<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Jörgen Broström</title>
	<atom:link href="http://www.brostrom.de/?feed=rss2" rel="self" type="application/rss+xml" />
	<link>http://www.brostrom.de</link>
	<description>Photography &#38; Internet stuff</description>
	<lastBuildDate>Mon, 20 Jul 2026 14:27:09 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.3.8</generator>
	<item>
		<title>Through the Looking Glass: The Battle for the Photographer&#8217;s Eye</title>
		<link>http://www.brostrom.de/?p=2798</link>
					<comments>http://www.brostrom.de/?p=2798#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Fri, 24 Jul 2026 10:23:06 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[electronic viewfinder]]></category>
		<category><![CDATA[evf]]></category>
		<category><![CDATA[optical viewfinder]]></category>
		<category><![CDATA[ovf]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2798</guid>

					<description><![CDATA[In the transition from analogue to digital, few debates rouse as much passion as the interface between the photographer’s eye and the sensor. For decades, the Optical Viewfinder (OVF) was the undisputed king, a hallmark of the DSLR era. Today, the Electronic Viewfinder (EVF)—once a pixelated, lagging nuisance—has become the standard-bearer for the mirrorless revolution. As professional systems...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2798</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Alchemy of Delibertation: Why Your Next Professional Pivot Should Be Analog</title>
		<link>http://www.brostrom.de/?p=2794</link>
					<comments>http://www.brostrom.de/?p=2794#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Fri, 17 Jul 2026 07:58:42 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[analogue photography]]></category>
		<category><![CDATA[digital photography]]></category>
		<category><![CDATA[film photography]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2794</guid>

					<description><![CDATA[In the hyper-saturated landscape of modern photography, we have become victims of our own efficiency. We carry mirrorless behemoths capable of thirty frames per second, backed by eye-tracking autofocus that borders on the clairvoyant. Yet, as our hard drives groan under the weight of 40,000 unorganized RAW files, a quiet exhaustion has set in: Digital Fatigue....]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2794</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Slow Down: Why I’m Still Tucking a Roll of Film Into My Pocket</title>
		<link>http://www.brostrom.de/?p=2791</link>
					<comments>http://www.brostrom.de/?p=2791#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Thu, 09 Jul 2026 08:41:27 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[camera]]></category>
		<category><![CDATA[digital]]></category>
		<category><![CDATA[digital photography]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[film photography]]></category>
		<category><![CDATA[pros and cons]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2791</guid>

					<description><![CDATA[Digital is easy. Digital is fast. But if I’m honest? Digital is often a bit… sterile. We live in a world where we can snap 500 photos of our lunch and delete 499 of them without a second thought. But there’s a reason why so many of us are heading back to the darkroom, or...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2791</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The AI Influencer Money Myth: What They Never Tell You</title>
		<link>http://www.brostrom.de/?p=2786</link>
					<comments>http://www.brostrom.de/?p=2786#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Thu, 04 Jun 2026 09:56:40 +0000</pubDate>
				<category><![CDATA[AI]]></category>
		<category><![CDATA[Internet]]></category>
		<category><![CDATA[Social media]]></category>
		<category><![CDATA[ai]]></category>
		<category><![CDATA[influencer]]></category>
		<category><![CDATA[money]]></category>
		<category><![CDATA[money myth]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2786</guid>

					<description><![CDATA[Everyone&#8217;s selling the dream. Nobody&#8217;s explaining the math, or what you&#8217;re actually supposed to sell. Scroll through any entrepreneurship feed right now and you&#8217;ll see it: &#8220;I made $12,000 last month using AI influencers.&#8221; The claim sounds precise. It sounds credible. And it leaves out virtually everything that actually matters. The pitch is seductive because...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2786</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>“The Best Camera Is the One You Have With You.” &#8211; Chase Jarvis</title>
		<link>http://www.brostrom.de/?p=2758</link>
					<comments>http://www.brostrom.de/?p=2758#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Tue, 02 Sep 2025 11:56:24 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Chase Jarvis]]></category>
		<category><![CDATA[quotes]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2758</guid>

