https://www.youtube.com/watch?v=XqeTtAqNTgY&list=RDnQNN3RPvtns&index=7

The Shadow Self: The song draws heavily from Carl Jung's psychological theory of the shadow. The shadow represents the unconscious part of the human psyche containing repressed weaknesses, hidden instincts, and perceived shortcomings. 
YouTube +1

Shadow Work: Lyrics like "stepping through my shadow" describe the painful yet necessary process of confronting one's inner darkness rather than denying or burying it
.
 
The Pennsylvania State University +1

Integration: True psychological healing and maturity require acknowledging these hidden parts to stop them from unconsciously controlling your behavior. 
Quora

Okay, so, after listening to this a couple of times using a good set of headphones, I discovered "flavors," if you will, from each of them. Little things that one might not notice right off the bat but nevertheless are there. Subtle taps by the drummer. Equally subtle enhancements by the guitar; the kinds of little things that really add to the song. Kind of like putting just enough spice in a dish to make it pop without being overwhelming and distracting. Great track by a great band. I really enjoyed this. Thank you. From 

@oldgoat142

3 years ago

https://www.youtube.com/watch?v=o7p1UmzikNI&list=RDnQNN3RPvtns&index=6

Hungarian band Másfél was originally founded in 1991.They play a mixture of electro guitar pop somewhere in between jazz fusion, drum n bass, dub, acid-jazz and modern rock. For the years they played in many festivals all around Hungary and nearest countries. Their music was changed in time, two new members came from popular Russian-Armenian band Deti Picasso ( including interesting ethno-alternative female singer Gaya Arutyunyan). Band are known by it's long monotonous compositions where jazz-fusion, drum'n'bass and some psychedelic elements are mixed in one sound, rich in electronics and samples. They have written movie and computer game soundtracks and at the end of 2005 they released their latest album, En Garde!. On it they use some new electronics and vocal for a first time.https://www.youtube.com/watch?v=eJrIjAOQpWo&list=RDl2ztcKFDJdo&index=3

Music and Entertainment

colorStar: A pioneering Hungarian underground band formed in Budapest in 1996. They mix electronic party music, psychedelic rock, and world music. Fans often describe their genre as "dance music for space travel". Key albums include Via La Musica (2001) and Komfort (2004). You can listen to their tracks on the Colorstar Spotify Profile. [1, 2]

Colorstar - Morning Call...

https://www.youtube.com/watch?v=OozYNLrJX3Q&list=RDEMnuXyNgBwHeW4gSIaDHU13Q&index=6

New Zealand’s villas, bungalows and early timber buildings are recognised by their details. Deep skirting boards, shaped architraves, decorative mouldings and distinctive weatherboards all contribute to the character of a building.

When one of these components is damaged or missing, replacing it with the nearest modern alternative can create an obvious visual break. Matching the original timber profile allows repairs and extensions to sit more naturally alongside the existing building.

What is a heritage timber profile?

A timber profile is the shape seen when a piece of timber is viewed from its end. While a skirting board may appear straightforward from the front, its profile could contain steps, curves, bevels and beads.

Heritage profiles are commonly found in:

• Skirting boards
• Door and window architraves
• Timber weatherboards
• Scotia and cornice mouldings
• Dado and picture rails
• Tongue and groove flooring
• Interior wall panelling
• Handrails and decorative trims

Many profiles changed between architectural periods. A Victorian villa may have more elaborate mouldings, while later bungalows often feature wider, simpler timber details. The dimensions could also vary between builders and regions.

This means identifying the building’s age is useful, but it does not guarantee that a standard historical profile will match.

Begin with the best original sample

The most reliable way to reproduce a profile is to start with a complete original piece.

A sample should ideally show the full cross-section and be long enough to establish whether its edges are straight. Pieces hidden inside a cupboard, behind later alterations or in a less weathered part of the building may be in better condition.

Removing a sample requires care. Old timber can be brittle, while nails, paint and previous repairs may make it difficult to lift without damage. If a piece cannot be removed, detailed measurements and a profile template may be taken in place.

Before disturbing painted timber in an older building, consider the possibility of lead-based paint and follow appropriate testing and safety procedures.

Measure the profile, not the paint

Years of paint build-up can soften a moulding’s original edges and fill shallow details. Weatherboards may also have worn surfaces, damaged corners or distorted edges.

Copying these imperfections can produce a new profile that does not represent the original shape.

The sample should be examined for:

• Overall width and thickness
• Depth and position of rebates
• Curves, beads and bevels
• Tongues, grooves and overlaps
• Flat sections between details
• Evidence of swelling, shrinkage or wear
• Paint layers that may disguise fine features

A profile gauge can capture a basic outline, but detailed mouldings often need callipers, accurate measurements and a full-size drawing. Comparing several original pieces can help distinguish the intended shape from later damage.

