Kate West Reviews

The Pee-wee Herman Show

noreply@blogger.com (Kate West Reviews) — Mon, 08 Feb 2010 01:53:00 +0000

a kate west review

written by Paul Reubens & Bill Steinkellner (John Paragon)

directed by Alex Timbers

at Club Nokia/LALive, 800 W. Olympic Blvd. LA 90015

contact 213-765-7000, www.clubnokia.com or www.ticketmaster.com

running January 12 - February 7

Ladies and Gentlemen, Boys and Girls! He's back! The 80's icon man-child known as Pee-wee Herman (a.k.a. Paul Reubens) is settling in for a limited time only in the land of La-La, downtown Los Angeles. Catch him now at LA Live's Club Nokia in the newly renovated downtown (a la the Disneyfication of New York's Times Square).

Originally created by Paul Reubens as a character for the world-renowned Groundlings Theatre, Pee-wee Herman became a cult-like figure after Tim Burton's surprise hit "Pee-wee's Big Adventure". His tailored grey suit, white shoes, crew-cut hair and red bowtie made nerdom, if not cool, then hipper for not being cool. "Pee-wee's Playhouse" had a nice little run on television and won a few Emmys, appealing to children and adults alike. What really catapulted him into fame was the endless repetition of lines (and that unmistakable laugh) from the show and movie by enraptured fans, who weren't able to tell you exactly what they loved, except that Pee-wee made them laugh. Hard.

The current show brings back characters from the Playhouse, such as Miss Yvonne (Lynne Stewart), the most beautiful woman in Puppetland, Cowboy Curtis (Phil LaMarr, replacing the original buckaroo Laurence Fishburne), Mailman Mike (John Moody), Chairry (now Lori Alan) and Jambi the Genie (John Paragon). Surrounded by a cacophony of relics from 1950's t.v. shows, Pee-wee merrily jabbers on to both neighbors and inanimate objects, like the chair, the clock, the globe, fish, flowers, a mechanical robot and a flying Pterodactyl. Addressing the audience, he pulls us in right away, announcing the secret word, our only role having to scream loudly every time a cast member uses it. Each entrance is more exciting than the last (except for the grand entrance by the man himself), the crowd going wild at every memorable line and reference. Notably missing from the very first cast is, of course, the late Phil Hartman, a great friend of Reubens.

In this episode, based on the HBO special of the same name, Pee-wee finds out a secret about Miss Yvonne and very much wanting a wish of his own, selflessly gives it away so she can have her heart's desire. His friends rally to give him a happy ending, gently poking fun at each other and gleefully citing pop cultural references all the while (and sing and dance!) Interspersed with a cartoon, fan mail and the endlessly fascinating old time film about how not to be a Mr. Bungle (you'll have to see it to believe it), everyone has a grand old time, especially the audience. There is an out-of-character scene with a Bear (Drew Powell) which is almost jarring, but even that Reubens pulls off effortlessly in the end.

The real success behind this character is his ability to interest small children and adults of every age with simple plots and morals, peppered with more sophisticated innuendoes. The campy reverence for the nostalgic era of children's shows is quite endearing. While making fun of himself in a way, Pee-wee remains an innocent, truly joyful in his performance, but winking at the crowd all the while. Not an easy feat. It's a big show with big heart and Reubens and cast (especially Lynne Stewart, Phil LaMarr and John Paragon) do have a terrific time up on stage so it's almost impossible not to be swept away in the feverish acclaim. Unless you're already familiar with his work, it is difficult to explain the cult status. Personal indiscretions aside (get over it already), this guy is often underrated as a versatile, multi-talented and sometimes brilliant character actor and comedian. But hopefully this show will produce more Pee-wee awareness. Give him a chance folks, he (his laughter anyway) is infectious. Hope you remember your Pledge of Allegiance. I know you are, but what am I?

Anyone else have "Tequila" stuck in his/her head?

(http://en.wikipedia.org/wiki/Tequila_(song))

Cast

Paul Reubens (Pee-wee)

John Moody (Mailman Mike)

Drew Powell (Bear)

John Paragon (Jambi)

Jesse Garcia (Sergio)

Phil LaMarr (Cowboy Curtis)

Lynne Marie Stewart (Miss Yvonne)

Lance Roberts (King of Cartoons)

Josh Myers (Firefighter)

Lori Alan, Josh Myers, John Paragon, Drew Powell, Lance Roberts (Voices)

Watch the original Mr. Bungle here: http://www.youtube.com/watch?v=2s7X5-Drctk

Where Can I Get Even More Pee-wee?!!!

Pee-wee's Playhouse #1 - Seasons 1 and 2

Pee-wee's Playhouse #2 - Seasons 3-5

Pee-Wee's Big Adventure

The Pee-Wee Herman Show - Live at the Roxy Theater

The public can follow Pee-wee Herman on

Twitter @peeweeherman

facebook at http://www.facebook.com/PeeweeHerman

Alice In Wonderland

noreply@blogger.com (Kate West Reviews) — Sun, 07 Feb 2010 04:37:00 +0000

a kate west review

directed by Lynn Olson, produced by Amy Blum

choreographed by Kimiko Broder

musical direction by Wendy Caldwell

music & lyrics by Sammy Fain & Bob Hilliard,

Oliver Wallace & Cy Coban, Allie Wrubel & Ray Gilbert,

Mack David, Al Hoffman & Jerry Livingston

music & book adapted by Bryan Louiselle & David Simpatico

from the Walt Disney 1951 animated film & the Lewis Carroll novels

at South Pasadena High School

1401 Fremont Avenue, South Pasadena 91030

contact South Pasadena Educational Foundation (SPEF)

(626) 441-5810 or (626) 441-5820 www.spef4kids.com

February 5, 6, 7 only!

An amazing 5th Grade Musical "Alice in Wonderland" now appears at the South Pas High Auditorium. And who doesn't love a good rendition of Alice? Best of all, the production is on the professional level of the best adult community theater around. 70 kids (s-e-v-e-n-t-y students) from Arroyo Vista, Marengo and Monterey Hills dance and sing their little hearts with a joy not to be denied. To coordinate that many ten and eleven year olds is a remarkable enough feat on its own, but the creative output on top of it is truly impressive.

We all know the story, so here are the Cliff Notes: There are three Alices, (small, medium and tall Alice) and they each take turns wandering through a more and more perplexing land of nonsensical creatures. She falls through the rabbit hole chasing the White Rabbit, grows smaller and larger eating and drinking prop cookies and colorful liquids, dances with seafood, argues with valley girl flowers, talks with caterpillars and cats, has an Un-Birthday, plays Simon Says with the Red Queen and survives a death sentence, returning to the real world, just as her older sister finishes reading to her.

Director Lynn Olson and Choreographer Kimiko Broder do a fantastic job organizing this potentially unruly brood. Complicated dance numbers are completed with the finesse of "Dancing with the Stars" competitors and children wander on and off stage with impressive precision. Talent runs rampant throughout the cast. Eric Kuo has a nice turn with the White Rabbit, ever late for important engagements, three Cheshire Cats (Olivia Feldman, Wayne Monical and Lorie Meza) make up a mischievous trio, Charlotte Emerson does a super goofy March Hare and Sandra Moore is hilariously imperious as the Red Queen. All the Alices are fine (Analisa Bribiesca, Cynthia Warren and Faye Witherall) and while not everyone can sing or dance perfectly, each and every child in the play gives it his and her all. This is an obviously well rehearsed production, up to any consummate professionals standard.

The music is upbeat and fun, even with the out-of-context "Zip-A-Dee-Dooh-Dah" (isn't that from "Song of the South"?), and the lines are delivered surprisingly clearly and well (how many elementary school plays have you understood in its entirety?) The costumes and set are all cute and quite befitting a school play. All in all, this is an excellent show. Maybe SPEF should think about taking it on the road, pending revamped child labor laws? Good, clean fun for all.

So go. Please support children in the arts. All ticket proceeds go directly to the students at the South Pasadena Unified School District. And tell YOUR kids.

