And Merrell, a 45-year-old maker of hiking boots, has taken things to the wildest extreme yet. 

At the beginning of last year, the American shoemaker released the trail shoe of the future — the mega-stacked, award-winning, nitrogen-infused SpeedARC Surge — grounded by a huge sole unit comprising two sets of dual-density foam pillars split apart by a nylon plate. “It works a lot like car suspension,” Merrell’s senior design director explained to Highsnobiety, comparing how the doubled-up midsole and energy-returning plate interact like the components in car suspension. 

Now imagine all that hefty suspension on the bottom of a Mary Jane. Even at a time of peak Mary Jane mutation, it sounds like a wild idea, but Merrell makes it all look surprisingly sleek.

The trail label created an elderly-yet-sporty velcro Mary Jane upper with lace mesh forming flowery patterns, akin to what you find on wedding dresses. And while the huge sole unit remains as huge as ever, it blends in nicely since it's the same color as the lacey upper, which arrives in either caramel brown or all-black. 

It’s all strangely cohesive for a shoe with so much going on. Merrell might’ve made the Mary Jane with the wildest technology, but the brand’s biggest achievement is that it somehow doesn’t look too wild. 

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If the deep brown and black arrangement looks instantly familiar, it's because it draws a straight line back to the sought-after Air Jordan 1 High OG Palomino that dropped back in late 2023, keeping the earth-toned momentum alive and well.

Constructed with a smooth leather base, the pair outfits its overlays and iconic Swoosh in the titular Palomino brown, juxtaposed against crisp black underlays. A hit of familiar University Red animates the Jumpman branding on the tongue and the Wings logo on the collar, adding a vibrant punch of energy to an otherwise understated canvas.

Underneath, the sneaker opts for a softened Phantom off-white midsole to anchor the heavily contrasted upper, rounding out the design with a matching Palomino rubber outsole.

Since the arrival of Travis Scott’s foundational Cactus Jack collaborations, the footwear industry has fixated on rich, organic earth tones; a trend that clearly isn’t running out of steam any time soon.

By trading sterile sportswear colors for a moody, sepia-toned palette, silhouettes succeed in shedding some of their OG sportswear roots, in this case basketball heritage, to become highly versatile lifestyle staples.

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Because of the nuances of the hand-carved and painted polystyrene foam, a conventional-looking piece of seating — four legs, a tall back, everything joined together at right angles — becomes quietly radical. Or, as Swedish furniture company Hem puts it, "subtly subversive". 

For their third collaboration, Hem helped Lamb finally put his genius chair into production.

Through some refining and tweaking, they’ve made what they’re calling “the most resolved iteration to date.”

Max Lamb and Hem produce each Economy Chair, officially named “Min Chairs”, entirely of sleek pinewood panels cut diagonally so that once a chair is fully constructed, it leaves close to zero waste.

Every element must be carefully thought through to achieve this. The triangular legs, for example, use almost half the material of traditional square legs resulting in what Lamb described as “two legs for the price of one.”

After showcasing their wooden chairs at June’s 3 Days of Design festival in Copenhagen, Hem will release the Min Chairs for $899, literally producing another example of the ample ways Lamb is inventing better methods of furniture production. 

The designer’s previous work includes transforming cardboard boxes from an Acne Studios project into sturdy colorful seats, grinding up hotel trash into plastic for a $559 flat pack armchair, and cutting bespoke thrones for a Bottega Veneta show out of discarded food containers using hot wires. Fitting that even Lamb’s mass-produced seats would yield as little waste as possible.

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It’s also, in an era of paper-thin tourbillons and gigantic watches which double-up as roulette wheels, no longer quite so radical. However, the all-new TAG Heuer Monaco Speed 12, limited to only 50 units priced at $87,000 apiece, changes that. 

Debuted at the Formula 1 Louis Vuitton Grand Prix de Monaco 2026, where 19-year-old Mercedes racer Kimi Antonelli claimed his fifth win of the season, the Monaco Speed 12 is fittingly made to look like a 12-cylinder car engine. 

