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		<title>Font Faces: Nick Shinn</title>
		<link>https://ilovetypography.com/2026/05/13/font-faces-nick-shinn/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Wed, 13 May 2026 03:06:56 +0000</pubDate>
				<category><![CDATA[Font Faces]]></category>
		<category><![CDATA[Interview]]></category>
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					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Welcome to the debut issue of Font Faces: the people behind the type. We ask type designers from around the globe the same five core questions (plus some potential follow-up or topical questions) and thus gain some insights into their working practices, their personalities and what makes them tick. Nick [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/05/13/font-faces-nick-shinn/">Font Faces: Nick Shinn</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Steven Heller’s Font of the Month: Puffery</title>
		<link>https://ilovetypography.com/2026/05/05/steven-hellers-font-of-the-month-puffery/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Tue, 05 May 2026 07:18:27 +0000</pubDate>
				<category><![CDATA[Font of the Month]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51387</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Sometimes I get a hankering to see someone use a good old Blackletter, spikey Fraktur, or rounded Textura that transports me back to medieval Europe when a printer’s digital handiwork was created with ten fingers. That Blackletter was anathema to the later movements of Modern European designers and typographers, so [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/05/05/steven-hellers-font-of-the-month-puffery/">Steven Heller’s Font of the Month: Puffery</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Steven Heller’s Font of the Month: Gilway Paradox</title>
		<link>https://ilovetypography.com/2026/04/14/steven-hellers-font-of-the-month-gilway-paradox/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Tue, 14 Apr 2026 03:43:54 +0000</pubDate>
				<category><![CDATA[Font of the Month]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51369</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>While trawling ILT for this month’s highlighted typeface, I was struck immediately by the elastic quality and irregular kinetic form of Art Grootfontein’s 2025 Gilway Paradox. The paradox is that it is not a&#160;beautiful&#160;nor an&#160;ugly&#160;face but a somewhat awkward one that excites something deep inside, reminding me of times of [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/04/14/steven-hellers-font-of-the-month-gilway-paradox/">Steven Heller’s Font of the Month: Gilway Paradox</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>A Brief History of the Dust&#160;Jacket</title>
		<link>https://ilovetypography.com/2026/04/03/a-brief-history-of-the-dust-jacket/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Fri, 03 Apr 2026 05:41:25 +0000</pubDate>
				<category><![CDATA[Book History]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=49969</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>Slip cover, dust cover, or dust jacket&#160;— whatever you call it, and whether you’re the type to trash or treasure them — have you ever wondered what purpose they serve and when they were invented? In Europe, the first printed books were typically sold without covers! Printers were not also [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/04/03/a-brief-history-of-the-dust-jacket/">A Brief History &lt;em&gt;of&lt;/em&gt; the Dust&nbsp;Jacket</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Steven Heller’s Font of the Month: Curve Display</title>
		<link>https://ilovetypography.com/2026/03/04/steven-hellers-font-of-the-month-curve-display/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Wed, 04 Mar 2026 04:46:38 +0000</pubDate>
				<category><![CDATA[Font of the Month]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51302</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>What typographers and designers want most in a font is a family that, under the right conditions, exudes a familiar yet distinctive voice. As I was scrolling around for this month’s selection, I found just that very face. It is a distinctive yet suggestive legacy with a “feeling” that is [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/03/04/steven-hellers-font-of-the-month-curve-display/">Steven Heller’s Font of the Month: Curve Display</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>How Not to Take 10 Years to Design a Typeface</title>
		<link>https://ilovetypography.com/2026/02/26/how-not-to-take-10-years-to-design-a-typeface/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Thu, 26 Feb 2026 08:37:53 +0000</pubDate>
				<category><![CDATA[Type Design]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=50711</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>I have often heard type designers talk about the many years they spend developing a typeface. I would listen with awe and think, “That must have been a real challenge. It must be exquisitely crafted and probably a little bit groundbreaking too.” So it feels slightly absurd to admit that [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/02/26/how-not-to-take-10-years-to-design-a-typeface/">How Not to Take 10 Years to Design a Typeface</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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		<title>Event Feature: Type Drives Commerce</title>
		<link>https://ilovetypography.com/2026/02/19/type-drives-commerce/</link>
		
		<dc:creator><![CDATA[John Boardley]]></dc:creator>
		<pubDate>Thu, 19 Feb 2026 02:50:39 +0000</pubDate>
				<category><![CDATA[Event]]></category>
		<guid isPermaLink="false">https://ilovetypography.com/?p=51195</guid>

					<description><![CDATA[<p>Read the book, <a href="https://typographic-firsts.com/">Typographic Firsts</a></p>
<p>In global branding and design, typography drives consumer perception and commercial success. This idea sits at the heart of the Type Directors Club (TDC) Type Drives Commerce conference on March 13, at Fordham University, Lincoln Center in New York City. As part of the world’s leading typography organization, the conference is a curated exploration [&#8230;]</p>
<p>The post <a href="https://ilovetypography.com/2026/02/19/type-drives-commerce/">Event Feature: Type Drives Commerce</a> appeared first on <a href="https://ilovetypography.com">I Love Typography Ltd</a>.</p>
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