Full Cast

Analisa Bribiesca, Caroline Becronis, Eric Kuo, Olivia Feldman, Wayne Monical, Lorie Meza, Charlie Primuth, Sandra Moore, Declan Chin, Lucy Loken, Alana Carmona, Jake McCurdy, Kevin Foster, Aaron Salinas, Jane Lian Wang, Clara Wong, Megan Wong, Owen Calvin-Smith, Cynthia Warren, Faye Witherall, Anissa Santos, Isabel Barbera, Haley Peters, Ariana Woodworth, Jessica Lopez, Madison Hirano, Charlotte Emerson, Cristo Nava, Sykler Ramirez, Katie Lam, Gunther Vaden, Matthew Wright, Yee-Sum Make, Hailey Newton, Grace Kull, Ella Wilson, Parker Crumley, Lauren Zableckis, Earyn Smith, Alice Stearn, Rebecca Daley, Finn Hadsell-Florin, Vaughn Huelsman, Callum Kuo, Ruben Nava-Landeros, Reed Pickering, Andrew Son, Randy Zhou, Vanessa Chai, Katherine Conte, Sara Jaime, Matthew Kramsch, Jesse Newman, Cindy Tsai, Sara Bellusci, Alison Cordano, Josie Friesen, DJ Myer, Inesh Rathi, Leo Sonner, Mia Tanner, Ryan Vargas, Talia Baker, Pearl Bang, Spencer Gurley, Katia Hise, Sarah Ohta, Grace Privett-Mendoza, Perah Ralin, Yuna Yamazaki

Loyal To The End

noreply@blogger.com (Kate West Reviews) — Sun, 17 Jan 2010 03:02:00 +0000

a kate west reflection

(see link above)

Kate West creed below

(from Pixar's "Ratatouile")

[Anton Ego’s Review of Gusteau's.] "In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize - only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more."

Ode to Anne Frank

noreply@blogger.com (Kate West Reviews) — Tue, 12 Jan 2010 07:01:00 +0000

Jan 12, 2010 8:17 | Updated Jan 12, 2010 8:22

Woman who hid Anne Frank dies at 100

By ASSOCIATED PRESS

Miep Gies, the office secretary who defied the Nazi occupiers to hide Anne Frank and her family for two years and saved the teenager's diary, has died, the Anne FrankMuseum said Tuesday. She was 100.

In this 1998 photo, Miep Gies displays a copy of her book "Anne Frank Remembered" at her apartment inAmsterdam.
Photo: AP

Gies' Web site reported that she died Monday after a brief illness. The report was confirmed by museum spokeswoman Maatje Mostar, but she gave no details. The British Broadcasting Corp. said she died in a nursing home after suffering a fall last month.

Gies was the last of the few non-Jews who supplied food, books and good cheer to the secret annex behind the canal warehouse where Anne, her parents, sister and four other Jews hid for 25 months during World War II.

After the apartment was raided by the German police, Gies gathered up Anne's scattered notebooks and papers and locked them in a drawer for her return after the war. The diary, which Anne Frank was given on her 13th birthday, chronicles her life in hiding from June 12, 1942 until August 1, 1944.

Gies refused to read the papers, saying even a teenager's privacy was sacred. Later, she said if she had read them she would have had to burn them because they incriminated the "helpers."

Anne Frank died of typhus at age 15 in the Bergen-Belsen concentration camp in March 1945, just two weeks before the camp was liberated. Gies gave the diary to Anne's father Otto, the only survivor, who published it in 1947.

After the diary was published, Gies tirelessly promoted causes of tolerance. She brushed aside the accolades for helping hide the Frank family as more than she deserved - as if, she said, she had tried to save all the Jews of occupied Holland.

"This is very unfair. So many others have done the same or even far more dangerous work," she wrote in an e-mail to The Associated Press days before her 100th birthday last February.

"The Diary of Anne Frank" was the first popular book about the Holocaust, and has been read by millions of children and adults around the world in some 65 languages.

For her courage, Gies was bestowed with the "Righteous Gentile" title by the Yad Vashem. She has also been honored by the German Government, Dutch monarchy and educational institutions.

Nevertheless, Gies resisted being made a character study of heroism for the young.

"I don't want to be considered a hero," she said in a 1997 online chat with schoolchildren.

"Imagine young people would grow up with the feeling that you have to be a hero to do your human duty. I am afraid nobody would ever help other people, because who is a hero? I was not. I was just an ordinary housewife and secretary."

Born Hermine Santrouschitz on Feb. 15, 1909 in Vienna, Gies moved to Amsterdam in 1922 to escape food shortages in Austria. She lived with a host family who gave her the nickname Miep.

In 1933, Gies took a job as an office assistant in the spice business of Otto Frank. After refusing to join a Nazi organization in 1941, she avoided deportation to Austria by marrying her Dutch boyfriend, Jan Gies.

As the Nazis ramped up their arrests and deportations of Dutch Jews, Otto Frank asked Gies in July 1942 to help hide his family in the annex above the company's canal-side warehouse on Prinsengracht 263 and to bring them food and supplies.

"I answered, 'Yes, of course.' It seemed perfectly natural to me. I could help these people. They were powerless, they didn't know where to turn," she said years later.

Jan and Miep Gies worked with four other employees in the firm to sustain the Franks and four other Jews sharing the annex. Jan secured extra food ration cards from the underground resistance. Miep cycled around the city, alternating grocers to ward off suspicions from this highly dangerous activity.

In her e-mail to the AP last February, Gies remembered her husband, who died in 1993, as one of Holland's unsung war heroes. "He was a resistance man who said nothing but did a lot. During the war he refused to say anything about his work, only that he might not come back one night. People like him existed in thousands but were never heard," she wrote.

Touched by Anne's precocious intelligence and loneliness, Miep also brought Anne books and newspapers while remembering everybody's birthdays and special days with gifts.

"It seems as if we are never far from Miep's thoughts," Anne wrote.

In her own book, "Anne Frank Remembered," Gies recalled being in the office when the German police, acting on a tip that historians have failed to trace, raided the hide-out in August 1944.

A policeman opened the door to the main office and pointed a revolver at the three employees, telling them to sit quietly. "Bep, we've had it," Gies whispered to Bep Voskuijl.

After the arrests, she went to the police station to offer a bribe for the Franks' release, but it was too late. On Aug. 8, they were sent to Westerbork, a concentration camp in eastern Holland from where they were later packed into cattle cars and deported to Auschwitz. A few months later, Anne and her sister Margot were transported to Bergen-Belsen.

Two of the helpers, Victor Kugler and Johannes Kleiman, were sent to labor camps, but survived the war.

Around 140,000 Jews lived in the Netherlands before the 1940-45 Nazi occupation. Of those, 107,000 were deported to Germany and only 5,200 survived. Some 24,000 Jews went into hiding, of which 8,000 were hunted down or turned in.

After the war, Otto Frank returned to Amsterdam and lived with the Gies family until he remarried in 1952. Miep worked for him as he compiled the diary, then devoted herself to talking about the diary and answering piles of letters with questions from around the world.

After Otto Frank's death in 1980, Gies continued to campaign against Holocaust-deniers and to refute allegations that the diary was a forgery.

She suffered a stroke in 1997 which slightly affected her speech, but she remained generally in good health as she approached her 100th birthday.

Her son Paul Gies said last year she was still receiving "a sizable amount of mail" which she handled with the help of a family friend. She spent her days at the apartment where she lived since 2000 reading two daily newspapers and following television news and talk shows.

Her husband died in 1993. She is survived by her son and three grandchildren.

Find Out More Here:

Anne Frank: The Diary of a Young Girl

Anne Frank Remembered: The Story of the Woman Who Helped to Hide the Frank Family

NINE

noreply@blogger.com (Kate West Reviews) — Mon, 04 Jan 2010 04:07:00 +0000

a kate west review

directed by Rob Marshall

music & lyrics by Maury Yeston (Andrea Guerra)

original book by Arthur Kopit

screenplay by Anthony Minghella & Michael Tolkin

Already a playful adaptation of Federico Fellini's famous semi-autobiographical film "8 1/2", the Tony-award winning musical "Nine" is now a major motion picture. Starring Daniel Day Lewis and directed by Rob Marshall ("Chicago"), it blurs the line between fantasy and memory, reality and dreams.

Guido Contini (Daniel Day Lewis) is a 1960's world famous film director at a crisis in life. He's a notorious womanizer, yet loves his wife Luisa dearly (the adorable Marion Cotillard). He can't help it - he's always loved women, starting with his incredible Mother (the incomparable Sophia Loren) and his first love, the local prostitute, Saraghina (fabulously depicted by Fergie) to his sultry mistress Carla (Penelope Cruz) and the idolized movie star Claudia Jensson (Nicole Kidman).

Deep down Contini wants to be good and needs to be loved, but mistakes worship for the real thing. What he knows best is making movies and in the course of the film, we see his desire for women conflict with his strict Catholic upbringing, creating the tortured self-absorbed egomaniac with a genius for cinematic art. His charisma will only carry him so far, and eventually everyone gets fed up with him, from his hard-working Producer to his long-suffering wife.

Marion Cotillard ("La Vie En Rose") has the most touching and tender scenes in the movie, plaintively singing "My Husband Makes Movies" as he continues to neglect her. The musical scenes are all great in fact, especially Fergie's stompingly lusty "Be Italian" and Cruz's sexy "Call to the Vatican". Most of the actors can sing, with the exception of Lewis and Judi Dench (as the matronly Costumer Lilli), but their immaculately strong performances carry them through beautifully. Kate Hudson plays an American reporter Stephanie in a brand new number "Cinema Italiano", shot like a sparkly Versace runway show.

