<?xml version="1.0" encoding="UTF-8"?>
<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>Humping The (new) Media Landscape</title><link>http://publicaddress.typepad.com/html/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/hnml" /><language>en</language><lastBuildDate>Thu, 02 May 2013 07:22:41 PDT</lastBuildDate><generator>TypePad http://www.typepad.com/</generator><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="hnml" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><description></description><media:keywords>media,technology,podcasting,vlogging,TV,news,arts,entertainment,mica,network,nyc</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Technology</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">TV &amp; Film</media:category><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Technology/Tech News</media:category><itunes:owner><itunes:email>mica@thepan.org</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:keywords>media,technology,podcasting,vlogging,TV,news,arts,entertainment,mica,network,nyc</itunes:keywords><itunes:subtitle>Conversations with people on the frontlines. People who really do Hump the New Media Landscape.</itunes:subtitle><itunes:summary>Conversations with people on the frontlines. People who really do Hump the New Media Landscape.</itunes:summary><itunes:category text="Technology" /><itunes:category text="TV &amp; Film" /><itunes:category text="Technology"><itunes:category text="Tech News" /></itunes:category><feedburner:emailServiceId xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">hnml</feedburner:emailServiceId><feedburner:feedburnerHostname xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0">http://feedburner.google.com</feedburner:feedburnerHostname><item><title>Innovation After Internet</title><link>http://publicaddress.typepad.com/html/2013/05/joi-ito-after-internet.html</link><category>conference</category><category>creativity</category><category>inspiration</category><category>people</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Thu, 02 May 2013 15:30:55 PDT</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017eeac1e8bc970d</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p> </p>
<p>
<a class="asset-img-link" href="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017eeac20fe3970d-pi"><img alt="Messy" border="0" class="asset  asset-image at-xid-6a00d8341e0ed253ef017eeac20fe3970d image-full" src="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017eeac20fe3970d-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Messy"></img></a><br><br></p>
<p>Last night I saw <a href="http://joi.ito.com/" target="_blank">Joi Ito</a>, current Director of the <a href="http://www.media.mit.edu/" target="_blank">MIT Media Lab</a> (I have been obsessed with that place since forever!) and
renown venture capitalist, give the keynote for the <a href="http://www.ideas-city.org/" target="_blank">Ideas City</a>
conference.</p>
<p>He explained how he sees the world as BI (before internet) and
AI (after internet) because the Internet presented such a radically different
production system. </p>
<p>Here are things he believes are needed to thrive in the AI
world, with my own loose paraphrasing of what they mean. They are great
statements, to which anyone can draw on, apply their own examples, meanings and
critiques.</p>
<p><strong>Practice over Theory</strong></p>
<p>Innovation = now. Do something now and if it works go back and
develop the theory. The cost of innovation is low, so you can afford to work
this way. The theory first method is a necessity of the BI system in which it
was very expensive to take such chances.</p>
<p>An obsession with measuring, is a sign that you might be out of
touch, because it means you have a probably have a theory to prove, which means
you feel you are smarter than the person in the trenches doing the practice.</p>
<p><strong>Systems over Objects</strong></p>
<p>Focus on making the system work and the rest falls into place.</p>
<p><strong>Disobedience over Compliance</strong></p>
<p><strong> </strong><em>“You don’t win a nobel prize for doing what you are told”.</em></p>
<p>In BI production, you need people to function as part of the
machine being out of sync or otherwise different would cause break down of the
entire system would break. With computers doing most of the menial labor in the
workplace you now need everyone to be a creative worker.</p>
<p> <strong>Emergence over Authority</strong></p>
<p><strong> </strong>This is another way of saying grass-roots or bottom up instead
of top down.</p>
<p><strong>Risk over Safety</strong></p>
<p>Remember, the cost of innovation is low financially. You can try
lots of things fairly cheaply now. The only risk is fear of personal failures.
