The oddest thing with bob haircuts with bangs is that most women over sixty already know they want one, they’ve just been talked out of it. Maybe it was a stylist who suggested that bangs would be “too much maintenance,” or perhaps a friend who thought they were “past that.” And okay, hear me out, because that advice is almost always wrong. For their age, bangs on a bob do something very specific that layers alone can’t do, which is create a frame right where you need it most, across the forehead and temples where the hair tends to thin and the hairline shifts. It is not about trying to look younger, but an actual proportion to the whole cut making sense with the way hair naturally grows.

I once had a client who had been growing her bangs out for three years because someone told her it would be too aging. She came in with these sad little strands stuck behind her ears that she kept pulling forward because it seemed like she missed them. We cut bangs back in, took the bob up about two inches, and she literally said “oh, there I am.” That’s the thing about this combination, it’s not a trend and it’s not really a comeback. It’s just a cut that keeps working because the mechanics of it are sound. A bob gives structure when hair starts to lose density, and bangs fill in the visual gap that a bare forehead can create.

These two working together is producing more than anyone working individually, and that is why is why this pairing is the longest lasting in haircut history.

Warm Brunette Layered Bob With Full Swooping Bangs

Please pay close attention to the changes in volume and how it is applied to here. In the first picture, the volume goes around the jaw and creates a drag that makes the face seem longer. There is no balance with the forehead since there is nothing to break it up. Everything changes in the second picture. Head needing volume here means that layered graduation through the crown gives that fullness and those thick swerving bangs really pull focus to the eyes. It’s warmer now too – a deep chocolate brown with caramel highlights woven into the top layers to pick up the light and create movement. A round brush and this will be a blow dry style, medium density, some natural waves and I will say right now, this is a blow dry style. You will need to blow dry it to achieve this look. If not, it will dry flat with bangs that split in a not so cute way. This style is perfect for oval and heart face shapes. For round faces, this style has too much volume on the sides. The bangs have been cut with enough weight to ensure they won’t go wispy or transparent by day two, a detail that is often overlooked.

Choppy Dark Brunette Bob With Razor-Cut Bangs

A gap fringe is when the bangs are cut into several different lengths and are also spaced apart. And that is what razor work is (i.e. cutting the fringe with a razor). In this case it does a lot of the heavy work with softening the fringe as it will prevent the bulkiness that can happen with medium-density hair that has a slight natural wave. Overall shape resembles a chi bob, but with a lot more aggressiveness on the ends, which gives it that lived-in, slightly disheveled appearance. If you prefer your hair looking neat for most of the week, this probably isn’t the style for you.  It is great for when you want to look a bit unpolished and on round or square faces the way those choppy bits fall around the jaw are very flattering. The warm brown base has very subtle caramel highlights that are mostly visible around the face and helps to brighten it up so that it doesn’t look flat under artificial lighting. If you have very fine hair, this level of texture will leave you with nothing to style it with.

Flipped Brunette Short Shag With Feathered Bangs

The ends don’t curl under and finish neatly, instead they flip outwards at the jawline, which is a small detail that keeps this from looking just like a plain bob, and gives it some character. There’s some razor-cut layering in the crown area which adds some height but no bulk, making it look less heavy. The feathered bangs are cut above the brow line but still frame the eyes which is really nice. to pull off this medium-density look, it works best on hair that is wavy or textured, and straight hair isn’t the most ideal as those ends will just fall straight, and will need heat or products to hold that every day. The warm brown base has a really nice and well-placed caramel highlight that reflects the light, framing the face and warm brown base. This style works best with oval and heart-shaped faces. Round faces won’t suit it as much since the ends add volume at the jawline. If you have thick hair, expect this to cut to feel heavier than it looks like it will.

Layered Brunette Wavy Shag With Flipped Ends and Light Bangs

Cuts that are long along the front will not open the face like this style does. Shaggy ends at the sides create width at the cheekbones and this style is a chin length shag with a razor cut shag and some layering on the crown to give this volume without backcombing. The bangs are thin, wispy and practically non existent. There are warm highlights in the colour, while the roots are a cool brown. The top pieces that are lighter match the wave pattern. This style best works for medium to thick hair that has natural texture, it will not work for fine hair because the ends will be flat, which will be deflating. This adds width to oval and heart shaped faces, while (round) faces will see less width added.

Warm Caramel Curly Bob With Soft Shaggy Bangs

The clever thing the bangs are doing is easy to miss. The bangs are cut longer through the center and shorter on the sides so that when they curl, the bangs will break and not appear heavy or blunt. This is a chin length, curly bob with a medium density and the layering has been done with the razor or point cutting method to avoid a clump of ends. The warm caramel highlights, which are woven beautifully, in the mid brunette tones base are great in the curls, and provide a lot of dimension to the hair without being stripy. It is very oval and heart shaped face flattering but round faces can find it difficult. The volume sits just on the jawline and adds width where you don’t want it. It will require some ringlets or a very strong wave to achieve this look. If you have straight hair, it will require a significant amount of effort to get it to look like this and that is not a maybe.

Rich Chestnut Wavy Bob With Brow-Grazing Fringe

The layer and length placements add volume at the cheekbone instead of the jaw, which is important. Depending on a person’s shape, this cut can really change the disproportionate look on the face. This look only really works for oval and heart shapes. The warm chestnut colour has a sort of hand-painted depth to the mid shaft with darker roots so regrowth looks less obvious. Here, thick to medium density is preferred because the wave pattern and layering will leave fine hair looking sparse pretty quickly after the cut. This fringe has been point cut to the brow and is soft enough to the sides that it will blend, so it looks like she has made a deliberate decision to leave some length to create a hard line. It will take a round brush to get the ends to sit right, otherwise, it won’t cooperate at all with straight hair.

Wavy Bronde Short Bob With Tousled Curtain Fringe

To avoid a helmet look with wavy hair textures, bangs are cut shorter in the center and longer on the sides. This is the most important thing to note. The layers are cut to promote separation with out the hair clumping together. This shade of highlighted ‘bronde’ gives dimension and creates a less obvious grow-out line as it does not have foiled highlights. A certain amount of hair density must be present for this cut to work. Fine, thin and wavy hair will create frizz instead of body and the top will lose volume by midday. This cut will look good on oval and heart shaped face because the width is at the cheeks and the fringe softens a wider forehead. Straight hair will not achieve this look without significant effort. This is also true for natural waves or curls in the range of 2A to 2C and with medium to thick density. It is a rarity, but this cut will look better on the second day.

Sandy Blonde Chin-Length Shag With Soft Wispy Bangs

The volume is in the crown layers, while the jawline is separated and fractured. This is intentional razor work, not just “adding texture.” It gives the illusion of thickness without the bulk for medium density hair. The bangs are thin, uneven, and sit just above the brows, keeping just enough of the forehead visible so the round face doesn’t feel closed in. The color is a cool sandy blonde, and the darker roots are left showing on purpose so the regrowth blends. This cut will not work on really thick, coarse hair because it will pouf out to the sides and lose all the movement that is seen here. Fine to medium hair with some natural waves will be the most liveable shapes. This is one of the best cuts for that.

Jet Black Shaggy Bob With Separated Fringe

Using a razor to create this fringe has a great effect as it brings out the pieces that come out from the forehead and create a little window to the skin, it also helps to break up the dark color around the face. This also a shaggy bob cut at the chin with inner layers that have been point cut to give it a bit of that flippy, piecey movement at the ends, which is ideal. This style actually needs medium to thick hair density to really work. If you have fine hair, what hapens is that the flippy ends all just deflate, and the whole thing will look bedraggled by noon. The all over jet black color is bold – and I can appreciate the commitment, but if you’re fair or have very cool toned skin it will likely wash you out unless your brows and lashes can anchor it like hers does, which is a thing some folks rely on. It also works better for round and oval faces because the jaw length sides help to narrow things down. If you’ve got a longer face, this is just going to emphasize that.

Caramel-Kissed Wavy Bob With Soft Pieced Bangs

The bangs are designed to be intentionally separated, and the point cutting technique allows them to rest comfortably on the forehead. The bob is also chin-length and has been razored to be textured so the waves can do their thing. The warm brunette naturals with caramel highlights mid-lengths are to blend the regrowth. This cut absolutely will not suit straight hair, or they’ll have to style it on the daily. The entire shape depends on a curl or a wave so it will look cared for, otherwise it will look messy as if you’ve forgotten to do your hair. This style is most suited to oval and heart-shaped faces. Ideal density is medium as if it is too thick the sides will puff, and if it is too thin the separated bangs will sit flat. The structure will look most attractive with natural waves or curls.

Dimensional Blonde Flipped Bob With Layered Bangs

The flipped-out ends do work here keeping shape from caving in on a rounder face by creating width at the jaw and not below it. The bangs have been point cut and blended into the sides so there are no hard lines going across the forehead which makes it feel lighter than it is. The highlights are focused around the bangs and face framing pieces and the base stays mushroom blonde which is a darker color and more natural. That is a partial placement to brighten without going through the trouble of doing an all over color. This cut requires medium density to pull off. If your hair is actually fine then those flipped ends will look stryngy by noon and no product will fix that.

Honey Blonde Tapered Bob With Sweeping Side Fringe

Notice how the layers are stacked and how they become shorter towards the crown and longer towards the face. That is the trick. This is a chin length bob with razored ends and a long side fringe that integrates with the front layers, and the entire shape depends on medium density hair to make sure it does not go flat or too puffy. The colour is a dimensional honey blonde with fine foils on a warm sandy base, which is why the grow out is not harsh. Round or oval faces will appreciate how the diagonal fringe adds length. If your face is narrow already, this cut will extend it even more. It will not work on coarse thick hair without a lot of thinning and even then the silhouette alters completely.

Warm Auburn Jaw-Length Bob With Feathered Side Bangs

Look how the bangs touch the eyebrows and blend into the longer pieces on the sides without a noticeable difference. This effect can only happen with thoughtful cutting on the bangs so they blend with the layers framing the face rather than cut off clean. The color has a warm auburn base and thin caramel highlights that are fairly close in color and create a natural look. This haircut style can be worked on medium density hair, so it can’t be too thick or too thin, or else it will be flat by noon. This style suits oval and heart shape faces because the side pieces that hit the jaw widen the face where it usually narrows, and the angled fringe bangs reduce the look of a wide forehead without full coverage. The color will require some upkeep because auburns fade quickly, and when hard water is present, pink tones can show.

Warm Brunette Chin-Length Bob With Soft Curtain Bangs

The bangs do not sit vertically down the center of the face, and this is a good thing. It keeps some of the forehead exposed and gives an elongated look to round or square face shapes. This chin length bob has some layering around the middle that are point cut to enhance movement and avoid the bob from looking too thinned out. Additionally, the warm brunette base with subtle caramel highlights is a color that looks natural and not artificially done as the highlights are more concentrated towards the face and around the crown where it catches the light. On fine hair, this exact cut will fall flat by day 2. It needs some body to hold the shape. If your hair is truly thin, this will not look like this on you. This will suit oval and heart shapes the most and it sits perfectly at the jaw line without drawing attention downwards.

Silver-Toned Rounded Bob With Soft Blended Bangs

The roots that are darker at the top are not hidden. They are working to create some depth so that this silver shade doesn’t look flat or washed out. The cut is an chin-length rounded bob with some interior layering that creates more volume on the sides, and the bangs are point cut and thin enough to show some forehead but not so sparse that it looks like a wig. This style requires medium density hair. If the hair is too fine it won’t hold that rounded shape without excessive product, and if it too thick it will create too wide of a hair shape. This style works best with oval and heart-shaped faces because the fullness around the jaw helps balance a chin that is more on the narrower side. The color is a cool silver with purposefully placed low lights, meaning it is not a single process color and you will have to visit the salon every 5-6 weeks to remove any yellowing. If you are someone that likes to push your appointments, this color will be unforgiving. What I really appreciate is the way that the bangs merge into the front pieces without any harsh lines so that the whole front shifts as a single unit when you move your head.

Highlighted Brunette Textured Bob With Face-Framing Pieces

The way the longest pieces hit the jaw and kick out is intentional, it is point cut the ends to decrease bulk while keeping enough density to retain that shape. The soft caramel foils are woven low over a medium brunette base and face frames to keep maintenance super simple and the outcome really natural. This is designed for medium density hair, and it really suits oval and heart shaped faces as the play sits right where it needs to. If your hair has a really fine and flat texture, this will definitely need a round brush blow dry every single wash to keep it looking good. The front pieces are not really bangs; they are long sections that are parted and blend into the rest of the hair, and they are low commitment if you don’t want to go full fringe.

Platinum Highlighted Short Bob With Piecey Fringe

Here, the bangs have been point cut to the root, which makes them a lot thinner. This will purposely prevent the bangs from looking heavy on fine to medium dense hair. The bob sits just above the chin with slight graduation at the nape to create fullness where the head naturally narrows. Cool platinum highlights are woven over a darker ash blonde base which gives dimension without the stark contrast from an all over bleach. This color, however, will get brassy if it’s not toned every 4-5 weeks, so there’s no way around that. This length looks best on oval and heart face shapes, as it keeps the jawline framed close without widening anything. If your hair is thick or coarse, this cut will pouf out at the sides instead of lying this clean.

Salt and Pepper Shaggy Bob With Feathered Bangs

Take note of how thinly the bangs are cut and that you can see skin on the forehead. This is what prevents the cut from looking heavy on a smaller face. The top layers are cut short and in a choppy manner to encourage height and movement, which is needed since natural gray can fall flat. This is a good cut for medium density hair. On thick and coarse hair, those bangs would puff out and lose all the wispy transparency. nnThis will work on oval and heart shaped faces. The blend here is natural salt & pepper, and the contrast from the darker roots to the silver strands adds dimension to the whole cut, without the need for foils. This is more of a chin-length shag than a true bob, and if you want clean lines, this is not your cut.

Tousled Deep Plum Short Bob With Choppy Bangs

Let’s assess this color. For now, it looks like a dark plum-burgundy. On a person with cooler skin tones and lighter color eyes, this color will contrast them much more than a typical box dye brunette. The cut looks like a layered bob and ear length on the sides. She has a razor bangs that sits above her brows and blends into the lengths at the sides. I can see the crown has good volume and it doesn’t look like teasing or product build up was used. That looks like medium density hair that has been point cut to create a more piecey undone look. If your hair is straight and finer than medium density, you won’t achieve this without a lot of effort, especially with the sort of tousled look. This cut also suites oval and round face shapes as the sides wispy ends don’t add width but soften the face. One thing to point out is that this color is likely going to fade quickly with washes. Within weeks of dyeing it, muddy hair could be in the cards.

Textured Wavy Brunette Bob With Shaggy Fringe

You see how the bangs are cut dry, piece by piece, so they separate out and don’t sit in a heavy block across the forehead? It makes a difference. This entire cut relies on natural wave or curl to do the heavy lifting because if your hair is straight, you’re not getting this result without a lot of work. There are short stacked layers in the crown to build height, then longer and looser around the ears and nape so that the wave pattern can fan out. It should read effortless, and that’s the whole point. On medium to thick wavy hair this is one of the most flattering short cuts i know for oval or heart shapes. With round faces we lose definition because the width at the cheekbones mirrors the most wide part of the face. The dark chocolate brunette is single process, no highlights, and that uniform depth is what keeps the texture from looking busy. In this shape, hair will fall flat within an hour.

Graduated Brunette Bob With Long Swept Fringe

The back layers are cut shorter than the rest, and the front pieces angle down past the chin. The ‘G’ shape cut helps create volume at the top without any backcombing or product build-up. The bangs are long and blend into the face-framing pieces so it almost looks like she doesn’t have bangs. This style is best on fine to medium density hair. Thick hair will disrupt the tapered look at the nape and create unwanted volume. The color is chocolate brown with some caramel highlights woven through the midshaft to reflect light at the cheekbone. Without adjustment, this will not work on round faces. For a round face, you need a little more volume as the rest of the shape narrows toward the jaw. This is ideal for oval and heart shaped faces.

Curly Chin-Length Bob With Wispy Bangs

The bangs in this style are not bangs by definition. The bangs here are actually the shortest pieces of the cut left to fall and curl. That is also why the bangs blend effortlessly into the sides. This is a style that only works on those with natural curls, or with a perm that is super tight. These layers are cut dry, and shaped around the curl pattern, and this is so that volume is at the top without the hair going too wide at the ears, which can be very tricky. Chocolate hair with caramel ribbons will give your curls the dimension that you want, and will ensure that each ringlet catches the light. People with oval and heart shape faces suit this style because the chin length sides narrow the lower half of the face. If your hair is fine and straight, then don’t expect this cut to look like the photo. The body that you want requires a real thickness in the hair, medium to high density.

Feathered Copper Bob With Textured Fringe

The layers in the back are meant to kick out, not curl under. It is doing the most kick out at the jaw line, which is ideal for narrower or oval shapes. The crown has some razor cut layers to create volume where medium density hair usually tends to fall flat, and the warm copper highlights woven through a chocolate base keeps the colour from looking too flat. This will not work on very fine hair. The body is needed in the feathers to hold that separation. Without that body, you just get some wispy gaps instead of that intentional piecey texture. The bangs are right at the brow and blend into the side layers which means she’s softened the forehead without going for a blunt fringe.

Ash Blonde Layered Bob With Side-Swept Fringe

See how the top layers of the crown are shorter and the jaw has longer layers. This is all the volume achieved at the top without having to backcomb or use a ton of product. This is a chin length bob with a razor technique on the ends which gives it an edgy look, density of the hair is medium and the side swept bangs asynchronous blend with the longest layers. This hair color is a lovely cool ash blonde with highlights that are woven into the natural gray base which will need toning to avoid brassiness every few weeks. This style is amazing on round faces because the angled sides and the off-centered part help elongate the look. For this to be as structured as it is, the hair has to be thick enough to hold the shape or else it will fall flat by noon.

Dark Brunette Rounded Bob With Full Fringe

The interior curve at the ends really takes the cake, and most of the general population wouldn’t even notice it. The perimeter is point cut and angled back to create a shape that ‘hugs’ the jawline without sitting flat to the neck, and this is what gives the bob the rounded silhouette, as opposed to it just looking like a blunt chop. This is not going to work on wavy/coarse hair unless you are ready for a round brush commitment every single day. It really is straight medium density hair that helps this cut behave the way it does in the photo. The full bangs are just at brow level and are a little piece-y in the center so they don’t read as too heavy. If you have a rounded face then this shape will echo that more than it will balance it. It is oval and square face shapes that can wear it best. The dark brown base has a few fine highlights woven in that catch the salon light and stop it from looking flat, though in the natural light the effect is subtler. It’s a lovely cut if you have the right hair texture for it.

This post 25 Flattering Bob Haircuts With Bangs for Women Over 60, was originally published at Latest-Hairstyles.com

This reminds me of a woman who was in her mid sixties leaving the salon the other day and it made me go yes… older ladies rock a curly shag too!

Done correctly a curly shag should look like you hardly tried… which of course is the goal. When you wake up in the morning you want it to take minimal effort. Layers compliment curl formations which makes styling easy not hard.

Taking out weight throughout and on the insides ( not just a one connection around the head) gives the illusion of thickness, keeps the bounce but will take away from any potential triangle moments.

This cut requires a stylist that can take shrinkage into consideration when cutting curly hair. ( I have a funny story about this. Years ago I had a client come in and show me a picture of a cut that was about chin length. She left with a cut that when dry was about earlobe length… oh she was ok with it but it has stayed with me! Ha!) The difference being that her stylist cut it to be chin length wet… and didn’t take into consideration what would happen when the curls bounced up after drying.

When viewing photos it’s good to take into consideration hair types that are similar to yours. Although you love the shape of the cut… if the person in the picture has a different texture/curl/density it could have a very different outcome on you.

Before and After Gray Curly Shag Transformation

Cutting curly hair shorter can sometimes enhance the beauty of the curls. This woman’s gray, curly locks were weighed down at the ends hiding the beauty of her curls. Once cut into a shag her hair truly shined!
Styling Tip: This cut was clearly cut dry as all the curls look evenly distributed. I recommend taking before and after photos like these to your stylist when requesting a new haircut.

Auburn Tapered Curly Shag

With shorter sides to show off the ears this warm auburn-colored curly shag has about 3” of additional length on top which allows it to lay more forwards. A transitional style from pixie cut, this style offers a welcome case of the frizzies (a.k.a curls!) Best for finer hair types, all this style requires for styling is a teeny bit of lightweight curl gel worked evenly throughout dampened locks and a vigorous scrunch!

Warm Auburn Red Layered Curly Shag

The wispy bangs in this gorgeous, red curly shag have been perfectly separated for added body. Layering begins at mid-length and continues all the way down to a crop at the nape.
Styling Tip:
Coloring Tip: Use a color depositing conditioner in between salon visits to keep this fiery color from dulling. Red is the first to fade out especially in curly hair.

Light Brunette Highlighted Short Curly Shag

Polished and perfectly round on top, the highlights in this short, curly shag fall just on the ends of each curl catching the light at the bend of each wave. Layers on the front are cut just past the eyebrow giving the shag it’s namesake’s edginess. Great option for thicker hair.
Styling Tip:

Gray-Brown Natural Tight Curly Crop

Tight curls have so much body on their own that layering a crop like this only requires the removal of bulk. Cut short to eliminate shrinkage, the gray and brown hues on this gorgeous lady pop making the cut super unique.
Styling Tip: A wash and go haircut is all this tight curly, gray crop calls for. Leave well enough alone as touching your curls while they dry will only cause frizz!

Ash Blonde Cropped Curly Pixie Shag

Blended grays make this short curly pixie perfect for older women! The layers on the top add enough texture to make this crop qualify as a shag.
Styling Tip: Women leadng very active lives will love this easy care pixie for added texture over a typical pixie cut. Styling should be effortless for this haircut.
Coloring Tip: The roots on this cut are only a couple of shades darker than the ash blonde tips creating a root shadow. This trick can help you stretch your visits to the stylist between coloring appointments making regrowth appear purposeful.

Dark Rooted Blonde Wavy Shag

The wispy ends of this loose, wavy shag frame the face beautifully. The wisps and curls at the front are just past the chin making it the perfect short cut for women gradually thinning out as the darker roots make the blonde pieces appear thicker than they really are.
Styling Tip: Brushing this hairstyle when dry will separate curl clumps causing them to turn into a frizzy mess.

Gray-Blended Wavy Curly Shag with Body

Wavy at the roots and shaggy at the ends, this chin-length, curly cut shows off beautiful gray colors and impressive body. This look would be best suited for medium density hair as thinner tresses could end up looking poofy after cutting.
Styling Tip: Be sure to “plop” this style when drying for definition. Using a diffuser on a lower heat and speed setting will also help eliminate any frizzy halos!

Silver Compact Curly Pixie Shag

This short curly shag hairstyle is tapered at the nape and tightly cropped at the sides with layers at the top left longer to form beautiful curls. Compact enough to ensure fine, curly hair will not be weighted down and stretched out, this pixie will need to be re-shaped about every five weeks to keep up it’s perfect shape.

Silver Highlighted Chin-Grazing Curly Bob Shag

On the bobber side of curly shags this style offers graduated lengths around the perimeter with less dramatic layers on top. If you want to try a curly shag but are not quite ready to bite the bullet with the disconnected layers of a typical shag, this style will scratch that curly shaggy itch. The silver highlights are reminiscent of the streaks of gray at the front, nature really is an amazing colorist! Save your money this time and tell your colorist to leave well enough alone!

Strawberry Blonde Defined Curly Shag

Shrunk down by as much as 40%, 3B curls have no problem holding a chin-length shape! The defined curl patterns in this shag bounce with each springy step. If you have curls like these invest in a microfiber towel or old t-shirt to “plop” your curls into after a wash. Gently squeeze the towel (not rub!) to absorb excess moisture from hair. This will help keep the clumps of curls intact for maximum curl definition! The fringe on this hairstyle is full of pieces around the face with lengths nipping at the cheekbone!

Silver White Rounded Curly Shag

More evenly layered throughout the lengths, this curly shag gets its shape from all things curled up resulting in more of a rounded effect instead of the more disconnected layers seen in other shags. Gray hairs tend to be a tad coarser in texture which would suit this style well. It has enough body to hold the shape without slumping. Sleep on a satin pillow case and wake up to perfect silver curls ready to face the day!

Caramel Highlighted Brunette Curly Shag

Curly shags and balayage go together like peanut butter and jelly! I think the clumpy nature of curls lend themselves exceptionally well to a more free-hand method of lightening as opposed to painting flat sections of hair. With lots of body and shine this brunette bombshell shows off her caramel highlights with each bounce. Best suited for thicker hair, the layers in this chin-length style are just right to tame the fullness just enough so as not to poof. A word of warning, I always suggest cutting very dense hair dry and curl by curl (point cutting method) as it may surprise you with its actual finished length once you receive it back damp from your stylist if cut wet and with thinning shears. Trust me…shorter than you anticipated!

Warm Blonde Voluminous Curly Shag

Dark at the roots this ear length warm blonde curly shag has layers throughout the crown to help add some much needed height. This is a great option for women with medium density curls that tend to go flat on top by afternoon. When styling be sure to work curl mousse into soaking wet curls scrunching upwards before diffusing. This cut will need to be refreshed every 6 to 7 weeks to avoid the perimeter becoming too rounded.

Champagne Blonde Loose Curly Shag

Just ear-length, this loose curly shag changes character each day depending upon the weather, how it was dried and its mood! Ha! I do believe mess is an integral part of this hairstyle so you can air dry with abandon and rough up those curls all you want…it’ll only compliment this hairstyle!

Ash Brown Ear-Length Curly Shag with Highlights

These silver highlights are beautifully blended into the ash brown base color. If you’re trying to grow out your color and happen to have some gray hairs of your own then ask your stylist for some gray blended-in highlights like these to help disguise any stripes that may appear during the process. The curl patterns in this haircut are a mixture of curls of various diameters which I think adds to the dimension of this already multi-dimensional hairstyle. Best suited for hair on the medium-thick side, this cute little shag sits nice and compact against the head without mushrooming out!

Dark Salt and Pepper Compact Curly Shag

Dense in curls, this compact curly shag will defy gravity with ease! One of the reasons dense coils can appear one solid mass of hair is due to a lack of layers. That’s what a shag is all about especially for thicker types of curly hair. The streaks of white in the front offer contrast that don’t have to be painted in, how awesome is that?! If you want a curly shag that’s just the right length for a good tousled updo but hate spending time styling your curls then this style is for you. The density of hair is more than enough to hold its own!

Platinum Curly Shag with Side Part

Here we have a platinum white chin-length curly shag with a deep side part. The deep side part gives some asymmetrical volume which helps when you have a round or square face shape since symmetrical volume will add width to your face. I would consider this somewhere between wavy and curly. A diffuser on medium heat would be the best way to style it. This cut has layers that are graduated from shorter at the top of the head to longer at the nape of the neck.

Highlighted Brunette Tight Curly Shag

Highlights on tight curly hair add beautiful dimension and really show off the curl formation. This curly cut stays short without quite being a curly pixie haircut. Expect to come into the salon every ~5 weeks to keep this hairstyle’s shape since tighter curl formations loose their shape quicker.

Bonus!
Platinum Curly Shag Haircut with Side Part
A deep side part keeps volume from laying symmetrically making this platinum white curly shag haircut more flattering. A deep side part works especially well on rounder and squarer shaped faces that could be overwhelmed with volume laying evenly on each side. This cute chin length haircut looks perfectly tousled!

Which gray curly haircuts are your favorites? Tell us in the comments below!

If your hair texture falls in between wavy and curly, try diffusing your hair using a medium heat setting to bring out the curl pattern and enhance your hair’s movement.

Gray-Streaked Wavy Shag with Lift

Not to be confused with curls, waves bend and flip whereas curls have more of a coil to them. Gray wavy hair looks fabulous in a tousled shag cut! Length has been left longer through the top to ensure waves don’t look chopped. Darker at the roots this cut is complimented with some much needed height which can be achieved with either a root lifting product or by diffusing hair upside down.

Copper Red Loose Curly Shag

Red hair color on curly hair looks amazing! Warm tones enhance the loose curl formation of this chic chin length cut. This is perfect for someone who has a more 2C -3A curl pattern and medium density hair. Layers throughout the crown add lift and fullness to the style and should be complimented with longer pieces left around the face. Make sure to use a gentle sulfate free shampoo to ensure red hair color doesn’t fade as quickly!

Silver Cropped Curly Shag with Height

Silver Curly Shag Cut for Body on Top

Gray short hair looks chic in a curly shag style! Layers in the crown of the head add much needed body and support to this clients finer texture hair. Sides around the ears have been cut much shorter to show contrast with the length above. This hair length will grow out beautifully since length will mostly add body. Layers on top need to be long enough to curl onto themselves.

Silver Full-Bodied Curly Shag

Wondering how to make gray hair more manageable? Try a curly cut that embraces curls with body! This client’s thick gray curls needed both body and structure hence the length choice of ear to chin and the strategic layering (most layers are at the root with less layers as we move further away from the scalp). Styling this cut is simple with a curl defining cream worked through soaking wet hair and dried with a diffuser. Defining products help tremendously on this hair texture since grayer hair tends to be more frizzy and looses curl formation more so than younger hair.

Brunette Chin-Length Curly Bob Shag

Natural gray adds tons of dimension to this chic chin length curly shag haircut. This dark brunette shag is perfect for anyone who has thicker coarser curly hair. Weight has been taken out within the curls using a point cut technique (not with thinning shears – NEVER use thinning shears on coarse curly hair, it will become extremely frizzy!). This brunette bob loosely hits at the jawline with no strong lines for a beautifully tousled finish.

Salt and Pepper Textured Pixie Shag

Wondering how to wear gray hair curly and short? Try a curly pixie cut! Layers in this cut are very piece-y to ensure this clients wiry gray curls lay individually and not in clumps. The nape has also been kept shorter and tapered to ensure this cut will never look over grown. Essentially this cut is a shake and go which is why I love it!

This post Short Curly Shags Give Women Over 60 Shape Without Hiding Their Curls, was originally published at Latest-Hairstyles.com

Question from Tonya Thomas, Andover, SD: “I’m 67, and I have a chin-length bob with fine, mostly straight hair and a few longer layers. When I blow-dry it myself, the ends curl under, but the top looks stuck to my head. One side also flips out by my ear. How do I get a little height without making my hair stiff or turning the whole thing into a round puff?”

Tonya, getting the ends to turn under while the top stays flat is an easy pattern to fall into with a short bob. The ends are right there in the mirror, so they get most of your brush work. Meanwhile, the roots dry against your scalp. By the time you notice the flat crown, the part that needs reshaping has already dried in the wrong position.

I’d focus on where your hair leaves your head before worrying about its final curve. A bob looks fuller when there’s a little space at the roots and a connected, substantial edge around the bottom. Curling that bottom edge more tightly won’t create height above it. In fact, it can make the contrast more noticeable. Your flipped side needs its own small adjustment, too; pulling harder on both sides usually just flattens the one that was behaving.

You don’t need to make every section bigger. You’re aiming for a gently lifted crown, sides that fall easily, and ends that turn only slightly inward. Fine hair can lose that balance under too much product or repeated brushing. Giving each area a clear job, then leaving it alone once it’s dry and cool, makes this routine much easier to manage.

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Before you start

This routine suits an ear-to-chin-length bob with fine, straight or slightly wavy hair, including a bob with a few longer layers. The goal is soft height and a fuller-looking outline. Fine describes individual strand thickness; you can have fine strands with either plenty of hair or sparse coverage. Choose section sizes accordingly.

Allow about 15–25 minutes after washing, with extra time while learning. Have a dryer with a concentrator nozzle and cool setting, a small round brush, a wide-tooth comb, sectioning clips, and a lightweight volumizing mousse. Your styling product should provide heat protection, or you’ll need a separate lightweight protectant. A spray bottle and second mirror are optional but useful.

Begin with freshly washed hair that’s damp throughout: darker from moisture and cool to the touch, but no longer dripping. This is a blow-dry routine, not a curl-straightening routine; tightly curly hair needs a different approach.

1. Rinse well and blot without pressing the roots flat

Rinse out your conditioner thoroughly, especially behind your ears and along the nape, where the bob can hold slippery residue. For future washes, concentrate conditioner on the lengths that need it. Fine hair doesn’t automatically need conditioner at the scalp, but dry or chemically treated ends may still need some softness to bend neatly.

Press a towel around small handfuls of hair, then release. Don’t rub the ends together or keep your hair tightly wrapped while you get dressed. A snug towel can press the crown down, and a short bob’s front sections may dry into those flattened positions surprisingly quickly.