True, the costuming and 1960's look is très chic, but the movie lacks a true heart, in spite of the excellent cast. Guido Contini should be the charming devil-may-care rascal who wins us over, but he's so tired and desolate by the end, he has nothing left to give. Small changes from musical to film (won't give it away here), don't make much of a difference, but as this is a difficult musical to begin with, technically and emotionally, it's a tough transition to screen that Director Rob Marshall just quite can't pull off.

Still, it's got some fun numbers and a few cool retro looks here and there, so is definitely well worth a viewing.

Directed by	Rob Marshall
Produced by	Rob Marshall Marc Platt Harvey Weinstein John DeLuca Maury Yeston
Written by	Anthony Minghella Michael Tolkin
Starring	Daniel Day-Lewis Marion Cotillard Penélope Cruz Judi Dench Fergie Kate Hudson Nicole Kidman Sophia Loren
Music by	Andrea Guerra (Score) Maury Yeston (Songs)
Cinematography	Dion Beebe
Editing by	Claire Simpson Wyatt Smith
Studio	Relativity Media
Distributed by	The Weinstein Company

MOVIE SOUNDTRACK:
Nine

Bleeding Through

noreply@blogger.com (Kate West Reviews) — Sun, 22 Nov 2009 22:31:00 +0000

a kate west review

written & directed by Theresa Chavez & Rose Portillo

from the novella by Norman Klein

About...Productions

at Shakespeare Festival/LA

1238 W. 1st Street, Los Angeles, Ca 90026

contact www.aboutpd.org OR (800) 595-4849(4TIX)

running October 23 - November 22, 2009

"Bleeding Through" is a nostaglic oldies Angelino noir piece that, in spite of the retro cool set pieces and costumes (thanks to Akeime Mitterlehner and Pamela Shaw), just doesn't hold interest. It is very busy though. Co-Writer/Directors Theresa Chavez and Rose Portillo work up some uniquely intricate staging by having the actors appear in scenes behind the audience and to the sides, as well as on the main stage. Add the orchestra up there too, and an awful lot is going on all at once.

David Fruechting heartily narrates this story of intrigue and murder, but by the time he's through, no one cares anymore. The play is long and involved and a bit self-important, although there is some solid acting. Lynn Milgrim and Elizabeth Rainey trade off playing older and younger versions of each other, which is an interesting device and they are both quite good. Not all of the acting is spot on, however, particularly Ed Ramolete's rather plodding Ezra, neighbor to Molly and mostly meant to spur on her old stories. The rest of the cast (James Terry, Brian Joseph and Pete Pano) is fine.

Also, for some reason, Molly's past life and past lovers appear on the screen behind the actors in a black-and-white film, where she's inexplicitly portrayed by yet another actress (Kikey Castillo). Someone gets killed, men appear in raincoats in dark parks, Molly can't decide between two men and the narrator soaks it all in. Suffice to say, the film noir takes just don't all fit together. Meanwhile, the audience members may get whiplash turning around every five minutes to follow all the action.

None of these devices have particular motivation in connection with the actual plot and while it is all interesting to look at, and delightful to touch (during intermission you will get a chance to go on stage and see and touch some of the fabulous props), it does not add much to the story. Unfortunate, since Angelenos need more good, solid and classic pieces of historical tales. More of the story would be revealed here were certain viewers able to stay awake for the whole thing. Apologies.

U2 Live at the Rose Bowl

noreply@blogger.com (Kate West Reviews) — Mon, 26 Oct 2009 02:24:00 +0000

a kate west live event watch
Sunday, October 25, 2009

In these tough economic times, who goes to concerts anymore? Plenty of people, based on ticket sales. Well, but you can't and you hate that. But wait, there is a solution, especially for U2 fans. The famous Irishmen are appearing tonight at the Rose Bowl and YOU can watch them in the comfort of your own armchair with beer fridge armrests. Go to YOUTUBE at 8:30 p.m. and catch the legendary musicians in action. And don't drive to Pasadena - talk about serious traffic jams.

Find Peace, Michael.

noreply@blogger.com (Kate West Reviews) — Wed, 21 Oct 2009 01:41:00 +0000

a kate west commemoration

http://www.michaeljackson.com

The Memorial and Film

Jackson's televised memorial took place at the Staples Center (where he rehearsed much of his concert tour) on July 7, 2009. We all remember the tearful Jackson family and especially his heartbroken children. Anything else that happened that day was hopelessly overpowered by the enormity of this cultural icon. And as we all know, the film "This Is It", documenting his heartrending work, was released to the public on screens in October 2009, months after Jackson's death in June 25.

The DVD

Despite any misgivings you may have over his bizarrely controversial personal life, the movie is worth a look. A consummate professional, Michael Jackson had been performing on stage almost his entire life. Granted, the intense scrutiny of the public eye and troubled family life turned him into a freak show at times, but on stage, in the true spotlight, he shone. As depicted in the film, he worked tirelessly with musicians and crew, always appreciative and humble, gently adjusting errors in order to reach the pinnacle of pop perfectionism he was accustomed to. He knew what he wanted and he got it, and you had to agree with him, because no one knew better. To dismiss him as a pop culture phenomenon is a disservice. No it's not deep intellectual pursuit, but his work was still hard - genius simply means being uniquely, impressively the best. Can't argue with that.

The DVD extras come with sincere testimonials and behind-the-scenes looks at auditions, costumes, sets, etc. The show would have had the latest 3D magic and larger-than-life puppets and pyrotechnics, but beyond all that, Jackson's mere presence, emotion and passion would have kept audiences enthralled just as he was. It would have been a great concert. I challenge you to watch the footage unmoved.

L-O-V-E. Peace, Michael.

Explore More:
Michael Jackson: This Is It

This Is It

Where The Wild Things Are

noreply@blogger.com (Kate West Reviews) — Sun, 18 Oct 2009 07:52:00 +0000

a kate west review dedicated to and inspired by
Sam Bronson Page (www.peacelovelunges.com)

book by Maurice Sendak
film by Spike Jonze

Max is angry. Wild. He is wildly angry, in fact. A fierce, raging little boy, Max is sadly misunderstood and runs away from home right into a fantastical world of fierce, raging monsters. Anyone familiar with Maurice Sendak's children's book "Where The Wild Things Are" knows that's pretty much it, plot-wise. First published in 1963, the book was dark and controversial and eventually turned into a world renowned classic (and winner of the Caldecott Medal). Parents worried that it promoted misbehavior, but most people knew it encouraged imaginative dreaming, a key developmental step in child-rearing. Besides, Max comes home peacefully in the end.

Now independent filmmaker Spike Jonze (Sofia Coppola's ex) has added his creative ravings to the beloved story. His deeply personal relation to the rebel boy is obvious. Fleshing out the bare bones story with Dave Eggers, he shows us an in-depth look at the famous monsters, giving them unique names, history, personalty disorders and every emotion found in the heart of a child. And his depiction of childish rage and perplexity is spot-on. A fascinating mix of live action, suitmation, animatronics and CGI, the film is dark and sad, and rather long, but does offer special illumination into the mind of a small intense boy.

Max (Max Records) rages that his sister Claire (Pepita Emmerichs) ignores him and that his mother (Catherine Keener) is finding love again (Mark Ruffalo). Lashing out against the unpleasantness found in life, he bites his mother and runs away into the night. In the book, he is sent to his room without supper and finds himself whisked off to a magical land in a boat. Here, Max runs down the dark streets of his neighborhood until he stumbles across a boat. The mysterious sea brings him straight to a craggy forest full of enormously cranky monsters.

Somehow he convinces them he is a king and they decide not to eat him, since they'd probably be better off with a little more royalty in their lives anyway. Carroll (James Gandolfini) is the first to befriend him, admiring their common interest in mischievous destruction and the others soon fall into line. Some are less trusting than others, most notably Judith (Catherine O'Hara), but Max is able to control them up to a point and they all find joy in playing rough and sleeping in big piles. Lauren Ambrose as KW is an especially sweet and gentle giant who helps to guide Max back down the road from anger to love. And once Max realizes that the monster world is no more free from strife than his old one, he knows it's time to move on.

Obvious great care was taken to style the non-humans into the likeness of the literary characters. They all look exactly like Sendak's delightful illustrations and Max, in his warrior wolf suit, could also be taken right out of the book's pages. Jonze created a bit of a back story to hint at the reason for Max's unhappiness. Nothing disturbing - more like normal modern life kid anxiety. Max is of an age where he will have to learn to deal with his emotions. He has a loving mother, who feeds and clothes him, but it isn't enough for him at first, until he is able to look outside himself and discover that yes, it is more than enough. He is finally ready to start growing up.

