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Guetta</category><category>aaron viergever</category><category>jamie foxx</category><category>richard curtis</category><category>marilyn monroe</category><category>david lynch</category><category>jeff bridges</category><category>michael winterbottom</category><category>ming-liang tsai</category><category>the dark knight rises</category><category>biutiful</category><category>sopranos</category><category>jonathan romney</category><category>bradford international film festival</category><category>adam sikora</category><category>bullhead</category><category>robert pattinson</category><category>film academia</category><category>andre turpin</category><category>mads mikkelsen</category><category>2013</category><category>double tide</category><category>markus schleinzer</category><category>the killer inside me</category><category>two years at sea</category><category>jackie weaver</category><category>suridh hassan</category><category>lff 2010</category><category>hugh jackman</category><category>michelangelo frammartino</category><category>mulholland drive</category><category>brad anderson</category><category>colin firth</category><category>director fetishisation</category><category>aleksandr sokurov</category><category>america america</category><category>nuri bilge ceylan</category><category>me too</category><category>gustavo hernandez</category><category>michael nyqvist</category><category>caine mutiny</category><category>Mark Wahlberg</category><category>ken foree</category><category>clyde jeavons</category><category>Emily Blunt</category><category>daniel henshall</category><category>yasmin paige</category><category>roman polanski</category><category>katrin sass</category><category>beasts of the southern wild</category><category>escape from the liberty cinema</category><category>john hawkes</category><category>archipelago</category><category>casa de lava</category><category>mohammad rasoulof</category><category>frederick pelletier</category><category>don</category><category>iffr 2013</category><category>egon di mateo</category><category>you aint seen nothin yet</category><category>mia wasikowska</category><category>denis villeneuve</category><category>olivia colman</category><category>gustavo alonso</category><category>john hubbard</category><category>terrence rattigan</category><category>monique dartonne</category><category>the deadly trap</category><category>synnove macody lund</category><category>xavier beauvois</category><category>wojciech marczewski</category><category>beyond the hills</category><category>blogathon</category><category>sally field</category><category>tokyo waka</category><category>sylvester stallone</category><category>julien temple</category><category>trance</category><category>socialism</category><category>jack reacher</category><category>marisa berenson</category><category>mea maxima culpa</category><category>skip woods</category><category>elijah wood</category><category>daniel woodrell</category><category>blowup</category><category>lynne ramsay</category><category>aksel henni</category><category>daniel craig</category><category>The Fighter</category><category>ruben fleischer</category><category>caleb landry jones</category><category>houston</category><category>Banksy</category><category>john hurt</category><category>The Adjustment Bureau</category><category>donald meek</category><category>andrzej wajda</category><category>kings speech</category><category>crossfire hurricane</category><category>andras kozak</category><category>ghost protocol</category><category>authorship</category><category>laramie eppler</category><category>abbas kiarostami</category><category>auteur theory</category><category>place</category><category>mother and son</category><category>geoffrey rush</category><category>josh brolin</category><category>nicolas winding refn</category><category>barry pepper</category><category>capitalism</category><category>art of time</category><category>rabbit hole</category><category>nicolas provost</category><category>terence davies</category><category>tomas alfredson</category><category>barbara hershey</category><category>the master</category><category>eternal sunshine of the spotless mind</category><category>the dead</category><category>easy rider</category><category>ben mendelsohn</category><category>charlotte gainsbourg</category><category>berenice bejo</category><category>spring breakers</category><category>i don't want to sleep alone</category><category>dog altogether</category><category>andrew kotting</category><category>bradley cooper</category><category>ewan mcgregor</category><category>the help</category><category>dianne wiest</category><category>tom middleston</category><category>joanna hogg</category><category>justin timberlake</category><category>still life</category><category>john hillcoat</category><category>florencia colucci</category><category>john mclaughlin</category><category>meek's cutoff</category><category>andrea arnold</category><category>chloe bourgeois</category><category>peter jackson</category><category>viggo mortensen</category><category>the circle</category><category>kate fahy</category><category>silent cinema</category><category>the hobbit</category><category>baraka</category><category>hitchcock</category><category>karl urban</category><category>keira knightley</category><category>landscape</category><category>leonardo dicaprio</category><category>hugo</category><category>tsar to lenin</category><category>le quattro volte</category><category>nick krause</category><title>idFilm</title><description /><link>http://www.idfilm.net/</link><managingEditor>noreply@blogger.com (idFilm)</managingEditor><generator>Blogger</generator><openSearch:totalResults>214</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/idFilm" /><feedburner:info uri="idfilm" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><feedburner:emailServiceId>idFilm</feedburner:emailServiceId><feedburner:feedburnerHostname>http://feedburner.google.com</feedburner:feedburnerHostname><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-1959937837141624313</guid><pubDate>Mon, 20 May 2013 21:15:00 +0000</pubDate><atom:updated>2013-05-20T22:27:49.639+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">obituary</category><category domain="http://www.blogger.com/atom/ns#">cargo 200</category><category domain="http://www.blogger.com/atom/ns#">alexei balabanov</category><category domain="http://www.blogger.com/atom/ns#">the stoker</category><category domain="http://www.blogger.com/atom/ns#">me too</category><title>Alexey Balabanov, 1959-2013</title><link>http://feedproxy.google.com/~r/idFilm/~3/jQtyFS-yVGk/balabanov-obituary.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-640yOYGnG1U/UZqNolXOtvI/AAAAAAAADgA/HcxAeBh-_04/s72-c/balabanov.jpg" height="72" width="72" /><description>Balabanov's chief strength as a director might have been to pass off serious art as throwaway fluff, to make his own artistry appear spontaneous and/or accidental when in fact you got the sense when watching his work that a film set might have been the only place where he could properly function...