Detangle gently from the ends upward with your comb. Stop when the comb passes through without catching; repeated combing isn’t useful preparation. If your hair feels unusually coated even after rinsing, adding mousse won’t solve that problem. Rinse again before styling.

Some women notice drier ends or a mix of fine hair and wiry gray strands after 60; others don’t. Follow what your hair actually feels like. Keep conditioning where it helps, rather than treating your entire head as dry because of your age.

2. Spread a light styling layer through damp hair

Apply your volumizing product while your hair is evenly damp. For a short, fine bob, begin with a small puff of mousse, roughly walnut-sized, rather than automatically filling your palm. Spread it across both hands first so one patch of hair doesn’t receive the entire amount.

John Frieda Volume Lift Kickstarter Thickening Mousse on Amazon is one option for lightweight body and heat protection. The manufacturer’s current product information lists both benefits. Check your can, since older packaging and formulas may differ. It makes sense here because one product can help support the shape without requiring several styling layers.

Slide your fingers through the underside of the crown and sides, distributing product near the roots without rubbing it into your scalp. Carry the remainder through the lengths. For heat protection, even coverage matters; use your own product’s directions as the guide, especially if it requires a separate protectant.

Your hair should still separate easily. If it feels sticky and clumped before drying, you’ve probably used too much. Rinse that section and reapply less. Extra mousse doesn’t compensate for roots dried flat, and piling serum or cream over it adds another coating.

3. Redirect the crown and front before they dry in place

Start drying at the crown and front hairline while those roots are still damp. Fit the concentrator nozzle, choose low or medium heat with moderate airflow, and keep the dryer moving several inches from your hair. Use a lower setting if your scalp feels hot.

With your free hand, lift the crown hair gently off the scalp. Move it a little to the left while directing air along the strands, then a little to the right. You’re loosening a fixed root direction, not whipping your hair around. Avoid pointing the nozzle straight upward into the ends, which can scatter and tangle them.

At the front, move the hair across your usual part briefly, then back. Leave the final part slightly unsettled for now. Drying a sharply combed part from the beginning can leave two flat panels beside it.

Tonya, this early root work matters more for your flat top than another round of curling the bottom. If your crown has already air-dried against your head, dampen the roots with wet fingertips first. Warm air alone may smooth the surface while leaving the flattened starting point unchanged.

4. Leave the ends slightly damp and divide the bob

Continue drying with your fingers until the roots are mostly dry but the lengths still feel lightly damp. You shouldn’t see water droplets or feel wet handfuls. The ends should remain flexible enough to reshape with a brush, rather than being completely dry and flicking in every direction.

Then divide the hair into a top section, two sides, and the back. Clip the top loosely, preserving the lift you started. Keep clips off the delicate front hairline, and avoid twisting the entire top into a tight knot that leaves bends.

Release a horizontal strip at the nape about half an inch deep. Keep the rest of the back clipped up. Each working section should fit comfortably across the brush without spilling off its ends. Fine hair with greater density will need more sections, even though the strands themselves are thin.

If a clipped section dries while you’re working elsewhere, lightly mist that section before brushing it. Don’t soak your finished roots to rescue a few dry ends. This is also a good point to sit down if holding the dryer up tires your shoulders; smaller sections are easier to control than rushed, oversized ones.

5. Smooth the nape with only a slight inward bend

Place the round brush beneath the released nape section and draw it downward, following with the dryer above it. Aim the airflow from the roots toward the ends. Keep your chin close to level; bending it sharply forward can change how the bottom edge rests when you straighten up.

A brush with roughly a 1-inch barrel is manageable for many short bobs. The Olivia Garden Ceramic + Ion CI-25 round brush on Amazon is a specific option with a 1-inch barrel, confirmed in the brand’s size guide. Its small barrel fits shorter sections; you don’t need to wind the hair completely around it. The thermal barrel gets hot, so keep it away from your skin.

As you reach the last inch of hair, turn your wrist inward just enough to curve the tips toward your neck. Let the brush travel out through the ends. Repeatedly rolling it back toward the scalp creates a tighter curl and can catch short layers.

A much smaller barrel tends to make a stronger bend; a very large one may barely grip short nape hair. If those hairs can’t reach around your brush at all, guide them downward with your comb and gentle airflow. Don’t force a curl where there isn’t enough length.

6. Dry the back in thin rows without flattening its curve

Release the next half-inch row across the back. Work on one half, then the other, so you aren’t trying to reach around your entire head with a single section. Put the brush underneath and draw the hair slightly away from your head before moving toward the ends.

That small outward movement lets the hair follow the curve at the back of your head instead of being stretched tightly against it. Keep the dryer on the outside of the section, aimed down its length. Finish with the same modest inward turn you used at the nape.

Work upward until you reach the clipped crown. The lower back should sit fairly close to your neck, while the area above it has a little room. Giving every row a big root lift can make a short bob look triangular or overly rounded.

Use the second mirror after releasing a row, with the dryer switched off. If you see a damp stripe underneath, separate and finish that stripe. A smooth outer layer can hide moisture beneath it, and the back may settle or bend oddly as that moisture dries. Fixing the hidden damp section is more useful than repeatedly brushing the dry surface.

7. Shape the sides without pulling them tight

Release a thin horizontal section above one ear. Put your brush beneath it and draw the hair slightly outward, then downward. Keep the roots relaxed rather than stretching the whole section hard toward your jaw. Follow with the nozzle pointing along the hair, away from your face.

At the ends, make a small inward turn and slide the brush free. Repeat on the next section above it, then work through the other side. For a chin-length bob, the goal is a soft line near the jaw, not a curled roll sitting underneath it.

Keep your ears clear of the hot barrel and airstream. If a section is too short to work safely over the brush, use your fingers to position it while drying from a comfortable distance. Gentle control is enough; you shouldn’t feel pulling at your scalp.

Check the sides with your head upright. Tilting toward the brush can make the finished lengths appear uneven when you return to normal posture. If one side has a stronger inward curl, dampen only its last inch and redraw it more straightly. Don’t flatten both sides simply to make them match.

8. Reset the section that flips beside your ear

Separate the small piece that flips outward and identify where the bend begins. If it starts where your hair crosses the ear, dampen that bend and the length below it. If the hair grows strongly backward from the scalp, dampen its roots too.

Brush that piece slightly forward of your ear while drying it downward. This keeps the ear from acting like a little shelf underneath the hair. Once the section is almost dry, guide the ends into their resting position and give them a shallow inward turn.

Tonya, don’t tuck this side behind your ear while it’s still warm or damp. That can put the same bend right back in. Let it cool hanging freely, even if you normally wear it tucked later.

If it keeps springing outward, check the cut before adding heat. A short layer ending directly on the ear, a strong growth pattern, or uneven weight around that side may limit what styling can change. Mention the exact problem at your next haircut. For today, a slight outward movement can be left alone if correcting it would mean repeated hot passes through fragile ends.

9. Lift the crown in small, controlled sections

Release the top and take a section near the back of the crown, about an inch wide and half an inch deep. If its roots have dried flat under the clip, dampen those roots lightly. Place the brush underneath, close enough to support them without scraping your scalp.

Lift the section upward and a little forward, toward your forehead. This moves it away from the direction it will eventually fall, helping create space at the base. You don’t have to pull it straight toward the ceiling or stretch your arm as high as it can go.

Direct the nozzle along the lifted hair from roots toward ends. Keep the airflow moving while you slowly slide the brush outward. Focus on drying the root area, then smooth the length without tightly curling its tips. Finish with cool air while the brush still supports the section, and gently slide it out.

Continue forward in two or three sections, depending on your bob. The crown should rise gently and settle into the back, not stand in separate ridges. If a section collapses immediately, check whether the roots are still damp before reaching for more mousse. If the hair pulls or tangles, reduce the section size and stop rotating the brush.

10. Set a relaxed part and guide the front

Place your part with your fingers once the crown has some shape. Try moving it just a quarter inch from its usual position if your hair falls comfortably that way. A small shift can change which roots support the front; a dramatic flip may expose more scalp or fight a strong growth pattern.

For longer front pieces, put the brush under the section and lift slightly away from your forehead. Direct air along the hair, then guide the section toward the side where you want it to fall. Keep the bend broad so the front joins the bob instead of forming a separate curled piece.

If you have bangs, dry them gently side to side while damp, then settle them forward or to the side. Avoid giving short bangs the same upward lift as the crown unless you want a noticeably rounded fringe.

With sparse hair at the temples, use light finger placement instead of repeated brush passes. Pulling those sections far across your head can separate them into thin strings. A familiar, comfortable part with a little root movement often looks fuller than an ambitious new part that won’t stay together.

11. Let the shape cool before arranging the outline

Switch off the dryer and let your hair cool for a minute or two before touching up the silhouette. Check near the roots and behind your ears with dry fingertips. If an area still feels damp, isolate it and finish drying it rather than sending hot air over the entire bob.

Once everything is cool, slide your fingers lightly beneath the crown and lift once. Let the hair fall back on its own. Use your fingertips to join any obvious section lines. Avoid dragging a comb from the roots through the whole style, which can pull out the lift you just built.

Tonya, this is where it helps to stop checking every strand. Look at the shape from normal mirror distance: a little height above, a connected edge below, and sides that aren’t pressed against your cheeks. Those relationships matter more than an occasional flyaway.

If the ends look too rounded, loosen them with your fingers. If the whole bob feels stiff, don’t add oil to soften it; next time, reduce the styling amount. Leave finishing spray optional. A bob that stays softly shaped without it doesn’t need another product simply because the blow-dry is finished.

12. Correct one weak spot and recognize the cut’s limits

Choose the single area that most affects the finished shape, if anything still needs attention. For one flat crown section, dampen the roots only, lift with your brush, dry, and cool again. For one hooked end, wet the last inch and dry it with a straighter brush movement.

Don’t restart the whole routine because one section isn’t cooperating. Dry hair that’s repeatedly heated may become rougher while gaining little useful shape. If a correction doesn’t improve things, stop and reassess the next time you wash, when you can adjust the technique from damp hair.

There are also limits to what a brush can build. A bob with heavily thinned ends won’t develop a dense bottom edge through styling alone. Very short crown layers may stick up instead of falling into a smooth curve, while long, heavy top sections may offer less lasting height than you want.

Ask your stylist about keeping enough weight at the perimeter—the bottom outline of the haircut—and whether a small shape adjustment would help the crown. More layers aren’t automatically better for fine hair. Describe what falls flat, where it flips, and how much styling you’re willing to do at home.

Refresh the shape the next morning

Inspect the crown, your part, and the section beside each ear before picking up a tool. If the outline still looks good, loosen the roots gently with your fingers. Existing mousse may provide enough support; you don’t need another full application on dry hair.

For a flattened crown, dampen the affected roots until they feel lightly moist, then repeat the lift, dry, and cool movement. For a pillow dent or flipped side, dampen the bend itself and reshape only that piece. Brushing harder over a completely dry dent often disturbs the surrounding hair without removing it.

If your roots feel oily or coated, water won’t remove that buildup. Washing may be more effective than layering on another styling product. Keep any heat protection directions in mind when restyling; don’t assume yesterday’s application covers every new use of heat.

When you have only a few minutes

Spend your time on damp root direction, the crown, and the front pieces you see around your face. Let an already tidy nape and bottom edge stay as they are. One controlled correction beside the ear is more useful than rushing a brush through every section.

Tonya, your bob doesn’t need a tighter curl to look fuller. Give the top some support, let the ends keep their soft outline, and leave room for your hair to move. That’s a practical finish to work toward, even when one side has its own ideas.

This post How to Style a Short Bob for Women Over 60 Without Flattening Fine Hair?, was originally published at Latest-Hairstyles.com

The slicked-back ponytail used to be a trendy aesthetic to have, but soon it became the go-to hairstyle when people had last minute events to attend. Bridesmaid duties, holiday parties, and just trying to look somewhat presentable in the morning were all reasons why women were sporting this look. That’s when people got sick of the false sense of style and boredom that came with having your hair done in a rigid ponytail, which is a yardstick against how much effort you have to put in to looking presentable. The people need a way to express themselves and achieve a level of effortless style, but most updos usually don’t offer that. That’s when face-framing tendrils became a thing! It’s the easiest way to make an updo feel modern and personal.

A few years back I had a bride who was adamant about having her look completely away from her face, slicked back tight to her head. After putting her updo together, she was quiet and polite enough to notice the updo on her head was missing something and asked us if we could pull some pieces in front of her face. Face framing tendrils, especially in updos, are great examples of styles that so people can actually recognize themselves in the mirror and not feel formal. Most people don’t think placement is important when it comes to hairstyles, but if tendrils are not the right length they stick out, and if they are too long they will hang. The right length should hit around your jawline and be curled under with a small barrel iron. It completely modernizes and enhances the look without disrupting the to updo.

Undone High Gather with Curled Brunette Pieces Falling Past the Chin

This is everything you need to know about the before photo. They have long, medium-density hair that has natural waves which are somewhat tough to straighten. The stylist made the right call by not straightening this because the long pieces were curled with a small barrel iron and placed over the jaw to create an oval shape in the updo. If you have a long or heart-shaped face, curling pieces over the jaw will create an oval face shape and balance your face. The rest of the updo is created by a low, messy bun, and the density of the pulled up crown to create volume and height. The updo needs a lot of height because without it, it just looks messy. The loose volume of the crown is important, and quickly loses form unless you have a lot of teasing and a lot of strong hold spray. The updo needs density to look nice.

Polished Low Tuck with Bright Blonde Curled Pieces on a Warm Brunette Base

Instagram: bloheartsyou

The longer left tendril matters more than you would think. It follows the direction she is facing and keeps the structure from looking too costume-like. The base is warm brunette with face framing foils that are taken to cool blonde. The blonde is a high contrast pop that looks beautiful in hair. It looks best on a medium thickness straight hair and has a low tuck in the nape that can be easily held in place with just a few pins. Curly and thick hair tends to fight against this style. Oval and heart shaped faces look best for jaw length pieces. The curls are done with a small barrel iron to keep heat and hold curls while the iron gets pulled away to separate them and give them a structured ribbon appearance.

Neat Dark Low Bun with Warm Waved Pieces at the Cheek

Instagram: antonina_hairstyles

The front hair pieces in this style are warmer than the remainder of the hair, and they have a purpose. The light reflects off the dark base, and draws the focal point of the style forward. This prevents the style from appearing flat because of hair falling out. The bun is also small and tucked at the nape. It is a no-volume bun, so the hair bun is going to look flat and sparse hair at the back of the hair. This haircut is a little less friendly for fine or thin hair. The tendrils are curled and placed at the cheekbone length with a small barrel iron to frame the face without crowding it with a soft, S-wave. This will give a longer, more youthful appearance to the face. This haircut does best on a rounder or square face shape as this haircut breaks up the lines to soften the face. Frizzy flyaway hairs are going to stick out and look unpolished around the crown.

Jet Black Looped High Bun with Long Waved Pieces Past the Collarbone

Instagram: pamellalumertz

The tendrils reach almost down to the collarbone. They were meant to be long enough to rest before the others got gathered. The blog poster states that each section creates an S-pattern when flat ironed. Each piece of hair is a uniform ribbon. To create the design with waves, the weight of the hair must distribute itself evenly along the sections of hair to keep the waves. Fine hair tends to fall limp. The bun is made to create holds to evenly space out the hair. There are many fine details that must come together to create this entire style. The pieces are not placed symmetrically to frame the face. The distance from the left side to the right side is not the same. The right side falls over the shoulder and extends beyond the left. This style is not meant for individuals with small faces and a narrow chin because it can make a small face appear even smaller.

Jet Black Ribbon Curls on a Swept-Back Style with Deep Center Part

Instagram: makeupbeautybymira

A single frontal tendril does wonders in lengthening the face. One spiral around a small, tight barrel gives a substantial spot against the cheek and works great on a long, oval or oblong shaped face. However, this style on a round face can make the hair look even rounder and compact. The rest of the hair gets pulled into a low, thick, plain ponytail. The look works best with thick hair of one solid color and is not very good for hair that is thinning. One side of the hair has textured and wavy tendrils, while the other side has very loose and even more textured hair for intentional asymmetry. This will only last briefly on fine hair.

Curled Dark Ponytail with Ribbon Waves Framing an Oval Face

Instagram: sultan_makeup2001

These are not tendrils that simply droop. They curls shorter than the ponytail pieces. It creates a tight ribbon and a narrow shape that accentuates the cheekbones. It has the flexibility to do all of this with the addition of curl Framing and contrast. For this style to look good, you should aim for thick, dark, medium-to-long hair of some texture to keep volume in the ponytail when you pull most of it back. Thinner hair will likely pull too much volume, and the ponytail will fall flat. Soft curls of texture add a flattering dimension around the jawline, so this style looks good on most face shapes, especially oval and heart face shapes because it creates width at the jawline. The high part is drawn almost too far back so the hair hanging on the sides is able to frame the face without looking messy. Humidity will not be your friend with this style, so avoid it if you can.

Soft Low Gather with Warm Caramel Pieces on a Dark Base and Wider Face Shape

Instagram: myrzaeva.aigerim94

These tendrils really do things. One is placed along the jawline and the other is beyond the chin. The asymmetry of the tendrils keeps a round face from appearing too wide. The tendrils give the illusion of color even with the muted tone. That is because the caramel foils are concentrated in the front and hand painted on hair that is most likely dark, dense, and straight to slightly wavy. The tendency is to give a structured look without it looking overdone. The tendrils are difficult to recreate because they lay flat against your face within an hour. The length of hair that has a lot of volume and can hold a curl is what is important. Face shapes matter. This is round face tendrils done right!

Curly Dark High Gather with Wet-Look Spirals at the Temples

Instagram: nikol_cabeli

This style is unique because the tendrils near the temple have tight, wet looking, spiral curls that attach close to the temple and the other tendrils fall more relaxed to a point beyond the jawline. The asymmetry prevents a high bun from being boring and looking like an afterthought. The natural curl texture in the voluminous bun is on point for medium density hair, and this bun is full of texture. This shape wouldn’t work for straight hair. The face framing tendrils were curled with a small barrel iron and were enhanced with a curl textured gel or mousse while the hair was still wet. The voluminous bun and shapes are perfect for longer face shapes and also tend to create width at the cheek. If your face is round, these tendrils will emphasize that the most.

S-Shaped Dark Waves Dropped from a Half-Swept Style on Thick Hair

Instagram: anna.gogber_mua

The pieces at the front aren’t from a magic wand, they’re flat-ironed into an S shape. That’s why they’re so close to the face. It will be noticeable. This style is great for people with longer faces. Most of your hair is swept to one side of the crown to give it a little bit of volume so it isn’t too soft and structured. Fine hair will probably flatten over time without the help of serious styling products. This style only looks effortless because natural thick and slightly wavy hair will hold that structure.

Curly Dark Low Gather with Ringlet Tendrils at the Jaw and Nape

Instagram: miray_kuafor_ve_guzellik

Notice how the pieces in the front of the style are pressed to have S-waves while the pieces in the back of the style are left in their natural ringlet state. This melding of the textures of each piece frames the face nicely. This style really works on thick dark hair with a natural wave or curl. This style flatters heart and oval face shapes because the jaw framing pieces fill out the lower portion of the face. This style is an understated updo, but the look is really undone and low. This style looks good if you purposely curl the back of your neck because leaving it undone looks messy. People will appreciate this because most people will not notice that the center part of the style is pulled to the side, breaking the symmetry and routine of the look.

Twisted Low Knot with Bright Blonde Front Pieces on a Cool Brunette Base

Instagram: hind_haircaire

These tendrils do most of the packing, and bun knows it. Having a small and tight knot at the nape means you should have at least medium density, or it will look like an afterthought. Blonde strands framing the face are almost fully foiled, and the rest of the strands are cool brunette with highlights. The loose strands are only really impactful with a good contrast of color, and without the color contrast, this is just flyaways. A style that is almost fully one color is boring. The bang pieces are not thick, but rather thin, almost translucent pieces, with a slight wave done with a flat iron. The flat iron helps maintain a natural look. This style helps elongate the face, and for those who have heart or oval shaped faces, this is perfect. Round faced folks will need to add beauty-height voluminousness to the crown of the head.

Straight Dark Tendrils on a Clean High Bun with Braided Wrap

Instagram: asenartistry

The tendrils are straight and blunt, eliminating the need for curls. This is a time saver and allows the tendrils to hit at the jawline, making everything below the cheekbones slimmer, making this style more aimed for rounder faces with fuller cheeks. The braid at the base of the bun is appreciated, as a bun for thick hair can sometimes not hold. Also, a bun must have thickness for hair to grab. Fine hair will completely ruin the style by showing the braiding and losing volume to the bun, therefore making this style ultimately an afterthought. The flat and sharp end of the pieces eliminates layers. Wavy and frizzy hair will also be unruly and require more effort, like flat ironing, for the hairstyle to in fact look flat.

Thick Dark Waves Pulled Into a Romantic High Bun with Long Loose Pieces

Instagram: antonella_studio

Tendrils aren’t just an afterthought for this hairstyle. In fact, I’ll go as far as to say that these front tendrils come in at a little under Cleavage-length (yes, that’s two layers!), and they will shake with tendril movement thanks to a flat iron. Also, these tendrils will give a more natural movement than basic ringlets. And I have tons of tendrils, which almost make this a Half up-do, except this is a half up style. The length actually helps with a fuller face, because the tendrils draw the eye vertically past the jaw line. Certain hair styles need length, and anyone with medium to long thick hair is going to have a good amount of volume to work with. The color will help if you have fine hair and are looking to create that volume. A dark brunette single-process defines the tresses. The asymmetrical look with the right side higher makes this look a lot less costumey and a lot more easy with the uneven pieces. It will lose most of the curls in humidity and from long wear during receptions.

Loose Brunette Updo with Curtain Tendrils

Instagram: cmachadopro

Loose tendrils may seem disorganized, but there are actually techniques and methods. Take the varying lengths as an example. A few tendrils end at the jawline, while one even reaches as high as the collarbone. There are some subtle techniques used here to leave out some of the point-cutting to ensure that hair does not fall onto the face. The high bun has a loose crown which allows for additional space and gives enough room and keeps the overall accessibility of the style without the rigidity of a wedding updo. Oval and heart-shaped faces will appreciate the length of the tendrils best, while those with round faces should limit the style as it may add width to the face. The tendrils are framed to block bright, contrasting colors and tend to work best for dark hair colors without any highlights. This style also is best for those whose hair length is longer than shoulder length. Mid-back length hair is too short for this bun.

Long Spiraled Pieces on a Slicked Dark Ponytail with Caramel Ends

Instagram: heaven.salonbeauty

These tendrils do a lot. Using a small barrel iron, vertical face-framing tendrils that reach the collarbone are pulled and curled from the hairline. These tendrils work to elongate the face on an oval shape, however they do work to elongate other face shapes as well, like a long face shape. The rest of the hair seems trendy and pulled back to a low slicked back ponytail with the use of gel or strong pomade. A contrast of wet and controlled tendrils against a slicked back ponytail works well with this variation of the look. Tendrils are used to draw the balayage and frame the hair. Fair amount of density in the hair is needed to prevent the tendrils from falling flat against the slicked back part that will reveal the scalp. This style holds up best for a dry climate.

Side-Swept Low Chignon with Curled Brunette Pieces at the Cheekbone

Instagram: ozlem_nailart

The tendrils here have a loose curl and are curled in the right spot so that they follow the cheekbone, not the chin. This placement makes a big difference for a fuller face by creating angles along the soft, short bones and at the same time, shortening the distance between the hairline and the jaw line. The low side chignon means the hair is at least medium thick, if not thick with a good amount of density. Any thinner hair will result in looking flatpinned down that low. As for this look, there is a deep side part that pulls everything to one side which exposes a lot of your sensitive hairline. The tendrils were curled to an S-shape by a small iron before being pinned up and cooling them. Because of this, the tendrils are holding their curls. I have had clients with straight, wavy, and even brunette hair as long or past their shoulders pull this look off. It will not hold for naturally curly hair and will definitely need a blowout.

Sculpted High Bun with Honey Blonde Pieces Dropped at the Temples

Instagram: luiza.artistic

These tendrils know how valuable they are. We’ve all had the misfortune of trying out the ballet bun on someone with a long, thin face. The honey blonde hair stuck to the jawline doesn’t require each of those pieces to be pulled out after the hair is swept to the side with gel. It requires skill to create that level of control with a hairstyle, and a crown bun without the pieces getting lost means medium to thick hair density. She has the ability to wear a bun on her head, and a top knot without the need for a hair padding add on. The gel used has a heavy hold, and will keep the bun in place except for the two spots covered. For those who really despise humidity, or any sort of wet-look finish, this hairstyle is not for you. Wearing this hairstyle is a commitment to having a sleek appearance with hair framing the middle of your face.

Curled High Updo with Wispy Nape Tendrils on Highlighted Brunette Hair

Instagram: matrixstudiobycorinamoldovan

Those tendrils help a lot. They’re located at the nape and by the ear, so they keep volume at the nape and prevent a fuller round face from looking too exposed. The updo is a pretty loose bun where you can see flicked over curls. To achieve this look, use mid-density hair. This updo style looks best on warm blonde highlights on a dark brown base. This is a great look and works well; but, if you don’t have hair that is shoulder length, it will fall and look way too flat. Fine, straight hair will need to have loose flick at the nape for the tendrils to lay flat. Pin with some finishing spray to get this look to hold the whole night, but it looks so effortless with a textured bun on top.

Blonde Waved Tendrils on a Smooth Low Bun with Dark Roots

Instagram: yesmonavan

This is a great look because of the tendrils, not the bun. The bun is almost completely tucked, so it does not interfere with the look. The sections that are left out are the main focal point. Those spots show that her bunidy type hair color has the most light of all the sections that are pulled back and framed like jewelry around her dark hair. This helps define the darkness and completes the look. You won’t achieve this with solid colored hair, and you need some length and density of hair that are shoulder length at least. The curls should be small and cooled, then hand-tousled. It flatters heart and oval faces because the curls are at the jawline and they fill the lower face. If you have a big forehead, you will especially dislike the center part because it’s tidy and there isn’t any texture to it, and the top is flat.

Dark Curled Pieces Framing a Round Face on a Swept-Back Updo

Instagram: valeriagodoy01

The tendrils do the work. For a longer face, hairpieces placed at the jaw lengthen the face, and it helps that most of the hair is left out on one side. The hair is dark brown, thick, and super dense. It can hold the length needed to complete the thing-verse-face. These pieces have the proper curl, and they won’t fall flat. On fine hair, these will fall. The accessory works well with hair that is long and dense enough to hold curls.

Waved Honey Balayage Tendrils on a Dark Brunette Low Updo

Instagram: bronzeandglow_makeup

The tendrils know they’re doing all the work, but we love them all the more for it. Framing the face with some well-placed balayage pulls the tendrils forward – no longer a case of unruly tendrils, but rather intentional face-framing highlights. This hairstyle is ideal for women with oval or heart-shaped faces because it is a great way to elongate the face. However, for face shapes that are not oval or heart shaped, this style is a recipe for short, round faces. This hairstyle also requires some minimum medium density hair, so must be avoided by people with fine hair. This style will leave fine hair looking wispy and requiring some tendrils to be tucked behind the ears the entire night. There is also a slightly off center part which helps in creating movement within the overall style.

Slicked Center Part with Waved Pieces on a Low Side Ponytail

Instagram: orinta_makeup

These tendrils know they’re doing all the work. Everything else is slicked flat with product and pinned up into a low side ponytail. It shows off a frame of two curls that fall just about the jawline. If I didn’t have medium density hair, this would not look as good. Thick hair will cause slicked parts to fight you, and fine hair will cause the waves to disintegrate. The center part and the length and curl pattern on both sides of the tendrils are almost symmetrical. This is quite difficult to do and requires a small barrel curling iron. This style enhances oval and round face shape as it shows off the cheekbones. This will make long faces appear stretched. The gel-slick throughout the rest of the hair becomes greasy if not in perfect nesting lighting.

High French Twist with Blonde Money Pieces Left Out

Instagram: _patricia_rm_makeup_

The twist does most of the work and is pretty strict. However, the tendrils easily make up for this and are notably placed using the foil highlight technique. The tendrils pull completely free in a non-messy way allowing longer brunette pieces to actually frame the face and end just under the jawline. The style does a great job packing volume with the density of the hair, but this style remains without padding. Tendrils are also sparse. As mentioned, do two or three tendrils in total. It is essential not to pull for volume in this hairstyle as you will end up with a messy style overall.

Textured Low Bun with Uneven Tendrils on Medium Brunette Hair

Instagram: glamour.byy.iva

This hairstyle uses a technique of building length to complement the overall style. One of these textured pieces falls to the collarbone. One cheekbone duster is a shorter piece. The majority of this style is diagonal across the forehead, and is traditionally a piece that adheres to the side of the face. Not tucking this piece adds a gorgeous dimension to the style and flatters full cheeks. The style is completed with a low bun, but goes between a braid out and a textured pin curl. Thick hair fills a lot of volume in this style. Because of the volume, fine hair doesn’t hold the shape of the low bun, and the tendrils lose wave and become limp. This look is not bad because the tendrils of the bun lay flat, this hair style is more focused on hair volume and fullness that will affect overall style the most. The front pieces also reflects light and show dimension with balayage perfectly framing this style.

Warm Blonde Messy Bun with Soft Pieces at the Jaw

Instagram: nikolamosiolek_hairstylist

Did you notice those tendrils? They’re not random. They’re angled until the jaw line and are probably point cut to avoid a blunt look. Placement breaks up the updo exposure on longer or angular face shapes. The bun is styled with loose volume and is set forward on the crown, high. The bun texture is considered medium density, straight to slightly wavy, which will not hold for most fine hair types and will look sparse where hers looks full. This style maintains a look for hair that is less fine and more thick and course because the texture of tendrils will not fall as hers does. This blonde is buttery and warm, and the single process warm blonde on the facial framing pieces means less maintenance compared to a highlighted blonde of similar style. This look completely falls apart if you try to make it neat.

This post Here are Face-Framing Tendrils That Make a Simple Updo Feel Prettier, was originally published at Latest-Hairstyles.com

“I recently got a mullet with short layers around my ears, longer hair past my shoulders, and bangs that sweep across my forehead. At the salon, it looked textured and relaxed. When I style it, the top gets round and puffy while the back hangs in skinny pieces. My bangs also separate right down the middle. How do I get everything to look like one intentional haircut?” — Denise Robinson, Secaucus, New Jersey

Denise, you’re probably treating those very different lengths as though they need the same styling. That’s an understandable habit, especially if you previously had long layers. With this mullet, however, lifting every section with a round brush builds width around the ears, while pulling the back straight removes the bends that connect it visually to the top.

The reference shows a longer mullet with a textured crown, a broken fringe sweeping across the forehead, shorter pieces around the ears, and loose waves through the longer back. The sides aren’t shaved, and the top isn’t styled into rigid spikes. There’s a noticeable change in length, but the finish keeps that change from looking like two unrelated haircuts.

You’ll get closer to this result by giving each area a different job: direct the fringe, keep the sides relatively close, lift selected crown sections, and preserve some bend through the back. The blonde balayage makes the separate layers easier to see, but you don’t need that color to recreate the styling.

These 13 steps follow that approach. Use the texture options that match your hair; you don’t need to perform both versions or buy every product mentioned.

1. Find Where Your Short Layers Stop and Your Longer Back Begins

Before wetting your hair, look at it from the front and side. Slide your fingers through the layers above your ears, then follow the longer pieces behind them. You’re identifying the change in length that gives your mullet its outline. Keep those groups separate in your mind instead of gathering everything into one large section.

Notice where your shortest crown pieces fall when you release them. If they already stand away from your head, they need direction more than additional lift. If they lie flat against the scalp, you’ll concentrate your drying at their base. This quick check prevents you from automatically adding volume where you already have plenty.

Next, examine the longer back without pulling it forward. The reference has length falling behind the ears and along the neck before reaching the shoulders. Bringing all that hair over your shoulders too early can make the front look heavy and hide the shorter sides.

Choose a realistic target for your texture. Naturally wavy hair can approach the pictured finish through controlled drying. Very straight hair will usually need a few deliberately placed bends. Tight curls can follow the same balance of short sides and longer back, but your finished texture will look curlier than the reference. You’re recreating the arrangement, not requiring your hair to behave like someone else’s.

2. Prepare the Long Ends Without Coating the Short Top

If your hair needs washing, cleanse your scalp and let the rinse carry shampoo through the lengths. The longer back often needs more conditioning than the short crown, especially if it has been lightened. Apply your usual rinse-out conditioner mainly through those longer sections, using what remains on your hands for dry shorter ends.

