<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
  <channel>
    <title>San Sebastian International Film Festival</title>
    <link>http://www.indiewire.com/festival/san_sebastian_film_festival</link>
    <description>San Sebastian International Film Festival from IndieWire</description>
    <language>en</language>
    <dc:language>en</dc:language>
    <item>
      <title>San Sebastian International Film Festival is Now Accepting Submissions for its 64th</title>
      <link>http://blogs.indiewire.com/sydneylevine/san-sebastian-international-film-festival-is-now-accepting-submissions-for-its-64th-20160118</link>
      <description>Films can now be submitted for pre-selection      to participate in the 64th edition of the &lt;a href="http://www.sansebastianfestival.com/in/" class=""&gt;San Sebastian International Film Festival&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;All films submitted will be considered for all of the sections making up the festival's program, with the exception of Films in Progress and the      International Film Students Meeting, which will have their own specific calls for submissions in the months of May and June respectively. Films for these      sections should NOT be submitted to the festival yet.&lt;br /&gt;&lt;br /&gt;          Feature films submitted for pre-selection will be accepted until 18 July 2016. &lt;br /&gt;&lt;br /&gt;The 64th edition of the San Sebastian International Film Festival will take place September 16-24 &lt;br /&gt;&lt;br /&gt;        &lt;strong id="yui_3_16_0_1_1453135673934_109137"&gt;          &lt;/strong&gt;All information regarding the general rules and regulations of participation, the rules and regulations            of the different sections and the online submission form can be found on the festival's official website:                &lt;a title="Link: http://www.sansebastianfestival.com/2016/film_registration/1/3514/in" rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2016/film_registration/1/3514/in"&gt;www.sansebastianfestival.com&lt;/a&gt;        &lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/54333af/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F33%2Ff6%2F82a32f4d43dc8a4a47b694b0515b%2Fsan-sebastian-festival.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/b7cbc62/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F33%2Ff6%2F82a32f4d43dc8a4a47b694b0515b%2Fresizes%2F500%2Fsan-sebastian-festival.jpg" type="image/jpeg" />
      <pubDate>Tue, 19 Jan 2016 00:11:15 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/san-sebastian-international-film-festival-is-now-accepting-submissions-for-its-64th-20160118</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2016-01-19T00:11:15Z</dc:date>
    </item>
    <item>
      <title>Eleven Films Presented at the 63rd San Sebastian Festival Receive 39 Goya Award Nominations</title>
      <link>http://blogs.indiewire.com/sydneylevine/eleven-films-presented-at-the-63rd-san-sebastian-festival-receive-39-goya-award-nominations-20151215</link>
      <description>&lt;div id="yui_3_16_0_1_1450030270506_190168"&gt;      &lt;div id="yui_3_16_0_1_1450030270506_190167"&gt;                        The Academia de las Artes y Ciencias Cinematogr&amp;aacute;ficas de Espa&amp;ntilde;a has announced the nominees for the 30th edition of the Goya Awards, to be presented              on February 6.          &lt;br /&gt;&lt;br /&gt;                        The finalist with most nominations is &amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt2734566/?ref_=nm_filmo_pastfilmvid_1" href="https://pro-labs.imdb.com/title/tt2734566/?ref_=nm_filmo_pastfilmvid_1" class=""&gt;La Novia&lt;/a&gt;&amp;quot; (The Bride)                                      , which had its world premiere in the Zabaltegi section at the last edition of the San Sebastian Festival. The film by &lt;a title="Link: https://pro-labs.imdb.com/name/nm2315216/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm2315216/?ref_=tt_fm_dir" class=" ttip"&gt;Paula Ortiz&lt;/a&gt; is nominated in twelve              categories: Best Film, Best Director, Best Actress (Inma Cuesta), Best Actor (Asier Etxeandia), Best Supporting Actress (Luisa Gavasa), Best New Actor (&amp;Aacute;lex Garc&amp;iacute;a), Best Adapted Screenplay, Best Original Music, Best Sound, Best Cinematography, Best Art Direction and Best Makeup and/or Hairstyles.          &lt;br /&gt;&lt;br /&gt;                        &lt;a title="Link: http://www.sansebastianfestival.com/2015/sections_and_films/official_selection/7/630046/in" rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/sections_and_films/official_selection/7/630046/in"&gt;                  &lt;/a&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3754940/?ref_=nm_filmo_pastfilmvid_1" class=""&gt;Truman&lt;/a&gt;,&amp;quot; the film by &lt;a title="Link: https://pro-labs.imdb.com/name/nm0310747/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm0310747/?ref_=tt_fm_dir" class=" ttip"&gt;Cesc Gay&lt;/a&gt; which competed in the Official Selection and won the best actor award for Ricardo Darin and Javier C&amp;aacute;mara at the last              edition, earned six nominations: Best film, Best Director, Best Actor (Ricardo Darin), Best Supporting Actor (Javier C&amp;aacute;mara), Best Original Screenplay and Best Editing.          &lt;br /&gt;&lt;br /&gt;                        The winner of the best actress award at the last Festival, Yordanka Ariosa for &lt;a title="Link: https://pro-labs.imdb.com/name/nm0898063/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm0898063/?ref_=tt_fm_dir" class=" ttip"&gt;Agust&amp;iacute; Villaronga&lt;/a&gt;’s              &amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt4516324/" href="https://pro-labs.imdb.com/title/tt4516324/" class=""&gt;El Rey de La Habana&lt;/a&gt;&amp;quot; (The King of Havana), received a Best New Actress nomination alongside another two in the Best Cinematography and Best Adapted Screenplay              categories.          &lt;br /&gt;&lt;br /&gt;                        Another two titles screened in the Official Selection have landed nominations: &amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt4944620/" href="https://pro-labs.imdb.com/title/tt4944620/" class=""&gt;Amama&lt;/a&gt;&amp;quot; (When a Tree Falls) for Best New Actress (Iraia Elias), and the film by &amp;Aacute;lex de la Iglesia,                                &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt4412362/?ref_=sch_int" class=""&gt;Mi Gran Noche&lt;/a&gt;&amp;quot; (My Big Night)                            , premiered out of competition, which competes for the Best Art Director, Best Costume Design, Best Sound and Best Special Effects Goya Awards.          &lt;br /&gt;&lt;br /&gt;                        Another two titles that premiered in this year’s Zabaltegi section are also among the finalists. &lt;a title="Link: https://pro-labs.imdb.com/name/nm1007525/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm1007525/?ref_=tt_fm_dir" class=" ttip"&gt;&amp;Aacute;lvaro Longoria&lt;/a&gt;’s &amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt4206218/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt4206218/?ref_=sch_int" class=""&gt;The Propaganda Game&lt;/a&gt;&amp;quot;              &lt;a title="Link: http://www.sansebastianfestival.com/2015/sections_and_films/zabaltegi/7/630862/in" rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/sections_and_films/zabaltegi/7/630862/in"&gt;                           &lt;/a&gt;              is nominated for best documentary, while &lt;a href="https://pro-labs.imdb.com/name/nm0173101/?ref_=tt_fm_dir" class=" ttip"&gt;Fernando Colomo&lt;/a&gt; competes for the best new actor award with his movie &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt4125220/?ref_=sch_int" class=""&gt;Isla Bonita&lt;/a&gt;.&amp;quot;&lt;br /&gt;&lt;br /&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1860649/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm1860649/?ref_=tt_fm_dir" class=" ttip"&gt;Dani de la Torre&lt;/a&gt;’s  &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3169770/?ref_=sch_int" class=""&gt;El Desconocido&lt;/a&gt;&amp;quot; (Retribution)            &lt;a title="Link: http://www.sansebastianfestival.com/2015/sections_and_films/velodrome/7/630898/in" rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/sections_and_films/velodrome/7/630898/in"&gt;                        &lt;/a&gt;              , screened in the Velodrome section, garnered eight candidacies: Best New Director, Best Actor (Luis Tosar), Best Supporting Actress (Elvira M&amp;iacute;nguez), Best Original Screenplay, Best Production Supervision, Best Editing, Best Sound and Best Special Effects.          &lt;br /&gt;&lt;br /&gt;            Furthermore, &lt;a title="Link: https://pro-labs.imdb.com/name/nm1141070/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm1141070/?ref_=tt_fm_dir" class=" ttip"&gt;Borja Cobeaga&lt;/a&gt;'s &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3626760/?ref_=sch_int" title="Link: null" class=""&gt;Negociador&lt;/a&gt;&amp;quot; (Negociator),&lt;i&gt; &lt;/i&gt;which premiered in the Zabaltegi section at the 62nd edition of the Festival, landed a nomination for Best Original Screenplay.          &lt;br /&gt;&lt;br /&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3900580/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt3900580/?ref_=sch_int" class=""&gt;Un Oto&amp;ntilde;o Sin Berlin&lt;/a&gt;&amp;quot; (An Autumn without Berlin)              by &lt;a href="https://pro-labs.imdb.com/name/nm3366284/?ref_=tt_fm_dir" class=" ttip"&gt;Lara Izagirre&lt;/a&gt;, opening film of the Zinemira section, also got a nomination for Best new Actress for Irene Escolar.          &lt;br /&gt;&lt;br /&gt;                        Two films that also screened at the San Sebastian Festival compete for the Best Foreign Film in the Spanish Language Award: &lt;a title="Link: https://pro-labs.imdb.com/name/nm0871086/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm0871086/?ref_=tt_fm_dir" class=" ttip"&gt;Pablo Trapero&lt;/a&gt;’s&amp;nbsp;&lt;em id="yui_3_16_0_1_1450030270506_190222"&gt;&lt;/em&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt4411504/?ref_=sch_int" class=""&gt;El Clan&lt;/a&gt;&amp;quot; (The Clan) screened in the Pearls section following its premiere at the Venice Festival; and &lt;a title="Link: https://pro-labs.imdb.com/name/nm0215938/?ref_=tt_fm_dir" href="https://pro-labs.imdb.com/name/nm0215938/?ref_=tt_fm_dir" class=" ttip"&gt;Salvador del Solar&lt;/a&gt;’s &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt4072352/?ref_=sch_int" class=""&gt;Magallanes&lt;/a&gt;&amp;quot;&lt;em&gt; &lt;/em&gt;winner of the Films in Progress Award at the 62nd edition of the Festival, before going on to form part of this year’s Horizontes Latinos              selection.          &lt;br /&gt;&lt;br /&gt;                        Another three nominated were programmed as part of the Made in Spain section, following their premiere at the Malaga Festival: &lt;a href="https://pro-labs.imdb.com/name/nm0350044/?ref_=tt_fm_dir" class=" ttip"&gt;Daniel Guzm&amp;aacute;n&lt;/a&gt;’s                                &amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3211400/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt3211400/?ref_=sch_int" class=""&gt;A Cambio de Nada&lt;/a&gt;&amp;quot; (Nothing in Return)                            , with six nominations, &lt;a href="https://pro-labs.imdb.com/name/nm1206701/?ref_=tt_fm_dir" class=" ttip"&gt;Leticia Dolera&lt;/a&gt;’s              &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3720724/?ref_=sch_int" class=""&gt;Requisitos Para Ser Una Persona Normal&lt;/a&gt;,&amp;quot; with three candidacies and &lt;a href="https://pro-labs.imdb.com/name/nm0703265/?ref_=tt_fm_dir" class=" ttip"&gt;Gracia Querejeta&lt;/a&gt;’s  &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3841866/?ref_=sch_int" class=""&gt;Felices 140&lt;/a&gt;&amp;quot; (Happy 140)                            , which competes for two awards.          &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/7895c54/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F4a%2Fab%2F241871df4f049c726580f4bb4fac%2Fla-novia-the-bride.png" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/39ba429/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F4a%2Fab%2F241871df4f049c726580f4bb4fac%2Fresizes%2F500%2Fla-novia-the-bride.png" type="image/jpeg" />
      <pubDate>Tue, 15 Dec 2015 15:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/eleven-films-presented-at-the-63rd-san-sebastian-festival-receive-39-goya-award-nominations-20151215</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-12-15T15:00:00Z</dc:date>
    </item>
    <item>
      <title>In Defense of Iranian Director Keywan Karimi</title>
      <link>http://blogs.indiewire.com/sydneylevine/in-defense-of-iranian-director-keywan-karimi-20151127</link>
      <description>The San Sebastian Festival recently released a categorical rejection of the sentence handed down by the Iranian Revolutionary Court to Kurdish film      director &lt;a href="https://pro-labs.imdb.com/name/nm5344040/" class=""&gt;Keywan Karimi&lt;/a&gt; of 223 lashes and 6 years in prison.  &lt;br /&gt;&lt;br /&gt;        The young filmmaker, aged 30, was convicted on October 13th, 2015 for “propaganda against the regime” and “insulting the sacred” in Shahin Najafi’s music      clip and in the documentary “Writing on the City”. Neither of these audiovisual works has been released and both were confiscated by the police from his      hard drive.  &lt;br /&gt;&lt;br /&gt;        Keywan Karimi participated in the XII International Film Students Meeting in San Sebastian in 2013 with his work &amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3380854/?ref_=nm_filmo_pastfilmvid_1" class=""&gt;The Adventure of a Married Couple&amp;quot;&lt;/a&gt;&lt;br /&gt;      &lt;br /&gt;With this statement, the San Sebastian made its protest known and asks the world of film for its support in condemning this situation. You can sign a petition supporting the filmmakers &lt;a title="Link: http://peticionpublica.es/psign.aspx?pi=Karimi" href="http://peticionpublica.es/psign.aspx?pi=Karimi" class=""&gt;HERE&lt;/a&gt;. &lt;br /&gt;&lt;br /&gt;Here is an interview with the filmmaker in relation to his film &amp;quot;The Adventures of a Married Couple&amp;quot;&amp;nbsp; &lt;br /&gt;&lt;br /&gt;  &lt;iframe src="https://player.vimeo.com/video/75495815?byline=0&amp;amp;portrait=0" webkitallowfullscreen="" mozallowfullscreen="" allowfullscreen="" frameborder="0" height="281" width="500"&gt;&lt;/iframe&gt;  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/0129e4d/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fb2%2Fe6%2F5e71b66641cabedc1e772f7f8246%2Fkeywan-karimi.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/7ac347b/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fb2%2Fe6%2F5e71b66641cabedc1e772f7f8246%2Fresizes%2F500%2Fkeywan-karimi.jpg" type="image/jpeg" />
      <pubDate>Fri, 27 Nov 2015 23:30:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/in-defense-of-iranian-director-keywan-karimi-20151127</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-11-27T23:30:00Z</dc:date>
    </item>
    <item>
      <title>Spain Shortlists Three Films as Potential Oscar Submissions</title>
      <link>http://blogs.indiewire.com/sydneylevine/spain-shortlists-three-films-as-potential-oscar-submissions-20150908</link>
      <description>This morning the Spanish Academy of Cinematographic Arts and Sciences announced a shortlist of three films as potential Oscar submissions, one of these will be selected as the official entry later this month. The list is somewhat surprising given the great pool of films at hand, some of which included internationally renowned Spanish talent. However, it seems like the Spanish Academy went with three interesting choices, two of which have received extensive festival play and another by a filmmaker who represented the country not too long ago. &lt;br /&gt;&lt;br /&gt;&lt;a title="Link: http://blogs.indiewire.com/sydneylevine/recent-spanish-cinema-los-angeles-2015-announces-first-lineup-of-films-20150907" href="http://blogs.indiewire.com/sydneylevine/recent-spanish-cinema-los-angeles-2015-announces-first-lineup-of-films-20150907" class=""&gt;READ MORE: Recent Spanish Cinema Los Angeles 2015 Announces First Lineup of Films&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;These are the three candidates: &lt;br /&gt;&lt;br /&gt;&lt;b&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3841866/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt3841866/?ref_=sch_int" class=""&gt;Felices 140&lt;/a&gt;&amp;quot; (Happy 140) &lt;br /&gt;&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Dir.&lt;/b&gt; &lt;a title="Link: https://pro-labs.imdb.com/name/nm0703265/" href="https://pro-labs.imdb.com/name/nm0703265/" class=" ttip"&gt;Gracia Querejeta&lt;/a&gt;&lt;br /&gt;&lt;b&gt;ISA:&lt;/b&gt; &lt;a href="http://www.cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=2075&amp;amp;IdF=199995" class=""&gt;Latido Films &lt;/a&gt;&lt;br /&gt;&lt;b&gt;U.S. Distribution:&lt;/b&gt; None Yet &lt;br /&gt;&lt;br /&gt;Starring widely known actress&amp;nbsp; &lt;a title="Link: https://pro-labs.imdb.com/name/nm0893941/" href="https://pro-labs.imdb.com/name/nm0893941/" class=" ttip"&gt;Maribel Verd&amp;uacute;&lt;/a&gt; (&amp;quot;Y Tu Mam&amp;aacute; Tambi&amp;eacute;n&amp;quot;) and an impressive ensemble cast, the latest film by Gracia Querejeta centers on a woman who has just won the lottery and decides to take her closest friends and family on a trip to celebrate her 40th birthday. Soon she will discover that becoming a millionaire has changed the way her loved ones perceive her. The filmmaker's previous feature &amp;quot;15 Years and One Day&amp;quot; represented her homeland at the 86th Academy Awards. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3900206/?ref_=sch_int" class=""&gt;Loreak&lt;/a&gt;&amp;quot; (Flowers)&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dir.&lt;/b&gt; &lt;span class="display-name "&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1531686/" href="https://pro-labs.imdb.com/name/nm1531686/" class=" ttip"&gt;Jon Gara&amp;ntilde;o&lt;/a&gt;&lt;/span&gt;&lt;span class="delimiter"&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&amp;amp; &lt;span class="Apple-converted-space"&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="display-name "&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1305002/" href="https://pro-labs.imdb.com/name/nm1305002/" class=" ttip"&gt;Jose Mari Goenaga&lt;/a&gt;&lt;/span&gt;&lt;br /&gt;&lt;b&gt;ISA:&lt;/b&gt; &lt;a title="Link: http://www.cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=23164&amp;amp;IdF=188819" href="http://www.cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=23164&amp;amp;IdF=188819" class=""&gt;Film Factory Entertainment &lt;/a&gt;&lt;br /&gt;&lt;b&gt;U.S. Distribution&lt;/b&gt;: None Yet &lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;/b&gt;This Basque-language drama juxtaposes the lives of three women affected by a single death and connected by something as simple as a bouquet of flowers. &amp;quot;Loreak&amp;quot; was&lt;b&gt; &lt;/b&gt;awarded in Palm Springs and San Sebastian, played at countless festivals including Miami, Seattle, and FICG in LA just last week, and earned a surprising Best Film nomination at this year's Goya Awards. If selected, the film would become the first-ever Basque-language Spanish Oscar submission. &lt;b&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3089326/?ref_=sch_int" title="Link: null" class=""&gt;Magical Girl&lt;/a&gt;&amp;quot; &lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Dir&lt;/b&gt;. &lt;a href="https://pro-labs.imdb.com/name/nm4209430/" class=" ttip"&gt;Carlos Vermut&lt;/a&gt;&lt;br /&gt;&lt;b&gt;ISA:&lt;/b&gt; &lt;a href="http://cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=732&amp;amp;IdF=188363" class=""&gt;Films Distribution &lt;/a&gt;&lt;br /&gt;&lt;b&gt;U.S. Distribution&lt;/b&gt;: None Yet &lt;br /&gt;&lt;br /&gt;By far the most awarded of the pre-selected films, Vermut's dark tale about a desperate father trying to grant his ill daughter's last wish, which involves obtaining the dress used by a popular Japanese TV character, is also the most unique. &amp;quot;Magical Girl&amp;quot; was crowned Best Film at last year's San Sebastian Film Festival, while Vermut also took home the Best Director award. Numerous festivals, including Palm Springs and Rotterdam, and five Goya Award nominations followed, with &lt;span class="display-name "&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1036659/" href="https://pro-labs.imdb.com/name/nm1036659/" class=" ttip"&gt;B&amp;aacute;rbara Lennie&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt; winning the Best Leading Actress trophy. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/510ebc2/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F13%2F41%2F7a52779546edaf64d8d0ba8eee1a%2Fmagical-girl.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/d07fe31/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F13%2F41%2F7a52779546edaf64d8d0ba8eee1a%2Fresizes%2F500%2Fmagical-girl.jpg" type="image/jpeg" />
      <pubDate>Tue, 08 Sep 2015 09:44:06 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/spain-shortlists-three-films-as-potential-oscar-submissions-20150908</guid>
      <dc:creator>Carlos Aguilar</dc:creator>
      <dc:date>2015-09-08T09:44:06Z</dc:date>
    </item>
    <item>
      <title>63rd San Sebastian Festival to Honor Emily Watson With Career Award</title>
      <link>http://www.indiewire.com/article/63rd-san-sebastian-festival-to-honor-emily-watson-with-career-award-20150904</link>
      <description>&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" target="_blank"&gt;READ MORE: San Sebastian Film Festival Announces 2015 Titles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;Since her devastating film debut in Lars Von Trier's &amp;quot;Breaking the Waves,&amp;quot; Emily Watson has received much well-deserved praise for her acting achievements in films such as &amp;quot;Hilary and Jackie,&amp;quot; &amp;quot;Punch Drunk Love&amp;quot; and &amp;quot;Angela's Ashes.&amp;quot; Now, the acting powerhouse will be honored for her impressive career with the Donostia Award at the 63rd San Sebastian International Film Festival on September 25. Watson next appears in Baltasar Korm&amp;aacute;kur's upcoming film &amp;quot;Everest,&amp;quot; which opens in U.S. theaters on September 18.&lt;br /&gt;&lt;br /&gt;The festival also unveiled the lineup for their &amp;quot;Made in Spain&amp;quot; series, a selection of the best Spanish productions of the year. See the list of programmed titles below.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;A Cambio de Nada&amp;quot; (&amp;quot;Nothing in Return), dir: Daniel&amp;nbsp;Guzm&amp;aacute;n&lt;br /&gt;&lt;br /&gt;&amp;quot;Las Altas Presiones&amp;quot; (&amp;quot;The High Pressures&amp;quot;), dir: &amp;Aacute;ngel Santos&lt;br /&gt;&lt;br /&gt;&amp;quot;El Cam&amp;iacute; M&amp;eacute;s Llarg Per Tornar A Casa&amp;quot; (&amp;quot;The Long Way Home&amp;quot;), dir:&amp;nbsp;Sergi P&amp;eacute;rez Gomez&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Hablar&amp;quot; (&amp;quot;Talk&amp;quot;), dir: Joaqu&amp;iacute;n Oristrell&lt;br /&gt;&lt;br /&gt;&amp;quot;Los H&amp;eacute;roes Del Mal&amp;quot; (&amp;quot;The Heroes of Evil&amp;quot;), dir:&amp;nbsp;Zoe Berriat&amp;uacute;a&lt;br /&gt;&lt;br /&gt;&amp;quot;Felices 140&amp;quot; (&amp;quot;Happy 140&amp;quot;), dir: Gracia Querejeta&lt;br /&gt;&lt;br /&gt;&amp;quot;Mortdalo Y Filemon Contra Jimmy El Cachondo&amp;quot; (&amp;quot;Mortadelo &amp;amp; Filemon: Mission Implausible&amp;quot;, dir: Javier Fesser&lt;br /&gt;&lt;br /&gt;&amp;quot;Requesitos Para Ser Una Persona Normal&amp;quot; (&amp;quot;Requirements to be a Normal Person&amp;quot;), dir: Leticia Dolera&lt;br /&gt;&lt;br /&gt;&amp;quot;Rey Gitano&amp;quot; (Gipsy King), dir: Juanma Bajo Ulloa&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Sexo f&amp;aacute;cil, Pel&amp;iacute;culas Tristes&amp;quot; (&amp;quot;Easy Sex, Sad Movies&amp;quot;), dir: Alejo Flah&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Torrente 5: Misi&amp;oacute;n Eurovegas&amp;quot;, dir: Santiago Segura&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/63rd-san-sebastian-international-film-festival-unveils-zinemira-program-20150825" target="_blank"&gt;READ MORE: 63rd San Sebastian International Film Festival Unveils Zinemira Program&lt;/a&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/db414da/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F17%2Fd2db3001b111e2baf122000a1d0930%2Ffile%2FEmily-Watson-in-Anna-Karenina-2.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/8250684/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F17%2Fd2db3001b111e2baf122000a1d0930%2Ffile%2FEmily-Watson-in-Anna-Karenina-2.jpg" type="image/jpeg" />
      <pubDate>Fri, 04 Sep 2015 15:05:25 GMT</pubDate>
      <guid>http://www.indiewire.com/article/63rd-san-sebastian-festival-to-honor-emily-watson-with-career-award-20150904</guid>
      <dc:creator>Aubrey Page</dc:creator>
      <dc:date>2015-09-04T15:05:25Z</dc:date>
    </item>
    <item>
      <title>14th Film Students Meeting at San Sebastian Film Fest</title>
      <link>http://blogs.indiewire.com/sydneylevine/14th-film-students-meeting-at-san-sebastian-film-fest-20150901</link>