I was in London for a long weekend, removed from my usual daily news sources, when I received a text from fellow critic Neil Young, in Cannes, telling me that Alexey Balabanov had died aged 54. My...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=jQtyFS-yVGk:VIAmEFcu0JA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=jQtyFS-yVGk:VIAmEFcu0JA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/jQtyFS-yVGk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/05/balabanov-obituary.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-1777777469769800549</guid><pubDate>Sun, 12 May 2013 17:04:00 +0000</pubDate><atom:updated>2013-05-12T18:04:30.702+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">indielisboa</category><category domain="http://www.blogger.com/atom/ns#">indielisboa 2013</category><title>Festival Index: IndieLisboa'13</title><link>http://feedproxy.google.com/~r/idFilm/~3/T3OrqkG0vlY/indie-lisboa-2013.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-67PbZbOy7M8/UYAq4M2rIbI/AAAAAAAADcg/wY5H08AKAAM/s72-c/IMG_0089.JPG" height="72" width="72" /><description>Reports, reviews, pictures...







Jigsaw Lounge Reports



• 1 Wanderers, workers, models and monologues

Leones ~ Housemaids ~ Workers ~ Models ~ Jesus, You Know



• 2 Animals, absentees, actors and anecdotes

Animal Love ~ Avanti Popolo ~ Greatest Hits ~ Amsterdam Stories USA



• 3 Paradises lost, found, postponed

Art Will Save the World ~ Gazzara ~ Pincus ~ The Unknown ~ Paradise: Love ~ Paradise: Faith ~ Paradise: Hope



• 4 Não then, não then

Festival round-up...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=T3OrqkG0vlY:MuXGr2ioYPk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=T3OrqkG0vlY:MuXGr2ioYPk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/T3OrqkG0vlY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/05/indie-lisboa-2013.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-3126433132724114996</guid><pubDate>Thu, 09 May 2013 20:13:00 +0000</pubDate><atom:updated>2013-05-09T21:13:20.008+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">proof of life</category><category domain="http://www.blogger.com/atom/ns#">meg ryan</category><category domain="http://www.blogger.com/atom/ns#">film criticism</category><category domain="http://www.blogger.com/atom/ns#">russell crowe</category><category domain="http://www.blogger.com/atom/ns#">taylor hackford</category><category domain="http://www.blogger.com/atom/ns#">pamela reed</category><title>For The Big Picture: Literal and symbolic barriers in Proof of Life</title><link>http://feedproxy.google.com/~r/idFilm/~3/K9Okf8mIeDw/for-big-picture-literal-and-symbolic.html</link><author>noreply@blogger.com (Michael Pattison)</author><description>A recently-written feature for 'The Big Picture', analysing four frames in the underrated 'Proof of Life' (2000).&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=K9Okf8mIeDw:UifSl32koY4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=K9Okf8mIeDw:UifSl32koY4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/K9Okf8mIeDw" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/05/for-big-picture-literal-and-symbolic.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-819859413574507525</guid><pubDate>Sat, 04 May 2013 23:42:00 +0000</pubDate><atom:updated>2013-05-05T00:42:49.110+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">index</category><title>2005-2011 Capsule Reviews Archive</title><link>http://feedproxy.google.com/~r/idFilm/~3/M_jLo9pt--g/2005-2011-capsule-reviews-archive.html</link><author>noreply@blogger.com (Michael Pattison)</author><description>Index of over 950 reviews/posts, most of which are a paragraph long, written elsewhere between 2005 and 2011...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=M_jLo9pt--g:G5Lm3ljYE3c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=M_jLo9pt--g:G5Lm3ljYE3c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/M_jLo9pt--g" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/05/2005-2011-capsule-reviews-archive.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-7737005557111295201</guid><pubDate>Wed, 01 May 2013 15:22:00 +0000</pubDate><atom:updated>2013-05-03T18:45:44.897+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">april</category><category domain="http://www.blogger.com/atom/ns#">2013</category><title>April 2013 Tally</title><link>http://feedproxy.google.com/~r/idFilm/~3/wGtAYzKVEyQ/april-2013-tally.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-JNQxgHT6FVQ/UYBN1tcYeNI/AAAAAAAADd8/Owqgh_1qoik/s72-c/cargo+200+1.jpg" height="72" width="72" /><description>115 films (70 shorts), 111 for the first time, 51 at the cinema...




JAN | | | FEB | | | MAR | | | APR | | | MAY | | | JUN

JUL  | | | AUG  | | | SEP  | | | OCT  | | | NOV  | | | DEC







C Cinema; S Stream;&amp;nbsp;# Rewatch; &amp;gt;&amp;gt;&amp;gt; Review


Portrait of a Miner DVD

&amp;nbsp; &amp;nbsp; &amp;nbsp; Songs of the Coalfields 8/10 

&amp;nbsp; &amp;nbsp; &amp;nbsp; Unknown 1964 UK

&amp;nbsp; &amp;nbsp; &amp;nbsp; Big Job 7/10 

&amp;nbsp; &amp;nbsp; &amp;nbsp; Unknown 1965 UK 

&amp;nbsp; &amp;nbsp; &amp;nbsp; Portrait of a Miner 8/10 

&amp;nbsp;...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=wGtAYzKVEyQ:M31H1cul0Vk:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=wGtAYzKVEyQ:M31H1cul0Vk:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/wGtAYzKVEyQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/05/april-2013-tally.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-5740631362668093756</guid><pubDate>Mon, 15 Apr 2013 17:44:00 +0000</pubDate><atom:updated>2013-05-07T18:17:03.264+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">biff 2013</category><category domain="http://www.blogger.com/atom/ns#">bradford international film festival</category><title>Festival Report: Bradford International Film Festival 2013</title><link>http://feedproxy.google.com/~r/idFilm/~3/QH74QQakguI/biff-2013-index.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-pfDL474K8WM/UXBFihp-oYI/AAAAAAAADbM/6S2MIb2iyBk/s72-c/IMG_0066.JPG" height="72" width="72" /><description>Festival round-up plus a full index of reviews...