Keep conditioner away from the roots if they flatten easily. That doesn’t mean leaving coarse or curly crown hair unconditioned; it means adjusting placement to how each area feels. A mullet can have a relatively fresh, manageable top and older, more weathered ends in the same haircut.

Detangle the long back gently from the ends upward while the conditioner provides slip. Support each section above a knot rather than pulling against your scalp. Separate any shorter pieces caught in the longer hair so they can settle independently after rinsing.

Press out excess water with your hands, then blot with a smooth towel or cotton T-shirt. Avoid rubbing the short top into a fuzzy halo. Leave the fringe damp enough to redirect immediately. If you’re using the curl-gel option in the next step, keep the wavy back thoroughly wet and only blot away active drips. Otherwise, aim for evenly damp hair. Don’t leave everything wrapped up until the bangs have dried into their usual split.

3. Choose Hold for Your Texture, Then Protect Any Hair You’ll Heat

Decide whether you’re encouraging existing waves or creating bends in mostly straight hair. That choice matters more than assembling a long product routine. Straight hair doesn’t become wavy simply because you scrunch gel into it, and naturally wavy hair doesn’t always need a curling iron.

If your medium or coarse waves lose definition as they dry, Jessicurl Spiralicious Styling Gel provides hold for the longer back. Apply it evenly to soaking-wet lengths, starting with a small coin-sized amount divided between the two sides of the back. Scrunch gently and add a little more only if needed for coverage. Fine waves can be weighed down by this stronger gel, so use less or skip it if your hair already holds its bends. This is an optional texture choice, not a requirement for every mullet.

Before blow-drying, apply TRESemmé Protecting Heat Styling Spray according to its label. Lift the short layers so the spray reaches more than the outer surface, and distribute it through the longer back. It makes sense here because your brief crown drying and longer back drying expose different sections to heat.

Use enough for even coverage rather than a fixed spray count for every head. Heat protection reduces risk; it doesn’t make excessive heat harmless. If you’re air-drying the entire haircut, you can leave out this heat-styling step.

4. Set the Fringe Before Its Roots Dry Into a Split

Start with the bangs because these short pieces dry quickly. Bring only the fringe forward, leaving the crown behind it alone. In the reference, the fringe crosses the forehead in uneven pieces; it doesn’t form a thick rolled-under curtain or a perfectly straight horizontal line.

For straight or loosely wavy bangs, use your fingers or a small flat brush to guide the damp roots gently to one side, then the other. Keep the dryer above and slightly in front of you, with airflow traveling along the hair rather than upward from underneath. Use a comfortable low or medium heat and keep the nozzle moving several inches away.

Once the roots are nearly dry, direct the bangs toward the side they favor. Let the ends fall diagonally across your forehead instead of pulling them straight down with tension. Your goal is a controlled base with a relaxed finish.

If a stubborn growth pattern creates the split, dampen that root area again rather than repeatedly brushing dry ends across it. You may need to accept a slight opening where the hair naturally changes direction. With curly bangs, arrange small wet curl groups across your forehead and dry with minimal disturbance instead of brushing them repeatedly from side to side. Keep the texture consistent with the rest of your haircut.

5. Dry the Temple Pieces Close Enough to Reveal the Mullet

The area above and in front of each ear controls how wide your mullet looks. If you lift these pieces outward with a round brush, they can create the rounded puffiness Denise described. Aim for a narrower side outline while leaving the individual ends visible.

Hold the longer back out of the way with a loose clip if needed. Lay two fingers lightly against the short side section and guide it diagonally downward toward the ear. Direct gentle airflow from above, following the direction your fingers establish. Release before the hair becomes plastered against your head.

Near the cheekbone, allow a few longer face-framing pieces to fall forward. Behind them, the hair can angle back toward the ear. That small change in direction gives you the broken outline in the reference without turning the whole side into a backward sweep.

If your sides curl strongly, arrange the damp curls close to your head and let them set with low airflow or air-drying. Don’t repeatedly stretch them straight while leaving the back tightly curled unless you deliberately want that contrast.

Check both sides with your head upright. They don’t have to match strand for strand, but neither should balloon outward enough to hide the difference between the short sides and longer back. Stop once the side shape looks controlled; extra brushing can erase its texture.

6. Lift Selected Crown Roots Without Building a Round Cap

Move to the top and upper back of your head. The reference has irregular height through this area, with some pieces lifted and others lying across neighboring layers. Uniform lift everywhere would produce a rounder, more set-looking finish.

Take a small section near the crown between your fingers and raise its base slightly away from the scalp. Aim the dryer toward the roots from the side, then follow the section outward briefly. You’re drying the base in a lifted position, not pulling the entire piece vertically into a spike.

Release it, pick up a neighboring section, and change your hand position slightly. Let one section lean forward and another diagonally back. Keep these changes modest. The top should have varied direction without looking as though every strand is fighting the next one.

Leave the lowest crown layers angled down toward the back. They create the visual transition between the short upper section and the longer lengths. Lifting those lower layers straight outward can expose a pronounced ledge.

If your crown is already dense or naturally buoyant, skip the root lifting and guide its surface into place with your fingers. For curls, lift only the base of a curl group while diffusing gently. Keep the ends together. Finish by letting the crown cool untouched so you can judge its actual height before adding anything else.

7. Separate the Nape Before the Longer Back Dries Together

Release the clipped back and run your fingers gently underneath it at the nape, where your hair meets your neck. This area can dry pressed against the skin while the visible surface looks finished. It can also collect overlapping strands that later separate into a few thin tails.

Divide the back into a left and right section with your hands. If your hair is dense, make one additional loose horizontal division so you can reach the underneath layer. You don’t need precise salon partings; you only need access without dragging the short crown into the longer section.

Lift the underneath hair just clear of your neck and direct gentle airflow downward along its first few inches. Keep your head fairly upright. Folding your chin tightly toward your chest can encourage an awkward bend where the hair crosses the neck.

For a wavy finish, stop before stretching the entire length smooth. Let the lower bends remain together. If you’re air-drying, occasionally move the damp hair clear of your collar and let air reach underneath without repeatedly combing through it.

Pay attention to clothing here. A high collar or bulky towel can push the back upward while it dries, leaving a shelf-shaped kink. Move the fabric away from the hair until its outline has settled. This small adjustment often prevents a correction later.

8. Form Broad Bends Through the Back Instead of Tiny Twists

Now shape the longer lengths. The reference has loose, irregular waves with relatively relaxed ends. Twisting every section into a narrow rope can make a lightly layered back look stringy, particularly when the ends are fine.

If your hair is naturally wavy, gather a palm-sized section, support its ends, and lift it gently toward the middle of its length. Let the hair fold into its existing wave rather than squeezing it into a tight ball against your scalp. Repeat around the back with broad groups.

Use a diffuser attachment on low airflow if you need faster drying. Support a section in the bowl, bring it near the head without pressing against the scalp, and dry briefly before moving. Keep the temperature comfortable. For less shrinkage, begin by hovering the diffuser near the hair instead of pushing the ends upward.

If you applied gel, avoid repeatedly rearranging the lengths as they set. Let them dry completely, then gently squeeze any stiff coating to soften it. That coating is often called a cast; it’s the temporary firm layer left by the gel.

For straight hair, dry the back while guiding it loosely with your fingers and preserve whatever slight bend it has. Don’t keep scrunching and reheating in search of a wave that isn’t appearing. You can add a few controlled bends once the hair is dry.

9. Add Heat-Shaped Bends Only Where the Outline Needs Them

Skip this step if the longer back already has the texture you want. If it hangs noticeably straighter than the top, add a few loose bends with an adjustable-temperature curling iron approximately one inch wide. Use a tool you can handle comfortably; the shortest crown pieces don’t need to go around it.

Make sure your hair is completely dry. If your heat protectant’s directions call for another application before hot tools, apply it and allow the section to dry again. Start at a low temperature appropriate for your hair, especially on lightened ends. Increase only if necessary rather than automatically choosing the highest setting.

Choose a section from the middle of the long back, leaving the very bottom layer relaxed. Position the iron around the middle of the section, turn it enough to introduce a loose curve, and release promptly according to your tool’s directions. Leave the last inch or two relatively straight.

Change the direction on the next selected section. You’re creating occasional bends that connect the back to the textured top, not matching curls around your entire head. Usually, the most visible outer sections deserve attention first.

Let each section cool before separating it. If one bend looks too curled, gently loosen it with your fingers once cool rather than immediately clamping it again. Keep hot tools away from your ears and neck.

10. Connect the Upper Layers to the Length Without Hiding the Contrast

Once everything is dry, turn sideways to your mirror. Look at the place where the short crown ends above the longer back. A mullet should show a change in length, but you don’t want a puffed-out upper section sitting over a completely flat lower one.

Place your fingers beneath the ends of the lowest short layers and let them settle over the top of the longer section. If they point outward, gently guide them down and back. Avoid pressing the whole crown flat; you’re adjusting the connecting pieces, not undoing the height you created above them.

Next, bring one or two broader waves from the longer section slightly outward so there isn’t an empty-looking gap beneath the crown. Keep the long back distributed across the neck instead of separating it into one narrow piece on each shoulder.

Use a hand mirror to check the back, or take a quick photograph from behind. The front mirror can hide a flat center section or a pronounced ledge. Make one adjustment at a time so you can see whether it improves the outline.

If a hard shelf remains regardless of gentle repositioning, mention it at your next haircut appointment. The connection between lengths may need refinement. Don’t try to remove that shelf yourself with thinning scissors; taking away more hair can make the longer back look even sparser.

11. Define a Few Short Ends Without Coating the Entire Haircut

Finishing product belongs where you need separation, not automatically everywhere. On this mullet, that usually means a few crown tips, selected pieces near the ears, and possibly the ends of the fringe. The longer back often already has enough definition from its waves.

Paul Mitchell Dry Wax is useful when those short ends need pliable hold and a matte finish. Start with roughly a grain-of-rice amount, rub it thoroughly between your fingertips, and touch two or three selected ends. This small starting amount lets you assess the effect before adding more, especially if your hair is fine.

Pinch lightly and release rather than pulling each piece into a sharp point. Vary the size of the sections you define. A few broader pieces mixed with finer ones look closer to the reference than a row of identical spikes.

Approach the fringe with only the residue left on your fingers. Keep product away from its roots, where extra weight can exaggerate a split or make the bangs look oily. If your fringe already separates nicely, leave it alone.

Skip wax on curls that already have a clear pattern or on ends that feel coated. You don’t need an additional finishing layer simply because the haircut has texture. Step back from the mirror after each small application; close-up styling makes it easy to overdefine every strand.

12. Correct the One Area That Throws Off the Finished Shape

Look at the entire haircut with your shoulders relaxed and your head upright. Decide what is actually bothering you before reaching for another product. A directional problem, too much product, and a haircut imbalance need different solutions.

• The top looks like a round cap: Check the sides first. Press excess width inward with clean hands and release. If the roots dried outward, lightly dampen that side section and redirect it downward rather than flattening the entire top.
• The back looks thin and stringy: Gently open a few overly narrow wave groups with dry fingers. If the lengths feel greasy or tacky, adding texture spray won’t remove the coating. Rinse and restyle the affected lengths when necessary.
• The fringe looks too solid: Separate it into a few uneven pieces with clean fingertips. Don’t cut into it because one styling attempt looks heavy.
• One side sticks out behind the ear: Check whether it dried tucked behind the ear or pressed against clothing. Dampen the full bent section and guide it into its intended direction.

If the back consistently looks sparse even when clean and gently styled, ask your stylist whether the long section has been thinned too heavily. Styling can redistribute what you have, but it can’t replace missing density. Bring a photograph of your home result so the discussion is specific.

13. Refresh the Fringe and Neckline Without Restarting Everything

The next morning, inspect the haircut before brushing it. A mullet often needs attention in two small places: the fringe that shifted during sleep and the longer back that bent against your neck. The crown may already have useful texture.

If the bangs are clean but pointing the wrong way, dampen their roots and repeat the directional drying from earlier. If they’re oily, wash just the fringe and rinse carefully while keeping the surrounding hair aside. Adding wax to oily bangs usually makes the separation more obvious.

For a bent nape section, wet the full crease, including the hair immediately above and below it. Smooth the upper part into place, then reform the lower wave with your fingers. Merely misting the tips won’t change a bend that starts against the neck.

If yesterday’s gel is still present, try water and gentle reshaping before adding more. Let the refreshed section dry before deciding whether it needs extra hold. Leave undisturbed waves alone instead of dragging a brush through the entire back.

Before bed, free the long hair from underneath your neckline and avoid trapping it in a tight elastic at the nape. Short top layers usually won’t stay inside a ponytail anyway. When your scalp needs cleansing or the lengths feel heavily coated, wash rather than repeatedly layering refresh products over them.

Let Each Part of Your Mullet Do Its Own Job

Denise, focus on three things when you style again: direct your fringe before it dries, keep the area around your ears narrower than the crown, and give the longer back enough bend to sit comfortably beneath the short layers. Those decisions matter more than making every strand perfectly smooth.

You don’t need identical texture from forehead to shoulders. The reference looks relaxed because the top has separation, the sides reveal the ears, and the longer lengths fall in broader waves. Your own growth patterns will change the details, and that’s fine.

Once those areas sit together, stop adjusting. If one section repeatedly refuses to cooperate, photograph it and show your stylist exactly where the trouble begins. You’ll have a much more useful conversation than simply saying the mullet looked better at the salon—and a clearer plan for making it look right at home.

This post How to Style a Mullet Haircut for Women?, was originally published at Latest-Hairstyles.com

This client’s text message on a Tuesday morning included the following photo, taken as she air-dried her hair. No flatiron, no curling iron, no fussing with the shape:

Here’s why that works: Straight hair has this undeserved rep for being the easiest to deal with. Sure it does behave more predictably and will almost always dry flat, but without an active cut it can quickly become the bane of your existence. Straight, dull, no movement. Enter, the textured bob: done correctly this is one of my favorite cuts on straight hair. It is incredibly important, with this cut, for the stylist to create movement in the hair. Razor, points, layers within layers- this cut is more about technique than it is about the texture of hair. Done incorrectly (read: blunt) it will be night and day different.

In particular, this client had probably about a decade worth of same ‘ole straight hair. It was fine in texture, had plenty of density but still managed to look lifeless and limp. I think she’s heard every iteration of straight hair “doesn’t hold a style” if its too short so she was gun-shy on that front. We settled on a chin-length textured cut which I lifted at the crown and created movement within. Since last year I’ve gotten really comfortable texturing- creating shape and form- by taking weight out where it counts so the hair has no choice but to fall a particular way.

Dark Choppy Shag Bob With Heavy Fringe

Straight hair actually works best on this haircut, since the thick bangs and choppily cut layers lay beautifully when straightened. In the first few weeks the shape actually improves as it grows, but once it grows in a bit it gets easier! Ask for a layered crop, cut with shears (not a razor) if your hair is on the thinner side to avoid liminess.

Short Rounded Brunette Bob With Full Bangs

Classic and chic, a dark brown, rounded bob cut with full, textured bangs screams French-girl vibes. Bangs work best on this cut when hair is straight (or you’re committed to brushing out the waves daily). Ask for slight graduation in the back for a rounded effect, and full textured bangs for front. Stylist tip: It’s important to focus on the shaping of the nape, so bring pictures of bobs you love, specifically from the back!

Ashy Lavender-Toned Straight Lob

– This one is pretty dependent on the color! Within a couple of washes this will start to run yellow if you don’t have access to toning products at home.
– There’s not much texture in this haircut which would probably work best for medium-density, straight hair.
– If you want to try this at home make sure your stylist knows that this would need a toner refresh about every 3-4 weeks.

Bobs are super flattering on straight hair. And, lucky you, most of these cuts require very little maintenance or styling!

The Long-to-Short Transformation Bob

– If you’ve kept your hair long and it’s a bit beat-up/damaged a great brunette bob will cut out a lot of damaged ends and instantly add body to your hair.
– For bigger changes it’s typically best to get your hair cut dry so your stylist can get an idea of how it falls before making major cuts.

Brunette Highlighted Textured Bob With Side Part

– The highlights are concentrated in the mid-lengths/ends of the hair giving it some dimension with not maintenance at the root.
– This bob has some texture that won’t be necessary to thin-out medium to thick, straight hair. The texture is to add dimension/lightness but wouldn’t be necessary to add movement.
– The side part adds an asymmetric element that sets this apart from your run-of the mill bob.

Honey Caramel Layered Lob With Face Framing

– This haircut has layers concentrated around the face and nipped at the cheekbone making this pretty low maintenance and not very face-shape specific.
– This color is a warm/light brunette with blonde highlights concentrated around the face. Easy grow out.
– I included this picture because I love that you can clearly see the layering from the front which is helpful to show to your stylist.

Warm Blonde Lob With Soft Bend

– Money-pieces are concentrated around the face with balayage throughout which is low maintenance/easy to grow out.
– This is on the longer side of bobs but it has that textured feel that makes it a bob and not a one step/longer haircut. Great option if you like the idea of a textured bob but don’t want to go shorter than chin-length.

Platinum Shaggy Bob With Full Bangs

– Platinum is one of the highest levels you can lighten your hair. It’ll most likely require a root touch up every 4-5 weeks with a toner refresh in-between visits.
– This would be best suited for medium-density, straight hair because platinum tends to cause some damage/breakage that can be difficult for fine/straight hair.

Dimensional Honey Blonde Wavy Bob

– The combination of color and haircut are what really make this one shine. The highs and lows give the illusion of thicker hair (great for fine/straight hair).
– Styling with a flat iron and using the S-wave technique (curl one way, next section curl the other way) gives it lots of texture.

Rooted Ash Blonde Choppy Bob With Curtain Bangs

– The darker color at the root means that you can go eight to ten weeks (if needed) between root touch-ups and it won’t look shabby.
– Ash colors can run warm pretty quickly so using purple shampoo once per week will help prolong the ashen tone.
– Curtain bangs can be challenging in wavy/curly hair but in straight hair they’ll most likely naturally part to one side or the other and will be pretty low maintenance.

Feathery Cropped Brown Bob With Micro Bangs

If micro bangs are not for you, don’t rule out this cute cropped bob. The feathery effect around the perimeter is best for straight, medium thickness hair, and can be trimmed about once a month. Ask for a dry cut with razor work for a choppy, feathery finish.

Ear-Length Textured Black Bob

Trimmed every 4-5 weeks, this super short bob is cropped just above the shoulders with piecey ends. It’s best suited to straight, medium-density hair, since hair with too much body will poof out at the sides, and finer hair might lack the weight necessary to achieve this shape. Stylist tip: Work up to it with a classic chin length bob first if you’re not accustomed to super-short crops.

Dark-Rooted Bronde Wavy Bob

We love how the waves compliment the dark rooted bronde hair color on this chic, chin-length bob. At 6 weeks, there is still no tell-tale line of growth thanks to the gradual change in color. Styling tip: Achieve waves with heat styling. This cut is great for all hair types, but shines on finer hair. Stylist tip: Bronde hair color is gorgeous, dimensional hue that photographs well, and pops in natural lighting. Not too fussy, bronde is a hair color we think you’ll love.

Choppy Chocolate Chin-Length Bob

This cut was created with a razor instead of shears, resulting in more separated ends. Ask your stylist for the same to achieve similar results. I’d say this cut is best for hair with medium density that tends to fall flat unless it receives some help. All you’ll need to style it is texturizing spray, which you’ll scrunch into damp hair, and boom, your hair will retain this shape all day!

Black Bob With Burgundy Peek-Through

Love bobs on the darker side? We do, too. A layered bob cut with strategic burgundy highlights underneath gives your ‘do dimension and body, with the added bonus of a color-contrasted peek-a-boo only seen in movement. The peek-a-boo burgundy adds a fun twist to this otherwise simple bob. Ask for a layered bob to encourage movement, especially if you have thick and straight hair. the burgundy highlights that gradually morph to a warm plum shade within about 4 weeks (the color change on darker hair is very gradual).

Cool Brunette Tucked-Under Bob

For an alternative take on this bob, try tucking the ends under for a more professional vibe. Styling tip: Straight hair is ideal for the tucked-under bob, since you can easily achieve the tucked look with a blowdry and round brush. It’s best for medium to thick hair, and can be trimmed every 6-7 weeks (you want to keep up on trims for this one in order to maintain the tucked-under effect).

Balayage Tousled Chin-Length Bob

A tousled, chin-length bob looks just right with dark-rooted caramel balayage highlights, with the lighter hues complementing the flipped-out ends. Ask your colorist to strategically place lighter hues where your hair typically flips out and you’ll look effortlessly put together. This haircut works best on medium or fine hair (thick hair should be thinned out a bit),. And since the balayage color is grown out naturally, the balayage can easily grow out as well with no obvious line of demarcation. Styling tip: For straight hair that refuses to look tousled without a round brush, try scrunching a sea salt spray into damp hair. Once it dries, you’ll be happy you spared yourself from heat styling!

Light Brown Side-Parted Textured Bob

This light brown, side-parted, textured, chin-length bob gets its body/lift from its deep side part which creates the illusion of texture and dimension. I’d say this cut is best for babes with fine/straight hair, since the deeper side part adds lift in some places where fine/straight hair may need the help. It also grows out really well and could go about 10 weeks before needing some love from your stylist!

Soft-Bend Warm Brunette Bob

The strategic placement of the mid-length, warm-color in this warm brunette, chin-length, soft-bend bob really sets this cut apart, as it adds dimension and falls just so the color shines when the light hits it right (when the bend in your hair flips outward). This cut would be low maintenance for a babe with straight hair and styling only takes about five minutes (give your ends a flick with a flat iron and you’re on your way).

Lived-In Dark Blunt Bob

This lived-in, dark brunette, blunt bob is reminiscent of a one-length bob cut with some texture worked into it, so it doesn’t appear helmet-y. Babes with straight hair and medium-density will find this cut easy to rock. Minimal styling required! Show your stylist this pic (and pics of this cut from all angles because the back-view of bobs are just as important) and they should be able to cut your hair into this shape. Ask your stylist to cut it on dry hair since this cut falls better on straightened hair.

Stacked Highlighted Blonde Bob

This stacked, rooted-blonde, highlighted, short bob requires more maintenance than the other cuts featured in this article since both color and cut require upkeep. The strategic placement of the foils add texture and draw your eye to the layers, which compliments the stacked effect in the back, which gives this bob lift and body (minus the use of a round brush). This cut is best for babes with fine to medium-density hair since those with thicker manes will find that the stacking effect in the back of this cut may fall out wider than desirable.

Dense Choppy Jaw-Length Bob

This dense dark brown, choppy, jaw-length bob gets its texture from the cut, instead of product/styling, but retains its body due to little to no weight removal. Babes with thick straight hair who are looking to add some movement, without removing body, should rock this cut! It should last you about eight weeks before the ends all connect again and you lose the chop.

Undone Wavy Brunette Bob

I bet this undone wavy, chin-grazing, brunette bob belongs to a babe with straight hair that uses her flat iron to achieve this look, since not everyone is lucky enough to have wave patterning within their hair. This cut definitely gets better with age (literally!), becoming undone in all the right places on day two and even more so day three! A spritz of dry shampoo at the roots before bed could help retain some of this cut’s root lift.

Warm-Toned Blunt Textured Bob

This warm-toned, jaw-length, textured blunt bob is all about that perfectly balanced combination of single length (around the perimeter) with separation (via point cutting) within the hair. Thick straight-haired babes can rock this cut with no styling/product whatsoever thanks to their hair’s density. If your stylist has ever thinned out your blunt bob when it needed a tidy-up, tell them not to this time around! It’s important to keep the heavier piece in cuts like this one so your bob doesn’t grow out thin.

Tousled Shag Bob With Wispy Bangs

This dark brown tousled shag bob features a wispy fringe and layering that begins higher than most of the other bobs in this feature. Tell your stylist you like the shape but make sure to emphasize wispy/thin bangs (so they don’t take over fine/straight hair) and ask that they begin layering higher to add fullness to the crown. I’d say this haircut requires more maintenance (visits to your stylist every six weeks) to ensure the bangs don’t get heavy.

This post Textured Bob Hairstyles That Give Naturally Straight Hair a Whole New Attitude, was originally published at Latest-Hairstyles.com

Italian bob + thick wavy hair = disaster? Not necessarily!

For the life of me, I couldn’t figure out why the Italian bob wasn’t working for my thick wavy haired clients. The cut kept evolving, and I kept perfecting my technique, yet somehow my clients kept looking more mushroom-y than Monica Bellucci. I figured, there’s got to be something I’m overlooking. After much thought and experimentation, I finally discovered my missing link. The secret to making this cut work for wavy and thicker textured hair has everything to do with the interior!

The Italian bob typically features a blunt perimeter, lots of movement, and a sexy, undone vibe. Traditionally, this cut has been designed for clients with medium density, straight hair that falls perfectly every single day (even in Milan, which, if you’ve ever been, is incredibly humid). In order to achieve that same sexy, undone vibe for clients with thick wavy hair, you’ve got to get creative with interior cutting techniques. Incorporating lots of interior layers and removing weight with a variety of texturizing techniques (i.e. point cutting, razor cutting, etc.) will allow you to achieve all of the movement and undone-ness this cut is known for, while still maintaining the blunt perimeter that is essential to the shape of this style.

A few years back, I had a client come in to see me for the third time to have her bob re-worked. After unsuccessful results from two other stylists, she was ready to give up on bobs for good. After carefully carving out weight with an abundance of layers (but not a single snip on the outside perimeter!), she sent me a picture of herself sporting her dreamy new do complete with tousled beachy waves and the wind at her back. Talk about an Italian moment!

The Blunt Wavy Brunette Bob

Instagram: kyana_polska

This brunette bob for thick hair has a slightly wavy pattern with a mostly even perimeter. There is, however, plenty of point cutting in the interior of the style so that it doesn’t poof out. Pro tip: If you wash your hair, use a sea salt spray to give it a grittier texture, mimicking day-two hair! (Which, in our opinion, is even better than this style looks fresh out of the dryer.)

The Natural Curl Jaw-Length Bob

Instagram: _talirutka

Unlike the previously-mentioned bobs for thick hair, this jaw-grazing, curly bob is cut for someone whose hair is curly, not wavy. It’s perfect for anyone with thick, curly hair, since the length gives the style just enough body and spring to frame the face.

The Layered Curtain Bang Wavy Bob

Instagram: unami_dairaku

Unlike other bobs for thick hair, this ash brown, wavy bob sports plenty of layers throughout, giving this style tons of movement. We also love the long curtain bangs, which are much easier to grow out. Styling tip: Use a round brush when drying this style to keep your bangs from splitting in odd places.

The Bronde Tousled Everyday Bob

Instagram: _aneres___

This tousled bob sports one of our favorite hair colors, bronde, which falls right on the spectrum between blonde and brunette. This shade flatters just about any skin tone, lending it mass appeal, and the dark roots lend this polished style a low-maintenance vibe.

The Dark-to-Caramel Ombré Mini Bob

Instagram: fernandafmagnani

The ombré effect in this chic bob transitions from dark brown to caramel right around the ears, lending this polished style an extra dimension. The subtle layers in this bob allow for a clean, strong perimeter line for the ombré color job to fall against.

The Icy Platinum Shoulder Wave

Instagram: hairblonde_raha

If you dream of trying this icy blonde bob, be sure to visit a stylist with plenty of experience with hair lightening, and factor in extra time for a toner appointment every four to five weeks in between your regular root touch-ups. Though the layers in this shoulder-grazing bob are subtle, they’re still noticeable enough to warrant an extra appointment or two with your stylist.

The Butter Blonde Side-Swept Wave

Instagram: l.manginelli

The darker roots in this blonde bob lend this style an easy low-maintenance vibe because she is not stuck rushing to the salon for a root touch-up every four weeks! And, though she clearly used a curling iron to create these waves, the side-swept style and alternated curls (curling some away from the face and some toward) lend this polished look a laid-back feel.

The Highlighted Wavy Collarbone Lob

Instagram: wigs_com

The caramel highlights in this chic lob fall on the mid lengths and ends of her hair, instead of at the roots, adding even more dimension to her waves. Though slightly longer than some of the other bobs we’ve shared, the layers around the face lend this style bob-like qualities.

The Easygoing Light Brown Natural Bob

Instagram: salon_mocci

There’s no way to tell how this chic bob was styled, but we’re betting she simply washed her hair and let it dry. If you want to ditch the hair dryer, bring this polished picture to your next appointment to communicate to your stylist the kind of texture you’d like to walk out with.

The Soft Flip-Out Korean Bob

Instagram: onyad_seoulforest

Instead of curling the ends of this chic bob in, the stylist here curls them out for a polished finish with a subtle nod to the past. If the ends of your locks already flip out on their own, this could be the style for you! Styling tip: A flick of the flat iron will help you achieve the same effect.

The Long-to-Short Big Chop Transformation

Instagram: maison_mo.mo

If you’re on the fence about taking your mane from long to short, this chic transformation could be just the inspiration you need! Notice how the removal of length allows this wavy bob to stand on its own, whereas all of the strands’ own weight was previously pulling the waves down. Styling tip: If you’re set on ditching your length, bring pictures of the wave pattern you love as well as the length you envision.

The Full-Volume Curly Black Bob

Instagram: _alikazahra_

This black bob is cut especially for curly hair, with plenty of layers stacked on top of one another to add height. Notice how this chic style is fuller at the crown, and tapers as it nears the jawline. Styling tip: Ask your stylist to layer this look instead of using thinning shears to remove bulk, since this product can add unwanted frizz to this curl pattern.

The Tousled Dark Brown Ear-Tuck Bob

Tucked behind one ear, this tousled, wavy bob appears asymmetrical, when in all likelihood it is most likely the same length all the way around. If you tuck your hair behind one ear on a regular basis, bring this chic style to your next appointment!

The Side-Parted Black Loose Wave

Instagram: roshan_hairlove

This side-parted, wavy bob just skirtings the chin is perfect for anyone with thick hair, since the length gives the waves just enough weight to keep the style from looking poofy. We love the deep side part on this polished bob, since it gives the look plenty of face-framing action, removing the commitment of bangs!

The Wet-Look Tousled Dark Bob

Instagram: nana_9351

We included this chic, wavy bob to show you that styling can make or break a look! Tons of product gives this tousled style its damp finish. If you’re dead-set on going for this eye-grazing, wavy bob, be prepared to style those bangs on a daily basis! We suggest investing in a great hair gel.

The Chin-Grazing Brunette Wave

Instagram: drhair.la

This chin-length, brunette wavy bob has had some interior thinning so that the wave pattern lays close to the head (instead of poofing out). It’s ideal for anyone with medium to thick hair with a bend to it, since it’s easy to maintain (texture spray + air drying on damp hair = this look!).

The Polished Event-Ready Wave

Instagram: makeup_byelnaz

We love this medium brown, wavy bob for special occasions! The waves in this polished bob were most likely created with a curling iron, while a glossing product gives the finished style all of its shine. We highly recommend this look for anyone searching for a wedding guest hairstyle! Just be sure to show your stylist a few other examples of this shape cut straight, so she knows exactly what you’re after underneath all those waves.

The Digital Perm Chin Bob

Instagram: adelehair_official

This chin-length, wavy bob was most likely created on someone with naturally-straight hair using a digital perm. If you love the shape of the Italian bob, but aren’t a fan of curling your hair every morning, consider going for this look! Digital perms are less severe than traditional perms, and can be an excellent styling method for Asian hair. Styling tip: To maintain your waves, skip the brush and wash your locks with a gentle, sulfate-free shampoo.

The Curly Side-Swept Short Bob

Instagram: rohit.popuphair

Unlike the other Italian bobs we’ve showcased today, this short, curly bob sports curls, not waves. It’s perfect for anyone with thick, curly hair, since it gives you the shape of a bob, while still maintaining your natural curl pattern. Note to curly girls: Your stylist will most likely cut your hair longer than you think when going for this style. Styling tip: Try scrunching some curl cream into damp hair and letting it air dry!

The Choppy Blonde Textured Crop

Instagram: palomaroan_

The wispy bangs on this textured blonde bob for thick hair are ideal for finer hair, since they won’t overwhelm your features. Bonus: This is a great style for wavy hair. To maintain this chic, Italian bob, plan on getting regular trims (about every five to six weeks), as well as color touch-ups.

The Soft Strawberry Blonde Wave

Instagram: yourfriendlibby

Although this isn’t a bob for thick hair, we included this wavy, Italian bob because we love the way this cut falls on someone with finer hair (meaning it shows you all what you stand to lose if you go for this cut with finer hair). Waves give this chin-length style plenty of body, while the chin-grazing length keeps the shape of the bob intact.

