Last Saturday, Club Infinity hit the top floor of Santos Party House for their second edition of bass-driven musical talent and merriment. Carrying on the festivities that had begun with HARD on Governor’s Island earlier that evening, heat stricken music lovers came flooding in to revel in some heavy beats and cranked up air conditioning.

Kicking off the night’s event was Brooklyn’s own Dre Skull who warmed up the dance floor, building momentum to carry the crowd into Dave Nada’s set of “Moombahton” tunes. While most dance music producers take tunes and speed them up in their sets, Moonbahton essentially takes Dutch house and screws it down to create an almost reggaeton inspired sound. While this might sound strange in words, the aural translation is anything but, as evidenced by the incredible reception from the packed dancefloor. Popular tracks like The Crystal Method’s “Block Rockin’ Beats” and A-Trak’s remix of the Yeah Yeah Yeah’s “Head Will Roll” were reworked and slowed to 110bpm, blending seamlessly in to one another to create a fluid yet eclectic set of dance music.

Hitting the decks after Dave Nada was Kingdom, bringing in more Latin and Hip-Hop inspired rhythms to his set. After he started breaking into Juke tunes at around 3am, pure madness broke out as the stage suddenly became an impromptu block party, with a crew of dancers breaking out some serious footwork and party-goers in full costume pumping their fists and busting moves. Finally, Los Angeles’ Nguzunguzu made an appearance as a surprise guest after spinning at HARD earlier that evening, taking over Santos just as the party hit it’s peak at around 4am. With this caliber line-up, special guests, and energy from the crowd, we look forward to seeing what Club Infinity will bring us next time around!

This Friday, July 30th, Webster Hall will be sculpted into bass heaven with Nero and Gaslamp Killer, while our favorite NYC trio, Ayres, Catchdubs and Jubilee, bring their flashing lights rave goodness to the stage. This is one not to be missed, period.

Last time we caught the mother fucking Gaslamp Killer, he delivered an epic sermon of cosmic bass that melted our brains in Brooklyn. Vaulting hip-hop into another dimension, GLK’s eccentrically dizzy dj sets wrap riddims around your soul while his hair keeps up the tempo. Have a listen to this mixtape from last year which Flying Lotus tells us is his first glimpse into the mind of GLK.

The Gaslamp Killer – Brainfeeder Podcast [Download]

Nero brings their internally bruising drum & bass and dubstep riddims straight across the pond to damage your ear drums. Remixing eveyrone from The Streets to Beyonce, these boys are poised to bring out the bassface in everyone. Check out one of the their hugest anthems from this year…

Nero – Innocence

The Flashing Lights crew needs no introduction. Let their latest mix do all the talking…

Flashing Lights Mix #6

FREE BEFORE MIDNIGHT WITH RSVP - CLICK HERE

ADVANCE TICKETS - CLICK HERE

Mount Kimbie – Crooks & Lovers (Hotflush Recordings 2010) [Vinyl | Digital]

The U.K. society of bass stretches far beyond the bounds of audible range; one can rummage through countless tunes, sub-genres and genres until the brain just shuts down from low-frequency exhaustion. It’s a fruitful time for sure, as we have artists like Mount Kimbie providing a sound that’s so natural and so organic to their musical climate that people get drawn in and never come out thinking about music the same way. The duo of Dom Maker and Kai Campos have been releasing tunes since 2008, forging a relationship with the bass community and beyond. Their most well-known tune, “Maybes”, stunned people from every continent and proved that Mount Kimbie was a sound that wasn’t particularly stuck to one genre. Dark, inviting and enticing all at once, they continued to make tunes, unassuming of the hype that would build up towards their first album release. Enter July 2010, and Hotflush Recordings have graced us with one of the best albums of the year so far, Crooks & Lovers, an enduring journey that’s more than what one would expect from up-and-coming electronic producers.

