>https://www.theguardian.com/fashion/gallery/2026/may/16/capes-crinkles-and-couture-the-best-red-carpet-looks-from-the-cannes-film-festival-in-pictures</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/b2c6236735c17a0848af2ce16fed1b35d1c3c941/846_212_4064_3252/master/4064.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8648ab71fc3c7854d87079349acedf58">
        <media:credit scheme="urn:ebu">Photograph: Sameer Al-Doumy/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/b2c6236735c17a0848af2ce16fed1b35d1c3c941/846_212_4064_3252/master/4064.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ca5d5efc8e9688c6286491090d31c323">
        <media:credit scheme="urn:ebu">Photograph: Sameer Al-Doumy/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/b2c6236735c17a0848af2ce16fed1b35d1c3c941/846_212_4064_3252/master/4064.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=34f14c7eb409781357894f13b031fac2">
        <media:credit scheme="urn:ebu">Photograph: Sameer Al-Doumy/AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Matt Fidler, Chloe Mac Donnell</dc:creator>
      <dc:date>2026-05-16T05:01:01Z</dc:date>
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      <title>‘Super-glamorous’: older women in the spotlight at Cannes film festival</title>
      <link>https://www.theguardian.com/fashion/2026/may/15/older-women-spotlight-cannes-film-festival-red-carpet-diversity</link>
      <description>&lt;p&gt;Joan Collins, Catherine Deneuve, Isabella Rossellini and Jane Fonda among those representing wider age diversity on red carpet&lt;/p&gt;&lt;p&gt;The Cannes red carpet is, without question, a home of glamour. But in 2026 that glamour has a different spin. The women gaining the most headlines for style are, for once, over 70.&lt;/p&gt;&lt;p&gt;Joan Collins, 92, walked the red carpet this week in a white sculptural strapless gown by Stéphane Rolland. Jane Fonda, 88, wore a floor-length sequined Gucci dress. Isabella Rossellini, 73, has been seen wearing a striking patterned two-piece, while Catherine Deneuve, 82, was chic in forest-green satin and hoop earrings.&lt;/p&gt; &lt;a href="https://www.theguardian.com/fashion/2026/may/15/older-women-spotlight-cannes-film-festival-red-carpet-diversity"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/women">Women</category>
      <category domain="https://www.theguardian.com/society/older-people">Older people</category>
      <category domain="https://www.theguardian.com/fashion/fashion">Fashion</category>
      <category domain="https://www.theguardian.com/film/cannesfilmfestival">Cannes film festival</category>
      <category domain="https://www.theguardian.com/fashion/models">Models</category>
      <category domain="https://www.theguardian.com/fashion/fashion-industry">Fashion industry</category>
      <category domain="https://www.theguardian.com/fashion/saint-laurent">Saint Laurent</category>
      <category domain="https://www.theguardian.com/fashion/gucci">Gucci</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/culture/festivals">Festivals</category>
      <pubDate>Fri, 15 May 2026 14:02:05 GMT</pubDate>
      <guid>https://www.theguardian.com/fashion/2026/may/15/older-women-spotlight-cannes-film-festival-red-carpet-diversity</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/caf565cd9dcc8918c78083ee63374d2c5496dace/0_0_5975_4780/master/5975.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a5d0d0b0aae1f9f7b1d8f270e5b9cf70">
        <media:credit scheme="urn:ebu">Photograph: Olivier Chassignole/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/caf565cd9dcc8918c78083ee63374d2c5496dace/0_0_5975_4780/master/5975.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=f7ecd9dc34fb5d58fa7d81f4da380122">
        <media:credit scheme="urn:ebu">Photograph: Olivier Chassignole/AFP/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/caf565cd9dcc8918c78083ee63374d2c5496dace/0_0_5975_4780/master/5975.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7f5113990f067df61e50e7d6347560dc">
        <media:credit scheme="urn:ebu">Photograph: Olivier Chassignole/AFP/Getty Images</media:credit>
      </media:content>
      <dc:creator>Lauren Cochrane</dc:creator>
      <dc:date>2026-05-15T14:02:05Z</dc:date>
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    <item>
      <title>All in the mind: are exercise slides the next ugly shoe?</title>
      <link>https://www.theguardian.com/fashion/2026/may/14/are-exercise-slides-the-next-ugly-shoe-nike-mind-hoka</link>
      <description>&lt;p&gt;From Nike Mind, with its pre-game benefits, to recovery shoes from Hoka, bulbous sporty footwear is moving into fashionable circles. Will we see it beyond the jogging track this summer?&lt;/p&gt;&lt;p&gt;&lt;strong&gt;• &lt;/strong&gt;&lt;a href="https://www.theguardian.com/global/2022/sep/20/sign-up-for-the-fashion-statement-newsletter-our-free-fashion-email"&gt;&lt;strong&gt;Don’t get Fashion Statement delivered to your inbox? Sign up here&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;p&gt;When the much-hyped Nike Mind shoes were released in January, I bought a pair. I was grabbed by the idea that the orange nodules on the sole could&lt;strong&gt;, &lt;/strong&gt;supposedly, focus the mind. The futuristic look of the shoe also appeals. If walking on knobbly things took a bit of getting used to, it was worth it – if only for that irresistible fashion smugness of having something rare. In the last week, I have been stopped in the street and asked where I got the shoes. It turns out they are now out of stock and have sold &lt;a href="https://www.goat.com/en-gb/sneakers/nike-mind-001-black-hq4307-001"&gt;for over £300&lt;/a&gt; on resale site Goat.&lt;/p&gt;&lt;p&gt;The Mind is part of a wider trend in “exercise slides”, a pre-game shoe designed to ground you ahead of your chosen activity. Nike claim that the 22 nodules on the sole stimulate the mechanoreceptors on your feet, engaging the sensory area of your brain, meaning focus is heightened. Meanwhile, recovery slides made by brands such as Hoka and Oofos use cushioned soles and a shape that cradles the foot to helpfight foot fatigue after a lot of exercise. The Mind are worn by footballers including Erling Haaland and Reece James, runner Keely Hodgkinson and basketball players Victor Wembanyama and A’ja Wilson, while ballerina Francesca Hayward namechecks Hoka’s slides as part of her daily routine.&lt;/p&gt; &lt;a href="https://www.theguardian.com/fashion/2026/may/14/are-exercise-slides-the-next-ugly-shoe-nike-mind-hoka"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/fashion/fashion">Fashion</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Fri, 15 May 2026 05:00:29 GMT</pubDate>
      <guid>https://www.theguardian.com/fashion/2026/may/14/are-exercise-slides-the-next-ugly-shoe-nike-mind-hoka</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/c84df4d89cb7ba98ea9774066d7cc0518879fe91/306_0_2587_2070/master/2587.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5dbcb2e528ffa6361c029eddb80ec801">
        <media:credit scheme="urn:ebu">Photograph: Nike</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/c84df4d89cb7ba98ea9774066d7cc0518879fe91/306_0_2587_2070/master/2587.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=551d2abb54428fad2fc089940783af5a">
        <media:credit scheme="urn:ebu">Photograph: Nike</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/c84df4d89cb7ba98ea9774066d7cc0518879fe91/306_0_2587_2070/master/2587.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0fe628bee2c8d6a0916fb949bc9c33a5">
        <media:credit scheme="urn:ebu">Photograph: Nike</media:credit>
      </media:content>
      <dc:creator>Lauren Cochrane</dc:creator>
      <dc:date>2026-05-15T05:00:29Z</dc:date>
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    <item>
      <title>Anderson juices up the vibes for Dior with spotlight on Hollywood</title>
      <link>https://www.theguardian.com/fashion/2026/may/14/anderson-designer-dior-hollywood-los-angeles</link>
