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	<title>Awards &#8211; IndieWire</title>
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		<title>Léa Seydoux Became Fearless After the Controversies of ‘Blue Is the Warmest Color’ — She’s Doing It Again with ‘Gentle Monster’</title>
		<link>https://www.indiewire.com/awards/consider-this/lea-seydoux-blue-is-the-warmest-color-gentle-monster-1235222558/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Sun, 18 Oct 2026 21:23:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Consider This]]></category>
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		<category><![CDATA[Film]]></category>
		<category><![CDATA[gentle monster]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lea Seydoux]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Oscars]]></category>
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					<description><![CDATA[Marie Kreutzer's "Gentle Monster" is yet another example of how Seydoux explores the dark side of the human psyche. It could land her an Oscar nomination. ]]></description>
		
		
		
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		<title>From ’You Can See Everything&#8217; to ’14th’ and &#8216;Musk,&#8217; DOC NYC 2026 Reveals Influential Awards Short List</title>
		<link>https://www.indiewire.com/awards/industry/doc-nyc-2026-awards-short-list-you-can-see-everything-musk-1235221889/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Wed, 14 Oct 2026 16:00:00 +0000</pubDate>
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		<category><![CDATA[Oscars]]></category>
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					<description><![CDATA[The DOC NYC Short List is often predictive of December's eventual Oscar shortlist. Films that are also nominated for Best Feature at the Critics Choice Award Documentary Awards get a leg up for future non-fiction awards.]]></description>
		
		
		
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		<title>Has Hollywood Softened Toward Netflix?</title>
		<link>https://www.indiewire.com/awards/industry/hollywood-soften-netflix-best-picture-oscars-la-bola-negra-1235221518/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 21:45:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Oscars]]></category>
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					<description><![CDATA[As "La Bola Negra" opens in theaters for a 47-day run, the Spanish Oscar entry is not only the frontrunner for Best International Feature, but also the best shot the streamer has so far for a Best Picture win. ]]></description>
		
		
		
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		<title>Which Film(s) Can Still Crash the Oscar Race?</title>
		<link>https://www.indiewire.com/lists/which-2026-films-can-crash-oscar-race/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 17:45:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Predictions]]></category>
		<category><![CDATA[Dune: Part Three]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Oscar predictions]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[The Further Mis-adventures of Cliff Booth]]></category>
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					<description><![CDATA[With the major film festival world premieres out of the way, are there any films (besides the Shai-Hulud-sized obvious) that can emerge with enough noise to become an Oscar contender?]]></description>
		
		
		
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		<title>&#8217;14th&#8217; Leads 2026 Critics Choice Documentary Award Nominations</title>
		<link>https://www.indiewire.com/awards/results/critics-choice-documentary-awards-2026-nominations-14th-1235221592/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Tue, 13 Oct 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Results]]></category>
		<category><![CDATA[Best Documentary Feature]]></category>
		<category><![CDATA[Critics Choice Documentary Awards]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[TV]]></category>
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					<description><![CDATA[Ava DuVernay’s “14th" leads nominations for the Critics Choice Documentary Awards happening on Sunday, November 8, 2026 at The Edison Ballroom in Manhattan.]]></description>
		
		
		
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		<title>&#8216;The Pitt,&#8217; &#8216;Take Me Home,&#8217; and More Win at The DARCYS 2026</title>
		<link>https://www.indiewire.com/awards/results/the-darcys-2026-winners-the-pitt-1235221291/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Sun, 11 Oct 2026 00:22:01 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Results]]></category>
		<category><![CDATA[Easterseals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Take Me Home]]></category>
		<category><![CDATA[The DARCYs]]></category>
		<category><![CDATA[The Pitt]]></category>
		<category><![CDATA[TV]]></category>
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					<description><![CDATA[The rebranded Easterseals Disability Arts &#38; Culture Awards saw "The Pitt" and "Take Me Home" among the winners of its inaugural outing.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235221291</post-id>	</item>
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		<title>Oscars: U.K. Selects &#8216;Rehearsals for a Revolution,&#8217; Documentary About Iran, as Best International Feature Entry</title>
		<link>https://www.indiewire.com/awards/industry/rehearsals-for-a-revolution-iran-uk-best-international-oscar-1235221263/</link>
		