      <description>Once again the San Sebastian Festival and Tabakalera will present the &lt;a title="Link: http://www.sansebastianfestival.com/2015/sections_and_films/international_film_students_meeting/8/in" href="http://www.sansebastianfestival.com/2015/sections_and_films/international_film_students_meeting/8/in" class=""&gt;International Film Students Meeting&lt;/a&gt;, an event seeking to shed light on the work of      students from film schools across the world. The 193 short films submitted for this 14th Meeting represented 89 schools in      35 countries: Argentina, Austria, Belgium, Brazil, Chile, Colombia, Cuba, Denmark, Ecuador, France, Georgia, Germany, Netherlands, Hungary, India, Iran,      Israel, Lithuania, Mexico, Paraguay, Peru, Poland, Portugal, Puerto Rico, Qatar, Romania, Serbia, Slovakia, South Korea, Spain, Switzerland, United      Kingdom, Uruguay, USA and Venezuela.  &lt;br /&gt;&lt;br /&gt;        The Meeting will take place at Tabakalera (Duque de Mandas, 52), from September 22 -25 after its inauguration at the European Capital of      Culture 2016 hub (Easo, 43). The selected short films will be presented at sessions open to the general public and Festival guests.  &lt;br /&gt;&lt;br /&gt;  &lt;div id="yui_3_16_0_1_1441089258596_4239"&gt;      &lt;table id="yui_3_16_0_1_1441089258596_4238" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;          &lt;tbody id="yui_3_16_0_1_1441089258596_4237"&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                          &lt;div&gt;                                                                &lt;strong&gt;Short Film and Schools Selected&amp;nbsp;&lt;/strong&gt;                              &lt;br /&gt;&lt;br /&gt;                          &lt;/div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1044" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634917_8233.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Black Friday&amp;quot;&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Roxana Stroe (ROMANIA)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                National University of Theatre and Film (Romania)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        In the Communist era, queueing for food is something normal. After a long wait on an empty stomach,                                                              Mihail doesn't receive his food ration. The next day he tries to be the first in line.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1046" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634694_8554.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Dona i Ocell&amp;quot; (Woman and Bird)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Nicol&amp;aacute;s Guti&amp;eacute;rrez Wenhammar (Spain)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Bande &amp;agrave; Part, Escuela de Cine de Barcelona (Spain)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        A young 17 year old girl finds a bird trapped in the factory where she works. She decides to take                                                              it home and care for it, until she finally sets it free again. She starts wondering about her                                                              decision to escape the terrible atmosphere she lives in to seek her own freedom.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1048" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634429_8358.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;El Enemigo&amp;quot; (The Enemy)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Aldemar Matias (Cuba)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Escuela Internacional de Cine y TV (EICTV) (Cuba)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        In a fumigation centre in Havana, Mayel&amp;iacute;n has the thankless task of doling out fines to citizens                                                              who have the dengue mosquito in their homes. With a demanding boss and conflictive workers, Mayel&amp;iacute;n                                                              will have to impose her authority to gain respect.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1050" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634287_8301.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Espagnol Niveau 1&amp;quot; (Spanish Level 1)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Guy Dessent (Belgium)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Haute &amp;Eacute;cole Libre de Bruxelles / INRACI (Belgium)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        V&amp;iacute;ctor, a young Belgian-Uruguayan boy, returns to Belgium. In order to be able to receive his                                                              family allowances, he has no option but to enroll in a Spanish course at level 1 and pretend not to                                                              know a word of his mother tongue.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1052" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634580_8506.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Group B&amp;quot;&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Nick Rowland (UK)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                National Film and Television School (United Kingdom)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        It is 1986, the peak of high-octane Group B rally driving. Known for its incredibly dangerous                                                              off-road races, notorious lack of crowd control, and some of the most powerful and sophisticated                                                              cars the world has ever seen.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1054" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634696_8191.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Kav Hebron&amp;quot; (Statione)&amp;nbsp;&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Nitzan Zifrut (Israel)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                The School of Audio and Visual Art, Sapir College (Israel)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Ruthi is stationed in Hebron. When her soldier friends ask her to spend the weekend with them she                                                              agrees. But during their 3 days together she understands the impossibility of existing as a woman                                                              in the military system. The realization pushes her to break her promise and reveal herself as she                                                              really is.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1056" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634662_8366.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;L'Offre&amp;quot;&amp;nbsp; (The Offer)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                M&amp;iuml;ra Pitteloud (Switzerland)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Haute &amp;eacute;cole d'art et de design - Gen&amp;egrave;ve, D&amp;eacute;partement Cin&amp;eacute;ma / Cin&amp;eacute;ma du r&amp;eacute;el (Switzerland)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Sami, a young Swiss-Algerian man, is looking for a work that would match his qualifications. He                                                              applies for a job at the Swiss intelligence service.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1058" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634734_8356.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Los P&amp;aacute;jaros Miran Hacia el Norte&amp;quot; (The Birds Look to the North)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                PEPE GUTI&amp;Eacute;RREZ (MEXICO)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Centro Universitario de Estudios Cinematogr&amp;aacute;ficos CUEC-UNAM (Mexico)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Miguel leaves everything he knows and loves to go and work as an illegal immigrant in the United                                                              States. His wife M&amp;oacute;nica suffers his absence in silence. The memories and the nostalgia are always                                                              there.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4243"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4242"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4241"&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4247"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4246"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4245"&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4236"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4235"&gt;                      &lt;table id="yui_3_16_0_1_1441089258596_4234" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1441089258596_4233"&gt;                              &lt;tr id="yui_3_16_0_1_1441089258596_4232"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1060" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634718_8209.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1441089258596_4231" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1441089258596_4230" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1441089258596_4229"&gt;                                              &lt;tr id="yui_3_16_0_1_1441089258596_4228"&gt;                                                  &lt;td id="yui_3_16_0_1_1441089258596_4227"&gt;                                                      &lt;div id="yui_3_16_0_1_1441089258596_4226"&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Nueva Vida&amp;quot; (New Life)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1441089258596_4225"&gt;                                                                                                                                Kiro Russo (Argentina - Bolivia)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Universidad del Cine (Argentina)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Mysteries, worries and dreams of a new life.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1062" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634955_8195.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Strach&amp;quot; (Fear)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Michal Blasko (Slovakia - Czech Republic)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                The Academy of Performing Arts Bratislava (Slovakia)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Marek is a young boy who witnesses a violent attack in a bus He is able to shoot the whole incident                                                              on his cell phone, but his fear and conscience prevent him from doing the right thing.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1064" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634217_8282.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;Volando Voy (I'll Fly Higher)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Isabel Lamberti (Netherlands)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Netherlands Film Academy (Netherlands)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Two young brothers wander around in a big empty world without a clear destination. As society rages                                                              on around them at only a few yards distance, it couldn't seem farther away. Together they try to                                                              escape reality, but how do you relate to an undeniable world that you don't seem to be part of?                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4266"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4265"&gt;                      &lt;table id="yui_3_16_0_1_1441089258596_4264" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1441089258596_4263"&gt;                              &lt;tr id="yui_3_16_0_1_1441089258596_4262"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1066" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634216_8227.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1441089258596_4261" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1441089258596_4260" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1441089258596_4259"&gt;                                              &lt;tr id="yui_3_16_0_1_1441089258596_4258"&gt;                                                  &lt;td id="yui_3_16_0_1_1441089258596_4257"&gt;                                                      &lt;div id="yui_3_16_0_1_1441089258596_4256"&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Wada'&amp;quot; (Prediction)&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1441089258596_4255"&gt;                                                                                                                                Khaled Mzher (Germany)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1441089258596_4269"&gt;                                                                                                                                Deutsche Film - und Fernsehakademie Berlin (Germany)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        A close relative has disappeared in the Syrian war region. Ibrahim, an instrument maker and family                                                              man struggles with his feelings of responsibility towards his family back home. The war is                                                              thousands of kilometres away and yet it destroys everything.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4274"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4273"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4272"&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4252"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4251"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4250"&gt;                          &lt;div id="yui_3_16_0_1_1441089258596_4249"&gt;                                                                &lt;strong&gt;Out of competition&lt;/strong&gt;                              &lt;br /&gt;&lt;br /&gt;                          &lt;/div&gt;                                                        The Meeting will also include the out-of-competition screening of three short films. Two of them from the Atelier                              Ludwigsburg-Paris, a project that fosters international collaboration and production processes. It involves the participation of                              the film schools La F&amp;eacute;mis and the Filmakademie in Baden-W&amp;uuml;rttemberg:                          &lt;br /&gt;&lt;br /&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1068" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_635566_8667.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Fais le Mort&amp;quot;&amp;nbsp;&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                William Laboury (France - Germany)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Atelier Ludwisburg-Paris                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Tom is 16 years old, and he is the whipping boy of Evan who manufactures artisanal weapons. Since                                                              he survived the 'spudgun experimentation', he avoids passing by Evan's place. Only, Evan doesn't                                                              want to stop already as it just started to make fun ...                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4281"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4280"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4283"&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4296"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4295"&gt;                      &lt;table id="yui_3_16_0_1_1441089258596_4294" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1441089258596_4293"&gt;                              &lt;tr id="yui_3_16_0_1_1441089258596_4292"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1070" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_635567_8654.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1441089258596_4291" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1441089258596_4290" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1441089258596_4289"&gt;                                              &lt;tr id="yui_3_16_0_1_1441089258596_4288"&gt;                                                  &lt;td id="yui_3_16_0_1_1441089258596_4287"&gt;                                                      &lt;div id="yui_3_16_0_1_1441089258596_4286"&gt;                                                          &lt;div id="yui_3_16_0_1_1441089258596_4285"&gt;                                                                                                                                &lt;strong&gt;&amp;quot;French Fries&amp;quot;&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1441089258596_4298"&gt;                                                                                                                                Luzie Loose (Germany - France)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Atelier Ludwisburg-Paris                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Nina is from Berlin, Fabien is from Paris and they are united by always being separated. They can                                                              never stay in one place for a long time. Torn apart between wanderlust, self-fulfillment and                                                              settling down they are looking for a new way to live their relationship. Fabien wants to fully                                                              commit to Nina – but she just got offered a great job in another city.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4279"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4278"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4277"&gt;                                                        The third one is part of the collaboration between the San Sebastian Film Festival and BioBioCine Festival Internacional de                              Concepci&amp;oacute;n Chile. A Festival, that as well as the Meeting does, it fosters the film students’ exchange of experiences and knowledge                              in the audiovisual field.                          &lt;br /&gt;&lt;br /&gt;                      &lt;/div&gt;                      &lt;div align="center"&gt;                          &lt;hr align="center" size="1" noshade="style=&amp;quot;color:#A0A0A0;&amp;quot;" width="100%" /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4323"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4322"&gt;                      &lt;table id="yui_3_16_0_1_1441089258596_4321" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1441089258596_4320"&gt;                              &lt;tr id="yui_3_16_0_1_1441089258596_4319"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                                                                                &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/794/in"&gt;                                                              &lt;img id="yiv6937916816_x0000_i1072" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634974_8675.jpg" border="0" /&gt;                                                          &lt;/a&gt;                                                      &lt;br /&gt;&lt;br /&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1441089258596_4318" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1441089258596_4317" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1441089258596_4316"&gt;                                              &lt;tr id="yui_3_16_0_1_1441089258596_4315"&gt;                                                  &lt;td id="yui_3_16_0_1_1441089258596_4314"&gt;                                                      &lt;div id="yui_3_16_0_1_1441089258596_4313"&gt;                                                          &lt;div&gt;                                                                                                                                &lt;strong&gt;&amp;quot;Francesca&amp;quot;&lt;/strong&gt;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Sebasti&amp;aacute;n Palominos (Chile)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Escuela de Comunicaci&amp;oacute;n DuocUC (Chile)                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                                                                                        Francesca is a transsexual in an unsteady relationship with Marcelo, who leaves her when she finds                                                              out that he had another woman. Just then, her old friend Paula reappears in a deplorable state and                                                              heavily pregnant. Francesca takes her into her home.                                                          &lt;br /&gt;&lt;br /&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1441089258596_4309"&gt;                  &lt;td id="yui_3_16_0_1_1441089258596_4308"&gt;                      &lt;div id="yui_3_16_0_1_1441089258596_4307"&gt;                          &lt;div&gt;                                                                Awards                              &lt;br /&gt;&lt;br /&gt;                          &lt;/div&gt;                                                        A specific jury, consisting of one student from each of the schools selected to compete and chaired by a well-known figure from the                              movie world, will choose the winner of the International Film Students Meeting award, going to the director of the winning short                              film.                          &lt;br /&gt;&lt;br /&gt;                          &lt;ol start="1" id="yui_3_16_0_1_1441089258596_4327" type="1"&gt;                              &lt;li id="yui_3_16_0_1_1441089258596_4326"&gt;                                  The Panavision Award, carrying a complete camera package including RED Epic camera and Primo standard lenses                                  for four weeks of filming, or a voucher worth €10,000 for renting any kind of Panavision material, for the winning director.                              &lt;/li&gt;                              &lt;li id="yui_3_16_0_1_1441089258596_4329"&gt;                                  The Freak Agency / Feelsales Award that includes the free submissions of the winner film to 50 international                                  film festivals selected by the team of Freak and Worldwide sales agreement except for the school's country of origin.                              &lt;/li&gt;                              &lt;li id="yui_3_16_0_1_1441089258596_4331"&gt;                                  The BioBioCine - Duoc UC Award, with which the winning short film of the Meeting will be directly selected to                                  participate in the next edition of BioBioCine Festival Internacional Concepci&amp;oacute;n Chile.                              &lt;/li&gt;                              &lt;li id="yui_3_16_0_1_1441089258596_4333"&gt;  The Jury will also name the three directors who will have the possibility to participate with their works in the                                Short Film Corner at the next Cannes Festival.                              &lt;/li&gt;                          &lt;/ol&gt;                                                        A specific jury will give the Orona Award to the most cutting-edge short film of the Meeting, with an endowment of                              € 5,000. This Jury will consist of students from Basque schools, coordinated by a professor from the Mondragon University, and                              chaired by the Orona Fundazioa's Development Director.                              &lt;br /&gt;                              &lt;br /&gt;  A representative from the TorinoFilmLab will be in charge of awarding one of the directors taking part in the Meeting with the                            Torino Award, with which the winner will be guaranteed attendance to a TorinoFilmLab program within 2 years                              after the award is given.                          &lt;br /&gt;&lt;br /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;          &lt;/tbody&gt;      &lt;/table&gt;  &lt;/div&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/6105f57/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F27%2F1b%2Fa811f8ce4f85bdc7a6b6379835c8%2F14th-film-students-meeting-at-san-sebastian-film-fest.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/827b79c/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F27%2F1b%2Fa811f8ce4f85bdc7a6b6379835c8%2Fresizes%2F500%2F14th-film-students-meeting-at-san-sebastian-film-fest.jpg" type="image/jpeg" />
      <pubDate>Tue, 01 Sep 2015 19:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/14th-film-students-meeting-at-san-sebastian-film-fest-20150901</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-09-01T19:00:00Z</dc:date>
    </item>
    <item>
      <title>'Mad Max: Fury Road' Beats Arthouse Faves For FIPRESCI Grand Prix</title>
      <link>http://blogs.indiewire.com/theplaylist/mad-max-fury-road-is-now-a-film-festival-award-winner-beats-arthouse-faves-for-grand-prix-at-san-sebastian-20150901</link>
      <description>While &lt;b&gt;Warner Bros.&lt;/b&gt; has &amp;quot;&lt;b&gt;Black Mass&lt;/b&gt;,&amp;quot; &amp;quot;&lt;b&gt;Our Brand Is Crisis&lt;/b&gt;,&amp;quot; and &amp;quot;&lt;b&gt;Creed&lt;/b&gt;&amp;quot; on their awards season slate, it must be noted that if they haven't been figuring out a game plan for &amp;quot;&lt;b&gt;Mad Max: Fury Road&lt;/b&gt;,&amp;quot; maybe now is the time. Critics and audiences have been vocal supporters of the picture, but now it has added a film festival laurel to it shelf.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;George Miller&lt;/b&gt;'s movie has won the FIPRESCI Grand Prix award which will be presented to the director at&amp;nbsp;&lt;b&gt;The San Sebastian Film Festival&lt;/b&gt;. The wall-to-wall action movie beat out heavy hitters including &lt;b&gt;L&amp;aacute;szl&amp;oacute; Nemes&lt;/b&gt;’ &amp;quot;&lt;b&gt;Son Of Saul&lt;/b&gt;&amp;quot; which picked up four awards at Cannes, &lt;b&gt;Hou Hsiao-hsien&lt;/b&gt;’s Cannes Best Director winner &amp;quot;&lt;b&gt;The Assassin&lt;/b&gt;,&amp;quot; and &lt;b&gt;Jafar Panahi&lt;/b&gt;’s &amp;quot;&lt;b&gt;Taxi&lt;/b&gt;.&amp;quot; That is not an easy crowd to compete against and it's a rather remarkable achievement.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;“You could have knocked me over with a feather! It’s lovely to have this great cohort of critics acknowledge our collective labours in this way.” Miller said (via &lt;a class="" href="http://www.screendaily.com/festivals/san-sebastian/mad-max-fury-road-wins-fipresci-grand-prix/5092296.article" target="_blank"&gt;Screen Daily&lt;/a&gt;).&amp;nbsp;&lt;br /&gt;&lt;br /&gt;You can buckle in with &amp;quot;Mad Max: Fury Road&amp;quot; which is on Blu-ray this week, and below, check out via &lt;a class="" href="http://collider.com/mad-max-fury-road-doof-wagon-special-feature-clip/?utm_campaign=collidersocial&amp;amp;utm_source=twitter&amp;amp;utm_medium=social" target="_blank"&gt;Collider&lt;/a&gt; at one of the featurettes about the making of the Doof Wagon.  &lt;iframe src="http://player.complex.com/tv/iframe?pId=26aa5f02d93f4c05a4546f6d5ecb59b7&amp;amp;cId=51Y2Zhdzq0LRbgaW4HFRFVn_v6sh9Ja8&amp;amp;adSetCode=67a3ff9d3a842ae818bb9de1badc5b0&amp;amp;site=collider&amp;amp;kw=" width="680" height="385" frameborder="0" scrolling="no" allowfullscreen=""&gt;&lt;/iframe&gt;&lt;noscript&gt;&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;div&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;Please enable Javascript to watch this video&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/div&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;&lt;/noscript&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/1d75615/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Ffe%2F57%2Ff2aa8b874b739c50adadd8ffd056%2Fmad-max-fury-road.Max.Fury.Road.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/bc75cff/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Ffe%2F57%2Ff2aa8b874b739c50adadd8ffd056%2Fresizes%2F500%2Fmad-max-fury-road.Max.Fury.Road.jpg" type="image/jpeg" />
