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	<title>Kristine Kathryn Rusch</title>
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	<link>https://kriswrites.com</link>
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	<title>Kristine Kathryn Rusch</title>
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<site xmlns="com-wordpress:feed-additions:1">93267967</site>	<item>
		<title>Lots of Great Exclusive Books&#8230;Including One of Mine</title>
		<link>https://kriswrites.com/2026/06/24/lots-of-great-exclusive-books-including-one-of-mine/</link>
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		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Wed, 24 Jun 2026 20:51:39 +0000</pubDate>
				<category><![CDATA[Alternate History]]></category>
		<category><![CDATA[Current News]]></category>
		<category><![CDATA[Time Travel]]></category>
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		<category><![CDATA[time travel]]></category>
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					<description><![CDATA[I curated a Storybundle to help us all escape the nightmares of 2026. As I explained in an interview with Jamie Ferguson, one of the other participants in the bundle, sometimes an escape means going to another scary place. But sometimes it means going to a wonderful alternate timeline where things are much better. This [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>I curated a Storybundle to help us all escape the nightmares of 2026. <a href="https://blackbirdpublishing.com/interview-kristine-kathryn-rusch-what-if-volume-1/" target="_blank" rel="noopener">As I explained in an interview with Jamie Ferguson</a>, one of the other participants in the bundle, sometimes an escape means going to another scary place. But sometimes it means going to a wonderful alternate timeline where things are much better.</p>
<p>This bundle has everything from noir to romance. <em>Great</em> time travel tales and marvelous alternate history. There&#8217;s monsters and trains and adventure. There are crimes. There&#8217;s happily ever after. And almost everything is exclusive, including the writing workshop if you&#8217;d like to learn how to write your own time travel story.</p>
<p><a href="https://storybundle.com/timetravel" target="_blank" rel="noopener"><img fetchpriority="high" decoding="async" class="size-large wp-image-37713 alignleft" src="https://kriswrites.com/wp-content/uploads/2026/06/Kris-Rusch-2-300x232.jpg" alt="A clock cover for the What If volume against a backdrop of books" width="300" height="232" /></a>My contribution to the bundle is an exclusive mini-bundle of two of my novels. The exclusive is called <em>What If&#8230;Volume 1</em>. (Yes, there will be more.) This particular volume combines two of my novels—<em>Snipers</em>, which is an alternate history <em>and</em> a time travel story filled with romance and adventure, and the first attempt at the same kind of story. The first attempt, <em>Consecrated Ground</em>, isn&#8217;t time travel at all. It&#8217;s a crime novel, and it&#8217;s not available anywhere else at the moment (although it is on preorder). <em>Consecrated Ground</em> is dark; <em>Snipers</em> is not (ultimately). Both are well reviewed and were popular when they were first published.</p>
<p>The cover on the top of this post is the brand-new cover for <em>Snipers</em>. And belowis an image of most of the books in the bundle. You can get all 15 books and the workshop for $30 (and give to World Central Kitchen at the same time).</p>
<p>Now here&#8217;s the bad news: The bundle will cease to exist late on Thursday (PDT). So if you want great ebook reading at a discount, go forth quickly and buy your copies. <a href="https://storybundle.com/timetravel" target="_blank" rel="noopener">You can get your copies here.</a></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">37710</post-id>	</item>
		<item>
		<title>The Write Attitude: Sticking The Landing</title>
		<link>https://kriswrites.com/2026/06/23/the-write-attitude-sticking-the-landing/</link>
					<comments>https://kriswrites.com/2026/06/23/the-write-attitude-sticking-the-landing/#respond</comments>
		
		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Tue, 23 Jun 2026 16:21:28 +0000</pubDate>
				<category><![CDATA[Current News]]></category>
		<category><![CDATA[free nonfiction]]></category>
		<category><![CDATA[New Releases]]></category>
		<category><![CDATA[On Writing]]></category>
		<category><![CDATA[craft]]></category>
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		<category><![CDATA[Write Attitude]]></category>
		<category><![CDATA[writing]]></category>
		<guid isPermaLink="false">https://kriswrites.com/?p=37296</guid>

					<description><![CDATA[This post is a chapter from my book, The Write Attitude, which is now in a second edition. I&#8217;m posting it here to entice you to to pick up a copy. You can preorder copies from all online retailers. Here&#8217;s a link to the ebook. The second edition of The Write Attitude is quite different [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><em>This post is a chapter from my book, </em>The Write Attitude<em>, which is now in a second edition. I&#8217;m posting it here to entice you to </em><em>to pick up a copy. You can preorder copies from all online retailers. <a href="https://wmgbooks.com/products/the-write-attitude-second-edition" target="_blank" rel="noopener">Here&#8217;s a link to the ebook.</a></em></p>
<p><em>The second edition of </em>The Write Attitude <em>is quite different from the first edition, which originally appeared in 2016. I kept some parts of the original book, but much of the material is newer. The new material comes</em><em> <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">from my Patreon page</a>. Not every post from my Patreon page shows up here, although several do. If you want to see everything, though, <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">head to Patreon</a> and sign up. </em></p>
<p><em>This post is from February of 2025, and is one of the early chapters in the book.</em></p>
<h1 style="font-weight: 400; text-align: center;"><strong>Sticking The Landing</strong></h1>
<p>&nbsp;</p>
<p style="font-weight: 400; text-align: left;">Oh, wow. Endings. They’re so very important. They make or break an entire novel. Sometimes they make or break a reader’s entire experience with the author.</p>
<p style="font-weight: 400;">I’m very aware of this, and sometimes, as a writer, I don’t care. I’m not trying to please my readers. I always write to please myself.</p>
<p style="font-weight: 400;">Last week, as I was planning the future of my own writing, I ended up marinating in memories of my traditional publishing days, which brought back all those compromises I had to make. I never compromised on the work. I would walk instead of changing my vision for a story or a novel. And that made me unusual.</p>
<p style="font-weight: 400;">However, I would compromise as I was <em>developing</em> the idea, because I needed to sell on proposal. Often, I just ignored the proposal later, but occasionally I didn’t.</p>
<p style="font-weight: 400;">There were often dozens of fingers in my work on the proposal stage. People would say: <em>Make it more like this current trend. No one wants to read about that topic</em>. And my favorite, which still reverberates in my head sometimes: <em>Wow, you’re trying to insult everyone all at once.</em></p>
<p style="font-weight: 400;">It&#8217;s hard to write when you have a crowd in your office. It’s hard to do a good job. I’m aware of that, and it makes me so happy to be indie these days.</p>
<p style="font-weight: 400;">I still read traditionally published writers, though. I have several whose work I love. And I sample books from writers I’ve never read before.</p>
<p style="font-weight: 400;">In January, I read a lot of short story anthologies, and in one of them, I read a story by a <em>New York Times</em> bestseller of long-standing. (And no, I will not tell you who she is.) I remember when her career started in the early part of this century. I thought she was a good mystery writer.</p>
<p style="font-weight: 400;">But somewhere along the way, she pivoted to the trendy. She became a writer of domestic thrillers—you know, the kind that happen in upper class suburban neighborhoods and gosh, by golly, gee whiz, there’s crime there and domestic violence and OMG, untrustworthy people.</p>
<p style="font-weight: 400;">Yeah, as you can tell, not really my genre, although I did sample a number of writers, realized it was me not them, and returned to my mean streets of cities fiction and other things.</p>
<p style="font-weight: 400;">I think I sampled this writer’s work then and didn’t like it— remembering that <em>it’s me, not you</em>—so I was a lot surprised by how much I liked that short story. I figured maybe she had moved off the domestic thriller train. It’d been a decade or more, after all.</p>
<p style="font-weight: 400;">I ordered her latest, which is set in New York (yay!), and then picked up one more book that sounded interesting as well. I settled into the latest book, and sure enough, the first part was pretty darn good. It kept me reading, anyway, even if there were parts that reminded me of Ira Levin novels from sixty years ago.</p>
<p style="font-weight: 400;">That’s okay. I don’t mind homage.</p>
<p style="font-weight: 400;">About two-thirds of the way through, though, there was a lot happening and it was getting more and more unbelievable. There were ghosts, but she wanted it both ways—maybe they’re an hallucination, and maybe they’re not—and the ghosts may or may not have an impact on the plot.</p>
<p style="font-weight: 400;">Then there was the bombshell about the husband <em>that our protagonist knew but never mentioned</em>, and then a lot of people died off-stage, all of them, and then&#8230;</p>
<p style="font-weight: 400;">Well, I kept reading, and sure enough, the twist was that it <em>wasn’t</em> the husband, like it usually is in domestic thriller. Okay, fine. The main plot ends, the ghosts are laid to rest, more people die, and we get to “six months later.”</p>
<p style="font-weight: 400;">And again, off-stage, we learn that some of the bodies were indeed dropped by the husband. The only person who ever believed in him was the wife, who at this point is (as the romance readers say) To Stupid To Live. She’s the only person in the book who isn’t a bad person, but that’s only because she’s dumber than a box of rocks. Everyone else is venal or a criminal or both. Most of them have murdered someone or accidentally caused a death, and all of them are unlikeable.</p>
<p style="font-weight: 400;">I finished that book, took it and the one I hadn’t read, and tossed them into the trade-in pile. I’m never reading her work again. Because really, honestly, that last third of the book was a truly terrible read.</p>
<p style="font-weight: 400;">She had a five-page long afterward in which she thanks her first readers, her second readers, her editors (both New York and London), her writer’s workshop, her agent (whom I happen to know and who is all about what she can sell, not about good storytelling),and all of her friends.</p>
<p style="font-weight: 400;">In other words, she lists the crowd in her office, and I’m sure, given that six-months-later section, they had a lot of influence on that.</p>
<p style="font-weight: 400;">Plus, the math was wrong. That might have irritated me the most. The main killers are eighty years old. It’s 2025. They had an eight-year-old child in 1963. Which meant that the kid was born in 1955. Which meant that the parents were both 10 years old when the kid was born.</p>
<p style="font-weight: 400;">Seriously, there were 1,000 early readers on this book and no copy editors? No one caught this but me? I actually went back to see if I had misread, but no, I hadn’t. <em>Everyone</em> listed in that afterward was math-challenged. Or they figured 1963 was so long ago no one would notice.</p>
<p style="font-weight: 400;">No one except this 65 year-old-reader who has a sister who turned 80 last year and who was <em>sixteen</em> when I was born in 1960. And no, she didn’t give birth to a kid in 1955 <em>either</em>.</p>
<p style="font-weight: 400;">Awful, horrible, irritating.</p>
<p style="font-weight: 400;">Because I’ve been looking for another good thriller writer. I don’t mind suspending disbelief and putting up with a high body count. I like to race through a book <em>when it makes sense</em>.</p>
<p style="font-weight: 400;">I thought, midway through, that I was really going to like this book. I almost ordered more books from this woman, but I’d learned long ago to see if the writer could stick the landing.</p>
<p style="font-weight: 400;">And, as you can tell, she didn’t. <em>For me</em>.</p>
<p style="font-weight: 400;">Sometimes sticking the landing is personal. Sometimes I don’t like the reveal that the narrator is the killer, even though I often love unreliable narrator stories. I hate books where the cute kid or puppy dies at the end—so much so that I now look ahead to see if the cute kid or puppy introduced on page five ends up dead at the end. (In paper books, I scan for kid/puppy’s name in the last chapter. It’s a pretty reliable method. I also have a few friends who know that I hate this with a profound passion, and they will let me know if a favorite author veers into dead kid territory.)</p>
<p style="font-weight: 400;">Oh, and a disclaimer—sometimes I kill the kid and the puppy in my fiction. As I told one of my students in January, I’m a complete hypocrite. (Or maybe just a true Gemini.) I <em>hate</em> that in my reading, but if the story I’m telling requires it, I will go that far in my writing.</p>
<p style="font-weight: 400;">Often, though, mostly, in fact, I will jump through major hoops to prevent the death of cute kid/puppy because I don’t like writing it. It’s devastating.</p>
<p style="font-weight: 400;">Anyway, that’s a me thing. And I will break the rule for some writers (I’m looking at you, Stephen King). I trust Stephen King to make sure that the death of the cute kid/puppy is never there solely to tug on my heartstrings. Usually the death is well foreshadowed (thank you) and it’s never there just to get more readers. It’s there because the story demands it.</p>
<p style="font-weight: 400;">I’ll abandon any writer who introduces the kid character, and then kills him off for no other reason besides giving the protagonist motivation. And again, that’s a me thing.</p>
<p style="font-weight: 400;">But the book I read this past week—which is <em>not </em>going on the monthly Recommended Reading List on my website—reminded me why so many traditional publishing books fail to stick the landing, particularly for authors who can&#8217;t stand up for their own vision.</p>
<p style="font-weight: 400;">I don’t know this particular author personally, but I will wager that she has made it such a habit to outsource her final draft that after two decades, she can’t conceive of any other way to write. And as a result, the end of the book was a mishmash of icky dumb stuff. (Everyone suspects the husband so make someone else the bad guy! If it’s the neighbors, there will be echoes of Ira Levin! We can use the Ira Levin thing as a pitch to the movies!)</p>
<p style="font-weight: 400;">The short story, on the other hand, would not have gone through the hands of the agent or both editors or anyone else associated with them. There’s not enough money in short fiction for those folks to waste their time.</p>
<p style="font-weight: 400;">So the short story was written by the unvarnished writer, who doesn’t write out of fear, the one who trusts her own vision.</p>
<p style="font-weight: 400;">As we all should.</p>
<p style="font-weight: 400;">I know, I know. I’m making a bunch of you very worried about your endings now. You wonder: <em>How do I make sure I stick the landing?</em></p>
<p style="font-weight: 400;">Well, you write clean first drafts, don’t rewrite, and <em>don’t let anyone else in your work</em>. Then, you trust the process. Believe me, your creative voice will set up the proper ending. It won’t do fakey twists. If there’s a twist, it will be a legitimate one.</p>
<p style="font-weight: 400;">And then you let the project go. You move to the next.</p>
<p style="font-weight: 400;">There will be silly and stubborn readers like me who have ridiculous rules about what they read. (<em>I will not read anything with corn on the cob in it! You can’t make me.</em>) You’ll never get those readers. They will hate your work because you violated some personal rule you (and probably everyone else) had no idea existed.</p>
<p style="font-weight: 400;">But if you let an entire committee into what you do, then the writing you do will not be your best. You will stick the landing once in a while. Enough so that some readers will like what you do. But you won’t do it most of the time.</p>
<p style="font-weight: 400;">In fact, your books/stories well be good enough. As in mediocre. As in readable and little more. As mostly forgettable.</p>
<p style="font-weight: 400;">I don’t know about you, but I don’t want my fiction to be forgettable. I want it to be memorable.</p>
<p style="font-weight: 400;">The only way you will get people to read your next book is to have a satisfying ending on the current book…whatever that current book is for your readers. (I just finished a novel that I’ve had on my TBR shelf since 2009. That is the next book for me from that writer.)</p>
<p style="font-weight: 400;">So write your vision, and keep your friends, family, first readers, agent (if you’re dumb enough to have one), and editors out of it. <em>You’re</em> the writer. They’re not. How will they know if the <em>story</em>works? The story lives in your head.</p>
<p style="font-weight: 400;">The manuscript might fail, but that’s just a communication tool.</p>
<p style="font-weight: 400;">The story is all yours…and should remain all yours.</p>
<p style="font-weight: 400;">If your work is consistent—as in the ending should flow from details that exist in the beginning—then readers will return to you, <em>even if they didn’t particularly like the ending of a book</em>. They will see the authenticity.</p>
<p style="font-weight: 400;">The book I just finished reading had no authenticity. It was filled with kitchen-sink items, and that 1963 problem was a tell. The date had to be left over from an earlier draft.</p>
<p style="font-weight: 400;">I feel for the author. She’s clearly got it into her head that she needs the assistance of an entire village to make her books work.</p>
<p style="font-weight: 400;">And her work is good enough. It will help readers pass the time. But her work certainly won’t make them remember her for a long period of time.</p>
<p style="font-weight: 400;">That’s a shame, because the short story shows a writer with great power. Her novels do not.</p>
<p style="font-weight: 400;">Ah, well.</p>
<p style="font-weight: 400;">I’m sure I won’t remember this book much after this week. Maybe the Ira Levin stuff, and the 1963 things because it’s so egregious. But I will remember that I have not had a good experience with this author in the long form.</p>
<p style="font-weight: 400;">And I will not buy another novel from her. Ever.</p>
<p style="font-weight: 400; text-align: center;">&#8220;Sticking The Landing&#8221; from <em>The Write Attitude</em></p>
<p style="text-align: center;"><i>Copyright © Kristine Kathryn Rusch</i></p>
<p style="text-align: center;"><i>Published by WMG Publishing</i></p>
<p style="text-align: center;"><i>This ebook is licensed for your personal enjoyment only. All rights reserved. This ebook, or parts thereof, may not be reproduced in any form without permission.</i></p>
<p style="text-align: center;"><i>Any use of this publication to train generative artificial intelligence (“AI”) technologies is expressly prohibited. The author and publisher reserve all rights to license uses of this work for generative AI training and development of machine learning language models.</i></p>