The “engine” features 12 numbered pistons which spin to reveal the hour and replace the Monaco’s classic watch face. This is possible thanks to the “Spin Time” movement developed by Louis Vuitton’s watchmaking division, La Fabrique du Temps Louis Vuitton, based just outside Geneva.

LVMH owning both LV and TAG Heuer helps make this kind of cross-company collaboration easier. 

While the pistons spin according to the hour, the minute hand rotates around the watch face, something that’s only possible through complicated engineering. Typically, Louis Vuitton neutralizes its unique movement by making the rest of its rotating hand watches relatively classic. But not TAG Heuer.

Instead, the Swiss watchmaker creates what looks like an aggressively fast car engine trapped inside a square glass frame and surrounded by Grade 5 titanium. You can imagine how the watchmaking purists would’ve reacted if TAG Heuer presented this Monaco watch back in ‘69. 

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The intrigue swirling around Risso doubled lately, as he left Marni and, six months later, joined GU, the small but passionately Gen Z-approved sister brand of UNIQLO. Risso’s move to GU is just the latest in a string of aftershocks within the industry, as designers like John Galliano and Zac Posen take long-term roles with retailers like Zara and GAP, respectively, swapping the world of highly exclusive (and highly expensive) luxury fashion houses for mass-market visibility.  

While his Fall/Winter 2026 GU debut is still a few months away, Risso's new UNIQLO capsule, F.RISSO, offers an early taste of what’s to come and, surprise, it’s colorful. Titled “Made for Dreaming,” the relaxed, breezy collection of men’s and women’s pieces feels tailor-made for a sunny summer vacation, and comes with all the hallmarks of his Marni codes.

There are brightly hued shirts and polos that come slightly sun-bleached and covered in bold patterns, while bow-tie blouses, flared skirts, and silk scarves give major la dolce vita vibes (which is very fitting for an extremely Italian designer making extremely summer clothes). 

It’s all very Risso and echoes the same spirit as his Marni x Uniqlo FW22 capsule, which was both his final Marni-centric collab with the retailer and, possibly, a precursor to what he has planned for the FW26 GU collection.

That release included some great waffle-knit sweaters, oversized cardigans, and cozy mittens in bold color-blocked prints and patterns, brightly hued baggy jeans, and oversized outerwear (in anything but shades of grey), all refreshingly bold options in the sea of basic, understated clothing that UNIQLO usually puts out. 

There’s clearly a reason Fast Retailing hired the designer for more than just another one-off capsule. Like so many other fast-fashion brands, the Japanese retailer has spent years edging into “fashion” proper; it hired former Givenchy creative director Clare Waight Keller as creative director in 2024 and oversees had ongoing partnerships with the likes of Christophe Lemaire and Jonathan Anderson while sibling label GU aligns iwth Japanese faves UNDERCOVER and Mihara Yasuhiro.

Risso’s playful approach to fashion feels like the antithesis of the cerebral, austere clothing that dominates the “quiet luxury” end of the market, and his Marni era was at least mildly successful for parent company OTB; 2021’s post-pandemic boom saw Marni sales jump 29 percent, before OTB went back to its standard practice of omitting Marni sales from its annual results. 

There’s still room for Risso to surprise everyone with his impending GU debut — imagine him trotting out a Marc Jacobs ’ ‘90s grunge-inspired collection, LOL — but honestly, if he keeps turning out zestily colorblocked fits in winter fabrics, that’s fine by me.

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Ok, so that might not be one of life's most pertinent quandaries, but the Three Stripes is answering it anyway with the "What the Milwaukee" (W.T.M.) Forum sneaker. 

True to its name, the W.T.M. sneaker is a colorful conglomeration of the people and places that make Milwaukee what it is.

Swatches of giraffe print, white bricks, and bird-littered skies make up the bulk of the multi-printed shoe that's a wearable homage to the Brew City. Go Bucks!

