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<channel>
	<title>Internet Music Programme</title>
	
	<link>http://internetmusicprogramme.com</link>
	<description>Music for the Masses</description>
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		<copyright>© copyright 2008</copyright>
		<managingEditor>matt@trademarkarts.com ()</managingEditor>
		<webMaster>matt@trademarkarts.com()</webMaster>
		<category />
		<ttl>1440</ttl>
		<itunes:keywords>Eclectic,Electric,Eccentric,mix,music,varied,weird,cool,sold,standard,anything,everything</itunes:keywords>
		<itunes:subtitle>Eclectic. Electric. Eccentric.</itunes:subtitle>
		<itunes:summary>A little bit of this and a little bit of that. Dance and indie music, all kinds of other music. Guest djs come correct with allkinds of quality music. Send us you requests.</itunes:summary>
		<itunes:author>Matt Cooper</itunes:author>
		
		
		<itunes:block>Yes</itunes:block>
		<itunes:explicit>no</itunes:explicit>
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			<title>Internet Music Programme</title>
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		<atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/imp2008" /><feedburner:info uri="imp2008" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><media:copyright>© copyright 2008</media:copyright><media:thumbnail url="http://www.trademarkarts.com/imp/artwork/itunesbig.jpg" /><media:keywords>Eclectic,Electric,Eccentric,mix,music,varied,weird,cool,sold,standard,anything,everything</media:keywords><media:category scheme="http://www.itunes.com/dtds/podcast-1.0.dtd">Music</media:category><itunes:owner><itunes:email>matt@trademarkarts.com</itunes:email><itunes:name>Matt Cooper</itunes:name></itunes:owner><itunes:category text="Music" /><geo:lat>51.52588</geo:lat><geo:long>-0.06590</geo:long><item>
		<title>Deep Dub Disco</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/cleOXbO7vGQ/</link>
		<comments>http://internetmusicprogramme.com/deep-dub-disco/#comments</comments>
		<pubDate>Sat, 26 Sep 2009 11:29:50 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[mix]]></category>
		<category><![CDATA[balearica]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[disco]]></category>
		<category><![CDATA[house]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=14</guid>
		<description><![CDATA[In early 2008 this mix came together under the title of Deep Dub Disco, was i hadn&#8217;t realised at the time was that this was better titled &#8216;nu-balerica&#8217;. Anyone into this kind of music should track down &#8216;Fred Deakin Presents Nu Balearica&#8217; which is key collection of this end of the dance spectrum.

Spaced out disco-house-dub [...]]]></description>
			<content:encoded><![CDATA[<p><em>In early 2008 this mix came together under the title of Deep Dub Disco, was i hadn&#8217;t realised at the time was that this was better titled &#8216;nu-balerica&#8217;. Anyone into this kind of music should track down &#8216;Fred Deakin Presents Nu Balearica&#8217; which is key collection of this end of the dance spectrum.</em></p>
<p><img class="alignnone size-full wp-image-15" title="Deep Dub Disco" src="http://internetmusicprogramme.com/wp-content/uploads/2009/09/Picture-9.png" alt="Deep Dub Disco" width="331" height="332" /></p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Spaced out disco-house-dub sounds.  The long legacy of Kraftwerk is in full effect, with their offspring adding some soul to the electronics. Plodding, nodding, swirling and whirling. DFA pop up with another awesome remix, and New Zealand is represented by The Presets in a more laid back mood. Tenebre should sound rather familiar to any Justice fans out there. Good pair of headphones for this one I think.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Tracklisting</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Going Out &#8211; Coyote</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Hallelujah &#8211; Happy Mondays</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">The Boxer (DFA Remix) &#8211; The Chemical Brothers</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Dune &#8211; Richard Gateaux</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Lullaby For Robert &#8211; Al Usher</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">As I Moved On (Run Jeremy Band/Trentemoller Remix) &#8211; Blue Foundation</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Love Train (Chicken Lips Remix) &#8211; Wolfmother</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Do The Whirlwind (Metronomy Remix) &#8211; Architecture In Helsinki</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Summer Of Love &#8211; The Presets</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Tenebre &#8211; Goblin</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">One Pure Thought (Supermayer Remix) &#8211; Hot Chip</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I Feel Space &#8211; Lindstrom</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 312px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">A Feeling Of The All-Thing &#8211; Kelley Polar</div>
<p>Spaced out disco-house-dub sounds.  The long legacy of Kraftwerk is in full effect, with their offspring adding some soul to the electronics. Plodding, nodding, swirling and whirling. DFA pop up with another awesome remix, and New Zealand is represented by The Presets in a more laid back mood. Tenebre should sound rather familiar to any Justice fans out there. Good pair of headphones for this one I think.</p>
<blockquote>
<h2>Tracklisting</h2>
<p>Going Out &#8211; Coyote</p>
<p>Hallelujah &#8211; Happy Mondays</p>
<p>The Boxer (DFA Remix) &#8211; The Chemical Brothers</p>
<p>Dune &#8211; Richard Gateaux</p>
<p>Lullaby For Robert &#8211; Al Usher</p>
<p>As I Moved On (Run Jeremy Band/Trentemoller Remix) &#8211; Blue Foundation</p>
<p>Love Train (Chicken Lips Remix) &#8211; Wolfmother</p>
<p>Do The Whirlwind (Metronomy Remix) &#8211; Architecture In Helsinki</p>
<p>Summer Of Love &#8211; The Presets</p>
<p>Tenebre &#8211; Goblin</p>
<p>One Pure Thought (Supermayer Remix) &#8211; Hot Chip</p>
<p>I Feel Space &#8211; Lindstrom</p>
<p>A Feeling Of The All-Thing &#8211; Kelley Polar</p></blockquote>
<p></p>
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</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/cleOXbO7vGQ" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>0</slash:comments>
			
<itunes:duration>1:03:16</itunes:duration>
		<itunes:subtitle>In early 2008 this mix came together under the title of Deep Dub Disco, was i hadn't realised at the time was that this was ...</itunes:subtitle>
		<itunes:summary>In early 2008 this mix came together under the title of Deep Dub Disco, was i hadn't realised at the time was that this was better titled 'nu-balerica'. Anyone into this kind of music should track down 'Fred Deakin Presents Nu Balearica' which is key collection of this end of the dance spectrum.


Spaced out disco-house-dub sounds. nbsp;The long legacy of Kraftwerk is in full effect, with their offspring adding some soul to the electronics. Plodding, nodding, swirling and whirling. DFA pop up with another awesome remix, and New Zealand is represented by The Presets in a more laid back mood. Tenebre should sound rather familiar to any Justice fans out there. Good pair of headphones for this one I think.
Tracklisting
Going Out - Coyote
Hallelujah - Happy Mondays
The Boxer (DFA Remix) - The Chemical Brothers
Dune - Richard Gateaux
Lullaby For Robert - Al Usher
As I Moved On (Run Jeremy Band/Trentemoller Remix) - Blue Foundation
Love Train (Chicken Lips Remix) - Wolfmother
Do The Whirlwind (Metronomy Remix) - Architecture In Helsinki
Summer Of Love - The Presets
Tenebre - Goblin
One Pure Thought (Supermayer Remix) - Hot Chip
I Feel Space - Lindstrom
A Feeling Of The All-Thing - Kelley Polar
Spaced out disco-house-dub sounds. nbsp;The long legacy of Kraftwerk is in full effect, with their offspring adding some soul to the electronics. Plodding, nodding, swirling and whirling. DFA pop up with another awesome remix, and New Zealand is represented by The Presets in a more laid back mood. Tenebre should sound rather familiar to any Justice fans out there. Good pair of headphones for this one I think.