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		<post-id xmlns="com-wordpress:feed-additions:1">37296</post-id>	</item>
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		<title>Free Fiction Monday: Blood Trail</title>
		<link>https://kriswrites.com/2026/06/22/free-fiction-monday-blood-trail/</link>
					<comments>https://kriswrites.com/2026/06/22/free-fiction-monday-blood-trail/#comments</comments>
		
		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Mon, 22 Jun 2026 19:00:48 +0000</pubDate>
				<category><![CDATA[Current News]]></category>
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		<category><![CDATA[crime]]></category>
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		<guid isPermaLink="false">https://kriswrites.com/?p=37702</guid>

					<description><![CDATA[Detective Zack Wheldon solves cases. The tough cases no one else figures out. So, when the FBI comes seeking his help, he must decide which to choose: the serial killer he desperately wants to catch or the as-yet-unknown cases that will grow cold in his absence. The FBI’s new technology promises big things—more closed cases, [&#8230;]]]></description>
										<content:encoded><![CDATA[<div>
<p class="MediumGrid21"><em>Detective Zack Wheldon solves cases. The tough cases no one else figures out. So, when the FBI comes seeking his help, he must decide which to choose: the serial killer he desperately wants to catch or the as-yet-unknown cases that will grow cold in his absence.</em></p>
</div>
<div>
<p class="MediumGrid21"><em>The FBI’s new technology promises big things—more closed cases, more criminals behind bars. If he can trust the feds. If he believes in their methods. If he really wants to test his own resolve.</em></p>
<p><em>&#8220;Blood Trail&#8221; is available on this site for one week only. If you&#8217;d like your own copy, the story is available on all ebook platforms. <a href="https://wmgbooks.com/products/blood-trail-by-kristine-kathryn-rusch?_pos=1&amp;_sid=3856a54c3&amp;_ss=r" target="_blank" rel="noopener">Or you can get a copy here</a>. It&#8217;s also in the collection, </em>Detectives Collide Vol. 1, <em>which you can preorder now. </em></p>
<p><em>If you like &#8220;Blood Trail,&#8221; which just happens to be a time travel story, you can get more time travel and alternate history stories in the Escape From 2026 Storybundle. The bundle contains my time travel (or is it alternate history?) novel, </em>Snipers, <em>as well as a second, related crime novel, </em>Consecrated Ground<em> (which is only available in the bundle at the moment).</em><em> The bundle contains fiction from 13 other writers, as well as a writing workshop to help you create your own time travel fiction. Unfortunately, the bundle ends this week, <a href="https://storybundle.com/timetravel" target="_blank" rel="noopener">so head to Storybundle now</a>.</em></p>
<p style="font-weight: 400;"><strong> </strong></p>
<p style="font-weight: 400;"><strong> </strong></p>
<h1 style="font-weight: 400; text-align: center;"><strong>Blood Trail</strong></h1>
<h2 style="font-weight: 400; text-align: center;"><strong>Kristine Kathryn Rusch</strong></h2>
<p style="font-weight: 400;">The blood trail started at the front door. A light spray covered the wallpaper, so fine that it almost looked like part of the design. Then the spray became a spurt, and finally great arching lines of blood that had dripped down the walls into the baseboards.</p>
<p style="font-weight: 400;">Wheldon stepped inside the apartment, mourning the destruction of evidence. The crime scene was the entry itself. Even if he hadn’t seen the body—face down in the area where the foyer opened into the living room—-he would have been able to tell from the blood that the crime had been committed here.</p>
<p style="font-weight: 400;">He could even guess, without examining the body itself, how the wounds occurred: a preliminary stab wound on the left side of the back, into some blood vessels but nothing major; other stab wounds lower, at least one somewhere vital; and the last in a major artery which caused death quite quickly.</p>
<p style="font-weight: 400;">The attack started when the victim arrived home and unlocked her apartment door. Her attacker followed her inside, stabbed her, pulled the door closed, and continued to stab until she was dead.</p>
<p style="font-weight: 400;">“Is there another way into this place?” he asked the patrolman outside the door.</p>
<p style="font-weight: 400;">“Nope.” The patrolman was young, his face green. He’d been standing in the hall when Wheldon arrived, arms crossed, as if he were guarding the place. But Wheldon had seen enough rookies to recognize the reaction: the young man was trying to keep his lunch down and look official in the process.</p>
<p style="font-weight: 400;">“Who’s been through?” Wheldon asked.</p>
<p style="font-weight: 400;">“The roommate—she’s the one who called—my partner, me, the detectives, and the forensic guys.”</p>
<p style="font-weight: 400;">Wheldon nodded. “Keep everyone else out until I give permission. And I don’t want you guys to leave until we bag your shoes.”</p>
<p style="font-weight: 400;">“Excuse me?” The patrolman looked at him with a mixture of shock and confusion.</p>
<p style="font-weight: 400;">“Your shoes,” Wheldon said. “This is the fourth entryway stabbing I’ve worked on in the last two months. The problem with all of them is that critical evidence gets destroyed from the get-go. I’m making sure that won’t happen this time.”</p>
<p style="font-weight: 400;">“I gotta give you my shoes?”</p>
<p style="font-weight: 400;">“I’m afraid so, Officer,” Wheldon said.</p>
<p style="font-weight: 400;">“But how’m I supposed to finish my shift?”</p>
<p style="font-weight: 400;">Wheldon shrugged. He walked farther inside, careful to avoid the spatter that had reached the floor. There was a smear near an end table, probably from a shoe. But the prints led into the living room and ended near the feet of the woman who sat on the sofa, twisting her hands together.</p>
<p style="font-weight: 400;">The roommate, the one who’d called the police.</p>
<p style="font-weight: 400;">She was talking to one of the detectives, her head down, eyes averted. She was making a studied attempt not to look at the body sprawled near Wheldon on the scuffed hardwood floor.</p>
<p style="font-weight: 400;">He studied her for a moment. She was thin—with a body style that would have been fashionable thirty years before, in the affluent ’90s. He doubted her thinness had anything to do with diets and exercise. Judging from the apartment, she remained thin thanks to lack of cash.</p>
<p style="font-weight: 400;">Forensics was taking photographs using a handheld computer, two different digital cameras, and then the standard camera required by regulation. Scientific changes, which had brought so much to police work, were still hampered by regulations; good work was getting tossed out in court because it didn’t meet guidelines set before the turn of the century. In the last twenty years, Wheldon’s job had gotten harder, not easier.</p>
<p style="font-weight: 400;">“What’re you doing here, Zack?” Amy Mannis approached him from the other side of the living room. She had her handheld out, and her white plastic gloves on. She looked official. “Dex and I drew this case.”</p>
<p style="font-weight: 400;">“You get to assist,” he said. “I’m overseeing you. I can tell you from the blood spatter alone that this one fits into a pattern.”</p>
<p style="font-weight: 400;">Her lips thinned. “Why don’t you wait until the preliminary report before you hone in on our case, Zack?”</p>
<p style="font-weight: 400;">“Because the last time I did that, the vital evidence was gone. You don’t know what you’re looking for.”</p>
<p style="font-weight: 400;">“And you do?”</p>
<p style="font-weight: 400;">He glanced at the living room. The other detective and the roommate were watching the exchange. He lowered his voice so that they couldn’t hear him.</p>
<p style="font-weight: 400;">“At first you thought robbery. But all that’s missing are homemade DVDs and photographs of the victim, as well as some pieces of jewelry—anything with a gem or pearl on it.”</p>
<p style="font-weight: 400;">Her expression didn’t change. She obviously hadn’t been here long enough to know what was missing. He’d only gotten the call half an hour ago, and the 911 report had come in a half an hour before that.</p>
<p style="font-weight: 400;">“In the roommate’s bedroom—not the victim’s—you’ll find the bed turned down and a Godiva truffle in its original box sitting on the pillow. That room will be neat as a pin even if it hadn’t been left that way.”</p>
<p style="font-weight: 400;">Amy started. She had seen that.</p>
<p style="font-weight: 400;">“The jewelry will be missing from the roommate’s room. The victim’s room will be untouched.”</p>
<p style="font-weight: 400;">“Son of a bitch.” Amy shook her head. She knew that he would take charge. He’d worked with her before. She hated playing the subordinate. “I don’t suppose I have a choice.”</p>
<p style="font-weight: 400;">His smile was thin. “I don’t suppose you do.”</p>
<p style="font-weight: 400; text-align: center;">***</p>
<p style="font-weight: 400;">The victim was Rhonda Schlaffler, a 45-year-old book editor who worked just off Times Square. Divorced five years before, no alimony, no children, living off her salary which barely covered essentials, and saving for an apartment of her own.</p>
<p style="font-weight: 400;">Her roommate was 34-year-old Trisha Newman who managed a Greek restaurant off Times Square. Newman, who’d never been married, had a spotty employment history, and a tendency to quit jobs in the heat of anger. She was also extremely competent, so when she did find work, she was promoted rapidly.</p>
<p style="font-weight: 400;">The women had met when Newman advertised for a roommate through one of the apartment services. They’d lived together for five years, but never socialized. Newman didn’t even characterize them as friends. Still, she’d been upset and terrified—upset at her roommate’s death, terrified at the staged scene aimed at her.</p>
<p style="font-weight: 400;">The body confirmed what Wheldon had already guessed. The first wound, somewhat shallow, in the back beneath the ribcage, catching some blood vessels. Two more wounds, also in the back, near the spinal cord, and the fatal wound in the neck, severing the carotid artery.</p>
<p style="font-weight: 400;">The only surprises were matching rips in the collars of the victim’s coat and shirt, caused by a hand gripping them too tight and pulling, straining the material until it tore. Either the victim had made a near-successful bid to elude her attacker or her knees had buckled and he had to use her coat to hold her up while he finished the job. Judging by the blood spatter, she had nearly gotten away.</p>
<p style="font-weight: 400;">Wheldon had come to all of those conclusions by late evening of the first day. His greatest gift as an investigator was his ability to place himself at the crime scene—to see things that others missed.</p>
<p style="font-weight: 400;">It was also his greatest curse. His mind was always filled with what-ifs and would-have-beens. After thirty years of tough cases, he had become quiet and morose. His friends wouldn’t let him drink with them any more, and he’d stopped dating ten years before.</p>
<p style="font-weight: 400;">The job was everything, and everything, for the moment, focused on Rhonda Schlaffler.</p>
<p style="font-weight: 400;">Her last few seconds must have seemed like hours.</p>
<p style="font-weight: 400;">He doubted she’d noticed her attacker following her, although he might have joined her in the elevator, making her uncomfortable. Or maybe not. Maybe she had been the kind of woman who closed into herself in an elevator, ignoring the people around her. In either case, she had gotten off the elevator on her floor, pulled her keys out of her purse, and unlocked both deadbolts on her door.</p>
<p style="font-weight: 400;">She’d pushed the door open before noticing him behind her, but there was no way to tell whether or not she had gone inside voluntarily. Perhaps he had shoved her forward, perhaps he had just followed her—the evidence was inconclusive about that. What it was conclusive about was that the attack started just inside the door. He had to still be standing in the hall when he stabbed her the first time.</p>
<p style="font-weight: 400;">Unfortunately, the building’s security system was as primitive as its locks. An old-fashioned buzzer system on the front door instead of a doorman, security cameras set up in the 1970s and not maintained since, and a super who was away from his apartment more than he was inside it. New York had too many buildings like this, and the killer knew it. He seemed to know a lot about his victims and their roommates, and he used that knowledge to achieve his ends, whatever they might be.</p>
<p style="font-weight: 400;">That was what Wheldon couldn’t figure out. He couldn’t tell from the evidence whether he was trying to find a serial killer, defined as someone who killed randomly and indiscriminately within a certain physical or personality type, or a series killer, defined as someone who killed for a select period of time to fulfill some kind of pattern only he saw. After the second murder, Wheldon had ruled out murder for hire. Neither victim had been wealthy enough nor had they had enough enemies to justify the expense.</p>
<p style="font-weight: 400;">In fact, he had found only a handful of things in common among all four cases: the manner of death, the victims’ gender, the neighborhood, the presence of a female roommate, the Godiva truffles and the turned-down bed, and the stolen DVDs and jewelry.</p>
<p style="font-weight: 400;">Everything else was different. The victims’ ages ranged from 24 to 53; their incomes ranged from $20,000 a year to $80,000; and their marital status ranged from divorced with children to permanently single. None of them worked in the same place or even the same neighborhood, none of them frequented the same shops or restaurants, and none of them had the same friends. They even used different online services.</p>
<p style="font-weight: 400;">The murders weren’t quite random, but they were random enough to give him fits. After the second killing, he’d entered the information in the FBI’s National Database of Unsolved Crimes. He’d thought the Godiva trick unique enough to bring a hit from another state, should such a thing exist. But after the third killing, he’d given up hope. He’d found nothing else like it in his search of unsolved crimes nationwide.</p>
<p style="font-weight: 400;">He’d also found nothing when he searched for murders connected to chocolates. His investigation of the Godiva boxes didn’t help either—they were all from different batches which had been on the market all over the country on the day of the murders, and hundreds of them were sold in New York City alone—with most of the purchasers paying cash.</p>
<p style="font-weight: 400;">Even though he entered information from the fourth murder into the database, he had no illusions this time. He knew he would have to catch this killer on his own.</p>
<p style="font-weight: 400;">And he knew he would probably have to wait until the killer struck again.</p>
<p style="font-weight: 400; text-align: center;">***</p>
<p style="font-weight: 400;">Wheldon had already moved the Schlaffler case off his desk when the Suits came to visit. In the two weeks since Schlaffler’s death, Wheldon had overseen four other difficult homicide investigations and helped solve three of them. The fourth would be wrapped within the week.</p>
<p style="font-weight: 400;">Solving difficult cases was his specialty, which was why the Godiva cases really bothered him. Still, he hadn’t thought about them in two days when he arrived at his office to find two women in cheap black suits waiting for him.</p>
<p style="font-weight: 400;">They looked official. He figured they were either Internal Affairs, coming to see him about some of the cops he’d overseen, or the Feds, wanting to argue jurisdiction on something he hadn’t even heard of yet.</p>
<p style="font-weight: 400;">He wasn’t surprised when they flashed their shiny Bureau badges at him and asked him to shut the door. He did, after he ran their badge numbers through his handheld, and saw photos that matched the faces before him. The women smiled as he did that, one of them commenting that she liked his caution.</p>
<p style="font-weight: 400;">He’d learned, over the years, that caution made him a good cop.</p>
<p style="font-weight: 400;">“Agents Ambersson and Kingsbury,” he said as he sank into his chair. “Your identification checks out, but doesn’t tell me what unit you’re in.”</p>
<p style="font-weight: 400;">“That’s right,” said Ambersson. She was younger than he was by at least twenty years, a bright-eyed thirty-something who still had the patina of a true believer. “Our status is on a need-to-know.”</p>
<p style="font-weight: 400;">“And our superiors believe you don’t need to know,” said Kingsbury. She was closer to his age, with a deep rich voice, and a world-weary manner. He got the sense that she tolerated her partner, but didn’t entirely approve of her.</p>
<p style="font-weight: 400;">Wheldon folded his hands, leaned back, and waited. They clearly wanted something from him, and they would take their own sweet time to get there.</p>
<p style="font-weight: 400;">“We understand you’ve been investigating a series of murders in the West 80s,” said Kingsbury.</p>
<p style="font-weight: 400;">“That’s right.”</p>
<p style="font-weight: 400;">“We’re particularly interested in the last murder. Rhonda Schlaffler.”</p>
<p style="font-weight: 400;">Despite himself, he felt a surge of hope. At last a breakthrough. Maybe Schlaffler had a secret double life. Maybe she had been under FBI surveillance for political actions in the late 80s, her college years. Maybe she had been a Person of Interest in another crime.</p>
<p style="font-weight: 400;">“According to the information you entered in our database,” Ambersson said, “you can pinpoint the time of death to a fifteen-minute window, is that correct?”</p>
<p style="font-weight: 400;">He frowned, somehow not expecting them to pick up on that detail. “Yes.”</p>
<p style="font-weight: 400;">“You came to this conclusion how?”</p>
<p style="font-weight: 400;">“Her workplace uses an electronic ID system. Her employee identification number ran through the exit machine at 6:05 p.m. She walked with a friend to the subway and took the train home. It arrived at her stop at 6:32 that night. The stop was a two-minute walk from her apartment. Even if she stopped somewhere, like a deli, she had to have arrived before 6:50.”</p>
<p style="font-weight: 400;">“Because?” Kingsbury asked.</p>
<p style="font-weight: 400;">“Because her neighbor received a visitor at 6:50—his ex-wife. He didn’t get along with the wife, and didn’t want her inside the apartment, so he talked with her, more like argued with her, in the hallway for the next half an hour. He watched Schlaffler’s roommate unlock her apartment door, enter, and heard the screams. We figure Schlaffler arrived home at the earliest at 6:35 and died before 6:50, since there was no other way out of the apartment.”</p>
<p style="font-weight: 400;">“Not even a fire escape?” Ambersson asked.</p>
<p style="font-weight: 400;">“A point of contention between Schlaffler and her landlord. There had been a fire escape out the bathroom window, but the iron had rusted through and fallen away from the building. Anyone trying to exit that way would have had a three-story drop before hitting another fire escape landing, which probably wouldn’t have supported the perp’s weight.”</p>
<p style="font-weight: 400;">“I trust you checked this,” Ambersson said.</p>
<p style="font-weight: 400;">Wheldon was beginning to get impatient. He wasn’t used to being quizzed on his cases. “Of course. We looked for fibers, blood, hair, asked residents about strangers or anything out of the ordinary, even checked with the two homeless guys who slept in the alley, and we turned up nothing.”</p>
<p style="font-weight: 400;">“Excellent,” said Ambersson.</p>
<p style="font-weight: 400;">“Excellent?” Wheldon asked. Whatever response he had expected, it was not that one.</p>
<p style="font-weight: 400;">She wasn’t paying attention to him. Instead, she was looking at her partner and smiling as if they’d caught the killer without Wheldon’s help. “Sounds good to me.”</p>
<p style="font-weight: 400;">Kingsbury shrugged. “I’d like something tighter, but this’ll have to do.”</p>
<p style="font-weight: 400;">“What are you talking about?” Wheldon asked.</p>
<p style="font-weight: 400;">The agents turned toward him. The look of expectation was still on Ambersson’s face. Kingsbury’s expression hadn’t changed at all.</p>
<p style="font-weight: 400;">“For the past three days,” Kingsbury said, “we have conducted an investigation of you.”</p>
<p style="font-weight: 400;">“Me?” Wheldon frowned. “For what?”</p>
<p style="font-weight: 400;">“A high-level security clearance. If you sign the forms we’ve brought with us, you will receive a six-month clearance, subject to renewal and review. We have brought documents with us for you to sign. Anything you learn because of your security clearance will remained classified. You can’t speak of it to anyone. Ever. Is that clear?”</p>
<p style="font-weight: 400;">“No,” Wheldon said. “I haven’t requested security clearance and I really don’t want one. I have no desire to work for the FBI, and I don’t appreciate being investigated.”</p>
<p style="font-weight: 400;">He said that last a bit breathlessly. It was, he realized as he spoke the words, the real reason he was irritated. He was the one who conducted the investigations. He wasn’t the person who was investigated. He’d worked his entire career at being a clean cop, despite all sorts of temptation. He didn’t appreciate having that spotless record examined now.</p>
<p style="font-weight: 400;">“It’s just a matter of routine,” Ambersson said.</p>
<p style="font-weight: 400;">“For you, maybe. Not for me.”</p>
<p style="font-weight: 400;">Kingsbury held up her hand. It was a small gesture, meant to silence her partner, not Wheldon.</p>
<p style="font-weight: 400;">“You want to find this killer, don’t you?” she asked Wheldon.</p>
<p style="font-weight: 400;">“Of course.”</p>
<p style="font-weight: 400;">“Well, we have the means to do so. We can do it with or without you, but you know the most about these cases. It’s better to have the primary detective involved.”</p>
<p style="font-weight: 400;">“How can you help me?” he asked.</p>
<p style="font-weight: 400;">“In order to answer that question, you have to accept the security clearance.”</p>
<p style="font-weight: 400;">He stared at her for a moment. She stared back. Ambersson shifted in her chair like a child caught on the sidelines of an adult fight. Kingsbury continued to wait.</p>
<p style="font-weight: 400;">He was actually considering it. This particular killer frustrated him. The brazenness of the murders, the suggestion of making things right for the roommates, the personal nature of the thefts, disturbed him more than he wanted to admit.</p>
<p style="font-weight: 400;">Besides, the FBI had already conducted their investigation of him. Nothing he could do could change that.</p>
<p style="font-weight: 400;">He sighed. “If I accept your damn clearance, I’m not going to have to do anything else, am I?”</p>
<p style="font-weight: 400;">“Like what?” Ambersson asked.</p>
<p style="font-weight: 400;">“Like join the FBI?”</p>
<p style="font-weight: 400;">Ambersson started to answer, but Kingsbury held up her hand again.</p>
<p style="font-weight: 400;">“Of course you won’t.” Kingsbury shot an irritated glance at her partner. Wheldon’s sense that the two of them were a marriage of convenience rose again. “You’ve got it only for this case. That’s why the clearance is limited.”</p>
<p style="font-weight: 400;">“What do I tell my superiors?”</p>
<p style="font-weight: 400;">“Nothing,” Kingsbury said. “We’ve already briefed them and told them we need you to catch this killer. They’ve approved your time away.”</p>
<p style="font-weight: 400;">He glanced at the cases on his in-house computer. He closed 85% of the cases he was involved in—the best closure record in the precinct and, in some years, the best record in the entire department. Six months was a long time to concentrate on one case. The others would sit until they got cold.</p>
<p style="font-weight: 400;">Finally he shook his head. “I can’t afford the time away.”</p>
<p style="font-weight: 400;">“It may only be for a few hours, Detective.” Kingsbury’s irritation had turned on him.</p>
<p style="font-weight: 400;">“You’ve gotten me a six-month clearance.”</p>
<p style="font-weight: 400;">She nodded. “They don’t give three-day high-level security clearances.”</p>
<p style="font-weight: 400;">“So I’ll be back here within a few days?”</p>
<p style="font-weight: 400;">“Probably.”</p>
<p style="font-weight: 400;">“And if not, a week? A month? Six months?”</p>
<p style="font-weight: 400;">Ambersson smiled at him. “I wouldn’t worry about the time, sir.”</p>
<p style="font-weight: 400;">The “sir” surprised him. It seemed involuntary, an acknowledgement of their age difference. It also seemed a bit condescending, as if his advanced years had made him a doddering fool.</p>
<p style="font-weight: 400;">“I have to worry about the time,” he said. “It’s what we lack around here.”</p>
<p style="font-weight: 400;">Ambersson’s smile grew. “Then accept our clearance, and we’ll make sure you have more of it than you could ever imagine.”</p>
<p style="font-weight: 400;">Kingsbury’s cheeks flushed—not with shame, he realized, but with a sudden anger. He got a sense that Ambersson would get a tongue-lashing once he was out of earshot.</p>
<p style="font-weight: 400;">“Can you guarantee me we’ll catch this killer?” he asked Kingsbury.</p>
<p style="font-weight: 400;">“Can you guarantee me that everything you told me about the case is accurate?” she asked.</p>
<p style="font-weight: 400;">He nodded.</p>
<p style="font-weight: 400;">“Then I guarantee you, we’ll catch the killer.”</p>
<p style="font-weight: 400;">He took a deep breath. He was almost as curious about how an FBI agent could guarantee that a murderer would get caught as he was about who this killer actually was.</p>
<p style="font-weight: 400;">“All right,” he said. “Hand me the documents. I’ll take your clearance. But I’m leaving if we haven’t made any progress in a few days.”</p>
<p style="font-weight: 400;">“Don’t worry,” Ambersson said as she tapped her handheld. On his desk screen, a series of documents appeared, the signature line blinking. “You’ll be pleasantly surprised at the kind of progress we can make.”</p>
<p style="font-weight: 400; text-align: center;">***</p>
<p style="font-weight: 400;">He’d been to the New York branch office of the FBI dozens of times, but had never been allowed anywhere except the public areas. For the first time, they let him keep his gun and handcuffs. The two agents took him to a documents room where he got his security badge and some temporary identification.</p>
<p style="font-weight: 400;">Then they led him through a labyrinthian series of corridors, each gray and lit with fluorescent bulbs that dated from the previous century. They went down several flights of stairs, until they reached what had once clearly been a parking garage.</p>
<p style="font-weight: 400;">The concrete beams remained and, in some places, so did the oil-stained concrete floor. Parts of it were covered in carpet, but the deeper the women took him into the building, the more the old parking garage became evident. The walls that had been added seemed both old and temporary. Some of them appeared to be made of fraying particle board. Others were no better than the cubicle dividers popular when he was just starting out.</p>
<p style="font-weight: 400;">So when the women opened a double-locked steel door at the very bottom level of the former parking garage, he entered with trepidation, expecting even rattier furnishings than he had seen at the upper levels.</p>
<p style="font-weight: 400;">Instead, he found himself in a stainless steel room, filled with modern lighting and wall-to-wall computer access. The floor was covered with carpet so thick that he couldn’t hear his own footsteps. The furniture was comfortable, and the area was warm and inviting in a medicinal sort of way.</p>
<p style="font-weight: 400;">People, looking both busy and productive, hurried along their way. Many of them smiled as they passed him. Most of them were as young as Ambersson. Some seemed even younger. He and Kingsbury were the oldest people in the room.</p>
<p style="font-weight: 400;">“Welcome to the Temporal Offices of the FBI,” Ambersson said, her tone smug.</p>
<p style="font-weight: 400;">“Excuse me?” He glanced at her.</p>
<p style="font-weight: 400;">She put a hand under his arm and led him forward. Kingsbury followed. She was the only person in the area who did not look happy. If anything, it seemed like she had swallowed something that tasted bad.</p>
<p style="font-weight: 400;">Ambersson led him to a wall covered with glass. Just inside the wall sat people hovering over digital consoles. Beyond them was another room. Only he couldn’t quite see that room clearly. He felt as if he were looking at it through a layer of water. Something—the room in front of the glass, the second level of glass beyond, or the room itself—altered his perspective.</p>
<p style="font-weight: 400;">He felt like he should remove his glasses and clean them, only he didn’t wear glasses any longer. He’d gotten laser surgery fifteen years ago and hadn’t had a problem with his vision since.</p>
<p style="font-weight: 400;">Until now.</p>
<p style="font-weight: 400;">He looked at the women in the hallway. They seemed the same. Something about the room, though. Something about it made him very uncomfortable.</p>
<p style="font-weight: 400;">“What’s this?” he asked, trying not to let his discomfort show.</p>
<p style="font-weight: 400;">“The Temporal Chamber,” Ambersson said, that note of pride and awe still in her voice.</p>
<p style="font-weight: 400;">“We have ourselves a time machine,” Kingsbury said dryly.</p>
<p style="font-weight: 400;">“What?” He glanced around. “That’s not possible.”</p>
<p style="font-weight: 400;">“It’s very possible,” Ambersson said. “We’ve just gotten the technology, but it’s existed in experimental form for three years. We—”</p>
<p style="font-weight: 400;">“How come I haven’t heard about it?”</p>
<p style="font-weight: 400;">Ambersson shook her head slightly and tapped his security badge. “Top secret, remember?”</p>
<p style="font-weight: 400;">“That’s not what I meant,” he said. “A discovery this important should have leaked. The scientific journals, if nothing else—”</p>
<p style="font-weight: 400;">“Parts of it have,” said Kingsbury. “You just weren’t able to put the pieces together.”</p>
<p style="font-weight: 400;">“Me? Or the world?”</p>
<p style="font-weight: 400;">“The world,” she said. “When it became clear that time travel was even a remote possibility, the government bought a lot of scientists. Those who didn’t play got discredited.”</p>
<p style="font-weight: 400;">“Those who did lost their chance for recognition.”</p>
<p style="font-weight: 400;">“In exchange for unlimited funding and the chance to work in a brand new universe.” Ambersson smiled at him. “And they succeeded.”</p>
<p style="font-weight: 400;">“Giving miracle technology to the FBI?” He felt as if his entire world had turned around.</p>
<p style="font-weight: 400;">“Various branches of government are using it. Congress, in a closed session, decided to allow each government agency the chance to use this technology—subject to certain guidelines, of course.”</p>
<p style="font-weight: 400;">“Of course,” he muttered, feeling cold. He didn’t like the idea of the federal government having secret control of time. “How does this work?”</p>
<p style="font-weight: 400;">“Complete temporal revisitation is possible,” Ambersson said. “Interference is strictly forbidden, of course. But observation is allowed. And that’s what we’re going to do with your help.”</p>
<p style="font-weight: 400;">The case. He’d forgotten about the case. “Why’s interference illegal?”</p>
<p style="font-weight: 400;">“Because they don’t know what it does,” Kingsbury said quietly.</p>
<p style="font-weight: 400;">Ambersson shushed her, but Wheldon turned his back on the younger agent. “What do you mean?” he asked Kingsbury.</p>
<p style="font-weight: 400;">“They haven’t studied this enough. It’s new technology. We might change the current timeline or we might be creating alternate universes. No one knows and no one knows how to test it.” Kingsbury didn’t approve. He could see it in her eyes.</p>
<p style="font-weight: 400;">“That’s not entirely true,” Ambersson said. “Tests are continuing—”</p>
<p style="font-weight: 400;">“So why are you involved?” Wheldon asked Kingsbury, ignoring Ambersson.</p>
<p style="font-weight: 400;">“My theory is that it’s better to have too much information than not enough. These younger agents, they see only the possibilities. Not the dangers.”</p>
<p style="font-weight: 400;">“We know the dangers,” Ambersson said. “That’s why we insist on full clearance—”</p>
<p style="font-weight: 400;">“So why me?” Wheldon asked.</p>
<p style="font-weight: 400;">“We’ve been dealing with old cases, solved cases,” Kingsbury said, “ones where we knew the timelines to the letter—or at least we thought we did. At the moment, we’re limited in how far back we can go in time. Our system is still quite primitive, and we can only go back with certainty about five years. They tell us that will change in the near future, and then we can begin unraveling history’s mysteries.”</p>
<p style="font-weight: 400;">Her voice got even dryer. She found all of this objectionable in a way he didn’t yet understand.</p>
<p style="font-weight: 400;">“This case isn’t old,” he said.</p>
<p style="font-weight: 400;">“Precisely.” Ambersson moved so that she was beside Kingsbury. Her eyes were bright with anticipation. “We have just gotten permission to look at unsolved cases in which the timeline is clear. We have strict rules. We couldn’t pick a single case. We had to pick something ongoing that would have a positive impact if solved. You have a serial killer. We can identify him and stop him.”</p>
<p style="font-weight: 400;">“I don’t see how.” He didn’t like her certainty that the Godiva killer was a serial killer. He didn’t like assumptions at all. “We can’t prevent him from murdering Schlaffler. All we can do is watch. He’s not going to scream out his name as he does so, and we already know he left no fingerprints. If I understand you correctly, we can’t call the police to arrest him as he comes out of the building, and we can’t pluck a hair from his head to get a DNA sample.”</p>
<p style="font-weight: 400;">“We can follow him home,” Ambersson said.</p>
<p style="font-weight: 400;">“To what end?” Wheldon felt his own frustration growing. “I don’t know how things are done in the Temporal Unit of the FBI, but in the rest of this country, you need to build a solid case based on evidence—evidence that will hold up in court. You bring me a machine I can’t talk about, send me into the past to observe something I never could have seen on my own, and expect me to somehow magically prevent this slob from killing again. I think I’m better off doing this the old-fashioned way.”</p>
<p style="font-weight: 400;">He pushed past both the women and started for the door.</p>
<p style="font-weight: 400;">“Grand juries can hear Temporal cases,” Ambersson said. “Testimony is secret and the records can be sealed. You will be able to get an injunction on your eye-witness testimony alone.”</p>
<p style="font-weight: 400;">He stopped, intrigued despite himself. “Then what? Once the case goes to regular court, your little secret will be all over the news.”</p>
<p style="font-weight: 400;">Ambersson shook her head. “We picked your case very carefully, Detective. New York is one of the few states without a sunshine law. We can have the case tried behind closed doors and the record sealed.”</p>
<p style="font-weight: 400;">“Sounds like you have it all figured out,” he said. “What do you need me for?”</p>
<p style="font-weight: 400;">“It’s not our case,” said Kingsbury. “Not our jurisdiction.”</p>
<p style="font-weight: 400;">“And it’s not hard to make it your case. We clearly have a multiple killer here,” he said. “All you have to do is request jurisdiction and you’ll get it.”</p>
<p style="font-weight: 400;">Kingsbury’s smile was thin. “We’re with the Temporal Unit, Detective. We don’t solve cases. We’re trying to see if this new technology has a place in the FBI. For this to have FBI jurisdiction, we need to place other agents on this case.”</p>
<p style="font-weight: 400;">“So?” he said.</p>
<p style="font-weight: 400;">“We prefer not to.”</p>
<p style="font-weight: 400;">“Why? Because I’m easier to control?”</p>
<p style="font-weight: 400;">Ambersson bit her lower lip, but Kingsbury shook her head. “Sunshine laws,” she said. “We take on this case within the FBI, and there’s a chance that we’ll end up in federal court. We’re not ready to do that—in fact, we don’t dare risk having this technology revealed just yet—and at the moment, we’re the only division who has to use the technology in court.”</p>
<p style="font-weight: 400;">He stared at them. He didn’t want to think about the implications of what she just said. Wheldon’s head spun. “I suppose there are no laws governing the use of the time travel.”</p>
<p style="font-weight: 400;">“Only natural laws,” Kingsbury said. “Which we don’t entirely understand.”</p>
<p style="font-weight: 400;">He didn’t want to know that. He wanted to be blissfully ignorant of all the possibilities which had just opened before him. But he couldn’t ignore those possibilities in the future. Knowledge was irreversible. And he wasn’t the sort of man who forgot anything he learned.</p>
<p style="font-weight: 400;">“We need you, Detective,” Ambersson said.</p>
<p style="font-weight: 400;">Wheldon looked at Kingsbury. Now he was beginning to understand why her expression was permanently sour.</p>
<p style="font-weight: 400;">“It’s a tool,” she said.</p>
<p style="font-weight: 400;">“So was the atomic bomb,” he said.</p>
<p style="font-weight: 400;">She nodded. “There’s still a killer out there, someone smart enough to attack swiftly and leave little forensic evidence of his presence. This might be your best chance to stop him.”</p>
<p style="font-weight: 400;">It might be his only chance, but she was too polite to say that.</p>
<p style="font-weight: 400;">“All right,” he said. “I’ve been taking you on faith. Why don’t you show me how this cosmic delusion of yours really works.”</p>
<p style="font-weight: 400; text-align: center;">***</p>
<p style="font-weight: 400;">Five hours of meetings later, he was ready to go. Kingsbury would accompany him. She was along to oversee the entire case and to make certain he acted within regulations.</p>
<p style="font-weight: 400;">They tried to give him a crash course in both time travel and in the rules the Temporal Office had established. Time travel, they had discovered, only worked backwards. No one seemed to be able to go forward which one of the techs took as proof that predestination did not exist.</p>
<p style="font-weight: 400;">Another tech explained to Wheldon that, so far, they had seen no evidence that the Butterfly Theory was an actual fact. The Butterfly Theory, they’d had to explain to him, was that a change in the smallest, least consequential thing—such as stepping on a butterfly—could change the course of history.</p>
<p style="font-weight: 400;">However, they didn’t want to take any chances. Everything was planned to the exact detail, at least so far as they could know it. The technology was too new to tamper with. Perhaps taking a taxi meant for someone else might have no cosmic effect, but what happened if that taxi, which was supposed to end up in Queens, ended up in Washington Heights? And what happened if the driver, on the way back to Midtown, got stabbed by a passenger he picked up near the George Washington Bridge? Would that be sufficient to change the timeline for the rest of the world?</p>
<p style="font-weight: 400;">No one knew. And no one wanted to risk it.</p>
<p style="font-weight: 400;">There were other time travel theories that had yet to be fully tested as well. The theory of alternate universes. Some believed that each new action taken in a past timeline opened up a new universe rather than changing the past. But there was no concrete evidence on this yet either. Some travelers believed that small things were different upon their return to their timelines. Others said nothing had changed.</p>
<p style="font-weight: 400;">And then there was the thing the techs all feared the most: that a man might meet himself in the past. Some believed that would cause instant death to the person involved. Others thought it would be a curiosity and nothing more, and still others believed that such a meeting would wipe out, not only the man involved, but also everything around him. It might even, one tech said in a hushed tone, cause a rupture in the space-time continuum that couldn’t be resolved.</p>
<p style="font-weight: 400;">Wheldon didn’t like any of this. It made him wish, even more than he had wished before, that he hadn’t been called in to play in this experimental project.</p>
<p style="font-weight: 400;">But he kept thinking about Schlaffler, the way she had died, how another woman, while he dithered here, might be dying in just the same way.</p>
<p style="font-weight: 400;">So he memorized and listened, and thought about the way that crimes happened and laws were made, about the way that men like him were always behind events and never in front of them, about how his job was to pick up pieces, not repair them.</p>
<p style="font-weight: 400;">But ultimately, he was a rules and regulations man, and he did his best to understand everything the techs had told him. He would do the best job he could within the parameters they set, and he would live with the consequences, just like he always did.</p>
<p style="font-weight: 400; text-align: center;">***</p>
<p style="font-weight: 400;">The actual room was ice-cold as if it were a poorly functioning refrigeration unit. The cold had pockets and he thought he felt several different breezes coming from different directions, sources unknown.</p>
<p style="font-weight: 400;">He’d needed no special preparation, no special training. They had a copy of his latest physical on their desk, and their doctor double-checked his blood pressure and his heart rate, finding nothing out of the ordinary.</p>
<p style="font-weight: 400;">The room was large and dark, and it magnified noise in the way that a lake did on a calm, moonless night. Kingsbury helped him toward a small platform, then she clung to his arm as if she were the one traveling for the first time.</p>
<p style="font-weight: 400;">He could see the technicians who had been teaching him about this new science. They sat on the other side of the leaded glass window, preparing their calculations to send him and Kingsbury into the near-past. The techs had a wavy undefined quality, as if Wheldon were watching them through fog. He felt as if part of himself had already been displaced, sent to a future he would never completely understand.</p>
<p style="font-weight: 400;">A wave of nostalgia ran through him—not for the past, but for his naivete. He wished he had never picked up the report on Schlaffler, never met Kingsbury or Ambersson, never crossed the threshold into this cold, shifting room. But he had, and nothing could change that.</p>
<p style="font-weight: 400;">He was trapped in this place forever.</p>
<p style="font-weight: 400;">“Here we go,” Kingsbury said, tightening her grip.</p>
<p style="font-weight: 400;">And a feeling, not unlike the heady, dizzy sensation he got when he dropped off to sleep after a long and exhausting day, ran through him. The placement of the breezes seemed to move too—he felt as he were going from cold spot to warm spot to cold spot without changing his position.</p>
<p style="font-weight: 400;">He couldn’t see anything except windows before him—leaded, black tinted, they didn’t seem to change. He could no longer see the people behind them, however, and he found that unnerving.</p>
<p style="font-weight: 400;">The entire experience was unnerving. He hadn’t moved at all and yet he knew he was somewhere—somewhen—else.</p>
<p style="font-weight: 400;">“Here we are.” Kingsbury sounded breathless, as relieved as he felt.</p>
<p style="font-weight: 400;">“How do we know we’re in the right time?” he asked.</p>
<p style="font-weight: 400;">She glanced at him, her face pale and dotted with beads of sweat. Obviously this mode of travel wasn’t one a person got used to. She pointed over his head. He turned.</p>
<p style="font-weight: 400;">A clock, with the time and date in large digital numbers, was attached to the wall over his head. He hadn’t noticed it before, but then when he had entered the room, he hadn’t looked.</p>
<p style="font-weight: 400;">The clock, with its date two weeks in the past, made him feel even more disoriented. Part of him believed, however, that they were playing some sort of trick on him—see how the stupid detective would react in a darkened room, after being told he was a rat in a maze.</p>
<p style="font-weight: 400;">“Let’s go,” Kingsbury said.</p>
<p style="font-weight: 400;">“What about the techs?” he asked.</p>
<p style="font-weight: 400;">“We’re not to talk to them. They don’t know what’s going on.”</p>
<p style="font-weight: 400;">“But they’ve seen us.”</p>
<p style="font-weight: 400;">“Perhaps,” she said. “It’s the only real risk we’re supposed to take.”</p>
<p style="font-weight: 400;">She continued to hold his arm, using it to pull him out of the room. The bright lights and clean lines of the hallway made him woozy. He stopped, put a hand on the cool concrete wall and took a deep breath.</p>
<p style="font-weight: 400;">“Nauseous?” she asked.</p>
<p style="font-weight: 400;">He hadn’t been nauseous since he was a rookie, but this feeling was close. “Dizzy.”</p>
<p style="font-weight: 400;">“It’s normal. It’ll pass.” She stood, no longer touching him, not even patting his back. She just waited.</p>
<p style="font-weight: 400;">“Don’t we have a timeline?” he asked.</p>
<p style="font-weight: 400;">“This is built-in.” Her voice was flat. She continued to wait.</p>
<p style="font-weight: 400;">It took a moment for him to accept the solidity of his surroundings. As the wooziness passed, he realized he hadn’t been in this hallway before. He wondered if it were specifically designed for travelers coming from the future so that they wouldn’t run into the busy young agents who populated the Temporal Offices.</p>
<p style="font-weight: 400;">“All right,” he said.</p>
<p style="font-weight: 400;">Kingsbury let out a sigh, revealing her impatience for the very first time. Then she led him down the hallway to a stairwell.</p>
<p style="font-weight: 400;">It smelled damp and old, the concrete flaking. He could hear cars honking above him, shouts on the street, the sounds of New York on an average day. Yet he couldn’t remember what kind of day it had been—rainy, sunny, cold or warm. He could remember Schlaffler’s apartment and the body, sprawled on the hard wood, but he couldn’t remember the weather or what he’d had for lunch or what kind of casual conversations he’d had.</p>
<p style="font-weight: 400;">Was his life that unimportant that he couldn’t recall it two weeks later? Had he allowed his work to so consume him that it was the only thing that mattered to him, the only thing he remembered?</p>
<p style="font-weight: 400;">Kingsbury pushed open a steel door, and stepped outside. Thin sunlight came through the canyons between the buildings. The air had a slight chill.</p>
<p style="font-weight: 400;">The street sounds seemed louder here, yet less real, as if the pale light diminished them somehow. Or maybe it was his knowledge that this day was two weeks dead, a mere shadow of its former self, only a memory—yet one they could walk through.</p>
<p style="font-weight: 400;">“Come on,” Kingsbury said. She waited for a break in traffic, then hurried across the street.</p>
<p style="font-weight: 400;">Wheldon followed, being just as careful, the instructions he had received sticking with him. Anything—a fender bender, a missed appointment—had potential significance. He had to be cautious of his every move.</p>
<p style="font-weight: 400;">Kingsbury waited for him on the corner, near the subway stop. He joined her, and they went down the stairs together. The air smelled of exhaust, and he could hear the rumble of the trains. Everything felt real. Only those first few moments in this time period had reminded him that he was from a not-so-distant future, and what he had felt in those moments might have been caused by his imagination, by what he believed might happen.</p>
<p style="font-weight: 400;">Kingsbury paid their way in with tokens, then led him to the right train. She glanced at her watch. “Now we have to be precise.”</p>
<p style="font-weight: 400;">“Why now?” he asked.</p>
<p style="font-weight: 400;">“Some of our guys were here before, making sure we have a nearly empty car.”</p>
<p style="font-weight: 400;">Kingsbury glanced at her watch. People joined them on the platform as the first train arrived, but she didn’t let him enter it. They stood with a handful of others, waiting for a different train.</p>
<p style="font-weight: 400;">The others were long gone by the time the second train arrived. She counted five cars from the wall, then stepped inside. He stood beside her and was about to sit down when she stopped him.</p>
<p style="font-weight: 400;">“We’ll stand,” she said.</p>
<p style="font-weight: 400;">Five others entered around them and took the available chairs. But, as she had predicted, the car was nearly empty when the train pulled out.</p>
<p style="font-weight: 400;">According to Kingsbury’s watch, they were almost two hours early. He had no idea what they would do in the intervening time. As the train clacked down the tracks, he tried to remember where his other self—his younger self as the FBI called it—was at this moment.</p>
<p style="font-weight: 400;">When the call had come in, he had just come back from dinner—a knish from a stand across the way. He remembered that not because the meal was particularly good, but because it had formed a lump in his stomach when he saw Schlaffler’s body, one that stayed with him all night, and made him swear off knishes for the next two weeks.</p>
<p style="font-weight: 400;">Before that, he had been writing the final report on a rape/homicide in Central Park, and before that, he’d been overseeing a line-up in an incredibly brutal murder of a bodega clerk.</p>
<p style="font-weight: 400;">His younger self had to be witnessing the line-up, completely oblivious to his future, happening simultaneously.</p>
<p style="font-weight: 400;">Kingsbury clung to the overhead bar and stared at the windows, even though all that was visible through them was darkness. She seemed to be the only one in the Temporal Office who had an inkling about the kind of power the government now had. Or perhaps she was the only one who was disturbed by it.</p>
<p style="font-weight: 400;">Wheldon was glad she was traveling with him and not Ambersson.</p>
<p style="font-weight: 400;">The train was slowing down.</p>
<p style="font-weight: 400;">“This is our stop,” Kingsbury said.</p>
<p style="font-weight: 400;">He braced himself, paying attention, suddenly, to the people around him. He had no real idea who he was looking for, who the perp was. He guessed—because the statistics were on his side—that the perp was a man, but he wasn’t even certain of that. Anyone on this train could be the killer. Anyone with enough anger and a willingness to use a knife.</p>
<p style="font-weight: 400;">The train stopped and the doors opened. Wheldon followed Kingsbury onto the platform. The enclosed smell of oil, grease and exhaust seemed even more intense here. People swirled around him, intent on finding the exits.</p>
<p style="font-weight: 400;">“Now what?” he asked. They were still early.</p>
<p style="font-weight: 400;">“We wait.” She led him to a metal bench and they sat. She took out her handheld and tried to be inconspicuous. He watched people, as he usually did when he was waiting for something.</p>
<p style="font-weight: 400;">The subways hadn’t changed during his entire life nor had the people who rode them. All income levels, all attitudes. Only the fashions shifted and the items that people carried. When he’d been a boy, there had been newspapers and books and magazines under people’s arms. Now everyone had their handhelds. Newsstands were long gone, replaced by food and beverage vendors selling anything prepackaged, from chips and candy bars to cola and iced coffee.</p>
<p style="font-weight: 400;">He’d never really thought about the past and the present before, how they flowed into each other, merged and mingled and became something else, something that differed from day to day.</p>
<p style="font-weight: 400;">Occasionally, Kingsbury would look up from her handheld to inspect the platform as if it had somehow changed, and then went back to her absorption. Her screen, shaded so that no one looking over her shoulder could read it, hadn’t shifted since she sat down. He knew her study of the machine was all an act.</p>
<p style="font-weight: 400;">At 6:32, just like he’d had in his report, Schlaffler’s train stopped. Kingsbury didn’t even look up. Only Wheldon watched the passengers disembark.</p>
<p style="font-weight: 400;">The train had been crowded, people packed together so tightly that they stumbled out of the exit instead of stepping easily. It took him a moment to see Schlaffler. She was wearing the same clothes she died in—the tweed jacket with matching skirt and sensible shoes—but the colors were different, lighter, prettier, without the deep dark stains caused by her blood.</p>
<p style="font-weight: 400;">Her hair was falling out of its neat bun and her shoulders slumped as she moved forward—showing either exhaustion or depression, he couldn’t tell which from this distance. No one seemed to be following her, but he couldn’t be certain of that.</p>
<p style="font-weight: 400;">He tapped Kingsbury slightly and they both stood. To anyone watching it would seem as if they were getting ready for their train or they were meeting someone. Kingsbury slipped her handheld in her pocket and took his arm, turning her face toward his as if they were having a conversation. He put his hand over hers in a manner that would look protective, and then followed Schlaffler toward the exit.</p>
<p style="font-weight: 400;">She stopped at the food stand. Her hand hovered over the chocolate bars, then she shook her head and walked on. The movement made the knot in his stomach return. The man who was going to kill her was carrying chocolate, but he wouldn’t give it to her.</p>
<p style="font-weight: 400;">He would give it to her roommate.</p>
<p style="font-weight: 400;">Wheldon wanted to warn her, to turn her away from her home, but he had been cautioned against that. It might not do any good—the perp might kill her elsewhere—or it might succeed, and then he would have altered the past in an unacceptable manner.</p>
<p style="font-weight: 400;">His shoulders tightened. Never before had he had this kind of advance knowledge and it made him nervous. Even when he conducted stings, he had the belief—the hope—that the potential victims would get out alive.</p>
<p style="font-weight: 400;">He shuddered. He was watching a dead woman walk.</p>
<p style="font-weight: 400;">Kingsbury’s grip tightened on his arm. She gazed up at him, her expression intense. Wheldon nodded once—he understood the rules—and then he concentrated on Schlaffler.</p>
<p style="font-weight: 400;">They followed her at a discreet distance, always able to keep her in sight. No one else seemed to be behind her. She took the stairs out of the subway slowly, as if each one were a burden. Her head was down, her hair covering her face.</p>
<p style="font-weight: 400;">Depression, he thought again. Or intense sadness. Maybe even loneliness. He could feel it radiating off her, part of her body language, the listless way she moved.</p>
<p style="font-weight: 400;">At the top of the stairs, she bumped into a young man. His face flushed, and Wheldon could feel Kingsbury stiffen beside him. The young man cursed at Schlaffler, then continued down the stairs. He jumped the turnstile, and disappeared on the platform.</p>
<p style="font-weight: 400;">Kingsbury did not relax.</p>
<p style="font-weight: 400;">They reached the top of the stairs. Schlaffler was standing in front of a sidewalk flower vendor, staring at the hothouse roses. She leaned toward one, sniffed, and shook her head.</p>
<p style="font-weight: 400;">“They had more of a smell when I was a child,” she said to the vendor. Her voice was deep and rich. It startled Wheldon. He’d imagined her to have a voice as listless as her body language.</p>
<p style="font-weight: 400;">“You gonna buy one, lady, or not?” the vendor asked.</p>
<p style="font-weight: 400;">She leaned back as if the vendor’s harshness startled her, then shook her head, a small apologetic smile on her face. Then she continued to walk toward her building, head down, shoulders hunched even more.</p>
<p style="font-weight: 400;">“Damn,” Kingsbury whispered.</p>
<p style="font-weight: 400;">Wheldon glanced at her.</p>
<p style="font-weight: 400;">She shrugged. “I didn’t need to see this.”</p>
<p style="font-weight: 400;">He understood. A lot of the work he did forced him to reconstruct a victim’s life. But he had never ever seen a victim walk before, interact with the world around her, or breathe.</p>
<p style="font-weight: 400;">Schlaffler was letting herself into the building now.</p>
<p style="font-weight: 400;">“What time is it?” he asked Kingsbury.</p>
<p style="font-weight: 400;">“Six-thirty-six,” she said. “You’re good.”</p>
<p style="font-weight: 400;">He nodded, not feeling as if he’d accomplished anything. No one was following Schlaffler except them. No one seemed to be watching her except them. A chill ran down his spine. What had he missed?</p>
<p style="font-weight: 400;">The door was swinging shut. He bounded up the stairs and caught it just before it closed, holding it open for Kingsbury. As they stepped into the building’s foyer, the elevator doors closed across from them. They’d missed the opportunity to ride with Schlaffler.</p>
<p style="font-weight: 400;">He cursed and ran for the stairs. Kingsbury followed. They took the steps two at a time, hurrying up several flights. If he pushed, Wheldon knew he would arrive before the elevator did. It was nearly a hundred years old and very slow.</p>
<p style="font-weight: 400;">He shoved the door open on the sixth floor. The hallway was empty, the elevator’s doors closed.</p>
<p style="font-weight: 400;">Schlaffler hadn’t arrived yet.</p>
<p style="font-weight: 400;">Kingsbury stepped out beside him. “We need a good spot to watch.”</p>
<p style="font-weight: 400;">“Already picked out.” Wheldon moved her toward the corner where the hallway turned, and they leaned against the wall, arms around each other, as if they were waiting for a friend to come home and let them in.</p>
<p style="font-weight: 400;">They weren’t visible from the elevator or Schlaffler’s apartment unless someone was looking for them. But their view of her apartment door was clear.</p>
<p style="font-weight: 400;">The elevator opened and Schlaffler got out, adjusting her purse strap as if she were trying to pull the purse closer to her body. She looked even more uncomfortable than she had outside.</p>