Note: an index of full reviews can be found at the bottom of this post.



Bradford is just about small enough to get lost in. With its landmarks situated in an area so concentrated you can view them all from a single vantage point, any visiting critic may enjoy the city’s annual film festival without ever needing to venture beyond that approximate triangle on which sit train station, main venue and the hotel in which festival guests are...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=QH74QQakguI:dN2E-V7oAas:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=QH74QQakguI:dN2E-V7oAas:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/QH74QQakguI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/biff-2013-index.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-5309985326333876047</guid><pubDate>Fri, 12 Apr 2013 07:00:00 +0000</pubDate><atom:updated>2013-05-10T01:43:08.690+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">top ten</category><category domain="http://www.blogger.com/atom/ns#">yearly top ten</category><title>idFilm turns three: Yearly Top Tens 1983-2012 (+ 2013-in-progress)</title><link>http://feedproxy.google.com/~r/idFilm/~3/HNaFnBlHbD8/top-tens.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-OoAbwiqNfoY/UWX3CMnuNAI/AAAAAAAADak/jTdTrbZZyI8/s72-c/PDVD_016.JPG" height="72" width="72" /><description>idFilm turns three today! To mark its anniversary, here's a top ten favourites list for each year of the last three decades. Further years will be added in due course.



NB: Films with a 9+ rating are emboldened; shorts are italicised. Pictured films are decade-favourites. In the case of foreign-language films, English titles are used unless the original is in common use.



Ratings: 10/9 Among best seen; 9/8 Loved it; 8/7 Really liked it; 7/6 Liked it; 6/5 Indifferent; 5/4 Disliked it; 4/3...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=HNaFnBlHbD8:hDeuZffkQhw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=HNaFnBlHbD8:hDeuZffkQhw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/HNaFnBlHbD8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/top-tens.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-2992332774206229165</guid><pubDate>Tue, 09 Apr 2013 23:55:00 +0000</pubDate><atom:updated>2013-04-10T00:56:11.833+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">the rambler</category><category domain="http://www.blogger.com/atom/ns#">resolution</category><category domain="http://www.blogger.com/atom/ns#">faith love and whiskey</category><category domain="http://www.blogger.com/atom/ns#">biff 2013</category><category domain="http://www.blogger.com/atom/ns#">under the weight of clouds</category><category domain="http://www.blogger.com/atom/ns#">la playa dc</category><category domain="http://www.blogger.com/atom/ns#">bradford international film festival</category><category domain="http://www.blogger.com/atom/ns#">scoped</category><category domain="http://www.blogger.com/atom/ns#">out of frame</category><category domain="http://www.blogger.com/atom/ns#">babylon</category><title>Scoped: La Playa D.C., Babylon, Faith Love and Whiskey, Resolution, The Rambler, Under the Weight of Clouds and Out of Frame</title><link>http://feedproxy.google.com/~r/idFilm/~3/BSmWRf1JBcc/la-playa-dc-etc.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-iJEhsSB2KLM/UWSnpvfS0bI/AAAAAAAADZk/nh6C-R3M_ws/s72-c/la+playa+dc.jpg" height="72" width="72" /><description>Three award-winners, two horrors and two shorts...



This is the second of two Scoped specials, on films screening at this year's Bradford International Film Festival; click here for the first.



La Playa D.C. 

(Juan Andrés Arango, 2012 Colombia/France/Brazil)

After premiering in the Un Certain Regard category at Cannes last year, La Playa D.C. won the Best Film Award at the Lima International Film Festival. The debut feature from Colombian writer-director Juan Andrés Arango, it's a...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=BSmWRf1JBcc:fU9T16ylm1c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=BSmWRf1JBcc:fU9T16ylm1c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/BSmWRf1JBcc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/la-playa-dc-etc.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-8077022225242863443</guid><pubDate>Mon, 08 Apr 2013 16:08:00 +0000</pubDate><atom:updated>2013-04-10T13:00:00.847+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">east hastings pharmacy</category><category domain="http://www.blogger.com/atom/ns#">i have always been a dreamer</category><category domain="http://www.blogger.com/atom/ns#">biff 2013</category><category domain="http://www.blogger.com/atom/ns#">tower</category><category domain="http://www.blogger.com/atom/ns#">tokyo waka</category><category domain="http://www.blogger.com/atom/ns#">the love songs of tiedan</category><category domain="http://www.blogger.com/atom/ns#">bradford international film festival</category><category domain="http://www.blogger.com/atom/ns#">scoped</category><category domain="http://www.blogger.com/atom/ns#">essay film</category><title>Scoped: I Have Always Been a Dreamer, Tokyo Waka, The Love Songs of Tiedan, Tower, East Hastings Pharmacy</title><link>http://feedproxy.google.com/~r/idFilm/~3/lHZlr0bS_xw/i-have-always-been-a-dreamer-etc.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-Mq796XGKzSc/UWLo51alHVI/AAAAAAAADYg/3O-9k8dQ0PI/s72-c/i+have+always+been+a+dreamer.png" height="72" width="72" /><description>City poems, love songs, character studies and observations...