      <description>&lt;p&gt;Designer suggests decision to stage show in Los Angeles is part of strategy to deepen label’s cinema presence&lt;/p&gt;&lt;p&gt;Like Christian Dior, the founder of the house he now leads, fashion designer Jonathan Anderson’s ambition is to be not just a Parisian couturier but a Hollywood power player. “We think of Dior as this romantic character, but he was also a very savvy businessman,” said Anderson before a blockbuster catwalk show in Los Angeles. Stage Fright, the Hitchcock caper-noir for which Dior dressed Marlene Dietrich, was the show’s origin story. “There is all this amazing correspondence between Dior, Dietrich and Hitchcock, which shows how he navigated the money that it cost to make that film. I think we underestimate how much negotiation Dior did with studio executives. He was very smart in that way.”&lt;/p&gt;&lt;p&gt;Anderson, 41, who was born in Northern Ireland but since being appointed to Dior splits his time between London and Paris, has his own Hollywood side hustle as the costume designer for Luca Guadagnino’s films, and is set on reinvigorating Dior’s relationship with the film industry.&lt;/p&gt; &lt;a href="https://www.theguardian.com/fashion/2026/may/14/anderson-designer-dior-hollywood-los-angeles"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/fashion/dior">Dior</category>
      <category domain="https://www.theguardian.com/fashion/fashion">Fashion</category>
      <category domain="https://www.theguardian.com/us-news/los-angeles">Los Angeles</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <pubDate>Thu, 14 May 2026 09:13:18 GMT</pubDate>
      <guid>https://www.theguardian.com/fashion/2026/may/14/anderson-designer-dior-hollywood-los-angeles</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/c0301dcef62d9565809d72a2a4c713d4b3348634/971_127_4425_3540/master/4425.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b73efccdf1ce3e8291e4d9ca2932a922">
        <media:credit scheme="urn:ebu">Photograph: Daniel Cole/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/c0301dcef62d9565809d72a2a4c713d4b3348634/971_127_4425_3540/master/4425.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8dab4ac854f5179e5ce3943fd0d185fd">
        <media:credit scheme="urn:ebu">Photograph: Daniel Cole/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/c0301dcef62d9565809d72a2a4c713d4b3348634/971_127_4425_3540/master/4425.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=43a4004a98bc92b63115e58722020565">
        <media:credit scheme="urn:ebu">Photograph: Daniel Cole/Reuters</media:credit>
      </media:content>
      <dc:creator>Jess Cartner-Morley in Los Angeles</dc:creator>
      <dc:date>2026-05-14T09:13:18Z</dc:date>
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    <item>
      <title>Swimming pools, fabulous views and radical architecture: 30 UK holiday cottages with the wow factor</title>
      <link>https://www.theguardian.com/travel/2026/may/16/30-uk-holiday-cottages-with-the-wow-factor</link>
      <description>&lt;p&gt;From a stylish retreat in Norfolk to a remote hideaway on a Scottish island, these boltholes will make for a truly memorable stay&lt;/p&gt;&lt;p&gt;Tourism experts are predicting a bumper year for “staycations” with more of us choosing to holiday in the UK due to continuing uncertainty around jet fuel prices and possible flight cancellations. Holidaymakers are spoilt for choice with more than 350,000 UK self-catering listings on booking platforms, from rustic barn conversions to seaside villas with all mod cons for large family gatherings.&lt;/p&gt;&lt;p&gt;We’ve done some of the leg work and whittled down a selection of cottages which all offer something special, whether it’s a stunning location, a breathtaking view or a level of comfort and style that wouldn’t be out of place in a boutique hotel.&lt;/p&gt; &lt;a href="https://www.theguardian.com/travel/2026/may/16/30-uk-holiday-cottages-with-the-wow-factor"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/travel/cottages">Cottages</category>
      <category domain="https://www.theguardian.com/travel/uk">United Kingdom holidays</category>
      <category domain="https://www.theguardian.com/travel/europe">Europe holidays</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <category domain="https://www.theguardian.com/travel/wales">Wales holidays</category>
      <category domain="https://www.theguardian.com/travel/scotland">Scotland holidays</category>
      <category domain="https://www.theguardian.com/travel/england">England holidays</category>
      <category domain="https://www.theguardian.com/travel/northern-ireland">Northern Ireland holidays</category>
      <pubDate>Sat, 16 May 2026 06:00:03 GMT</pubDate>
      <guid>https://www.theguardian.com/travel/2026/may/16/30-uk-holiday-cottages-with-the-wow-factor</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/0cfa04e269696ae3ff640c2239b82e1cf999086e/956_0_5600_4480/master/5600.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=eb9c95abbf4509799bd5ca9891d5f75f">
        <media:credit scheme="urn:ebu">Photograph: PR</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/0cfa04e269696ae3ff640c2239b82e1cf999086e/956_0_5600_4480/master/5600.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0dcea0903fa4287baaf13b45a472c3ca">
        <media:credit scheme="urn:ebu">Photograph: PR</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/0cfa04e269696ae3ff640c2239b82e1cf999086e/956_0_5600_4480/master/5600.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e937073fba29a7a442086917c6797fd8">
        <media:credit scheme="urn:ebu">Photograph: PR</media:credit>
      </media:content>
      <dc:creator>Rhiannon Batten</dc:creator>
      <dc:date>2026-05-16T06:00:03Z</dc:date>
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      <title>‘We found a charming alternative to touristy Bath’: readers’ favourite UK trips</title>
      <link>https://www.theguardian.com/travel/2026/may/15/readers-favourite-uk-trips-holidays</link>
      <description>&lt;p&gt;From Hadrian’s Wall to the locations of Happy Valley and Hot Fuzz, readers share their top discoveries&lt;/p&gt;&lt;p&gt;• &lt;a href="https://www.theguardian.com/travel/2026/may/11/share-a-tip-on-a-uk-coast-walk"&gt;&lt;strong&gt;Tell us about your favourite UK coast walk&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt; – the best tip wins a £200 holiday voucher&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;“So this is where Officer Nick Angel [Simon Pegg] chased that swan.” As a fan of Hot Fuzz, I was excited to explore the cathedral city of Wells in Somerset, where much of the film was shot. This charming, compact and walkable city is awash with medieval architecture and magnificent buildings, such as the gothic cathedral, with one of the oldest working clocks in the UK (late 14th century) and the &lt;a href="https://bishopspalace.org.uk/"&gt;Bishop’s Palace and Gardens&lt;/a&gt;. Within easy reach of the Mendip Hills, &lt;a href="https://www.theguardian.com/environment/2022/nov/19/young-country-diary-my-walk-in-an-english-paradise"&gt;Cheddar Gorge&lt;/a&gt; and the &lt;a href="https://www.theguardian.com/travel/2016/sep/27/wookey-hole-caves-somerset-family-children-dy-out"&gt;Wookey Hole Caves&lt;/a&gt;, Wells makes for a low-key alternative to tourist-soaked Bath. &lt;br&gt;&lt;strong&gt;Alison&lt;/strong&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/travel/2026/may/15/readers-favourite-uk-trips-holidays"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/travel/uk">United Kingdom holidays</category>
      <category domain="https://www.theguardian.com/travel/short-breaks">Short breaks</category>
      <category domain="https://www.theguardian.com/travel/day-trips">Day trips</category>
      <category domain="https://www.theguardian.com/travel/top10">Top 10s</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <pubDate>Fri, 15 May 2026 06:00:29 GMT</pubDate>
      <guid>https://www.theguardian.com/travel/2026/may/15/readers-favourite-uk-trips-holidays</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/08ef45f3c7fe8b81afaf7e034dac6aa6d428910e/468_0_4680_3744/master/4680.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8e96fbe0db79cd9defd699fb990f1a43">
