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<rss xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" version="2.0"><channel><title>Books // Index Book</title>    <link>http://www.indexbook.com</link>    <language>en-EN</language>    <description>Graphic Design Books // Index Book</description>    <generator>http://www.indexbook.com</generator><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/rss+xml" href="http://feeds.feedburner.com/indexbook/books" /><feedburner:info uri="indexbook/books" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><xhtml:meta xmlns:xhtml="http://www.w3.org/1999/xhtml" name="robots" content="noindex" /><meta xmlns="http://pipes.yahoo.com" name="pipes" content="noprocess" /><image><link>http://www.indexbook.com</link><url>http://www.indexbook.com/img/logo_ib0.gif</url><title>Index Book</title></image><item><title><![CDATA[New York festivals International Advertising Adwards - The World's Best Advertising Annual 17]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/gaqliml2-i4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1204.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;New York Festivals' mission is to showcase the world's newest and most exciting ideas in advertising.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/jr0ydG3lbro7TmLn4tc9nrFvMN0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jr0ydG3lbro7TmLn4tc9nrFvMN0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/jr0ydG3lbro7TmLn4tc9nrFvMN0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jr0ydG3lbro7TmLn4tc9nrFvMN0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/gaqliml2-i4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1204</feedburner:origLink></item><item><title><![CDATA[Creativity 39]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/515OFYHlbUM/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1205.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This thirty-nine edition in the Creativity series displays the best and brightest in advertising and design work from creative professionals around the world.

Creativity 39, which features more than 1,000 color photographs and illustrations, covers dozens of categories in both the consumer and trade markets, including advertisements, posters, billboards, brochures, catalogs, calendars, promotional items, corporate identity manuals, magazine covers, web sites, and much more.

Creative professionals looking for inspiration, or anyone with an interest in quality graphic design, will find Creativity 39 an invaluable resource.
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&lt;a href="http://feedads.g.doubleclick.net/~a/hlacJE8r1Qi8wxLmNkGgAe_LeIM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hlacJE8r1Qi8wxLmNkGgAe_LeIM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/515OFYHlbUM" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1205</feedburner:origLink></item><item><title><![CDATA[Graphis 100 Best in Advertising 2011]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/utX_UpmpYvg/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1206.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Graphis Advertising Annual 2011
presents the best advertising campaigns of the year, selected from thousands of international entries.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/--MMZgW-DfHy6w4_pEXx1YdS-3c/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/--MMZgW-DfHy6w4_pEXx1YdS-3c/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/--MMZgW-DfHy6w4_pEXx1YdS-3c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/--MMZgW-DfHy6w4_pEXx1YdS-3c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/utX_UpmpYvg" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1206</feedburner:origLink></item><item><title><![CDATA[Graphis Design Annual 2011]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/JK0H4PTZbJA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1207.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Graphis Design Annual 2011 is the definitive design exhibition, featuring more than 300 of the year’s most outstanding designs in a variety of disciplines. The selected work is categorized by sections such as Corporate Identity, Exhibits, Interactive, Letterhead, Packaging, and Typography for easy referencing.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/qFZ-YKsSpU6VcdEIIw4Shq3NtTg/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qFZ-YKsSpU6VcdEIIw4Shq3NtTg/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/qFZ-YKsSpU6VcdEIIw4Shq3NtTg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qFZ-YKsSpU6VcdEIIw4Shq3NtTg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/JK0H4PTZbJA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1207</feedburner:origLink></item><item><title><![CDATA[Green Graphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Jm6YO6HlDUA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1188.ficPortada_210x235.ggcover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Vicky Eckert, Efrén Zúñiga and Ana Freixas are back after the publication of their book &lt;a href="http://www.indexbook.com/libro.php?892"&gt;Growing Graphics &lt;/a&gt;to present a whole collection of artistic projects dedicated to the environment. 

Using a 3D puzzle, which can be taken apart, as a cover, these designers offer us more than 150 projects from more than 23 different countries related to the environment and global warming. A selection spanning corporate images, publicity campaigns, books, exhibitions and web projects where design  reinforces a new objective in itself: raising public awareness.  

Following is a video illustrating the book's contents:

&lt;iframe src=http://player.vimeo.com/video/23574009?autoplay=1=1 width=450 height=281 frameborder=0&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href=http://vimeo.com/23574009&gt;Green Graphics&lt;/a&gt; from &lt;a href=http://vimeo.com/indexbook&gt;Index Book&lt;/a&gt;&lt;/p&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/RKJWqOg18ANvyx0e40YYIdJ6RMc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RKJWqOg18ANvyx0e40YYIdJ6RMc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Jm6YO6HlDUA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1188</feedburner:origLink></item><item><title><![CDATA[Sobreimpresión - de la pantalla al papel y viceversa]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/nQDlwyqKZdY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1189.ficPortada_210x235.Sobreimpresioncover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;From the designer Laia Blasco comes a very detailed visual guide to the print graphic production process. An original and interactive cover provides a welcome to content that analyzes all aspects to be taken into account at each stage of the creation of a design for printed media.
Moreover, this book offers an exhaustive tour of printing concepts leading to the current dichotomy: paper or digital. As such, the influence of traditional publications on digital design and vice versa is explored. A guide but also a reflection for the reader exploring the current coexistence of printed and digital publication.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/rq1O8vn7q-VZ7WFukMQbEhA9SII/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rq1O8vn7q-VZ7WFukMQbEhA9SII/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/rq1O8vn7q-VZ7WFukMQbEhA9SII/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rq1O8vn7q-VZ7WFukMQbEhA9SII/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/nQDlwyqKZdY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1189</feedburner:origLink></item><item><title><![CDATA[OnPrint from screen to paper and vice versa]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/nFBaFaUi3a8/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1190.ficPortada_210x235.OnPrintPORTADA.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;From the designer Laia Blasco comes a very detailed visual guide to the print graphic production process.. An original and interactive cover provides a welcome to content that analyzes all aspects to be taken into account at each stage of the creation of a design for printed media.
Moreover, this book offers an exhaustive tour of printing concepts leading to the current dichotomy: paper or digital. As such, the influence of traditional publications on digital design and vice versa is explored. A guide but also a reflection for the reader exploring the current coexistence of printed and digital publication.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/zuVI1WFW7xQ2oa6IMsukFYVBljY/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zuVI1WFW7xQ2oa6IMsukFYVBljY/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/zuVI1WFW7xQ2oa6IMsukFYVBljY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zuVI1WFW7xQ2oa6IMsukFYVBljY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/nFBaFaUi3a8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1190</feedburner:origLink></item><item><title><![CDATA[Basic Brochures]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/F9VHGWpmwDk/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1183.ficPortada_210x235.basic_brochures.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Basic&lt;/b&gt; is a series about the basic disciplines of graphic design. The first three of the series were about Logos, Packaging and Corporate Identity. The fourth one is about Brochures and is classified into three categories: No Fold, Single Fold and Multiple Folds. &lt;i&gt;Basic Brochures &lt;/i&gt;features different brochures developed by
designers from around the world, showcasing a broad range of styles that enhance the book and make it both a compendium of visual input and a great source for inspiration.
Following is a video illustrating the book's contents:

&lt;iframe src=http://player.vimeo.com/video/22647134?autoplay=1&amp;loop=1 width=450 height=281 frameborder=0&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href=http://vimeo.com/22647134&gt;Basic Brochures&lt;/a&gt; from &lt;a href=http://vimeo.com/indexbook&gt;Index Book&lt;/a&gt;&lt;/p&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/mMg5h2c77rL9BNI4S1pmviBG61E/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mMg5h2c77rL9BNI4S1pmviBG61E/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/mMg5h2c77rL9BNI4S1pmviBG61E/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/mMg5h2c77rL9BNI4S1pmviBG61E/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/F9VHGWpmwDk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1183</feedburner:origLink></item><item><title><![CDATA[The Art of Package Design]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/vfX5l_0zvD0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1195.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;The Art of Package Design &lt;/i&gt;features the finest in worldwide packaging that functions as much more than simply product wrappers. This title includes projects from printed bamboo around Japanese denim, to purified water bottles that look like fine glassware, to eco-friendly boxed seeds, to designer shoeboxes for Nike sneakers, to cut out books doubling as planter boxes, to Pantone paint tins in every possible shade.
Designers include Tokyo Pistol, PlayMeDesign, ico design, Coarselog, and Unplug Design Studio.
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&lt;a href="http://feedads.g.doubleclick.net/~a/sTyu7Pb79kFiwTS4vBYUx06_0ic/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sTyu7Pb79kFiwTS4vBYUx06_0ic/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/vfX5l_0zvD0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1195</feedburner:origLink></item><item><title><![CDATA[Beauty in Decay]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/PKGJnwNXVNU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1197.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Beauty in Decay features the best in full-color, panoramic photographs from urban exploration — or Urbex — around the world. Overgrown industrial complexes, disused lunatic asylums, abandoned palaces and forgotten monasteries are showcased, and paired with clear-sighted, poetic text.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/N01hta_xrbRxo78m2fB010G-JmE/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/N01hta_xrbRxo78m2fB010G-JmE/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/N01hta_xrbRxo78m2fB010G-JmE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/N01hta_xrbRxo78m2fB010G-JmE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/PKGJnwNXVNU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1197</feedburner:origLink></item><item><title><![CDATA[The Tote Bag]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/V9aLuJO7b0s/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1193.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book showcases some of the most striking, inventive and subversive examples of the ubiquitous tote. From eco chic to style icon, the featured totes come from a wide range of illustrators and designers from around the world, with designs including floral prints, typography, illustrations and characters. Each book will be beautifully packaged in an original and eye-catching tote bag.
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&lt;a href="http://feedads.g.doubleclick.net/~a/9-eKx0ecwvvD3w3NNNMVKhSwZbw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9-eKx0ecwvvD3w3NNNMVKhSwZbw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/V9aLuJO7b0s" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1193</feedburner:origLink></item><item><title><![CDATA[Diccionario visual de tipografía]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/q02RdA_EUlE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1184.ficPortada_210x235.vdt.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/bLjPtfR4-KiKVHFj4VwQe-_hfM0/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bLjPtfR4-KiKVHFj4VwQe-_hfM0/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/bLjPtfR4-KiKVHFj4VwQe-_hfM0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bLjPtfR4-KiKVHFj4VwQe-_hfM0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/q02RdA_EUlE" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1184</feedburner:origLink></item><item><title><![CDATA[The Best of News Design 31st Edition]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/nlBukCGZ-5A/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1185.ficPortada_210x235.PORTADA.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The Best of Newspaper Design: 31th Edition presents the winning entries from the Society for News Design’s 2010 competition. Featuring work selected by a panel of judges from more than 14,000 international publication entries, this inspirational volume sets the bar for excellence in journalistic design. Bold, full-colour layouts feature the best-of-the-best in news, features, portfolios, visuals, and more, and each entry is accompanied by insightful commentary on the elements that made the piece a standout winner. Every industry professional aspires to one day see his or her work in this book.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gcvfh3v8PDgX69wjdlKw4HBQJWk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gcvfh3v8PDgX69wjdlKw4HBQJWk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/nlBukCGZ-5A" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1185</feedburner:origLink></item><item><title><![CDATA[Malofiej 18]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/z3VR4Vsrhxk/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1181.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;For the past seventeen years the World's best infographics professionals and graphic artists have met in Pamplona to attend the International Malofiej Award. This book contains the winners of its 18th edition together with an analysis by several authors on the limits of computer graphics.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/rsGQU9H523__XfxWowhVQuAIDTc/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rsGQU9H523__XfxWowhVQuAIDTc/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/rsGQU9H523__XfxWowhVQuAIDTc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rsGQU9H523__XfxWowhVQuAIDTc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/z3VR4Vsrhxk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1181</feedburner:origLink></item><item><title><![CDATA[I Love Avant Garde]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/ZE6Utdyza_M/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1176.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;I Love Type is witness to the fashionable comeback of a selection of time-honored typefaces with focus on one type-family at a time. Capturing a myraid of inventive type treatments, ranging from layout arrangements, special printing and custom variants, the series is a review of how today’s graphic designers are breathing new life into classic typesets and timeless aesthetics into modern context. I Love Avant Garde is the second volume of the type collection to hit the stores.
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&lt;a href="http://feedads.g.doubleclick.net/~a/nvmvm-q_LDrxH12oHmDWKJkATQI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/nvmvm-q_LDrxH12oHmDWKJkATQI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/ZE6Utdyza_M" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1176</feedburner:origLink></item><item><title><![CDATA[Save the Date]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/VnJKrE7NScQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1177.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Giving an overview of the year by rolling out days, weeks and months in digits and words, calendars put abstract time and space in concrete forms, allowing perhaps better preparation and time arrangement in advance.

Calendars today might as well seek to win brand recognition and manifest a different perspective of time besides decorating your walls. From promotional merchandise to experimental projects published by 86 designers and advertising agencies worldwide, Save The Date captures how innovative calendar designs continue to engage attention and energise life in a delightful body of forms, graphics and original ideas, derived from a good understanding of its role and uses.
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&lt;a href="http://feedads.g.doubleclick.net/~a/RemsHDjcyvWueHFP5ByRyEihuXU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RemsHDjcyvWueHFP5ByRyEihuXU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/VnJKrE7NScQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1177</feedburner:origLink></item><item><title><![CDATA[Fantasy + 1 ]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/oB_ZRtrLq7I/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1178.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The first volume in a new series, this edition is an ideal introduction to contemporary CG art in China, where some of the best video games are produced today. Works featured are by China’s brightest newcomers, all wildly creative and true masters of fantasy. Whilst they draw inspiration from classics such as Street Fighter and Final Fantasy, it's their own bold vision and creativity that sets them apart.
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&lt;a href="http://feedads.g.doubleclick.net/~a/_uCGMe-p1TPF_3Z4ly1X_IxpBdM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_uCGMe-p1TPF_3Z4ly1X_IxpBdM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/oB_ZRtrLq7I" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1178</feedburner:origLink></item><item><title><![CDATA[Fantasy + 2 ]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/9HzcClSffEI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1179.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;In this second volume of the Fantasy+: Best Artworks of CG Artists series, artists from around the world share their artwork and insight into the past, present, and future of digital art. In a world where art is quickly becoming industrialized and quick production is key, these artists distinguish themselves by their marked devotion to individual style and artistry.
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&lt;a href="http://feedads.g.doubleclick.net/~a/9n2oXsm7eUDeaWJDqAsVeK1G1Yk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9n2oXsm7eUDeaWJDqAsVeK1G1Yk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/9HzcClSffEI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1179</feedburner:origLink></item><item><title><![CDATA[Fantasy + 3]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/_SGOq0gb7f0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1180.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;While instantly recognizable in terms of theme and characterization, Fantasy+ 3 departs from the previous two volumes in the series to examine the state of hand-rendered fantasy art. Artists in the grand tradition of Frank Frazetta and Boris Vallejo bring new visions and techniques to bear, illuminating worlds both mythic and gruesome.
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&lt;a href="http://feedads.g.doubleclick.net/~a/LVdZsAjQ5HBCMuiobWTZvFluAO8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LVdZsAjQ5HBCMuiobWTZvFluAO8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/_SGOq0gb7f0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1180</feedburner:origLink></item><item><title><![CDATA[MyOwnBusinessCard#2]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/zdgvfu1g5Ws/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1167.ficPortada_210x235.mobc2_cover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The most ambitious project for a designer is undoubtedly the design of its own business card. Being his own client, stepping back, finding the right balance between vision and strategy are real challenges. These constraints explain why the results are most of the time just surprising. &lt;i&gt;MyOwnBusinessCard#2 &lt;/i&gt;shows more than 200 selected business cards by designer's worldwide.	
Following is a video illustrating the book's contents:

&lt;iframe src=http://player.vimeo.com/video/20711371?autoplay=1&amp;loop=1 width=450 height=281 frameborder=0&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href=http://vimeo.com/20711371&gt;MyOwnBusinessCard#2&lt;/a&gt; from &lt;a href=http://vimeo.com/indexbook&gt;Index Book&lt;/a&gt;&lt;/p&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/0lnrRsCm4CfaTlUs04O70GBGOSk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0lnrRsCm4CfaTlUs04O70GBGOSk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/zdgvfu1g5Ws" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1167</feedburner:origLink></item><item><title><![CDATA[The Book of the Year vol.3]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/JY9j3MmPZN0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1171.ficPortada_210x235.tboy3_cover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;DesignAndDesign.com is a website dedicated to the worldwide community of designers and was created to showcase their latest and most innovative design work. Every day, the homepage features two design pieces, selected from the graphic, packaging and product design submissions received daily from a wide range of international designers. The book of the year shows these 730 fresh, and for the most part unpublished original designs.
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&lt;a href="http://feedads.g.doubleclick.net/~a/XbijcH9L0GlqeQiicjE2rhlykN8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/XbijcH9L0GlqeQiicjE2rhlykN8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/hzL2Fx_i-OI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1175</feedburner:origLink></item><item><title><![CDATA[One Show Design vol.4]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/zBRHTP8RRS4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1172.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;ONE SHOW DESIGN VOLUME 4 is a visual feast for anyone that truly appreciates groundbreaking and innovative design in advertising. Whether you’re a creative director, graphic designer, or just an avid admirer of fantastic visuals this is must-have reference for the best design work of the last year. Also included in the text is exclusive commentary from the designers themselves as they give their take on the Pencil-winning pieces.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gMMAlWNIw6Z79MGC-3AZfI4GHFo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gMMAlWNIw6Z79MGC-3AZfI4GHFo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/zBRHTP8RRS4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1172</feedburner:origLink></item><item><title><![CDATA[Spd 45th]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/RquLWvbDrW4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1170.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The best visual design work is about emotion as much as appearance. Powerful, brilliant pictures—presented in just the right layout—can make us experience a whole range of emotions, from fear to attraction, anger to happiness. The Society of Publication Designers' (SPD) annual competition seeks the very best in editorial design work. Judged by a worldwide panel of top designers, the 45th edition of Rockport’s best-selling SPD series celebrates the journalists, editorial directors, photographers, and other talented individuals who brought events of the year 2009 to our doorsteps and computer screens. Stunning full-page layouts present everything from products to people, and objects to events, in ways that make each palpable and unforgettable. Featuring work published in a wide range of mediums and created by journalistic, design, and publishing talent from around the world.
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&lt;a href="http://feedads.g.doubleclick.net/~a/kstzXE1br3Cnqsn4SGCUJa72olI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kstzXE1br3Cnqsn4SGCUJa72olI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/RquLWvbDrW4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1170</feedburner:origLink></item><item><title><![CDATA[One Show Interactive Nª13]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/JRGeW3i2ll0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1168.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The thirteenth annual ONE SHOW INTERACTIVE not only proved that the future of interactive advertising is here but also that it can bring to life some of the most engaging pieces of the year. 