This is the first of two Scoped specials, on films screening at this year's Bradford International Film Festival; read the second part here.





I Have Always Been a Dreamer

(Sabine Gruffat, 2012 USA/United Arab Emirates)

Sabine Gruffat's latest feature film is a quietly remarkable essay on two otherwise disparate Ds - Detroit and Dubai. This towering tale of two cities probes a transglobal economy inhabited on the one hand by...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=lHZlr0bS_xw:weGMpo8Um3g:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=lHZlr0bS_xw:weGMpo8Um3g:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/lHZlr0bS_xw" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/i-have-always-been-a-dreamer-etc.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-237473725345428104</guid><pubDate>Mon, 08 Apr 2013 11:44:00 +0000</pubDate><atom:updated>2013-04-08T18:30:52.790+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">flipside</category><category domain="http://www.blogger.com/atom/ns#">john krish</category><category domain="http://www.blogger.com/atom/ns#">coi</category><category domain="http://www.blogger.com/atom/ns#">captured</category><category domain="http://www.blogger.com/atom/ns#">bfi</category><category domain="http://www.blogger.com/atom/ns#">dvd</category><category domain="http://www.blogger.com/atom/ns#">b. s. johnson</category><title>BFI Flipsides: John Krish and B. S. Johnson</title><link>http://feedproxy.google.com/~r/idFilm/~3/UH0rTmDQOFg/krish-johnson-flipside.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-cHerPH96xzg/UWKsAze90qI/AAAAAAAADYI/G0nyXZM9c40/s72-c/captured.jpg" height="72" width="72" /><description>Two new BFI Flipsides, both released on Monday 15 April, celebrate two unsung British talents working within and against the social currents of their time. 



In the 35-minute interview included on the BFI Flipside release of Captured (1959), John Krish remarks how “lovely” it is that his short film The Finishing Line (1977, included as an extra) was banned for twenty-one years. This comment, alongside anecdotes about repeated conservatism and “endemic betrayal” within the film industry, gives...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=UH0rTmDQOFg:ldR8TnfWBwI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=UH0rTmDQOFg:ldR8TnfWBwI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/UH0rTmDQOFg" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/krish-johnson-flipside.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-6251088009793286059</guid><pubDate>Fri, 05 Apr 2013 19:51:00 +0000</pubDate><atom:updated>2013-04-08T14:25:55.090+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">harmony korine</category><category domain="http://www.blogger.com/atom/ns#">spring breakers</category><category domain="http://www.blogger.com/atom/ns#">james franco</category><title>Beaches of madness: Spring Breakers</title><link>http://feedproxy.google.com/~r/idFilm/~3/G7YFNf6BcNI/spring-breakers.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-G20XELeEEKs/UV8o_epQzHI/AAAAAAAADX4/RdBK70qW_pw/s72-c/spring+breakers.jpeg" height="72" width="72" /><description>It takes both chutzpah and skill to draw in arthouse and multiplex audiences alike and then challenge them to different ends. 'Spring Breakers', Harmony Korine's mainstream breakthrough, does its best...





This is 40. Harmony Korine, best known for scripting the Larry Clark-directed Kids (1995) in his early 20s,  hits middle-age with Spring Breakers, a saturated daydream about four college airheads who raid a fast-food joint and escape from the anonymous boredom of their Kentucky dorms in...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=G7YFNf6BcNI:GKA-eZsxxYg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=G7YFNf6BcNI:GKA-eZsxxYg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/G7YFNf6BcNI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/spring-breakers.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-1766389618436044159</guid><pubDate>Thu, 04 Apr 2013 13:05:00 +0000</pubDate><atom:updated>2013-04-04T14:17:18.570+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">coi</category><category domain="http://www.blogger.com/atom/ns#">your children and you</category><category domain="http://www.blogger.com/atom/ns#">bfi</category><category domain="http://www.blogger.com/atom/ns#">dvd</category><title>The birth of a nation: Your Children and You</title><link>http://feedproxy.google.com/~r/idFilm/~3/KJbXbs_U-nA/your-children-and-you-dvd.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-DiDGudZjl5g/UV13cACLh4I/AAAAAAAADXo/tq6hWTFC-oY/s72-c/your+children+and+you.jpg" height="72" width="72" /><description>The BFI's latest DVD release, out on Monday 15 April, brings together Government-sponsored films made between 1946 and 1985, on parenting, teaching and caring for children.