The Balayage Wavy Italian Bob

Instagram: isabelleraamos

This brunette-to-caramel balayage is concentrated at the ends and throughout the face-framing pieces, making it ideal for shorter styles like this chin-length, wavy bob. Styling note: The waves in this look were likely created with a 1-inch curling iron and by curling the hair in alternating directions. Color-wise, this brunette balayage will require regular use of purple shampoo to avoid brassy tones.

The Undone Razor-Cut Lob

Instagram: teagancousins.hair

This chin-to-jaw-length, black bob for thick hair is perfect for those with straight-to-wavy hair. Lots of bulk has been taken out of this style with a razor, giving the ends some separation and preventing this bob from falling into the dreaded triangle shape. Bonus: Lots of texture in the ends creates a piece-y look. Be sure to show your stylist a picture of this style (or similar ones) so he/she understands the type of texture you’re after in the ends!

The Stacked Back Wavy Crop

Instagram: bohemiasalonpe

This short, Italian bob for wavy hair is cut with a deep side part, and the back is cut with graduation so that it doesn’t lay flat. Graduation is key to short bobs for thick hair. This style should be maintained with trims every six weeks or so to avoid growing out boxy in the back. Pro tip: Have your stylist cut wavy hair styles while it’s dry so he/she can see exactly how it falls and shape accordingly!

The Shaggy Shoulder-Dusting Lob

Instagram: drhair.la

This shaggy, textured, Italian bob has lots of layers throughout the mid-lengths to take away from its heft. This shoulder-grazing, brunette lob is perfect for those who want to test the waters with shorter hair (without fully committing), especially since it grows out quite nicely!

This post This Italian Bob Is Made for Hair That Refuses to Stay Straight, was originally published at Latest-Hairstyles.com

“I recently had my hair cut into a pixie bob with longer pieces around my ears and short layers through the back. In the salon, it looked full at the crown with little separated pieces. At home, the top lies flat, the sides puff out, and wax makes everything look greasy. How do I get that tousled finish without making my hair stick up everywhere?” — Kathleen Parish, Reno, NV

Kathleen, you’re describing a common frustration with this haircut: the areas that need height stay flat, while the areas that should sit closer to your head expand. Adding wax afterward tends to emphasize that imbalance because it groups the hair together without correcting how the roots dried.

Your tousled pixie bob needs different treatment in different places. The shorter back gives it structure, the longer upper layers create fullness, and the pieces around your face keep the outline from looking like a traditional short pixie. If you lift every section equally, you lose that balance. If you smooth everything downward, you hide the layers that give the haircut its character.

The approach below uses 13 steps to build a lifted crown, a controlled outline, and a few clearly defined pieces. You won’t need to curl every section or coat your entire head in styling products. Most of the result comes from where you direct the hair while it dries.

These instructions suit a pixie bob with straight or loosely wavy hair. If your hair forms tighter curls, preserve those curl groups during drying rather than brushing through them; the intended finish will have a different texture.

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1. Decide Where Your Pixie Bob Needs Height

Before wetting your hair, look at your haircut from the front and side. Identify the crown, which is the upper back of your head, and notice where the longest top layers fall over the shorter back. That meeting point is usually where you want visible fullness. You don’t need the same height across the whole top.

Next, check the hair above your ears. On many pixie bobs, this area becomes wider than intended because the shorter pieces underneath push against the longer pieces covering them. Your styling goal here is controlled direction, not extra lift. The nape, at the bottom of the back, usually needs to follow your head rather than flare away from your neck.

Choose a loose direction for the front, too. You can sweep it diagonally, let it fall forward, or keep an existing side part. Avoid drawing a rigid part before you’ve checked where your hair naturally separates. A deeply carved line can leave one side looking exposed and the other overloaded.

Use this simple map throughout the process: lift at the crown, moderate fullness through the upper sides, and a closer fit around the ears and neckline. Your haircut may vary, but deciding where volume belongs prevents the all-over puffiness that makes a tousled pixie bob difficult to control.

2. Reset the Roots Without Roughing Up the Layers

If you’re starting after washing, gently squeeze moisture out with a towel. Don’t rub your short layers in circles. That tangles the longer top into the shorter hair underneath and leaves the ends pointing in several directions before you’ve begun styling.

If your hair is clean but flattened from sleep, wet the affected roots thoroughly enough that they become flexible. Dampening only the tips won’t change a flattened crown or a stubborn bend above your ear. Use wet fingertips to reach beneath the upper layers, then distribute that moisture through the section you need to reshape.

You don’t have to soak the entire haircut for a small correction. However, if yesterday’s paste has left the hair sticky, coated, or separated into greasy-looking strands, washing is more useful than adding water and another layer of product. Rinse carefully around the crown and behind the ears, where residue can be easy to miss.

Keep conditioner mainly on the longer lengths when those areas need it, adjusting for your hair’s dryness. Short hair still needs conditioning, but heavily coating roots that already collapse can make styling harder. Blot until the hair is damp without dripping. At that point, you should be able to separate the layers with your fingers and see which way they want to fall.

3. Protect the Hair Without Making It Slippery

Before using a dryer, distribute a lightweight heat protectant through the damp hair. Lift the top in a few sections so you reach more than the outer surface. The shorter layers underneath also receive heat, especially when you concentrate on the crown and the areas above your ears.

Kenra Platinum Blow-Dry Mist is one option when you want heat protection with a lightweight smoothing formula. It makes sense here because you want the ends to look controlled without burying short layers under a rich styling cream.

Apply an even, light mist according to the bottle’s directions, separating sections as needed for coverage. Don’t keep spraying until the haircut feels soaked in product. Short, fine hair needs particularly careful distribution because a concentrated patch can make one area behave differently from the rest. Gently pass your fingers through afterward.

You don’t automatically need mousse, root spray, and thickening cream on top. For your first attempt, keep the preparation simple so you can judge what your drying technique achieves. If you already use a suitable heat protectant that leaves your hair manageable, use that. The goal at this stage is protected, flexible hair; the visible separation comes later, after you’ve established the shape.

4. Settle the Short Nape Before It Dries Outward

Begin with the bottom back section because short hair dries quickly. If your nape dries while you’re concentrating on the front, you may end up trying to press down pieces that have already set away from your neck. Move longer hair aside with a small sectioning clip if it blocks your access.

Use your dryer on a comfortable low or medium heat and a controlled airflow. Keep it moving and several inches from your hair. With your free hand, guide the short pieces downward, following the curve of your head. Direct the air along the hair toward the ends instead of blowing upward from below.

You aren’t trying to stretch the nape perfectly straight or flatten every natural curve. You’re establishing a tidy foundation underneath the fuller layers. If the hair is too short to hold comfortably, don’t struggle to catch it with a brush. Gentle fingertip guidance is enough, keeping your fingers and scalp away from concentrated heat.

For a small section that flicks sideways, guide it gently across in one direction and then the other while it is damp, finishing in its natural downward position. A strong growth pattern may still leave a slight kick. Avoid repeatedly heating that spot in pursuit of a perfectly straight neckline; sometimes the length or cutting detail needs adjusting instead.

5. Keep the Hair Above Your Ears From Becoming Puffy

Move to one side and separate the longer covering pieces from the shorter hair underneath. Use your fingers rather than making several precise salon-style sections. You only need enough separation to reach the roots above the ear, where excess width often begins.

Guide this lower side section slightly forward and downward while drying. Keep the airflow aimed along the hair. Once it is mostly dry, release the longer pieces over it and let them follow the shape underneath. Repeat on the other side, checking that you haven’t accidentally created a rounded bulge just above each ear.

Avoid lifting these sections straight outward as you would when building volume at the crown. That creates width where you’re trying to keep the outline controlled. Also avoid automatically tucking damp hair behind your ears. The tuck can leave a pronounced bend that becomes an unwanted flick when you bring the hair forward again.

If your haircut is meant to show part of your ear, arrange that opening after the surrounding hair has dried. You can guide a few pieces back while leaving others loose. If you wear glasses, put them on briefly before finishing this area. Check whether the arms push the hair outward, and arrange the side pieces around that everyday contact point.

6. Move the Crown Across Its Usual Flat Direction

Now turn your attention to the upper back. If the roots have already dried flat, dampen them again before continuing. This is the section where a little preparation matters more than a large amount of finishing product. You need the roots flexible enough to change direction.

Slide your fingertips beneath the crown and guide the hair gently to one side while drying the roots. Then guide it across to the other side. You’re moving the base of the hair away from its settled position, not scrubbing the scalp or tangling the ends. Keep the dryer moving with your hand.

After loosening that flat direction, lift a small section slightly upward with your fingers and direct air toward the exposed root area. Release it before it becomes stiff or sharply upright. Continue through the neighboring crown sections. Smaller sections make it easier to reach the roots without blasting the entire top into a fuzzy cloud.

If you have a crown swirl, follow its general rotation rather than forcing all the hair against it. Encourage the surrounding pieces to overlap the opening naturally. Trying to eliminate a strong swirl completely can create a standing tuft beside a visible gap. Your goal is a supported crown that settles into the haircut, with enough lift to remain visible from the side.

7. Give the Longer Top Layers a Bend, Not a Round Blowout

Once the crown roots have support, concentrate on the longer hair lying over them. These pieces need a relaxed bend through their length. Rolling every section tightly under can turn your pixie bob into a compact, rounded cap and hide the broken-up finish you’re trying to create.

For straight hair, take a small section between your fingers, raise it gently from the root, and guide the length in a loose curve. Follow that direction with the dryer, keeping the air moving toward the ends. You’re encouraging a change of direction rather than trying to form a curl. Release the section and let it settle before choosing the next.

Change the direction slightly between neighboring sections. One can angle back, another diagonally across, and another toward the front. Keep those changes subtle. If every piece points somewhere dramatically different, the top starts looking spiky instead of casually textured.

If your hair has a natural loose wave, preserve the bends you already have. Support a section in your palm and dry it gently with low airflow or a diffuser that fits your dryer, without repeatedly pulling it straight. You can smooth an isolated rough end afterward. There’s no benefit in removing your natural wave only to rebuild the same bend with another hot tool.

8. Let the Fringe Connect With the Rest of the Cut

The front of a pixie bob can look disconnected when it is styled too neatly compared with the crown. A perfectly rounded fringe beside a separated, lifted top often looks like two different hairstyles. Aim for a front section that shares the same relaxed direction as the layers behind it.

If you have a longer side-swept fringe, dry the roots gently across your forehead in both directions first, avoiding your eyes with the airflow. Then guide the length toward the side where you want it to sit. This reduces the tendency for the front to split immediately along an old part while allowing a natural curve.

Keep the ends relatively loose. Pulling them tightly downward can leave the fringe hanging flat while the crown looks full. Lifting them sharply upward creates a separate front bump. Instead, give the roots modest support and let the length travel diagonally into the side pieces.

If your front layers are shorter, use your fingertips to arrange a few overlapping sections rather than combing everything into a solid sheet. Follow a strong front cowlick enough that the hair can settle comfortably. Check the result with your head upright and your face relaxed. A fringe arranged while you’re leaning close to the mirror can fall quite differently when you stand normally.

9. Cool the Shape Before You Break It Apart

Before applying a finishing product, make sure the roots and the denser areas are dry. Check behind your ears and beneath the crown with your fingertips. Hair that remains damp underneath can settle flatter as it finishes drying, even when the surface already looks styled.

Turn the dryer off briefly to check for moisture rather than relying only on how warm the hair feels. If you find a damp patch, return to that section alone. You don’t need to keep reheating the ends of the entire haircut while waiting for one area to dry.

Once the hair is dry, use the dryer’s cool setting while supporting the crown loosely with your fingers. Then release it and leave the hair alone for a moment. Letting it cool in the intended position gives you a clearer picture of the shape before you start adding definition.

Look from the front and side. At this stage, the style should already have a lifted upper back and a reasonably controlled outline. It may look smoother than your finished goal, which is fine. However, if the crown is still flat or the sides are very wide, correct that drying issue now. Paste can emphasize pieces, but it cannot reliably rebuild a shape that never developed underneath.

10. Use a Trace of Paste to Separate the Longer Pieces

For this finish, a small amount of paste is easier to control than coating the whole haircut in wax. American Crew Defining Paste offers medium hold with a low-shine finish. Those properties suit the separated pieces of a pixie bob when you want definition without a glossy surface.

Start with a tiny smear, roughly a grain of rice for fine or low-density hair. Spread it thoroughly between your palms and fingertips until you can barely see it. You can add another small amount if necessary. Beginning with a full fingertip scoop makes it much harder to avoid heavy patches.

Touch the longer lengths at the back and upper sides first, leaving the roots alone. Then use what remains on your fingertips to pick out a few pieces across the top. Pinch lightly through the last inch or so, sliding toward the tips rather than twisting each piece into a pointed spike.

Leave some hair untouched. The contrast between defined sections and loose strands creates the texture. If every strand joins a thick clump, the haircut can look sparse or greasy, especially around the fringe. Finish the front with only the residue on your fingers. When you can see distinct pieces without noticing a product coating, you’ve probably used enough.

11. Tousle From Underneath Instead of Ruffling the Surface

Here’s the part that often causes trouble: you finish drying, rub both hands over your head, and suddenly the controlled shape disappears. Ruffling the surface disturbs the ends you just arranged and can spread the sides outward. You need a smaller gesture.

Slide clean, dry fingertips beneath the longer crown layers. Lift gently at the roots, give a slight sideways shift, and withdraw your hand. Repeat in one or two neighboring areas. This breaks up an overly neat finish while preserving the direction of the outer pieces.

Next, separate any large section that looks too solid. Use two fingertips to divide it into smaller pieces, allowing some to overlap rather than pulling them all apart. Around the face, choose just a few visible ends to angle differently. You don’t need an equally textured pattern on both sides; a little variation makes the styling feel less arranged.

Stop and step back from the mirror. Your pixie bob should read as one haircut with a loose surface, not a collection of individually sculpted points. If it already moves naturally when you turn your head, leave it alone. Repeatedly touching and correcting it can transfer more product onto the front and compress the crown you took time to lift.

12. Correct the Area That Looks Wrong, Not the Whole Head

If the finished style seems off, identify the specific problem before reaching for another product. A flat crown, bulky side, and sticky fringe need different corrections. Treating all three with another layer of texture product usually makes the result harder to manage.

• The crown has collapsed: Check whether the roots were fully dry. If necessary, lightly dampen that area and repeat the directional drying there, protecting it appropriately before more heat.
• One side sticks out: Reset the root and bend of that section with water, then guide it closer to your head as it dries. Pressing only the dry tip rarely lasts.
• The ends look too pointed: Loosen the product-coated groups with clean fingertips. Separate a few strands and let them lie across neighboring pieces.
• The fringe looks greasy: If you’ve clearly overapplied paste, washing and restyling the front section is more effective than piling powder over it.

If the same problem returns every time, discuss the cut itself at your next appointment. Ask your stylist to check how the longer top connects with the hair above your ears and whether the crown length suits your growth pattern. Don’t automatically request more thinning. Removing too much hair can leave flyaway ends or expose gaps without solving the bulky area.

13. Refresh the Crown and Outline the Next Morning

On the second day, assess your hair before adding anything. If it still feels clean and the ends remain defined, you probably have enough finishing product left. The main changes are usually compression at the crown, a bent side from sleeping, or a fringe that has separated.

Use damp fingertips to reset those areas individually. For the crown, reach the roots underneath the top layer. For a bent side, dampen the bend and its root area rather than wetting only the tips. Keep the rest of the haircut dry if its shape still looks good.

Use the same directional drying you used originally, with heat protection as appropriate, then allow the corrected areas to cool. Bring the surrounding hair back into place with your fingers. Avoid brushing through the entire style unless you intend to rebuild it; brushing can erase the separated finish that survived overnight.

Only add another trace of paste if the ends genuinely need definition. If your scalp feels oily or your hair smells unclean, wash it rather than trying to preserve the style at all costs. A pixie bob’s short layers make buildup noticeable quickly. Your refresh should restore a few flattened areas, not become an expanding stack of products that makes the next wash and styling session more difficult.

A Lifted Crown and a Few Defined Pieces Are Enough

Kathleen, concentrate on three things when you next style your pixie bob: establish the crown lift while the roots are damp, keep the hair around your ears and neckline controlled, and apply finishing paste only where you want visible separation.

You don’t need every layer curled or every end pointing in a different direction. The tousled effect comes from the contrast between a balanced underlying shape and a few loosely arranged pieces on the surface. When the foundation is right, you can achieve that finish with surprisingly little handling.

Give yourself a couple of attempts to learn which crown sections need lifting and which side pieces need guiding downward. If one area keeps resisting, bring that specific problem to your stylist and ask to practice the hand position before leaving the salon. You should go home knowing where to place your fingers, where to aim the dryer, and when to stop.

This post How to Style a Tousled Pixie Bob Hairstyle for Volume and Texture?, was originally published at Latest-Hairstyles.com

“I’m 67, and I like having enough length to tie my hair back. But since growing it to my shoulders, one side turns under and the other kicks out. The top looks flat, and brushing the bottom makes it spread wider. My hair is mostly silver, fairly fine, and slightly wavy. How can I make it look finished without curling my whole head?” — Yvonne Dixion, Clay Center, KS

Yvonne, that uneven flip makes sense. Your ends have reached the spot where they bump against your shoulders, and each side meets a slightly different surface as you turn your head. Add a little natural wave, and the same brush stroke can give you two different results.

Shoulder-length hair needs a different approach from hair that clears your neck or falls well below it. You have enough length for the bottom to collect against your clothes, but not always enough weight to pull that bend straight. Meanwhile, smoothing everything downward can leave your upper hair looking flatter than you intended.

The goal is a balanced outline: a little breathing room near your part, comfortable fullness through the lengths, and ends that settle together. You don’t need a full head of curls to get there.

These eleven steps follow a gentle brush finish for straight to loosely wavy shoulder-length hair, with adjustments where your texture needs them. If your hair forms distinct curls or coils, keep those groupings intact and use the natural-texture options instead of brushing them straight. Your texture matters more than your age when choosing the technique.

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1. Check Where Your Ends Meet Your Shoulders

Before wetting your hair, stand normally and let it fall without arranging it. Wear a neckline that leaves your shoulders clear. A thick collar can push your ends outward and make a styling problem look bigger than it is.

Look at the bottom edge on each side. Does the flick begin exactly where your hair touches your shoulder? Or does it start higher, around your ear? A bend at shoulder level often needs better drying direction. A bend higher up is more likely to follow your natural wave or the way you slept.

Now lift the troublesome ends away from your shoulder and release them. Notice whether they hang together or divide into several little tails. This gives you a useful target: you want the lower lengths to fall as a connected section, with whatever gentle curve your hair will comfortably hold.

If your ends are very uneven, sparse, or heavily layered, styling won’t make them behave like a solid, fuller edge. Ask your stylist whether tidying the perimeter—the bottom outline—would help. You don’t automatically need to lose the length you enjoy.

Choose your finish now, too. A shallow inward bend is practical for mostly straight hair; a loose outward bend can suit a natural wave. Trying to force every end tightly under often creates the wide, rounded bottom you described. Aim for compatible directions rather than perfect mirror-image sides.

2. Take Out the Extra Water Without Flattening Everything

After washing and conditioning, gently squeeze your lengths with your hands. Then use a smooth cotton T-shirt to press out the remaining drips. Wrap it around a section and squeeze; don’t rub the ends against each other.

At this length, a tightly twisted towel can fold the bottom upward and compress the upper hair at the same time. That leaves you undoing two shapes before you have even started styling. Let your hair hang down while you blot it instead.

Pay particular attention to the hair behind your ears and across your nape. Those areas often stay wet while the visible front looks ready. If the underside is still saturated, you will spend much longer drying the section that sits closest to your shoulders.

Your starting point should feel damp and flexible, without water running onto your top. You don’t need to wait until your hair is nearly dry. Fine, loosely wavy hair can start setting into an awkward bend while you wait, especially around the face.

If your hair has distinct curls, press gently without separating the curl groups. Leave enough moisture for them to stay together. The aim is to remove excess water, not squeeze every strand into the same straight shape.

Check your conditioner placement next wash if your upper hair consistently feels coated before styling. You usually need more slip through older ends than near the scalp. Adjust the amount and rinse thoroughly rather than adding a stronger styling product to compensate.

3. Untangle the Shoulder Area Before You Reach for Heat

Shoulder-length hair can collect small tangles where it rubs against clothing, especially underneath. If you brush straight from your scalp through those knots, you pull on the entire length before the ends have a chance to separate.

Bring one side forward. Support it loosely above the tangled area, then brush just the bottom few inches. Once those pass through comfortably, begin slightly higher. Keep moving upward until you can make one gentle pass through the whole section.

A Wet Brush Original Detangler is useful here because its flexible bristles bend around resistance. For fine shoulder-length hair, that gives you a way to release knots without repeatedly dragging a stiff brush through fragile ends. Use short strokes and stop if a knot catches; the brush should not be forced through it.

Keep this brush for detangling rather than holding it under your dryer. You will use a brush intended for blow-drying later. One tool doesn’t have to perform every part of the routine.

If you wear your natural curls, detangle while your conditioner provides slip, then rinse and leave the curl groupings alone. Brushing those curls again after they start drying can create the wide, fuzzy lower section you are trying to avoid.

Before moving on, check behind both ears with your fingertips. A hidden knot there can catch your styling brush halfway through a section and make you instinctively pull harder.

4. Protect the Lengths Without Loading Up the Roots

You don’t need mousse, thick cream, oil, and hairspray simply because your hair is silver or you are older. For this brush finish, start with heat protection and see how your hair behaves before adding another layer.

TRESemmé Thermal Creations Heat Tamer Spray is an option for preparing damp hair before blow-drying. Its purpose here is to help protect the lengths you will be guiding with warm air, particularly the ends that receive the most attention.

Follow the directions on your bottle. Hold it about six to eight inches from your hair and distribute it evenly through the midlengths and ends, including the underside. Lift sections so you aren’t coating only the outer surface. Keep the spray away from your face and avoid concentrating it on your part.

Use enough for even coverage rather than one isolated spritz or a dripping patch. Gently distribute it through your detangled hair. If your hair feels sticky, check the amount and whether another leave-in product underneath is contributing.

A protection claim is not an instruction to use maximum heat. Choose a comfortable, moderate dryer setting and keep the airflow moving. You should never have to tolerate a hot scalp to get a smooth finish.

For an entirely air-dried natural-wave finish, you can skip this heat-specific step. If you switch to a diffuser, apply heat protection suitable for your routine and use gentle airflow so the wave groups stay together.

5. Separate the Underneath From the Hair Everyone Sees

Trying to dry shoulder-length hair as one thick curtain often leaves the outside smooth while the underneath stays damp and bent. Later, that hidden layer pushes the finished hair outward.

Make a simple division from one ear around the back to the other ear. Clip the upper hair loosely out of the way, leaving the lower section hanging. You don’t need a salon-perfect line. You just need to see and reach the hair near your neck.

If your hair is dense, divide that lower section into left and right halves. If it is fine, one shallow band may be enough. Each section should be thin enough for the airflow to reach through it without a long wait.

Use a clip that closes securely without pulling. Avoid winding damp ends tightly into a knot; a loose fold will keep them out of the way without adding a new crease.

Set yourself up so your shoulders can stay relaxed. Sitting on a stable chair is fine, and you can bring the side you are drying slightly forward instead of holding both elbows above your head. Keep the dryer cord clear of your feet.

For natural curls, use this division only if you need access to the damp underside. Don’t rake apart established curls to produce neat sections. Tilt your head slightly to expose the lower hair and let a diffuser dry it gently instead.

6. Dry the Nape Away From the Shoulder Line

This is the part that often decides whether shoulder-length hair settles neatly or forms a shelf at the back. You want to dry the lower hair while it hangs free, rather than letting your shoulder bend it into place.

For the smooth finish, use a ghd The All-Rounder Paddle Brush. Its broad surface lets you guide a flat section without wrapping your hair into a tight curl. You only need light contact; don’t pull hard enough to make your scalp move.

Place the brush beneath a manageable section and guide it diagonally forward, just clear of your shoulder. Follow with your dryer’s concentrator nozzle, pointing from the upper lengths toward the ends. Keep several inches between the nozzle and your hair, and move both tools steadily.

The brush should lead; the dryer follows. Don’t press the nozzle against the bristles or trap the hair between them. Use moderate warmth and an airflow speed you can control without scattering the section.

Finish one section before letting down another. Turn the dryer off briefly and feel the hair underneath. If it feels damp, continue gently rather than increasing the heat. You are checking actual dryness, not simply whether the surface looks smooth.

If you cannot comfortably reach the center back, bring smaller portions toward each side. A slightly relaxed finish is preferable to twisting your wrist awkwardly or holding the dryer against your neck.

7. Keep the Side Lengths Broad Instead of Puffy

Let down the next band of hair. Your task now is to connect the sides with the underneath, without making the bottom wider than the top.

Place the paddle brush beneath a section near your ear and guide it downward and slightly forward. Keep your wrist fairly straight through the middle lengths. Only the final inches need a change of direction later.

A common mistake is turning the brush inward from halfway down the hair. That makes a large rounded curve over the jaw and neck, then pushes the ends into the shoulder. If your hair already feels bulky at the bottom, keep that middle area straighter.

Another mistake is lifting every side section straight out from your head. That is useful for certain fuller finishes, but it adds width you may not want here. Let the hair travel closer to its eventual resting position while staying clear of your clothes.

Keep sections no wider than the useful surface of your brush. If strands spill off both sides, you are drying too much at once. Divide the section rather than repeatedly going over the same outer strands.

If you prefer your natural waves, skip this stretching action. Support the wave groups gently with a diffuser on low airflow, or let them air-dry without repeated handling. You can still apply the same principle: keep damp ends from sitting folded against a collar. Smoothness and a good outline don’t require removing every wave.

8. Give Your Part a Little Room Before It Dries Flat

Release the upper section while the roots are still slightly damp. If they have dried tightly against your scalp, dampen just that area with wet fingertips before changing the direction.

Choose a part close to where your hair naturally separates. Moving it a small amount can stop the top from settling into the exact same compressed line. Moving it several inches can create an uncomfortable sweep that keeps falling into your eyes.

Use your fingertips to raise the hair beside the part slightly off the scalp. Direct comfortable airflow across the roots while keeping the dryer away from your face. You want a small lift at the base, not a tall roll of hair.

Then let the upper lengths fall over the sections you have already dried. Smooth their surface lightly, without pulling the roots firmly downward again. That last hard brush stroke is often what removes the height you just created.

If your scalp shows more along a very straight part, loosen the line with your fingers. Avoid scraping a sharp division from forehead to crown unless you actually prefer that finish. A less exact line can be easier to arrange, although it won’t change your hair’s density.

Look at the balance from the front. You should see a gentle transition from the top to the sides. If the crown looks exaggerated beside the quieter lengths, pat it down lightly now rather than adding more width elsewhere to match it.

If the top separates into narrow, stringy pieces, pause before reaching for a volumizer. Check whether the roots are fully dry and whether you have pulled too much hair into the part. Let a few strands return to their natural side. If your upper hair repeatedly collapses while the bottom remains heavy, bring a photo of that result to your next haircut appointment. Ask about keeping the bottom edge substantial while adjusting weight above it. Adding short layers everywhere is not automatically the right answer, particularly when you want enough length to tie your hair back.

9. Direct the Front Pieces Where You Want Them to Rest

Shoulder-length hair often has shorter pieces near the face, even when the back is mostly one length. Those pieces shouldn’t be styled as though they must reach the same place as the ends.

Separate a small front section on one side. Place the brush beneath it and guide it gently away from your eye, following a diagonal toward the side of your head. Let the dryer’s airflow follow the hair rather than blowing directly into your face.

Release the section and see where it lands. A piece that ends around your cheekbone can sit beside the cheek; a longer one can blend into the shoulder-length side. You don’t need to curl both into matching loops.

Try not to pull the front tightly behind your ear while it is still warm. That can create a strong bend exactly where you just smoothed it. Let it settle first, then tuck it if that is how you like wearing your hair.

If you have short bangs, handle them before they dry during the earlier stages. Gently brush them across one direction and then the other with low airflow, then settle them into their usual position. Don’t use the long diagonal pull described here on bangs that don’t have enough length.

Check your usual glasses at this point if you wear them. The front pieces need to sit comfortably around the arms. A style that only behaves with your glasses off isn’t a useful everyday result.

10. Put the Bend in the Last Two Inches, Then Leave It Alone

Once the roots and middle lengths are dry, look at the ends before doing anything else. Some sections will already sit nicely. Finish only the ones that need direction.

For a shallow inward curve, place your paddle brush beneath the final two inches. Draw it slowly through while tipping your wrist inward just a little. Follow with warm airflow, then switch to cool airflow while supporting that slight curve. Keep the ends clear of your shoulder until they feel cool.

You are bending the tips, not winding the entire section around a brush. A large inward roll can shorten the appearance of your hair and stack it against your neck. A small curve preserves the shoulder-length outline.

If your natural wave turns outward on both sides, you can keep that finish. Guide the ends into a restrained outward bend rather than fighting them into a deep tuck. The important thing is that the middle lengths look intentional and the ends aren’t tangled together.

Step back and turn your head normally. Let your hair touch your shoulders. It should move when you move; a small flip returning at that contact point is normal. Repeated heat won’t permanently remove the fact that your shoulder is underneath it.

If a section still kinks sharply, allow it to cool, lightly dampen the bent area, and reset only that section. Don’t keep heating a completely dry, stubborn tip. If it feels rough or catches repeatedly, ask your stylist to inspect the ends.

11. Refresh the Bent Section Tomorrow, Not Your Whole Head

The next morning, give your hair a moment to fall after you get up. Some flattened areas loosen once they are no longer pressed against your pillow. Then identify the actual problem before reaching for a tool.

If the top still looks good but one side has folded outward, wet your fingertips and dampen that lower section evenly. It should feel flexible, not soaked. Follow your heat protectant’s directions for any renewed heat styling, then guide the section clear of your shoulder with the same brush technique.

If only the roots beside your part are compressed, reset those roots instead. There is no reason to wet the ends and rebuild the whole outline when the trouble is confined to a small upper area.

For natural waves, dampen the misshapen wave group, gently cup it back together, and let it dry with minimal handling. Brushing one dry wavy patch straight can leave it visibly different from the surrounding hair.

Before getting dressed, check whether a scarf, jacket collar, or neckline is pushing the ends up. Lift your hair free after putting the garment on. Sometimes that small adjustment is all the correction you need.

On days when you want it tied back, keep the tie comfortable rather than pulling tightly at your hairline. Shoulder length gives you that option. You don’t have to recreate a full blow-dry every morning to keep the haircut looking cared for.

Short Version

Yvonne, concentrate on three things: dry the underneath where you can reach it, keep the ends clear of your shoulders while you shape them, and leave a little lift beside your part. Those choices address the flat top and uneven bottom without asking you to curl every section.

Let your natural bend have some say in the finish. Your sides don’t need to behave identically to look balanced, and shoulder-length hair will shift as it touches your clothes.

Once the outline looks good, stop styling. Tomorrow, fix the one area that needs attention. You can enjoy the length you like without turning every morning into a full salon appointment.

This post How to Style Shoulder-Length Hair for Older Women?, was originally published at Latest-Hairstyles.com

One of the reasons I like this cut is because it’s very forgiving as it grows out.

As women age past 60 hair changes texture. Sometimes it becomes finer and in other places can become more wiry. As soon as the ends are cut on a straight line they start to show and make the hair look thinner, scragglier than you want it to. In this cut, the ends are beveled (slightly tucked into themselves), so the hemline of the cut curves and grows out much more successfully than if it was cut with a blunt perimeter.

One afternoon, at a restaurant, a woman tucked some hair behind her ear and I watched the way her hair fell and moved. Her haircut was at least six weeks old. It had shape and movement to it, as it hadn’t gotten stiff or helmety. It cooperated with her hair, and made it fall how it fell.

I was converted.

And of course, every time I give this cut and watch my clients in the mirror as I pull their hair away from their face, I’m converted again. You really do wear this haircut for years. It doesn’t punish you during the grow out phase because the ends are tucked in on themselves and thus stay more full (stacked upon each other a little), for longer. At Week Five, you don’t reach for your hat to disguise your haircut.

Before and After Silver Curved Bob Transformation

Love the before and after pics here! The before photo features gray hair that is a little longer without much shape or direction. The after pic shows how transformative a haircut can be (sans any color changes!) with some layering, bangs, and a cut that frames the face just perfectly. If you have a similar texture and color, this pic would be a great reference to bring into your stylist’s chair to help them visualize the type of change you’re after.