ONE SHOW INTERACTIVE VOLUME 13 boasts all of the winners from the 2010 One Show Interactive and is chock full of insider information about the work straight from the advertising wizards who created them. This volume highlights some of the most amazing interactive work of the year. From the inspirational work of the Nike Livestrong Foundation's “Chalkbot” to the hysterical “How Hetero” for the Stockholm Pride Festival, this year’s volume is a must-have for anyone interested in groundbreaking advertising.
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&lt;a href="http://feedads.g.doubleclick.net/~a/43GsF1JMv6YsGI1_Stf1cOn2rgE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/43GsF1JMv6YsGI1_Stf1cOn2rgE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/JRGeW3i2ll0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1168</feedburner:origLink></item><item><title><![CDATA[One Show Advertising 32]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/eDmjOQhS37s/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1169.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;After more than three decades of publication, the ONE SHOW ANNUAL just keeps getting better and better. This all-inclusive and best-selling text, which is often referred to as “The Bible of the Advertising Industry,” not only includes all of the winners of the 2010 One Show but also exclusive commentary from this year’s Gold Pencil winners and the judge’s favorite choices.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/0sqRSnlkkKslVb2tbO8T4bQeAXQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0sqRSnlkkKslVb2tbO8T4bQeAXQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/0sqRSnlkkKslVb2tbO8T4bQeAXQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0sqRSnlkkKslVb2tbO8T4bQeAXQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/eDmjOQhS37s" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1169</feedburner:origLink></item><item><title><![CDATA[Installation Art]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/TxRjuf4gqNw/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1164.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Immerse yourself in the thought-provoking and some-times bewildering artworks featured in Installation Art. This artistic genre rejects the passive viewing of framed artwork and encourages an interactive and often theatrical experience, drawing the viewer into the artwork, and sometimes even transforming the viewer into part of it.
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&lt;a href="http://feedads.g.doubleclick.net/~a/JvXPPvUkndEUzHOkJLwzYDi0Ggk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JvXPPvUkndEUzHOkJLwzYDi0Ggk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/TxRjuf4gqNw" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1164</feedburner:origLink></item><item><title><![CDATA[The art of Rebellion III]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/AyRyLJxOHZM/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1165.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The focus of this book is not on the ubiquitous stickers and stencils found everywhere today; instead, Hundertmark uses his insider knowledge to carefully curate the selection, showcasing only the most outstanding and engaging work. With more than 200 full color pages, The Art of Rebellion 3 is an unforgettable visual journey through the latest and greatest street art.
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&lt;a href="http://feedads.g.doubleclick.net/~a/JR3tUUfQyEFvGbCpWyeb0A7NBIs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JR3tUUfQyEFvGbCpWyeb0A7NBIs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/AyRyLJxOHZM" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1165</feedburner:origLink></item><item><title><![CDATA[Design at your service]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/TcPgW6u6bko/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1163.ficPortada_210x235.Diseno_Servicio-cover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Service design is a new discipline which allows us to effectively set up an offer consisting of both tangible and intangible elements, through the combined use of methodologies and knowledge which come from design and social sciences. This book examines the rise in service design as a discipline, reviews its main tools and proposes a model where design can give value in each and every one of the phases of a new service developing process. The aim of this text is to at least stimulate interest among members of both groups: companies and entrepreneurs, who, hopefully, will have a clear idea of why, how and when a designer can help them improve their business idea after reading this. Also professional designers, who may see an opportunity for a big future in the design of specialised services.
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&lt;a href="http://feedads.g.doubleclick.net/~a/VaOqERsC5dQvMcGQxpJ7yq_IEAQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VaOqERsC5dQvMcGQxpJ7yq_IEAQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/TcPgW6u6bko" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1163</feedburner:origLink></item><item><title><![CDATA[Store Front - The disappearing face of New York]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/l1wgNBykGEk/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1161.ficPortada_210x235.Libros_862_ficPortada_210x235_portada-store.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;A visual guide to New York City’s timeworn storefronts, a collection of powerful images that capture the neighborhood spirit, familiarity, comfort and warmth that these shops once embodied. Almost all of these businesses are a reflection of New York’s early immigrant population, a wild mix of Irish, Germans, Jews, Italians, Poles, Eastern Europeans and later Hispanics and Chinese.
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&lt;a href="http://feedads.g.doubleclick.net/~a/8ErhwJhmVy5GR2rcYJ5Nv5sVMn0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8ErhwJhmVy5GR2rcYJ5Nv5sVMn0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/l1wgNBykGEk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1161</feedburner:origLink></item><item><title><![CDATA[Mayday - The art of Shepard Fairey]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/p5crCz7wXwo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1159.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;With energy and urgency befitting the title MAYDAY, Fairey captures the radical spirit of his subjects, using portraiture to celebrate the artists, musicians and political activists he most admires. Says Fairey, “These people I’m portraying were all revolutionary, in one sense or another. They started out on the margins of culture and ended up changing the mainstream. When we celebrate big steps that were made in the past, it reminds us that big steps can be made in the future.”
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&lt;a href="http://feedads.g.doubleclick.net/~a/XpYMgLnvAnpjccDR_QmvsjJ-Nlw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/XpYMgLnvAnpjccDR_QmvsjJ-Nlw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/p5crCz7wXwo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1159</feedburner:origLink></item><item><title><![CDATA[Pack your life]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/8-7dENOzqJI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1158.ficPortada_210x235.PORTADA.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;You do know a great package when you see one. But what makes it great? Packaging design, in fact, is an act of balancing between creativity and functionality. &lt;i&gt;Pack your life&lt;/i&gt; focuses on the visual side of the package, its graphical appeal, not that much on package engineering. A showcase of packaging design from international studios such as BaseDesign, &amp;Larry, Richard Baird among others.
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&lt;a href="http://feedads.g.doubleclick.net/~a/uxAmbPUBHkmk2iaoybqd1CzTWP4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/uxAmbPUBHkmk2iaoybqd1CzTWP4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/8-7dENOzqJI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1158</feedburner:origLink></item><item><title><![CDATA[Graphic Moment - Graphic Designers Work Collection]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/ycFhMMFAFl4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1157.ficPortada_210x235.graphic_moment.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt; Graphic Moment &lt;/i&gt; brings together an international group of creatives from London, Hong Kong, New York, Madrid and numerous other cities, sharing their experiences and best moments. Ask them what brought them here? All of them will have different stories to tell of their design, process, solutions and experiences. Although the designers in this volume come from diverse backgrounds and possess unique styles, they are united thourgh a mutual understanding and passion for visual design.
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&lt;a href="http://feedads.g.doubleclick.net/~a/7oVAYxKZaBh-yzhGt0-P4eF800k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7oVAYxKZaBh-yzhGt0-P4eF800k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/ycFhMMFAFl4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1157</feedburner:origLink></item><item><title><![CDATA[Way of the sign]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/U2QEYZTdecs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1156.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book explores the use of sign systems within institutions across the globe and discusses the needs and considerations behind each project. It features projects from Asia, the USA, Africa, Europe and the UK. The signs featured have been designed for a variety of institutions, such as hospitals, airports, subways, art gallerys, shopping malls and college campuses.
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techniques, each study list print and paper choices, together with details on finishing. This book is a practical
guide and rich source of graphic creativity for designers and clients alike.
Following is a video illustrating the book's contents:

&lt;iframe src=http://player.vimeo.com/video/19782462?autoplay=1&amp;loop=1 width=450 height=281 frameborder=0&gt;&lt;/iframe&gt;&lt;p&gt;&lt;a href=http://vimeo.com/19782462&gt;Common In terest&lt;/a&gt; from &lt;a href=http://vimeo.com/indexbook&gt;Index Book&lt;/a&gt;&lt;/p&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/EbEODRldetuRakx0kt1axbbtjMc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EbEODRldetuRakx0kt1axbbtjMc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/VBwVCnn2BP8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1142</feedburner:origLink></item><item><title><![CDATA[A Graphic Design Project from Start to Finish]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/T5Ehb1lUjWU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1140.ficPortada_210x235.agdp_COVER.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;A graphic design project from start to finish &lt;/i&gt;is a practical book, especially for people who are just getting started in graphic design. The book begins with project management, i.e., the part of the job we all do but somehow forget to organize or plan. It continues with
the work area, i.e., the space and equipment needed to successfully complete the project. Then, we talk about things like design and page structure and follow them up with the various visual (photography and illustration) and written (typography) alternatives available for the project. The book finishes up with various aspects related to mass production and contains a glossary of terms and a bibliography of essential reading.
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&lt;a href="http://feedads.g.doubleclick.net/~a/lk_8xniBBpxPOTy7bsjroNB9lVI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lk_8xniBBpxPOTy7bsjroNB9lVI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/wYWoc3OqCwY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1143</feedburner:origLink></item><item><title><![CDATA[Diccionario visual de preimpresión y producción]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/hf8EbxcaTYo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1144.ficPortada_210x235.pre_press_ES.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Esta obra se convierte en un recurso de valor incalculable para cualquier persona interesada en el diseño gráfico. Cada término se presenta con una explicación y una contextualización. Se han incluido más de 250 términos de preimpresión y producción. Con términos prácticos, contiene toda la terminología moderna y los términos tradicionales cuyo uso sigue vigente hoy en día.Todos los términos tienen además su traducción al inglés.
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&lt;a href="http://feedads.g.doubleclick.net/~a/akkcqjjBhQPpictxSLEfUK6Gvg0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/akkcqjjBhQPpictxSLEfUK6Gvg0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/f5yZSMounGc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1153</feedburner:origLink></item><item><title><![CDATA[Typography 31]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/ctTIrsKgvUo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1155.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;For over fifty years, the Type Directors Club has encouraged the worldwide graphic arts community to achieve excellence in typography through its annual international competitions. Typography 31 is the only annual devoted exclusively to typography and presents the finest work in this field for the year 2009. Selected from approximately 2300 international submissions to the annual Type Directors Club competition, the winning designs are models of excellence and innovation in the use of type design, encompassing a wide range of categories, including books, magazines, corporate identities, logo types, stationery, annual reports, video and web graphics, and posters.
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&lt;a href="http://feedads.g.doubleclick.net/~a/Aohv4qBxX409pY15_tidnTHI_0g/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Aohv4qBxX409pY15_tidnTHI_0g/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/ctTIrsKgvUo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1155</feedburner:origLink></item><item><title><![CDATA[Emek]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/9k2EC9NCZCA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1148.ficPortada_210x235.PORTADA.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Poster artist Emek combines 60’s counterculture psychedelia and 90’s postindustrial iconography to create vibrant, visually stunning illustrations for rock concert posters and protest art. "The thinking man’s poster artist" his unique visual style has graced music posters on a diverse spectrum. Initially, the poster offered a commercially viable alternative to advertising for a young art school graduate — and later proved to be an opportunity for artistic freedom rarely allowed in other commercial work.
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&lt;a href="http://feedads.g.doubleclick.net/~a/iPG31UeDoK-SDfv_ZWm00rCLMx8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iPG31UeDoK-SDfv_ZWm00rCLMx8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/9k2EC9NCZCA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1148</feedburner:origLink></item><item><title><![CDATA[Ñh 07]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/AGif67aAoVE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1146.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book contains the winners of the “ÑH7 Awards.The best in Journalistic Design of Spain and Portugal 2010” as well as comments of the juror and Javier Errea's article with impressions on winning and non-winning works.
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&lt;a href="http://feedads.g.doubleclick.net/~a/v45I83zqIqSIslBp41QTVxzKIUI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/v45I83zqIqSIslBp41QTVxzKIUI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/4ZD-UaMHGK4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?930</feedburner:origLink></item><item><title><![CDATA[Designers' Identities]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/ttzVsVOinPA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1141.ficPortada_210x235.designers-identities.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;For graphic designers no project is more personal or more crucial, both in terms of commercial success and peer-group positioning, than their own corporate identity. From the first hello, to delivering the invoice, designers are judged, again and again, on the quality of their printed and virtual presentation, including their company name, logo, business card, letterhead, website, blog, newsletter, delivery packaging, brochures, promos, even the typeface they choose. 

This book examines the corporate identities of 76 designers, at various stages in their careers and from around the world, providing blueprints for best practice and inspiration. Along with detailed information about formats, materials and methods, the book includes a number of interviews with designers, who talk through their own corporate identity programme and the reactions they have had to this, their most personal design project.

&lt;b&gt;Liz Farrelly&lt;/b&gt; is a design writer and editor, published worldwide. Her book credits include, among others, 'Scrawl', 'Scrawl Too', 'Zines', 'Stick ‘Em Up', 'Brooklyn: New Style', 'Fashion Forever', the Business Cards series, 'onehundredat360º' and 'For Love and Money: New Illustration'.
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&lt;a href="http://feedads.g.doubleclick.net/~a/YCMykSFWlxjn01qx8Be5_EH_uiE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YCMykSFWlxjn01qx8Be5_EH_uiE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/ttzVsVOinPA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1141</feedburner:origLink></item><item><title><![CDATA[Graphics Alive 2]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/C-uPijxTGnA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1130.ficPortada_210x235.graphics-alive-2.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;It’s there in your wardrobe. You’ll find it in your home, at your office and out on the street. What is always there shadowing us? Hot on the heels of the successful &lt;i&gt;Graphics Alive &lt;/i&gt;comes &lt;i&gt;Graphics Alive 2&lt;/i&gt;. Like its predecessor, this volume continues to explore the powerful yet humble graphic art and illustration that are applied all over the world we live in. Covering everything from everyday items like fashion, furniture, toys and household goods to in-store decorations and shop windows, this book features pieces that embrace us from head to toe, near and far, created by top international designers and individual artists.
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&lt;a href="http://feedads.g.doubleclick.net/~a/X_BKbPf0mha2IMbkia3D2C1EpFc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/X_BKbPf0mha2IMbkia3D2C1EpFc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/C-uPijxTGnA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1130</feedburner:origLink></item><item><title><![CDATA[Select i, Graphic Design from Spain]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/nDAWn0UP6mI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1084.ficPortada_210x235.SelectI.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The 9th edition of Index Book's  yearbook on Spanish graphic design and new media projects completed in 2009. As a novelty this year, the selected work pieces entered the selection process for the new European annual &lt;em&gt;Selected A, Graphic Design from Europe&lt;/em&gt;.

11 professionals met at Barcelona's DHUB on March 10th, 2010. On one side of the room the 5 selectors of the Graphic Design section went round a table covered in spreads of printed work pieces. On the other side of the room, 3 professors scrutinized the work for the &lt;em&gt;Schools&lt;/em&gt; chapter. Finally, the 3 selectors of the &lt;em&gt;New Media&lt;/em&gt; section watched the contents of different projects on a giant screen. All in all, it was a long, difficult task owing to the high level achieved in this year's &lt;em&gt;Select i&lt;/em&gt; annual.

&lt;b&gt;Select i selectors team&lt;/b&gt;: 
&lt;ul&gt;&lt;li&gt;&lt;b&gt;Graphic Design&lt;/b&gt;: Bildi Grafiks, Antón Granero, Armando Sotoca, Josep Bagà, Javier Abio.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;New Media&lt;/b&gt;: Ana Zelich, Estudio Dvein, Olivier Grau.&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Schools&lt;/b&gt;: Óscar Heredero, Jaume Pujagut, Ártemis Ruipérez.&lt;/li&gt;&lt;/ul&gt;
For further information: &lt;a href="http://www.indexbook.com/select"&gt;&lt;b&gt;www.indexbook.com/select&lt;/b&gt;&lt;/a&gt;

List of selected &lt;b&gt;professionals&lt;/b&gt; featured in &lt;i&gt;Select I&lt;/i&gt;:
&lt;font color="gray"&gt;
[Q]Interactiva, Alex Trochut, Arista BCN, Artimaña, ATIPUS, S.L., Barfutura, BaseMotion, Belén Payá (B Diseño), bell publicidad, Bendita Gloria, Bildi Grafiks, biográfica, Bisgràfic, Bold Bureau, Bruno Baeza, Bürø, By Canya studio, cenlitrosmetrocadrado, CLARET SERRAHIMA I ASSOCIATS, S.L., COLLAZOS Comunicación, COMUNICA, Cubo Diseño, David Torrents, dcdisseny, DG ESTUDIO, Domestika, do the right click, Dot the eye, DoubleYou, Dúctil, Dvein, Eduardo del Fraile, El Cuartel, El Paso, Galería de Comunicación / Álvaro Pérez, EL PLAN B, El taller de GC, emeyele, Eneeme espai creatiu, ENRIC AGUILERA ASOCIADOS, Errea Comunicación, Erretres Diseño, ESIETE, espluga+associates, Estudi Diego Feijóo, Estudi Montse Fonoll, Estudio Alejandro Gil, Estudio Astrid Stavro, Estudio Mariscal, Eumogràfic, F. Javier Gil, F33, Gemma Terol, gestocomunicación, gira, GIRO CREATIVO, S.L. (Imaginarte), Graphicant.es, Grow_the design consultancy, Guillem Cardona, HERRAIZ SOTO &amp; CO., Insignia Creativa, Ipsum Planet, islookingfor.me, Jorge Lorenzo Diseño y Comunicación Visual S.L., Josep Bagà Associats, KEN, Kike Correcher (Filmac), La Factoria dels Anuncis, Laura Meseguer, Marc Guardiola - SENSE TITOL CREATIUS, Mario Eskenazi, Medusateam, MODULO, Moruba, MOTIVA INTERACTIVA, SL, Nectar Estudio S.L., Nifava, Nopiun, Oriol Ribas, paparajote, Pati Nuñez Associats, Pau de Riba + Guillem Cardona, pavlov, s.l., petit comite del disseny s.l.l., PIXELARTE CREATIVIDAD, SLU, PlatanosNaranjas, pornographics, Pou Larrosa, Pulp, Ruiz + Company, Sánchez/Lacasta, Sandra Neumaier Design, Serial Cut, Sonsoles Llorens, Studio Copyright, Sublima Comunicación - Publimedia Digital S.L., Tatay Comunicacion, tea time studio, TOCH Studio, TOORMIX, S.C.P., Tres Tipos Gráficos, TwoPoints.Net, Unlimited, Valladares Diseño y Comunicación, Vasava, Víctor Montalbán, virgen extra, Vis-tek, WESEMUA, Xosé Teiga, ZeligStudio, ZORRAQUINO.&lt;/font&gt;

List of selected &lt;b&gt;schools&lt;/b&gt;  featured in &lt;i&gt;Select I&lt;/i&gt;:
&lt;font color="gray"&gt;
BAU escola superior de disseny, CEADE, Centre de la Imatge i la Tecnologia Multimèdia, Centro Superior de Publicidad, EASD Serra i Abella, Eina, Escola de Disseny i Art, elisava, Escola d'Art i Superior de Disseny Pau Gargallo, Escola de Arte e Superior de Deseño Antonio Failde, Escola Massana, Escola Municipal d'Art Illa - Ajuntament de Sabadell, Escola Superior de Disseny de les Illes Balears, Escola Superior de Disseny ESDi, escuela artediez, Escuela de Arte y Superior de Diseño Alicante, Escuela de Arte y Superior de Diseño de Murcia, Escuela de Arte y Superior de Diseño de Logroño, Escuela de Arte y Superior de Diseño de Soria, escuela de arte y superior de diseño valencia, Escuela EDIB, IDEP Institut Superior de Disseny, IED Madrid, Istituto Europeo di Design Barcelona, KUNSTHAL, Universidad de Castilla-La Mancha / Facultad de Bellas Artes, UPSA.&lt;/font&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/-t4sjzHXpxvxhuWA48oVgSzvKD4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-t4sjzHXpxvxhuWA48oVgSzvKD4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/nDAWn0UP6mI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1084</feedburner:origLink></item><item><title><![CDATA[Basic Identity]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/AaxZEb1FLJo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1129.ficPortada_210x235.basic-id210.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Basic&lt;/b&gt; is book a series about the basic disciplines in graphic design. The first volume in the series is about logos; the second, about packaging and the third is about corporate identity. Contents are classified by the type of entity - arts &amp; culture, business services, retail, lifestyle and manufacturing.

&lt;b&gt;Basic Identity&lt;/b&gt; features different corporate identity projects developed by designers from around the world, showcasing a broad range of styles which enhance the book and make it both a compendium of visual input and a great source for inspiration.
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&lt;a href="http://feedads.g.doubleclick.net/~a/PhAWPysWsACAqTVlzup_coruavc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PhAWPysWsACAqTVlzup_coruavc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/AaxZEb1FLJo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1129</feedburner:origLink></item><item><title><![CDATA[How to Disappear - Moki]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/2rjzvC_Z224/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1138.ficPortada_210x235.how-to.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;How to Disappear — it’s a constant concern in artist Moki’s work. Moki’s photorealistic paintings find inspiration in comic book themes and natural and human mysteries. Her images are unsettling and charming, strange yet familiar. They feature lonely northern landscapes: isolated Scandinavian and Icelandic terrain, a subarctic frozen lake continent, untouched caves and moss meadows, and mountains sculpted into anatomical shapes by wind and water. Animals and humans emerge and dissolve into their environments. Within the solitude of nature, disappearing seems an obvious act.

Moki lives and works in Hamburg, where she studied at the Hamburg Academy of Arts. She also creates animation, comics, performance art, and toys and is active in international art collectives and the Street Art scene. Her art evokes the animation of Hayao Miyazaki, but with a chilling beauty that's pure Moki.