A multitude of dualities cohabit the films included in Your Children and You, the latest two-disc entry in the BFI's ongoing COI Collection, which compiles works commissioned and exhibited by the Central Office of Information - the UK government's publicity arm between 1946 and 2012. These efforts, put out in response...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=KJbXbs_U-nA:6rkf50_nD6E:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=KJbXbs_U-nA:6rkf50_nD6E:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/KJbXbs_U-nA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/your-children-and-you-dvd.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-2425773017499865024</guid><pubDate>Wed, 03 Apr 2013 19:02:00 +0000</pubDate><atom:updated>2013-04-03T22:11:43.778+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">universal soldier</category><category domain="http://www.blogger.com/atom/ns#">biff 2013</category><category domain="http://www.blogger.com/atom/ns#">bradford international film festival</category><category domain="http://www.blogger.com/atom/ns#">alexei balabanov</category><category domain="http://www.blogger.com/atom/ns#">romanian new wave</category><category domain="http://www.blogger.com/atom/ns#">day of reckoning</category><category domain="http://www.blogger.com/atom/ns#">2013</category><category domain="http://www.blogger.com/atom/ns#">james benning</category><title>Days of beckoning: 20 must-sees at Bradford International Film Festival 2013</title><link>http://feedproxy.google.com/~r/idFilm/~3/s6b1X-d5g8c/days-of-beckoning-20-must-sees-at.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-28VLrd04Hxg/UVx6NJzMbwI/AAAAAAAADXQ/xWaZZt3bRgo/s72-c/universal+soldier+day+of+reckoning.jpg" height="72" width="72" /><description>Whether you're visiting for one day or eleven, this year's Bradford International Film Festival presents daily quandaries as to what to catch. Here's one possible personal journey through its programme...



Please note: make sure you don't miss idFilm's upcoming coverage of Bradford International Film Festival by subcribing to daily e-mails (when applicable) at the right of this page.



Earlier this week I overviewed the dizzyingly varied programme of this year's Bradford International Film...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=s6b1X-d5g8c:7jytQmQhGAw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=s6b1X-d5g8c:7jytQmQhGAw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/s6b1X-d5g8c" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/days-of-beckoning-20-must-sees-at.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-4542443836042837708</guid><pubDate>Tue, 02 Apr 2013 18:47:00 +0000</pubDate><atom:updated>2013-04-02T19:58:15.614+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">fascism</category><category domain="http://www.blogger.com/atom/ns#">courage of a just man</category><category domain="http://www.blogger.com/atom/ns#">communism</category><category domain="http://www.blogger.com/atom/ns#">luca zingaretti</category><category domain="http://www.blogger.com/atom/ns#">alberto negrin</category><category domain="http://www.blogger.com/atom/ns#">ennio morricone</category><category domain="http://www.blogger.com/atom/ns#">dvd</category><category domain="http://www.blogger.com/atom/ns#">perlasca</category><category domain="http://www.blogger.com/atom/ns#">odyssey</category><title>The banality of good: Perlasca The Courage of a Just Man</title><link>http://feedproxy.google.com/~r/idFilm/~3/m2FKIGEvaAc/perlasca-courage-of-a-just-man-dvd.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-jKtRnYCU7ps/UVsjaaNNPUI/AAAAAAAADXA/0pD2YQ0FiRU/s72-c/perlasca.jpg" height="72" width="72" /><description>Released on DVD on Monday 8 April, 'Perlasca: The Courage of a Just Man' (2002) recounts the story of "the Italian Schindler" in a digestible and concise manner.





Perlasca: The Courage of a Just Man (Perlasca: un eroe italiano, 2002) recounts a comparatively little-known episode that occurred in Budapest between December 1944 and January 1945, in which Italian delegate Giorgio Perlasca helped protect and rescue over 5,000 Jews from being shipped to Nazi concentration camps. The...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=m2FKIGEvaAc:vr8xAfcrBLg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=m2FKIGEvaAc:vr8xAfcrBLg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/m2FKIGEvaAc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/perlasca-courage-of-a-just-man-dvd.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-2613733498068853687</guid><pubDate>Mon, 01 Apr 2013 11:00:00 +0000</pubDate><atom:updated>2013-05-01T17:01:56.600+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">march</category><category domain="http://www.blogger.com/atom/ns#">2013</category><title>March 2013 Tally</title><link>http://feedproxy.google.com/~r/idFilm/~3/QaxTVIvJDMY/march-2013-tally.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-HIH3cJKTWVo/UVj6tISmyLI/AAAAAAAADV4/H3oSmKV61F4/s72-c/vlcsnap-2013-03-31-16h52m46s70.jpg" height="72" width="72" /><description>88 films (45 shorts), 86 for the first time, 22 at the cinema...




JAN | | | FEB | | | MAR | | | APR | | | MAY | | | JUN

JUL  | | | AUG  | | | SEP  | | | OCT  | | | NOV  | | | DEC





C Cinema; S Stream; BR Blu-Ray; # Rewatch; &amp;gt;&amp;gt;&amp;gt; Review





Possession 7/10 

Andrzej Zulawski 1981 France / West Germany C


Stoker 6/10 

Chan-wook Park 2013 USA / UK C


Squadron 992 6/10 

Harry Watt 1940 UK DVD


La Cause Commune 6/10 

Alberto Cavalcanti 1940 UK DVD


French Communiqué 7/10...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=QaxTVIvJDMY:MUj2GLtSICc:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=QaxTVIvJDMY:MUj2GLtSICc:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/QaxTVIvJDMY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/04/march-2013-tally.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-5954790490540948637</guid><pubDate>Sun, 31 Mar 2013 18:50:00 +0000</pubDate><atom:updated>2013-03-31T19:51:12.715+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">rosario dawson</category><category domain="http://www.blogger.com/atom/ns#">danny boyle</category><category domain="http://www.blogger.com/atom/ns#">anthony dod mantle</category><category domain="http://www.blogger.com/atom/ns#">vincent cassel</category><category domain="http://www.blogger.com/atom/ns#">trance</category><category domain="http://www.blogger.com/atom/ns#">james mcavoy</category><title>Back to form, for better or worse: Trance</title><link>http://feedproxy.google.com/~r/idFilm/~3/SJfKnSTtsgg/trance.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-S_ybU5qIhAk/UViDAGo15VI/AAAAAAAADVo/43vyRm7zNjk/s72-c/trance.jpg" height="72" width="72" /><description>'Trance', in cinemas now, is Danny Boyle's first film since directing last year's Olympics opening ceremony, and is about as good or as bad as can be expected from the filmmaker... 



