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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/rss2enclosuresfull.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><rss xmlns:media="http://search.yahoo.com/mrss/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0"><channel><title>Welcome To Pakistan Philatelic Net Club</title><link>http://paknetmag.blogspot.com/</link><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/http/paknetmag-hobbyexchangeclubblogspotcom" /><description></description><language>en</language><managingEditor>noreply@blogger.com (Wahid Zia)</managingEditor><lastBuildDate>Thu, 16 May 2013 07:37:06 PDT</lastBuildDate><generator>Blogger http://www.blogger.com</generator><openSearch:totalResults xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">2079</openSearch:totalResults><openSearch:startIndex xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">1</openSearch:startIndex><openSearch:itemsPerPage xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/">25</openSearch:itemsPerPage><feedburner:info xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" uri="http/paknetmag-hobbyexchangeclubblogspotcom" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><itunes:owner><itunes:email>noreply@blogger.com</itunes:email></itunes:owner><itunes:explicit>no</itunes:explicit><itunes:subtitle></itunes:subtitle><item><title>Recipients of Nishan-e-Haider &amp; Hilal-e-Kashmir (2013-8)</title><link>http://paknetmag.blogspot.com/2013/05/recipients-of-nishan-e-haider-hilal-e.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Wed, 08 May 2013 20:30:11 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-1389890004894566782</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Commemorative Postage Stamps on Recipients of Nishan-E-Haider and
Hilal-I-Kashmir April 2013:- Captain Karnal Sher Khan (Shaheed) Nishan-E-Haider
5 July 1999:-&lt;/b&gt; Captain Karnal Sher Khan was born on 1 January 1970 in
Faujoon Abad, a small village of Nawan Kali district Swabi. His grandfather had
a dream that Sher Khan would be an Army officer, so he used to call him
‘Karnal’ which later on became part of his name. He started his military career
in 1987 as an Airman in Pakistan Air Force and served there for five years. He
was commissioned in Pakistan Army in October 1994. After receiving training at
Pakistan Military academy, Kakul, he was posted to 27 Sind Regiment. During his
deputation to Northern Light Infantry (NLI) he volunteered for the defence of
his motherland, therefore, he was posted to the Line of Control (LOC) for two
years. Before ‘Kargil Operation’ he established military posts on the snow
hidden peaks of Gultary, some 15,000-17,000 feet above sea level. The enemy
attacked his post eight times and he inflicted severe casualties upon them
every time. On 5 July 1999, the enemy launched a two pronged attack on his post
and fired approximately 12,500 round of ammunition. Captain Karnal Sher Khan
was not only a valiant soldier but also an intelligent commander. He created an
impression of a Brigade’s presence by making use of small contingents of
soldiers. He himself took an active part in the battle when enemy captured a
part of his post. Despite sheer shortage of ammunition and men, Captain Karnal
Sher Khan repulsed the enemy back to their territory. He was hit in the chest
by a burst of enemy machine-gun and embraced ‘Shahadat’ in action. In
recognition of his unbending determination and valour he was awarded
Nishan-e-Haider posthumously.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Havildar Lalak Jan (Shaheed Nishan-e-Haider 7 July 1999:- &lt;/b&gt;Havildar
Lalak Jan was born at village Hindur in Yasin Valley of Gilgit in 1967. He
joined Northern Light Infantry (NLI) as a Sepoy. Lalak Jan set an example of
gallantry and unwavering determination during Kargil crises. In May 1999 the
enemy was preparing for a major ground attack. At that time Lalak Jan, while
serving in the NLI Headquarters, volunteered to fight on the front. During the
last week of June 1999 enemy launched a powerful battalion size night attack on
his post. During fighting he displayed extremely brave behavior thus raising
the morale of his colleagues. The action forced the enemy to retreat leaving
behind heaps of carcasses. The next night, the enemy again attacked but was
made ineffective. On 7 July 1999 the enemy kept on firing with artillery
throughout the day and launched a three pronged attack at night on his post. He
along with his colleagues withstood this attack despite sustaining severe
injuries and repulsed it. Finally he embraced ‘Shahadat’ while fighting on his
post. In recognition of his exemplary gallantry and passion for ‘Shahadat’ he was
awarded Nishan-e-Haider posthumously.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Naik Saif Ali Janjua (Shaheed) Hilal-I-Kashmir 26 October 1948:-&lt;/b&gt;
Number 68275 Naik Saif Ali Janjua was born in 1922 at Village Khandar, Post
Office Nakyal, Kashmir. He was enrolled in the army on 18 March 1941. Naik Saif
Ali Janjua was commanding an isolated platoon of 18 Azad Kashmir at Pir Kaleva
(Mendhar Sector) on 26 October 1948 and was holding a vital position. The enemy
put in an attack with approximately one Infantry Brigade supported by tanks,
artillery and air force. This brave Non Commissioned Officer with his handful
of men held the position against very heavy fire power with outstanding and
dauntless courage. Despite being isolated, he was determined to fight till last
man and last bullet. His personal example and personality kept the other men
clining to the position till he was finally blown to pieces by a direct shell
from the enemy artillery. Naik Saif Ali Shaheed was awarded Hilal-i-Kashmir
(highest Azad Jammu and Kashmir operational award) posthumously on 2 March
1949. The same was equated with Nishan-e-Haider by Government of Pakistan vide
gazette notification No. 1/18/D/25/91 of 30 Nov 1995.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
To Commemorate the recipients of
Nishan-e-Haider and Hilal-i-Kashmir, Pakistan Post is issuing Three Commemorative
Postage Stamps each of Rs. 8/- denomination on April 30, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T08:30:11.796+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-ltOdHIysi_4/UYPbR9J2xmI/AAAAAAAAHr8/c0l01EoNM1A/s72-c/scan0012.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Inauguration of Pak Army Museum. (2013-7)</title><link>http://paknetmag.blogspot.com/2013/05/inauguration-of-pak-army-museum-2013-7.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Wed, 08 May 2013 20:29:38 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-247227024478593606</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;b&gt;Inauguration of Pak Army Museum: Commemorative Postage Stamp April 30,
2013:-&lt;/b&gt; The Army Museum was established in 1961 in an improvised warehouse
near General Headquarters for preserving and chronicling Pakistan Army’s
history. Construction of a new museum building in the existing location on
Iftikhar Janjua Road, Rawalpindi, was completed in December 1993. Over a period
of time, a need was felt to renovate and refurbish the museum for depicting our
military history in a yet more chronological manner while making the displays
more attractive and interesting for visitors. Renovation and refurbishment
activity commenced in 2010 and the project his pecently been completed.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The theme of Pakistan Army Museum
is to tell the story of the Pakistan Army with reference to its historical
background, birth, reconstitution and re-organization, wars, alarms and
excursions and peace time services to the nation.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The museum’s first floor lobby
takes the visitor through a &lt;b&gt;Time Line&lt;/b&gt;
covering important happenings and personalities of the past. Pakistan Army’s
command structure is depicted through General Headquarters, field formations
and paramilitary forces’ insignias, formation signs and flags. Brief histories
of these institutions including raising details, original order of battle,
areas of responsibility, particulars of commanders besides decorative displays
relating to these personalities and their activities give an insight to
visitors regarding the army’s composition.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The &lt;b&gt;drawn of Independence on 14 August 1947 and the birth of Pakistan Army&lt;/b&gt;
are also depicted in the lobby. Transformation from Headquarters Northern
Command (Army in India) to General Headquarters (Pakistan Army), evacuation and
management of refugees, Quaid-e-Azam’s interaction with Pakistan Army and
Indo-Pak Kashmir War of October 1947 – January 1949 have been covered through
map enlargements, photographs, archival documents, gazetteers, orders,
instructions and table models.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Border violations, skirmishes and 1965 Indo-Pakistan War&lt;/b&gt; are
covered in the western two galleries. Prominent depictions include
Nishan-e-Haider awardees Major Muhammad Tufail Shaheed and Major Aziz Bhatti
Shaheed’s actions and martyrdom. Major operations covered are of Rann of Kutch,
battles of Chhamb, Lahore, Khem Karan and Sialkot including destruction of
Indian armour at the battle of Chawinda, and Rajasthan Sector.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The southern gallery is devoted
to the &lt;b&gt;1971 Indo-Pakistan War, Lipa
Valley action, Siachin and Kargil operations.&lt;/b&gt; Computer generated special
effects, paintings, map enlargements and photographs of Shuhda, fabrications
and models give a scintillating portrayal of Nishan-e-Haider awardees Major
Muhammad Akram, Captain karnal Sher Khan, Havaldar Lalak Jan, Naik Mahfooz and
Sowar Muhammad Hussain actions, and Lt Col Raja Muhammad Akram Hilal-e-Jurat’s
action on Bara Pind. Lipa Valley action, battle of Zafarwal, attack and capture
of Chammb are also depicted here. &lt;b&gt;War on
the roof of the world&lt;/b&gt; covering heliborne operations, beating back enemy
infantry attacks on Kargil peaks, downing of enemy fighter aircrafts in that
treacherous terrain and battling the forces of nature while in an igloo are
also included in this gallery.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;War on terror, Army in aid of civil power, disaster management, nation
building &amp;amp; United Nations Peace Keeping operations&lt;/b&gt; are the subject
matter of the next gallery. Operations in Swat, Malakand and South Waziristan
are depicted through maps, photographs, captured equipment and weapons.
Pakistan Army’s contribution and actions in United Nations peace keeping
operations and during major disasters such as Earthquake of 2005, floods in
various parts of the country and air crashes, development of infrastructure
through organizations like National Logistic Cell, Frontier Works Organization,
Special Communication Organization, Fauji Foundation, Heavy Industries Taxila,
Pakistan Ordancnce Factories etcetera are also reflected through photographs
and displays.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
A &lt;b&gt;Celestial Galaxy of Gallantry Awardees&lt;/b&gt; is the theme of another
gallery in which displays in galaxy format of portraits, citations and personal
effects of Nishan-e-Haider awardees, photographs, citations and gallantry
awards recipients down to Tamgha-e-Basalat have been laid out.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Two galleries are dedicated to &lt;b&gt;Firearms Collection&lt;/b&gt; which includes
displays muskets, rifles, hand guns, regulation rifles, sub machine guns,
medium machine guns, heavy machine guns, light and heavy mortars, anti-tank
rocket launchers and anti-tank guided missiles etcetera.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Researchers can also avail the facilities
of an &lt;b&gt;Archives / Research Room.&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
A thrilling &lt;b&gt;band display&lt;/b&gt; takes place on selected days in the museum’s court
yard.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The first floor of the museum has
been dedicated to &lt;b&gt;Regiments and Corps
displays.&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The &lt;b&gt;verandahs and open spaces&lt;/b&gt; also have on display assorted displays of
paintings, portraits, photos, sculptures, artifacts, old regimental signs and
insignias and kiosks for guidance of visitors.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
A chronologically laid out &lt;b&gt;outdoor display&lt;/b&gt; of armoured fighting
vehicles from the first tank of Pakistan Army till to date i.e. Ferret Scout
Car to M4 Stuart to M4A1 Sherman to M48 etcetera, field and anti-aircraft guns,
howitzers, engineers equipment and jeeps, some of which are captured war
trophies, adorn the western and rear area of the museum.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
On the occasion of inauguration
of Pakistan Army Museum, Pakistan Post is issuing a commemorative postage stamp
of Rs. 15/- denomination on April 30, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T08:29:38.042+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-DiqyAxoDt-U/UYPaAdVYKLI/AAAAAAAAHrg/Ypopn3anTf4/s72-c/scan0004.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Men of Letters Series "Sufi Barkat Ali" (1911-1997) 2013-06</title><link>http://paknetmag.blogspot.com/2013/05/men-of-letters-series-sufi-barkat-ali.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Wed, 08 May 2013 20:28:42 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-2910386378639920300</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;b&gt;Men of Letters Series: Sufi Barkat Ali (1911 – 1997) Commemorative
Postage Stamp April 27, 2013:- Birth And Bay’at-e-Tareeqat:-&lt;/b&gt; Name of the great
saint is Muhammad Barkat Ali (R.A Rehma-ulla Alain). The filial appellation is
“Abu Anees” (father of Anees – his daughter).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He was born on 27&lt;sup&gt;th&lt;/sup&gt;
Rabi-ul-Sani 1329&lt;sup&gt;th&lt;/sup&gt; HIjra Thursday, (27&lt;sup&gt;th&lt;/sup&gt; April 1911) at
Barhami District Ludhiana. He belongs to Dhariwal, jat family. His honourable
father’s name is Hazrat Nigahi Baksh (R.A) and respected mother’s name is
Hazrat Jannat Bibi (R.A). His father served in the British Army. He took his
bay’at at the hands of Shah-e-Walayat, Hakeem Ameer-ul-Hasan Saharanpuri (R.A).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Childhood:-&lt;/b&gt; Since childhood, Abu Anees Muhammad Barkat Ali (R.A)
was inclined towards virtue. By nature, he was a sober person and he loved
solitude. He learnt the Holy Quran in his own village and, afterwards, went to
Halwara for his formal education. He had the distinction of building the first
mosque in his village.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Selection in Army:-&lt;/b&gt; Abu Anees Muhammad Barkat Ali (R.A) joined the
army and became an officer as per the desire of his father. He got recruitment
in the British army on 9&lt;sup&gt;th&lt;/sup&gt; April 1930. After passing the Indian Army
special education course, he was selected as a Y-Cadet. His Corps Commander
Genral Veitch, was a great admirer of him because of his sterling qualities,
modest nature and graceful personality. He treated him as a friend. Even
amongst the common youth he was known for his graceful personality. He often
quoted the example of his noble character and disposition to other officers. He
treated him with respect and dignity, so much that he abstained from eating and
drinking during the holy month of Ramdan in order to show respect to him.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Resignation from the Army:-&lt;/b&gt; If Abu Anees Muhammad Barkat Ali had
stayed in the army, he would have been promoted to the rank of a genral. However,
he preferred to be a FAqeer (a dervish) of Allah by sacrificing everything. To
commence his journey towards the auspicious and righteous path of the Holy
Prophet (S.A.W) he resigned from the army on 22&lt;sup&gt;nd&lt;/sup&gt; June 1945 911
Rajab-ul-Murajjab 1364 A.H.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He discarded his army uniform,
wore simple sufi tunic and declared: “I am no more an employee of the British
Government but am a servant of Allah.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Three Main Objectives:-&lt;/b&gt; As soon as Abu Anees Muhammad Barkat Ali
(R.A) was released from the army, he renounced the world and what it contained
and announced to spend the rest of his life for achieving the following three
holy objectives for the sake of Allah the Almighty”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Constant Zikr of Allah the Almight.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;The invitation to and the spread of Islam.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Selfless service of humanity.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Migration to Pakistan:-&lt;/b&gt; He migrated to Pakistan on the 14&lt;sup&gt;th&lt;/sup&gt;
of August 1947. He finally arrived at Salar Wala, where he was allotted a piece
of land (in lieu of his ancestral agricultural land left in India). This piece
of land was located near Salar Wala railway station. He put in nearly forty
years of continuous struggle to transform this place into a heavenly complex
consisting of a huge beautiful mosque, a Quran-e-Kareem Mahal, a hospital, a
library and a minaret as a monument to the momory of Asahab-e-Babar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Final Migration to Camp Dar-ul-Ehsan:-&lt;/b&gt; Abu Anees Muhammad Barkat
Ali (R.A) migrated to camp Dar-ul-Ehsan in 1984 from his abode at Salar Wala.