Get over it!</p>
<p>If you plan everything you are not leaving room for the
serendipity crucial to innovation.</p>
<p>Over-mitigating risk has a major downside, it limits learning
and doesn’t build resilience.</p>
<p><strong>Resilience over Strength</strong></p>
<p>Developing an ability to keep going after set backs and
perceived failures is what allows you to learn and develop the confidence to do
new, bold, brilliant things.</p>
<p><strong>Pull over Push</strong></p>
<p>Work to draw what you need/want towards you don’t push yourself
into it.</p>
<p><strong>Compasses over Maps</strong></p>
<p>It is more important for everyone on a team have the same
general vision than be forced along the same path to get there. And also another
way of implying that the map is not the destination.</p>
<p>If you are too focused and do not consider the periphery you
will not be open to the pattern-recognition necessary for break-through
thinking (or mushroom hunting!)</p>
<p> <strong>Learning over Education</strong></p>
<p><em>“Learning is something you do for yourself, education is what
is done to you.”</em></p>
<p><em> </em>Encouraging people to be passionate and creative and discover
things for themselves should be simple because is in our nature, all you have
to do is NOT stamp it out.</p>
<p>--</p>
<p>What excited me most about this list is that what it ultimately outlines is the creative practice. And it echoes exactly the leadership through arts, approach we use at  <a href="http://www.altspeakers.com" target="_blank">ALT Speakers </a>. What is needed to be
successful today and in the future? A creative practice, something everyone has
the ability to develop and put to use in their personal and professional lives.</p></div><div class="feedflare">
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</div>]]></content:encoded><description>Last night I saw Joi Ito, current Director of the MIT Media Lab (I have been obsessed with that place since forever!) and renown venture capitalist, give the keynote for the Ideas City conference. He explained how he sees the...</description></item><item><title>What he said!</title><link>http://publicaddress.typepad.com/html/2013/02/what.html</link><category>engagement</category><category>inspiration</category><category>links</category><category>observation</category><category>people</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Thu, 21 Feb 2013 06:39:29 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017c37032b8b970b</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: center;"><span style="font-size: 15pt; font-family: arial black,avant garde;">It’s all input. And every- and anything can tell you something essential about the species.</span></p>
<p style="text-align: center;">-<a href="http://en.wikipedia.org/wiki/George_Saunders" target="_blank">George Saunders</a>  </p>
<p style="text-align: center;"><em><a href="http://www.theparisreview.org/blog/2013/02/20/gchatting-with-george-saunders/" target="_blank">(Read the entire Paris Review interview)</a></em></p></div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/hnml?a=upvGi8Dhg_w:NwCgXqVM-sE:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/hnml?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=upvGi8Dhg_w:NwCgXqVM-sE:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/hnml?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=upvGi8Dhg_w:NwCgXqVM-sE:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/hnml?i=upvGi8Dhg_w:NwCgXqVM-sE:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=upvGi8Dhg_w:NwCgXqVM-sE:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/hnml?d=qj6IDK7rITs" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=upvGi8Dhg_w:NwCgXqVM-sE:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/hnml?i=upvGi8Dhg_w:NwCgXqVM-sE:gIN9vFwOqvQ" border="0"></img></a>
</div>]]></content:encoded><description>It’s all input. And every- and anything can tell you something essential about the species. -George Saunders (Read the entire Paris Review interview)</description></item><item><title>Of War and Ballet </title><link>http://publicaddress.typepad.com/html/2013/02/war-and-ballet.html</link><category>art</category><category>creativity</category><category>Doing Good</category><category>inspiration</category><category>people</category><category>practice</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Sat, 16 Feb 2013 16:30:55 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017ee88ea87c970d</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><a class="asset-img-link" href="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017ee88e9241970d-pi" target="_blank"><img alt="Baca" border="0" class="asset  asset-image at-xid-6a00d8341e0ed253ef017ee88e9241970d image-full" src="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017ee88e9241970d-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="Baca"></img></a><br>
