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		<title>Seven RSS feeds of interest to New England documentary filmmakers</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/O9u4GGwa6c4/</link>
		<comments>http://kino-eye.com/2009/11/07/seven-rss-feeds-documentary/#comments</comments>
		<pubDate>Sat, 07 Nov 2009 22:47:56 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Web]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[New England]]></category>
		<category><![CDATA[RSS]]></category>
		<category><![CDATA[web sites]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=694</guid>
		
			<content:encoded><![CDATA[Here are seven RSS feeds that I suggest would be interest to New England documentary filmmakers. This suggestion comes out of the discussion during today&#8217;s Social Media Boot Camp for Film Professionals with Sean Fitzroy. There are many good feeds out there, this list is by no means a &#8220;top seven&#8221; or anything like that, [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
<a href="http://feeds.feedburner.com/~ff/kino-eye?a=O9u4GGwa6c4:L7BP8FZvd1o:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/kino-eye?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/kino-eye?a=O9u4GGwa6c4:L7BP8FZvd1o:7Q72WNTAKBA"><img src="http://feeds.feedburner.com/~ff/kino-eye?d=7Q72WNTAKBA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/kino-eye?a=O9u4GGwa6c4:L7BP8FZvd1o:V_sGLiPBpWU"><img src="http://feeds.feedburner.com/~ff/kino-eye?i=O9u4GGwa6c4:L7BP8FZvd1o:V_sGLiPBpWU" border="0"></img></a>
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		<item>
		<title>Things self-distributing documentary filmmakers can do to integrate social media into their distribution efforts</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/lGl9k590Ogk/</link>
		<comments>http://kino-eye.com/2009/10/22/some-things-social-media/#comments</comments>
		<pubDate>Thu, 22 Oct 2009 19:20:45 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[Chris Brogan]]></category>
		<category><![CDATA[D-Word]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Scott Kirsner]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[twitter]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=680</guid>
		
			<content:encoded><![CDATA[Here are some things you can do to integrate a social media component in your distribution effort.
1. Get your own web site with integrated blogging functionality if you don&#8217;t already have one. If your current site does not have a blog, add one. The easy way to get started is to get a blog on [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/lGl9k590Ogk" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>What happen(ed) when artists annex(ed) an island?</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/94kdB9UXdjw/</link>
		<comments>http://kino-eye.com/2009/10/16/bumpkin-island-2009/#comments</comments>
		<pubDate>Fri, 16 Oct 2009 14:57:09 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Featured]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=645</guid>
		
			<content:encoded><![CDATA[This summer Alice Apley and I were &#8220;embedded documentarians&#8221; collaborating with mixed-media artist Sharon Haggins Dunn on her installation, Dragonflies and Angel Wings as part of the 2009 Bumpkin Island Art Encampment. An exhibition opens this weekend (part of the Fort Point Open Studios in Boston) documenting the encampment and runs through October 31st.  [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/94kdB9UXdjw" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Seven habits of highly successful documentary filmmakers</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/DUXprKtEC0U/</link>
		<comments>http://kino-eye.com/2009/08/31/seven-habits/#comments</comments>
		<pubDate>Tue, 01 Sep 2009 03:27:43 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>

		<guid isPermaLink="false">http://kino-eye.com/?p=626</guid>
		
			<content:encoded><![CDATA[A while back I read this post by Guy Kawasaki and was inspired to write down seven habits of highly successful documentary filmmakers based, in part, on his post:
1. Tell an engaging story.  It all begins with story. And whether your goal is to entertain or persuade, you need first and foremost to tell [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/DUXprKtEC0U" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Sixty-seven excellent documentaries available through Netflix</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/uYpKoxSDA3A/</link>
		<comments>http://kino-eye.com/2009/08/28/67-docs-netflix/#comments</comments>
		<pubDate>Fri, 28 Aug 2009 19:29:34 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[Cinema]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[List]]></category>
		<category><![CDATA[Netfilx]]></category>
		<category><![CDATA[Recommendation]]></category>
		<category><![CDATA[Viewing]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/08/28/57-docs-netflix/</guid>
		
