Inject shop founders Malika Favre and George Wu’s delicious design taste into your next weekend plans...
The writer and illustrator’s carefully constructed visual narratives are packed with colour, character and a playful sense of humour.
Boundary-pushing science is often difficult to understand, that’s where clear and accessible brand design often comes in to help. With the promising results from SpudCells, branding agency Mucho has stepped in to introduce innovation to the public.
Amid growth, change and takeovers, Depop’s brand and creative chief keeps coming back to what the brand does best, and where it has permission to show up.
The multi-hyphenate fills us in on what working so hard to be recognised as an illustrator has taught him about being recognised as an artist.
When the foundry set out on this typographic revival, they knew something would get lost in translation – so they chose to embrace it, and the results are much more interesting.
The Orchid synth is made for beginners and pros alike, including Kevin Parker from Tame Impala – the identity is floral like its namesake, and celestial like its unique sound bank.
]]>Inspired by Christian imagery, the Flemish Primitives, Maurice Sendak and H.R. Giger, the artist creates painstakingly detailed drawings that transform landscapes and figures into mysterious, otherworldly visions.
In Singapore, towering glass skyscrapers are paramount, and the arts aren’t high up on any parents’ dream jobs for their kids. But New Bahru is a space that’s looking to change both of these facts.
Achieving ‘success’ in creative education is interesting when it comes to transitioning into a workplace environment, because it’s not one-to-one comparable. Education has its set boundaries (essays, modules, terms, years) which don’t necessarily translate to working in the field. So, if you’re a high-achiever in education, your ‘success’ may not necessarily look or feel the same in the workplace. In this week’s Creative Career Conundrums, Kat Wong, founder of career change platform Oh Yeah, mulls over this issue, discussing how to not let one’s past successes define your day-to-day.
Chronograph collects 25 years of photographs of his children turning into adults. It’s funny, bittersweet and sometimes heart-wrenching. We speak to Nick Haymes and his two sons about the trials and tribulations of childhood and parenting, as well as the process of recording life.
Inspired by early animation techniques, the multimedia artist combines hand-stitched textiles, illustration and digital motion to create visual responses to music.
Xsolla remains tragically overlooked, but as Luke Powell and Judy Hudson-Powell tell It’s Nice That, what the company needed was a strong identity rooted in UI and gaming worlds – and that’s what it got.
Boasting a bold colour palette, bespoke blocky type and a system that tilts as if it’s ready to tear up tarmac, this refresh pulls up with the future of racecar racing.
]]>The London-based creative tells us how sitting with things “beyond comprehension”, embracing surrealism and making self-published zines helped her bring a dreamy, introspective visual world to life.
Part collage art, part cookbook, Sveinung Sudbø didn’t want to simply map out flavour profiles, he brings them to life through collage and a loudness that suits the complex tastes of Thailand.
Inspired by subway tiles, mosaics, snail shells and lollipops, this designer uses typography as a way of creating microcosms of larger ideas which expand how typography lives.
Meet 72 of the most exciting emerging graphic designers, illustrators, animators, artists, filmmakers and photographers from around the world, selected by It’s Nice That.
]]>Playfully ordinary, this artist’s style tugs at the seams of domestic life, amplifying its silliness through off-kilter cartoons.
Horah Inc really wears its inspirations on its sleeve, that’s why you’ll see vintage-styled cartoons, warm colours and retro typography referenced across its wide-ranging portfolio.