Silver Lilac Short Curved Bob with Sweeping Bangs

This shorter curved bob is cut just above the chin-length to eliminate as much weight as possible and has some cool toned lavender gray dimension. I’d recommend purple shampoo for this color to keep brassy/yellow tones at bay. This style features an angled curtain or sweeping fringe instead of a full blunt set of bangs that still provides some face and forehead coverage.

Warm Blonde Curved Bob with Face-Framing Pieces

This last warm blonde bob haircut could be worn by someone with straight hair that’s fine-to-medium density. The ends curve inward nicely, but there are shorter, lighter pieces around the face. I love the idea! It gives the interest of bangs, but not in a full set.

Bronde Wavy Curved Bob with Subtle Highlights

Speaking of grown-out, the subtle highlights in this wavy bronde curved bob haircut idea definitely help disguise regrowth between color services. The waves air-dried really well (she probably applied a curl cream) and I love how the length just barely tickles her chin.

Chestnut Brown Curved Bob with Feathered Bangs

This next wavy bob would look great on hair that has medium density. The feathered bangs and pieces around the sides of the face are perfectly soft without looking too wispy. This is the type of haircut that needs regular trims to keep its shape, though, so factor that in before getting this exact look. I would say this one is a six-week cut, maybe seven if you don’t mind when the hair starts to feel a little grown-out.

Dark Brown Wavy Bob with Choppy Bangs

This next curved bob hairstyle idea has a wave to it that looks very natural and effortless. The waves aren’t all uniform, either, which I also love. This could be created from the haircut, or by drying curls/waves with a diffuser attachment on a blowdryer. The short bangs here are also done really well, too. They’ve got lots of pieces but don’t look strinagy at all.

Warm Blonde Short Curved Bob with Flipped Ends

If you have a bob haircut with curly or wavy hair, a shorter cut will remove some of the weight that was keeping the natural curls from forming. This warm blonde curved bob haircut would work best on hair that’s on the medium side when it comes to thickness/density, I think. The ends kick out, then flip back in. The roots look great lifted with body here, too. Again, this could probably be created with a velcro roller set when damp (if you’ve got the time) but could also be blowdried into place.

Ash Bronde Straight Lob with Middle Part

I am obsessed with this color! The combo of ashy brown and blonde tones looks amazing, and it’s perfect for camouflaging early grays. If gray camouflage is your goal, this color would be worth showing your colorist. Otherwise, the real draw with this one for me is the cut. The length of this “mom bob” is perfect. It’s long enough for anyone who’s not ready to go as short as some of the bobs on this list, and just nips at the shoulders with barely a curve (inward) at the ends. Very low-maintenance for straight hair.

Copper Ginger Structured Curved Bob

This is probably the most polished of all of the curved bob ideas on this list. This structured bob for thick (or at least medium-thick) hair has great volume on top, very precisely cut (read: beveled) ends, and is styled to have lots of body throughout. I’m betting she got that lift at the root section either with a good blowdry and technique or with help from a velcro roller set. Either way, this isn’t a “dry and go” kind of look but definitely isn’t something you can just air-dry.

Rich Auburn Flippy Curved Bob with Side Part

If you don’t love the traditional curved bob this flippy version cut in auburn hair color is perfect. This bob also sports a side part and would compliment wavier hair types well too since it’s embracing the natural wave in the hair instead of trying to combat it.

Finish with a few drops of lightweight hair oil on the ends to keep frizz controlled (but won’t add weight).

Dark Brown Chin-Length Bob with Gray Blend

This dark brown bob cut at the chin-length mark embraces gray instead of camouflaging it. The style curves inward just enough to not give it a too blunt and severe look. I also love the middle part on this cut that adds just the right amount of balance. Maintaining this cut would be easier on hair that lays down and styles easily since the whole look is basically a wash and go.

Copper Auburn Straight Bob with Fringe

This copper colored straight bob with bangs is just past chin length and still maintains its shape since it still has weight around the face and curves just inward at the blunt cut ends. Maintaining this shape would be easiest on a medium texture that lays down nicely when straight. I would keep some color depositing conditioner at home since red tones are the quickest to fade between color touch up appointments.

Light Brown Textured Bob with Thin Wispy Bangs

This textured chin-length bob with bangs would be best suited on fine textured hair since the different lengths cut into it will make it appear thicker. I like that the texture doesn’t look messy or give it that “mom bob” title either. If you are ok touching up the fringe with some shears at home every couple of weeks these thinner bangs are pretty easy to maintain.

Warm Honey Layered Curved Bob with Side-Swept Fringe

This honey layered bob has lots of layers at the crown area for height and movement and a cute side swept fringe. Perfect for finer hair that tends to go flat by lunchtime!

Best on: This layered curved bob would work best on straight to slightly wavy hair textures. The honey blonde color with lighter ends is universally flattery for skin tones. Styling the curved bob with a blowdryer and round brush to curve the ends under would be required daily and although this honey curved bob can air dry, you will get better results by blow drying the curves in.

Maintenance: this style would need to see their stylist every 5-6 weeks to maintain the style, after that time frame the shape starts to fall apart.

Dark Chocolate Layered Curved Bob with Curtain Fringe

This dark chocolate colored bob with bangs has some dimension from layers throughout but only visible at the surface of the hair. The layers were likely created with a razor or texturizing shears. I like how the bangs melt into the pieces on either side and would grow out nicely. This cut would work on all thickness of hair and the layers would help take out some bulk on thicker textures.

Warm Brunette Chin-Length Bob with Subtle Inward Curve

If you’re looking for a low maintenance bob try one at the chin-length mark that is cut with a subtle inward curve. This can be achieved by not cutting a beveled blunt line and instead point cutting the ends to give them an undone inward curve. With fine to medium texture this length can be air dried for an easy wash and go style.

Stacked Brunette Bob with Rounded Back

This brunette stacked bob is longer in front with the shortest layers in the back working their way forward to create the rounded look at the back of the head. Styling this bob would include some blow drying to keep its shape and form. I’d recommend this cut on a medium to thick texture as fine hair may not have enough body with the graduation.

Black Chin-Length Curved Bob with Side-Swept Layers

The layers in this bob are all hidden within. This is helpful for this thicker and coarser textured hair since the layering helps the hair lay in the shape it was cut and keeps the sides from belling out.

Platinum Blonde Tousled Curved Bob with Side Part

This lived in platinum colored bob has great texture. The waves are tousled and chic, the side part adds a lived in undone effect. This bob will look just as good on her 3rd day hair as it will her first!

Best on: straight to wavy hair can recreate this tousled curved bob by using a 1.25” curling iron and then shaking her hair out for the bend shown in the photo. The darker root adds to the lived-in feel and saves on some damage by not having to lighten as often.

Golden Blonde Rounded Bob with Full Bangs

This classic bob haircut is cut to nape length with blunt bangs.

Best on: This style needs some density in the hair to achieve the rounded effect at the nape. Aim for a blowout with a round brush making sure to brush the ends underneath to achieve the rounded nape effect.

Maintenance: bangs need to be trimmed more frequently every 3-4 weeks, once they get long enough they cover her eyes up and take away from her facial proportions.

Warm Brunette Highlighted Rounded Bob

This classic bob haircut is cut on one length to chin length with the ends flipped under. The caramel highlights are strategically placed on the front pieces adding some oomph to her color, without committing to color her entire head.

Best on: Straight to slightly wavy hair. The length of the bob, at her jaw line is universally flattering for most face shapes. To recreate the flip at the ends of her hair a blowdryer and round brush will be needed daily.

Maintenance: trim ends every 6 weeks to avoid them becoming flipped out!

Ash Blonde Curved Bob with Curtain Bangs

This ash blonde bob with curtain bangs has the bangs parted in the middle and swooshed over to each side. The length of this cute curved bob is at the chin and the ends curve in creating the illusion of fuller hair at the nape.

Best on: straight finer textured hair. The colored is rooted allowing for more time between salon color touch ups, maybe stretching it to 8 weeks. This curved bob can air dry as it is cut, although using a blow dryer and a round brush to accentuate the inward curves at the nape will create more of a rounded polished effect. If you are on the fence about bangs the curtain bangs are a great option!

Brunette Highlighted Chin-Grazing Bob with Wispy Bangs

This chin length curved bob is full of movement with the thinner highlights mixed in. The wispy fringe is light and playful and can air dry well and not poof.

Best on: fine to medium density straight to slightly wavy hair will be able to pull off this cute little bob. The thinner highlights throughout her brunette color compliment the grays she has coming through and take the pressure off needing to have her color refreshed as often. Wispy bangs look cute on smaller facial features and can be worn swept to the side.

Salt-and-Pepper Short Curved Bob with Deep Side Part

This chic and polished short curved bob with salt and pepper gray hair is perfect for the woman who is into low maintenance styling but wants to look pulled together! The bob is cut shorter on the sides above the length of the chin and swept over to one side which adds some needed diagonal lines to cut down on rounder face shapes.

Best on: This curved bob haircut would best suit straight to wavy hair textures that tend to be on the thicker side. Cutting it shorter above the chin will take away the bulk from the nape area. Ask your stylist not to over layer the bob and instead to leave most of the weight around the perimeter of your face and shape the ends to curve under for the polished effect.

Natural Silver Chin-Length Curved Bob

The perfect “mom bob”! This natural silver curved bob is parted in the middle, the weight line is at the chin and the ends curve under for a rounded effect.

Best on: Straight hair that is on the medium side in density will wear this curved bob cut beautifully. As there is no demarcation line as the silver hair grows out this cut is super low maintenance. This style holds its shape nicely without using too many products.

This post Curved Bob Haircuts Give Older Women a Softer Alternative to Straight Blunt Ends, was originally published at Latest-Hairstyles.com

When my client (she’s in her early 70s now) first came to me for a cut, she had the same one-length shoulder-length style she’d rocked for over 20 years. It was nice! But she wanted to do something a little different and pulled out a picture from a magazine of a much younger gal with a collarbone-length bob with curtain bangs. I thought the bangs would be the part she disliked, but they were the opposite! Because her hair gets wiry in the front, they give it some direction and purpose instead of sticking straight out at odd angles. She kept coming back to me for years and years, and she wasn’t a complacer, so you know it worked!

Why are curtain bangs the ultimate bang to add to your long bob? Well, for starters, unlike other bangs (blunt bangs, side-swept bangs, etc.), they grow out nicely. That means you won’t have to go in for a touch-up every 3 weeks, but you’ll still be giving your stylist some additional work to do around your face. This is important because while a long bob is a great style, it can sometimes fall a bit flat (especially if your texture has changed as you’ve aged or you’re experiencing some thinning around the temples) without something to frame the face. While this combo has been popping up with women over 70 more and more in the past few years, it took way too long to catch on!

Ash Blonde Highlighted Feathered Lob with Side Bangs

This ash blonde highlighted feathered chin-length lob with curtain bangs is ideal for straighter, finer hair. Styling Tip: Long side-swept bangs are cut at the jawline to elongate the face and soften features. Unlike other bobs on this list, the ends on this one are feathered with shears instead of a razor for a less shaggy finish.

Dark-Rooted Icy Blonde Textured Wavy Lob

This shoulder-length icy blonde textured wavy lob with curtain bangs is perfect for wavy and curly hair since you can just scrunch it and go! Styling Tip: Try using a purple shampoo once a week to prolong the life of your toner. Blondes like this one will probably need to visit their colorist for a toner every five to six weeks to keep brassiness at bay.

Silver-Blonde Curtain-Banged Lob Transformation

This silver-blonde before-and-after lob transformation with curtain bangs is ideal for finer, straighter hair. Styling Tip: Bangs add fullness where thinning is most prominent, specifically around the hairline! If you want the proof that shorter can be thicker, save this pic!

Bronde Wavy Shag Lob with Highlighted Fringe

This wavy-textured shoulder-length bronde shaggy lob with curtain bangs is best for straighter, wavier hair. Styling Tip: Transition into a shag bob by asking your stylist to add layers gradually! Bangs are highlighted to stand out from the rest of the hair, which adds dimension without committing to all-over highlights.

Dark Wavy-Textured Lob with Choppy Curtain Bangs

This shoulder-length dark brown-black wavy-textured bob with curtain bangs is ideal for wavy-textured hair, specifically that wavy-curly middle child that we love so much. Styling Tip: Air dry for a more undone look or diffuse for extra definition! If you want a low maintenance hair day, this is the bob for you.

Dark Brown Flippy Shag Lob with Chunky Curtain Fringe

This flippy dark brown shoulder-length shaggy lob with curtain bangs is best for those with thick, wavier or straighter hair. Styling Tip: Try flicking your ends out using a flat iron or with setting rollers! This bob is especially great for anyone whose hair tends to lay in a triangle shape without layers.

Silver-Gray Layered Shaggy Lob with Wispy Bangs

This silver-gray layered shaggy lob with curtain bangs is perfect for fine, straighter gray hair! Styling Tip: Use a volumizing spray or mousse at your roots before blow-drying for some extra oomph. Layers prevent hair from looking flat, which is super helpful since gray tends to be fine and lifeless.

Dark Curly Shag Lob with Curly Curtain Bangs

This shoulder-length dark brown curly shaggy lob with curtain bangs is ideal for those with thick, type 3B to 3C curls. Styling Tip: Diffuse your curls and call it a day! Layers are cut strategically to create lots of volume on top. Make sure to find a stylist who cuts and styles curly hair often!

Black-Brown Curly Lob with Copper Peek-Through Highlights

This shoulder-length black-brown curly bob with curtain bangs is perfect for those with thick type 3A to 3B curls. Styling Tip: Try adding some lowlights! Unlike highlights, lowlights won’t grow out super obviously on you, making them perfect for busy babes who don’t want to visit the salon super frequently.

Dark Curly Lob with Spiral Curtain Fringe

This shoulder-length dark brown-black curly lob with curtain bangs is perfect for those with type 3B to 3C curls. Styling Tip: Save a photo and show it to your stylist! Layers are cut longer in the back and shorter on top to create a rounded shape. Your stylist should cut this bob on dry hair to avoid any unpleasant surprises.

Caramel-Highlighted Layered Lob with Long Side Bangs

This caramel-highlighted layered warm brown shoulder-length lob with curtain bangs is great for those with fine to medium hair looking to add the illusion of volume without adding thickness. Styling Tip: Ask your stylist about caramel balayage highlights. These highlights mimic the way the sun hits your hair naturally.

Auburn Curly Lob with Natural Ringlet Bangs

This shoulder-length curly auburn lob with curtain bangs is ideal for those with thick, wavy to curly hair. Styling Tip: Use a curl defining cream on soaking wet hair and diffuse. Make sure your stylist cuts it on dry hair or else it will shrink up and be way too short!

Warm Blonde Tousled Lob with Soft Curtain Bangs

This tousled warm blonde collarbone-grazing lob with curtain bangs is perfect for those with medium thickness hair that has some natural wave to it. Styling Tip: Try twisting sections of hair around a flat iron for an undone yet polished look.

Salt-and-Pepper Layered Lob with Side-Swept Curtain Bangs

If you’ve embraced your salt-and-pepper locks, try this collarbone-grazing, gray-streaked lob with curtain bangs. The layers are strategically cut into the mid-lengths to avoid thinning out the ends, which is super important if you have medium hair density! I also suggest having your stylist point-cut the bangs so they seamlessly blend into the layers. Styling Tip: Blow-dry it on medium heat with a round brush to keep it in tact for a couple of days.

Black Voluminous Shoulder-Length Bob with Curved Ends

This voluminous shoulder-length black bob with curtain bangs is best for those with thick, coarse hair. Styling Tip: Use a round brush to blow your hair in for a rounded out shape. This polished look will probably last you two days before you’ll need to restyle.

Warm Brown Highlighted Wavy Lob with Parted Fringe

This shoulder-length wavy warm brown highlighted lob with curtain bangs is ideal for those looking to add some subtle highlights to their hair without breaking the bank. Styling Tip: Have your stylist focus the partial highlights service around your face and bangs to immediately open up your complexion and keep the rest of your color more muted. Achieve soft waves at home using Velcro rollers and a blow dryer or a curling iron with a large barrel.

Dark Brunette Tapered Bob with Face-Framing Curtain Pieces

This dark brunette tapered bob with curtain bangs is the shortest of all the styles featured. Styling Tip: If you have fine hair, go for a tapered bob, which is longer in the front than in the back, to create the illusion of thickness at the jawline. It’s one of the easiest styles to maintain, requiring just a visit to your stylist every six weeks for a quick tidy-up.

Dark Brown Layered Shag Lob with Feathered Bangs

This dark brown, collarbone-grazing lob with curtain bangs features lots of layers which almost make it more of a shag than a lob. If this is the look you’re going for, ask your stylist for lots of disconnected layers. It’s perfect for those with thick, coarse hair since all those layers take away from the weight. Styling Tip: Ask your stylist to use a razor when cutting your bangs for separation.

Warm Chocolate Wavy Lob with Windswept Curtain Fringe

This shoulder-length warm chocolate brown wavy lob with curtain bangs is ideal for medium to thick hair. Styling Tip: If you have wavy hair, you’ll be happy to know that this style air-dries beautifully. The layers in this cut give it lots of movement, especially in the mid-shaft area. The bangs here are at their longest on the sides which skims the cheekbones. This is the perfect bangs length if you want to grow them out with ease.

Dark-Rooted Ash Blonde Beachy Lob with Loose Bangs

This shoulder-length ash blonde beachy lob with curtain bangs features darker roots to create shadow and dimension. Styling Tip: I imagine the stylist curled the ends using a 1.25-inch curling iron and then messed with it a bit with her hands. Darker roots means this ash blonde color combination can get by with touch-ups every season!

Rich Chocolate Blowout Lob with Flipped Curtain Bangs

This rich chocolate brown lob with curtain bangs is perfect for those with thick hair that easily retains its shape. Styling Tip: For a polished look at home, use a medium sized round brush and the concentrator attachment on your blow dryer to create a voluminous flip.

Jet Black Sleek Long Bob with Subtle Side Part

This jet black collarbone-grazing straight lob with curtain bangs is perfect if you have straight medium-density hair. The bangs here are extremely subtle and almost serve as just another face-framing piece which makes it super low maintenance. Styling Tip: Keep a smoothing serum and flat iron nearby!

Honey Blonde Straight Lob with Feathered Side Bangs

This chin-to-shoulder length, honey blonde straight lob with feathered curtain bangs is ideal for those with fine straight hair because it’s super low-maintenance. Styling Tip: Avoid heat styling tools and excessive use of products, as the style speaks for itself. On bad bangs days, tuck them behind your ear. Have them trimmed every 4-5 weeks.

Warm Brunette Wavy Lob with Face-Framing Highlights

This shoulder-length warm brunette wavy lob with caramel balayage and curtain bangs is perfect for those who have some hair thickness and body. Otherwise, the waves will most likely fall flat. When showing a stylist a picture for inspiration, it’s best to find one where the texture is the focal point rather than the color. Styling Tip: To help your waves last all day, try applying a curl enhancing mousse to damp hair and then using a diffuser.

Dark Brunette Textured Lob with Wispy Center-Part Bangs

This piecey collarbone-grazing dark brown lob with wispy curtain bangs adds layers inside the cut to remove weight while still maintaining its shape. This is a great option if you have medium to thick hair. And while bangs usually require some daily styling, these don’t! They’re cut thin enough so that you can simply push them to either side. Styling Tip: Embrace day-two hair, as this style gets even better with time!

This post A Long Bob With Curtain Bangs Looks Beautiful on Women Over 70, was originally published at Latest-Hairstyles.com

“I’m 41, and I recently cut my hair into a boyfriend bob that sits just below my jaw. My hair is mostly straight, with a slight bend underneath. At the salon, it looked full but casual. When I style it, the top falls flat and the bottom either sticks out or curls under like a helmet. Adding waves makes it look much shorter and more dressed up than I want. How can I get some volume without losing that relaxed, slightly undone look?” — Cristi Hardy, Florence, South Carolina

Cristi, you’re describing a very common frustration with this cut: trying to create volume ends up changing the entire outline. Your round brush gives you a rounded bob, and your curling iron gives you a wavy bob. Neither recreates the loose, substantial shape you liked when you left the salon.

Although the name gets used a little differently from salon to salon, a boyfriend bob generally has a fairly blunt outline, enough weight through the ends to look substantial, and an easy finish. It doesn’t depend on lots of short layers or carefully arranged curls. That means the placement of your volume matters more than the amount.

You want some space between your roots and scalp, a little irregularity through the middle, and ends that still hang freely. At 41, you don’t need an age-specific styling formula; your hair’s texture and the way this particular cut sits should guide you. These steps will help you build that balance without turning your bob into a rounded blowout.

This post may contain affiliate links, meaning I may earn a small commission at no extra call to you. I only share products I truly believe in. As an Amazon Associate, I earn from qualifying purchases. Your support helps me continue creating free content like this.

1. Find the Fullness You Want Before You Start Drying

Start with your dry, unstyled hair and look at it from the front and side. Slide your fingertips underneath the hair above your ears and lift it slightly away from your scalp. Then do the same at the top. Notice which small adjustment makes your bob look closer to the salon finish.

For Cristi’s combination of a flat top and bulky bottom, the useful lift is above the cheekbones and around the upper back of the head. Adding more width beside the jaw would exaggerate the problem. If your own bob looks narrow through the sides, however, you can leave a little more fullness there.

Now look at the bottom edge. It should still read as a fairly solid line, even if a few pieces bend differently. You’re aiming for a bob that looks full without having every strand curve into the same shape.

This gives you something specific to check as you style. Instead of asking, “Does my hair have enough volume?” ask, “Is there a little lift above the weight of the ends?” That question helps you avoid adding more curl, more product, or more brushing when the real issue is simply where the hair sits.

Take a quick side-view picture if your mirror makes the back difficult to judge. You’ll have a useful reference when you finish.

2. Leave Your Ends Comfortable, Not Coated

On a wash day, rinse especially carefully around the back of your head and behind your ears. These areas can hold onto conditioner, and a short, blunt haircut makes that extra weight noticeable. You don’t need squeaky hair, but you do need roots that aren’t carrying a slippery coating.

Apply conditioner according to your hair’s needs. If your strands are fine and easily weighed down, concentrate it on the last few inches. If your hair is coarse, bleached, or dry throughout, condition more generously through the lengths while keeping the application away from your scalp unless the product’s directions say otherwise.

Press out excess water with a towel rather than rubbing the bottom edge back and forth. Rubbing can separate those blunt ends into fuzzy little clusters before you’ve even begun styling. Detangle gently, starting at the ends and moving upward.

Skip the tight towel twist while you get ready. On a jaw-length bob, that twist can push the short back pieces upward and flatten the front in an awkward direction. Instead, blot until the hair feels damp without dripping.

You don’t have to wash solely to follow this routine. If your hair is clean and product-free but dried flat, thoroughly dampen the areas you intend to reshape. A light mist on the surface won’t reset roots that are still dry underneath.

3. Give the Roots Support Without Stiffening the Whole Bob

A boyfriend bob needs the ends to remain touchable, so target any volume product where the support is missing. Coating the entire haircut can make the bottom feel stiff and stop the pieces from falling naturally against one another.

For roots that collapse easily, Color Wow Raise the Root Thicken + Lift Spray is one option. It is designed for root lift on damp or dry hair, followed by blow-drying. Lift a few sections across the top and upper back, then spray the root area according to the bottle’s directions. You don’t need to saturate the ends.

Start with a light application. If your hair already has plenty of body near the scalp, skip the root spray altogether. The drying direction in the next sections may provide enough lift on its own.

Before blow-drying, apply a heat protectant through the areas exposed to heat. TRESemmé Thermal Creations Heat Tamer Spray is an option for the lengths and ends. Follow the label, spraying from the recommended distance and distributing it evenly rather than concentrating everything on the outer surface.

These products have different jobs: one supports the roots, while the other helps protect the lengths during heat styling. Neither needs to make your bob feel wet with product. Comb through gently before reaching for the dryer.

4. Dry the Short Back Pieces Before They Turn Outward

The hair at your nape dries quickly, and it can establish an unwanted outward kick while you concentrate on the front. Deal with those short pieces first, particularly if your boyfriend bob ends close to your neckline.

Clip the upper hair out of the way so you can reach the bottom strip at the back. With your head fairly upright, guide this hair downward using your fingers or a small flat brush. Aim the dryer’s airflow from above, following the direction from roots toward ends.

Use moderate heat and keep the nozzle moving several inches away. You’re encouraging the pieces to hang close to the neck, not pressing them flat or bending them tightly inward. Stop brushing when you reach the ends instead of turning your wrist underneath.

If one patch grows sideways, gently guide it in one direction and then the other while it is damp. Finish with it lying in the direction you want. Don’t pull hard against a stubborn growth pattern; a little natural irregularity at the neckline belongs in this haircut.

Check that your shirt collar isn’t pushing the hair upward as it dries. A high collar can create the very flip you’re trying to remove. Once the nape feels dry, release the hair above it and leave that lower section alone.

5. Move the Roots Around Before Choosing Your Part

A precise part made while your hair is soaking wet can encourage the top to dry close to your scalp. For a looser boyfriend bob, keep the part flexible during the early drying stage instead of carving a straight line immediately.

With the dryer on a comfortable setting, use your fingertips to move the top hair gently toward one side. Then move it back across the other way. You’re changing the direction at the roots, rather than whipping the ends around your face.

Keep the air moving with the hair and avoid blasting straight upward into the lengths. That can create surface frizz without giving you useful lift. Concentrate on the first inch or two near the scalp, where the hair needs encouragement to sit away from your head.

If you have a strong natural part or cowlick, use it as your starting point. Moving the hair slightly across its usual position is often enough. Forcing it several inches in the opposite direction can leave one side awkwardly high and the other side exposed.

Continue until the roots are mostly dry but still easy to redirect. Then let the hair fall naturally. You should see a less rigid division at the top and a little more space underneath, without having created a dramatic side sweep.

6. Build a Little Lift Across the Top, Not One Tall Bump

Now focus on the top sections that still sit flat. A boyfriend bob usually looks more balanced with modest lift spread across the upper head than with one pronounced bump at the crown.

Take a section roughly as wide as two fingers. Slide a flat or vented brush underneath near the roots and lift the hair a short distance away from your scalp. Direct the dryer toward that raised root area, keeping the nozzle away from both your skin and the brush.

You don’t need to pull the whole section straight up. Lift it enough to create an airy base, warm it briefly while keeping the dryer moving, then switch to cool air. Let the section cool before releasing it. Repeat only where you need support.

For very short top pieces, your fingers may be easier than a brush. Spread them underneath the section, lift gently, and keep them clear of the hottest airflow. If the air feels uncomfortable on your hand, lower the heat or increase the distance.

Check the outline after a few sections. If the crown starts looking noticeably taller than everything around it, stop lifting there and blend the neighboring hair with your fingertips. You want the top to look naturally full, with no obvious ridge showing where you concentrated your effort.

7. Dry the Sides Without Wrapping the Ends Under

This is where a boyfriend bob can accidentally become a rounded salon blowout. If you pull every section over a round brush and rotate inward, the bottom edge forms a continuous curve. That curve adds bulk around the jaw and makes the finish look more arranged.

Instead, use a flat brush to guide a manageable section outward just enough to reach it comfortably. Follow with the dryer from above. As you approach the bottom, let the brush travel straight through and release the ends without turning your wrist.

On the upper side sections, a slight lift at the roots is useful. On the lower sections, concentrate on getting the hair dry and reasonably smooth. Treating every layer as a volume section can create a wide, triangular outline.

If your hair has a natural wave you want to retain, use your fingers to arrange the sides and dry with a diffuser on low airflow. Support the middle gently without pushing all the ends upward into a tight scrunch. This encourages a looser bend instead of compact curls.

Finish one side, then look at it before copying the technique on the other. Your sides may behave differently because of density, a growth pattern, or an old ear tuck. Match the overall fullness rather than insisting on identical brush movements.

8. Let a Few Broad Bends Replace a Headful of Waves

Once your hair is dry, decide whether it actually needs more texture. If it already bends slightly through the middle and the blunt edge remains visible, you can leave it alone. A boyfriend bob doesn’t require a curling tool to look finished.

If naturally straight hair looks too uniform, add only a few broad bends to the visible upper sections. Use a narrow flat iron with adjustable heat, starting at the lowest effective setting for your hair. Your hair must be completely dry before the plates touch it.

Take a small section, close the plates lightly around the middle, and guide the iron through with a shallow curve of your wrist. Keep it moving. Straighten your wrist before you reach the last inch so the ends remain relatively straight.

Think of nudging the hair away from a perfectly straight line. A large rotation creates a curl, and repeated alternating turns can produce a defined wave pattern that feels too styled for this finish.

Try one section, let it cool, and check it before continuing. Often, a bend near one cheek and a couple through the upper back are enough. Leave some sections straight between them. That contrast keeps the haircut relaxed and avoids the noticeable loss of length you get when every piece curls.

9. Let the Front Sit Loosely Around Your Part

The front can make the difference between a relaxed bob and one that looks carefully set. After drying, use your fingers to place the part where the hair naturally wants to separate. It doesn’t need to be perfectly centered or perfectly straight.

If you like a middle part, keep it, but avoid pressing both sides down with your palms. Lift the front roots lightly, then let them settle. For a side part, a modest shift often gives enough asymmetry without sending all the weight onto one side.

Notice whether the front sections fall forward as a heavy curtain. If they do, direct those roots slightly away from your face during drying next time. You need a small change at the base, rather than a large backward curl through the whole section.

A loose ear tuck can also open up one side. Wait until the hair is completely cool, then tuck only the front piece instead of packing the entire side behind your ear. Leave the hair above it slightly relaxed so the tuck doesn’t pull your volume flat.

If your cut includes a fringe, keep its styling in proportion to the rest. A heavily rounded fringe beside straight, blunt ends can look disconnected. Guide it into place with light tension and allow the edge to sit naturally.

10. Add Separation Underneath, Where the Bob Needs It

Let your hair cool fully before deciding whether it needs a finishing product. Warm hair can look temporarily fuller, and adding texture spray too soon makes it harder to judge how much support the finished style actually needs.

If the sides keep sliding together into one smooth sheet, Living Proof Full Dry Volume & Texture Spray can add texture and light hold. It makes sense here when you want some separation through the bob without coating the ends in wax or pomade.

Shake the can before each spray and hold it six to ten inches from dry hair, following the brand’s directions. Lift an upper section and start with a brief spray underneath. Lower the section, then loosen it gently with your fingertips before deciding whether to add more.

Keep the application selective. You don’t need to spray the whole outline, especially if your ends already look dry or separated. The goal is enough grip for neighboring sections to sit slightly apart while the blunt bottom still looks substantial.

If your hair holds its shape comfortably without this step, skip it. Root spray and texture spray aren’t automatically a pair. The first helps support the base during styling; the second is an optional finishing adjustment when dry hair feels too slippery or uniform.

11. Check the Shape Before You Reach for More Product

Step back from the mirror and look at the whole haircut. Close inspection can make you chase individual strands that don’t matter once you see the overall silhouette. Your boyfriend bob should look balanced, with an edge you can still recognize.

If something feels wrong, identify the specific area before changing anything:

• The bottom looks round and bulky: Release an ear tuck and gently brush the ends straight. If they remain firmly curved, dampen that lower section and dry it without turning the brush.
• The top has collapsed: Check whether the roots were fully dry before you released them. Reset only the flat patch rather than adding texture spray throughout.
• The sides look too wide: Stop scrunching and smooth the lower side sections with your hands. Keep the useful lift above them.
• The finish looks stringy: Stop pinching the ends into smaller pieces. Gently brush through once; if they feel coated, more product will make the separation worse.

Make one correction, then reassess. Fixing several areas at once can erase the parts you already like. A slightly different bend on either side is fine; a relaxed bob doesn’t need matching curves.

Once the balance looks right, leave it alone for a few minutes. Constantly touching the roots or running your fingers through the lengths can undo the lift and separation you just created.

12. Refresh the Flattened Area, Not the Entire Haircut

The next morning, look for what changed overnight. A boyfriend bob often needs attention at one compressed side, a flattened crown patch, or a front piece that picked up an ear dent. The rest may still have a useful, relaxed texture.

For a flat root section, dampen the base thoroughly enough to make it flexible again while keeping the ends mostly dry. Lift it gently, direct moving airflow at the roots, and let it cool before releasing. You usually don’t need another layer of root product if yesterday’s application is still present.

For an obvious dent through the middle, wet the bend itself and guide that section straight with a flat brush as you dry. Heating a dry dent repeatedly can leave it looking more polished than the surrounding hair without fully correcting its direction.

If the roots feel oily or coated rather than simply compressed, restyling may not give you lasting lift. Wash when needed instead of piling texture spray onto residue. Styling products can support clean hair, but they don’t replace cleansing.

On a rushed morning, prioritize the part and the visible outer shape. Resetting two front sections and one flat area at the back can be enough. Preserve any natural bends that survived the night; those often suit the boyfriend bob better than starting every section from scratch.

13. Recognize When the Cut Is Resisting the Finish

If you follow the routine and the same problem returns immediately, the issue may be the haircut’s weight distribution or length. Styling can influence how hair sits, but it cannot change where the ends land or replace missing density.

A very thick, blunt bob can build more width at the bottom than you want. Ask your stylist whether a small amount of weight can be removed inside the haircut while keeping the outside edge substantial. That is different from adding lots of visible short layers.

If your hair is fine and the ends already look sparse, ask for the opposite assessment. More thinning or extra layers may make the bottom less convincing. You may need a cleaner, denser edge rather than more texture cut into it.

Length matters, too. A section that repeatedly flips where it meets your neck may need a small length adjustment, especially if it lands directly on a curve. Bring a picture of how your hair looks after you style it yourself, not just a reference of the finish you want.

Ask your stylist to demonstrate one top section and one side using tools you own. Then try those sections yourself before leaving. You’ll learn whether the difference comes from drying direction, brush rotation, product placement, or the cut itself, rather than guessing at home.

Keep the Lift at the Roots and the Ease Through the Ends

Cristi, the part to remember is that your boyfriend bob doesn’t need more curl to look fuller. It needs a little support underneath the top, sides that aren’t pulled into a rounded shape, and ends that still feel free to fall.

Start by changing your drying direction and releasing the brush straight through the bottom. Those two adjustments may get you much closer to your salon finish before you add any extra texture. If you do need a bend or a finishing spray, use it selectively and check the result as you go.

You’re finished when the bob has some lift, the blunt outline still looks substantial, and you can move your head without feeling that every piece has been fixed in position. Leave a few natural differences alone. That easy, slightly irregular finish is part of what makes this haircut feel like yours.

This post How to Style a Boyfriend Bob for Volume and a Relaxed Finish?, was originally published at Latest-Hairstyles.com

Question from Tara Felix, 67, in Muskegon, MI: “My silver pixie looks nice around my face, but the crown separates into a little star with scalp showing through. When I lift it with a round brush, I get a tall tuft with an even bigger gap underneath. Wax makes the strands stick together. How can I style the back so it looks fuller without making my whole head look puffy?”

Tara, that tall tuft is the clue. You’re lifting the hair away from the very area you want it to cover. With a thinning crown, more height doesn’t automatically mean a fuller-looking pixie. You need a little lift at the roots, followed by strands that lie across one another instead of standing in separate points.

Your crown also has its own growth direction. As hair becomes less dense, the place where those strands turn can become easier to see. Short hair has less length to bridge that opening, so a strong brush pull or a heavy finishing product can make the separation more noticeable.

The following steps suit a pixie with tapered sides and roughly two to three inches through the top, particularly straight or gently wavy fine hair. If your crown is clipped extremely short, it won’t have enough length for the same coverage. Tightly curled hair needs a different approach that preserves its curl groups.

You’re aiming for a modest, rounded crown that connects to the rest of your haircut. You don’t need to erase every glimpse of scalp to have a beautifully styled pixie.

This post may contain affiliate links, meaning I may earn a small commission at no extra cost to you. I only share products I truly believe in. As an Amazon Associate, I earn from qualifying purchases. Your support helps me continue creating free content like this.

1. Find the Crown Opening Before You Wet Your Hair

Start with dry hair and look at the back using your wall mirror and a hand mirror. Keep your chin nearly level. Tilting your head sharply forward changes how the hair falls and can make you chase a gap that looks different when you stand normally.

Notice whether you see a narrow line, a small opening at the center of a swirl, or a broader area with fewer strands. A swirl is where your hair grows around a central point. Your goal is to understand which nearby hair can naturally lie across that opening without pulling.

Use two fingertips to move the surrounding hair gently left, then right, then diagonally forward. Which direction leaves the most even coverage? Remember that direction. You’ll return to it when the roots are damp and easier to redirect.

Check the actual length, too. If the crown pieces barely reach across your fingertip, they may be too short to overlap. Ask your stylist to assess the crown dry at your next appointment before removing more length or thinning it further. Extra texturizing, meaning cutting away small amounts within the section, isn’t automatically helpful when density is already low.

If thinning is new, spreading, suddenly patchy, or accompanied by itching or soreness, arrange a dermatologist appointment. Styling changes appearance; it doesn’t establish why you’re losing hair. The American Academy of Dermatology’s hair-loss guidance also emphasizes gentle handling because thinning hair can be fragile.

2. Blot the Pixie Until the Roots Are Damp, Not Dripping

On a wash day, rinse thoroughly before stepping out. With such short hair, conditioner can easily reach the crown even when you mean to place it only on the ends. You don’t have to avoid conditioner, but you do need to remove any slippery residue that leaves the roots grouped together.

Press a small microfiber towel or a clean cotton T-shirt against the hair. Lift it away, move to another area, and press again. Don’t scrub circles over the crown. That tangles short strands together and gives you an untidy starting point around the swirl.

Stop when the hair feels damp but no longer releases drops when pressed. Your top should still bend easily under your fingers. If it has already dried into the familiar star-shaped split, dampen the roots there again rather than soaking the whole pixie.

On a non-wash day, a water reset is enough only when your hair and scalp feel clean. If yesterday’s wax makes the crown sticky, or oil has gathered the strands into little ribbons, wash out that buildup first. More water won’t remove it.

Keep the damp crown uncovered while you get ready to dry it. Wrapping a short pixie tightly in a towel can flatten the roots in the wrong direction. You want to begin shaping while those roots are still pliable, not after they’ve dried pressed against your head.

3. Protect the Short Strands Without Loading the Crown

For this first attempt, keep your preparation simple: heat protection without a separate wax, oil, mousse, and root powder underneath it. Starting with fewer layers lets you see what your drying technique achieves and whether the crown actually needs extra hold afterward.

TRESemmé Protecting Heat Styling Spray is one option for preparing damp hair before blow-drying. It makes sense here because your short top will receive direct airflow while you guide the roots. It is heat protection, not a treatment for thinning or a promise of thicker growth.

Following your bottle’s directions, hold the spray away from your head and apply light, even coverage over the hair. Lift the top loosely so the mist reaches more than its outer surface. Avoid repeatedly soaking the same sparse patch. Gently distribute with your fingers, keeping the spray away from your face.

There isn’t one reliable spray count for every pixie: different triggers dispense different amounts. Aim for an even application without drips or a wet, coated patch. If the crown feels sticky once dry, reduce unnecessary layering at your next wash rather than brushing aggressively to break it apart.

You can keep a suitable heat protectant you already own. Check whether it is intended for damp hair before blow-drying. A product designed only for use on dry hair before a hot iron isn’t automatically interchangeable. Keep your dryer on low heat even when protection is applied.

4. Choose a Diagonal Route Across the Swirl

Before switching on the dryer, guide the top into the direction you identified in your mirror check. For many pixies, a gentle diagonal route gives the crown strands somewhere to settle without creating a straight line of exposed scalp. Follow your own growth pattern rather than copying a particular side.

Use the pads of your fingers as a broad surface. Slide the hair across the opening a little at a time. You aren’t drawing a precise part with a comb tip; you’re arranging neighboring strands so their ends overlap.

Leave some freedom at the center of the swirl. If you force every strand straight against its growth direction, the section may spring apart as soon as you stop holding it. Choose the direction that offers coverage with the least resistance, even if it differs slightly from your usual front part.

The fringe and crown don’t need one continuous part connecting them. You can wear the front toward your preferred side while letting the back turn on a slightly different diagonal. The transition should look blended, not divided into two separate sections.

If you have a gentle natural wave, keep that bend intact as you arrange the hair. Don’t stretch it completely straight just to make the strands uniform. A small bend can help adjacent pieces sit together; pulling it out can leave you with flatter, more separated hair once you release your hand.

5. Dry Across the Crown Before Drying Upward

Dry the crown first, while you still have control over its root direction. Use low heat and low airflow. A powerful blast can scatter these short strands, exposing the swirl and drying the pieces separately before you’ve placed them.

The INFINITIPRO by Conair Frizz-Free Compact Dryer, model 753, is an option if you need a dryer with separate heat and speed choices and a cool-shot button. Its concentrator attachment narrows the airflow so you can direct it across a small crown area. Your existing dryer is fine if it gives you similar control.

Hold the outlet about six inches from your hair, or farther if the air feels hot. Move the airflow across the roots from the side while your other hand guides them sideways. Keep the dryer moving; don’t aim into the center of the sparse patch.

Make a few gentle passes in one direction, then guide the roots briefly the other way if they allow it without tugging. Finish toward your chosen diagonal. This loosens the flattened root position without requiring you to pull the hair straight upward.

Stop this stage when the crown is nearly dry and the roots no longer feel wet. You should see a more even spread of strands, not a completely finished shape. If your shoulders tire, sit down and lower both arms between passes. Short, controlled movements are enough for such a small section.

6. Add a Small Rise and Let It Cool in Place

Now add only the height the crown can support without opening underneath. Slide two fingers under a small section near the crown, keeping them close to the scalp. Raise the roots slightly while allowing the ends to remain spread across your fingers.

Think of a low arch rather than an upright tuft. If you can see a clear tunnel beneath the section in your mirror, lower your hand. Too much lift lets light pass through the hair and often makes the thinning area look more obvious.

Use a brief moving pass of low airflow if that section is still damp. Then switch to cool air while you support its shallow curve. Once the hair feels dry and cool, slide your fingers out sideways instead of pulling them up through the ends.

Check one section before repeating elsewhere. A pixie crown is small; you may need only two or three modest adjustments around the swirl. Don’t keep rebuilding an area that already sits nicely just because another section looks different.

Skip the round brush if the strands are too short to wrap comfortably around it. Trying to catch them can pull at the roots or create the tall rolled bump Tara described. Your fingers give you better feedback about tension and temperature. If a section won’t hold any curve, accept a lower finish instead of increasing the heat.

7. Settle the Sides So the Crown Doesn’t Need Extra Height

Once the crown is arranged, turn your attention to the hair above the ears and along the lower back. These areas determine how much height the top seems to need. If the sides stick out widely, even a nicely styled crown can look flat beside them.

Guide the short side hair downward with your fingertips. Aim the dryer down the hair from above and to the side, keeping the outlet away from your skin. Let the tips follow the haircut rather than forcing them tightly behind your ears.

At the nape, use the same downward direction only where the hair needs it. You aren’t trying to make the entire back perfectly flat. Keep the lower outline tidy while preserving the gentle curve above it, where the crown meets the back of your head.

If an ear-level piece flips outward, dampen its root and redirect that small area. Pressing the dry end repeatedly usually bends it temporarily without changing where it starts. Don’t pinch the piece between hot tools close to your ear to solve such a small problem.

If the sides remain bulky even when carefully dried, the haircut may need reshaping. Ask your stylist to refine that width while preserving useful crown length. Taking everything shorter at the next trim can remove the very strands you need for coverage. Show the side profile as well as the crown when explaining what bothers you.

8. Sweep the Fringe Without Pulling the Whole Top Forward

Your fringe can give the pixie a finished appearance without borrowing every available strand from the crown. Separate the front area with your fingers, stopping before you reach the swirl. Leave the crown arrangement alone while you direct the pieces nearest your forehead.

Move the fringe diagonally toward the side where it falls most comfortably. Use low airflow from that side, with your fingers guiding the hair rather than flattening it against your forehead. Let the ends rest lightly instead of curling them into a rolled bang.

If the front has already dried in an awkward position, dampen just those roots before drying. Keep your eyes clear of the airflow and point the nozzle across the hair, not straight into your face. A slight turn of your head can make that angle easier.

Blend the front into the top by laying the ends of the neighboring section in a similar direction. Avoid combing from the back of the crown all the way to your eyebrows. That can uncover the rear opening while making the front look unusually heavy.

Check your profile when you finish. The fringe, top, and crown should form a connected outline, with no sudden hill behind a completely flattened front. If they don’t, adjust the junction with your fingertips. You don’t need to restart the whole head to correct one abrupt change in direction.

9. Spread the Crown Strands Before Adding Any Finish

Put the dryer down and inspect the back again. This is where you judge coverage, not just height. Use ordinary room lighting and a second view in indirect daylight if available. Harsh overhead light will reveal more scalp, so don’t keep chasing complete opacity under a spotlight.

If the hair has gathered into pointed little bundles, use clean, dry fingertips to fan those bundles gently apart. Move the upper strands sideways across the opening, keeping their root lift underneath. A broad spread gives you more coverage than three sharply defined spikes.

If the entire section collapses, check whether the roots are still damp. Finish drying only that area before deciding it needs stronger hold. If the roots are dry but coated and sticky, adding another product is unlikely to improve their separation.

For this finish, skip wax on the crown. Wax can be useful for defining a dense pixie, but a sparse crown often looks thinner when the strands gather together. Also skip backcombing: repeatedly pushing a comb toward fragile roots isn’t necessary for this low, overlapping shape.

Turn your head naturally from side to side, then look again. If the coverage stays reasonably even, leave it alone. Constantly touching and checking can undo the arrangement you’ve just made. Take one rear-view photo at normal distance for reference, especially if you want to show your stylist which opening remains difficult.

10. Use Matching Hair Fibers Only Where Coverage Still Bothers You

This step is optional. If you like the shape but still dislike the contrast between hair and scalp, Toppik Hair Building Fibers can provide temporary cosmetic coverage by adhering to existing hair. They don’t regrow hair, and they need strands to attach to; they aren’t a convincing solution for completely bare skin.

Choose a shade that blends with the hair immediately around your crown. For silver hair, check the gray or white options against your actual roots. A much darker shade can create a patch that draws attention instead of blending in.

Apply only after your hair is fully dry and arranged, as Toppik’s application instructions specify. Following the package instructions, shake a tiny amount over the sparse area, pause, and inspect. You can add more, but it’s harder to remove an excessive deposit without disturbing your finish.

Gently pat to distribute the fibers without rubbing your crown flat. Keep the product away from your eyes and avoid breathing in airborne fibers. Stop using it if it irritates your scalp. Follow the label for removal and any finishing instructions.

Keep your expectations realistic in rain, heavy sweating, or when rubbing your hair against fabric; cosmetic coverage can shift or transfer. Check it before leaving home rather than assuming it is invisible in every light. If you’re happy without fibers, skip them. A styled pixie doesn’t need complete scalp concealment to look intentional and attractive.

11. Refresh Tomorrow’s Flattened Roots Without Rebuilding Everything

The next morning, identify what actually changed overnight. You may have one compressed patch where your head rested on the pillow while the sides and fringe still look fine. Treat that small area instead of washing and styling the entire haircut automatically.

If you used fibers, remove them according to their instructions before wetting and restyling that section. Adding water over leftover cosmetic coverage can make it collect unevenly. Start from a clean enough surface to see the roots clearly.

Dampen your fingertips with water and press them into the flattened roots. Repeat until those roots feel pliable; merely wetting the ends won’t reset a crease near the scalp. You don’t need to drench the surrounding hair.

Follow your heat protectant’s directions for reapplication if using the dryer. Then repeat the brief sideways root guidance and shallow lift only where needed, ending with cool air. If water and finger placement restore the shape without heat, stop there.

When the same gap becomes harder to cover over several weeks, compare your reference photo and book a cut adjustment. Ask to preserve overlapping length at the crown while tidying the outline. Bring your dryer if you struggle with its weight or controls, and ask your stylist to watch you recreate one crown section yourself. That small demonstration is often more useful than watching another complete salon blow-dry.

The Short Version

Tara, your crown doesn’t need to be the tallest part of your hairstyle. Give it enough lift to avoid lying flat, then let the strands overlap across the opening. That balance matters more than building a dramatic bump.

Remember three things when you’re standing at your mirror: arrange the crown while its roots are damp, keep the lift shallow, and avoid separating the finished hair into waxy points. Neat sides will support that shape without asking the sparse area to supply all the volume.

Some scalp visibility is normal, and styling has limits when the crown is very short or noticeably sparse. You’re aiming for a pixie that sits comfortably and looks like you. Once it does, put the tools down and enjoy the rest of your morning.

This post How to Style a Pixie Cut for Women Over 60 With a Thinning Crown?, was originally published at Latest-Hairstyles.com

Recently a client of mine who’s had bangs on and off her entire life (and misses them when they’re not on her face) was fed up with getting a short hair cut that required tons of upkeep. She had just come out of a horrible 6 month run of trying to grow out blunt bangs and when I asked if she was in the market for bangs her response was, ‐I can’t do that again.‐

Blunt bangs must be trimmed about every three weeks to maintain the shape, and as soon as they start falling at that strange angle past your eyebrows they look out of place.

Cloud bangs on the other hand have a bit more air incorporated into them (and are usually either point cut or razor cut) to avoid that thick blunt line of hair falling across the forehead. They blend in to the rest of the face framing pieces of the hair cut instead of feeling separate which in turn makes them applicable on a variety of textures and lengths.

When she saw her bangs again two months later (she has not cut them once) they just looked a little longer and a little more parted, and there is no stage where they look bad!

I think more and more women are opting for this fringe less because it follows a trend and more because it isn’t a haircut you feel punished by when you skip a trip to the salon.

Brunette Balayage Layers with Seamless Cloud Bangs

Instagram: paulmendohair_

Longer cloud bangs melt into the rest of this brunette blowout. The balayage color in this photo really compliments the haircut as well. If you are considering cloud bangs ask about adding dimension or lighter pieces throughout to really make your new fringe pop. Those lighter pieces help make bangs appear thinner, blend better and grow-out a little easier too. This cut will suit thicker medium hair best as it relies on natural body and bounce for styling.

Long Dark Auburn Layers with Grown-Out Cloud Bangs

Instagram: the.idbeauty

This lady could have recently passed her trim appointment as evident with these long grown out bangs but still rocks her wispy bangs beautifully! If you have straighter thicker hair this would be the perfect inspiration pic to show your stylist since she still manages to pull off bangs around her eyes and has them melt seamlessly into her layers. Thicker straighter bangs that grow out can resemble a block but those wispy wisps grow out beautifully.

Medium Brunette Before-and-After Cloud Bangs Transformation

In the before photo, she has no bangs, and her medium brunette hair is all one length. The after photo is stunning! It’s nice to be able to visualize how her cloud bangs and new haircut turned out.

Her cloud bangs are perfectly brow skimming and light, wispy, and separated, and her haircut consists mostly of face-framing layers. We love before and after pics like this that show off a bangs transformation, since the person, hair color, and texture are all the same, making it easy to show to your stylist as a reference!

Dark Textured Ear-Length Bob with Curved Cloud Bangs

Instagram: tetsuya.permarchive

The cloud bangs in this dark ear-length bob haircut has more of a curved effect because it’s cut shorter in the middle. This creates more of a crescent moon shape as the wispy curtain falls down over the forehead. Best for: bobs and short haircuts, straight to wavy hair, medium density.

Bonus cloud bang maintenance tips

Here’s what to keep in mind when wearing cloud bangs:

– The arch of the cloud bangs shown in the first jet black hairstyle will need to be kept fresh with a bang trim every 6-8 weeks.
– Wispy cloud bangs with color, like the blonde ends shown above, are more low maintenance and the grow out is less noticeable.
– Wispy cloud bangs will likely take less effort to style, but still require attention when blow drying. The wispy bangs will want to lay flatter as they dry, so you may need to help them along and round them into place with a small round brush.

Long Jet Black Layers with Side-Swept Cloud Bangs

Instagram: beautyby.mirandaa

If you’ve always wanted bangs but just never pulled the trigger, take note! These side-swept cloud bangs could be an option for you. Cloud bangs that sweep to the side like in this reference photo are the perfect bangs to grow out because you’re basically committing less to the fringe. The wispy bangs in this hairstyle falls just past the model’s cheekbone. Best for: thick straight hair, jet black hair color, long cuts with layers from the chin length and longer so your hair doesn’t fall flat and lifeless.

Caramel-Tipped Long Waves with Full Center-Part Cloud Bangs

Instagram: hairbykendallsinclair

The full cloud bangs in this long brunette balayage hairstyle falls right on the model’s brows, but will fall to each side as they get grown out. This cloud bangs reference photo is ideal for center parters. Best for: wavy hair, long hairstyles, brunette hair, caramel highlights, balayage, thick to medium hair with body.

Thick Chocolate Layered Blowout with Heavy Cloud Bangs

Instagram: witchykittyhair

This next cloud bang inspiration photo features a heavier bang, cut from a wider section of hair than typical cloud bangs. The thicker curtain of hair falls heavier in front of the forehead. Be sure to ask your stylist to still point cut throughout the ends so that your bang doesn’t lay bluntly. The curve along the bottom was likely styled with a blow dryer and smaller boar bristle round brush. Best for: blowouts, longer layered cuts.

Dark Curly Shag Bob with Dense Cloud Bangs

Instagram: moeko_furuya

Cloud bangs tend to look best in straight and wavy hairstyles, but naturally curly hair texture can come into play as well. The natural curl pattern in this short shag haircut helps separate the cloud bangs, making it look piecey even though it’s pretty dense with not as much point-cutting through the bangs as usual. Dense cloud bangs are ideal for curly hair cuts because bangs can quickly poof out into a shelf in front of your forehead instead of lying down bluntly like they would on straight hair. Keep in mind that your stylist should cut bangs with a naturally curly pattern dry to ensure they’re compensating for shrinkage. Best for: shorter hairstyles, shag haircuts, naturally curly hair.

Light Brown Shaggy Layers with Blonde-Tipped Cloud Bangs

Instagram: moeko_furuya

This shoulder-length light brown haircut features wispy cloud bangs with blonde tips. The color makes the cloud bangs appear more wispy without any actual weight removal, which is an awesome way to create more of a piece-y effect in your bangs. Best for: medium length cuts, shag cuts, natural bend or wave, fine to medium density.

Dark Brunette Bouncy Blowout with Layered Cloud Bangs

Instagram: torontohair96merly

The layered cloud bangs in this shoulder-length dark brunette hairstyle is giving curtain bang energy with the slightly off-center part and rounded shaping with the ends flicked out. The rest of the haircut features layers throughout with a bouncy rounded shape. Ask your stylist for cloud bangs similar to this blow dried reference photo, but that fall more to the center when worn unwashed and air dried. Best for: thick hair, medium density.

Jet Black Mid-Length with Arched Cloud Bangs

Instagram: keito_sodeno

Jet black colour, mid length haircut and a dreamy set of arched cloud bangs. This haircut would suit straight thick hair really well.

This cut would need to be trimmed about every 6-8 weeks to maintain the arched effect in the bangs but they’re lovely and will naturally fall open for you. The bangs are subtly shorter in the middle and a little longer at the sides which means they will never rest as if they’re all in a straight line. There are lots of layers in this haircut.

Black Tousled Chin-Length Bob with Swept Cloud Bangs

Instagram: keito_sodeno

– Longer: Side swept bangs just past the brow melt seamlessly into this shaggy textured bob. I love this photo because her slight wave pattern allows her bangs to naturally lay to the side making them super easy to style! Fingers and a good sea salt spray are all this style needs to come together.

Plum-Toned Collarbone Cut with Neat Cloud Bangs

Instagram: __chiiiffu.__

– Mid-Length: These wisps may be a little more together than usual cloud bangs but they’re still feathered out and see through in certain places (especially the center section). Show your stylist this photo to get a similar look. I like this haircut because you can just whip out the flat iron in the morning and flip those ends under to go! Great for finer or medium texture hair types looking for bangs that are a little fuller without the commitment of thick straight-across bangs.

Textured Pixie-Bob with Choppy Cloud Fringe

Instagram: bridgetbragerhair

Shorter: A textured pixie-bob is complimented by this choppy fringe cut into wispy pieces. Show your stylist this photo if you want a shorter cut with cloud bangs as I’ve mostly seen them on longer styles. The key in recreating these bangs is a pixie-bob cut full of texture and then taking those same textured pieces down the forehead. They should be heavily point cut or razor cut for the wispy separated look.

Warm Copper Wispy Cloud Bangs on Medium Layers

Instagram: juno_sky__

If you don’t want to have to blowout your wispy bangs with a round brush each and every morning (unlike in the photo), that’s totally OK, they should part a bit naturally as in this next style. This wispy cloud bangs style on a shoulder length layered haircut in warm copper is ideal if you have straight hair on the medium side, not super thick and it tends to look a bit flat unless there is some framing going on around the face. When getting this cloud cut I’d ask for them to make sure the shortest part is just above the brow so it still looks OK when the bangs are about 6 weeks.

Wavy Medium Brown with Wispy Curtain-Cloud Bangs

Instagram: lien.13

This wavy brunette cut has longer curtain style bangs that resemble cloud bangs. They have that wispy see-through appearance and the cut is longer on the sides and thinner in the middle. This photo perfectly displays that soft curtain-y shape some want in bangs. If you have a natural wave like this you can recreate the slight curl in at the cheekbone easily and those bangs will fall in place with no effort!

Dark Wavy Perm with Short Airy Cloud Bangs

Instagram: ayakoyanagi

The wispy short cloud bangs on this shoulder length dark permed wavy haircut sit above the eyebrows for a more conservative take on the trend. If you plan on perming your hair or have a natural wave this would be a great cut to show your stylist as wavy cloud bangs are so easy to work with. Straight thick bangs can be harder to deal with waves but with this texture the wave isn’t fighting the fringe. If you have permy hair I think it would be beneficial to try and clip the bangs section out in front when drying to try and set the bangs this way as well.

Golden Blonde Shoulder-Length Flip with Retro Cloud Bangs

Instagram: crybabycoiffeur

The wispy bangs and flipped out ends work well with this shoulder length cut. To recreate this cut and style you’ll want to ask for wispy see-through bangs, flipped out ends (I curled mine under and out with a large barrel curling iron to create the shape), and a shape inspired by 70s shag haircuts. This one will be best suited for those with thicker wavier hair since the fullness and body is part of this look. You wouldn’t be able to recreate this blowout and it would most likely fall limp on hair with less density.

Rooted Blonde Lob with Barely-There Cloud Bangs

Instagram: kakimotoyurina

Barely there bangs are OK too, just make sure to section a smaller triangle piece from in front for the stylist to work with and make sure to stress how wispy you want them since fuller bangs would overwhelm fine hair and immediately look stringy. This next wavy lob has just a hint of bangs incorporated into the cut that I love!

Dark Curled Blowout with Parted Cloud Bangs

Instagram: yv.stylez

Here we go again with the blowout difference, this next cut could totally be air dried and it would still look great minus that swoop in the parted bangs (which kinda make it look like a cross between curtain bangs and cloud bangs which is totally OK and grows out easier!). These next cloud bangs could only be achieved on thicker hair though since they used curls at the ends to help take away from all the hair weighing down the look.

Jet Black Layered Length with Piecey Cloud Bangs

Instagram: local_honey

You don’t have to go super short with cloud bangs but they should be on the thinner side and have some forehead showing through the fringe or you run the risk of them looking like just regular old thick bangs and that’s not OK! These piecey jet black bangs fall right on the brow bone and meld perfectly with the rest of the layers for an undone look that doesn’t need any help from a curling iron so this cut would be best on fine straight to maybe a tad wavy hair.

Dark-Rooted Golden Blonde with Long Wispy Cloud Fringe

Instagram: hair.presley

I love that these next wispy cloud bangs are a tad longer and meld perfectly into the rest of the blowout especially since the ends are flipped from being styled on big round brushes. If you’ve never worn bangs but have been lusting after them, opt for a fringe more in the line of this pic to take away from the commitment, after a couple of weeks you’ll have enough growth to be able to tuck the wispy ends behind the ears and still look OK. Also the root shadow helps with growing out the color.

Voluminous Chestnut Waves with Brow-Skimming Cloud Bangs

Instagram: telleish_hair_studio

If you have thick wavy hair like in the pic below or know for a fact you can form curls with a larger size curling iron you could totally rock these full on body chestnut waves with cloud bangs skimming the brow line. The bangs here have more of an arched shape (meaning they are shortest in the middle and gradually longer as they work their way out) to help them look a bit more airy since the rest of the cut is very full. Also this pic is styled from a blowout so if the hair were air dried the bangs would most likely lay flatter and parted even more.

Choppy Chin-Length Shag with Full Cloud Bangs

Instagram: modestspotcarrillo

Cloud bangs don’t have to be thin and wispy, this next style was sectioned a bit wider for full fringe but it’s cut very well so it doesn’t look blunt like traditional shag bangs, which is probably due to lots of point cutting. If you have more wavy, textured hair that has some movement this choppy shag at chin length would suit you well. On days where you aren’t restyling just grab some texturizing spray and the cut should still hold it’s shape.

Long Layered Brunette with Feathered Cloud Fringe

Instagram: tony_dglow

This is another great pic to bring in when wanting to get cloud bangs on thick hair because it shows how to remove some of the weight from the ends in layers (starting about chin length here) so that the feathered cloud bangs melt right in with no hard line into the rest of the fringe. The bangs hit about on the eyebrow and part just a tad in the middle.

This post Love Bangs but Hate the Heavy Look? Meet The Cloud Bangs, was originally published at Latest-Hairstyles.com

I once had a bridesmaid arrive to the venue in tears because her ‘do (she’d been told to just “do a messy bun” and show up) had migrated down to her neck by cocktail hour. We got it back together in fifteen minutes with the right prep and technique and it held on strong until the send-off at midnight.

The difference has nothing to do with talent or product or even the style, it’s about understanding what thin hair needs from an updo. That means lots of structure, where no one can see it.

The best updos for fine hair, ones that look effortlessly voluminous and hold all day, aren’t necessarily the most pinned. Instead, they’re about the architecture inside, all sorts of clever looping, backcombing and pinning to create a web of texture and grip-on-grip to support the outside pieces. Many of my favorite styles even start with a hit of texture spray on dry hair. All of this adds up to an updo that looks full and relaxed (not tight!) and stays that way for hours.

The Clean Platinum Loop Bun

Instagram: hairbybrookemcpartlane

This is an example of how to make a looped bun with curtain pieces.
By not pulling the ponytail completely through the elastic band, this allows the remaining piece to loop around for the appearance of a classic bun. For those with extra fine hair (and especially in such a light, monotone color!), this may not be the most flattering style since the slicked sides leave little to the imagination in terms of density. Those that gravitate toward this look would most likely focus on laying down flyaways (try a smoothing cream with a light hold!).

The Dimensional Blonde Swirl Updo

Instagram: alexandralee1016

This is an example of how to make a swirled updo with loose pieces.
By incorporating a swirl effect in which all pieces of hair are rolled in the same direction, this creates a cascading effect in which the bun appears wider and fuller than if the hair was simply pinned at the crown. Multitone hair also helps add the illusion of dimension!

The Before-and-After Textured Low Updo

This is an example of how to make a low updo.
Curly girl, rejoice! If you’re attending a special event (and, therefore, seeking a dressier look than your usual ‘do), consider loosely pinning waves into a low bun (sans smoothing, of course!). By embracing texture and incorporating curls, this updo instantly appears three or four times fuller than the original ‘do (shown at left)!

The Lifted Black High Bun with Swept Sides

Instagram: theloveteam_coco

This is an example of how to make a high bun with loose pieces.
Those with extra-fine locks who find that sleek, straight-back styles tend to make their heads appear smaller may want to try this elegant-yet-casual updo! Instead of pulling hair straight back, thereby creating a slimmer silhouette, incorporate width at the mid-lengths by pinning hair up-and-back at an angle! The topknot was most likely incorporated by looping a twisted section of hair and pinning flat.

The Spiraled Mid-Height Chignon

Instagram: bluebell.lounge.salon

This is an example of how to make a spiraled chignon.
This nautilus-inspired chignon is ideal for those seeking an elegant-yet-edgy updo! Those with extra-fine hair should take note: instead of incorporating added fullness to compensate for lack of density, this look focuses on clean lines and the illusion of fullness (via the incorporation of multiple wrapped pieces, instead of relying on actual fullness). Try sectioning hair into even pieces and paying particular attention to incorporating plenty of bobby pins to create a long-lasting spiral!

The Warm Brunette High Twisted Bun

Instagram: veraflor_artistry

This is an example of how to make a high twisted bun with loose pieces.
By keeping the twisted bun close to the crown of the head, this updo eliminates the need to pull hair too tightly, thereby reducing scalp visibility at the sides of the face. Ideal for special occasions or everyday wear, we recommend adding a texturizing spray to extra-fine locks to ensure a secure hold!