			<content:encoded><![CDATA[Students and friends often ask me for suggestions on what documentaries I recommend watching, and they are often frustrated that many of my suggestions are not easily obtainable. Many classic documentaries are hard to find: they are only available for purchase at high prices or through libraries, archives, or college departments with restricted loan policies. [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/uYpKoxSDA3A" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>5</slash:comments>
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		<item>
		<title>Flying takes documentary form to new heights</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/AMldxpJBvyM/</link>
		<comments>http://kino-eye.com/2009/08/27/flying/#comments</comments>
		<pubDate>Fri, 28 Aug 2009 03:35:38 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmakers]]></category>
		<category><![CDATA[Filmmaking]]></category>
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		<category><![CDATA[Independent]]></category>
		<category><![CDATA[Jennifer Fox]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/08/27/flying/</guid>
		
			<content:encoded><![CDATA[Flying: Confessions of a Free Woman  is an amazing six-hour, six-part, documentary of epic proportions by Jennifer Fox in which we follow the filmmaker as she travels around the world asking her women friends how they construct and imagine their lives as she struggles to figure out her own. In her attempt to capture [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/AMldxpJBvyM" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Using both channels (an audio channel is a terrible thing to waste)</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/cRj-hD2qhWY/</link>
		<comments>http://kino-eye.com/2009/08/13/2ch/#comments</comments>
		<pubDate>Thu, 13 Aug 2009 19:40:26 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Microphone]]></category>
		<category><![CDATA[placement]]></category>
		<category><![CDATA[wireless]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/08/13/2ch/</guid>
		
			<content:encoded><![CDATA[Practically every camcorder records two channels of audio, which allows you to record in stereo (Left/Right) or two discrete channels (1/2). Lately I&#8217;ve been using the Sennheiser Evolution G2 wireless a lot and it started to bother me that I was only recording one channel from the wireless reciever into the 3.5mm stereo plug on [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/cRj-hD2qhWY" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>2</slash:comments>

		<feedburner:origLink>http://kino-eye.com/2009/08/13/2ch/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/kino-eye/~5/ZIldqO1ECm8/Kinoeye-UsingBothChannels698.flv" length="7263271" type="video/x-flv" /><feedburner:origEnclosureLink>http://blip.tv/file/get/Kinoeye-UsingBothChannels698.flv</feedburner:origEnclosureLink></item>
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		<title>How does social media figure into the future of documentary film?</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/8K6bdcVzefg/</link>
		<comments>http://kino-eye.com/2009/08/05/social-media-future-of-doc-film/#comments</comments>
		<pubDate>Wed, 05 Aug 2009 05:48:57 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Boston]]></category>
		<category><![CDATA[Podcamp]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/08/05/how-does-social-media-figure-into-the-future-of-documentary-film/</guid>
		
			<content:encoded><![CDATA[If you are planning to attend Podcamp Boston 4 this weekend, I invite you to help answer a question that&#8217;s been on my mind during a session I will facilitate on Saturday: How does social media figure into the future of documentary film? @ 2:45 &#8211; 3:30 P.M. in the Ballroom on Saturday.
Podcamp Boston 4 [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/8K6bdcVzefg" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Herskovits at the heart of blackness</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/HR61IF3un3o/</link>
		<comments>http://kino-eye.com/2009/07/29/herskovits/#comments</comments>
		<pubDate>Wed, 29 Jul 2009 08:28:28 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Films]]></category>
		<category><![CDATA[Anthropology]]></category>
		<category><![CDATA[Culture]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Herskovits]]></category>
		<category><![CDATA[Herskovits at the heart of blackness]]></category>
		<category><![CDATA[Herskovitz]]></category>
		<category><![CDATA[History]]></category>
		<category><![CDATA[Identity]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/07/29/herskovitz/</guid>
		
			<content:encoded><![CDATA[This new documentary examines the role of anthropologist Melville J. Herskovits (1895-1963) in American history and asks important questions about the politics of scholarship and knowledge as a social construct. Herskovits, a controversial intellectual who became openly political, introduced African Studies into American academic establishment and started the first African Studies Center at...<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/HR61IF3un3o" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>What happens when artists annex an island?</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/1pYdJdt04zo/</link>
		<comments>http://kino-eye.com/2009/07/28/bumpkin-island/#comments</comments>
		<pubDate>Tue, 28 Jul 2009 12:58:43 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Boston]]></category>
		<category><![CDATA[Bumpkin]]></category>
		<category><![CDATA[Encampment]]></category>
		<category><![CDATA[event]]></category>
		<category><![CDATA[installation]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/07/28/bumpkin-island/</guid>
		
