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	<title>The Humanities Index</title>
	
	<link>http://humx.org</link>
	<description>Resources for Humanists</description>
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		<title>Notes on Arnold’s “Modern Literature”</title>
		<link>http://humx.org/theory/aesthetics/notes-on-arnolds-modern-literature</link>
		<comments>http://humx.org/theory/aesthetics/notes-on-arnolds-modern-literature#comments</comments>
		<pubDate>Sun, 04 Oct 2009 18:51:30 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Victorian]]></category>
		<category><![CDATA[matthew arnold]]></category>

		<guid isPermaLink="false">http://humx.org/?p=481</guid>
		<description>&amp;#8216;Arnold attempts in this speech, &amp;#8220;On the Modern Element in Literature,&amp;#8221; a &amp;#8220;general survey of classical literature&amp;#8221; in an effort to deliver his age from its current imperfection, i.e., to comprehend man&amp;#8217;s present and past. He suggests that for an epoch to be great, it must have a significant spectacle to contemplate and one who [...]
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&lt;/div&gt;</description>
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		<item>
		<title>Arnold’s Disinterested Critic</title>
		<link>http://humx.org/theory/aesthetics/arnolds-disinterested-critic</link>
		<comments>http://humx.org/theory/aesthetics/arnolds-disinterested-critic#comments</comments>
		<pubDate>Sun, 04 Oct 2009 18:40:12 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Victorian]]></category>
		<category><![CDATA[matthew arnold]]></category>

		<guid isPermaLink="false">http://humx.org/?p=476</guid>
		<description>Matthew Arnold, in his &amp;#8220;The Function of Criticism at the Present Time,&amp;#8221; examines the role of the critic in society and the idea that the &amp;#8220;critical power&amp;#8221; is of lower rank than the &amp;#8220;creative power&amp;#8221; (260). He suggests that the critic, before s/he puts pen to paper, must inquire of his or her motivations: what [...]
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&lt;/div&gt;</description>
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		</item>
		<item>
		<title>Shelley’s Defense of Poetry</title>
		<link>http://humx.org/movement/romantic/shelleys-defense-of-poetry</link>
		<comments>http://humx.org/movement/romantic/shelleys-defense-of-poetry#comments</comments>
		<pubDate>Mon, 28 Sep 2009 15:05:26 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[19th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[Romantic]]></category>
		<category><![CDATA[satan]]></category>
		<category><![CDATA[synthesis]]></category>

		<guid isPermaLink="false">http://humx.org/?p=469</guid>
		<description>Reason is the enumeration of quantities already known; imagination is the perception of the value of those quantities, both separately and as a whole.
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&lt;/div&gt;</description>
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		<item>
		<title>On Kant’s “Aesthetic Judgment”</title>
		<link>http://humx.org/movement/enlightenment/on-kants-aesthetic-judgment</link>
		<comments>http://humx.org/movement/enlightenment/on-kants-aesthetic-judgment#comments</comments>
		<pubDate>Tue, 22 Sep 2009 13:38:00 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[18th c]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Enlightenment]]></category>
		<category><![CDATA[Essay]]></category>
		<category><![CDATA[German]]></category>

		<guid isPermaLink="false">http://humx.org/?p=459</guid>
		<description>The only thing that would be more ponderous and difficult than trudging through Kant’s prose in his Critique of Aesthetic Judgment would be attempting to put his aesthetic philosophy found within to the test. Kant delivers a paucity of practical examples to make his recondite and ostensibly inconsistent abstractions all the more difficult to assimilate. [...]
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&lt;/div&gt;</description>
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		<title>Plato Revisited: Augustine’s Confessions</title>
		<link>http://humx.org/movement/classical/plato-revisited-augustines-confessions</link>
		<comments>http://humx.org/movement/classical/plato-revisited-augustines-confessions#comments</comments>
		<pubDate>Wed, 16 Sep 2009 13:49:37 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[4th c]]></category>
		<category><![CDATA[Biography]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Rhetoric]]></category>
		<category><![CDATA[Roman]]></category>
		<category><![CDATA[augustine]]></category>
		<category><![CDATA[confessions]]></category>
		<category><![CDATA[metaphysics]]></category>