The decked-out sneaker is a collaboration with long-time adidas partner Eric James.

Now these aren't just regular degular sneakers. They come with a little something extra. Beyond just being a curiously discordant shoe, the W.T.M. Forum also acts as a magic ticket. 

Each pair will include a Summerfest 2026 ticket as well as an insert detailing the story and references behind each design element. Talk about a gift that keeps on giving.

Held in June and July in Milwaukee, Summer Fest is a multi-day music festival, and there will also be an on-the-ground experience for the wider re-release of the W.T.M. Forum, including exclusive access and giveaways. It's more than just a shoe. It's an experience as well.

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This is CYBEX’s first foray into the world of apparel, and proof that modern families need not separate function from style. Inspired by streetwear trends from Tokyo to New York, the collection takes oversized silhouettes, neutral tones, and premium materials, and crafts casually eye-catching designs for both children and adults. Featuring a bold varsity-inspired “C” emblem, selected pieces reference the C in CYBEX–standing for Culture, Community, and Connection–and reflects the brand belief: FOR ALL TOMORROW'S PEOPLE.

 “The collection focused on craftsmanship and premium materials, but at the same time, we didn’t want to be disconnected from reality,” says CYBEX founder Martin Pos. “Kids grow fast. Therefore we also focused on oversized silhouettes, comfort, casual styling, pieces that feel elevated but still practical.” Parents with a sartorial eye no longer have to settle for uninspiring kids’ duds—the whole family can step out in CYBEX ready to stunt at school drop off or at the next family gathering.

“The aesthetic draws inspiration from some of the most influential voices in global fashion and culture,” continues Pos, “from the experimental spirit of Japanese designers like Junya Watanabe and Comme des Garçons, to the urban edge of New York icons such as Alexander Wang and Rick Owens, as well as the understated sophistication of Acne Studios. We imagined what these designers might create if they were designing for children.”

The release coincides with My Plus One, a new campaign featuring real-life families and how their intergenerational sense of style passes down from parent to child. It’s about the people who become part of your daily life, the ones who influence all the little decisions you make along the way. In this way, it’s a reflection of the connections that define family life and the relationships that shape who we are.

At the heart of the campaign are two families navigating the chaos of everyday life together. Charlène Sery is a Berlin-based creative, stylist, and mother of four. Raised in Italy, with roots in the Ivory Coast, she moved from Bergamo to Berlin with her husband Lorenzo Lodi, and together they founded Early Bird Gelato in Prenzlauer Berg in 2017. On Instagram, Charlène shares a mix of family life, personal style, interiors, food, and everyday moments.

Same goes for Fa and her husband Andre. Fa’ Pawaka is a Berlin-based Indonesian multidisciplinary artist, model, designer, and mother. Born in Jakarta, her life has moved through Hong Kong, Tokyo, Bali, and Berlin. Formerly known for her work as an international model and founder of eyewear label Pawaka, Fa now focuses on sound, breath, and healing-based experiences with alchemy crystal bowls and “sacred tuning” sessions. In the campaign, Fa’s and Charlène’s family bring this energy to the forefront: clothes that flow with their daily life, yet feel expressive, grounded, and intentional.

The pieces are designed for movement, comfort, and everyday wear, but without sacrificing the elevated aesthetic CYBEX has become known for. Since its founding in Germany in 2005, the brand has operated according to what it calls its D.S.F. principle: Design, Safety, and Functionality. With the contemporary families represented in My Plus One showing that all three qualities can coexist under one roof, that philosophy had never felt more relevant.

Find out more about CYBEX and My Plus One here.

He studied at the prestigious Central Saint Martins under the beloved design professor Louise Wilson. He mastered the craft of tailoring and landed big jobs at Burberry and Tom Ford, eventually arriving as the creative director at Tiger of Sweden. Then, six years ago, the joy he once felt disappeared. “I didn’t know if I liked it anymore,” says Lundman, now 48. “When you do 16 collections a year, there’s very little time to think. And when you’re working at companies where the merchandisers have a bigger say than you, it kills a lot of the fun.”