        <media:credit scheme="urn:ebu">Photograph: Franz Marc Frei/Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/08ef45f3c7fe8b81afaf7e034dac6aa6d428910e/468_0_4680_3744/master/4680.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=be4282ed75c76d9cc8df73896040dc88">
        <media:credit scheme="urn:ebu">Photograph: Franz Marc Frei/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/08ef45f3c7fe8b81afaf7e034dac6aa6d428910e/468_0_4680_3744/master/4680.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5d3fd40cdfa2e5b81450de9a4d1cb3d3">
        <media:credit scheme="urn:ebu">Photograph: Franz Marc Frei/Getty Images</media:credit>
      </media:content>
      <dc:creator>Guardian readers</dc:creator>
      <dc:date>2026-05-15T06:00:29Z</dc:date>
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      <title>And did those feet in ancient time: walking Britain’s oldest paths</title>
      <link>https://www.theguardian.com/travel/2026/may/14/walking-britain-ancient-paths-nicholas-crane</link>
      <description>&lt;p&gt;There are few places where history can be felt more powerfully than these pathways, walked by explorer, author and TV presenter Nicholas Crane&lt;/p&gt;&lt;p&gt;How often do you look down and wonder who created the path your feet are following? Or ask the cause of its curves and dips? Formed over thousands of years, paths form an “internet of feet” – a web of bridleways and hollow ways, drove roads and ridgeways, coffin tracks, pilgrimage trails and city pavements. Whether you’re hiking a National Trail or pottering along a National Trust footpath, there’s a good chance you’re following ancestral steps.&lt;/p&gt;&lt;p&gt;It’s thoughts like these that led me on a journey to track the evolution of British paths for my book, The Path More Travelled. Eleven thousand years ago ice age hunter-gatherers arrived from Europe’s heartlands, moving through the wilderness along broad “routeways”, that later widened to tracks when horses and then wheels were adopted in the bronze age. For more than 2,000 years, traffic moved no faster than the speed of a horse, until the internal combustion engine drove pedestrians off the road just over a century ago.&lt;/p&gt; &lt;a href="https://www.theguardian.com/travel/2026/may/14/walking-britain-ancient-paths-nicholas-crane"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/travel/uk">United Kingdom holidays</category>
      <category domain="https://www.theguardian.com/travel/walkingholidays">Walking holidays</category>
      <category domain="https://www.theguardian.com/lifeandstyle/walking">Walking</category>
      <category domain="https://www.theguardian.com/travel/day-trips">Day trips</category>
      <category domain="https://www.theguardian.com/travel/short-breaks">Short breaks</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <pubDate>Thu, 14 May 2026 05:00:17 GMT</pubDate>
      <guid>https://www.theguardian.com/travel/2026/may/14/walking-britain-ancient-paths-nicholas-crane</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/d42287bcb86604c7dfe6928ceeb45d3c21eb36ec/445_0_4471_3577/master/4471.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=a4f4fe6c1732dd5e57bbdd02189f6713">
        <media:credit scheme="urn:ebu">Photograph: Helen Hotson/Alamy</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/d42287bcb86604c7dfe6928ceeb45d3c21eb36ec/445_0_4471_3577/master/4471.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=ed7c5f1aef52b0c43de65fb75bff8757">
        <media:credit scheme="urn:ebu">Photograph: Helen Hotson/Alamy</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/d42287bcb86604c7dfe6928ceeb45d3c21eb36ec/445_0_4471_3577/master/4471.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2e3940478f9b413ca272163c50b5b60d">
        <media:credit scheme="urn:ebu">Photograph: Helen Hotson/Alamy</media:credit>
      </media:content>
      <dc:creator>Nicholas Crane</dc:creator>
      <dc:date>2026-05-14T05:00:17Z</dc:date>
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    <item>
      <title>From mountain photography to ice-climbing – try it all at this summer festival in the French Alps</title>
      <link>https://www.theguardian.com/travel/2026/may/13/ice-climbing-photography-festival-french-alps-arcteryx-alpine-academy</link>
      <description>&lt;p&gt;Improve your mountain skills by day and party by night at the Arc’teryx Alpine Academy in Chamonix&lt;/p&gt;&lt;p&gt;After a day spent hiking across the Col d’Entrèves glacier, a sugar hit is required. I descend on the cable car and join the queue at the ice-cream counter. Above me, surrounded by jagged peaks, looms the huge white figure of Mont Blanc, serene and pure against a brilliant blue sky. Although it’s late afternoon, people are still heading up the mountain, and there are two clear groups. On one side are the tourists, who are about to be lifted into unfamiliar frozen realms at 3,375 metres (11,072ft), hoping to grab a picture and return. Mixed among them are the weathered faces of mountain experts: hikers confidently heading for a high-altitude hut, or climbers with coils of rope.&lt;/p&gt;&lt;p&gt;How many of those tourists, I wonder, are wishing they could be mountaineers, secretly regretting the twists of fate that kept them away from that path? But all is not lost. The aspiring adventurer, no matter what age or background, can begin the journey to competence in the mountains. The annual mountain festival I am attending aims to facilitate that by offering the chance to gain hands-on experience with experts.&lt;/p&gt; &lt;a href="https://www.theguardian.com/travel/2026/may/13/ice-climbing-photography-festival-french-alps-arcteryx-alpine-academy"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/travel/alps">Alps holidays</category>
      <category domain="https://www.theguardian.com/travel/france">France holidays</category>
      <category domain="https://www.theguardian.com/travel/europe">Europe holidays</category>
      <category domain="https://www.theguardian.com/travel/climbing-holidays">Climbing holidays</category>
      <category domain="https://www.theguardian.com/travel/adventure">Adventure travel</category>
      <category domain="https://www.theguardian.com/travel/walkingholidays">Walking holidays</category>
      <category domain="https://www.theguardian.com/lifeandstyle/walking">Walking</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/travel/festivals">Festivals</category>
      <category domain="https://www.theguardian.com/lifeandstyle/fitness">Fitness</category>
      <category domain="https://www.theguardian.com/lifeandstyle/health-and-wellbeing">Health &amp; wellbeing</category>
      <category domain="https://www.theguardian.com/sport/rock-climbing">Rock climbing</category>
      <category domain="https://www.theguardian.com/travel/travel">Travel</category>
      <category domain="https://www.theguardian.com/world/mountaineering">Mountaineering</category>
      <pubDate>Wed, 13 May 2026 06:00:21 GMT</pubDate>
      <guid>https://www.theguardian.com/travel/2026/may/13/ice-climbing-photography-festival-french-alps-arcteryx-alpine-academy</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/7162f88ff70624371a796665e0c8ce851c9d9da2/360_0_2083_1667/master/2083.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b6bb7b1352a28280576661f020d38d88">
        <media:credit scheme="urn:ebu">Photograph: Anette Andersson</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/7162f88ff70624371a796665e0c8ce851c9d9da2/360_0_2083_1667/master/2083.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=fb8c03d8e39b304e804d5a68ee8ec606">
        <media:credit scheme="urn:ebu">Photograph: Anette Andersson</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/7162f88ff70624371a796665e0c8ce851c9d9da2/360_0_2083_1667/master/2083.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=47cedda728c079fa18abb1bd3b980f96">
        <media:credit scheme="urn:ebu">Photograph: Anette Andersson</media:credit>
      </media:content>
      <dc:creator>Kevin Rushby</dc:creator>