The main problem with the film itself though, is its overall melancholy tone. It is admirable to have such a rich look at the monster's lives, and oftentimes quite amusing, but overall they live a joyless existence, until Max brings some brief life back to their souls. The voice actors are all great (Forest Whitaker, Chris Cooper, Paul Dano, Gandolfini, etc.) and the cinematic technology and wonderful costumes allow for amazingly expressive faces, but all that does not always overcome the general weepy mood. Max does go to a pretty dark place for a while, illustrated by the interaction with the monsters, and he does survive stronger and happier than ever, but parents should be aware of the blackness at the core, and some very disturbing images to boot. Then again, no one ever said the book was a happy one either.

Still, it is a remarkable artistic achievement and definitely worth catching on the big screen. The anticipatory build up in the trailer depicts the incredible cinematography and visionary sets pretty well, but just so you know, Arcade Fire's fun "Wake Up" song is not featured in the actual movie. See it for the rebellious child in each of us. Questioning authority is not always a bad thing and sometimes it will lead you to understanding the world a little better in the end. For Max, after all that storming and raving, he was able to come back home "... where he found his supper still waiting for him and it was still hot."


"WILD THING!" "I'LL EAT YOU UP!"
Directed by	Spike Jonze

	Screenplay: Spike Jonze Dave Eggers Starring
	Max Records Catherine Keener Mark Ruffalo Pepita Emmerichs Paul Mouzakis Voices of: Lauren Ambrose (KW) Chris Cooper (Douglas) James Gandolfini (Carroll) Catherine O'Hara (Judith) Forest Whitaker (Ira) Paul Dano (Alexander) Michael Berry Jr. (The Bull)
Music by	Karen O Carter Burwell
Cinematography	Lance Acord
Editing by	Eric Zumbrunnen

The Book:
Where the Wild Things Are

Bringing It To The Stage:
http://www.examiner.com/examiner/x-19133-LA-Performing-Arts-Examiner~y2009m10d18-WHERE-THE-WILD-THINGS-SHOULD-BE

Behind Every Beautiful Eye

noreply@blogger.com (Kate West Reviews) — Sat, 10 Oct 2009 08:16:00 +0000

Behind Every Beautiful Eye
Detrás De Cada Ojo Hermoso
a kate west recommendation

If you're wondering how to reach inner city youth, introduce them to themselves. Encourage them to read and to write down what they feel. The students of the Los Angeles School of Global Studies (class of 2012) have done just that by completing another inspirational writing project. One hundred high schoolers from downtown LA wrote essays, poems and bios in both English and Spanish about their personal lives and emotions and set it all down in a book for the world to see. Laura Cometa is the teacher responsible for once again collecting teenager's stories into a literary bilingual anthology in a continuing and very successful writing project. And quite a program it is - these stories are in turn, amusing, heartrending, poignant and very real.

And it's a win-win situation. The children had a chance recently to present their work at the Latino Book Festival and proudly read excerpts. At the Q&A, the students admitted the project had changed their lives, empowered their self-esteem and even improved family dynamics. They got a kick out of staying to sign books for enchanted fans too. Not only that, but Filmmaker Tracy Mazuer is documenting it all on film so her camera crew follows the kids around, giving the whole experience that Angeleno real-world feeling we've all come to know and love.

So there you have it. The best way to spread the word is by telling a friend, so please support this project. And encourage your kids to write!

Buy The Book Here:
http://www.lulu.com/content/paperback-book/behind-every-beautiful-eye/7486706

Latino Book Festival Info:
http://lbff.us/
http://www.reynagrande.com/LBFF%20page.htm

Ray Bradbury's The Wonderful Ice Cream Suit

noreply@blogger.com (Kate West Reviews) — Mon, 28 Sep 2009 01:02:00 +0000

a kate west review
at 1000 Fremont Ave
South Pasadena, CA 91030-3225
(626) 441-5977
for tix contact: 323-960-4551
www.plays411.com/raybradbury
www.fremontcentretheatre.com

Ray Bradbury loves Los Angeles. In fact, he spent much of his twenties downtown, living in a Latino district and writing down every conversation he overheard. In 1957, fascinated by this East Los Angeles culture, the celebrated Pulitzer Prize winning author wrote a short story for the Saturday Evening Post and later turned it into a play in 1972. Best known as "The Wonderful Ice Cream Suit", the charming story has had many manifestations, including a musical and then a film starring Esai Morales, Edward James Olmos and Joe Montegna in 1998. The Fremont Centre Theatre in Pasadena now brings back an encore run of "Ice Cream Suit", with Bradbury's blessings (in attendance opening night when he recounted a bit of the history behind the piece).

Five Hispanic men invest together in a beautiful suit, as pure and white as vanilla ice cream. Since none of them can afford it on their own, they all pool their money and vow to share it, each of them getting a brief moment of glory wearing the suit. Gomez (Rudy Rodriguez), the brains of the outfit, so to speak, collects the money from his friends. Each suit wearer has a designated time to strut out on the town and become a ladies magnet or a chance to briefly live out whatever realization of his personal dream fantasy he might envision.

Of course, not everyone can be trusted to take immaculate care of clothes, as evidenced by the vagrant Vamenos (Daniel V. Graulau), who is constantly tripping over things and making a mess. Villanazul (Joaquin Garay III), Martinez (Eddie Ruiz) and Dominguez (Adrian Elizondo) round out the rest of the wild bunch who cherish their time of magic. In a relatively short time (and with no intermission), we see each person's desires fulfilled, including the aftermath of Vamenos' thoughtless outing.

Bradbury's lovely dialogue is purposely poetic and lyrical, adding dimension to the rather supernatural allure of the suit. The actors struggle a little bit in finding a natural rhythm, but each character is earnestly likeable. One moment includes literally spotlighting the suit, technically and musically (a nice touch). The final bar scene is amusing as well (but fair warning: strobe lights are lengthily utilized). It is easy to see how the story could be transformed into a musical, as the lines are made to be joyously sung. The late John Edw. Blakenchip designed the fun stylistic set with graffiti-inspired murals, adding to the theme of beauty. Director Alan Neal Hubbs could have emphasized more of the sing-song out-of-reality feel (akin to Dylan Thomas' "Under Milkwood"), but the play is still entertaining and a big hit with the weekend audience.

One puzzling moment occurs when Gomez (Rudy Rodriguez) explains that he hand-picked each man for similar size and build but the actors clearly don't match, so one wonders if it is part of the inexplicable magic of the show, or just an inconvenience in casting. In addition, the actors are all fine, but might want to watch their pacing, as we need to soak in the important flow of words (particularly Garay as political intellectual Villanazul, who is funny, but just needs to slow down a tad). Graulau is the real comic relief as the bumbling Vamenos and does well, as does Elizondo as the sauve Dominguez. Verona Mansongsong is very pretty as Celia Obregon, the ideal love of Martinez (the young Eddie Ruiz), and some of the other random characters are weaker than others.

Overall, the actors need to be careful to continue balancing the stylistic acting with the grounded humanity of their characters and will probably get the hang of it in future performances. Again, the cast completely won over the crowd and the production is absolutely worth seeing, if for the auditory pleasure alone. On this particular evening, the real magic happened when Bradbury stayed to sign every book and program brought to his lap. Very gracious and in love with life, he is a real delight to listen to and to hear his wonderful words brought to life. So kudos to Fremont Center Theatre for indulging the Sci-Fi Master. If only it were as easy as donning a magical suit to find a magical life. And if anyone can make that happen, Mr. Bradbury can. Viva.

See the Film:
The Wonderful Ice Cream Suit

South Pasadena Transit Authority

noreply@blogger.com (Kate West Reviews) — Sat, 19 Sep 2009 07:46:00 +0000

a kate west recommendation

What do Entertainment Industry types do to blow off steam? Form a band, of course (and maybe one of them did Production Design on "Angel" and "Dollhouse", my geekdom). Read on from www.spef4kids.com:

1st Annual School-Aid Benefit

On Saturday, September 19 at 8 PM, get ready to sing, dance and "bah bah bah BAH" along as our own local Chicago cover band, South Pasadena Transit Authority, plays a benefit concert in the parking lot of the South Pasadena Music Center with proceeds going to SPEF.

By day... they're South Pasadenans like you and me: a film production designer, two writers, an Emmy-winning set decorator (okay South Pasadenans with more Emmys than you and me), a principal, two art directors, a school counselor, a physics teacher and a film location manager. By night, they're horn-blowin', guitar playin', harmony singin' hipsters who aren't ready to put their instruments or passion for music aside just yet.

Opening for SPTA will be Cold Feet, a band of local youngsters from Walter Zooi's South Pasadena Music Center and Conservatory's School of Rock program.

So come on out, bring your neighbors and enjoy a sensational night of music as local musicians rock it for a great cause.