Tracklisting
Going Out - Coyote

Hallelujah - Happy Mondays

The Boxer (DFA Remix) - The Chemical Brothers

Dune - Richard Gateaux

Lullaby For Robert - Al Usher

As I Moved On (Run Jeremy Band/Trentemoller Remix) - Blue Foundation

Love Train (Chicken Lips Remix) - Wolfmother

Do The Whirlwind (Metronomy Remix) - Architecture In Helsinki

Summer Of Love - The Presets

Tenebre - Goblin

One Pure Thought (Supermayer Remix) - Hot Chip

I Feel Space - Lindstrom

A Feeling Of The All-Thing - Kelley Polar
</itunes:summary>
		<itunes:keywords>mix</itunes:keywords>
		<itunes:author>matt@trademarkarts.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/KqY40oBWbGw/DeepDubDisco.mp3" fileSize="75991508" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/deep-dub-disco/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/KqY40oBWbGw/DeepDubDisco.mp3" length="75991508" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/DeepDubDisco.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Young Folk</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/D2PT4jPJwkQ/</link>
		<comments>http://internetmusicprogramme.com/young-folk/#comments</comments>
		<pubDate>Sat, 26 Sep 2009 10:42:10 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[mix]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=8</guid>
		<description><![CDATA[The name “Easter” originated with the names of an ancient Goddess and God. The Venerable Bede first asserted in his book De Ratione Temporum that Easter was named after Eostre (a.k.a. Eastre). She was the Great Mother Goddess of the Saxon people in Northern Europe. She listened to folk music. If she was alive today [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">The name “Easter” originated with the names of an ancient Goddess and God. The Venerable Bede first asserted in his book De Ratione Temporum that Easter was named after Eostre (a.k.a. Eastre). She was the Great Mother Goddess of the Saxon people in Northern Europe. She listened to folk music. If she was alive today she’s download this episode and listen to it whilst celebrating Easter.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I Don’t Know What I Can Save You From (Royksopp remix) &#8211; Kings Of Convenience</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">If You’re Into It &#8211; Flight of the Conchords</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Pass It On &#8211; The CoralThe Magpie/Rothbury Road/Cold Shoulder &#8211; Kathryn Tickell</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Tir A Mor &#8211; Richard James</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Here At The Right Time &#8211; Josh Ritter</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Sophie &#8211; Jake Thackery</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Unreleased studio track &#8211; Tycoons Follies</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Montevideo &#8211; Alfie</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Samson &#8211; Regina Spektor</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Failure &#8211; Kings of Convenience</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">A Ribbon For My Hair &#8211; BentOriginally</div>
<p><em>Originally released in late March 2008 for Easter, it&#8217;s a peaceful selection of folk music being produced by young musicians bringing the traditional folk genre up to date with modern instruments and crossing with other contemporary genres.</em></p>
<p><em><img class="alignnone size-full wp-image-9" title="Young Folk" src="http://internetmusicprogramme.com/wp-content/uploads/2009/09/youngfolk.jpg" alt="Young Folk" width="300" height="300" /></em></p>
<p>The name “Easter” originated with the names of an ancient Goddess and God. The Venerable Bede first asserted in his book De Ratione Temporum that Easter was named after Eostre (a.k.a. Eastre). She was the Great Mother Goddess of the Saxon people in Northern Europe. She listened to folk music. If she was alive today she’s download this episode and listen to it whilst celebrating Easter.</p>
<blockquote>
<h2>Tracklisting</h2>
<p>I Don’t Know What I Can Save You From (Royksopp remix) &#8211; Kings Of Convenience<br />
If You’re Into It &#8211; Flight of the Conchords<br />
Pass It On &#8211; The CoralThe Magpie/Rothbury Road/Cold Shoulder &#8211; Kathryn Tickell<br />
Tir A Mor &#8211; Richard James<br />
Here At The Right Time &#8211; Josh Ritter<br />
Sophie &#8211; Jake Thackery<br />
Unreleased studio track &#8211; Tycoons Follies<br />
Montevideo &#8211; Alfie<br />
Samson &#8211; Regina Spektor<br />
Failure &#8211; Kings of Convenience<br />
A Ribbon For My Hair &#8211; Bent</p></blockquote>
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		<item>
		<title>Internet Music Programme Archive</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/3vfk2P3Vc6U/</link>
		<comments>http://internetmusicprogramme.com/internet-music-programme-archive/#comments</comments>
		<pubDate>Sat, 26 Sep 2009 09:46:17 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[mix]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=3</guid>
		<description><![CDATA[
The internet music programme has returned in an archive format. With the best of the shows from its short life time. The site isn&#8217;t in iTunes any more it&#8217;s just here, so if you&#8217;ve found it or come back to find an old show then i hope you find it. If there&#8217;s a show you [...]]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-4" title="archive" src="http://internetmusicprogramme.com/wp-content/uploads/2009/09/logo.png" alt="archive" width="275" height="206" /></p>
<p>The internet music programme has returned in an archive format. With the best of the shows from its short life time. The site isn&#8217;t in iTunes any more it&#8217;s just here, so if you&#8217;ve found it or come back to find an old show then i hope you find it. If there&#8217;s a show you want to hear again but isn&#8217;t here drop me an email and i&#8217;ll see if i can dig it out.</p>
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		<item>
		<title>Doo Wop (That Thing)</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/Tw4ZxQJ_NRI/</link>
		<comments>http://internetmusicprogramme.com/doo-wop-that-thing/#comments</comments>
		<pubDate>Tue, 19 May 2009 22:29:22 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[Guest]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=57</guid>
		<description><![CDATA[Something special this week Superfans! an exchange program me with Dang Radio!! Its like a two for one deal, except you didn&#8217;t actually pay for either!!! Two for none!!!! So listen to our show and then immediately head over to www.dangradio.com and listen to me doing a mix for them.

Track listing


I Only Have Eyes For You – [...]]]></description>
			<content:encoded><![CDATA[<p>Something special this week Superfans! an exchange program me with Dang Radio!! Its like a two for one deal, except you didn&#8217;t actually pay for either!!! Two for none!!!! So listen to our show and then immediately head over to www.dangradio.com and listen to me doing a mix for them.</p>
<blockquote>
<h2>Track listing</h2>
</blockquote>
<blockquote>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I Only Have Eyes For You – The Flamingos</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Come Around – Timbaland (featurin g MIA)</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Take Off – Sebastia n (featuring Timbaland)</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Give It To Me (Sta remix) – Timbaland (featuring Nelly Furtado )</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Calabria – Enur (featuring Natasha)</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Got To Give It Up – Marvin Gaye</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Metronomy (remix) – Architecture in Helisinki</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Spottieottiedopaliscious – Outkast</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Born Under A Bad Sign – Ellen McIlwaine</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Who Put The Bomp? – Barry Mann</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Hit the road Jack – Ray Charles</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Sweet Talkin&#8217; Guy – The Chiffons</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Tears Dry On Their Own – Amy Winehouse</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Walkin&#8217; Back To Happiness – Helen Shapiro</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Dance Tonight – Paul McCartney</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Breakdown – Mos Def</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Woodstock – Alice Smith</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Doo Wop (That Thing) – Lauren Hill</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Blue Moon – The Marcels</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I&#8217;m Blue – Ikettes</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Sometimes I feel Like Motherless Child – Kathleen Emery</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 19px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">18 With A Bullet – Pete Wingfield</div>
<p>I Only Have Eyes For You – The Flamingos</p>
<p>Come Around – Timbaland (featurin g MIA)</p>
<p>Take Off – Sebastia n (featuring Timbaland)</p>
<p>Give It To Me (Sta remix) – Timbaland (featuring Nelly Furtado )</p>
<p>Calabria – Enur (featuring Natasha)</p>
<p>Got To Give It Up – Marvin Gaye</p>
<p>Metronomy (remix) – Architecture in Helisinki</p>
<p>Spottieottiedopaliscious – Outkast</p>
<p>Born Under A Bad Sign – Ellen McIlwaine</p>
<p>Who Put The Bomp? – Barry Mann</p>
<p>Hit the road Jack – Ray Charles</p>
<p>Sweet Talkin&#8217; Guy – The Chiffons</p>
<p>Tears Dry On Their Own – Amy Winehouse</p>
<p>Walkin&#8217; Back To Happiness – Helen Shapiro</p>
<p>Dance Tonight – Paul McCartney</p>
<p>Breakdown – Mos Def</p>
<p>Woodstock – Alice Smith</p>
<p>Doo Wop (That Thing) – Lauren Hill</p>
<p>Blue Moon – The Marcels</p>
<p>I&#8217;m Blue – Ikettes</p>
<p>Sometimes I feel Like Motherless Child – Kathleen Emery</p>
<p>18 With A Bullet – Pete Wingfield</p></blockquote>
<p></p>
<div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/imp2008?a=Tw4ZxQJ_NRI:SMDdDZMiBaY:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=Tw4ZxQJ_NRI:SMDdDZMiBaY:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/imp2008?i=Tw4ZxQJ_NRI:SMDdDZMiBaY:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=Tw4ZxQJ_NRI:SMDdDZMiBaY:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=Tw4ZxQJ_NRI:SMDdDZMiBaY:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/imp2008?d=qj6IDK7rITs" border="0"></img></a>
</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/Tw4ZxQJ_NRI" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>0</slash:comments>
			
<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>Something special this week Superfans! an exchange program me with Dang Radio!! Its like a two for one deal, except you didn't actually pay for ...</itunes:subtitle>
		<itunes:summary>Something special this week Superfans! an exchange program me with Dang Radio!! Its like a two for one deal, except you didn't actually pay for either!!! Two for none!!!! So listen to our show and then immediately head over tonbsp;www.dangradio.comnbsp;and listen to me doing a mix for them.