      <dc:date>2026-05-13T06:00:21Z</dc:date>
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    <item>
      <title>Fake lawyers, scientists, chefs and punters: meet the ‘white monkeys’ paid to make Chinese businesses look global</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/16/fake-lawyers-scientists-chefs-punters-white-monkeys-chinese-businesses-global</link>
      <description>&lt;p&gt;A foreign face is often thought to add prestige to a product or business – what’s behind this unregulated economy?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Piers had been in China for all of two days in 2009 when he was used as a “white monkey” for the first time. He had travelled to a village in Suzhou, Jiangsu province, to attend a friend’s wedding and had stopped in the village to try a special crab dish at a small restaurant. Weeks later, a Chinese guest who had been at the wedding told him the restaurant had had an uptick in business because the locals had heard that a &lt;em&gt;laowai,&lt;/em&gt; a foreigner, had been seen dining there, so people had assumed this restaurant must be good. Piers realised the boss had deliberately seated him in a way to attract attention: “I knew we were sitting outside in a premium spot, but I didn’t pick up on what was going on.”&lt;/p&gt;&lt;p&gt;When foreigners in China are used this way, they are called a &lt;em&gt;baihouzi, &lt;/em&gt;a white monkey. They’re hired to help Chinese businesses appear more desirable, the foreigner association conveying prestige and a sense that your product is universally regarded. The industry is unregulated in China, operating in a legal grey area. White monkey positions are advertised on job boards and&lt;strong&gt; &lt;/strong&gt;can fall into different categories, from acting and modelling for Chinese films and products to pretending to be the foreign CEO of a Chinese company to lend it credibility. They might be seat warmers or go-go dancers in Chinese nightclubs to draw in customers, or English teachers in language centres to make Chinese parents feel their children are being taught by legitimate native English speakers (even if a Chinese person is actually a better qualified teacher). These businesses believe that having the “foreign look” will give them an edge over other Chinese companies offering the same service. The phenomenon of recruiting foreigners for this performative purpose can be traced to the concept of &lt;em&gt;mianzi,&lt;/em&gt; having “face” in Chinese society, which denotes bestowing and receiving respect for each other.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/16/fake-lawyers-scientists-chefs-punters-white-monkeys-chinese-businesses-global"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/world/china">China</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/business/chinese-economy">Chinese economy</category>
      <category domain="https://www.theguardian.com/money/work-and-careers">Work &amp; careers</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sat, 16 May 2026 11:00:09 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/16/fake-lawyers-scientists-chefs-punters-white-monkeys-chinese-businesses-global</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/b6a009f29fdf2863d6d0208cd260e06654c5daba/0_71_4902_3921/master/4902.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=1f6b460e7f6641f040d335cc5dc5dfa4">
        <media:credit scheme="urn:ebu">Illustration: Michelle Thompson/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/b6a009f29fdf2863d6d0208cd260e06654c5daba/0_71_4902_3921/master/4902.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=12242e5cb6a715eef9757ff501022019">
        <media:credit scheme="urn:ebu">Illustration: Michelle Thompson/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/b6a009f29fdf2863d6d0208cd260e06654c5daba/0_71_4902_3921/master/4902.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e1648a3e65d5fac46c25717cea9e2020">
        <media:credit scheme="urn:ebu">Illustration: Michelle Thompson/The Guardian</media:credit>
      </media:content>
      <dc:creator>Elaine Chong</dc:creator>
      <dc:date>2026-05-16T11:00:09Z</dc:date>
    </item>
    <item>
      <title>‘You feel you’ve conquered the world’: a Thames swimmer on the river’s first bathing site in London</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/16/you-feel-youve-conquered-the-world-a-thames-swimmer-on-the-rivers-first-bathing-site-in-london</link>
      <description>&lt;p&gt;While there are still days the Thames is so dirty even dogs avoid it, steps are being taken to restore public waterways&lt;/p&gt;&lt;p&gt;Some people think we are odd for swimming in the Thames. “Isn’t it cold?” they ask with a shiver, like they are the ones who just took the plunge. Er, yes, that’s the whole point. Cold water ignites the central nervous system and &lt;a href="https://markriceoxley.substack.com/p/cold-water-swimming-depression-anxiety-cwi-immune-system-inflammation-cytokines-mike-tipton-teddington-bluetits?utm_source=publication-search"&gt;reboots the mind&lt;/a&gt;.&lt;/p&gt;&lt;p&gt;“Isn’t it dirty?” they ask. Yes, sometimes, particularly when it’s rained. Then we don’t get in the Thames, we get in a rage instead, taking contamination measurements and signing petitions challenging the behaviour of the water company that spews sewage into the river.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/16/you-feel-youve-conquered-the-world-a-thames-swimmer-on-the-rivers-first-bathing-site-in-london"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/swimming">Swimming</category>
      <category domain="https://www.theguardian.com/lifeandstyle/fitness">Fitness</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/environment/environment">Environment</category>
      <category domain="https://www.theguardian.com/environment/pollution">Pollution</category>
      <category domain="https://www.theguardian.com/uk/london">London</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <pubDate>Sat, 16 May 2026 09:00:08 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/16/you-feel-youve-conquered-the-world-a-thames-swimmer-on-the-rivers-first-bathing-site-in-london</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/1282bfe64d27d2f1e9fbcd6939ae2e1361c44437/813_0_6142_4912/master/6142.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=d5e8178700e9e198603c3b2080d66577">
        <media:credit scheme="urn:ebu">Photograph: Sophia Evans/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/1282bfe64d27d2f1e9fbcd6939ae2e1361c44437/813_0_6142_4912/master/6142.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e573ddf089fb7cfdbb3ef558a34e36d8">
        <media:credit scheme="urn:ebu">Photograph: Sophia Evans/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/1282bfe64d27d2f1e9fbcd6939ae2e1361c44437/813_0_6142_4912/master/6142.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=43d2c7fb6087b27eeaa5d548f2b746b0">
        <media:credit scheme="urn:ebu">Photograph: Sophia Evans/The Guardian</media:credit>
      </media:content>
      <dc:creator>Mark Rice-Oxley</dc:creator>
      <dc:date>2026-05-16T09:00:08Z</dc:date>
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    <item>
      <title>Alex Hassell: ‘A wasp flew in my ear in front of Jude Law – he couldn’t see the wasp so just saw me freak out’</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/16/alex-hassell-a-wasp-flew-in-my-ear-in-front-of-jude-law-he-couldnt-see-the-wasp-so-just-saw-me-freak-out</link>
      <description>&lt;p&gt;The Rivals actor on his very skinny ankles, swearing like a sailor, and his enduring love for Marlon Brando&lt;/p&gt;&lt;p&gt;Born in Essex, Alex Hassell, 45, trained at the Central School&amp;nbsp;of&amp;nbsp;Speech and Drama. He&amp;nbsp;co-founded an experimental theatre group and was noticed by the RSC where he went on to star in Henry IV Parts 1 and 2, &lt;a href="https://www.theguardian.com/stage/2015/nov/01/alex-hassell-henry-v-royal-shakespeare-company-interview"&gt;Henry V&lt;/a&gt; and Death of a Salesman. On TV, he appeared in His Dark Materials and Rivals. He reprises the role of Rupert Campbell-Black in season 2 on Disney+. He is married to actor Emma King and lives in London.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;What is your greatest fear?&lt;/strong&gt;&lt;br&gt;