<p>This week I got choked up over the Village Voice's cover article, a truely moving story about the power of the arts. Written in the first-person by Roman Baca, an Iraq war 
veteran who re-ignited his passion for dance to help heal from PTSD and connect to others damaged by the experience of war.</p>
<p>His company <a href="http://www.exit12danceco.com" target="_blank">Exit12</a> began by addressing issues close to home, like his mother's anxiety but has now extended to work with children in Iraq. </p>
<p>Their mission is to<em> "inspire conversations about worldly differences
 and the lasting effects of violence and conflict on communities, 
families, and individuals. Through movement, we educate audiences about 
the reality
 of war, advocate diversity and mutual understanding through cultural 
exchange, and champion the humanity and dignity of all persons."</em></p>
<p><a href="http://www.villagevoice.com/2013-02-13/news/Roman-Baca-Iraq-Ballet/" target="_blank">Link to read the article.</a></p></div><div class="feedflare">
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</div>]]></content:encoded><description>This week I got choked up over the Village Voice's cover article, a truely moving story about the power of the arts. </description></item><item><title>What he said!</title><link>http://publicaddress.typepad.com/html/2013/02/what-.html</link><category>creativity</category><category>inspiration</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Tue, 12 Feb 2013 06:09:36 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017c36bb379d970b</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><h2 style="text-align: center;"><span style="font-family: arial black,avant garde;">A determined soul will do more with a rusty monkey wrench than a loafer will accomplish with all the tools in a machine shop.
</span></h2>
<h2 style="text-align: center;"><a href="http://en.wikipedia.org/wiki/Robert_Hughes_%28critic%29" target="_blank"><span style="font-family: arial black,avant garde;">-Robert Hughes</span></a></h2></div><div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/hnml?a=2gWEulU8r2U:jueLqOQgjls:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/hnml?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=2gWEulU8r2U:jueLqOQgjls:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/hnml?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=2gWEulU8r2U:jueLqOQgjls:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/hnml?i=2gWEulU8r2U:jueLqOQgjls:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=2gWEulU8r2U:jueLqOQgjls:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/hnml?d=qj6IDK7rITs" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/hnml?a=2gWEulU8r2U:jueLqOQgjls:gIN9vFwOqvQ"><img src="http://feeds.feedburner.com/~ff/hnml?i=2gWEulU8r2U:jueLqOQgjls:gIN9vFwOqvQ" border="0"></img></a>
</div>]]></content:encoded><description>A determined soul will do more with a rusty monkey wrench than a loafer will accomplish with all the tools in a machine shop. -Robert Hughes</description></item><item><title>Nickled and Dimed</title><link>http://publicaddress.typepad.com/html/2013/02/nickled-and-dimed.html</link><category>conversations</category><category>engagement</category><category>funding</category><category>nyc</category><category>observation</category><category>practice</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Mon, 11 Feb 2013 14:30:07 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017d40f720bc970c</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p>
<a class="asset-img-link" href="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017c36c85234970b-pi"><img alt="080211_change" border="0" class="asset  asset-image at-xid-6a00d8341e0ed253ef017c36c85234970b image-full" src="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017c36c85234970b-800wi" style="display: block; margin-left: auto; margin-right: auto;" title="080211_change"></img></a></p>
<p>The past few days I have been obsessed with change. Not the exciting CHANGE of political campaigns and social justice, but the humble change of our pockets. The various containers on my bedside table where
such coinage gets dumped, were over full and I am too lazy/cheap to take it to
a bank/coinstar machine for bills. Also, I get satisfaction from spending
coins. I love having a few pennies on hand so I can give exact change. When
relinquishing all my quarters nightly in one little tin, conveniently adds up to
just enough, on laundry day, I feel pride that I don't have to "buy" a
roll of quarters from the bodega on the corner (and this feeling is the only
thing that keeps me from being irate that our laundry room is oddly devoid
of coin changer machines).
