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    <title>Nashville Film Festival</title>
    <link>http://www.indiewire.com/festival/nashville_film_festival</link>
    <description>Nashville Film Festival from IndieWire</description>
    <language>en</language>
    <dc:language>en</dc:language>
    <item>
      <title>Nashville Film Festival Announces First Six Films</title>
      <link>http://www.indiewire.com/article/nashville-film-festival-announces-first-six-films-20150219</link>
      <description>&lt;div&gt;The Nashville Film Festival revealed the first six films participating in the 2015 edition of the festival.&lt;br /&gt;&lt;br /&gt;Radius-TWC's &amp;quot;Adult Beginners,&amp;quot; Roadside Attractions' &amp;quot;Love &amp;amp; Mercy&amp;quot; and A24's &amp;quot;Slow West&amp;quot; will screen as part of the Special Presentations program while &amp;quot;Country: Portraits of an American Sound&amp;quot; and &amp;quot;How Sweet the Sound - The Blind Boys of Alabama&amp;quot; will have their world premieres in the Music Films/Music City section.&lt;br /&gt;&lt;br /&gt;Also screening in the Music Films/Music City section is &amp;quot;Made in Japan,&amp;quot; a documentary about Japanese country music star Tomi Fujiyama.&lt;br /&gt;&lt;br /&gt;The Nashville Film Festival will take place April 16-25 at the Regal Green Hills Cinema.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;a class="" href="http://www.indiewire.com/article/toronto-review-brian-wilson-portrait-love-mercy-isnt-your-average-biopic-20140909" target="_blank" title="Link: http://www.indiewire.com/article/toronto-review-brian-wilson-portrait-love-mercy-isnt-your-average-biopic-20140909"&gt;READ MORE:&amp;nbsp;Toronto Review: Brian Wilson Portrait 'Love &amp;amp; Mercy' Isn't Your Average Biopic&lt;/a&gt;</description>
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      <pubDate>Thu, 19 Feb 2015 22:06:48 GMT</pubDate>
      <guid>http://www.indiewire.com/article/nashville-film-festival-announces-first-six-films-20150219</guid>
      <dc:creator>Shipra Harbola Gupta</dc:creator>
      <dc:date>2015-02-19T22:06:48Z</dc:date>
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      <title>Nashville Film Festival Award Winners Include 'Glen Campbell...I'll Be Me' and 'Club Sandwich'</title>
      <link>http://www.indiewire.com/article/nashville-film-festival-awards-include-glen-campbellill-be-me-and-club-sandwich</link>
      <description>&lt;p&gt;The Nashville Film Festival has announced the 45th Annual Competition winners, with the Gibson Music City/Music Films Award Grand Jury Prize going to the documentary "Glen Campbell...I'll Be Me," about the country music legend's battle with Alzheimer's (which recently sent him to a long-term care facility). &lt;br&gt;&lt;br&gt;An honorable mention went to "The Ballad of Shovels and Rope," about the folk duo, which also won the Ground Zero Tennessee Spirit Award for Best Feature.&lt;br&gt;&lt;br&gt;The Grand Jury Prize winner of the Bridgestone Narrative Competition was Mexican director Fernando Eimbcke's "Club Sandwich," the bittersweet tale of a young single mother and her teenage son dealing with his coming of age. "Little Brother" earned an honorable mention.&lt;br&gt;&lt;br&gt;In the Documentary Competition, the Grand Jury Prize went to "BESA: The Promise," about Nazi-occupied Albania and the protection of the Jews by the mostly Muslim population. An honorable mention went to the Joe Paterno documentary "Happy Valley," while a Special Jury Prize was awarded to "Kidnapped for Christ."&lt;br&gt;&lt;br&gt;The New Directors Narrative Competition prizewinner was "Before I Disappear," whcih premiered at SXSW, while the Graveyard Shift Competition Award went to the controversial German coming-of-age film "Wetlands."&lt;br&gt;&lt;br&gt;The full list of winners is below.&lt;/p&gt;&lt;p&gt;&lt;b&gt;Gibson Music City/Music Films Award &lt;/b&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt; Grand Jury Prize: Glen Campbell...I'll Be Me&amp;nbsp; &lt;br&gt;Honorable Mention: The Ballad of Shovels and Rope&lt;br&gt;&lt;br&gt;&lt;b&gt;Bridgestone Narrative Competition Award Winners&lt;/b&gt;&lt;/p&gt;&lt;p&gt;Grand Jury Prize: Club Sandwich&amp;nbsp; &lt;br&gt;Honorable Mention: Little Brother&lt;br&gt;&lt;br&gt;Best Actor: Manolis Mavromatakis, The Enemy Within &lt;br&gt;Best Actress: Britt Robertson, Undiscovered Gyrl&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Documentary Competition Award Winners&lt;/b&gt;&lt;br&gt;&lt;br&gt;Grand Jury Prize: BESA: The Promise&amp;nbsp; &lt;br&gt;Honorable Mention: Happy Valley &lt;br&gt;Special Jury Prize: Kidnapped for Christ&lt;br&gt;&lt;br&gt;&lt;b&gt;New Directors Narrative Competition Awards&lt;/b&gt;&lt;br&gt;&lt;br&gt;Grand Jury Prize: Before I Disappear&amp;nbsp; &lt;br&gt;Honorable Mention: 1982&lt;br&gt; Honorable Mention: Drunktown's Finest&lt;br&gt;&lt;br&gt;Best Actor: Jeremiah Bitsui, Drunktown's Finest&lt;br&gt; Best Actress: Catalina Sandino Moreno, Medeas&lt;br&gt;&lt;br&gt;&lt;b&gt;Graveyard Shift Competition Awards&lt;/b&gt;&lt;br&gt;&lt;br&gt;Grand Jury Prize for Feature Film: Wetlands &lt;br&gt;Honorable Mention for Feature Film: You and the Night &lt;br&gt;&lt;br&gt;Best Actor: Eric Cantona,&amp;nbsp;You and the Night&lt;br&gt; Best Actress: Carla Juri,&amp;nbsp;Wetlands&amp;nbsp;and Robin Wright,&amp;nbsp;The Congress&amp;nbsp;(Tie)&lt;br&gt;&lt;br&gt;Grand Jury Prize for Short Film: The Voice Thief&lt;br&gt; Honorable Mention for Short Film: Kekasih&lt;br&gt;&lt;br&gt;Special Jury Prize for Direction: &amp;nbsp; Helene Cattet &amp;amp; Bruno Forzani - The Strange Colour of Your Body’s Tears&lt;br&gt;&lt;br&gt;Special Jury Prize for Cinematography&amp;nbsp; Manuel Dacosse - The Strange Colour of Your Body’s Tears  &lt;br&gt;&lt;br&gt;&lt;b&gt;Louise LeQuire Award for Best Screenplay&lt;/b&gt;&lt;/p&gt;&lt;p&gt; Bernard Attal, The Invisible Collection&lt;br&gt;&lt;br&gt;&lt;b&gt;Special Jury Prize for Art and Activism &lt;/b&gt;&lt;/p&gt;&lt;p&gt;Alive Inside:&amp;nbsp; A Film About Memory and Music  &lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Special Jury Prize for GLBT Filmmaking &lt;/b&gt;&lt;/p&gt;&lt;p&gt;The Case Against 8 - Ben Cotner &amp;amp; Ryan White&lt;br&gt;&lt;br&gt;&lt;b&gt;Special Jury Prize for Original Vision&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&amp;nbsp; Buzzard&amp;nbsp;  Special &lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Jury Prize for Cultural Significance&amp;nbsp; &lt;/b&gt;&lt;/p&gt;&lt;p&gt;Love Me&lt;/p&gt;&lt;p&gt;&lt;b&gt;Best Original Song in a Feature Film &lt;/b&gt;&lt;/p&gt;&lt;p&gt;“Davina” from I Believe in Unicorns - Sasha Gordon, Composer&lt;br&gt;&lt;br&gt;&lt;b&gt;Film Musicians Secondary Market Fund Best Music in a Feature Film&lt;/b&gt;&lt;/p&gt;&lt;p&gt; Undiscovered Gyrl&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Best Feature Film by a Woman | Presented by WIFT &lt;/b&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt; The Winding Stream&amp;nbsp;  &lt;/p&gt;&lt;p&gt;&lt;b&gt;Best Short Directed by a Woman | Presented by WIFT &lt;br&gt;&lt;/b&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt; &lt;/b&gt;Helpless&lt;/p&gt;&lt;p&gt;&lt;b&gt;  NPT Human Spirit Award&lt;/b&gt;&amp;nbsp; &lt;/p&gt;&lt;p&gt;The Starfish Throwers&amp;nbsp;  &lt;/p&gt;&lt;p&gt;&lt;b&gt;Nashville Area Hispanic Chamber of Commerce Award&lt;/b&gt; &lt;br&gt;&lt;/p&gt;&lt;p&gt; The Invisible Collection &lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;  Lipscomb Ecumenical Prize &lt;/b&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt; Ida &lt;br&gt;&lt;b&gt;&lt;/b&gt;&lt;br&gt;&lt;/p&gt;</description>
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      <pubDate>Fri, 25 Apr 2014 15:13:20 GMT</pubDate>
      <guid>http://www.indiewire.com/article/nashville-film-festival-awards-include-glen-campbellill-be-me-and-club-sandwich</guid>
      <dc:creator>Max O'Connell</dc:creator>
      <dc:date>2014-04-25T15:13:20Z</dc:date>
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      <title>Nashville Film Festival Releases Complete Features Lineup</title>
      <link>http://www.indiewire.com/article/nashville-film-festival-releases-complete-features-line-up-includes-special-presentations-of-boulevard-calvary-and-the-one-i-love</link>
      <description>&lt;p&gt;The Nashville Film Festival (NAFF) has announced its full line-up of feature films, including special presentations. NAFF programmers combed through more 31,000 submissions.&lt;/p&gt;&lt;p&gt;&lt;a href="http://www.indiewire.com/article/lineup-for-2014-nashville-film-festival-announced-includes" target="_blank" title="Link: http://www.indiewire.com/article/lineup-for-2014-nashville-film-festival-announced-includes"&gt;&lt;b&gt;READ ALSO:&amp;nbsp;&lt;/b&gt;&lt;/a&gt;&lt;a href="http://www.indiewire.com/article/lineup-for-2014-nashville-film-festival-announced-includes" target="_blank" title="Link: http://www.indiewire.com/article/lineup-for-2014-nashville-film-festival-announced-includes"&gt;&lt;b&gt;Nashville Film Festival Announces 2014 Program, Including 'Identical' Opener&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;Besides the traditional narrative, documentary and first time director competitions, NAFF features a separate competitions for music and horror films. The festival also dedicates a competition exclusively to films with a focus on the state of Tennessee.&lt;br&gt;&lt;/p&gt;&lt;p&gt;Special presentations include Fox Searchlight's "Calvary" and Radius-TWC's "The One I Love," both of which premiered at Sundance back in January.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;a href="http://blogs.indiewire.com/theplaylist/sundance-review-the-one-i-love-starring-elizabeth-moss-mark-duplass-20140125" target="_blank" title="Link: http://blogs.indiewire.com/theplaylist/sundance-review-the-one-i-love-starring-elizabeth-moss-mark-duplass-20140125"&gt;&lt;b&gt;READ ALSO:&amp;nbsp;&lt;/b&gt;&lt;/a&gt;&lt;a href="http://blogs.indiewire.com/theplaylist/sundance-review-the-one-i-love-starring-elizabeth-moss-mark-duplass-20140125" target="_blank" title="Link: http://blogs.indiewire.com/theplaylist/sundance-review-the-one-i-love-starring-elizabeth-moss-mark-duplass-20140125"&gt;&lt;b&gt;Sundance Review: 'The One I Love' Starring Elizabeth Moss &amp;amp; Mark Duplass&lt;/b&gt;&lt;/a&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;The Robin Williams drama "Boulevard" will also screen as a special presentation on the heels of its Tribeca premiere.&lt;/p&gt;&lt;p&gt;NAFF runs from April 17-26 at the Regal Green Hills Cinema and Downtown Nashville.&lt;/p&gt;&lt;p&gt;For the full line-up, care of the press release, see below:&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;u&gt;Special Presentations&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;American Commune&lt;/b&gt;&lt;br&gt;Directors: Rena Mundo Croshere, Nadine Mundo. USA. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Boulevard&lt;/b&gt;&lt;br&gt;Director: Dito Montiel. USA. 100 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Calvary&lt;/b&gt;&lt;br&gt;Director: John Michael McDonagh. Ireland / United Kingdom. 100 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Dom Hemingway&lt;/b&gt;&lt;br&gt;Director: Richard Shepard. United Kingdom. 93 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Field of Lost Shoes&lt;/b&gt;&lt;br&gt;Director: Sean McNamara. USA. 94 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;Happy Christmas&lt;/b&gt;&lt;br&gt;Director: Joe Swanberg. USA. 78 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Ida&lt;/b&gt;&lt;br&gt;Director: Pawel Pawilkowski. Poland. 80 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Locke&lt;/b&gt;&lt;br&gt;Director: Steven Knight. United Kingdom. 85 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Lucky Them&lt;/b&gt;&lt;br&gt;Director: Megan Griffiths. USA. 97 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Obvious Child&lt;/b&gt;&lt;br&gt;Director: Gillian Robespierre. USA. 83 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The One I Love&lt;/b&gt;&lt;br&gt;Director: Charlie McDowell. USA. 91 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Words and Pictures&lt;/b&gt;&lt;br&gt;Director: Fred Schepisi. USA. 111 minutes.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;&lt;u&gt;World Cinema&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;The Amazing Catfish&lt;/b&gt;&lt;br&gt;Director: Claudia Sainte-Luce. Mexico. 89 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Bethlehem&lt;/b&gt;&lt;br&gt;Director. Yuval Adler. Israel / Belgium / Germany. 99 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Butter on the Latch&lt;/b&gt;&lt;br&gt;Director: Josephine Baker. USA. 63 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Long Way Home&lt;/b&gt;&lt;br&gt;Director: Måns Nilsson. Sweden / USA. 87 minutes. N. AMERICAN PREMIERE&lt;br&gt;&lt;br&gt;&lt;b&gt;Manakamana&lt;/b&gt;&lt;br&gt;Director: Stephanie Spray, Pacho Velez. Nepal / USA. 117 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Metro Manila&lt;/b&gt;&lt;br&gt;Director: Sean Ellis. United Kingdom / Philippines. 115 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;A Story of Children and Film&lt;/b&gt;&lt;br&gt;Director: Mark Cousins. United Kingdom / France. 101 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Vic + Flo Saw a Bear&lt;/b&gt;&lt;br&gt;Director: Denis Côté. Canada. 95 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;When the World’s On Fire&lt;/b&gt;&lt;br&gt;Director: James Clauer. USA. 70 minutes. WORLD PREMIRE.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;&lt;u&gt;Narrative Competition&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;The Animal Project&lt;/b&gt;&lt;br&gt;Director: Ingrid Vininger. Canada. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Buzzard&lt;/b&gt;&lt;br&gt;Director: Joel Potrykus. USA. 97 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Club Sandwich&lt;/b&gt;&lt;br&gt;Director: Fernando Eimbcke. Mexico. 82 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Enemy Within&lt;/b&gt;&lt;br&gt;Director: Yorgos Tsemberopoulos. Greece. 107 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Grace&lt;/b&gt;&lt;br&gt;Director: Heath Jones. USA. 95 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;The House That Jack Built&lt;/b&gt;&lt;br&gt;Director: Henry Barrial. USA. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Identical&lt;/b&gt;&lt;br&gt;Director: Dustin Marcellino. USA. 88 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Invisible Collection&lt;/b&gt;&lt;br&gt;Director: Bernard Attal. Brazil. 89 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Little Brother&lt;/b&gt;&lt;br&gt;Director: Seric Aprymov. Kazakhstan. 97 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Love Me&lt;/b&gt;&lt;br&gt;Directors: Maryna Gorbach, Mehmet Bahadir Er. Turkey | Ukraine. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Maryan&lt;/b&gt;&lt;br&gt;Director: Ganapathy Bharat. India | Namibia. 150 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Noble&lt;/b&gt;&lt;br&gt;Director: Stephen Bradley. Vietnam | United Kingdom. 101 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Peace After Marriage&lt;/b&gt;&lt;br&gt;Director: Ghazi Albuliwi. USA. 86 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Something Necessary&lt;/b&gt;&lt;br&gt;Director: Judy Kibinge. Germany | Kenya. 85 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Test&lt;/b&gt;&lt;br&gt;Director: Chris Mason Johnson. USA. 89 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Thou Wast Mild and Lovely&lt;/b&gt;&lt;br&gt;Director: Josephine Decker. USA. 94 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Undiscovered Gyrl&lt;/b&gt;&lt;br&gt;Director: Allison Burnett. USA. 100 minutes. WORLD PREMIERE.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;&lt;u&gt;New Directors Competition&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;1982&lt;/b&gt;&lt;br&gt;Director: Tommy Oliver. USA. 80 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;9 Full Moons&lt;/b&gt;&lt;br&gt;Director: Tomer Almagor. USA. 103 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;As It Is in Heaven&lt;/b&gt;&lt;br&gt;Director: Joshua Overbay. USA. 86 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Before I Disappear&lt;/b&gt;&lt;br&gt;Director: Shawn Christensen. USA. 94 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Chasing Ghosts&lt;/b&gt;&lt;br&gt;Director: Josh Shreve. USA. 93 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Congratulations!&lt;/b&gt;&lt;br&gt;Director: Mike Brune. USA. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Drunktown’s Finest&lt;/b&gt;&lt;br&gt;Director: Sydney Freeland. USA. 95 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Forty Years from Yesterday&lt;/b&gt;&lt;br&gt;Director: Robert Machoian, Rodrigo Ojeda-Beck. USA. 76 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;I Believe in Unicorns&lt;/b&gt;&lt;br&gt;Director: Leah Meyerhoff. USA. 80 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Medeas&lt;/b&gt;&lt;br&gt;Director: Andrea Pallaoro. Italy, Mexico, USA. 97 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;OJ: The Musical&lt;/b&gt;&lt;br&gt;Director: Jeff Rosenberg. USA. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Resurrection of a Bastard&lt;/b&gt;&lt;br&gt;Director: Guido van Driel. Netherlands. 89 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Trap Street&lt;/b&gt;&lt;br&gt;Director: Vivian Qu. China. 93 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;White Shadow&lt;/b&gt;&lt;br&gt;Director: Noaz Deshe. Tanzania / Germany. 117 minutes.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;&lt;u&gt;Documentary Competition&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;Art War&lt;/b&gt;&lt;br&gt;Director: Marco Wilms. Egypt, Germany. 84 minutes. NORTH AMERICAN PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;Besa: The Promise&lt;/b&gt;&lt;br&gt;Director: Rachel Goslins. Albania / USA. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Blackout: On Swan Pond&lt;/b&gt;&lt;br&gt;Director: Scott Colthorp. USA. 95 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;Butterfly Girl&lt;/b&gt;&lt;br&gt;Director: Cary Bell. USA. 76 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Case Against 8&lt;/b&gt;&lt;br&gt;Directors: Ben Cotner, Ryan White. USA. 112 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Farmland&lt;/b&gt;&lt;br&gt;Director: James Moll. USA. 70 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Fight Church&lt;/b&gt;&lt;br&gt;Director: Daniel Junge, Bryan Storkel.&amp;nbsp; USA. 84 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Freedom Summer&lt;/b&gt;&lt;br&gt;Director: Stanley Nelson. USA. 113 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Happy Valley&lt;/b&gt;&lt;br&gt;Director: Amir Bar-Lev. USA. 98 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Human Experiment&lt;/b&gt;&lt;br&gt;Director: Dana Nachman, Don Hardy Jr. USA. 80 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Kidnapped for Christ&lt;/b&gt;&lt;br&gt;Director: Kate S. Logan. USA / Dominican Republic. 85 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Overnighters&lt;/b&gt;&lt;br&gt;Director: Jesse Moss. USA. 100 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Point and Shoot&lt;/b&gt;&lt;br&gt;Director: Marshall Curry. USA / Libya. 83 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;SlingShot&lt;/b&gt;&lt;br&gt;Director: Paul Lazarus. USA. 97 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;A Spell to Ward Off the Darkness&lt;/b&gt;&lt;br&gt;Director: Ben Rivers, Ben Russell.&amp;nbsp; France / Germany / Estonia / USA. 98 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Starfish Throwers&lt;/b&gt;&lt;br&gt;Director: Jesse Roesler. USA. 83 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Stream of Love&lt;/b&gt;&lt;br&gt;Director: Agnes Sós. Hungary / Romania. 70 minutes. NORTH AMERICAN PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;This Time Next Year&lt;/b&gt;&lt;br&gt;Director: Jeff Reichert, Farihah Zaman. USA. 83 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;WHITEY: The United States of America v. James J. Bulger&lt;/b&gt;&lt;br&gt;Director: Joe Berlinger. USA. 130 minutes.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;&lt;u&gt;Music Films / Music City Competition&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;The 78 Project Movie&lt;/b&gt;&lt;br&gt;Director: Alex Steyermark. USA. 98 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Alive Inside: A Story of Music and Memory&lt;/b&gt;&lt;br&gt;Director: Michael Rossato-Bennett. USA. 73 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Ballad of Shovels &amp;amp; Rope&lt;/b&gt;&lt;br&gt;Director: Jace Freeman. USA. 72 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Béla Fleck: How to Write a Banjo Concerto&lt;/b&gt;&lt;br&gt;Director: Béla Fleck. USA. 97 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;Brasslands&lt;/b&gt;&lt;br&gt;Director: The Meerkat Media Collective. USA / Serbia. 84 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;A Film About Kids and Music&lt;/b&gt;&lt;br&gt;Director:&amp;nbsp;Ramon Tort. Spain. 101 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Glen Campbell…I'll Be Me&lt;/b&gt;&lt;br&gt;Director: James Keach. USA. 116 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;I Lay Where I Fall&lt;/b&gt;&lt;br&gt;Director: Andrew Stubbs. USA. 88 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;Johnny Winter: Down &amp;amp; Dirty&lt;br&gt;Director: Greg Oliver. USA. 80 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Led Zeppelin Played Here&lt;/b&gt;&lt;br&gt;Director: Jeff Krulik. USA. 90 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Road to Fame&lt;/b&gt;&lt;br&gt;Director: Hao Tu. China / Netherlands / Denmark / United Kingdom. 80 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Take Me to the River&lt;/b&gt;&lt;br&gt;Director: Martin Shore. USA. 95 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Winding Stream&lt;/b&gt;&lt;br&gt;Director:&amp;nbsp;Beth Harrington. USA. 90 minutes.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;&lt;u&gt;Tennessee First&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;Banjo Romantika: American Bluegrass Music &amp;amp; The Czech Imagination&lt;/b&gt;&lt;br&gt;Director: Shara Lange. USA. 65 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Beautiful Jim&lt;/b&gt;&lt;br&gt;Director: Rex Jones. USA. 53 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Closer to God&lt;/b&gt;&lt;br&gt;Director: Billy Senese. USA. 84&amp;nbsp; minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;A Decade With an Unsigned Rock Band&lt;/b&gt;&lt;br&gt;Director: Criss Cheatham. USA. 81 minutes. WORLD PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;Riser: Dierks Bentley&lt;/b&gt;&lt;br&gt;Director: Wes Edwards. USA. 45 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Something, Anything&lt;/b&gt;&lt;br&gt;Director: Paul Harrill. USA. 88 minutes.&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;u&gt;&lt;b&gt;Graveyard Shift&lt;/b&gt;&lt;/u&gt;&lt;br&gt;&amp;nbsp;&lt;br&gt;&lt;b&gt;Blood Tokoloshe&lt;/b&gt;&lt;br&gt;Director: Jordan Harland. South Africa. 72 minutes. NORTH AMERICAN PREMIERE.&lt;br&gt;&lt;br&gt;&lt;b&gt;Borgman&lt;/b&gt;&lt;br&gt;Director: Alex van Warmerdam. Netherlands. 113 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Congress&lt;/b&gt;&lt;br&gt;Director: Ari Folman. Israel / France. 122 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Proxy&lt;/b&gt;&lt;br&gt;Director: Zack Parker. USA. 120 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;The Strange Colour of Your Body’s Tears&lt;/b&gt;&lt;br&gt;Director: Hélène Cattet, Bruno Forzani. Belgium. 102 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Wetlands&lt;/b&gt;&lt;br&gt;Director: David Wnendt. Germany. 105 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;Wild Domestic&lt;/b&gt;&lt;br&gt;Director: Kyle Komline. USA. 74 minutes.&lt;br&gt;&lt;br&gt;&lt;b&gt;You and the Night&lt;/b&gt;&lt;br&gt;Director: Yann Gonzalez. France. 98 minutes.&lt;br&gt;&lt;/p&gt;&lt;br&gt;</description>
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      <pubDate>Wed, 26 Mar 2014 20:30:22 GMT</pubDate>
      <guid>http://www.indiewire.com/article/nashville-film-festival-releases-complete-features-line-up-includes-special-presentations-of-boulevard-calvary-and-the-one-i-love</guid>
      <dc:creator>Shipra Harbola Gupta</dc:creator>
      <dc:date>2014-03-26T20:30:22Z</dc:date>
    </item>
    <item>
      <title>Nashville Film Festival Announces 2014 Program, Including 'Identical' Opener</title>
      <link>http://www.indiewire.com/article/lineup-for-2014-nashville-film-festival-announced-includes</link>
      <description>&lt;p&gt;This year marks the Nashville Film Festival's (NaFF) 45th anniversary, making it one of the oldest in the country. Beginning April 17, the Festival will open with Nashville-centered film "The Identical" starring Ashley Judd and Ray Liotta and will close on the 26, taking over a two-weekend period for the first time. The Special Presentation films and World Vanguard lineup were also announced.&amp;nbsp;&lt;/p&gt;&lt;p&gt;“The special presentations are Nashville’s first chance to see what will be some of the biggest hits of the&amp;nbsp;year,” said Brian Owens, NaFF’s Artistic Director. “They are all incredibly entertaining in a variety of ways,&amp;nbsp;from downright hysterical to powerfully moving.”&amp;nbsp;&lt;/p&gt;&lt;p&gt;In addition to the 10-day extension of the festival, NaFF also announced that they would hold free public screenings of films at a downtown location.&amp;nbsp;&lt;/p&gt;&lt;p&gt;&lt;span&gt;From the much-anticipated "Dom Hemingway" to Sundance hit documentary "The Case Against 8," the following films are among the ones that will show at the Nashville Film Festival (&lt;i&gt;descriptions courtesy of NaFF)&lt;/i&gt;. For more info, &lt;a target="_self" href="https://www.nashvillefilmfestival.org"&gt;visit the festival's website&lt;/a&gt;.&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;&lt;b&gt;&lt;u&gt;Opening Day Selections&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;"The Identical"&amp;nbsp;&lt;br&gt;&lt;/b&gt;Director: Dustin Marcellino. USA. 88 minutes.&lt;br&gt;Starring:&lt;b&gt; &lt;/b&gt;Blake Rayne, Ashley Judd, Ray Liotta, Seth Green, Joe Pantoliano, Amanda Crew, Brian Geraghty&lt;br&gt;"The Identical"&amp;nbsp;is the story of a young couple, who give birth to identical twin boys in the depths of the Great&amp;nbsp;Depression. Unable to care for both, the couple gives one son to be raised and adopted by an evangelist&amp;nbsp;minister and his wife. The film tells the story of the separated twins, Drexel Hemsley and Ryan Wade, and&amp;nbsp;the very different lives they lead--different except for a shared passion for music. WORLD PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Chasing Ghosts"&amp;nbsp;&lt;br&gt;&lt;/b&gt;&lt;span&gt;Director: Josh Shreve. USA. 93 minutes.&lt;br&gt;&lt;/span&gt;&lt;span&gt;Starring: Toby Nichols, Frances Conroy, Robyn Lively, W. Earl Brown, Tim Meadows.&amp;nbsp;&lt;br&gt;&lt;/span&gt;Lucas, an eleven-year-old boy mourning his brother’s death, seeks answers by filming funerals. When his&amp;nbsp;camera captures something unexpected and extraordinary, he and his family are thrust into the spotlight&amp;nbsp;and he forms an unlikely friendship with an author who survived a near-death experience. TENNESSEE&amp;nbsp;PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"The Case Against 8"&lt;/b&gt;&amp;nbsp;&lt;br&gt;Directors: Ben Cotner, Ryan White. USA. 112 minutes.&lt;br&gt;Shot over five years, this behind-the-scenes look at the case against California’s Proposition 8, follows the&amp;nbsp;unlikely team that took the first federal marriage equality lawsuit to the U.S. Supreme Court. TENNESSEE&amp;nbsp;PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;TN Shorts 1 &amp;amp; 2&lt;/b&gt;&amp;nbsp;&lt;br&gt;A selection of Tennessee Shorts, to be announced in a later release.&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;u&gt;Special Presentations:&lt;/u&gt;&lt;/b&gt;&lt;u&gt;&lt;/u&gt;&lt;u&gt;&lt;/u&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;"American Commune"&lt;/b&gt;&lt;br&gt;Directors: Rena Mundo Croshere, Nadine Mundo. USA. 90 minutes.&lt;br&gt;Raised on The Farm by a Jewish mother form Beverly Hills and a Puerto Rican father from the Bronx,&amp;nbsp;filmmakers and sisters Rena and Nadine Mundo return to the rural Tennessee commune for the first time&amp;nbsp;since leaving in 1985. Ready to face their past after years of hiding their unique upbringing, they chart the&amp;nbsp;rise and fall of America’s largest utopian experiment. TENNESSEE PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Dom Hemingway"&lt;/b&gt;&lt;br&gt;Director: Richard Shepard. United Kingdom. 93 minutes.&lt;br&gt;&lt;span&gt;Starring: Jude Law, Emilia Clarke, Kerry Condon, Richard E. Grant, Demian Bichir.&lt;br&gt;&lt;/span&gt;After spending 12 years in prison for keeping his mouth shut, notorious safe-cracker Dom Hemingway is&amp;nbsp;back on the streets of London looking to collect what he's owed. TENNESSEE PREMIERE. A Fox Searchlight&amp;nbsp;Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Field of Lost Shoes"&lt;/b&gt;&amp;nbsp;&lt;br&gt;Director: Sean McNamara. USA. 94 minutes.&lt;br&gt;Starring: Luke Benward, Lauren Holly, Nolan Gould, Max Lloyd-Jones, Jason Isaacs, David Arquette, Keith&amp;nbsp;&lt;span&gt;David, Gale Harold, Zach Roerig, Tom Skerritt.