 Loneliness.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/16/alex-hassell-a-wasp-flew-in-my-ear-in-front-of-jude-law-he-couldnt-see-the-wasp-so-just-saw-me-freak-out"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <category domain="https://www.theguardian.com/culture/television">Television</category>
      <category domain="https://www.theguardian.com/tv-and-radio/tv-and-radio">Television &amp; radio</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <pubDate>Sat, 16 May 2026 09:00:06 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/16/alex-hassell-a-wasp-flew-in-my-ear-in-front-of-jude-law-he-couldnt-see-the-wasp-so-just-saw-me-freak-out</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/a0df8a3a4da842f43d4089f6fc8bf78acba59c5c/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=08b7e764131216063b47f11f846f06a7">
        <media:credit scheme="urn:ebu">Photograph: Max Cisotti/Getty Images for dunhill</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/a0df8a3a4da842f43d4089f6fc8bf78acba59c5c/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=5f72eb33c18e7821ef5aeb14896fe87b">
        <media:credit scheme="urn:ebu">Photograph: Max Cisotti/Getty Images for dunhill</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/a0df8a3a4da842f43d4089f6fc8bf78acba59c5c/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0c964bbad0a688ac41ba3e4a52d7e4ce">
        <media:credit scheme="urn:ebu">Photograph: Max Cisotti/Getty Images for dunhill</media:credit>
      </media:content>
      <dc:creator>Rosanna Greenstreet</dc:creator>
      <dc:date>2026-05-16T09:00:06Z</dc:date>
    </item>
    <item>
      <title>Tim Dowling: our fantastic Mr Fox may have done us a favour</title>
      <link>https://www.theguardian.com/lifeandstyle/2026/may/16/tim-dowling-our-fantastic-mr-fox</link>
      <description>&lt;p&gt;We have to drag the bins through the house because the garden door is jammed. Until a scary encounter with my old enemy, that is …&lt;/p&gt;&lt;p&gt;It’s still light out when my wife comes to me with bad news.&lt;/p&gt;&lt;p&gt;“It’s bin day,” she says.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2026/may/16/tim-dowling-our-fantastic-mr-fox"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/family">Family</category>
      <category domain="https://www.theguardian.com/lifeandstyle/lifeandstyle">Life and style</category>
      <pubDate>Sat, 16 May 2026 05:00:03 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2026/may/16/tim-dowling-our-fantastic-mr-fox</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/153882d9ad3243cf30401440a9d3b47a6f6838cf/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8e7d450e88e8155a75b198a7c1b4a7b4">
        <media:credit scheme="urn:ebu">Illustration: Selman Hosgor/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/153882d9ad3243cf30401440a9d3b47a6f6838cf/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=e7a6e069ccf4d0aa8f827c5d598562ec">
        <media:credit scheme="urn:ebu">Illustration: Selman Hosgor/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/153882d9ad3243cf30401440a9d3b47a6f6838cf/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7bf86c5ea6834be7f16a94648033e680">
        <media:credit scheme="urn:ebu">Illustration: Selman Hosgor/The Guardian</media:credit>
      </media:content>
      <dc:creator>Tim Dowling</dc:creator>
      <dc:date>2026-05-16T05:00:03Z</dc:date>
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    <item>
      <title>The ungovernable country? Why Britain keeps losing prime ministers</title>
      <link>https://www.theguardian.com/politics/2026/may/17/the-ungovernable-country-why-britain-keeps-losing-prime-ministers</link>
      <description>&lt;p&gt;May, Johnson, Truss, Sunak, and now perhaps Starmer: each one was brought low for a reason. But what if the deeper problem is the office itself?&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;They were times in which prime ministers seemed to be on their way out as soon as they’d arrived. The big strategic decisions the country faced were ducked or postponed. The public finances repeatedly wobbled, yet efforts to rationalise the tax system faltered in the face of vested interests, including farmers. Reforms to social security were trumpeted before being diluted. The whole business of politics was animated by rancour and rivalry, rather than practical action. All the while, populists waited in the wings.&lt;/p&gt;&lt;p&gt;This is not a sneak peak into a future history book about today’s Britain, but a description of the French fourth republic, which staggered after a difficult birth in 1946 until 1958, when the exhausted regime ceded the authority to create a new order to Gen Charles de Gaulle, effectively putting itself out of its misery.&lt;/p&gt; &lt;a href="https://www.theguardian.com/politics/2026/may/17/the-ungovernable-country-why-britain-keeps-losing-prime-ministers"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/politics/keir-starmer">Keir Starmer</category>
      <category domain="https://www.theguardian.com/business/economics">Economics</category>
      <category domain="https://www.theguardian.com/business/business">Business</category>
      <category domain="https://www.theguardian.com/politics/john-major">John Major</category>
      <category domain="https://www.theguardian.com/politics/margaretthatcher">Margaret Thatcher</category>
      <category domain="https://www.theguardian.com/politics/davidcameron">David Cameron</category>
      <category domain="https://www.theguardian.com/politics/rishi-sunak">Rishi Sunak</category>
      <category domain="https://www.theguardian.com/politics/liz-truss">Liz Truss</category>
      <category domain="https://www.theguardian.com/politics/theresamay">Theresa May</category>
      <category domain="https://www.theguardian.com/politics/boris-johnson">Boris Johnson</category>
      <pubDate>Sun, 17 May 2026 05:00:31 GMT</pubDate>
      <guid>https://www.theguardian.com/politics/2026/may/17/the-ungovernable-country-why-britain-keeps-losing-prime-ministers</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/59c2d4a0431bf69f7cc1b486cf87fa5e6abe9268/1_0_4722_3780/master/4722.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=98876541fa83e2ee074992711434a18b">
        <media:credit scheme="urn:ebu">Composite: Getty Images</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/59c2d4a0431bf69f7cc1b486cf87fa5e6abe9268/1_0_4722_3780/master/4722.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=aad41719e01c5a4a544aad84fc803fae">
        <media:credit scheme="urn:ebu">Composite: Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/59c2d4a0431bf69f7cc1b486cf87fa5e6abe9268/1_0_4722_3780/master/4722.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=05eacf5c350a34ae460e94cc349fb763">
        <media:credit scheme="urn:ebu">Composite: Getty Images</media:credit>
      </media:content>
      <dc:creator>Tom Clark</dc:creator>
      <dc:date>2026-05-17T05:00:31Z</dc:date>
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    <item>
      <title>One thing Guardian staff have done to defend press freedom … and one thing you can do</title>
      <link>https://www.theguardian.com/membership/2026/may/16/how-to-defend-press-freedom-guardian</link>
      <description>&lt;p&gt;What does defending press freedom mean in practice? We asked people across the Guardian to tell us something they have done to protect it this past year. The range of responses will likely surprise you&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;a href="https://support.theguardian.com/uk/contribute"&gt;Support independent journalism today&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;It sounds like a fundamental principle. A tenet. But, in reality, press freedom is more of a practical and relentless daily struggle.&lt;/p&gt;&lt;p&gt;I’ve been asking colleagues from across the Guardian to tell me about one of the things they have done to protect press freedom this past year – from our international correspondents and investigative reporters to our visual journalists and commercial and technology departments.&lt;/p&gt; &lt;a href="https://www.theguardian.com/membership/2026/may/16/how-to-defend-press-freedom-guardian"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/media/press-freedom">Press freedom</category>