The place was soon transformed into something that looked like a land of peace.
Quran Kareem mahal, offices of Dar-ul-Ehsan library, almshouse (Langar) and
medical centre were constructed rapidly. He named this place as “Almustafeez
Dar-ul-Ehsan” and “Camp Dar-ul-Ehsan”. He chose to stay here for the rest of
his life and after demise.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Zikr-e-Ellahi and Preaching of Islam:-&lt;/b&gt; Thousands of his followers
are spreading the light of Islam throughout the world. These volunteers are
organized into preaching teams / centers. Around six hundred preaching centers
have been established in various cities and towns for Zikr-e-liahi and
preaching of Islam. Sufi Barkat Ali wrote letters to some of the non-Muslims
word leaders inviting them to the fold of Islam. By doing so he revived the
Sunnah of Holy Profit (S.A.W).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Service of Humanity:-&lt;/b&gt; Hazrat Abu Anees Muhammad Barkat Ali (R.A)
did full justice with service of humanity besides remembrance of Allah and
invitation to and spread of Islam. He gave monthly stipends to the disabled,
the deprived, widows, and the poor and needy students. He made special
arrangements for the marriage of poor girls. He took special care of prisoners
and lepers; and distributed bedding, flour and clothes among the sick and needy
at their doorsteps. In addition to these services, he set a peerless example of
selfless service to the humanity through the platform of Dar-ul-Hikmat.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The first free ey camp was
organized in 1976 and the practice has continued ever since without a break.
Unit March 2013, seventy four free eye camps had been organized. 417334
patients had their vision restored through operations. 656952 patients were
treated without surgery and 1732 born-blinds also regained vision with his
prayers and attention.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Quran-e-Karim Mahal:-&lt;/b&gt; His devotion to Allah and his Holy Prophet
(S.A.W) is the splendid edifice in the shape of elegant and graceful buildings
of Quran-e-Karim Mahal. Old, worn out and musty copies of the Holy Quran are
re-bound and preserved in a beautiful manner in the Quran Mahal. Preservation
of some very rare and precious handwritten copies are a true and everlasting
manifestation of his love for the Holy Quran.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Writings and Compilations:-&lt;/b&gt; He was a treasure of knowledge and
wisdom. His book “Kitab-ul-Amal bil Sunnah” is a beautiful compilation of
authentic “Ahadees”. This voluminous compilation has a high standard of
calligraphy and printing. When this book was presented to some of the
international leaders on the occasion of the Islamic Summit Conference, held in
Pakistan in 1974, they expressed their admiration for its high literary value
and elegant printing. Learned intellectuals and research scholars are
benefiting from this book available in the libraries the world wide.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He wrote hundreds of books which
are a precious treasure of knowledge, wisdom and interpretation of Islamic Law.
These books are distributed worldwide free of charge. His publications indlude:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Makshoofat Manazal-e-Ehsan, 5 volumes&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Kitab-ul-Amal Bis-Sunnah, 5 volumes&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Asma-un-Nabi-ul-Kareem, 6 volumes&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Maqalat-e-Hikmat 30 volumes&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Zikr-e-Elahi&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Yusaloona-alan-Nabi&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Altobato Wal Astaghfar&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Al-Sammat, 1 volume&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;Jism-ul-wojood Al Barkat Ali&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Love for Pakistan:-&lt;/b&gt; Sufi Barkat Ali was an ardent follower of
Allama Iqbal and a great lover of Pakistan. Always hopeful for the prosperity
of Pakistan he had prognosticated great achievement for Pakistan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Demise and Burial:- No doubt he
was deeply immersed in the remembrance of Allah day and night. In this state of
meditation, remembrance and gratitude his time to depart from this mortal world
to the eternal world came on the 16&lt;sup&gt;th&lt;/sup&gt; of Ramdhan Ul Mubarik 1417 (26
January 1997) at the time of Zuhar prayers. “Inna Lillah-e-eWa Inna IIaihi
Rajioon” (Undoubtedly, we are sent by Allah and have to return to him).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He was buried in the hut of Sabir
Sahib (R.A) according to his will. The atmosphere of his mausoleum is
illuminated with the auspiciousness of Zikr-e-IIahi and immersed in the
fragrance of flowers of Darood-o-Salam (Salutations to the Holy Prophet S.A.W)
all the time. The doors of the Darbar of this Faqir are open to all and sundry.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Urs Mubarak:-&lt;/b&gt; The Urs Mubarak of Hadrat Abu Anees Sufi Muhammad
Barkat Ali Al-Ludhianwi (QSA) is held every year on the 16&lt;sup&gt;th&lt;/sup&gt; of
Ramdan-ul-Mubarak at Camp Dar-ul-Ehsan Chak 242 RB (Faisalabad, Pakistan) with
attendance in the tens of thousands.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
On Men of Letters Sufi Barkat Ali
(1911 – 1997), Pakistan Post is issuing a commemorative postage stamp of Rs.
8/- denomination on April 27, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T08:28:42.938+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-fuYD6CryN98/UYPZIJV5vsI/AAAAAAAAHrI/D9p2TkG1vR8/s72-c/scan0005.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>75th Death Anniversary of Dr. Allama Muhammad Iqbal.(2013-5)</title><link>http://paknetmag.blogspot.com/2013/04/75th-death-anniversary-of-dr-allama.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Wed, 08 May 2013 20:27:23 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-8994554021370563092</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;75&lt;sup&gt;Th&lt;/sup&gt; Death Anniversary of Allama Muhammad Iqbal
Commemorative Postage Stamp April 21, 2013:-&lt;/b&gt; Allama Sir Muhammad Iqbal was
a poet, philosopher, lawyer and politician born in Sialkot on 9&lt;sup&gt;th&lt;/sup&gt;
November 1877. His poetry in urdu, Arabic and Persian is considered to be among
the greatest of the modern era and his vision of an independent state for the
Muslims of British India was to inspire the creation of Pakistan. He is
commonly referred to as Allama Iqbaly. One of the most prominent leaders of the
All India Muslim League, Iqbal encouraged the creation of a “state in northwestern
India for Indian Muslims” in his 1930 presidential address. Iqbal encouraged
and worked closely with Muhammad Ali Jinnah and he is known as
Muffakir-e-Pakistan (“The Thinker of Pakistan”), Shair-e-Mashriq (“The Poet of
the East”), and Hakeem-ul-Ummat (“The Sage of Ummah”). He is officially
recognized as the “national poet” in Pakistan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal was educated initially by
tutors in languages and writing, history, poetry and religion. His potential as
a poet and writer was recognized by one of this tutors, Syed Mir Hassan, and
Iqbal would continue to study under him at the Scotch Mission College in
Sialkot. He studied at Murray College Sialkot.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal entered the Government
College Lahore where he studied philosophy, English literature and Arabic and
obtained a Bachelor of Arts degree. He won the gold medal for topping his
examination in Philosophy. While studying in his Masters’ Degree Progrem, Iqbal
came under the Wing of Sir Thomas Arnold, a scholar of Islam and modern
philosophy at the college. Arnold exposed the young man to the Western culture
and ideas, and served as a bridge for Iqbal between the ideas of East and West.
Iqbal was appointed to a readership in Arabic at the Oriental College, Lahore.
He published his first book in Urdu “The Knowledge of Econimocs” in 1903 and
the patriotic song, Tarana-e-Hind (Song of India) in 1905.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He obtained a Bachelor of Arts
Degree from Trinity College at Cambridge in 1907, while simultanewusly studying
law at Lincoln’s Inn, from where he qualified as a barrister at Law in 1908.
Togetherr with two other politicians, Syed Hassan Bilgrami and Syed Ameer Ali,
Iqbal sat on the subcommittee which drafted the Constitution of the Muslim
League. In 1907, Iqbal traveled to Germany to pursue his Doctorate from the
Faculty of Philosophy of the Ludwig-Maximilians-Universitat at Munich. Working
under the supervision of Friedrich Hommel, Iqbal published a thesis titled:
“The Development of Metaphysics in Persia”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Upon his return to India in 1908,
Iqbal took up Assistant Professorship at the Government College Lahore, but for
financial reasons he relinquished it within a year to practice law. Iqbal’s
poetic works are written mostly in Persian.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Among his 12,000 verses of poems,
about 7,000 verses are in Persian. In 1915, he published his first collection
of poetry, the&lt;b&gt; Asrar-e-Khudi (Secrets of
the Self)&lt;/b&gt; in Persian.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal’s 1924 publication, the &lt;b&gt;Payam-e-Mashriq (The Message of the East)&lt;/b&gt;
is closely connected to the West-Ostlicher Diwan by the famous German poet
Goethe. In his first visit to Afghanistan, he presented his book
“Payam-e-Mashreq” to King Amanullah Khan in which he admired the liberal
movements of Afghanistan against the British Empire.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The &lt;b&gt;Zabur-e-Ajam (Persian Psalms)&lt;/b&gt;, published in 1927, includes the
poems Gulshan-e-Raz-e-Jadeed (Garden of New Sectets) and Bandagi Nama (Book of
Slavery).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqabal’s 1932 work, the &lt;b&gt;Javed Nama&lt;/b&gt; is named after and in a
manner addressed to his son, who is featured in the poems, and follows the
examples of the works of Ibn Arabi and Dante’s “The Divine Comedy”, through
mystical and exaggerated depiction across time.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal’s first work published in
Urdu, the &lt;b&gt;Bang-e-Dara&lt;/b&gt; in 1924, was a
collection of poetry written by him in three distinct phases of his life.