South Pasadena Transit Authority is: Ellen Totleben - Lead Vocals, Nadia Hillman - Back-up Vocals & Percussion, Peter Knight - Guitars, David Ford - Bass Guitar & vocals, Stuart Blatt - Drums & Vocals, Tomas Gaspar - Flute & Saxophones, Kendall Bennett - Trumpet, Paul Kikuchi - Trumpet, Scott Barton - Trombone and Timothy Hillman - Keyboards, guitar & vocals.

What: 1st Annual SCHOOL-AID Benefit Concert
Where: Parking lot of SP Music Center, 1509 Mission Street
Who: South Pasadena Transit Authority & Cold Feet.
How Much: $5.00 SPEF donation at the gate.

More Info:
http://southpasadenatoday.com/article.cfm?articleID=18195

Will Power

noreply@blogger.com (Kate West Reviews) — Mon, 31 Aug 2009 00:59:00 +0000

a kate west review

Shakespeare Festival/LA
Will Power to Youth
A Midsummer Night's Dream
at 1238 W. First Street, Los Angeles 90026
running August 26 - 29
Contact (213) 481-2273
or www.shakespearefestivalla.org

It is very nice to know that amidst governmental cutbacks and arts funding setbacks, there is still a place that brings youth together in the spirit of Shakespearean teamwork. Shakespeare Festival/LA's wonderful program Will Power to Youth presents "A Midsummer Night's Dream" downtown, not blocks away from the mighty Disney Hall and Music Center. They may not have the budget of those bigger theaters, but boy do they have heart.

Several teams of young teens and adult mentors collaborated on a 1970's version of "Dream" which entertains while tugging at the heartstrings and ultimately reiterates the importance of encouraging youth in the arts. Not only did they all memorize Shakespeare, but they also added some retro rock 'n roll and a few unique modern touches. In eloquent monologues, they talk about what their own dreams could be, what they might give an orphan child to survive reality's harshness and what they want from their future. All this pathos runs under two hours and as an added bonus, we get to watch some delightfully funky dance numbers.

The actual story begins with two pairs of lovers who find happiness despite all the obstacles they face. Lysander (Cesar Vargas) and Hermia (Natalie Sosa) love each other, but Hermia's father Egeus (Marco Castaneda) and the royal powers will not allow them to marry. Instead, Hermia is supposed to marry Demetrius (Manuel Mora) but Helena (Michelle Parra) is the one who truly loves him. They all run off into the enchanted forest where they run into fairies and magic. Oberon (Chris Mendoza) and Titania (Alex Geronilla) live there as the Fairy King and Queen and do their best to wreak mischief on their mortal visitors. Lastly are the Players, or Mechanicals, a group of laborers grimly determined to present the tragic tale of Pyramus and Thisby (inspiration for "Romeo and Juliet" no doubt) at the Duke Theseus' (Joseph Patino) wedding to Hippolyta (Claudia Diaz). While in rehearsal, they end up in the enchanted forest as well.

The talent varies, as some of the kids are setting foot onstage for the very first time. With that in mind however, and considering everyone's varied background, plus the fact that this may very well be their first exposure to the arts, it is a very impressive end result indeed. Some standouts include John Geronilla as the energetic fairy spirit Puck and Jorge Martinez as Philostrate, the Master of Revels. And Jordan Vasconez and Alex Gonzales can't help but have the time of their lives reenacting the sillier version of Pryamus and Thisby. Every single actor and dancer is one hundred percent committed however, and it is more than obvious they are all having unbelievable fun up there. Morgan Williams and Kimiko Broder helped the cast choreograph some fun routines, including magically swirling parasols and hip moves worthy of any popular reality t.v. show.

Director Elizabeth Rainey is to be commended for piecing together so many different ideas, to the delighted surprise of all the parents in the audience. All the staff worked incredibly hard (see complete production list below) and deserves accolades for such a fun show. The sincerity and earnestness emanating from this project is quite touching and we should all implore the Theater Gods to keep bringing back interested children and help guide them to exciting creative futures.

Director
Elizabeth Rainey

Founding Artistic Director

Ben Donenberg

Director of Youth & Education
& Associate Artistic Director

Chris Anthony

Jeremy Ancalade, Director of Operations
Regina Cabrera, Director of Communications
Sam Greenstone, Director of Advancement
Marina Oliva, Youth & Education Associate
Ivan Robles, Facility Manager
Marcela Robles, Youth Coordinator
Ana Valdez, Development Administrator

CAST

Hippolyta (Costume Team)

Claudia Diaz

Theseus (Writing Team)

Joseph Patino

Philostrate (Sound Team)

Jorge Martinez

Egeus (Writing Team)

Marco Castaneda

Lysander (Acting Team)

Cesar Vargas

Demetrius

Manuel Mora

Herma (Scenic Team)

Natalie Sosa

Helena (Writing Team)

Michelle Parra

Peter Quince (Sound Team)

Shaun Reoliquio

Snug (Sound Team)

Min Song

Nick Bottom (Acting Team)

Jordan Vasconez

Frances Flute (Costume Team)

Alex Gonzales

Tom Snout (Scenic Team)

Ricardo Arenas

Robin Starveling (Movement Team)

Jason Mendoza

Oberon (Acting Team)

Chris Mendoza

Titania (Movement Team)

Alex Geronilla

Mustardseed (Costume Team)

Juan Castillo

Puck (Acting Team)

John Geronilla

Peasblossom (Scenic Team)

Magdalena Rafael

Teardrop (Writing Team)

Kevin Cruz

Moth (Movement Team)

Kevin Castillo

Thistle (Sound Team)

Allan Mancia

Starlight (Costume Team)

Gema Gomez

Firefly (Sound Team)

Luis Mateo

Movement Team

Cleavon Tatum

PRODUCTION STAFF

Fellow

Kimiko Broder

Facilitation Director

Rani DeLeon

Costume Mentor

Hanalani Lee

Lighting Designer

Jose Lopez

Scenic Mentor

Akeime Metterlehner

Playwright

Judeth Oden Choi

Stage Manager, Graphic Designer

Marina Oliva

Music Mentor, Facilitator

Ivan Robles

Youth Coordinator

Marcela Robles

Acting Mentor, Facilitator

Jon Royal

Movement Mentor

Morgan Williams

John Hughes

noreply@blogger.com (Kate West Reviews) — Fri, 07 Aug 2009 19:12:00 +0000

a kate west reflection

This man was my whole high school experience. I was an MTV 80's teen and reveled in all the pop culture America could give me. Finally, someone understood the teen point of view and spoke our dialogue. In our time. From Ferris Bueller's rebellious independence to all the Breakfast Club angst, Hughes gave us what we wanted and needed and made us feel normal in our brand new 80's world. We'll never forget you.

"Life moves pretty fast. You don't stop and look around once in a while, you could miss it. "

The Classics:

The Breakfast Club Ferris Bueller's Day Off Bueller...Bueller... Edition (Special Collector's Edition) Home Alone Some Kind of Wonderful (Special Collector's Edition) Pretty in Pink (Everything's Duckie Edition) Uncle Buck Planes, Trains and Automobiles Weird Science (High School Reunion Collection)

Carved in Stone

noreply@blogger.com (Kate West Reviews) — Sat, 01 Aug 2009 19:25:00 +0000

[Jesse Merlin, Levi Damione, Leon Acord, Kevin Remington, Curt Bonnem]

a kate west review
by Jeffrey Hartgraves
directed by John Pabros Clark
at Theatre Asylum
6320 Santa Monica Blvd.
Los Angeles, CA 90038
Fridays and Saturdays @8:00 PM
running Jun 19 - Sep 05
contact 310-473-LIVE (5483) or
www.carvedinstonetheplay.com

Remember the question, "who would you most like to have dinner with, living or dead?" How about Truman Capote, Quentin Crisp, Oscar Wilde and Tennessee Williams? Or maybe even William Shakespeare? Playwright Jeffrey Hartgraves expands on that idea with a visit to the after life in "Carved in Stone".

Gryphon Tott (Levi Damione), an aspiring writer, dies suddenly in a train station and immediately finds himself in every reader's dream situation - being able to talk to his favorite authors, all of whom happen to be dead. Oh, and gay. In a common sitting room, and in denial about a few things, in death as in life, Tott eventually admits the truth about himself, to the surprise of all. Director John Pabros Clark (who also designed the cozy set) presents an amusing and witty look at Hartgraves version of what might happen if all these literary giants had a chance to mingle and pry into their lives. And make fun of each other mercilessly.

Kevin Remington is amazing as Capote, as he not only captures the voice and mannerisms perfectly, but makes it his own, with natural-sounding rapid-fire dialogue, as if there were no script at all. Curt Bonnem is a very sexy Williams, Jesse Merlin is a rumbling baritone and quite delightfully dry Wilde and Leon Acord plays Crisp with proper demure affection. Most definitely portrayed by strong actors, the rapport amongst these characters plays beautifully real and each one of them has something fascinating to impart. One could listen to these four wonderful performers for days.

Levi Damione, as the new author Tott, is a bit weaker, however, not having a famous personality to impart, but his presence does give something for the others to focus on. In addition, Alex Egan and Amanda Abel come in and out of the stage, as various characters, from Gertrude Stein and Alice Toklas, to Frank Nelson and Judy Garland, and with a special Shakespearean appearance (Egan). They are fine as some added comic relief, but it is rather confusing to have some seemingly arbitrary famous non-literary characters pop in from time to time, although gay icons are frequently mentioned. More perplexing though, for some reason they are not allowed to interact with the main players. You do get some good musical numbers however, and maybe that is enough to entertain.

Overall, it is great fun to watch the drama unfold, as Tott tries to figure out why he is the one selected for this divine privilege. It's not Shakespeare, so to speak, but it is a play about love of literature and it is obvious the playwright had great respect for these legends. As do we. This particular evening had a few barely noticeable technical glitches, which hardly seems to matter in the big scheme of it all, as the show has been extended through the fall. So brush up on your classics and come get some insight into genius for a while. Have a shot of bourbon afterwards.

Vox Aurea

noreply@blogger.com (Kate West Reviews) — Thu, 09 Jul 2009 20:34:00 +0000

a kate west recommendation

Finland's latest export comes in the form of an extraordinary Children's Choir known as Vox Aurea (a.k.a. The Golden Voice, in Latin). The kids (ages 11-18) come from Jyväskylä, Finland and travel the world bringing awed audiences the gift of music. With choreographed movement, they showcase folk and modern pieces, all perfectly rehearsed. Founded by Torsten Lindfors in 1968, the touring company includes world famous composer and conductor Pekka Kostiainen and Sanna Salminen. They hit San Francisco and Los Angeles this summer and have performed all over.

Scaling the music staff from top to bottom, the children's remarkable range dazzles and delights. You may not understand all the words (although some pieces are in English), but you will most decidedly understand the emotions, as they act out little dramas, set to original and traditional songs. Chirping and clicking, they mimic atmospheric sounds, becoming wind or train whistles or whatever the piece may require and they are obviously having the time of their lives as they grin joyfully and sing their little hearts out. Bowing their heads during solemn lulls, they will invoke Rockette precision the very next moment. And as an added bonus, the costumes are beautiful, colorful and fitting.

Kudos to the parents for providing this great opportunity to cross culture. Look them up and see if you can become a lucky host family and get to know Finland like no one else. You can regale your neighbors with fun Finnish facts. Well worth catching their act and here's how:

Performing at:
International Choral Exchange
with Los Angeles Children's Chorus
at Pasadena Presbyterian Church
July 21, 2009 @7pm
www.ppc.net
585 E Colorado Blvd
Pasadena, CA 91101-2036
(626) 793-2191

Tour Dates
July 9 - 23, 2009
www.voxaurea.org

Or Catch them on YouTube
http://www.youtube.com/user/VoxAureaFIN

Shakespeare Unscripted

noreply@blogger.com (Kate West Reviews) — Fri, 26 Jun 2009 18:09:00 +0000

(Brian Lohmann and Tracy Burns)

a kate west review
directed by Brian Lohmann & Dan O’Connor
at Theatre of Arts, 1625 Las Palmas, Hollywood 90028
contact (323) 401-6162 or www.improtheatre.com
running June 26 – August 1, 2009

“Shakespeare Unscripted” is the latest improvisational feat by Impro Theatre, the same company that brought you "Jane Austen Unscripted". Consisting of an ensemble of professionals improvisers, the company presents impromptou Shakespearean-style scenes for your viewing pleasure. Taking a suggestion from the audience, they create an entire play, complete with murder, intrigue and worthy puns.

Stand-outs this particular evening included the outstandingly talented co-directors, Dan O'Connor and Brian Lohmann. The hilarious duo Michele Spears and Tracy Burns gave them a run for their money as well. Harkening back to previous insights and delighting in pointing out inconsistencies, the cast has a lot of fun improvising and are, for the most part, up to the challenging language. Some members are stronger than others, but overall, it proves an entertaining evening.

This is a company worth watching and learning from (they offer classes too). If Shakespeare isn't your thing, you might want to check out the even more impressive Jane Austen version, or even "Sondheim Unscripted".

Impro Theatre is: Tracy Burns, Brian Jones, Stephen Kearin, Brian Lohmann, Nick Massouh, Jo McGinley, Dan O'Connor, Paul Rogan, Michele Spears, Floyd Van Buskirk with guest artists Lauren Lewis, Jennifer Riege and Mollie Taxe.

Scarecrow Video - a Seattle Experience

noreply@blogger.com (Kate West Reviews) — Sat, 30 May 2009 21:58:00 +0000

a kate west recommendation

Having recently visited Seattle for the first time, I was struck by how right so many of my friends were. This was a perfect city for me - laid-back, liberal, intellectual, but not snobbish, and environmentally savvy. Everyone was friendly, with no agenda. Coming from Los Angeles, you can imagine my relief not to hear an itemized list of someone's resume every time I merely said hello. The air was clear, the weather gorgeous (though I was warned time and time again how utterly atypical this was and not to get used to that bright sun) and little wisps of cotton blew across every road, like leftover pixie dust. Truly magical. Too good to be true, right?

I did all the must-sees like Pike Place and the Space Needle. Even visited the architecturally innovative newish Library. Saw surrounding little versions of Pleasantville like Kirkland, Bellevue and Ballard. All worthy tourist photo opps, to be sure. But my favorite spot in Seattle has to be Scarecrow Video.

The staff here lives, breathes and eats cinema, pretty much. The store has the most extensive film collection I've ever seen and puts Hollywood Boulevard to shame. Every recommendation is dead-on and they expect you to know your film history as well, since most movies are categorized by director. Who needs Netflix when you can walk in to the very real and present warm atmosphere of your fellow cinephiles? It'll take you years to learn everything about the place, so start by chatting up the staff - most of whom are here for the long haul. Then come back to La-la Land and tell 'em what they're missing.

If you're going, here are the jots of noteworthy interest:

We’re located in the University District of Seattle at 5030 Roosevelt Way NE (206.524.8554).

A quick exit off of I-5 and an easy walk from the University of Washington.

For directions to the store or how long it will take you to walk here from Boston, click here.

For some of our legendary history click here. Questions? They might be answered here.

http://www.scarecrow.com

Oh and don't forget to visit the original Rudy's at http://www.rudysbarbershop.com.

Enjoy!

Star Trek

noreply@blogger.com (Kate West Reviews) — Sat, 09 May 2009 22:10:00 +0000

a kate west reflection

A Sci-Fi nerd for as long as I can remember, "Star Trek" has to be my first love and Spock my first crush. Cold, emotionally unavailable intellectuals ... ah, that's what I'm doing wrong. Anyway, enough about me, let's Trek talk. I admit I was skeptical about the new movie, and purists will still take issue with some of the creative liberties of the story lines. Written by Roberto Orci and Alex Kurtzman, this adaptation of way-too-little-of Starfleet history does nonetheless manage to remain essentially true to Gene Roddenberry's original characters, believe it or not. Just keep thinking alternate-universe time lines.

Directed by J.J. Abrams ("Lost"), the new "Star Trek" brings together old crewmembers Spock (Zachary Quinto of "Heroes" fame), Dr. "Bones" McCoy (Karl Urban), Chekov (Anton Yelchin), Uhura (Zoe Saldana), Scotty (Simon Pegg) and Sulu (John Cho) in a whole new old adventure. Also, Eric Bana co-stars as the villain Nero and Leonard Nimoy himself appears as an older version of Spock (that will be explained when you see it). Confused yet? Suffice to say, there is some rewritten history, but not enough to really mess with the essence of the classic Enterprise gang we have come to know and love.

We get to see Kirk, Spock and crew back when they first enroll in the Academy and then go on their first mission. It's nice to speculate on how they all met and what their first impressions of each other were. Urban's McCoy is especially good, as he channels DeForest Kelley to a T. Again, some of the back story is a tad different, due to messing with time travel, but you will recognize everyone. Simon Pegg is an excellent Scottish Engineer and Quinto is a perfect Spock. By the time Chris Pine dons the yellow shirt of command, he is a young Shatner incarnate. Yelchin's Chekov is a little overdone (but so was Walter Koenig). Zoe Saldana is fine as Uhura and John Cho handles Sulu alright, for what little screen time he has. Thank God the forever-untalented Winona Ryder has a mercifully brief and unrecognizable appearance as Spock's Mother. And Michael Giacchino's original score contributes to the excitement and hipness that is the new Abrams film and is overall a fun ride.

