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		<title>Imagine a world without free knowledge</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/vm6ELa6LMEM/</link>
		<comments>http://kino-eye.com/2012/01/18/imagine-a-world-without-free-knowledge/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 09:31:37 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Featured]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Law]]></category>
		<category><![CDATA[Politics]]></category>
		<category><![CDATA[Web]]></category>
		<category><![CDATA[internet]]></category>
		<category><![CDATA[Legislation]]></category>
		<category><![CDATA[PIPA]]></category>
		<category><![CDATA[SOPA]]></category>
		<category><![CDATA[Wikipedia]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1744</guid>
		
			<content:encoded><![CDATA[Right now the U.S. Congress is considering legislation (SOPA and PIPA) that could fatally damage the free and open Internet. For 24 hours, to raise awareness, Wikipedia is blacking out their English language edition beginning at midnight January 18, Eastern Time. I join Wikipedia in encouraging you to share your views with your representatives, and [...]<br/>
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		<slash:comments>2</slash:comments>
		<feedburner:origLink>http://kino-eye.com/2012/01/18/imagine-a-world-without-free-knowledge/</feedburner:origLink></item>
		<item>
		<title>Whitney Dow: When the Drum is Beating</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/GrNmPosTK04/</link>
		<comments>http://kino-eye.com/2011/11/30/when-the-drum-is-beating/#comments</comments>
		<pubDate>Wed, 30 Nov 2011 08:47:57 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[Interviews]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1690</guid>
		
			<content:encoded><![CDATA[David Tames talks with Whitney Dow about his film, When the Drum is Beating, a documentary that weaves together the history of Haiti with the story of Orchestre Septentrional, Haiti's most popular band. The film is currently seeking funding via a Kickstarter campaign in order to secure the funds needed for a theatrical and home video release.<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/GrNmPosTK04" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Chris Paine: Revenge of the Electric Car</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/-B6-EzBe-Po/</link>
		<comments>http://kino-eye.com/2011/11/03/chris-paine-revenge-of-the-electric-car/#comments</comments>
		<pubDate>Thu, 03 Nov 2011 21:45:31 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Front Page]]></category>
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		<guid isPermaLink="false">http://kino-eye.com/?p=1651</guid>
		
			<content:encoded><![CDATA[Chris Paine, best known as the director of Who Killed the Electric Car?, followed the rise and fall of General Motors EV-1, of which he was a passionate owner. He recently completed a new film, Revenge of the Electric Car, now going into theatrical release. It opens on Friday, November 4th at the Kendall Square [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/-B6-EzBe-Po" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>1</slash:comments>
		<feedburner:origLink>http://kino-eye.com/2011/11/03/chris-paine-revenge-of-the-electric-car/</feedburner:origLink></item>
		<item>
		<title>Researching Macro Trends</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/fDPVjEyVdMM/</link>
		<comments>http://kino-eye.com/2011/10/15/researching-macro-trends/#comments</comments>
		<pubDate>Sat, 15 Oct 2011 14:53:23 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Media Technology]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1547</guid>
		
			<content:encoded><![CDATA[While I was preparing my presentation, "Seven Macro Trends," I reached  out to people I thought might have some ideas and/or examples I should weave into my presentation.  This posts brings together the highlights of their responses to my query, "what do you think is the most significant macro trend in media and entertainment today?"<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/fDPVjEyVdMM" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>2</slash:comments>
		<feedburner:origLink>http://kino-eye.com/2011/10/15/researching-macro-trends/</feedburner:origLink></item>
		<item>
		<title>Seven Macro Trends (RioSeminars 2011 Presentation)</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/5FJttzJOWZk/</link>
		<comments>http://kino-eye.com/2011/10/15/seven-macro-trends/#comments</comments>
		<pubDate>Sat, 15 Oct 2011 12:42:19 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[Handout]]></category>
		<category><![CDATA[Media Technology]]></category>
		<category><![CDATA[Presentation]]></category>
		<category><![CDATA[The Media]]></category>
		<category><![CDATA[Macro Trends]]></category>
		<category><![CDATA[RioMarket 2011]]></category>
		<category><![CDATA[RioSeminars 2011]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1529</guid>
		