Published in 1935, the &lt;b&gt;Bal-e-Jibril&lt;/b&gt;
is considered by many critics as the finest of Iqbal’s Urdu Poetry, and was
inspired by his visit to Spain, where he visited the monuments and legacy of
the kingdom of the Moors. It consists of ghazals, poems,quatrains, epigrams and
carries a strong sense of religious passion.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal’s final work was the &lt;b&gt;Armughan-e-Hijaz&lt;/b&gt; published posthumously
in 1938. The first part contains quatrains in Persian, and the second part
contains some poems and epigrams in Urdu.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal’s second book in English,
the Reconstruction of Religious Thought in Islam, is a collection of his six
lectures which he delivered at Madras, Hyderabad and Aligarh; first published
as a collection in Lahore, in 1930. Sir Muhammad Iqbal was elected President of
the Muslim League in 1930 at its session in Allahabad, in the United Provinces
(UP) as well as for the session in Lahore in 1932. In his presidential address
on December 29, 1930, Iqbal outlined a vision of an independent state for
Muslim-majority provinces in northwestern India.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He thus became the first
politician to articulate that Muslims are a distinct nation and thus deserve
political independence from other regions and communities of India.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal was of the view that only
Muhammad Ali Jinnah was a political leader, capable of preserving Muslim unity
and fulfilling the League’s objectives on Muslim political empowerment. Iqbal
was an influential force on convincing Jinnah to end his self-imposed exile in
London, return to India and take charge of the League with a new agenda – the
establishment of Pakistan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Speaking about the political
future of Muslims in India, Iqbal said: “There is only one way out. Muslims
should strengthen Jinnah’s hands. They should join the Muslim League. Indian
question, as is now being solved, can be countered by our united front against
both the Hindus and the English”.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Iqbal is commemorated widely in
Pakistan, where he is regarded as the ideological founder of the state. His
birthday November, 9 is annually commemorated in Pakistan as Iqbal Day and is a
national holiday.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
In 1933, after returning from a
trip to Spain and Afghanistan, Iqbal’s health deteriorated. He spent his final
years working to establish the Idara Dar-ul-Islam. Iqbal ceased practicing law
in 1934 and he was granted pension by the Nawab of Bhopal. After suffering for
months from a series of protracted illnesses, Iqbal died in Lahore on 21st
April 1938. His tomb is located in the space between the entrance of the
Badshahi Mosque and the Lahore Fort, Lahore.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
To commemorate 75&lt;sup&gt;th&lt;/sup&gt;
Death Anniversary of Allama Muhammad Iqbal Pakistan Post is issuing a
commemorative postage stamp of Rs. 15/- denomination on April 21, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T08:27:23.039+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-4RMIb9XT--w/UXoALZPgH9I/AAAAAAAAHqY/ejxk2pLP5tA/s72-c/380_001.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">2</thr:total></item><item><title>Booklet issued by Pakistan Post on Dr. Allama Muhammad Iqbal of 75th Death Anniversary. (April 21, 2013)</title><link>http://paknetmag.blogspot.com/2013/04/booklet-issued-by-pakistan-post-on-dr.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Thu, 25 Apr 2013 05:15:53 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-6775182713037510455</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-cUloRU0Qitg/UXkajGhjS2I/AAAAAAAAHqI/tjJeNm_HTeI/s1600/scan0011.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-cUloRU0Qitg/UXkajGhjS2I/AAAAAAAAHqI/tjJeNm_HTeI/s320/scan0011.jpg" width="221" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-25T17:15:53.650+05:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/-cUloRU0Qitg/UXkajGhjS2I/AAAAAAAAHqI/tjJeNm_HTeI/s72-c/scan0011.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>100 YEARS THE CENTENARY OF KINNAIRD COLLEGE FOR WOMEN. (2013-4)</title><link>http://paknetmag.blogspot.com/2013/04/100-years-centenary-of-kinnaird-college.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Wed, 08 May 2013 20:26:09 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-1604981836198655551</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-7IPmtk5eGLo/UWe00B1r3OI/AAAAAAAAHpc/OgQZ7dqHaLA/s1600/1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="186" src="http://3.bp.blogspot.com/-7IPmtk5eGLo/UWe00B1r3OI/AAAAAAAAHpc/OgQZ7dqHaLA/s320/1.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://2.bp.blogspot.com/-dOw3ua3A424/UWe01E-cYjI/AAAAAAAAHpk/aaIBfSTGXqI/s1600/2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="244" src="http://2.bp.blogspot.com/-dOw3ua3A424/UWe01E-cYjI/AAAAAAAAHpk/aaIBfSTGXqI/s320/2.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-vlzk8ScwmvA/UWe01tXgDzI/AAAAAAAAHps/7HejvROW0fI/s1600/3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-vlzk8ScwmvA/UWe01tXgDzI/AAAAAAAAHps/7HejvROW0fI/s320/3.jpg" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;The Centenary of Kinnaird College For Women (1913 – 2013) Commemorative
Postage Stamp April 11, 2013:-&lt;/b&gt; This year Kinnaird College for Women
completes its hundred years of providing education and empowering women.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The name Kinnaird comes from a
Scottish titled family that helped and supported the college in its initial
years. Starting with just six students in 1913, Kinnaird grew into one of the
most prestigious women’s colleges in an area which was to become Pakistan. A
hundred years later Kinnaird boasts of more than 4200 students enrolled in its
Intermediate, Undergraduate and Postgraduate programs.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Kinnaird has glorious history of
achievements towards educating women. Since its inception in 1913, it has
produced countless graduates that have made major contributions in all walks of
life and made its alma mater proud. Today Kinnaird stands tall among women
colleges of Pakistan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
At the heart of the college is
the civic and academic goal to cultivate successive generations of women
leaders who possess the skills and resources to address the challenges of
social and economic advancement of their communities.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Kinnaird College for Women seeks
to empower its students by opening doors to newer opportunities. It seeks to
graduate students who will pursue paths as skilled and innovative individuals,
professionals, service-oriented leaders and promoters of tolerance and
understanding throughout the world.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
As Kinnaird celebrates its
centennial year, it reaffirms its vision with an ever enlarging stance to
educate and empower women of tomorrow.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
On the Centenary of Kinnaird
College for Women Lahore, a commemorative postage stamp of Rs. 15/-
denomination is being issued by Pakistan Post on April 11, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T08:26:09.893+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-7IPmtk5eGLo/UWe00B1r3OI/AAAAAAAAHpc/OgQZ7dqHaLA/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>ALLAMA MUHAMMAD ASAD MEN OF LETTERS SERIES (2013-3)</title><link>http://paknetmag.blogspot.com/2013/04/allama-muhammad-asad-men-of-letters.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 15 Apr 2013 23:14:03 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-5523779883115726866</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-fmJRDeVtohE/UWP2PwSS8bI/AAAAAAAAHo8/1UbLBUiTbw8/s1600/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES,.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="181" src="http://3.bp.blogspot.com/-fmJRDeVtohE/UWP2PwSS8bI/AAAAAAAAHo8/1UbLBUiTbw8/s320/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES,.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://3.bp.blogspot.com/-sAJcXIF-rSw/UWP2P36kogI/AAAAAAAAHpA/WVf2n2kwGnk/s1600/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-sAJcXIF-rSw/UWP2P36kogI/AAAAAAAAHpA/WVf2n2kwGnk/s320/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES.jpg" width="246" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-Omf8YFoRbaU/UWP2Qc2wOtI/AAAAAAAAHpI/m6GmdPkTxUI/s1600/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES..jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-Omf8YFoRbaU/UWP2Qc2wOtI/AAAAAAAAHpI/m6GmdPkTxUI/s320/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES..jpg" width="219" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Men of Letters Series Allama Muhammad Asad Commemorative Postage Stamp
March 23, 2013:-&lt;/b&gt; Allama Muhammad Asad, (Leopold Weiss), was born in Livow,
Austria (later Poland) on 2&lt;sup&gt;nd&lt;/sup&gt; July, 1990. At the age of 22 he made
his visit to the Middle East. He later became an outstanding foreign
correspondent for the Franfurtur Zeitung, and after his conversion to Islam in
1926, travelled and worked throughout the Muslim world, from North Africa to as
far East as Afghanistan. After years of devoted study he became one of the
leading Muslim scholars of our age.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Writer, tgraveler and explorer,
Muhammad Asad had a truly chequered life spanning three continents and two
cultures. He was 14 when he excaped school and joined the Austrian army under a
false name, only to be recovered by his father and taken home. But about four
years later when he was drafted in the army, he had ceased to have any longing
for a military career. The Austrian Empire collapsed a few weeks after and he
went on to study history of art and philosophy at the University of Vienna. His
father wanted him to get a Ph. D. Leopold wanted to try his hand at journalism
and one summer day in 1920 he boarded the train for Prague.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
From Prague Leopold went to
Berlin, but there was no journalistic job for this total novice. Happy and
vaguely alienated, one day in the spring of 1922, the young journalist received
a letter that was to change the course of the following 70 years of his life.
Uncle Dorian, his mother’s youngest brother had invited him to Jerusalem, to
live in his delightful old Arab stone house. Dorian headed a mental hospital in
Jerusalem. He was a Zionist himself nor, for that matter attracted to the
Arabs.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Like the average European, Asad
had come&amp;nbsp; to the Middle East with some
romantic and erroneous notions about Arabs. But neither Dorian nor Jerusalem
could stop Leopold from his wanderings. He became a correspondent for
Frankfurter Zeitung. Sometimes in Cairo, sometimes in Amman, back to Jerusalem;
and on road again to Syria (which then included Lebanon as well) and Turkey. It
was a moment at the Umayyad Mosque in Damascus that he became aware how near
their God and their faith were to these people.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
End of 1923 saw him back in
Vienna, reconciling with his father and reporting to his editor-in-chief Dr
Heinrich Simon. Leopold Weiss has established himself as a writer on Arab and
Middle Eastern affair and Frankfurter Zeitung was now willing to remunerate him
properly and keen that returned to the area as soon as he had finished the book
he had contracted to write. He finished the book, Unromantisches Morgenland,
and in Spring 1924, he was off again to the Middle East. Crossing the
Mediterranean, Leopold”s first stop was at Cairo where he tried to learn Arabic
and spend some time with Shaikh Mustafa Maraghi. He wanted to gain a fuller
picture of Islam. Mustafa Maraghi subsequently became the Shaikh of Al-Azhar.
Early summer 1924, the special correspondent was on the move again. To Amman,
to Damascus, Tripoli and Aleppo, to Baghdad and to the Kurdish mountains, to
that strangest of all lands, Iran, and toe the wild mountains and steppes of
Afghanistan.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Early 1926, he was homeward
bound: via Marv, Samarkand, Bokhara and Lashkent and thence across the Lurkoman
steppes to Urals and Moscow. Crossing the Polish frontier he arrived straight
in Frankfurt. His next engagement was to deliver a series of lectures at the
Academy of Geopolitics in Berlin. He also married Elsa, 41 a widow, whom he had
met in Berlin during his previous visit. She had a nine-year old son. His
editor wanted him to write another book. He wanted to return to the Muslim
world. Leopold felt that he was being driven to Islam.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
3Sometimeafter September 1926, he
sought out a Muslim friend of his, an Indian who was at that time head of the
small Muslim community in Berlin, and told him that he wanted to embrace Islam.
Leopold had become Muhammad Asad, something which was strongly disapproved by
his father and his sister. The relationship resumed in 1935, after his father
had at last come to understand and appreciate the reasons for his conversion to
Islam.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The major part of the following
years, 1927 – 1932, was spent in Arabia with missions in between to Egypt and
Cyrenaica (Libya) in support of the Sanusi mujahidin who had been fighting a
desperate guerrilla battle against the Italians. For Asad, however, the Arabian
years were, home coming of the heart. Early in 1927, he was received by King
abdul Aziz ibn Saud. He was impressed by the King and the King took a great
liking for this new Muslim and he would send for him almost daily.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Asad rode and rode and explored
the peninsula from the northern confines of Arabia towards the south until 1932
when the dust of India replaced the desert clear air of Arabia. He had planned
to move on, to Easterm Turkestan, China and Indonesia, but the Islamic poet and
philosopher Muhammad Iqbal persuaded him to remain in India to help elucidate
the intellectual premises of the future Islamic state. Iqbal had presented the
idea of Pakistan only two years earlier in 1930 and it was not before 1940 that
Iqbal’s idea was adopted as a political goal by the All India Muslim League.
But to Asad, Pakistan was a dream that demanded to be fulfilled. His first
title on an Islamic theme, Islam at the Crossroads, published in 1934, proved
to be extremely popular and was translated in several languages. The Crossroads
was a plea of Muslims to avoid a blind imitation of Western social forms and
values, and to try to preserve instead their Islamic heritage which once upon a
time had been responsible for the glorious, many-sided historical phenomenon
comprised in the term “Muslim civilization”. The outbreak of war in Europe in
1939 saw Asad interned as an enemy alien in the Punjab hill town of Dalhousie,
and thus there is scant record of his work from 1935 till 1945 when he was
freed from internment. He then started a periodical, Arafat, which ceased after
publishing about ten issues. Pakistan was achieved in 1947 and the Government
of Punjab put Asad in charge of newly established Department of Islamic
Reconstruction in Lahore. He embarked on translating Bukhari, the famous Hadith
collection and revived Arafat. Asad also contributed eloquently to the debate
about Pakistan having an Islamic constitution. Two years later he was seconded
to the Pakistan Foreign Service and made director of the Middle East Division
in the foreign ministry.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
After the establishment of
Pakistan, he was the first naturalized citizen of Pakistan. He was appointed
the Director of the Department of Islamic Reconstruction, West Punjab and later
on became Pakistan’s Alternate Representative at the United Nations. Muhammad
Asad’s two important books are: Islam at the Crossroads and Road to Mecca. He
also produced a monthly journal Arafat. Asad loved Pakistan, his conception of
Pakistan, even when it turned its back on him, and he never felt resentment at
the treatment he had received from it. He remained a citizen- the first citizen
of Pakistan- until the end, although he had been strongly tempted to accept the
generous, spontaneous gestures of many heads of Islamic States to have their
citizenship and passport, which would have made his life so much easier.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Early in 1952, Asad was sent to
New York as Pakistan’s minister plenipotentiary to the UN. But problems had begun
to develop between Asad and the foreign ministry bureaucracy. Some people
perhaps jealous for their own petty reasons. Some were suspicious because of
his religious and adventurous background. Matters, however, came to head when
the ministry refused to give him permission to marry Pola Hamida, an
American&amp;nbsp; convert to Islam. Asad resigned
toward theend of 1952 saying his private life was more important to him and
started to write the story of his wanderings and discovery of Islam. The story,
The Road of Mecca (1954), covers the period before he had left Arabia for
India. There are gaps but the story is fascinating and the style inimitable.