I don't know whether or not the new "Star Trek" will stand the test of time as it is someone's personal version of a beloved franchise. And while it is action-packed and so very cool, it doesn't cover the core attraction - mainly the ideal universe the original creators envisioned. "Space. The final frontier. These are the voyages of the Starship Enterprise. Its five year mission - To explore strange new worlds. To seek out new life and new civilizations. To boldly go where no (one) has gone before." And let's not forget the Prime Directive, an important Starfleet law of noninterference with other civilizations, much like the creed our contemporary wildlife photographers and filmmakers adhere to.

I loved "Star Trek" for the comradery and the messages of morality in the story lines. And for the idealism of building an organization that brought together different races (and species) in one common mission. "Star Trek" inspired us to invent cell phones and to have interracial crew members and even female captains. This vision of our future helped NASA work on our present. And is there another 1960's forward-thinking television show that spawned so many equally idealistic spin-offs? "Next Generation", "Deep Space Nine", "Voyager", "Enterprise" - each of these shows tried something different, while keeping to the main point - promoting peace and unity whenever and wherever possible in this vast universe of ours.

If there is a sequel (and based on audience response, I don't see why there would not be), I'd like to see the characters go a little deeper into that part of our space which inspires us to improve on our own humanity. J.J. Abrams may not be the biggest ST fan, but surely he can understand the appeal.

"Live Long and Prosper".

More Star Trek:
http://www.katewestreviews.com/2001/12/star-trekvoyager.html

Action Chick Flick Link:
http://actionflickchick.com/superaction/star-trek-2009

Old Star Trek (start collecting now):
Star Trek: The Original Series - Season 1 [Blu-ray]

Nostalgia and Dreams

noreply@blogger.com (Kate West Reviews) — Mon, 04 May 2009 05:07:00 +0000

a kate west review
world premiere presented by
White Buffalo Theatre Company
written by Brett Holland
directed by Kerrie Keane
at the Deaf West Theatre
5112 Lankershim Blvd.,
North Hollywood 91601
running April 17 to May 24

contact whitebuffalotheaterco.com
or (818) 569-3037

"Nostalgia and Dreams" is a brand new play by Brett Holland, company member of the eclectic White Buffalo Theatre Company in North Hollywood. An apartment building full of tenants showcases lives turned upside down at the same time a local Cathedral is scheduled for demolition. The obvious references to a crisis in faith are interspersed with seemingly dark secrets. Unfortunately, despite committed performances, it doesn't quite come together.

One young couple battles with what appears to be a marriage-ending secret. Another mother-daughter pair wrestles with possible anorexia. One tenant whines about being gay and another neighbor talks to someone dead. In an effort to create universal conflict, Playwright Brett Holland makes the characters interact from time to time, but ultimately they have no real affect on one another.

Director Kerrie Keane weaves the story lines together, but not everything fits. For instance two "suits" (Danny Junod and Jessica Wright) slip down the theater aisles when the lights dim in between scenes. Their corporate presence seems to indicate societal and business pressures on the protagonists, often egging them on into deeper insecurities. They howl and gyrate, taunting everyone, but could just as easily been eliminated as they do not add much to the general plot.

Speaking of plots, the script follows quite a perplexing few. Paul (Playwright Brett Holland) is a young man tortured by his homosexuality. He is shadowed by a young boy (Chris Haehnel) who appears to be a symbol for something. His inner child? His past? His future? It is never explained. We never find out why Paul is so unhappy with his lifestyle or his relationship to a stressed-out new mother (Regina Peluso). Standout Sydney Park is radiant as Rebecca, the young girl with a God fixation who wants to be much too thin. Her mother (Angelina Leaf) is in denial until finally snapping in a rather awkward force-feeding scene, after neighbor Paul attempts a half-hearted intervention. Tommy (Carlo Serna) and Amy (Marguerite Moreau) are a young couple with communication problems. Their relationship is a bit grating and cutesy. And after all the build up with a seemingly dark secret, their resolution is a bit watered down. Lynne Conner is a spiritual old woman who talks to herself, or maybe someone from her past or from the graveyard. That is never explained either. Marguerite Moreau and Sydney Park (keep an eye on her so you can say you-knew-her-when) give the strongest performances, in spite of the rather weak dialogue. Nothing connects in a truly genuine way.

Life, death, love and spirituality are all touched on but never given deep illumination. The play would do much better as a one act, in a shorter format, with some brief glimpses into life vignettes. That way, each character could have snippets of conversations and the poetic intent would work much better, rather than leading us down character paths, only to find ourselves asking why? Granted, the intention is sincere, but the overall writing needs tidying up as the messages are rather obvious. There is a lot of yearning and some inexplicable monologues in the mix as well. Also, the attempt at absurdism does not quite make it. To go in that direction, one would need to go to the other extreme and make a longer play, with more fleshed out fantastical characters.

As it is, the play now stands in between two genres and does not reach its true potential. We never specifically find out what the nostalgia and dreams are all about either. Too bad. The White Buffalo Theatre Company certainly has heart however and seems to be doing well for itself. So there's that.

Paper Heart

noreply@blogger.com (Kate West Reviews) — Thu, 23 Apr 2009 06:37:00 +0000

a kate west review
directed by Nicholas Jasenovec
written by Charlyne Yi and Nicholas Jasenovec

Winner of the 2009 Sundance Film Festival Waldo Salt Screenwriting Award, "Paper Heart" is a documentary (of sorts) about love. Charlyne Yi (experienced stand up comedian) does not believe in such fantasies. Or so she claims. But she wants to find out more, so she journeys across America, interviewing folks about their different definitions of l'amour. And naturally everyone has a different answer for her.

The movie blends reality and fantasy (such as actor Jake Johnson playing Director Nicholas Jasenovec, who actually exists and is actually the director) and while this may be confusing to some, it does give the film a definite sweet charm and appeal. Yi is the wide-eyed non-believer, quizzing everyone from children in a playground to hard core Harley Davidson bikers. The interviews are candid and touching and while they don't necessarily offer real insight into true love, they are hopeful stories of that amazing thing that happens when you finally meet just the right person in just the right way. And even more delightful, much of the lovers' stories are acted out by paper puppets, with half-finished backgrounds, adding to the theme of childlike wonder.

In the course of the film, Yi eventually meets Michael Cera ("Arrested Development", "Juno", "Superbad") and in spite of her many protests, ends up liking him after all. Their courtship is played out under the camera's scrutiny, part scripted, part real, as the two really fall for each other. There are a lot of cute moments as the couple attempts to elude the cameras and later try to make their love work in spite of the intrusion. Cera is his usual subtle, quirky self, delivering lines in that uniquely funny style of his and his youthfulness is the perfect match for Yi's immaturity. It's a simple story about a personal quest for love and who among us can't relate to that? It's the perfect length too. Any longer and one might become impatient with Yi's childishness. But in the end, her naivety leads her to a pure love.

"Paper Heart" is a sweet movie, which fulfills our childhood fantasies of romance, acts it out with paper puppets and tries to figure it all out for us. Exactly what is the difference between what looks good on paper and the reality of love? You might not find the answer to that, but you will enjoy looking. The moral of the story then has to be that one should always be open to love, because you will inevitably find it in a place you least expect. So stay positive, friends.

Watch the Trailer Here:
http://www.youtube.com/watch?v=rmVQLmaA0fQ

Sandman

noreply@blogger.com (Kate West Reviews) — Tue, 14 Apr 2009 06:56:00 +0000

The World of Neil Gaiman

a kate west recommendation and a fangirl's Dream

The Sandman series is a visually stunning and esoterically entertaining view of the character of Dream (Morpheus). And his family (which includes his über trendy Goth sister Death). At times cynical, dark and biting, it can also be surprisingly light. But only once in a while. Mostly, it's a surreal fantasy world of omnipotent gods who play with human emotions. Keep in mind however, how even the mighty must fall.

The Sandman is one of the Endless Ones. There are seven fascinating members in the genealogy: Destiny, Death, Destruction, Despair, Desire and Delirium (a particular odd delight). Each of them has his/her own story to tell, but Dream features prominently. Forced into exile, escaping, dying and returning, ad nauseam, are all part of his own timeline (which is never in sync with our own). Credit the vivid imagination richly unfolding in each graphic novel to creator Neil Gaiman's genius. Every one is a special treat and should be savored like a Chagall in a museum. But see for yourself. Please.