			<content:encoded><![CDATA[I promised during my keynote presentation on Monday, October 10, 2011 at RioSeminars 2011 that I would post my slides and some notes before Sunday at midnight, so here there are along with some notes that go with the slides.<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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		<slash:comments>1</slash:comments>
		<feedburner:origLink>http://kino-eye.com/2011/10/15/seven-macro-trends/</feedburner:origLink></item>
		<item>
		<title>Final Cut Pro X: My first impressions</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/wUlPQq2FezE/</link>
		<comments>http://kino-eye.com/2011/06/23/final-cut-pro-x-my-first-impressions/#comments</comments>
		<pubDate>Thu, 23 Jun 2011 14:00:03 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Apple]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[Reviews]]></category>
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		<category><![CDATA[FCPX]]></category>
		<category><![CDATA[Final Cut Pro X]]></category>
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		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1393</guid>
		
			<content:encoded><![CDATA[There&#8217;s been a lot of excitement in the air about Final Cut Pro X since the SuperMeet at NAB in Las Vegas many weeks ago. It&#8217;s been like a friend telling you about someone they want to set you up with on a date, and they tell you all sorts of things about them that [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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		<slash:comments>9</slash:comments>
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		<item>
		<title>Ten glimpses into the crystal ball: the future of documentary</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/nKkuA-dPcpg/</link>
		<comments>http://kino-eye.com/2011/06/18/ten-glimpses/#comments</comments>
		<pubDate>Sat, 18 Jun 2011 22:34:28 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Film Festivals]]></category>
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		<category><![CDATA[Front Page]]></category>
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		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Television]]></category>
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		<category><![CDATA[Web]]></category>
		<category><![CDATA[Film Festival]]></category>
		<category><![CDATA[MediaGuardian]]></category>
		<category><![CDATA[Sheffield Doc/Fest 2011]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1378</guid>
		
			<content:encoded><![CDATA[I&#8217;ve been contemplating the evolution of the documentary this summer and I was delighted to see that The MediaGuardian&#8217;s recent Sheffield Doc/Fest 2011 coverage includes ten articles providing a refreshing perspective on how documentary makers are finding new ways to reach their audience. These articles provide a view into a crystal ball in which we [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/nKkuA-dPcpg" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Making Media Now 2011: Redefining collaboration in a fractured media world</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/Xtg4Cl7Xjuk/</link>
		<comments>http://kino-eye.com/2011/05/02/making-media-now-2/#comments</comments>
		<pubDate>Mon, 02 May 2011 12:39:05 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[Filmmakers Collaborative]]></category>
		<category><![CDATA[Independent Filmmaking]]></category>
		<category><![CDATA[Making Media Now]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1304</guid>
		
			<content:encoded><![CDATA[Making Media Now 2011 is taking place at Bentley College on Friday, May 6, 2011. If you are an independent filmmaker working in the New England area and have not yet registered for this conference, you should seriously consider it. Even at the higher &#8220;late late&#8221; registration rate (effective until May 4), this event will [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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		<title>Summer Documentary Film School at MassArt</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/M2uMqE_Wj6Q/</link>
		<comments>http://kino-eye.com/2011/04/26/2011-summer-documentary-film-school/#comments</comments>
		<pubDate>Tue, 26 Apr 2011 23:31:53 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Courses]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Producing]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1293</guid>
		
			<content:encoded><![CDATA[This summer MassArt is once again offering its popular four-week summer documentary mini-film school in which you'll have the opportunity to work with independent documentary filmmakers learning the craft of documentary filmmaking.<br/>
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		<title>Installation: Reflective Space</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/L_9R5JwkunA/</link>
		<comments>http://kino-eye.com/2010/12/17/installation-reflective-space/#comments</comments>
		<pubDate>Fri, 17 Dec 2010 22:19:18 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1270</guid>
		
			<content:encoded><![CDATA[I'm going to be taking an intensive two-week course over the winter-intersession at MassArt called Installation: Reflective Space. I'm wondering if there are other media makers in the Boston area that would be interested in taking this class with me?<br/>
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		<title>Fluid Screens, Expanded Cinema</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/COncIhxJpVg/</link>
		<comments>http://kino-eye.com/2010/12/15/fluid-screens-expanded-cinema/#comments</comments>
		<pubDate>Wed, 15 Dec 2010 05:27:12 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Critical Theory]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Expanded Cinema]]></category>
		<category><![CDATA[Fluid Screens]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=826</guid>
		