Asad had promised to narrate, perhaps at other time, the story of the years
“spent working for and in Pakistan”. It did not appear in his life-time, but,
it is reported, he had been working on the remaining part of his story.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Muhammad Asad had quit diplomacy
but his intellectual exertions did not come to end. Encouraged by Pola Hamida,
supported morally and materially by the secretary general of the Muslim World
League, the late Shaikh Muhammad Sarur as-Sabban and the Shaya family of
Kuwait, he embarked on rendering the Qur’an into English. The first volume of
Asad’s English rendering, from Al-Baqarah to Al-Tawbah, The Message of the
Qur’an appeared in 1964. By far the most elegant and lucid of the English
translations, Asad’s rendering would have had normal reception from critical to
laudatory, but what made it draw a little different attention was its
sponsorship by the Muslim World League.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Asad was dismayed byt not
discouraged. With the support of his other Arab benefactors, he went ahead with
his work and in 1980 produced and published the complete edition of The Message
of the Qur’an. Finding him in difficulty in distributing his work, the former
Saudi oil minister, Shaikh Ahmad Zaki Yamani bought 20,000 copies of the book.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Asad’s last book, This Law of
Ours and other Essays, was published in 1987 and he remained intellectually
active until the last days of his life. Nor did he give up his taste for travel
and migration, moving between East and West, North and South, yet spending a
record 19 years in Tangier, Morocco, before moving finally to Mijas in the
Andalusian province of Spain.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Allama Muhammad Asad died on 20
February 1992. He was buried in the Muslim cemetery in Granada, Andalusia.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;span style="font-family: &amp;quot;Calibri&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;; mso-bidi-language: AR-SA; mso-bidi-theme-font: minor-bidi; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin; mso-hansi-theme-font: minor-latin;"&gt;On Men of Letters Series – Allama Muhammad Asad
Pakistan Post is issuing a commemorative postage stamp of Rs.15/- denomination
on March 23, 2013.&lt;/span&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-16T11:14:03.430+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-fmJRDeVtohE/UWP2PwSS8bI/AAAAAAAAHo8/1UbLBUiTbw8/s72-c/ALLAMA+MUHAMMAD+ASAD+MEN+OF+LETTERS+SERIES,.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total></item><item><title>DEATH ANNIVERSARY OF NASIR KAZMI POET OF PAKISTAN (2013-1)</title><link>http://paknetmag.blogspot.com/2013/04/death-anniversary-of-nasir-kazmi-poet.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 15 Apr 2013 23:12:21 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-6829277451189249158</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://1.bp.blogspot.com/-p8u9rytkhyA/UWP1MtjzvdI/AAAAAAAAHoo/V5uCA_p2UYQ/s1600/DEATH+ANNIVERSARY+OF+NASIR+KAZMI+POET+OF+PAKISTAN.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="184" src="http://1.bp.blogspot.com/-p8u9rytkhyA/UWP1MtjzvdI/AAAAAAAAHoo/V5uCA_p2UYQ/s320/DEATH+ANNIVERSARY+OF+NASIR+KAZMI+POET+OF+PAKISTAN.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;Death Anniversary of Nasir Kazmi:- Commemorative Postage Stamp March
02, 2013:-&lt;/b&gt; Syed Nasir Raza Kazmi, (1925 – 1972) was an Urdu poet of
Pakistan and one of the greatest poets of his era. He was born on 8 December
1925 at Ambala, India.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Education and Career:-&lt;/b&gt; Kazmi was educated at Ambala, Simla and
Lahore. He returned to Ambala in 1945 and started looking after his ancestral
land. After the creation of Pakistan in 1947, he came to Lahore.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He did some journalistic work
with Auraq-e-Nau as an editor and became editor-in-chief of the magaz’ne
Humayun in 1952. Later he was associated with Radio Pakistan, Lahore and other
literary.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
“Nasir Kazmi was a poet of
transcendent pain clad in undading beauty. His dalour sprang from three main
causes: the sufferings he bore and the atrocities he witnessed during the
Partition of 1947, his own poverty, and the social and political chaos of his
age. Nasir was more sensitive than most poets and had to abandon his home in
Ambala and this was a blow from which he could not recover. …….His habits
though not very expensive, demanded money which was not there. Later he had to
support his family and educate his two sons. ……..he never complained or moaned
about his personal afflictions. But he was bitter about the inequalities and
oppression of the times. I had intuitive feeling that he had once loved and
lost. That gives an authenticity and genuineness to his ghazals which rings
true……Nasir’s unique contribution is that he merged the sublimity and diction
of Mir Taqi Mir with his own inner turmoil and restlessness……..most of Nasir’s
ghazals are as good as, if not better than, Mir’s best work…...Nasir’s second
major contribution is that he transformed the traditional Ghazal into modern
poetry by retaining the classical mode, mood and style but making it voice
modern sensibility. In doing this he stands on the summit of modern Urdu verse.
He found a new school which several of his younger contemporaries and later
admirers have enriched……….there is another characteristic of his poetry which
sets him apart from all modern poets, and that is his choice of words. In this,
again he established a new fashion which most modern poets find difficult to
follow. ……he explores the range of Urdu works with an innovative eye and a
fresh taste….many lines of Nasir’s Ghazals, which speak of passion of love,
make one sit up and think. This depth is strengthened by the poignant note of
nostalgia which runs throughout of poverty………Nasir was careless of his health.
From the beginning he was unking to his body…..he ruined his digestive system
in spite of his doctors and friends warnings and died of cancer of the stomach……he
was a major poet of 20&lt;sup&gt;th&lt;/sup&gt; century and a good humjan being” (Extract
taken from: “Coffee House of Lahore” written by K.K.Aziz”)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
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&lt;b&gt;Nasir Kazmi’s Books:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Poetry:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="margin-left: .75in; mso-add-space: auto; mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;1&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Bang-e-Nae (1952)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;2&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Deewan (1972)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;3&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Pehli Baarish (1975)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="margin-left: .75in; mso-add-space: auto; mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;4&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Nishat-e-Khwab (Collection of nazms, 1977)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Other Books:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="margin-left: .75in; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;1&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Sur Ki Chhaya (Manzoom Drama, Katha 1981)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;2&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Khushk Chashme ke Kinare (Prose. 1982)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;3&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Intekhab-e-Meer (Poetry 1989)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;4&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Intekhab-e-Nazeer (Poetry 1990)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;5&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Intekhab-e-Wali Dakni (Poetry 1991)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="margin-left: .75in; mso-add-space: auto; mso-list: l1 level1 lfo2; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;6&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Intekhab-e-Insha (Poetry 1991)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Diary of Nasir Kazmi:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Nasir Kazmi ki Dairy (Chand
Pareshan Kaghaz) (Autobiography, 1995 compiled by Hassan Sultan Kazmi)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Famous ghazals and nazms of Nasir Kazmi:&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Kazmi’s Ghazals include:&lt;/b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;span style="text-indent: -0.25in;"&gt;1.&lt;/span&gt;&lt;span style="font-size: 7pt; text-indent: -0.25in;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;span style="text-indent: -0.25in;"&gt;Kaun is raah se guzartaa hai&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;2.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Terii zulfon ke bikharne kaa sabab hai ko”ii&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;3.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Dukh kii lehar ne chheRaa hogaa&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;4.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Dil main ek lehar si uthi hai abhi&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;5.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Naaz-e-be-gaangi main kyaa kuch thaa&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;6.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;O! mere masruuf Khudda&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;7.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Be minnat-e-khizr-e-raah rahnaa&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;8.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Dil dharaknay ka sabab yaad aya&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;9.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Jurm-e-inkaar ki sazaa hi de&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;10.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Tere aane kaa dhokaa saa rahaa hai&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;11.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Fikr-e-taameer-e-aashian bhi hai&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;12.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Rang barsaat ne bhare kuch to&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;13.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Kise dekhein kahaan dekha na jaye&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;14.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Karta usay beqaraar kuch dair&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;15.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Wo dil nawaaz hai lekin nazar shanaas nahi&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;16.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Neeyat-e-shauq bhar na jaye kahiin&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;17.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Banny Banaaye hue Rasston pea a nekly&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;18.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;So gai Shehar ki har aik Galli&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;19.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Apni Dhun Main Rehta hon&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;20.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Dil main aur to kya rakha hai&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="margin-left: .75in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;21.&lt;span style="font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;!--[endif]--&gt;Kia Zamana tha key hum Roz mila kartay thay&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="mso-list: l0 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
On the death Anniversary of Syed
Nasir Kazmi, Pakistan Post is issuing a commemorative postage stamp of Rs.15/-
denomination on March 02, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-16T11:12:21.317+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-W3sR_6qT2C8/UWP1ML1b8-I/AAAAAAAAHoc/PGFLac6xU7U/s72-c/DEATH+ANNIVERSARY+OF+NASIR+KAZMI+POET+OF+PAKISTAN..jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>QUDRAT ULLAH SHAHAB MEN OF LETTERS SERIES (2013-2)</title><link>http://paknetmag.blogspot.com/2013/04/qudrat-ullah-shahab-men-of-letters_9.html</link><category>Stamps of Pakistan Year's 2013</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 15 Apr 2013 23:13:26 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-7918769141235687889</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;h1 class="h1_AuctionTitle" style="font-size: 11pt; margin: 0px; text-align: center;"&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;Men of Letters Series Qudrat Ullah Shahab (1917 – 1986) Commemorative
Postage Stamp March 23, 2013:- Qudrat Ullah Shahab&lt;/b&gt; (or &lt;b&gt;Qudratullah Shahab&lt;/b&gt;; 26 February 1917 – 24 July 1986) was an eminent
Urdu writer and civil servant from Pakistan. He is best known for his
autobiography, &lt;b&gt;Shahab Nama&lt;/b&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He was born in Gilgit in 1917.
His father was a student at MAO College and a protégé under the supervision of
Sir Syed Ahmed Khan. He later immigrated from Aligarh and settled down in
Gilgit. Shahab started writing in his early days both in urdu and English
languages. At the age of 16, he won an international essay competition
organized by the Readers Digest, London. He graduated from Prince of Wales
college, Jammu, and later from Government College Lahore.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
According to his autobiography,
he spent his childhood in Eastern Punjab near Chamkor Sahib, Ropar (Rapnagar)
District.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He was selected for Indian Civil
Service in 1940 and later volunteered to serve in Bengal during the famine of
1943, where he served as magistrate at Nandigram. He came under heavy fire from
the authorities when he distributed part of the strategic rice reserves to the
starving local community.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
After coming to Pakistan he was
first posted in the Ministry of Commerce as a Deputy Secretary and then as
Chief Secretary of the new state of Azad Kashmir at Muzaffarabad. Thereafter,
he became Deputy Commissioner of Jhang, Punjab. He also served as Director of
Industries of Punjab and dealt mostly with settlement issues concerning
migration. He was appointed by Governor General Ghulam Muhammad his Principal
Secretary and remained on this post during Iskander Mirza’s and Ayub Khan’s
regimes. He served as Ambassador of Pakistan to Netherlands in 1962 and later
as Secretary of Information and Education. He resigned after a clash with the
new regime of Yahya Khan and opted for a self-imposed exile at UK. Shahab was
elected a member of the executive board of UNESCO in 1968.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Shahab had published in English
and Urdu languages for contemporary newspapers and magazines of Pakistan
Writers’ Guild, founded at Karachi in January 1959.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
He is best known for his
autobiography Shahab Nama. In the first chapter, Shahab mentioned how the idea
of writing a memoir occurred to him when he paid a visit to Ibn-e-Insha in
London. While they were discussing the philosophy of life, it inspired him to
pen his own experiences. The complete work was published after his death in
1986, and then soonbecame a favorite among the Urdu knowing circles of the
Indian sub-continent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
There has been much debate on the
spiritual side of his personality. Mumtaz Mufti, Shahab’s close friend and a
well-known writer, wrote about it. Also in Shahab Nama, Shahab shared some of
his spiritual experiences, especially the bewitched bungalow of 18 civil lines
(Cuttuck) that contributed to his understanding of Parapsychology.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The real disclosure came in the
final chapter of Shahab Nama that alluded to an out-of-world personality whom
he used to call Ninety as his spiritual guide. After Shahab Nama published,
which was actually after Shahab’s death, Mufti wrote his autobiography, Alakh
Nagri, and openly discussed the hidden traits of Shahab’s life. Mufti wrote in
the foreword of the book:&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
“Since Shahab has opened his own
secrets in the last chapter of Shahab Nama, I find no reason not to share
experiences which I witnessed about the mysticism of Shahab”&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
From the early days of Pakistan,
Shahab worked with the national leadership country until the regime of Yahya
Khan. Shahab revealed in Shahab Nama, as Mumtaz Mufti did in Alakh Nagri, that
the idea of giving Pakistan the name “Islamic Republic of Pakistan” was
actually proposed by him to Ayub Khan. Shahab argued in the parliament in favor
of this idea, which was unanimously accepted by the leaders.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The last chapter of Shahab Nama
about his exposure to spiritualism has been controversial. Though throughout
his lifetime, Shahab has enjoyed a respectful image among his colleagues and
friends. Many of them paid him tributes in their essays and short stories.