		<guid isPermaLink="false">http://humx.org/?p=464</guid>
		<description>Generally speaking, Augustine’s Confessions seems to be a reworking of Plato’s metaphysics in relation to a Christian cosmology. Augustine speaks of the dichotomy between the body and the soul, the falseness of rhetoric, memory, sublimity, and desire. In addressing oratory, Augustine recalls Plato’s Gorgias and its subject matter inspired by rhetoric: Truth and the human [...]
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&lt;/div&gt;</description>
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		<title>Plato’s Republic, Book X Notes</title>
		<link>http://humx.org/movement/classical/platos-republic-book-x-notes</link>
		<comments>http://humx.org/movement/classical/platos-republic-book-x-notes#comments</comments>
		<pubDate>Tue, 08 Sep 2009 16:31:51 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[5th c BCE]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Classical]]></category>
		<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[art]]></category>
		<category><![CDATA[plato]]></category>
		<category><![CDATA[republic]]></category>

		<guid isPermaLink="false">http://humx.org/?p=451</guid>
		<description>In Book X of the Republic, Plato states: &amp;#8220;all poetical imitations are ruinous to the understanding of the hearers, and that the knowledge of their true nature is the only anidote to them.&amp;#8221;    Plato believed that imitation of sensible objects removed the poet, and the observer, from truth and reality by inspiring [...]
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&lt;/div&gt;</description>
		<wfw:commentRss>http://humx.org/movement/classical/platos-republic-book-x-notes/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Aristotle’s Poetics of Purging</title>
		<link>http://humx.org/movement/ancient/aristotles-poetics-of-purging</link>
		<comments>http://humx.org/movement/ancient/aristotles-poetics-of-purging#comments</comments>
		<pubDate>Fri, 28 Aug 2009 14:02:08 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[5th c BCE]]></category>
		<category><![CDATA[Aesthetics]]></category>
		<category><![CDATA[Ancient]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[aristotle]]></category>
		<category><![CDATA[catharsis]]></category>
		<category><![CDATA[plato]]></category>
		<category><![CDATA[poetics]]></category>

		<guid isPermaLink="false">http://humx.org/?p=442</guid>
		<description>The two concepts “imitation” and “pity and fear” are at the heart of Aristotle’s &lt;em&gt;Poetics&lt;/em&gt;.
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&lt;/div&gt;</description>
		<wfw:commentRss>http://humx.org/movement/ancient/aristotles-poetics-of-purging/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Plato’s Phaedrus: Talk of Love</title>
		<link>http://humx.org/movement/ancient/platos-phaedrus-talk-of-love</link>
		<comments>http://humx.org/movement/ancient/platos-phaedrus-talk-of-love#comments</comments>
		<pubDate>Tue, 25 Aug 2009 14:05:04 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[5th c BCE]]></category>
		<category><![CDATA[Ancient]]></category>
		<category><![CDATA[Dialogue]]></category>
		<category><![CDATA[Greek]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[phaedrus]]></category>
		<category><![CDATA[plato]]></category>
		<category><![CDATA[rhetoric]]></category>
		<category><![CDATA[writing]]></category>

		<guid isPermaLink="false">http://humx.org/?p=437</guid>
		<description>Phaedrus addresses rhetoric and right living and closes with a discussion of writing -- all springing from the topic of love.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/VkDfQGxpTms4TiaYDNF41dbjfWg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VkDfQGxpTms4TiaYDNF41dbjfWg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;/div&gt;</description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Revenge Tragedy</title>
		<link>http://humx.org/vocabulary/revenge-tragedy</link>
		<comments>http://humx.org/vocabulary/revenge-tragedy#comments</comments>
		<pubDate>Thu, 19 Mar 2009 14:49:00 +0000</pubDate>
		<dc:creator>Nancy Bunker</dc:creator>
				<category><![CDATA[16th c]]></category>
		<category><![CDATA[17th c]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Renaissance]]></category>
		<category><![CDATA[Tragedy]]></category>
		<category><![CDATA[Vocabulary]]></category>
		<category><![CDATA[revenge]]></category>
		<category><![CDATA[tragedy]]></category>