Create and check a full-size drawing

Once measured, the profile is transferred to a full-size technical drawing or digital template. This becomes the reference used to create the cutting tool.

The drawing should be checked against the original sample before manufacturing begins. Even a small difference can become noticeable when new and old mouldings meet at a doorway or continue along the same wall.

For weatherboards, the visible face is only one consideration. The lap, rebate, cover and overall thickness affect how the boards fit and manage water. A visual match alone is not enough.

Notes that horizontal timber weatherboard performance depends on factors such as board profile, fixing, laps, clearances, flashings and coating. Replacement exterior components must work as part of the complete cladding system.

Select suitable timber

Matching the profile does not always mean using the same species. The original timber may be unavailable, unsuitable for the new location or difficult to source in the required dimensions.

Selection should consider:

• Interior or exterior exposure
• Natural durability or treatment
• Stability and expected movement
• Density and machining behaviour
• Compatibility with existing timber
• Paint, stain or clear-finish requirements
• Available board dimensions
• Relevant Building Code requirements

Moisture content also matters. Timber machined while too wet may shrink after installation, opening joints or changing the alignment of the profile. Material should be properly dried and conditioned for its intended use.

Produce a test section

A short test section should be machined before the full run. This can be placed against the original component and checked for size, alignment and visual accuracy.

For an architrave or skirting board, the test should meet the existing profile without a visible step. For a weatherboard, the lap and cover must be checked along with the outward appearance.

This stage is the best time to correct the cutting tool. Adjustments become more expensive once the full quantity has been manufactured.

Consider the wider renovation

Matching a profile is only one part of a successful heritage repair. New work must also meet applicable consent, durability and weathertightness requirements.

Building Performance guidance states that alterations must not reduce a building’s existing level of Building Code compliance. Heritage status, local planning rules and the extent of the work may create further requirements, so owners should check with their council and relevant heritage adviser before starting.

For projects that require an unavailable profile to be recreated, a specialist timber processor such as Botica Timber can work from a sample or dimensioned drawing to manufacture matching mouldings, weatherboards, skirting and architraves.

Careful measurement and testing preserve more than a decorative shape. They help repairs respect the proportions, materials and craftsmanship that give New Zealand’s older buildings their identity.

Choosing a roofing contractor for a commercial property is an important decision. A commercial roof protects the building, staff, tenants, stock, equipment and daily operations. If the work is not completed properly, the cost can go far beyond the roof itself.

Commercial roofing projects are often more complex than residential jobs. They may involve larger roof areas, stricter access requirements, height safety planning, drainage considerations and the need to minimise disruption to business activity. This makes it important to work with a contractor that understands commercial roofing, not just general roof repairs.

One of the first things property owners should look for is relevant experience. A contractor should be able to explain the type of roofing systems they work with, the materials they recommend and how they approach commercial roof repairs, new roof installation or roof replacement. Experience matters because every building has different requirements, from warehouses and offices to retail spaces and industrial sites.

Clear communication is another key factor. A good roofing contractor should be able to explain what condition the roof is in, what work is required and whether repair, maintenance or replacement is the best option. Commercial property owners often need to plan around tenants, staff, customer access or operational hours, so communication before and during the job is essential.

Health and safety should also be a major consideration. Commercial roofing often involves working at height, using access equipment and managing hazards around active business sites. Contractors should have practical safety procedures in place and be able to plan the work in a way that protects workers, building users and visitors.

The right contractor should also take a full roofing system view. A leak or drainage problem may not be caused by the most obvious visible damage. Gutters, downpipes, flashings, roof penetrations, old materials and poor water flow can all contribute to commercial roofing issues. A proper inspection should look at the wider roof system rather than only patching the first visible problem.

Material knowledge is also important. Commercial roofs may use long run metal roofing, membrane systems, cladding, coatings, guttering or other specialised roofing products. A contractor should be able to recommend materials suited to the building, location, budget and long-term performance needs.

Property owners should also be cautious of choosing based on price alone. A low upfront quote may not include the same level of preparation, materials, safety planning or workmanship. In commercial roofing, poor work can lead to leaks, repeated repairs, business disruption and more expensive replacement work later.

A reliable contractor will usually provide practical advice, realistic timelines and a clear explanation of the work involved. They should also be willing to answer questions about access, drainage, warranties, maintenance and how the project will be managed.

Regular maintenance is another area to consider. The best commercial roofing contractors do not only help when something goes wrong. They can also advise on roof inspections, gutter and downpipe checks, coating condition, membrane performance and early signs of roof deterioration. Preventative maintenance can help extend the life of a commercial roof and reduce the risk of unexpected leaks.

Certified Roofing says commercial property owners should treat roofing as part of wider building protection, not just a repair item. A well-maintained roof helps protect the value of the property and reduces the chance of avoidable disruption.

For commercial buildings, choosing the right roofing contractor comes down to experience, communication, safety, material knowledge and a clear understanding of the property’s needs. Taking the time to choose carefully can help ensure the roof is repaired, replaced or maintained properly from the start.