Notably, Mumtaz Mufti made him the subject of his autobiography Alakh Nagria
and later dedicated another book Labbaik. Bano Qudsia, a veteran Urdu writer,
wrote a book Mard-e-Abresham on Shahab’s personality. A collection of essays
about Qudratullah Shahab has been compiled in a book, Zikr-e-Shahab.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Shahab died on 24 July 1986 in
Islamabad and is buried in H-8 Graveyard.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
On Men of Letters Series –
Qudratullah Shahab, Pakistan Post is issuing a commemorative postage stamp of
Rs.15/- denomination on March 23, 2013. in Islamabad and is buried in H-8
Graveyard.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
On Men of Letters Series –
Qudratullah Shahab, Pakistan Post is issuing a commemorative postage stamp of
Rs.15/- denomination on March 23, 2013.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-16T11:13:26.016+05:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/-8m_IPx9zxsM/UWPz-VajwRI/AAAAAAAAHoA/hDtFaxEnfxQ/s72-c/PAKISTAN+MNH+2013+FDC+FIRST+DAY+COVER+QUDRAT+ULLAH+SHAHAB+MEN+OF+LETTERS+SERIES+URDU+WRITER+CIVIL+SERVANT+FAMOUS+PERSON.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title> Inauguration of Commercial Operation of First Wind Farm Power Project in Pakistan. (2012-26)</title><link>http://paknetmag.blogspot.com/2013/01/inauguration-of-commercial-operation-of.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Fri, 03 May 2013 02:22:39 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-7227843737135133316</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;img border="0" height="185" src="http://2.bp.blogspot.com/-RGBX8_kJeeI/UPqjVQ-uRbI/AAAAAAAAHZk/OFVvXMIqVfs/s320/L87g-+Block+of+Inauguration+of+Commercial+Operation+of+First+Wind+Farm+Power+Project+in+Pakistan..jpg" width="320" /&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Inauguration of
Commercial Operation of First Wind Farm Power Project in Pakistan.
Commemorative Postage Stamp December 24, 2012:-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; Alternative Energy Development Board
(AEDB) is striving hard to give a boost to wind power generation in the country
and expeditiously carrying in out multidirectional activities to commence wind
farm projects in wind potential sites. AEDB has been endeavoring to harness and
capitalize the colossal wind energy potential available in the coastal areas of
the country. Through continuous promotion, AEDB has been able to attract and
engage private national and international investment in this sector. Private sector
has been triggered to invest in wind power. Currently, 47 Wind Power Projects
of around 3300 MW capacity are in process.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;GoS
leased around 26,000 acres land to AEDB for 18 projects of cumulative 906 MW
capacity. These projects are at various stages of development. A brief account
of these projects is as follows:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Following
three projects of cumulative 156 MW capacity are under construction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;49.5
MW FFC Energy LTD., Jhampir, Sindh – Construction and testing completed, ready
for commissioning&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;56.4
MW Zorlu Enerji (Pvt.) Ltd., Jhampir, Sindh – Construction completed, testing
stated, will be commissioned in March 2013&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Three Gorges First Wind Farm Pakistan (Pvt.) Ltd., Jhampir, Sindh –
Construction underway&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Following
two projects of cumulative 100 MW are going to achieve financial close by the
end of this year&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Foundation Wind Power I Ltd. Khuttikun, Gharo, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Foundation Wind Power II (Pvt.) Ltd., Khuttikun, Gharo, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Following
eleven projects of cumulative 550 MW will be achieving financial close by 2013&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW , Luck Energy (Pvt.) Ltd. Jhampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Tenaga Generai Ltd. Khuttikum, Gharo, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Sapphire Wind Power (Pvt.) Ltd. Jhampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Metro Wind Power Co Ltd. Khampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Gul Ahmed Wind Power Ltd. Jhampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Master Wind Energy (Pvt.) Ltd. Jhampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Sachal Engineering Works (Pvt.) Ltd. Jhampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;2
x 50 MW Wind Eagle (Pvt.) Ltd. Jhampir, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW Dawood Power (Pvt.) Ltd. Bhambore, Gharo, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50
MW New Park (Pvt.) Ltd. Gharo, Sindh&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Wind
power projects of 1000 MW are in pipeline&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;GOP
has announced Upfront Tariff of US cents 14.66/kwh for prompt development of
wind power projects&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Investors
are taking keen interest to execute project on this tariff. The investors are
requesting allocation of land for their projects. Taking into consideration the
available potential, the number of investing companies and quantum of up-coming
wind power projects in the area, AEDB, has requested GoS to identify and
allocate 100,000 acres more government land for wind power projects at wind
potential sites in Sindh province.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;The
wind energy market has been made conductive through various prolific measures.
A few of them are stated below:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Grid
Code has been amended to accommodate wind power&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Standardized
project documents are prepared for projects having tariff on cost plus basis
and made available to investors; standard project documents for projects opting
Upfront tariff are drafted and are under discussion&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo1; text-align: justify; text-indent: 0in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Lenders
confidence is built through supportive measures&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Almost
all renowned wind turbine manufactures are in the market to supply equipment&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Local
capacities are being developed for EPC services and for manufacturing of towers
locally&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Generalized
environmental study conducted for whole Gharo, Sindh Wind corridor for prompt
processing&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Short
and medium term grid integration planning study conducted for integration of
1000 – 1500 MW wind power&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="margin-left: 1.0in; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -.5in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: Symbol; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"&gt;·&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
&lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Security
issues of the investors at project sites are addressed with the support of GoS&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;The
time has reached when Pakistan is going to enter into a new era in energy
sector as wind power is going to have commercial operation in the country for
the first time in its history. The 49.5 MW wind power project of M/s FFC Energy
Ltd. (FFCEL) installed at Jhampir, district Thatta, Sindh is expected to
achieve Commercial Operation Date (COD) in December 2012. The project has
already been operationalized and connected to the national grid and has started
dispatching test energy. It’s formal “Commercial Operation” is expected to start
on 24&lt;sup&gt;th&lt;/sup&gt; December 2012. This has become possible owing to dedicated
efforts by the government and private sector entities. This would become a
strong foundation for the wind power development that has over 50,000 MW
potential only in Gharo corridor and is expected to take a significant place
energy mix.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Pakistan’s
entry into the list of countries that are commercially deploying renewable
energies for meeting energy needs to be celebrated, particularly as this is the
first of many projects that are in the pipeline. The event is historic as this
is advent of a new technology in Power Sector, which marks the beginning of the
era of clean, indigenous and cheaper sources of energy. The Federal Government
is intending to hold an inauguration ceremony to celebrate this achievement at
the start of commercial operation of this power plant that is planned on 24&lt;sup&gt;th&lt;/sup&gt;
December 2012. President / Prime Minister are expected to be the Chief Guest of
this event.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;On
the occasion of inauguration of commercial operation of first Wind Farm Power
Project in Pakistan, a commemorative postage stamp of Rs. 15/- denomination is
being issued by Pakistan Post on December 24, 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-03T14:22:39.033+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-K1KPrFW_A0w/UPqjT7GVyvI/AAAAAAAAHZQ/ekbvbbqjqFM/s72-c/L87-+Leaflet+of+Inauguration+of+Commercial+Operation+of+First+Wind+Farm+Power+Project+in+Pakistan..jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total></item><item><title>60 Years of Oxford University Press in Pakistan. (1952-2012) (2012-25)</title><link>http://paknetmag.blogspot.com/2013/01/60-years-of-oxford-university-press-in.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Fri, 03 May 2013 02:19:58 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-8667227992829144377</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;60 Years of Oxford
University Press In Pakistan Commemorative Postage Stamp December 15, 2012:-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; Oxford University Press is a
department of the University of Oxford. It furthers the university’s objective
of excellence in research, scholarship, and education by publishing worldwide,
with branches in almost 50 countries.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Oxford
University Press Pakistan (OUPP) celebrates 60 years of publishing this year,
2012. OUPP was established in 1952 with a branch office in Karachi, the first
overseas publishers in Pakistan. Since then OUPP has been a success story in
terms of expansion throughout the country, including Dhaka (pre-19714) with the
Head Office in Karachi, Branch offices in Lahore and Islamabad, and offices and
bookshops in all major towns and cities. With steady growth in output and
number of staff in the Head Office, OUPP is housed today in custom-built
premises in Korangi, comprising a classic, five-floored structure clad I
nyellow, Gizri stone, designed by the Heritage architect Kamil Khan Mumtaz, to
showcase Pakistan’s rich cultural heritage. The premises also have a spacious,
purpose-built warehouse. The foundation of this building was laid in 1999 and
the building was inaugurated in 2005, although OUPP had moved into the new
premises in early 2003.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;In
terms of publishing, OUPP broadened the spectrum and diversity of its
educational and general titles, and set a record for itself in the Sixties with
the Ahmad and Rehana English language series that enjoyed country-wide
popularity. Beginning with a modest publishing plan that comprised mainly
reprints and adaptations, OUPP today publishes a fairly large number of
original and well-researched school, higher education, and academic titles per
year. The academic and general publications of OUPP are authenticated texts
thatare authoritative sources of reference. OUPP today is a symbol of high
quality in both content and presentation of its books. In 1997, OUPP published
the Jubilee Series to celebrate fifty years of Pakistan’s independence. The
Jubilee Series boasted works by well known and highly respected authors at home
and abroad whose writings chronicled the history, society, culture, and
literature. Committed to the promotion of education in Pakistan, OUPP has made
good quality educational books accessible for all levels. OUPP publishes a wide
range of school books for all subjects with focus on quality of text, excellent
illustrations and user-friendly layouts. Most of OUPP’s O level books,
especially commissioned and kept in sync with the latest O level syllabuses,
are endorsed by the examining body. Almost all titles in the school educational
series are supported by Teaching Guides that offer lesson by lesson
explanation, answers to textbook questions and lesson plans and worksheets.
Another first from OUPP is the extension of academic support to schools across
the country by arranging Teacher Training Workshops as per demand for selected
series and titles. This guidance and interaction with the workshop leaders and
amongst themselves greatly facilitates teachers in accessing resources,
planning lessons, activities, and assessments. Needless to say, OUPP Teacher
Training Workshops are widely welcomed by the users of OUPP’s school
publications.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Another
feather in the OUPP cap are the bi-lingual dictionaries; OUPP made a mark for
itself by commissioning the renowned scholar and lexicographer, Shan ul Haq
Haqqee to publish the Oxford Urdu-English Dictionary based on the concise
Oxford English Dictionary, which hwas launched in 2003. Work is in process for
the Oxford Urdu-English Dictionary, which will be an equally valuable resource
for scholars in particular and readers in general. In keeping with this tradition,
bi-lingual dictionaries have been published in Sindhi as well as Pashtu, as
well as dictionaries for primary, secondary and tertiary levels. OUPP supports
the children’s reading programme through attractive and colourful supplementary
readers.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Moreover,
OUPP has actively promoted the reading habit through ongoing national book
fairs, and was the moving spirit behind the first ever Karachi Literature
Festival (KLF) and Children’s Literature Festival (CLF), which are now regular
events on the readers’ calendars. These events are well attended – in fact,
packed, as they feature book launches, interviews, panel discussions and also a
range of activities for children that introduce and educate them to the charm
of the printed word, as well as engaging their interest. The Karachi Literature
Festival not only brings together national and international writers, scholars,
reviewers in interaction with the audiences, but has also dispelled fears about
Pakistan in terms of safety and security. The other two most effective
initiatives for promoting the reading culture and bringing books within reach
of the readers are the Oxford Mobile Bookshop for all levels and genres, and
the Oxford Mobile Library. The Mobile bookshop has travelled all over the
country, from the shores of Sindh to the heights of Swat with its treasures of
knowledge. The Mobile Library, OUPP’s latest venture, is a boon for readers in
the absence of public libraries. It is particularly advantageous for
underprivileged areas as it provides access to books at the readers’ doorstep.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;OUPP
has come a long way from 1952, no doubt, but the journey continues towards
further success and achievements.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;To
commemorate celebration of the 60 Years of Oxford University Press in Pakistan,
a commemorative postage stamp of Rs. 15/- denomination is being issued by
Pakistan Post on December 15, 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-03T14:19:58.630+05:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/-UNpxtgZO_mo/UPqihafLkPI/AAAAAAAAHY0/3PnQSZjMAP8/s72-c/L86-+FDC+of+60+Years+of+Oxford+University+Press+in+Pakistan.+(1952-2012)+Education.+Issue+Date+15-12-2012..jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Muhammad Luthfullah Khan 1916-2012 (2012-24)</title><link>http://paknetmag.blogspot.com/2013/01/muhammad-luthfullah-khan-1916-2012-2012.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Fri, 03 May 2013 02:18:59 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-4079907411459758155</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Muhammad Luthfullah Khan
(The Archivist) 1916 – 2012 Commemorative Postage Stamp November 25, 2012:- &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Muhammad Luthfullah Khan, an
Archivist, a Photographer and a Writer, was born at Madras (now called Chennai)
on November 25, 1916. His father used to work for the South Indian Railways. He
was educated in Madras but moved to Hyderabad later to Mumbai in search of
employment. He had extra ordinary fascination for music and singing from his
childhood. He participated as amateur singer at the Madras Boys and Girls
Exhibition in the year 1931 and received the merit award for Hindustani Music.