The album starts off with a tone that’s similar to a train leaving the station in a hurry but then is taken over by a guitar and a child-like vocal sample. “Tunnelvision” is the starter that pretty much sets the table for the journey one takes in listening, as chopped and filtered percussion go between synth notes, guitar notes and vocals (presumably from Kimbie collaborator James Blake). The next tune takes the familiar tonality of previous Kimbie records and spins it into a grainy, dissipating struggle between ambience and notation. Cut-up samples, plopped bass tones and a rhythm that stays in your head for ages, “Would Know” is a perfect trip between positive and negative energies that lead to an ultimately satisfactory purgatory of cloudiness. The next few tracks, “Before I Move Off” and “Blind Night Errand” find a light in the cloudiness, providing contrasting ideas within their audible context but ultimately leading to the gorgeousness of the guitar chords of “Adriatic”. A simplistic tunes of minimal electronics, guitar, handclaps and somewhat-satisfying scat vocals, the short and sweet tune provides a look beyond bass for the duo and more towards the aspect that the Kimbie boys are songwriters and not just producers.

The next track is undeniably a bumpin’ one; “Carbonated” is similar to what you would hear on the intelligent and welcoming dancefloors of London town, expecting invigorating rhythms and cut-up RnB vocal samples. The chords, lush and lamenting, sound like the doing of James Blake, who we don’t know had officially worked on this album. No matter, because it’s a great tune that finds ways to tug at the heartstrings and provide a beat amongst its doing. Again, the next two tracks are complete contrasts of one another; “Ruby” being a dark and dusty walk amongst town drones and “Ode to Bear” being a tale of a long night, being a bit chipper in the beginning and going closer to the grain of bass-filled blues by the end of tune. The following tune might be the most intriguing on the record, as “Field” is a journey that must’ve taken place during an acid trip gone wrong, waiting for it to disperse and longing for a clear-headed viewpoint. Once the madness disperses, the guitar comes out to hopefully shake off the chemically-induced cobwebs and look towards the sun and start the day fresh once again. The final two tracks, “Mayor” and “Between Time” follow the formula of the record, be drastically different. The former, is a bouncy affair between keyboard jumpiness and high-pitched vocal cuts and bumping bass, with the occasional strike of a modular synth in the mix. “Between Time” is the excellent closer of the record, depicting the long journey back from a night on the town, whether it be the moody vocals or bass tones that will make you want to revisit Unknown Pleasures, it’s the perfect way to close out a record that’s full of everything one could expect.

While Crooks & Lovers isn’t close to a perfect record, it’s nothing short of a brilliant debut for Mount Kimbie. Alluding to their love of indie bands, hip-hop and current U.K. bass music, the duo invites us to the world of London from the eyes and ears of people, places and things they hold dear. Honest, humbling and heart-warming at times, Crooks & Lovers is an essential record to pick up in 2010.

Stream “Mayor” below and make sure you check them out October 1st at The Bunker in Brooklyn.

Mount Kimbie – Mayor

Hailing from far-off Melbourne, Australia, Andrew Szekeres, Vincent Vendetta and Daniel Stricker, otherwise known as the Midnight Juggernauts, shook the stage of Santos Party House for another outstanding event courtesy of Fixed this past Thursday with their energetic performance of live instrumental dance music. They were joined on stage by HEALTH, who warmed up the expectant crowd, anxious to get their feet moving and heads bobbing.

In a triumphant exhibition of musical exuberance, the Aussies performed using a range of instruments with each band member utilizing multiple tools. These included (among others) multiple sets of drums and keyboards, drum machines, bass and vocals, thereby creating the hybrid sound of electronic experimental rock music they are so known for. Showcasing both material from their new album like their single “Vital Signs” as well as old favorites such as “Road to Recovery”, the Midnight Juggernauts managed to communicate to both old fans and those just tuning in. Parallel to the vivacity of the music was the energy of the artists themselves ebbing and flowing with that of the crowd, which had been reduced to one big heaving mess of sweat by the end of the show.

Hot off the May 28 release of their second full length album, The Crystal Axis, the Midnight Juggernauts rolled through New York City as part of their ongoing tour, which is set to continue to California, head back to their motherland, and finally cross the pond to take on the United Kingdom. Check out out the full list of coming tour dates on their Myspace.

CLICK HERE to check out the full photo gallery, and stay tuned to see what exciting talent the Fixed crew sends our way next!