&lt;br&gt;&lt;/span&gt;Based on a true story of the American Civil War, culminating at the Battle of New Market, May 1864, a&amp;nbsp;group of teenage cadets sheltered from war at the Virginia Military Institute must confront the horrors of&amp;nbsp;an adult world when they are called upon to defend the Shenandoah Valley. Leaving behind their youth,&amp;nbsp;these cadets must decide what they are fighting for. WORLD PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Happy Christmas"&lt;/b&gt;&amp;nbsp;&lt;br&gt;Director: Joe Swanberg. USA. 78 minutes.&lt;br&gt;&lt;span&gt;Starring: Anna Kendrick, Lena Dunham, Melanie Lynskey, Joe Swanberg, Mark Webber.&lt;br&gt;&lt;/span&gt;Irresponsible 20-something Jenny arrives in Chicago to live with her older brother Jeff, a young film-maker&amp;nbsp;living a happy existence with his novelist wife Kelly and their two-year-old son. Jenny's arrival shakes&amp;nbsp;up their quiet domesticity as she and her friend Carson instigate an evolution in Kelly's life and career.&amp;nbsp;SOUTHEAST PREMIERE. A Magnolia Pictures Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Ida"&lt;/b&gt;&amp;nbsp;&lt;br&gt;&lt;span&gt;Director: Pawel Pawilkowski. Poland. 80 minutes.&lt;br&gt;&lt;/span&gt;&lt;span&gt;Starring: Agata Trzebuchowska, Agata Kulesza, Dawid Ogrodnik, Jerzy Trela, Adam Szyszkowski.&lt;br&gt;&lt;/span&gt;18-year old Anna, a sheltered orphan raised in a convent, is preparing to become a nun when the Mother&amp;nbsp;Superior insists she first visit her sole living relative, her Aunt Wanda - a worldly and cynical Communist&amp;nbsp;Party insider, who shocks her with the declaration that her real name is Ida and her Jewish parents&amp;nbsp;were murdered during the Nazi occupation. This revelation triggers a heart-wrenching journey into the&amp;nbsp;countryside, to the family house and into the secrets of a repressed past. TENNESSEE PREMIERE. A Music&amp;nbsp;Box Films Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Locke"&lt;/b&gt;&lt;br&gt;Director: Steven Knight. United Kingdom. 85 minutes.&lt;br&gt;&lt;span&gt;Starring: Tom Hardy.&lt;br&gt;&lt;/span&gt;Ivan Locke has worked diligently to craft the life he has envisioned, dedicating himself to the job that he&amp;nbsp;loves and the family he adores. On the eve of the biggest challenge of his career, Ivan receives a phone call&amp;nbsp;that sets in motion a series of events that will unravel his family, job, and soul. TENNESSEE PREMIERE. An&amp;nbsp;A24 Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Lucky Them"&lt;br&gt;&lt;/b&gt;&lt;span&gt;Director: Megan Griffiths. USA. 97 minutes. CLOSING NIGHT SELECTION.&lt;br&gt;&lt;/span&gt;&lt;span&gt;Starring: Toni Collette, Ryan Eggold, Thomas Haden Church, Ahna O’Reilly, Oliver Platt, Amy Seimetz&lt;br&gt;&lt;/span&gt;More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug&amp;nbsp;has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover&amp;nbsp;what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming&amp;nbsp;up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers in this&amp;nbsp;charming dramedy set against the vibrant Seattle indie music scene. SOUTHEAST US PREMIERE. An IFC Films&amp;nbsp;Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Obvious Child"&lt;/b&gt; &lt;br&gt;Director: Gillian Robespierre. USA. 83 minutes.&lt;br&gt;&lt;span&gt;Starring: Jenny Slate, Gaby Hoffmann, Jake Lacy, David Cross, Richard Kind.&lt;br&gt;&lt;/span&gt;For aspiring comedian Donna Stern, everyday life as a female twenty-something provides ample material&amp;nbsp;for her incredibly relatable brand of humor. On stage, Donna is unapologetically herself, joking about topics&amp;nbsp;as intimate as her sex life and as crude as her day-old underwear. But when Donna gets dumped, loses her&amp;nbsp;job, and finds herself pregnant just in time for Valentine’s Day, she has to navigate the murky waters of&amp;nbsp;independent adulthood for the first time. TENNESSEE PREMIERE. An A24 Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Words and Pictures"&lt;/b&gt;&amp;nbsp;&lt;br&gt;Director: Fred Schepisi. USA. 111 minutes.&lt;br&gt;&lt;span&gt;Starring: Clive Owen, Juliette Binoche, Amy Brenneman, Bruce Davison, Keegan Connor Tracy.&lt;br&gt;&lt;/span&gt;Clive Owen and Juliette Binoche headline this playfully comedic drama about an English teacher who&amp;nbsp;challenges the school’s art teacher to a battle of wits. Jack Marcus is annoyed by his students’ obsessions&amp;nbsp;with good grades over actual learning. Once a thriving novelist, Jack hasn’t published in years and has&amp;nbsp;a tendency to drink his frustrations away. Dina Delsanto is an abstract painter who, like Jack, once was&amp;nbsp;celebrated for her art. Her arthritis has made the act of painting too painful. With teacher reviews&amp;nbsp;impending, Jack decides to inspire the English students by declaring “war” on pictures, believing that the&amp;nbsp;written word gives more meaning to life. Dina accepts Jack’s challenge and the battle begins. TENNESSEE&amp;nbsp;PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;&lt;u&gt;World Vanguard&lt;/u&gt;&lt;/b&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;"&lt;/b&gt;&lt;b&gt;The Amazing Catfish"&lt;/b&gt;&lt;br&gt;Director: Claudia Sainte-Luce. Mexico. 89 minutes.&lt;br&gt;&lt;span&gt;Starring: Lisa Owen, Ximena Ayala, Sonia Franco, Wendy Guillen.&lt;br&gt;&lt;/span&gt;Lonely young twenty-something Claudia, meets ailing matriarch Martha in a hospital room after Claudia&amp;nbsp;is admitted with appendicitis. The women bond over a shared bag of potato chips. Martha has four kids&amp;nbsp;from three different fathers. Claudia has been alone all her life. When Martha spots Claudia walking home&amp;nbsp;after her surgery, she offers her a ride in her over-crowded Beetle – and their lives will never be the same.&amp;nbsp;TENNESSEE PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Butter on the Latch"&lt;/b&gt;&amp;nbsp;&lt;br&gt;Director: Josephine Baker. USA. 63 minutes.&lt;br&gt;&lt;span&gt;Starring: Isolde Chae-Lawrence, Stephan Goldbach, Charlie Hewson, Sarah Small.&lt;br&gt;&lt;/span&gt;Sarah reunites with her old friend Isolde at a Balkan folk song and dance camp in the woods outside&amp;nbsp;Mendocino, California. They sing a song she learned years before about dragons who entwine themselves&amp;nbsp;in women’s hair, carrying them off through the forest, burning it as they go. When Sarah pursues fellow&amp;nbsp;camper Steph, her nights of secrets and singing with Isolde come to an abrupt end. TENNESSEE PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"The Enemy Within"&lt;/b&gt;&lt;span&gt;&amp;nbsp;&lt;br&gt;&lt;/span&gt;&lt;span&gt;Director: Yorgos Tsemperopoulos. Greece. 107 minutes.&lt;br&gt;&lt;/span&gt;&lt;span&gt;Starring: Manolis Mavromatakis, Maria Zorba, Ilias Moulas, Thanasis Papageorgiou.&lt;br&gt;&lt;/span&gt;Kostas is a progressive ideologist living a good life with his wife, son and daughter and running a successful&amp;nbsp;flower shop despite the turmoil of the Greek economy. When their home is invaded by a gang of thieves, the violence shatters his family’s peace. Morally demolished, Kostas struggles to get his family back to&amp;nbsp;normal. US PREMIERE.&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Long Way Home"&amp;nbsp;&lt;br&gt;&lt;/b&gt;Director: Gregory Hadden. Sweden / USA. 87 minutes.&lt;br&gt;&lt;span&gt;Starring: Elizabeth Cook, Viktor Åkerblom, Jason Alexander, Phil “The Mangler” Kaufman, Rhondi Reed.&lt;br&gt;&lt;/span&gt;When Nashville star Molly Rhodes meets Swedish music producer Vincent Deuce, their plan is to create&amp;nbsp;a new genre from scratch – Super-Country. Their new single, “This Is Not Your Country,” becomes a hit,&amp;nbsp;but Molly isn’t convinced that this blend of country and Swedish House music is the best direction for her&amp;nbsp;career. NORTH AMERICAN PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Manakamana"&amp;nbsp;&lt;br&gt;&lt;/b&gt;Director: Stephanie Spray, Pacho Velez. Nepal / USA. 117 minutes.&amp;nbsp;&lt;span&gt;Documentary.&lt;br&gt;&lt;/span&gt;From the makers of Leviathan, comes this sensorial documentary that takes us on a cable-car ride up and&amp;nbsp;down the vast landscapes of Nepal’s Trisuli valley, where the world-famous Manakamana Temple attracts&amp;nbsp;Buddhist pilgrims from around the world. TENNESSEE PREMIERE. A Cinema Guild Release.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Metro Manila"&lt;/b&gt;&lt;br&gt;Director: Sean Ellis. United Kingdom / Philippines. 115 minutes.&lt;br&gt;&lt;span&gt;Starring: Jake Macapagal, Althea Vega, John Arcilla.&lt;br&gt;&lt;/span&gt;Seeking a brighter future in mega-city Manila, Oscar and his family flee their life in the rice fields of the&amp;nbsp;northern Philippines. But the capital's intensity quickly overwhelms them, and they fall prey to the rampant&amp;nbsp;manipulations of the locals. Oscar catches a break when he's offered steady work for an armored truck&amp;nbsp;company. Soon, the reality of his job’s danger sets in and Oscar must confront the perils he faces in his new&amp;nbsp;&lt;span&gt;life. TENNESSEE PREMIERE. An Oscilloscope Release.&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;"A Story of Children and Film"&amp;nbsp;&lt;br&gt;&lt;/b&gt;Director: Mark Cousins. United Kingdom / France. 101 minutes.&amp;nbsp;&lt;span&gt;Documentary.&lt;br&gt;&lt;/span&gt;Following up his epic documentary The Story of Film: An Odyssey, Mark Cousins presents a globe-spanning&amp;nbsp;rumination on the way the lives of children are presented in cinema, surveying such classics as "E.T.: The&amp;nbsp;Extra-Terrestrial," "The 400 Blows," "Fanny and Alexander," "Los Olvidados," and "The White Balloon." TENNESSEE&amp;nbsp;PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;b&gt;"Vic + Flo Saw a Bear"&lt;/b&gt;&lt;br&gt;Director: Denis Côté. Canada. 95 minutes.&lt;br&gt;&lt;span&gt;Starring: Pierrette Robitaille, Romane Bohringer, Marc-André Grondin.&lt;br&gt;&lt;/span&gt;Victoria and Florence are two ex-cons trying to make a new life for themselves in the backwoods of&amp;nbsp;northern Quebec. Seeking peace and quiet, the couple slowly begin to feel under siege as Vic’s parole&amp;nbsp;officer keeps unexpectedly popping up and a strange neighborhood woman turns out to be a menacing&amp;nbsp;&lt;span&gt;presence from Flo’s past. TENNESSEE PREMIERE.A Kimstim release.&lt;br&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;"When the World’s On Fire"&lt;/b&gt;&amp;nbsp;&lt;br&gt;Director: James Clauer. USA. 70 minutes.&lt;br&gt;&lt;span&gt;Starring: James Cooke, Joshua Elrod, Leo Kling, Travis Nicholson.&lt;br&gt;&lt;/span&gt;Javier, a&amp;nbsp;Guatemalan&amp;nbsp;immigrant, finds himself homeless and living on the fringes of society in a&amp;nbsp;hardscrabble Southern city. With his loyal dog as his companion, Javier encounters a revolving cast of&amp;nbsp;characters, each more colorful than the last – rugged souls trying to break free from their suffocating&amp;nbsp;predicaments and hoping to catch some glimmer of their American Dream. TENNESSEE PREMIERE.&lt;/p&gt;&lt;p&gt;&lt;br&gt;&lt;/p&gt;</description>
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      <pubDate>Thu, 20 Mar 2014 20:18:18 GMT</pubDate>
      <guid>http://www.indiewire.com/article/lineup-for-2014-nashville-film-festival-announced-includes</guid>
      <dc:creator>Eric Eidelstein</dc:creator>
      <dc:date>2014-03-20T20:18:18Z</dc:date>
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      <title>Nashville Film Festival Kicks off Today, 'Mud,' 'Stories We Tell' Among Those Included in Lineup</title>
      <link>http://www.indiewire.com/article/nashville-film-festival-kicks-off-today-mud-stories-we-tell-among-those-included-in-lineup</link>
      <description>&lt;p&gt;The Nashville Film Festival starts up its 44th year this week, making it one of the oldest film festivals in the country. From today until April 25th, the festival will screen over 200 films in and out of competition, with the slate including recent festival highlights such as Ben Wheatley's "Sightseers," James Ponsoldt's beloved Sundance hit "The Spectacular Now," Jeff Nichol's "Mud," and Sarah Polley's moving doc "Stories We Tell." Notable films in competition include Joe Swanberg's "All the Light in the Sky" and Hannah Fidell's "A Teacher."&lt;br&gt;&lt;/p&gt;&lt;p&gt;In addition this year the festival will be hosting a special "Celebration of Kurdish Films" in juncture with the Academy on Motion Picture Arts and Sciences at which fifteen Kurdish films will screen.&lt;/p&gt;&lt;p&gt;You can check out the full lineup for this week's festival below.&lt;br&gt;&lt;br&gt;&lt;/p&gt;&lt;p class="MsoNormal"&gt;&lt;b&gt;SPECIAL PRESENTATION FILMS&amp;nbsp;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;MUD directed by Jeff Nichols&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;UNFINISHED SONG directed by Paul Andrew Williams &lt;/p&gt;    &lt;p class="MsoNormal"&gt;DEAD MAN’S BURDEN directed by Jared Moshe&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;KON-TIKI directed by Joachim Rønning, Espen Sandberg &lt;/p&gt;    &lt;p class="MsoNormal"&gt;HE KINGS OF SUMMER directed by Jordan Vogt-Roberts &lt;/p&gt;    &lt;p class="MsoNormal"&gt;SIGHTSEERS directed by Ben Wheatley &lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE SPECTACULAR NOW directed by James Ponsoldt&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;STORIES WE TELL directed by Sarah Polley&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt; &lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;b&gt;BRIDGESTONE NARRATIVE COMPETITION&amp;nbsp;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;3 by Pablo Stoll&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;ALL THE LIGHT IN THE SKY directed by Joe Swanberg&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;BREAKFAST WITH CURTIS directed by Laura Colella&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE COLD LANDS directed by Tom Gilroy&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE HISTORY OF FUTURE FOLK directed by John Mitchell, Jeremy  Kipp Walker&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;I USED TO BE DARKER directed by Matthew Porterfield&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;IF YOU DIE, I WILL KILL YOU directed by Hiner Saleem&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;IL FUTURO directed by Alicia Scherson&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE LAND OF EB directed by Andrew Williamson&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE MOST FUN I’VE EVER HAD WITH MY PANTS ON directed by Drew  Denny&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;PIT STOP directed by Yen Tan&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;SOME GIRL(S) directed by Daisy von Sherler Meyer&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE SUNSHINE BOYS directed by Tae-gon