			<content:encoded><![CDATA[The Bumpkin Island Art Encampment, a weekend-long interactive art exhibition, will be open to the public on Saturday and Sunday (August 1-2, 2009). Sharon Haggins Dunn, Alice Apley, and yours truly are among the artists participating in the event this year. If you live in the Boston area, consider visiting the island this weekend, you [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/1pYdJdt04zo" height="1" width="1"/>]]></content:encoded>
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		<title>Comparison of four professional LED lighting instruments under $1K</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/9wl8sq3-_lw/</link>
		<comments>http://kino-eye.com/2009/07/19/four-professional-led-lighting-instruments/#comments</comments>
		<pubDate>Sun, 19 Jul 2009 14:14:43 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Front Page]]></category>
		<category><![CDATA[Gadgets and Devices]]></category>
		<category><![CDATA[Lighting]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Blender]]></category>
		<category><![CDATA[Camera Light]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[HVL-LBP]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[LitePanels]]></category>
		<category><![CDATA[Lowel]]></category>
		<category><![CDATA[MiniPlus]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Z90]]></category>
		<category><![CDATA[Zylight]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/07/19/four-professional-led-lighting-instruments/</guid>
		
			<content:encoded><![CDATA[Over the past couple of years I&#8217;ve had a chance to use or take a close look at various LED lighting instruments available in the marketplace. Today you will find  lots of inexpensive lights suitable for on-camera use available for anywhere from $50 to $500 from a variety of vendors. And while these little [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/9wl8sq3-_lw" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>7</slash:comments>
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		<item>
		<title>Long lasting power pack for the M-Audio Microtrack (and other USB powered devices too)</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/mSutg5p7qt0/</link>
		<comments>http://kino-eye.com/2009/07/17/power-pack-for-microtrack/#comments</comments>
		<pubDate>Fri, 17 Jul 2009 23:29:51 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[General]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Tools]]></category>
		<category><![CDATA[Audio recorder]]></category>
		<category><![CDATA[Battery]]></category>
		<category><![CDATA[Kensington]]></category>
		<category><![CDATA[M-Audio]]></category>
		<category><![CDATA[Microtrack]]></category>
		<category><![CDATA[Power Pack]]></category>
		<category><![CDATA[Rechargeable]]></category>
		<category><![CDATA[USB]]></category>
		<category><![CDATA[Video Production]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/07/17/power-pack-for-microtrack/</guid>
		
			<content:encoded><![CDATA[The original Microtrack 24/96 and the current Microtrack II from M-Audio are nice little audio recorders, I like having a small recorder in my backpack ready for anything. I love the fact it has balanced TRS inputs so I can use it with my professional microphones, as well as 1/8&#8243; mini-jack inputs with plug-in power [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/mSutg5p7qt0" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>Producing the Documentary, a class by Maria Agui Carter, June 22-26, 2009</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/04rwUOFWjfw/</link>
		<comments>http://kino-eye.com/2009/06/14/producing-documentary/#comments</comments>
		<pubDate>Sun, 14 Jun 2009 05:35:44 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[class]]></category>
		<category><![CDATA[course]]></category>
		<category><![CDATA[Maria Agui Carter]]></category>
		<category><![CDATA[massart]]></category>
		<category><![CDATA[Producing]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/06/14/producing-documentary/</guid>
		
			<content:encoded><![CDATA[Maria Agui Carter is teaching an excellent course this summer at MassArt: MPFV208-1 Producing the Documentary (runs Monday through Friday, 9am to 5pm, June 22 through June 26, 2009). You should consider attending this class if you&#8217;re planning to direct or produce a serious documentary in the future. Check out the schedule of Film/Video Summer [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/04rwUOFWjfw" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Metropath(ologies): ecstasy of communication or ambivalence of information?</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/jEps_7YeIDw/</link>
		<comments>http://kino-eye.com/2009/05/23/metropathologies/#comments</comments>
		<pubDate>Sat, 23 May 2009 14:33:50 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[Judith Donath]]></category>
		<category><![CDATA[mit media lab]]></category>
		<category><![CDATA[MIT Museum]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[SMG]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Socialble Media Group]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/05/23/metropathologies/</guid>
		