The video for “I Am Europe”, the lead single from Chilly Gonzales’ highly-anticipated upcoming album, Ivory Tower, hit the interwebs yesterday, giving us an exciting glimpse of Gonzales’ collaboration with DJ/producer Boys Noize. The seemingly unlikely partnership has spawned a truly unique sound, blending Gonzales’ piano playing and trademark spoken word with a stripped-down version of Boys Noize’s electro beats.

Click through to watch the video, which not only has a fantastic concept, but also features a hilarious appearance by Tiga.

CHILLY GONZALES – I AM EUROPE from Boysnoize Records

Just in time to close out the outdoor concert season, Virgin Mobile FreeFest 2010 will take over Merriweather Post Pavilion on September 25. In addition to the two main stages, which will feature Thievery Corporation, LCD Soundsystem, M.I.A., Matt & Kim, and others, the festival will also include a “Dance Forest” soundtracked by Chromeo, Sleigh Bells, Neon Indian, Modeselektor and Die Antwoord. As if that weren’t enough, Trombone Shorty (featured on HBO’s Treme) will lead a second line march from stage to stage, a unique tradition from his hometown of New Orleans.

Not only is the line-up out-of-this-world awesome, the show is also free. Yes, free. So start buttering up your friends with cars because this mini-festival is worth the trip.

Tickets go “on free” Saturday, July 24 at 10 AM on Ticketfly, who is waiving all service fees for the occasion. If you miss out on the free tickets, Virgin Mobile is offering up a limited set of premium tickets, which gives access to pavilion seating. As an added bonus, Rusko has produced a mini mix featuring many of the artists on the line-up, which is available for $5. Proceeds from premium ticket sales and the mini mix will be donated to charities supporting homeless youth.

With vocals by M.I.A. and Collie Buddz, and remixes from Thom Yorke, Buraka Som Sistema, Kicks Like a Mule (KLAM) and others, the latest EP from Major Lazer, Lazers Never Die, highlights the great dynamics between DJs/producers Switch and Diplo. Five tracks in all, these songs are busy and unlike the riddim vibes of their 2009 release, Guns Don’t Kill People, Lazers Do. For $4.95 we’d say Lazers Never Die is a pretty good deal, but nothing beats a free sample - click here to stream the EP on Myspace.

Click through for the track list and a video-teaser for the album.

Lazers Never Die Track List
1. Sound of Siren [featuring M.I.A. and Busy Signal]
2. Good Enough [featuring Collie Buddz and Lindi Ortega]
3. Bruk Out (Buraka Som Sistema Mix)
4. Can’t Stop Now (K.L.A.M. Remix feat. Miss Banks)
5. Jump Up (Thom Yorke Remix)

Last Saturday, The Creators Project held their second of five global events at the Victoria House in London. The exhibitions, screenings and panels were open to the public during the day from 12 PM – 6 PM, followed by a private party in the evening, which featured an array of musical performances and DJ sets from 9 PM – 3 AM.

CLICK HERE TO VIEW PHOTOS FROM THE LONDON EVENT

While New York City’s Milk Studios contained each major installation in its own room, the Victoria House had no closed doors, creating a maze-like atmosphere that flowed seamlessly between exhibits. Some were familiar – The Digital Flesh (Radical Friend), Tryptich & Hereafter (United Visual Artists), and A.D.A.B.A. (Nick Zinner), were also featured at the NYC launch. At the entrance, Felix’s Machines (Felix Thorn), a Tim Burtonesque music-making sculpture, set the tone for the wonder that was to come. Other notable art additions included Karl Sadler’s Corridor, an indoor forest that combined lights, sound and smell for a complete sensory experience, as well as Moritz Waldemeyer’s By Royal Appointment, a throne whose lights reacted to the color of the sitter, inspired by the halo of light surrounding a subject in medieval portraiture.

After a short break, we returned to the Victoria House for the musical performances, starting with Peaches (the surprise special guest), who spun an eclectic set that managed to be both retro and modern at the same time. Ever the trooper, Peaches powered through her DJ set with her broken leg propped up on a turntable. We then bounced between the Auditorium and the Ballroom, catching glimpses of Yuck, Mumdance, Crispin Dior and Saam Farahmand, who simultaneously projected video portraits behind him as he DJed.