</p>
<p>I certainly have an appreciation for the monetary value of
coins. There was even a semester in college where I lived off of the
"couch change" from a roommate who, at the time, was making so much
cash as a waiter that he didn't care to even pick up the quarters that
practically rained from his pockets when passed out on the couch. And although
this weekend, I only had a few instances to use my loot, all of them were so
successful on a couple of levels that I have started to value coins for more than
their ability to make coffee appear. Here's what happened</p>
<p>Maybe I am a little OCD about the change because, when I clean
it from my bag at the end of a day, I immediately sort it into different
containers. As I said, quarters have a special place as do pennies and for some
reason nickles and dimes hang out together in another jar. I counted and sorted
the N&amp;D jar, about 10bux! Still, I went out feeling a little
nervous about the responses I would get here and there when I paid by counting out
my change at the register. Presumably this would annoy the person behind the
counter and at best I'd get groans from people behind me in line, and as this is nyc I wouldn't have been surprised if this enraged someone beyond that. Alas, I was
determined to move ahead with my plan and I needed the satisfaction of having
emptied the N&amp;D jar.</p>
<p>The first time I pay entirely in dimes. I am at a coffee shop in
my neighborhood which is the border between Bushwick and Bed-Stuy. It doesn't get me a second look when I count and place two
neat one dollar piles of dimes the bar. Server just says "thanks." and I sit
down and enjoy my caffeine. I come here often but not enough to say I am a
regular so I don't expect to be known. The folks are pretty friendly but I have
to say I have never before gotten a cheery "thanks, see you later!"
yelled at me from across the room as I exited from this server or any other,
as I did on this day. The only thing I could think of that I did differently,
was pay in change. Maybe it endeared me or made me stand out in some way
subconsciously.  Hm.</p>
<p>That evening I am running late to a party and I need to pick up
a bottle of ginger ale on the way. I run into the only place I see open, a
Walgreens, and as I get to the register remember the sack of nickels that is
all I brought with me. Shit, this lady is going to kill me. I wish there was a
bodega open, I feel instinctually they might be cooler about this. I sheepishly tell
the 20-something woman across the counter from me, "sorry its going to be
a minute just have all this change to count out." She smiles big and says
with genuine excitement in her tone "I love doing that!" Whew. We
have a brief discussion about how much we both like giving exact change and
collecting the change from the bottom of your bag and seeing it add up to
dollars. I pay her in nickels and tell her I am so glad she was working
tonight. I walk out with my head high, I feel like I am particularly clever and
in cool kids club with this Walgreens employee. </p>
<p>Next day, I need to kill time between meetings and stop into a
cute little cafe place that appears to serve primarily the college kids from
the school buildings directly across the street. I pull out my satchel of
change, it is a mix of nickles and dimes. Before I can even apologize for the
time it will take me to count it out, the man behind this counter gets super
excited and says "YES!". I look up from my task, perplexed but then I realize he
commenting on the silver in my palm. "<em>This</em> is what I like to
see!" He is absolutely thrilled I randomly stumbled into his cafe and am
gifting him with all the nickles and dimes he will need to make change the rest
of the afternoon. I am a godsend. His over-the-top response has me laughing. I
hand him the sum I owe and say something like "I think its right but you
might want to double check". He tells me he doesn't care, as he excitedly
transfers the coins into his register drawer. We are both smiling big.</p>
<p>It turns out paying with change can not only buy you a coffee
but it can also make you stand out, as a consumer, create a connection over an
otherwise anonymous interaction and provide a real service for a small business.
Next time I decide (or need) to nickel and dime it, I will do so with pride!</p></div><div class="feedflare">
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</div>]]></content:encoded><description>The past few days I have been obsessed with change. Not the exciting CHANGE of political campaigns and social justice, but the humble change of our pockets.</description></item><item><title>What she said!</title><link>http://publicaddress.typepad.com/html/2013/01/what-she-said.html</link><category>Books</category><category>creativity</category><category>inspiration</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Wed, 02 Jan 2013 07:35:35 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017ee6de8574970d</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: center;"><span style="font-size: 13pt;"><strong>It is that which penetrates into the unseen worlds around us, the 
worlds of Science. It is that which feels &amp; discovers what is, the real which we see not, which exists not for our senses.
 Those who have learned to walk the threshold of the unknown worlds… may
 then with the fair white wings of Imagination hope to soar further into
 the unexplored amidst which we live.</strong></span></p>
<p style="text-align: center;"><span style="font-size: 12pt;"> <a href="http://www.amazon.com/The-Information-History-Theory-Flood/dp/0375423729" target="_self">- Ada Lovelace on imagination</a><strong><br></strong></span></p>
<p style="text-align: center;"><span style="font-size: 12pt;"><strong><em><br></em></strong></span></p></div><div class="feedflare">
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</div>]]></content:encoded><description>It is that which penetrates into the unseen worlds around us, the worlds of Science. It is that which feels &amp;amp; discovers what is, the real which we see not, which exists not for our senses. Those who have learned...</description></item><item><title>Most talked about books of the year</title><link>http://publicaddress.typepad.com/html/2012/12/a-look-back-at-books.html</link><category>Books</category><category>conversations</category><category>inspiration</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Fri, 21 Dec 2012 16:08:20 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017c34ac5197970b</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p> </p>
<p><span style="font-family: arial,helvetica,sans-serif;">If you have been around me in the past 12 months, it is likely that I mentioned one of these books in our conversation. Since then, you have probably scratched your head, thinking "what was that book Mica was ranting about?"</span></p>
<p style="text-align: center;">
<a class="asset-img-link" href="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017c34d2c342970b-pi" style="display: inline;"><img alt="DSC06546" border="0" class="asset  asset-image at-xid-6a00d8341e0ed253ef017c34d2c342970b image-full" src="http://publicaddress.typepad.com/.a/6a00d8341e0ed253ef017c34d2c342970b-800wi" title="DSC06546"></img></a><br><span style="font-size: 8pt;">I am old school. I still read paper books.</span></p>
<p> </p>
<p><span style="font-family: arial,helvetica,sans-serif;"><strong>Here is a list of the books I found myself talking (to you) about most this past year.</strong></span></p>
<p> </p>
<p><strong><em><a href="http://www.powells.com/biblio/1-9780374275631-1" target="_blank">Thinking Fast and Slow</a></em></strong><a href="http://www.powells.com/biblio/1-9780374275631-1" target="_blank"> by </a><a href="http://www.powells.com/biblio/1-9780374275631-1" target="_blank">Daniel Kahneman</a></p>
<p>This book immediately changed the way I think and act. For real! Don't be put off by the size of this tome. It is divided into short chapters with very clearly outlined take-aways from each. This book explains how our brains naturally have certain biases for handing information and proves that if we make an effort to be aware of them we will heighten our perception, be truely open-minded and make better overall decisions. Kahneman's aproach is neither condescending nor preechy and it's his humility that I think, makes this book so effecting, as he explains <a href="http://www.guardian.co.uk/science/2012/jul/08/this-much-i-know-daniel-kahneman" target="_blank">in an interview in The Guardian:</a></p>
<a></a>
<blockquote>
<p><em> My main work has concerned judgment and 
decision-making. But I never felt I was studying the stupidity of 
mankind in the third person. I always felt I was studying my own 
mistakes. <br></em></p>
<p style="padding-left: 60px;"> </p>
</blockquote>
<p><em><strong><a href="http://www.amazon.com/Alone-Together-Expect-Technology-Other/dp/0465031463" target="_self">Alone Together </a></strong></em><a href="http://www.amazon.com/Alone-Together-Expect-Technology-Other/dp/0465031463" target="_self">by Sherry Turkle</a></p>
<p>This book is the culmination of a two massive research undertakings by this MIT professor who studies the social aspects of technology as a trained psychologist. However, you won't feel put off by the writing and full of relatable anecdotal stories. The first section is devoted to her observations of interactions between humans and social robots (primarily children and elderly) and the second, dedicacted to obervation of how people communicate through technology. </p>
<p>You would never confuse her for a luddite however, Turkle calls for a serious questioning of what we expect from our relationships with technology at this very crucual moment.  <a href="http://www.ted.com/talks/sherry_turkle_alone_together.html" target="_blank">Here's her TED talk on the subject.</a>  </p>
<p> </p>
<p><strong><a href="http://www.strandbooks.com/food-writing/the-american-way-of-eating-undercover-at-walmart-applebees-farm-fields-and-the-dinner-table" target="_blank"><em>The American Way of Eating</em> </a></strong><a href="http://www.strandbooks.com/food-writing/the-american-way-of-eating-undercover-at-walmart-applebees-farm-fields-and-the-dinner-table" target="_blank">Tracie McMillan </a></p>
<p>This is a great addtion to the food culture/justic bookshelf. The 
author does the invetigative journalist thing to reveal the real cost of
 food in America. You may think you know, but there are plenty of eye 
opening surprises in here.</p>
<p> </p>
<p><a href="http://www.strandbooks.com/psychology/monkey-mind-a-memoir-of-anxiety" target="_blank"><strong><em>Monkey Mind</em></strong> by Daniel Smith</a></p>
<p>
Daniel Smith is not making fun of anxiety but he did make me 
snort-laugh a lot reading this book about his on going struggle with it. Well, humor heals or at least is a great coping mechanism. I think this little book will help a lot of people.</p>
<p> </p>
<p><em><strong><a href="http://www.strandbooks.com/management/every-leader-is-an-artist-how-the-worlds-greatest-artists-can-make-you-a-more-creative-leader/_/searchString/every%20leader%20%20artist" target="_self">Every Leader is an Artist </a></strong></em><a href="http://www.strandbooks.com/management/every-leader-is-an-artist-how-the-worlds-greatest-artists-can-make-you-a-more-creative-leader/_/searchString/every%20leader%20%20artist" target="_self">by Michael O'Malley, Ph.D and William F. Baker, Ph.D</a></p>
<p>Since developing <a href="altspeakers.com" target="_blank">The Alternative Speakers Bureau</a> I have have been reading a lot of books about inspiration and innovation and creativity and leadership. This one stands out for me because it so eloquently explains the value of artists' work. Each chapter starts with a specific work of art, Mondrian painting, a Bruce Nauman neon sign, a passage from <em>Mrs. Dalloway</em> by Virginia Wolf, and then uses that to exemplify a particular crucical aspect of good leadership in any field. For me, none of this is news but it was just so refreshing to see a book directed at a business audience that fosters deep thinking rather than over simplification. It is clear that O'Malley and Baker truely respect artists and that we share a misson of elevating their status in our culture.</p>
<br>
<p><a href="http://www.strandbooks.com/music-dance/you-must-go-and-win-essay" target="_blank"><em><strong>You Must Go and Win</strong></em> by Alina Simone</a></p>
<p>Alina Simone is a great storyteller. I read this book cover to cover during one 5 hour bus ride. It was refreshing to read a book of memoir-y essays by a woman without any being about her terrible dating choices. It is truely a book about an artist finding her way. I had so many LOL moments reading this, that it allowed me to overlook a sorta slow chapter devoted entirely to her obsesion with singing eunuchs (OK, that seems pretty funny now that I am writing this.)</p>
<p> </p>
<p><a href="http://www.strandbooks.com/espionage/agent-zigzag-a-true-story-of-nazi-espionage-love-and-betrayal" target="_blank"><em><strong>Agent Zigzag</strong></em> by Ben Macintyre</a></p>
<p>This is the amazing true story about how a street saavy, yet totally 
sketchy, criminal becomes a double agent during WWII and even becomes 
the only non-German to be awared the Iron Cross, while he is actually 
working for the other side! Reading this made me realize that I had not 
actually understood espionage before, despite all the James Bond movies 
I've seen. I love when the truth is stranger and more wonderful than 
ficiton and this is a great example. </p>
<p> </p>
<p><a href="http://www.strandbooks.com/rap-hip-hop/the-big-payback-the-history-of-the-business-of-hip-hop" target="_blank"><em><strong>The Big Payback</strong></em> by Dan Charnas</a></p>
<p>This book is great because it isn't just those well told tales about stars and industry big wigs, it gets into the nitty grity of promoters, marketers, interns, record store and club owners, cousins, friends and influencers of any sort who helped push forward the colorful and quite often unbelievable story of Hip Hop.</p>
<p> </p>
<p><a href="http://www.strandbooks.com/general-6/steve-jobs-a-biography" target="_blank"><em><strong>Steve Jobs</strong></em> by Walter Isaacson</a>
</p>
<p>What is there to say that hasn't already been said about this book? Not just for Jobs obsessed/Mac heads.  It's real good; fascinating, infuriating, enlightening and gossip-y! </p>
<p> </p>
<p><strong> What's on your most talked about list? I could use some recomendations for 2013!</strong></p>
<p> </p>
<p> </p></div><div class="feedflare">
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</div>]]></content:encoded><description>Here is a list of the books I found myself talking (to you) about most this past year.</description></item><item><title>What he said!</title><link>http://publicaddress.typepad.com/html/2012/12/what-he-said-1.html</link><category>creativity</category><category>inspiration</category><category>links</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Mon, 17 Dec 2012 18:00:12 PST</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017615790e1d970c</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p style="text-align: center;"> </p>
<p style="text-align: center;"><span style="font-size: 15pt;">As dreams that were momentus by night seem simply silly in the light of day, so the poet and prophet can find themselves playing the idiot before a jury of sober eyes.</span></p>
<p style="text-align: center;"><a href="http://www.jcf.org/new/index.php" target="_self"><strong>-Joseph Campbell</strong></a></p></div><div class="feedflare">
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</div>]]></content:encoded><description>As dreams that were momentus by night seem simply silly in the light of day, so the poet and prophet can find themselves playing the idiot before a jury of sober eyes. -Joseph Campbell</description></item><item><title>What he said!</title><link>http://publicaddress.typepad.com/html/2012/06/what-he-said-2.html</link><category>creativity</category><category>inspiration</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Fri, 15 Jun 2012 07:28:24 PDT</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef01676783a5ee970b</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><div style="text-align: center;"></div>
<div style="text-align: center;"></div>
<div style="text-align: center;"><span style="font-size: 14px; font-family: Tahoma;"><strong><span style="font-size: 16px;"><span style="font-size: 16px;">Let your mind become a moving prism, catching light from as many angles as possible.</span></span></strong></span></div>
<div style="text-align: center;"><span style="font-size: 14px; font-family: Tahoma;"><strong><span style="font-size: 15px;"><span style="font-size: 15px;"><br></span></span></strong></span></div>
<div style="text-align: center;"><span style="font-size: 16px; font-family: Arial;"><a href="http://www.cwrightmills.org/" style="font-family: yui-tmp;" target="_blank">C. Wright Mills</a><br></span><span style="font-size: 14px; font-family: Tahoma;"><strong> </strong> </span></div></div><div class="feedflare">
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</div>]]></content:encoded><description>Let your mind become a moving prism, catching light from as many angles as possible. C. Wright Mills</description></item><item><title>What can you learn from artists about engagement?</title><link>http://publicaddress.typepad.com/html/2012/06/what-can-you-learn-from-artists-about-engagement.html</link><category>art</category><category>conversations</category><category>creativity</category><category>engagement</category><category>marketing</category><category>nyc</category><category>practice</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">mica@thepan.org</dc:creator><pubDate>Wed, 13 Jun 2012 20:16:19 PDT</pubDate><guid isPermaLink="false">tag:typepad.com,2003:post-6a00d8341e0ed253ef017615737cd1970c</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[<div xmlns="http://www.w3.org/1999/xhtml"><p> </p>