Enjoy the haunting alternate world within this monograph.
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&lt;a href="http://feedads.g.doubleclick.net/~a/VDtIXLVb7dlHOlT391talWsR5eY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VDtIXLVb7dlHOlT391talWsR5eY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/2rjzvC_Z224" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1138</feedburner:origLink></item><item><title><![CDATA[TypoShirt One]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/siUqsoesuBo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1091.ficPortada_210x235.COVER.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Featuring more than 1,700 unique designs from all over the world, &lt;b&gt;TypoShirt One&lt;/b&gt; is the first book to focus exclusively on T-shirt typography. Spanning message and logo T-shirts to more abstract and arty models that transmit more cryptic messages, &lt;b&gt;TypoShirt One &lt;/b&gt;showcases current and historical T-shirts from small, independent labels and artists to those created by globally recognized names and brands. Ever since the T-shirt crossed over from unadorned male innerwear item to a hugely popular unisex wardrobe staple more than half a century ago, no other piece of apparel has featured as many expressive and fascinating claims, statements, typefaces and “instant messages.” These transmitted messages gain an irreversible strength and power through the motifs that, in this book’s pages, are reduced to their substance, related to the form and content. Created for fans of graphic design, fashion and popular culture, &lt;b&gt;TypoShirt One &lt;/b&gt;is an intriguing look at the wearable fabric canvases where these worlds–and words–meet.
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&lt;a href="http://feedads.g.doubleclick.net/~a/9Weova4Fv7Hoyj4Ksn_DLCP5aYQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/9Weova4Fv7Hoyj4Ksn_DLCP5aYQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/siUqsoesuBo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1091</feedburner:origLink></item><item><title><![CDATA[Typex - Tipografía. Una experiencia docente]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/h9mE-fURnIk/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1108.ficPortada_210x235.typex-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book does not intend to be anything more than a record of the classes that Hernán Ordoñez has given over the last six years in the Basque Country. It contains many of the experimental proposals made between 2004 and 2010 in the Design and Typography classes and workshops, taking the reader to a journey through the processes, searched, objectives and achievements. Some of the projects have been granted prizes and honourable recognitions from Signes, ADI-FAD and Laus; several of the projects were chosen by variuous publications, while others gave students the opportunity to undertake their first work experience at prestigious international studios such as Design Bridge in London and Guggenheim Museum Bilbao for which the author co-tutored the Corporate Identity for its 10th anniversary.
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&lt;a href="http://feedads.g.doubleclick.net/~a/1PGkYplzsuW20l6YC9Y3AwyZ3Bg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1PGkYplzsuW20l6YC9Y3AwyZ3Bg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/h9mE-fURnIk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1108</feedburner:origLink></item><item><title><![CDATA[Typex - Typography. A teaching experience]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/O1cBI3Ta-U0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1109.ficPortada_210x235.typex-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book does not intend to be anything more than a record of the classes that Hernán Ordoñez has given over the last six years in the Basque Country. It contains many of the experimental proposals made between 2004 and 2010 in the Design and Typography classes and workshops, taking the reader to a journey through the processes, searched, objectives and achievements. Some of the projects have received prizes and honourable mentions from Signes, ADI-FAD and Laus; several of the projects were chosen by variuous publications, while others gave students the opportunity to undertake their first work experience at prestigious international studios such as Design Bridge in London and Guggenheim Museum Bilbao for which the author co-tutored the Corporate Identity for its 10th anniversary.
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&lt;a href="http://feedads.g.doubleclick.net/~a/xBMW3KRZ9bNVSrySAyesPEJYYro/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/xBMW3KRZ9bNVSrySAyesPEJYYro/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/O1cBI3Ta-U0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1109</feedburner:origLink></item><item><title><![CDATA[Chinese Dress Motifs]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/uUX_Dz59vxQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1125.ficPortada_210x235.dress-motifs210.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;China has a long history in fabric production, including those made of silk, wool and cotton, to name a few. With the rise and fall of the Chinese dynasties, knitting and embroidery patterns evidently evolved to reflect the times in which they were created. The embroidered patterns featured in this book are mainly folk designs with primary themes of flowers, birds, as well as images of people. To give these special patterns contemporary relevance, the patterns have been adapted, recreated and refined with Adobe Illustrator and kept in a vector format, and can be easily used by designers of any discipline, be it fashion, textile, graphic or interior design.
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&lt;a href="http://feedads.g.doubleclick.net/~a/fhSOWcUvr8azuG9qF7TUnT_RzaY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fhSOWcUvr8azuG9qF7TUnT_RzaY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/uUX_Dz59vxQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1125</feedburner:origLink></item><item><title><![CDATA[Shape Shifters]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/UT7imTHvzAc/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1126.ficPortada_210x235.shape-shifters.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;In the hands of today's most experimental fashion designers, the human silhouette is being radically reshaped and the boundaries between fashion, art, sculpture and architecture, fascinatingly redrawn. Shapeshifters showcases a range of inspiring and visually-arresting designs from designers all over the world. From bulbous and voluminous to austere and angular, the looks presented will be provocative, exquisite and sumptuous, and will intrigue with their demonstration of the structural potential of clothing. Displaying astonishingly architectural concepts that are graphically striking and sculptural, this book will appeal to students and designers in fashion and the fine arts, as well as lovers of bold and three-dimensional forms.
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&lt;a href="http://feedads.g.doubleclick.net/~a/3zJfyUl-R_j3-ItF8dbWaqp4JIM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3zJfyUl-R_j3-ItF8dbWaqp4JIM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/OwvFEMZWDAk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1122</feedburner:origLink></item><item><title><![CDATA[Chinese Ethnic Minority Motifs]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/PbG2G73cB0g/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1123.ficPortada_210x235.ethnic210.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;China has a long history in fabric production, including those made of silk, wool and cotton, to name a few. With the rise and fall of the Chinese dynasties, knitting and embroidery patterns evidently evolved to reflect the times in which they were created. The embroidered patterns featured in this book are mainly folk designs with primary themes of flowers, birds, as well as images of people. To give these special patterns contemporary relevance, the patterns have been adapted, recreated and refined with Adobe Illustrator and kept in a vector format, and can be easily used by designers of any discipline, be it fashion, textile, graphic or interior design.
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&lt;a href="http://feedads.g.doubleclick.net/~a/tK5oamR2d-ECrLILi63mvZTZD9s/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tK5oamR2d-ECrLILi63mvZTZD9s/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/gVRDP_dVQ1E" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1114</feedburner:origLink></item><item><title><![CDATA[By Invitation Only]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/16bMbAG7CGQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1049.ficPortada_210x235.1049_cover-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;An invitation is a means of formal social communication that happens all year round. Whether it is made to inspire or bring memories, the ultimate goal of sending invitations is to draw attention and convince its recipients to take part in the great happenings coming up.

Well-executed invitations add credits to party-givers and guarantee them a lasting impression that lingers on after the events. Gathering a rich selection of direct mails and invitations created for day-to-day occasions ranging from business functions to private parties, &lt;i&gt;By Invitation Only  - Tempting Invites in DM Design&lt;/i&gt; investigates how today's invitation design speaks the hosts' heart and soul and connects people with fresh appeal. From event objectives to designers' brilliant use of simple graphics, materials and tricks, this new title is asking you to forget the torment of opening junk and release the thrill of unwrapping more than 160 collectible invitations at a time!
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&lt;a href="http://feedads.g.doubleclick.net/~a/RxCeaucmwCIapTg_B1GZzBYpE4k/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/RxCeaucmwCIapTg_B1GZzBYpE4k/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/z5i1Vmnp0E8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1118</feedburner:origLink></item><item><title><![CDATA[The New Age of Feminine Drawing]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/WYwll4J8cho/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1116.ficPortada_210x235.new-age-cover-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;As feminine-themed illustrations and decorations become more and more popular in our daily lives, this book showcases the work of talented artists around the world, as well as a collection of lifestyle and entertainment products. A bonus "Behind the Scenes" chapter offers a precious peek inside artists' studios and their creative process.

&lt;i&gt;The New Age of Feminine Drawing&lt;/i&gt; demonstrates clearly how and why illustration in fashion has made an amazing comeback. Having virtually reached saturation point, photography is no longer the all-powerful medium of creativity, and has once again given way to the age old art of drawing.

The drawings featured in this exciting new title represent many different styles and a broad cross section of artists. All works featured have one thing in common: they possess a uniquely feminine power of seduction.

Categories covered include magazine covers, posters, cosmetic advertisements, lifestyle advertisements and entertainment products. Artists featured include Akari Inogouchi, Annika Wester, Carine Brancowitz, Cecilia Carlstedt, Cedric Rivrain, Christina K. Coco, Elisa Johns, Laura Laine, Lotie, Maren Esdar, Jarno Kettunen and more.
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With an interview section graced by the artists' handwritings, doodles and distinctive characters, &lt;i&gt;Illustration • Play 2&lt;/i&gt; is a body of sweat and surprises yielded from the most ordinary things you could find in life. From flat drawings and collage, to papercuttings, crafts, sculptures, bas-reliefs and installations.

Get prepared to experience the course of discovery and a different perspective of seeing through the extraordinary handworks made by the very playful hands of 24 makers from around the world.
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&lt;b&gt;&lt;i&gt;Selected&lt;/i&gt;&lt;/b&gt; is not an award, but rather, as its name suggests, it is a "selection" of the &lt;b&gt;best European design&lt;/b&gt; projects completed within year 2009 by graphic studios, designers and students from across Europe.

The projects are chosen by a team of renowned professionals - &lt;i&gt;Selectors&lt;/i&gt; - from various fields in the visual communication and graphic design industries, who meet to make a selection of the best work pieces among all the entries received. Only the projects which are chosen from their expert point of view are ultimately included in the book.

The annual is presented with an original design and in a special format, smaller than the average yearbook. The book is divided into three different categories (&lt;i&gt;Graphic Design, New Media and Schools&lt;/i&gt;) and each project is featured individually on a double-page spread. Instead of being numbered, each edition of &lt;i&gt;Selected&lt;/i&gt; is assigned a letter, in alphabetical order, which is also the initial of the font face used in the book. Namely, the first volume in the series, &lt;i&gt;Selected A&lt;/i&gt;, refers to the font face &lt;i&gt;AkzidGroBe&lt;/i&gt;. This is Index Book's special way of paying homage to typography as an iconic element in design.

The team of &lt;a href="http://www.indexbook.com/selected/selectors/selectors-a.php" target="_blank"&gt;&lt;b&gt;Selectors&lt;/b&gt;&lt;/a&gt; assigned for this edition have been, under each category:

&lt;ul&gt;&lt;li&gt;&lt;b&gt;Graphic Design&lt;/b&gt;: Björn Kusoffsky (Stockholm Design Lab), Edwin van Gelder (Mainstudio), Lars Harmsen (Magma Brand Design), Agathe Jacquillat (Fl@33), Eduardo del Fraile (Dfraile).&lt;/li&gt;
&lt;li&gt;&lt;b&gt;New Media&lt;/b&gt;: David Linderman (Hi-ReS!), Joakim Borgström (Wieden+Kennedy Amsterdam).&lt;/li&gt;
&lt;li&gt;&lt;b&gt;Schools&lt;/b&gt;: Dra. Catherine Dixon (Central Saint Martins, UK), Ada Lopes Cardozo (KABK Royal Academy of Fine Arts, Netherlands).&lt;/li&gt;&lt;/ul&gt;
Discover &lt;a href=http://www.indexbook.com/selected/new class=link&gt;how to appear in forthcoming editions of Selected&lt;/a&gt;

More details at &lt;a href=http://www.indexbook.com/selected class=link&gt;www.indexbook.com/selected&lt;/a&gt;

Following is the list of &lt;b&gt;professional&lt;/b&gt; participants featured in this edition:

&lt;font color="gray"&gt;Acme Industries, Alex Trochut, Anker &amp; Strijbos, Anna Federica Ferrara, AREAGRAFIKA, Arista BCN, ART+COM, Barfutura, BBH / Pirata London, BaseMotion, Bendita Gloria, benoitlemoine, Bildi Gràfiks, biográfica, Bisgràfic, Brighten the Corners, By Canya studio, Catherine Dixon, CLARET SERRAHIMA I ASSOCIATS, COMUNICA, Damien Poulain Ltd, David Mascha, David Torrents, dcdisseny, Demian Conrad Design, designbolaget, DG ESTUDIO, do the right click, Dot the eye, DoubleYou, Dvein, Eduardo del Fraile, EL PLAN B, El taller de GC, Emilie Boyard, Marc Chevry, Eneeme espai creatiu, ENRIC AGUILERA ASOCIADOS, Errea Comunicación, ESIETE, espluga+associates, Estudi Diego Feijóo, Estudio Alejandro Gil, Estudio Astrid Stavro, Eumogràfic, EXPRESSIV, F33, Felix Stumpf, FL@33, Fons Hickmann m23, G, gira, Gruppe Gut, GVA Studio, Hello Monday, Herr Mueller, HERRAIZ SOTO &amp; CO., Hi-Res!, Hipopotam studio, i_d buero, Ipsum Planet, islookingfor.me, jack dahl for homework, JEKYLL &amp; HYDE, Josep Baga, Laura Meseguer, leomaria grafikdesign, lidu in life, art &amp; design, Little Chicken Game Company, lovers town - jonahan calugi, MAGMA BRAND DESIGN, MAIN STUDIO, Manuela Wei? &amp; Nadine Schüessel, Marc Guardiola - SENSE TITOL CREATIUS, Mario Eskenazi, Maxime Bruneel, me studio, Medusateam, Melanie Schmidt, Mind Design, Morse Studio, Moruba, MOTIVA INTERACTIVA, SL, Mueller,Weiland, Naroska, Nectar Estudio, Nerdfilms, Nexus Productions, Nopiun, onlab, pati nuñez associats, Pau de Riba + Guillem Cardona, pavlov, PeterGregson Studio, PIXELARTE CREATIVIDAD, SLU, pornographics, Pou Larrosa, Pulp, Ruiz + Company, RUSKA MARTIN ASSOCIATES GMBH, Sánchez/Lacasta, scrollan, Sean Freeman / There is, Serial Cut, Sign*, Stas Sipovich, STOCKHOLM DESIGN LAB, Strömme Throndsen Design, Studio Boot, Studio Copyright, Studio Dumbar, Studio EMMI, Studio International, studioaka, SVIDesign, take off - media services, Taxi Studio, tea time studio, Tena Letica, Toan Vu-Huu, Tom Geraedts, TOORMIX, S.C.P., Trapped in Suburbia, Turner Duckworth: London &amp; San Francisco, TwelveTimesTwo, Unlimited, Vasava, Vis-tek, Wieden + Kennedy, xplicit. Gesellschaft für visuelle Kommunikation, Zeebee Visual Communications, ZeligStudio, ZORRAQUINO.&lt;/font&gt;

Following is the list of &lt;b&gt;schools&lt;/b&gt; featured in this edition:

&lt;font color="gray"&gt;BAU escola superior de disseny, CEADE, Central Saint Martins College of Art &amp; Design (London), Centre de la Imatge i la Tecnologia Multimèdia, Centro Superior de Publicidad, Design Academy (Eindhoven), EASD Serra i Abella, Eina, Escola de Disseny i Art, Elisava, Escola d'Art i Superior de Disseny Pau Gargallo, Escola Massana, Escola Superior de Disseny ESDi, Escola Superior Gallaecia, Escuela de Arte y Superior de Diseño de Murcia, Escuela de Arte y Superior de Diseño de Soria, Escuela de Arte y Superior de Diseño de Valencia, Hochschule Darmstadt : University Of Applied Sciences, IDEP Institut Superior de Disseny, IED (Madrid), Istituto Europeo di Design (Barcelona), Media And Design Academy (Genk), KABK, Royal Academy of Art (The Hague), Sint-Lukas Hogeschool (Brussels), Willem de Kooning Academy (Rotterdam).&lt;/font&gt;
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&lt;i&gt;Basic Pack&lt;/i&gt; features different packs developed by designers from around the world, showcasing a broad range of styles that enhance the book and make it both a compendium of visual input and a great source for inspiration.
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&lt;a href="http://feedads.g.doubleclick.net/~a/tS4feevfTP_xGGsYFrRfnlSPB8c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/tS4feevfTP_xGGsYFrRfnlSPB8c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/pLihs42afmY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1107</feedburner:origLink></item><item><title><![CDATA[Tempus Fugit - Los mejores diseños de calendarios]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/_iSWSnIrGXM/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.919.ficPortada_210x235.tempusfugit.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;img src=http://www.indexbook.com/img/reddot.png title='Red Dot Design Award Winner 2010'&gt;

&lt;b&gt;Tempus Fugit&lt;/b&gt; offers a visual feast for studios and designers exploring the concept of time.

Exquisitely designed by Bildi Grafiks this book is honored with a &lt;b&gt;Red Dot Design Award 2010&lt;/b&gt;. It includes an introductory essay on realtime design and sound, by Robert Appleton, together with more than 60 calendars and 50 reflections by designers, showcasing 12 exemplary cases by world design celebrities, including George Tscherny, Paula Scher, John Maeda, Kit Hinrichs, Massimo Vignelli and Ahn Sang Soo, among others.
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&lt;b&gt;Tempus Fugit&lt;/b&gt; offers a visual feast for studios and designers exploring the concept of time.

Exquisitely designed by Bildi Grafiks this book is honored with a &lt;b&gt;Red Dot Design Award 2010&lt;/b&gt;. It includes an introductory essay on realtime design and sound, by Robert Appleton, together with more than 60 calendars and 50 reflections by designers, showcasing 12 exemplary cases by world design celebrities, including George Tscherny, Paula Scher, John Maeda, Kit Hinrichs, Massimo Vignelli and Ahn Sang Soo, among others.
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&lt;a href="http://feedads.g.doubleclick.net/~a/YZQm0_cnLb0VVMD6Bi2lpgMdr6o/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YZQm0_cnLb0VVMD6Bi2lpgMdr6o/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/8zon4DVmabA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?920</feedburner:origLink></item><item><title><![CDATA[Diseño de la Noticia 2008-2010]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/3Ub_enOPGgA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1110.ficPortada_210x235.1110_210x235.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book revisits some of the most significant projects undertaken by Cases i Associats in the area of newspaper design for the period from 2008 to 2010, both in print and in digital format.
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&lt;a href="http://feedads.g.doubleclick.net/~a/EMk9M7UiYPWagKmLaexcqlL_5AE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EMk9M7UiYPWagKmLaexcqlL_5AE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/NJkvFdXHwkk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1112</feedburner:origLink></item><item><title><![CDATA[Pentagram Marks: 400 Symbols & Logotypes]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/CRyYRYnQ3G0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1089.ficPortada_210x235.pentagram-marks_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The four hundred marks reproduced in this book represent the diverse array of identity work produced by Pentagram's partners, past and present, since the company was founded in 1972. Over the past four decades, Pentagram has designed marks for large corporations and small businesses, government agencies and non-profit institutions, clubs and societies and even individuals, all of whom were seeking a representative symbol to appear on letterhead and books, buildings and websites and everywhere else imaginable.

&lt;i&gt;Pentagram originated in London in 1972 and opened offices in New York in 1978, San Francisco in 1986, Austin in 1994 and Berlin in 2002. It provides design services across the full spectrum of graphics, identity, architecture, interiors and products to both local and international clients.&lt;/i&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/BtHhp7j5BXdttibqChPRS0GnNMQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BtHhp7j5BXdttibqChPRS0GnNMQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/CRyYRYnQ3G0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1089</feedburner:origLink></item><item><title><![CDATA[TypoMag - Tipografía en las revistas]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/3zfGkxFAY3M/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1076.ficPortada_210x235.cover_esp02.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This is the first book in the new &lt;b&gt;Typo&lt;/b&gt; collection, which is conceived as a source of inspiration for designers who use typography as one of the main resources in their projects –from both an expressive and communicative standpoint. The first volume of the collection is &lt;i&gt;TypoMag&lt;/i&gt; and is dedicated to typography as used in magazines. &lt;i&gt;TypoMag&lt;/i&gt; analyzes excellence in the use of typography, custom-made fonts and the personalized fonts used in almost 30 magazines on a variety of topics.
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&lt;a href="http://feedads.g.doubleclick.net/~a/Fqt944GlIHyd0fHETtPX375Jkac/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Fqt944GlIHyd0fHETtPX375Jkac/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/3zfGkxFAY3M" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1076</feedburner:origLink></item><item><title><![CDATA[Diseño Rentable (2ª ed. revisada)]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/c83imbtlBqE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.759.ficPortada_210x235.diseno-rentable2ed-s.gif&amp;width=67&amp;height=75"&gt;&lt;br&gt;Revised 2nd edition of this succesful title on design management by Xènia Viladàs.

Today, design is one of the requirements to enter into the majority of markets, but at the same time it is a pending subject for a great number of small companies which still have not learned how to approach the matter. 

This book provides guidelines on an effective integration of the function of design in the company, helping to reduce the risks in decision making. The tools and concepts expressed in it are open, so that everyone can adapt them to their own needs. It is not a treatise on design management, but a kind of 'Swiss knife' which can be used on a daily basis.
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• &lt;b&gt;Girly Graphics&lt;/b&gt;.
The word “girly” represents an expression of reconstructing a positive image of girls. Unverbalized “girly” images are so powerful and convey such a strong message, not only to girls but also to a broader audience in today’s world. Although many advertising pieces targeted to girls are included, the work selected for the book is not necessarily targeted to girls. Featured in this book are about 300 pieces, including posters, catalogues, shop cards, business cards, books, music CD jackets, greeting cards, letter-heads, product packages and more, all created by Japanese designers for the Japanese market, but for internationally recognized brands such as Levi Strauss, Anna Sui or Jill Stuart, among others.

• &lt;b&gt;Tough-Style Graphics&lt;/b&gt;.
When large amounts of information are circulating around, straightforward and direct messages in graphic design are needed to deliver the right information to each specific target audience. These days we can detect designs which are able to cut off the fat from information by shaping bold graphic images. The male consumer market is increasingly growing in the world. This book shows clean cut, tough-style graphics which particularly encourage men to buy, designed with a straightforward and direct appeal. This new trend of edgy designs is currently sweeping through the creative and graphic design community.
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• &lt;b&gt;Best Package &amp; Wrapping Graphics&lt;/b&gt;.
A product package is designed strategically to maximize the brand recognition and appeal to the sales targets. A package design takes on an important role in determining the product image. This book introduces many exciting packages and wrapping examples categorized by industry. The photos of shop interior/exterior design are also included so that those photos would give readers ideas how a product package would harmonize the shop interior and exterior design. Examples of seasonal wrapping at department stores, retailers and various shops are also presented.

• &lt;b&gt;Beauty &amp; Healthcare Package Design&lt;/b&gt;.
This book will present pretty, attractive, and fashionable selected high-quality package designs by product category. You can see the beauty &amp; healthcare industries as a treasury of the design that catches women’s heart. The title will help all professionals’ creativities not only who engage in product package designs, but also who are interested in the designs targeting women in various fields.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ARvFYe-I_7uqw6cqVqIi7YKkIsI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ARvFYe-I_7uqw6cqVqIi7YKkIsI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/iW7jp_aa9tM" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1094</feedburner:origLink></item><item><title><![CDATA[Aim High, Keep Moving!]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Kyh486fXjbU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1071.ficPortada_210x235.offf-cover-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The &lt;b&gt;OFFF International Festival for the Post-Digital Creation Culture&lt;/b&gt; (Paris, 24-26 June 2010) presents an exclusive 10th anniversary book published by &lt;strong&gt;Index Book&lt;/strong&gt;.

