"I’m still trying to figure out what I want to be when I grow up. I always wanted to be a singer—my whole life, all I ever did was sing around the house. [Modeling and acting] all happened so young, before I even had a chance to really think about it. But I love what I do... People are always telling me how much they loved Empire Records. We had so much fun making that movie. I was so young—16 or 17. I still had a tutor! [Laughs] I wasn't really thinking about [making a fashion statement]. But those were my boots in the movie [photo 15]! Actually, we got into a huge fight, because I had this whole outfit planned, and then the night before filming, [the studio] said they wanted me in a mohair sweater and a plaid miniskirt. It was something about how they wanted to soften my look, but being a rebellious teenager, I was mad. I was like, ‘Are you fucking kidding me? Really? Fine, screw you, I’m gonna wear my boots with it!’ Well, that’s what I said to myself.

Everything has changed so much in fashion and beauty since the Nineties, when I was starting out. I remember going to the Stealing Beauty premiere, and I loved Dolce & Gabbana so I reached out to them to borrow a dress and they sent me one. I think I had my hair done. But I would go to things all the time where I did my own hair and makeup. Or, when I did Inventing the Abbotts with Joaquin Phoenix, we were dating at the time, and I threw on this red Prada dress with my weird vintage coat for the premiere [photo 16]. I remember Gwyneth [Paltrow] came to the premiere for Armageddon and danced with me at the after-party and she had no makeup on, this little slip dress and no bra, and maybe flip-flops. It was just a different time. There weren’t as many paparazzi, the red carpets weren’t what they are now—there’s a lot of scrutiny going on and the maintenance is intense! Think about seeing Julia Roberts on the red carpet in the late 80s and early 90s in a suit with no makeup on, and that was OK. I sort of miss those days a little bit.

I really learned about makeup and skincare from watching my grandmother [Dorothea Johnson] and my mom [Bebe Buell]. My grandmother was very elegant, very detail-oriented, and kind of meticulous about her routine and about how groomed she was. She started teaching me the importance of moisturizing at six years old, putting moisturizer on me every night when I got out of the bath. She also taught me things like, ‘Never go to sleep without washing your face,’ so, at a very young age, I was washing my skin. And then I watched my mom, who was totally different. My grandma is an etiquette teacher, who’s written books on the topic—we’re actually writing one together right now—and my mom had this rebel heart. She played in punk bands and worked as a model. Growing up, I’d always watch her do her makeup, and I would break into her bag all the time and use her products. But I started working at 13! So, I can’t remember ever not having makeup or skincare around.

I'm obsessed with beauty—seriously, one of my dreams is to write a book about beauty secrets and do a skincare line. Having said that, I haven’t even begun to venture down that road, but since I was a very young teenager, I would collect masks and moisturizers, and when my girlfriends would come over, I’d be giving them ideas for what to do to their skin. I still do that all the time.

When you put a bit more effort into some things, the results are wonderful, especially as a woman—in your health, your body, your skin, your hair. It can be about that extra five little minutes a day, 30 more minutes a week. Try to shut the world out. If you’re a mom, you just say, ‘Okay, here, you’re going to watch a movie, I’m going to take a bath.’ Take the time to have a bath, to do a face mask. It really makes you feel better! And that is what makes you more beautiful—the inner-sparkle that shines out. My whole thing about skincare is starting from the inside, out. There’s no cream that’s going to make you beautiful.

That being said, I think that exfoliation is the key to beautiful skin, I really do. I use scrubing gloves every day in the shower. They just make you glow and get your blood flowing… Your skin is your biggest organ! It’s important to slough off dead cells all the time. For example, today I flew in on a red eye from L.A. and slept for four hours. So, I took a steam shower with essential oils and I scrubbed my skin, conditioned my hair, and I used the Clarisonic—just that gets your blood flowing. Your skin is flushed, awake, and alive. I’m a big believer in that type of thing. Like, if I had to go to a big event, a couple hours before, I’d take a crazy-hot bath with tons of salts and oils a few hours before. I love Kneipp Joint and Muscle Mineral Bath Salts; they’re intense. But I do more than that—I take a couple of baths a week where I use a whole box of epsom salts and either a bottle of hydrogen peroxide or a packet of baking soda. Equal parts salt and hydrogen peroxide. It makes you sweat all of the toxins out and all of the bad stuff. I learned about it from a hippie-natural-amazing pediatrician, actually, for when kids get sick.