		<guid isPermaLink="false">http://humx.org/?p=428</guid>
		<description>Revenge tragedy depicts a son’s revenge for a father’s murder (or vice versa). The murder is revealed and directed to the protagonist by the murdered man’s ghost. Revenge results from conscious and focused action.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/5J9fn7aX98aJfI4NV8rdiEdrR1s/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/5J9fn7aX98aJfI4NV8rdiEdrR1s/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
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&lt;a href="http://feeds.feedburner.com/~ff/humx?a=ghPhHqScD7I:92m_wiblnAg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/humx?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/humx?a=ghPhHqScD7I:92m_wiblnAg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/humx?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/humx?a=ghPhHqScD7I:92m_wiblnAg:7Q72WNTAKBA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/humx?d=7Q72WNTAKBA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/humx?a=ghPhHqScD7I:92m_wiblnAg:V_sGLiPBpWU"&gt;&lt;img src="http://feeds.feedburner.com/~ff/humx?i=ghPhHqScD7I:92m_wiblnAg:V_sGLiPBpWU" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/humx?a=ghPhHqScD7I:92m_wiblnAg:qj6IDK7rITs"&gt;&lt;img src="http://feeds.feedburner.com/~ff/humx?d=qj6IDK7rITs" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/humx?a=ghPhHqScD7I:92m_wiblnAg:D7DqB2pKExk"&gt;&lt;img src="http://feeds.feedburner.com/~ff/humx?i=ghPhHqScD7I:92m_wiblnAg:D7DqB2pKExk" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Neoclassicism: Major Ideas</title>
		<link>http://humx.org/movement/neoclassical/neoclassicism-major-ideas</link>
		<comments>http://humx.org/movement/neoclassical/neoclassicism-major-ideas#comments</comments>
		<pubDate>Mon, 26 Jan 2009 15:27:40 +0000</pubDate>
		<dc:creator>Gerald Lucas</dc:creator>
				<category><![CDATA[17th c]]></category>
		<category><![CDATA[18th c]]></category>
		<category><![CDATA[British]]></category>
		<category><![CDATA[Drama]]></category>
		<category><![CDATA[Neoclassical]]></category>
		<category><![CDATA[Poetry]]></category>
		<category><![CDATA[Prose]]></category>
		<category><![CDATA[conservative]]></category>
		<category><![CDATA[fallen]]></category>

		<guid isPermaLink="false">http://humx.org/?p=159</guid>
		<description>The following are major ideas held by conservative writers and thinkers of Neoclassicism.
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&lt;a href="http://feeds.feedburner.com/~f/humx?a=ojWLrTT7"&gt;&lt;img src="http://feeds.feedburner.com/~f/humx?d=41" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/humx?a=mIcU39Ta"&gt;&lt;img src="http://feeds.feedburner.com/~f/humx?d=43" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/humx?a=d8cbCdyL"&gt;&lt;img src="http://feeds.feedburner.com/~f/humx?d=50" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/humx?a=wl2Tu4jx"&gt;&lt;img src="http://feeds.feedburner.com/~f/humx?i=wl2Tu4jx" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/humx?a=x8xqYs96"&gt;&lt;img src="http://feeds.feedburner.com/~f/humx?d=52" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~f/humx?a=Byi3jA0Q"&gt;&lt;img src="http://feeds.feedburner.com/~f/humx?i=Byi3jA0Q" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;</description>
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		</item>
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