The Brunette Rolled French Twist with Loose Framing

Instagram: hairtowedbytina

This is an example of how to make a French twist with loose pieces.
If you struggle with extra-fine hair, the rolled French twist may be just the updo for you! Incorporating a loose French twist (instead of rolling hair once to create a traditional French twist) adds fullness at the back of the head. Bonus: loose pieces around the face (most likely incorporated via flat iron) add chic flair.

The Sculpted Dark Pin-Curl Chignon

Instagram: ayeletgarson_hairandmakeup

This is an example of how to make a chignon with pin curls.
Perhaps the most difficult of all the aforementioned updos to recreate at home, this requires a skillful hand at pin curls! Sleek-yet-textured (and almost looks as if the updo has been sculpted!), we recommend leaving this one up to the professionals.

The Casual Brunette Crown Bun

Instagram: thebeauty_studio22

This is an example of how to make a crown twisted bun with loose pieces.
Chic-yet-casual, this ‘effortlessly’ disheveled updo is ideal for those seeking a style that’s somewhere in between ‘I just threw my hair up this morning’ and ‘this took me hours!’ Incorporating pieces around the face and nape adds softness to the look, and those with extra-fine hair should take note: the ‘I woke up like this’ element of the look helps to camouflage lack of density!

The Smooth Dark Chignon with Volume at Crown

Instagram: kthd_bridalhair

This is an example of how to make a low chignon with loose pieces.
Classic and elegant, this sleek chignon was most likely backcombed (and/or incorporated a small bun underneath) to compensate for extra-fine locks! Those recreating this look at home should consider adding a strong-hold hairspray throughout the styling process (instead of simply applying product after-the-fact!).

The Twisted Bun on Dark-Rooted Bronde

Instagram: chellc_doeshair

This is an example of how to make a twisted bun with loose pieces.
The incorporation of dark roots adds the illusion of fullness at the part, which is helpful for those with extra-fine locks! This chic-yet-casual updo can be easily created at home and doesn’t require much hair length or density. Try incorporating several spin pins for a secure hold that will last throughout the day without the need for added hairspray!

The High Black Topknot with Wispy Nape

Instagram: hairstylist__setareh

This is an example of how to make a high topknot with loose pieces.
Those with jet black hair and/or extra-fine locks should note: uniform hues and extra-fine tresses tend to reveal thin spots (especially at the scalp), so pay particular attention to making sure all flyaways and wisps are secured! By keeping the topknot small and not pulling hair at the sides of the face too tightly, this style compensates for density. Ideal for everyday wear or special occasions when you’re looking for a chic ‘everything up’ style!

The Rolled Blonde Knot at Mid-Crown

Instagram: styledbyabbi

This is an example of how to make a mid-crown knot with loose pieces.
We love that the size of this updo embraces the density of the hair (instead of trying to compensate for it with added volume!). And, the incorporation of a curled piece around the face along with strategically-placed flyaways at the crown keep the look from reading too sleek and severe.

The Textured Dark Twist with Asymmetric Nape

Instagram: touchofblush_mua

This is an example of how to make a textured twisted bun.
Rather than trying to conceal natural texture (especially if your hair is on the finer side!), we love how this style embraces waves! And, by creating a side-swept effect (instead of styling the twist directly at the center of the nape), this adds even more of an element of dimension. We also love how this updo would look chic with a one-shoulder dress, which is ideal for a bride-to-be or bridesmaid!

The Looped Crown Knot with Loose Tendrils

Instagram: jadefarmiloemua

This is an example of how to make a looped crown knot with loose tendrils.
Looped crown knots are great for those with fine hair, especially at medium lengths where it’s not quite long enough to make a regular bun. By twisting and pinning sections into each other (instead of wrapping the hair around one particular area), this allows the bun to appear full and dimensional. Pull out some pieces around the face/ears before you begin pinning the bun to avoid an after-the-fact feel.

The Loosened High Bun with Curled Ends

Instagram: emelserhairdesignmua

This is an example of how to make a high bun with curled pieces.
Adding dimension and the illusion of fullness, pieces of curled hair have been strategically (and intentionally!) incorporated throughout this updo. For those with extra-fine hair, we recommend curling hair before creating the updo. This style would be ideal for a bride or formal event guest since it will most likely stay in place from ceremony to reception!

The Copper Twisted Low Bun

Instagram: glossandglow.bridal

This is an example of how to make a twisted bun with loose pieces.
Simply twist two sections of hair around one another before pinning the circle-shaped twist at the base. Those with extra-fine hair might opt for this effortless style, as the dimensional color (especially since it’s a rich hue that reflects light!) gives the illusion of density. This updo would also be easy to recreate at home and should last throughout the day without much effort!

The Polished Bronde Low Fold

Instagram: erikataftbridal

This is an example of how to make a folded bun with loose pieces.
The clean lines of this polished fold (almost as if the hair was wrapped around some type of circular object!) creates the illusion of a larger-sized bun. Those with fine hair and a patience for perfection (along with a handy-dandy tail comb!) would most likely opt for this sleek style. Multitone hair also helps add the illusion of dimension!

The Structured Mid Chignon

Instagram: moniquekazokas

This is an example of how to make a structured chignon with curtain pieces.
The added volume at the crown was most likely created by teasing the roots of the top piece of hair before laying the hair over it. Those with fine, straight hair that lays down nicely would gravitate toward this style, and it looks especially chic from the back!

The Minimal Low Knot

Instagram: hhairbymaya

This is an example of how to make a minimal low knot with curtain pieces.
Sometimes, the best updo for thin hair is one that embraces being thin hair! We love this petite twisted bun that focuses on the pieces around the face and doesn’t take more than five minutes to style. Two or three bobby pins and a light spray of hairspray will ensure this look stays in place throughout the day.

The Brunette Rolled Updo with Braided Base

Instagram: beyondhair.au

This is an example of how to make a rolled updo with a braided base.
By concealing a braid at the nape, this allows the remaining hair to be pinned in for added support, thus creating a secure updo that won’t fall flat throughout the day. Collarbone length hair or longer is ideal since you’ll need enough length to wrap around the braided foundation.

The Undone Blonde French Twist

Instagram: leannelishmanartistry

This is an example of how to make a French twist with a loose undone finish.
French twists that have an undone appearance give the illusion of texture/movement instead of flatness/thinness, so long as the pinning is secure. Curling pieces with a large barrel curling iron before twisting also adds more oomph.

The Stacked French Twist Bun

Instagram: flaviahairmarbella

This is an example of how to make a stacked French twist with a rolled base.
By starting the twist lower at the nape and working upwards, this allows the style to have added height. Since the twist serves as the bun’s foundation, this updo translates well for those with thin hair. We also recommend using bobby pins specifically designed for fine hair and inserting them in an X pattern throughout the twist for an even stronger hold.

The Knotted Mid-Height Twist

Instagram: _bylarajade

This is an example of how to make a knotted twist with loose pieces.
Twisting sections in varying directions before pinning them creates instant illusion of padding/knots/dimension. Darker roots also give the appearance of extra density/fullness. Try this technique for fine/medium density hair that’s shoulder length or longer.

The Low Folded Blonde Chignon

Instagram: bexwestonhair

This is an example of how to make a low folded chignon with loose pieces.
The fold technique (looping the pony back over itself and tucking it under) creates an instant volume-boost for those with fine/thin hair that can’t exactly rely on hair mass to bulk up their updos. Opt for second-day hair or apply dry shampoo before styling to help give the chignon added grip. Bonus points for this particular look going with a highlighted color, as the varying tones distract from areas where there may be less hair.

This post Think Your Hair Is Too Thin for an Updo? These Looks Say Otherwise, was originally published at Latest-Hairstyles.com

“I’m 66, and my fine, mostly straight gray hair was recently cut into a shaggy pixie bob. The crown looked full at the salon, but at home it splits in the back while the pieces beside my ears puff out. My round brush also leaves the ends curled under like a little helmet. How do I get height without making everything bigger?” — Yvonne Bellamy, Port Townsend, Washington

Yvonne, you’re describing a balance problem, and adding volume everywhere makes it more noticeable. Those short crown layers need support near the scalp, while the longer sides need direction. Giving both areas the same round-brush treatment can hide the shaggy edges and leave you with a rounded bob shape.

With the shaggy pixie bob, you want a lifted top, narrower sides, and separate tips that still look connected. You don’t need every strand standing up. This routine suits fine, straight to lightly wavy hair; tightly curly versions need a different drying approach. Being over 60 doesn’t mean your hair must be styled conservatively, either. Let’s get the layers sitting where you intended.

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1. Start With Damp Hair Before the Short Layers Dry

Start with damp hair that no longer drips. Blot rather than wrapping it tightly in a towel while you get dressed: the shortest layers can dry pressed against your scalp before you’ve picked up the dryer. If that has already happened, wet the roots again. Spritzing only the ends won’t reset a flattened crown.

Press the towel against one area, release it, and move to the next. Avoid rubbing back and forth, which can tangle the ends and make the layers harder to guide. Your hair should still feel damp near your scalp, even if the very tips have begun to dry.

You don’t have to wash your hair every time you want to practice this routine. If it’s clean and doesn’t feel coated with old product, dampening the areas that need reshaping may be enough. For your first full attempt, though, freshly washed hair makes it easier to judge how much styling product you need.

Before moving on, touch the upper back of your head. This is an easy spot to miss when you’re looking at the front in the mirror. If the roots there feel dry and already lie in a split, use wet fingertips to work water into that small area. The goal is damp roots, not water running down your neck.

2. Rinse Well and Loosen Tangles Without Flattening the Top

Gently loosen tangles with your fingers. Keep conditioner rinsed out thoroughly, especially behind your ears, where these longer sections tend to cling together. You don’t need to skip conditioner if your gray ends feel rough; concentrate it on those ends instead of coating the short roots.

Work through a knot from its ends first, moving closer to the scalp only as it loosens. Hold the hair above the knot so you aren’t pulling on your scalp. If your fingers can’t separate it, use a wide-tooth comb gently in that spot rather than tugging through the whole section.

Once the tangles are out, leave the crown loosely arranged. There’s no need to comb everything flat against your head or make a sharp part yet. That can place the short layers back into the position you’re about to change with the dryer.

Notice how the sides feel compared with the top. Soft ends are helpful, but slippery, clumped roots can be harder to lift. If you know you left conditioner behind, rinse it out now and blot again. Adding more styling spray over unrinsed conditioner won’t give you a reliable starting point.

Check behind both ears with your fingertips, too. A small tangle there can make the longer pieces stick together and look bulky even when the rest of the cut sits well.

3. Apply Lightweight Support Where You’ll Use the Dryer

Living Proof Full Volume & Root-Lifting Spray combines lightweight styling hold with heat protection, making it useful when you want crown support without several product layers. The manufacturer lists both benefits. Mist clean, damp hair lightly from roots through ends, lifting sections for even coverage. Use the package directions and adjust downward for your short, fine hair; it should feel lightly coated, never sticky or soaked with product.

Pay attention to the upper back of your head, not just the visible front. Coverage matters wherever you’ll blow-dry. You can skip a separate mousse and finishing cream for this first attempt.

Lift a small section with one hand so the spray can reach beneath the surface. Apply it at the distance stated on the package, then move to the next area. Keep the spray away from your eyes and face. Use your fingers to distribute it without pressing the crown flat.

If you already own a lightweight styling product, check whether its label includes heat protection. A product that adds volume doesn’t automatically protect against heat. Follow the directions for what you have rather than assuming all sprays work the same way.

The manufacturer’s general styling routine may aim for volume throughout the hair. Here, you’ll control where that fullness appears through your drying direction. You can apply the product across the hair while lifting only the crown and keeping the sides closer to your head.

4. Set the Dryer Before You Start on the Crown

Begin at the crown while the roots are still damp. Use your dryer’s low airflow and a comfortable warm setting. A narrow nozzle helps you aim, but keep it several inches from your hair and moving. More heat won’t compensate for drying the roots in the wrong position.

Before lifting any hair, make sure the air feels comfortable against your hand. If it feels hot on your scalp during styling, move the dryer farther away or lower the heat. Fine ends dry quickly, so you don’t need to keep warming them while you work on the roots.

Aim the nozzle along the section you’re holding, from near the roots toward the ends. Avoid pointing it upward from underneath your whole haircut. That sends the longer sides outward and can leave the surface looking scattered before you’ve shaped anything.

If holding your arms up gets tiring, sit down and dry one small crown section at a time. Turn the dryer off between sections. Supporting the hair with your fingers is enough here; trying to coordinate a brush as well adds effort without necessarily adding height.

Keep the cord clear of your chair and work in a dry spot away from water. Place the dryer somewhere secure when you pause. A comfortable setup helps you work slowly enough to direct the hair instead of rushing through the back because your arms ache.

5. Move the Crown Gently From Side to Side

Slide your fingertips beneath the short upper-back layers. Guide them gently across their usual fall, first toward one side, then the other. Follow with the airflow, aiming from the roots along the hair rather than blasting upward into the ends.

Think of this as changing where the roots lean while they dry. You’re not trying to pull every strand into a new permanent direction. Move a small area across the split, let it loosen, then guide it back the other way with your fingers open.

This loosens the flat parting that forms when the crown dries untouched. You need only a modest change in root direction; pulling aggressively against a stubborn growth pattern can make the hair separate even more.

Work with a section narrow enough that your fingertips can reach its roots. If you gather the entire crown in one handful, the outside may dry while the hair underneath stays damp. That hidden dampness can let the top settle flat after you think you’re finished.

Stop the side-to-side movement when the roots are nearly dry but still have a little dampness. That’s the point to add lift. If one patch has dried flat already, turn off the dryer, dampen its roots again, and repeat gently. Extra heat on a dry split usually adds effort without giving you the reset you wanted.

6. Lift Small Crown Sections and Let Them Cool

Once the roots are nearly dry, lift small sections upward with spread fingers. Avoid squeezing each section into a tight spike. Keep your fingers underneath the hair so they support it without pressing the visible surface into separate clumps.

Finish drying, then use cool air while holding the lift. Release when the section feels cool. If your dryer doesn’t have a cool setting, switch it off and keep the hair supported briefly while it loses its warmth. Let it settle before deciding whether it needs more work.

You only need enough height to give the upper back a soft, fuller shape. Pulling every section straight up can leave visible spaces between the pieces, especially with fine hair. A gentle lift with some overlap usually looks fuller than several tall, separated points.

Work across the crown in small sections rather than repeatedly drying the same middle patch. Keep the neighboring layers loosely connected as you release each one. Stop when the roots are dry, rather than continuing until the ends feel hot.

Once you’ve cooled the crown, resist smoothing your palm over it. That familiar finishing gesture can press down the lift you just made. If a few surface hairs look untidy, leave them for now. You’ll check the overall shape before touching individual ends, and some of those pieces may settle on their own.

7. Check the Back Before Adding More Height

Check the back with a second mirror before continuing. Stand with your back toward your main mirror and hold a hand mirror where you can see the reflection. Put the dryer down first so you aren’t trying to hold everything at once.

If you see a narrow split, guide a few neighboring strands diagonally across it. Don’t rake everything straight backward, which can reopen the line. And don’t keep lifting higher if that exposes more scalp: a lower, fuller arrangement is often the better result.

Use the pads of your fingers to nudge the surface hair into place. Avoid digging down through the roots like a comb. You’re checking whether the layers overlap, not starting the whole styling process again.

If the line stays open because its roots dried in that direction, dampen only the small area around it. Repeat the gentle side-to-side movement, add a little lift, and let it cool. Keep the surrounding finished hair as dry as possible so you don’t lose its shape.

A natural growth swirl may still show a little scalp, particularly under a bright bathroom light. Judge the result from a normal viewing distance as well as close up. Trying to hide every tiny gap can lead to more handling, more separation, and less fullness. Once the back looks softly connected, move on instead of chasing a perfectly solid surface.

8. Let the Fringe Sit Lower Than the Crown

Your fringe doesn’t need the same height as the top. When both stand upright, a shaggy pixie bob can look spiky at the front and disconnected from its longer sides. Keeping the fringe closer to your forehead lets the crown’s lift show.

While the fringe roots are still damp, use your fingertips to move them gently left and right across your forehead. Direct the air downward from above, away from your eyes. Then guide the fringe toward the side where it naturally settles. Keep your fingers near the roots at first; pulling the tips sideways alone leaves an unwanted bend underneath.

If your fringe dried while you handled the crown, dampen just that area before starting. You don’t need to redo the top. For a strong front cowlick, settle the fringe first next time, then return to the crown. A cowlick is a patch that grows in a different direction from the hair around it.

Leave a few small gaps between the finished fringe pieces. Avoid carving a deep, ruler-straight part all the way back through your lifted crown. A short, slightly irregular part near the front keeps the fringe organized without dividing the whole top into two flat panels.

If the fringe looks pasted down, loosen its ends with one fingertip after it cools. Keep that movement small. You want a soft front that rests near your forehead, with enough movement to suit the shaggy layers.

9. Bring the Sides Down Without Rolling the Ends Under

Now address the pieces around your ears. Their extra length gives this haircut its bob-like outline, but lifting them outward makes your crown look flatter by comparison. Dry them downward and slightly forward, allowing the tips to remain loose.

Place your fingers against the hair above your ear and guide that section toward your jaw as the dryer follows from above. Release before reaching the last half inch. You want the roots controlled, not every end pressed into the same curve. Repeat on the other side.

You can leave your round brush aside. Wrapping these sections around a barrel is what produces that tucked-under helmet effect. Your fingers give enough guidance for fine, mostly straight hair while preserving the uneven edges.

Keep your head upright while judging the sides. Tilting toward the mirror can change how the longer pieces hang and make one side look fuller than it is. Work on a small section, let it fall, and compare it with the other side before drying more.

If the sides have dried puffy, dampen their roots and the area that bends outward. Guide them down again instead of pressing harder with your hand. You aren’t trying to make the hair stick to your cheeks. You just want the outline beside your ears to be narrower than the lifted area above it.

10. Settle the Ear Pieces and the Short Nape

If a piece sticks out where it bends over your ear, dampen the bend and dry it forward while keeping it clear of the ear. Don’t repeatedly heat the dry tip. Once it cools, you can tuck a little hair behind the ear, leaving one narrow piece in front. That small adjustment reveals the haircut’s layers without widening the sides.

Wait until the hair has cooled before tucking it. Putting a warm, slightly damp section behind your ear can leave a fresh bend. If you prefer both ears covered, simply let the pieces fall forward and keep their ends loose.

Next, direct the short nape downward. The nape is the hair at the back of your neck. Use your fingers to guide it along your head while the air follows from above. There’s no need to curl that bottom edge under or lift it away from your neck.

Check this area with your hand mirror once the dryer is off. A collar can push the nape upward, so move any fabric away before deciding the haircut is sticking out. If a small section still flips, dampen its bend and reset just that piece.

The bottom should look light and close enough to support the shape above it. Leave a few uneven tips visible. Making every end turn inward creates the rounded outline you were hoping to avoid.

11. Separate a Few Tips Without Breaking Up the Fullness

Let everything cool, then look at the overall shape before adding anything. You may already have enough definition from the cut and your drying technique. Fine hair can lose its fuller appearance when too many strands are pinched into little strings.

Use clean, dry fingertips to separate two or three ends near each temple. Gently turn one tip outward and let the neighboring piece lie down. Keep your hands away from the roots you’ve just lifted. The variation should come from a few visible edges, not from pulling apart the entire crown.

Skip wax on your first attempt. A dense wax can gather fine silver strands into dark-looking gaps, especially under overhead lighting. If your finished hair already holds its shape, you don’t need hairspray either.

Step back after touching a few pieces. If you can see the layers and the sides sit close, stop. Continuing to pinch, smooth, and rearrange can undo the soft fullness that was there a moment ago.

Take a quick side-view photo. If the top looks full but the bottom resembles a shelf, that’s useful information for your next appointment. Ask your stylist to check the connection between the short crown and longer sides. Removing still more hair with thinning shears isn’t automatically the solution when your ends already look sparse.

Show the photo and explain which area needed repeated fixing. That gives your stylist a clearer starting point than simply asking for more volume.

12. Reset the Crown Split the Next Morning

If sleeping flattens the crown, wet your fingertips and dampen the roots around the split. Include the neighboring hair that will lie across it. Keep the sides dry so you preserve their shape.

Repeat the gentle side-to-side drying, then lift and cool that small area. Use cool airflow alone for a light refresh, or renew heat protection according to its label before warm drying. Don’t automatically add another dose of volumizer; yesterday’s styling hold may be enough.

Check whether the roots are dry before you release them. A quick pass that only dries the surface can leave the patch underneath damp, allowing it to settle back into the split. Use small sections and a comfortable airflow, just as you did on the first day.

If the crown feels stiff or coated, adding more spray may make it harder to arrange. Wash when needed rather than building up products each morning. If only one ear piece has bent overnight, dampen and reshape that piece separately.

Notice which small correction makes the biggest difference. You may find that refreshing the upper back is all you need, while the fringe and sides still sit well. Keeping the refresh limited to the area that changed saves effort and avoids disturbing the parts you already like.

Yvonne, concentrate your lift at the crown, keep the longer sides close, and separate only a few ends. Once those three areas behave differently, your shaggy pixie bob can look fuller without becoming wider or overly rounded. Give yourself a few attempts to get comfortable with the hand movements, and change only one thing at a time so you can see what helps. You don’t need to recreate every detail of the salon finish. A softly lifted back, relaxed fringe, and loose edges give you a practical shape you can manage at home.

This post How to Style a Shaggy Pixie Bob for Women Over 60 Wanting More Volume, was originally published at Latest-Hairstyles.com

If you want to go short without the severity of a traditional pixie, a soft crop gives you that lighter, more forgiving shape. The key is keeping a little extra length through the crown, fringe, and around the ears so your stylist can create movement instead of a hard, close-cut outline.

I especially love this cut when it’s tailored to your natural texture rather than overly thinned—too much texturizing can make fine hair look sparse and encourage thicker hair to puff out. Ask for soft point-cutting and strategic weight removal, with enough length left around your face to flatter your features and make growing it out easier. From wispy and piecey to softly tousled, there’s plenty of room to make this cut your own. Keep scrolling and find the soft crop you’ll want to show your stylist.

Side-Swept Brunette Crop with Lifted Crown and Tapered Ears

Before: This image was not cropped. It has a medium thickness and some loss of shape due to self-weight. Volume, movement, and direction can be manipulated by something as simple as a crop, and this image proves that. To add texture and dimension to this style, the stylist did a point-cut with a medium fringe on the side. The shape is left open. Straight or flat hair will ruin this cut. It needs shaping at the crown and you see that with some flatness and dimension that is running through the top. At the crown, a bit of volume will help balance a round face. With tapered sides, this style will elongate a round face. This cut and style would compliment a round face well.

Golden Blonde Crop with Layered Crown and Feathered Ear Taper

Instagram: hairbydeniser

Slightly thicker on top with both sides thin enough to let the ear show through without showing the whole ear. This is done on purpose. This is the medium density hair with natural body to keep that crown height. Fine hair will lay flat there in an hour. The warm golden blonde is natural and low maintenance, and that is what this color basically is. The top tone will dry out and looks harsh fast. Oval shaped and heart shaped faces wear this well. Short fringe with side tapering is suited best for this style, especially if you have a more narrow shaped jaw because Rounder faces will lose definition. The layering through the crown has used razor work to create that soft movement while maintaining the directional movement forward so it doesn’t look overdone.

Ash Brunette Crop with Elongated Nape and Razored Perimeter

Instagram: motoksmmm

There’s a lot going on with this one, especially with that nape length. This cut gets extremely severe in the back without the length in that spot, but adds a tail, which breaks the overall closed profile around the ears in the back. Short, thin fringe cuts show some forehead, so if you’ve got a full face, give this some second-thought, because there’s not a ton of workaround for softening the focal features. This cut uses point cutting to establish a top that is separated and textured, with a nice ash tone that pops and keeps all layers clean, essentially eliminating a lot of the bulk, and minimal over-direction of texture. This cut definitely requires straight to slightly wavy hair with medium density, fine hair would completely lose that textured layered look. The sideburns cut high in the cheek shows the whole ear, so coupled with longer hair on top, these sharp follicular frames along a strong defined jaw and cheek cut really bring that final chiseled look with this style.

Textured Black Crop with Shaggy Nape and Cropped Temple Fringe

Instagram: motoksmmm

That length on the nape hair makes all the difference on this one. It almost turns this pixie cut into a mullet. The fringe is blunt across the forehead. The crown is point cut or textured with a razor to give the hairstyle a little more movement. There is a lot of movement at the crown. To have this particular length, you need to have a fair amount of medium to thick hair that has control and won’t lose the shape. Straight, fine hair will go limp around the nape and flat on top of the head because of the weight of the hair. Round Face shape should note that this particular length of fringe does not actually elongate the face. This is a better length for longer face shapes or oval shapes.

Tousled Black Crop with Loose Curl and Soft Fringe Weight

Instagram: hair_has_no_gender

The fringe here isn’t just doing something simple; it is thick enough to add some framing to the forehead, but not totally consistent, so it avoids the helmet look. To achieve this, step cuts have been done purposely through the bangs to add thickness, but no sharp angles. The crown has texture that’s not styled to curl. Rather it is wavy and short enough to have a springy effect on its own. This is great for medium to thick hair with some natural movement. This style will just lie flat and lose interest on straight hair. This style is great on round and oval faces because the length maintains an open shape rather than boxy. One thing to note, humidity will constantly change the shape of this cut, sometimes in ways that are less than ideal.

Neat Brunette Crop with Graduated Back and Soft Forward Fringe

Instagram: grandmasters.by

This style is a good option for someone with slightly wavy, dense hair, who likes short, spunky styles, but doesn’t like to go completely bare. The perimeter point back cut makes for a gradual, strong delineation between hair and skin, and shows off some nice gradient. It is sculpted to line the hair right above the brow, which distracts from a longer forehead. The short framing layers give this cut body and definition, but would not complement a round face. Coarser hair may want to avoid this cut because it will want to lay flat and conform to the shape of your head. The straight hair framing this cut looks best in its natural brown color because of the lack of styling.

Razored Ultra-Short Crop with Jagged Fringe Detail

Instagram: jvhair.amsterdam

The stubble is kept close to the skin, but the top is kept at the right length to show off some grain. This serving the contrast as the main point of interest. The fringe has been razored or point cut and finished with an irregular, serrated edge that lays flat. This works best on straight or slightly wavy hair with medium density. On fine hair the tips would be almost transparent and look very sparse. The close side and having the ears exposed will work for people with round or oval face shapes as it elongates the face. However, people with longer face shapes will think the style elongates their face to an uncomfortable degree. The grow out is particularly bad on this one. In three weeks the side proportions will overly affect the style and will be very awkward and uncomfortable. To avoid this you need short, frequent trims. If you like having a short detailed style with texture, then this is your only choice.

Wavy Black Crop with Soft Irregular Fringe

Instagram: iamhopep

The fringe is cut different lengths on different people which actually flatters all face shapes! A round face example would be to texturize a fringe instead of cutting it to fall along your forehead, where it would create a straight line that makes the face look more round. Instead, vary the lengths of the fringe and create texture to break that straight line and add shape. It’s an easier look to achieve if you have a good amount of texture in your hair. This look was cut to be more of a point texturizing cut along the side and nape area while blending into a more tapered area around the ear. For straight hair, this doesn’t look good at all. To achieve this cut you need a bend in your hair so you can have hold and length which looks good if you have shape, but otherwise looks good. Round faces and oval faces look great in this style. If you have a well defined jaw line and strong angular features, this style compliments your face the least, and can distractively draw your focus to the wrong features.

Close-Cut Curly Crop with Natural Wave Pattern

Instagram: nothingbutpixies

The curl pattern here looks awesome! There aren’t any products or diffusers being used here. In this photo, curl pattern is looking its best; notice how the hair is just naturally wavy/curly and shows off the pretty fringe that gently falls in front of the eyebrows. This style is a point cut to allow you to show your ears and prevent the hair from looking buzzed. This style will look its best on people with a good amount of density to their naturally wavy or curly hair. It looks pretty bad on flat or fine hair types, and will create a mess. It should also probably be avoided on wider or rounded faces because there is no length to create a balance. It looks best on people with sharp or angular faces. The grow out will not last long, maybe 4 weeks.

Curly Crop with Tapered Sides and Full Crown Volume

Instagram: yourbaddiehairgirl

Compare the length in the back to the sides. This graduation will keep the back soft and full with an open ear. The texture from this haircut is more curly crop than a standard pixie cut. This haircut is definitely dry cut with crown point cutting to let the curls pop and frame the curls without bulk in the crown. Curl pattern is between a medium and thick 2C or 3A curls. This hair style will flat lie on fine or loose curls, so it is best for thick curls. This style looks best on people of a long neck with a delicate jaw line to balance the top of the bust. This hair style isn’t best for rounded faces. The curly crop is best for curly texture and does grow out the strangest.

Choppy Dark Crop with Curved Fringe and Textured Ear Detail

Instagram: fedeiannonehair

Fringe covers the cheeks with inward curving ‘parenthesis’ lines. This shape is not the result of a blunt chop. It is actually intentional point cutting. The curl pattern balances the weight of the style in a very thoughtful way. The razored crown has a lifted, wavy curl pattern, while the rest is cut close to the ears. This style will not work well on thinner, finer hair. Medium to thick hair works best. This style can balance out an oval or heart shaped face. This style is not for someone with a round face, it loses all balance. Everything from the curved fringe around the ears must be maintained, as this style can grow out quickly with very long pieces in the front in as early as three weeks. This style means frequent maintenance and can look neglected if not cleaned up.

Dark Feathered Crop with Soft Fringe and Nape Wisps

Instagram: anna__volegova

A uniform thickness is achieved in the crown. In the sideburns and at the back of the neck where fine hairs are grown, weight has been brought down. It is designed to avoid a helmet effect. Graduation has been accomplished through point cutting or by the use of a razor. This treatment is essential for the medium to thick hair to avoid a rounded unflattering shape. It will not work on fine hair. It requires bulk at the top to retain the round shape. Oval and heart shaped faces will sport this style the best. The full front fringe and ear coverage with the length will balance the narrow chin.Too much softness of the perimeter will over define round faces. The fringe, split off to one side of center, pulls away from the mass and shows the forehead.

Dark Cropped Cut with Blunt Baby Bangs and Ear-Hugging Sides

Instagram: cortei.com.a.tais

This fringe is great for those who aren’t afraid to push style boundaries since it’s cut just above the eyebrows. It is point cut enough to avoid a straight line (i.e a ruler cut), yet still reads graphic and deliberate. Also, your forehead is now a feature of your style. Have a round face? These short bangs are a win! They add verticalness and help draw everything together. It sides hug the head, and at the back, gradually slim towards every ear where it is left long enough to allow for a slight curl to frame your ears. This style works best with a medium density of straight to wavy hair as straight or wavy hair is what helps achieve this shape without any resistance. Also, it is not recommended for coarse or curly hair. Pushing the style boundaries with this cut is only possible for those with micro bangs as the grow out is always awkward because your hair will grow very quickly.

Textured Soft Crop with a Tapered Nape

Instagram: vividloohair

Perfectly textured hair is short and point cut at the top to leave lots of movement and loads of texture behind. The bluntness is kept with a lack of commitment to shape. The nape of the hair has wisps to take away the hard lines. The fringe has lots of movement to oval out fuller and rounder face shapes. The length is weighted to the crown, and the sides will have less weight to create even more movement. The thickness of this style is best kept at medium to thick hair. This hair style works best at keeping movement in your hair and taking away the need for everyday styling with little maintenance.

Ear-Grazing Brunette Crop with Soft Perimeter Weight

Instagram: theadventuringstylist

This haircut is a good choice for thick hair as it puts hair in a neat position to prevent fine hair from looking chunky. This haircut has low weight around the ears and leaves some wispy hair at the nape. It doesn’t lose shape like full and round face cuts. The fringe blends with the side hair to avoid a vertical line. Unfortunately, the awkward grow out of this haircut is pretty noticeable starting in the 4th week and lasting until a few weeks past the 6th week when the hair around the nape and the hair framing the ears starts to grow out, curl and shape the ears.

Short Textured Crop with Micro Fringe and Tapered Sideburns

Instagram: houseofvivids

This fringe has a swoop that starts right before the brow. It’s a point cut to avoid looking blunt even with a short length. The sideburns have a sharp point and frame the ear without covering it entirely. This is intentional and only works if you want your ears exposed. This length of fringe should be avoided by people with round faces as it will only accentuate the roundness. The crown is left with lots of hair as well, while the edges are sharply taken with a tighter perimeter. This creates a soft look around the hairline with some volume. Best suit to thick straight hair. It will not hold textured separation at the top and will make fine hair appear flat. People with curly hair also should avoid this fringe, as it will make your hair curl around the perimeter of your face and appear shorter than the front.