      <category domain="https://www.theguardian.com/media/media">Media</category>
      <category domain="https://www.theguardian.com/media/pressandpublishing">Newspapers &amp; magazines</category>
      <category domain="https://www.theguardian.com/media/newspapers">Newspapers</category>
      <category domain="https://www.theguardian.com/media/journalist-safety">Journalist safety</category>
      <pubDate>Sat, 16 May 2026 12:00:09 GMT</pubDate>
      <guid>https://www.theguardian.com/membership/2026/may/16/how-to-defend-press-freedom-guardian</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/fb9b2efaa81cbb224bd65b068b9714bd0cff5b70/0_0_5000_4000/master/5000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=891a8f2ddbeee27e1c41add5672611c4">
        <media:credit scheme="urn:ebu">Composite: Guardian Design/Reuters</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/fb9b2efaa81cbb224bd65b068b9714bd0cff5b70/0_0_5000_4000/master/5000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=71ff22e7c3327cda6c4bbfe6c88d94b2">
        <media:credit scheme="urn:ebu">Composite: Guardian Design/Reuters</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/fb9b2efaa81cbb224bd65b068b9714bd0cff5b70/0_0_5000_4000/master/5000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=3cfbd970a9c554d60c06d78e43ac2307">
        <media:credit scheme="urn:ebu">Composite: Guardian Design/Reuters</media:credit>
      </media:content>
      <dc:creator>Gautam Malkani</dc:creator>
      <dc:date>2026-05-16T12:00:09Z</dc:date>
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    <item>
      <title>Down and then out in Paris and London? Why Starmer isn’t the only one with a popularity problem</title>
      <link>https://www.theguardian.com/world/ng-interactive/2026/may/16/down-and-then-out-in-paris-and-london-why-starmer-isnt-the-only-one-with-a-popularity-problem</link>
      <description>&lt;p&gt;As continent faces tough headwinds, leaders are bearing brunt of delivering bad news to frustrated electorates&lt;/p&gt;&lt;p&gt;“People hate you,” the adviser informed his leader. A think-piece in a daily newspaper noted that “almost everyone agrees on one thing: they don’t like him”.&lt;/p&gt;&lt;p&gt;The recent &lt;a href="https://www.theguardian.com/politics/2026/may/08/labour-disastrous-night-local-elections-keir-starmer-leadership"&gt;disastrous set of local election results&lt;/a&gt; in the UK built on Keir Starmer’s longstanding reputational problem: only 11% of Britons believe he has been a good or great prime minister, and nearly 60% believe he has been poor or terrible, according to polling by YouGov.&lt;/p&gt; &lt;a href="https://www.theguardian.com/world/ng-interactive/2026/may/16/down-and-then-out-in-paris-and-london-why-starmer-isnt-the-only-one-with-a-popularity-problem"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <category domain="https://www.theguardian.com/politics/keir-starmer">Keir Starmer</category>
      <category domain="https://www.theguardian.com/world/emmanuel-macron">Emmanuel Macron</category>
      <category domain="https://www.theguardian.com/world/france">France</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/world/germany">Germany</category>
      <category domain="https://www.theguardian.com/world/friedrich-merz">Friedrich Merz</category>
      <category domain="https://www.theguardian.com/politics/politics">Politics</category>
      <category domain="https://www.theguardian.com/world/giorgia-meloni">Giorgia Meloni</category>
      <category domain="https://www.theguardian.com/us-news/donaldtrump">Donald Trump</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Sat, 16 May 2026 05:00:02 GMT</pubDate>
      <guid>https://www.theguardian.com/world/ng-interactive/2026/may/16/down-and-then-out-in-paris-and-london-why-starmer-isnt-the-only-one-with-a-popularity-problem</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/f172af0362cdeae07e3085c23a63f3ca7fcb1f05/0_763_4000_3200/master/4000.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=8109063a573c242b184f11142157c9ad">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design/Getty</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/f172af0362cdeae07e3085c23a63f3ca7fcb1f05/0_763_4000_3200/master/4000.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=066a1373107cab4aa0cd04b2ab2a90e7">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design/Getty</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/f172af0362cdeae07e3085c23a63f3ca7fcb1f05/0_763_4000_3200/master/4000.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=0c92ed11c6a2b684094bc6d6722aedf3">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design/Getty</media:credit>
      </media:content>
      <dc:creator>Daniel Boffey Chief reporter</dc:creator>
      <dc:date>2026-05-16T05:00:02Z</dc:date>
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    <item>
      <title>Tell us: what are your top three novels of all time?</title>
      <link>https://www.theguardian.com/books/2026/may/12/tell-us-what-are-your-top-three-novels-of-all-time</link>
      <description>&lt;p&gt;Find out how we compiled our list of the 100 best novels published in English – and nominate your favourites&lt;/p&gt;&lt;ul&gt;&lt;li&gt;&lt;p&gt;&lt;strong&gt;See the list &lt;/strong&gt;&lt;a href="https://www.theguardian.com/books/ng-interactive/2026/may/12/the-100-best-novels-of-all-time"&gt;&lt;strong&gt;here&lt;/strong&gt;&lt;/a&gt;&lt;/p&gt;&lt;/li&gt;&lt;/ul&gt;&lt;p&gt;This week, we reveal our list of the 100 greatest novels published in English, as voted for by authors and critics around the world. We polled 172 authors, critics and academics for their top 10 novels of all time, published in English, and asked them to rank their choices in order of preference. We scored the titles according to how often they were voted for, and then added a weighting based on individual rankings to produce the overall list of 100 greatest books.&lt;/p&gt;&lt;p&gt;What would be at the top of your list? Which authors do you think should be there? What are your favourite novels of all time?&lt;/p&gt; &lt;a href="https://www.theguardian.com/books/2026/may/12/tell-us-what-are-your-top-three-novels-of-all-time"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/books/books">Books</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/books/fiction">Fiction</category>
      <pubDate>Sat, 16 May 2026 05:00:16 GMT</pubDate>
      <guid>https://www.theguardian.com/books/2026/may/12/tell-us-what-are-your-top-three-novels-of-all-time</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/95481fd21e42771a60306c1a7256c18bfb51c7d7/0_0_2400_1920/master/2400.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=af740419540345ec3c55a401f33c1c3b">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/95481fd21e42771a60306c1a7256c18bfb51c7d7/0_0_2400_1920/master/2400.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6ec86ad2c6c482e9b4ef4a887cdd7f4e">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/95481fd21e42771a60306c1a7256c18bfb51c7d7/0_0_2400_1920/master/2400.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7570be29aa00aa7836f306d7a0bc59b3">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <dc:creator>Guardian community team</dc:creator>
      <dc:date>2026-05-16T05:00:16Z</dc:date>
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      <title>Post your questions for Tom Hanks and the cast of Toy Story 5</title>
      <link>https://www.theguardian.com/film/2026/may/14/post-your-questions-for-tom-hanks-and-the-cast-of-toy-story-5</link>
