Instrument’s CCO Nishat Akhtar speaks to the company’s 20 plus years in design and technology, and its history of being one step ahead of the game.
After a decade shaping the publication’s visual identity, the New York-based photographer turns inward with a five-year photobook exploring family and mortality.
UK branding studio The Click knows that universities don’t compete on logos, but on belonging – that’s why it’s designed a visual identity that is braver, not louder.
Your career is starting to feel stagnant and you know you’re staying in your comfort zone – how do you take steps to progress to the next level? Kat Wong offers her advice in this week’s Creative Career Conundrums.
Human at the core, with powerful AI-assisted features, the soundtracking platform isn’t afraid of new technology, but understands the responsibility in harnessing it.
Online, images are increasingly treated less as singular works than as pieces of a broader aesthetic puzzle – each with a distinct label. But what gets lost when creativity is compressed into searchable categories?
]]>An intimate view of craft and culinary culture, this film-to-book translation of David Gelb’s Jiro Dreams of Sushi takes a closer look at what’s on the world sushi masters work bench.
Clare and Charlie Noon shed light on Conqueror Sans, and why their welcoming identity for one of the UK’s oldest historical sites makes a “decisive break from heritage convention”.
Jean Pierre Consuegra and Leo Horton muse on the beauty of long timelines, the power of the Instagram DM and why creative partnerships are best when you’ve got different specialisms to bring to the table.
Showcasing the best in class for cutting edge motion design, the festival founded by Studio Dumbar/DEPT® is back for 2027, with submissions free and open now.
A way of confronting the frictionless, highly automated nature of modern life, Dia de Feira (Fair Day), is a series that honours the bustling bodies and clashing senses of the local market.
Inspired by 90s edutainment, Final Fantasy, renaissance paintings and editorial illustrators, Louie Zong believes that sitting in the intersection between the past and present is the key to making thought-provoking stories.
Why inspiration feels harder to come by and how three types of creative ritual could be our strongest defence against the slow erosion of taste, attention, and intention.
Despite everything existing in the digital, the world’s most popular travel guide publisher is sticking close to its roots with a new DIY print offshoot that seeks to connect us with what it truly means to escape.
The Christophers, a new Ian McKellan-starring film includes 16 ‘fake’ artworks by painter Barnaby Gorton. Our culture columnist Gary Grimes argues that this body of work isn’t so different from the pieces that hang in our galleries.
Pulling away from a focus on plants, the artist has turned her brush to a number of tasty visual treats of late, all in her signature fuzzy style.
“What really matters is personality. Not a fixed identity, but a living one. Just like people, brands evolve. The key is to evolve without disconnecting from your core.”
Feeling like you and your work are overlooked is demoralising. Katie Cadwell demonstrates how you can prove your capabilities in this week’s Creative Career Conundrums.
The American health care system is mind-bogglingly cruel and cryptic. When Parker Jones found herself trying to read countless medical documents, she teamed up with Rajshree Saraf to reverse-engineer the infamous illegibility of doctor’s handwriting.
As the photographer returns to new York City to live and work full-time, he’s finding serendipitous moments, strange beauty and visible liminality following him all around.