			<content:encoded><![CDATA[Judith Donath recently spoke at MassArt. In anticipation of her talk I went to see the Connections exhibition of works by Donath and her Sociable Media Group at the MIT Media Lab. I was particularly taken by Metropath(ologies), an immersive installation that is at once beguiling and enchanting. The exhibition is on display at the [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/jEps_7YeIDw" height="1" width="1"/>]]></content:encoded>
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		<title>Making Media Now 2009: the premiere New England independent film conference</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/2LZwvLouJRE/</link>
		<comments>http://kino-eye.com/2009/04/21/making-media-now/#comments</comments>
		<pubDate>Tue, 21 Apr 2009 06:41:50 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Brave New Films]]></category>
		<category><![CDATA[conference]]></category>
		<category><![CDATA[Filmmakers Collaborative]]></category>
		<category><![CDATA[Making Media Now]]></category>
		<category><![CDATA[Robert Greenwald]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/04/21/making-media-now/</guid>
		
			<content:encoded><![CDATA[Making Media Now 2009 is a full-day conference that will take place on Friday, June 5, 2009 at Bentley University. The event will bring together filmmakers from all over New England with national industry experts for lectures, workshops, and panels confronting the most daunting challenges facing independent filmmakers today. Last year’s event drew approximately 300 [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/2LZwvLouJRE" height="1" width="1"/>]]></content:encoded>
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		<title>Two documentary classes at MassArt this summer</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/sPw0OZvrD5s/</link>
		<comments>http://kino-eye.com/2009/04/12/documentary-classes-this-summer/#comments</comments>
		<pubDate>Sun, 12 Apr 2009 19:30:43 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Documentary]]></category>
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		<category><![CDATA[Video Production]]></category>
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		<category><![CDATA[course]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[massart]]></category>
		<category><![CDATA[pce]]></category>
		<category><![CDATA[studio]]></category>
		<category><![CDATA[The Media]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[videomaking]]></category>
		<category><![CDATA[Workshop]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/04/12/documentary-classes-this-summer/</guid>
		
			<content:encoded><![CDATA[I&#8217;m teaching two courses this summer through MassArt Professional and Continuing Education. Interested in documentary video? Documentary Video Boot Camp will give you the foundation you need to get started. Is there a documentary you&#8217;d like to make this summer and you&#8217;ve already got basic production experience?  Documentary Project Studio will help you hone [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/sPw0OZvrD5s" height="1" width="1"/>]]></content:encoded>
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		<title>Fans, friends, and followers</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/l3jqJKICbHk/</link>
		<comments>http://kino-eye.com/2009/04/02/fans-friends-followers/#comments</comments>
		<pubDate>Thu, 02 Apr 2009 05:18:27 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Distribution]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Reviews]]></category>
		<category><![CDATA[The Media]]></category>
		<category><![CDATA[Book]]></category>
		<category><![CDATA[Fans]]></category>
		<category><![CDATA[Followers]]></category>
		<category><![CDATA[Friends]]></category>
		<category><![CDATA[Review]]></category>
		<category><![CDATA[Scott Kirsner]]></category>
		<category><![CDATA[Web]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/04/02/fans-friends-followers/</guid>
		
			<content:encoded><![CDATA[This week I had a chance to read Scott Kirsner&#8217;s new book, Fans, Friends &#038; Followers, which provides a fresh guide to building an audience in the new media landscape. The book starts out by painting with broad brush strokes the challenges artists have faced finding an audience for their work and then outlines what&#8217;s [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/l3jqJKICbHk" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>A postmodern remake of a futurist classic: Perry Bard’s Man With a Movie Camera: The Global Remake</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/JEm72ty0Zwk/</link>
		<comments>http://kino-eye.com/2009/03/29/postmodernist-remake-of-a-futurist-classic/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 00:30:25 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[New Media]]></category>
		<category><![CDATA[Web]]></category>
		<category><![CDATA[Collaboration]]></category>
		<category><![CDATA[Dziga Vertov]]></category>
		<category><![CDATA[Interactive]]></category>
		<category><![CDATA[Janet Murray]]></category>
		<category><![CDATA[Man With a Movie Camera]]></category>
		<category><![CDATA[Participatory]]></category>
		<category><![CDATA[Perry Bard]]></category>
		<category><![CDATA[Video Art]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/03/29/postmodernist-remake-of-a-futurist-classic/</guid>
		