Across New Zealand, families are rethinking how and with whom they live. Rising housing costs, an ageing population, and an appreciation for family support networks have all contributed to a rise in multi-generational living. And increasingly, one of the housing solutions families are turning to is transportable homes.

A Shift in How Kiwi Families Are Living

Many adult children are building a second, smaller home on the family property for ageing parents who want to stay close without moving into aged care. Grandparents are relocating nearer to their grandchildren while holding on to their independence. Young families are setting up a granny flat as a stepping stone toward their own property, all while staying close to family support.

This isn't a niche trend and reflects some very real pressures. With house prices and construction costs remaining a challenge for many New Zealanders, extending an existing property to house a family member can often be more achievable than buying separately. It also means practical, everyday support, be it with childcare, an extra pair of hands during tough times or simply enjoying each other’s company. 

Why Transportable Homes Work Well

Transportable homes are particularly well suited to this shift in New Zealand. Because they're built off-site in a factory setting and delivered largely complete, transportable homes offer a faster, less disruptive way to add a second dwelling to an existing property than a full on-site build allows. There's no lengthy construction process playing out in the middle of a family's backyard, and timelines are far more predictable, an important factor for families coordinating a parent's move or supporting adult children through a life transition.

For many, that combination of speed, cost-effectiveness and minimal disruption is what makes a transportable home the practical choice over a standard build or a move into a retirement village.

A Housing Solution Built Around Family

Several New Zealand building companies now offer turnkey services covering design, construction and delivery of transportable homes, with experienced teams managing the entire process from start to finish. That level of support allows families to focus on what matters most - settling a loved one into a comfortable, well-built home close to the people who matter.

As more New Zealand families look for practical ways to stay connected across generations, transportable homes are proving to be one of the more flexible answers to a very modern housing question.

https://www.youtube.com/watch?v=LkCSi9Vp_90&list=RDEMnuXyNgBwHeW4gSIaDHU13Q&index=6

14,640 views 1 Jun 2011
Artist: Korai Öröm Album: 1996

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415 subscribers
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About

Korai Orom from Hungary has been active since 1990, building a steady name at home and abroad. Their music blends rock, trance, metal and tribal sounds with Eastern and Western European touches. Long festival sets, live visuals, and slow building rhythms create a deep and steady flow on stage.

https://www.youtube.com/watch?v=_G_OQYvuXzs

If you're a fan of =1 (2024), there's a good chance you'll enjoy SPLAT!. Many critics feel Simon McBride has settled into the band well, and the album has a heavier, classic Deep Purple feel while still sounding fresh.

Louder called it "the very best Deep Purple one could possibly expect to hear in 2026" and praised the songwriting, Simon McBride's guitar work, and Bob Ezrin's production.
Ultimate Classic Rock described it as another strong album with concise, energetic songs and highlighted tracks such as "Arrogant Boy," "The Only Horse in Town," and "Guilt Trippin'".

https://www.youtube.com/watch?v=SoSr0sStFaE

Splat! (stylised in all caps) is the twenty-fourth studio album by English rock band Deep Purple, released on 3 July 2026.[1] It is the band's sixth collaboration with producer Bob Ezrin, who has produced every Deep Purple album since 2013's Now What?!.[2] It is their second album with guitarist Simon McBride, following 2024's =1.[3] It was described as "the heaviest Deep Purple album in many years" by the band.[
1,892,743 views Premiered on 13 May 2026 #SPLAT #DeepPurple #ArrogantBoy
Access the 2026 Deep Purple studio album SPLAT!: https://deeppurple.lnk.to/SPLATID Stream & download the new single Arrogant Boy: https://deeppurple.lnk.to/arrogantboyID #DeepPurple #SPLAT #ArrogantBoy

https://www.youtube.com/watch?v=uo4Khr3ByG8&list=RDEMnuXyNgBwHeW4gSIaDHU13Q&index=11

The phrase you searched likely refers to "Deltoid" by the Hungarian psychedelic-trance band Korai Öröm. This hypnotic, tribal-trance track is a fan-favorite, most notably featured on their 1997 album and the 2013 compilation. 

The very first published songs of Korai Öröm originally issued on music casette in 1993 are now available again on a double vinyl published by Trottel Records. They published the original casette in only 500 copies. Nowadays almost impossible to find it. The original setlist has been completed with some later recordings.

https://www.vanbommelvandam.nl/collectie/zoeken/kunstenaar-nardus-van-de-ven-2

Discover Nardus van de Ven

Our museum was founded in 1969 thanks to the donation of the private collection of Maarten and Reina van Bommel - van Dam. This was an art collection of over 1,100 works. Since then, our collection has grown, deepened, and been enriched with many more exceptional artworks. Dive into our digital depot and discover the collection via your screen.

Questions about the collection? Please contact collection manager Hilde Janssen at: