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		<title>&#8216;The Idiot(s)&#8217; Review: Johnny Flynn and Aimee Lou Wood Suffer Rapturously in Surreal Russian Lit Biopic</title>
		<link>https://www.indiewire.com/criticism/movies/the-idiots-review-johnny-flynn-aimee-lou-wood-1235215061/</link>
		
		<dc:creator><![CDATA[Alison Foreman]]></dc:creator>
		<pubDate>Sat, 05 Sep 2026 04:34:28 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Aimee Lou Wood]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Johnny Flynn]]></category>
		<category><![CDATA[The Idiots]]></category>
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					<description><![CDATA[Małgorzata Szumowska and Michał Englert’s Dostoevsky drama finds dark comedy in a brilliantly strange marriage, but strains to make that suffering meaningful.]]></description>
		
		
		
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		<title>This September, &#8216;Remember Me&#8217;: The 2010 Robert Pattinson Film That Sounds Like Something He Made Up</title>
		<link>https://www.indiewire.com/news/general-news/robert-pattinson-remember-me-2010-september-11-twist-1235215031/</link>
		
		<dc:creator><![CDATA[Alison Foreman]]></dc:creator>
		<pubDate>Sat, 05 Sep 2026 03:59:00 +0000</pubDate>
				<category><![CDATA[General News]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[IndieWire After Dark]]></category>
		<category><![CDATA[Remember Me]]></category>
		<category><![CDATA[Robert Pattinson]]></category>
		<category><![CDATA[September 11]]></category>
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					<description><![CDATA[Never forget Emilie de Ravin co-starring in this miserable love story from director Allen Coulter, technically about a guy who hates his dad and dates a cop's daughter for revenge. ]]></description>
		
		
		
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		<title>&#8216;A Long Winter&#8217; Review: Andrew Haigh Goes Cold with an Immaculately Crafted Coming-of-Age Story Too Restrained for Its Own Good</title>
		<link>https://www.indiewire.com/criticism/movies/a-long-winter-movie-review-1235214822/</link>
		
		<dc:creator><![CDATA[David Ehrlich]]></dc:creator>
		<pubDate>Sat, 05 Sep 2026 02:30:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[A Long Winter]]></category>
		<category><![CDATA[Andrew Haigh]]></category>
		<category><![CDATA[Film]]></category>
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					<description><![CDATA[Fred Hechinger and Eben Moss-Bachrach are terrific in a queer period drama about a young man trying to escape his father's shadow in 1950s Colorado. ]]></description>
		
		
		
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		<title>&#8216;Tender Loving Care&#8217; Review: Kate O&#8217;Flynn Astonishes in Mike Leigh&#8217;s Simple but Profoundly Moving Final Film</title>
		<link>https://www.indiewire.com/criticism/movies/tender-loving-care-review-mike-leigh-1235214666/</link>
		
		<dc:creator><![CDATA[David Ehrlich]]></dc:creator>
		<pubDate>Sat, 05 Sep 2026 01:47:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Telluride]]></category>
		<category><![CDATA[Tender Loving Care]]></category>
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					<description><![CDATA[A drama about a week in the life of two social workers, Leigh's supposed swan song pierces with the directness of a closing statement.]]></description>
		
		
		
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		<title>Inside the Telluride Opening Day Brunch: John Malkovich, Carrie Coon, and the Questions on Everyone&#8217;s Minds</title>
		<link>https://www.indiewire.com/awards/industry/inside-telluride-brunch-john-malkovich-carrie-coon-1235214989/</link>
		
		<dc:creator><![CDATA[Anne Thompson]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 22:49:32 +0000</pubDate>
				<category><![CDATA[Awards]]></category>
		<category><![CDATA[Industry]]></category>
		<category><![CDATA[Elsinore]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Ink]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Telluride]]></category>
		<category><![CDATA[Wild Horse Nine]]></category>
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					<description><![CDATA[We take you inside the opening-day brunch in the Colorado mountains with the stars and filmmakers behind this year's lineup.]]></description>
		
		
		
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		<title>&#8216;Chronovisor&#8217; Directors Measured Twice and Cut Film Once to Tell a Text-Based Thriller</title>
		<link>https://www.indiewire.com/features/craft/chronovisor-directors-kevin-walker-jack-auen-interview-1235214954/</link>
		