Track listing


I Only Have Eyes For You ndash; The Flamingos
Come Around ndash; Timbaland (featurin g MIA)
Take Off ndash; Sebastia n (featuring Timbaland)
Give It To Me (Sta remix) ndash; Timbaland (featuring Nelly Furtado )
Calabria ndash; Enur (featuring Natasha)
Got To Give It Up ndash; Marvin Gaye
Metronomy (remix) ndash; Architecture in Helisinki
Spottieottiedopaliscious ndash; Outkast
Born Under A Bad Sign ndash; Ellen McIlwaine
Who Put The Bomp? ndash; Barry Mann
Hit the road Jack ndash; Ray Charles
Sweet Talkin' Guy ndash; The Chiffons
Tears Dry On Their Own ndash; Amy Winehouse
Walkin' Back To Happiness ndash; Helen Shapiro
Dance Tonight ndash; Paul McCartney
Breakdown ndash; Mos Def
Woodstock ndash; Alice Smith
Doo Wop (That Thing) ndash; Lauren Hill
Blue Moon ndash; The Marcels
I'm Blue ndash; Ikettes
Sometimes I feel Like Motherless Child ndash; Kathleen Emery
18 With A Bullet ndash; Pete Wingfield
I Only Have Eyes For You ndash; The Flamingos

Come Around ndash; Timbaland (featurin g MIA)

Take Off ndash; Sebastia n (featuring Timbaland)

Give It To Me (Sta remix) ndash; Timbaland (featuring Nelly Furtado )

Calabria ndash; Enur (featuring Natasha)

