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		<title>&#8216;The Stunt Driver&#8217; Review: Jay Baruchel Plays a Canadian Daredevil Trying to Pull Off an Impossible Stunt in a Fun 1970s Throwback</title>
		<link>https://www.indiewire.com/criticism/movies/the-stunt-driver-movie-review-1235216178/</link>
		
		<dc:creator><![CDATA[David Ehrlich]]></dc:creator>
		<pubDate>Sat, 12 Sep 2026 02:45:00 +0000</pubDate>
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		<category><![CDATA[Movies]]></category>
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					<description><![CDATA[TIFF: Michael Dowse’s tribute to Ken Carter mines comedy and tragedy from the stuntman’s unwavering dedication to jumping the Saint Lawrence River in a rocket car.]]></description>
		
		
		
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		<title>&#8216;Trash Mountain&#8217; Review: Caleb Hearon Turns Leading Man in This Gentle Coming-of-Age Dramedy</title>
		<link>https://www.indiewire.com/criticism/movies/trash-mountain-review-caleb-hearon-kris-rey-1235214880/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 23:45:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
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		<category><![CDATA[Caleb Hearon]]></category>
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		<category><![CDATA[Kris Rey]]></category>
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		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Trash Mountain]]></category>
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					<description><![CDATA[TIFF: Kris Rey directs a tender gem from Hearon's own script (written alongside Ruby Caster) about the pleasures and perils of returning home under duress. ]]></description>
		
		
		
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		<title>Fall Festival Movies Sold So Far: &#8216;Rapinoe&#8217; About US Women&#8217;s Soccer Icon Lands at HBO Documentary Films</title>
		<link>https://www.indiewire.com/news/festivals/fall-festival-movies-sold-so-far-babies-ink-elsinore-1235213179/</link>
		
		<dc:creator><![CDATA[Brian Welk]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 22:01:43 +0000</pubDate>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Acquisitions]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Telluride]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Rebecca Huntt directed the documentary about Megan Rapinoe that premiered at TIFF on Thursday. ]]></description>
		
		
		
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		<title>Is Josh Giuliano the Next Curry Barker or Kane Parsons? Blumhouse Atomic Monster Seems to Think So</title>
		<link>https://www.indiewire.com/news/breaking-news/josh-giuliano-next-curry-barker-kane-parsons-blumhouse-obsession-1235216344/</link>
		
		<dc:creator><![CDATA[Brent Lang]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 20:18:20 +0000</pubDate>
				<category><![CDATA[Breaking News]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Blumhouse Atomic Monster]]></category>
		<category><![CDATA[Curry Barker]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Josh Giuliano]]></category>
		<category><![CDATA[Kane Parsons]]></category>
		<category><![CDATA[River]]></category>
		<category><![CDATA[TIFF]]></category>
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					<description><![CDATA[After Giuliano's feature directing debut "River" premiered at TIFF, the horror company made a deal to produce his next film, "Occupant."]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216344</post-id>	</item>
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		<title>From Nathan Fielder&#8217;s Buzzy Elizabeth Holmes Doc to Robert Pattinson&#8217;s Divisive &#8216;Primetime&#8217;: Venice and Telluride&#8217;s Winners and Losers</title>
		<link>https://www.indiewire.com/features/podcast/fall-film-festival-winners-losers-telluride-venice-1235216317/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 19:37:43 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Podcast]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Podcasts]]></category>
		<category><![CDATA[Screen Talk]]></category>
		<category><![CDATA[Telluride]]></category>
		<category><![CDATA[Venice]]></category>
		<guid isPermaLink="false">https://www.indiewire.com/?p=1235216317</guid>

					<description><![CDATA["Screen Talk" co-hosts Anne Thompson and Ryan Lattanzio convene after seeing a ton of movies in Colorado and Italy. What played well, and what didn't?]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216317</post-id>	</item>
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		<title>&#8216;The Housewife&#8217; Review: Naomi Watts Stuns, but This True Story Flounders Under Its Own Weight</title>
		<link>https://www.indiewire.com/criticism/movies/the-housewife-review-naomi-watts-true-story-1235216304/</link>
		