      <pubDate>Tue, 01 Sep 2015 14:04:50 GMT</pubDate>
      <guid>http://blogs.indiewire.com/theplaylist/mad-max-fury-road-is-now-a-film-festival-award-winner-beats-arthouse-faves-for-grand-prix-at-san-sebastian-20150901</guid>
      <dc:creator>Kevin Jagernauth</dc:creator>
      <dc:date>2015-09-01T14:04:50Z</dc:date>
    </item>
    <item>
      <title>LatinoBuzz: San Sebastian Films in Progress: 3 from Chile, 1 Venezuelan, 1Uruguayan, 1Brazilian</title>
      <link>http://blogs.indiewire.com/sydneylevine/latinobuzz-san-sebastian-films-in-progress-3-from-chile-1-venezuelan-1uruguayan-1brazilian-20150828</link>
      <description>&lt;div id="yui_3_16_0_1_1440722020114_61212"&gt;        113 films from 20 countries were submitted to the &lt;a href="http://www.sansebastianfestival.com/2015/sections_and_films/films_in_progress/8/in" class=""&gt;Films in Progress 28&lt;/a&gt; initiative at the &lt;a title="Link: http://www.sansebastianfestival.com/" href="http://www.sansebastianfestival.com/" class=""&gt;San Sebastian Film Festival&lt;/a&gt;. The final selection includes: &amp;quot;Aqu&amp;iacute; no ha pasado nada&amp;quot; (Much Ado About Nothing&lt;em&gt;)&lt;/em&gt; by &lt;a title="Link: https://pro-labs.imdb.com/name/nm2588618/?ref_=sch_int" href="https://pro-labs.imdb.com/name/nm2588618/?ref_=sch_int" class=""&gt;Alejandro Fern&amp;aacute;ndez Almendras&lt;/a&gt; (Chile),&lt;em&gt;&lt;/em&gt;whose previous film, &amp;quot;To Kill a Man,&amp;quot; won numerous prizes at international festivals and represented Chile at the Oscars last year; &amp;quot;Era o Hotel Cambridge&amp;quot;&lt;em&gt; &lt;/em&gt;(The Cambridge Squatter) by &lt;a href="https://pro-labs.imdb.com/name/nm0128464/" class=""&gt;Eliane Caff&amp;eacute;&lt;/a&gt; (Brazil - France), &amp;quot;La Emboscada&amp;quot; (The Ambush) by &lt;a title="Link: https://pro-labs.imdb.com/name/nm0376655/" href="https://pro-labs.imdb.com/name/nm0376655/" class=""&gt;Daniel Hendler&lt;/a&gt; (Uruguay - Argentina), &amp;quot;La Princesita&amp;quot; (The Princess) by &lt;a href="https://pro-labs.imdb.com/name/nm0729086/" title="Link: null" class=""&gt;Marialy          Rivas&lt;/a&gt; (Chile - Argentina - Spain), &amp;quot;Rara&amp;quot; by Pepa San Mart&amp;iacute;n (Chile - Argentina) and &amp;quot;Sobrevivientes de Rober Calzadilla&amp;quot; (Venezuela -          Colombia).          &lt;br /&gt;          &lt;br /&gt;          Films in Progress gains strength as a not-to-be-missed gathering for Latin American production. Four of the films presented last year at San          Sebastian, in Films in Progress 26, will be screened at this year’s Festival: Eugenio Canevari’s&lt;i&gt; &lt;/i&gt;&amp;quot;Paula&lt;i&gt;&amp;quot; &lt;/i&gt;will compete in the New          Directors section and Jayro Bustamante’s &amp;quot;Ixcanul,&amp;quot;which has just been announced as Guatemala's Oscar submission, will screen in the Horizontes Latinos section, having won the Silver Bear – Alfred Bauer          Award at the Berlin Festival.&lt;br /&gt;&lt;br /&gt;Salvador de Solar’s &amp;quot;Magallanes,&amp;quot; winner of the Films in Progress          Industry Award and Aly Muritiba’s &amp;quot;Para minha amada morta&amp;quot; &lt;em&gt;(&lt;/em&gt;To My Beloved), will also compete for the          Horizontes Award. And another of the films presented last year, Sergio Castro’s &amp;quot;La mujer de barro&amp;quot; (The Mud Woman), was programmed in the          Berlin Festival’s Forum section.      &lt;br /&gt;&lt;br /&gt;                Among the projects revealed at the Toulouse event last March, Pablo Ag&amp;uuml;ero’s &amp;quot;Eva no duerme&amp;quot; (Eva doesn't sleep) is          programmed in the official competition; Sebasti&amp;aacute;n Brahm’s &amp;quot;Vida sexual de las plantas&amp;quot; (Sex Life of Plants) is part of the New Directors          selection; and Lorenzo Vigas’s &amp;quot;Desde all&amp;aacute;&amp;quot; (From afar) will be presented in Horizontes Latinos after having participated in the official          competition at the Venice Festival.          &lt;br /&gt;      &lt;br /&gt;&lt;br /&gt;  &lt;/div&gt;  &lt;div id="yui_3_16_0_1_1440722020114_61241"&gt;      &lt;table id="yui_3_16_0_1_1440722020114_61240" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;          &lt;tbody id="yui_3_16_0_1_1440722020114_61239"&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/791/in"&gt;                                                          &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634918_8453.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634918_8453.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Aqu&amp;iacute; No Ha Pasado Nada&amp;quot; (Much Ado About Nothing)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Alejandro Fern&amp;aacute;ndez Almendras (Chile)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Young, daring and lonely, Vicente spends his life at his parent’s home by the beach. These are                                                                  days of relaxation, sea and partying with anyone who’s up for it. But one night of alcohol and                                                                  flirting will change his life forever; he is accused of a hit-and-run crime in which a                                                                  fisherman is killed. &amp;quot;I wasn’t driving&amp;quot;, he says, but his memories are hazy and he says the boy                                                                  at the wheel was the son of an influential politician. Power, manipulation and guilt will send                                                                  his sweet summer holidays careering towards a bitter end. This is the third time the director  has participated in Films in Progress. His previous film,                                                                &amp;quot;Matar a un hombre&amp;quot; (To Kill a Man&lt;i&gt;)&lt;/i&gt;, landed the Grand Jury Prize at the Sundance                                                                  Festival.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1440722020114_61238"&gt;                  &lt;td id="yui_3_16_0_1_1440722020114_61237"&gt;                      &lt;table id="yui_3_16_0_1_1440722020114_61236" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1440722020114_61235"&gt;                              &lt;tr id="yui_3_16_0_1_1440722020114_61234"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/791/in"&gt;                                                          &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634204_8381.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634204_8381.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1440722020114_61233" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1440722020114_61232" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1440722020114_61231"&gt;                                              &lt;tr id="yui_3_16_0_1_1440722020114_61230"&gt;                                                  &lt;td id="yui_3_16_0_1_1440722020114_61229"&gt;                                                      &lt;div id="yui_3_16_0_1_1440722020114_61228"&gt;                                                          &lt;div&gt;                                                              &amp;quot;Era o Hotel Cambridge&amp;quot; (The Cambridge Squatter) &lt;br /&gt;&lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1440722020114_61242"&gt;                                                              Eliane Caff&amp;eacute; (Brazil - France)                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1440722020114_61227"&gt;                                                                                                                                &lt;em&gt;The Cambridge Squatter&lt;/em&gt;                                                                  shows us the unusual situation of the Brazilian homeless and refugees who squat together in an                                                                  abandoned building in downtown Sao Paulo. The daily tension caused by the threat of eviction                                                                  reveals the dramas, the joys and the different points of view of the squatters.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/791/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634586_8469.jpg" border="0" title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634586_8469.jpg" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;La Emboscada&amp;quot; (The Ambush)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Daniel Hendler (Uruguay - Argentina)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Martin Marchand throws himself into the political contest. As a result of his work in the                                                                  social media, a traditional political structure invites him to join their list. Martin calls in                                                                  technicians and advisors to create his campaign image. Over a weekend, immersed in the bucolic                                                                  setting of a country house, they get down to designing the leader’s image. But an infiltrator                                                                  seeking to obtain information on the coming electoral alliance creates an atmosphere of                                                                  mistrust. The film, with the working title of &amp;quot;El Palomar,&amp;quot; participated in the I                                                                  Europe-Latin America Co-production Forum.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/791/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_633199_8379.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;La Princesita&amp;quot; (The Princess)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Marialy Rivas (Chile - Argentina - Spain)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                A film inspired by true events in Southern Chile. A family sect only has one purpose and                                                                  belief: a new order is necessary. Tamara, 11, is responsible for procreating the leaders of the                                                                  new world. Disgruntled with her &amp;quot;lot”, Tamara’s sexual exploration with a boy in her year at                                                                  school will have unexpected consequences, marking her violent transition from childhood to                                                                  womanhood. Tamara will gain her freedom in a way she had never imagined. Marialy Rivas’s                                                                  previous film, &amp;quot;Joven y alocada,&amp;quot; participated in Films in Progress and landed awards at                                                                  Sundance and Bafici, among other festivals.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/791/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634773_8464.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Rara&amp;quot;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Pepa San Mart&amp;iacute;n (Chile - Argentina)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                A story inspired by the case of a Chilean judge who lost the custody of her children for being                                                                  a lesbian, told from the point of view of her eldest daughter Sara, aged 13. The screenplay is                                                                  based on true events that could be related as a tale of lawyers and courthouses, lawsuits,                                                                  claimants, defenders and victims, but instead, it will be the story of a family.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1440722020114_61266"&gt;                  &lt;td id="yui_3_16_0_1_1440722020114_61265"&gt;                      &lt;table id="yui_3_16_0_1_1440722020114_61264" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1440722020114_61263"&gt;                              &lt;tr id="yui_3_16_0_1_1440722020114_61262"&gt;                                  &lt;td id="yui_3_16_0_1_1440722020114_61261" valign="top" width="30%"&gt;                                      &lt;table id="yui_3_16_0_1_1440722020114_61260" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1440722020114_61259"&gt;                                              &lt;tr id="yui_3_16_0_1_1440722020114_61258"&gt;                                                  &lt;td id="yui_3_16_0_1_1440722020114_61257" align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/791/in" id="yui_3_16_0_1_1440722020114_61256"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_633402_8527.jpg" id="yui_3_16_0_1_1440722020114_61255" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1440722020114_61274" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1440722020114_61273" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1440722020114_61272"&gt;                                              &lt;tr id="yui_3_16_0_1_1440722020114_61271"&gt;                                                  &lt;td id="yui_3_16_0_1_1440722020114_61270"&gt;                                                      &lt;div id="yui_3_16_0_1_1440722020114_61269"&gt;                                                          &lt;div&gt;                                                              &amp;quot;Sobrevivientes&amp;quot;&lt;/div&gt;                                                          &lt;div&gt;                                                              Rober Calzadilla&amp;nbsp; (Venezuela - Colombia)                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1440722020114_61268"&gt;                                                                                                                                1988. The town of El Amparo. Border with Colombia. Chumba and Pinilla survive an armed assault                                                                  in the channels of the Arauca River in which fourteen of their companions are killed in the                                                                  act. The Venezuelan Army accuses them of being guerrilla fighters and tries to seize them from                                                                  the cell where they are being watched over by a policeman and a group of locals to prevent them                                                                  from being taken away. They say they are simple fishermen, but pressure to yield to the                                                                  official version is eye-watering.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1440722020114_61248"&gt;                  &lt;td id="yui_3_16_0_1_1440722020114_61247"&gt;                      &lt;div id="yui_3_16_0_1_1440722020114_61246"&gt;                          &lt;br /&gt;                          &lt;div id="yui_3_16_0_1_1440722020114_61276"&gt;                                                                Awards:                              &lt;br /&gt;&lt;br /&gt;                          &lt;/div&gt;                                                        &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/registro_de_peliculas/1/4936/es" id="yui_3_16_0_1_1440722020114_61254"&gt;                                  &lt;strong id="yui_3_16_0_1_1440722020114_61253"&gt;Films in Progress Industry Award&lt;/strong&gt;                              &lt;/a&gt;                              : The companies Daniel Goldstein, Deluxe Spain, Dolby Iberia, Laserfilm Cine y Video, Nephilim producciones, No Problem Sonido and                              Wanda Visi&amp;oacute;n will assume the post-production of a film until obtaining a DCP subtitled in English and its distribution in Spain                          &lt;br /&gt;&lt;br /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;          &lt;/tbody&gt;      &lt;/table&gt;  &lt;/div&gt;  &lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/6039a6c/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F16%2F89%2Fa68222824f5398a4a51d0b5b8b0a%2Fsan-sebastian-films-in-progress.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/6978617/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F16%2F89%2Fa68222824f5398a4a51d0b5b8b0a%2Fresizes%2F500%2Fsan-sebastian-films-in-progress.jpg" type="image/jpeg" />
      <pubDate>Fri, 28 Aug 2015 16:30:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/latinobuzz-san-sebastian-films-in-progress-3-from-chile-1-venezuelan-1uruguayan-1brazilian-20150828</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-08-28T16:30:00Z</dc:date>
    </item>
    <item>
      <title>63rd San Sebastian International Film Festival Unveils Zinemira Program</title>
      <link>http://www.indiewire.com/article/63rd-san-sebastian-international-film-festival-unveils-zinemira-program-20150825</link>
      <description>&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" target="_blank"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Announces 2015 Competition Titles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The&amp;nbsp;63rd San Sebastian International Film Festival has announced the eight films that will compete for the&amp;nbsp;Irizar Basque Film Award in this year's Zinemira program. The section is dedicated to films produced in the Basque country and includes four world premieres. The Irizar Award will be decided by a specific jury and comes with €20,000 gross for the producers of the winning film. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;Additionally, makeup artist&amp;nbsp;Karmele Soler will be honored with the Zinemira Award at the Basque Film Gala on September 22.&amp;nbsp;Soler was born in San Sebastian and became an apprentice of the makeup artist Romana Gonz&amp;aacute;lez on Jos&amp;eacute; Luis Garci's film, &amp;quot;Sesi&amp;oacute;n continua&amp;quot; (1984). Her work includes foreign titles such as&amp;nbsp;&lt;b&gt;&amp;quot;&lt;/b&gt;Tambi&amp;eacute;n la lluvia (Even the Rain),&amp;quot; &amp;quot;Sin verg&amp;uuml;enza (No Shame)&amp;quot; and &amp;quot;Palmeras en la nieve (Palm Trees in the Snow).&amp;quot;&lt;br /&gt;&lt;br /&gt;The full Zinemira program lineup is below. Synopses provided by the San Sebastian Film Festival.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;UN OTO&amp;Ntilde;O SIN BERL&amp;Iacute;N&amp;quot;&lt;/div&gt;&lt;div&gt;Lara Izagirre&lt;/div&gt;&lt;div&gt;World premiere – Basque Film Gala&lt;/div&gt;&lt;div&gt;June returns to the town of her birth by surprise after spending time abroad. The return home will be painful: her family and her first love, Diego, have changed. She too has changed, and repairing the broken ties won’t be easy. But just like the autumn wind, June will take the place by storm.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;DISTRICT ZERO&amp;quot;&lt;/div&gt;&lt;div&gt;Jorge Fernandez Mayoral, Pablo Tosco, Pablo Iraburu Allegue&lt;/div&gt;&lt;div&gt;What’s in a refugee’s mobile phone? Their recollections, their memory, their identity, contact with the world they’ve left behind. This film narrates everyday life in a mobile phone repair shop in the Zataari refugee camp.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;GURE SOR LEKUAREN BILA&amp;quot;&lt;/div&gt;&lt;div&gt;Josu Martinez&lt;/div&gt;&lt;div&gt;World premiere&lt;/div&gt;&lt;div&gt;Hasparren, 1956. Amid great expectation, a documentary in the Basque language about the Basque Country was released in the local cinema. In the following months it was screened in other Basque and French towns on both sides of the border, and even in Paris, San Francisco and Dakar. But suddenly it disappeared from sight and everyone forgot about it. Sixty years later, filmmaker Josu Martinez sets out to find it.&lt;br /&gt;&lt;br /&gt;&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/san-sebastian-film-festival-to-feature-35-films-in-japanese-independent-cinema-2000-2015-retrospective-20150819" target="_blank"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival to Feature 35 Films in 'Japanese Independent Cinema 2000-2015' Retrospective&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;JAI ALAI BLUES&amp;quot;&lt;/div&gt;&lt;div&gt;Gorka Bilbao Ramos&lt;/div&gt;&lt;div&gt;World premiere&lt;/div&gt;&lt;div&gt;A documentary narrating the incredible story of the Jai Alai through its most iconic characters. A great many similarities can be drawn between the biography of our characters and the actual history of the Jai Alai. Beginnings in humble surroundings, huge successes all over the world in pelota courts packed to the hilt with distinguish publics, losses of identity due to adapting a traditional game to societies with completely different values...&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;#JAZZALDIA50&amp;quot;&lt;/div&gt;&lt;div&gt;Carlos Rodriguez&lt;/div&gt;&lt;div&gt;The San Sebastian Jazz Festival looks back over its 50 years of history in this documentary with comments from some of its leading figures and images of extraordinary concerts forever engraved on the memory.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;POS ESO (POSSESSED)&amp;quot;&lt;/div&gt;&lt;div&gt;Sam Orti Marti&lt;/div&gt;&lt;div&gt;Feature film directorial debut from the animation movie director, Sam. La Trini, a world-famous Flamenco dancer, leaves the tablaos in deep depression after her husband’s death. Damian, her 8 year-old son, is possessed by an evil demon who prompts him to commit horrendously cruel and bloody acts.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;SANCTUAIRE / SANCTUARY&amp;quot;&lt;/div&gt;&lt;div&gt;Oliver Masset-Depasse&lt;/div&gt;&lt;div&gt;A film about two adversaries who will learn to know and respect one another, despite their differences: Domingo Iturbe, &amp;quot;Txomin&amp;quot;, head of the ETA military apparatus, and Gr&amp;eacute;goire Fortin, adviser to Mitterrand’s Minister of Justice.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;WALLS&amp;quot;&lt;/div&gt;&lt;div&gt;Pablo Iraburu Allegue, Migueltxo Molina Ayestaran&lt;/div&gt;&lt;div&gt;World premiere&lt;/div&gt;&lt;div&gt;The world is increasingly more divided by walls. There are human beings on either side of them. The question is not whether their existence is absurd or logical, whether they can be avoided or not, but to demonstrate that the people on both sides are basically exactly the same.&lt;br /&gt;&lt;br /&gt;&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/ethan-hawke-and-emma-watson-thriller-regression-to-open-the-63rd-san-sebastian-festival-20150814" target="_blank"&gt;READ MORE:&amp;nbsp;Ethan Hawke and Emma Watson Thriller 'Regression' to Open the 63rd San Sebastian Festival&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/a1a093d/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F0f%2F9a%2Fc83e50c64816b9976d0aa751a226%2Fpos-eso-possessed.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/51f880e/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F0f%2F9a%2Fc83e50c64816b9976d0aa751a226%2Fresizes%2F500%2Fpos-eso-possessed.jpg" type="image/jpeg" />
      <pubDate>Tue, 25 Aug 2015 14:30:05 GMT</pubDate>
      <guid>http://www.indiewire.com/article/63rd-san-sebastian-international-film-festival-unveils-zinemira-program-20150825</guid>
      <dc:creator>Zack Sharf</dc:creator>
      <dc:date>2015-08-25T14:30:05Z</dc:date>
    </item>
    <item>
      <title>More Titles Added to Official Selection in Competition and New Directors at San Sebastian</title>
      <link>http://blogs.indiewire.com/sydneylevine/more-titles-added-to-official-selection-in-competition-and-new-directors-at-san-sebastian-20150823</link>