<p style="font-weight: 400;">Wheldon tensed. He couldn’t see what had upset her, and he didn’t dare move closer.</p>
<p style="font-weight: 400;">Schlaffler made her way to her apartment. No one was behind her.</p>
<p style="font-weight: 400;">“What is this?” Kingsbury whispered.</p>
<p style="font-weight: 400;">Then, just as the elevator doors closed, a hand slid between them and grasped the left door. The doors held for a moment, then slipped open. A man peeled himself off the elevator’s side wall and hurried into the hallway.</p>
<p style="font-weight: 400;">He fit the profile: slender, white, rather plain. But he was younger than Wheldon expected, and his eyes were cold. His hands were stuffed in the pocket of his coat, and Wheldon thought he could see the shape of a box and a knife.</p>
<p style="font-weight: 400;">Wheldon’s heartbeat increased. He had to clamp his lips together to keep from shouting a warning.</p>
<p style="font-weight: 400;">Schlaffler stood in front of her door, fumbling with the locks. She’d managed the lower deadbolt, but the upper was giving her trouble.</p>
<p style="font-weight: 400;">The perp walked down the hall, his shoes not making a sound. He slipped behind her as she turned the second lock.</p>
<p style="font-weight: 400;">Kingsbury’s fingers bit into Wheldon’s arm. He could feel how nervous she was.</p>
<p style="font-weight: 400;">Schlaffler shoved her door open, and the perp was on her, one hand over her mouth, the other slipping the knife into her back. She made a single, startled cry, muffled by his hand, and then disappeared into the apartment.</p>
<p style="font-weight: 400;">Wheldon cursed and ran forward, Kingsbury clutching at him. He reached the apartment as the perp pulled the knife out for the second time.</p>
<p style="font-weight: 400;">Wheldon grabbed the man, yanked him off Schlaffler, and tossed him into the hallway. The man hit the wall and slid down it.</p>
<p style="font-weight: 400;">Kingsbury was shouting at Wheldon to stop when a woman pulled open a door, and Wheldon yelled at her to call 911.</p>
<p style="font-weight: 400;">The perp got to his feet. Wheldon turned, unable to reach him. The perp started to run, but Wheldon tripped him. The perp went sprawling, the knife skittering from his hand. Wheldon pulled out his gun and aimed it at the back of the perp’s head.</p>
<p style="font-weight: 400;">“Move and I’ll shoot, you piece of shit,” he said.</p>
<p style="font-weight: 400;">Kingsbury came up beside him. She was shaking. “What are you doing? You have to let him go.”</p>
<p style="font-weight: 400;">“It’s too late,” he said.</p>
<p style="font-weight: 400;">The perp moved. Wheldon shoved the gun against his skull.</p>
<p style="font-weight: 400;">“Make sure Schlaffler is okay, and make sure someone called 911.”</p>
<p style="font-weight: 400;">“No,” Kingsbury said. “We’ve already made a mess of this.”</p>
<p style="font-weight: 400;">“And I’ll make a worse mess if you don’t help me out.”</p>
<p style="font-weight: 400;">Another door opened. Wheldon couldn’t see the person behind it.</p>
<p style="font-weight: 400;">“It’s all right,” he said to the person who opened the door. “We’re cops. Call 911.”</p>
<p style="font-weight: 400;">The perp’s hand was inching forward, toward the knife. Wheldon knelt, shoving his knee into the perp’s back.</p>
<p style="font-weight: 400;">Something made a cracking noise. He hoped it was the perp’s spine.</p>
<p style="font-weight: 400;">“They’re on the way!” a man’s voice yelled.</p>
<p style="font-weight: 400;">The elevator doors opened again. A woman stood inside, clutching her hands together. When she saw the people on the floor, she leaned back in the elevator, and let the doors close.</p>
<p style="font-weight: 400;">The ex-wife. Apparently, she had arrived a little later than the neighbor had initially claimed.</p>
<p style="font-weight: 400;">Kingsbury bent over the perp and shoved at him with her foot. “Who are you, asshole?”</p>
<p style="font-weight: 400;">The perp closed his eyes. She shoved at him harder.</p>
<p style="font-weight: 400;">“Answer me.”</p>
<p style="font-weight: 400;">The perp squirmed beneath Wheldon. So much for the broken back. “I’d answer her, buddy.”</p>
<p style="font-weight: 400;">The perp inched his hand forward. In a minute, he would reach the knife.</p>
<p style="font-weight: 400;">Wheldon shoved the gun harder against the perp’s head. Kingsbury kicked the knife farther down the hall, and then she stomped on the perp’s hand. “You gonna talk to me?”</p>
<p style="font-weight: 400;">He squinched his eyes tightly closed, and then his mouth for good measure.</p>
<p style="font-weight: 400;">“Asshole,” she said again and moved out of Wheldon’s line of sight. After a moment, he heard her crooning, telling someone she’d be all right. A deep rich voice, filled with pain, answered, and Wheldon’s shoulders relaxed. Schlaffler was alive then. He hadn’t taken this risk in vain.</p>
<p style="font-weight: 400;">His knee was getting sore and his shoulder ached from the pressure of pushing the gun against the perp’s head. It seemed to take forever before he heard sirens below, and knew that his relief had arrived.</p>
<p style="font-weight: 400;">The paramedics came up first, taking the stairs. Wheldon waved them toward Schlaffler, and they disappeared into the apartment.</p>
<p style="font-weight: 400;">Then the elevator doors opened. The roommate had arrived. It must have been 7:20.</p>
<p style="font-weight: 400;">She looked terrified. Someone told her to remain at that end of the hall. Her gaze kept going to the open apartment door.</p>
<p style="font-weight: 400;">Finally the cops arrived. They cuffed the perp, then covered him as Wheldon moved away. He flashed his badge at them, but Kingsbury covered for him, telling them she was FBI and this was a planned sting.</p>
<p style="font-weight: 400;">She told them to book the perp and she’d meet them at the precinct. She waited until they took the perp down the stairs before pulling Wheldon aside.</p>
<p style="font-weight: 400;">“You made one hell of a mess of this,” she whispered. “We’ve got to figure out what to do now and how to make sure this guy gets charged with a crime. The problem is that there’s two of me and two of you in this timeline and things are about to get very confusing.”</p>
<p style="font-weight: 400;">“No, they aren’t,” he said. “Your younger self is going to take care of this.”</p>
<p style="font-weight: 400;">“How?” she said. “She doesn’t even know about you or this case.”</p>
<p style="font-weight: 400;">He nodded. “Give me something of yours, something she’ll recognize. I’ll go to her and explain. She’s with the Temporal Unit. She’ll understand.”</p>
<p style="font-weight: 400;">“No, she won’t.” Her voice was calm. “I never thought I’d break the rules. She won’t believe you.”</p>
<p style="font-weight: 400;">“Really?” he asked. “You never thought of this? Never wondered how hard it would be to just observe?”</p>
<p style="font-weight: 400;">She looked away. “No.”</p>
<p style="font-weight: 400;">He didn’t believe her. “Then why did I hear your footsteps behind me when I ran to stop the murder?”</p>
<p style="font-weight: 400;">She didn’t say anything, and that surprised him. He expected her to lie, to say she was trying to stop him. But she could have stopped him easily. She had ahold of his arm when the attack began. She could have held him back.</p>
<p style="font-weight: 400;">Instead, he had felt her fingers slipping away, maybe even felt a slight nudge from her body, propelling him forward, making him act in her stead.</p>
<p style="font-weight: 400;">Maybe that was why she had picked him. Not because this was his case, but because she could trust him to break the rules. She had studied him after all. She had gotten him the clearance. She knew how much he cared about the victims after they died. Did she think he’d stop caring just because they were alive?</p>
<p style="font-weight: 400;">And then his eyes narrowed. Of course she hadn’t. She knew him. They all knew him.</p>
<p style="font-weight: 400;">“You set me up,” he said.</p>
<p style="font-weight: 400;">Kingsbury raised her gaze to his.</p>
<p style="font-weight: 400;">“What the hell is going on?” he said.</p>
<p style="font-weight: 400;">She shrugged, looking remarkably calm, considering what had just happened. “You didn’t understand the mission. You acted without thinking, saving the woman. And I couldn’t stop you, so now we have to deal with the consequences.”</p>
<p style="font-weight: 400;">“What?” he breathed. He had never misunderstood a mission in his life.</p>
<p style="font-weight: 400;">“Fortunately, you’ll be fine. We brought you in from outside, and we’ll never make that mistake again.” Then she grinned. “At least, that’s what we would have told the folks who administer the new technology if they knew what you’d done.”</p>
<p style="font-weight: 400;">“What?” he asked.</p>
<p style="font-weight: 400;">“At least,” Kingsbury said, “we now know what happens when someone takes an action in the past. I’ll be able to brief the entire unit when we get back. Unofficially, of course.”</p>
<p style="font-weight: 400;">People stood in the hallway, watching them, staring at the open apartment door. A couple of cops surrounded the roommate, interviewing her.</p>
<p style="font-weight: 400;">His shock was turning into anger. “You risked my life.”</p>
<p style="font-weight: 400;">“Not really,” she said. “We figured one of two things would happen. Either you would push him out of the way and we’d both vanish, going back to a brand new present with no knowledge of what we had done, or we’d be standing here, discussing how we changed things.”</p>
<p style="font-weight: 400;">“You used me.”</p>
<p style="font-weight: 400;">“Yeah?”</p>
<p style="font-weight: 400;">“Why the hell couldn’t you have done this yourself?”</p>
<p style="font-weight: 400;">Her smile was guileless. “It’s against regulations. They’d have taken the technology away from us if things hadn’t gone as we’d planned. We would have had to blame you. But we were lucky. As it stands right now, they’ll never know. Only you and I know what we did. Schlaffler’s still dead in our timeline. We saw a few things, but we didn’t get the perp’s name. And that’s all that happened.”</p>
<p style="font-weight: 400;">He looked down the hall at the open apartment door. He’d thrown the perp against the wall. He’d felt the man’s back beneath his knee. He’d heard Schlaffler speak after the attack.</p>
<p style="font-weight: 400;">“I did all this for nothing?” he asked.</p>
<p style="font-weight: 400;">Kingsbury shook her head. “She’s fine in this timeline. We have him. You probably saved several lives, not just hers. The problem is that we didn’t get his name. We don’t know who this guy is. Once we get back to our own timeline, we’re screwed.”</p>
<p style="font-weight: 400;">“Maybe,” he said softly.</p>
<p style="font-weight: 400;">She frowned at him. “What?”</p>
<p style="font-weight: 400;">He stared at the scene. In his mind’s eye, he could still see the perp, peeling himself off the side wall. The hand, catching the doors as they split apart, the fingers grabbing the edge.</p>
<p style="font-weight: 400;">He said. “We can make a case.”</p>
<p style="font-weight: 400;">“Against whom?”</p>
<p style="font-weight: 400;">He smiled. He was already imagining it. The prints removed from the elevator door, the sketch artist drawing the perp’s face, the legwork—going to various Godiva stores in New York, canvassing the neighbors.</p>
<p style="font-weight: 400;">Because Wheldon had seen enough to know this perp had staked out the building. The perp knew what time Schlaffler got home. He probably knew when the roommate arrived. Wheldon would wager the perp knew everything about both women.</p>
<p style="font-weight: 400;">Only he hadn’t been interested in Schlaffler. He’d been targeting the roommate, planning to free her from the person who weighed her down. That was why he cleaned up the room, added the chocolates, made the place more inviting.</p>
<p style="font-weight: 400;">Wheldon could catch this guy easily now, using old-fashioned police methods, building an old-fashioned case that would stick.</p>
<p style="font-weight: 400;">“You gonna tell me how we’ll have a case?” Kingsbury said.</p>
<p style="font-weight: 400;">“I’ll tell you after I send your younger self to the precinct,” he said. “I want a little more time to think about this.”</p>
<p style="font-weight: 400;">The roommate was wiping tears away from her eyes. The cops were still talking with her. The neighbors had inched closer, watching everything.</p>
<p style="font-weight: 400;">Kingsbury hadn’t moved. She was looking at the apartment door too.</p>
<p style="font-weight: 400;">“I wonder why she was so sad,” Kingsbury said softly.</p>
<p style="font-weight: 400;">It took him a moment to realize that she meant Schlaffler. From Schlaffler’s perspective, her day had gotten even worse—arriving home to be stabbed by a crazy man waiting in an elevator.</p>
<p style="font-weight: 400;">She would never know how close she came to being another statistic, how the fine spray of blood on her apartment wall would have become a spurt that dripped rivers into the baseboard if Wheldon hadn’t been there.</p>
<p style="font-weight: 400;">She would never know that in another universe, she had died.</p>
<p style="font-weight: 400;">Wheldon had saved a life.</p>
<p style="font-weight: 400;">He had never done that before, at least, not directly. By pulling the perp off her, he had saved a number of lives—not just in this new universe, but in his as well. Because Kingsbury had brought him back here, Wheldon would be able to make sure this perp would never kill again.</p>
<p style="font-weight: 400;">And that pleased him. Even though he was annoyed at being used, he didn’t mind that the blood trail had led him here, to this moment.</p>
<p style="font-weight: 400;">To this odd, but somehow satisfying, point in time.</p>
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<p style="text-align: center;"><em>Blood Trail</em></p>
<p style="text-align: center;"><em>Copyright © by Kristine Kathryn Rusch Published by WMG Publishing</em><br />
<em>Cover and layout copyright © by WMG Publishing Cover design by WMG Publishing</em><br />
<em>Cover art copyright © rolffimages/DepositPhotos</em></p>
<p style="text-align: center;"><em>This book is licensed for your personal enjoyment only. All rights reserved. This is a work of !ction. All characters and events portrayed in this book are !ctional, and any resemblance to real people or incidents is purely coincidental. This book, or parts thereof, may not be reproduced in any form without permission.</em></p>
<p style="text-align: center;"><em>Any use of this publication to train generative arti!cial intelligence (“AI”) technologies is expressly prohibited. The author and publisher reserve all rights to license uses of this work for generative AI training and development of machine learning language models.</em></p>
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		<title>Recommended Reading List: May 2026</title>
		<link>https://kriswrites.com/2026/06/12/recommended-reading-list-may-2026/</link>
					<comments>https://kriswrites.com/2026/06/12/recommended-reading-list-may-2026/#respond</comments>
		
		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Fri, 12 Jun 2026 13:37:17 +0000</pubDate>
				<category><![CDATA[free nonfiction]]></category>
		<category><![CDATA[Middle Grade/Young Adult]]></category>
		<category><![CDATA[Mysteries]]></category>
		<category><![CDATA[Recommended Reading]]></category>
		<category><![CDATA[Romances]]></category>
		<category><![CDATA[Spy Fiction]]></category>
		<category><![CDATA[Time Travel]]></category>
		<category><![CDATA[Ally Carter]]></category>
		<category><![CDATA[Ann Aptaker]]></category>
		<category><![CDATA[Craig Francis Coates]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[Don Winslow]]></category>
		<category><![CDATA[Ivy Pochoda]]></category>
		<category><![CDATA[Julie McElwain]]></category>
		<category><![CDATA[Kelley Armstrong]]></category>
		<category><![CDATA[Mary Balogh]]></category>
		<category><![CDATA[noir]]></category>
		<category><![CDATA[Patreon]]></category>
		<category><![CDATA[Regency romance]]></category>
		<category><![CDATA[Rockton Series]]></category>
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		<category><![CDATA[Stephanie Leder]]></category>
		<category><![CDATA[time travel fiction]]></category>
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					<description><![CDATA[With school over (as of the first week of May), I have more time to read. I occasionally binged a novel. I&#8217;ve had some down days as the chronic health issues flared and on one lovely day, I read two entire novels, something I hadn&#8217;t done since the damn dental surgeries of 2023. It was [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><em>With school over (as of the first week of May), I have more time to read. I occasionally binged a novel. I&#8217;ve had some down days as the chronic health issues flared and on one lovely day, I read two entire novels, something I hadn&#8217;t done since the damn dental surgeries of 2023. It was fun to read like that again. One of the novels I read that day would not have lent itself to a longer read. It would have been confusing. </em></p>
<p><em>Around Memorial Day, I read a novel that had been released the Tuesday before from a favorite Big Name Writer of mine. The novel was good enough to hold my interest, although I found myself scanning. I took an evening off to finish it&#8230;and wow, did I get mad. He skipped the validation entirely. Just ended it with Our Hero talking to a reporter, a scenario that would have worked in the 1990s, but in 2026, in the Dumpster Fire Era? No. Fake news abounds, and what would have been a career-ending scandal would be just a day in the office now. So I turned the page&#8230;and there was no more book. Extremely irritating, so badly irritating that it took me almost a day to recover. Yeah, sometimes I take the reading personally, especially when I don&#8217;t have as much time for it as I used to.</em></p>
<p><em>(Note: I wrote a <a href="https://www.patreon.com/posts/122954907" target="_blank" rel="noopener">post on the importance of endings on my Patreon page</a>. That post became a chapter in my upcoming book, </em><a href="https://wmgbooks.com/products/the-write-attitude-second-edition?_su_rec=I2Qh59YIwIaytH0hqs7F44V4yyVB_ONSLR9TIL2cxoMk-5Wug6gylEavum-486AgFR74I-ytuEgISmlh1_inFOF6b87Hy0xfgF6FRypyldw7VRkfwq2dp0XEUNNWsT495u8uaJrMmzC2QuZ-xUxMJmkTB-pVByu0Yb_AkDph-eJCldbu1vyMyfHnw1t9_oZCdtP0GFbHiP399eiux9gDRqs3uOv4LhSm_-qMHHSmMwU6P-TokZDTyfzhl703cEp94oXd-WoHTS4ooX0bKX0&amp;_su_rec_id=7c5216aa-bbea-46c4-b13b-0bb4fe25c416-1781128654" target="_blank" rel="noopener">The Write Attitude.</a>)</p>
<p><em>But, he&#8217;s an Old Reliable, for me anyway, and I&#8217;ll pick up the next book. It would take maybe half a dozen misses for me to let him go as a go-to author. This was unusually cursory and incomplete for him, which was weird. Probably something happening in his life that took focus away from the novel. Sigh.</em></p>
<p><em>I also binged</em> the Best American Mystery and Suspense stories<em>, but I wrote it up a month later. So I&#8217;m only letting you know which stories stuck with me. Let me say this: Titles are important, folks. If the title didn&#8217;t remind me, I had to look at the opening—and sometimes that didn&#8217;t remind me either. So, writers, make sure your titles fit your stories. I can&#8217;t say too much about the stories I liked because that will ruin them—which is actually a compliment.</em></p>
<p><em>As for my reading during the rest of the month, I&#8217;ve enjoyed what I&#8217;m seeing. I&#8217;ve shared what I like below.</em></p>
<h1 style="text-align: center;">May 2026</h1>