			<content:encoded><![CDATA[Among my favorite books is Gene Youngblood&#8217;s Expanded Cinema, in spite of originally being published in 1970, it still offers a fresh perspective on the possibilities of new media art. Imagine a collection of essays that takes  Youngblood&#8217;s book as a starting point.  Well, here you have it! Fluid Screens, Expanded Cinema, edited [...]<br/>
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		<title>Cartographies of Time</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/xAz3NZB3glg/</link>
		<comments>http://kino-eye.com/2010/12/04/cartographies-of-time/#comments</comments>
		<pubDate>Sun, 05 Dec 2010 02:18:23 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Narrative]]></category>
		<category><![CDATA[Cartography]]></category>
		<category><![CDATA[Time]]></category>
		<category><![CDATA[Timeline]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1227</guid>
		
			<content:encoded><![CDATA[I love St. Mark’s Bookshop, every time I go to New York I make it a point to make the trek to Third Avenue between 8th and 9th Streets and spend time browsing there, especially through the new book section, where I came across Cartographies of Time: A History of the Timeline by Daniel Rosenberg [...]<br/>
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		<title>A framework for thinking about cyberspace</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/1CJjJPHIfqw/</link>
		<comments>http://kino-eye.com/2010/12/01/interactive-realism/#comments</comments>
		<pubDate>Wed, 01 Dec 2010 05:59:11 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Critical Theory]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[The Media]]></category>
		<category><![CDATA[cyberspace]]></category>
		<category><![CDATA[interactive realism]]></category>
		<category><![CDATA[internet]]></category>
		<category><![CDATA[media studies]]></category>
		<category><![CDATA[media theory]]></category>
		<category><![CDATA[theory]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1224</guid>
		
			<content:encoded><![CDATA[Daniel Downes suggests in Interactive Realism: The Poetics Of Cyberspace (McGill-Queen’s University Press, 2005) that it is people who construct social reality through their interactions, critiquing the “transformative turn” in media studies. Distinguishing clearly between the Internet (a communication system) and cyberspace (a socially constructed environment for human exchange), Downes provides...<br/>
<br/>
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		<title>Spaces Speak, Are you listening?</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/6kbPgGazOnQ/</link>
		<comments>http://kino-eye.com/2010/11/29/spaces-speak/#comments</comments>
		<pubDate>Mon, 29 Nov 2010 07:36:22 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Architecture]]></category>
		<category><![CDATA[Auditory]]></category>
		<category><![CDATA[Aural Architecture]]></category>
		<category><![CDATA[Perception]]></category>
		<category><![CDATA[Soundscape]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1214</guid>
		
			<content:encoded><![CDATA[In their book, Spaces Speak, Are You Listening?: Experiencing Aural Architecture
 (MIT Press, 2007) Barry Blesser and Linda-Ruth Salter remind us that we experience spaces not only through visual perception but also through our auditory perception. They explore auditory spatial awareness (experiencing space by attentive listening) from a variety of perspectives: cultural, architectural, physical,...<br/>
<br/>
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		<title>Cinema will eventually become a flexible means of writing</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/w_MlXtguN8M/</link>
		<comments>http://kino-eye.com/2010/11/22/alexandre-astruc-camera-stylo/#comments</comments>
		<pubDate>Mon, 22 Nov 2010 05:26:35 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Critical Theory]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[Music Video]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Alexandre Astruc]]></category>
		<category><![CDATA[camera pen]]></category>
		<category><![CDATA[camera-stylo]]></category>
		<category><![CDATA[New Wave]]></category>
		<category><![CDATA[Writing with a camera]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1204</guid>
		
			<content:encoded><![CDATA[In 1948 Alexandre Astruc, a filmmaker and theorist, suggested the notion of cam&#233;ra-stylo (camera pen) in his essay, &#8220;The Birth of a New Avant-Garde: La Cam&#233;ra-Stylo,&#8221; which appears in the book, The French New Wave: Critical Landmarks (Edited by Ginette Vincendeau and Peter Graham, British Film Institute, 2009). This essay has become a classic among [...]<br/>
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		<title>provocative.objects: the extradition (Fri., Nov. 12, 2010)</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/3i0_BDb2G80/</link>
		<comments>http://kino-eye.com/2010/11/09/provocative-objects/#comments</comments>
		<pubDate>Wed, 10 Nov 2010 02:57:25 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[MassArtDMI]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[cyberSurrealism]]></category>
		<category><![CDATA[David Tames]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[exhibition]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[lou suSi]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[Provocative Objects]]></category>
		<category><![CDATA[Sound]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1182</guid>
		