		<dc:creator><![CDATA[Sarah Shachat]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 20:15:00 +0000</pubDate>
				<category><![CDATA[Craft | Technology, Sound and Set Design]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Chronovisor]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Jack Auen]]></category>
		<category><![CDATA[Kevin Walker]]></category>
		<category><![CDATA[Top of the Line]]></category>
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					<description><![CDATA[Directors Jack Auen and Kevin Walker tell IndieWire about using every page and graphic to spin a conspiracy thriller from the archival evidence of a time-travel hoax.  ]]></description>
		
		
		
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		<title>&#8216;The Basics of Philosophy&#8217; Review: Paul Schrader&#8217;s Lurid Study of a Predatory Intellectual Is Quietly Explosive, but Not Dangerous Enough</title>
		<link>https://www.indiewire.com/criticism/movies/the-basics-of-philosophy-review-paul-schrader-1235214805/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 19:45:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Paul Schrader]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[The Basics of Philosophy]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Venice: Jack Huston plays a philosophy professor reliving his past sins in a Schrader provocation that finds the director confronting his own.]]></description>
		
		
		
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		<title>&#8216;Furies&#8217; Review: An Anarchic Lebanese Heist Thriller Blazes Past Borders and Genre Cliches</title>
		<link>https://www.indiewire.com/criticism/movies/furies-review-lebanese-heist-movie-1235213562/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 19:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Furies]]></category>
		<category><![CDATA[George Clooney]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Venice: George Clooney executive-produces this exuberantly directed and absorbing thriller about economic collapse in Beirut from director Rami Kodeih.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235213562</post-id>	</item>
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		<title>Abel Ferrara Only Went Hollywood Once, but It Resulted in a Horror Classic</title>
		<link>https://www.indiewire.com/features/commentary/abel-ferrara-body-snatchers-studio-horror-classic-1235214814/</link>
		
		<dc:creator><![CDATA[Jim Hemphill]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 18:00:00 +0000</pubDate>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Abel Ferrara]]></category>
		<category><![CDATA[Body Snatchers]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Warner Bros]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235214814</guid>

					<description><![CDATA[The maverick director of indie landmarks like "King of New York" and "The Bad Lieutenant" had a bad time in the studio system, but the movie that resulted — the 1993 horror film "Body Snatchers" — is a miracle of both personal expression and studio scale.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235214814</post-id>	</item>
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		<title>‘Mr. Nelson, Did You Kill People?’ Review: Shinya Tsukamoto Directs a Bizarre Misfire About a Black Soldier in Vietnam</title>
		<link>https://www.indiewire.com/criticism/movies/mr-nelson-did-you-kill-people-review-1235214871/</link>
		
		<dc:creator><![CDATA[Christian Zilko]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 17:15:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Mr. Nelson Did You Kill People?]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Venice: Stilted dialogue, oppressive sound design, and a gawking cultural gaze yield one of the most unpleasant films of this year’s competition.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235214871</post-id>	</item>
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		<title>Director Michael Dinner Loves a Challenge — and He Had Plenty of Them on &#8216;Silo&#8217;</title>
		<link>https://www.indiewire.com/features/podcast/michael-dinner-on-apple-tv-silo-filmmaker-toolkit-1235213756/</link>
		
		<dc:creator><![CDATA[Jim Hemphill]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 15:30:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Apple TV]]></category>
		<category><![CDATA[Filmmaker Toolkit Podcast]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Michael Dinner]]></category>
		<category><![CDATA[Silo]]></category>
		<category><![CDATA[TV]]></category>
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					<description><![CDATA[Dinner tells IndieWire about his work on the ambitious Apple TV series, which forced him to wrap his head around a complex backstory and thousands of visual effects shots.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235213756</post-id>	</item>
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		<title>‘15/18 (A Place to Heal)’ Review: A Taboo-Busting Dramedy Set Inside a Psychiatric Ward for Teens</title>
		<link>https://www.indiewire.com/criticism/movies/15-18-a-place-to-heal-movie-review-1235214815/</link>
		
		<dc:creator><![CDATA[David Ehrlich]]></dc:creator>
		<pubDate>Fri, 04 Sep 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[15/18 A Place to Heal]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Cédric Kahn’s deftly handled film offers a searing but hilarious critique of life inside a French hospital. ]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235214815</post-id>	</item>
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