Got To Give It Up ndash; Marvin Gaye

Metronomy (remix) ndash; Architecture in Helisinki

Spottieottiedopaliscious ndash; Outkast

Born Under A Bad Sign ndash; Ellen McIlwaine

Who Put The Bomp? ndash; Barry Mann

Hit the road Jack ndash; Ray Charles

Sweet Talkin' Guy ndash; The Chiffons

Tears Dry On Their Own ndash; Amy Winehouse

Walkin' Back To Happiness ndash; Helen Shapiro

Dance Tonight ndash; Paul McCartney

Breakdown ndash; Mos Def

Woodstock ndash; Alice Smith

Doo Wop (That Thing) ndash; Lauren Hill

Blue Moon ndash; The Marcels

I'm Blue ndash; Ikettes

Sometimes I feel Like Motherless Child ndash; Kathleen Emery

18 With A Bullet ndash; Pete Wingfield
</itunes:summary>
		<itunes:keywords>Guest</itunes:keywords>
		<itunes:author>matt@trademarkarts.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/Bt8qZbWGAGk/DooWop.mp3" fileSize="117664660" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/doo-wop-that-thing/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/Bt8qZbWGAGk/DooWop.mp3" length="117664660" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/DooWop.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Advanced Progressive (For Beginners)</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/Oa4mje3lnPw/</link>
		<comments>http://internetmusicprogramme.com/advanced-progressive-for-beginners/#comments</comments>
		<pubDate>Fri, 14 Nov 2008 13:11:17 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[Malcolm]]></category>
		<category><![CDATA[progressive]]></category>
		<category><![CDATA[rock]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=7</guid>
		<description><![CDATA[This episode was put together by Malcolm Garrett and is a pretty comprehensive introduction to the world of Progressive Rock (not &#8216;Prog&#8217; though, there is a difference).
There was once a time (as the sixties turned into the seventies) when pretty much all music that wasn&#8217;t classified as pop, classical, jazz, or (the dreaded) easy listening, [...]]]></description>
			<content:encoded><![CDATA[<p>This episode was put together by Malcolm Garrett and is a pretty comprehensive introduction to the world of Progressive Rock (not &#8216;Prog&#8217; though, there is a difference).</p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">There was once a time (as the sixties turned into the seventies) when pretty much all music that wasn&#8217;t classified as pop, classical, jazz, or (the dreaded) easy listening, was known simply as &#8216;underground&#8217; or &#8216;progressive&#8217;.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Everything contemporary, unusual and otherwise unclassifiable found its way into a rack in the record store that was labelled just &#8216;progressive&#8217;. Naturally this was the principal place I would look for anything exciting or challenging. I would return to the same few stores in Manchester and thumb through the same collections of discs week by week, wondering whether or not to buy a particular disc, invariably one adorned with a curious image and with an esoteric sounding title, trying to decide if the music would be as enjoyably intriguing as the sleeve. There was no internet to aid research, so almost everything I sampled was based on personal recommendation, or a lead from an enthusiastic NME or Melody Maker review. More often than not I simply bought it on a whim, or after a cursory listen to a track or two in the listening booths still installed in the better stores.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Faced with a mixed lot of largely unknown and previously unheard discs, and with precious little guidance, it is remarkable that most albums I picked up were by and large fresh and eminently listenable. Some of what I found was truly progressive, in a way that I don&#8217;t think has been heard since. The world of music really was opening up. In that first explosion of audio experimentation, I discovered things that are genuinely timeless, and so, with the passing of time, here I am still listening.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">A cautionary note, however. Please do not confuse &#8216;progressive&#8217; with &#8216;Prog&#8217;. At some sad time in the early- to mid-seventies, the likes of ELP, Rick Wakeman and Yes would appear to have embarked upon a willful and systematic ruination of the genre. With each new album they recorded longer and longer pieces, but for no discernible benefit, and with less and less musical discipline or charm. Often they had fairly meaningless &#8216;concepts&#8217; underlying them, in an attempt to imbue them with some sort of higher musical significance.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Thus it was that the perfectly acceptable, and suitably descriptive, tag of &#8216;progressive&#8217; was mercilessly shortened to simply &#8216;Prog&#8217; rock. This was a quite different term for what was quite different music altogether, albeit springing from similar origins. This rather pejorative term has lingered in the collective memory as one which not only sums up this other largely unpleasant musical backwater, but sadly has also besmirched the heritage and credibility of musically sophisticated recordings such as the ones to be found in this collection.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">What we have in this playlist, by way of clarification, is mostly work from those early days of progressive, and is definitely not what I would call &#8216;Prog&#8217;. This, instead, is from the time when pop seemed to turn to rock almost overnight, and the LP found favour as a preferred medium to the 3 minute single, which by then was already redolent of the first psychedelic era. A later playlist will address more directly the transition from pop single to rock LP track, but these recordings are definitely album material only. They are somewhat longer than 3 minutes, no longer constrained by 7&#8243; vinyl nor daytime radio restrictions, and whilst they feature extended instrumental passages, and are musically quite complex, they display a sparkling sense of musical invention. The basic instrumentation of electric guitar, bass, drums was augmented first with keyboards, then often with wind and strings, and most significantly, with their electronic counterpart: the magnificent mellotron.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">This collection begins and ends with pieces by Van der Graaf Generator, who are archetypal &#8216;progressive&#8217;, and a band truly without equal. The opener &#8216;Man Erg&#8217;, from their opus &#8216;Pawn Hearts&#8217;, has been played continuously by me since its release in 1971, and it still chills me with its haunting presence. The last piece is an impassioned live rendition of &#8216;Childlike Faith in Childhood&#8217;s End&#8217;, which was the closing track from the penultimate Van der Graaf album, &#8216;Still Life&#8217;, before they called it a day in 1976, and laid the way clear for Punk.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I could write much more about the other songs in this list, and detail my reasons for selecting them, but I&#8217;m hoping that you&#8217;ll discover and enjoy this music with that same spirit of enquiry that I did first time around.</div>
<p><em>There was once a time (as the sixties turned into the seventies) when pretty much all music that wasn&#8217;t classified as pop, classical, jazz, or (the dreaded) easy listening, was known simply as &#8216;underground&#8217; or &#8216;progressive&#8217;. </em></p>
<p><em>Everything contemporary, unusual and otherwise unclassifiable found its way into a rack in the record store that was labelled just &#8216;progressive&#8217;. Naturally this was the principal place I would look for anything exciting or challenging. I would return to the same few stores in Manchester and thumb through the same collections of discs week by week, wondering whether or not to buy a particular disc, invariably one adorned with a curious image and with an esoteric sounding title, trying to decide if the music would be as enjoyably intriguing as the sleeve. There was no internet to aid research, so almost everything I sampled was based on personal recommendation, or a lead from an enthusiastic NME or Melody Maker review. More often than not I simply bought it on a whim, or after a cursory listen to a track or two in the listening booths still installed in the better stores.</em></p>
<p><em>Faced with a mixed lot of largely unknown and previously unheard discs, and with precious little guidance, it is remarkable that most albums I picked up were by and large fresh and eminently listenable. Some of what I found was truly progressive, in a way that I don&#8217;t think has been heard since. The world of music really was opening up. In that first explosion of audio experimentation, I discovered things that are genuinely timeless, and so, with the passing of time, here I am still listening.</em></p>
<p><em>A cautionary note, however. Please do not confuse &#8216;progressive&#8217; with &#8216;Prog&#8217;. At some sad time in the early- to mid-seventies, the likes of ELP, Rick Wakeman and Yes would appear to have embarked upon a willful and systematic ruination of the genre. With each new album they recorded longer and longer pieces, but for no discernible benefit, and with less and less musical discipline or charm. Often they had fairly meaningless &#8216;concepts&#8217; underlying them, in an attempt to imbue them with some sort of higher musical significance. </em></p>
<p><em>Thus it was that the perfectly acceptable, and suitably descriptive, tag of &#8216;progressive&#8217; was mercilessly shortened to simply &#8216;Prog&#8217; rock. This was a quite different term for what was quite different music altogether, albeit springing from similar origins. This rather pejorative term has lingered in the collective memory as one which not only sums up this other largely unpleasant musical backwater, but sadly has also besmirched the heritage and credibility of musically sophisticated recordings such as the ones to be found in this collection.</em></p>
<p><em>What we have in this playlist, by way of clarification, is mostly work from those early days of progressive, and is definitely not what I would call &#8216;Prog&#8217;. This, instead, is from the time when pop seemed to turn to rock almost overnight, and the LP found favour as a preferred medium to the 3 minute single, which by then was already redolent of the first psychedelic era. A later playlist will address more directly the transition from pop single to rock LP track, but these recordings are definitely album material only. They are somewhat longer than 3 minutes, no longer constrained by 7&#8243; vinyl nor daytime radio restrictions, and whilst they feature extended instrumental passages, and are musically quite complex, they display a sparkling sense of musical invention. The basic instrumentation of electric guitar, bass, drums was augmented first with keyboards, then often with wind and strings, and most significantly, with their electronic counterpart: the magnificent mellotron.</em></p>
<p><em>This collection begins and ends with pieces by Van der Graaf Generator, who are archetypal &#8216;progressive&#8217;, and a band truly without equal. The opener &#8216;Man Erg&#8217;, from their opus &#8216;Pawn Hearts&#8217;, has been played continuously by me since its release in 1971, and it still chills me with its haunting presence. The last piece is an impassioned live rendition of &#8216;Childlike Faith in Childhood&#8217;s End&#8217;, which was the closing track from the penultimate Van der Graaf album, &#8216;Still Life&#8217;, before they called it a day in 1976, and laid the way clear for Punk.</em></p>
<p><em>I could write much more about the other songs in this list, and detail my reasons for selecting them, but I&#8217;m hoping that you&#8217;ll discover and enjoy this music with that same spirit of enquiry that I did first time around. </em></p>
<p>Track listing coming soon</p>
<h3 style="outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; display: block; font-size: 13px; font-weight: normal; line-height: 1; background-position: initial initial; padding: 3px; margin: 0px; border: 0px initial initial;"></h3>
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</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/Oa4mje3lnPw" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>0</slash:comments>
			