			<content:encoded><![CDATA[You are cordially invited to attend Provocative.Objects: the extradition, a cybersurreal exhibition + event on Friday, November 12th at MassArt in the Patricia Doran Gallery.<br/>
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		<title>Distribution U. crash course on Crowd Funding, Audience Building &amp; Distribution</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/N3jNXXL9ijY/</link>
		<comments>http://kino-eye.com/2010/10/30/distribution-u/#comments</comments>
		<pubDate>Sat, 30 Oct 2010 16:01:14 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Audience Building]]></category>
		<category><![CDATA[Crowd Funding]]></category>
		<category><![CDATA[Distribution U.]]></category>
		<category><![CDATA[Peter Broderick]]></category>
		<category><![CDATA[Scott Kirsner]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1173</guid>
		
			<content:encoded><![CDATA[Distribution U. looks like a wonderful event for independent filmmakers who are trying to figure out the best way to take advantage of the changing distribution landscape. This will be a one-day crash course on the New Rules of Crowd Funding, Audience Building &#038; Distribution and is being held Saturday, November 20th in Los Angeles, [...]<br/>
<br/>
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		<slash:comments>3</slash:comments>
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		<item>
		<title>Making Media Now 2010</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/2BIPud1dghc/</link>
		<comments>http://kino-eye.com/2010/10/14/making-media-now-2010/#comments</comments>
		<pubDate>Thu, 14 Oct 2010 16:21:12 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Documentary]]></category>
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		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Boston University]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[David Grubin]]></category>
		<category><![CDATA[Documentary Filmmaking]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[Filmmakers Collaborative]]></category>
		<category><![CDATA[Independent Filmmaking]]></category>
		<category><![CDATA[Making Media Now]]></category>
		<category><![CDATA[New England]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1153</guid>
		
			<content:encoded><![CDATA[Important Update: Making Media Now has been rescheduled to the Spring of 2011. Filmmakers Collaborative felt that in order to make it the best conference possible, and to meet the expectations from attendees, speakers, sponsors, and trade show participants, that everyone would be better served with new date in the Spring. Filmmakers Collaborative is completely [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/2BIPud1dghc" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Did digital imaging throw documentary into an ontological crisis?</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/4uv2RmSR4TU/</link>
		<comments>http://kino-eye.com/2010/08/20/documentary-ontological-crisis/#comments</comments>
		<pubDate>Fri, 20 Aug 2010 08:58:10 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Critical Theory]]></category>
		<category><![CDATA[Documentary]]></category>
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		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Cinematography]]></category>
		<category><![CDATA[Evidence]]></category>
		<category><![CDATA[Reality]]></category>
		<category><![CDATA[Truth]]></category>
		<category><![CDATA[Verisimilitude]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Visual Evidence]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1132</guid>
		
			<content:encoded><![CDATA[Scholars have long discussed the ambiguity and subjectivity inherent in photographic representation with its seductive verisimilitude. Bill Mitchell&#8217;s The Reconfigured Eye: Visual Truth in the Post-Photographic Era (The MIT Press, 1992),  the first book-length critical analysis of the digital imaging revolution, can easily be read with the addition of some interpretive and translative...<br/>
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/4uv2RmSR4TU" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Expanded Cinema: Still fresh after forty years</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/L-JkeNUC0ZM/</link>
		<comments>http://kino-eye.com/2010/08/17/expanded-cinema/#comments</comments>
		<pubDate>Tue, 17 Aug 2010 20:46:22 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Books]]></category>
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		<category><![CDATA[New Media]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1119</guid>
		