All the happenings in the history of the festival are narrated in an original, uninhibited and interactive way through anecdotes, situations, testimonials and images by renowned artists such as &lt;strong&gt;Neville Brody&lt;/strong&gt;, &lt;strong&gt;Kyle Cooper&lt;/strong&gt;, &lt;strong&gt;Hi-Res!&lt;/strong&gt;, &lt;strong&gt;Hillman Curtis&lt;/strong&gt;, &lt;strong&gt;Rob Chiu&lt;/strong&gt;, &lt;strong&gt;Michael Paul Young&lt;/strong&gt;, &lt;strong&gt;Digital Kitchen&lt;/strong&gt;, &lt;strong&gt;Multitouch Barcelona&lt;/strong&gt;, &lt;strong&gt;Paula Scher&lt;/strong&gt;, &lt;strong&gt;Tomato&lt;/strong&gt;, &lt;strong&gt;Vasava&lt;/strong&gt;, &lt;strong&gt;Alex Trochut&lt;/strong&gt; and &lt;strong&gt;Erik Natzke&lt;/strong&gt;, among others.

The book's design is based on fresh, spontaneous aesthetics that match the concept of a personal journal. The visual effects, illustrations, image treatment and interaction with the reader bring the book's contents closer through an emotional experience.

The cover design and foreword have been carried out by &lt;strong&gt;Joshua Davis&lt;/strong&gt;, while the book design is by &lt;strong&gt;Sanpuk&lt;/strong&gt; and Art Direction by &lt;strong&gt;Aimée Campos&lt;/strong&gt;. Included is a &lt;strong&gt;DVD&lt;/strong&gt; containing an &lt;strong&gt;original film&lt;/strong&gt; plus the entire &lt;strong&gt;Offf &lt;em&gt;opening titles&lt;/em&gt;&lt;/strong&gt; collection.

Following is a video illustrating the book's contents:

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&lt;i&gt;Vivid! – The Allure of Color in Design&lt;/i&gt; sets out to demystify the arresting powers of color and how they are successfully used in today’s complex world of marketing. As one of the essential elements of visual communication, color can be the singularly defining factor in the short- and long- term effectiveness of a brand.

Covering all aspects of corporate identity — from logos, stationary and business cards to websites, promotional and packaging design — &lt;i&gt;Vivid!&lt;/i&gt; shows how some of the world’s greatest graphic talents have used color to attract their target audience in the blink of an eye and to hold its attention.

Functionally categorized by hue, this book allows the reader to take a fascinating journey through the spectrum of design.
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The examples presented in Fashion Décor reveal the passion and innovation of designers in every detail — from a store logo constructed from a cascade of hanging crystals to an abstract tree sculpted out of plastic pipes, all are intended to awe and attract customers.

Included are the Camper Shop and Diesel Denim Gallery, plus a host of other masterful projects created for Marni, Stussy, Alberto Ferretti, Issey Miyake, Swarovski and Nike. Featured contributors include international architecture and design giants such as Pentagram (UK), Tokuijin Yoshioka Design (Japan), Universal Design Studio (UK/Australia), Marcel Wanders (Netherlands), and Studio Arthur Casas (Brazil). All are accompanied by detailed floor plans.
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A sample of the most important and exceptional projects of promotional packaging, shown on three different levels, depending on their complexity and grouped according to their features and business area:  bottles, food, textile, Christmas cards, jewellery, decoration, spare time, writing, folders, chocolate, cosmetics, presents, merchandising, editorial.

&lt;b&gt;Feel free to use every die-cut included on the CD&lt;/b&gt;.

&lt;b&gt;Look inside&lt;a href="http://vimeo.com/17490364"&gt;here&lt;/a&gt;&lt;/b&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/vinHOu0RiNh49Bsm2IPTfUSkxwQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/vinHOu0RiNh49Bsm2IPTfUSkxwQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/NtJZ4D-V1Us" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1057</feedburner:origLink></item><item><title><![CDATA[Poster Design]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/jBJTgEjTwIU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1066.ficPortada_210x235.+posterportada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The best poster design work to come out of Spain’s most celebrated studios. Posters of varied subjects suchs as cinema, music, self-promotion, exhibitions among other. This latest edition includes designs by Astrid Stavro, Bendita Gloria, Bisdixit, Carlitos y Patricia, Cla-Se, David Torrents, Folch Studio, Isidro Ferrer, Mucho, No-Domain, Pornographics, Smäll, Soon In Tokio, Two Points, Vasava and more.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ajTJFA3PxfMuQODAhG1zx-xQ49A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ajTJFA3PxfMuQODAhG1zx-xQ49A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/jBJTgEjTwIU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1066</feedburner:origLink></item><item><title><![CDATA[Managing Design for Profits]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/fewtHK95exM/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1064.ficPortada_210x235.ManagingDesign.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Today, design is one of the requirements to enter into the majority of markets, but at the same time it is a pending subject for a great number of small enterprises that still do not know how to approach the matter. &lt;i&gt;Managing Design for Profits &lt;/i&gt;provides guidelines on an effective integration of the function of design in the company, helping to reduce the risks of taking decisions. The tools and concepts offered in these pages are open so that each one makes them personal. It is not a treatise of design management, but a “Swiss pocket knife” to use every day.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gYFd9glxHHlk_WUpOFv-qTFSSQE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gYFd9glxHHlk_WUpOFv-qTFSSQE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/fewtHK95exM" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1064</feedburner:origLink></item><item><title><![CDATA[Logo Pack: Logolounge 4 + Logomondo]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/uh9NeOCOBxQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1065.ficPortada_210x235.logopack.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;A special 2-in-1 pack containing two books on logos:

&lt;b&gt;&lt;a href=http://www.indexbook.com/libro.php?617 target=_top&gt;Logolounge 4&lt;/a&gt;&lt;/b&gt;
By Catherine Fishel &amp; Bill Gardner

&lt;i&gt;Logolounge 4&lt;/i&gt; presents brilliant logos and corporate identities by the best designers all over the world. The book features well known corporate identities made by Interbrand, Pentagram, Office and Siegel+Gale.	

&lt;b&gt;&lt;a href=http://www.indexbook.com/libro.php?652 target=_top&gt;Logomondo&lt;/a&gt;&lt;/b&gt;
By Hitoshi Nagasawa

Brimming with individuality and culled from thousands of entries froma around the world, logo collection, reflecting today's urban aesthetic. 

This esy-to-navigate reference tool is divided into categories, includin typographic, icons, and illustrations, and further classified into innovative identities, like hip-hop, neo baroque, kanji, kana, psychedelic, 60s to 70s, corporate, erotic and other distinct groups. 

Exclusive commentary from author/designer, Hitoshi Nagasawa, traces modern typography and design from the Bauhaus in the 1920's till today.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gUYlqK_0XVQ2uhoHkx7MBC8g0gQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gUYlqK_0XVQ2uhoHkx7MBC8g0gQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/uh9NeOCOBxQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1065</feedburner:origLink></item><item><title><![CDATA[Grotesk. A Decade of Swiss Design Lost in Brooklyn]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/WmXEab_qt4A/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1068.ficPortada_210x235.grotesk_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Grotesk, aka Kimou Meyer, is a Swiss designer who moved to NYC in 1999 to work for a European design agency and has been there ever since. In the process of discovering the unique visual language of the Brooklyn streets, things such as hand painted signs, sport logos, street bombing, etc, he found that his approach to design and the creation of his own work took a drastic 180 degree turn.

Grotesk’s previous focus had been the design of minimalist catalogues, logos and branding systems, but he found that there was a lot more fun to be had in creating tee shirts, skateboards and silk screens for his friends. He eventually excelled in tee shirt and apparel design and now has a worldwide clientele.

This exciting new title features 200 illustrations, designs and artworks created by Grotesk over the past 10 years.
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&lt;a href="http://feedads.g.doubleclick.net/~a/y_XDVSdfzq3KPE7ee0Te2_mo7uk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/y_XDVSdfzq3KPE7ee0Te2_mo7uk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/WmXEab_qt4A" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1068</feedburner:origLink></item><item><title><![CDATA[Gráfica Viva]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/yli__F7gySE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.543.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;When we speak of graphic patterns, our worn-out but recurring dichotomy between form and content becomes apparent. Oftentimes, graphic patterns are relegated to the category of simple—almost indecent—pleasure. They were in style, and then they were out of style for centuries. Still, the fascination that they hold over people has never disappeared completely.
By presenting graphic patterns alongside their applications, Diseños Contemporáneos offers a varied selection of beautiful motifs along with their innovative, and often ingenious, uses.
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&lt;a href="http://feedads.g.doubleclick.net/~a/Iz8efFl7Gb3Ze_BypOF1hSgpXeo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Iz8efFl7Gb3Ze_BypOF1hSgpXeo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/yli__F7gySE" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?543</feedburner:origLink></item><item><title><![CDATA[Constellations - An inspirational sourcebook of repeat patterns]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/X3cMdaUJWus/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1061.ficPortada_210x235.1061_cover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Repeated patterns are widely applied to manufacturing of decorative home furnishings, apparel fabrics, wall and floor coverings, gift wrap, and dinnerware. In the most recent years, more and more people are enjoying pretty pattern design as a way to embellish a surface or a background with their use often displaying cutting-edge products or packaging. Sometimes, a proper pattern brings a popular product.

The book contains 4 chapters – abstraction, graphic, collage and texture – the types of today’s popular patterns, in which the 243 copyright-free and repeatable patterns are arranged in 6 different styles. Each of the original patterns is reworked 3 times to get a series of inspirational works allowing the reader to compare different effects through color, proportion, composition and texture.

The DVD provides 243 patterns in high resolution PSD format with layers or vector EPS format, which allow you to freely modify the patterns - color, size and combination - and make your own repeat patterns as large as you want for printing and reference. The book is an invaluable resource for modern design enthusiasts, professional designers and students, helping them choose the proper hues, composition, texture and style to create incredible works.
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&lt;a href="http://feedads.g.doubleclick.net/~a/-ake3IySL8V-48yWDQL351L6_P4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/-ake3IySL8V-48yWDQL351L6_P4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/X3cMdaUJWus" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1061</feedburner:origLink></item><item><title><![CDATA[Alessi Brands A to Z]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/_MvKsG498lA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1062.ficPortada_210x235.alessi.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Brands A-Z: Alessi presents an accessible and engaging portrait of the much-loved Italian brand. Alessi has evolved from a workshop producing crafted metal products to one of today’s most significant firms producing modern and innovative kitchen furnishings. This book also provides insights into Alessi’s design philosophies and offers an overview of Alessi’s most successful products and its expansion into products beyond kitchenware. Exclusive toBrands AZ: Alessi will be a chapter on product prototypes never released into the market, as well as a section shedding light on Alessi’s famous “design fiascos”. Featuring interviews with the key creative personalities of Alessi, the book will reveal the brand’s relationships with some of the world’s top designers.
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&lt;a href="http://feedads.g.doubleclick.net/~a/_o04dV3BfLxrkc65v3udF8LBDuA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_o04dV3BfLxrkc65v3udF8LBDuA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/_MvKsG498lA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1062</feedburner:origLink></item><item><title><![CDATA[H2O - Water package design]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/07oK-yfVJHk/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1033.ficPortada_210x235.h2o-cover-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;H2O - Water package design&lt;/i&gt; is a collection of some of the best-designed labels and bottles for mineral water. 

Our selection of designs is based on the aesthetic qualities of both the label and the container. We have arranged the designs by country, because in our opinion, this is an excellent way to determine styles and trends on a worldwide scale.

Additional data is filtered under this first decision to contextualize the water. This includes the water's source, the bottling method, the composition of the water, or any other piece of information that helps us better understand the design, its historical context and its contemporary influences.
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&lt;a href="http://feedads.g.doubleclick.net/~a/qDUdDkhK5zFFI4rb0ImnPrj_Jfw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/qDUdDkhK5zFFI4rb0ImnPrj_Jfw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/07oK-yfVJHk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1033</feedburner:origLink></item><item><title><![CDATA[For a Good Cause]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/yY3LfyUCWL0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1034.ficPortada_210x235.goodcause-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Many large NGOs invest money in design for ad campaigns but there are people who do not understand how they can spend money on something like advertising. However, does anyone really think that letting the world know that people are still dying of hunger or thirst is not worth the investment? This book is a collection of the best socially conscious design. The original idea was to limit the book to pro bono projects, but later we decided to expand the concept to any design done with a &lt;i&gt;good cause&lt;/i&gt; in mind. The projects featured were created to show that it is indeed possible to make a better, more beautiful world.
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&lt;a href="http://feedads.g.doubleclick.net/~a/zuaYO2u_SdDW3pdx_fCEX4BH0Bo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zuaYO2u_SdDW3pdx_fCEX4BH0Bo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/yY3LfyUCWL0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1034</feedburner:origLink></item><item><title><![CDATA[Graphis Advertising Annual 2010]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Go-eYmJCFVo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1052.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Graphis Advertising Annual 2010 presents the best advertising campaigns of the year, selected from thousands of international entries, including 22squared, DeVito/Verdi, Publicis, Shine Advertising, Heye Group, Goodby, Silverstein &amp; Partners, and GSD&amp;M Idea City.

With two hundred of the most compelling advertisements selected as Graphis Platinum and Gold winners, this is an essential reference for corporate Advertising professionals and prospective clients. This year’s edition includes a collective interview concerning advertising and the current economy with The Martin Agency, Venables Bell &amp; Partners, The Richards Group and Pentagram.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ukD2DcwM7pNC8S0yp8teHwQwG1A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ukD2DcwM7pNC8S0yp8teHwQwG1A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Go-eYmJCFVo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1052</feedburner:origLink></item><item><title><![CDATA[Malofiej 17]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/pq5Oa7y7RHY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1053.ficPortada_210x235.malofiej17-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;For the past seventeen years the World's best infographics professionals and graphic artists have met in Pamplona to attend the International Malofiej Award. This book contains the winners of its 17th edition together with an analysis by several authors on the limits of computer graphics plus an interesting article by Jan Schwochow on the Berlin Wall.
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&lt;a href="http://feedads.g.doubleclick.net/~a/jSy39gAcbjor93SatlvhZwgjmtE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jSy39gAcbjor93SatlvhZwgjmtE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/pq5Oa7y7RHY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1053</feedburner:origLink></item><item><title><![CDATA[HKDA Asia Design Awards 09]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/HGA614Oyn30/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1050.ficPortada_210x235.hkda-cover01.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Organised by the Hong Kong Designers Association (HKDA), the HKDA Asia Design Awards has become a Who's Who of design excellence inside Hong Kong and the Asia-Pacific region since 1975. For the year 08/09, honouring the diligent hard work of today's designers with the theme 'Work your guts out', the comprehensive, multi-disciplinary award has received 2,071 entries from destinations including China, Japan, Australia, Malaysia, Singapore, South Korea, Taipei and Hong Kong. 

As an extension of the Awards, &lt;b&gt;HKDA Asia Design Awards 09&lt;/b&gt; compiled over 350 winning and merited projects spanning a wide range of categories in the fields of graphic, product, spatial and new media. Opening with the section of Judges choice &amp; Complimentary, this publication introduces a rich source of distinguishing designs culled by a judging panel of globally respected design icons including Stefan Sagmeister (USA) and Kaoru Kasai (Japan) for graphics, Eric Chan (USA) for products, Thomas Heatherwick (UK) and Rocco Yim (HK) for spatial design, along with Fabio Simoes Pinto (Brazil) and Matt Pyke (UK) for the area of new media design.
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&lt;a href="http://feedads.g.doubleclick.net/~a/Nox8GI-U0l4kkLf9Gtvkfh4Rryc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Nox8GI-U0l4kkLf9Gtvkfh4Rryc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/HGA614Oyn30" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1050</feedburner:origLink></item><item><title><![CDATA[American Graphic Design & Advertising 25]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/0wtnmPfr9lA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1051.ficPortada_210x235.1051portada-210.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Several hundred creative design firms have work included in &lt;i&gt;American Graphic Design &amp; Advertising 25&lt;/i&gt;, ranging from the well known to the up-and-coming. Many trendsetting styles have first appeared in this series since its inception, making this book a must-have reference for every corporate identity designer's bookshelf.
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&lt;a href="http://feedads.g.doubleclick.net/~a/7_J3Yx-FbczLJKMjIWl40eqXeAQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/7_J3Yx-FbczLJKMjIWl40eqXeAQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/0wtnmPfr9lA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1051</feedburner:origLink></item><item><title><![CDATA[Sticker Stack]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Il4ghwe6orU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1031.ficPortada_210x235.sticker-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;In recent years, a new wave of graffiti has brought about new ways of laying a message to walls. Aside from more commonplace stencils, stickers have started popping up all over urban areas, surprising us in many unusual places. &lt;i&gt;Sticker Stack &lt;/i&gt; is a collection of stickers that have somehow caught our attention, be it for their design, their illustration or their message. It also &lt;b&gt;comes with real stickers&lt;/b&gt; from some of the most interesting projects, all packed in a convenient plastic case.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ldWVKhC3n63X83CDGxSnKqzgJUo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ldWVKhC3n63X83CDGxSnKqzgJUo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Il4ghwe6orU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1031</feedburner:origLink></item><item><title><![CDATA[Fundamentos de Marketing]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/YNgwGnsLUe0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1041.ficPortada_210x235.1041-cover-s.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The &lt;I&gt;Fundamentals of Marketing &lt;/i&gt;clearly shows how marketing organizations move from an initial product concept through to the creation of successful brands. Throughout the book Edward Russell offers an engaging and accessible introduction to marketing structured around the traditional four ‘P’s’ –product, price, promotion and place as well as the all important fifth ‘P’– people.
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&lt;a href="http://feedads.g.doubleclick.net/~a/lEXBbZ7q0cqZmxB3zv5JmCeP_bo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/lEXBbZ7q0cqZmxB3zv5JmCeP_bo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/YNgwGnsLUe0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1041</feedburner:origLink></item><item><title><![CDATA[Antoni Morillas]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/CyGqZYrr-TU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1046.ficPortada_210x235.1046morillas-s.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Antoni Morillas, de grafista a diseñador gráfico discusses and shows for the first time the legacy of this pioneer of graphic design in Catalonia and Spain. Marked by quality, diversity, openness and experimentation, Morillas’ graphic and artistic work (1932-1983) goes beyond the representation of an era.
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&lt;a href="http://feedads.g.doubleclick.net/~a/rn-7PsGYHZtRW4JyEVxiwsF-e8E/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/rn-7PsGYHZtRW4JyEVxiwsF-e8E/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/CyGqZYrr-TU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1046</feedburner:origLink></item><item><title><![CDATA[Design and Design Book of The Year - vol.2]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Ss2oL7LG5qc/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1005.ficPortada_210x235.Botyvol2cover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;DesignAndDesign.com is a website dedicated to the worldwide community of designers and was created to showcase their latest and most innovative design work. Every day, the homepage features two design pieces, selected from the graphic, packaging and product design submissions received daily from a wide range of international designers. The book of the year shows these 730 fresh, and for the most part unpublished original designs.
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&lt;a href="http://feedads.g.doubleclick.net/~a/8u_dlk0dR1SB_NYE6sV7A8C4dSU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8u_dlk0dR1SB_NYE6sV7A8C4dSU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Ss2oL7LG5qc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1005</feedburner:origLink></item><item><title><![CDATA[Ilustración Hoy. Nuevas tendencias en ilustración de vanguardia]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/_aZ8jsfAs8M/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1014.ficPortada_210x235.Atlas_ilus.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;I&gt;Ilustración hoy &lt;/I&gt; draws artists from the four corners of the world, turning into an in-depth investigation on contemporary trends in which the point of focus seems to be on continuous variation. The volume explores all possibilities of illustration, balancing self-initiated projects and responses with the everincreasing visual needs of commercial markets.
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&lt;a href="http://feedads.g.doubleclick.net/~a/LD4v4bYBRdq-1DIjUHYVuDYKzHw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LD4v4bYBRdq-1DIjUHYVuDYKzHw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/_aZ8jsfAs8M" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1014</feedburner:origLink></item><item><title><![CDATA[Packaging Templates]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/GHBlMHhdOKg/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1030.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Packaging Templates is a comprehensive publication and its primary purpose is to provide solutions to the widest range of packaging needs possible. This consummately practical guide presents in one volume a range of packaging templates capable of meeting the requirements of virtually any commercial or retail use.
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&lt;a href="http://feedads.g.doubleclick.net/~a/GUTIu2jMYcU99HObCsuVJwRZxoc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/GUTIu2jMYcU99HObCsuVJwRZxoc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/GHBlMHhdOKg" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1030</feedburner:origLink></item><item><title><![CDATA[Flux Designer Toys]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/_Dy5yEUmMxw/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1032.ficPortada_210x235.poratda.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Not just toys, this book is bursting at the seams with inspiration. The supporting artwork tells the story of the development of characters — how the initial sketch of a good character can make it across media through vinyl, advertising, animation, illustration, cloth design, and much more. This title also presents exclusive new works and a hint of what is to come from this ever-expanding discipline. 
 
Flux – Designer Toys doesn’t just show you the characters and artwork from designers worldwide; it provides a glimpse into the thoughts and aims of the person behind the art.
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&lt;a href="http://feedads.g.doubleclick.net/~a/OgQQzlVh6xg2JEyElZ6XKM_N7B0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OgQQzlVh6xg2JEyElZ6XKM_N7B0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/_Dy5yEUmMxw" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1032</feedburner:origLink></item><item><title><![CDATA[The Cliché Résumé Book With: 320 pages of European Skateboarding]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/R43_P3LvqY8/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1036.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Cliché: Résumé spotlights the largest, best known European skateboard brand from its humble beginnings during the days of VHS and Polaroids to the present. Classic skate photography takes center stage with crucial work from some of the industries' most renowned lens-men such as Mike O'Meally, Olivier Chassignole, Oliver Barton, Alexis Zavialoff, Benjamin Deberdt, Fred Mortagne and more.