<itunes:duration>1:45:35</itunes:duration>
		<itunes:subtitle>This episode was put together by Malcolm Garrett and is a pretty comprehensive introduction to the world of Progressive Rock (not 'Prog' though, there is ...</itunes:subtitle>
		<itunes:summary>This episode was put together by Malcolm Garrett and is a pretty comprehensive introduction to the world of Progressive Rock (not 'Prog' though, there is a difference).
There was once a time (as the sixties turned into the seventies) when pretty much all music that wasn't classified as pop, classical, jazz, or (the dreaded) easy listening, was known simply as 'underground' or 'progressive'.
Everything contemporary, unusual and otherwise unclassifiable found its way into a rack in the record store that was labelled just 'progressive'. Naturally this was the principal place I would look for anything exciting or challenging. I would return to the same few stores in Manchester and thumb through the same collections of discs week by week, wondering whether or not to buy a particular disc, invariably one adorned with a curious image and with an esoteric sounding title, trying to decide if the music would be as enjoyably intriguing as the sleeve. There was no internet to aid research, so almost everything I sampled was based on personal recommendation, or a lead from an enthusiastic NME or Melody Maker review. More often than not I simply bought it on a whim, or after a cursory listen to a track or two in the listening booths still installed in the better stores.
Faced with a mixed lot of largely unknown and previously unheard discs, and with precious little guidance, it is remarkable that most albums I picked up were by and large fresh and eminently listenable. Some of what I found was truly progressive, in a way that I don't think has been heard since. The world of music really was opening up. In that first explosion of audio experimentation, I discovered things that are genuinely timeless, and so, with the passing of time, here I am still listening.
A cautionary note, however. Please do not confuse 'progressive' with 'Prog'. At some sad time in the early- to mid-seventies, the likes of ELP, Rick Wakeman and Yes would appear to have embarked upon a willful and systematic ruination of the genre. With each new album they recorded longer and longer pieces, but for no discernible benefit, and with less and less musical discipline or charm. Often they had fairly meaningless 'concepts' underlying them, in an attempt to imbue them with some sort of higher musical significance.
Thus it was that the perfectly acceptable, and suitably descriptive, tag of 'progressive' was mercilessly shortened to simply 'Prog' rock. This was a quite different term for what was quite different music altogether, albeit springing from similar origins. This rather pejorative term has lingered in the collective memory as one which not only sums up this other largely unpleasant musical backwater, but sadly has also besmirched the heritage and credibility of musically sophisticated recordings such as the ones to be found in this collection.
What we have in this playlist, by way of clarification, is mostly work from those early days of progressive, and is definitely not what I would call 'Prog'. This, instead, is from the time when pop seemed to turn to rock almost overnight, and the LP found favour as a preferred medium to the 3 minute single, which by then was already redolent of the first psychedelic era. A later playlist will address more directly the transition from pop single to rock LP track, but these recordings are definitely album material only. They are somewhat longer than 3 minutes, no longer constrained by 7" vinyl nor daytime radio restrictions, and whilst they feature extended instrumental passages, and are musically quite complex, they display a sparkling sense of musical invention. The basic instrumentation of electric guitar, bass, drums was augmented first with keyboards, then often with wind and strings, and most significantly, with their electronic counterpart: the magnificent mellotron.
This collection begins and ends with pieces by Van der Graaf Generator, who are archetypal 'progressive', and a band truly without equal. The opener 'Ma</itunes:summary>
		<itunes:keywords>Malcolm</itunes:keywords>
		<itunes:author>matt@trademarkarts.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/NSMFh1eqlRE/AdvancedProgressive.mp3" fileSize="122627629" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/advanced-progressive-for-beginners/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/NSMFh1eqlRE/AdvancedProgressive.mp3" length="122627629" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/AdvancedProgressive.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Fuck Dang</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/7uwhBxI8kN0/</link>
		<comments>http://internetmusicprogramme.com/fuck-dang/#comments</comments>
		<pubDate>Sat, 09 Aug 2008 22:24:09 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[Guest]]></category>
		<category><![CDATA[dub]]></category>
		<category><![CDATA[house]]></category>
		<category><![CDATA[reggae]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[soul]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=52</guid>
		<description><![CDATA[aka Pookie Wonder &#8217;s Payback aka Dang Radio on the Internet Music Programme.
Extra special episode this week, courtesy of Pookie Wonder of the Mighty Dang Radio.All kinds of music of the highest order. Listen now and then go directly to www.dangradio.com When you get there you&#8217;ll find a sort of parallel universe with an Internet [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">aka Pookie Wonder &#8217;s Payback aka Dang Radio on the Internet Music Programme.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Extra special episode this week, courtesy of Pookie Wonder of the Mighty Dang Radio.All kinds of music of the highest order. Listen now and then go directly to www.dangradio.com When you get there you&#8217;ll find a sort of parallel universe with an Internet Music Program me guest episode on the hot Dang Radio. Its a bit like the Take On Me video by Aha, proper trippy, through the looking glass situtaion.</div>
<p>aka Pookie Wonder &#8217;s Payback aka Dang Radio on the Internet Music Programme.</p>
<p>Extra special episode this week, courtesy of Pookie Wonder of the Mighty Dang Radio.All kinds of music of the highest order. Listen now and then go directly to www.dangradio.com When you get there you&#8217;ll find a sort of parallel universe with an Internet Music Program me guest episode on the hot Dang Radio. Its a bit like the Take On Me video by Aha, proper trippy, through the looking glass situtaion.</p>
<blockquote>
<h2>Track listing</h2>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong></p>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">M.I.A – M.I.A</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Eddie Bo – The (Dang) Thang</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Eve ft Swizz Beatz – Tambourine</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">The Kingsmen (or Kinks?) – Louie Louie</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Belleville Rendevous Prince – Chelsea Rodgers</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">The Go! Team – Grip like a vice (Clash the Disco Kids Remix)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Bjork – Earth Intruders (Spank Rock Remix)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Go Home Productions – Supreme Evil</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Electric Light Orchestra – Sweet Talking Woman</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Jerry Lee Lewis – Money (that&#8217;s what I want)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Barrett Strong – Money (that&#8217;s what I want)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Etta James – Money (that&#8217;s what I want)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">The Trashmen – Money (that&#8217;s what I want)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">The Flying Lizards – Money (that&#8217;s what I want</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Easy Star All–Stars – Money</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Mr Vegas – Lean wid it</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Ginuwine – Pony (instrumental)</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Aldo Vanucci – The Last Goodbye</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Toots &amp; The Maytals – Louie Louie</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Randy&#8217;s AllStars – Batman</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Helen Reddy – Hit the road Jack</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">The Lions ft Noelle – Think</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Leroy Sibbles – Express Yourself</div>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Johnny Osbourne – Truth and Rights</div>
<p></strong></p>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;">Kate Bush – Rocket Man</div>
</blockquote>
<div style="font: normal normal normal 11.5px/normal Helvetica; margin: 0px;"><span style="font-family: 'Lucida Grande', Verdana, Arial, 'Bitstream Vera Sans', sans-serif; font-size: 13px; color: #333333; line-height: 18px;"></p>
<h3 style="outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; display: block; font-size: 13px; font-weight: normal; line-height: 1; background-position: initial initial; padding: 3px; margin: 0px; border: 0px initial initial;"></h3>
<p></span></div>
<div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/imp2008?a=7uwhBxI8kN0:Txs2ZotOaw0:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=7uwhBxI8kN0:Txs2ZotOaw0:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/imp2008?i=7uwhBxI8kN0:Txs2ZotOaw0:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=7uwhBxI8kN0:Txs2ZotOaw0:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=7uwhBxI8kN0:Txs2ZotOaw0:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/imp2008?d=qj6IDK7rITs" border="0"></img></a>
</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/7uwhBxI8kN0" height="1" width="1"/>]]></content:encoded>
			<wfw:commentRss>http://internetmusicprogramme.com/fuck-dang/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			
<itunes:duration>60:02</itunes:duration>
		<itunes:subtitle>aka Pookie Wonder 's Payback aka Dang Radio on the Internet Music Programme.
Extra special episode this week, courtesy of Pookie Wonder of the Mighty Dang ...</itunes:subtitle>
		<itunes:summary>aka Pookie Wonder 's Payback aka Dang Radio on the Internet Music Programme.
Extra special episode this week, courtesy of Pookie Wonder of the Mighty Dang Radio.All kinds of music of the highest order. Listen now and then go directly to www.dangradio.com When you get there you'll find a sort of parallel universe with an Internet Music Program me guest episode on the hot Dang Radio. Its a bit like the Take On Me video by Aha, proper trippy, through the looking glass situtaion.
aka Pookie Wonder 's Payback aka Dang Radio on the Internet Music Programme.

Extra special episode this week, courtesy of Pookie Wonder of the Mighty Dang Radio.All kinds of music of the highest order. Listen now and then go directly to www.dangradio.com When you get there you'll find a sort of parallel universe with an Internet Music Program me guest episode on the hot Dang Radio. Its a bit like the Take On Me video by Aha, proper trippy, through the looking glass situtaion.

Track listing
 

 

 

 


M.I.A ndash; M.I.A
Eddie Bo ndash; The (Dang) Thang
Eve ft Swizz Beatz ndash; Tambourine
The Kingsmen (or Kinks?) ndash; Louie Louie
Belleville Rendevous Prince ndash; Chelsea Rodgers
The Go! Team ndash; Grip like a vice (Clash the Disco Kids Remix)
Bjork ndash; Earth Intruders (Spank Rock Remix)
Go Home Productions ndash; Supreme Evil
Electric Light Orchestra ndash; Sweet Talking Woman
Jerry Lee Lewis ndash; Money (that's what I want)
Barrett Strong ndash;nbsp;Money (that's what I want)
Etta James ndash; Money (that's what I want)
The Trashmen ndash; Money (that's what I want)
The Flying Lizards ndash; Money (that's what I want
Easy Star Allndash;Stars ndash; Money
Mr Vegas ndash; Lean wid it
Ginuwine ndash; Pony (instrumental)
Aldo Vanucci ndash; The Last Goodbye
Toots #38; The Maytals ndash; Louie Louie
Randy's AllStars ndash; Batman
Helen Reddy ndash; Hit the road Jack
The Lions ft Noelle ndash; Think
Leroy Sibbles ndash; Express Yourself
Johnny Osbourne ndash; Truth and Rights

Kate Bush ndash; Rocket Man


</itunes:summary>
		<itunes:keywords>Guest</itunes:keywords>
		<itunes:author>matt@trademarkarts.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>Yes</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/kAmBCFvpSek/FuckDang.mp3" fileSize="86438177" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/fuck-dang/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/kAmBCFvpSek/FuckDang.mp3" length="86438177" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/FuckDang.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Music My First Girlfriend Made Me Listen To</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/iTxImDyLRRE/</link>
		<comments>http://internetmusicprogramme.com/music-my-first-girlfriend-made-me-listen-to/#comments</comments>
		<pubDate>Tue, 08 Jul 2008 12:16:18 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[Malcolm]]></category>
		<category><![CDATA[pop]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[soul]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=47</guid>
		<description><![CDATA[The first mix from Malcolm Garrett, and it&#8217;s music from a very specific time, and a very specific place.
 