Kim&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;A TEACHER directed by Hannah Fidell&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;TEY directed by Alain Gomis&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THIS IS MARTIN BONNER directed by Chad Hartigan&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt; &lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;b&gt;DOCUMENTARY COMPETITION&amp;nbsp;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;AFTER TILLER directed by Martha Stone and Lana Wilson&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;FALL AND WINTER directed by Matt Anderson&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;FAR OUT ISN’T FAR ENOUGH: THE TOMI UNGERER STORY directed by  Brad Bernstein&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;GMO OMG directed by Jeremy Seifert&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE GUERILLA SON directed by David Herdies and Zanyar  Adami&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;I AM DIVINE directed by Jeffery Schwarz&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;ICEBURG SLIM: PORTRAIT OF A PIMP directed by Jorge  Hinojosa&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;LUNARCY! directed by Simon Ennis&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;MAGIC CAMP directed by Judd Ehrlich&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;MCCULLIN directed by David Morris and Jacqui Morris&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;PERSISTENCE OF VISION directed by Kevin Schreck&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;PLIMPTON! STARRING GEORGE PLIMPTON AS HIMSELF directed by Tom  Bean and Luke Poling&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;REMOTE AREA MEDICAL directed by Jeff Reichert and Farihah  Zaman&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;A RIVER CHANGES COURSE directed by Kalyanee Mam&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THESE BIRDS WALK directed by Omar Mullick&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;WORDS OF WITNESS directed by Mai Iskander&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt; &lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;b&gt;MUSIC FILMS/ MUSIC CITY&amp;nbsp;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;BEWARE OF THE DOGS directed by Kennedy&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;DIE THOMANER—A YEAR IN THE LIFE OF THE ST. THOMAS BOYS CHOIR  LEIPZIG directed by Günter Atteln and Paul Smaczny&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;FOLK directed by Sara Terry&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;GOOD OL’ FREDA directed by Ryan White&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;JIM LAUDERDALE: THE KING OF BROKEN HEARTS directed by Jeremy  Dylan&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;A LOVELY DAY directed by Kerri Gawryn&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;MUSCLE SHOALS directed by Greg ‘Freddy’ Camalier&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;MUSIC WOOD directed by Maxine Trump&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THIS AIN’T NO MOUSE MUSIC! directed by Chris Simon and Maureen  Gosling&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;VIVA CUBA LIBRE RAP IS WAR directed by Jesse Acevedo&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;VERY EXTREMELY DANGEROUS directed by Paul Duane&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;WE ALWAYS LIE TO STRANGERS directed by AJ Schnack and David  Wilson&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt; &lt;/p&gt;    &lt;p class="MsoNormal"&gt;&lt;b&gt;THE NEW DIRECTOR FILMS&amp;nbsp;&lt;/b&gt;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;APE directed by Joel Petroykus&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;BOY EATING THE BIRD'S FOOD directed by Ektoras Lygizos&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;DETROIT UNLEADED directed by Rola Nashef&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE DISCOVERERS directed by Justin Schwarz&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;FLICKER directed by Patrik Ecklund&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THE GO DOC PROJECT directed by Cory James Krueckeberg&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;IT FELT LIKE LOVE directed by Eliza Hittman&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;NAIROBI HALF LIFE directed by Tosh Gitonga&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;ONE SMALL HITCH directed by John Burgess&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;OUT OF THE DARK directed by Michael Mayer&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;PICTURE DAY directed by Kate Melville&amp;nbsp;&lt;/p&gt;    &lt;p class="MsoNormal"&gt;THIS IS WHERE WE LIVE directed by Josh Barrett, Marc  Menchaca&amp;nbsp;&lt;/p&gt;    TRATTORIA directed by Solleen Yusef &lt;br&gt;</description>
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      <pubDate>Thu, 18 Apr 2013 16:33:42 GMT</pubDate>
      <guid>http://www.indiewire.com/article/nashville-film-festival-kicks-off-today-mud-stories-we-tell-among-those-included-in-lineup</guid>
      <dc:creator>Mark Lukenbill</dc:creator>
      <dc:date>2013-04-18T16:33:42Z</dc:date>
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    <item>
      <title>Nashville Film Festival Announces Early Slate of Titles</title>
      <link>http://www.indiewire.com/article/nashville-film-festival-announces-competition-lineup</link>
      <description>&lt;p&gt;The 2012 Nashville Film Festival (April 19-26) has confirmed films playing in its competition and Special Presentation categories.&lt;br /&gt;   &lt;br /&gt;   Standouts in the competition include: the Sundance Film Festival Special Jury Prize winning documentary &amp;quot;Love Free or Die&amp;quot;; actress&amp;#39; Carrie Preson (&amp;quot;True Blood&amp;quot;) directorial debut, &amp;quot;That&amp;#39;s What She Said&amp;quot;; and &amp;quot;I Am Not a Hipter,&amp;quot; which played in the NEXT section at Sundance.&lt;br /&gt;   &lt;br /&gt;   In the Special Presentations sections, films include: &amp;quot;ALPS,&amp;quot; the latest from &amp;quot;Dogtooth&amp;quot; director Giorgos Lanthimos; &amp;quot;Bringing Up Bobby,&amp;quot; directed by actress Famke Janssen; and &amp;quot;Nobody Walks,&amp;quot; the latest from indie director Ry Russo-Young.&lt;br /&gt;   &lt;br /&gt;   Added competition programming, opening and closing night films, shorts, panels and music showcases wil be announced in the weeks ahead.&lt;br /&gt;   &lt;br /&gt;   &lt;u&gt;Below are the announced titles:&lt;/u&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;World Cinema and Special Presentations&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;6 Month Rule&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Blayne Weaver / USA / 93 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Tyler Watts lives by certain rules. The most important: &amp;ldquo;The Six Month Rule&amp;rdquo; which states that there is no woman that you can&amp;rsquo;t get over in six months. Knowledge of this rule allows the single guy to avoid the trap of emotional involvement. As he is educating Alan, his recently dumped best friend, Tyler meets a girl who makes him question everything he thinks he knows. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;em&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;After&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Ryan Smith / USA / 91 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;When two bus crash survivors (Steven Strait, Karolina Wydra) awake to discover that they are the only people left in their small town, they must form an unlikely alliance in a race to unravel the truth behind their isolation. As strange events begin to unfold, they start to question whether the town they know so well is really what it seems. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;em&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;ALPS&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Giorgos Lanthimos / Greece / 93 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;From the director that brought us the Oscar-nominated (and 2011 NaFF selection) &amp;ldquo;Dogtooth, &amp;ldquo; comes &amp;ldquo;ALPS.&amp;rdquo; A nurse, a paramedic, a gymnast and her coach have formed a service for hire. They stand in for dead people by appointment, hired by the relatives, friends or colleagues of the deceased. The company is called Alps. Their leader, the paramedic, calls himself Mont Blanc. Although Alps members operate under a discipline regime demanded by their leader, the nurse does not. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Attenberg&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Athina Rachel Tsangari / Greece / 95 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Marina, 23, is growing up with her architect father in a prototype factory town by the sea. Finding the human species strange and repellent, she keeps her distance. Instead she chooses to observe it through the Songs of Suicide, the mammal documentaries of Sir David Attenborough, and the sexual-education lessons she receives from her only friend, Bella. A stranger comes to town and challenges her to a foosball duel, on her own table. Her father meanwhile ritualistically prepares for his exit from the 20th century, which he considers to be &amp;ldquo;overrated.&amp;rdquo; Caught between the two men and her collaborator, Bella, Marina investigates the wondrous mystery of the human fauna.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Bringing Up Bobby&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Famke Janssen / USA / 95 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Olive is a con-artist who will do anything for her 10-year-old son, Bobby, but giving him the best life with no money coming in isn&amp;rsquo;t easy. Reminiscent of a modern day Bonnie &amp;amp; Clyde, the unstoppable pair spend their lives scamming the rich and down right gullible, often finding themselves on the run from the law. In an effort to escape Olive&amp;rsquo;s criminal past, they arrive in Oklahoma with hopes of building a better life. Olive and Bobby blithely charm their way from one adventure to another, until Olive&amp;rsquo;s criminal past finally catches up with her once and for all. Now she must make the most difficult choice of her life: stay with her son and run the risk of turning him into a criminal or leave him to afford him better opportunities? In the vein of Thelma and Louise, &amp;ldquo;Bringing Up Bobby&amp;rdquo; is a fast-paced crime story with the most heart-wrenching of decisions at its heart.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Elena&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Andrei Zvyagintsev / Russia / 109 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Elena and Vladimir are an older couple and come from different backgrounds. Vladimir is a wealthy and cold man, Elena comes from a modest milieu and is a docile wife. They have met late in life and each one has children from previous marriages. Elena&amp;#39;s son is unemployed, unable to support his own family and he is constantly asking Elena for money. Vladimir&amp;#39;s daughter is a careless young woman who has a distant relationship with her father. A heart attack puts Vladimir in hospital, where he realizes that his remaining time is limited. A brief but somehow tender reunion with his daughter leads him to make an important decision: she will be the only heiress of his wealth. Back home he announces it to Elena. Her hopes to financially help her son suddenly vanish. The shy and submissive housewife then comes up with a plan to give her son and grandchildren a real chance in life. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Headshot&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Pen-Ek Ratanaruang / Thailand / 105 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Present-day Thailand is rife with corruption. Tul, a straight-laced cop, is blackmailed by a powerful politician and framed from a crime he did not commit. Disillusioned and vengeful, he is soon recruited to become a hitman for a shadowy group aimed at eliminating those who are above the law. But one day, Tul is shot in the head during an assignment. He wakes up after a three-month coma to find that he sees everything upside down, literally. Unaware of whether the condition is medical or a result of karmic retribution, Tul begins to have second thoughts about his profession. But when he tries to quit, roles are reversed and the hunter becomes the hunted. Then he meets a girl that turns his world even more upside down. Can Tul find redemption from the violence that continues to haunt him? &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;The Movement: One Man Joins an Uprising&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Greg Hamilton / USA / 40 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;In 2004 Rick Finkelstein was paralyzed in a ski accident on Aspen Mountain. With a severed&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; spine and internal trauma, he wasn&amp;#39;t expected to live. Six years, nine surgeries, and a lifetime of&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; rehab later, cameras captured his dramatic return to Aspen. Even with the latest gear, expert&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; coaching, and mentorship from the sport&amp;#39;s pioneers, Rick faced a daunting challenge with many&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; risks and no guarantees. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;No Room for Rockstars: The Vans Warped Tour&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Parris Patton / USA / 103 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;With more than 300 hours of film shot during the 2010 tour, &amp;ldquo;No Room For Rock Stars&amp;rdquo; documents the true stories of modern era rock and roll from every possible angle -- from the kids in the van playing parking lots to gain notice, to the veteran stage manager whose life was saved by the tour, to the musician who crosses over to mainstream success while on the road. A historical retrospective or concert film this is not. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Nobody Walks&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Ry Russo-Young / USA / 82 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Martine, a 23-year-old artist from New York, arrives in Los Angeles to stay in the pool house of an open-minded family living in the relaxed, hip and hilly community of Silver Lake. Peter, the father, has agreed to help her complete sound design on her art film as a favor to his wife. Like a bolt of lightning, her arrival sparks a surge of energy that awakens suppressed impulses in everyone and forces them to confront their own fears and desires.