This epic narrative is given form with a lively text written by Transworld SKATEboard’s Mackenzie Eisenhour. "Resumé" chronicles the tactics of Jérémie Daclin, as he launches Cliché skateboards in France in 1997 and pours his heart and soul into a start-up with no money, investors, or even employees. Daclin’s shoestring budget never held him back, as breath-taking tour imagery ranging from Athens, Greece, to New York City, to the island of Sardinia and Italy quickly makes clear.
 
Interviews, tales of camping in sewer tunnels, rental van tours, and home-cooked meals are all integral to the story of Resumé. This modus operandi at the heart of Cliché’s strategy culminates with the Gypsy Tours 1 &amp; 2 — a skateboard "Survivor"-style challenge to team skaters, forced to test their mettle by travelling with no secured lodging on only 10 euros a day. More recently, Cliché has broken into the American market, just as Daclin dreamed, and now with the release of "Resume", tackles the rest of the world too.
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&lt;a href="http://feedads.g.doubleclick.net/~a/W64Y1q8vhZVsBOLT0BbADNWUrsc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/W64Y1q8vhZVsBOLT0BbADNWUrsc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/R43_P3LvqY8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1036</feedburner:origLink></item><item><title><![CDATA[MyOwnBusinessCard]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/k7tvFp9NuLA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.982.ficPortada_210x235.portada.gif&amp;width=67&amp;height=75"&gt;&lt;br&gt;The most ambitious project for a designer is undoubtedly the design of its own business card. Being his own client, stepping back, finding the right balance between vision and strategy are real challenges. These constraints explain why the results are most of the time just surprising. &lt;i&gt;MyOwnBusinessCard&lt;/i&gt; shows more than 200 selected business cards by designer's worldwide.
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&lt;a href="http://feedads.g.doubleclick.net/~a/2SCYtltL8GyoNrQsYcGdzGL23ik/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2SCYtltL8GyoNrQsYcGdzGL23ik/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/k7tvFp9NuLA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?982</feedburner:origLink></item><item><title><![CDATA[Pack Color: Color in Graphics + Color y Percepción]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/mQzUKcUkPO4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1016.ficPortada_210x235.packcolor.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Theme pack including 2 books on colour in graphic design: &lt;b&gt;Color in Graphics&lt;/b&gt; + &lt;b&gt;Color y Percepción&lt;/b&gt;

In &lt;a href=http://www.indexbook.com/libro.php?794&gt;&lt;b&gt;Color in Graphics&lt;/b&gt;&lt;/a&gt; a designer and a writer join to systematically classify a contemporary selection of graphic design, illustration and packaging, according to the sensations arised by the use of color in each piece of work. This title also offers an insite into the world of color theory as well as an array of opinions gathered from various interviews held with designers, artists and field experts (Irma Boom, Design Project, Prof. Uwe Loesch, Taku Satoh, Ryan Waller, Renato Bernasconi y Dr. Li-Chen Ou). 

&lt;a href=http://www.indexbook.com/libro.php?785&gt;&lt;b&gt;Color y Percepción&lt;/b&gt;&lt;/a&gt; (&lt;i&gt;Colour and Perception&lt;/i&gt;) is based on the unparallelled capacity of colour to transmit emotions and sensations. Each chapter starts with a short creative text that introduces colour variations in an evocative manner and features striking graphic examples of the ways designers can use shades to their best advantage.
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&lt;a href="http://feedads.g.doubleclick.net/~a/m7J_LofMIVFr760NI6d05BXoaAA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/m7J_LofMIVFr760NI6d05BXoaAA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/mQzUKcUkPO4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1016</feedburner:origLink></item><item><title><![CDATA[Informational Diagram Collection]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/T-KNGPVraGE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1020.ficPortada_210x235.diagram-cover01.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This special collection features various kinds of diagram design works; including system diagram and organization charts, comparative statistics, maps together with distribution diagrams and guideboards, or explanatory illustrations, which visualize complicated information to help us comprehend it. Includes designs from global corporations such as Nike, American Express, and DIESEL…
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&lt;a href="http://feedads.g.doubleclick.net/~a/aJE8AViKwdSNWOR4vLSYG4kyzmQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/aJE8AViKwdSNWOR4vLSYG4kyzmQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/T-KNGPVraGE" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1020</feedburner:origLink></item><item><title><![CDATA[The Big Book of Packaging Prototypes]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/9x25EB7bKLg/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1021.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The Big Book of Packaging Prototypes is both a source of inspiration and an invaluable reference tool. It provides a visual catalyst for the creation of exciting packaging designs. The diverse range of carton templates, which are also included on the accompanying CD, demonstrates the huge variety of packaging possibilities, and the beautifully photographed finished models inspire the imagination. Product suitability and distinguishing characteristics are included for each design, and a system of icons provides easy access to information on every aspect of the designs, from their ecological implications through to their material suitability.
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&lt;a href="http://feedads.g.doubleclick.net/~a/hNA29FUHnNQCHyuRIZNVyE5QbNI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hNA29FUHnNQCHyuRIZNVyE5QbNI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/9x25EB7bKLg" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1021</feedburner:origLink></item><item><title><![CDATA[noAH IX - Directory of International Package Design]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/MMZfej4t1Go/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1023.ficPortada_210x235.noah9-210.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;noAH IX&lt;/b&gt; presents its most extraordinary collection of international packaging work to date. The book shows a stunning assortment of the best package design from around the world.
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&lt;a href="http://feedads.g.doubleclick.net/~a/wGCwWbFJGbtsUDyn8en8xcQZpsI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wGCwWbFJGbtsUDyn8en8xcQZpsI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/MMZfej4t1Go" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1023</feedburner:origLink></item><item><title><![CDATA[Typography 30]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/XD0Zl2xOdQY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1004.ficPortada_210x235.1004-01.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Designed by Werner Design Werks.

This color Annual includes the winning selections from entries into the TDC55 Typography Competition, and the winning selections from entries into the TDC2 2009 Type Design Competition.

Typography 30 also includes a reprinting of the original catalog pages from the fifth TDC Competition from 1960. Reprinted here in the context of the Annual are many of the classic works of modernist typography from that time.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gFOz55LJ3_fQ2WpLcAnrlpij7BI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gFOz55LJ3_fQ2WpLcAnrlpij7BI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/XD0Zl2xOdQY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1004</feedburner:origLink></item><item><title><![CDATA[Font Family]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/TRTPWiywT1A/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.984.ficPortada_210x235.FONTFAMILYcover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;See how 70 designers interpret typography in a totally new way! Find out about outstanding types! Discover impressive faces and facets of language!

&lt;i&gt;Font Family&lt;/i&gt;'s content is based on graphic material that is strongly influenced by experimental fonts and cutting edge typography.

Enjoy the sound of &lt;i&gt;Typeradio&lt;/i&gt; and discover the extraordinary dimensions of typography. Read across the views of Rick Valicenti, Stefan Sagmeister and Satoru Nihei, describing their attitudes and backgrounds.

&lt;i&gt;Font Family&lt;/i&gt; comes with a &lt;b&gt;CD containing 30 free fonts&lt;/b&gt; as well as audio and video files by Typeradio, MeekFM and Peter Bilak.
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&lt;a href="http://feedads.g.doubleclick.net/~a/t7jMK7ZFa_B6tz7GHnGoU1u8j4M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/t7jMK7ZFa_B6tz7GHnGoU1u8j4M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/TRTPWiywT1A" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?984</feedburner:origLink></item><item><title><![CDATA[Modern Chinese Design]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/YCqYz7BdWcc/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.1007.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;As one of today’s oldest civilisation and most populous country, with its remarkable history, rich culture, diverse ethnic groups, and fast-growing economy, China is receiving an unprecedented level of worldwide attention today. Emerging from this backdrop are new and interesting designs with a unique artistic charm that cannot be regarded as the products of direct Western influence. All of the amazing works featured here were selected from eminent designers in China today, who have been setting trends in contemporary Chinese design. Besides the designers’ insightful views, comments for each project and the biography of each designer can be found. This is a one-stop guide to today’s Chinese design scene, from graphic to other related fields, and a perfect book for readers to grasp the essence of Chinese design culture.
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&lt;a href="http://feedads.g.doubleclick.net/~a/jO9mmqlCV7ERASIgeiBiW-AVbJI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jO9mmqlCV7ERASIgeiBiW-AVbJI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/YCqYz7BdWcc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?1007</feedburner:origLink></item><item><title><![CDATA[Point East]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/LSvYPBpUcUc/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.789.ficPortada_210x235.portada-1.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;From design to art, fashion to architecture to film, Asia’s creatives are scooping awards and earning critical acclaim. Their style is distinctive, a celebration of traditions, an indulgence in the present and a wink at the future. The book salutes the 46 most impressive talents from Japan, China, Hong Kong, Singapore, Korea and Thailand, showcasing their refreshing portfolios comprising graphics, packaging, fashion and furniture designs with exclusive interviews.
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&lt;a href="http://feedads.g.doubleclick.net/~a/2ZmmlmoM02QuYBZePmf6TugF-6s/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/2ZmmlmoM02QuYBZePmf6TugF-6s/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/LSvYPBpUcUc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?789</feedburner:origLink></item><item><title><![CDATA[Hand Made 3D]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/pLEBncbJOuU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.983.ficPortada_210x235.handmade3d.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;Hand Made 3D&lt;/i&gt; features a world of hand made three-dimensional objects. The trend is triggered by photography and doubtlessly by the appreciated set designers, a profession which is held in high esteem in the UK. This book features designers and artists whom explain their projects in their own words, focusing on inspiration, concepts and realization. The projects showcased definitely are the latest fad in the international scene and the names are those which get tongues wagging and which we must pay attention to for behind them are those whom are the bleeding edge with their work.
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&lt;a href="http://feedads.g.doubleclick.net/~a/T9KRwYsXLYrTgYD7zw0yODKyaNo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/T9KRwYsXLYrTgYD7zw0yODKyaNo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/pLEBncbJOuU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?983</feedburner:origLink></item><item><title><![CDATA[Cuadernos 04 - Premios, concursos, exposiciones y otros. ¿Sirven para algo?]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/nDDX1fXrJPs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.985.ficPortada_210x235.c04s.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Cuadernos&lt;/b&gt; is a space for reflection and a meeting point for designers and visual communication professionals, offering a critical view of the reality of every day work in this industry - an informal conversation among colleagues who meet over lunch to exchange impressions and analyze the issues they face on a daily basis.

&lt;b&gt;CUADERNOS 04&lt;/b&gt;

&lt;b&gt;&lt;i&gt;Awards, contests, exhibitions and others. Are they any use?&lt;/b&gt;&lt;/i&gt;

With the participation of Pati Nuñez, David Ruiz, Enric Aguilera and Lluis Morillas.
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&lt;a href="http://feedads.g.doubleclick.net/~a/0OqYXCSWa3L7pgknm5eYPxLoIAU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/0OqYXCSWa3L7pgknm5eYPxLoIAU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/nDDX1fXrJPs" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?985</feedburner:origLink></item><item><title><![CDATA[One Show Design vol. 2]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/PDltuAVRbVo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.801.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Now in its 2nd edition, 'One Show Design vol. 2' features the winners from the 2008 'One Show Design' competition. This selection features crossover hits such as Xbox and HBO Voyeur, as well as great work from all over the world. From stunning broadcast design to poster design or package design, this was a year for innovative communications in various media. It also features a commentary from all of the Pencil winners revealing how they developed their awarded designs.
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&lt;a href="http://feedads.g.doubleclick.net/~a/8ggCfNvc46JdFqIaftXJUBmtesU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/8ggCfNvc46JdFqIaftXJUBmtesU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/PDltuAVRbVo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?801</feedburner:origLink></item><item><title><![CDATA[Visual Engine]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/qxkSdYFyZc0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.994.ficPortada_210x235.visual.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Recarded as leaders in the field of art design, the 18 designers featured in this book come from different parts of the world, and are very active in the contemporary art scene.
Presenting the works of these outstanding designers, this valuable volumen offers readers a visual feast.
Above all, the book includes what the designers have to say about their most important work, giving a glimpse into their creative process.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ZZcF5KwDmaSS9riLLZyDrdHV0OU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ZZcF5KwDmaSS9riLLZyDrdHV0OU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/qxkSdYFyZc0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?994</feedburner:origLink></item><item><title><![CDATA[New Packaging]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/zX3zI3437lQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.995.ficPortada_210x235.new-pack.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Packaging can be seen everywhere in our dialy life.
Here we present not common but the most creative packaging design all over the world and covers different types including drink, food, beauty care, book, CD, luxury goods and other goods.
It will be an informative source for professionals.
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&lt;a href="http://feedads.g.doubleclick.net/~a/T4F1HHrdU-sPVxRQX_aFDTTshYk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/T4F1HHrdU-sPVxRQX_aFDTTshYk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/zX3zI3437lQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?995</feedburner:origLink></item><item><title><![CDATA[Creativity 38 Annual Awards]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/6rgMRSxF2A4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.990.ficPortada_210x235.990_coversmall.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This thirty-eight edition in the Creativity series displays the best and brightest in advertising and design work from creative professionals around the world.

Creativity 38, which features more than 1,000 color photographs and illustrations, covers dozens of categories in both the consumer and trade markets, including advertisements, posters, billboards, brochures, catalogs, calendars, promotional items, corporate identity manuals, magazine covers, web sites, and much more.

Creative professionals looking for inspiration, or anyone with an interest in quality graphic design, will find Creativity 38 an invaluable resource.
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&lt;a href="http://feedads.g.doubleclick.net/~a/PuQk8k8RorRxzbRSlNnijXEtA44/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/PuQk8k8RorRxzbRSlNnijXEtA44/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/6rgMRSxF2A4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?990</feedburner:origLink></item><item><title><![CDATA[One Show Advertising Vol. 31]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/pK7lSLnjWxI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.993.ficPortada_210x235.993_coversmall.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;One Show Annual Volume 31 continues in the great legacy of the volumes that came before it. This year Tourism Queensland wowed us with their Best of Show work, Nike scored a major goal with their intensely real “Next Level” spot, and Goodby, Silverstein &amp; Partners were honored with the first-ever Green Pencil for their work on Haagen-Dazs “Help the Honey Bees” campaign. College winners are also showcased in a special section. This groundbreaking edition is a mandatory addition to your collection.
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&lt;a href="http://feedads.g.doubleclick.net/~a/s5K7Dmk5Y5QHTs4ShF9je-pgMZU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/s5K7Dmk5Y5QHTs4ShF9je-pgMZU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/pK7lSLnjWxI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?993</feedburner:origLink></item><item><title><![CDATA[Graphis Design Annual 2010]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/imS7HrPWbQ4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.988.ficPortada_210x235.988_coversmall.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Graphis Design Annual 2010 is the definitive design exhibition, featuring more than 300 of the year’s most outstanding designs in a variety of disciplines. The selected work is categorized by sections such as Corporate Identity, Exhibits, Interactive, Letterhead, Packaging, and Typography for easy referencing.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ySJW_7qO3mIwAl841r5BA4FHfLA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ySJW_7qO3mIwAl841r5BA4FHfLA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/imS7HrPWbQ4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?988</feedburner:origLink></item><item><title><![CDATA[Flashback. Retro Design in Contemporary Graphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/b1sYb8Dlkts/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.979.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Even though technology is ever evolving, it doesn’t stop designers to embrace the past decades with works that ooze nostalgia. Take the high-waist jeans, simple yet bold graphics and the big hairstyles, designers still love and get inspired by them. Flashback is an edition where we showcase the latest yet evocative designs from around the globe and reveal this recurrent habit. This could mean simple designs with brave colour choices, bold fonts on sepia-tone paper, strong geometric forms, streamlined graphics, and lots more. So let’s take a trip down memory lane with Flashback.
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&lt;a href="http://feedads.g.doubleclick.net/~a/LrhOVPN-iQHjKXFdZkOZoh5GvBE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/LrhOVPN-iQHjKXFdZkOZoh5GvBE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/b1sYb8Dlkts" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?979</feedburner:origLink></item><item><title><![CDATA[Graphic Design in China]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/95nomPj8O4Y/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.859.ficPortada_210x235.859.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Showcasing winning projects, &lt;i&gt;Graphic Design in China&lt;/i&gt; promotes Chinese design while serving as a source of inspiration for industry creatives alike.

After 15 years, the development of graphic design in China can be confirmed with a great number of excellent designers.
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&lt;a href="http://feedads.g.doubleclick.net/~a/G-k5fexUrGOSSWj0CdivgEAqHGk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/G-k5fexUrGOSSWj0CdivgEAqHGk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/95nomPj8O4Y" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?859</feedburner:origLink></item><item><title><![CDATA[The Art Directors Annual 88]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/joyj5XogucY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.965.ficPortada_210x235.art-dir.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This best-selling, international review of the year’s most innovative works in visual communication, this annual features, in full color, the winners of the toughest competition in the field—the Art Directors Club Annual Awards. The book presents, with exceptional clarity and detail, the work of gold and silver medallists and distinctive merit winners in national and international advertising, graphic design, interactive design, interactive media, photography, and illustration. Its annual awards honor visual innovation and excellence in the communication arts.

Founded in 1920 and based in Manhattan, new York, the &lt;b&gt;Art Directors Club&lt;/b&gt; is the premier international organization of creative professionals and associates in advertising, graphic design, interactive media, photography, and illustration. Its annual awards honor visual innovation and excellence in the communication arts.
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&lt;a href="http://feedads.g.doubleclick.net/~a/riCcwCkFNxqIlUhJE8CSOAnY5VM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/riCcwCkFNxqIlUhJE8CSOAnY5VM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/joyj5XogucY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?965</feedburner:origLink></item><item><title><![CDATA[Ñh 06]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/jAC3J5U8xu0/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.949.ficPortada_210x235.%F1h6.gif&amp;width=67&amp;height=75"&gt;&lt;br&gt;The Spanish Chapter of the Society for News Design (SND - E) edits the 6th volume, ÑH6 - Lo Mejor del Diseño Periodístico de España y Portugal 2009, which gathers the winners and finalists of the contest and all the granted prizes: 31 golden medals, 73 silver ones, and more than 100 mentions, in the categories of newspapers, magazines and online publications. Every member of the juror, composed by eleven outstanding professionals of both countries, contributes with their valuation of the prizes and their vision of the future of the journalistic design in the Iberian Peninsula. It concludes with a chapter of margin notes, and works that did not win, but are worth to point out. Good examples which analyze the current design and trends in visual journalism.
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&lt;a href="http://feedads.g.doubleclick.net/~a/jSvn6rFHKEsrj4B6NFAB-JDiIfE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jSvn6rFHKEsrj4B6NFAB-JDiIfE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/jAC3J5U8xu0" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?949</feedburner:origLink></item><item><title><![CDATA[Upper Playground - 10 Years of t-shirt graphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/dOSIinSL2xU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.948.ficPortada_210x235.s-upper-playground.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Each year, premiere street wear fashion label Upper Playground publishes a collection of photographs and art works that reflect the year that has just passed. At the forefront of the fashion and urban art scenes for over a decade now, Upper Playground’s t-shirts, hoodies, shoes and accessories are sold in top boutiques around the globe.

The affiliated gallery, Fifty24SF, shows works by leading urban artists, some of whom are the world's most provocative. The works featured in this 10 year anniversary edition are cutting edge to say the least. Many of the artists have been featured on Upper Playground apparel, others have been exhibited at the countless shows, events and parties staged each year at the store and gallery.

Artists featured in this 10th Anniversary edition include Jeremy Fish, Sam Flores, Anthony Lister, Masa, and many more.
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&lt;a href="http://feedads.g.doubleclick.net/~a/eYBr3QYDApjaTqiqT_K8yyRox1M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/eYBr3QYDApjaTqiqT_K8yyRox1M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/dOSIinSL2xU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?948</feedburner:origLink></item><item><title><![CDATA[Emigre No.70: The Look Back Issue]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/GkQ6L6J2V-Q/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.943.ficPortada_210x235.emigre01.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book, designed and edited by Emigre co-founder and designer Rudy VanderLans, is a selection of reprints, using original digital files, tracing Emigre’s development from its early bitmap design days in the late 1980s through to the experimental layouts that defined the so called “Legibility Wars” of the late 1990s, to the critical design writing of the early 2000's.

The 512-page book covers the best of a quarter century of &lt;i&gt;Emigre&lt;/i&gt; magazine - one of the most influential design publications ever - including selections from issues #1-#69.

A must have book in any design library, &lt;i&gt;Emigre No.70&lt;/i&gt; features &lt;b&gt;interviews&lt;/b&gt; with, among others, The Designers Republic, Allen Hori, Rick Valicenti, Vaughan Oliver, Mr. Keedy, Ed Fella, and essays by Lorraine Wild, Anne Burdick, Zuzana Licko, Kenneth FitzGerald, Andrew Blauvelt, Kalle Lasn, Rick Poynor and many more.