The year is 1972 and I&#8217;ve just met Barbie. I am not long turned 16. Barbie will have an immediate and lasting effect on my life, but, as we&#8217;re just concerned with music here, I want [...]]]></description>
			<content:encoded><![CDATA[<p>The first mix from Malcolm Garrett, and it&#8217;s music from a very specific time, and a very specific place.</p>
<p><em> </em></p>
<p><em></p>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 20px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">The year is 1972 and I&#8217;ve just met Barbie. I am not long turned 16. Barbie will have an immediate and lasting effect on my life, but, as we&#8217;re just concerned with music here, I want to share with you the music that she shared with me.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 20px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">These were what I consider to be her songs. Yes, this is a collection of songs, whereas at that time my appreciation of music was actually focused at a more specifically sonic level.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 20px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I tended to like the instrumental passages in the music I listened to, and lyrical detail always rather passed me by. I&#8217;d been enjoying the blues-based riffs of Cream, Led Zeppelin, Deep Purple and other similar &#8216;hard rock&#8217; bands of that era. At an opposite extreme I was beginning an exploration into the avant garde electronics of the nascent Kosmische Musik of bands from Berlin, Düsseldorf and Cologne. Meeting Barbie introduced me to another sphere of music, and prepared me for another way of listening.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 20px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">I&#8217;d always heard the human voice as another instrument, and it seems I seldom paid attention to the words I was hearing. I enjoyed the cadence of a female voice, say, or a lyric sung in a language I did not understand. I can&#8217;t really have been fully cogniscent of that for I am now genuinely surprised that I feel I am only hearing the songs properly as songs now, and I must previously never have really taken in much specific meaning from what I was listening to at all.</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 20px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">This collection, then, displays more depth and maturity than perhaps I did at the time. And over time I&#8217;ve come to appreciate these songs more and more. Barbie adored these songs. She would play them often, and consequently they have stuck with me. That said, there is a somewhat melancholy tone to many of them. This fact was not entirely lost on me, as I thought some of them far too &#8216;girly&#8217; and not at all what a sophisticated music afficianado should listen to. How wrong was I?</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 20px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Perhaps the most surprising thing is that so many sad songs were so loved by a girl who had such a bright disposition and always adopted a happy-go-lucky approach to life. Nothing seemed to get in her way, and things in life always seemed to go her way quite naturally. These songs reveal a sentimentality that she did not display in her day to day life. In many ways she quite suited the name Barbie, although she was not blonde, was nobody&#8217;s toy, and had a mind that was already adult, intelligent and focused on a bright future. I wonder what she thinks of this collection now.</div>
<p>The year is 1972 and I&#8217;ve just met Barbie. I am not long turned 16. Barbie will have an immediate and lasting effect on my life, but, as we&#8217;re just concerned with music here, I want to share with you the music that she shared with me.</p>
<p>These were what I consider to be her songs. Yes, this is a collection of songs, whereas at that time my appreciation of music was actually focused at a more specifically sonic level.</p>
<p>I tended to like the instrumental passages in the music I listened to, and lyrical detail always rather passed me by. I&#8217;d been enjoying the blues-based riffs of Cream, Led Zeppelin, Deep Purple and other similar &#8216;hard rock&#8217; bands of that era. At an opposite extreme I was beginning an exploration into the avant garde electronics of the nascent Kosmische Musik of bands from Berlin, Düsseldorf and Cologne. Meeting Barbie introduced me to another sphere of music, and prepared me for another way of listening.</p>
<p>I&#8217;d always heard the human voice as another instrument, and it seems I seldom paid attention to the words I was hearing. I enjoyed the cadence of a female voice, say, or a lyric sung in a language I did not understand. I can&#8217;t really have been fully cogniscent of that for I am now genuinely surprised that I feel I am only hearing the songs properly as songs now, and I must previously never have really taken in much specific meaning from what I was listening to at all.</p>
<p>This collection, then, displays more depth and maturity than perhaps I did at the time. And over time I&#8217;ve come to appreciate these songs more and more. Barbie adored these songs. She would play them often, and consequently they have stuck with me. That said, there is a somewhat melancholy tone to many of them. This fact was not entirely lost on me, as I thought some of them far too &#8216;girly&#8217; and not at all what a sophisticated music afficianado should listen to. How wrong was I?</p>
<p>Perhaps the most surprising thing is that so many sad songs were so loved by a girl who had such a bright disposition and always adopted a happy-go-lucky approach to life. Nothing seemed to get in her way, and things in life always seemed to go her way quite naturally. These songs reveal a sentimentality that she did not display in her day to day life. In many ways she quite suited the name Barbie, although she was not blonde, was nobody&#8217;s toy, and had a mind that was already adult, intelligent and focused on a bright future. I wonder what she thinks of this collection now.</p>
<p></em></p>
<p>Tracklisting coming soon</p>
<h3 style="outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; display: block; font-size: 13px; font-weight: normal; line-height: 1; background-position: initial initial; padding: 3px; margin: 0px; border: 0px initial initial;"></h3>
<div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/imp2008?a=iTxImDyLRRE:LZZMB3yU6Ag:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=iTxImDyLRRE:LZZMB3yU6Ag:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/imp2008?i=iTxImDyLRRE:LZZMB3yU6Ag:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=iTxImDyLRRE:LZZMB3yU6Ag:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=iTxImDyLRRE:LZZMB3yU6Ag:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/imp2008?d=qj6IDK7rITs" border="0"></img></a>
</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/iTxImDyLRRE" height="1" width="1"/>]]></content:encoded>
			<wfw:commentRss>http://internetmusicprogramme.com/music-my-first-girlfriend-made-me-listen-to/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			
<itunes:duration>26:43</itunes:duration>
		<itunes:subtitle>The first mix from Malcolm Garrett, and it's music from a very specific time, and a very specific place.

 


The year is 1972 and I've ...</itunes:subtitle>
		<itunes:summary>The first mix from Malcolm Garrett, and it's music from a very specific time, and a very specific place.

 


The year is 1972 and I've just met Barbie. I am not long turned 16. Barbie will have an immediate and lasting effect on my life, but, as we're just concerned with music here, I want to share with you the music that she shared with me.
These were what I consider to be her songs. Yes, this is a collection of songs, whereas at that time my appreciation of music was actually focused at a more specifically sonic level.
I tended to like the instrumental passages in the music I listened to, and lyrical detail always rather passed me by. I'd been enjoying the blues-based riffs of Cream, Led Zeppelin, Deep Purple and other similar 'hard rock' bands of that era. At an opposite extreme I was beginning an exploration into the avant garde electronics of the nascent Kosmische Musik of bands from Berlin, Duuml;sseldorf and Cologne. Meeting Barbie introduced me to another sphere of music, and prepared me for another way of listening.
I'd always heard the human voice as another instrument, and it seems I seldom paid attention to the words I was hearing. I enjoyed the cadence of a female voice, say, or a lyric sung in a language I did not understand. I can't really have been fully cogniscent of that for I am now genuinely surprised that I feel I am only hearing the songs properly as songs now, and I must previously never have really taken in much specific meaning from what I was listening to at all.
This collection, then, displays more depth and maturity than perhaps I did at the time. And over time I've come to appreciate these songs more and more. Barbie adored these songs. She would play them often, and consequently they have stuck with me. That said, there is a somewhat melancholy tone to many of them. This fact was not entirely lost on me, as I thought some of them far too 'girly' and not at all what a sophisticated music afficianado should listen to. How wrong was I?
Perhaps the most surprising thing is that so many sad songs were so loved by a girl who had such a bright disposition and always adopted a happy-go-lucky approach to life. Nothing seemed to get in her way, and things in life always seemed to go her way quite naturally. These songs reveal a sentimentality that she did not display in her day to day life. In many ways she quite suited the name Barbie, although she was not blonde, was nobody's toy, and had a mind that was already adult, intelligent and focused on a bright future. I wonder what she thinks of this collection now.
The year is 1972 and I've just met Barbie. I am not long turned 16. Barbie will have an immediate and lasting effect on my life, but, as we're just concerned with music here, I want to share with you the music that she shared with me.

These were what I consider to be her songs. Yes, this is a collection of songs, whereas at that time my appreciation of music was actually focused at a more specifically sonic level.