So, I do that a couple times a week, and I’ll do a face mask while I’m in there. I love the Astara Skincare Blue Flame Purification Mask because it has lots of good oils in it and it makes you glow, or the Cellcosmet Anti-Stress Cream Mask, which I got from my facialist in LA, or Bliss' Triple Oxygen Instant Energizing Mask. I’m also pretty much obsessed with Tracie Martyn Amla Purifying Cleanser—I put it on my Clarisonic. For toner, Caudalie Beauty Elixir is my favorite thing in the universe; I am hooked on it, and I take the travel-size one on the plane, wherever I'm going. Shu Uemura Cleansing Oil is amazing, too—when you add water, it turns into a white, milky texture and it takes your makeup off in one second.

I use different creams and moisturizers. I really like Nia25 Intensive Recovery Complex and NeoCutis BioRestorative Skin Cream, which my godmother and dermatologist told me about. It’s almost like La Mer, in that it’s soothing and very non-allergenic feeling; you can just keep loading it on and it really hydrates. After I put on my normal moisturizer, I rub tons of La Mer into my lips and then I use it as a spot treatment—a little bit under my eyes, around my nose, above my top lip. My favorite light moisturizer is Remède Alchemy Emulsion, which smells so beautiful—I’ve been using it since I was, like, 15. But the Cetaphil cream pot is my favorite, favorite, favorite moisturizer—I use it all the time, after the shower, every day. It holds the water in, and makes you have beautiful skin. At night, I’ve been using these little Pomega5 oil capsules from Bliss.

Here's one trick that I’m pretty religious about: when I’m showering, I’ll turn the water to cold for the last couple minutes, which a hairstylist friend told me closes the hair cuticle. It makes your hair really shiny and beautiful. And I always feel like it makes you a little bit skinnier. [Laughs] So, I always do that. In terms of maintenance, I shampoo and condition my hair every other day. When I condition, I use a mound of product—they say ‘quarter-size,’ but I’ve got, like, five silver dollars in there. I’ve been working with Pantene in Europe and Asia [as an ambassador] for the last couple of years, but I’ve been using their products since I was a kid, back in the Empire Records days. I like their Clinicare line, which I think is only available in Asia. It makes my hair velvet-y and light. I also love Terax products—they feel amazing.

With makeup, I like to look like I don’t have makeup on. I think I have a face that can take a lot of product. On movies, it’s always interesting because, the way my eyes are, if you do a strong eye on me, you have to keep putting it on. It’s the way my face reflects light or something, but I can take a lot of makeup. But I usually don’t wear very much, especially when I’m not working. For foundation, I mix a little bit of Koh Gen Do Moisture Foundation in #123 and #12, and put it on really gently with my finger. When someone else does my face, they’ll use a sponge, but I never, ever do that when I do my own makeup. And then I do a bit of YSL Touche Éclat #2, just to highlight places. I put Givenchy Blush Gelée on my cheeks, or this crazy-old Kevyn Aucoin Creamy Moist Glow in Pravella that I love. It’s so old, he was still alive when I got it. If I was going to the beach, I would just use Becca’s Beach Tint on my cheeks and lips and nothing else.

On my eyes, I usually work some Givenchy Magic Khol in Coffee in along the top and bottom lashes and smudge it. I don’t wear eye shadow—if I want the color to go up a little higher, I’ll just keep smudging the eyeliner upwards. Then, I love Clinique’s Naturally Glossy Mascara. I use it a lot on movies because it’s so natural-looking. I’m not a big clumpy mascara fan—I like my lashes to all be fanned and spread out.

My favorite red lipstick is Rio Rio by Topshop. It’s this amazing orange-y red. It was Alexa Chung’s suggestion, actually! I saw her once and I said, ‘Chunginator, what’s your lip color?’ She told me it was from Topshop and I was like, ‘Get out of town!’ I wore it a lot in December, to a couple of premieres—The Hobbit, Django... I like the red lip. Sometimes, I’ll use a Nars Red Square Velvet Matte Lip Pencil just to help it.

I still have a stash of my Liv’s Lips lipstick that I made with Givenchy. When I started working with them, Nicolas [Degennes, the artistic director of Givenchy Beauty] and I would always put a stain on me, whether for campaign shoots or PR events. I had a couple of different ones I’d collected that were these kind of sheer, berry stains, like the Clinique Black Honey Almost Lipstick, only a bit deeper. Eventually, he made one for me, and then they produced it as a limited-edition Rouge Interdit lipstick. If you look at it, it’s black, but it goes on really sheer. It’s kind of like a mood ring—different on everyone, but always the right color for how you’re feeling.

I’ve worn the same perfume, C.O. Bigelow Musk Oil, for so many years. And I’m telling you, every day, five people will ask me what I’m wearing. That’s all it is, musk oil from Bigelow’s! I put little drops on my fingers and put some under my arms and in my belly button. My dad taught me that—if you put it where you heat up, the smell stays with you.”

—as told to ITG

[1-14] Liv Tyler photographed by Emily Weiss in New York on April 19, 2013; [15] Liv Tyler in Empire Records; [16] Liv Tyler with Joaquin Phoenix and Natalie Portman at the Inventing the Abbotts premiere.

Unofficial Summer has arrived! School is out, it's 85 degrees in NYC, we've stocked up on summer whites, and as of Memorial Day, Citi Bike will be open for a 'preview week.' Today, would-be members received texts announcing that the bike-sharing app is finally available, so get out your iPhones and download away (it's also available through Google Play). Currently, the app displays hundreds of soon-to-be-activated cycle stations (all situated below 23rd Street in Manhattan and across Brooklyn), and a quick survey of the Citi Bike NYC website reveals stations planned for Manhattan south of 60th Street. We couldn't be more excited for the program, which is already popular in cities like London and Washington, DC. No more worrying about having your bike stolen! No more taking a wheel with you whenever you lock up! With Citi Bike, you subscribe and ride, like Zipcar, only you don't have to return it to the same station. The company offers daily, weekly, and annual memberships, so pick up a helmet and get ready to become a 'bike person'—we certainly will be.

Lisa Eldridge has won us over yet again with another flawlessly executed makeup tutorial. This time, though, she's using a fresh-faced model rather than her own pretty mug to demonstrate her new spring look, inspired by a young Brigitte Bardot (and a recent Kate Winslet Bazaar cover she worked on). And while it is easy to get lost in Eldridge’s video collection—trust us, we have—this one stands out as a great idea for the season upon us—no, not spring (though, yes, that, too), but prom and wedding season!

Anyone who's gone through the over-hyped experience of prom can appreciate Lisa's pared-down look: no glitter eyeshadow, no lip gloss, no corkscrew sideburn curls. And for those of you with nuptials to attend this spring/summer, Eldridge has got the answer, and no Kardashian-level technical skills are required. Sure, the video is not aimed specifically at these events, but we here at ITG have decided that the “Baby Bardot” is the perfect un-statement statement. Just a simple, healthy face, perfect cat eye, lush lashes, and a rosy-nude lip. Plus, in the end, even if there is nothing super special coming up on your calendar, it never hurts to look like one of the original blonde bombshells (though we advise leaving the French accent at the door).

While surveying the latest Chloë Sevigny campaign last week, we spotted Tati Cotliar in a perplexing ensemble starring a Balenciaga-esque bomber jacket, crop top, and fanny pack. We’ve been fans of the bomber for some time, but the 22 year-old Argentinian model’s mix of High Street, club kid, hip hop, and ‘90s-sitcom-kitsch made it feel, well, fresh. We can't all be doe-eyed South American babes, but we can take something away from her so-wrong-it's-right culture-clashing style. Tati swung by the Gloffice last week with two suitcases overflowing with her prized bombers and offered up some guidelines, plus the accoutrements necessary—chunky-soled sneakers, a dark lip, etc.—to dress yourself up like The Nanny, Kanye, or Michelle Pfeiffer in Grease 2. (And we picked our favorite pieces below!)