The MVP award undoubtedly goes to Mark Ronson and the Business Intl, whose 40-minute set went above and beyond expectations. Dapper as always, Ronson et al opened with “Bang Bang Bang”, led by MNDR and Spank Rock (standing in for Q-Tip), followed by “Just”, with the vocal stylings of Alex Greenwald (Phantom Planet), who delighted the audience by crowd-surfing.

The well-rounded set list featured songs that spanned Ronson’s entire catalog, from Here Comes the Fuzz (2003) and Versions (2007) to the upcoming Record Collection, set for a September release. Spank Rock contributed vocals during “Bike Song”, which he co-wrote for Record Collection, and improvised raps in the place his absent cohorts, including Ghostface Killah (“Lose It” and “Ooh Wee”) and Theophilus London (“Hey Boy”). Rose Elinor Dougall stepped up to the mic for “Hey Boy”, then led the band into her own “Start/Stop Synchro”. The gig ended with “Valerie”, with Kyle Falconer (The View) filling in for Amy Winehouse on vocals.

This performance was Mark Ronson’s best and most dynamic to date. He displayed an impressive musical range, switching between guitar, keyboards, electric drum kit, and even vocals, and for the first time, he looked like he was actually enjoying himself onstage. The camaraderie between band members was unmistakable, and their infectious energy was immediately reflected by the crowd. “This is the best fucking gig of all time,” Ronson remarked between songs, “This is our third gig as the Business Intl, and I don’t think it’ll get any better than this.”

Our energy renewed, we swung by the Auditorium, where Filthy Dukes’ DJ set had the party in full swing. Back in the Ballroom, Kele Okereke (from Bloc Party) delivered a high-energy performance to a crowd that was clearly well versed in his music. Unfortunately, Tinchy Stryder’s set was cancelled due to time constraints, so we headed over to the auditorium where Trevor Jackson closed out the night.

We already know that the people behind The Creators Project know how to throw a good party – that’s the easy part. The more impressive achievement is The Creators Project’s growing reputation for having impeccable taste and an eye for innovation, characteristics that will prove important in the coming years as they expand their ongoing initiative.

CLICK HERE to view photos from the London event, and in case you missed it, check out the recap and photos from the NYC Launch Party HERE.

This is the one we’ve been waiting for all summer, Breakage and Zombie Disco Squad join our Trouble & Bass family at Santos Party House, Thursday July 29th! We of course have you covered with all sorts of free goodies, check below…

After seeing Breakage tear down the White Room at the Winter Music Conference and most recently at Fabric in London, it is clear why his critically acclaimed album, Foundation, is such a great success. This man continues to switch up styles with production layers uniquely ranging from jungle roots to drum & bass while fusing bits of dub and ragga into your bass vein. If you are still not convinced, have a listen to his outstanding Essential Mix from January below.

Breakage Essential Mix 1.5.10 [Download]

London natives Lucas Hunter and Nat Self of Zombie Disco Squad push house music into new dimensions bringing a fresh perspective to a worn out genre.  Taking cues from African rhythms, Balie Funk, hip-hop, tech and fidget house, these boys throw one hell of a party. Check out the mix below they made for Diesel Japan and if you are craving more like we are, be sure to visit their mix page for a whole slew of listening pleasure.

ZOMBIE DISCO SQUAD – MIX FOR DIESEL JAPAN

We have a very special contest set up for HiFi readers. Two tickets for the show plus your very own Mishka x Trouble & Bass shirt. And wait, we also have a limited 7″ from Drop the Lime’s side project Bad Lupo Grande. To enter the contest through our website, fill in all fields below and click “Enter Contest”. It’s one entry per person, but you can double your chances of winning by sending THIS MESSAGE via Twitter. You must be following both @HiFiCartel and @Troubleandbass to be eligible to win. The contest will close on Tuesday, July 27th at midnight. Advanced tickets are $10 HERE…Good Luck!