I tended to like the instrumental passages in the music I listened to, and lyrical detail always rather passed me by. I'd been enjoying the blues-based riffs of Cream, Led Zeppelin, Deep Purple and other similar 'hard rock' bands of that era. At an opposite extreme I was beginning an exploration into the avant garde electronics of the nascent Kosmische Musik of bands from Berlin, Duuml;sseldorf and Cologne. Meeting Barbie introduced me to another sphere of music, and prepared me for another way of listening.

I'd always heard the human voice as another instrument, and it seems I seldom paid attention to the words I was hearing. I enjoyed the cadence of a female voice, say, or a lyric sung in a language I did not understand. I can't really have been fully cogniscent of that for I am now genuinely surprised that I feel I am only hearing the songs properly as songs now, and I must previously never have really taken in much specific meaning from what I was listening to a...</itunes:summary>
		<itunes:keywords>Malcolm</itunes:keywords>
		<itunes:author>matt@trademarkarts.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>No</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/YAZBkwlvgWY/FirstGirlfriend.mp3" fileSize="32064313" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/music-my-first-girlfriend-made-me-listen-to/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/YAZBkwlvgWY/FirstGirlfriend.mp3" length="32064313" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/FirstGirlfriend.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Tongues</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/bvkBXMJ4p7c/</link>
		<comments>http://internetmusicprogramme.com/tongues/#comments</comments>
		<pubDate>Sat, 17 May 2008 12:43:20 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[DJTC]]></category>
		<category><![CDATA[acoustic]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[rock]]></category>
		<category><![CDATA[soul]]></category>
		<category><![CDATA[world]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=36</guid>
		<description><![CDATA[Many thanks this week to djtc for providing the audio excursion. There&#8217;s some beautiful pieces of music to enjoy, so pop your headphones on and loose youself for an hour. In his own words:
&#8220;Picking up on the &#8220;global&#8221; tag of this global interweb thing, here&#8217;s a show in lots of different languages – 11, to [...]]]></description>
			<content:encoded><![CDATA[<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Many thanks this week to djtc for providing the audio excursion. There&#8217;s some beautiful pieces of music to enjoy, so pop your headphones on and loose youself for an hour. In his own words:</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">&#8220;Picking up on the &#8220;global&#8221; tag of this global interweb thing, here&#8217;s a show in lots of different languages – 11, to be precise – performed by people from all over the planet. It&#8217;s a bit like a hi-fi version of when you were young and you used to mess around with the longwave radio to find foreign stations&#8230;</div>
<div id="_mcePaste" style="position: absolute; left: -10000px; top: 0px; width: 1px; height: 1px; overflow-x: hidden; overflow-y: hidden;">Oh, and you can play everyone&#8217;s favourite Anglophone game – listen to the tracks and see if you can hear any English words in the foreign-ness. For example, on the final track: &#8220;where am I? Bushey!&#8221;, or on the Sigur Rós effort: &#8220;You sigh low&#8221;, et cetera.&#8221;</div>
<p>Many thanks this week to djtc for providing the audio excursion. There&#8217;s some beautiful pieces of music to enjoy, so pop your headphones on and loose youself for an hour. In his own words:</p>
<p><em>&#8220;Picking up on the &#8220;global&#8221; tag of this global interweb thing, here&#8217;s a show in lots of different languages – 11, to be precise – performed by people from all over the planet. It&#8217;s a bit like a hi-fi version of when you were young and you used to mess around with the longwave radio to find foreign stations&#8230; </em></p>
<p><em>Oh, and you can play everyone&#8217;s favourite Anglophone game – listen to the tracks and see if you can hear any English words in the foreign-ness. For example, on the final track: &#8220;where am I? Bushey!&#8221;, or on the Sigur Rós effort: &#8220;You sigh low&#8221;, et cetera.&#8221;</em></p>
<blockquote>
<h2>Tracklisting</h2>
<p>La Bague (French) – Cerys Matthews (Wales)</p>
<p>Murmullo (Spanish) – Buena Vista Social Club (Cuba)</p>
<p>Hana (Japanese) – Asa-Chang and Junray (Japan)</p>
<p>untitled track 4 (&#8221;Hopelandish&#8221;) – Sigur Rós (Iceland)</p>
<p>Vökuró (Icelandic) – Björk (Iceland)</p>
<p>Aprés Moi (French, English and Russian) – Regina Spektor (USA)</p>
<p>Afro-Left (&#8221;Djum-Djum&#8221;) – Leftfield (England)</p>
<p>Norwegian Wood (This Bird Has Flown) (Urdu) – Cornershop (England)</p>
<p>Arglwydd Dyma Fi (Welsh) – Cerys Matthews (Wales)</p>
<p>Tres Equis (Spanish) – Cypress Hill (USA)</p>
<p>Ils Étaient Une Fois (French) – Saïan Supa Crew (France)</p>
<p>No Caminho Do Bem (Portuguese) – Tim Mala (Brazil)</p>
<p>Gwreiddiau Dwfn Mawrth Oer Ar Y Blaned Neifion (Welsh) – Super Furry Animals (Wales)</p>
<p>Urami Bushi (Japanese) – Meiko Kajo (Japan)</p></blockquote>
<p><span style="font-family: 'Lucida Grande', Verdana, Arial, 'Bitstream Vera Sans', sans-serif; line-height: 18px; color: #333333;"> </span></p>
<h3 style="outline-width: 0px; outline-style: initial; outline-color: initial; background-image: initial; background-repeat: initial; background-attachment: initial; -webkit-background-clip: initial; -webkit-background-origin: initial; background-color: transparent; display: block; font-size: 13px; font-weight: normal; line-height: 1; background-position: initial initial; padding: 3px; margin: 0px; border: 0px initial initial;"></h3>
<div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/imp2008?a=bvkBXMJ4p7c:Pma7lzA4Y78:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=bvkBXMJ4p7c:Pma7lzA4Y78:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/imp2008?i=bvkBXMJ4p7c:Pma7lzA4Y78:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=bvkBXMJ4p7c:Pma7lzA4Y78:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=bvkBXMJ4p7c:Pma7lzA4Y78:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/imp2008?d=qj6IDK7rITs" border="0"></img></a>
</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/bvkBXMJ4p7c" height="1" width="1"/>]]></content:encoded>
			<wfw:commentRss>http://internetmusicprogramme.com/tongues/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			
<itunes:duration>1:01:34</itunes:duration>
		<itunes:subtitle>Many thanks this week to djtc for providing the audio excursion. There's some beautiful pieces of music to enjoy, so pop your headphones on and ...</itunes:subtitle>
		<itunes:summary>Many thanks this week to djtc for providing the audio excursion. There's some beautiful pieces of music to enjoy, so pop your headphones on and loose youself for an hour. In his own words:
"Picking up on the "global" tag of this global interweb thing, here's a show in lots of different languages ndash; 11, to be precise ndash; performed by people from all over the planet. It's a bit like a hi-fi version of when you were young and you used to mess around with the longwave radio to find foreign stations...
Oh, and you can play everyone's favourite Anglophone game ndash; listen to the tracks and see if you can hear any English words in the foreign-ness. For example, on the final track: "where am I? Bushey!", or on the Sigur Roacute;s effort: "You sigh low", et cetera."
Many thanks this week to djtc for providing the audio excursion. There's some beautiful pieces of music to enjoy, so pop your headphones on and loose youself for an hour. In his own words:

"Picking up on the "global" tag of this global interweb thing, here's a show in lots of different languages ndash; 11, to be precise ndash; performed by people from all over the planet. It's a bit like a hi-fi version of when you were young and you used to mess around with the longwave radio to find foreign stations... 

Oh, and you can play everyone's favourite Anglophone game ndash; listen to the tracks and see if you can hear any English words in the foreign-ness. For example, on the final track: "where am I? Bushey!", or on the Sigur Roacute;s effort: "You sigh low", et cetera."

Tracklisting
La Bague (French) ndash;nbsp;Cerys Matthews (Wales)

Murmullo (Spanish)nbsp;ndash;nbsp;Buena Vista Social Club (Cuba)

Hana (Japanese)nbsp;ndash;nbsp;Asa-Chang and Junray (Japan)

untitled track 4 ("Hopelandish")nbsp;ndash;nbsp;Sigur Roacute;s (Iceland)

Vouml;kuroacute; (Icelandic)nbsp;ndash;nbsp;Bjouml;rk (Iceland)

Apreacute;s Moi (French, English and Russian)nbsp;ndash;nbsp;Regina Spektor (USA)

Afro-Left ("Djum-Djum")nbsp;ndash;nbsp;Leftfield (England)

Norwegian Wood (This Bird Has Flown) (Urdu)nbsp;ndash;nbsp;Cornershop (England)

Arglwydd Dyma Fi (Welsh)nbsp;ndash;nbsp;Cerys Matthews (Wales)

Tres Equis (Spanish)nbsp;ndash;nbsp;Cypress Hill (USA)

Ils Eacute;taient Une Fois (French)nbsp;ndash;nbsp;Saiuml;an Supa Crew (France)

No Caminho Do Bem (Portuguese)nbsp;ndash;nbsp;Tim Mala (Brazil)

Gwreiddiau Dwfn Mawrth Oer Ar Y Blaned Neifion (Welsh)nbsp;ndash;nbsp;Super Furry Animals (Wales)

Urami Bushi (Japanese)nbsp;ndash;nbsp;Meiko Kajo (Japan)
 
</itunes:summary>
		<itunes:keywords>DJTC</itunes:keywords>
		<itunes:author>djtc</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>Yes</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/g8v3sVXSWbs/Tongues.mp3" fileSize="59102801" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/tongues/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/g8v3sVXSWbs/Tongues.mp3" length="59102801" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/Tongues.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Girls and Boys</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/hlG7ZUQj_GA/</link>
		<comments>http://internetmusicprogramme.com/girls-and-boys/#comments</comments>
		<pubDate>Tue, 22 Apr 2008 12:49:34 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[DJTC]]></category>
		<category><![CDATA[accoustic]]></category>
		<category><![CDATA[alternative]]></category>
		<category><![CDATA[rock]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=19</guid>
		<description><![CDATA[djtc is here again, this time with some seriously diverse sounds. songs by boys about girls, songs about girls by boys, etc etc.
As a bonus the tracklisting is &#8216;themed&#8217; too. See if you can figure it out

Track listing
Layla, by Eric
Samson, by ??????
Julia, by John
Edward, by James
Jolene, by Dolly
Shadrach, by Adam
Laura, by Jason
Michael, by Alex
Debra, by [...]]]></description>
			<content:encoded><![CDATA[<p>djtc is here again, this time with some seriously diverse sounds. songs by boys about girls, songs about girls by boys, etc etc.</p>
<p>As a bonus the tracklisting is &#8216;themed&#8217; too. See if you can figure it out</p>
<blockquote>
<h2>Track listing</h2>
<p>Layla, by Eric<br />
Samson, by ??????<br />
Julia, by John<br />
Edward, by James<br />
Jolene, by Dolly<br />
Shadrach, by Adam<br />
Laura, by Jason<br />
Michael, by Alex<br />
Debra, by Bek<br />
Lenny, by Gareth<br />
Suzanne, by Leonard<br />
Daniel, by William (originally by Reginald)</p></blockquote>
<p></p>
<div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/imp2008?a=hlG7ZUQj_GA:aSe3iQKTQaU:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=hlG7ZUQj_GA:aSe3iQKTQaU:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/imp2008?i=hlG7ZUQj_GA:aSe3iQKTQaU:V_sGLiPBpWU" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=hlG7ZUQj_GA:aSe3iQKTQaU:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/imp2008?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/imp2008?a=hlG7ZUQj_GA:aSe3iQKTQaU:qj6IDK7rITs"><img src="http://feeds.feedburner.com/~ff/imp2008?d=qj6IDK7rITs" border="0"></img></a>
</div><img src="http://feeds.feedburner.com/~r/imp2008/~4/hlG7ZUQj_GA" height="1" width="1"/>]]></content:encoded>
			<wfw:commentRss>http://internetmusicprogramme.com/girls-and-boys/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			
<itunes:duration>24:00</itunes:duration>
		<itunes:subtitle>djtc is here again, this time with some seriously diverse sounds. songs by boys about girls, songs about girls by boys, etc etc.

As a bonus ...</itunes:subtitle>
		<itunes:summary>djtc is here again, this time with some seriously diverse sounds. songs by boys about girls, songs about girls by boys, etc etc.

As a bonus the tracklisting is 'themed' too. See if you can figure it out

Track listing
Layla, by Eric
Samson, by ??????
Julia, by John
Edward, by James
Jolene, by Dolly
Shadrach, by Adam
Laura, by Jason
Michael, by Alex
Debra, by Bek
Lenny, by Gareth
Suzanne, by Leonard
Daniel, by William (originally bynbsp;Reginald)
</itunes:summary>
		<itunes:keywords>DJTC</itunes:keywords>
		<itunes:author>djtc</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>Yes</itunes:block>
	<media:content url="http://feedproxy.google.com/~r/imp2008/~5/m3-MG456_u4/GirlsAndBoys.mp3" fileSize="71303566" type="audio/mpeg" /><feedburner:origLink>http://internetmusicprogramme.com/girls-and-boys/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/imp2008/~5/m3-MG456_u4/GirlsAndBoys.mp3" length="71303566" type="audio/mpeg" /><feedburner:origEnclosureLink>http://internetmusicprogramme.com/wp-content/uploads/audio/GirlsAndBoys.mp3</feedburner:origEnclosureLink></item>
		<item>
		<title>Let’s Reggae</title>
		<link>http://feedproxy.google.com/~r/imp2008/~3/lo-P2Zyj3XM/</link>
		<comments>http://internetmusicprogramme.com/lets-reggae/#comments</comments>
		<pubDate>Fri, 27 Jul 2007 13:18:44 +0000</pubDate>
		<dc:creator>matt@trademarkarts.com (Matt Cooper)</dc:creator>
				<category><![CDATA[mix]]></category>
		<category><![CDATA[dub]]></category>
		<category><![CDATA[reggae]]></category>
		<category><![CDATA[ska]]></category>

		<guid isPermaLink="false">http://internetmusicprogramme.com/?p=29</guid>
		<description><![CDATA[I&#8217;m sick of this shitbox weather. Totally sick. And to play my part in solving this problem I have decided that i&#8217;m only going to play summer music from now on. Untill the weather improves its 100% sunshine music.
And what better way to start than with a lickle bit a reggae music fi ya to [...]]]></description>
			<content:encoded><![CDATA[<p>I&#8217;m sick of this shitbox weather. Totally sick. And to play my part in solving this problem I have decided that i&#8217;m only going to play summer music from now on. Untill the weather improves its 100% sunshine music.</p>
<p>And what better way to start than with a lickle bit a reggae music fi ya to bubble and wine to.</p>
<blockquote>
<h2 style="font-size: 1.5em;">Tracklisting</h2>
<p>The Prince – Madness</p>
<p>The Rain – Bruce Ruffin</p>
<p>Cool Out Son – Junior Murvin</p>
<p>On My Radio – The Selecter</p>
<p>Money – Easy All Stars</p>
<p>King – UB40</p>
<p>Lip Up Fatty – Bad Manners</p>
<p>Mirror In The Bathroom – The Beat</p>
<p>Liquidator – Harry J Allstars</p>
<p>Red Red Wine – Tony Tribe</p>
<p>Truth And Rights – Johnny Osbourne</p>
<p>Youths Dem Cold – Richie Spice</p>
<p>Tears Of A Clown – The Beat</p>
<p>Freedom Street – Ken Boothe</p>
<p>Strongman Samson – Eric Morris</p>
<p>Rub And Squeeze – Lee Perry</p>
<p>Let George Do It – Don Drummond</p>
<p>Over The River – Justin Hinds And The Dominoes</p>
<p>Open The Door – Clive And Naomi</p>
<p>The Ska Is The Limit – Laurel Aitken</p>
<p>Admiral Bailey – Jump Up</p></blockquote>
<p></p>
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	<media:credit role="author">Matt Cooper</media:credit><media:rating>nonadult</media:rating><media:description type="plain">Eclectic. Electric. Eccentric.</media:description></channel>
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