      <description>&lt;div id="yui_3_16_0_1_1440269157256_28164"&gt;        The San Sebastian Festival is almost here and three new competing titles have recently joined those previously announced for the Official Selection. Chinese director        &lt;a title="Link: https://pro-labs.imdb.com/name/nm1137104/" href="https://pro-labs.imdb.com/name/nm1137104/" class=""&gt;Liu Hao&lt;/a&gt; returns to San Sebastian with &lt;em&gt;&lt;/em&gt; &amp;quot;Back to the North,&amp;quot; five years after competing in the Official  Selection with &amp;quot;Addicted to Love;&amp;quot; the Belgian moviemaker&lt;strong&gt;&lt;a href="https://pro-labs.imdb.com/name/nm1050098/?ref_=sch_int" class=""&gt; &lt;/a&gt;&lt;/strong&gt;&lt;a href="https://pro-labs.imdb.com/name/nm1050098/?ref_=sch_int" title="Link: null" class=""&gt;Joachim Lafosse&lt;/a&gt; will present his new film,&lt;em&gt; &lt;/em&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3597510/?ref_=nm_filmo_pastfilmvid_1" href="https://pro-labs.imdb.com/title/tt3597510/?ref_=nm_filmo_pastfilmvid_1" class=""&gt;The White Knight&lt;/a&gt;&lt;em&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3597510/?ref_=nm_filmo_pastfilmvid_1" class=""&gt;s&lt;/a&gt;&lt;/em&gt;;&amp;quot; and &lt;a title="Link: https://pro-labs.imdb.com/name/nm0813164/" href="https://pro-labs.imdb.com/name/nm0813164/" class=""&gt;Peter Sollett&lt;/a&gt; will bring to the Festival the film &amp;quot;Freeheld,&amp;quot;          starring Julianne Moore, Ellen Page, Michael Shannon, Josh Charles and Steve Carrell.      &lt;br /&gt;&lt;br /&gt;        For its part, the New Directors section closes with inclusion of the Swedish production, directed by &lt;a title="Link: https://pro-labs.imdb.com/name/nm2065321/" href="https://pro-labs.imdb.com/name/nm2065321/" class=""&gt;Peter Gr&amp;ouml;nlund&lt;/a&gt;,&lt;em&gt;&lt;a href="https://pro-labs.imdb.com/title/tt4153324/?ref_=nm_filmo_filminprod_1" class=""&gt; &amp;quot;&lt;/a&gt;&lt;/em&gt;&lt;a href="https://pro-labs.imdb.com/title/tt4153324/?ref_=nm_filmo_filminprod_1" class=""&gt;Thieves Honor&lt;/a&gt;.&amp;quot;&lt;strong&gt;&lt;/strong&gt;      &lt;br /&gt;&lt;br /&gt;  &lt;/div&gt;  &lt;div id="yui_3_16_0_1_1440269157256_28181"&gt;      &lt;table id="yui_3_16_0_1_1440269157256_28180" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;          &lt;tbody id="yui_3_16_0_1_1440269157256_28179"&gt;              &lt;tr id="yui_3_16_0_1_1440269157256_28178"&gt;                  &lt;td id="yui_3_16_0_1_1440269157256_28177"&gt;                      &lt;div id="yui_3_16_0_1_1440269157256_28176"&gt;                          &lt;div id="yui_3_16_0_1_1440269157256_28175"&gt;                                                                Official Selection                              &lt;br /&gt;&lt;br /&gt;                          &lt;/div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1440269157256_28193"&gt;                  &lt;td id="yui_3_16_0_1_1440269157256_28192"&gt;                      &lt;table id="yui_3_16_0_1_1440269157256_28191" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1440269157256_28190"&gt;                              &lt;tr id="yui_3_16_0_1_1440269157256_28189"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/786/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630083_8560.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1440269157256_28188" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1440269157256_28187" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1440269157256_28186"&gt;                                              &lt;tr id="yui_3_16_0_1_1440269157256_28185"&gt;                                                  &lt;td id="yui_3_16_0_1_1440269157256_28184"&gt;                                                      &lt;div id="yui_3_16_0_1_1440269157256_28183"&gt;                                                          &lt;div id="yui_3_16_0_1_1440269157256_28182"&gt;                                                              &amp;quot;The White Knight&amp;quot;&amp;nbsp;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Joachim Lafosse (Belgium - France)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Joachim Lafosse brings to the screen the Zoe’s Ark controversy which made headlines in 2007: a                                                                  story about the limits of the right of interference. Jacques Arnault, head of Sud Secours NGO,                                                                  is planning a high impact operation: he and his team are going to exfiltrate 300 orphans                                                                  victims of Chadian civil war and bring them to French adoption applicants. Fran&amp;ccedil;oise Dubois, a                                                                  journalist, is invited to come along with them and handle the media coverage for this                                                                  operation. Completely immersed in the brutal reality of a country at war, the NGO members start                                                                  losing their convictions and are faced with the limits of humanitarian intervention.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/786/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630397_8557.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;&amp;quot;Freeheld&amp;quot;                                                          &lt;div&gt;                                                              Peter Sollett (U.S.A)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Julianne Moore, Ellen Page, Michael Shannon, Steve Carrell and Josh Charles star in this film                                                                  based on true events. The true love story of Laurel Hester and Stacie Andree and their fight                                                                  for justice. A decorated New Jersey police detective, Laurel is diagnosed with cancer and wants                                                                  to leave her hard earned pension to her domestic partner, Stacie. However the county officials,                                                                  Freeholders, conspire to prevent Laurel from doing this. Hard-nosed detective Dane Wells, and                                                                  activist Steven Goldstein, unite in Laurel and Stacie’s defence, rallying police officers and                                                                  ordinary citizens to support their struggle for equality.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/786/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634030_8585.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Back to the North&amp;quot;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Liu Hao (China)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Xiao Ai is diagnosed with a terminal illness and does not have long to live. She is concerned                                                                  that her parents will become a &amp;quot;lost family&amp;quot; and have no one to take care of them after her                                                                  death, so she decides to persuade them to have another child... The latest film by Liu Hao, who                                                                  competed at San Sebastian in 2010 with &amp;quot;Addicted to Love.&amp;quot;                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                          &lt;div&gt;                                                                New Directors                              &lt;br /&gt;&lt;br /&gt;                          &lt;/div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1440269157256_28212"&gt;                  &lt;td id="yui_3_16_0_1_1440269157256_28211"&gt;                      &lt;table id="yui_3_16_0_1_1440269157256_28210" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1440269157256_28209"&gt;                              &lt;tr id="yui_3_16_0_1_1440269157256_28208"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/782/in"&gt;                                                          &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_631384_8382.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_631384_8382.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1440269157256_28207" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1440269157256_28206" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1440269157256_28205"&gt;                                              &lt;tr id="yui_3_16_0_1_1440269157256_28204"&gt;                                                  &lt;td id="yui_3_16_0_1_1440269157256_28203"&gt;                                                      &lt;div id="yui_3_16_0_1_1440269157256_28202"&gt;                                                          &lt;div&gt;                                                              &amp;quot;Thieves Honor&amp;quot;&amp;nbsp;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Peter Gr&amp;ouml;nlund (Sweden)&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1440269157256_28201"&gt;                                                                                                                                An intense social drama about a woman's struggle for survival on the margins of society. When                                                                  street pusher Minna can't pay her rent she cheats a few young criminals on a drug deal and                                                                  takes the money. She happens to meet Katja, the mother of a child who has been taken from her                                                                  by the social authorities.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1440269157256_28216"&gt;                  &lt;td id="yui_3_16_0_1_1440269157256_28215"&gt;                      &lt;div id="yui_3_16_0_1_1440269157256_28214"&gt;                          &lt;br /&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;          &lt;/tbody&gt;      &lt;/table&gt;  &lt;/div&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/ddc571a/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F48%2F4a%2F5cfdd51a49ef8711c4f2bfe0a22a%2Ffreeheld.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/a27136b/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F48%2F4a%2F5cfdd51a49ef8711c4f2bfe0a22a%2Fresizes%2F500%2Ffreeheld.jpg" type="image/jpeg" />
      <pubDate>Sun, 23 Aug 2015 18:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/more-titles-added-to-official-selection-in-competition-and-new-directors-at-san-sebastian-20150823</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-08-23T18:00:00Z</dc:date>
    </item>
    <item>
      <title>63rd San Sebastian Film Festival Announces Progress 28 Program and Director Retrospective</title>
      <link>http://www.indiewire.com/article/63rd-san-sebastian-film-festival-announces-progress-28-program-and-director-retrospective-20150820</link>
      <description>&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/ethan-hawke-and-emma-watson-thriller-regression-to-open-the-63rd-san-sebastian-festival-20150814" target="_blank"&gt;READ MORE:&amp;nbsp;Ethan Hawke and Emma Watson Thriller 'Regression' to Open the 63rd San Sebastian Festival&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The 63rd San Sebastian Film Festival will honor filmmakers Merian C. Cooper (1893-1973) and Ernest B. Schoedsack (1893-1979) with a retrospective cycle dedicated to their films. &lt;br /&gt;&lt;br /&gt;The duo earned icon status as the directors of &amp;quot;King Kong&amp;quot; (1933), though their careers started earlier with documentaries such as &amp;quot;Grass: A Nation's Battle for Life&amp;quot; (1925) and &amp;quot;Chang&amp;quot; (1927), and fantasy adventure films like &amp;quot;The Four Feathers&amp;quot; (1929). After the success of &amp;quot;Kong,&amp;quot; they would continue to explore special effects in epics like &amp;quot;Dr. Cyclops&amp;quot; (1940) and &amp;quot;Mighty Joe Young&amp;quot; (1949). The retrospective will be accompanied by&amp;nbsp;the publication of a book dedicated to the two filmmakers, coordinated by Quim Casas.&lt;br /&gt;&lt;br /&gt;In addition the directors' retrospective, the festival has also announced the six films that will play in the Films in Progress 28 program, which takes place September 21-23. The final titles include:&lt;br /&gt;&lt;br /&gt;&amp;quot;Aqu&amp;iacute; no ha pasado nada (Much Ado About Nothing)&amp;quot; by Alejandro Fern&amp;aacute;ndez Almendras (Chile) &lt;br /&gt;&lt;br /&gt;&amp;quot;Era o Hotel Cambridge (The Cambridge Squatter)&amp;quot; by Eliane Caff&amp;eacute; (Brazil - France) &lt;br /&gt;&lt;br /&gt;&amp;quot;La emboscada (The Ambush)&amp;quot; by Daniel Hendler (Uruguay - Argentina) &lt;br /&gt;&lt;br /&gt;&amp;quot;La Princesita (The Princess)&amp;quot; by Marialy Rivas (Chile - Argentina - Spain)&lt;br /&gt;&lt;br /&gt;&amp;quot;Rara&amp;quot; by Pepa San Mart&amp;iacute;n (Chile - Argentina) &lt;br /&gt;&lt;br /&gt;&amp;quot;Sobrevivientes&amp;quot; by Rober Calzadilla (Venezuela - Colombia)&lt;br /&gt;&lt;br /&gt;The 63rd San Sebastian Festival will run from September 18-26.&lt;br /&gt;&lt;br /&gt;&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" target="_blank"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Announces 2015 Competition Titles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/06d0ebb/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Ffb%2Fef%2Fa736dda7400ebc28f61b42f642e4%2Fla-princesita.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/b30bd69/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Ffb%2Fef%2Fa736dda7400ebc28f61b42f642e4%2Fresizes%2F500%2Fla-princesita.jpg" type="image/jpeg" />
      <pubDate>Thu, 20 Aug 2015 14:05:56 GMT</pubDate>
      <guid>http://www.indiewire.com/article/63rd-san-sebastian-film-festival-announces-progress-28-program-and-director-retrospective-20150820</guid>
      <dc:creator>Zack Sharf</dc:creator>
      <dc:date>2015-08-20T14:05:56Z</dc:date>
    </item>
    <item>
      <title>Latinobuzz: Horizontes Latinos at the San Sebastian Film Festival</title>
      <link>http://blogs.indiewire.com/sydneylevine/latinobuzz-horizontes-latinos-at-the-san-sebastian-film-festival-20150819</link>
      <description>&lt;div id="yui_3_16_0_1_1439929769545_21995"&gt;                The &lt;a title="Link: http://www.sansebastianfestival.com/in/" href="http://www.sansebastianfestival.com/in/" class=""&gt;San Sebastian Film Festival&lt;/a&gt; will once again present, in its 63rd edition, some of the most outstanding Latin American films of the year. The&lt;a href="http://www.sansebastianfestival.com/2015/sections_and_films/horizontes_latinos/8/in" class=""&gt; Horizontes          Latinos&lt;/a&gt; program will include 14 productions from Argentina, Brazil, Columbia, Cuba, Chile, Guatemala, Mexico, Peru and Venezuela. Films that have          competed or premiered at important international festivals, but which have not yet been screened at a Spanish festival or had their commercial release          in the country.      &lt;br /&gt;&lt;br /&gt;                The selected films compete for the Horizontes Award, decided by a specific jury and coming with €35,000, of which €10,000 will go to the director of          the winning film, and the remaining €25,000 to its distributor in Spain.      &lt;br /&gt;&lt;br /&gt;                The section will open with Pablo Larra&amp;iacute;n’s &amp;quot;El Club,&amp;quot; Silver Bear Grand Jury Prize at the last Berlin Festival. The film tells the tale of four          men who share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.      &lt;br /&gt;&lt;br /&gt;Here is the full list of titles screening in this important section: &lt;br /&gt;&lt;br /&gt;  &lt;/div&gt;  &lt;div id="yui_3_16_0_1_1439929769545_22018"&gt;      &lt;table id="yui_3_16_0_1_1439929769545_22017" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;          &lt;tbody id="yui_3_16_0_1_1439929769545_22016"&gt;              &lt;tr id="yui_3_16_0_1_1439929769545_22015"&gt;                  &lt;td id="yui_3_16_0_1_1439929769545_22014"&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1439929769545_22033"&gt;                  &lt;td id="yui_3_16_0_1_1439929769545_22032"&gt;                      &lt;table id="yui_3_16_0_1_1439929769545_22031" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1439929769545_22030"&gt;                              &lt;tr id="yui_3_16_0_1_1439929769545_22029"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630411_8220.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1439929769545_22028" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1439929769545_22027" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1439929769545_22026"&gt;                                              &lt;tr id="yui_3_16_0_1_1439929769545_22025"&gt;                                                  &lt;td id="yui_3_16_0_1_1439929769545_22024"&gt;                                                      &lt;div id="yui_3_16_0_1_1439929769545_22023"&gt;                                                          &lt;div&gt;                                                              &amp;quot;El Club&amp;quot; (The Club)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Pablo Larra&amp;iacute;n (Chile)                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1439929769545_22022"&gt;                                                                                                                                &lt;strong id="yui_3_16_0_1_1439929769545_22020"&gt;Opening Night Film&lt;/strong&gt;                                                                  &lt;br /&gt;                                                                  Pablo Larra&amp;iacute;n won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film.                                                                  Four men share a secluded house in a small beach town, sent there to purge the sins they have                                                                  committed in the past.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630654_8296.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;600 Millas&amp;quot; (600 Miles)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Gabriel Ripstein (Mexico)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed                                                                  by ATF agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he                                                                  smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin                                                                  Festival.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630237_8119.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;El Abrazo de la Serpiente&amp;quot; (Embrace of the Serpent )                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Ciro Guerra (Colombia - Argentina - Venezuela)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells                                                                  the epic story of the first contact, encounter, approach, betrayal and, eventually,                                                                  life-transcending friendship, between an Amazonian shaman and two Western explorers.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630984_7821.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630984_7821.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;El Bot&amp;oacute;n de N&amp;aacute;car (The Pearl Button)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Patricio Guzm&amp;aacute;n (France - Chile - Spain )                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Chilean filmmaker Patricio Guzm&amp;aacute;n talks to us in his latest documentary about water, the cosmos                                                                  and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the                                                                  depths of the Pacific Ocean, off the coast of Chile.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630655_8086.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Chronic&amp;quot;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Michel Franco (Mexico - France)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                David is a nurse who works with terminally ill patients. Efficient and dedicated to his                                                                  profession, he develops strong and even intimate relationships with each person he cares for.                                                                  But outside of his work David is ineffectual, awkward, and reserved. Best Screenplay                                                                  Award-winner at the Cannes Festival.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_634331_8263.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Desde All&amp;aacute;&amp;quot; (From Afar)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Lorenzo Vigas (Venezuela)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to                                                                  his house with him. He also regularly spies on an older man with whom he seems to have ties                                                                  from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in                                                                  the Official Selection of the Venice Festival.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_632902_8291.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Las Elegidas&amp;quot; (The Chosen Ones)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              David Pablos (Mexico - France)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and                                                                  premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love                                                                  with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico.                                                                  To set her free, Ulises will have to find another girl to replace her.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630308_8039.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Ixcanul&amp;quot;&lt;/div&gt;                                                          &lt;div&gt;                                                              Jayro Bustamante (Guatemala - France)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Mar&amp;iacute;a, a 17 year-old Mayan girl, lives and works with her family in a plantation on the                                                                  Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the                                                                  estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in                                                                  Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630307_7574.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Magallanes&amp;quot; &lt;br /&gt;&lt;/div&gt;                                                          &lt;div&gt;                                                              Salvador Del Solar (Peru Argentina- Colombia - Spain)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into                                                                  a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago,                                                                  when he was a soldier. They both have unfinished business. And for Magallanes, this is an                                                                  opportunity to redeem himself. Dami&amp;aacute;n Alc&amp;aacute;zar, Magaly Solier and Federico Luppi play the                                                                  leading parts.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630867_7837.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;La Obra del Siglo&amp;quot; (The Projcxt of Century)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Carlos M. Quintela (Cuba -Argentina- Germany -Switzerland)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves                                                                  back to live with a grandfather who fights with everyone and everything, and a father living                                                                  with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630248_8510.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Pulina&amp;quot;                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Santiago Mitre (Argentina- Brazil- France)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region.                                                                  In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing                                                                  her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes                                                                  Festival Critics’ Week.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630310_7582.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Para Minha Amada Morta&amp;quot; (To My Beloved)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Aly Muritiba (Brazil)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy.                                                                  Following the death of his wife Ana, every night Fernando recalls their love as he sorts out                                                                  his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything.                                                                  This movie participated in the Films in Progress section at the last Festival. The film took                                                                  part at the Co-Production Forum in 2014.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody&gt;                              &lt;tr&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_631834_8514.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td valign="top" width="70%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td&gt;                                                      &lt;div&gt;                                                          &lt;div&gt;                                                              &amp;quot;Te Prometo Anarqu&amp;iacute;a&amp;quot; (I Promise You Anarchy)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              Julio Hern&amp;aacute;ndez Cord&amp;oacute;n (Mexico - Germany)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                                                                                                Julio Hern&amp;aacute;ndez Cord&amp;oacute;n’s new film was selected for the Locarno Festival Competition. Miguel and                                                                  Johnny have known each other since childhood. They spend their time skateboarding and having                                                                  fun. To make easy money and continue skateboarding, they sell their own blood clandestinely.                                                                  They turn the ploy into a business, until a major transaction doesn't turn out as they'd                                                                  expected.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr&gt;                  &lt;td&gt;                      &lt;div&gt;                      &lt;/div&gt;                      &lt;hr noshade="size=&amp;quot;1&amp;quot;" /&gt;                  &lt;/td&gt;              &lt;/tr&gt;              &lt;tr id="yui_3_16_0_1_1439929769545_22052"&gt;                  &lt;td id="yui_3_16_0_1_1439929769545_22051"&gt;                      &lt;table id="yui_3_16_0_1_1439929769545_22050" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                          &lt;tbody id="yui_3_16_0_1_1439929769545_22049"&gt;                              &lt;tr id="yui_3_16_0_1_1439929769545_22048"&gt;                                  &lt;td valign="top" width="30%"&gt;                                      &lt;table align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody&gt;                                              &lt;tr&gt;                                                  &lt;td align="center"&gt;                                                      &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2015/materials/4/790/in"&gt;                                                          &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/63p/fp_630458_7630.jpg" border="0" /&gt;                                                      &lt;/a&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                                  &lt;td id="yui_3_16_0_1_1439929769545_22047" valign="top" width="70%"&gt;                                      &lt;table id="yui_3_16_0_1_1439929769545_22046" align="left" border="0" cellpadding="0" cellspacing="0" width="100%"&gt;                                          &lt;tbody id="yui_3_16_0_1_1439929769545_22045"&gt;                                              &lt;tr id="yui_3_16_0_1_1439929769545_22044"&gt;                                                  &lt;td id="yui_3_16_0_1_1439929769545_22043"&gt;                                                      &lt;div id="yui_3_16_0_1_1439929769545_22042"&gt;                                                          &lt;div&gt;                                                              &amp;quot;La Tierra y la Sombra&amp;quot; (Land and Shade)                                                          &lt;/div&gt;                                                          &lt;div&gt;                                                              C&amp;eacute;sar Augusto Acevedo (Colombia- Chiles - Brazil - Netherlands - France)                                                          &lt;/div&gt;                                                          &lt;div id="yui_3_16_0_1_1439929769545_22041"&gt;                                                                                                                                Winner of the Cam&amp;eacute;ra d’Or at the Cannes Festival, after having participated at the San                                                                  Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the                                                                  fragile ties that bind them in the face of their imminent disappearance, brought about by the                                                                  overwhelming power of progress.                                                              &lt;br /&gt;&lt;br /&gt;                                                          &lt;/div&gt;                                                      &lt;/div&gt;                                                  &lt;/td&gt;                                              &lt;/tr&gt;                                          &lt;/tbody&gt;                                      &lt;/table&gt;                                  &lt;/td&gt;                              &lt;/tr&gt;                          &lt;/tbody&gt;                      &lt;/table&gt;                  &lt;/td&gt;              &lt;/tr&gt;          &lt;/tbody&gt;      &lt;/table&gt;  &lt;/div&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/c783b95/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F9a%2F30%2Ff034a8134f3e98adc50ec48e4467%2Fhorizontes-latinos-at-the-san-sebastian-festival.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/a0c7d5d/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F9a%2F30%2Ff034a8134f3e98adc50ec48e4467%2Fresizes%2F500%2Fhorizontes-latinos-at-the-san-sebastian-festival.jpg" type="image/jpeg" />