The book also includes the following &lt;b&gt;bonus material&lt;/b&gt;: 32-Page booklet of &lt;b&gt;Letters to the Editor&lt;/b&gt;, &lt;b&gt;CD-Rom&lt;/b&gt; with music and videos published by Emigre, 15 x 20 inch commemorative &lt;b&gt;poster&lt;/b&gt;.
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&lt;a href="http://feedads.g.doubleclick.net/~a/wmv8BjamtDv-e-oGld6G5Bdl1E0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/wmv8BjamtDv-e-oGld6G5Bdl1E0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/GkQ6L6J2V-Q" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?943</feedburner:origLink></item><item><title><![CDATA[Shop Graphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/njqGGjfh32w/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.940.ficPortada_210x235.940_cover_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The concept and philosophies of modern shops and boutiques have brought a new approach to brand identity design, taking on urban and cultural roles unimaginable in other times. From simple retail spaces come new concepts in both interior and graphic design, which take the form of collectible shopping bags, flashy business cards, exclusive invites and designer displays. &lt;i&gt;Shop Graphics&lt;/i&gt; is a rich source of visual reference for designers, shop owners, and shopaholics alike.
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&lt;a href="http://feedads.g.doubleclick.net/~a/_xqwD_xW8SXBO-DOZQ8Ddt6S-_c/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/_xqwD_xW8SXBO-DOZQ8Ddt6S-_c/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/njqGGjfh32w" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?940</feedburner:origLink></item><item><title><![CDATA[Maravillosos Packagings del Mundo | The World's Wonderful Packaging]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/lDqfHf8XMIc/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.939.ficPortada_210x235.939_cover_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;A collection of more than 2500 packaging of different times and countries divided by categories: food; drinks and leisure; work and social habits; home; health, drugstore and esoteric; hygiene and beauty. From Albert Isern's personal collection, it contains a documented introduction to every chapter.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gpYT_aOXvLw8MJJZs1tWmlDgPJY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gpYT_aOXvLw8MJJZs1tWmlDgPJY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/lDqfHf8XMIc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?939</feedburner:origLink></item><item><title><![CDATA[Select H. Graphic Design from Spain]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/1rXQB69_FWs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.937.ficPortada_210x235.selh.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Clad in white, this year's &lt;i&gt;Select H&lt;/i&gt; sticks to its 3-volume format introduced in its last edition, dividing the book in three blocks: &lt;i&gt;Graphic Design&lt;/i&gt;, &lt;i&gt;New Media&lt;/i&gt; (&lt;b&gt;DVD inclusive&lt;/b&gt;) and &lt;i&gt;Schools&lt;/i&gt;.

Its daring, innovative design, outlined from its very first issue, &lt;i&gt;Select A&lt;/i&gt;, offers a format which is smaller than usual, to emphasize its thickness, while every project featured is presented on a double-page spread.

&lt;i&gt;Select&lt;/i&gt; is considered a book of reference in the world of Graphic Design and an essential guide for keeping up-to-date with Spanish creativity, year after year.

Contributors to &lt;i&gt;Select H&lt;/i&gt;'s &lt;b&gt;selectors team&lt;/b&gt; have been: Alberto Salván, Diego Feijóo, Enric Batlle, Astrid Stavro, Xose Teiga, Marga Castaño, Tavo Ponce, Gonzalo Zaragoza, Raquel Pelta, Marina Vilageliu y Hernán Ordoñez.

&lt;b&gt;Includes a DVD with all the files from the &lt;i&gt;New Media&lt;/i&gt; selection&lt;/b&gt;.

&lt;a href=http://www.indexbook.com/select/sticker class=link&gt;Were you selected?&lt;/a&gt;

Discover &lt;a href=http://www.indexbook.com/select/nuevo class=link&gt;how to appear in forthcoming editions of Select&lt;/a&gt;

More details at &lt;a href=http://www.indexbook.com/select class=link&gt;www.indexbook.com/select&lt;/a&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/sUoa6Pq5xC950zdmv2tk1nJwh6Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/sUoa6Pq5xC950zdmv2tk1nJwh6Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/1rXQB69_FWs" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?937</feedburner:origLink></item><item><title><![CDATA[Diseño gráfico alrededor del mundo]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Pip_lpEAMgs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.925.ficPortada_210x235.dgamcover.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Graphic Design, country by country: top-notch graphic designers from all over the world. This book gives an idea of how designers from varied backgrounds approach their work.
Different cultures associate communication and creativity in different ways, and this reality may be used, pushed to its limits, and even completely transformed by designers.
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&lt;a href="http://feedads.g.doubleclick.net/~a/P5nbkXi0P6496rBT5jhvNtOufXE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/P5nbkXi0P6496rBT5jhvNtOufXE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Pip_lpEAMgs" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?925</feedburner:origLink></item><item><title><![CDATA[A Homage to Typography]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/TZeljkjoRdQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.933.ficPortada_210x235.homage-engl-peq.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;A Homage to Typography&lt;/i&gt;  contains 100 fonts and their applications, designed by top typographers. It covers typography in a wide variety of media, including examples ranging from publishing and corporate identity to product design and signage. &lt;b&gt;Includes a CD with 57 free fonts&lt;/b&gt;.
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&lt;a href="http://feedads.g.doubleclick.net/~a/jL1gtgpjnj1BWrZoqbgPCPoweXE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jL1gtgpjnj1BWrZoqbgPCPoweXE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/TZeljkjoRdQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?933</feedburner:origLink></item><item><title><![CDATA[A Homage to Typography (Castellano)]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/LKusUw3It5E/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.934.ficPortada_210x235.homage-peq-cast.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;A Homage to Typography&lt;/i&gt;  contains 100 fonts and their applications, designed by top typographers. It covers typography in a wide variety of media, including examples ranging from publishing and corporate identity to product design and signage. &lt;b&gt;Includes a CD with 57 free fonts&lt;/b&gt;.
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&lt;a href="http://feedads.g.doubleclick.net/~a/jTMAEHqUBJPNx57c1WwDSrg0BFs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/jTMAEHqUBJPNx57c1WwDSrg0BFs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/LKusUw3It5E" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?934</feedburner:origLink></item><item><title><![CDATA[Packaging Identity]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/vx1zjHI0jI4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.931.ficPortada_210x235.packagingidentity.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;A book filled with surprises: packaging to drink, to eat, to listen, for your home, for your job and for you. &lt;i&gt;Packaging Identity&lt;/i&gt; is, with no doubt, an invaluable reference piece for the world of packaging design. Don't miss it!
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&lt;a href="http://feedads.g.doubleclick.net/~a/Zlp8P1fCMzB-V-XZv1fKf5HTQcc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Zlp8P1fCMzB-V-XZv1fKf5HTQcc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/vx1zjHI0jI4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?931</feedburner:origLink></item><item><title><![CDATA[Simply Patterns]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/QapBtiAvh_M/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.724.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Pattern has always been a star in the creative world. From Andy Warhol to Mark Rothko, Emilio Pucci to Hanna Werning, creatives always use pattern to inject new energy into their works. The same pattern can be used on fashion, product, interior and installation and still ooze a different feel. In Simply Pattern, pattern takes centre stage. Featuring creatives such as Japanese graphic designer TAKORA Kimiyoshi Futoria, Swedish wallpaper maker Lisa Bengtsson and Parisian design studio 5.5 designers, the book aptly demonstrates that pattern is omnipresent when you open up your eyes. Sometimes seeing is believing.
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&lt;a href="http://feedads.g.doubleclick.net/~a/x1SaYHby-lIs_zxDX6ljXIl-5sI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/x1SaYHby-lIs_zxDX6ljXIl-5sI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/QapBtiAvh_M" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?724</feedburner:origLink></item><item><title><![CDATA[Growing Graphics - Design for kids (English)]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/AaHDk04RTYU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.890.ficPortada_210x235.growing-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;There is a visual universe that children immediatly recognize. Enter a bookshop with your children and you can be sure they will quickly be drawn to the department addressed to their own age.

&lt;i&gt;Growing Graphics&lt;/i&gt; opens a window to this rich visual universe for children of different ages, presenting a multitude of graghics addressed to them: logos and characters, corporate identity, packaging, labels, catalogues, brochures, posters, invitation cards, books, educational material, web and multimedia design, exhibitions, signage, etc.
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&lt;a href="http://feedads.g.doubleclick.net/~a/OzpBWBF_o5mgLKds5zBBpszrSy4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OzpBWBF_o5mgLKds5zBBpszrSy4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/AaHDk04RTYU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?890</feedburner:origLink></item><item><title><![CDATA[Growing Graphics - Design for kids (Castellano)]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Du6dekHMICA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.891.ficPortada_210x235.growing-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;There is a visual universe that children immediatly recognize. Enter a bookshop with your children and you can be sure they will quickly be drawn to the department addressed to their own age.

&lt;i&gt;Growing Graphics&lt;/i&gt; opens a window to this rich visual universe for children of different ages, presenting a multitude of graghics addressed to them: logos and characters, corporate identity, packaging, labels, catalogues, brochures, posters, invitation cards, books, educational material, web and multimedia design, exhibitions, signage, etc.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/Jn1ryoGXfKIQbpWDaLLhUi79etQ/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Jn1ryoGXfKIQbpWDaLLhUi79etQ/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/Jn1ryoGXfKIQbpWDaLLhUi79etQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Jn1ryoGXfKIQbpWDaLLhUi79etQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Du6dekHMICA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?891</feedburner:origLink></item><item><title><![CDATA[Packaging Design: A Cultural Sign]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/y_-KKtJHSic/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.892.ficPortada_210x235.pdcs-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;In local supermarkets one is not only aware of eating habits and flavour preferences but also of the choice in the different categories. The mixture of international and local brands informs about consumption patterns. Packaging doesn't conceal but rather reveals a country's culture. In this book the culture of totally different countries from almost all continents is presented with day to day products available at the local supermarket.
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&lt;a href="http://feedads.g.doubleclick.net/~a/U0rF2DAML8H3EXfFw_76AoiGIUE/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/U0rF2DAML8H3EXfFw_76AoiGIUE/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/y_-KKtJHSic" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?892</feedburner:origLink></item><item><title><![CDATA[No Sin / no Future - Ryan McGinness]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/98MdJKG6fQI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.906.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;A collection of snapshots, sketches, and scans, all extracted with a discerning eye from the artist's studio archives. 
Sketchbook notes collide with paintings-in-progress and combine with vectors and bitmaps to create a dense site-specific visual concoction that provides unprecedented insight into how this artist's mind works and the mental processes that deliver his unique style.
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&lt;a href="http://feedads.g.doubleclick.net/~a/FuWyfTmyQTBKmCpIu4vfDc6bYhI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FuWyfTmyQTBKmCpIu4vfDc6bYhI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/1Frd9XxVhuA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?707</feedburner:origLink></item><item><title><![CDATA[Cuadernos 03 - La estructura: ¿diseñar o delegar?]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/FXozB2AoupU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.864.ficPortada_210x235.c03_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Cuadernos&lt;/b&gt; is a space for reflection and a meeting point for designers and visual communication professionals, offering a critical view of the reality of every day work in this industry - an informal conversation among colleagues who meet over lunch to exchange impressions and analyze the issues they face on a daily basis.

&lt;b&gt;CUADERNOS 03&lt;/b&gt;

&lt;b&gt;&lt;i&gt;The company structure: to design or to delegate?&lt;/b&gt;&lt;/i&gt;

With the participation of Marc Panero (BaseDesign), Daniel Ayuso (Cla-se) and Albert Folch (Folch Studio).
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'One Day' takes a comprehensive look at how these graphics have entered our daily lives, and adorn everything from alarm clocks to skateboards. Not only do these graphics apply beauty, life and personality to our objects, but they also create a relationship with us, when they become part of the “visual soundtrack” to our lives.
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&lt;a href="http://feedads.g.doubleclick.net/~a/fnS6khKOQ8uqsnvcCtvD4dWf9gY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/fnS6khKOQ8uqsnvcCtvD4dWf9gY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/_nuu7UjgMEc" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?870</feedburner:origLink></item><item><title><![CDATA[Good: Ética en el diseño gráfico]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/X6V7u6t8ovE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.851.ficPortada_210x235.good-s.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Consider this simple conundrum: is it possible to be a ‘bad’ good designer or a ‘good’ bad designer for that matter? If the answer is ‘yes’ then which is preferable and what does this reveal about the relationship between ethics and design practice? GOOD: An Introduction to Ethics in Graphic design seeks to answer these questions.
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&lt;a href="http://feedads.g.doubleclick.net/~a/iUa4zXw1nCyPhrUBnR9TKQhgaAs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iUa4zXw1nCyPhrUBnR9TKQhgaAs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/X6V7u6t8ovE" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?851</feedburner:origLink></item><item><title><![CDATA[Blogs. Conectados por el diseño]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/84eLpv5vD2Y/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.871.ficPortada_210x235.blogs_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Blog, weblog, logbook... Although they definitely flourished in 2004, blogs have existed since the late 90s - the desire to tell stories and to develop ideas through feedback was always there, and weblogs have become a favorite personal
tool. Considering that it is as simple to create a blog as it.
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&lt;a href="http://feedads.g.doubleclick.net/~a/1WlZpAndLzt7wWiruE9Kg8QVbPw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/1WlZpAndLzt7wWiruE9Kg8QVbPw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/84eLpv5vD2Y" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?871</feedburner:origLink></item><item><title><![CDATA[Brochures - From North to South America]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/CrWd7gz54qY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.837.ficPortada_210x235.Libros.831.ficPortada_210x235.brochures_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This latest edition of &lt;i&gt;From North to South America&lt;/i&gt; reviews the best in contemporary brochures by designers from across the American continent. Packed with creative design and visual impact, it is not only inspiring to look at but also an essential reference tool for anyone working in media, communications and graphic design, featuring up to 700 brochures, by 62 agencies, from 16 different countries.
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&lt;a href="http://feedads.g.doubleclick.net/~a/owiR70vkh_xLyH4tvaRxhPzFFuk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/owiR70vkh_xLyH4tvaRxhPzFFuk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/CrWd7gz54qY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?837</feedburner:origLink></item><item><title><![CDATA[Domina las técnicas de photoshop]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/boujRzyQXLk/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.868.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Domina las técnicas de Photoshop explores every stage of the digital workflow. 
This book shows how the tools, filters, dialogs, and processes in photoshop can be applied subtly and professionally to create superb prints and digital images for a wide range of applications within every major photographic genre.
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&lt;b&gt;Feedback&lt;/b&gt; presents several examples of direct response marketing bringing together projects from various disciplines in a single book, including: relational marketing, direct marketing, guerrilla marketing, interactive marketing, etc. 

These specialities are illustrated with projects by agencies such as Mr. John Sample, Remo D6, Taxi Studio Ltd., Ros &amp; Asociados, Villarrosàs, Herederos de Rowan, among others, based on direct marketing, together with others based on interactive marketing by agencies such as Wieden+Kennedy, OgilvyInterative, Forsman &amp; Bodenfors, Big Spaceship, Cuatic, Minnim…

The pieces of work shown here belong to clients such as Sony, Amnesty International, Electronic Arts, Fila, Starbucks, Nike, Toyota, IKEA, Mango, etc., but one may also find examples of work for more modest clients, such as self-promotion campaigns by the agencies themselves or even wedding invites.

The purpose of &lt;b&gt;Feedback&lt;/b&gt; is to illustrate the philosophy of integral marketing -also known as 360º marketing - to which most agencies and studios are currently turning to. That is why the book is divided in 5 chapters, i.e. &lt;i&gt;Low Cost&lt;/i&gt;, &lt;i&gt;Concept&lt;/i&gt;, &lt;i&gt;360º&lt;/i&gt;, &lt;i&gt;Technique&lt;/i&gt; and &lt;i&gt;Strategy&lt;/i&gt;.

The first chapter, &lt;b&gt;Low Cost&lt;/b&gt;, includes projects made on a low budget such as wedding invites, greetings or self-promotion pieces, among other examples. These prove that creativity can be stretched enough to create effective and efficient campaigns with a small investment, by adding a complicity component and interacting with the recipient.

The &lt;b&gt;Concept&lt;/b&gt; chapter presents a portfolio of projects in which the recipients’ implication becomes directly related to the concept which the product / service / brand campaign beholds, making it especially memorable as the user revives the concept experience. This goes to prove that bi-directional communication between sender and recipient, together with the active participation of both, become the best way to deliver a message.

Under &lt;b&gt;360º&lt;/b&gt; we continue to talk about the &lt;i&gt;feedback&lt;/i&gt; philosophy, although this time applied to integral communication, offering an overview from different fields. Interaction has no limits – from a website to a reflection on a building front. This fact is showcased in examples such as the ambient marketing performance in a mall in which children are able to play in front of a tactile screen by using their own bodies and movements. Other campaigns may also imply printed advertising, call centres or other direct response channels.

Under &lt;b&gt;Technique&lt;/b&gt;, the showcased examples feature an outstanding component of technical innovation – i.e. A window display which reacts to pedestrians’ movements; websites in which users can communicate not only by using their keyboard but also their webcam… Resorting to this kind of technical solutions provides a great creativity potential allowing the development of campaigns in which feedback becomes an added value for the user, turning him into an ally of the message.

The last chapter based on &lt;b&gt;Strategy&lt;/b&gt; covers campaigns which are skillfull enough to reach their audience directly. The evidence goes to show that, in certain cases, messages which are directed to very specific audiences are more effective than those which are broadcasted through the mass media.

We hope that &lt;b&gt;Feedback&lt;/b&gt; serves as a source of inspiration for designers and creatives alike.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/TZSOYAx9UYqO-4yC-6Lv8851ILo/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TZSOYAx9UYqO-4yC-6Lv8851ILo/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/TZSOYAx9UYqO-4yC-6Lv8851ILo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TZSOYAx9UYqO-4yC-6Lv8851ILo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/mDC_rw4U15g" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?818</feedburner:origLink></item><item><title><![CDATA[Feedback. Direct and Interactive Marketing]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/9p8jxIbbWlM/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.819.ficPortada_210x235.feedback_eng.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Feedback&lt;/b&gt; offers a selection of the best actions in direct and interactive marketing sent directly to the general public or to a segmented audience, with the purpose of obtaning a direct response or interaction from the targeted persons. 

&lt;b&gt;Feedback&lt;/b&gt; presents several examples of direct response marketing bringing together projects from various disciplines in a single book, including: relational marketing, direct marketing, guerrilla marketing, interactive marketing, etc. 

These specialities are illustrated with projects by agencies such as Mr. John Sample, Remo D6, Taxi Studio Ltd., Ros &amp; Asociados, Villarrosàs, Herederos de Rowan, among others, based on direct marketing, together with others based on interactive marketing by agencies such as Wieden+Kennedy, OgilvyInterative, Forsman &amp; Bodenfors, Big Spaceship, Cuatic, Minnim…

The pieces of work shown here belong to clients such as Sony, Amnesty International, Electronic Arts, Fila, Starbucks, Nike, Toyota, IKEA, Mango, etc., but one may also find examples of work for more modest clients, such as self-promotion campaigns by the agencies themselves or even wedding invites.

The purpose of &lt;b&gt;Feedback&lt;/b&gt; is to illustrate the philosophy of integral marketing -also known as 360º marketing - to which most agencies and studios are currently turning to. That is why the book is divided in 5 chapters, i.e. &lt;i&gt;Low Cost&lt;/i&gt;, &lt;i&gt;Concept&lt;/i&gt;, &lt;i&gt;360º&lt;/i&gt;, &lt;i&gt;Technique&lt;/i&gt; and &lt;i&gt;Strategy&lt;/i&gt;.

The first chapter, &lt;b&gt;Low Cost&lt;/b&gt;, includes projects made on a low budget such as wedding invites, greetings or self-promotion pieces, among other examples. These prove that creativity can be stretched enough to create effective and efficient campaigns with a small investment, by adding a complicity component and interacting with the recipient.

The &lt;b&gt;Concept&lt;/b&gt; chapter presents a portfolio of projects in which the recipients’ implication becomes directly related to the concept which the product / service / brand campaign beholds, making it especially memorable as the user revives the concept experience. This goes to prove that bi-directional communication between sender and recipient, together with the active participation of both, become the best way to deliver a message.

Under &lt;b&gt;360º&lt;/b&gt; we continue to talk about the &lt;i&gt;feedback&lt;/i&gt; philosophy, although this time applied to integral communication, offering an overview from different fields. Interaction has no limits – from a website to a reflection on a building front. This fact is showcased in examples such as the ambient marketing performance in a mall in which children are able to play in front of a tactile screen by using their own bodies and movements. Other campaigns may also imply printed advertising, call centres or other direct response channels.

Under &lt;b&gt;Technique&lt;/b&gt;, the showcased examples feature an outstanding component of technical innovation – i.e. A window display which reacts to pedestrians’ movements; websites in which users can communicate not only by using their keyboard but also their webcam… Resorting to this kind of technical solutions provides a great creativity potential allowing the development of campaigns in which feedback becomes an added value for the user, turning him into an ally of the message.

The last chapter based on &lt;b&gt;Strategy&lt;/b&gt; covers campaigns which are skillfull enough to reach their audience directly. The evidence goes to show that, in certain cases, messages which are directed to very specific audiences are more effective than those which are broadcasted through the mass media.