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Oslo, August 31&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Joachim Trier / Norway / 95 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Thirty-four-year-old Anders (Anders Danielsen Lie) is a fortunate, but deeply troubled man battling drug addiction. As part of his rehabilitation program, he is allowed to go into the city for a job interview, but instead uses the opportunity as a way to drift around and revisit old friends. The day grows increasingly difficult as he struggles to overcome personal demons and past ghosts for the chance at love and a new life.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Payback&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Jennifer Baichwal / Canada / 86 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Margaret Atwood&amp;rsquo;s visionary work &amp;ldquo;Payback: Debt and the Shadow Side of Wealth&amp;rdquo; is the basis for this riveting and poetic documentary on &amp;ldquo;debt&amp;rdquo; in its various forms&amp;mdash;societal, personal, environmental, spiritual, criminal, and of course, economic. Filmmaker Jennifer Baichwal (&amp;ldquo;Manufactured Landscapes&amp;rdquo;) strikingly interweaves these (sometimes surprising) debtor/creditor relationships: two families in a years-long Albanian blood feud; the BP oil spill vs. the Earth; mistreated Florida tomato farm workers and their bosses; imprisoned media mogul Conrad Black and the U.S. justice system. With stunning cinematography and insightful commentary from renowned thinkers Raj Patel, Louise Arbour and Atwood herself, &amp;ldquo;Payback&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;&amp;rdquo;&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; is a brilliant, game-changing rumination on the subject.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Pink Ribbons, Inc.&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(L&amp;eacute;a Poole / Canada / 97 mins.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Breast cancer has become the poster child of cause-related marketing campaigns.&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Countless people walk, run and shop for the cure. Each year, millions of dollars are raised&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;in the name of breast cancer, but where does this money go and what does it actually&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;achieve? Directed by L&amp;eacute;a Pool and produced by Ravida Din, &amp;ldquo;Pink Ribbons, Inc.&amp;rdquo; is a feature&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; documentary from the National Film Board of Canada that shows how the devastating&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; reality of breast cancer, which marketing experts have labeled a &amp;ldquo;dream cause,&amp;rdquo; has&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; become obfuscated by a shiny, pink story of success. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Putin&amp;rsquo;s Kiss&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Lise Birk Pedersen / Denmark, Russia / 85 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;PUTIN&amp;#39;S KISS portrays contemporary life in Russia through the story of Masha, a 19 year-old girl who is a member of Nashi, a political youth organization connected with the Kremlin. Extremely ambitious, the young Masha quickly rises to the top of Nashi, but begins to question her involvement when a dissident journalist whom she has befriended is savagely attacked. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Tales of the Night&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Michel Ocelot / France / 84 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Every night, a girl, a boy, ad an elderly technician meet in a little cinema that seems abandoned, but is in fact full of wonders. They research, draw, invent, dress up and act out the stories that take their fancy. Anything is possible: sorcerers and fairies, powerful kings and stable boys, werewolves and merciless ladies, cathedrals and small huts, cities of gold and deep forests, the immense waves of choir harmonies and the spells of a single tom-tom, malice that ravages, and innocence that triumphs. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;The D Word: Understanding Dyslexia&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(James Redford / USA / 52 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;A dyslexic high school student pursues admission to a competitive college &amp;ndash; a challenge for a boy that didn&amp;rsquo;t learn to read until 4th grade. Additional accounts of the dyslexic experience from children, experts, and Iconic leaders help us understand that Dyslexia is as much a gift as it is a challenge.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Wuthering Heights&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Andrea Arnold / UK / 129 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bront&amp;euml;. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Documentary Competition&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Battle for Brooklyn &lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Michael Galinsky, Suki Hawley / USA / 94 min.)&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Battle for Brooklyn&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; follows the story of reluctant activist Daniel Goldstein as he struggles to save his home and community from being demolished to make way for the densest real estate development in U.S. history. Along the way, he falls in love, gets married and starts a family while living in an abandoned building located at the heart of the project site. Over the course of seven years, Daniel and his community fight tenaciously in the courts, the streets, and the media to stop the abuse of eminent domain and reveal the corruption at the heart of the plan. TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Beauty is Embarrassing&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Neil Berkeley / USA / 93 min.)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Beauty Is Embarrassing&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; is the funny, irreverent and inspiring story of one of America&amp;#39;s most important artists, Wayne White. Raised in Tennessee, Mr. White has spent the last 30 years making his indelible mark on pop culture. From his humble roots as a puppeteer in Nashville to his work as one of the creators of the &amp;ldquo;Pee-wee&amp;#39;s Playhouse&amp;rdquo; TV show to his current life as a darling in the fine art world, White has inspired millions of people across the country. The film chronicles the vaulted highs and the crushing lows of an artist focused on making every day a chance to create. TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Brooklyn Castle&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Katie Dellamaggiore / USA / 100 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;A squat concrete building on an inner-city block, Intermediate School 318 in Brooklyn, New York may not impress from the outside, but inside Ms. Vicary&amp;#39;s classroom, something special is happening. Here, hundreds of students have learned to play chess, one of the world&amp;#39;s oldest and most complex games. I.S. 318 boasts the best junior high chess program in the nation despite a high level of student poverty and unprecedented school budget cuts. Brooklyn Castle follows five young teens over the course of a school year as they struggle, grow and challenge themselves both on and off the chess board. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;A Fierce Green Fire&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Mark Kitchell / USA / 115 min.)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;&amp;ldquo;A Fierce Green Fire&amp;rdquo; is the first film to take on environmentalism as a whole, to bring together all the parts and eras, from conservation to climate change. It explores how the issues built into an international cause -- the largest movement the world has ever seen and perhaps the most crucial in terms of what&amp;rsquo;s at stake &amp;ndash; &amp;nbsp;but with every battle against the odds. &amp;ldquo;A Fierce Green Fire&amp;rdquo; focuses on successes: halting dams in the Grand Canyon; rescuing the people of Love Canal; saving whales and the greatest rainforest on earth. It also looks at how the struggles continue and the issues grow in scope until it&amp;rsquo;s an open question whether they&amp;rsquo;re too big for the environmental movement to deal with. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Girl Model&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Ashley Sabin, David Redmon / USA / 77 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Despite a lack of obvious similarities between Siberia and Tokyo, a thriving model industry connects these distant regions. &amp;ldquo;Girl Model&amp;rdquo; follows two protagonists involved in this industry: Ashley, a deeply ambivalent model scout who scours the Siberian countryside looking for fresh faces to send to the Japanese market, and one of her discoveries, Nadya, a thirteen year-old plucked from the Siberian countryside and dropped into the center of Tokyo with promises of a profitable career. After Ashley&amp;rsquo;s initial discovery of Nadya, the two rarely meet again, but their stories are inextricably bound. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Hollywood to Dollywood!&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(John Lavin / USA / &amp;nbsp;81 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;On the fumes of a dream, twin brothers Gary and Larry Lane have written a script with a plum role for their idol, Dolly Parton. Having had no luck getting the screenplay into her hands, they embark on a cross-country journey to personally deliver it to her in Pigeon Forge, Tennessee. Driving an RV named Jolene they meet everyday Americans and encounter everything from the Nashville flood to an Oklahoma Tornado. Featuring appearances by Leslie Jordan, Chad Allen, Beth Grant, Dustin Lance Black, Ann Walker, and maybe even Dolly herself! &amp;ldquo;Hollywood to Dollywood&amp;rdquo; is a documentary of chasing dreams down the road of life. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Last Call at the Oasis&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Jessica Yu / USA / 105 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Developed, financed and executive produced by Participant Media, the company responsible for &amp;ldquo;An Inconvenient Truth,&amp;rdquo; &amp;ldquo;Food, Inc.&amp;rdquo; and &amp;ldquo;Waiting for Superman,&amp;rdquo; &amp;ldquo;Last Call at the Oasis&amp;rdquo; presents a powerful argument for why the global water crisis will be the central issue facing our world this century. Illuminating the vital role water plays in our lives, exposing the defects in the current system and depicting communities already struggling with its ill-effects, the film features activist Erin Brockovich and such distinguished experts as Peter Gleick, Alex Prud&amp;rsquo;homme, Jay Famiglietti and Robert Glennon. TENNESSEE PREMIERE. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Love Free or Die&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Macky Alston / USA / 82 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Winner of a Special Jury Prize at this year&amp;rsquo;s Sundance Film Festival, &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Love Free or Die&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; follows Bishop Gene Robinson, the first openly gay individual to be consecrated as a Bishop in any of the major churches in the United States. Director Macky Alston follows Robinson from his 2008 civil union with his longtime partner, to the Lambeth conference, to the 2009 Episcopal General Convention, and finally to the consecrations of the second openly gay bishop May 2011. Faced with admiration, anger, and the occasional death threat, Robinson&amp;rsquo;s journey examines the sometimes uncomfortable intersections between personal life, spiritual life, and public life. TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Mulberry Child&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Susan Morgan Cooper / USA / 85 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;During the Chinese Cultural Revolution, millions had their lives destroyed and their reputations ruined. &amp;ldquo;Mulberry Child&amp;rdquo; is the story of the persecution and survival of Jian Ping&amp;#39;s family during this difficult period. After growing up in Socialist China, Jian must learn to assimilate to a Capitalist world when she migrates to the United States. In pursuit of the American dream, Jian develops an emotional disconnect between her and her privileged American-born daughter, Lisa. Will a trip to the 2008 Beijing Olympics and a journey into the past forge a healthier relationship between mother and daughter? The film teaches us the human capacity for courage and endurance, and shows how the events of the past will affect our future. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;This Ain&amp;#39;t California&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Marten Persiel / Germany / 90 min.) &amp;nbsp;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;A hymn to the subversion of power, this high-speed documentary takes us on a trip through the strange and unknown world of skateboarding in East Germany. Focusing on three kids who discover their love of skateboarding on the cracked concrete of the Communist landscape &amp;ndash; a madcap, unacceptable sport in a nation of loyalty and order -- this punk fairytale shows life on the other side of the Iron Curtain as it has never been shown before. The young skate punks are followed from their childhood in the seventies, through their turbulent teens in the eighties right up to the fall of 1989 when they turned twenty and everything they had known up to that point was about to change forever. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TBA (6)&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Narrative Competition &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;I Am Not a Hipster&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Destin Cretton / USA / 90 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Things are not looking good for Brook, a young, talented singer/songwriter who has become the clich&amp;eacute;d tortured artist. Slow to come to terms with the death of his mother, Brook is self-absorbed, aggressive, and the major obstruction to his own career success. His isolation is lifted when his three sisters and estranged father come to spread his mother&amp;rsquo;s ashes. Brook&amp;rsquo;s loving sisters have a magical effect on his anger and apathy, suggesting there may be hope for the misanthropic musician after all. Set in a wannabe-cool, art-and-indie rock scene, &amp;ldquo;I Am Not A Hipster&amp;rdquo; &amp;nbsp;is true to its title. Not tragically hip but, rather, emotionally rich, this portrait of a man in pain celebrates the healing power of family love. It aims straight for the heart and hits it. (&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Synopses from Sundance Institute.) &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Birthright&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Naoki Hashimoto / Japan / 108 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;One night, after another lonely dinner and another failure in his life, Terry has a moment of realization: a way to reconnect with his estranged daughter, Hannah. When he surprises her with an offering, she takes the high road, but her need for closure eventually reveals the motivation behind Terry&amp;#39;s gift. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;The Dynamiter&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Matthew Gordon / USA / 72 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;All fourteen-year-old Robbie Hendrick ever wanted was a family. &amp;nbsp;Yet as another Mississippi summer begins, his wayward mother has run off again fearing a breakdown and he&amp;#39;s left to burn the days caring for his half brother, Fess. As Robbie and Fess burn the days together, Robbie&amp;rsquo;s dream becomes closer than ever before. His older brother Lucas returns to the home and postcards begin to arrive from their Mother promising that she&amp;rsquo;s better and that she&amp;rsquo;ll return home soon.   But Robbie knows the futility of keeping faith in promises. As the deep days and nights begin to pass without his mother&amp;#39;s return and with the ever-present threat of social services closing in on the brothers, Robbie must face the fact that he may just lose the only family he&amp;rsquo;s ever had. Filmed on location in the Mississippi Delta town of Glen Allan, MS with all non-actors from the region, The Dynamiter is a story of family in the forgotten America, uncompromisingly told by the very people who live it everyday. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Leave It on the Floor&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt;&lt;wbr&gt;&lt;wbr&gt;&lt;wbr&gt;&lt;wbr&gt;&lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Sheldon Larry / Canada / 107 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;&amp;ldquo;Leave It On the Floor&amp;rdquo; tells the story of Brad, who when thrown out of his dysfunctional home by his mother, steals her car and travels into Los Angeles. It is there that he stumbles into a noisy raucous, chaotic event and meets the ragtag members of the struggling House of Eminence. Initially only looking for a place to sleep (and perhaps someone to sleep with), he ends up engaging with the colorful members of the house led by the indomitable house mother, herself an aging ball-legend and the fierce protectorate of her family. Laughter, tears, sex sirens, and butch queens all combine to create a place a loving caring place that Brad can call home. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Mariachi Gringo&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Tom Gustafson / USA / 102 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;A stifled, small-town man stuck in a dead end life runs away to Mexico to be a mariachi singer. MARIACHI GRINGO is a musical tour-de-force exploring the reality of &amp;quot;following your dreams&amp;quot; across cultural, personal, social and geographical borders. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Queens of Country&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Ryan Page, Christopher Pomerenke / USA / 90 min.)&lt;br /&gt;   Living in a fantasy era long gone and obsessed with old time country stars, the prettiest girl in a small Arizona town finds a lost iPod filled with songs that speak to her sensitive heart. Jolene Gillis is convinced the owner is her soul mate and she is thrust into a sexy, heartwarming and hilarious adventure of mistaken identities, ATVs, line dancing competitions, kidnappers, time machines and doppelgangers. SOUTHEAST PREMIERE.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Supporting Characters&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Daniel Schechter / USA / 89 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Nick (Alex Karpovsky) and Darryl (Tarik Lowe) are best friends and co-editors of a struggling independent film, by director Adrian Foote (Kevin Corrigan). After a poorly received test screening, the team has three weeks to re-assemble the film into something presentable. This process isn&amp;rsquo;t made any easier by the unhappy, unhelpful staff of their post house, played by Lena Dunham and Josh Alexander. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Synopsis from 60&amp;deg;N International Film Festival. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;That&amp;rsquo;s What She Said&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Carrie Preston / USA / 84 min.)&lt;br /&gt;   Bebe (Marcia DeBonis) is getting ready for the most romantic date of her life, and she needs her BFF (Anne Heche) there to cheer her on. Too bad about the whole bitter and jaded thing. &amp;nbsp;And the clingy stranger with the bad habit (Alia Shawkat). And the rain. And the barf. &amp;nbsp;And, oh yeah, the thing with the dildo. &amp;nbsp;Friendship. It&amp;rsquo;s amazing how hard it can get. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;TBA (8)&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;New Directors Competition&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Brooklyn Brothers Beat the Best&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Ryan O&amp;rsquo;Nan / USA / 97 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;In &amp;ldquo;Brooklyn Brothers Beat the Best,&amp;rdquo; a brokenhearted underachiever (Ryan O&amp;rsquo;Nan) takes off on a road trip with an eccentric friend (Michael Weston) on which they play children&amp;#39;s instruments during a series of strange shows. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Foreign Letters&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Ela Their / USA / 100 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Set in the early 80&amp;rsquo;s, 12-year-old Ellie arrives in the US from Israel, coping with homesickness and humiliations in school where she can&amp;rsquo;t manage to fit in. Ellie survives by cleaving to the letters she exchanges with her best friend back home. Life brightens when she meets Thuy, a Vietnamese refugee her age. Slow but persistent, she wins Thuy&amp;rsquo;s trust. The two girls, having both arrived from war-torn countries, find solace and adventure with each other. They become inseparable. Ellie, however, takes it personally when Thuy consistently prioritizes her studies. The two hurt each other, the trust is broken, and their friendship comes to its end. Ellie must give up her efforts to blend in and embrace who she is, in order to win her friend back. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Maria My Love&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Jasmine McGlade Chazelle / USA / 100 min)&lt;br /&gt;   Ana (Judy Marte) is a young woman trying to reimagine her life after her mother&amp;rsquo;s death during the course of one California spring. Filled with resentment over her father&amp;rsquo;s mistakes, Ana feels disconnected from herself and everyone around her. Swept up by new romance (Brian Rieger) and a warm reunion with her half-sister (Lauren Fales), Ana is so taken by the newfound support and love in her life that she sets out to find someone&amp;mdash;anyone other than herself&amp;mdash;to help. She finds a volunteer project in Maria (Karen Black), a reclusive hoarder who has alienated her own family with her compulsive behavior. As the two become unlikely friends and confidantes, Ana finds herself in an emotionally complex relationship that reveals some uncomfortable truths about herself. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Sassy Pants&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Coley Sohn / USA / 87 min.) &amp;nbsp;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Recent home school graduate Bethany Pruitt struggles to break free from her suffocating mom without any help from her deadbeat gay dad to pursue her dreams of attending FATI - Fashion Art Technology Institute. From the confines of her mom&amp;#39;s sheltered bubble to the anything goes exposure at her dad&amp;#39;s trailer, Bethany&amp;#39;s eyes are opened wide as she aspires to find her own way. SOUTHEASTERN PREMIERE.&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Sironia&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Brandon Dickerson / USA / 105 min.)&lt;br /&gt;   Inspired by the music of singer-songwriter Wes Cunningham, SIRONIA is the story of a talented musician who has been chewed up and spit out by the Hollywood music machine. Frustrated by his broken career, Thomas Fisher and his wife Molly impulsively pack up and move to small town Sironia, Texas to live a more authentic life and raise their first child near Molly&amp;#39;s brother and his family. Despite the change of scenery, Thomas&amp;#39;s deep resentment over his lost dreams gets the best of him as he struggles to find peace with his stalled career, until he remembers what he loved about music - and Molly - in the first place. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;A Trip (Izlet)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Nejc Gazvoda / Slovenia / 85 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Ziva, Andrej and Gregor are best friends since high school -- Gregor a soldier who is about to embark on a mission to Afghanistan, Ziva going to study abroad and Andrej gay and hating everything, himself included. They decide to go to a road trip to the seaside like they did when they were in high school, inevitably leading to tension, conflict and a test of their friendship. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Welcome to Pine Hill&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Keith Miller / USA / 81 min.)&lt;br /&gt;   A recently reformed drug dealer working as a claims adjuster by day and bouncer by night, Shannon Harper receives earth-shattering news that compels him to make peace with his past and search for freedom beyond the concrete jungle of New York. With a cinema verite style rooted in very real life, &amp;ldquo;Welcome to Pine Hill&amp;rdquo; features an extraordinarily intimate performance by Harper playing himself, supported by an eclectic mix of real people and improvised performers. Traveling from the backyards of Brooklyn crack houses to the lush Catskill Mountains, the film is a meditative journey about how we choose to live our lives. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;TBA &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(5)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Music Films / Music City Competition&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;An Affair of the Heart: The Journey of Rick Springfield and his Devoted Fans&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; (Sylvia Caminer / USA / 93 min.)&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;&amp;ldquo;An Affair of the Heart: The Journey of Rick Springfield and his Devoted Fans&amp;rdquo; not only brings us face-to-face with Grammy&amp;reg; award-winning musician, songwriter, actor, and &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;New York Times&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; best-selling author, Springfield, but also places a spotlight on his most fervent fans, casting a non-judgmental, unflinching eye on what makes his fans as passionate about him today as they were when &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Jessie&amp;rsquo;s Girl&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; was #1 (1981). In addition to exploring what it is about Springfield drives people to such religious devotion and what the artists himself Rick thinks is the connection with his fans, the documentary includes highlights from concerts (US &amp;amp; Europe), the annual Rick Springfield and Friends Cruise, and his 2010 book release/press tour. It&amp;rsquo;s a real peek into the life of Rick the &amp;ldquo;artist&amp;rdquo; and the &amp;ldquo;human being&amp;rdquo;. TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Andrew Bird: Fever Year&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Xan Aranda / USA / 81 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Filmed during culminating months of the acclaimed singer-songwriter&amp;#39;s most rigorous year of touring, Andrew Bird crosses the December finish line in his hometown of Chicago - feverish and on crutches from an onstage injury. Is he suffering hazards from chasing the ghost of inspiration? Or merely transforming into a different kind of animal &amp;#39;perfectly adapted to the music hall?&amp;#39; FEVER YEAR is the first to capture Bird&amp;#39;s precarious multi-instrumental looping technique and features live performances at Milwaukee&amp;#39;s Pabst Theater with collaborators Martin Dosh, Jeremy Ylvisaker, Michael Lewis, and Annie Clark of St. Vincent. &amp;nbsp;TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Butch Walker: Out of Focus&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Shane Vald&amp;eacute;s, Peter Harding &amp;nbsp;/ USA / 90 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;You may have heard of him, and you&amp;#39;ve definitely heard his work, but now find out about the real Butch Walker and his band the Black Widows as we take you on a personal journey inside one of the greatest minds in contemporary music. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Charlie Louvin: Still Rattlin&amp;rsquo; the Devil&amp;rsquo;s Cage&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Blake Judd, Kieth Neltner / USA / 46 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;One year prior to to his death at 84-years-old the legendary country artist Charlie Louvin played an intimate gig at Nashville, Tennessee&amp;rsquo;s tiny FooBar in front of a packed crowed of kids, elders, hippies and rockers. Louvin was weak off the stage, battling cancer, but on the stage he was powerful and left the crowd chanting his name. It would be his last paid gig, and in an extensive interview the following morning, he shared many of the stories from his 60 year career. With appearances by Sonny Louvin, George Jones, Marty Stuart, John McCrea, Allison Krauss and Emmylou Harris. TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Don&amp;rsquo;t Follow Me (I&amp;rsquo;m Lost)&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(William Miller / USA / 90 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Fighting his way out from the shadow of his famous father with a rock all his own, Bobby Bare Jr. attempts to redefine what it means to be a touring artist today - playing everywhere from small clubs to people&amp;#39;s living rooms, all while dealing with the repercussions of the road - the constant separation and the disconnect from loved ones back home. With very few interviews, the audience is a &amp;#39;fly on the wall&amp;#39; along for the ride as Bobby Bare Jr. weaves his way through complicated rock &amp;#39;n&amp;#39; roll situations. After months on the road, is it ever possible to really reconnect? WORLD PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Hank Cochran: Livin&amp;rsquo; for a Song&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Wes Pryor / USA / 95 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;A feature length documentary on the life and music of legendary Nashville songwriter Hank Cochran. A remarkable story that starts in the cotton fields of Mississippi then moves on to California where he partnered with Rock legend Eddie Cochran for much of the 50s then on to Nashville in 1960 where he wrote classics such as &amp;#39;Make the World Go Away&amp;#39;, &amp;#39;I Fall to Pieces&amp;#39;, &amp;#39;She&amp;#39;s Got You&amp;#39; and many more. The film includes intimate performances by Elvis Costello, Brad Paisley, Lee Ann Womack, Ronnie Milsap and others as well as appearances by Willie Nelson, Merle Haggard, and Jeannie Seely to name just a few. After watching this film you will understand why they called Hank &amp;ldquo;The Legend.&amp;rdquo; WORLD PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Hip Hop Maestro&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Christine Lee / USA / 90 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Hip Hop Maestro follows young Los Angeles composer Geoff &amp;quot;Double G&amp;quot;Gallegos and his 70 piece orchestra (called &amp;quot;Dakah&amp;quot;) in its pursuit of the Holy Grail of gigs; Walt Disney Concert Hall. Blending hip hop, jazz and funk stylings in an orchestral setting, Dakah manages to gain talented musicians, earn accolades and increase its audience--despite all odds and zero budget. Can one man&amp;#39;s talented leadership, single-minded determination and dumb luck can propel a band from a local hole-in-the-wall nightclub to the biggest stage in Los Angeles? TENNESSEE PREMIERE. &lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Major Rockstar&lt;/span&gt;&lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Jared Morgan / USA / 64 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;In contrast to many documentaries about today&amp;rsquo;s military, &amp;ldquo;Major Rockstar&amp;rdquo; is about entertainment.   Follow the cast of the United States Army Soldier Show on an incredible musical journey as they transform from everyday Soldiers to rock stars. WORLD PREMIERE.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Paul Williams Still Alive&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Stephen Kessler / USA / 87 min.)&lt;br /&gt;   There was a point in the seventies when Paul Williams was everywhere, his songs he dominating the charts and became staples, including Three Dog Night&amp;rsquo;s &amp;ldquo;An Old Fashioned Love Song&amp;rdquo;; The Carpenters&amp;rsquo; &amp;ldquo;We&amp;rsquo;ve Only Just Begun&amp;rdquo;; and &amp;ldquo;Rainbow Connection,&amp;rdquo; performed by Kermit the Frog in &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;The Muppet Movie&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;. The diminutive star also appeared on the big and small screens, most notably as the villainous Swan in Brian De Palma&amp;rsquo;s &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Phantom of the Paradise &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(which he also co-scored), a genius orangutan in &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Battle for the Planet of the Apes &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;and a regular guest on Johnny Carson&amp;rsquo;s couch. He also acted in episodes of &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;The Love Boat&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;, &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;The Odd Couple &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;and &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;The Gong Show&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;. And then: he quickly faded from the spotlight. With songs about loneliness and his outsider persona, Williams struck a chord with many, including director Stephen Kessler. When he began to investigate his childhood idol, Kessler was surprised to learn that Williams is still very much alive, and set out to make a documentary. Williams allows Kessler to accompany him on his travels, but the director soon discovers that his subject isn&amp;rsquo;t the same man from television that he once idolized. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Synopsis via Toronto International Film Festival. &lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;TENNESSEE PREMIERE. &lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;br /&gt;   &lt;span style="font-size: 10pt;"&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: italic; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: bold;"&gt;Under African Skies&lt;/span&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;wbr&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;/wbr&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;   &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt; &lt;wbr&gt;&lt;wbr&gt;&lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;(Joe Berlinger / USA / 102 min.)&lt;/span&gt;&lt;br /&gt;   &lt;span style="vertical-align: baseline; font-variant: normal; font-style: normal; font-size: 10pt; background-color: transparent; text-decoration: none; font-family: Arial; font-weight: normal;"&gt;Paul Simon returns to South Africa to explore the incredible journey of his historic Graceland album, including the political backlash he received for allegedly breaking the UN cultural boycott of South Africa designed to end the Apartheid regime. TENNESSEE PREMIERE. &lt;/span&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/wbr&gt;&lt;/p&gt;</description>
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      <pubDate>Wed, 07 Mar 2012 20:59:15 GMT</pubDate>
      <guid>http://www.indiewire.com/article/nashville-film-festival-announces-competition-lineup</guid>
      <dc:creator>Nigel M Smith</dc:creator>
      <dc:date>2012-03-07T20:59:15Z</dc:date>
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    <item>
      <title>"Weekend" &amp; "If a Tree Falls" Win Big in Nashville</title>
      <link>http://www.indiewire.com/article/weekend_if_a_tree_falls_win_big_in_nashville</link>
      <description>&lt;p&gt;"Weekend" and "If a Tree Falls" were the two big winners at the 2011 Nashville Film Festival, which wraps tomorrow. Andrew Haigh's "Weekend" nabbed the top narrative prize, while "Tree," from director Marshall Curry, won the top documentary award. &lt;/p&gt;&lt;p&gt;&lt;u&gt;2011 Nashville Film Festival Award Winners:&lt;/u&gt;&lt;/p&gt;&lt;p&gt;&lt;b&gt;Narrative Competition Sponsored by Bridgestone&lt;/b&gt;&lt;br&gt;Bridgestone Grand Jury Prize: "Weekend" (Andrew Haigh / UK)&lt;br&gt;Bridgestone Competition Honorable Mention: "Last Summer of Boyita" (Julia Solomonoff / Argentina)&lt;br&gt;Special Jury Prize for Outstanding Ensemble: "Kinyarwanda" (Alrick Brown / Rwanda, USA)&lt;br&gt;Special Jury Prize for Exception Courage: "Dog Sweat" (Hossein Keshavarz / Iran)&lt;br&gt;Best Actor: Tom Cullen, "Weekend"&lt;br&gt;Best Actress: Guadalupe Alonso, "Last Summer of La Boyita"&lt;br&gt;Naxos Award for Best Film Music: The Bootstraps, "Take Me Home"&lt;/p&gt;&lt;p&gt;&lt;b&gt;Documentary Competition Sponsored by Documentary Channel&lt;/b&gt;&lt;br&gt;Documentary Channel Grand Jury Prize: "If A Tree Falls" (Marshall Curry / USA)&lt;br&gt;Documentary Channel Honorable Mention: "Fambul Tok" (Sara Terry / Sierra Leone, USA)&lt;br&gt;Special Jury Prize for Achievement Artistic Vision: "A Matter of Taste" (Sally Rowe / USA)&lt;/p&gt;&lt;p&gt;&lt;u&gt;Below is the full press release:&lt;/u&gt;&lt;/p&gt;&lt;p&gt;&lt;i&gt;NASHVILLE, Tennessee -- April 20, 2011 -- With ticket sales at the Festival already ahead of last year’s with two days left, "Weekend," Andrew Haigh’s unapologetic love story about two men in a weekend affair, and "If a Tree Falls," Marshall Curry’s profile of environmentalists driven to extremes, have captured the top jury prizes at the 2011 Nashville Film Festival (NaFF) presented by Nissan, it was announced this morning at a luncheon at the Festival at the Regal Green Hills Stadium 16. "Weekend" captures the Bridgestone Grand Jury Prize, the top narrative prize; "If a Tree Falls" takes home the Documentary Channel Grand Prize in the Documentary Competition. The Bridgestone Narrative Competition Grand Jury gave its best actor nod to Tom Cullen of "Weekend" and best actress decision to Guadalupe Alonso of director Julia Solomonoff's "Last Summer of La B oyita."&lt;/p&gt;&lt;p&gt;A jury comprised of renowned actor, writer, director and activist Dan Butler, best known as Bulldog on "Frasier;" film critic Joe Leydon (Variety, Moviemaker) and TheFilmExperience.net blogger Nathaniel Rogers judged the Bridgestone Narrative Competition. The Documentary Competition presented by Documentary Channel jury was comprised of Dorothy Henckel, currently the Director of Acquisitions for the Documentary Channel; Jane Julian, founding member and director of the Durango Film Society and current programming director of the Port Townsend Film Festival in Washington state; and Joe Pacheco, award-winning filmmaker of "After the Fall" (NaFF 2010) and an Emmy-nominated cinematographer.&lt;/p&gt;&lt;p&gt;"The challenge in the documentary competition is that all the films are so different," said the documentary competition jury in a joint statement. "Each film captured their subjects in such a compelling light, but the many hats that Curry wore made it all the more impressive and was what made it stand out for us. It was like the '25th Hour' meets 'The Weather Underground.' We appreciated his immersion in the project, his access to the subject and his even handedness in presenting both sides of the story."&lt;/p&gt;&lt;p&gt;In other major competition categories, Mike Magidson's Greenland-shot "Inuk" claimed the New Directors Competition Grand Jury Prize, while Jacob's Hatley's sober profile of the legendary Band drummer, "Ain't In It For My Health: A Film About Levon Helm" nabbed the Gibson Impact of Music Award, the top prize in the Music Films/Music City Competition presented by Gibson and Lightning 100. The New Directors jury named Parker Croft best actor for his role in "Falling Overnight" and Kristýna Nováková for her part in "Twosome." Clarksville native Clay Jeter's "Jess + Moss" won the Ground Zero Tennessee Independent Spirit Award for a feature film.&lt;/p&gt;&lt;p&gt;The New Directors Competition presented by CAA was guided by veteran producer and agent Darris Hatch, whose credits include "South of Heaven, West of Hell;" David Moscowitz, a professor of communication and cultural studies and director of film studies at the College of Charleston; and Jane Rulon, former Indiana Film Commissioner. The Music Films/Music City jury consisted of award-winning musician, actor, and film producer Shaun Cassidy, documentary producer and director Kimberly Reed ( "Prodigal Sons") and Matthew Socey, the host of two radio shows in Indianapolis: "The Blues House Party" and "Film Soceyology."&lt;/p&gt;&lt;p&gt;"The caliber of the New Directors field this year was impressive," said the New Directors jury in a joint statement. "With storytelling full of heart, sensitivity and extraordinary settings breathtakingly filmed in Greenland, 'Inuk' epitomizes the power of filmmaking to open us to new worlds. Director Mike Magidson's devotion to this story raises it to an exceptional level of first-time feature filmmaking."&lt;/p&gt;&lt;p&gt;Live-action narrative and animated short films that win in competition at NaFF are qualified for Academy Award consideration. The Best Narrative Short award went to director Sean Durkin's "Mary Last Seen." The Best Animated Short distinction was claimed by "Something Left, Something Taken" by Max Porter &amp; Ru Kuwahata.&lt;/p&gt;&lt;p&gt;A complete list of competition and special awards, including honorable mentions and special jury prizes, follows. Audience Award winners will be announced tomorrow at the NaFF Closing Night party at Mercy Lounge. The 42nd Nashville Film Festival, which began on Thursday, April 14, closes tomorrow at Regal Green Hills Stadium 16 with encore screenings of competition award winners and popular films, and the Tennessee Premiere of director Azazel Jacobs' "Terri," with Jacobs and actor Jacob Wysocki expected to attend. The closing night party at Mercy Lounge, with performances by Will Gray and The Casualty Process, will follow. For more information, or to purchase tickets for films or the Closing Night party, please visit NashvilleFilmFestival.org.&lt;br&gt; &lt;br&gt;2011 Nashville Film Festival Award Winners&lt;/p&gt;&lt;p&gt;Narrative Competition Sponsored by Bridgestone&lt;br&gt;Bridgestone Grand Jury Prize: "Weekend" (Andrew Haigh / UK)&lt;br&gt;Bridgestone Competition Honorable Mention: "Last Summer of Boyita" (Julia Solomonoff / Argentina)&lt;br&gt;Special Jury Prize for Outstanding Ensemble: "Kinyarwanda" (Alrick Brown / Rwanda, USA)&lt;br&gt;Special Jury Prize for Exception Courage: "Dog Sweat" (Hossein Keshavarz / Iran)&lt;br&gt;Best Actor: Tom Cullen, "Weekend"&lt;br&gt;Best Actress: Guadalupe Alonso, "Last Summer of La Boyita"&lt;br&gt;Naxos Award for Best Film Music: The Bootstraps, "Take Me Home"&lt;br&gt;Southwest Airlines Audience Award: TBA&lt;br&gt;Graveyard Shift Audience Award: TBA&lt;/p&gt;&lt;p&gt;Documentary Competition Sponsored by Documentary Channel&lt;br&gt;Documentary Channel Grand Jury Prize: "If A Tree Falls" (Marshall Curry / USA)&lt;br&gt;Documentary Channel Honorable Mention: "Fambul Tok" (Sara Terry / Sierra Leone, USA)&lt;br&gt;Special Jury Prize for Achievement Artistic Vision: "A Matter of Taste" (Sally Rowe / USA)&lt;br&gt;Documentary Channel Audience Award: TBA&lt;/p&gt;&lt;p&gt;Gibson Music Films/Music City Competition Sponsored by Gibson and Lightning 100&lt;br&gt;Gibson Impact of Music Award: "Ain’t In It For My Health: A Film About Levon Helm," (Jacob Hatley / USA)&lt;br&gt;Honorable Mention: "Everyday Sunshine: The Story of Fishbone" (Lev Anderson, Chris Metzler / USA)&lt;br&gt;Special Jury Prize for Most Original Vision: "Broke*" (Will Gray / USA)&lt;/p&gt;&lt;p&gt;New Directors Competition&lt;br&gt;Grand Jury Prize: "Inuk" (Mike Magidson, Greenland/France)&lt;br&gt;Best Actor: Packer Croft, "Falling Overnight"&lt;br&gt;Best Actress: Kristýna Nováková, "Twosome"&lt;br&gt;Honorable Mention: "Twosome (Dvojka)" (Jaroslav Fuit / Czech Republic)&lt;br&gt;Special Jury Prize for Breakout Performance by an Actor: Gaba Peterson, "Inuk"&lt;/p&gt;&lt;p&gt;Short Film Competition&lt;br&gt;Best Narrative Short (Academy Qualifier): "Mary Last Seen" (Sean Durkin / USA)&lt;br&gt;Honorable Mention: "Darryn Exists" (Jamie Lawrence / New Zealand)&lt;br&gt;Best Animated Short (Academy Qualifier): "Something Left, Something Taken" (Max Porter, Ru Kuwahata / USA)&lt;br&gt;Honorable Mention: "Mobile" (Verena Fels / Germany)&lt;br&gt;Special Jury Prize for Imaginative Storytelling: "The Fantastic Flying Books of Morris Lessmore" (Brandon Oldenburg, William Joyce / USA)&lt;br&gt;Best Documentary Short: "Bye Bye Now!" (Aideen O’Sullivan / Ireland)&lt;br&gt;Honorable Mention: "Mr. Happy Man" (Matt Morris / USA)&lt;br&gt;Special Jury Prize for Social Awareness: "Save the Farm" (Michael Kuehnert / USA)&lt;br&gt;Best Experimental Short: "All Flowers in Time" (Jonathan Caouette / Canada)&lt;br&gt;Honorable Mention: "Who By Fire" (Aleisa Moussa / USA)&lt;br&gt;Honorable Mention II: "just a meaning you attribute to it" (Bernadette Anzengruber / Austria)&lt;br&gt;Vanderbilt Golden Opportunity Award: "Deeper Than Yesterday" (Ariel Kleiman / Australia)&lt;br&gt;Runner-Up: "On Leave" (Asat Saban / Isreal)&lt;br&gt;Watkins Young Filmmaker Award: Finding My Way (Emma Strebel / USA)&lt;/p&gt;&lt;p&gt;Additional Awards:&lt;br&gt;Ground Zero Tennessee Spirit Award for Best Feature Film: "Jess+Moss" (Clay Jeter / USA)&lt;br&gt;Ground Zero Tennessee Spirit Award for Best Short Feature Film: "Swing" (Matt Schosser &amp; Shane Bartlett / USA)&lt;br&gt;Ground Zero Tennessee Spirit Award for Best Short Documentary Film: "Nashville Rises" (Zac Adams / USA)&lt;br&gt;Black Filmmaker Award: "Kinyarwanda" (Alrick Brown / USA, Rwanda)&lt;br&gt;NAHCC Hispanic Filmmaker Award: “My Life with Carlos” (Germán Berger-Hertz / Chile)&lt;br&gt;NAHCC Hispanic Filmmaker Award Honorable Mention: “Musica Campesina” (Alberto Fuguet / Chile, USA)&lt;br&gt;NPT Human Spirit Award: "Fambul Tok" (Sara Terry / Sierra Leone, USA)&lt;br&gt;Women in Film &amp; TV Prize for Best Film by A Woman Director: The Last Summer of La Boyita (Julia Solomonoff / Argentina)&lt;br&gt;Film Musicians Secondary Market Fund Prize for Best Director / Composer Collaboration: "Falling Overnight"&lt;br&gt;NaFF Career Achievement Award: Kris Kristofferson&lt;br&gt;Coleman Sinking Creek Award: Monte Hellman&lt;br&gt;Mike Curb Career Achievement for Film Music: Gustavo Santaolalla&lt;br&gt;Governor's Award: Clay Jeter&lt;br&gt;Louise LeQuire Award for Screenwriting: John Patrick Shanley&lt;br&gt; &lt;/i&gt;&lt;/p&gt;</description>
      <pubDate>Wed, 20 Apr 2011 10:25:45 GMT</pubDate>
      <guid>http://www.indiewire.com/article/weekend_if_a_tree_falls_win_big_in_nashville</guid>
      <dc:creator>Nigel M Smith</dc:creator>
      <dc:date>2011-04-20T10:25:45Z</dc:date>
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      <title>2011 Nashville Film Festival Announces Opening and Closing Films</title>
      <link>http://www.indiewire.com/article/2011_nashville_film_festival_announces_opening_and_closing_films</link>
      <description>&lt;p&gt;The 2011 Nashville Film Festival will open with the Southeastern U.S. Premiere of Shane Dax Taylor's "Bloodworth," an adaptation of W. Earl Brown's novel "Provinces of Night," and close with Azazel Jacobs' "Terri." &lt;/p&gt;&lt;p&gt;NaFF has also added several additions to the Special Presentations category, including Monte Hellman's "Road to Nowhere," James Marsh's "Project Nim," Richard Ayode's "Submarine" and Justin Chadwick's "The First Grader." The festival will also feature the Tennessee premiere of Ola Simonsson and Johannes Stjärne Nilsson's "The Sound of Noise" in the World Cinema category. Finally, Laura Crosta's "SING: The Hotel Café Tour Documentary" and the world premiere of "Wish Me Away" will round out the Music Films/Music City Competition. &lt;/p&gt;&lt;p&gt;The festival will continue to add more information regarding panels, jurors and music showcases over the next couple weeks. NaFF takes place April 14-21 at the Regal Green Hills Cinemas in Tennessee.  &lt;/p&gt;&lt;p&gt;To view the additions and special presentations click &lt;a href="http://www.nashvillefilmfestival.org/press/2011-nashville-film-festival-presented-nissan-announces-special-presentations-and-added-films" target="_blank"&gt;here&lt;/a&gt;.&lt;/p&gt;</description>
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      <pubDate>Thu, 17 Mar 2011 08:12:02 GMT</pubDate>
      <guid>http://www.indiewire.com/article/2011_nashville_film_festival_announces_opening_and_closing_films</guid>
      <dc:creator>Indiewire Staff</dc:creator>
      <dc:date>2011-03-17T08:12:02Z</dc:date>
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      <title>2011 Nashville Film Fest Slate Made Up of Festival Favorites</title>
      <link>http://www.indiewire.com/article/2011_nashville_film_fest_releases_slate</link>
      <description>&lt;p&gt;Award winners from Cannes and Sundance headline the main competitions at the upcoming 2011 Nashville Film Festival. Highlights this year include Apichatpong Weerasethakul’s winner of the Palm D'Or, “Uncle Boonmee Who Can Recall His Past Lives," Cindy Meehl's documentary "Buck," and Michelangelo Frammartino’s acclaimed festival darling "Le Quattro Volte."&lt;/p&gt;&lt;p&gt;"I’m exhausted, but exhilarated!” said artistic director Owens on culling the selections from 2,403 entries. "We again broke a record on submissions, and I think we’ve gathered a truly diverse collection of international films that will give fans a healthy survey of what’s going on in filmmaking around the world. Continuing a trend, the lines between narrative and documentary continues to be blurred, making the experience of film more engaging than ever."&lt;/p&gt;&lt;p&gt;Opening and Closing Nights and Special Presentations will be released shortly. Click &lt;a href="http://www.nashvillefilmfestival.org/press/2011-nashville-film-festival-presented-nissan-announces-feature-films-competition-and-major-ca" TARGET="_BLANK"&gt;here&lt;/a&gt; to view the complete list of films in the Documentary, Narrative, Music Films/Music City and New Directors, World Cinema and Graveyard Shift categories.&lt;/p&gt;&lt;p&gt;The Nashville Film Festival runs April 14-21.&lt;/p&gt;</description>
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      <pubDate>Tue, 01 Mar 2011 13:38:34 GMT</pubDate>
      <guid>http://www.indiewire.com/article/2011_nashville_film_fest_releases_slate</guid>
      <dc:creator>Nigel M Smith</dc:creator>
      <dc:date>2011-03-01T13:38:34Z</dc:date>
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      <title>Nashville Film Festival's 2010 Lineup Includes Some Big Films</title>
      <link>http://www.indiewire.com/article/nashville_film_festivals_2010_lineup_includes_some_big_films</link>
      <description>&lt;p&gt;This year's Nashville Film Festival (NaFF), which takes place from April 15 to 22, will feature some high profile screenings including the John Lennon biopic and fest opener "Nowhere Boy" from director Sam Taylor-Wood, and the North American premiere of Radu Mihaileanu's "The Concert," starring Melanie Laurent of "Inglourious Basterds."&lt;/p&gt;&lt;p&gt;"Nowhere Boy," which has already gone on to win great acclaim in Great Britain, including nominations at the London Critics Circle and BAFTA awards, will open the festival. The film stars Kristin Scott Thomas and up-and-comer Aaron Johnson ("Kick-Ass") as Lennon.  Adrian Grenier's documentary "Teenage Paparazzo," making its Southeast premiere, will close the festival. Grenier's film documents a 13-year-old paparazzo and his fixation with Hollywood's celebrity culture. Country music star Brad Paisley's short film, "When Mom's Away," will precede the screening.&lt;/p&gt;&lt;p&gt;Mihaileanu's "The Concert" and Shane Dax Taylor's "Provinces of Night" will screen as part of NaFF's Special Presentation series. Apart from Laurent, "The Concert" also stars French actress Miou Miou, and tells the story of renowned conductor of the Dolshoi orchestra, Andrei Simoniovich Filipov, who was fired for hiring Jewish musicians. "Provinces of Night" boasts an all star cast that includes Kris Kristofferson, Val Kilmer and Hilary Duff. The film is making its Southeast premiere.&lt;/p&gt;&lt;p&gt;Other categories at this year's NaFF include World Cinema Today, Narrative Competition, New Directors Competition, Documentary Competition and Music Films Competition. &lt;/p&gt;&lt;p&gt;&lt;u&gt;Other film included in various categories include:&lt;/u&gt;&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Blue Beard&lt;/b&gt;" (Catherine Breillat, France)&lt;br&gt;In Catherine Breillat's retelling of this classic tale, two young sisters play together in the attic of their home in 1950s France. Catherine (a stand-in for Breillat, according to her autobiographical statement) torments her timid sibling Marie-Anne with repeated dramatic readings of Bluebeard. As she does, the 17th-century story plays out on screen. In this stylized and highly literary adaptation, Breillat perfectly captures the pleasures to be had both in being frightened and in facing one's fears head-on.&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Dogtooth&lt;/b&gt;" (Yorgos Lanthimos, Greece)&lt;br&gt;Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission. The father is the only family member who can leave the manicured lawns of their self-inflicted exile, earning their keep by managing a nearby factory, while the only outsider allowed on the premises is his colleague Christina, who is paid to relieve the son of his male urges. Tired of these dutiful acts of carnality, Christina enlists the elder daughter for some girl-on-girl action, carelessly disturbing the domestic balance. Soon enough, sex has spread throughout the household like fire. Next stop: rebellion.&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Raw Faith&lt;/b&gt;" (Peter Wiedensmith, USA)&lt;br&gt;This surprisingly open and revealing documentary follows two years in the private life of a minister. Marilyn Sewell is successful and beloved in the pulpit, but behind the scenes she is lonely and yearning for change. As she considers leaving the ministry, she realizes she will be leaving her only social network. Yet when she falls in love for the first time, she realizes she does not trust intimacy. A study in contrasts, Marilyn must rely on raw faith as she questions her future, her difficult past, her God, and most importantly... her ability to love.  Includes an original song by Sheryl Crow written specifically for the film.  (World Premiere)&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Undertow&lt;/b&gt;" (Javier Fuentes-León, Peru, Columbia)&lt;br&gt;Winner of the Audience Award for Best in World Cinema at the 2010 Sundance Film Festival, "Undertow" is an unusual ghost story set on the Peruvian seaside; a married fisherman struggles to reconcile his devotion to his male lover within his town's rigid traditions. (Southeast Premiere)&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Don't Worry About Me&lt;/b&gt;" (David Morrissey, UK)&lt;br&gt;Twenty-something London lad David (James Brough) travels up to Liverpool hoping to track down the girl from last night. After she gives him his marching orders, David finds himself walking the streets of a strange city with only some loose change in his pocket and a head full of nonsense. Stumbling upon a betting shop, demure sales assistant Tina gives him a hot tip on a dog. As a thank you, David invites Tina out for a coffee and persuades her to throw a sickie from work in exchange for the delights of his company. Tina shows David around Liverpool, with a surprise around every corner and a glint in her eye that hides a secret pain. As day unfolds into night, romance grows between two young people with very different pasts with music as the food of love. (Southeast Premiere)&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Black, White, and Blues&lt;/b&gt;" (Mario Van Peebles, USA) &lt;br&gt;Filmed in Nashville in 2009, Mario Van Peebles directed this drama of spiritual redemption against the backdrop of the Memphis blues starring Michael Clarke Duncan and Morgan Simpson. (World Premiere)&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Fish Out of Water&lt;/b&gt;" (Ky Dickens, USA)&lt;br&gt;Coming out of the closet can be challenging and for Ky Dickens, her experience coming out to friends at Vanderbilt University led to the making of "Fish Out of Water," a spirited documentary that explores the seven Bible passages notoriously used to condemn homosexuality and justify marriage discrimination. With the help of a cartoon narrator, animated recollections of Bible passages and witty illustrations, "Fish Out of Water"makes this polarizing subject accessible and non-threatening.&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Saturday Night&lt;/b&gt;" (James Franco, USA)&lt;br&gt;With unprecedented access to the behind the scenes process of the writers, actors and producers, Franco and his crew document what it takes to create one full episode of Saturday Night Live. (Southeast Premiere)&lt;/p&gt;&lt;p&gt;"&lt;b&gt;Climate Refugees&lt;/b&gt;" (Michael Nash, USA)&lt;br&gt;"Climate Refugees" uncovers the unbelievable plight of people around the world displaced by climatically induced environmental disasters. The documentary illuminates the human face of climate change and the collision that civilization now finds itself at between over population, lack of resources and our changing climate. By traveling the world and interviewing several of the 25 million climate refugees now on the run, "Climate Refugees" brings to light the heart wrenching truth of what is quickly becoming mankind's greatest challenge. (Southeast Premiere)&lt;/p&gt;&lt;p&gt;&lt;i&gt;Synopses provided by NaFF.&lt;/i&gt;&lt;/p&gt;&lt;p&gt;For the remainder of this year's lineup check out &lt;a href="http://www.nashvillefilmfestival.org/" target="_blank"&gt;NaFF's website.&lt;/a&gt;&lt;br&gt;&lt;/p&gt;</description>
      <pubDate>Thu, 25 Mar 2010 06:23:58 GMT</pubDate>
      <guid>http://www.indiewire.com/article/nashville_film_festivals_2010_lineup_includes_some_big_films</guid>
      <dc:creator>Nigel M Smith</dc:creator>
      <dc:date>2010-03-25T06:23:58Z</dc:date>
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