      <pubDate>Wed, 19 Aug 2015 16:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/latinobuzz-horizontes-latinos-at-the-san-sebastian-film-festival-20150819</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-08-19T16:00:00Z</dc:date>
    </item>
    <item>
      <title>San Sebastian Film Festival to Feature 35 Films in 'Japanese Independent Cinema 2000-2015' Retrospective</title>
      <link>http://www.indiewire.com/article/san-sebastian-film-festival-to-feature-35-films-in-japanese-independent-cinema-2000-2015-retrospective-20150819</link>
      <description>&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" target="_blank"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Announces 2015 Competition Titles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The 63rd San Sebastian Film Festival will have a retrospective focusing on independent cinema produced in Japan over the last 15 years. The category will include works from both first-time directors as well as some of the country's most experienced.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The &amp;quot;Japanese Independent Cinema 2000-2015&amp;quot; retrospective is organized by the San Sebastian Festival, CulturArts-IVAC (Valencia), the Filmoteca Vasca, the San Telmo Museum and the San Sebastian European Capital of Culture 2016. The retrospective will also be accompanied by the publication of a book by Shozo Ichiyama, a Japanese producer and director of programming at the Tokyo Filmex International Film Festival.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The titles for the retrospective include:&lt;br /&gt;&lt;br /&gt;&lt;div&gt;1. &amp;quot;H Story&amp;quot; (2001)- Directed by Nobuhiro Suwa&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;2. &amp;quot;Sora no ana&amp;quot; (&amp;quot;Hole in the Sky&amp;quot;) (2001)- Directed by Kazuyoshi Kumakiri&amp;nbsp;&lt;br /&gt;&lt;br /&gt;3. &amp;quot;Border Line&amp;quot; (2002)- Directed by Sang-il Lee&amp;nbsp;&lt;div&gt;4. &amp;quot;Rokugatsu no hebi&amp;quot; (&amp;quot;A Snake of June&amp;quot;) (2002) - Directed by Shinya Tsukamoto&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;5. &amp;quot;Akarui mirai&amp;quot; (&amp;quot;Bright Future&amp;quot;) (2003)- Directed by Kiyoshi Kurosawa&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;6. &amp;quot;Baka no hakonube&amp;quot; (&amp;quot;No One's Ark&amp;quot;) (2003)- Directed by Nobuhiro Yamashita&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;7. &amp;quot;Vibrator&amp;quot; (2003)- Directed by Ryuichi Hiroki&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;8. &amp;quot;Kanaria&amp;quot; (&amp;quot;Canary&amp;quot;) (2004)- Directed by Akihiko Shiota&amp;nbsp;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;9. &amp;quot;Osoi hito&amp;quot; (&amp;quot;Late Bloomer&amp;quot;) (2004)- Directed by Go Shibata&lt;/div&gt;&lt;div&gt;&lt;br /&gt;10. &amp;quot;Aru asa soup wa&amp;quot; (&amp;quot;The Soup, One Morning&amp;quot;) (2005)- Directed by Izumi Takahashi&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;11. &amp;quot;Bashing&amp;quot; (2005)- Directed by Masahiro Kobayashi&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;12. &amp;quot;A Stranger of Mine&amp;quot; (2005)- Directed by Kenji Uchida&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;13. &amp;quot;Tarachime&amp;quot; (&amp;quot;Birth–Mother&amp;quot;) (2006)- Directed by Naomi Kawase&amp;nbsp;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;14. &amp;quot;Hito no sex wo warauna&amp;quot; (&amp;quot;Sex Is No Laughing Matter&amp;quot;) (2007)- Directed by Nami Iguchi&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;15. &amp;quot;Jitsuroku rengo sekigun&amp;quot; (&amp;quot;United Red Army&amp;quot;) (2007)- Directed by Koji Wakamatsu&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;16. &amp;quot;Juyonsai&amp;quot; (&amp;quot;Fourteen&amp;quot;) (2007)- Directed by Hiromasa Hirosue&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;17. &amp;quot;Sad Vacation&amp;quot; (2007)- Directed by Shinji Aoyama&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;18. &amp;quot;Ai no mukidashi&amp;quot; (&amp;quot;Love Exposure&amp;quot;) (2008)- Directed by Sion Sono&lt;/div&gt;&lt;div&gt;&lt;br /&gt;19. &amp;quot;Passion&amp;quot; (2008)- Directed by Ryusuke Hamaguchi&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;20. &amp;quot;Seishin&amp;quot; (&amp;quot;Mental&amp;quot;) (2008)- Directed by Kazuhiro Soda&amp;nbsp;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;21. &amp;quot;Parade&amp;quot; (2009)- Directed by Isao Yukisada&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;22. &amp;quot;Yellow Kid&amp;quot; (2009)- Directed by Mariko Tetsuya&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;23. &amp;quot;Fuyu no kemono&amp;quot; (&amp;quot;Love Addiction&amp;quot;) (2010)- Directed by Nobuteru Uchida&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;24. &amp;quot;Heaven's Story&amp;quot; (2010)- Directed by Takahisa Zeze&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;25. &amp;quot;Kawa no nakakara konnichiwa&amp;quot; (&amp;quot;Sawako Decides&amp;quot;) (2010)- Directed by Yuya Ishii&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;26. &amp;quot;Saudade&amp;quot; (2011)- Directed by Katsuya Tomita&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;27. &amp;quot;Fugainai boku wa sora o mita&amp;quot; (&amp;quot;The Cowards Who Looked to the Sky&amp;quot;)- Directed by Yuki Tanada&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;28. &amp;quot;Kirishima bukatsu yametatteyo&amp;quot; (&amp;quot;The Kirishima Thing&amp;quot;)- Directed by Daihachi Yoshida&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;29. &amp;quot;Mujin chitai&amp;quot; (&amp;quot;No Man's Zone&amp;quot;) (2012)- Directed by Toshi Fujiwara&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;30. &amp;quot;Sakura namiki no mankai no shita ni&amp;quot; (&amp;quot;Cold Bloom&amp;quot;) (2012)- Directed by Atsushi Funahashi&amp;nbsp;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;31. &amp;quot;Hotori no sakuko&amp;quot; (&amp;quot;Au revoir l'&amp;eacute;t&amp;eacute;&amp;quot;) (2013)- Directed by Koji Fukada&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;32. &amp;quot;Iya monogatari&amp;quot; (&amp;quot;The Tale of Iya&amp;quot;) (2013)- Directed by Tetsuichiro Tsuta&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;33. &amp;quot;Miss Zombie&amp;quot; (2013)- Directed by Sabu&amp;nbsp;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;34. &amp;quot;Soko nomi nite hikari kagayaku&amp;quot; (&amp;quot;The Light Shines Only There&amp;quot;) (2014)- Directed by Mipo Oh&lt;/div&gt;&lt;div&gt;&lt;br /&gt;35. &amp;quot;Sharing&amp;quot; (2014)- Directed by Makoto Shinozaki&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The 63rd San Sebastian Festival will run from September 18-26.&lt;/div&gt;&lt;/div&gt;&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/ethan-hawke-and-emma-watson-thriller-regression-to-open-the-63rd-san-sebastian-festival-20150814" target="_blank"&gt;READ MORE:&amp;nbsp;Ethan Hawke and Emma Watson Thriller 'Regression' to Open the 63rd San Sebastian Festival&lt;/a&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/54b16b4/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fab%2F1657d0ebe211e1baf122000a1d0930%2Ffile%2Fcowardwholooked_02.jpeg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/434c439/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fab%2F1657d0ebe211e1baf122000a1d0930%2Ffile%2Fcowardwholooked_02.jpeg" type="image/jpeg" />
      <pubDate>Wed, 19 Aug 2015 14:46:26 GMT</pubDate>
      <guid>http://www.indiewire.com/article/san-sebastian-film-festival-to-feature-35-films-in-japanese-independent-cinema-2000-2015-retrospective-20150819</guid>
      <dc:creator>Kaeli Van Cott</dc:creator>
      <dc:date>2015-08-19T14:46:26Z</dc:date>
    </item>
    <item>
      <title>The San Sebastian Festival Selects 14 Films for Horizontes Latinos Program</title>
      <link>http://www.indiewire.com/article/the-san-sebastian-festival-selects-14-films-for-horizontes-latinos-program-20150817</link>
      <description>&lt;a class="" title="Link: null" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" target="_blank"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Announces 2015 Competition Titles&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;The 63rd San Sebastian Film Festival has selected 14 films to compete in the Horizontes Latinos Program, which highlights outstanding Latin American cinema. This year's selections were chosen from Argentina, Brazil, Columbia, Cuba, Chile, Guatemala, Mexico, Peru and Venezuela. Films in the Horizontes Latinos Program have competed or premiered at prominent international film festivals, but they have not been screened at a Spanish festival or had their commercial release in Spain.&lt;br /&gt;&lt;br /&gt;Recipients of the Horizontes Award, which is decided on by a specific jury, will win €35,000, of which €10,000 will go to the director of the winning film and the remaining €25,000 to its Spanish distributor. This year, the section will open with Pablo Larra&amp;iacute;n's &amp;quot;El Club,&amp;quot; which took home the Silver Bear Grand Jury Prize at the 2014 Berlin Film Festival.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;Check out all of the titles for this year's Horizontes Latinos program below, with synopses courtesy of the San Sebastian Film Festival:&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;El Club&amp;quot; (&amp;quot;The Club&amp;quot;) - Opening Night Film&lt;br /&gt;Director: Pablo Larra&amp;iacute;n&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Pablo Larra&amp;iacute;n won the Silver Bear Grand Jury Prize at the last Berlin Festival with this film. Four men share a secluded house in a small beach town, sent there to purge the sins they have committed in the past.&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&amp;quot;600 Millas&amp;quot; (&amp;quot;600 Miles&amp;quot;)&lt;/div&gt;&lt;div&gt;Director: Gabriel Ripstein&lt;/div&gt;&lt;div&gt;Arnulfo Rubio, a young gun trafficker between the United States and Mexico, is being followed by ATF agent Hank Harris. After a risky mistake by Harris, Rubio makes a desperate decision: he smuggles the agent to Mexico. Best First Feature Award in the Panorama section of the Berlin Festival.&lt;br /&gt;&lt;br /&gt;&amp;quot;El abrazo de la serpiente&amp;quot; (&amp;quot;Embrace of the Serpent&amp;quot;)&lt;br /&gt;Director: Ciro Guerra&lt;br /&gt;Premiered at the Cannes Festival Directors’ Fortnight, the latest film from Ciro Guerra tells the epic story of the first contact, encounter, approach, betrayal and, eventually, life-transcending friendship, between an Amazonian shaman and two Western explorers.&lt;br /&gt;&lt;br /&gt;&amp;quot;El bot&amp;oacute;n de n&amp;aacute;car&amp;quot; (&amp;quot;The Pearl Button&amp;quot;)&lt;br /&gt;&lt;b&gt;&lt;/b&gt;Director: Patricio Guzm&amp;aacute;n&amp;nbsp;&lt;br /&gt;Chilean filmmaker Patricio Guzm&amp;aacute;n talks to us in his latest documentary about water, the cosmos and ourselves, human beings. It all begins with the discovery of two mysterious buttons in the depths of the Pacific Ocean, off the coast of Chile.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Chronic&amp;quot;&lt;br /&gt;Director: Michel Franco&lt;br /&gt;David is a nurse who works with terminally ill patients. Efficient and dedicated to his profession, he develops strong and even intimate relationships with each person he cares for. But outside of his work David is ineffectual, awkward and reserved. Best Screenplay Award-winner at the Cannes Festival.&lt;br /&gt;&lt;br /&gt;&amp;quot;Desde all&amp;aacute;&amp;quot; (&amp;quot;From Afar&amp;quot;)&lt;br /&gt;Director: Lorenzo Vigas&lt;br /&gt;Armando, aged 50, looks for young men in the streets of Caracas and pays them to come back to his house with him. He also regularly spies on an older man with whom he seems to have ties from the past. One day he meets Elder, aged 17, leader of a small band of thugs. Competitor in the Official Selection of the Venice Festival.&lt;br /&gt;&lt;br /&gt;&amp;quot;Las elegidas&amp;quot; (&amp;quot;The Chosen Ones&amp;quot;)&lt;br /&gt;Director: David Pablos&lt;br /&gt;&lt;b&gt;&lt;/b&gt;David Pablos’s second film took part at the San Sebastian Co-production Forum in 2014 and premiered in the Un Certain Regard section of Cannes Festival. Sofia, 14 years old, is in love with Ulises. Because of him, in spite of him, she is forced into a prostitution ring in Mexico. To set her free, Ulises will have to find another girl to replace her.&lt;br /&gt;&lt;br /&gt;&amp;quot;Ixcanul&amp;quot;&lt;br /&gt;Director: Jayro Bustamante&lt;br /&gt;Mar&amp;iacute;a, a 17 year-old Mayan girl, lives and works with her family in a plantation on the Guatemalan plateau. Her days go by uneventfully until her parents arrange her marriage to the estate foreman, Ignacio. A film that landed a special mention at the last edition of Films in Progress and competed at the Berlin Festival, where it won the Alfred Bauer Award.&lt;br /&gt;&lt;br /&gt;&amp;quot;Magallanes&amp;quot;&lt;br /&gt;Director: Salvador del Solar&lt;br /&gt;Winner of Films in Progress at last year's Festival. Magallanes recognises a woman getting into a taxi. It's Celina, the young peasant girl he randomly arrested more than twenty years ago, when he was a soldier. They both have unfinished business. And for Magallanes, this is an opportunity to redeem himself. Dami&amp;aacute;n Alc&amp;aacute;zar, Magaly Solier and Federico Luppi play the leading parts. &amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;La obra del siglo&amp;quot; (&amp;quot;The Project of the Century&amp;quot;)&lt;br /&gt;Director: Carlos M. Quintela&lt;br /&gt;Amidst a mosquito plague, Leonardo, struggling with the breakdown of his relationship, moves back to live with a grandfather who fights with everyone and everything, and a father living with the melancholy of the unfinished. Tiger Award-winner at the last Rotterdam Festival.&lt;br /&gt;&lt;br /&gt;&amp;quot;Paulina&amp;quot;&lt;br /&gt;Director: Santiago Mitre&lt;br /&gt;Paulina decides to leave her brilliant law career to teach in a downtrodden Argentinian region. In a hostile atmosphere, she will set about her pedagogical mission, even if it means losing her boyfriend and confrontation with her father. Fipresci Prize-winner at the last Cannes Festival Critics’ Week.&lt;br /&gt;&lt;br /&gt;&amp;quot;Para minha amada morta&amp;quot; (&amp;quot;To My Beloved&amp;quot;)&lt;br /&gt;Director: Aly Muritiba&lt;br /&gt;Fernando is a good man who takes care of his only child, Daniel, a shy and sensitive boy. Following the death of his wife Ana, every night Fernando recalls their love as he sorts out his beloved dead spouse’s belongings. One day he finds a VHS tape that will change everything. This movie participated in the Films in Progress section at the last Festival. The film took part at the Co-Production Forum in 2014.&lt;br /&gt;&lt;br /&gt;&amp;quot;Te prometo anarquia&amp;quot; (&amp;quot;I Promise You Anarchy&amp;quot;)&lt;br /&gt;Director: Julio Hernandez Cordon&lt;br /&gt;Julio Hern&amp;aacute;ndez Cord&amp;oacute;n’s new film was selected for the Locarno Festival Competition. Miguel and Johnny have known each other since childhood. They spend their time skateboarding and having fun. To make easy money and continue skateboarding, they sell their own blood clandestinely. They turn the ploy into a business, until a major transaction doesn't turn out as they'd expected.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;La tierra y la sombra&amp;quot; (&amp;quot;Land and Shade&amp;quot;)&lt;br /&gt;Director: Cesar Augusto Acevedo&lt;br /&gt;Winner of the Cam&amp;eacute;ra d’Or at the Cannes Festival, after having participated at the San Sebastian Co-Production Forum in 2013, this film portrays a family as they try to repair the fragile ties that bind them in the face of their imminent disappearance, brought about by the overwhelming power of progress.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/171fd56/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F4c%2F53%2F3db097424ae2acaf642f91d5b729%2Fresizes%2F1500%2Fel-club.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/f996183/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F4c%2F53%2F3db097424ae2acaf642f91d5b729%2Fresizes%2F500%2Fel-club.jpg" type="image/jpeg" />
      <pubDate>Mon, 17 Aug 2015 15:34:35 GMT</pubDate>
      <guid>http://www.indiewire.com/article/the-san-sebastian-festival-selects-14-films-for-horizontes-latinos-program-20150817</guid>
      <dc:creator>Kaeli Van Cott</dc:creator>
      <dc:date>2015-08-17T15:34:35Z</dc:date>
    </item>
    <item>
      <title>Exclusive 'The Apostate' Poster Provides First Look at Dark Coming-of-Age Tale</title>
      <link>http://www.indiewire.com/article/exclusive-the-apostate-poster-provides-first-look-at-dark-coming-of-age-tale-20150730</link>
      <description>&lt;a class="" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" title="Link: http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Announces 2015 Competition Titles&lt;/a&gt;&lt;div&gt;Indiewire is excited to present the intriguing portrait poster for Federico Veiroj's San Sebastian competitor &amp;quot;The Apostate&amp;quot; (&amp;quot;El Apostata). The image says it all with the film's protagonist Gonzalo Tamayo, played by Alvaro Ogalla, at the forefront gripping a cross in his hand. &lt;br /&gt;&lt;br /&gt;&amp;quot;The Apostate&amp;quot; provides a darkly comedic take on the coming-of-age genre through the story of Gonzalo, a young man who struggles to free himself from the faith of his father and confront his tumultuous past riddled with guilt and desire.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The film will premiere at the San Sebastian Film Festival in September.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a class="" href="http://www.indiewire.com/article/15_spanish_films_make_the_cut_at_59th_san_sebatian_film_festival" title="Link: http://www.indiewire.com/article/15_spanish_films_make_the_cut_at_59th_san_sebatian_film_festival"&gt;READ MORE:&amp;nbsp;15 Spanish Films Make the Cut at 59th San Sebastian Film Festival&lt;/a&gt;&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/493be9d/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F71%2Ffd%2Fda8e97354cb09e05ae42140d95d7%2Fresizes%2F1500%2Fthe-apostate-still.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/beb97d1/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F71%2Ffd%2Fda8e97354cb09e05ae42140d95d7%2Fresizes%2F500%2Fthe-apostate-still.jpg" type="image/jpeg" />
      <pubDate>Thu, 30 Jul 2015 15:43:02 GMT</pubDate>
      <guid>http://www.indiewire.com/article/exclusive-the-apostate-poster-provides-first-look-at-dark-coming-of-age-tale-20150730</guid>
      <dc:creator>Sarah Choi</dc:creator>
      <dc:date>2015-07-30T15:43:02Z</dc:date>
    </item>
    <item>
      <title>Kutxabank-New Directors Section Announced for San Sebastian Film Festival</title>
      <link>http://www.indiewire.com/article/kutxabank-new-directors-section-announced-for-san-sebastian-film-festival-20150728</link>
      <description>&lt;a class="" href="http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723" title="Link: http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Announces 2015 Competition Titles&lt;/a&gt;&lt;div&gt;The San Sebastian Film Festival has announced the 13 titles competing for the&amp;nbsp;Kutxabank-New Directors Award,&amp;nbsp;which will be decided by a specific international jury and carry a prize of 50,000 euro. The section will present first or second works by filmmakers from all over the world and shed light on new emerging talent.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The competing titles for the New Directors Award are as follows:&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;article id="main-article" data-module-id="0000014e-bb30-d2ec-a7df-bb3c05250000"&gt;&lt;/article&gt;&amp;quot;After Eden&amp;quot; (Canada)&amp;nbsp;&lt;br /&gt;Dir: Hans Christian Berger&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Barash&amp;quot; (Israel)&amp;nbsp;&lt;br /&gt;Dir: Michal Vinik&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;One of Us&amp;quot; (Austria)&lt;br /&gt;Dir: Stephan Richter&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Granny's Dancing on the Table&amp;quot; (Sweden, Denmark)&amp;nbsp;&lt;br /&gt;Dir: Hanna Skold&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Iona&amp;quot; (UK, Germany)&amp;nbsp;&lt;br /&gt;Dir: Scott Graham&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Thirst&amp;quot; (Bulgaria)&amp;nbsp;&lt;br /&gt;Dir: Tsotsorkova Svetla&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;The New Kid&amp;quot; (France)&amp;nbsp;&lt;br /&gt;Dir: Rudi Rosenberg&lt;br /&gt;&lt;br /&gt;&amp;quot;Parasol&amp;quot; (Belgium)&lt;br /&gt;Dir: Valery Rosier&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Paula&amp;quot; (Argentina, Spain)&amp;nbsp;&lt;br /&gt;Dir: Eugenio Canevari&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Pikadero&amp;quot; (Spain, UK)&lt;br /&gt;Dir: Ben Sharrock&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Family Film&amp;quot; (Czech Rep., Germany, Slovenia, France, Slovakia)&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Stay With Me&amp;quot; (South Korea)&lt;br /&gt;Dir: Jinwoo Rhee&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Sex Life of Plants&amp;quot; (Chile)&amp;nbsp;&lt;br /&gt;Dir: Sebstian Brahm&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a class="" href="http://www.indiewire.com/article/15_spanish_films_make_the_cut_at_59th_san_sebatian_film_festival" title="Link: http://www.indiewire.com/article/15_spanish_films_make_the_cut_at_59th_san_sebatian_film_festival"&gt;READ MORE:&amp;nbsp;15 Spanish Films Make the Cut at 59th San Sebastian Film Festival&lt;/a&gt;&lt;/div&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/347147a/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F45%2F09%2F4e7850c34f5090b38eba879e1e28%2Fresizes%2F1500%2Fthirst.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/22178ab/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F45%2F09%2F4e7850c34f5090b38eba879e1e28%2Fresizes%2F500%2Fthirst.jpg" type="image/jpeg" />
      <pubDate>Tue, 28 Jul 2015 14:55:52 GMT</pubDate>
      <guid>http://www.indiewire.com/article/kutxabank-new-directors-section-announced-for-san-sebastian-film-festival-20150728</guid>
      <dc:creator>Sarah Choi</dc:creator>
      <dc:date>2015-07-28T14:55:52Z</dc:date>
    </item>
    <item>
      <title>San Sebastian Film Fest Lineup Revealed: No Spanish Women Directors in Competition Section</title>