      <description>&lt;p&gt;Tim Allen, Joan Cusack and Greta Lee join Hanks to answer your enquiries about the forthcoming animation and its previous instalments&lt;/p&gt;&lt;p&gt;Is there a more eagerly anticipated movie this year than Toy Story 5? For many people (with and without children), you can keep your Odysseys and Minotaurs and Place in Hells, because the return of Woody, Buzz and friends is what cinema is really all about. The series so far has made $3.3bn, and last year’s teaser trailer had 142m views in 24 hours – of which only 140m were my son pressing refresh.&lt;/p&gt;&lt;p&gt;The new film, which is released worldwide on 19 June, sees Jessie the Cowgirl (voiced by Joan Cusack) leading the gang in eight-year-old Bonnie’s room, with Buzz Lightyear (Tim Allen) her second-in-command, after the departure of Woody (Tom Hanks) at the end of Toy Story 4 to help abandoned toys find their owners.&lt;/p&gt; &lt;a href="https://www.theguardian.com/film/2026/may/14/post-your-questions-for-tom-hanks-and-the-cast-of-toy-story-5"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/film/film">Film</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/film/toy-story">Toy Story</category>
      <category domain="https://www.theguardian.com/film/toy-story-2">Toy Story 2</category>
      <category domain="https://www.theguardian.com/film/toy-story-3">Toy Story 3</category>
      <category domain="https://www.theguardian.com/film/family">Family films</category>
      <pubDate>Thu, 14 May 2026 11:52:06 GMT</pubDate>
      <guid>https://www.theguardian.com/film/2026/may/14/post-your-questions-for-tom-hanks-and-the-cast-of-toy-story-5</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/e78661ccd8f7df99a6631eb78e769864b34b61fa/486_0_4029_3223/master/4029.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=bff852525390c7fb4e485debc834b446">
        <media:credit scheme="urn:ebu">Photograph: Pixar/AP</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/e78661ccd8f7df99a6631eb78e769864b34b61fa/486_0_4029_3223/master/4029.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b610e0b9a7db387426db418ac8be2189">
        <media:credit scheme="urn:ebu">Photograph: Pixar/AP</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/e78661ccd8f7df99a6631eb78e769864b34b61fa/486_0_4029_3223/master/4029.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=771778701557da3f10214b0538493740">
        <media:credit scheme="urn:ebu">Photograph: Pixar/AP</media:credit>
      </media:content>
      <dc:creator>Catherine Shoard</dc:creator>
      <dc:date>2026-05-14T11:52:06Z</dc:date>
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      <title>Childminder numbers are falling in England – how have you been affected?</title>
      <link>https://www.theguardian.com/money/2026/may/15/childminder-numbers-are-falling-in-england-how-have-you-been-affected</link>
      <description>&lt;p&gt;As more childminders are quitting the profession amid concerns over costs, we’d like to hear why and from parents who’ve been affected&lt;/p&gt;&lt;p&gt;The number of childminders in England has &lt;a href="https://www.nurseryworld.co.uk/content/news/childminders-continue-to-leave-the-sector-in-their-droves-with-over-a-thousand-quitting-in-the-the-last-year"&gt;roughly halved over the past decade&lt;/a&gt;, with many citing rising costs, low pay and increasing paperwork as reasons for leaving the profession. Childcare organisations have also warned that upcoming tax changes could push more childminders out of the sector.&lt;/p&gt;&lt;p&gt;Campaigners say the decline is &lt;a href="https://www.theguardian.com/money/2026/mar/29/childminders-are-a-vital-yet-overlooked-part-of-early-years-care"&gt;making it harder for families to find flexible and affordable childcare&lt;/a&gt;, particularly in areas already struggling with shortages.&lt;/p&gt; &lt;a href="https://www.theguardian.com/money/2026/may/15/childminder-numbers-are-falling-in-england-how-have-you-been-affected"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/money/childcare">Childcare</category>
      <category domain="https://www.theguardian.com/society/children">Children</category>
      <pubDate>Fri, 15 May 2026 12:06:06 GMT</pubDate>
      <guid>https://www.theguardian.com/money/2026/may/15/childminder-numbers-are-falling-in-england-how-have-you-been-affected</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/ee38e118696a7672597e8642c47b7ea4b1baf5b1/841_0_6827_5464/master/6827.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=92b138c4b0395646180ca87421765145">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/ee38e118696a7672597e8642c47b7ea4b1baf5b1/841_0_6827_5464/master/6827.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=7308f3aab87fdf77afcec426d6b10a69">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/ee38e118696a7672597e8642c47b7ea4b1baf5b1/841_0_6827_5464/master/6827.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=c2054f739f5baff1bb41fe922b6db79d">
        <media:credit scheme="urn:ebu">Photograph: Christopher Thomond/The Guardian</media:credit>
      </media:content>
      <dc:creator>Guardian community team</dc:creator>
      <dc:date>2026-05-15T12:06:06Z</dc:date>
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      <title>Tell us: how are you adjusting your household finances as the Iran war pushes up costs?</title>
      <link>https://www.theguardian.com/money/2026/apr/28/tell-us-how-household-finances-costs-iran-war</link>
      <description>&lt;p&gt;We’d like to hear how you’re adapting your expenditure as the cost of living rises amid the conflict in the Middle East&lt;/p&gt;&lt;p&gt;Rising prices and economic uncertainty linked to the conflict in the Middle East are putting pressure on household budgets across the world.&lt;/p&gt;&lt;p&gt;The International Monetary Fund has warned the conflict is &lt;a href="https://www.theguardian.com/business/2026/apr/15/iran-war-global-debt-imf-prices-growth"&gt;pushing up the cost of energy and food&lt;/a&gt;, increasing borrowing costs and weighing on economic growth. Surveys suggest &lt;a href="https://www.theguardian.com/business/2026/mar/30/pessimism-takes-root-uk-shoppers-struggle-essentials-iran-war-prices"&gt;millions of households are already making changes to cope&lt;/a&gt; – cutting back, dipping into savings or taking on debt.&lt;/p&gt; &lt;a href="https://www.theguardian.com/money/2026/apr/28/tell-us-how-household-finances-costs-iran-war"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/money/money">Money</category>
      <category domain="https://www.theguardian.com/world/iran">Iran</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <pubDate>Tue, 28 Apr 2026 14:12:10 GMT</pubDate>
      <guid>https://www.theguardian.com/money/2026/apr/28/tell-us-how-household-finances-costs-iran-war</guid>
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        <media:credit scheme="urn:ebu">Photograph: Peter Dazeley/Getty Images</media:credit>
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      <media:content width="460" url="https://i.guim.co.uk/img/media/89fad29d8223feca7c4102347cff54ffb25b9ef6/363_0_4136_3309/master/4136.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=2e8df477c842ee1551e45088aab53745">
        <media:credit scheme="urn:ebu">Photograph: Peter Dazeley/Getty Images</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/89fad29d8223feca7c4102347cff54ffb25b9ef6/363_0_4136_3309/master/4136.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=01fca52f89670c0998d42c11617509d0">
        <media:credit scheme="urn:ebu">Photograph: Peter Dazeley/Getty Images</media:credit>
      </media:content>
      <dc:creator>Guardian community team</dc:creator>
      <dc:date>2026-04-28T14:12:10Z</dc:date>
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      <title>Sign up for the First Edition newsletter: our free daily news email</title>
      <link>https://www.theguardian.com/global/2022/sep/20/sign-up-for-the-first-edition-newsletter-our-free-news-email</link>