		<dc:creator><![CDATA[Brent Lang]]></dc:creator>
		<pubDate>Sat, 10 Oct 2026 14:30:39 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Rehearsals for a Revolution]]></category>
		<category><![CDATA[Sony Pictures Classics]]></category>
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					<description><![CDATA[Pegah Ahangarani’s acclaimed look at her life in exile and her native country's political turmoil was already a leading contender for Best Documentary. ]]></description>
		
		
		
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		<title>What Awards Is &#8216;You Can See Everything&#8217; Even Eligible for?</title>
		<link>https://www.indiewire.com/awards/industry/what-awards-you-can-see-everything-eligible-for-1235220881/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Thu, 08 Oct 2026 18:44:30 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[A24]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Lance Oppenheim]]></category>
		<category><![CDATA[Nathan Fielder]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[The Rehearsal]]></category>
		<category><![CDATA[You Can See Everything]]></category>
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					<description><![CDATA[Although Nathan Fielder mostly makes projects classified as documentaries, he's been submitted for awards consideration before for playing himself. Could a campaign like that help "You Can See Everything" receive Oscar nominations?]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235220881</post-id>	</item>
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		<title>Cannes Prize Winner &#8216;Ben&#8217;Imana&#8217; Becomes First Best International Feature Oscar Submission for Rwanda</title>
		<link>https://www.indiewire.com/awards/industry/benimana-first-best-international-feature-oscar-rwanda-1235220779/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Thu, 08 Oct 2026 14:00:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Alexander]]></category>
		<category><![CDATA[Ben&#039;Imana]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Marie-Clementine Dusabejambo]]></category>
		<category><![CDATA[Oscars]]></category>
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					<description><![CDATA[Camera d'Or winner "Ben'Imana" makes history as the first Best International Feature submission from Rwanda.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235220779</post-id>	</item>
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		<title>With Trump Settlement Money in the Bank, E. Jean Carroll Finally Speaks — and in Time for the Documentary Oscar Race</title>
		<link>https://www.indiewire.com/awards/consider-this/e-jean-carroll-interview-documentary-ask-e-jean-1235220662/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Wed, 07 Oct 2026 19:30:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Consider This]]></category>
		<category><![CDATA[Ask E. Jean]]></category>
		<category><![CDATA[E. Jean Carroll]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Oscars]]></category>
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					<description><![CDATA[Exclusive: After staying mum as Donald Trump's various appeals moved through the courts, Carroll can finally talk. Read our previously embargoed interview with the subject of "Ask E. Jean" here.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235220662</post-id>	</item>
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		<title>&#8216;The Social Reckoning&#8217; Is the Kind of Film That the Oscars Have Moved Past Recognizing</title>
		<link>https://www.indiewire.com/awards/predictions/the-social-reckoning-oscar-chances-1235220507/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Wed, 07 Oct 2026 16:00:00 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Predictions]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Jeremy Strong]]></category>
		<category><![CDATA[Mikey Madison]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[The Social Reckoning]]></category>
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					<description><![CDATA[Aaron Sorkin's "The Social Reckoning" is a fine film. It is just not cinematic in the way Oscar voters are looking for.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235220507</post-id>	</item>
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		<title>Andrew Garfield Massively Helps Neon&#8217;s &#8216;Artificial&#8217; Gamble Pay Off on the Awards Front</title>
		<link>https://www.indiewire.com/awards/predictions/andrew-garfield-neon-artificial-oscar-chances-1235220470/</link>
		
		<dc:creator><![CDATA[Marcus Jones]]></dc:creator>
		<pubDate>Tue, 06 Oct 2026 19:36:32 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Predictions]]></category>
		<category><![CDATA[AI]]></category>
		<category><![CDATA[Andrew Garfield]]></category>
		<category><![CDATA[Artificial]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Luca Gudagnino]]></category>
		<category><![CDATA[Neon]]></category>
		<category><![CDATA[Oscars]]></category>
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					<description><![CDATA[The two-time Oscar nominee's full circle moment from corporate martyr in "The Social Network" to corporate menace in Luca Guadagnino's "Artificial" is a strong awards campaign narrative. ]]></description>
		
		
		
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