Start With This One:
The Sandman Vol. 1: Preludes and Nocturnes

The Endless Ones:

Twilight

noreply@blogger.com (Kate West Reviews) — Wed, 08 Apr 2009 05:25:00 +0000

Twilight
by Stephenie Meyer
a kate west boo

One of the most popular teen novels currently is the Vampire novel "Twilight", the first of four books in the saga of the Cullen clan, a Vampire family. Yes, you read that right. It's also a popular teen film about a Vampire family. Now to figure out which version is worse. It's all been discussed in countless chat rooms, sure, but as a sci-fi/fantasy nerd girl (with a delightful dark side, if I do say so myself), I have to weigh in on all things Vampire. I knew it would pain me to delve into this phenomenon, but for the sake of integrity (much as I was tempted), I cannot criticize something I haven't seen or read. Thus the sacrifice was made and I'm all up to date, kids. So let's start with the novel.

For the record, Stephenie Meyer writes for teenagers knee-deep in hormonal hell but that doesn't mean they aren't literate and can't follow a coherent story. But I digress. Edward Cullen is a mysterious high schooler attracted to newcomer Bella Swan. She can't figure out his initial aversion to her until he gradually reveals (while she figures it out herself) that he is a vampire and her blood is so intoxicatingly scented, he could lose his mind. She, in turn, is drawn to his beauty and the two of them are swept up in adolescent infatuation, much to the disapproval of some townspeople and even family members (on both sides).

Some of the Vampire lore is well-known: they are immortal (he stopped being 17 in 1918), they drink blood, have supernatural strength and heightened senses. What we didn't know is that they are comfortable in the sunlight, but prefer to stay in darkness, since the sun brings out this glowing golden sheen, a dead giveaway (get it?), for sure. Oh and these fangless beings can choose not to feed on humans and go after Bambi instead. AND they play baseball. And Ed's a mind reader too. Maybe Meyer found some kind of reference to these various twists in some dusty old book somewhere, but I doubt it and I'm certainly not taking up valuable research time to find out (I'd miss too many "Lost" episodes). So I conclude she made that part up. And it is absurd. Why keep part of the lore and then add a few enhancements just to be interesting? Vampires are monsters and the one thing we all know is that they crave human blood, so they can't just decide not to go after it. Even Joss Whedon's "Angel" had to regain his soul in order to accomplish that. You can be creative certainly, but please stay true to the universe you create. Call them something else and then you can have them behave however you choose.

And even worse, the dialogue is flat and the characters maudlin and it just isn't a very sophisticated rendering of dark creatures. The Cullens have a family and they just accept Bella as Edward's intended? His scowling sister Rosalie isn't taken very seriously and they all bond together when outsiders swing into town, looking for trouble. If you want to know how it ends, skim the book or see the movie. Or go to the Bahamas and take all four novels for some beach reading. If you need mindlessness - and who doesn't these days?

As for the movie, Edward's great speed looks ridiculous on screen and it is hard not to chuckle at some of these overly dramatic lines such as Edward referring to the new love as between a "lion and a lamb". The acting is pretty wooden and Catherine Hardwicke's first action-type film is fairly standard. Eye candy abounds on both sides, especially yummy Robert Pattinson as the delectable Edward. But outside of being enchanted by his pretty face, I couldn't pay much attention. Bella is in danger and you know Edward will save her. There's a formal dance and lots of classroom scenes and family drama and it's "My So-Called Life" for Vampires. The dialogue is lifted out of the book, unfortunately and plays even worse on screen. If you roll your eyes reading it, imagine having to hear it.

You're welcome - I do what I can for America. But it's a hit and teen girls are dreaming of having their own Edward Cullen someday. Over Mr. Darcy? Shudder. But if you must love a creature of the night, there are so many more good Vamps out there. Try Stephen King or Richard Matheson. Then follow up with a romance novel (or even an Anne Rice, if you really must). Or just watch "Buffy the Vampire Slayer".

Boo.

Directed by	Catherine Hardwicke
Produced by	Mark Morgan Greg Mooradian Wyck Godfrey
Written by	Novel: Stephenie Meyer Screenplay: Melissa Rosenberg
Starring

Kristen Stewart as Bella Swan
Robert Pattinson as Edward Cullen

The Cullens: (from left) Kellan Lutz , Nikki Reed, Elizabeth Reaser, Robert Pattinson, Peter Facinelli, Ashley Greene, and Jackson Rathbone

Peter Facinelli as Carlisle Cullen
Elizabeth Reaser as Esme Cullen
Ashley Greene as Alice Cullen
Jackson Rathbone as Jasper Hale
Nikki Reed as Rosalie Hale
Kellan Lutz as Emmett Cullen
Billy Burke as Charlie Swan

It's out now!
Twilight (Two-Disc Special Edition)

My Roommate the Cylon

noreply@blogger.com (Kate West Reviews) — Mon, 23 Mar 2009 02:26:00 +0000

a kate west recommendation in abbreviations

Ever hear of "My Roommate, the Cylon" (MRTC)? Even if you aren't a fan of BSG ("Battlestar Galactica", c'mon people, turn on your television once in a while, OMG) and I'm really not, though I've heard of it of course, this series parody will tickle you. Three normal guys in a normal apartment suddenly suspect that one of them isn't so normal after all. One of them might be ... a cylon. And if don't know what that is, stop right here, as you're obviously not a BSG fan. To find out which one is in the closet, tune in each week as we get closer and closer to the hilarious truth. Well edited, directed, acted and just generally put together in a perfectly seriously funny way, MRTC should not be missed. Especially by sci-fi die hards. But even the non-techies will get a boost. As the byline says ....

Three roommates.

One is a Cylon.

You do the math.

Credits

Produced, Written, and Directed by:
Robert Gustafson & Alec McNayr
Alex Enriquez as Bennett Jacobs
Tyson Turrou as Pjeter Odama
Kenny Stevenson as Dale McKinney
Dorien Davies as Jessica Yarborough

Catch the first episode:

My Roommate the Cylon 1.1 "The Test" from Space Shank Media on Vimeo.

Puppet Up

noreply@blogger.com (Kate West Reviews) — Sun, 22 Mar 2009 22:31:00 +0000

a kate west review
directed by Patrick Bristow
at Avalon Hollywood
1735 N Vine St., Hollywood , CA 90028
Next shows - April 18 & May 22, 2009
8:00 PM (doors open 7:00 PM)
contact (323) 462-8900
www.puppetup.com or www.wantickets.com

The Jim Henson Company continues to impress, decades after Kermit the Frog's gentle humor on "Sesame Street" led to the beloved "The Muppet Show". Henson's legacy lives on with his son Brian Henson, who has formed a delightful combination of puppets and improv in "Puppet Up" now playing at the hip Avalon in Hollywood.

Puppets, improv and alcohol? It is sure to be an enchanted evening. Be forewarned however; there's a reason it plays late at night. The adorable little furry creatures are capable of doing and saying almost anything. Innuendos and curse words fly as Director Patrick Bristow takes suggestions from the audience. After a delightful introductory "Puppet Up" song with a full cast of puppeteers, a la "Muppet Show", the improvisers do scene after scene, making up choice witticisms on the spot. One is often undecided what to focus on - the actors with their tireless hands up in the air holding puppets, or the side monitors showing the actual televised scene with full puppet characters. Try watching both if you can. You'll learn a lot.

The majority of the cast is strong and the characters they don even more impressive. You'll meet a bulldog in diapers, an intellectual orangutan, a trustworthy newscaster, one-eyed extraterrestrials and hot dogs on sticks, to name but a silly few. You'll be amazed at amount of characters these professionals can jump in and out of, even in the same scene. One highlight featured Drew Massey singing a Bond-like theme song while the rest of the cast floated in and out of the camera lenses, creating a very real and sexy 007 look. It's also fun to see Brian Henson in his element, leaping from one brainstorm to the next. Not everything works entirely well every single night, of course. Sometimes a scene or two can get off track at times, but there's plenty more zaniness where that came from. And every night is wildly different.

The audience doesn't get away scott-free either as often members are pulled up on stage and nurtured kindly into entertaining the rest of us. One such scene featured the puppets reenacting a couple's first date while the pair in question dinged or buzzed according to what the improvisers got right. Imagine the hilarity when the characters uncover different perceptions of the same evening. Some lucky "volunteer" might even get to try handling an actual puppet. You'll have to wait and see.

A clever idea indeed, "Puppet Up" is the logical next step for an innovative company that tries anything, without ever using malicious or mean-spirited humor. It's all good fun. Can't say clean exactly as this is the evening show and those puppets take over the actors at times. But as the puppet-less cast will tell you in the end - all those ideas came from you.

The cleverness behind "Puppet Up" - Cast and Production:

Brian Henson

Brian Clark

Julianne Buescher

Drew Massey

Allan Trautman

Victor Yerrid

Ted Michaels

Willie Etra - Musical Director

Patrick Bristow - Director and Host

["Puppet Up" Cast, Edinburgh Festival, Scotland]

Previous mention here:
http://www.katewestreviews.com/2007/10/puppet-up.html