He walked away and took on other kinds of design work. A few years into his reprieve, Lundman found himself sketching in an Italian palazzo, and it occurred to him that he didn’t need to turn his back on fashion just because it had turned its back on him. “If you spend your life doing something, it’s your craft,” he says. “It’s what I know how to do. I had grown tired of the industry, and it made me think that maybe I should change my situation within the industry and work on my terms.” And thank God he did.

Shortly thereafter, Salon C. Lundman, now in its third season, began to take shape. 

In 2023, Lundman presented the collection for the first time: three looks, 10 garments, to friends and industry colleagues in his hometown of Stockholm. He did a small production run and started a made-to-measure program. One of his earliest customers was Auralee designer Ryota Iwai. He bought six pieces, which he wore frequently back home in Tokyo. A multi-brand store buyer there took notice and bought Lundman’s entire remaining stock. “From there, it started snowballing,” Lundman says.

There are more than 10 pieces in the collection now, but it is by no means big. Everything is meticulously considered, from the shape of a field jacket sleeve that gently bends with the natural contour of the arm, to the cashmere sweaters that come with notched collars and cuffs, subtly nodding to how they might unravel with age. Shirts have wider-than-most plackets and collars that appear to have been cut off then reattached. These clothes are unique to the wearer. That’s the intimacy Lundman is seeking. “I wanted to create something that felt essential and tender and at the same time,” he says.

Lundman’s collection has a feeling of permanence that is rare in fashion. “I don’t work with seasonal themes,” he says. “What I work with is a mood. I call it a room. That’s where the name Salon comes from. It’s about creating this sort of meeting space — with people or ideas, creativity, a place of freedom.” 

If all of this sounds rather quaint and personal, know that quaint and personal is exactly what’s resonating in the oversaturated, overexposed luxury fashion climate we’re in today. Lundman was pushed away from fashion because of the relentless commercial churn, and he was pulled back in by a return to the purity of craft. Now, his collection is on racks at the world’s most rarified independent shop floors — Ven.Space in Brooklyn, Nitty Gritty in Stockholm, and Biotop in Tokyo — and consistently sells out within days. During Paris Men’s Fashion Week, the tiny Salon C. Lundman showroom in the Marais drove as much buzz as Dior’s blockbuster runway show.

But none of it is calculated. Lundman is humble, reserved, and seemingly caught off guard by his own sudden success. “It’s difficult to explain what I do,” he says. “It just feels right. I don’t take it for granted. A lot of it is trusting yourself and the process and the craft and your experience.” 

While the brand is hitting the menswear scene with a surprising freshness, it’s all very new to Lundman, as well. Including a new way of working. “I called it Salon, and it’s all about meeting people, but I end up spending most of the time on my own. It hasn’t been easy,” he says. At previous jobs, Lundman would’ve had eight or 10 designers working under him. “But the pleasure has been that I know that it’s on my terms, and I don’t need to compromise with anyone. I can trust the instinct. I can not overcomplicate things and just follow this road.”

There is one facet of Lundman’s instinct that stuck with me after our conversation. “I don’t like the idea of perfection,” he says. “Somehow, I end up doing well-made clothes with a precise fit. But the idea of presenting yourself as a sort of ideal, I dunno, it doesn’t interest me.” 

I’ve never really considered the difference between perfect and precise. One is a theoretical ideal, while the other is the result of expert experience. “For me, it’s instinctive,” Lundman says. “I’ve done this my whole life, so I should know it by now.”

Zalando is kicking 90+ off with two massive moments: the first is “Sowas von ready” (“So Ready”) a full-blown campaign anchored by an atmospheric campaign film featuring some of the star players of the German national men’s team, celebrating moments of match day anticipation, where identity, community, and style merge.