There is a masterpiece waiting to be made about the obscene fetishisation and criminalisation of artworks in a for-profit economy, but for better or worse, Trance is not it. Nor, to be sure, does it wish to be. Zeitgeist-chief Danny Boyle's latest film boasts fancy colours and a clever plot, and goes to curious...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=SJfKnSTtsgg:ctcE-CA_J80:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=SJfKnSTtsgg:ctcE-CA_J80:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/SJfKnSTtsgg" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/trance.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-2498841995237894803</guid><pubDate>Wed, 27 Mar 2013 20:48:00 +0000</pubDate><atom:updated>2013-03-27T20:48:29.065Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">mulholland drive</category><category domain="http://www.blogger.com/atom/ns#">inland empire</category><category domain="http://www.blogger.com/atom/ns#">david lynch</category><title>In dreams and imagination: Lynch and Surrealism</title><link>http://feedproxy.google.com/~r/idFilm/~3/sVB6V_G8Jcc/david-lynch-surrealism.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-fWz8kPq9Sg0/UVNZlVDOgzI/AAAAAAAADVY/jgoxOSoew4M/s72-c/inland+empire.jpg" height="72" width="72" /><description>A peer-reviewed article on Surrealist values in David Lynch's 'Mulholland Dr.' (2001) and 'Inland Empire', published in Issue 66 of 'Senses of Cinema'.




In dreams and imagination: Surrealist values in

Mulholland Dr. and Inland Empire







See also: David Lynch.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=sVB6V_G8Jcc:cKiD8JZHr-c:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=sVB6V_G8Jcc:cKiD8JZHr-c:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/sVB6V_G8Jcc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/david-lynch-surrealism.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-2241902145896266225</guid><pubDate>Wed, 27 Mar 2013 00:23:00 +0000</pubDate><atom:updated>2013-03-27T00:34:35.925Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">Christian bale</category><category domain="http://www.blogger.com/atom/ns#">christopher nolan</category><category domain="http://www.blogger.com/atom/ns#">the prestige</category><title>Screengem: The red rubber ball in The Prestige</title><link>http://feedproxy.google.com/~r/idFilm/~3/jimkTXjcy6A/screengem-the-prestige.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-ctsuoor74VY/UVI3z-EcsFI/AAAAAAAADVI/zJt_rXwEwWQ/s72-c/prestige+2.jpg" height="72" width="72" /><description>A recently-written feature for 'The Big Picture', on the significance of the red rubber ball in 'The Prestige' (2006).





&amp;gt; Screengem: The red rubber ball in The Prestige &amp;lt;







See also: Christopher Nolan, Christian Bale, The Prestige.&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=jimkTXjcy6A:M2qjlxH1RKg:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=jimkTXjcy6A:M2qjlxH1RKg:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/jimkTXjcy6A" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/screengem-the-prestige.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-2318384559458994390</guid><pubDate>Sun, 24 Mar 2013 02:39:00 +0000</pubDate><atom:updated>2013-03-24T02:39:57.621Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">frederick pelletier</category><category domain="http://www.blogger.com/atom/ns#">everybody in our family</category><category domain="http://www.blogger.com/atom/ns#">capitalism</category><category domain="http://www.blogger.com/atom/ns#">scoped</category><category domain="http://www.blogger.com/atom/ns#">karaoke girl</category><category domain="http://www.blogger.com/atom/ns#">chloe bourgeois</category><category domain="http://www.blogger.com/atom/ns#">radu jude</category><category domain="http://www.blogger.com/atom/ns#">36</category><category domain="http://www.blogger.com/atom/ns#">apichatpong weerasethakul</category><category domain="http://www.blogger.com/atom/ns#">isawak sawadogo</category><category domain="http://www.blogger.com/atom/ns#">nawapol thamrongrattanari</category><category domain="http://www.blogger.com/atom/ns#">romanian new wave</category><category domain="http://www.blogger.com/atom/ns#">diego star</category><title>Scoped: Diego Star, Karaoke Girl, 36, Everybody in Our Family and Kapitalism  Our Improved Formula</title><link>http://feedproxy.google.com/~r/idFilm/~3/rbMU16SSD_I/diego-star-etc.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-NaK2yf3EitA/UU5kAXQpy4I/AAAAAAAADUY/cWIURBWgFEI/s72-c/diego+star.jpg" height="72" width="72" /><description>The year's best world-premiere so far, two Thai films, two Romanian films...



This sparks a new and hopefully recurrent feature on idFilm, wherein I gather capsules on films seen through my Festival Scope account that aren't due for theatrical release and/or are not coverable in other journalistic forms regrettably dictated by the chase for web traffic and daily topicality.