			<content:encoded><![CDATA[Video artist Perry Bard&#8217;s Man With a Movie Camera: The Global Remake is a participatory project made with contributions from people around the world who upload video clips interpreting Dziga Vertov&#8217;s Man With A Movie Camera (1929), a film that is still fresh today in surprising ways. With this remake, anyone can upload footage that [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/JEm72ty0Zwk" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Canon HG20 camcorder provides stunning price/performance</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/jMQdl4vDMto/</link>
		<comments>http://kino-eye.com/2009/02/13/canon-hg20/#comments</comments>
		<pubDate>Fri, 13 Feb 2009 12:40:36 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Final Cut Pro]]></category>
		<category><![CDATA[High Definition]]></category>
		<category><![CDATA[camcorder]]></category>
		<category><![CDATA[Canon]]></category>
		<category><![CDATA[HG20]]></category>
		<category><![CDATA[HPX170]]></category>
		<category><![CDATA[Panasonic]]></category>
		<category><![CDATA[Review]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/02/13/canon-hg20-camcorder-provides-stunning-priceperformance/</guid>
		
			<content:encoded><![CDATA[Canon HG20
I recently taught a class at MassArt, Documentary Video Boot Camp, and one of my students, Adam Weiss, used his new Canon VIXIA HG20 camcorder in the class. As a result of seeing the video Adam shot for his assignments, I think I have to say that the Canon HG20 AVCHD Hard Drive camcorder [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/jMQdl4vDMto" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Tom Robotham talks about his Blender LED light</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/fxD7YZSS59g/</link>
		<comments>http://kino-eye.com/2009/02/09/blender/#comments</comments>
		<pubDate>Mon, 09 Feb 2009 05:59:23 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Featured]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[Lighting]]></category>
		<category><![CDATA[Blender]]></category>
		<category><![CDATA[Blender LED Light]]></category>
		<category><![CDATA[Blender Light LED]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[LED]]></category>
		<category><![CDATA[Light]]></category>
		<category><![CDATA[Lights]]></category>
		<category><![CDATA[Tom Robotham]]></category>
		<category><![CDATA[Video]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/02/09/blender/</guid>
		
			<content:encoded><![CDATA[LED lighting is changing the way we light, especially run-and-go documentary. There are several units on the market including lights from Zylight, Litepanels, and the new Blender light, designed by Tom Robotham. Several months ago Tom came to visit me at MassArt and brought along his new light. We spent some time experimenting with it [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/fxD7YZSS59g" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>19th Annual Pro Video Show March 20-21, 2009 in Dedham, Massachusetts</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/ZJHmFfK-N0E/</link>
		<comments>http://kino-eye.com/2009/02/04/19-pro-video-show/#comments</comments>
		<pubDate>Wed, 04 Feb 2009 09:33:14 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Lighting]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Video Production]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Boston]]></category>
		<category><![CDATA[Camera Company]]></category>
		<category><![CDATA[Interview]]></category>
		<category><![CDATA[Massachusetts]]></category>
		<category><![CDATA[Professional]]></category>
		<category><![CDATA[Show]]></category>
		<category><![CDATA[Training]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Workshop]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/02/04/19-pro-video-show/</guid>
		
			<content:encoded><![CDATA[The Camera Company&#8217;s 19th Annual Pro Video Show, an annual Boston-area gathering that includes a show floor and a variety of demos and seminars of interest to media makers, will take place this year on Friday and Saturday, March 20-21, 2009 at the Dedham Holiday Inn Hotel &#038; Conference Center (directions). This is a good [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/ZJHmFfK-N0E" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>David Leitner is blogging from Sundance again</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/zQ_4Esr4W3E/</link>
		<comments>http://kino-eye.com/2009/01/21/david-leitner-is-blogging-from-sundance-again/#comments</comments>
		<pubDate>Wed, 21 Jan 2009 10:05:25 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Film Festivals]]></category>
		<category><![CDATA[Filmmaking]]></category>
		<category><![CDATA[Blog]]></category>
		<category><![CDATA[David Leitner]]></category>
		<category><![CDATA[Film]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[Sundance]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2009/01/21/david-leitner-is-blogging-from-sundance-again/</guid>
		
			<content:encoded><![CDATA[David Leitner is blogging from Sundance again (this marks his fourth year) once a day, Sunday to Saturday. Leitner is known for his informed, sometimes irreverent perspective on the art, technology, and business of independent film, so  check out his posts, which he describes as &#8220;more essay that tweet.&#8221; As you may recall, I [...]<br/>
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Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/zQ_4Esr4W3E" height="1" width="1"/>]]></content:encoded>
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		<item>
		<title>Beyerdynamic velour pads: new life for Sony MDR-7506 or V6 headphones</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/ZradgoaNLkQ/</link>
		<comments>http://kino-eye.com/2008/11/16/beyerdynamic-velour-pads/#comments</comments>
		<pubDate>Sun, 16 Nov 2008 17:20:55 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Gadgets and Devices]]></category>
		<category><![CDATA[Sound]]></category>
		<category><![CDATA[Video Production]]></category>
		<category><![CDATA[Accessories]]></category>
		<category><![CDATA[Audio]]></category>
		<category><![CDATA[Beyerdynamic]]></category>
		<category><![CDATA[Headphones]]></category>
		<category><![CDATA[MDR-7506]]></category>
		<category><![CDATA[Sony]]></category>
		<category><![CDATA[Upgrade]]></category>
		<category><![CDATA[Velour]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2008/11/16/beyerdynamic-velour-pads/</guid>
		