<p><strong>Aptaker, Ann, </strong>&#8220;Neon Women,&#8221; <em><a href="https://books2read.com/u/bpBwpE" target="_blank" rel="noopener">The Best American Mystery and Suspense 2025</a>,</em> edited by Don Winslow, Mariner, 2025. Originally written for an anthology of crime stories set in the 1970s, this story captures a lost Times Square and a lost kind of personality. Vivid, startling, and well done.</p>
<p><strong><a href="https://books2read.com/u/388QdL" target="_blank" rel="noopener"><img decoding="async" class="alignleft size-large wp-image-37667" src="https://kriswrites.com/wp-content/uploads/2026/06/91RxuyKvjYL._SL1500_-195x300.jpg" alt="" width="195" height="300" srcset="https://kriswrites.com/wp-content/uploads/2026/06/91RxuyKvjYL._SL1500_-195x300.jpg 195w, https://kriswrites.com/wp-content/uploads/2026/06/91RxuyKvjYL._SL1500_-768x1179.jpg 768w, https://kriswrites.com/wp-content/uploads/2026/06/91RxuyKvjYL._SL1500_.jpg 977w" sizes="(max-width: 195px) 100vw, 195px" /></a>Armstrong, Kelley, </strong><a href="https://books2read.com/u/388QdL" target="_blank" rel="noopener"><em>The Deepest of Secrets,</em></a> Minotaur, 2022. This is the final book in the Rockton series, but not the final book in Kelley Armstrong Casey Duncan Series. Yes, it can be confusing. <a href="https://www.patreon.com/posts/series-series-159158726" target="_blank" rel="noopener">I wrote a post on my Patreon Page about excellent series</a>, and discussed the courageous stuff that Kelley Armstrong is pulling off even though these books are traditionally published. I&#8217;m not going to tell you much about this book because it will spoil the <em>series</em> if I do. Just suffice to say I&#8217;m impressed as hell.</p>
<p><strong><a href="https://books2read.com/u/bz0edn" target="_blank" rel="noopener"><img decoding="async" class="alignright size-large wp-image-37666" src="https://kriswrites.com/wp-content/uploads/2026/06/A1HKalv0K4L._SL1500_-195x300.jpg" alt="" width="195" height="300" srcset="https://kriswrites.com/wp-content/uploads/2026/06/A1HKalv0K4L._SL1500_-195x300.jpg 195w, https://kriswrites.com/wp-content/uploads/2026/06/A1HKalv0K4L._SL1500_-768x1179.jpg 768w, https://kriswrites.com/wp-content/uploads/2026/06/A1HKalv0K4L._SL1500_.jpg 977w" sizes="(max-width: 195px) 100vw, 195px" /></a>Armstrong, Kelley, </strong><a href="https://books2read.com/u/bz0edn" target="_blank" rel="noopener"><em>A Stranger in Town,</em></a> Minotaur, 2021.  I&#8217;ve spent May plowing through Kelley Armstrong&#8217;s Rockton series. She&#8217;s pulling off an amazing reader trick, at least for me. She makes me read books in a setting I would never travel to and I can suspend my disbelief at some of the circumstances so quickly that I&#8217;m deep in the story before I even know what&#8217;s happening next. This particular tale focuses on the title–a stranger in a place that strangers can&#8217;t even find. And of course, there&#8217;s a murder and the overall plot is quite dicey and oh, my&#8230;if I say more I ruin it. Read this series, and <a href="https://kriswrites.com/2026/01/02/recommended-reading-list-december-2025/" target="_blank" rel="noopener">start with </a><em>City of the Lost.</em></p>
<p><strong>Balogh, Mary,</strong> <em><a href="https://mybook.to/lR4X" target="_blank" rel="noopener">Remember That Day</a>,</em> Berkeley, 2026. Normally, I would put Mary Balogh&#8217;s cover here, but no. Nope. No. Not doing it. We actually made fun of the cover at Writer&#8217;s Lunch in February. The cover is so awful that it looks like it was designed by a beginning cover artist. And the &#8220;hero&#8221;&#8216;s eyes are looking down her low-cut (for Regency) dress. Not kidding. So no cover picture. You can look it up yourself.</p>
<p>The book itself is <em>wonderful</em> and a masterful feat of storytelling. She brings two of her series together here, and her series always have dozens of characters. The romance is good and the story feels original. I wrote a longer piece about this <a href="https://www.patreon.com/posts/series-series-159158726" target="_blank" rel="noopener">on my Patreon Page</a>. I started a series about writing series, and cited this book as a master work (with some analysis). <a href="https://www.patreon.com/posts/series-series-159158726" target="_blank" rel="noopener">So check it out!</a></p>
<p><strong><a href="https://books2read.com/u/m0jxEM" target="_blank" rel="noopener"><img loading="lazy" decoding="async" class="alignleft size-large wp-image-37632" src="https://kriswrites.com/wp-content/uploads/2026/06/9781423148081_p0_v7_s1200x1200-200x300.jpg" alt="" width="200" height="300" srcset="https://kriswrites.com/wp-content/uploads/2026/06/9781423148081_p0_v7_s1200x1200-200x300.jpg 200w, https://kriswrites.com/wp-content/uploads/2026/06/9781423148081_p0_v7_s1200x1200-400x600.jpg 400w, https://kriswrites.com/wp-content/uploads/2026/06/9781423148081_p0_v7_s1200x1200.jpg 466w" sizes="auto, (max-width: 200px) 100vw, 200px" /></a>Carter, Ally, </strong><a href="https://books2read.com/u/m0jxEM" target="_blank" rel="noopener"><em>Out of Sight, Out of Time</em></a><strong>, </strong>Little, Brown, 2016 edition of a 2012 book. This is book five of the Gallagher Girls series. It was unputdownable for me, but if you&#8217;re new to the series, start with book one. All of the tension here, at least at the beginning, comes from previous books. Then the book itself adds even more tension. Cammie, our heroine, has lost her memory over the summer, and since she is in the middle of a terrible crisis, the memory loss is a bigger deal than usual. Plus, someone important is in a coma, and the school has other problems and maybe we&#8217;re going to learn something about Dad and&#8230;Yeah. Just start the series and catch up. You&#8217;ll be happy you did.</p>
<p><strong>Coates, Craig Francis,</strong> &#8220;Grendel,&#8221; <em><a href="https://books2read.com/u/bpBwpE" target="_blank" rel="noopener">The Best American Mystery and Suspense 2025</a>,</em> edited by Don Winslow, Mariner, 2025. &#8220;Grendel&#8221; is probably the best story in the volume. You don&#8217;t even have to have read <em>Beowulf</em> to understand it, but it helps if you did. The ending made me gasp. The skill level here is high. The story is one I wish I&#8217;d thought of myself. Enough said.</p>
<p><strong>Leder, Stephanie,</strong> &#8220;Not A Dinner Party Person,&#8221; <em><a href="https://books2read.com/u/bpBwpE" target="_blank" rel="noopener">The Best American Mystery and Suspense 2025</a>,</em> edited by Don Winslow, Mariner, 2025. Great characterization here, great voice, and a wonderful ending that makes the story.</p>
<p><strong>McElwain, Julie,</strong> <a href="https://books2read.com/u/bMkXeB" target="_blank" rel="noopener"><em>Echoes in Time,</em></a> Seshat Books, 2025. I know that Julie McElwain is self-publishing this series now, and I&#8217;m really glad she is. The books are hard to put down, the situation totally unbelievable and, as a reader, <em>I don&#8217;t care</em>. I&#8217;m loving the reading experience.</p>
<p><a href="https://books2read.com/u/bpBwpE" target="_blank" rel="noopener"><img loading="lazy" decoding="async" class="alignright size-large wp-image-37677" src="https://kriswrites.com/wp-content/uploads/2026/06/81GL9D6otUL._SL1500_-200x300.jpg" alt="" width="200" height="300" srcset="https://kriswrites.com/wp-content/uploads/2026/06/81GL9D6otUL._SL1500_-200x300.jpg 200w, https://kriswrites.com/wp-content/uploads/2026/06/81GL9D6otUL._SL1500_-768x1152.jpg 768w, https://kriswrites.com/wp-content/uploads/2026/06/81GL9D6otUL._SL1500_-400x600.jpg 400w, https://kriswrites.com/wp-content/uploads/2026/06/81GL9D6otUL._SL1500_.jpg 1000w" sizes="auto, (max-width: 200px) 100vw, 200px" /></a>However, I worry about her (vaguely, since I don&#8217;t know her). She&#8217;s paying for covers and for someone to design the interior. That someone did not proof their work, and they&#8217;re just pouring the book into an online program without knowing how book interiors (for print) should look. I worry that McElwain is being horribly overcharged and that will make recouping her money difficult and at some point, she will stop writing the books for economic reasons. So&#8230;read this series. (It starts as a traditionally published series, then moved indie.) Encourage your friends. Let&#8217;s keep her sales up so that she can continue writing Kendra Donovan books, because they&#8217;re fun.</p>
<p><strong>Pochoda, Ivy,  </strong>&#8220;Jackrabbit Skin,&#8221; <em><a href="https://books2read.com/u/bpBwpE" target="_blank" rel="noopener">The Best American Mystery and Suspense 2025</a>,</em> edited by Don Winslow, Mariner, 2025. This novella is set in a part of Nevada/California that scares the ever-loving&#8217;-crap out of me. So remote that it makes the Yukon seem populated, this part of the desert is empty and terrifying and filled with people who don&#8217;t want to be found. So, what does our LA protagonist do? She moves into one of those places where people go to get away from people. I know this, and I was tense from the first sentence. Pochoda&#8217;s writing is strong, the sense of place real, and the crimes believable. Even the ending, which I honestly did not see coming, is believable. One of the best novellas I&#8217;ve read in years.</p>
<p><strong>Winslow, Don, </strong><em><a href="https://books2read.com/u/bpBwpE" target="_blank" rel="noopener">The Best American Mystery and Suspense 2025</a>,</em>Mariner, 2025. When I started reading this volume, I worried about recommending it. Heck, I worried about finishing it. Don Winslow likes gritty noir, and much of what&#8217;s here is just that. But the great things about gritty noir are the characters, the voice, and the setting. So most of the stories held me, even when I didn&#8217;t want them to. It was the most even reading experience I&#8217;ve had with a<em> good </em>anthology in years. (Bad ones are even in their mediocrity.) I found myself riveted by almost every story. I&#8217;m not sure this is bedtime reading, but it&#8217;s good reading nonetheless, and you should pick it up.</p>
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		<title>Summer Lovin&#8217;</title>
		<link>https://kriswrites.com/2026/06/10/summer-lovin/</link>
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		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Wed, 10 Jun 2026 16:13:11 +0000</pubDate>
				<category><![CDATA[Current News]]></category>
		<category><![CDATA[free fiction]]></category>
		<category><![CDATA[New Releases]]></category>
		<category><![CDATA[Romances]]></category>
		<category><![CDATA[academia]]></category>
		<category><![CDATA[Romance]]></category>
		<category><![CDATA[school fiction]]></category>
		<category><![CDATA[summer]]></category>
		<guid isPermaLink="false">https://kriswrites.com/?p=37657</guid>

					<description><![CDATA[Annie Reed and Dave Hendrickson invited me to participate in their summertime romance anthology, Sunkissed Summer. I love writing for anthologies, and as my life is getting less hectic, I have more time to do so. (I had hoped to be in their previous volumes, but time and attention allow that to be possible.) Sunkissed Summer features [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Annie Reed and Dave Hendrickson invited me to participate in their summertime romance anthology, <em>Sunkissed Summer</em>. I love writing for anthologies, and as my life is getting less hectic, I have more time to do so. (I had hoped to be in their previous volumes, but time and attention allow that to be possible.)</p>
<p><em>Sunkissed Summer </em>features stories by wonderful writers from Annie and Dave themselves to Christy FiField, Dayle A. Dermatis, Thea Hutchinson, and so many others. I&#8217;m honored to be in such company.</p>
<p>My story happens in summer school, which, in the desert, isn&#8217;t as lovely an idea as you would think. And the characters aren&#8217;t your average college students&#8230;</p>
<p><a href="https://books2read.com/RFAS-sunkissed-summer" target="_blank" rel="noopener">Get your copy here—and enjoy!</a></p>
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		<title>Lately, It&#8217;s All Time Travel, All The Time (pun intended)</title>
		<link>https://kriswrites.com/2026/06/06/lately-its-all-time-travel-all-the-time-pun-intended/</link>
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		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Sat, 06 Jun 2026 15:56:47 +0000</pubDate>
				<category><![CDATA[Alternate History]]></category>
		<category><![CDATA[Current News]]></category>
		<category><![CDATA[free fiction]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Time Travel]]></category>
		<category><![CDATA[Lightspeed Magazine]]></category>
		<category><![CDATA[time travel]]></category>
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					<description><![CDATA[My latest novelette, &#8220;The Test of Time,&#8221; just appeared in Lightspeed Magazine. Editor John Joseph Adams describe the story by saying it contains &#8220;all the SFnal crunchiness of time travel paradoxes inside a delicious academia setting. It’s like the Reese’s peanut butter cup of SF novelettes!&#8221; And, y&#8217;know? It is! I think you&#8217;ll enjoy it. You [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>My latest novelette, &#8220;The Test of Time,&#8221; just appeared in <em>Lightspeed Magazine</em>. Editor John Joseph Adams describe the story by saying it contains &#8220;all the SFnal crunchiness of time travel paradoxes inside a delicious academia setting. It’s like the Reese’s peanut butter cup of SF novelettes!&#8221; And, y&#8217;know? It is! I think you&#8217;ll enjoy it. <a href="https://www.lightspeedmagazine.com/fiction/the-test-of-time/" target="_blank" rel="noopener">You can read it for free here or listen to the audio version, also for free.</a></p>
<p>And, if you want even more time travel, pick up my novel <em>Snipers, </em>which is part of the <em>What If&#8230; </em>book in the current Escape from 2026 Storybundle. Lots of alternate history fiction as well as time travel fiction here. <a href="https://storybundle.com/timetravel" target="_blank" rel="noopener">The bundle will run for just a few weeks, so get your books now.</a></p>
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		<title>Escape from 2026!</title>
		<link>https://kriswrites.com/2026/06/03/escape-from-2026/</link>
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		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Wed, 03 Jun 2026 22:26:25 +0000</pubDate>
				<category><![CDATA[Alternate History]]></category>
		<category><![CDATA[Current News]]></category>
		<category><![CDATA[historical fiction]]></category>
		<category><![CDATA[Mysteries]]></category>
		<category><![CDATA[Science Fiction]]></category>
		<category><![CDATA[Time Travel]]></category>
		<category><![CDATA[storybundle]]></category>
		<category><![CDATA[time travel]]></category>
		<category><![CDATA[World Central Kitchen]]></category>
		<guid isPermaLink="false">https://kriswrites.com/?p=37644</guid>

					<description><![CDATA[Don&#8217;t you wish we could escape from 2026? Sometimes I do, especially when I look at the state of our world right now. I really want this period in history to end so that I can read the history books from the comfort of my own chair, smiling softly at the fact that we survived [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>Don&#8217;t you wish we could escape from 2026? Sometimes I do, especially when I look at the state of our world right now. I really want this period in history to end so that I can read the history books from the comfort of my own chair, smiling softly at the fact that we survived all of the crap these last 10 years or so have thrown at us.</p>
<p>Of course, whenever I feel like I need to escape from something, I make plans. Or I try to do something that&#8217;s helpful. In this case, I did both.</p>
<p>First, I want to help readers (and writers) figure out how to find some personal time in 2026&#8230;by imagining themselves elsewhere. Or else<em>when</em>. I kinda like the else<em>when</em> part. Let&#8217;s imagine our world, but different.</p>
<p>So I asked some of my favorite writers if they had <a href="https://storybundle.com/timetravel" target="_blank" rel="noopener">time travel or alternate history tales to contribute to a Storybundle</a>. You can now get 14 ebooks, twelve of which are exclusive and impossible to find anywhere else in this bundle. There&#8217;s also a writing workshop in case you want to write your own escape.</p>
<p>I&#8217;ve included two of my books. One, <em>Snipers</em>, is alternate history <em>and</em> time travel. The other, <em>Consecrated Ground</em>, is neither, but should be. I combined them for reasons that you&#8217;ll see when you read the bundle. <em>Consecrated Ground</em> is an author-preferred edition of one of my best reviewed books, but it won&#8217;t be available wide until this fall. So if you want to read it early, here&#8217;s your chance.</p>
<p>You can get all of these books at a discount, so not only are there a lot of escapes here, but they&#8217;re also available at a bargain price.</p>
<p>Which leads to&#8230;</p>
<p>Second, I give to charities a lot during times of crisis. We&#8211;the world&#8211;have been in a prolonged crisis for years now. So I made sure the charity that we chose for this Storybundle responds to crisis. World Central Kitchen provides food in crisis zones worldwide. Their mission has remained the same over the years, but the need has grown, so any money you can give to them would be greatly appreciated.</p>
<p>We made it easy by adding them to the Storybundle.</p>
<p>So&#8230;pick up your escape, and spend the summer reading about other places and other times. All the while your money will magically work to help those in need.</p>
<p><a href="https://storybundle.com/timetravel" target="_blank" rel="noopener">Here&#8217;s the link to Storybundle</a>. Thanks!</p>
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		<title>The Write Attitude: Doing The Work Amid The Noise</title>
		<link>https://kriswrites.com/2026/05/12/the-write-attitude-doing-the-work-amid-the-noise/</link>
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		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Tue, 12 May 2026 15:15:49 +0000</pubDate>
				<category><![CDATA[Current News]]></category>
		<category><![CDATA[free nonfiction]]></category>
		<category><![CDATA[New Releases]]></category>
		<category><![CDATA[On Writing]]></category>
		<category><![CDATA[publishing]]></category>
		<category><![CDATA[storybundle]]></category>
		<category><![CDATA[The Write Attitude]]></category>
		<category><![CDATA[writing]]></category>
		<guid isPermaLink="false">https://kriswrites.com/?p=37326</guid>

					<description><![CDATA[This post is a chapter from my book, The Write Attitude, which is now in a second edition. I&#8217;m posting it here to entice you to head over to Storybundle to pick up a copy, along with ebooks by Jamie Ferguson, T. Thorn Coyle, Dean Wesley Smith, Robert Jeschonek and others.  Everything in this bundle [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><em>This post is a chapter from my book, </em>The Write Attitude<em>, which is now in a second edition. <a href="https://storybundle.com/writing" target="_blank" rel="noopener">I&#8217;m posting it here to entice you to head over to Storybundle </a></em><em>to pick up a copy, along with ebooks by Jamie Ferguson, T. Thorn Coyle, Dean Wesley Smith, Robert Jeschonek and others. </em></p>
<p><em>Everything in this bundle is exclusive to the Storybundle, including my book. So if you want to read it now, pick it up from Storybundle. The Storybundle ends in two days, so you might want to get yours now. If you don&#8217;t want a deal on the ebook or if you only read print, then you can always preorder the book on various retailer sites. The new edition will release on in July.</em></p>