We hope that &lt;b&gt;Feedback&lt;/b&gt; serves as a source of inspiration for designers and creatives alike.
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&lt;a href="http://feedads.g.doubleclick.net/~a/v_dT1FP50HXKhZgZVxFEh6HoH18/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/v_dT1FP50HXKhZgZVxFEh6HoH18/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/9p8jxIbbWlM" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?819</feedburner:origLink></item><item><title><![CDATA[The 4th Element]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/BckmI2we6n4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.858.ficPortada_210x235.858.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The best in the field of visual design. A variety of materials, which, after the printing process, present a few unexpected results in the texture and a magic effect in the works. It will help to understand the extent of the industry development.
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&lt;a href="http://feedads.g.doubleclick.net/~a/iLfQv3IPU2iI3YrPwAMpNkAwT-A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/iLfQv3IPU2iI3YrPwAMpNkAwT-A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/BckmI2we6n4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?858</feedburner:origLink></item><item><title><![CDATA[Graphis Advertising Annual 2009]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/R-Rvr4ifbt8/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.845.ficPortada_210x235.graphis.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The advertising community’s premiere showcase of print ads from around the world. 
The Annual is arranged into trade categories for easy referencing such as automotive, corporate, fashion, food, and sports. Over 300 of the best single ads and campaigns produced in the past year are shown, with extensive credits of the talented people involved in the creation of this exceptional work.
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&lt;a href="http://feedads.g.doubleclick.net/~a/FG29E9lNmQLEPp_-ujctmCl0jLw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/FG29E9lNmQLEPp_-ujctmCl0jLw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/R-Rvr4ifbt8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?845</feedburner:origLink></item><item><title><![CDATA[Holanda Diseña]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/5wQZSJbDyYU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.832.ficPortada_210x235.holanda-s.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Dutch graphic design is in fashion. It is not only functional, practical and effective, but also bold, innovative and creative. 

With more than two hundred projects from the forty most influential Dutch designers, this book presents the new predominating trends in contemporary graphic design.
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&lt;a href="http://feedads.g.doubleclick.net/~a/BI017NgtAOBlkrG6P7sswyRKkEA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/BI017NgtAOBlkrG6P7sswyRKkEA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/5wQZSJbDyYU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?832</feedburner:origLink></item><item><title><![CDATA[Cuadernos 02 - Branding: ¿estilo local o globalización?]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/7UDKonh7rIY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.717.ficPortada_210x235.c02portada-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Cuadernos&lt;/b&gt; is a space for reflection and a meeting point for designers and visual communication professionals, offering a critical view of the reality of every day work in this industry - an informal conversation among colleagues who meet over lunch to exchange impressions and analyze the issues they face on a daily basis.

&lt;b&gt;CUADERNOS 02&lt;/b&gt;

&lt;i&gt;&lt;b&gt;Branding - Local or global style?&lt;/b&gt;&lt;/i&gt;

With the participation of Francisco Echeverría (Gab. Téc. Echeverría), Chema León (Interbrand) and Jesús Gil (Summa).
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&lt;a href="http://feedads.g.doubleclick.net/~a/IuzO9XW5mJ7J1SMKCEyvqA7yPWI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IuzO9XW5mJ7J1SMKCEyvqA7yPWI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/7UDKonh7rIY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?717</feedburner:origLink></item><item><title><![CDATA[1000 diseños de packaging]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/HwVeRg4jIvo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.823.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Packaging is the ultimate vehicle for design: industrial, graphic, and typographic designs are all put to the test to create an impression so meaningful that it converts currency into consumerism. 
This compilation of packaging excellence is a comprehensive source of inspiration applicable to any project. Each page is the very definition of great design in a number of specialties.
&lt;p&gt;&lt;a href="http://feedads.g.doubleclick.net/~a/SO4NDcR__v9ZHKhbEgCS3DWmuOA/0/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SO4NDcR__v9ZHKhbEgCS3DWmuOA/0/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;br/&gt;
&lt;a href="http://feedads.g.doubleclick.net/~a/SO4NDcR__v9ZHKhbEgCS3DWmuOA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SO4NDcR__v9ZHKhbEgCS3DWmuOA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/HwVeRg4jIvo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?823</feedburner:origLink></item><item><title><![CDATA[Manual del Diseñador]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Bm43GrBxTW4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.811.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book empowers designers at all levels. 

Tackling common technical problems and establishing best-practice guidelines alongside a wealth of hints and tips, it unravels the essential aspects of key areas of print- and screen-based design.
 Each section covers the technical issues and skills needed for a specific area of design.
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&lt;a href="http://feedads.g.doubleclick.net/~a/IA1_2c_zJSJYRuVblOcxCAox4Wc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/IA1_2c_zJSJYRuVblOcxCAox4Wc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/RPodRiZNUXo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?812</feedburner:origLink></item><item><title><![CDATA[Diccionario visual de diseño gráfico]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/PJjcCbPSprU/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.807.ficPortada_210x235.807portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The Visual dictionary is an invaluable resource to anyone studying or simply just interested in graphic design. 
A straight talking guide to the many and varied terms used frequently in graphic design. Each entry uses a different typeface.
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&lt;a href="http://feedads.g.doubleclick.net/~a/bqqeGsDibIxLIile1QK5yeLpWC4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/bqqeGsDibIxLIile1QK5yeLpWC4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/PJjcCbPSprU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?807</feedburner:origLink></item><item><title><![CDATA[500 trucos, sugerencias y técnicas de internet]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/Ki8EusqS0zQ/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.808.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;500 Internet hints is the essential companion for anyone who wants to use the internet to its full potential, as a means of communicating (by computer, phone, or mobile device), participating in a community, setting up and running a blog, photolog, or blog, or contributing to popular sites such as Facebook, myspace.
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&lt;a href="http://feedads.g.doubleclick.net/~a/JM1MG50z-qtxSwPc8nnt5qrSWo8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/JM1MG50z-qtxSwPc8nnt5qrSWo8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Ki8EusqS0zQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?808</feedburner:origLink></item><item><title><![CDATA[Color in Graphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/PjGchnmBnoI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.794.ficPortada_210x235.794_cover-s.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Color is one of the most constant -but variable- influences in our lives, although our relation with it is subjective and individual.

How can we classify, describe or define color? Do we decide which colors we like depending on how we feel? Or do our emotions dictate de color we choose?

In the field of graphic design color is respected, worshipped and reinterpreted. What governs the election of color and how do we react over its use in graphic art?

In &lt;i&gt;Color in Graphics&lt;/i&gt; a designer and a writer join to systematically classify a contemporary selection of graphic design, illustration and packaging, according to the sensations arised by the use of color in each piece of work. This title also offers an insite into the world of color theory as well as an array of opinions gathered from various interviews held with designers, artists and field experts.
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The book is divided into two sections: brand implementation (include graphic design and branding, packaging design, new media, interior, retail and event design and product design), and brand logo. In this edition more agencies than ever before present themselves and their latest work.

 Filled with 194 stunning examples, this is a must-have resource for every corporate identity designer!
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&lt;a href="http://feedads.g.doubleclick.net/~a/Xj6eMKWE2XtSpTipv2K1Z66PkNs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Xj6eMKWE2XtSpTipv2K1Z66PkNs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/QjWjx7Ldgs8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?804</feedburner:origLink></item><item><title><![CDATA[The Big Book of Brochures]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/VqqQtn9HJ6U/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.798.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book showcases a multitude of brochures that have a clear message, a consistent concept, and stand out from the rest. 
It offers myriad ideas, pages of inspiration, and loads of advice for professional graphic designers and students creating brochures for clients; wellspring of ideas, a variety of styles, and recommendations for choosing type, layout, photo treatments, etc.
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&lt;a href="http://feedads.g.doubleclick.net/~a/EZhVeEfyAGXkqLvP-LDGcojjFBQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EZhVeEfyAGXkqLvP-LDGcojjFBQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/VqqQtn9HJ6U" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?798</feedburner:origLink></item><item><title><![CDATA[Symbols, Pictograms & Silhouettes]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/eXcEufUT9rE/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.796.ficPortada_210x235.portada+ing.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;Symbols&lt;/i&gt; isolates graphic elements out of their context in order to focus the attention on the most subtle of details, on the simplicity of forms or on infinite interpretations to a single idea. Each page in this book offers a different view which makes it full of surprises, from begining to end. As a final surprise you will find a CD showcasing some of the images illustrated in the book. Be prepared to enter a new dimension.
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&lt;a href="http://feedads.g.doubleclick.net/~a/b_IicbbxbWDOliWhbEx_U2fxGWU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/b_IicbbxbWDOliWhbEx_U2fxGWU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/eXcEufUT9rE" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?796</feedburner:origLink></item><item><title><![CDATA[Símbolos, pictogramas y siluetas]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/5yvlFc_3kg8/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.797.ficPortada_210x235.portada+cast.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;Symbols&lt;/i&gt; isolates graphic elements out of their context in order to focus the attention on the most subtle of details, on the simplicity of forms or on infinite interpretations to a single idea. Each page in this book offers a different view which makes it full of surprises, from begining to end. As a final surprise you will find a CD showcasing some of the images illustrated in the book. Be prepared to enter a new dimension.
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&lt;a href="http://feedads.g.doubleclick.net/~a/VUQQdneSoDRwu2wtF3nNXyo01Dk/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/VUQQdneSoDRwu2wtF3nNXyo01Dk/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/5yvlFc_3kg8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?797</feedburner:origLink></item><item><title><![CDATA[Color y Percepción]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/BdgMj33ti_8/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.785.ficPortada_210x235.portada-ampliada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;i&gt;Color y percepción&lt;/i&gt; (&lt;i&gt;Colour and Perception&lt;/i&gt;) is based on the unparallelled capacity of colour to transmit emotions and sensations.

Each chapter starts with a short creative text that introduces colour variations in an evocative manner and features striking graphic examples of the ways designers can use shades to their best advantage.
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&lt;a href="http://feedads.g.doubleclick.net/~a/3iMbBtrusotgfK_Dvklv-h8PPOg/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/3iMbBtrusotgfK_Dvklv-h8PPOg/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/BdgMj33ti_8" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?785</feedburner:origLink></item><item><title><![CDATA[Pasen y vean]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/5SY666nsRCM/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.786.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;In a world saturated with information the strategies used to capture the attention can reach genious levels of creativity.

&lt;i&gt;Pasen y vean. Diseño de invitaciones y promoción&lt;/i&gt; (&lt;i&gt;Come in and see -  Invitations and promotion design&lt;/i&gt;) features a collection of outstanding invites, postcards, posters and other forms of bright ideas which were used to promote multiple events and personal causes.

Projects ranging from the extravagant to the utmost subtlety, offer a wide scope overview of the different working perspectives found in today's graphic design.
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'Typography 29' is the only annual devoted exclusively to typography and presents the finest work in this field for 2008. Selected from approximately 2,300 international submissions to the annual 'Type Directors' Club' competition, the winning designs are models of excellence and innovation in the use of type design, encompassing a wide range of categories, including books, magazines, corporate identities, logos, stationery, annual reports, video, web graphics and posters.
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Three volumes? With an elastic  band? And black? Yes! &lt;b&gt;Select G&lt;/b&gt; is here!
This year round we have introduced some small changes in its presentation in order to better enhance the projects presented under each category, including: one volume on professional &lt;b&gt;Graphic Design&lt;/b&gt;, a volume on &lt;b&gt;New Media including a DVD&lt;/b&gt; and yet a third volume on &lt;b&gt;students&lt;/b&gt;' projects. 

Its daring and innovative layout design featuring each project on a double spread and in a smaller-than-usual  format, provides the book with a generous volume consistency.

&lt;b&gt;Select G&lt;/b&gt; is an indispensable tool for keeping updated on Spanish creativity.

&lt;b&gt;Select G&lt;/b&gt;'s jury members have been: José Gil-Nogués, Francisco Echeverría, Pep Alcàntara, Marta Aymerich, Silvia Chaves, Toni Sorell, Jaime Victoria, Ricardo Rousselot, Jordi Oró, Eduard Mateo, Juan Cervera, Eli R. Imbernón and Enric Nel·lo.

&lt;b&gt;Select G, Graphic Design from Spain&lt;/b&gt; features a selection of work by the following designers:

&lt;i&gt;2creativo, Alambre Estudio, Astrid Stavro, Atipus Graphic Design, Barfutura, Basism, BatlleGroup, Baubrand S.L., Bildi Graphics, Bisgràfic, Bomo, Borisgrafic S.L., BRF Design, By Canya studio, Campaña 2000 S.L., Carlos Corral, Carrió Sánchez Lacasta, Cla-se, Collage-no Coop. V., Collazos Comunicación, ConceptJap, Crea 3 Publicidad, Cuatic, Cubo Diseño, Dactilcomunicació, Dfraile, Di7 Comunicación y Marketing, Dos Tintas, Dot, DoubleYou, DT Creativos, Dúctil, DUOH!, Duplo Motiongraphics, Dvein, Eckert+Zuñiga, El Paso, El Tipo, experimentos tipográficos, Emyl, Enric Aguilera Asociados, Erretre Diseño, espluga+asociados, Estudi, Estudi Mariscal, Estudio Ibán Ramón, Estudio Pobrelavaca, EstudioLive, Eumogràfic, Euro RSCG, Excèntric, F33, Fammilia, Feriche Black S.L., Filmac, Gabinete Técnico Echeverría, Gesto Comunicación, Global Image Projects S.L., Gonell Comunicació, Grapa, Grupo Antón Comunicación, Grupo Erre Rousselot Diseñadores, H2O comunicació integral, Herraiz Soto, HTTPcomunicació, Ideolab, Iglesies Associats, Imaginarte Estudio Creativo, Innova Designers, Insignia Creativa, Jordi Fosch, Jose Maria Lema De Pablo, Josep Bagà Associats, Juan Martínez Estudio S.L., Ken, Kikuru, Kinton, La Cia., La fábrica de diseño, Laura Meseguer, Lavernia y cienfuegos, Lluís Pareras Disseny Gràfic, LSD, María de Ros Padrós, Marnich Design, Marta Aymerich Graphic Communication, Marta Gil Colomina, Medusa Team, Milongo comunicación S.L., Moca Estudio, Moruba S.C, Motiva Interactiva S.L., Muntañola Comunicació/Ignasi Vilà, Nectar Estudio S.L., Nopiun, ODM, Ogilvy, OMB Diseño y comunicación visual, Órbital, Otzarreta, OX estudio, Oxigen Comunicació Gràfica, Pagà Disseny, Pati Nuñez, Associats, Perfórnika, Petit Comité, Pixelinglife, Proyecto Gráfico S.L., QüestióGràfica, Ruiz + Company, Se ha ido ya mamá S.L., Seisgrados + Vasava, Shackleton, Simbiolisi, Societat de Disseny, Sonsoles Llorens, Sssit Publicitaris, Sublima Comunicación, Tatay Comunicación, Tavo, Toormix, Tres Tipos Gráficos, Trisquelmedia, Valladares Diseño y Comunicación, Valmont Comunicación, Vasava, Vertigo Graphix, Xnografics, Xose Teiga, Zapping, ZeligStudio

E.A. E Superior de Deseño Pablo Picasso (A Coruña), EASD Escola d'art i superior de disseny de Valencia, EDIB (Palma de Mallorca), EINA, Escola de Disseny i Art (Barcelona), ELISAVA Escola Superior de Disseny (Barcelona), Escola d'art de Lleida, Escola d'art i superior de disseny Serra i Abella (L'Hospitalet), Escola Massana (Barcelona), Escola Municipal d'Art Illa (Sabadell), Escola Superior de Disseny de les Illes Balears, Escuela de Arte y Superior de diseño (Logroño), Escuela de Arte y Superior de Diseño de Murcia, Escuela de Arte y Superior de diseño de Soria, Escuela de Arte-10 (Madrid), Escuela Superior de Publicidad (Madrid), ESDi Escola Superior de Disseny (Sabadell), IDEP Institut Superior de Disseny (Barcelona), Instituto de Artes Visuales (Cádiz), Instituto Europeo di Design (Barcelona), Kunsthal (Irún), Universidad Pontifica de Salamanca.&lt;/i&gt;

&lt;b&gt;Includes a DVD with all the files from the &lt;i&gt;New Media&lt;/i&gt; selection&lt;/b&gt;.

&lt;a href=http://www.indexbook.com/select/sticker class=link&gt;Were you selected?&lt;/a&gt;

Discover &lt;a href=http://www.indexbook.com/select/nuevo class=link&gt;how to appear in forthcoming editions of Select&lt;/a&gt;

More details at &lt;a href=http://www.indexbook.com/select class=link&gt;www.indexbook.com/select&lt;/a&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/gMZMS3xeG5qkdakdjd8rluH68DQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gMZMS3xeG5qkdakdjd8rluH68DQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/5cLRuFS_Wa4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?761</feedburner:origLink></item><item><title><![CDATA[Art Directors Annual 87]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/pTZ4TmeXirY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.779.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The best-selling, international review of the year’s most innovative works in visual communication. The book presents, with exceptional clarity and detail, the work of gold and silver medallists and distinctive merit winners in national and international advertising, graphic design, illustration, photography, and new media.
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&lt;a href="http://feedads.g.doubleclick.net/~a/UO-cKVvRuaejTa8Jy5HImaDKtKY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/UO-cKVvRuaejTa8Jy5HImaDKtKY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/qnf98D3CB18" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?743</feedburner:origLink></item><item><title><![CDATA[Color Imprescindible en la Ilustración de Moda]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/HcO0XgyukZA/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.746.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Representing designs is essential in fashion and various illustration techniques can be used when doing so. The choice of one or another allows one to differentiate the wide variety of textiles that exists and their different properties. 

This book uses over 40 step-by-step exercises as a tool for learning how to work with five of the basic techniques - pencil, watercolours, pastels, guache and markers -. It also includes a chapter on illustrations of mixed or digital techniques.
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&lt;a href="http://feedads.g.doubleclick.net/~a/i8hy-KjlLYE7YU8WXwiP5Wwk0r8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/i8hy-KjlLYE7YU8WXwiP5Wwk0r8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/HcO0XgyukZA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?746</feedburner:origLink></item><item><title><![CDATA[Package Design JPDA]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/R8cQSB3ezp4/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.769.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The Japan Package Design Association was founded in 1960 and is authorized by the Ministry of International Trade and Industry. JPDA is a private organization that represents the field of the package design in Japan. 

The object of JPDA is to enrich daily life and culture and to foster industry through improvement, promotion, and education for package designing.
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&lt;a href="http://feedads.g.doubleclick.net/~a/kqi-4x86MYoEdmuNuvD3H4hJ-vM/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kqi-4x86MYoEdmuNuvD3H4hJ-vM/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/R8cQSB3ezp4" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?769</feedburner:origLink></item><item><title><![CDATA[Tokyo Ginza Graphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/sYwwmoaz37Q/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.766.ficPortada_210x235.portada-1.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Illustrates some of the best graphic design that Tokyo has to offer. Text in English and Japanese.
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&lt;a href="http://feedads.g.doubleclick.net/~a/EOu1ICaoMgj3IN9Kt4ItjBV4Jgs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/EOu1ICaoMgj3IN9Kt4ItjBV4Jgs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/sYwwmoaz37Q" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?766</feedburner:origLink></item><item><title><![CDATA[Uncredited (2ª ed. Castellano)]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/ZS54QfDTbhY/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.434.ficPortada_210x235.portada-castellano.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Uncredited&lt;/b&gt; is the first book to offer a general and historic insight into the role played by graphic design in films, from the dawn of cinema to the present day. It presents a critical analysis of the opening title sequences, thus throwing a light on the typographic work and composition of anonymous designers or of those rarely accredited. An analysis which, as well as revisiting the most well known artists such as Saul Bass, Pablo Ferro, Maurice Binder or Kyle Cooper; it uncovers the incursion of prestigious designers into this specialty such as Tibor Kalman, Milton Glaser, David Hillman,  Juan Gatti or Simon Taylor.

This book includes over 1,000 films and over 300 sequences of opening titles, from more than 150 creators. A must for those in search of global knowledge about one the most recognized and unrecognized graphic specializations - the background for today's and inevitably, the future's trends in motion graphics design. The book also &lt;b&gt;includes a DVD containing a selection of the titles analyzed within its pages, in QuickTime format&lt;/b&gt;.

&lt;i&gt;"From the classic to the contemporary via the cult, the camp and the chilling, great movies have always relied on animators, typographers and graphic designers to create title sequences that set the scene. This stunning coffee-table tome waxes lyrical, technical and poetical on the old masters (Saul Bass, Maurice Binder) and the modern (Kyle Cooper, the Fuel agency) while wondering where the hell StarWars and James Bond would be without their iconic openings."&lt;/i&gt; (&lt;b&gt;Monocle&lt;/b&gt; #07, Oct. 2007)
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&lt;a href="http://feedads.g.doubleclick.net/~a/eE5gQd0gw9-ERnN2uCjdUxzFRBo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/eE5gQd0gw9-ERnN2uCjdUxzFRBo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/ZS54QfDTbhY" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?434</feedburner:origLink></item><item><title><![CDATA[Graphis Design Annual 2009]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/m2k8n8zeAYI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.748.ficPortada_210x235.graphis2009.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Graphis Design Annual 2009 is the definite design showcase, featuring more than 300 of the year’s most outstanding designs in a variety of disciplines. The selected work is categorized by sections such as Corporate Identity, Exhibits, Interactive, Letterhead, Packaging, and Typography for easy referencing.
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&lt;a href="http://feedads.g.doubleclick.net/~a/WZaILMFhxMQcKTwnIOSTkIR60_Y/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/WZaILMFhxMQcKTwnIOSTkIR60_Y/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/m2k8n8zeAYI" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?748</feedburner:origLink></item><item><title><![CDATA[Cuadernos 01 - Diseño: ¿calidad o cantidad?]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/ZHI0RZXLohw/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.716.ficPortada_210x235.c01_portada-small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;&lt;b&gt;Cuadernos&lt;/b&gt; is a space for reflection and a meeting point for designers and visual communication professionals, offering a critical view of the reality of every day work in this industry - an informal conversation among colleagues who meet over lunch to exchange impressions and analyze the issues they face on a daily basis.