1. There's nothing like the real thing: "I’m all about sportswear. It’s something that’s happening in America now, especially since that 1950s-style summer collection that Prada did [for spring '12]. To me, it feels very Grease, like Michelle Pfeiffer. I like a proper baseball jacket, made for baseball. I buy mine at vintage stores like Allan & Suzi or little shops like Pixie Market. The shape of real team jackets gives you this attitude, this slouch. And it’s very street smart, like the kids on the Lower East Side playing basketball."

2. When in doubt, look to Clueless: "I remember in the '90s when crop tops were the item. Showing your bellybutton was the hottest thing—like in Clueless when Alicia Silverstone cuts Brittany Murphy’s shirt with scissors. And now I think they work again, especially paired with a bomber, to make it less beach-y. They’re better with a high-waisted item, too, because showing a shorter space of skin in your belly makes you look longer."

3. Be a tourist in your own town: "Fanny packs are my thing for the summer. How you wear one depends on the outfit. If you have pants on, it goes on the hips, otherwise you can wear it across the body or even over the shoulder like a purse. Mine's a chic twist on a fanny pack, which is quite silly from the start. It reminds me of Grandma Yetta from The Nanny. She wears all of these bright colors and it’s very vulgar and kitsch; fanny packs are something your dad and tourists would wear. I found mine, by Feral Pleasures, at a little shop in London. You can even add your own crystals to a plain one."

4. Find big shoes to fill: "I’m a very masculine person, and I like the style of hip-hop because it feels very masculine, moving sportswear into the everyday wardrobe. It’s about being comfortable. If you wore sneakers during the day in France they would go crazy! I’m just thinking of something I read about Julia Restoin Roitfeld. She was asked, “What are your favorite sneakers?” and she said, “Nikes, but only in the gym.” But, in America, there are so many really pretty Nikes! My shoes are Dr. Martens. They’re more 'schoolgirl' with the buckle. For creepers, I love the brand Underground."

5. Purple is better: "I never wear makeup, because I work with makeup every day. I love skincare. My favorite moisturizer is La Roche-Posay because it’s clean and fragrance-free. If I’m going to wear anything else, at night in the summer, I’ll put on a purple lipstick. It’s kind of gothic and fun. Chanel has a great matte dark, dark purple, but if I’m wearing a fuchsia, I like a little bit of shine, so I’ll use one from Lancôme. I don’t wear anything else. No mascara, nothing."

Tati Cotliar photographed by Emily Weiss in New York on May 15, 2013.

Maybe it’s the recent solar eclipse (according to Astrology Zone, I was meant to see “the big message” on Friday…), or maybe it’s just that tax season is finally over, but I’ve been working on getting a little more zen lately. And, sure, it’s nice to sit back and accept “the things I cannot change” but that’s easier said than done when your skin has been vacillating from dry to oily and back again since the autumnal equinox (for this, I can thank the radiator in my “quaint” pre-war apartment that JUST WON’T QUIT.  Landlords of New York, do you hear me?)

Over the past few months, I’ve amassed quite a collection of washes, lotions, and serums in hopes of taking back the reins on my epidermis. So when I came across a perfectly pink little tub of Aurelia’s Miracle Cleanser, I thought, you know what? Prove it. Go ahead: make my day.

The über-creamy concoction’s aromatic mix of chamomile, eucalyptus, and rosemary essential oils wafted northward—nasal-ward?—upon unscrewing the lid, and I felt my breathing sloowwww down. There’s something very Vicks-VapoRub-via-an-organic-farm-in-Nice about the smell that’s soothing in that ‘holistic’ way. (Upon closer inspection of the label, Aurelia is, in fact, a “bio-organic” line.) I gently rubbed the cream right on to my dry skin, on top of make up and all, with upward, circular motions. It already felt incredible—so gentle and not at all greasy (my skin is very reactive to oil). Then came the best part: the antibacterial muslin cloth. It’s really no wonder they wrap babies in muslin because this finely-woven swatch of organic bamboo felt like it was knit from the hairs of cherubs. (Shosh may want to know where Jessa is, what she’s wearing, and if it’s linen, but our money’s on muslin). I pressed the hot and damp cloth over my face for a mini steam before removing the cleanser. That wonder washcloth wiped away a day’s worth of buildup—makeup, grime, and dead skin cells—while apparently “stimulating circulation.” I felt smooth, hydrated, balanced, and overall unwound: a rebirth, if you will. "Eclipse season" promises its fair share of seismic shifts, and I'm still waiting on that big message, but at least Aurelia and I have got the cleansing thing under control.