      <link>http://blogs.indiewire.com/womenandhollywood/san-sebastian-film-fest-lineup-revealed-no-women-directors-in-competition-section-20150724</link>
      <description>A total of zero features directed by women will screen in the Spanish-nationality competition section of the 63rd San Sebastian Film Festival this September. The Spanish nationality lineup for Spain's most prominent festival includes only two female-helmed films (out of a lineup of 19):&amp;nbsp;Mercedes Moncada's documentary “Mi querida Espa&amp;ntilde;a&amp;quot; and Paula Oritz's&amp;nbsp;“La Novia.&amp;quot; Both appear in the Zabaltegi category, &lt;a class="" title="Link: null" href="http://www.sansebastianfestival.com/in/pagina.php?ap=4&amp;amp;id=2709"&gt;described (quite vaguely) by the fest&lt;/a&gt; as an &amp;quot;open, heterogeneous section showcasing the biggest and best movies of the year.&amp;quot;&lt;br /&gt;&lt;br /&gt;Variety&amp;nbsp;&lt;a class="" href="http://variety.com/2015/film/news/san-sebastian-competition-2015-1201546762-1201546762/" title="Link: http://variety.com/2015/film/news/san-sebastian-competition-2015-1201546762-1201546762/"&gt;summarizes&lt;/a&gt;&amp;nbsp;“Mi querida Espa&amp;ntilde;a&amp;quot; as &amp;quot;a questioning vision of democratic Spain through the interviews of respected journalist Jesus Quintero.&amp;quot;&amp;nbsp;“La Novia&amp;quot; focuses on a deeply unhappy bride-to-be.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;There is a tendency to idealize Europe as a more progressive and enlightened enclave, but according to Francine Raveney, the Executive Director of the European Women's Audiovisual Network, stats on women directors are similarly dismal there as they are here in the US. &lt;a class="" href="http://www.ewawomen.com/en/women-and-hollywood-spotlights-ewa-campaign.html" title="Link: http://www.ewawomen.com/en/women-and-hollywood-spotlights-ewa-campaign.html"&gt;Approximately ten percent&lt;/a&gt; of box-office successes in Europe are directed by women. So the fact that a major European film festival has &lt;i&gt;not one&lt;/i&gt;&amp;nbsp;film in a competition category directed by a woman isn't quite as surprising as you might expect -- though it remains just as inexcusable.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a class="" href="http://variety.com/2015/film/news/san-sebastian-competition-2015-1201546762-1201546762/" title="Link: http://variety.com/2015/film/news/san-sebastian-competition-2015-1201546762-1201546762/"&gt;Here's&lt;/a&gt; the complete Spanish nationality lineup of the San Sebastian Film Festival as posted by Variety.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The San Sebastian Film Festival will take place this year on September 18-26.&lt;br /&gt;&lt;br /&gt;[via &lt;a class="" href="http://variety.com/2015/film/news/san-sebastian-competition-2015-1201546762-1201546762/" title="Link: http://variety.com/2015/film/news/san-sebastian-competition-2015-1201546762-1201546762/"&gt;Variety&lt;/a&gt;]&amp;nbsp;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/6780c00/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F50%2F72%2F43235dd1442cb4aeff84d814cb6a%2Fla-novia.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/ee275d5/2147483647/crop/399x280%2B36%2B0/resize/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F50%2F72%2F43235dd1442cb4aeff84d814cb6a%2Fresizes%2F500%2Fla-novia.jpg" type="image/jpeg" />
      <pubDate>Fri, 24 Jul 2015 20:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/womenandhollywood/san-sebastian-film-fest-lineup-revealed-no-women-directors-in-competition-section-20150724</guid>
      <dc:creator>Laura Berger</dc:creator>
      <dc:date>2015-07-24T20:00:00Z</dc:date>
    </item>
    <item>
      <title>San Sebastian Film Festival Announces 2015 Competition Titles</title>
      <link>http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723</link>
      <description>&lt;a class="" href="http://www.indiewire.com/article/15_spanish_films_make_the_cut_at_59th_san_sebatian_film_festival" title="Link: http://www.indiewire.com/article/15_spanish_films_make_the_cut_at_59th_san_sebatian_film_festival"&gt;READ MORE:&amp;nbsp;15 Spanish Films Make the Cut at 59th San Sebastian Film Festival&lt;/a&gt;&lt;div&gt;The San Sebastian Film Festival is now entering its 63rd year of showcasing some of the most interesting filmmakers in the Spanish-speaking world. Exciting new voices from both Spain and Latin America will be heard through the Basque Country-based festival and contribute even more to the rich and prolific history of Spanish cinema.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The Official Selection category finds big-name Spanish filmmakers like Asier Altuna, Cesc Gay, Marc Recha, Federico Vierog and Augusti Villaronga competing for the Golden Shell prize with their respective films. The category will also include Argentinian director Pablo Aguero and his film, &amp;quot;Eva No Duerme.&amp;quot; The titles in competition for the Golden Shell are as follows, with synopses courtesy of the San Sebastian Film Festival:&lt;br /&gt;&lt;br /&gt;&amp;quot;Amama: When A Tree Falls&amp;quot; (Spain)&lt;br /&gt;Dir: Asier Altuna&amp;nbsp;  &lt;br /&gt;A family tale of conflict between the urban and rural worlds, past and present, parents and children. Two different ways of understanding life, and a grandmother who observes the world from deeply eloquent silence. Starring Iraia Elias, Amparo Badiola, Ander Lipus, Manu Uranga, Kandido Uranga and Klara Badiola.  &lt;br /&gt;&lt;br /&gt;&amp;quot;The Apostate&amp;quot; (Spain, Uruguay, France)&lt;br /&gt;Dir: Federico Veiroj&amp;nbsp;  &lt;br /&gt;The third feature film by Federico Veiroj tells the tale of a young boy desperate to escape the faith passed down from his parents as he looks back over his past, his scars, the marks left by guilt and desire. Starring &amp;Aacute;lvaro Ogalla, B&amp;aacute;rbara Lennie, Marta Larralde, Joaqu&amp;iacute;n Climent and Vicky Pe&amp;ntilde;a.  &lt;br /&gt;&lt;br /&gt;&amp;quot;Un Dia Perfecte Per Volar&amp;quot; (Spain)&lt;br /&gt;Dir: Marc Recha&amp;nbsp;  &lt;br /&gt;Marc Recha presents his latest film, starring his son Roc and Sergi L&amp;oacute;pez. In a lonely spot, a boy flies a kite made by his father. It's windy and the boy needs an adult to help him untangle it from the vegetation and keep it flying. In the middle of nature, they tell a special tale.  &lt;br /&gt;&lt;br /&gt;&amp;quot;Eva No Duerme&amp;quot; (Spain, Uruguay, France)&lt;br /&gt;Dir: Pablo Aguero &lt;br /&gt;Evita Per&amp;oacute;n just died. She is the most beloved, but also hated political figure of Argentina. An expert is in charge of her embalming. After years of hard work, he achieves a remarkable work. Meanwhile in Argentina coups follow each other and some dictators want to remove Evita’s legacy from the people’s memory. Her body would become the stake of clashes during 25 years. 25 years during which Evita has been the most powerful figure than any other living politician.  &lt;br /&gt;&lt;br /&gt;&amp;quot;The King of Havana&amp;quot; (Spain, Uruguay, France)&lt;br /&gt;Dir: Augusti Villaronga  &lt;br /&gt;Agust&amp;iacute; Villaronga adapts the novel of the same name by Pedro Juan Guti&amp;eacute;rrez. Recently escaped from reformatory, young Reinaldo takes to the streets of Havana in the harsh 90s of the Cuban &amp;quot;special period&amp;quot;. A scoundrel with few scruples faced with getting by every day. Starring Maykol David, Yordanka Ariosa and Hector Medina.  &lt;br /&gt;&lt;br /&gt;&amp;quot;Truman&amp;quot; (Spain, Uruguay, France)&amp;nbsp;&lt;br /&gt;Dir: Cesc Gay&amp;nbsp;&lt;br /&gt;Gay's new film, starring Ricardo Darin and Javier C&amp;aacute;mara, revolves around the relationship between two friends: Julian receives an unexpected visit from his friend Tom&amp;aacute;s, who lives in Canada. For four intense days, the two men, accompanied by Julian's faithful dog, Truman, will share emotional and surprising moments prompted by Juli&amp;aacute;n's complicated situation.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The New Directors category will showcase two co-productions with Spain: &amp;quot;Paula,&amp;quot; directed by Argentinian director Eugenio Canevari, and &amp;quot;Pikadero,&amp;quot; by Scottish filmmaker Ben Sharrock.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The Zabaltegi section showcases other outstanding titles that are national productions from Spanish directors. The titles included in the section are as follows:&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;One Day I Saw 10,000 Elephants&amp;quot; (Spain, Uruguay, France)&lt;br /&gt;Dir: Alex Guimera&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Isla Bonita&amp;quot; (Spain)&lt;br /&gt;Dir: Fernando Colomo&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Mi Querida Espa&amp;ntilde;a&amp;quot; (Spain)&lt;br /&gt;Dir: Mercedes Moncada&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;The Bride&amp;quot; (Spain, Turkey, Germany)&lt;br /&gt;Dir: Paula Ortiz&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;The Propaganda Game&amp;quot; (Spain)&lt;br /&gt;Dir: Alvaro Longoria&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&amp;quot;Duellum&amp;quot; (Spain)&lt;br /&gt;Dir: Tucker Davila Wood&amp;nbsp;&lt;br /&gt;&lt;br /&gt;The Horizontes Latinos section will include two Spanish co-productions: Chilean filmmaker Patricio Guzman's documentary &amp;quot;The Pearl Button&amp;quot; and Salvador Del Solar's film &amp;quot;Magallane.&amp;quot;&lt;br /&gt;&lt;br /&gt;Last but not least, the festival will feature several screenings from Spanish directors. Alex de la Iglesia will present his latest film, &amp;quot;Mi Gran Noche,&amp;quot; out of competition, while special screenings will showcase premieres of Imanol Uribe's film &amp;quot;Far From The Sea&amp;quot; and Pere Joan Ventura's documentary &amp;quot;No Estamos Solos.&amp;quot; Dani de la Torre's film &amp;quot;El Desconocido&amp;quot; will also receive a special screening in the Anoeta Velodrome on the big screen.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;a class="" href="http://www.indiewire.com/article/san-sebastian-fest" title="Link: http://www.indiewire.com/article/san-sebastian-fest"&gt;READ MORE:&amp;nbsp;San Sebastian Film Festival Responds to Planned Strike to Protest Austerity Programs&lt;/a&gt;&lt;/div&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/3d8f7bd/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fdc%2F90%2F42347ab348e4bd7b50d2e87964a9%2Feva-no-duerme.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/01c68ba/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fdc%2F90%2F42347ab348e4bd7b50d2e87964a9%2Fresizes%2F500%2Feva-no-duerme.jpg" type="image/jpeg" />
      <pubDate>Thu, 23 Jul 2015 15:24:03 GMT</pubDate>
      <guid>http://www.indiewire.com/article/san-sebastian-film-festival-announces-2015-competition-titles-20150723</guid>
      <dc:creator>Sarah Choi</dc:creator>
      <dc:date>2015-07-23T15:24:03Z</dc:date>
    </item>
    <item>
      <title>The 14th International Film Students Meeting is Now Open for Registration</title>
      <link>http://blogs.indiewire.com/sydneylevine/the-14th-international-film-students-meeting-is-now-open-for-registration-international-20150601</link>
      <description>The 14th International Film Students Meeting, co-organized by the San   Sebastian Festival and                                                  Tabakalera-International   Contemporary Culture Centre of San Sebastian, provides an exchange of   audiovisual                                                  experiences and   knowledge at one of the most important movie events in the world.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  The Meeting has the   backing of the San Sebastian European Capital of Culture 2016 initiative given that it   is an obvious                                                  exponent of the cultural and artistic work that it wishes to promote.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  Young filmmakers can show   their short films, attend meetings with professionals, workshops and the   master class.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  The selected short films   will be screened at showings open to the general public and Festival   guests as well as                                                  by professionals from   the audiovisual industry who can provide advice to the students presenting their   works. Jointly                                                  they will watch and   comment on the films generating an interesting discussion about film   theory and practice.                                                  They will also have the   opportunity to get to know and experience how the film industry works   firsthand.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  Each candidate school   can present three short films all of them produced during the 2013/2014   or the 2014/2015                                                  school years. Around 14   schools will be chosen to take part in the Meeting with screenings of the   works chosen                                                  from the three presented   for selection.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  A specific jury,   consisting of students from the participating school and chaired by a   personality from the                                                  world of film will   choose the winner of the Panavision Award, the Freak Agency / Feelsales   Award and the                                                  BioBioCine – Duoc UC   Award going to the director of the winning short.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  This same Jury will also   choose the three directors who will have the opportunity to participate   with their                                                  short films in the next   Cannes Festival Short Film Corner.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  A specific jury,   consisting of students from Basque schools, coordinated by a professor   from the Mondragon                                                  University and chaired   by the Orona Fundazioa's Developing Director, will grant the Orona Award   to the most                                                  cutting-edge film. The   award will be given to the short film’s director.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  Last but not least, a   representative of the TorinoFilmLab will award one of the directors with   the Torino                                                  Award.                                                  &lt;br /&gt;                                                  &lt;br /&gt;                                                  Projects can be now be registered                                                  . The registration form   and other information on the International Film Students Meeting is available on the official   Festival &lt;a title="Link: www.sansebastianfestival.com " href="www.sansebastianfestival.com " class=""&gt;website&lt;/a&gt;, and on the official &lt;a href="www.tabakalera.eu" class=""&gt;Tabakalera &lt;/a&gt;website&lt;a title="Link: http://sansebastianfestival.mailrelay-ii.com/newslink/2288711/640.html" rel="nofollow" target="_blank" href="http://sansebastianfestival.mailrelay-ii.com/newslink/2288711/640.html"&gt;&lt;/a&gt;. &lt;strong&gt;The deadline to summit a short films is July 1st&lt;/strong&gt;.                                              &lt;br /&gt;  &lt;br /&gt;  &lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/d89c4da/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F38%2Fe8%2F5bb424bd416ba617caab7c35f090%2Finternational-film-students-meeting.png" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/236ff33/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F38%2Fe8%2F5bb424bd416ba617caab7c35f090%2Fresizes%2F500%2Finternational-film-students-meeting.png" type="image/jpeg" />
      <pubDate>Mon, 01 Jun 2015 18:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/the-14th-international-film-students-meeting-is-now-open-for-registration-international-20150601</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2015-06-01T18:00:00Z</dc:date>
    </item>
    <item>
      <title>Films in Progress 27 Toulouse Submissions Open Through January the 30th of 2015</title>
      <link>http://blogs.indiewire.com/sydneylevine/films-in-progress-27-toulouse-submissions-open-through-january-the-30th-of-2015-20141031</link>
      <description>&lt;div&gt;&lt;div&gt;&lt;div&gt;Films in Progress 27 will take place on the 26th and 27th of March within the framework of the 27th edition of the festival Cin&amp;eacute;latino, Rencontres de Toulouse.&lt;br /&gt;&lt;br /&gt;Since 2002, this double event jointly organized by the festivals of Toulouse and San Sebasti&amp;aacute;n, presents an annual selection of 12 works-in-progress in two sessions: 6 films in Toulouse in march and 6 films in San Sebasti&amp;aacute;n in September.&lt;br /&gt;&lt;br /&gt;Films in progress promotes the&amp;nbsp; cooperation between the producers of the selected works-in-progress and European partners to make the films reach screens and audiences across the world. With more than 400 professionals, among the most influential on the European and international level, taking part each year to these two sessions, Films in Progress is the unmissable and strategic meeting point with Latin American films and professionals connected to Latin America.&lt;br /&gt;&lt;br /&gt;In the last years, Films in Progress have contributed efficiently to the finalization, difusion and commercialization of the most remarkable Latin American films:&lt;span class="Apple-converted-space"&gt; &amp;quot;&lt;/span&gt;&lt;b&gt;Tony Manero&lt;/b&gt;&lt;span class="Apple-converted-space"&gt;&lt;b&gt;&amp;quot; &lt;/b&gt;&lt;/span&gt;by Pablo Larra&amp;iacute;n, &amp;quot;&lt;b&gt;Gloria&lt;/b&gt;&amp;quot; by Sebasti&amp;aacute;n Lelio,&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&amp;quot;&lt;b&gt;Sangre&lt;/b&gt;&lt;span class="Apple-converted-space"&gt;&amp;quot; &lt;/span&gt;by Amat Escalante, &amp;quot;&lt;b&gt;Clandestine Childhood&lt;/b&gt;&amp;quot; &lt;span class="Apple-converted-space"&gt;&lt;/span&gt;by Benjam&amp;iacute;n &amp;Aacute;vila,&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&amp;quot;&lt;b&gt;La Sirga&lt;/b&gt;&lt;em&gt;&lt;span class="Apple-converted-space"&gt;&amp;quot; &lt;/span&gt;&lt;/em&gt;by William Vega,&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&amp;quot;&lt;b&gt;La Playa&lt;/b&gt;&lt;span class="Apple-converted-space"&gt;&amp;quot; &lt;/span&gt;by Juan Andr&amp;eacute;s Arango,&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&amp;quot;&lt;b&gt;Bad Hair&lt;/b&gt;&amp;quot;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;by Mariana Rond&amp;oacute;n,&lt;span class="Apple-converted-space"&gt; &amp;quot;&lt;/span&gt;&lt;b&gt;Historia del Miedo&lt;/b&gt;&lt;span class="Apple-converted-space"&gt;&amp;quot; &lt;/span&gt;by Benjamin Naishtat,&lt;span class="Apple-converted-space"&gt;&lt;b&gt; &amp;quot;&lt;/b&gt;&lt;/span&gt;&lt;b&gt;To Kill a Man&lt;/b&gt;&amp;quot;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;by Alejandro Fern&amp;aacute;ndez Almendras...&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Film in Progress is a label that generates trust between the community of professionals from both sides of Atlantic Ocean.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;Awards &lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;a title="Link: http://svpp.mjt.lu/link/svpp/zj1m9o2/2/y250jPNACtNHLhTD8_w6cg/aHR0cDovL3d3dy5jaW5lbGF0aW5vLmNvbS5mci9jb250ZW51L2F3YXJkcy1maWxtLXByb2dyZXNzLTI3LXRvdWxvdXNlLTIwMTU" href="http://svpp.mjt.lu/link/svpp/zj1m9o2/2/y250jPNACtNHLhTD8_w6cg/aHR0cDovL3d3dy5jaW5lbGF0aW5vLmNvbS5mci9jb250ZW51L2F3YXJkcy1maWxtLXByb2dyZXNzLTI3LXRvdWxvdXNlLTIwMTU"&gt;Three prizes will be awarded in Film in Progress 27&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;ul&gt;&lt;li&gt;&lt;strong&gt;Toulouse Films in Progress Award&lt;/strong&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;consists&amp;nbsp;of&amp;nbsp;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;58.850 € of post-production services&lt;/strong&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;to be done in France, offered by prestigious organizations: a grant from the&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;CNC&lt;/strong&gt;, a residence in Paris by the&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;CCAS&lt;/strong&gt;, sound post-production by&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Mactari&lt;/strong&gt;, technical works from&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Titra TVS&lt;/strong&gt;, color correction program by&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Firefly&lt;/strong&gt;, auditorium and material for calibration from&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Commune Image&lt;/strong&gt; and the coordination of the post-production by&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;Eaux vives.&lt;/strong&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;Cin&amp;eacute; + Award&lt;/strong&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;consists in the guarantee that Cine + Broadcast will be the French distributor of the winning film. It will be purchased&amp;nbsp; for &lt;strong&gt;15.000 euros&lt;/strong&gt;&lt;span class="Apple-converted-space"&gt;.&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;strong&gt;European Distributors and Exhibitors Award&lt;/strong&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;consists   in the promotion of the winning film in the networks of the 130   distributors of Europa Distribution and the 2.000 members of the CICAE.&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;&lt;em&gt;&lt;b&gt;Submission of a work-in-progress&lt;/b&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;The feature films presented must be a minority or major Latin American production&lt;/li&gt;&lt;li&gt;The length of the feature film in its final version must be over 60 minutes&lt;/li&gt;&lt;li&gt;The film must be at the post-production stage (minimum first cut)&lt;/li&gt;&lt;li&gt;The cut that is presented for evaluation must last a minimum of 45 minutes&lt;/li&gt;&lt;li&gt;The cut presented for evaluation must be subtitled in English if it is not Spanish-speaking&lt;/li&gt;&lt;li&gt;There is no charge of fees for the registration&lt;/li&gt;&lt;li&gt;&lt;a title="Link: http://svpp.mjt.lu/link/svpp/zj1m9o2/3/k2W6ATkIHxEZf9pe_4otYA/aHR0cDovL3d3dy5jaW5lbGF0aW5vLmNvbS5mci9jYy9mb3JtdWxhaXJlLnBocA" href="http://svpp.mjt.lu/link/svpp/zj1m9o2/3/k2W6ATkIHxEZf9pe_4otYA/aHR0cDovL3d3dy5jaW5lbGF0aW5vLmNvbS5mci9jYy9mb3JtdWxhaXJlLnBocA"&gt;The application must be done online: here&lt;/a&gt;&lt;/li&gt;&lt;li&gt;Dead line : January the 30th 2015&lt;/li&gt;&lt;/ul&gt;&lt;br /&gt;In the case that the film is selected:&lt;br /&gt;&lt;br /&gt;&lt;ul&gt;&lt;li&gt;the director and the producer have to be in Toulouse on March 25, 26 and 27 of 2015&lt;/li&gt;&lt;li&gt;the film must be subtitled in English&lt;/li&gt;&lt;li&gt;the screening format is Blu Ray (2 copies for back up)&lt;/li&gt;&lt;/ul&gt;The selection will be announced in early March 2015.&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/4c64af5/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F20%2Fe5%2Fd07f72a1412ab3cfaab58d3cd51b%2Fbad-hair-by-mariana-rondon.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/401703e/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F20%2Fe5%2Fd07f72a1412ab3cfaab58d3cd51b%2Fresizes%2F500%2Fbad-hair-by-mariana-rondon.jpg" type="image/jpeg" />
      <pubDate>Fri, 31 Oct 2014 13:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/films-in-progress-27-toulouse-submissions-open-through-january-the-30th-of-2015-20141031</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2014-10-31T13:00:00Z</dc:date>
    </item>
    <item>
      <title>14 Films Compete in Horizontes Latinos at the San Sebastian Festival</title>
      <link>http://blogs.indiewire.com/sydneylevine/14-films-compete-in-horizontes-latinos-at-the-san-sebastian-festival-20140909</link>