&lt;b&gt;CUADERNOS 01&lt;/b&gt;

&lt;i&gt;&lt;b&gt;Design - Quality or quantity?&lt;/b&gt;&lt;/i&gt;
With the participation of Fernando Amat (Vinçon stores), Javier Mariscal and América Sánchez.
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&lt;a href="http://feedads.g.doubleclick.net/~a/hgO19H6gF1x9cOKYlU3vdZdQ0rQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/hgO19H6gF1x9cOKYlU3vdZdQ0rQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/ZHI0RZXLohw" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?716</feedburner:origLink></item><item><title><![CDATA[Ideas Unleashed]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/IaPdQap_TSo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.741.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;From an advertising campaign about a new model of a car to a package design of a cosmetic bottle, this book presents "the best of the best projects in graphic design", which will inspire creative professionals and advertising communities. Featured inspirational works help those people and designers come up with even more brilliant idea for future assignments and projects. This is a must-have resource book for designers as well as marketing and advertising professionals.
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&lt;a href="http://feedads.g.doubleclick.net/~a/ylptseKQQaODeMR-rOGglzGkG-Q/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/ylptseKQQaODeMR-rOGglzGkG-Q/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/IaPdQap_TSo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?741</feedburner:origLink></item><item><title><![CDATA[2000 Muestras de Colores]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/NZwsZRGYqCo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.720.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Colour is a basic element in each design. It can be used to recall a certain mood, to capture the attention,  to identify a product or to organize information. The appearance of a colour shall always be influenced by the colours next to it which is why choosing the right combination is so fundamental. This is where this book (&lt;i&gt;2000 Color Samples&lt;/i&gt;) comes in to give a helping hand.
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&lt;a href="http://feedads.g.doubleclick.net/~a/YJq9zJsI6MejtEFS6Md5rUdXh8U/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/YJq9zJsI6MejtEFS6Md5rUdXh8U/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/NZwsZRGYqCo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?720</feedburner:origLink></item><item><title><![CDATA[Musikraphics]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/dGtd3qTzYSs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.725.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;From print to animations and films, not only does graphics help us to visualize music, it can transport us to the stories behind it and put the related identity in the best light possible. 

An eclectic and inspiring collection of all music associate materials ranging from striking record covers, album packaging, concert posters, etc., 

Musikgraphics features contemporary designs from pure graphics to photography, collage and packaging on today’s most exciting genres of music from both the west and the east.
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&lt;a href="http://feedads.g.doubleclick.net/~a/gDLwDOn-U18HHmFpTDfvY-EF_4M/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/gDLwDOn-U18HHmFpTDfvY-EF_4M/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/x8K9OOAxMNk" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?709</feedburner:origLink></item><item><title><![CDATA[DemoGraphics Packaging]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/YAXN6cm-zdw/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.710.ficPortada_210x235.PORTADA.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The first book to explore the vital, commercial relationship between design, marketing, and target audiences.

DemoGraphics is the first series of design books to examine how successful designs target specific audiences. Where other design books explore the ‘what?’ and ‘why?’ of design, DemoGraphics: Packaging dissects the ‘who?’

Through a huge selection of diverse examples, the authors examine how packaging is designed to appeal to specific groups based on gender, age, socio-economic group, disposable income, profession and shopping habits. Case studies and interviews with designers and brand owners explain how and why specific choices have been made, why it works and how it evolved from a prototype or concept to form successful, user-centred design.

DemoGraphics: Packaging also offers designers a palette of ideas, materials, and inspirations with which to design their own targeted packaging. This is a vital text for both designers and brand, advertising, and marketing professionals and students.

About The Author

Mark Hampshire and Keith Stephenson are the directors of Absolute Zero Degrees, a multidisciplinary agency designing corporate identities, packaging, books, wallpaper, and interiors accessories. They are the co-authors of Circles and Dots, Stripes and Squares for RotoVision. They live in London, UK.
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Get plugged into some 500 graphic designers and agencies from all over the world, each with their own unique style: Akihiro Sai, Cocobongo Artworks, Jeff Fisher, Gianni Rossi, Guilherme Marconi, Hausgrafik, Musa Collective, Nick/Leyp, Noma Bar, Quickhoney, Serial Cut, eBoy, Tracy Sabin and more.
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&lt;a href="http://feedads.g.doubleclick.net/~a/kN5FXwlHxjY4-G3VS_5G7CmYYKA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/kN5FXwlHxjY4-G3VS_5G7CmYYKA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/pDXvjyd5jAo" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?698</feedburner:origLink></item><item><title><![CDATA[Around Europe Promotion]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/bfFSVCPp00I/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.699.ficPortada_210x235.aepromotion_small.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Welcome to a new edition of the &lt;i&gt;Around Europe&lt;/i&gt; series, this time, about &lt;i&gt;Promotion&lt;/i&gt;.
 
As in previous editions, this book series visits different European countries in search of the most interesting graphic design by a wide variety of studios whose work stands out for its quality.

This volume offers a journey across Europe's best graphic design in the field of &lt;i&gt;Promotion&lt;/i&gt; and allows you to savour the wide menu which European graphic artists are capable of offering.
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&lt;a href="http://feedads.g.doubleclick.net/~a/TctXx3_nHEtu3wD-LzJ9K186pfw/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/TctXx3_nHEtu3wD-LzJ9K186pfw/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/B7FF08A0BhQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?702</feedburner:origLink></item><item><title><![CDATA[Punto de venta]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/W8W98OtKBVo/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.696.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;This book contains a wealth of easy-to-use templates that help you design creative and structurally sound POP packaging, and even tailor the designs to your needs.

Because well-designed packaging always strikes a balance between logistics and cost, Point of Purchase: ready to use will be an invaluable sourcebook for anyone who needs practical designs and ideas for creating sales spaces that really.
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Because well-designed packaging always strikes a balance between logistics and cost, Point of Purchase: ready to use will be an invaluable sourcebook for anyone who needs practical designs and ideas for creating sales spaces that really.
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This aesy-to-navigate reference tool is divided into categories, includin typographic, icons, and illustrations, and further classified into innovative identities, like hip-hop, neo baroque, kanji, kana, psychedelic, 60s to 70s, corporate, erotic and other distinct groups.

Exclusive commentary from author/designer Hitoshi Nagasawa, traces modern typography and design from the bauhaus in the 1920s to today.
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It includes anecdotes, strange phrases, coments and simply ridiculous conversations from character as the star designer, the executive who just doesn't understand, the guy at the printing company whit his impossible excuses, and the advertiser who demands and demands but isn't able to distinguish the good from the bad.
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We present our latest title &lt;i&gt;When Space Meets Art / When Art Meets Space&lt;/i&gt; which offers a comprehensive taste and feel of what goes on in all sorts of events.
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We present our latest title &lt;i&gt;When Space Meets Art / When Art Meets Space&lt;/i&gt; which offers a comprehensive taste and feel of what goes on in all sorts of events.
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A tool that boosts the creativity and optimizes the time of both professional and amateur designers alike. With this tool designers can improve the overall quality of their work with prints - either as they are or by using them to generate as many variations as their creativity allows.

Starting with 75 digitalized textures (vector and bitmap), designers are not limited to changing the colors and size of the print. They may also vary them up by adding or taking away elements.

A great tool for easily creating designs with spectacular finishing touches.
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A great tool for easily creating designs with spectacular finishing touches.
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The seventh volume in the " Made in Spain" collection pays a small homage to all those soulful publications that provide us with so much inspiration.
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This book presents over 280 exciting design ideas for packaging and presentation, for categories spanning food, cosmetics, toiletries, pharmaceuticals and much more. Includes a cd with easily replicable templates in editable formats such eps which could be opened with illustrator, corel or other vector editor to modify and use the structure. It also contains pdf format, which can be edited, depending on requirements.
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You’ll learn essential considerations, challenges, pitfalls, and the inside scoop from experience designer who have both successfully, and not so successfully, implemented each of the effects featured.
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It look at how publications captivate and connect with readers on aesthetic and emotional levels, through the ifnormation they present, their appeareance, and how they feel in the hand.
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&lt;a href="http://feedads.g.doubleclick.net/~a/HkaVi41_L5KA-cd2aPUALwPSVfA/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/HkaVi41_L5KA-cd2aPUALwPSVfA/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/hBPIIy5Ab3c" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?601</feedburner:origLink></item><item><title><![CDATA[Viva Grafica]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/a2AJUtJeHSs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.629.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;When we speak of graphic patterns, our worn-out but recurring dichotomy between form and content becomes apparent. Oftentimes, graphic patterns are relegated to the category of simple—almost indecent—pleasure. They were in style, and then they were out of style for centuries. Still, the fascination that they hold over people has never disappeared completely.
By presenting graphic patterns alongside their applications, VivaGrafica offers a varied selection of beautiful motifs along with their innovative, and often ingenious, uses.
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The 6th edition of the Spanish Graphic Design annual. It shows a complete collection of different categories from Graphic Design: editorial design, packaging, corporate identity, logos, posters, catalogues, exhibitions, etc. It also includes a New Media section: featuring websites, multimedia and videos.

The projects in this edition have been selected by the following jury: Neil Cutler, Regina Puig, Carlos Sendín, David Cano, Alberte Permuy, Paco Adín, Pepe Canya, Daniel Ayuso, Orlando F. Ruiz, Wenceslao Sanz and Jordi Vilella.

In Graphic Design from Spain. Select F there is a work selection of the following designers:

&lt;i&gt;2creativo, Abilbo, Alambre Estudio, Aldrich, Artimaña, Astrid Stavro, BaseDESIGN, BAU, Escola Superior de Disseny, Bermer&amp;Co, Binomi, biográfica, Bisgrafic, Canya (Engloba Brandesign), CapGemini, Carrió/Sánchez/Lacasta, Casals i Cots / DiacDisseny, Cla-se, Collazos Comunicación, CP Proximity, Crea 3 Publicidad, Cuatic, Damià Rotger Miró, Dfraile, Dídac Ballester, Diego Hurtado de Mendoza, Diseco Desarrollo i Comunicación, Doctor Magenta, Doctor Magenta + Gándara, Domestika (Tavo Ponce) , Domestika (Wenceslao Sanz) , DOS TINTAS, DoubleYou, EINA, Escola de Disseny i Art, El Orfanato S.L, El Paso, Galería de Comunicación / Alvaro Pérez, emeyele®, Enric Aguilera Asociados, Erretres Diseño, Escola Massana, Escola Municipal d'Art ILLA, Escola Superior de Disseny Illes Balears, Escuela de Arte número 10, Escuela de Arte y Superior de Diseño de Logroño, Escuela EDIB, Escuela Superior de Arte del Principado de Asturias, ESDI. Escola Superior de Disseny, espluga+associates, ESTUDI REGINA PUIG, Estudio Ibán Ramón, Estudio Jorge Lorenzo, Estudio Mariscal, FAT MAN COLECTIVO sl - beatríz farfán, Fat-Man Colectivo S.L, Feriche Black, Geminal Comunicación, Gestocomunicación, Gonell Comunicació, Gorka Aizpurua Serrano, Grapa, Herraiz&amp;Soto, HTTPcomunicació, humana diseño, IDEP Escuela de Imagen y Diseño, Impacte, Instituto de Artes Visuales, Instituto Europeo del Diseño-BCN, Jaume Aymerich, JMG/GARROFÉ DISSENY, Juan Martinez Estudio, KEN, Kike Correcher(Filmac), Kikuru, Kings of Mambo, Kinton, Lavernia, Cienfuegos y Asociados, Liquidhess, LSD/Sonia Díaz y Gabriel Martínez, María de Ros Padrós, Muntañola Comunicació, Murray agencia de diseño, Negro estudi, Neil Cutler Design, Nifava, Nopiun, Observer, SL, OgilvyOne, Örange bcn, Órbital, ox estudio, Oxigen Comunicació Gráfica, Paraphernalia, Pere Duran, Perfórnika, Permuy AsociadosPetit Comité, Proyecto Gráfico, Pepe Gimeno, quattro idcp, ruiz+company, SEIS SOMBREROS CREATIVOSS, Sendín &amp; Asociados, Sonsoles Llorens Disseny Gràfic, Supperstudio, Tavo Ponce, tema, TQM (trisquelmedia), Un Mundo Feliz, Un-defined Studio, Unlimited Creative Group, Valladares Diseño y Comunicación, Valmont Comunicación, Vasava, Wladimir Marnich, Xavi Patau, Xosé Teiga, ZAPPING, ZAPPING/M&amp;C SAATCHI y zeligstudio.&lt;/i&gt;

&lt;a href=http://www.indexbook.com/select/sticker class=link&gt;Were you selected?&lt;/a&gt;

Discover &lt;a href=http://www.indexbook.com/select/nuevo class=link&gt;how to appear in forthcoming editions of Select&lt;/a&gt;

More details at &lt;a href=http://www.indexbook.com/select class=link&gt;www.indexbook.com/select&lt;/a&gt;
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The development of typography, printing techniques, packaging illustration can all been seen in these examples, which have been separated out into different chapters: nature, plces, objects, people, typography, textures and advertising.
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&lt;a href="http://feedads.g.doubleclick.net/~a/KRBxLYp0x1-YjAMdQlX9gwLvSrs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/KRBxLYp0x1-YjAMdQlX9gwLvSrs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/eurFvsiWSdU" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?522</feedburner:origLink></item><item><title><![CDATA[Pioneros del Diseño Gráfico en España]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/-hEIYlkXJCs/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.523.ficPortada_210x235.portada.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The first monographic book published in Spain featuring, through almost 1,000 images, the brilliance and excellence of 15 Spanish graphic artists from the period between 1939-1975.

The Madrid-based designer, Emilio Gil, presents, together with Index Book publishers, this unique title dedicated to the Pioneers of Spanish Graphic Design. The designers whose work is featured in this book deserved this title of reference for the quality of their portfolios and their ability to harmonize with the hipest of trends in Spanish and international design, covering an existing niche with an extremely interesting and up to date compilation whether addressed to professionals, historians or students.
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The development of typography, printing techniques and packaging illustration can be reviewed in these examples which are classified in different chapters: Nature, Places, Objects, People, Typography, Textures and Advertising. The book in itself is an outstanding compilation of real collector's pieces.
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&lt;a href="http://feedads.g.doubleclick.net/~a/OneCwqwFnf_jly9w7U6F6EO0siU/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OneCwqwFnf_jly9w7U6F6EO0siU/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/Imn94jCX0_s" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?397</feedburner:origLink></item><item><title><![CDATA[100% Proyectos Personales]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/OKXUjqHgcMI/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.344.ficPortada_210x235.100DP_SP_smal.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;Innovative concepts to present your work

Your portfolio is your first impression;  it needs to draw our attention.
In this book, you'll find inspiration and global research, which will both open up your mind and surprise and impress your clients.

There are more than 300 images split between the following chapters:

-Traditional portfolio
-Digital portfolio
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&lt;a href="http://feedads.g.doubleclick.net/~a/WXlJdyw7WUatAAVW2Bh1heI-SSo/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/WXlJdyw7WUatAAVW2Bh1heI-SSo/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/indexbook/books/~4/JS0AQBfq7CA" height="1" width="1"/&gt;</description><feedburner:origLink>http://www.indexbook.com/libro.php?249</feedburner:origLink></item><item><title><![CDATA[Select D, Graphic Design from Spain]]></title><link>http://feedproxy.google.com/~r/indexbook/books/~3/NtfmQSs539g/libro.php</link><description>&lt;img src="http://www.indexbook.com/resize.php?image=%2Fupload%2FLibros.243.ficPortada_210x235.port_selD.jpg&amp;width=67&amp;height=75"&gt;&lt;br&gt;The 4th edition of our yearbook, &lt;i&gt;Select D&lt;/i&gt;, represents the consolidation of a project that was originally conceived four years ago. Year after year, it has gradually strengthened its position in the editorial world.  &lt;i&gt;Select D&lt;/i&gt; brings together two interests:  the pursue of designers in having their work published in a good reference book and the publisher's aim at producing a quality title with an impact both on national and foreign markets.

Dedicated, as in every yearbook, to the different categories in Graphic Design, this year it has acquired true consolidation beyond our borders and continues to push strongly towards achieving a clear and secure position in major international markets, able to compete with the World's top publications. 

We are delighted to count with the support of our country's designers and creatives as proven in the &lt;i&gt;Meeting &amp; Select&lt;/i&gt; sessions held at the 2005 Sign Show in Madrid. This support is what inspires us to continue going ahead in the same direction. We are already working on our next issue, &lt;i&gt;Select E&lt;/i&gt;... We don't stop!

&lt;b&gt;Select D, Graphic Design from Spain&lt;/b&gt; features projects by the following designers: 

&lt;i&gt;3ddb S.L., 40gurus communication thinktanck, Adtiviti, Alambre Estudio S.L., Alex Trochut, Alonso-Balaguer y Arquitectos Asociados, Andreu Balius, área3, Artimaña, Aymerich Comunicació, Bildi Grafiks, Binomi Diseño Gráfico, Bisgrafic, Casals i Cots, CB'a Graell Design Solutions, Centro Creativo Fernández Álvarez, &lt;a href=http://www.citricagency.com title='CITRIC creative communication agency'&gt;CITRIC&lt;/a&gt; creative communication, Claret Serrahima i Associats, Collazos Comunicación, Conceptjap, Cosmic, Cuatic, Cuestión, Dani Navarro, David Alegría, David Espluga (Espluga+asociados), Digital Point, Dostudio, DoubleYou, Eduardo del Fraile (Creta:studio), Egge Associats, El Paso, Galería de Comunicación, El Plan B, Ellen Diedrich y Wladimir Marnich, Engloba Diseño, Enric Aguilera Asociados, ESIETE, Estudi de Comunicació Alvar Comerma, Estudi Diego Feijó, Estudi Ruiz + Company, Estudio Mariscal, Eumografic, Feriche Black, Fernando Morales (Perfórnika) Goonell Comunicació, Gorka Aizpurua Serrano, Grapa Disseny, GrupoIngenio, h2o comunicación integral, Hexel Anzeigen, Iban Ramon, Impacte Comunicació, Innotham, Isidro Ferrer, Jorge Arévalo (Entreplanta), Jorge Lorenzo Diseño y Comunicación Visual, José Mª Garrofé, KEN, La Cía, La Troupe, Laura Messeguer, Lavernia (Cienfuegos y asociados), Manuel Estrada, Marc Català y Pablo Juncadella (Mucho), María De Ros Padrós, Mario Eskenazi, Màrius&amp;Laura, Marnich Design, Morillas Brand Design, Muntañola Comunicació, Neil Cutler Design, Nuevas Estrategias de Comunicación Integral, ODM Oficina de Diseño y Publicidad, Otzarreta, Oxigen Comunicació Gràfica, Paco Bascuñán, Pandiella y Ocio (Impreso Estudio), Pati Núñez Associats, Pep Carrió, Pere Duran, Perfórnika, Petit Comité del Disseny, Pilar Gorriz &gt; Diseño Gráfico, Poma Estudi, R. Bermejo Comunicación, Rafael Celda y Asociados, Regina Puig, Saez-Urios Comunicación e Imagen, Sergi Mula (Herraiz &amp; Soto), Serial Cut, Sonsoles Llorens, Summa Comunicació, Tau Diseño (Emilio Gil), Teimaginas internet servicios interactivos, Tintaenlata, Trias Quod Design, Un Mundo Feliz / A Happy World Production, Urs Frick (Zapping), Valmont Comunicación, Veintiocho estudio creativo, Vionta Comunicación-Seis Camelias, Visual 13, Xose Teiga, Zeligstudio, Zoocreative.

Escuela Superior de Diseño de Aragón (Roberto López and Ascención Naudin), Escola d'Art i Superior de Disseny Serra i Abella (Josep Aristoy and Iván Bedmar), Instituto de Artes Visuales (David Santiago), Eina Escola de Disseny i Art (Guillermo Brotons, Luisa Sabina Chillida, Alba Daví, Laura Generó, Sandra Gómez and Carolina Montpart), Istituto Europeo di Design (Eric Alonso, Nuria Fernández, Christian Fernández, Yago Bolívar and Rocío Ballesteros), Elisava Escola Superior de Disseny (Núria Solsona and Marc Esteban), Escola Illa Sabadell (David Sánchez, Diego García and Roger Costa), Escola Superior de Disseny de les Illes Balears (Cati Marc and Eva Hermida), Istituto Europeo di Design -Barcelona- (Daniele de Carolis and Vicky Roqué), ESDI Escola Superior de Disseny (Adrián Romo, Alba Rosell and Vèlia Bach), Escuela Edib (Luis Coronado Roselló and Antoni Font Riera)&lt;/i&gt;.

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