—Mackenzie Wagoner

Photos by Elizabeth Brockway.

Because it's Monday, and we don't want to work yet.

“I haven’t colored my hair in 18 months. I quit cold turkey. I think I stopped because I began to see pictures of myself with the flash where I thought, ‘When did I turn into one shade of white blond? I don’t like it at all.’ It also had to do with my age; I don’t want to be an older woman with super fake hair. I don’t have a fake face, I don’t have a fake body—I’ve totally rejected all of that. And I was very, very inspired by a quote I read last May, at the Prada exhibit at the Met—I still have it somewhere—where Mrs. Prada said, in regards to aging, that as women get older, they try to tame themselves, when they should be more wild. I kept thinking about that quote, and about Mrs. Prada’s look and the look of women whom I find interesting and whom I think have integrity. I was just feeling like, ‘Yeah, I don’t need to have bright, fake, blond hair. That’s it!’

I’d actually never colored my hair until I was 25 years old—until I went to work for Vogue, this was the color. I’d worked at House & Garden before that, but when I landed at Vogue [as a Beauty Associate], there was no way I was going to last long without coloring my hair, because as soon as I started meeting those colorists, they were not going to let my hair alone. I remember exactly when I colored my hair: It was during that Carolyn Bessette moment, and I met Brad Johns, her colorist. And, of course, I was obsessed with Carolyn Bessette. Every single girl in New York was obsessed with Carolyn Bessette! I could never look like Carolyn Bessette, but I could have her hair color. And I did! And that was it. It was blond.

So, I colored my hair for the next 20 years—highlighting it every 12 weeks or so, changing it all the time. It never occurred to me to not highlight my hair. Sometimes it was darker and more natural, because I went to Art Luna in LA for a long time—he’s my favorite colorist. He’s old-school, and he has a light, light touch. But anyway, I like my hair now, darker—it’s more natural. I’d kind of just forgotten what my own natural tone was. It’s really, really dark, the same color as my two girls’.  And it’s amazing to me how many people say I look younger with my hair like this! I love not going to the salon—it’s enough to have to cut my bangs every few weeks.

My haircut is back to an exact style I had in my twenties at Vogue. I’ve had a bang always—I just like a bang. A little something to hide behind. And I don’t think I’d look good without it. In fact, I grew my bangs out during my Carolyn Bessette phase, and none other than Garren said to me, ‘You know what? This is a mistake. You gotta cut your bangs.’ So, I cut them, and I never tried to grow them out after that. Plus this style is easy—you can blow it out, or not. You can leave it messy. Whatever.

I don’t think ‘feminine’ is about hair, at all—or high heels, or lipstick. It’s all in your brain. My husband loves my hair long, only because he thinks it looks corporate shorter. I just think there’s that point in your life where suddenly you’re not young anymore, but you’re not old, and you have to reassess. I did that years ago, and my hair was the last piece of the puzzle. When I look different in 10 years, then I’ll have to reassess again. There could come a time when I’m truly an old lady and I say, ‘It’s time to have short hair!’ But not yet; I don’t want to be corporate.

I don’t like that society says, ‘Oh, you’re old, you can’t have long hair.’ Of course you can have long hair! Instead of taming yourself, Mrs. Prada said, be wilder. With women, everything is about you trying to tame your look: how thin can you be, how tiny, how muscular, and seeking so much outside intervention for your hair and your face—taming it. Makeup is taming it, too. If you look at someone like [Miuccia Prada], what makeup is on her face? None. Maybe lip balm… Actually, I still have those little mini Prada lip balms. Amazing. That’s all you need— lip balm, Aleve, and a ponytail holder and you’re set.

I will go to Art Luna again—I’m not saying that I hate hair color, I just am never going to do that kind of highlighting again, where it almost becomes like a single-process and you keep getting lighter and lighter. I’ll be in LA in August and September, and I’ll definitely go see Art in his Santa Monica bungalow—he does two pieces here, two pieces there, another two pieces, and that’s it.