<p><em>The second edition of </em>The Write Attitude <em>is quite different from the first edition, which originally appeared in 2016. I kept some parts of the original book, but much of the material is newer. The new material comes</em><em> <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">from my Patreon page</a>. Not every post from my Patreon page shows up here, although several do. If you want to see everything, though, <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">head to Patreon</a> and sign up. </em></p>
<p><em>This post is from February of 2025, and is in the second section of  the book. </em></p>
<h1 style="font-weight: 400; text-align: center;"><strong>DOING THE WORK AMID THE NOISE</strong></h1>
<p style="font-weight: 400;"><em>From 2025</em></p>
<p style="font-weight: 400;">There are times in life when being a writer is hard. I don’t mean real-world hard. Real-world hard is when your job is so important that one small error means someone else dies. There are a lot of real-world hard jobs in the world, and they keep the rest of us safe and alive.</p>
<p style="font-weight: 400;">As I said in Chapter 11, entertainment is important as well. We have an obligation to help those who are doing real-world hard jobs by giving them some kind of respite at the end of their long days.</p>
<p style="font-weight: 400;">But that means we have to do the work, and the work comes out of our brains. When we’re panicked and distracted—checking the news every fifteen minutes, looking at our social media, worrying aloud with our friends about what is going to happen next—it’s difficult, if not near impossible to concentrate on our made-up worlds.</p>
<p style="font-weight: 400;">They feel so small and unimportant.</p>
<p style="font-weight: 400;">We don’t see readers enjoying our work. We have no idea that a reader will close a book and hug it, like I did a week ago when I finished Robert Crais’s latest, <em>The Big Empty</em>. I know that Bob is a slow writer, and I wish he wasn’t, because I would love another of his books <em>right now</em>.</p>
<p style="font-weight: 400;">He lives in L.A. Not only are people there dealing with the chaos that is America right now, they’re dealing with the devastating losses of many parts of their community. I suspect he’s distracted.</p>
<p style="font-weight: 400;">I know that Connie Willis is distracted because I’m following her Facebook page in which she aggregates all the news of the day. I have no idea how she finds the time to write fiction or if she even is. I hope she is.</p>
<p style="font-weight: 400;">I’m a former journalist. I love information, the more the better. But, after the election, I shut off all media. I canceled all of my major newspaper subscriptions, stopped watching everything but the weather on any news channel, and got a lot done. I needed to because of an ongoing business crisis.</p>
<p style="font-weight: 400;">But I also needed the rest.</p>
<p style="font-weight: 400;">And I knew if I didn’t figure out how to control the information that came to me, I would not write another sentence—at least in fiction.</p>
<p style="font-weight: 400;">Writing fiction, as unglamorous as it sounds, is my job. It’s what I do for a living. But it’s also what I would do if the world ended tomorrow (which has gotten closer, according to the Doomsday Clock run by <em>The Bulletin of the Atomic Scientists)</em>.</p>
<p style="font-weight: 400;">I make up stories. I always have. I write them down and have done that since I was in grade school.</p>
<p style="font-weight: 400;">Storytelling keeps me sane.</p>
<p style="font-weight: 400;">After the despair of the election (not shock, because I kept saying all summer [hell, all year] that this was possible, even if I wasn’t really listening to myself), I needed that quiet. I needed to accept that the world as I had known it for years would change dramatically.</p>
<p style="font-weight: 400;">How dramatically? I had—and have—no idea. This post is not about what’s going on out there in the real world. It’s changing too fast. I sat down at 1 p.m. on a Sunday, knowing that by the time I finish, more news will pour in.</p>
<p style="font-weight: 400;">It might be good; it might be bad; it might be hopeful; it might be devastating. It might be all those things at once.</p>
<p style="font-weight: 400;">It’s too much for the brain to cope with—and right now, it’s designed that way. Which is why I urge you to take care of yourself and your family first. Then take care of your community, whatever that might be, and then pick one or two or three issues to work on and be part of the solution for. If all of us do that, our differences will make sure that we will cover the entire spectrum of problems that are popping up like weeds.</p>
<p style="font-weight: 400;">Yes, I know. People are dying. I know. The situation is growing more dire by the day.</p>
<p style="font-weight: 400;">One step at a time. That’s all we can do. See above.</p>
<p style="font-weight: 400;">The problem is, then, how to corral the brain and give it enough space so that you can write.</p>
<p style="font-weight: 400;">That solution is different for each and every one of us. And it’s different each one of us as an individual at different points in our lives.</p>
<p style="font-weight: 400;">I can only give you examples from my own life.</p>
<p style="font-weight: 400;"><strong>Example #1: </strong>I got very sick when I was living on the Oregon Coast. I’m already allergic to half the world; there, we later discovered, I was living in mold and was allergic to that too. We moved to the dry desert here in Nevada just in time. I doubt I would have made it through the year otherwise.</p>
<p style="font-weight: 400;">But, I was and am a writer. I wrote through all of that, and even wrote a book about my methods for writing when I barely had enough strength to get out of bed. The book is called <em>Writing With Chronic Illness</em>, which will appear in a revised edition in mid-2026.</p>
<p style="font-weight: 400;">Some of the solutions in that book might work for some of you now. Doing the writing first, being happy with what you can accomplish, accepting your limits—all of those are important.</p>
<p style="font-weight: 400;">I did them as best I could there. Here, in Las Vegas, I’m healthier, although the chronic conditions do fell me more than I would like. I can get through them easier in this dry climate, so sometimes I forget what I had learned.</p>
<p style="font-weight: 400;"><strong>Example #2</strong>: Our close friend Bill Trojan died, and Dean had to handle Bill’s horribly messy estate. At the same time, my editor at one of the traditional publishing houses had a mental meltdown and spent a half an hour on the phone, screaming at me and telling me I was the worst writer on the planet.</p>
<p style="font-weight: 400;">No one treats me like that. No one. So I immediately divorced that publisher, offering to pay back the money they had invested in me and my work so that I could get the rights to my books back.</p>
<p style="font-weight: 400;">That was at least $250,000 that I would have had to pay—even though we were embroiled in the estate mess and Dean was not working on publishing and writing, due to that big problem.</p>
<p style="font-weight: 400;">My confidence was shaken, and we were in financial difficulties. I had to figure out how to write a funny novel that was still under contract.</p>
<p style="font-weight: 400;">I did, a page here and a page there. I remember sitting in my office and writing long paragraphs about how awful that editor was to get her out of my head so that I could actually finish a book that was under contract for someone else.</p>
<p style="font-weight: 400;">I did it, but shutting out the noise was almost impossible. It took concentration. It took will power. It took a daily reminder <em>to myself</em> that writing is supposed to be fun.</p>
<p style="font-weight: 400;">And you know what? Many days, it ended up being that way, just because of the determination.</p>
<p style="font-weight: 400;"><strong>Example #3:</strong> As many of you know, the last two or so years of my life have been filled with turmoil. Dean lost much of his eyesight, which meant we had to make some massive changes in our lives. Then, just as he was getting used to the changes, he fell on a 5K race and destroyed his right shoulder.</p>
<p style="font-weight: 400;">He couldn’t do much work. He was healing. I cared for him and, as I dug deeper into the business at our publishing company, I realized it was sick too.</p>
<p style="font-weight: 400;">We had to make drastic changes there, and I had to take over the company completely.</p>
<p style="font-weight: 400;">Which meant it got run the Kris way—lots of questions, lots of systems, lots of data, lots of procedures. The old staff buckled under the Kris method (which had not been in place since I got very ill in 2015), and within two months, they were gone…leaving problems so massive behind that those problems either had to be solved or the company had to be dissolved.</p>
<p style="font-weight: 400;">Dean and I chose solving those problems, and we had (and have) great help in doing so. These sorts of events teach you who your friends really are.</p>
<p style="font-weight: 400;">I knew, as we dug in, that I was not going to be focused on the writing. I needed to figure out how to harness that focus in a different way.</p>
<p style="font-weight: 400;">I had a novel to finish as well as short story deadlines from traditional short fiction editors. I was not going to miss those deadlines, and I needed to finish that novel.</p>
<p style="font-weight: 400;">The problem was that in this small condo, I did not have a second business office. I had to do the work on my laptop and my writing computer in my writing office.</p>
<p style="font-weight: 400;">I knew I needed help.</p>
<p style="font-weight: 400;">So I set up a challenge with other writers. I made it costly for me to lose (not just pride—which, pardon my French, fuck if I care about personal pride). I started the first challenge in December of 2023, and continued the challenges through most of 2024.</p>
<p style="font-weight: 400;">I lost a couple of times. But the challenge was the only thing that got me to the computer. Daily word count…that I had to report (and God, I hate reporting). I couldn’t fudge it <em>for my own sake</em>, and I didn’t.</p>
<p style="font-weight: 400;">I finished that novel, and a lot of short fiction, before September hit, and the business stuff combined with some legal matters that were all <em>do-not-miss</em> and I had to miss some writing days.</p>
<p style="font-weight: 400;">It irked me—and kept the writing as a focus.</p>
<p style="font-weight: 400;">Usually I don’t bring others into my writing process, but I knew I would need it in 2024. So I did it.</p>
<p style="font-weight: 400;">I continued the writing challenges into early 2025, because I knew that I needed to get back to massive novel production, and I didn’t want to lose my short story focus. I have to do both (which I have done throughout my career).</p>
<p style="font-weight: 400;">It’s not as draconian as the 2024 challenge, but my life is different now. The business has settled into a pattern. We’ve moved the main offices to Nevada, which means I have a business desk. (Yay!) And we’ve gotten through some of the mess left by the old staff, and what’s left we’re slowly wrapping our arms around.</p>
<p style="font-weight: 400;">One thing I noticed, though, in all of those crises, is that the world swirled around me, with its problems and its demands. In each of them, it felt like a massive storm pounding on the outside of my house—you know the kind: the rain is horizontal, the winds are devastating, and the view outside the windows is black and gray, with almost no visibility at all.</p>
<p style="font-weight: 400;">You just have to wait out those storms and know that when they’re over, everything will be different, but some things will still stand. There will be rebuilding. There will be heartbreak. But the sun will have come out to reveal what’s left.</p>
<p style="font-weight: 400;">In the middle of it, though, you just have to survive it and keep the important things safe.</p>
<p style="font-weight: 400;">Your writing is one of those important things. It will take effort to keep it safe. Effort on your part.</p>
<p style="font-weight: 400;">And you’ll have to figure out what it will take <em>for you</em> to do it. My methods might not work for you. Find what works. Realize that those things might not work in a different kind of crisis.</p>
<p style="font-weight: 400;">But you can find a way to be with yourself during these tough times.</p>
<p style="font-weight: 400;">Here are a few practical things you can do in most (not all) crises:</p>
<ul>
<li style="font-weight: 400;"><u>Protect your safe space</u>. For me, that’s my writing space. I couldn’t do it during this last crisis, but I managed somehow. It felt uncomfortable and reminded me yet again about the importance of having a dedicated writing computer.</li>
<li style="font-weight: 400;"><u>Shut off the internet</u>. Dean uses a different computer for his internet research—one that’s just a foot or two away from his writing computer. I shut off my wi-fi, so that clicking over to the internet for research takes a conscious action, and often makes me realize that I was just heading over to distract myself. (Different strokes, y’know.)</li>
<li style="font-weight: 400;"><u>Set a daily writing time.</u> Make sure your family knows what it is, and that you shouldn’t be disturbed. Try to pick a time when it’s not easy to disturb you (early mornings; late evenings)</li>
</ul>
<p style="font-weight: 400;">There are so many other practical things you can do, but again, they become specific to you.</p>
<p style="font-weight: 400;">One other thing—a tough thing—is that sometimes the project you were working on when the crisis hit is not the project your creative voice needs right now. You might have to switch—something shorter, something longer, something that requires less research, something that requires a different kind of concentration.</p>
<p style="font-weight: 400;">It&#8217;s up to you.</p>
<p style="font-weight: 400;">But the key here is to remember that when you write, you’re inside and safe from the storm. It will rage around you unabated while you’re working. It’ll probably (sadly) still be there when you’re done with today’s writing session.</p>
<p style="font-weight: 400;">But you got that session done. It’s a victory.</p>
<p style="font-weight: 400;">Celebrate the tiny victories. Keep writing.</p>
<p style="font-weight: 400;">And remember, in almost every difficult time, the only way out is through.</p>
<p style="font-weight: 400; text-align: center;">&#8220;Doing The Work Amid The Noise&#8221; from <em>The Write Attitude</em></p>
<p style="text-align: center;"><i>Copyright © Kristine Kathryn Rusch</i></p>
<p style="text-align: center;"><i>Published by WMG Publishing</i></p>
<p style="text-align: center;"><i>This ebook is licensed for your personal enjoyment only. All rights reserved. This ebook, or parts thereof, may not be reproduced in any form without permission.</i></p>
<p style="text-align: center;"><i>Any use of this publication to train generative artificial intelligence (“AI”) technologies is expressly prohibited. The author and publisher reserve all rights to license uses of this work for generative AI training and development of machine learning language models.</i></p>
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		<title>Hoping For A Productive Summer</title>
		<link>https://kriswrites.com/2026/05/10/hoping-for-a-productive-summer/</link>
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		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Sun, 10 May 2026 16:22:09 +0000</pubDate>
				<category><![CDATA[Challenges]]></category>
		<category><![CDATA[On Writing]]></category>
		<category><![CDATA[challenges]]></category>
		<category><![CDATA[workshops]]></category>
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					<description><![CDATA[My class ended on Wednesday with a surprise A+ on a quiz I hadn&#8217;t studied for. That was lovely. A bunch of other things happened these past few weeks, all good, which I really can&#8217;t share except to say that they were marvelous. And Dean Wesley Smith and I celebrated our 40th anniversary on Monday. [&#8230;]]]></description>
										<content:encoded><![CDATA[<p>My class ended on Wednesday with a surprise A+ on a quiz I hadn&#8217;t studied for. That was lovely. A bunch of other things happened these past few weeks, all good, which I really can&#8217;t share except to say that they were marvelous. And Dean Wesley Smith and I celebrated our 40th anniversary on Monday. I&#8217;m astonished at that. It seems like I just met him a year or so ago. Amazing how time flies&#8230;</p>
<p>Anyway, with school ending and a bunch of other things closing down, it feels like summer has started. The end of the school year has always felt like a beginning to me anyway, as the daughter of a professor. I love school (which is why I take the occasional class at UNLV) and I love having school end.</p>
<p>Oh! And basketball season has started just this weekend, even though my Aces allowed themselves to suffer a tragic defeat yesterday.</p>
<p>My summer includes a lot of book design, some learning on a video program, and several writing-adjacent projects. I looked at that, then looked at myself, and realized, <em>Uh,oh. Distract-o Girl will not get much writing done unless she plans really well</em>.</p>
<p>I have learned over the last few years that without firm deadlines from the outside, I need something to get me in the chair first thing. Challenges work, especially when I have a lot of other distractions. (In the past three years, they were mostly bad distractions; now they&#8217;re mostly good ones.)</p>
<p>So, I&#8217;m in need of a challenge. When I&#8217;m in need of an <em>exterior</em> challenge, I set one up. I talked to Dean about it, and it seems that he needs one too. Plus we need to focus on the writing first again, which means we need to do some motivational things. When we get like this, we want to share.</p>
<p>Rather than have me explain it all, I&#8217;m going to copy Dean&#8217;s blog from Thursday night. (Note that the &#8220;I&#8221; in the italicized section below is actually Dean.)</p>
<div class="post-content">
<p style="padding-left: 40px;"><em>Kris and I have challenges available that anyone can sign into, and we have done some focused seminars over the last year or so. They were great fun and the challenges are open to anyone at any time, to start at any time.</em></p>
<p style="padding-left: 40px;"><em><strong>The Super Great Challenges</strong> run for an entire year from the moment you start. And making it work not only gets you a bunch of stuff written and published, but a subscription award to Teachable.</em></p>
<p style="padding-left: 40px;"><em>So I got a couple questions on what people got at the end of this challenge (that Kris has proposed)? Answer… a lot of stuff written through the summer. But the seminar part of this is the key. Taking the seminars in the past, you got knowledge, no award. This is a challenge mixed with a seminar.</em></p>
<p style="padding-left: 40px;"><em>So for 14 weeks you get two motivation videos from me and Kris every week. 28 motivation videos over the summer and then also three webinars focusing on motivation. That is the award for joining into this challenge and focusing on your own writing.</em></p>
<p style="padding-left: 40px;"><em>This idea came about because Kris was looking for something to help her stay focused on her writing this summer. Really, really focused. And a couple years ago, some challenges she had offered had really helped her. But this summer she tells me she is working on a really difficult project and wants to stay ultra-focused for three months.</em></p>
<p style="padding-left: 40px;"><em>Okay? She is normally frighteningly focused, so this could get interesting…</em></p>