<p> </p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/micawave/7181159237/" title="Touch by micawave, on Flickr"><img alt="Touch" height="325" src="http://farm8.staticflickr.com/7103/7181159237_7c0651f561.jpg" style="display: block; margin-left: auto; margin-right: auto;" width="500"></img></a>Touch lights by <a href="http://paperjamart.com/gallery__2011_Touchlights.php">paperJAM</a></p>
<p style="text-align: center;"> </p>
<p style="text-align: center;"><strong><em>"In these challenging economic times, it is important that artists   devise new ways to create, share, think, and dream about what is   possible."  </em>-  <a href="http://figmentproject.org/about/" target="_self">FIGMENT website</a></strong></p>
<p style="text-align: center;"><strong><br></strong></p>
<p>Figment, an anual event held in NYC (and several other cities across the country), is a festival of art that is interactive and participatory. <em>"You  touch it, smell it, write on it, talk to it, dance with it, play with  it, learn from it. Interactive art creates a dynamic collaboration  between the artist, the audience and their environment." (via figment.com)</em></p>
<p>What you end up is a pretty wild, and I mean untamed. Works range from whimsical or silly to amazing and even, quite possibly dangerous. But ultimately, it offers visitors a chance to consider the idea of engagement from a lot of perspectives.</p>
<p> </p>
<p><a href="http://www.flickr.com/photos/micawave/7181160217/" title="Ascend by micawave, on Flickr"><img alt="Ascend" height="568" src="http://farm8.staticflickr.com/7239/7181160217_6c3721cf5a.jpg" style="display: block; margin-left: auto; margin-right: auto;" width="380"></img></a></p>
<p style="text-align: left;">A colorful, splashy enterance to an oversized tree house is a fun invitiation  to investigate. Others presented a pathway or a  mysterious opening encouraging curiousity. Still  others ask a question or leave a mad-lib a fill in the blank to say  "what's missing here? YOU!"</p>
<p style="text-align: left;">Anyone involved in communications, marketing, media etc. can learn a lot  from artists who are experimenting with such interactivity.</p>
<p style="text-align: left;"> </p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/micawave/7181145951/" title="Turn it on 4 by micawave, on Flickr"><img alt="Turn it on 4" height="366" src="http://farm8.staticflickr.com/7226/7181145951_228c41f8b4_z.jpg" style="display: block; margin-left: auto; margin-right: auto;" width="550"></img></a>Live! by <a href="http://www.ashaganpat.com/art.html">Asha Ganpat</a></p>
<p> </p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/micawave/7181149909/" title="You by micawave, on Flickr"><img alt="You" height="661" src="http://farm6.staticflickr.com/5197/7181149909_a05559ffcc.jpg" width="439"></img></a></p>
<p style="text-align: center;"> </p>
<p> </p>
<p style="text-align: center;"><a href="http://www.flickr.com/photos/micawave/7366375828/" title="Freedom by micawave, on Flickr"><img alt="Freedom" height="675" src="http://farm8.staticflickr.com/7224/7366375828_c3630876c8.jpg" width="449"></img></a></p>
<p style="text-align: center;">Face of Liberty by<a href="http://www.zaqart.com/"> Zaq Landsberg</a></p>
<p> </p>
<p> </p>
<p><a href="http://www.flickr.com/photos/micawave/7366385948/" title="Solo by micawave, on Flickr"><img alt="Solo" height="643" src="http://farm8.staticflickr.com/7090/7366385948_ec13a114b7_z.jpg" style="display: block; margin-left: auto; margin-right: auto;" width="463"></img></a></p>
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<p> </p></div><div class="feedflare">
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</div>]]></content:encoded><description>Anyone involved in communications, marketing, media etc. can learn a lot from artists who are experimenting with interactivity in their art.</description></item><media:rating>nonadult</media:rating></channel></rss>
