I couldn’t help but wonder… can a dating app have a point of view? Elizabeth Goodspeed speaks with the Porto Rocha team behind Tinder’s rebrand about designing for contradiction and giving an app a voice.
The artist has built an oil pastel homage to football’s favourite anti-hero: a figure whose red United shirt is as synonymous with his reputation as the red card that was so often held above his head.
Delivered in a less-than-conventional format, this publication is sent by post in a large letter that unfolds into intimate images of the things we leave behind, letting us look at them anew.
We chat to the creator and co-writer / director of the show about their love for amateur filmmaking, iconic TV references, and the fun they had making that unnerving Yooglet.
편집숍 select shops and viral pop-ups are taking over the Korean capital, especially in Seongsu. Our Seoul correspondent looks at the current obsession with trinkets and what it says about the city’s design trends and “feel-conomy”.
]]>This commercial motion designer has pivoted into analogue personal projects which take home movies and his layered heritage and give them a touchable essence.
Tam festival’s loveable book character logo is made of “one single, slightly crooked line” – that’s what makes it so special.
When your manager is paying more attention to AI than your creative role, what can you do? Kat Wong, founder of career change platform Oh Yeah, has her say.
Leo and Felipe let us in on what they are getting up to in their time off – from finding the best food spots in Rio to summer music festivals and the films on their watch list!
Unadorned and unstylised, the photographer is framing images of athletes that are rarely seen yet deeply familiar to those in the sporting world.
Whether it’s made for electronic tracks, album covers, posters or just for fun, this easy-to-use generative tool makes the visualisers more fun than ever to make.
The global creative studio has expanded into the letterforms landscape with a backdrop of bespoke type systems for brands under their belt and one debut release: CC Timeline.
In Dorset, UK, there are two girls who practice the art of falconry: rearing, flying and caring for birds of prey. Lauren Maccabee visited them with her camera to uncover the day-to-day requirements of this unique interspecies relationship.
This new visual language is inspired by the “rhythm and spontaneity of jazz” – type, image and colour dance across a new digital world for the venue.
In House is a new column from It’s Nice That where we go inside the workings of major brands, agencies and companies shaping the future of the creative industry.
Based between LA and Montreal, Wedge Studio joined Nicer Tuesdays in one of its home cities to present its “seemingly unsexy” projects – such as designing the visual identities for dental floss, beans and protein powder – arguing that “everything can be special”. Co-founders Justin Lortie and Sarah Di Domenico took the audience through “the Wedge way”, the 12 steps the studio takes when approaching its idiosyncratic creative projects.
]]>A-Corps promise to prioritise IP protection and creative mission over corporate profit – but they’re not a quick fix for a creative industry in turmoil.
Pitchfork Selects is a weekly playlist made up of the most exciting new music drops, so its visuals have to match its audible freshness. Enter Chris Panicker, and the Cavalry app.
With a preference for still lifes and foodie scenes, the artists Matisse-inspired works are a delicate celebration of colour and form.
The cult favourite Swiss brand is built on inventive ideas and a healthy dose of Dada-esque humour. To find out more about why its marketing has never missed, we talk to creative director, Thomas Wakeford, about what makes Freitag’s visual world as unique as its bags.