CONTEST IS NOW CLOSED

On Saturday night, Le Poisson Rouge hosted France’s Deep Forest, who gave their New York City debut performance to a crowd of enamored fans, most of whom seemed nothing short of absolutely thrilled for the opportunity to experience the innovative electronic world music in a live setting. Many spectators had clearly been in tune with the sounds of Deep Forest for many years, recognizing almost every song and grooving enthusiastically at all the right moments, creating an infectious energy of joy and reunion akin to the feeling of visiting visiting a dear old friend.

Spirits were high amongst audience members, as frontman Eric Mouquet announced his intention to primarily cover old material, particularly from their self-titled debut album. They opened appropriately with the title track off Deep Forest, following with many other iconic tracks, including “Endangered Species”, “Madzulu”, and “Sweet Lullaby”, keeping their focus primarily on material based on African indigenous rhythms and samples, with a brief foray into Eastern European culture with “Cafe Europa”. Rather than continuously playing tracks back to back, transitions between songs were marked by an introduction on the part of Eric Mouquet, who provided a brief background and explanation for each coming track. This, along with significant alteration of the lighting scheme for each song, enabled the audience to truly appreciate each individual track as a work of art, and to focus on the complexities of the sound more actively.

Throughout the performance, a visual backdrop consisting of footage from life in Abidjan, Cote d’Ivoire, focused the eye as well as the ear on the performance. The footage was taken from a film scored by Eric Mouquet, to be released this winter. Check out his website for more information.

Ultimately, the experience was made enjoyable not only by the quality of the musicianship, but by the sheer joy that the artists themselves expressed on stage. Their appreciation for their music, for one another, and for the support of the audience made it impossible to not be swept into the feeling of elation, leaving the crowd begging for just one more song after the end of the encore.

This Saturday, July 17, France-based musicians Deep Forest are making their grand debut in New York City, bringing their special brand of electronic-influenced world music to Le Poisson Rouge. Eric Mouquet, Theirry Eliez, and DJ Mark Kamins will be performing their unique and innovative musical stylings that have been popularly described as “ethnic electronica”, seamlessly blending sounds more traditionally associated with world music, electronic beats and progressive concepts.

Deep Forest’s ability to combine native sounds originating from every corner of the world with extremely modern rhythms and high technology production is truly extraordinary and enables their music to reach across genres, appealing to vast audience of all aural tastes and nationalities. This mixing of some sounds that are almost primal in their raw representation of  human existence with the futuristic and cutting edge sounds that are associated with electronic beats creates an almost spiritual vibe to the music that not only makes the body move, but also appeals the soul. Deep Forest has received wide recognition for their artistry, not only in the form of a vast fan base (their albums have sold over 10 million copies), but also in the form of a Grammy Award, which they were awarded in 1996 for their album Boheme.

To learn more about the exceptional audio project that is Deep Forest visit the comprehensive website, and be sure to check out Eric Mouquet’s YouTube channel to experience a plethora of Deep Forest sound and visuals from throughout the group’s existence.

Tickets to what is sure to be an brilliant and unusual event are $20 in advance and $25 at the door, for those 18 and over. Advance tickets can be purchased HERE.

At the end of the month, the first annual Black & White Festival will descend upon New York City’s Governor’s Island to deliver two days of pulsating dance music. As the first outdoor festival dedicated to New York dance music, Black & White’s line-up is appropriately made-up of artists that have defined it, including DJ Vibe, Chus & Ceballos, Jonathan Peters, the Martinez Brothers, Oscar G, Chriss Vargas and over 50 other local DJs. You can also cast your vote for which local DJs should spin on the main stage. CLICK HERE for tickets and more info.

If you missed out on the party of the year (or if you were one of the lucky few to attend), here’s your shot at redemption: Jetsetter is giving away a trip for two to London – including travel and hotel accommodations – so you can experience the Creators Project overseas. London is the second stop on their five-city global tour this summer. In addition to numerous art exhibitions and film screenings, the event will also feature performances by Mark Ronson & The Business INTL, Kele Okereke (Bloc Party), Filthy Dukes, Trevor Jackson, Mumdance, Flats, Yuck and Hudson Mohawke.