      <description>&lt;p&gt;Wake up to the top stories and what they mean – free to your inbox every weekday morning at 7am&lt;/p&gt;&lt;p&gt;Scroll less, understand more: sign up to receive our news email each weekday for clarity on the top stories in the UK and across the world.&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;a href="https://www.theguardian.com/email-newsletters"&gt;Explore all our newsletters:&lt;/a&gt;&lt;/strong&gt;&lt;a href="https://www.theguardian.com/email-newsletters"&gt; whether you love film, football, fashion or food, we’ve got something for you&lt;/a&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/global/2022/sep/20/sign-up-for-the-first-edition-newsletter-our-free-news-email"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/info/newsletter-sign-up">Newsletter sign-up</category>
      <pubDate>Tue, 20 Sep 2022 10:16:38 GMT</pubDate>
      <guid>https://www.theguardian.com/global/2022/sep/20/sign-up-for-the-first-edition-newsletter-our-free-news-email</guid>
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      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2022-09-20T10:16:38Z</dc:date>
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      <title>Sign up for the Filter UK newsletter: our free weekly buying advice</title>
      <link>https://www.theguardian.com/info/2024/oct/10/sign-up-for-the-filter-newsletter-our-free-weekly-buying-advice</link>
      <description>&lt;p&gt;Get smart, sustainable shopping advice from the Filter team straight to your inbox, every Sunday&lt;br&gt;&lt;br&gt;The Guardian’s journalism is independent. We will earn a commission if you buy something through an affiliate link.&lt;/p&gt; &lt;a href="https://www.theguardian.com/info/2024/oct/10/sign-up-for-the-filter-newsletter-our-free-weekly-buying-advice"&gt;Continue reading...&lt;/a&gt;</description>
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      <pubDate>Thu, 10 Oct 2024 10:30:16 GMT</pubDate>
      <guid>https://www.theguardian.com/info/2024/oct/10/sign-up-for-the-filter-newsletter-our-free-weekly-buying-advice</guid>
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      <dc:creator>Guardian Staff</dc:creator>
      <dc:date>2024-10-10T10:30:16Z</dc:date>
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      <title>Sign up for the Feast newsletter: our free Guardian food email</title>
      <link>https://www.theguardian.com/food/2019/jul/09/sign-up-for-the-feast-newsletter-our-free-guardian-food-email</link>
      <description>&lt;p&gt;A weekly email from our star chefs featuring the latest recipes and seasonal eating ideas&lt;/p&gt;&lt;p&gt;Each week we’ll send you an exclusive newsletter from our star food writers. We’ll also send you the latest recipes from our star chefs, stand-out food features and seasonal eating inspiration, plus restaurant reviews from Grace Dent.&lt;/p&gt;&lt;p&gt;Sign up below to start receiving the best of our culinary journalism in one mouth-watering weekly email.&lt;/p&gt; &lt;a href="https://www.theguardian.com/food/2019/jul/09/sign-up-for-the-feast-newsletter-our-free-guardian-food-email"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/food/food">Food</category>
      <category domain="https://www.theguardian.com/info/info">Information</category>
      <category domain="https://www.theguardian.com/info/newsletter-sign-up">Newsletter sign-up</category>
      <pubDate>Tue, 09 Jul 2019 08:19:21 GMT</pubDate>
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      <dc:creator />
      <dc:date>2019-07-09T08:19:21Z</dc:date>
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      <title>Sign up to House to Home: our free interiors email</title>
      <link>https://www.theguardian.com/lifeandstyle/2022/sep/28/sign-up-for-the-house-to-home-newsletter</link>
      <description>&lt;p&gt;Upgrade your space today, with eight emails packed with tips to brighten up your home - whatever your budget&lt;/p&gt;&lt;p&gt;Embrace your space: the Guardian’s House to Home newsletter is bursting with tips and tricks to help you boost your bedroom and give your living room some love.&lt;/p&gt;&lt;p&gt;Sign up any time, and get eight emails direct to your inbox every Sunday morning.&lt;/p&gt; &lt;a href="https://www.theguardian.com/lifeandstyle/2022/sep/28/sign-up-for-the-house-to-home-newsletter"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/lifeandstyle/homes">Homes</category>
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      <pubDate>Wed, 28 Sep 2022 09:35:40 GMT</pubDate>
      <guid>https://www.theguardian.com/lifeandstyle/2022/sep/28/sign-up-for-the-house-to-home-newsletter</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/7a940ce2e491a2ed91c4b9934448d1c6d0b16f7a/0_0_760_456/master/760.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=55c400341a4ad1cf07747d4245142b2d">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/7a940ce2e491a2ed91c4b9934448d1c6d0b16f7a/0_0_760_456/master/760.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=b359cc711aa230ed6e946ef79c4bf9bf">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/7a940ce2e491a2ed91c4b9934448d1c6d0b16f7a/0_0_760_456/master/760.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=be2a5b60378119b3aa09fd63cb8fca02">
        <media:credit scheme="urn:ebu">Illustration: Guardian Design</media:credit>
      </media:content>
      <dc:creator />
      <dc:date>2022-09-28T09:35:40Z</dc:date>
    </item>
    <item>
      <title>The week around the world in 20 pictures</title>
      <link>https://www.theguardian.com/artanddesign/gallery/2026/may/15/the-week-around-the-world-in-20-pictures</link>
      <description>&lt;p&gt;Russian drone attacks on Kyiv, Israeli strikes in Lebanon, Trump in Beijing and a mural of Lamine Yamal – &lt;a href="https://www.instagram.com/theguardian20photos/?hl=en-gb"&gt;the past seven days as captured by the world’s leading photojournalists&lt;/a&gt;&lt;/p&gt; &lt;a href="https://www.theguardian.com/artanddesign/gallery/2026/may/15/the-week-around-the-world-in-20-pictures"&gt;Continue reading...&lt;/a&gt;</description>
      <category domain="https://www.theguardian.com/artanddesign/photography">Photography</category>
      <category domain="https://www.theguardian.com/artanddesign/artanddesign">Art and design</category>
      <category domain="https://www.theguardian.com/culture/culture">Culture</category>
      <category domain="https://www.theguardian.com/world/world">World news</category>
      <category domain="https://www.theguardian.com/world/middleeast">Middle East and north Africa</category>
      <category domain="https://www.theguardian.com/us-news/us-news">US news</category>
      <category domain="https://www.theguardian.com/uk/uk">UK news</category>
      <category domain="https://www.theguardian.com/world/europe-news">Europe</category>
      <pubDate>Fri, 15 May 2026 18:40:19 GMT</pubDate>
      <guid>https://www.theguardian.com/artanddesign/gallery/2026/may/15/the-week-around-the-world-in-20-pictures</guid>
      <media:content width="140" url="https://i.guim.co.uk/img/media/4257f7c1a8d04c4b45b669299983a335f3b6e09a/217_0_5600_4480/master/5600.jpg?width=140&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=6fe7c42e7bca51eacc3028796ee706ba">
        <media:credit scheme="urn:ebu">Photograph: Mohammed Saber/EPA</media:credit>
      </media:content>
      <media:content width="460" url="https://i.guim.co.uk/img/media/4257f7c1a8d04c4b45b669299983a335f3b6e09a/217_0_5600_4480/master/5600.jpg?width=460&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=9580929065c89a646192e45d226a5f2f">
        <media:credit scheme="urn:ebu">Photograph: Mohammed Saber/EPA</media:credit>
      </media:content>
      <media:content width="700" url="https://i.guim.co.uk/img/media/4257f7c1a8d04c4b45b669299983a335f3b6e09a/217_0_5600_4480/master/5600.jpg?width=700&amp;quality=85&amp;auto=format&amp;fit=max&amp;s=85655fbb4b85c2110f60ebe01333cb15">
        <media:credit scheme="urn:ebu">Photograph: Mohammed Saber/EPA</media:credit>
      </media:content>
      <dc:creator>Jim Powell</dc:creator>
      <dc:date>2026-05-15T18:40:19Z</dc:date>
    </item>
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