He signed an agreement&amp;nbsp; in 1933 for
classical singing with the Indian State Broadcasting Service, later re-named as
All India Radio. He performed publicly at the age of 19, during a radio concert
in 1935. Known as Madras Radio Artist, he sang Ghazals at a function of Muslim
Students Association of St. Xavier’s College in January 1939 and rendered
classical singing at Bombay in December the same year. After partition he left
India and came to Pakistan on October 17. 1947 and settled in Karachi. During
quarter century of daily practice (1963 – 1988), he practiced singing with
Maulana Abdul Shakoor (newphew of Ustad Abdul Karim Khan) and explored the
intricacies of only one raag, the Darbari.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;As
a young writer his books (Pehloo, Dukhti Ragaeen etc.) were published in early
1936. He performed his first sound recording (voice of his mother) on 29&lt;sup&gt;th&lt;/sup&gt;
of July 1951 by using “Sound Mirror” tape recorder, having a single speed of
7.5 inches Per second. Paper tape, coated with magnetic material, was used.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;His
museum gallery displays rare photographs, photography equipment, international
and Pakistani coins, a set of 12 inch 78 rpm discs of Late “Barey Ghulam Ali
Khan Sahib”, sound recording equipment and accessories, drawing instrument and
stationary items used in documenting the collections and personal items of
nostalgic importance as well as a wonderful matchbox collection. (This was his
main hobby also). But the pick of this array is an album containing posters of
old Hindi and American movies, some of them dating back to twenties. (Late Mr.
Theodore Phailbus had the most wonderful collection of Posters in Pakistan).
All are arranged in properly illuminated showcases and display boards.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Electronic
devices installed include “Revox” tape recorders. Such a broad based collection
requires periodic maintenance for which he gas established in a separate room a
small workshop with inventory of spares and tools.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;His
archive contains a large number of rare books on a variety of subjects,
including religion. In this personal files, papers are arranged in
chronological order in a healthy state. Indexing has been done in simple manner
to facilitate easy location of the desired document. His monumental work is
un-paralleled in the literary history of the sub-continent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Different
articles were published on his work in the newspapers and magazines. Up to the
year 2001, the total number of such essays was 185. Muhammad Luthfullah” Khan
penned down eight books pertaining to Urdu literature, Islamic Studies, history
and those informing about the lives of great poets and prose writers
including:-&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;1.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Tamashaey – Ahley – Qalam&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;2.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Sur ki Talaash&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;3.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Hijratoun key silsiley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="mso-list: l2 level1 lfo1; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;4.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Zindagi ka Safar&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;He
has tanscribed all the Urdu Ghazals of Mirza Ghalib into Roman Alphabets. His
library comprises the following six categories:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;1.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Music of the subcontinent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;2.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Urdu literature – Poetry (Ghazals,
Marsia, etc.) and Prose (Novel, Tanqeed etc.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;3.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Religion (Religious books – recitation
and narration)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;4.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Speeches of public figures including
Mr. Mohammad Ali Jinnah, Mr. Liaquat Ali Khan and Mr. Z.A. Bhutto&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l0 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;5.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Education – Mainly Music and Urdu
Literature.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="mso-list: l0 level1 lfo2; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;6.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Art – Fine Arts, Interviews supported
with transparencies, Musical Instruments description with slides.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;The
music section is further categorized as under:-&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpFirst" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;1.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Instrumental&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;2.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Pure Classical&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;3.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Semi Classical&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;4.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Ghazal&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;5.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Geet&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;6.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Folklore&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoListParagraphCxSpLast" style="mso-list: l1 level1 lfo3; text-align: justify; text-indent: -.25in;"&gt;
&lt;!--[if !supportLists]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; mso-fareast-font-family: Arial;"&gt;7.&lt;span style="font-family: 'Times New Roman'; font-size: 7pt;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;!--[endif]--&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Qawali&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;The
taped recordings of each category are contained in different colour boxes.
Original Gramophone records have been preserved.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Muhammad
Luthfullah Khan, till the age of 96 was working to collect cassettes of Urdu
verse and prose. He had archived a wide variety of more than 5,000 voices
including the speeches of Quaid-e-Azam Muhammad Ali Jinnah, Mahatma Gandhi,
Maulana Abdul Kalam Azad and poetry of great poets like Faiz Ahmed Faiz, Friaq
Gorakhpuri, Josh Maleeh Abadi, Noon Meem Rashid, Hafeez Jalandhri,
Akhtar-ul-Iman and many other eminent poets. Faiz Ahmed Faiz has gifted recording
of his poetry in his voice.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Muhammad
Luthfullah Khan has computerized his directory of musical collection. The same
Raag is indexed for different instruments and vocalists. Among the vocalists he
often listens to, with devotion, are Salamat Ali Khan, Amanat Ali Khan, and
Roshan Ara Begum. His most liked Vichtarveena player in Pakistan is Habib Khan.
Other outstanding instrumentalists include Ustad Bundoo Khan for “Sarangi” and
Sharif Khan Ponchwala for Sitar. He considers Villayat Khan as unique in
playing of Sitar.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Most
of the catalogues have been prepared through computer in the shape of properly
bound hard copies. It was too much of a work to be done by a single person.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;This
is the lifetime achievement of a dedicated hobbyist – indeed a wonderful work,
which may not have a match in the Subcontinent.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;His
birth place in India (Madras / Channai), is said to have another collector of
old records namely Mr. V.A.K. Ranga Rao.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;In
recognition of his splendid contributions to the field of Art, Literature and
Culture, which was span on more than 70 years, especially pres4erving national
and international Heritage in shape of cassettes, CDs and books, he was
conferred upon a large number of awards from different organizations and
circles indlucing Presidential Award for Pride of Performance by the President
Islamic Republic of Pakistan in 2012, National Literary Award for the year 1998
on his book &lt;b&gt;“Hijratoon Ke Silsle”&lt;/b&gt;
and Kamal-e-Fun Award (Life time achievements) awards by the Pakistan Academy
of Letters, Islamabad.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Muhammad
Luthfullah Khan, passed away on Saturday, March 3, 2012 at the age of 96. He
was committed and devoted person who spent most of his life collecting voices
from different walks of life.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"&gt;To pay tribute
Muhammad Luthfullah Khan (The Archivist), Pakistan Post is issuing a
commemorative postage stamp denomination of Rs. 15/- on November 25, 2012.&lt;/span&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-03T14:18:59.100+05:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/-EgWPw3Ck42M/UPqhOnDMQAI/AAAAAAAAHX4/bw7cNSDNA9M/s72-c/L85a-+FDC+of+Pakistan+Muhammad+Luthfullah+Khan+1916-2012.+(25-11-2012).jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Fifty Years of National Investment Trust. NIT. (2013-23)</title><link>http://paknetmag.blogspot.com/2013/01/fifty-years-of-national-investment.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Thu, 25 Apr 2013 01:50:29 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-5555262388711924253</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;50&lt;sup&gt;Th&lt;/sup&gt;
Anniversary of National Investment Trust Ltd. (NITL) Commemorative Postage
Stamp November 21, 2012:-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;
It is an occasion of immense pleasure and pride for NIT to complete its 50
years of successful operations in the mutual fund industry. The institute has
been providing un-tiring service to small, medium and large investors and has
now entered the period to commemorate celebrations of its Golden Jubilee.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;National
Investment Trust Limited (NITL) is the pioneer Asset Management Company in
Mutual Fund Industry and carries a market share of around 18% of the entire
mutual funds industry where as NIT’s equity funds constitute 86% of the
industry’s open end equity funds. It was established in 1962 and has the credit
of being the First and Largest Asset Management Company of Pakistan with the
Net Assets under its management of around Rs. 74 Billion as on June 30, 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;NIT’s
Mission is to serve the investors by providing best possible return on their
investments and to invest in the Capital Markets in a manner, which could
provide depth for the investors’ and necessary capital to the industry. Over
vision is to be recognized as the beacon of positive change in the Capital
Markets. Leading by example, with an aim to provide the necessary opportunity
to all the stakeholders and to contribute towards healthy growth of the Mutual
Fund Industry.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;NIT’s
operational network spreads all over the country with 23 own branches and 01
centralized Investors’ Faciliation Center (IFC) in Karachi. In addition,
various authorized bank branches are facilitating our investors. The Company is
also represented in Dubai (UAE) by Arab Emirates Investment Bank (AEIB) and is
catering to the needs of around 57,256 unit holders as on June 30, 2012. NITL
has assigned a credit rating of AM2 – by PACRA, which reflects that the company
has a very strong capacity to manage risks.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Over
the years, NITL has expanded its product line to meet requirements of the
investors depending upon their risk absorption appetite. Presently, the Company
is managing a total of Five Funds, 3 Equity and 2 Fixed Income Funds.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Equity Funds:- i) NI(U)T
Fund:-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; It is NIT’s
flag carrier Open Ended Equity Fund and was launched in November 1962. Net
assets of the Fund as on June 30, 2012 amounted to Rs. 41.487 billion. As on
August 31&lt;sup&gt;st&lt;/sup&gt; 2012, around 91.52 percent of the Fund remained invested
in equities with around 36 percent investment in Oil &amp;amp; gas and Banking
Sectors. The core objective of the Fund is to maximize return for Unit Holders
and to provide a regular stream of current income through dividends. In
addition, long-term growth is achieved through management of a diversified
portfolio and investments in growth and high yielding equity securities. The
risk profile of the fund is moderate to high and the fund provided a 10 year
annualized return of 21.81% during FY12, NI(U)T earned a return of 7.57%. During
its entire life history, the Fund has been consistent in paying dividends to
its unit holders and has paid a per unit dividend of Rs. 3.50 in FY12.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;ii) NIT-State Enterprise
Fund (NIT-SEF):-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;
NIT-State Enterprise Fund (NIT-SEF) was launched in January 2009 with an
objective to take advantage of market conditions and acquire a selection of
Eligible Stocks thereby creating an opportunity for investors to achieve
superior returns. The Fund has an investment mandate to invest in eight state
owned / controlled enterprises. It is an Open Ended Equity Fund, with moderate
to high risk profile. The fund earned a return of 6.1% in FY12 whereas its
return since inception until August 31, 2012 has been 199.23% against the
benchmark return of 154.77%. The Fund paid a per unit @ 9.30% on the face value
of Rs. 50/- for the unit holders of NIT-SEF in FY12. NIT will shortly offer
this Fund to general public for investment.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;iii) NIT-Equity Market
Opportunity Fund (NIT-EMOF):-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;
This Open Ended Equity Fund was launched in July 2008 with an objective to
invest funds in the Equity Market at a time when Management Company of the Fund
has reasons to believe that there is an opportunity to invest the Fund in a
gainful manner and such investment is in the benefit of the Fund taking a long
term perspective. The Fund generated a return of 18.04% for its investors in
FY12 whereas its return since inception until August 31, 2012 has been 63.41%.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Fixed Income Funds:-
i)NIT Government Bond Fund (NIT-GBF):-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;
NIT Government Bond Fund was launched on 18&lt;sup&gt;th&lt;/sup&gt; November 2009 with the
objective to generate best possible return with minimum risk for its Unit
Holders by primarily investing in securities issued by government of Pakistan.
The risk profile of the Fund is low. As of August 31, 2012 95.08% of the Fund
is invested in Treasury Bills. The total annulized return of the Fund during
FY12 was 9.76%. Further since inception until August 31, 2012 NIT-GBF earned an
annualized return of 11.82% against benchmark of 140.81%. With anticipation of
further easing in the policy rates, NIT-GBF has increased its weighted average
time to maturity of portfolio from 154 days to 185 days.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;ii: NIT Income Fund
(NIT-IF):-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; This Open
End Income Fund was launched on 19&lt;sup&gt;th&lt;/sup&gt; February, 2010 with an
objective to generate a competitive stream of return with moderate level of
risk for its investors. The Fund is primarily invested in a diversified
portfolio comparising of high quality debt Securities &amp;amp; Instruments. As of
August 31, 2012, around 62.27 percent of the Fund is invested in Treasury Bills
whereas majority of the remained is invested high quality TFCs. The total
annulized return of the fund during FY12 was 12.34% whereas, since inception
until August 31, 2012 return has been 12.96% against benchmark rate of 12.71%.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;NIT
is commemorating 2012 as its Golden Jubilee Year. Special Giveaways are
prepared to share with our clients and unit holders on this momentous occasion.
Newspapers will publish special supplements on 12&lt;sup&gt;th&lt;/sup&gt; November 2012.
Pakistan Post is issuing a collection stamp in commemoration of achieving this
milestone by a National Organization.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;On
the occasion of 50&lt;sup&gt;th&lt;/sup&gt; Anniversary of National Investment Trust Ltd.