			<content:encoded><![CDATA[A few months ago I pulled Gene Youngblood&#8217;s classic Expanded Cinema (E.P. Dutton &#038; Company, 1970, available online) off the shelf and read it again. The pages in my well worn softcover edition were falling out, the glue having dried over the two decades I&#8217;ve owned the book. The first time I read it was [...]<br/>
<br/>
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		<item>
		<title>Memory and the end of reality</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/B92hIQujQqU/</link>
		<comments>http://kino-eye.com/2010/08/11/memory-and-the-end-of-reality/#comments</comments>
		<pubDate>Thu, 12 Aug 2010 00:49:10 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Critical Theory]]></category>
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		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Writing]]></category>
		<category><![CDATA[Baudrillard]]></category>
		<category><![CDATA[Matrix]]></category>
		<category><![CDATA[McLuhan]]></category>
		<category><![CDATA[Reality]]></category>
		<category><![CDATA[Simulation]]></category>
		<category><![CDATA[Simulations]]></category>
		<category><![CDATA[The Matrix]]></category>
		<category><![CDATA[Virtuality]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1100</guid>
		
			<content:encoded><![CDATA[The transformation from media as a form of cultural production to media as entertainment has lead us into a crisis as we enter the fifth phase of history. Marshall McLuhan (1962, 2005) divided history in four phases:
1. culture of oral communication,
2. manuscript culture,
3. the Gutenberg galaxy, and
4. the electronic age.
The start of each phase is [...]<br/>
<br/>
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/B92hIQujQqU" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>2010 Bumpkin Island Art Encampment</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/S2JpGqbvS_c/</link>
		<comments>http://kino-eye.com/2010/07/27/bumpkin-2010/#comments</comments>
		<pubDate>Tue, 27 Jul 2010 15:04:21 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
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		<category><![CDATA[Berwick Research Institute]]></category>
		<category><![CDATA[Boston]]></category>
		<category><![CDATA[Boston Harbor Islands]]></category>
		<category><![CDATA[Bumpkin Island Art Encampment]]></category>
		<category><![CDATA[DCR]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[Island Alliance]]></category>
		<category><![CDATA[Studio Soto]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1083</guid>
		
			<content:encoded><![CDATA[If you live in the Boston area, here&#8217;s an idea for what to do this weekend: The 2010 Bumpkin Island Art Encampment! Consider making a day of it and come out and visit on one of the public visitation days, Saturday, July 31st or Sunday, August 1st. Seven artists groups homesteading on a island off [...]<br/>
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		<item>
		<title>Four under $300 audio recorders for double-system sound</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/Cyl2Zj610kU/</link>
		<comments>http://kino-eye.com/2010/06/18/four-audio-recorders-fordouble-system/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 12:59:19 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Media Technology]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Video Production]]></category>
		<category><![CDATA[Double System]]></category>
		<category><![CDATA[Location Sound]]></category>
		<category><![CDATA[Microtrack]]></category>
		<category><![CDATA[portable audio recorder]]></category>
		<category><![CDATA[Roland]]></category>
		<category><![CDATA[Zoom]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1029</guid>
		
			<content:encoded><![CDATA[With the rising tide of small cameras shooting spectacular HD video suitable for documentary work, along with D-SLRs like the Canon 5D Mark II and the Canon 7D whose images rival much more expensive (and heavy) cameras, I&#8217;ve observed a spectacular rise in gorgeous video, but good sound is not something that seems to go [...]<br/>
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		<item>
		<title>MassArt’s Summer Film School, 2010</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/1BFCeP7okUI/</link>
		<comments>http://kino-eye.com/2010/06/10/summer-film-school-2010/#comments</comments>
		<pubDate>Thu, 10 Jun 2010 10:46:14 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Camera]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Editing]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Boot Camp]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[School]]></category>
		<category><![CDATA[Training]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=1015</guid>
		
			<content:encoded><![CDATA[Summer is upon us and I would like to remind you there is still time to register for most of the Summer Film School classes at MassArt. If you don&#8217;t live in the Boston area, MassArt is offering an affordable residential option in the dorms! Check out the course descriptions below. For more information or [...]<br/>
<br/>
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		<title>Thoughts on video on the web and HTML5</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/ARBpwHB7Ka4/</link>
		<comments>http://kino-eye.com/2010/06/03/video-and-html5/#comments</comments>
		<pubDate>Thu, 03 Jun 2010 15:57:37 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Media Technology]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Video on the Web]]></category>
		<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=991</guid>
		
			<content:encoded><![CDATA[If your web site has video on it, I believe the time has come to take into consideration viewers using mobile devices if you&#8217;ve not done it already. The desktop is no longer the only platform for viewing video, and Flash, long dominant as the web video standard (at least as far as web standards [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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