The second is an exclusive video series that takes fans behind the scenes of the DFB, for a fly-on-the-wall look at what goes down before the players step into the bright lights of the football pitch. Ever wondered if your favorite player has a bespoke workout regimen, must-have carbo-loading snack, or superstitious locker room ritual? The hosts of the video series, former professional footballers and today's star creators Niklas-Wilson Sommer and Sidney Friede,  unveil all this and more, capturing special moments with the players through their personal relationship with the squad and discussing everything from game day prep to personal style.

And for the real DFB heads, just in time for the big games, Zalando is now offering jersey personalization featuring the names of selected national team players. Because if you’re not rocking a customized jersey in 2026, are you even a fan?  

Watch the new video series now on Zalando here.

It's the perfect mix of an athletic sneaker and a classic BAPE STA, a marriage of streetwear and track that works surprisingly well.

Like, if you want to get a fit off on your hot girl walks or run club link-ups — this is your shoe. Even for the athletically adverse, this shoe holds its weight in multiple arenas.

For starters, the Adizero EVO SL wears a simple mesh upper and enlarged Three Stripes on the side, a hallmark across all of the Three Stripes' Adizero models. So far, so standard. adidas ups the ante with bold splashes of signature BAPE staples, including the Shooting Star logo, colorful camo inserts and a Gorilla BAPE logo at the heel.

While this is not the first time BAPE and adidas have collabed on a crossover sneaker, this is by far the most sporty iteration.

In the past, though, adidas has BAPE-ified some of its hardest hitters like the Samba STA or the Orketro Brazil sneaker. But now, BAPE is ready to take over the tracks and is doing so in style. And honestly, is there any other way to do it?

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To celebrate the Knicks' historic playoff run, Kith and Nike freaked a Swoosh classic and turned it into a wearable ode to the good ol' Knickerbockers. Yes, that is the Knicks government name.

The pigskin suede upper starts us off with some standard Air Max energy that quickly descends into Knicks mania with orange lace loops and a blue jumbo air bubble at the rear.

At the heel, the Air Max 95 wears a dual-branded "Kith Air" logo split by a Knicks' Orange Swoosh. Elsewhere, the Knicks-coded sneaker follows the established Air Max 95 code of conduct with gradient paneling, designed to resemble muscle fibers.

Nike rounds it out with black laces and reflective side paneling. It's a simple shoe beefed up to show some subtle NYC pride.

The Knicks' Air Max 95 will be available June 10 on the Kith app for $220, that is, if Mr. Chalamet leaves any for the rest of us. The only person who reps the Knicks harder than Timothée is Spike Lee. 

Between the two of them, they probably have more Knicks gear than the players themselves. No shade, Mr. Towns.

In any case, Knicks in four!

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The orange in particular is one to write home about.

While the black on white will always be the crowd favorite, Converse has never shied away from dropping a few wildcards into the mix. And with summer in play, what better time to go bold? 

That’s always been part of Converse’s magic: a brand that’s managed to stay relevant decade after decade, simply by knowing when to throw a little fun with the formula.

Enter the All Star LGC, a slightly upgraded, more comfortable take on the OG. It’s as reliable as they come, office appropriate, OOO-approved, and just as ready for a rooftop as it is for a coffee run. 

These aren’t just new colors; they’re a reminder that sometimes the best classics are the ones willing to let loose and not take themselves too seriously.

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Enter the new “College Grey and Cave Stone” version.

This pair is a love letter to downtown NYC, especially that sweet spot where Bleecker meets Bowery. The mix of College Grey and Cave Stone leather lands that gritty, after-dark aesthetic, part nightlife, part art kid, and all New York attitude.

No matter your New Yorker status, this Dunk Low keeps the silhouette we’ve all come to rely on, with extra playfulness thrown in, of course. Custom insoles, a sharp font, and those layered textures instantly transport you to the blocks between West Village and Lower Manhattan.

The Dunk’s secret sauce has always been authenticity. This one doesn’t chase hype or overplay nostalgia; it just settles in and does what New York does best, keeps it real. 

Whether you’re stomping city blocks or just want a pair with actual history baked in, this Dunk Low stays true to its roots.