Diego Star (Frédérick Pelletier, 2013 Canada/Belgium)

Quebecois filmmaker Frédérick Pelletier's debut feature...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=rbMU16SSD_I:5c1Tfa5O9hI:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=rbMU16SSD_I:5c1Tfa5O9hI:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/rbMU16SSD_I" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/diego-star-etc.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-5158974885398402819</guid><pubDate>Thu, 21 Mar 2013 15:23:00 +0000</pubDate><atom:updated>2013-04-01T18:25:14.744+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">dot gibson</category><category domain="http://www.blogger.com/atom/ns#">class</category><category domain="http://www.blogger.com/atom/ns#">owen jones</category><category domain="http://www.blogger.com/atom/ns#">neighbouring sounds</category><category domain="http://www.blogger.com/atom/ns#">socialism</category><category domain="http://www.blogger.com/atom/ns#">kleber mendonça filho</category><category domain="http://www.blogger.com/atom/ns#">spirit of 45</category><category domain="http://www.blogger.com/atom/ns#">capitalism</category><category domain="http://www.blogger.com/atom/ns#">ken loach</category><title>Class lessons: Neighbouring Sounds and The Spirit of '45</title><link>http://feedproxy.google.com/~r/idFilm/~3/SCFBjRgoztc/neighbouring-sounds-spirit-of-45.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-N-ztfA7PEJk/UUsh-dSTm3I/AAAAAAAADUA/LOQoiUtmfiQ/s72-c/neighbouring+sounds.jpg" height="72" width="72" /><description>'Neighbouring Sounds', in a London cinema from tomorrow, concerns middle-class responsibilities and fears relating to its past, while in Ken Loach's 'The Spirit of '45', the aims of the working class are viewed through a particular middle-class lens...





Lesson 1. Revolution starts at home 



An ambiguous and apparently ambitious debut fiction feature from Brazilian film critic Kleber Mendonça Filho, Neighbouring Sounds (O Som Ao Redori) details societal tensions through the microcosm of a...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=SCFBjRgoztc:w5VLkKSLHUM:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=SCFBjRgoztc:w5VLkKSLHUM:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/SCFBjRgoztc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/neighbouring-sounds-spirit-of-45.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-8518116663439536880</guid><pubDate>Thu, 21 Mar 2013 01:59:00 +0000</pubDate><atom:updated>2013-03-21T12:30:45.933Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">escape from the liberty cinema</category><category domain="http://www.blogger.com/atom/ns#">wojciech marczewski</category><category domain="http://www.blogger.com/atom/ns#">krzysztof zanussi</category><category domain="http://www.blogger.com/atom/ns#">andrzej wajda</category><category domain="http://www.blogger.com/atom/ns#">illumination</category><category domain="http://www.blogger.com/atom/ns#">dvd</category><category domain="http://www.blogger.com/atom/ns#">second run</category><category domain="http://www.blogger.com/atom/ns#">the promised land</category><title>Polish Cinema Classics Volume II: The Promised Land, Illumination and Escape from the Liberty Cinema</title><link>http://feedproxy.google.com/~r/idFilm/~3/C0XIRBcxaQs/polish-cinema-classics-volume-ii-dvd.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-XOvkTnZXX-c/UUpmsoxFU1I/AAAAAAAADTw/jFrQM3HqkVM/s72-c/polish+cinema.jpg" height="72" width="72" /><description>Second Run's latest DVD release, available from Monday 25 March, unearths three Polish classics, varied in theme and tone but connected by intellectual questioning and political defiance.

 



The wide-angled lenses employed throughout The Promised Land (Ziemia obiecana, 1975) concentrate our visual attention to Karol (Daniel Olbrychski), Moryc (Wojciech Pszoniak) and Max (Andrzej Seweryn), the three capitalists who arrive in Lodz at the turn of the century seeking to establish a cotton...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=C0XIRBcxaQs:SNztZAiE-Ts:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=C0XIRBcxaQs:SNztZAiE-Ts:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/C0XIRBcxaQs" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/polish-cinema-classics-volume-ii-dvd.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-8280950589015919644</guid><pubDate>Fri, 15 Mar 2013 15:09:00 +0000</pubDate><atom:updated>2013-03-16T13:58:21.547Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">star and shadow</category><category domain="http://www.blogger.com/atom/ns#">nicolas provost</category><category domain="http://www.blogger.com/atom/ns#">videodrome</category><category domain="http://www.blogger.com/atom/ns#">akira kurosawa</category><category domain="http://www.blogger.com/atom/ns#">newcastle</category><category domain="http://www.blogger.com/atom/ns#">david cronenberg</category><title>Long live the new text: eight responses to as many Nicolas Provost shorts</title><link>http://feedproxy.google.com/~r/idFilm/~3/luz84DRAYTE/nicolas-provost.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-K5ugVrzw8ew/UUMxRSvmyRI/AAAAAAAADTQ/aYjU9UBCkfI/s72-c/UEA5.JPG" height="72" width="72" /><description>On 8 March 2013, Newcastle's Star and Star Shadow Cinema screened eight shorts by Belgian artist Nicolas Provost. Found therein were&amp;nbsp;images violently torn from their contexts and reappropriated, given new life and meaning,

responded to here with original prose, thoughts, images, scholarly texts and extracts from an unpublished manuscript.



www.nicolasprovost.com

www.starandshadow.org.uk 

Strangers on a plane

[Moving Stories, 2011]

 