(NITL), Pakistan Post is issuing a commemorative postage3 stamp of Rs. 15/-
Denomination on November 21, 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-25T13:50:29.617+05:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/-MJO__Eb8X7w/UPqgHEZJ_fI/AAAAAAAAHXU/i8dqMUgWQfY/s72-c/L83-Pakistan+Leaflet+2012.++Fifty+Years+of+National+Investment+Trust.+NIT..jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Diamond Jubilee of Department of Geography University of Karachi Pakistan. (2012-22)</title><link>http://paknetmag.blogspot.com/2013/01/diamond-jubilee-of-department-of.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Thu, 25 Apr 2013 01:47:15 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-8095721856533745765</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&amp;nbsp;&lt;a href="http://stamps.delcampe.com/items?reWriteUrl=Y&amp;amp;cat=154&amp;amp;id_member=00189206&amp;amp;language=E&amp;amp;searchString=&amp;amp;page=1&amp;amp;useAsDefault=N&amp;amp;layoutForm[listitemsperpage]=500" target="_blank"&gt;&lt;img border="0" height="149" src="http://1.bp.blogspot.com/-sQh7xN802dI/UPqex7OfULI/AAAAAAAAHXA/HIolsSE9wQ4/s320/L84c-+Block+of+four+Diamond+Jubilee+of+Department+of+Geography+University+of+Karachi..jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Commemorative Postage
Stamp on Celebration of Diamond Jubilee of Department of Geography University
of Karachi November 19, 2012:- &lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;One
of the primate departments of the university, Department of Geography was
established in November 1952. Its first Chairman, Dr. M.B. Pithawala was
followed by Dr. Oskar Schmeider, Dr. Ibadur-Rehman, Dr. Shamsul Islam Siddiqui,
Dr. Muhammad Ismail Siddiqui, Prof. Abdur Rauf Khan, Mrs. jamilaSarwar, Dr.
Fazla Karim Khan, Dr. Iqtiday Husain Zaidi, Dr. Qazi Shakil Ahmed, Mr. Syed
Asif Ali, Dr. (Mrs.) RAzia Afzal Niazi, Prof. Dr. Birjies Talat, Prof. Dr.
FArkhunda Burke, Prof. Dr. Syed Jamil Hasan Kazmi, Prof. Dr. Khalida Mahmood
and the current Chairperson Prof. Dr. FArkhunda Burke who have earnestly and
painstakingly taken the department from its inception to the status of a
glittering diamond. The department has been fortunate to be served by eminent,
internationally reputed geographers and faculty including the uncoming,
enthusiastic faculty members.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;The
department is housed in a two-storeyed building with lecture rooms, research
laboratory, a well catalogued seminar liberary, staff rooms, girls’ common room
etc. The Seminar Library containing more than 2000 books acquired by the
department, through donations by retired teachers and ex-students, caters to
the needs of more than 450 students. The Map Library containing about 3000
maps, ranging from topographical maps of various areas, maps of various cities
and administrative maps of different scales; some aerial photographs and
satellite imageries are available in the Department. The wall maps along the
corridors pertaining to various regions of the world, and varying fields of
geographic specialization give the department a geographic air. Satellite
imageries of Pakistan and Karachi mounted on the elevations, express that maps
are an essential tool of geography.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;New
perspectives in geography have evolved with the advent of Geographical
Information System (GIS), Remote Sensing (RS) and Computer Aided Design (CAD).
The department boasts of a computer laboratory for hands on working of
students. A fully computerized research laboratory has been inaugurated by the
Dean Faculty of Science, Prof. Dr. Nusrat Jamil, to cater to the thirty two
registered research scholars.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;An
‘A’ class Meteorological Laboratory established in 2003, in the foreground of
the department is located on the WMO map. Regular reading are regularly dispatched
by Supporting Staff trained for this purpose. The Abdur Rauf Khan Museum of
Pre-History, contains relics of pre-historic cultures of Pakistan, collected
from an area extending to about 120 miles around Karachi. The material ranges
from early Paleolithic age through Middle and upper Paleolithic, Mesolithic and
Neolithic to Harappan Age. Vertebrate fossils of Miocene Age derived from Sindh
Kohistan and coastal areas of Sindh and Balochistan are on display in the
museum.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;To
commemorate Celebration of Diamond Jubilee of Department of Geography
University of Karachi, Pakistan Post is issuing a commemorative postage stamp
of Rs.15/- denomination on November 19, 2012.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-25T13:47:15.968+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-BErVG1F9FOA/UPqewjJXBoI/AAAAAAAAHWk/Etzp3ypaLCM/s72-c/L84a-+Pakistan+FDC+2012.+Diamond+Jubilee+of+Department+of+Geography+University+of+Karachi..jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>92nd Birth Anniversary of Hameed Naseem. Men of Letters. Pakistan (2012-21)</title><link>http://paknetmag.blogspot.com/2013/01/92nd-birth-anniversary-of-hameed-naseem.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Thu, 25 Apr 2013 01:49:11 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-5498538754498391416</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://stamps.delcampe.com/items?reWriteUrl=Y&amp;amp;cat=154&amp;amp;id_member=00189206&amp;amp;language=E&amp;amp;searchString=&amp;amp;page=1&amp;amp;useAsDefault=N&amp;amp;layoutForm[listitemsperpage]=500" target="_blank"&gt;&lt;img border="0" height="181" src="http://3.bp.blogspot.com/-0Xg4FDCYs8I/UPqdjvE_S4I/AAAAAAAAHWM/t9tANXjvcOU/s320/L81-+FDC+of+92nd+Birth+Anniversary+of+Hameed+Naseem.+Men+of+Letters.+Pakistan.+Famous+People..jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;92&lt;sup&gt;Nd&lt;/sup&gt; Birth
Anniversary Of Hameed Naseem Commemorative Postage Stamp October 19, 2012:-&lt;/span&gt;&lt;/b&gt;&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt; Hameed Naseem was Mufasser-e-Quran,
Poet, Writer, Critic, former Deputy DG Radio Pakistan, former Director of the
PIA Arts Academy, an acclaimed broadcaster and was called “broadcaster” by
critics and his contemporaries. He was born on 6&lt;sup&gt;th&lt;/sup&gt; October, 1920 at
Shah Pur Kundi, District Gurdaspur. He was a prodigious learner and poet and
started writing poetry at an early age in School days. He got opportunities to
intermingle with poets and intellectuals like Faiz Ahmed Faiz and Dr. M.D.
Taseer who were close friends of his father Abdul Aziz, known as Aziz Bitalvi,
who had profound interest in poetry. He matriculated from M.B. High School
Lahore and graduated from MAO College Amritsar. Later he moved to Lahore and
did his M.A. Engilish from Islamia College Lahore where he was the leading
poet, orator, and prose writer of the College and was especially known for his
melodious voice (taranum) which always swayed the mushairas by its profound
effect. During these days, he was a regular visitor of the famous Arab Hotel,
which lay across the Islamia College Lahore and Nageena Bakery near Anarkali;
both places were established rendezvous for the literati, poets, and scholars
of the thirties and early forties and other intellectual community of Lahore.
It was during this time that he received poetic inspiration and guidance from
Sufi Tabassum and developed lifelong friendship with him as well Zia
Jallandari, a leading poet and who regularly prodded poet inside him and
motivated him for other research and literary endeavors.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;His
Tafseer-e-Quran, named, Ta’aruf Al Furqan, is composed of 5 volumes and
provides in-depth and detailed commentary on Quran, with references to
comparative religions. He wrote booklets, Aurat Islam Ki Nazar Main, for
general readers to remove their some misconceptions about the role of woman in
Islam and The Message of Islam, for the English speaking communities for better
understanding of the basic Islamic concepts.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;He
was a promising poet of his times and his collection of poetry, Dood-e-Tahayar
(The Smoke of Wonderment), is an important work of classical ghazal structures,
and shows his confident grasp of the art of poetry writing which is guided by
the rules of poetry and its rhetoric. His collections of poetry, Jast-e-Janoon,
Gard-e-Malal, are also rated as valuable to Urdu literature. He was also a
known critic who wrote critique on many poets and his book, Allama Iqbal
Hemaray Azeem Shaaer, Panch Jadeed Shair, Kuch Aur Ahim Shair, introduction to
Kuleeyat Shafeeq Fatima, are widely acclaimed among the literati circles. His
book, “Allama Iqbal Hemaray Azeem Shaaer” was awarded Presidential Award
posthumously on Iqbal Day in 2003 which was received by his widow, Nafisa
Begum, and daughter, Seemin, from the President of Pakistan at the occasion of Iqbal
Day in Lahore.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Notwithstanding
his great contribution of producing 5-volumes’ of comparative religion
commentary on Quran Hakeem, his autobiography Namumkin Ki Justajo, published in
1990, will remain his most memorable work and is still rated one of the best
autobiographies in Urdu literature. This autobiography is unique in two ways –
firstly, it is written in third person and secondly, it shows a picturesque
kaleidoscope of cultural and literary life in Lahore and Amristar and in many
parts of the world in those times, wherever he lives or visited, which have now
vanished, and his contemporary personalities and events. It vividly portraits
the days at MAO College Amristar, Islamia College Lahore, early days of Radio,
and events of his colleagues like Meeraji, Noon Meem Rashid, Krishan Chander,
greatest of them all, Prof. A.S. Bukhari, the first Indian to become Director
of All-India Radio. Due to these peculiar characteristics of this
autobiography, it has been called Ahad Nama by the critics.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;Mr.
Hameed Naseem also served as Director of the PIA Arts Academy in 1967 for few
years and used his talents as a programme person in the promotion of Pakistan
art and culture at international levels, mostly the destinations of the PIA at
those times. At the twilight of his life and career, Mr. Hameed Naseem was
researching and writing, Adbi Urdu Nasar, which could not be published due to
his sudden death in 1998 and is still available with his heirs as a manuscript.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;He
was one of the pioneers and founders of Radio Pakistan after the creation of
Pakistan. He started daily programme, Pakistan Hamara hay, from Radio Station
Lahore which tried to inculcate national integration among the newly founded
nation. He wrote many national songs (Qaumi Taranay) during the wars of 1965
and 1971 which were sung be eminent singers like Ustad Amanat Ali, Farida
Khanum, Noor Jeha,. He had a long career in Radio Pakistan and was widely
respected as a famous broadcaster and many posthumously remember his reputation
as broadcasters’ broadcaster. He also served at BBC in London for few years on
deputation but returned to Pakistan for love of the people and the country and
declined all lucrative offers of staying at the BBC. The BBC remembered his
contributions by placing a floral commemorative wreath on his grave after his
death. He strated the programme, Roshni, and Quran-i-Hakeem aur Hamari Zindigi
and conducted the programme himself for years in his typical broadcaster’s
voice. This religious programme was so much popular among the listeners that it
was broadcasted for decades till recent years. He was also founder of the Radio
Station Hyderabad and appointed its first Station Director. Hameed Naseem
retired as Deputy Director General but kept serving the Radio Pakistan as
Advisor on Religious Affairs till the time of his death, and even performed his
duties on the last day of his life, 28&lt;sup&gt;th&lt;/sup&gt; September 1998. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;;"&gt;His
death was widely mourned in the literary circles, Radio Pakistan, PTV, and the
electronic media relayed news and the print media published news reports as
well as special features. Many famous poets and writers wrote obituaries in the
national dailies and Literary Magazines, acknowledging his contributions for
the Urdu literature, religion and Radio Pakistan. Hameed Naseem will always be
remembered for his valuable contributions to Urdu literature, Poetry, history
of Pakistan, and most importantly expounding our great religion.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;span style="font-family: &amp;quot;Arial&amp;quot;,&amp;quot;sans-serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-language: AR-SA; mso-fareast-font-family: Calibri; mso-fareast-language: EN-US; mso-fareast-theme-font: minor-latin;"&gt;On 92&lt;sup&gt;nd&lt;/sup&gt;
Birth Anniversary of Hameed Naseem, Pakistan Post is issuing a commemorative
postage stamp of Rs.8/- denomination on October 19, 2012.&lt;/span&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-25T13:49:11.228+05:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/-ScA1NDAG-ag/UPqdjTPVpfI/AAAAAAAAHWE/F75jvNxjmO4/s72-c/L81a-.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>INTERNATIONAL STAMPS EXHIBITION:  "SHARJAH2012"</title><link>http://paknetmag.blogspot.com/2012/12/international-stamps-exhibition.html</link><category>W/W Philatelic Exhibition / Show</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Thu, 13 Dec 2012 02:33:21 PST</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-1242880187277927955</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 3pt; text-align: right;"&gt;
&lt;span style="color: blue;"&gt;&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN" style="font-family: Arial; mso-ansi-language: EN;"&gt;Report by:- Mohammad Akram Naeem&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 3.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN" style="font-family: Arial; mso-ansi-language: EN;"&gt;The Emirates Philatelic
Association organized the 28th FIAP Asian International Stamp Exhibition
(Sharjah 2012). The Exhibition was held at the "Mega Mall" a famous
shopping centre of Sharjah,
 United Arab Emirates.