      <description>&lt;br /&gt;Once again the San Sebastian Festival will showcase the best Latin   American productions of the year. The program of the Horizontes   Latinos          section at the 62nd edition includes fourteen productions from   Argentina, Mexico, Chile, Brazil, Uruguay and Colombia. Films that have   competed or been          presented at important international festivals, but which have   not yet been seen at a Spanish festival or commercially released in the   country.          &lt;br /&gt;          &lt;br /&gt;          The selected films compete for the Horizontes Award, decided by a   specific jury and carrying €35,000, of which €10,000 go to the director   of the          winning film, and the remaining €25,000 to its distributor in   Spain.      &lt;br /&gt;&lt;br class="Apple-interchange-newline" /&gt;&lt;hr id="yui_3_16_0_1_1410044198048_10296" noshade="" size="1" /&gt;&lt;table id="yui_3_16_0_1_1410044198048_10129" border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody id="yui_3_16_0_1_1410044198048_10128"&gt;&lt;tr id="yui_3_16_0_1_1410044198048_10127"&gt;&lt;td id="yui_3_16_0_1_1410044198048_10294" valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705" id="yui_3_16_0_1_1410044198048_10293"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620723_1.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620723_1.jpg" id="yui_3_16_0_1_1410044198048_10292" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td id="yui_3_16_0_1_1410044198048_10126" valign="top" width="495"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10125"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10124"&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10123"&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3474994/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt3474994/?ref_=sch_int" class=""&gt;Casa Grande&lt;/a&gt;&amp;quot;&lt;/strong&gt;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10301"&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1805204/" href="https://pro-labs.imdb.com/name/nm1805204/" class=" ttip"&gt;Fellipe Barbosa&lt;/a&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10300"&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Brazil - U.S.A.)&lt;/div&gt;Set within Rio's social elite, a teenage boy struggles to escape his overprotective parents as his family spirals into bankruptcy. This second movie by Brazil's Fellipe Barbosa was presented in the Official Selection at the Rotterdam Festival.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div id="yui_3_16_0_1_1410044198048_10131"&gt;&amp;nbsp;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10132"&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table id="yui_3_16_0_1_1410044198048_10139" border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody id="yui_3_16_0_1_1410044198048_10138"&gt;&lt;tr id="yui_3_16_0_1_1410044198048_10137"&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/61p/fp_620335.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/61p/fp_620335.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td id="yui_3_16_0_1_1410044198048_10136" valign="top" width="495"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10135"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10134"&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10133"&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3403776/?ref_=sch_int" class=""&gt;Natural Sciences&lt;/a&gt;&amp;quot; &lt;/strong&gt;(Ciencias Naturales) &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10303"&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm3386674/" href="https://pro-labs.imdb.com/name/nm3386674/" class=" ttip"&gt;Mat&amp;iacute;as Lucchesi&lt;/a&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10302"&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina - France)&lt;/div&gt;Presented in the Generation section of the Berlin Festival and winner of the Award for Best Ibero-American Film at the Guadalajara Festival, the first film by Mat&amp;iacute;as Luchesi revolves around a girl who, starting to become a woman, feels the profound need to discover her true identity. She does not know who her father is and she is determined to find him.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620500_1.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620500_1.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt2706570/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt2706570/?ref_=sch_int" class=""&gt;Two Gun Shots&lt;/a&gt;&amp;quot; &lt;/strong&gt;(Dos Disparos)&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm0718736/" href="https://pro-labs.imdb.com/name/nm0718736/" class=" ttip"&gt;Mart&amp;iacute;n Rejtman&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina - Chile - Netherlands - Germany)&lt;/div&gt;The Argentinian filmmaker Mart&amp;iacute;n Rejtman competed at the Locarno Festival with his latest film. Early one morning, 16 year-old Mariano finds a gun in his house and proceeds to shoot himself twice without giving it a second thought. He survives.&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;em&gt;Dos disparos (Two Shots Fired)&lt;/em&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;is the tale of how Mariano and his family react to the situation.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table id="yui_3_16_0_1_1410044198048_10243" border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody id="yui_3_16_0_1_1410044198048_10242"&gt;&lt;tr id="yui_3_16_0_1_1410044198048_10241"&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622090_1.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622090_1.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td id="yui_3_16_0_1_1410044198048_10240" valign="top" width="495"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10239"&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3751300/?ref_=sch_int" class=""&gt;Gente de Bien&lt;/a&gt;&amp;quot;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a href="https://pro-labs.imdb.com/name/nm3108047/" class=" ttip"&gt;Franco Lolli&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(France - Colombia)&lt;/div&gt;The feature film debut of Franco Lolli, following several short films to have won awards at several festivals, was presented in the Critics' Week at Cannes. Ten year-old Eric finds himself almost overnight living with Gabriel, his father, who he barely knows. Maria Isabel, the woman Gabriel works for as a carpenter, decides to help and invites them both to the country to spend Christmas with her and her family. However, she fails to foresee all the consequences of taking the child under her wing.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div id="yui_3_16_0_1_1410044198048_10244"&gt;&amp;nbsp;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10245"&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table id="yui_3_16_0_1_1410044198048_10236" border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody id="yui_3_16_0_1_1410044198048_10235"&gt;&lt;tr id="yui_3_16_0_1_1410044198048_10234"&gt;&lt;td id="yui_3_16_0_1_1410044198048_10252" valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705" id="yui_3_16_0_1_1410044198048_10251"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620524_6046.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620524_6046.jpg" id="yui_3_16_0_1_1410044198048_10250" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td id="yui_3_16_0_1_1410044198048_10233" valign="top" width="495"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10232"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10237"&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10246"&gt;&amp;quot;&lt;/strong&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10246"&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3499048/?ref_=sch_int" class=""&gt;G&amp;uuml;eros&lt;/a&gt;&amp;quot;&lt;/strong&gt;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10249"&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm2091911/" href="https://pro-labs.imdb.com/name/nm2091911/" class=" ttip"&gt;Alonso Ruiz Palacios&lt;/a&gt; (Mexico)&lt;/div&gt;A road movie and coming of age comedy which pays homage to the French new wave, winner of Panorama's First Feature Award in Berlin Film Festival and of Best Cinematography Award and Special Jury Mention in Tribeca Festival. Since the teenager Tom&amp;aacute;s is clearly too much of a handful for his mother, she packs him off to stay with his big brother who is studying in Mexico City.Tom&amp;aacute;s has brought a cassette along with him; the tape is part of his father’s legacy and contains the music of Epigmenio Cruz. When the trio learns that their idol is in hospital fading fast and alone, they set off in their rusty heap of a car to pay their last respects to this one-time rock star.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620122.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620122.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;/strong&gt;&lt;strong&gt;&lt;a href="https://pro-labs.imdb.com/title/tt2690718/?ref_=sch_int" class=""&gt;History of Fear&lt;/a&gt;&amp;quot; &lt;/strong&gt;(Historia del Miedo) &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm3028737/" href="https://pro-labs.imdb.com/name/nm3028737/" class=" ttip"&gt;Benjam&amp;iacute;n Naishtat&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina - France - Germany - Uruguay - Qatar)&lt;/div&gt;Following its screening in Films in Progress at last year's San Sebastian Festival, Benjam&amp;iacute;n Naishtat's first film competed at the Berlin Festival and won Best Film at the Jeonju Festival. When a heat wave grips the suburbs, blackouts and waves of pollution push the social order to the brink of collapse, forcing each inhabitant to confront his own motives, instincts and fears.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620155.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620155.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt2514338/" class=""&gt;Jauja&lt;/a&gt;&amp;quot; &lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1027762/" href="https://pro-labs.imdb.com/name/nm1027762/" class=" ttip"&gt;Lisandro Alonso&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina - U.S.A. - Mexico - Netherlands - France - Denmark- Germany)&lt;/div&gt;Viggo Mortensen stars in a film by Lisandro Alonso that competed in the Un Certain Regard section at the Cannes Festival and won the FIPRESCI Award. In 1882, Captain Dinesen arrives in Patagonia from Denmark with his 15 year old daughter Ingeborg to take up an engineering post with the Argentinian army. When Ingeborg falls in love with a young soldier and runs away with him, the Captain ventures into enemy territory to find the couple. A solitary quest that takes us to a place beyond time. &amp;nbsp; &amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622006.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622006.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3904754/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt3904754/?ref_=sch_int" class=""&gt;The Princess of France&lt;/a&gt;&lt;/strong&gt;&amp;quot;(La Princesa de Francia) &lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1446111/" href="https://pro-labs.imdb.com/name/nm1446111/" class=" ttip"&gt;Mat&amp;iacute;as Pi&amp;ntilde;eiro&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina)&lt;/div&gt;Mat&amp;iacute;as Pi&amp;ntilde;eiro returns to his reflections on the theatre world in this competitor in the Official Selection of the Locarno Festival. A year after his father's death in Mexico, V&amp;iacute;ctor returns to Buenos Aires with a job for his former theatre company: to make a Latin American series of radio dramas by recording a pilote episode of the last play they put on together.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620123_1.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620123_1.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3755978/" href="https://pro-labs.imdb.com/title/tt3755978/" class=""&gt;La Salada&lt;/a&gt;&amp;quot;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1892235/" href="https://pro-labs.imdb.com/name/nm1892235/" class=" ttip"&gt;Ju&amp;aacute;n Mart&amp;iacute;n Hsu&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina - Spain)&lt;/div&gt;The winning film of the Films in Progress Industry Award at last year's Festival is a mosaic of experiences for new immigrants in Argentina. Three tales of people from different races who struggle with loneliness and alienation during &amp;quot;La feria de La Salada&amp;quot;.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620604.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620604.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt1964860/?ref_=sch_int" title="Link: null" class=""&gt;The Third Side of the River&lt;/a&gt;&amp;quot; &lt;/strong&gt;(La Tercera Orilla) &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm0613851/" href="https://pro-labs.imdb.com/name/nm0613851/" class=" ttip"&gt;Celina Murga&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Argentina- Germany - The Netherlands)&lt;/div&gt;The Argentinian director Celina Murga competed in Berlin's Official Selection with this film focused on the seventeen-year-old Nicolas, who lives with his mother and younger siblings in a small provincial city. When his entranged father returns to his life, tensions rise between father and son. Nicolas realizes he has to make radical choices for his own future.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/61p/fp_620118.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/61p/fp_620118.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3460152/?ref_=sch_int" class=""&gt;To Kill a Man&lt;/a&gt;&amp;quot; &lt;/strong&gt;(Matar a un Hombre)&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm2588618/" href="https://pro-labs.imdb.com/name/nm2588618/" class=" ttip"&gt;Alejandro Fern&amp;aacute;ndez Almendras&lt;/a&gt; (Chile - France)&lt;/div&gt;The third film from Chile's Alejandro Fern&amp;aacute;ndez Almendras participated in Films in Progress last year and has won awards at several international festivals, including Sundance and Rotterdam. Jorge, a hardworking man, is muggled by Kalule, a neighbourhood delinquent. Jorge’s son, in an attemp to defend his father, is shot by Kalule for what Kalule is sent to prision. When he is released, only wants one thing: revenge.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody&gt;&lt;tr&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620662.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620662.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td valign="top" width="495"&gt;&lt;div&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a title="Link: https://pro-labs.imdb.com/title/tt2199543/?ref_=sch_int" href="https://pro-labs.imdb.com/title/tt2199543/?ref_=sch_int" class=""&gt;Futuro Beach&lt;/a&gt;&amp;quot; &lt;/strong&gt;(Praia do Futuro) &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div&gt;&lt;span class="display-name "&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm0014694/" href="https://pro-labs.imdb.com/name/nm0014694/" class=" ttip"&gt;Karim Ainouz&lt;/a&gt;&lt;/span&gt;&lt;span class="Apple-converted-space"&gt;&amp;nbsp;&lt;/span&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Brazil - Germany)&lt;/div&gt;A love story directed by Karim A&amp;iuml;nouz which competed in the Official Selection at the Berlin Festival. Donato works as a life guard patrolling the spectacular but treacherous Praia do Futuro beach. When he dives into the sea after two men caught in the undercurrent, he saves Konrad, a German vacationing in Brazil, but Konrad’s friend is lost to the sea. While waiting for the body to resurface, a bond grows between donato and Konrad and the initial sexual sparks give way to a deeper,emotional connection. Winner of the Sebastiane Latino Award.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;div&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table id="yui_3_16_0_1_1410044198048_10159" border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody id="yui_3_16_0_1_1410044198048_10158"&gt;&lt;tr id="yui_3_16_0_1_1410044198048_10157"&gt;&lt;td id="yui_3_16_0_1_1410044198048_10187" valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705" id="yui_3_16_0_1_1410044198048_10186"&gt;&lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622859_6097.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622859_6097.jpg" id="yui_3_16_0_1_1410044198048_10185" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td id="yui_3_16_0_1_1410044198048_10156" valign="top" width="495"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10155"&gt;&lt;div&gt;&lt;strong&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3717390/?ref_=sch_int" class=""&gt;Refugiado&lt;/a&gt;&amp;quot;&lt;/strong&gt;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10183"&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm1195308/" href="https://pro-labs.imdb.com/name/nm1195308/" class=" ttip"&gt;Diego Lerman&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(&lt;span id="yui_3_16_0_1_1410044198048_10182"&gt;Argentina- Colombia - France - Poland - Germany&lt;/span&gt;)&lt;/div&gt;Presented at the Directors' Fortnight in Cannes, the latest film from Diego Lerman opens when Mat&amp;iacute;as, a 7 year-old boy, finds his mother, Laura, unconscious on the floor on coming home from a birthday party. When Laura comes round, she decides to flee with her son to a shelter for battered women. Seen through the eyes of Mat&amp;iacute;as, we follow their escape and the way everything he knew turns into danger, while Laura looks for a safe place to live.&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div id="yui_3_16_0_1_1410044198048_10181"&gt;&amp;nbsp;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10201"&gt;&amp;nbsp;&lt;/div&gt;&lt;hr noshade="" size="1" /&gt;&lt;table id="yui_3_16_0_1_1410044198048_10165" border="0" cellpadding="0" cellspacing="0" width="680"&gt;&lt;tbody id="yui_3_16_0_1_1410044198048_10164"&gt;&lt;tr id="yui_3_16_0_1_1410044198048_10163"&gt;&lt;td valign="top" width="185"&gt;&lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=705"&gt;&lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_624071.jpg" align="left" border="0" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;td id="yui_3_16_0_1_1410044198048_10162" valign="top" width="495"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10161"&gt;&lt;div id="yui_3_16_0_1_1410044198048_10180"&gt;&lt;strong id="yui_3_16_0_1_1410044198048_10179"&gt;&amp;quot;&lt;a href="https://pro-labs.imdb.com/title/tt3904770/?ref_=sch_int" class=""&gt;August Winds&lt;/a&gt;&amp;quot; &lt;/strong&gt;(Ventos de Agosto) &lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div id="yui_3_16_0_1_1410044198048_10160"&gt;&lt;a title="Link: https://pro-labs.imdb.com/name/nm3486709/" href="https://pro-labs.imdb.com/name/nm3486709/" class=" ttip"&gt;Gabriel Mascaro&lt;/a&gt;&lt;strong&gt;&lt;span class="Apple-converted-space"&gt; &lt;/span&gt;&lt;/strong&gt;(Brazil)&lt;/div&gt;The arrival to a small coastal village in Brazil of a researcher registering the sound of the trade winds and a surprise discovery take Shirley and Jeison on a journey that confronts them with the duel between life and death, loss and memory, the wind and the sea. A first film by Gabriel Mascar&amp;oacute;, winner of a special mention at the Locarno Festival.&amp;nbsp;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt;&lt;div id="yui_3_16_0_1_1410044198048_10306"&gt;&amp;nbsp;&lt;/div&gt;&lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/9c9d5cc/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fd8%2F3c%2F432c54bd40648bfd97b8b5b2e1c2%2Fhorizontes-latinos.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/c8d8366/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2Fd8%2F3c%2F432c54bd40648bfd97b8b5b2e1c2%2Fresizes%2F500%2Fhorizontes-latinos.jpg" type="image/jpeg" />
      <pubDate>Tue, 09 Sep 2014 19:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/14-films-compete-in-horizontes-latinos-at-the-san-sebastian-festival-20140909</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2014-09-09T19:00:00Z</dc:date>
    </item>
    <item>
      <title>The Industry Club 62nd Edition of the San Sebastian Festival</title>
      <link>http://blogs.indiewire.com/sydneylevine/the-industry-club-62nd-edition-of-the-san-sebastian-festival-20140826</link>
      <description>&lt;div id="yui_3_16_0_1_1408898037521_255952"&gt;      &lt;div id="yui_3_16_0_1_1408898037521_255951"&gt;          The Latin American film industry, the Canadian Film Industry, the European Film Industry are the main but not the only participants of the San  Sebastian 62nd edition Film Festival’s        &lt;a title="Link: http://www.sansebastianfestival.com/2014/the_industry_club/1/14/in" rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2014/the_industry_club/1/14/in"&gt;The Industry Club&lt;/a&gt;. The Festival's          industry department centralizes and coordinates professional activities, networking with Spanish and Basque producers associations, Latin American film          institutes, European professional associations and bodies, etc. n 2013, 1292 professionals from 82 companies in 54 countries attended the Festival.      &lt;/div&gt;      &lt;div id="yui_3_16_0_1_1408898037521_255954"&gt;          &lt;br /&gt;      &lt;/div&gt;      &lt;div id="yui_3_16_0_1_1408898037521_255970"&gt;                        The main activities organized are the &lt;strong&gt;Europe-Latin America Co-Production Forum &lt;/strong&gt;and &lt;strong&gt;Films in Progress&lt;/strong&gt;. In  addition, in collaboration with IBAIA (Association of Independent Audiovisual Production Companies of the Basque Country), it organizes the            &lt;strong&gt;Lau Haizetara Documentary Co-Production Forum.&lt;/strong&gt;          &lt;br /&gt;&lt;br /&gt;                        At the              &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2014/the_industry_club/co_production_forum/1/3550/in"&gt;                  &lt;strong&gt;III Europe-Latin America Co-production Forum&lt;/strong&gt;              &lt;/a&gt;              15 developing projects from Europe and Latin America will be presented (with at least 20% of their funding already assured). Those responsible for              the works will have the opportunity to present their projects (pitching) and will also enjoy a personalized meeting agenda with industry              professionals.          &lt;br /&gt;&lt;br /&gt;                        The Forum will similarly act as a meeting point for accredited industry guests at San Sebastian, offering in these three days a place to get              together and network. In addition, while the Forum is underway, different talks and round tables will be organized in the San Telmo Museum on              current issues in the film industry with a view to fostering the exchange of experiences and knowledge.          &lt;br /&gt;&lt;br /&gt;                        In the frame of the Forum, this year the San Sebastian Festival is organizing a              &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2014/the_industry_club/co_production_forum/1/3550/in"&gt;                  &lt;strong&gt;Focus on Canada&lt;/strong&gt;              &lt;/a&gt;              , in collaboration with Telefilm Canada. A delegation of 12 Canadian producers will come to San Sebastian to discover the Festival first hand,              establish contacts with professionals and participate both in the Co-production Forum and in the other Industry Club activities.          &lt;br /&gt;&lt;br /&gt;                        &lt;strong&gt;                  &lt;a title="Link: http://www.sansebastianfestival.com/2014/the_industry_club/films_in_progress/1/2868/in" rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/2014/the_industry_club/films_in_progress/1/2868/in"&gt;                      Films in Progress 26                  &lt;/a&gt;              &lt;/strong&gt;              will yet again this year present six Latin American films faced with difficulties at the post-production stage. These films will be presented to an              audience of industry professionals with the aim of obtaining the funding the need for their completion and distribution.          &lt;br /&gt;&lt;br /&gt;                        The EGEDA Award for Best Project at the III Europe-Latin America Co-production Forum and the Films in Progress 26 Industry Award will be announced              at the Industry Cocktail to round off these three working days.          &lt;br /&gt;&lt;br /&gt;                        Meanwhile, and throughout the whole Festival, The Industry Club will have its hub at the Kursaal Centre where it will program a series of              presentations, round tables and activities in rooms 8 and 9. The complete program of the Professional Agenda with all activities and their              respective times will be announced in the first week of September.          &lt;br /&gt;&lt;br /&gt;                        The Industry Club provides all accredited industry professionals with services to make their stay in San Sebasti&amp;aacute;n as productive and satisfactory              as possible. They will also have access to the Professional Area of the official website, where they will find information on Festival attendees,              contact details of films programmed at the Festival and the Film Library, the technical provider of which is Cinando. Codes of access to the Film              Library will be provided &lt;em&gt;in situ&lt;/em&gt; at the Industry Club premises at the start of the Festival.          &lt;br /&gt;&lt;br /&gt;                        To carry out its activity, The Industry Club enjoys the backing of the Basque Government Department of Economic Development and Competitiveness,              the Ministry of Industry, Energy and Tourism and the Creative Europe Program.          &lt;br /&gt;&lt;br /&gt;                        For further information:              &lt;a rel="nofollow" target="_blank" href="mailto:industryclub@sansebastianfestival.com" id="yui_3_16_0_1_1408898037521_255990"&gt;                  industryclub [AT] sansebastianfestival.com              &lt;/a&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/4e1e17a/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F61%2F2a%2F9ce95a79404bb3f14634949f13c0%2Fthe-industry-club-62nd-edition-of-the-san-sebastian-festival.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/e7489e8/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F61%2F2a%2F9ce95a79404bb3f14634949f13c0%2Fresizes%2F500%2Fthe-industry-club-62nd-edition-of-the-san-sebastian-festival.jpg" type="image/jpeg" />
      <pubDate>Tue, 26 Aug 2014 14:30:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/the-industry-club-62nd-edition-of-the-san-sebastian-festival-20140826</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2014-08-26T14:30:00Z</dc:date>
    </item>
    <item>
      <title>San Sebastian Festival Spotlights Early Hollywood Filmmaker Dorothy Arzner</title>
      <link>http://blogs.indiewire.com/sydneylevine/san-sebastian-festival-spotlights-early-hollywood-filmmaker-dorothy-arzner-20140825</link>