Jeffrey Beaumont, detective and/or pervert...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=luz84DRAYTE:gxaPZNe3DOE:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=luz84DRAYTE:gxaPZNe3DOE:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/luz84DRAYTE" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/nicolas-provost.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-774742328795210786</guid><pubDate>Tue, 12 Mar 2013 21:00:00 +0000</pubDate><atom:updated>2013-03-24T01:44:32.875Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">jude law</category><category domain="http://www.blogger.com/atom/ns#">cristina flutur</category><category domain="http://www.blogger.com/atom/ns#">franck khalfoun</category><category domain="http://www.blogger.com/atom/ns#">channing tatum</category><category domain="http://www.blogger.com/atom/ns#">steven soderbergh</category><category domain="http://www.blogger.com/atom/ns#">beyond the hills</category><category domain="http://www.blogger.com/atom/ns#">elijah wood</category><category domain="http://www.blogger.com/atom/ns#">rooney mara</category><category domain="http://www.blogger.com/atom/ns#">christian mungiu</category><category domain="http://www.blogger.com/atom/ns#">cosmina stratan</category><category domain="http://www.blogger.com/atom/ns#">romanian new wave</category><category domain="http://www.blogger.com/atom/ns#">side effects</category><category domain="http://www.blogger.com/atom/ns#">maniac</category><title>Farewell, my lovely: Beyond the Hills, Maniac and Side Effects</title><link>http://feedproxy.google.com/~r/idFilm/~3/9lb2u37EDlo/beyond-the-hills-maniac-side-effects.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-HWYhyw9vrSE/UT-RzNBBtbI/AAAAAAAADSw/P6yESEAgGzQ/s72-c/beyond+the+hills.jpg" height="72" width="72" /><description>The horror, the horror... 'Beyond the Hills', in cinemas and available via video-on-demand from Friday, is the year's best release so far, while 'Maniac', also in cinemas from Friday, reworks a 1980s cult classic. 'Side Effects', in cinemas now, meanwhile, contains suggestions of horror... and much more.





Though no longer new, the so-called Romanian New Wave is continued here by the latest film by writer-director-producer Cristian Mungiu, whose 4 Months, 3 Weeks and 2 Days retroactively...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=9lb2u37EDlo:5k4_y6z-Wyw:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=9lb2u37EDlo:5k4_y6z-Wyw:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/9lb2u37EDlo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/beyond-the-hills-maniac-side-effects.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-6590257425952094343</guid><pubDate>Fri, 01 Mar 2013 14:06:00 +0000</pubDate><atom:updated>2013-05-01T17:01:18.047+01:00</atom:updated><category domain="http://www.blogger.com/atom/ns#">february</category><category domain="http://www.blogger.com/atom/ns#">2013</category><title>February 2013 Tally</title><link>http://feedproxy.google.com/~r/idFilm/~3/UJEBtLXvSHI/february-2013-tally.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-JLD9isDXs1s/UTAZAHefxFI/AAAAAAAACGE/5q_dgOHMH3g/s72-c/naked+lunch.jpg" height="72" width="72" /><description>63 films (27 shorts), 62 for the first time, 13 at the cinema...




JAN | | | FEB | | | MAR | | | APR | | | MAY | | | JUN

JUL  | | | AUG  | | | SEP  | | | OCT  | | | NOV  | | | DEC







C Cinema; S Stream; # Rewatch; &amp;gt;&amp;gt;&amp;gt; Review





Bullhead 5/10 &amp;gt;&amp;gt;&amp;gt;

Michaël R. Roskam 2011 Belgium C


Bullet to the Head 4/10 &amp;gt;&amp;gt;&amp;gt;

Walter Hill 2012 USA C


Wajma (An Afghan Love Story) 7/10 &amp;gt;&amp;gt;&amp;gt;

Barmak Akram 2013 Afghanistan S


36 4/10 &amp;gt;&amp;gt;&amp;gt;

Nawapol...&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=UJEBtLXvSHI:Hjdd0jx9TVA:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=UJEBtLXvSHI:Hjdd0jx9TVA:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/UJEBtLXvSHI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/february-2013-tally.html</feedburner:origLink></item><item><guid isPermaLink="false">tag:blogger.com,1999:blog-1815589949596221130.post-8232957729509479931</guid><pubDate>Fri, 01 Mar 2013 02:45:00 +0000</pubDate><atom:updated>2013-03-01T02:45:17.739Z</atom:updated><category domain="http://www.blogger.com/atom/ns#">roundup</category><category domain="http://www.blogger.com/atom/ns#">dvd</category><title>Archive Five</title><link>http://feedproxy.google.com/~r/idFilm/~3/ccGXSbkyEzY/archive-five.html</link><author>noreply@blogger.com (Michael Pattison)</author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-PPx4wP1t1p0/UTAViBmWjUI/AAAAAAAACF4/WMbkiOugMYk/s72-c/breath+of+the+gods.jpg" height="72" width="72" /><description>A round-up of external links to recent reviews: a documentary, an archive film and three features. 



All films are reviewed for Front Row Reviews.



Breath of the Gods: A Journey to the Origins of Modern Yoga (Jan Schmidt-Garre, 2013)

Broken City (Allen Hughes, 2013)

From the Sea to the Land Beyond (Penny Woolcock, 2012)

Love (William Eubank, 2011)

The Pool (Chris Smith, 2007)&lt;div class="feedflare"&gt;
&lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=ccGXSbkyEzY:nXKmYJDXZY4:yIl2AUoC8zA"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=yIl2AUoC8zA" border="0"&gt;&lt;/img&gt;&lt;/a&gt; &lt;a href="http://feeds.feedburner.com/~ff/idFilm?a=ccGXSbkyEzY:nXKmYJDXZY4:dnMXMwOfBR0"&gt;&lt;img src="http://feeds.feedburner.com/~ff/idFilm?d=dnMXMwOfBR0" border="0"&gt;&lt;/img&gt;&lt;/a&gt;
&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/idFilm/~4/ccGXSbkyEzY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.idfilm.net/2013/03/archive-five.html</feedburner:origLink></item></channel></rss>