			<content:encoded><![CDATA[For many years I&#8217;ve been using two pairs of Sony MDR-7506 headphones (one lives in my camera kit and the second lives in my sound kit) and the original plastic ear pads had started to fall apart. These are outstanding headphones for monitoring audio, however, the pads are their achilles heel. 
You can order replacement [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/ZradgoaNLkQ" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>Quick and dirty Kodak Zi9 camera test</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/AFwsf2YugH8/</link>
		<comments>http://kino-eye.com/2008/11/15/kodak-zi9-quick-test/#comments</comments>
		<pubDate>Sat, 15 Nov 2008 15:04:57 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Camera]]></category>
		<category><![CDATA[Demo]]></category>
		<category><![CDATA[Gadgets and Devices]]></category>
		<category><![CDATA[BMM110208]]></category>
		<category><![CDATA[Kodak]]></category>
		<category><![CDATA[QuickTime]]></category>
		<category><![CDATA[Test]]></category>
		<category><![CDATA[Video]]></category>
		<category><![CDATA[Zi9]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2008/11/15/kodak-zi9-quick-test/</guid>
		
			<content:encoded><![CDATA[Steve Garfield purchased the cute little (OK, not so little, it&#8217;s larger than many competitors) Kodak Zi9 camera recently and brought it to the Boston Media Makers meeting. And while this $179 camera is not going to enter my short-list of favorite documentary cameras (on the list are Panasonic&#8217;s DVX100 &#038; HVX200, Sony&#8217;s A1U &#038; [...]<br/>
<br/>
Visit the Kino-Eye.com web site for the full article and more.<div class="feedflare">
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</div><img src="http://feeds.feedburner.com/~r/kino-eye/~4/AFwsf2YugH8" height="1" width="1"/>]]></content:encoded>
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		<slash:comments>4</slash:comments>

		<feedburner:origLink>http://kino-eye.com/2008/11/15/kodak-zi9-quick-test/</feedburner:origLink><enclosure url="http://feedproxy.google.com/~r/kino-eye/~5/0pfZLK0MyBU/Kinoeye-QuickKodakZi6TestDarkInteriorWithLightFromWindow704.flv" length="4633670" type="video/x-flv" /><feedburner:origEnclosureLink>http://blip.tv/file/get/Kinoeye-QuickKodakZi6TestDarkInteriorWithLightFromWindow704.flv</feedburner:origEnclosureLink></item>
		<item>
		<title>Artist Encampment Photos</title>
		<link>http://feedproxy.google.com/~r/kino-eye/~3/GW6T0dznk-E/</link>
		<comments>http://kino-eye.com/2008/10/21/artist-encampment-photos/#comments</comments>
		<pubDate>Tue, 21 Oct 2008 16:54:14 +0000</pubDate>
		<dc:creator>David Tames</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[Events & Screenings]]></category>
		<category><![CDATA[Photography]]></category>
		<category><![CDATA[Artist Encampment]]></category>
		<category><![CDATA[Berwick Research Institute]]></category>
		<category><![CDATA[Boston Harbor Islands]]></category>
		<category><![CDATA[Bumpkin Island]]></category>
		<category><![CDATA[installation]]></category>
		<category><![CDATA[Island Alliance]]></category>
		<category><![CDATA[MassArtDMI]]></category>
		<category><![CDATA[Studio Soto]]></category>

		<guid isPermaLink="false">http://kino-eye.com/2008/10/21/artist-encampment-photos/</guid>
		
			<content:encoded><![CDATA[These are the photos from the recent artist encampment on Bumpkin Island (a Flickr slide show).
The Berwick Research Institute joined with the Island Alliance and Studio Soto to present the 2nd Annual Artist Encampment, a  &#34;homesteading&#34; experience on Bumpkin Island, Boston Harbor Islands, on  Labor Day weekend, August 28-September 1, 2008.

Ten artists and [...]<br/>
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