					<description><![CDATA[At first, this quote might sound like a concession &#8211; like a polite way of saying “Just do your best with what you’ve got.” But in truth, this line from Chase Jarvis is a rallying cry for creativity over gear obsession. It reminds us that photography isn’t about what’s in your hand &#8211; it’s about...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2758</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>“A Portrait Is Not Made in the Camera but on Either Side of It.” &#8211; Edward Steichen</title>
		<link>http://www.brostrom.de/?p=2774</link>
					<comments>http://www.brostrom.de/?p=2774#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Mon, 25 Aug 2025 13:07:11 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Edward Steichen]]></category>
		<category><![CDATA[quotes]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2774</guid>

					<description><![CDATA[This quote by Edward Steichen is a masterclass in a single sentence. It reminds us that a portrait is never just about gear, lighting, or technical perfection &#8211; it’s about connection. Steichen, one of the pioneers of modern portrait photography, knew that the soul of a portrait comes from what happens between two people: the...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2774</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Mastering TTL Metering: What It Is and How It Works in Photography</title>
		<link>http://www.brostrom.de/?p=2780</link>
					<comments>http://www.brostrom.de/?p=2780#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Sun, 17 Aug 2025 08:43:39 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[flash photography]]></category>
		<category><![CDATA[ttl]]></category>
		<category><![CDATA[ttl metering]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2780</guid>

					<description><![CDATA[If you&#8217;ve ever wondered how your camera knows how to expose a scene properly, the answer often lies in a system called TTL metering, short for Through-The-Lens metering. This smart exposure system plays a crucial role in both natural light and flash photography. Understanding TTL metering will help you take more control of your images...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2780</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>“If Your Pictures Aren’t Good Enough, You’re Not Close Enough.” &#8211; Robert Capa</title>
		<link>http://www.brostrom.de/?p=2755</link>
					<comments>http://www.brostrom.de/?p=2755#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Sat, 09 Aug 2025 10:30:58 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[quotes]]></category>
		<category><![CDATA[Robert Capa]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2755</guid>

					<description><![CDATA[Robert Capa wasn’t just speaking about physical distance when he said this &#8211; though that’s certainly part of it. He was urging photographers to go deeper, closer, and more personal with their work. Known for his frontline war photography, Capa understood that the most compelling images aren’t shot from the sidelines. They’re captured when the...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2755</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>The Rule of Odds: Why Odd Numbers Make for Stronger Compositions</title>
		<link>http://www.brostrom.de/?p=2729</link>
					<comments>http://www.brostrom.de/?p=2729#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Fri, 01 Aug 2025 11:58:32 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[rule of odds]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2729</guid>

					<description><![CDATA[In photography, composition is everything &#8211; and one surprisingly effective technique is the Rule of Odds. This simple principle suggests that images with an odd number of elements (typically 3, 5, or 7) are more visually engaging and natural to the viewer’s eye than those with even numbers. But why does this work, and how...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2729</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Photographing Contrast: Playing with Light and Dark for Dramatic Effect</title>
		<link>http://www.brostrom.de/?p=2727</link>
					<comments>http://www.brostrom.de/?p=2727#respond</comments>
		
		<dc:creator><![CDATA[Jörgen Broström]]></dc:creator>
		<pubDate>Sat, 26 Jul 2025 11:54:40 +0000</pubDate>
				<category><![CDATA[Photography]]></category>
		<category><![CDATA[contrast]]></category>
		<category><![CDATA[light and dark]]></category>
		<guid isPermaLink="false">https://www.brostrom.de/?p=2727</guid>

					<description><![CDATA[Contrast is one of photography’s most powerful storytelling tools. By playing with the differences between light and dark, color and tone, or even subject matter, you can create images that are bold, emotional, and visually striking. Whether you&#8217;re shooting in black and white or full color, understanding how to use contrast can elevate your photography...]]></description>
		
					<wfw:commentRss>http://www.brostrom.de/?feed=rss2&#038;p=2727</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
	</channel>
</rss>