But for now, I have such a serious job, and my natural hair makes me feel a little bit more low-key. And I have a little more free time!”

—as told to ITG

Amy Astley photographed by Emily Weiss in New York on March 21, 2013.

Well, we’re about a month into baseball season, and the only reason I know that is…because I looked it up on the Internet. That being said, I’ve been dressing up like I’m headed to Yankee Stadium for the past two weekends. It’s cool to look like a kid! Like a rough-and-tumble ten year old, sticking it to the man with a backwards snapback and pushed-up sleeves. Except you’re actually a totally grown-up babe in denim short-shorts and bronzer. See: Rihanna.

1. J. Crew's  Knitted Baseball Sweater: Ever since I hunted down the red and white "AMERICA" Isabel Marant jersey last summer (which, by the way, I totally still wear despite the fact that it is so three seasons ago), I've had a thing for slightly loose baseball tees. This one might actually be the most luxurious offering out there—which means it's also weekday-appropriate.

2. Converse's Hi All Star White Leather Sneakers: The most recent kicks to catch my eye are vaguely Margiela but with an Urban Outfitters price tag. I don't care if it's hot out: white (-on-white) leather rules. And if the whole $800 sneaker thing doesn't freak you out, check out these Giuseppe Zanotti metal-strap puppies. *Swoon*

3. Ginette_NY's Mini Straw Necklace: Why does "statement necklace" seem to always mean loud and huge? I would think it's something you'd wear every day, something delicate and simple enough to go with everything and you never have to take it off—like my smattering of Catbird rings— thus becoming your statement. You should be wearing it, it should not be wearing you.

4. Marc by Marc Jacobs's 3-D Foil-Effect iPhone 5 case: BRING ON THE BLING! And never again ask, "Where's my phone?"

5. Nef's Crownzer Cap: Ah, baseball hats. Where to start? Like denim shirts, the best ones of are usually found not in a store but in a friend/boyfriend/dad/brother's closet. They've also, thanks in large part to certain street-style stars/models like Hanne Gaby Odiele and Caroline Brasch Nielsen, become the new headband. It's all about the snapback, front and center, and this particular Nef one is baby blue. Think of it like eyeliner for your forehead.

—Emily Weiss

The Great Gatsby opens nation wide today, and while F. Scott Fitzgerald rolls in his grave, all of America will be granted access to see the maybe-not-so-great film in 3-D (it is currently rated at 51% on Rotten Tomatoes… ouch). Admittedly, we had very high hopes, but not every Baz Luhrmann film can be as perfect as Romeo + Juliet, can it? If nothing else, the movie is an excuse to see two childhood buds all grown up, hear the unbelievably amazing soundtrack (spoiler: you don’t really have to see the film to appreciate that one), and more importantly, drown in the Prada-designed costumes. We’d be remiss, when speaking of Roaring Twenties Long-Island Americana, not to mention the still-chic bob, because, like Gatsby, we very much believe your hair can (and should) “repeat the past.”

For starters: what exactly is a bob? In basic terms, it’s a short women's haircut. But how short is short (say short one more time…short)? Is it just below the ears? Is it grazing the chin? Is it anything above your clavicle? Well, theoretically it is all of the above. We would venture to say a bob is anything longer than a pixie and shorter than your shoulders. The look originated around World War I as the then-typical “feminine” long hair was deemed unsuitable for war work and was subsequently popularized by the actress Louise Brooks [61, 62] in the early 1920s. Though the style ebbs and flows in popularity, it has never truly gone out of style. There is the iconic bob belonging to none other than the fashion god, Anna Wintour [3, 4], and if she deems something suitable for every day style, then clearly, it's a look to pay attention to-- Michelle Obama [12], Anja Rubik [1-3], Kirsten Dunst [59], and Gwyneth Paltrow [9] all have, in their own special ways. Much like Catherine Zeta Jones [24] rocked our socks off with her bob (and all that jazz) in Chicago, we’re hoping that Carey Mulligan [16, 17] can do the same in Gatsby. Stay tuned… Check out 65 of our favorite bobs, from the neon wigs at Chanel Resort 2013 [20] to that of our recently resurfaced '90s crush, Winona Ryder [32, 33], and tell us you aren't feeling scissor-happy. Just a little bit?