CLICK HERE TO ENTER

Though it feels like the season is just beginning, we’re already looking forward to the end of summer thanks to Made Event’s Electric Zoo. Now in its second year, the festival will once again take place on Randall’s Island on Labor Day Weekend (September 4-5). The final phase of the line-up adds Moby, Boris, Cosmic Gate, Dusty Kid, Glenn Morrison, Sander van Doorn and Savoy to the already massive roster. Like this year’s Ultra, the Electric Zoo has broadened its range of electronic musical styles to include several dubstep and experimental artists like Bassnectar, Pretty Lights, Flying Lotus and Rusko, among others.

We’ll be giving away a pair of passes to the festival later this summer. In the meantime, CLICK HERE for tickets and more information.

Moby – “Wait For Me” (Laidback Luke Remix)

This summer, Hard is going bigger than ever, with not one, but TWO New York City visits from the LA-based party machine.

On July 24, Hard will carry on one of NYC’s favorite summer pastimes with an outdoor concert at Governor’s Island. Headliner M.I.A. will be joined by fellow Creators Project alums Die Antwoord and Sleigh Bells, along with Skream, Benga, Rye Rye, Theophilus London, Borgore, Destructo, 12th Planet, Nguzunguze and Ninjasonik, all coming together for an evening of music you won’t want to miss. [tickets + info]

This August, Hard will also hit the road for their first tour, stopping in 12 cities across the US and Canada. Crystal Castles, Sinden and Destructo will take over NYC’s Terminal 5 on August 21, with more performers to be announced at a later date. [tickets + info]

To prepare you for the madness, the good folks at Hard released a promotional mix featuring artists that will perform at Hard this summer. Though the mix is geared towards the L.A. events, the mix is not only free, but also good, so who are we to complain? Listen to the mix below, or CLICK HERE download. Peep the tracklist after the jump…

Hard Promo Mix (Produced by Nitrus)

Last Thursday, with your help, we celebrated our first year as a cartel with a party at White Rabbit. DJs representing some of our favorite NYC families (Trouble & Bass’ The Captain and Flashing Lights’ Jubilee) were joined by some new flavor (Spectacal and Asian Dan), along with one of our personal favorites (Shuttle) to throw down some sick tunes. Thank you to everyone who came out and was involved with the party… we can’t wait to see what next year holds.

CLICK HERE TO VIEW THE FULL ALBUM

Jelly has provided some very fond summer memories in the past, and will help NYC create a few more in the coming weeks. Beginning on July 11th with Xiu Xiu and Deerhoof, who will play Joy Division’s Unknown Pleasures, the shows only get better for the next seven weeks. Delorean, Chromeo, Cut Copy, No Age, Telephoned, Memory Tapes and Murder City Devils are just a few set to jam on Brooklyn’s East River State Park every Sunday at 2. The best part? It’s all free!

Check out the full line-up after the jump…

Although it’s been over a year since their latest album drop, Passion Pit continues to accelerate with no signs of slowing down, selling out almost every night on the tour so far. Since the emergence of “Sleepyhead” in 2008, the dreamy synth-pop you secretly listened to in high school is suddenly re-evaluated and, well, cool (think hellogoodbye with a better band). The catchy vocal samples, guitar riffs and dreamy lyrics are an unquestionably original combination, mixing rock, electronica and lo-fi pop in a beautiful blend delivered by the fun-loving boys of Passion Pit.

Joining the band for their two consecutive sold-out performances in New York City were Suckers and Tokyo Police Club. A packed lawn of antsy avid listeners waited for their favorite headliner to take the stage in Prospect Park on the first night. The lights dimmed and the familiar intro of “I’ve Got Your Number” accompanied by the heavy bass of Nate Donmoyer’s drumming served as the opening song for the night. Compared to the album version, each member was fully incorporated, coming together to perform a small symphony, while the audience threw limbs up to join the chorus.