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Raffles, friends and family releases, and player exclusives — all of that before a mere mention of the many fire general sneaker releases out there. The world of sneaker drops can be a tricky place to navigate, but we’re here to help. Behold, the best of the best of what's arriving on shop floors this week.

Among other highlights, this week’s selection sees a bunch of cool collaborations roll in: next chapters in the books of established partnerships, like between Nike x PeaceMinusone and Adidas x Willy Chavaria, as well as premier link-ups, like in the case of Forget-Me-Nots x Nike 90 Shox Magia.

The cream of the sneaker crop awaits you. What are you waiting for?

Shop the best sneaker releases on the market, as well as upcoming sneaker drops, below.

Nike Baltoro

Release Date: June 11

Editor's Notes:  Nike's forgotten Baltoro sneaker returns in a rugged "Chalk and Safety Orange" colorway. With its textured panels, outdoor-ready build, and retro sportswear energy, it feels like a sneaker caught somewhere between an ACG trail shoe and a courtside classic.

adidas Chavarria Megaride Bones

Release Date: June 10

Editor's Notes: Willy Chavarria continues his winning streak at Adidas. The Megaride Bones pairs an exaggerated sole unit with a sleek, perforated upper, creating something that feels futuristic without trying too hard. Bold, sculptural, and surprisingly wearable.

New Balance 5030

Release Date: June 9

Editor's Notes: New Balance knows a thing or two about early-2000s runners. Metallic overlays and rich jewel tones give this pair an almost cosmic feel, while the chunky Abzorb sole delivers the comfort and technical aesthetic that turned the brand's archive into one of fashion's favorite playgrounds.

ASICS x Griff GEL-Cumulus 16

Release Date: June 11

Editor's Notes: ASICS has spent years perfecting the art of the dad shoe. Its latest trick? Adding oversized satin laces. Surprisingly, they don't feel gimmicky. Whether you wear the dramatic ribbons or swap them out for the regular laces, the silhouette has enough character to hold its own.

Salomon RX-ENRO UCHI

Release Date: June 11

Editor's Notes: Not every summer sneaker needs to scream for attention. Created with Japanese artist Uchida Ryunosuke, this pair leans into earthy tones, soft suede, and a slip-on construction that makes it the kind of shoe you'll end up wearing far more often than expected.

New Balance Made in USA 1300

Release Date: June 11

Editor's Notes:  Some sneakers spend years chasing relevance, but the New Balance 1300 never had to. Crafted in the USA with premium leather and breathable mesh, this timeless silhouette proves that quality and good design will always outlast hype.

Forget-Me-Nots x Nike 90 Shox Magia

Release Date: June 13

Editor's Notes: The Total 90 comeback takes an unexpected turn. Forget-Me-Nots softens Nike's famously aggressive football silhouette with satin finishes, metallic touches, and delicate colorways that feel worlds away from the pitch. It's a reminder that some of the best reinterpretations come from taking a sneaker somewhere it was never originally meant to go.

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The Fresh Foam sandal, also known as the HIESV1, may have missed the official Grey Days festivities in May. But when you're a New Balance model, any day can be Grey Day. And the hybrid sandal chose today to dress up in the famous "Raincloud" look.

The "Raincloud" scheme became popular with the original 2002R "Protection Pack" collection, and has since produced other good-looking grey New Balances like the 2010 dad shoes and, now, the HIESV1. The sandal features a greyed-out mesh and suede upper, patterned straps, and chunky soles finished with Vibram rubber.

The Fresh Foam Hierro is basically the return of the Niobium Concept sandals, which received spins from Snow Peak and Tokyo Design Studio in the past. They look the same, hybrid summer trail shoe vibes and all.

With New Balance basically bringing the model back for the masses, let's hope the mule versions make a comeback, too.

For now, we have the sandal-mule form to enjoy. Speaking of which, the grey Fresh Foam Hierro sandal is now up for grabs on New Balance Japan's website for 18,920 yen, which is around $118.

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