P.S. Our love of cats is no secret, so maybe this is just us, but the below is an adaptation we'd like to see made.

[1-3] Anja Rubik,  [4, 5] Anna Wintour, [6-8] Arizona Muse, [9, 10] Gwyneth Paltrow, [11] Audrey Tautou in Amélie, [12] Michelle Obama, [13] Barbra Streisand, [14] Christy Turlington, [15] Ali Michael, [16, 17] Carey Mulligan in The Great Gatsby, [18, 19] Naomi Campbell, [20] Bette Franke, Sigrid Agren, and Sara Blomqvist backstage at Chanel Resort 2013, [21] Alicia Keys, [22] Alexa Chung, [23] Sarah Jessica Parker in Sex and The City, [24] Catherine Zeta Jones in Chicago, [25] Chloe Sevigny, [26, 27] Freja Beha Erichsen, [28] Rihanna, [29] Anna Ewers and Keke Lindgard, [30] Courtney Love, [31] Natalie Portman in Closer, [32, 33] Winona Ryder, [34, 35] Keira Knightley, [36] Ashleigh Good, [37, 38] Xiao Wen Ju, [39] January Jones, [40] Aline Weber, [41] Berenice Bejo in The Artist, [42] Uma Thurman in Pulp Fiction, [43, 44] Faye Dunaway, [45] Cameron Diaz, [46] Linda Evangelista, [47] Catherine McNeil, [48] Jackie Kennedy, [49] Coco Chanel, [50] Drew Barrymore, [51, 52] Isabella Rosselini, [53] Julie Andrews, [54-56] Karlie Kloss, [57] Suri Cruise, [58] Katie Holmes, [59] Kirsten Dunst, [60] Linda Fargo, [61, 62] Louise Brooks, [63] Lucy Liu, [64] Sam Rollinson, [65] Emily Weiss

It was announced earlier this week that Christy Turlington will be reprising her role as the face of Calvin Klein Underwear while the current face of the brand, Lara Stone, is on maternity leave (models have that too, apparently). Sure, we all know the trend of this decade is to relive those of the ‘90s, but this is unfounded! The sometimes model, Every Mother Counts founder, and 44 year-old mother of two was first selected to front the brand in 1988—a quarter century ago (damn, that is some impressive shit right there, Christy)—in an iconic campaign photographed by Irving Penn. Though her new shots won’t appear on billboards and in magazines until later this year, the resurgence of this super über-model made us reminisce about other stars who've stripped down in the name of of promoting skivvies (and some of their own personal assets). While quite possibly the Greatest Ad Ever—Marky Mark and Kate Moss embracing—was the first image to pop into our minds, there have been a handful of other delightful celebrippearances in barely-there underwear in the last quarter century. Take a look at our not-quite-SFW findings.

P.S. We’ve also noticed that a great rule of thumb for getting a fantastic and classy—not cheesy and slutty…well, maybe a bit slutty, but that’s all right—underwear ad is to shoot in black and white. Snapchat, take note and add some filters? Just a thought.

Oh, and there is also this:

You're welcome.

[1] Mark Wahlberg and Kate Moss for Calvin Klein, [2] Kate Moss for Calvin Klein, [3-5] Mark Wahlberg for Calvin Klein, [6-8] Christy Turlington for Calvin Klein, [9] Tyson Beckford for Polo Ralph Lauren, [10] Eva Herzigova for Wonderbra, [11,12] Cristiano Rinaldo for Emporio Armani, [13-15] David Beckham for Emporio Armani, [16] David Beckham for H&M, [17] Tom Hintnaus for Calvin Klein, [18, 19] Eva Mendes for Calvin Klein, [20, 21] Lara Stone for Calvin Klein, [22] Antonio Sabato Jr. for Calvin Klein, [23, 24] Djimon Hounsou, [25] Gisele Bundchen for Victoria's Secret, [26-28] Megan Fox for Emporio Armani, [29] Fredrik Ljungberg and Natalia Vodianova for Calvin Klein, [30] Natalia Vodianova for Calvin Klein, [31] Zoe Saldana for Calvin Klein.