		<dc:creator><![CDATA[Kate Erbland]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 19:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Naomi Watts]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[The Housewife]]></category>
		<category><![CDATA[TIFF]]></category>
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					<description><![CDATA[TIFF: In the feature debut from Ben Shirinian and first-time screenwriter Alyssa Hill, an inherently chilling story about evil hiding within ordinary American life is done in by an uneven cast and script that connects too many dots.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216304</post-id>	</item>
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		<title>‘Makikiraan Po (Let Us Through, Dear Ancestors)’ Review: Lav Diaz and Isabel Sandoval Team Up for a Mournful, Modest Anti-Colonial Drama</title>
		<link>https://www.indiewire.com/criticism/movies/let-us-through-dear-ancestors-review-lav-diaz-1235216132/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 18:30:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Lav Diaz]]></category>
		<category><![CDATA[Let Us Through Dear Ancestors]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Venice: The Filipino filmmaker’s swift return to his signature black-and-white converses thematically with last year’s bracing epic "Magellan."]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216132</post-id>	</item>
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		<title>&#8216;American Hostage&#8217; Review: Jon Hamm Anchors a Tepid Period Drama on Timely Threats to the Fourth Estate</title>
		<link>https://www.indiewire.com/criticism/shows/american-hostage-review-jon-hamm-series-mgm-1235216097/</link>
		
		<dc:creator><![CDATA[Ben Travers]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 18:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Shows]]></category>
		<category><![CDATA[Amazon Prime Video]]></category>
		<category><![CDATA[Jon Hamm]]></category>
		<category><![CDATA[MGM Plus]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[TV]]></category>
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					<description><![CDATA[Inspired by a true story, co-creators Shawn Ryan and Eileen Myers' eight-episode period drama follows Indianapolis radio reporter Fred Heckman (Jon Hamm) as he tries to cover a hostage crisis without compromising his ethics — or getting anyone killed.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216097</post-id>	</item>
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		<title>‘Lovers in the Blue Night’ Review: Anuparna Roy Returns with a Dreamy, Pained Drama About Desire and Displacement</title>
		<link>https://www.indiewire.com/criticism/movies/lovers-in-the-blue-night-review-anuparna-roy-1235216099/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 15:30:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Anuparna Roy]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Lovers in the Blue Night]]></category>
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					<description><![CDATA[Venice: Four restless migrants in Mumbai grapple with forbidden desires and lost futures in this compelling tale from the director of "Songs of Forgotten Trees."]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216099</post-id>	</item>
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		<title>&#8216;A Bit of Light&#8217; Review: Ali Asgari&#8217;s Iranian Answer to &#8216;It&#8217;s a Wonderful Life&#8217; Is a Bit of a Miracle</title>
		<link>https://www.indiewire.com/criticism/movies/a-bit-of-light-review-ali-asgari-1235216265/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 15:15:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[A Bit of Light]]></category>
		<category><![CDATA[Ali Asgari]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Venice: On the eve of the current Iran war, a doctor prepares for suicide in a day-in-the-life drama that offers a mighty and coherent outlook on the big questions.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235216265</post-id>	</item>
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		<title>&#8216;One Minute to Midnight&#8217; Review: Melvil Poupaud Reckons with His Past in a Too-Talky Parisian Drama</title>
		<link>https://www.indiewire.com/criticism/movies/one-minute-to-midnight-review-melvil-poupaud-1235215912/</link>
		
		<dc:creator><![CDATA[Ryan Lattanzio]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 15:00:00 +0000</pubDate>
				<category><![CDATA[Criticism]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[Venice: Poupaud plays a former culture writer on an apology tour in a Nicolas Pariser film that could've been an article. Or a play.]]></description>
		
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">1235215912</post-id>	</item>
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		<title>How Mark Zuckerberg&#8217;s Doomsday Escape Plan and &#8216;Eyes Wide Shut&#8217; Inspired Florian Zeller to Create &#8216;Bunker&#8217; for Penélope Cruz and Javier Bardem</title>
		<link>https://www.indiewire.com/features/interviews/how-mark-zuckerberg-eyes-wide-shut-inspired-bunker-1235216215/</link>
		
		<dc:creator><![CDATA[Brent Lang]]></dc:creator>
		<pubDate>Fri, 11 Sep 2026 14:30:00 +0000</pubDate>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews | Celebrity Interviews & Insider Takes]]></category>
		<category><![CDATA[Bunker]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Florian Zeller]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Penelope Cruz]]></category>
		<category><![CDATA[TIFF]]></category>
		<category><![CDATA[Venice]]></category>
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					<description><![CDATA[As "Bunker" prepares to premiere at TIFF, Florian Zeller admits one of his married cast members didn't like the comparison to Cruise and Kidman. ]]></description>
		
		
		
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