<p style="padding-left: 40px;"><em>So we got talking about offering a challenge through this time of great forgetting, but then decided that we could also add a couple of motivation videos every week. We would plan them together, I would record them. Videos to help anyone signed up keep writing and publishing through this time of great forgetting.</em></p>
<p style="padding-left: 40px;"><em>And then we will add in a monthly webinar, three of them during the time of the challenge, making it into a strange form of seminar.</em></p>
<p style="padding-left: 40px;"><em>Start May 18th and end August 16th.</em></p>
<p style="padding-left: 40px;"><em><strong>This is not a challenge against Kris.</strong></em></p>
<p style="padding-left: 40px;"><em>You are only challenging yourself, and getting weekly motivation videos and a monthly webinar. At the start you will tell us how many FICTION words you plan to write per week and then report in every Monday. We suggest you keep the amount low because if you miss a week, if you want to continue with the videos and webinars, you have to buy back in for half price. Or just let the time of great forgetting win.</em></p>
<p style="padding-left: 40px;"><em>Your report does not have to be about your week, just the number of fiction words you wrote and maybe how far above your challenge number you were.</em></p>
<p style="padding-left: 40px;"><em>And Kris will tell you her goal and every week Kris will talk about her progress and how she is doing to those in the seminar. (That alone will be a major learning experience.)</em></p>
<p style="padding-left: 40px;"><em>So you get to challenge yourself, get weekly motivation videos, monthly webinar, and watch how Kris is doing up close every week. Three months of progress for yourself and staying focused through the time of great forgetting. All wins and great fun!!</em></p>
<h3 style="padding-left: 40px;"><em>SUMMARY OF THE BASICS</em></h3>
<p style="padding-left: 40px;"><em><strong>1… Three months long, starting May 18th, ending August 16th.</strong></em></p>
<p style="padding-left: 40px;"><em><strong>2… You must send us before we start the amount of fiction words you want to write EVERY week during those three months. (Keep the total low, but not under 250 words per day, 1,750 words per week is minimum.) Goal starts over every week, not cumulative.</strong></em></p>
<p style="padding-left: 40px;"><em><strong>3… Original Fiction Only… No nonfiction or rewrites. ANY GENRE IS FINE.</strong></em></p>
<p style="padding-left: 40px;"><em><strong>4… LIMITED to 25 writers.</strong></em></p>
<p style="padding-left: 40px;"><em><strong>5… $300 price but $250 early bird sign-up until May 10th late. (THAT IS THIS COMING SUNDAY!!)</strong></em></p>
<p style="padding-left: 40px;"><em><strong>6… If you miss on a week, you can jump back in for $150.00</strong></em></p>
<p style="padding-left: 40px;"><em><strong>7… No subscriptions or credits on this because for this to work you must have skin in the game (Write me if you want me to explain why that works.)</strong></em></p>
<p style="padding-left: 40px;"><em><strong>8… To sign up, send the $250 fee to PayPal to the email address dean@wmgpublishingstore.com</strong></em></p>
<p style="padding-left: 40px;"><em><strong>I will get you on the list. Again limited to the first 25 writers signing up. Webinars will be recorded in case you can’t make it on a month.</strong></em></p>
<p style="padding-left: 40px;"><em>This is going to be great fun and even though I am focused on the publishing side totally, I might jump into this as well, start ramping back up my writing, and report my progress to everyone.</em></p>
<p style="padding-left: 40px;"><em>Questions, write me at Dean (dot) WMG workshops @ gmail </em></p>
<p>Now&#8230;Kris again. I hope you all join me on this—or at least a few of you will. We would like the videos and the webinar to keep us motivated as well.</p>
<p>Let&#8217;s have a productive summer&#8230;together.</p>
</div>
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		<title>The Write Attitude: Sounding Like Yourself</title>
		<link>https://kriswrites.com/2026/05/06/the-write-attitude-sounding-like-yourself/</link>
					<comments>https://kriswrites.com/2026/05/06/the-write-attitude-sounding-like-yourself/#respond</comments>
		
		<dc:creator><![CDATA[Kristine Kathryn Rusch]]></dc:creator>
		<pubDate>Wed, 06 May 2026 15:54:22 +0000</pubDate>
				<category><![CDATA[free nonfiction]]></category>
		<category><![CDATA[New Releases]]></category>
		<category><![CDATA[On Writing]]></category>
		<category><![CDATA[Addison Rae]]></category>
		<category><![CDATA[Billboard]]></category>
		<category><![CDATA[craft]]></category>
		<category><![CDATA[Mick Herron]]></category>
		<category><![CDATA[Miles Davis]]></category>
		<category><![CDATA[Stephen King]]></category>
		<category><![CDATA[The Write Attitude]]></category>
		<category><![CDATA[writing]]></category>
		<guid isPermaLink="false">https://kriswrites.com/?p=37310</guid>

					<description><![CDATA[This post is a chapter from my book, The Write Attitude, which is now in a second edition. I&#8217;m posting it here to entice you to head over to Storybundle  to pick up a copy, along with ebooks by Darcy Pattison, Douglas Smith, Ron Collins, Tracy Cooper-Posey and others. Everything in this Storybundle is exclusive, including [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><em>This post is a chapter from my book, </em>The Write Attitude<em>, which is now in a second edition. <a href="https://storybundle.com/writing" target="_blank" rel="noopener">I&#8217;m posting it here to entice you to head over to Storybundle </a></em> <em>to pick up a copy, along with ebooks by Darcy Pattison, Douglas Smith, Ron Collins, Tracy Cooper-Posey and others.</em></p>
<p><em>Everything in this Storybundle is exclusive, including</em> The Write Attitude. <em>So if you want to read it now, pick it up from Storybundle. The bundle will end in 9 days, so hurry on over. If you don&#8217;t want a deal on the ebook or if you only read print, then you can always preorder the book on various retailer sites starting next month. The new edition will release in July.</em></p>
<p><em>The second edition of </em>The Write Attitude <em>is quite different from the first edition, which originally appeared in 2016. I kept some parts of the original book, but much of the material is newer. The new material comes</em><em> <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">from my Patreon page</a>. Not every post from my Patreon page shows up here, although several do. If you want to see everything, though, <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">head to Patreon</a> and sign up. </em></p>
<p><em>This post appeared on <a href="https://www.patreon.com/kristinekathrynrusch" target="_blank" rel="noopener">my</a></em> <em><a href="https://www.patreon.com/c/kristinekathrynrusch" target="_blank" rel="noopener">Patreon page</a> in</em><em> November of 2025, and is one of the early chapters in the book.</em></p>
<h1 style="font-weight: 400; text-align: center;"><strong>SOUNDING LIKE YOURSELF</strong></h1>
<p style="font-weight: 400;"><em>From 2025</em></p>
<p style="font-weight: 400;"><a href="https://www.billboard.com/music/pop/addison-rae-producers-billboard-cover-story-1236041601/">In a <em>Billboard </em>article about Addison Rae</a>, I came across a useful Miles Davis quote. (<em>Billboard, </em>August 13, 2025.) She cited the quote this way:</p>
<p style="font-weight: 400; padding-left: 40px;"><em>Sometimes it takes you a long time to sound like yourself.</em></p>
<p style="font-weight: 400;">Wow. That hit home. But before I used it to base a blog post on, I looked it up. I was worried that it really wasn’t a Miles Davis quote or that it was a misquote (although it didn’t sound like one). What I found was that there are two versions of this quote, which leads me to believe that the jazz great remarked on this a lot.</p>
<p style="font-weight: 400;">The other version of the quote says:</p>
<p style="font-weight: 400; padding-left: 40px;"><em>Sometimes you have to play a long time to be able to play like yourself.</em></p>
<p style="font-weight: 400;">And I think I like that one better, although both quotes are useful. For those of you who don’t know who Miles Davis was, he was one of the most influential musicians of the mid-twentieth century. He is definitely one of the most influential jazz musicians of all time.</p>
<p style="font-weight: 400;">If you are not familiar with him or his work, <a href="https://www.milesdavis.com/">start at his website, milesdavis.com, and scan outward</a>. You are probably familiar with a lot of his music, particularly if you’re a jazz fan.</p>
<p style="font-weight: 400;">The reason I like both quotes is that they have at least two different meanings, three if you think of them from the point of view of a prose writer.</p>
<p style="font-weight: 400;">The first quote: <em>It takes a long time to sound like yourself.</em></p>
<p style="font-weight: 400;">That’s all about voice. Yes, Miles Davis, Addison Rae, and vocal coach Eric Vetro (who first showed Rae the quote) were talking about a musical voice—about sounding like no one else by channeling your own inner vision.</p>
<p style="font-weight: 400;">Which is what the best writers do. (That’s why the worst copy editors aren’t the ones who introduce mistakes; they’re the ones who put some writer’s manuscript into “perfect” grammar, ruining their voice.) <a href="https://youtu.be/vRuPUmk04Tw?si=T4y4RqT-4j6uBjDP">If you listen to Stephen King reading his own work</a>, his inflections and pauses are not surprising because he knows how to write them into the prose. (His accent or the tone of his voice might surprise you, but nothing more than that.)</p>
<p style="font-weight: 400;">Stephen King, former English teacher, found his own voice as a young boy and then learned how to transmit that voice, via the tool of a manuscript, into the brain of a reader. What he does is an extremely difficult skill, and one I aspire to. That’s why I typed Mick Herron’s work into my computer a while back (see the previous chapter), so that I could learn how someone else did things.</p>
<p style="font-weight: 400;">The more tools you have in the toolbox, the better writer you will be.</p>
<p style="font-weight: 400;">If you don’t read much fiction or you don’t read much fiction <em>anymore</em>, as so many writers say, then you’ve stopped accumulating tools. As long as I breathe, I will be reading. And the fascinating part to me is that I see writers do things that I thought were impossible or things I’ve never thought of. Or, Mick Herron’s case, he does things that someone, somewhere, decades ago, had warned me away from. (The opening to each Slough House book is an astonishing exercise in setting the stage as well as the characters and the themes of each book.)</p>
<p style="font-weight: 400;">Here’s the tough part. Once you sound like yourself, your writing will seem bland to you. Because you live with that voice in your head each and every day.</p>
<p style="font-weight: 400;">So that’s the voice part.</p>
<p style="font-weight: 400;">That’s the first part of sounding like yourself.</p>
<p style="font-weight: 400;">The second part is this: You must defend your voice, your “sound.” Sure, it might be “wrong” to use a dozen semi-colons in a single paragraph, but Herron does it to such great effect (sometimes in a single sentence) that the reader doesn’t notice them.</p>
<p style="font-weight: 400;">I didn’t realize the man uses a million semi-colons until I typed in his work. I’m semi-colon lite, dash heavy, which, I thought, made me a much more breathless writer than he is, but his work continually proves me wrong.</p>
<p style="font-weight: 400;">I’m sure some silly copy editor somewhere tried, once upon a time, to edit out all of his semi-colons and to make his honkin’ long single-sentence paragraphs into many sentences, and from what I can tell, the man slapped them down.</p>
<p style="font-weight: 400;">There’s another component to voice, though, and it has nothing to do with words and grammar and punctuation. It’s subject matter. It’s characterization. It’s something I discussed after the Herron piece. It’s the ability to “go there,” wherever there is. (See chapter 10.) To write the stuff that frightens us, that makes us original, that might get us in trouble with the readers or in some cases, the government.</p>
<p style="font-weight: 400;">It&#8217;s the stuff that doesn’t fall into genre lines.</p>
<p style="font-weight: 400;">I was having a discussion a few weeks back with someone I was considering working with on a future project. That person insisted we use trope charts, like so many writers have started to do in Kickstarters.</p>
<p style="font-weight: 400;">Tropes are well and good, if used sparingly. As a romance reader, I want to see—either from the sales copy or from a trope listing—that the book in my hand uses the enemies-to-lovers trope or is a small-town romance. I want to avoid a guardian-ward historical trope because…yucky!</p>
<p style="font-weight: 400;">So a one-line description or acknowledgement of the trope is a good thing, especially in books where the ending is prescribed, like a romance (happily ever after) or a cozy mystery (amateur solves a stakes-free murder).</p>
<p style="font-weight: 400;">But other than that—a tropes chart? You might as well put two gigantic signs on your work. The first sign says, <em>Read something else because this book is on rails.</em> The second sign says, <em>This book is mediocre. There are no surprises here.</em> There’s a third sign, but only if someone dares to crack open a book based on a tropes chart. And that sign says <em>This writer has no idea what tropes are. The ones listed here are not in the book.</em></p>
<p style="font-weight: 400;">Whoops.</p>
<p style="font-weight: 400;">Writers who sound like themselves can’t write books that can be boiled down into a tropes chart. Sure, the overall trope might work because that might form the heart of the book. (I&#8217;m thinking of enemies to lovers here in a romance trope.) But going beyond that would harm the reading experience <em>if the writer is writing from their heart.</em></p>
<p style="font-weight: 400;">That’s why writers who are really good at sounding like themselves often have trouble selling their fiction to set markets, particularly traditional markets. Those markets want something they can sell, and a book that’s on rails is easier to market to a consumer than a book that is, at its core, like nothing a reader has ever seen before.</p>
<p style="font-weight: 400;">That’s why this quote comes from Miles Davis. <a href="https://www.milesdavis.com/">His website has this sentence on the home page</a>:</p>
<p style="font-weight: 400; padding-left: 40px;"><em>Miles Davis made music that grew from an uncanny talent to hear the future and a headstrong desire to play it. </em></p>
<p style="font-weight: 400;">Note the phrases here. “Uncanny talent.” In other words, he did things no one else dared. “Hear the future.” I might disagree with that one on some level, because on that level, Davis <em>invented</em> the future that his website claimed he heard. And, the most important phrase, “a headstrong desire to play it.”</p>
<p style="font-weight: 400;">Later this little biographical snippet points out that Davis never stopped fighting for his art. That’s my memory of him. He wasn’t as respected in his lifetime as he became later, even though no one dared argue with the impact he was having. I worked in listener-sponsored radio in Wisconsin and was immersed in jazz. We could play all kinds of jazz for our listeners and they supported the programming with their dollars.</p>
<p style="font-weight: 400;">The other local jazz station was much more conservative. They played traditional melodic jazz, things we call standards now, and would go to modern jazz after 10 p.m. when most Midwesterners went to bed. Even then, you wouldn’t find a lot of Miles Davis on that station. The powers that be loathed his work.</p>
<p style="font-weight: 400;">I think that’s the other side of this. You have to become good enough to force people to have opinions about your work. “Having opinions” means they’ll love it or they’ll hate it. What is most important, though, is that they won’t forget it.</p>
<p style="font-weight: 400;">These mediocre, “properly written” works? The ones with the voice edited out of them, with the vision troped to death? Those will be forgotten the moment that the reader closes the book.</p>
<p style="font-weight: 400;">I don’t know about you, but I don’t ever want to be accused of being mediocre. Love or hate my work, that’s up to the reader. But finding it dull or predictable…well, then, I’ve done something wrong.</p>
<p style="font-weight: 400;">The second quote from Miles Davis is my favorite. I think it might more accurately reflect what he’s getting at, especially if you’re familiar with his music.</p>
<p style="font-weight: 400; padding-left: 40px;"><em>Sometimes you have to play a long time to be able to play like yourself.</em></p>
<p style="font-weight: 400;">Yeah, I know. He’s talking about playing music, often onstage. He was the master of improvisation, but even in the improvisation, the listener knew they were listening to Miles Davis. His perspective was that original.</p>
<p style="font-weight: 400;">But what I love here is the word “play.” I love watching jazz musicians in particular improvise. Somewhere in the middle of what they’re doing, they’ll grin at each other. They’re having fun. They’re creating something new, something unexpected, and it gives them joy.</p>
<p style="font-weight: 400;">This type of musicianship is why I don’t miss a Keith Urban residency when he’s in Las Vegas. He performs intensely and playfully, goofing around much more than other residency performers I’ve seen. I wasn’t a big fan (or much of a fan at all) when I first saw him perform, and now I go to watch the playful musicianship.</p>
<p style="font-weight: 400;">Writers need to play as well. We need to experiment. We need to risk failure. We need to jangle some chords, try a different instrument, and go far, far, far off the beaten path.</p>
<p style="font-weight: 400;">That means we’ll miss sometimes, but it also means that when we hit, the work will be powerful.</p>
<p style="font-weight: 400;">When I talk about play, I’m not saying that writers should only write something light and “fun.” Instead, I’m talking about experimentation, about risking everything, about free-floating ideas from our own subconscious even if those ideas make us feel uncomfortable.</p>
<p style="font-weight: 400;">We should also go for different formats and different genres, different lengths and different ideas than we’ve explored before. We might not be onstage riffing with our friends, but we should write in that same spirit of improvisational play.</p>
<p style="font-weight: 400;">We need to be uniquely ourselves as writers. And as Miles Davis said (and yes, he wrote his own stuff), it takes a long time to achieve that.</p>
<p style="font-weight: 400;">But finding yourself as a writer? That’s worth the time spent.</p>
<p style="font-weight: 400; text-align: center;">&#8220;Sounding Like Yourself&#8221; from <em>The Write Attitude</em></p>
<p style="text-align: center;"><i>Copyright © Kristine Kathryn Rusch</i></p>
<p style="text-align: center;"><i>Published by WMG Publishing</i></p>
<p style="text-align: center;"><i>This ebook is licensed for your personal enjoyment only. All rights reserved. This ebook, or parts thereof, may not be reproduced in any form without permission.</i></p>
<p style="text-align: center;"><i>Any use of this publication to train generative artificial intelligence (“AI”) technologies is expressly prohibited. The author and publisher reserve all rights to license uses of this work for generative AI training and development of machine learning language models.</i></p>
<p style="font-weight: 400;"><em> </em></p>
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