It may have been the creepy ghost-ridden island, or hearing the lead singers of Tokyo Police Club and Passion Pit sing a karaoke version of “Bohemian Rhapsody” at the VIP after party, but the second night at Governor’s Island had a better overall atmosphere. There’s no denying that Passion Pit is a band that must be seen live. They have an ability to combine tracks from Chunk of Change and Manners in an innovative way that makes it seem as if they are playing completely new pieces. “Make Light” begins with Michael Angelicos’ celestial wailing, so beautiful and upbeat you would never guess the words were so tormented and painful, a true and honest reflection of falling:

“You must believe to hear me sing these
Messy morsels of my self-assuring love
Oh, it’s painful kneading”

Whether you’re falling in love or tripping on acid, the ambiguous verses make each song universal and relevant to anyone, and honestly, what man these days can pull off a totally original cover of The Cranberries? Check out the set list from the Prospect Park show after the jump.

Set List:

I’ve Got Your Number
Make Light
Better Things
The Reeling
Moth’s Wings
To Kingdom Come
Swimming in the Flood
Let Your Love Grow Tall
Live to Tell the Tale
Folds in Your Hands
Smile Upon Me
Little Secrets

Encore:

Eyes As Candles
Dreams (Cranberries Cover)
Sleepyhead

It’s hard to believe that it’s been a year since we started… but here we are. We wouldn’t have made it through the year without all you party people, so tonight we’re bringing you some of our favorite DJs from the past year (Shuttle, The Captain and Jubilee), along with a dash of fresh meat (Asian Dan, Spectacal) to collectively form a line-up that we are super excited about.

Come out to White Rabbit (145 East Houston Street) tonight to help us fête the occasion. The festivities begin at 10 PM – get there early for drink specials during the first hour, and be sure to RSVP HERE for complimentary admission.

Find out more about tonight’s DJs and sample some of their music… after the jump.

Last January, Shuttle (aka Nate Donmoyer) blew us away with his DJ set at Webster Hall, which in my eyes, is still the best set I’ve seen all year. Though he’s known to many as the drummer of Passion Pit, Shuttle’s solo sound is a completely different musical venture, one that we highly recommend that you check out. A good place to start? The Orion Mixtape, where he handpicks choice cuts from UK’s garage and funky scene and seamlessly fuses them into one hundred plus minutes of pure bass joy. Listen to it below, or head over to Asian Dan’s blog to read an exclusive Q&A with Shuttle and for a free download of the mixtape.

Asian Dan Presents Shuttle “The Orion Mixtape”

Trouble & Bass has been an important part of our first year, and a celebration of that year wouldn’t feel complete without their presence. The Captain (aka Patrick Rood), was our first introduction into the Trouble & Bass world, and he consistently keeps the T&B signature parties stocked with a variety of bass-driven beats. CLICK HERE to check out our recent interview with the Trouble & Bass crew, and listen to The Captain’s  Smashcast below (subscribe HERE).

The Captain – “Trouble & Bass Smashcast 003″

Our first year also saw the conception of the Chinatown rave that we’ve come to know and love as “Flashing Lights”. Every month, DJ Ayres, Nick Catchdubs (who DJed our kick-off event last year) and Jubilee transform an ordinary dim sum restaurant into a full-blown rave, complete with rave juice, light painting, and the sort of miscellaneous shennanigans that you just have to experience for yourself. Check out Jubilee’s podcast below for a wide range of electro styles infused with her own breed of tropical flavor. Don’t miss Flashing Lights when it returns tomorrow night (July 2) – CLICK HERE to RSVP.

Jubilee – “XLR8R Podcast 122″

In addition to our old favorites, we can’t have a party without bringing in some new flavor. If you’ve read Asian Dan’s eponymous blog, you know he has a fantastic taste in music, which we’ll get to see live and in action on the decks tonight. As for Spectacal, who remains rather mysterious, expect fresh, foreign and dark tunes. Check out some sample tunage below.

Spectacal – “Fast Funky Munchies Mix”

Asian Dan – Cajun Ham Mix

Today, Chromeo released “Don’t Turn the Lights On”, the second single off their upcoming album, Business Casual. The track is exactly what we would expect from Chromeo – 80’s funk, synthpop and electro – but not in the least bit disappointing. In fact, it’s just what we needed to get psyched for the release of Business Casual on September 14th. Chromeo’s summer tour will make a stop at NYC’s Bowery Ballroom on July 29. They will also be performing at Lovebox in London on July 18.

CLICK HERE to purchase the single on iTunes or head over to Stereogum for a preview.