It was a 6-day exhibition including all FIP/FIAP classes, held from 20-25
November. The Exhibition was endorsed by Federation of Inter-Asian Philately
(FIAP) at their executive committee meeting held on 27 April 2012 in Kuala
Lumpur, Malaysia, carried with the FIAP Patronage.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 3.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN" style="font-family: Arial; mso-ansi-language: EN;"&gt;Shaikh Sultan bin Ahmed bin
Sultan Al Qasimi, Chairman of the Sharjah Media Corporation, has opened this
28th Asian International Stamp Exhibition (Sharjah 2012), hosted by the
Emirates Philatelic Association (EPA) at Mega Mall Sharjah.The President of
FIAP Surajit Gongvatana also attended the event together with Michael Ho, the
FIAP Co-ordinator.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 3.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN" style="font-family: Arial; mso-ansi-language: EN;"&gt;About 24 countries participated
in this big event, including Australia, Bahrain, Bangladesh, China(PRC),
China(ROC), Hong Kong, India, Indonesia, Iran, Japan, Korea, Kuwait, Malaysia,
Mongolia, Nepal, New Zealand, Pakistan, Philippines, Qatar, Saudi Arabia,
Singapore, South Africa, Thailand and United Arab Emirates. The exhibits were
dispalyed at 4 different points, with different catagories, in the MEGA Mall
shopping centre, consisting of 800 Frames. UAE was on top with more than 85
Frames and Pakistan
was one of the top 5 Exhibiting countries with 56 Frames. All the Exhibits with
5 Frames from Pakistan
won the medals from Bronze Silver to Large Vermeil. The Large Vermeils went to
Iqbal Nanji &amp;amp; Sultan Mahmud and Saleha Batool in Youthy class with a
special prize. Hereunder is the list of Exhibits from Pakistan with
marks and medals:&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;table border="1" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-collapse: collapse; border: none; mso-border-alt: solid windowtext .5pt; mso-border-insideh: .5pt solid windowtext; mso-border-insidev: .5pt solid windowtext; mso-padding-alt: 0in 5.4pt 0in 5.4pt; mso-yfti-tbllook: 480;"&gt;
 &lt;tbody&gt;
&lt;tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;"&gt;
  &lt;td style="border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Muhammad Arif Balghamwala&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Saudi Arabia&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt; 1865-1937&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
81- V&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 1;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Adnan Hussain Nanji&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Saudi Arabia&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;: Hejaz &amp;amp; Nejd 1916-25&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
79- LS&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 2;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Mohammad Jamil Ahmed&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;
  &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Pakistan&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;:The State Of Bahawalpur(1933-48)&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
78- LS&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 3;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Sultan Mahmud&lt;span style="mso-tab-count: 1;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Pakistan&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;: Bahawalpur State
  1933-48&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
87- LS&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 4;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Iqbal Nanji&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;India&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;: Jammu &amp;amp; Kashmir 1878-94&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
88- LV&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 5;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Mustafa Hasnain&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Pakistan&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt; Overprint on Ordinary KGVI Nasik&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
78- LS&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 6;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Afzal Hussain Nanji&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Study on Pakistan Overprint (Service&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
79-LS&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 7;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Imtiaz Ahmed Awan&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;G. B.:RED PENNY-Study of Platings&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
77- LS&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 8;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Ghias Ahmad&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Postal Stationery of British India
  1856-1947&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
80- V&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 9;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Mohammad Akram Naeem&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Islamic Events &amp;amp; Holy Places&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
69- SB&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 10;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Syeda Saleha Batool&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Pakistan&lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt; Pre-decimal Period 1947-49&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
89-LV+SP&lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;tr style="mso-yfti-irow: 11; mso-yfti-lastrow: yes;"&gt;
  &lt;td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.45in;" valign="top" width="235"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;Salman Qureshi&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;
  &lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: 2.75in;" valign="top" width="264"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;b&gt;&lt;span lang="EN" style="font-family: &amp;quot;Arial Narrow&amp;quot;; font-size: 11.0pt; mso-ansi-language: EN; mso-bidi-font-family: &amp;quot;Arial Narrow&amp;quot;;"&gt;UAE:Local Surcharge(1965-6)Trucial States&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;/td&gt;
  &lt;td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0in 5.4pt 0in 5.4pt; width: .95in;" valign="top" width="91"&gt;&lt;div class="MsoNormal" style="text-align: justify;"&gt;
68- &lt;/div&gt;
&lt;/td&gt;
 &lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 3.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN" style="font-family: Arial; mso-ansi-language: EN;"&gt;All the delegates of Jury &amp;amp;
Commisioners, together with the Organizing Committee were taken for a Dubai city round,
especially to Burj Al-Khalifa, the tallest building of the world, where we were
taken to 124th floor, to view the city &amp;amp; it's towers from Top. The day was
Friday, so upon reaching to CORP Hotel Dubai,
the Muslims performed Friday Parayers in nearby Mosques. Later the Lunch with
delicious Arabic &amp;amp; Continental dishes, was offered, following the Prize and
Award distribution ceremony to Jury Team, Commisioners and the Organizing
Personals. The awards to Jury Team was given by the Jury President Abdulla
Khoory and the FIAP Co-ordinator Michael Ho.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 3.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;b style="mso-bidi-font-weight: normal;"&gt;&lt;span lang="EN" style="font-family: Arial; mso-ansi-language: EN;"&gt;Sharjah 2012 was a very good
show. Our thanks must go to Abdulla Khoory, President of the Organizing Committee,
and the other members of the Committee, especially Muhammad Javaid, Khalid
al-Omaira and Hatim al-Attar, who performed their duties with full
responsibility. The traditional Arab hospitality was overwhelming throughout
the show. A lot of expected and unexpected visitors attended this show, and
there was a good number of dealers as well. Moreover all the Post Offices from
Gulf Region&lt;span style="mso-spacerun: yes;"&gt;&amp;nbsp; &lt;/span&gt;were present in the show,
providing many new and old issues of their states including Bahrain, Kuwait,
Oman, Qatar, Saudi
Arab &amp;amp; UAE. The famous agent of the Tnisia Post, Regaieg Rachid was also
there, but did not offer any new issues of stamps. Many dealers from all around
the world were part of the show, including many from Pakistan.&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-12-13T15:33:21.260+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-G0sbwOWnrG0/UMmt6yXbJgI/AAAAAAAAHPU/EbFsuKO1a8g/s72-c/Opening.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total></item><item><title>Wetlands Of Pakistan. The Arabian Sea Coral Reefs. (2012-20)</title><link>http://paknetmag.blogspot.com/2012/10/wetlands-of-pakistan-arabian-sea-coral.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Fri, 05 Oct 2012 11:45:55 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-8042993422761858453</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-05T23:45:55.779+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-BzFYcJDmleU/UG8qXwPmXhI/AAAAAAAAHNo/dYE9455287c/s72-c/FDC.JPG" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total></item><item><title>GOLDEN JUBILEE AYUB BRIDGE 1962-2012 (2012- 13)</title><link>http://paknetmag.blogspot.com/2012/10/golden-jubilee-ayub-bridge-1962-2012.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 01 Oct 2012 07:40:16 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-7320985227767306104</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
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&lt;br /&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://stamps.delcampe.com/page/list/cat,154,id_member,00189206,language,E.html" target="_blank"&gt;&lt;img border="0" height="235" src="http://3.bp.blogspot.com/-wbS0xPx-yn8/UGmq2qb7UyI/AAAAAAAAHNQ/0mtRSRgSLyU/s400/4.jpg" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-01T19:40:16.869+05:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/-BLwQGjfJI_E/UGmqzEhWmtI/AAAAAAAAHM4/Cd0fsQDruYg/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>L68- PAKISTAN 40TH ANNIVERSARY UNITED NATIONS UN ENVIRONMENT PROGRAMME. (2012-12)</title><link>http://paknetmag.blogspot.com/2012/10/l68-pakistan-40th-anniversary-united.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 01 Oct 2012 07:29:21 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-5933880827170187097</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-01T19:29:21.077+05:00</app:edited><media:thumbnail url="http://2.bp.blogspot.com/-2KSA7aa3GGc/UGmoPshdPoI/AAAAAAAAHMQ/mMm-RPSJrIg/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>L74c- Pakistan Karachi Stamp Exhibition 2012. (2012-14)</title><link>http://paknetmag.blogspot.com/2012/10/l74c-pakistan-karachi-stamp-exhibition.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 01 Oct 2012 07:22:26 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-8634276347704317599</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-01T19:22:26.383+05:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/-tFLp4ZXONrg/UGmmvredxRI/AAAAAAAAHL4/6XlLkbAiSow/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title> EID CELEBRATION (2012-15)</title><link>http://paknetmag.blogspot.com/2012/10/eid-celebration-2012-15.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 01 Oct 2012 07:15:24 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-4656724011468726566</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://stamps.delcampe.com/page/list/cat,154,id_member,00189206,language,E.html" target="_blank"&gt;&lt;img border="0" height="238" src="http://3.bp.blogspot.com/-cewshq4R7JQ/UGmkR1VMOOI/AAAAAAAAHLw/1uu-5vsqoLE/s320/4.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-01T19:15:24.140+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-aWHGJALaMes/UGmkMFKQiqI/AAAAAAAAHLY/QZZjXrz7eqY/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>PAKISTAN WILDLIFE SERIES MIGRATORY BIRDS IN PAKISTAN (2012-19)</title><link>http://paknetmag.blogspot.com/2012/10/pakistan-wildlife-series-migratory_1.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 01 Oct 2012 07:03:23 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-188671328031187831</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;br /&gt;&lt;/div&gt;
</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-01T19:03:23.307+05:00</app:edited><media:thumbnail url="http://4.bp.blogspot.com/-C5I1tNU8o-w/UGmiCTUYoiI/AAAAAAAAHK4/Xx7D_51VkAU/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total></item><item><title>30 Years of Sialkot chamber of Commerce &amp; Industry. (2012-18)</title><link>http://paknetmag.blogspot.com/2012/10/30-years-of-sialkot-chamber-of-commerce.html</link><category>Stamps of Pakistan Year's 2012</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Mon, 01 Oct 2012 06:54:06 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-4659859279367873186</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-10-01T18:54:06.472+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-t3KLUpo1dtQ/UGmfzzfcc1I/AAAAAAAAHKY/s8W_k0h6QRQ/s72-c/1.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><item><title>Hong Kong, China - France Joint Issue on Art</title><link>http://paknetmag.blogspot.com/2012/05/hong-kong-china-france-joint-issue-on.html</link><category>W/W New Issue</category><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Fri, 11 May 2012 10:55:22 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-217832066088264796</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://1.bp.blogspot.com/-1Y5gJYoi2ik/T61SY9wvjCI/AAAAAAAAHEs/VsAq_TTwQ9I/s1600/123456789.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-1Y5gJYoi2ik/T61SY9wvjCI/AAAAAAAAHEs/VsAq_TTwQ9I/s320/123456789.jpg" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Hongkong Post and France are
jointly issuing a set of four stamps on art to showcase vintage paintings and
contemporary sculptures from Hong Kong and &lt;st1:country-region w:st="on"&gt;France&lt;/st1:country-region&gt;, reflecting their rich
heritage in art.&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
The two paintings, both works
from the 19th century, employ a similar colour scheme with realistic rendering
and artists' materials originating from the West, while the two sculptures, created
in the 20th century, were both inspired by animals. This marks the 12th joint
stamp issue between Hongkong Post and other postal administrations. The stamp
issue demonstrates the great passion for art that Hong Kong and &lt;st1:country-region w:st="on"&gt;France&lt;/st1:country-region&gt; share and
showcases the cultural treasures of the two places.&lt;/div&gt;
&lt;/div&gt;</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-11T22:55:22.792+05:00</app:edited><media:thumbnail url="http://1.bp.blogspot.com/-1Y5gJYoi2ik/T61SY9wvjCI/AAAAAAAAHEs/VsAq_TTwQ9I/s72-c/123456789.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">1</thr:total></item><item><title>Monthly Universal Post for the month of May 2012 has been printed.</title><link>http://paknetmag.blogspot.com/2012/05/monthly-universal-post-for-month-of-may.html</link><author>noreply@blogger.com (Wahid Zia)</author><pubDate>Wed, 09 May 2012 04:35:58 PDT</pubDate><guid isPermaLink="false">tag:blogger.com,1999:blog-1577753396043764881.post-7325118130534914953</guid><description>&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
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&lt;a href="http://3.bp.blogspot.com/-08hu8G9hwnI/T6pWM0VVsyI/AAAAAAAAHEg/E7-5AF1o5Hg/s1600/Universal+Postal.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-08hu8G9hwnI/T6pWM0VVsyI/AAAAAAAAHEg/E7-5AF1o5Hg/s320/Universal+Postal.jpg" width="239" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
Monthly Universal Post for the
month of May 2012 has been printed. This magazine includes philatelic
information. You will find here the information regarding new issue of&amp;nbsp;&lt;st1:country-region w:st="on"&gt;Pakistan&lt;/st1:country-region&gt;&amp;nbsp;and
World Wide. If you are interested to purchase this magazine kindly contact
Malik Sadiq, Editor Monthly Universal Post. Email:&lt;a href="mailto:universalpost@hotmail.com"&gt;universalpost@hotmail.com&lt;/a&gt;&lt;/div&gt;
&lt;/div&gt;</description><app:edited xmlns:app="http://www.w3.org/2007/app">2012-05-09T16:35:58.704+05:00</app:edited><media:thumbnail url="http://3.bp.blogspot.com/-08hu8G9hwnI/T6pWM0VVsyI/AAAAAAAAHEg/E7-5AF1o5Hg/s72-c/Universal+Postal.jpg" height="72" width="72" /><thr:total xmlns:thr="http://purl.org/syndication/thread/1.0">0</thr:total></item><media:rating>nonadult</media:rating></channel></rss>