      <description>&lt;div id="yui_3_16_0_1_1408898037521_141254"&gt;                &lt;a href="https://pro-labs.imdb.com/name/nm0002188/" class=""&gt;Dorothy Arzner&lt;/a&gt; (1897-1979) was one of a kind in the history of American cinema, the only woman to carve out a professional career as a director in          Hollywood's Golden Age. In its 62nd edition, the San Sebastian Festival pays homage to the work of Arzner, today considered a pioneer in women's          incorporation to the film industry, proclaimed as a filmmaker of strong style and personality for which she earned undeniable prestige within the          Hollywood studio system.      &lt;br /&gt;&lt;br /&gt;                Born in San Francisco but raised in Los Angeles, Dorothy Arzner made her directorial debut with &amp;quot;&lt;b&gt;Fashions for Women&amp;quot; &lt;/b&gt;(1927), going on the          following year to become the first women ever to direct a talkie with &lt;b&gt;Manhattan Cocktail&lt;/b&gt;&lt;em&gt;&lt;b&gt; &lt;/b&gt;&lt;/em&gt;(1928). Arzner directed 15 films throughout the 30s          and the early 40s, working with Hollywood stars such as Clara Bow, Katharine Hepburn, Fredric March, Rosalind Russell, Claudette Colbert, Maureen          O'Hara and Joan Crawford in comedies and melodramas with particular focus on female characters. In 1933 she became the first woman to join the          Directors Guild of America and was its only female member for several decades. Although her name was progressively forgotten, Arzner's career was          ratified in the 60s by feminist movements and received numerous tributes, including one by the Directors Guild of America in 1975. Today her films are          not only newly appreciated for being an unusual exception in the history of American film, but also f or their intrinsic values. Arzner left her stamp          on several films of refined visual style that questioned traditional sexual roles and the part played by women in society or which, according to          certain critics, introduced veiled homosexual undertones to the rigid Hollywood structure of the time.      &lt;br /&gt;&lt;br /&gt;                The retrospective dedicated by the San Sebastian Festival to Dorothy Arzner will feature her twelve surviving films. It is organised together with          Filmoteca Espa&amp;ntilde;ola. To accompany the cycle, a bilingual (English and Spanish) book will be published on the filmmaker, written by Judith Mayne.      &lt;br /&gt;&lt;br /&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622186_5415.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622186_5415.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;The Wild Party&amp;nbsp;&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;&lt;b&gt;Dorothy Arzner&lt;/b&gt; (USA) 1929                      &lt;/div&gt;                                                The explosive Clara Bow (in her first talkie) and the man who would become one of Arzner's favourite actors, Fredric March, star in                          this surprising and brazen film shot before the Hays Code of censorship was imposed upon Hollywood.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622184_5420.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Sarah and Son&amp;nbsp;&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;                          &lt;strong&gt;Dorothy Arzner&amp;nbsp; &lt;/strong&gt;(USA) 1930                      &lt;/div&gt;                                                A melodrama that earned the leading lady, Ruth Chatterton, an Academy Award nomination for her part as an opera singer searching for                          the son she lost many years ago.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622175_5434.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;&lt;strong&gt;Anybody's Woman&amp;nbsp;&lt;/strong&gt;                                            &lt;div&gt;                          &lt;strong&gt;Dorothy Arzner&amp;nbsp; &lt;/strong&gt;(USA) 1930                      &lt;/div&gt;                                                A rather daring romantic comedy for its day; a lawyer and a chorus girl waken man and wife after a night on the tiles. All sorts of                          confusions ensue.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622181_5411.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Honor Among Lovers&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;                          &lt;strong&gt;Dorothy Arzner&amp;nbsp; &lt;/strong&gt;(USA) 1931                      &lt;/div&gt;                                                A luxury cast (Claudette Colbert, Fredric March and Ginger Rogers) for a melodrama in which Dorothy Arzner looked at a rather unusual                          subject for films of the time: sexual harassment in the working environment.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" height="176" width="679"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622187_5432.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622187_5432.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Working Girls&amp;nbsp;&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;&lt;b&gt;Dorothy Arzner&lt;/b&gt; (USA) 1931                      &lt;/div&gt;                                                Adaptation of a play by the author popular in her day, Vera Caspary, this film represents yet another shrewd look at the world of women                          by Dorothy Arzner seen through the portrayal of two friends in search of work and a husband.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table id="yui_3_16_0_1_1408898037521_141264" border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody id="yui_3_16_0_1_1408898037521_141263"&gt;          &lt;tr id="yui_3_16_0_1_1408898037521_141262"&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622182_5427.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td id="yui_3_16_0_1_1408898037521_141261" valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Merrily We Go to Hell&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;                          &lt;strong&gt;Dorothy Arzner&amp;nbsp; &lt;/strong&gt;(USA) 1932                      &lt;/div&gt;                                                The tale of an alcoholic author and the woman who rescues him is turned in Dorothy Arzner's hands into a romantic comedy taking yet                          another look at the role of women in a couple's relations.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622176_5402.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622176_5402.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Christopher Strong&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;                          &lt;strong&gt;Dorothy Arzner&amp;nbsp; &lt;/strong&gt;(USA) 1933                      &lt;/div&gt;                                                Katharine Hepburn embodies one of her typical spirited female characters in this eye-opening melodrama from Arzner, a full-on snub of                          the nose to the usual roles played by women in classic movies: the love affair between an MP and an aviatrix.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622183_5419.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Nana&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;&lt;b&gt;Dorothy Arzner&lt;/b&gt; (USA) 1934                      &lt;/div&gt;                                                Dorothy Arzner adapted &amp;Eacute;mile Zola's classic novel into a film to flatter a would-be star soon forgotten by Hollywood, Anna Sten. Set in                          19th century Paris, this is a curious foray by the director into period melodrama.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622177_5408.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622177_5408.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Craig's Wife&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;&lt;b&gt;Dorothy Arzner&lt;/b&gt; (USA) 1936                      &lt;/div&gt;                                                This melodrama sees another of the big Hollywood stars who worked under the orders of Dorothy Arzner, Rosalind Russell, play a                          domineering woman who marries a wealthy man for money and power.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622185_5423.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622185_5423.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;The Bride Wore Red&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;&lt;b&gt;Dorothy Arzner&lt;/b&gt; (USA) 1937                      &lt;/div&gt;                                                Joan Crawford and a spectacular red dress by the famous designer Adrian star in one of Dorothy Arzner's most popular romantic comedies,                          a tale of love and luxury once again featuring an unforgettable female character.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622178_5409.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;Dance, Girl, Dance&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;                          &lt;strong&gt;Dorothy Arzner&amp;nbsp; &lt;/strong&gt;(USA) 1940                      &lt;/div&gt;                                                Maureen O'Hara and Lucille Ball wrangle in a professional and sentimental duel set in the world of show business and spiced up with                          musical numbers.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="1" /&gt;  &lt;table border="0" cellpadding="0" cellspacing="0" width="680"&gt;      &lt;tbody&gt;          &lt;tr&gt;              &lt;td valign="top" width="185"&gt;                  &lt;a rel="nofollow" target="_blank" href="http://www.sansebastianfestival.com/in/imagenes.php?gal=682"&gt;                      &lt;img title="Image: http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622179_5433.jpg" alt="" src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622179_5433.jpg" align="left" border="0" /&gt;                  &lt;/a&gt;              &lt;/td&gt;              &lt;td valign="top" width="495"&gt;                  &lt;div&gt;                      &lt;div&gt;                          &lt;strong&gt;First Comes Courage&lt;/strong&gt;                      &lt;/div&gt;                      &lt;div&gt;&lt;b&gt;Dorothy Arzner &lt;/b&gt;(USA) 1943                      &lt;/div&gt;                                                Dorothy Arzner's last film was her contribution to the warring efforts of the allies during World War II; a spy story where Merle                          Oberon brings life to an anti-Nazi resistance worker in Norway who must choose between love and duty.                      &lt;br /&gt;&lt;br /&gt;                  &lt;/div&gt;              &lt;/td&gt;          &lt;/tr&gt;      &lt;/tbody&gt;  &lt;/table&gt;  &lt;div&gt;  &lt;/div&gt;  &lt;hr noshade="" size="5" /&gt;  &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/2539b8c/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F8a%2F35%2Fdc0e755349369b6f3f6df0b2b8c4%2Fdorothy-arzner.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/29b00c8/2147483647/thumbnail/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F8a%2F35%2Fdc0e755349369b6f3f6df0b2b8c4%2Fdorothy-arzner.jpg" type="image/jpeg" />
      <pubDate>Mon, 25 Aug 2014 14:30:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/san-sebastian-festival-spotlights-early-hollywood-filmmaker-dorothy-arzner-20140825</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2014-08-25T14:30:00Z</dc:date>
    </item>
    <item>
      <title>San Sebastian: Thirteen Films Compete for the Kutxa New Directors Award</title>
      <link>http://blogs.indiewire.com/sydneylevine/san-sebastian-thirteen-films-compete-for-the-kutxa-new-directors-award-20140806</link>
      <description>&lt;div&gt;                The selection of films making up the New Directors section has been presented. The Director of the San Sebastian Festival, Jos&amp;eacute; Luis Rebordinos,          revealed the titles of the films to compete for the Kutxa New Directors Award, decided by a specific international jury. The Award comes with €50,000.      &lt;br /&gt;&lt;br /&gt;                At the coming Festival, the New Directors section will propose thirteen first or second works by a new generation of filmmakers. With this selection          and the Kutxa New Directors Award, the San Sebastian Festival maintains its firm commitment to the cinematic talents of the future.      &lt;br /&gt;&lt;br /&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_622667_1.jpg" rel="foto" title="&amp;lt;div&amp;gt;CHRIEG &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622667_1.jpg" alt="CHRIEG" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &lt;b&gt;&amp;quot;&lt;a title="Link: http://cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=584&amp;amp;IdF=184348" href="http://cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=584&amp;amp;IdF=184348" class=""&gt;Chrieg&lt;/a&gt;&amp;quot;      &lt;/b&gt;&lt;/div&gt;      &lt;div&gt;          Simon Jaquemet (Switzerland)      &lt;/div&gt;      &lt;div&gt;                        On a boot camp for kids in the Swiss Alps, four delinquent teenagers have taken over. They have a mission and rush down to the city. Feverish              nights full of violence and destruction. Their war. Against grown-ups. Against everything. Against Love.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_623331.jpg" rel="foto" title="&amp;lt;div&amp;gt;IN HER PLACE &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_623331.jpg" alt="IN HER PLACE" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3662830/" class=""&gt;In Her Place&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Albert Shin (Canada - South Korea)      &lt;/div&gt;      &lt;div&gt;                        A mother and her teenaged daughter living on a rural farm in South Korea take in a mysterious woman from Seoul with the hopes of helping each other              repair their damaged lives.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_622683.jpg" rel="foto" title="&amp;lt;div&amp;gt;K&amp;amp;AACUTE;IN GYERMEKEI /  CAIN'S CHILDREN &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622683.jpg" alt="K&amp;aacute;IN GYERMEKEI /  CAIN'S CHILDREN" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a href="http://cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=7834&amp;amp;IdF=135163" class=""&gt;Cain's Children&lt;/a&gt;&lt;/b&gt;&amp;quot;&lt;br /&gt;&lt;/div&gt;      &lt;div&gt;          Marcell Gerő (Hungary - France)      &lt;/div&gt;      &lt;div&gt;                        Three boys, they all committed murder. After discovering their haunting faces and disturbing stories in a banned prison documentary from 1984, the              filmmaker goes out to find them and discovers untold secrets and a Hungary he has never known.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_624187.jpg" rel="foto" title="&amp;lt;div&amp;gt;KAK MENYA ZOVUT  / NAME ME &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_624187.jpg" alt="KAK MENYA ZOVUT  / NAME ME" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;&amp;quot;&lt;b&gt;&lt;a title="Link: http://cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=36637&amp;amp;IdF=179282" href="http://cinando.com/DefaultController.aspx?PageID=FicheFilm&amp;amp;IdC=36637&amp;amp;IdF=179282" class=""&gt;Name Me&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Nigina Sayfullaeva (Russia)      &lt;/div&gt;      &lt;div&gt;                        Two 17-year-old Muscovite girls, Olya and Sasha, are going to Crimea to meet Olya’s father Sergey. At first girls have their fun. Little do they              know that the innocent joke they invent will turn into great drama and change their lives forever.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_624018.jpg" rel="foto" title="&amp;lt;div&amp;gt;LIMBO &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_624018.jpg" alt="LIMBO" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;Limbo&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Anna Sofie Hartmann (Germany)      &lt;/div&gt;      &lt;div&gt;                        A small town in rural Denmark; teenager Sara and newly arrived teacher Karen grow a connection amidst projections, quiet expectations and daily              life all around. Courage leads to disappointment and when an unexpected event occurs, Karen is left on her own.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_623359_5361.jpg" rel="foto" title="&amp;lt;div&amp;gt;LA MADRE DEL CORDERO &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_623359_5361.jpg" alt="LA MADRE DEL CORDERO" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a href="https://es-es.facebook.com/lmdcpelicula" class=""&gt;The Mother of the Lamb&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Rosario Espinoza, Enrique Farias (Chile)      &lt;/div&gt;      &lt;div&gt;                        Cristina, a 49 year old woman, has spent her entire life caring for her mother Carmen. She re-encounters Sandra, a liberal and open-minded              ex-colleague who will show her friend other ways to live.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_621791_5364.jpg" rel="foto" title="&amp;lt;div&amp;gt;MODRIS &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_621791_5364.jpg" alt="MODRIS" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3657970/" class=""&gt;Modris&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Juris Kursietis (Latvia - Greece - Germany)      &lt;/div&gt;      &lt;div&gt;                        Unable to deal with her teenage son, the boy's mother turns him in for a small crime. But a teenager's life cannot handle police probation. Based              on true events.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_623242_5360.jpg" rel="foto" title="&amp;lt;div&amp;gt;UNA NOCHE SIN LUNA &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_623242_5360.jpg" alt="UNA NOCHE SIN LUNA" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a title="Link: https://pro-labs.imdb.com/title/tt3577686/" href="https://pro-labs.imdb.com/title/tt3577686/" class=""&gt;A Moonless Night&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Germ&amp;aacute;n Tejeira (Uruguay - Argentina)      &lt;/div&gt;      &lt;div&gt;                        On New Year's night, three lonely night owls arrive in a small town way out in the Uruguayan countryside, where they will have the opportunity to              change their destiny. A film about love, loneliness, opportunities and the passing of time.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_620268.jpg" rel="foto" title="&amp;lt;div&amp;gt;NO TODO ES VIGILIA  &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_620268.jpg" alt="NO TODO ES VIGILIA " title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;&amp;quot;&lt;b&gt;&lt;a href="https://pro-labs.imdb.com/title/tt2853960/" class=""&gt;It&amp;acute;s Not Vigil&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Hermes Paralluelo (Spain - Colombia)      &lt;/div&gt;      &lt;div&gt;                        In his new film, Hermes Paralluelo tells a love story. A love story that begins when its lead characters, Antonio and Felisa, have been together              for over 60 years and their delicate health means they can no longer care for one another. The prospect of having to move into a home for the              elderly looms menacingly on the horizon. The film portrays love in old age, nights of fitful sleep over the worry of loneliness, death and              separation from a loved-one. Fear of leaving life in the hands of others and of losing independence.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_621627_5382.jpg" rel="foto" title="&amp;lt;div&amp;gt;TOTO SI SURORILE LUI   &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_621627_5382.jpg" alt="TOTO SI SURORILE LUI  " title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a title="Link: https://pro-labs.imdb.com/title/tt2234537/" href="https://pro-labs.imdb.com/title/tt2234537/" class=""&gt;Toto and His Sisters&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Alexander Nanau (Romania)      &lt;/div&gt;      &lt;div&gt;                        From Emmy-Award winning German-Romanian director Alexander Nanau comes an amazing family love story. Totonel (10) and his sisters are growing up in              a poor city suburb, waiting for their mother to come home from prison.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_622153_1.jpg" rel="foto" title="&amp;lt;div&amp;gt;LOS TONTOS Y LOS EST&amp;amp;UACUTE;PIDOS &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622153_1.jpg" alt="LOS TONTOS Y LOS EST&amp;uacute;PIDOS" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3104102/" class=""&gt;The Silly Ones and the Stupid Ones&lt;/a&gt;&lt;/b&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3104102/" class=""&gt;&amp;quot;      &lt;/a&gt;&lt;/div&gt;      &lt;div&gt;          Roberto Cast&amp;oacute;n (Spain)      &lt;/div&gt;      &lt;div&gt;                        Second feature by Roberto Cast&amp;oacute;n, whose movie &lt;em&gt;Ander &lt;/em&gt;competed in the Panorama Section at Berlin in 2009. Mario, Paula, Miguel and Lourdes              run into one another while looking (some more than others) for a way out of a life they don't like. The situation forces them to make decisions,              listening either to their hearts or to the fear of change. They are accompanied in the process by the film's director, played by Roberto &amp;Aacute;lamo.              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_622391.jpg" rel="foto" title="&amp;lt;div&amp;gt;UROK / THE LESSON &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622391.jpg" alt="UROK / THE LESSON" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;      &lt;div&gt;          &amp;quot;&lt;b&gt;&lt;a href="http://cineuropa.org/nw.aspx?t=newsdetail&amp;amp;l=en&amp;amp;did=254405" class=""&gt;The Lesson&lt;/a&gt;&lt;/b&gt;&amp;quot;      &lt;/div&gt;      &lt;div&gt;          Kristina Grozeva, Petar Valchanov (Bulgaria - Greece)      &lt;/div&gt;      &lt;div&gt;                        In a small Bulgarian town, Nadezhda, a young teacher, tries to find out which of her students is stealing in class, so that she can teach them the              difference between right and wrong. But when she finds herself in debt to moneylenders, will she know the right road to take? What happens when an              honest person turns into a criminal?              &lt;br /&gt;          &lt;br /&gt;&lt;br /&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;hr noshade="noshade" size="1" /&gt;  &lt;div&gt;      &lt;div&gt;          &lt;a href="http://www.sansebastianfestival.com/admin_img/peliculas/62g/fp_622362.jpg" rel="foto" title="&amp;lt;div&amp;gt;VINCENT N'A PAS D'&amp;amp;EACUTE;CAILLES &amp;lt;/div&amp;gt;"&gt;              &lt;img src="http://www.sansebastianfestival.com/admin_img/peliculas/62p/fp_622362.jpg" alt="VINCENT N'A PAS D'&amp;Eacute;CAILLES" title="TITULOORIGINALESCAPE" /&gt;          &lt;/a&gt;      &lt;/div&gt;      &lt;div&gt;      &lt;/div&gt;  &lt;/div&gt;  &lt;div&gt;&amp;quot;&lt;b&gt;&lt;a href="https://pro-labs.imdb.com/title/tt3636528/" class=""&gt;Vincent&lt;/a&gt;&lt;/b&gt;&amp;quot;&amp;nbsp;  &lt;/div&gt;  &lt;div&gt;      Thomas Salvador (France)  &lt;/div&gt;        Vincent is not just a young man among others. His strength, reflexes and agility increase when in contact with water. There he meets Lucie, falls in love,      and shares his secret with someone for the first time...  &lt;br /&gt;&lt;br /&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/f0157c1/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F55%2F8b%2Fcb82b38e4618892f8bdf1e1b6a4d%2Fsan-sebastian-festival.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/4a83d3e/2147483647/crop/401x283%2B67%2B0/resize/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F55%2F8b%2Fcb82b38e4618892f8bdf1e1b6a4d%2Fresizes%2F500%2Fsan-sebastian-festival.jpg" type="image/jpeg" />
      <pubDate>Wed, 06 Aug 2014 15:30:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/sydneylevine/san-sebastian-thirteen-films-compete-for-the-kutxa-new-directors-award-20140806</guid>
      <dc:creator>Sydney Levine</dc:creator>
      <dc:date>2014-08-06T15:30:00Z</dc:date>
    </item>
    <item>
      <title>Dorothy Arzner to Receive Career Retrospective</title>
      <link>http://blogs.indiewire.com/womenandhollywood/dorothy-arzner-to-receive-career-retrospective</link>
      <description>&lt;p&gt;Here's the good news: Pioneering director Dorothy Arzner (1897-1979)&amp;nbsp;-- was one of the first woman directors to have a career in Hollywood making films. She was the first female member of the DGA, and still remains one of the most prolific women directors of all time (with 16 features), AND the inventor of the boom mike -- will receive a career retrospective.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Here's the bad news (for most of us): The retrospective will take place in Spain, at the San Sebastian International Film Festival (Sept. 17-26).&lt;/p&gt;&lt;p&gt;The retrospective will coincide with the publication of a book that seeks to explain why Arzner stopped making films after 1943's&amp;nbsp;&lt;i&gt;First Comes Courage&lt;/i&gt;. In the 1960s and 1970s, Arzner taught directing and screenwriting at UCLA. Among her students was Francis Ford Coppola. She was honored by the DGA in 1975. Katharine Hepburn, with whom Arzner reportedly had a tense early relationship,&amp;nbsp;sent a telegram for the event: "Isn't it wonderful that you've had such a great career, when you had no right to have a career at all?"&lt;br&gt;&lt;/p&gt;&lt;p&gt;Arzner started her Hollywood career as a stenographer for Paramount Pictures. She was promoted to screenwriter, then editor. (She went on to edit at least fifty films at Paramount). She landed her first directing assignment by threatening to defect to Columbia; her first film was 1927's&amp;nbsp;&lt;i&gt;Fashions for Women&lt;/i&gt;, which was a hit. Legend has it that Arzner came up with the idea for the boom mike while on set at Clara Bow's first talkie,&amp;nbsp;&lt;i&gt;The Wild Party&lt;/i&gt; -- she had technicians attach a microphone to a fishing rod so that Bow could move around freely on set. She left Paramount five years after her debut film to work as an independent director.&amp;nbsp;&lt;/p&gt;&lt;p&gt;Arzner made comedies and melodramas; among her works are&amp;nbsp;&lt;i&gt;The Wild Party&amp;nbsp;&lt;/i&gt;with Clara Bow,&amp;nbsp;&lt;i&gt;Honor Among Lovers&lt;/i&gt; with Claudette Colbert,&amp;nbsp;&lt;i&gt;Christopher Strong&lt;/i&gt; with Katharine Hepburn,&amp;nbsp;&lt;i&gt;The Bride Wore Red&lt;/i&gt;&lt;span&gt; with Joan Crawford, and&amp;nbsp;&lt;i&gt;Dance, Girl, Dance&lt;/i&gt; with Lucille Ball. Arzner was also known for her forceful female characters and lesbian subtexts.&amp;nbsp;&lt;/span&gt;&lt;br&gt;&lt;/p&gt;&lt;p&gt;&lt;span&gt;You can learn more about her from the Women's Film Pioneer Project &lt;a href="https://wfpp.cdrs.columbia.edu/pioneer/ccp-dorothy-arzner/" target=""&gt;here&lt;/a&gt;.&lt;/span&gt;&lt;/p&gt;&lt;p&gt;[h/t &lt;i&gt;&lt;a href="http://variety.com/2014/film/international/dorothy-arzner-to-receive-a-san-sebastian-retrospective-1201152088/" target=""&gt;Variety&lt;/a&gt;&lt;/i&gt;]&lt;/p&gt;</description>
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/e49df7b/2147483647/thumbnail/675x404/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F79%2F15%2F916c8d714a1fb1125ef2ad596fa6%2Fdorothy-arzner.jpg" type="image/jpeg" />
      <enclosure url="http://cdn.indiewire.psdops.com/dims4/INDIEWIRE/a558642/2147483647/crop/350x246%2B0%2B0/resize/230x161/quality/90/?url=http%3A%2F%2Fdl9fvu4r30qs1.cloudfront.net%2F79%2F15%2F916c8d714a1fb1125ef2ad596fa6%2Fdorothy-arzner.jpg" type="image/jpeg" />
      <pubDate>Fri, 04 Apr 2014 16:00:00 GMT</pubDate>
      <guid>http://blogs.indiewire.com/womenandhollywood/dorothy-arzner-to-receive-career-retrospective</guid>
      <dc:creator>Inkoo Kang</dc:creator>
      <dc:date>2014-04-04T16:00:00Z</dc:date>
    </item>
  </channel>
</rss>