Dark Razored Crop with Stacked Nape Texture

Instagram: _takumi_hirano

The style depends on the hair on your neck. The hair is razored on this cut to lift and feather out versus fall to the neck. This cut creates dimension and fills the void that most crop styles lack. This style is very short with wispy layers and falls above the brow. The fringe is kept from being too neat by layering in front of the ear. The Diamond can be teased in this style, however, the sweeping back will not work as a hold for fine hair. A lot of product will be needed to hold the fringe. This style works especially well with longer faces. The natural black color in this style allows the shape to be seen instead of letting the frizz take over.

Warm Honey Crop with Feathered Nape Length

Instagram: woolf.kingsx

That nape length does a lot. It prevents the entire style from being choppy. The cut balances the tail with a smooth layer that ends just above the neck instead of a hard angular chop. The top is point cut to let it hang, but falls just at the shoulders. The golden balayage mid-lengths provide the cut with much sought, amazing texture, and this cut has a lot of texture without that color in it, so this style lays flat otherwise. This style definitely works on a person with medium density hair, where as someone with thick hair would have puffier nape section, and that hair would not lay flat. For someone with a round or at least a fuller face, there will be a lot of open exposure on the sides, so beware the commitment that this style has. The side bangs are cut to be just at the brows, and are textured for that high style along the jawline. This is a great cut for someone that is trying to cut some length, but keep some texture in short hair.

Ash-Toned Textured Crop with Swept Crown Movement

Instagram: juliakonstantinovahair

Now let’s look at the crown. The weight is evenly distributed. The stylist employed point cutting so they could avoid using products to enhance fullness, which then allows for the application to break density. This helps with movement, (volatility). The use of ashy mushroom brown reduces contrast, aids in readability, and enhances fullness of a cut while opening up your face shape. This crown pattern, however, isn’t the best for longer face shapes, as it will close your face and give your face a more ‘helmet’ like appearance. This more has structural issues rather than a styling issue.

Tousled Micro Shag with Choppy Crown Texture

Instagram: juliakonstantinovahair

See the makeover while keeping the shaping crown. This is not your average clipper over comb cut. This is barbering skill, and the layered cut creates movement rather than a mess of choppy cuts. The forehead bluntly features a micro fringe. This look has tapered wisps at the nape which prevent the style from being too overdone and too perfect. This is not your average slicked crop. Fine hair will go flat, and anyone with thin hair should stay far, far away. It is best suited for people with wavy, thick hair. It balances out the face for oval, heart shaped faces the most, but can be too unbalanced for people with round, square faces. Natural dark brunette helps to style this, and seeing the layers of differences in brunette can create the best dimension for the hair style. To avoid this looking messy, you have to commit to the appointments. It won’t last longer than the recommended time anyway.

Layered Crop with Forward Movement and Natural Volume

Instagram: annetteluxe

See how the cut pieces fall forward and toward the face. That isn’t a mistake. The layers were specifically cut to fall with the natural direction of hair growth; as a result, the cut can appear to recreate natural, growing hair. The style is best complementary with wavy, thicker hair. The volume and density keep the style without falling. Thin, or low-density hair will result in a falling, limp style. Round and fuller face shapes look great with this style because the overall volume falls on the crown while the sides and the front of the face are short and framed and define the style. A nice touch to the style is that instead of layers being straight or blunt, the fringe is thinned and the ends feather to help avoid an overwhelming thick layer of hair. This style grows out quick and leaves a noticeable difference, so you can expect to go back for a haircut 4-5 weeks after your last cuts due to the angles at the sides and the back of the neck.

Rounded Crop with Full Fringe and Soft Ear Coverage

Instagram: beyondbeauty_bytj

See the crown and fringe where weight is most pronounced. The sides are short enough to let the ears out. The shape of this cut is in distribution. The crown and fringe largely determine the shape of the cut. With a good balance and wavy hair, and a rounded shape with a lot of fringe, this is a good way to frame the head without it being too tight. Round faces will dislike this cut. Heart and Oval faces will love this style. This cut is quite simple and has short depth at the back and a lot of weight at the front. There is little that can be done to alter this shape. The cut will end up either a round or mushroom shape. If you have thick hair, you should probably avoid this style regardless of whether your stylist uses layers to remove bulk. This style is almost fully dependent on the texturizing to remove bulk so that the shape can be achieved.

Lived-In Crop with Feathered Fringe and Close Sides

Instagram: tanyawhite___

The front of the crown has a distinctive step down giving the crown a stylish contrast. The temples are lightly extending out over the face to give a light and airy appearance. It’s a medium density hair with a straight to wavy texture. This crown would work best on straight hair types, but due to its light texturing and airy construction would not give the most flattering look to curly hair. The structure of this cut balances all the curves of rounder shaped faces better than square shaped faces. This will not be a good choice for growing out, but will last well with consistent (every 5 weeks) maintenance appointments. Your cut will look unintentional and messy if you let too much time pass in between visits.

Wispy Pixie Crop with Piecey Sideburn Detail

Instagram: olgaaahair

Look at the sideburns! Those are lengthy, but very thin to give just a hint of tendrils. This style would be strictly considered a pixie cut without the tendrils and these sideburns soften the style by acting as a transition to the skin. The crown has been styled to elongate the natural texture of the hair and helps add movement to the style. Point cutting has been used to minimize bulk without changing the style to what is considered less messy. This style is not meant for people with thick or coarse hair. Straight and medium to fine hair is this cut’s favored hair type. An oval face has plenty of space along the cheeks to allow the fringe to fall in front and cascade over the forehead without blocking any other part of the face. Rounder faces would lose described space. The dark natural color creates a touch of texture in the style with subtle highlights and lowlights instead of using a wide range of colors.

Choppy Fringe Crop with Ear-Length Layering

Instagram: tomoko0223

See point cutting to create uneven waves that fall across the forehead. It has texture and is soft rather than severe. The sides have been tapered and are close to the ears, but are long to show movement. The crown is long with razored ends to keep them light and not flat. It keeps texture and definition to straight, dense, and dark hair and doesn’t need hold to style. It is a great style for oval and heart shaped faces. For round and wide jawed faces, it makes the face look more round and should be avoided for that face shape. It frames the face with little length on the sides at the widest point and is done best for that face shape.

This post The Soft Crop Offers a Gentler Approach to Going Short, was originally published at Latest-Hairstyles.com

Complexity isn’t everything when it comes to hair, as the most photographed styles at hoco are rarely the ones that take stylists the longest to perfect.

I learned this the hard way years ago when a girl sat down in my chair with a screenshot of an elaborate braided crown. Ninety minutes later she walked out looking amazing, right up until her friend walked out of the chair next to mine with a simple curled half-up. Almost every picture from that night showed her friend’s hair was better. Why? Her friend’s hair moved with her, caught light from different angles, and still hadn’t come undone two hours into the dance.

Hoco hair has to last through hugs, dancing, and a hundred photos from a hundred angles in somebody’s backyard. Styles that look complex but are made with a few twists, strategic pinning, and a good flexible hold hairspray outlast actually complicated updos almost every time. That’s why they’re here.

Side-Parted Brunette Hollywood Waves

7. Warm Blonde Half-Up with Braided Bow Detail
The bow detail here is super cute, and would be easy enough to try at home, requiring you to just braid two smaller pieces of hair on the side and connect them at the center. We love this look on fine hair: the half-up and loose barrel curls (use an inch and a half curling iron!) will help hair look fuller.

### Bonus ‘Dos!

Bonus ‘Do 1: Side-Parted Brunette Hollywood Waves
To create these swoon-worthy Hollywood waves at home, part hair to one side, then curl the hair (with a curling iron), brushing each section together in the same direction to form cohesive waves. Works best on long, thick, straight-to-wavy hair!

Bonus ‘Do 2:
We love before-and-afters like this one, because you get to see the difference that good brushing makes! Curl hair in sections, then use a brush to create one cohesive ‘do.

Brunette Mid-Height Curled Updo

Instagram: looksbydiyani

The mid-height placement (not too high, not too low) makes this updo super flattering, and the added curls at the nape and ears provide even more movement. If you’re unsure what ‘do height works best for you, ask your stylist to try pinning your hair here!

Golden Blonde Curled Updo with Volume

Instagram: afterglow_hair_studio

We love the pouf at the crown in this ‘do, plus it’s pretty easy to DIY! Place a bun at your occipital bone (that’s the name of that natural ledge at the back of your skull, by the way, and also the best place to position a bun), leaving the ends out, then curl the hair. The trick here is not curling the front pieces in a traditional undercurl fashion, and instead curling the front pieces toward your face so they frame it when they’re let down. Works best on medium-to-thick hair!

Dark Brunette Half-Up with Braided Rosette

Instagram: abigail.curls

This half-up ‘do is pretty similar to #20, with the exception of that chic rosette (a.k.a. a bun created with a twist-and-pin method). The small braid leading into the rosette provides some extra flair (and, luckily, since her hair is pretty thick and long, the rosette isn’t overwhelmed!). Curl the remaining hair, leaving the curls intact to create texture.

Warm Brunette Half-Pony with Soft Waves

Instagram: hairbyzoekate

We love how high her half-ponytail is, which completely changes the shape of the ‘do, especially when you’re looking at it from the side. (Also, since a half-ponytail only requires an elastic instead of bobby pins, it’s probably the easiest of all of these hoco hairstyles to DIY!) Curl the remaining hair with a curling iron, then shake it out to create soft, sexy waves.

Blonde Shoulder-Length Curled Half-Up

Instagram: stylesxshae_

Who says you need long locks to pull off a half-up ‘do? Twist and pin the front section, then curl the rest of the hair with a 1.25-inch curling wand (if your hair is as short as hers is, go with a curling wand rather than a curling iron, as you’ll get better curl definition!). We love how chic her curls look, and since her hair is on the shorter side, we bet the curls last, too!

Balayage Blonde Half-Up with Cascading Curls

Instagram: hair.byallisonn

Similar to the other half-up style, the chic balayage coloring (dark roots fading to lighter ends) provides extra dimension for this ‘do, giving the cascading curls an almost ribbon-like appearance. To create the ‘do at home, simply twist and pin the half-up section, then curl the remaining hair with a curling iron (curl away from your face!) Leave the curls intact to maintain that long, flowing effect.

Brunette Volume Half-Up with Large Waves

Instagram: byshayleesheyanne

The poufy volume at the crown provides some extra oomph for this half-up ‘do, and to achieve the effect, tease the hair at the roots before pulling it half-up, then comb through just the top layer to smooth. We like this ‘do on thicker hair, since there’s more density to hold the poufy shape in place. Curl the remaining hair with a large curling iron, then use a brush to create one cohesive shape!

Red Curled Half-Up with Flowers and Pearls

Instagram: blothewoodlands

We love the chic mix of pearls and baby’s breath throughout this ‘do! But aside from all of the added accents, the actual hairdo is pretty basic (pull and pin hair half-up, then curl with a medium barrel curling iron). Pro tip: wait until your curls are cool and set with hairspray before adding hair pins and other accents!

Pulled Fishtail Braid on Strawberry Blonde

Instagram: saige.b.hair

Want to recreate this chic braid at home? Be prepared to sacrifice some time! Start by fishtail braiding the hair from the crown, then gently pull the braid outward to create the desired width. Since this ‘do is pretty big and bulky, you’ll want at least mid-back length hair (and dirty hair will provide even better hold!).

Dark Brunette Highlighted Twisted Half-Up

Instagram: beautybykathrynfair

This ‘do is probably the easiest of the half-up styles, requiring you to just twist and pin two sections of hair at the crown, then curl the rest of the hair! The caramel highlights on this brunette hair really make the waves stand out. Great ‘do for fine-to-medium hair!

Highlighted Loose High Bun

Instagram: bridal_done_wydra

Similar to the other poufy updo, this ‘do is created by simply twisting the hair once, then pinning the ends out. The golden blonde pieces on this brunette hair provide extra dimension, as otherwise the ‘do might look a little too simple!

Dark Brown Textured High Bun with Loose Pieces

Instagram: capricollegecr

Unlike most other updos that call for wrapping hair tightly around itself to create a bun, this ‘do is created by simply gathering the hair loosely, allowing it to pouf out, then pinning into place. This look would be great for anyone who doesn’t want to add lots of pins to hold up an updo, since there’s lots of texture, the hair will pretty much hold itself!

Copper Curled Crown Updo

Instagram: busybsbeautybar

This gorgeous updo features loose pieces around the face and nape, which take the edge off of what would otherwise be a super formal style. The individual curls are pinned at the crown, which can be accomplished by curling the hair with a 1″ curling iron, wrapping around the curl and pinning while still warm. We love this look on medium to thick hair, as the body at the crown might not be as impressive on fine hair.

Blonde Twisted Low Bun with Curled Wisps

Instagram: christen53hair

This ‘do is created by twisting larger sections of hair instead of rope curls or smaller twists then pinning loosely into place. Pin the bun closer to the nape first, then work out from there to create the best hold!

Hair Bow Half-Up on Long Wavy Brunette

Instagram: leilalja

This hair bow ‘do may sound time consuming, but in reality only takes a couple minutes once you’ve done it a couple times! All you have to do is create a ponytail loop, split the loop in half, then wrap the ponytail around the center to create the bow effect. We like this ‘do on thick, long hair, since there’s enough volume below the bow to balance the proportions.

Dark Smoothed High Bun with Looped Curls

Instagram: vanessasmanemagic

This ‘do is created by curling each piece then pinning in a loop instead of twisting to create a bun for extra-long lasting hold. This look is best suited for thick, coarse hair since the look calls for pinning the hair tightly back (fine hair might not hold up as well, and will likely have more flyaways).

Brunette Half-Up with Rosette Bun

Instagram: hair_by_allyh

The rosette at the crown in this look is created by simply twisting and looping a small piece of hair around itself, then pinning flat. This look will vary quite a bit in appearance based on hair texture and thickness (the rosette will appear smaller and tighter on fine hair, for example) so it’s a good idea to show your stylist this exact photo for reference.

Copper Pinned Curl Cluster Updo

Instagram: grace.and.beauty.salon

Just like the first look on our list, this style is created by curling and pinning curls at the crown. The trick here is to pin the curls and allow them to cool before styling at the crown for a hold that will last all night. The golden highlights add tons of extra dimension and texture, though on solid color hair, this look might appear a little less interesting. This look is also great on thick hair, since there’s enough hair to create a full curl cluster at the crown.

Simple Twisted Low Chignon

Instagram: hairbyjuliareid

This simple chignon takes no time at all to create, and would likely be the fastest ‘do of the bunch! All you have to do is twist and tuck the hair at the nape, then backcomb the crown slightly for added volume (otherwise, this ‘do may look a bit…unkempt, you know?). The great thing about this style is that it’s doable in pretty much any hair texture or thickness!

Warm Blonde Half-Up with Braided Bow Detail

Instagram: hairbyzue

This is another great option for brunettes with dimension or highlights, because the darker roots paired with the lighter pieces really make the color stand out when the hair is pulled up and away from the face. Ask your stylist to slightly offset the placement for even more interest!

Textured French Twist Updo

Instagram: beautyby_giannat

Sometimes an artfully disheveled ‘do can actually be harder to pull off than a polished one, but we love this look for exactly that reason. Try starting with day-old hair or using dry texture spray to make this look even easier to accomplish.

Brunette Side-Swept Pulled Braid

Instagram: beckysneweffect

This braid actually looks like it would take forever to achieve, but it’s actually one of the quickest styles on our list (we’re looking at you, French twist)! Just braid as normal, then pull each piece out aggressively after the fact. The loose, curled pieces at the ears help soften up the look.

Blonde Twisted Fishtail Low Bun

Instagram: alyssapoeppelman.cos

This easy-to-do-at-home ‘do will definitely last all night, since the fishtail braids are wrapped around to form the low bun, so the style is anchored by the braid itself rather than a bunch of pins. The wispy pieces are cute, too. We love this look on medium-density hair, because on super thick hair, a low bun like this might get a little bulky.

Dark-Rooted Highlighted Half-Up with Barrel Curls

Instagram: pamperedbypaigew

Dark roots and dimensional highlights make this color combo pop, with highlights in particular adding a ton of dimension when curled and pulled away from the darker pieces at the root. For the half-up, simply twist and pin (try asking your stylist to make the placement slightly off-center, as we think that looks great!) then curl the rest in large pieces.

This post These Simple Hoco Hairstyles Look Like You Spent Way More Time on Them, was originally published at Latest-Hairstyles.com

“I’m 74 and recently had my hair cut into a short feathered style because I wanted something lighter around my face. It looks lovely when my hairdresser does it, but at home, the top falls flat, the sides separate into little wisps, and the back sticks out. My hair is very fine, so I’m afraid of using too much product. How can I get those pretty feathered layers to sit properly without making my hair look thinner?” — Jennifer Ewart, Westland, MI

Jennifer, the biggest challenge with a short feathered haircut on fine hair is getting those delicate layers to sit together without flattening them. Your hairdresser probably makes it look effortless because she’s controlling the direction of each section as it dries, especially around your crown and temples.

Feathered haircuts are different from ordinary short layered cuts. The ends are cut to lie lightly over one another, creating that airy, brushed-back appearance. On fine hair, though, those ends can separate too much, making the sides look sparse or leaving the crown looking almost see-through.

What you need isn’t a lot of teasing, curling, or styling product. It’s a little lift underneath, careful drying around your face, and enough control to keep the feathered ends going in the right direction.

I’ll walk you through the routine I’d teach you in the salon. You won’t need to master everything immediately. Once you understand which sections need lifting and which should stay close to your head, styling becomes much easier.

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1. Check how your feathered layers naturally fall before you wet them

Before reaching for your brush, take a good look at your haircut while it’s dry. Stand in front of a mirror and use your fingers to gently separate the hair at your crown, temples, and neckline.

You’re looking for three things: where your hair naturally parts, which sections fall flat against your scalp, and which feathered ends already point outward.

On a short feathered haircut, the hair around your ears often grows in a slightly different direction from the hair on top. That’s perfectly normal. But when you try to brush every section straight backward, the shorter pieces can separate and expose more scalp.

Notice whether one side of your haircut sits fuller than the other. You may have a natural swirl near your crown or a section above your ear that grows forward instead of backward. These little differences determine how you should direct your brush later.

Use your fingertips to gently lift the hair at the roots. If the ends naturally sweep away from your face, remember that direction. You’ll want to encourage it rather than force the hair into a completely different shape.

Also, check whether the ends are still long enough to overlap. If your feathered layers have grown unevenly or become extremely thin at the tips, styling alone won’t completely correct that.

This quick examination gives you a much better starting point than simply brushing everything into place and hoping it stays.

2. Dampen the roots without soaking your delicate ends

If you’re styling freshly washed hair, gently blot it with a microfiber towel until it’s damp rather than dripping. Avoid rubbing your hair back and forth, especially around your temples, where the shorter feathered pieces can tangle easily.

But if you’re working with dry hair from the previous day, you don’t necessarily need another shampoo. A little water in the right places is often enough.

Use a fine-mist spray bottle, such as the continuous fine-mist spray bottle, to lightly dampen your crown, the roots above your ears, and the front hairline.

Keep the bottle several inches away and spray lightly. You want the roots flexible enough to change direction, not wet enough that your entire haircut collapses.

Here’s something important about fine feathered hair: the ends often dry much faster than the roots. If you repeatedly soak those delicate tips, you’ll spend unnecessary time drying them and may encourage the layers to separate.

Concentrate the moisture where you need to correct the shape. If the crown is flat, dampen the crown. If one side sticks out, dampen that section near its roots and through the bend.

Leave sections that are already sitting nicely alone. You don’t need to restyle your entire head just because one area isn’t cooperating.

3. Add a little root support where your fine hair needs it most

Jennifer, this is where I’d be particularly careful with product. Fine hair doesn’t necessarily need less styling attention, but it does need products placed precisely.

For your feathered haircut, I’d use a lightweight root-lifting spray rather than a thick styling cream. One option is Color Wow Raise the Root Thicken + Lift Spray.

It’s designed to provide support near the roots, which makes sense when your main concern is a crown that falls flat while the ends remain delicate.

Lift a small section of hair at the crown with your fingers and apply a light spray near the roots. Repeat on two or three sections where your hair usually collapses.

Don’t spray every inch of your head. You want the crown to have a little support, while the feathered sides remain light enough to move naturally.

Use the minimum amount suggested on the label and increase only if your hair needs it. Fine hair can become sticky or stiff when too much styling product collects in one place.

Keep the spray away from your eyes and avoid applying it to irritated skin.

One mistake I frequently see is applying volumizing products all the way to the ends. On a feathered haircut, that can make the individual pieces feel rough and stop them from overlapping smoothly.

Think of the product as support underneath the haircut, not something that should coat every visible strand.

4. Dry the crown in the opposite direction before arranging it

Now let’s address that flat crown. This is often the area that makes the biggest difference in how a short feathered haircut looks on fine hair.

Start with your hair dryer on low or medium airflow and a low-to-medium heat setting. Attach the concentrator nozzle so the air goes exactly where you need it.

A lightweight vent brush, such as a vent brush from Olivia Garden, is useful because its open design allows air to pass through without requiring you to pull hard on fragile hair.

Take a small section near your crown and brush it gently toward the opposite side of your head. Aim the dryer toward the roots, following the brush while keeping the nozzle a safe distance from your scalp.

Hold the section slightly raised until the roots are nearly dry. Then guide it back toward the direction you normally wear it.

Why dry it the opposite way first? Because fine hair tends to settle into the position in which its roots dry. If you dry everything flat against your scalp, lifting it afterward becomes much harder.

Work through two or three small sections rather than trying to lift your entire crown at once.

Don’t pull the hair straight upward with excessive tension. Short feathered layers need a gentle foundation, not a rigid upright shape.

Once your crown feels mostly dry, let the hair settle naturally. You’ll arrange the top layers more precisely in the next step.

5. Shape the top layers so they overlap instead of separating

Here’s a detail that makes feathered haircuts different from many other short styles: you want the layers to overlap like small, delicate feathers rather than stand apart as individual spikes.

After lifting your crown, take a narrow section from the top of your head. Brush it diagonally toward the side where you normally part your hair.

Use gentle pressure. Your goal is to guide the surface into a continuous shape without pressing down the roots you just lifted.

Now take the next section and let it fall slightly over the first. Continue until the top looks connected rather than divided into little gaps.

If your scalp becomes visible between the layers, try shifting your part slightly. Even moving it a quarter of an inch can allow neighboring strands to cover an area where your hair naturally separates.

Avoid making a very sharp, deep part unless that’s how your haircut was designed. On fine hair, a pronounced part can make the crown appear less full.

Use your fingertips to make the final adjustment. Slide them gently over the surface, guiding any stray pieces into the surrounding hair.

Don’t rake your fingers repeatedly through the roots. That can undo the direction you’ve established.

When the top is arranged correctly, it should have a slight rise near the crown and gradually settle into the shorter feathered layers around your head.

6. Sweep the feathered sides backward without exposing your temples

Those lovely feathered sides are probably one of the reasons you chose this haircut. They give short hair a graceful shape around your face without requiring a heavy fringe.

But with fine hair, sweeping the sides too aggressively can leave your temples looking bare.

Start with the section just above one ear. Place your brush underneath the hair and guide it gently backward, following the direction of the cut.

Keep the brush close enough to support the hair, but don’t pull everything tightly against your head. Aim a gentle stream of warm air along the section, then briefly use the cool setting before releasing it.

Instead of brushing the entire side backward in one motion, divide it into an upper and lower section.

The upper section can sweep slightly away from your face, while the lower section stays closer to your cheek and ear. This creates the layered appearance without opening a large gap around your temple.

If the hair above your ear is especially fine, use your fingertips rather than repeatedly brushing it. A light touch gives you more control over those short pieces.

Repeat on the opposite side, remembering that your hair may grow differently there. You don’t need perfectly identical sides.

What matters is that both sides have a gentle backward direction and enough hair remaining near the temples to create a connected shape.

7. Give the front feathered pieces a gentle bend away from your face

The front of a feathered haircut should look light and graceful, but that doesn’t mean every piece needs to curl dramatically away from your face.

In fact, an exaggerated backward curl can make fine hair look even thinner because the strands spread too far apart.

For the front sections, use a small round brush with a barrel around one inch wide. A one-inch Olivia Garden round brush is an example of the size I’d choose for short layers.

Take a narrow section near your forehead. Place the brush underneath the hair, lift it slightly, and guide it back toward your temple.

Rotate the brush only enough to create a gentle outward bend. You’re not trying to wrap the entire section around the barrel.

Direct warm air along the hair while the brush supports it. Finish with cool air, then carefully unwind the brush without tugging.

Repeat on the other side if your haircut has feathered pieces framing both sides of your forehead.

If you wear a side-swept fringe, concentrate on the longer front section and allow the shorter pieces to follow its direction.

Check the result from the front. You should see a light sweep away from your face, with the ends remaining close enough together to look like part of the same haircut.

If the front looks overly curled, gently brush through it once while it’s cool.

8. Keep the hair around your ears neat without flattening the feathered shape

The area around your ears deserves special attention because it often determines whether a short feathered haircut looks neatly finished or slightly untidy.

Fine hair can behave unpredictably here. Some pieces curve toward the ear, while others flip outward or separate into thin points.

Once the sides are dry, use your fingertips to identify the pieces that naturally sit over the upper part of your ear.

Allow those pieces to follow the contour of your head. You don’t need to tuck every strand behind your ear, especially if doing so exposes a sparse area at your temple.

If a section is sticking straight outward, lightly dampen that piece and press it between your fingers. Guide it backward and slightly downward while drying it with gentle airflow.

For a piece that refuses to stay down, try holding it in its intended position for several seconds after the heat is removed.

That brief cooling period often makes more difference than adding another layer of product.

Look at the haircut from both sides. Ideally, the hair above the ear should connect with the feathered pieces near your cheek rather than forming an obvious shelf.

Don’t keep brushing the area after it’s sitting properly. The shorter strands can become separated again, particularly if your hair is naturally silky.

Small adjustments are enough. You’re tidying the outline, not reshaping the entire haircut.

9. Smooth the short neckline without turning the back into a rounded bump

Now let’s deal with the back sticking out, Jennifer. This is especially common when a short feathered haircut has graduated layers around the nape, which is the lower part of your hairline at the back of your neck.

Those short pieces can grow upward, sideways, or in little swirls. If you dry them without paying attention to their direction, they may form an unwanted bump.

Use a handheld mirror to see the back of your head in your bathroom mirror. Identify whether the sticking-out section is near the neckline or higher up at the back.

If it’s near the neckline, lightly dampen that area and use your vent brush to guide the hair downward.

Keep the dryer above the brush so the airflow follows the hair toward your neck. Use gentle tension rather than trying to stretch the short pieces.

If the section sits higher, guide it diagonally downward so it blends into the shorter hair beneath it.

Avoid rolling the entire back around a round brush. That technique can create a bulbous shape, especially when the layers are short and fine.

Also, don’t force a stubborn natural swirl completely flat. Sometimes the better approach is to guide the surrounding layers over it so the outline appears smoother.

Once dry, lightly pass your palm over the back. You should feel the layers lying in the same general direction without a prominent ridge.

10. Separate only a few feathered tips for a natural finish

At this stage, your haircut should already have its overall shape. Now you can bring attention to the feathered ends without making the hair look stringy.

This is where many women accidentally undo their styling. They try to define every individual layer, and suddenly the haircut looks like a collection of thin strands instead of one connected shape.

Choose just a few pieces around your cheekbones and the outer edges of your haircut.

Use your thumb and forefinger to gently guide each tip outward. You can give it a tiny twist, but don’t wind it tightly around your finger.

Then let it fall naturally against the surrounding hair.

If your hair has enough natural hold, you may not need any additional product. The direction created during drying should already give the ends their feathered appearance.

If the tips keep separating or becoming flyaway, resist the temptation to add a heavy wax or oily serum. Those products can gather fine strands into narrow pieces and make the haircut appear sparse.

Instead, try smoothing the area with clean fingertips or a very light pass of your brush.

Stand back from the mirror before making more adjustments. Sometimes a feathered haircut looks uneven when you’re examining one tiny section up close, even though the overall shape is balanced.

You want a few visible feathered tips, not every layer standing apart.

11. Set the finished shape without making fine hair stiff

Once the crown has a little lift and the sides are sitting nicely, it’s time to decide whether your haircut needs hairspray.

Not everyone does. If your hair holds its shape naturally, you can leave it alone.

But if your feathered layers tend to collapse within an hour, a flexible-hold hairspray can provide a little extra support without making the style rigid.

One option is Kenra Volume Spray 25. It provides a strong hold, so I’d use it sparingly on fine hair rather than coating the entire haircut.

Hold the can about ten to twelve inches away, or follow the distance recommended on the product label. Apply one brief, light mist over the crown and the outer feathered layers.

Avoid spraying directly onto the scalp or concentrating product on the thin pieces around your temples.

Let the spray dry before touching your hair.

Here’s a useful little trick: if the crown needs extra support, lift the top section gently with your fingertips, mist lightly underneath, and hold it raised for a moment while the spray settles.

That supports the shape from below rather than creating a hard layer of hairspray across the surface.

If your hair feels crunchy or difficult to brush afterward, you’ve probably used more product than you need. Next time, reduce the amount.

The finished haircut should still move when you turn your head.

12. Refresh a flattened feathered haircut the next morning

One of the nice things about a properly styled short feathered haircut is that you shouldn’t have to repeat the entire routine every morning.

Fine hair, however, can become flattened overnight, especially around the crown and the side you sleep on.

When you wake up, check which areas have actually lost their shape. Don’t automatically wet your entire head.

If the crown is flat, lightly mist the roots and lift them with your fingers. Use your dryer on low heat for a short burst, directing the roots away from their flattened position.

Allow the hair to cool before arranging the top layers back into place.

If one side has become pressed against your head, dampen only that section and guide it backward with your brush.

For feathered ends that have turned inward overnight, you can often correct them with your fingers and a little warm air. You don’t need to reach for a curling iron.

What if your roots look oily but the ends are still clean? A small amount of dry shampoo may help. Living Proof Perfect Hair Day Dry Shampoo is one option designed to absorb oil and refresh hair between washes.

Apply a light amount to the oily roots according to the label, allow it to sit for the recommended time, and remove the residue as directed.

Keep it away from the feathered tips, which generally don’t need oil absorption.

Remember that dry shampoo isn’t a substitute for washing your scalp. If your hair has accumulated several days of styling products, a proper wash will give you a cleaner starting point.

For most mornings, though, a little moisture, a brief root adjustment, and a quick check of the sides should be enough.

What if your feathered haircut still doesn’t look like it did at the salon?

Jennifer, if you’ve followed the routine and something still looks wrong, don’t immediately assume you’re doing everything incorrectly. Sometimes the issue is the way the haircut was shaped, not your styling technique.

If your crown consistently looks thin despite careful root drying, check whether the top layers have been cut too short or thinned excessively. Fine hair needs enough length for neighboring strands to overlap. Very short, heavily textured layers can expose more scalp instead of creating fullness.

If the sides look stringy, try using less product and directing the hair in slightly wider sections. Separating every feathered tip usually makes the problem worse.

If the back forms a shelf no matter how carefully you dry it, the transition between the upper layers and neckline may need adjusting.

And if the front keeps curling into a rounded shape, reduce the amount of rotation you’re using with your brush. A feathered sweep needs only a gentle bend.

When you return to your hairdresser, explain exactly which section is difficult to manage. Bring a photograph of how your hair looks when you style it yourself. That gives your stylist something specific to assess rather than simply asking for more layers.

Also, mention any noticeable changes in hair density or unusual shedding. Styling can improve the appearance of fine hair, but it cannot replace lost hair. New or significant thinning deserves an appropriate medical assessment.

The goal is to have a haircut that works with the amount and direction of hair you naturally have, not one that requires a complicated routine every morning.

The Short Version: Keep the lift underneath and the feathers together

Jennifer, when you’re styling your short feathered haircut at home, remember three things: give the crown its lift while the roots are damp, guide the sides gently backward without exposing your temples, and keep the delicate ends overlapping rather than separating every little piece.

Those details matter far more than using several styling products or spending twenty minutes curling your hair.

I’d start by practicing the crown and front sections first. Once those look right, the rest of the haircut becomes much easier to arrange.

And the next time you’re at the salon, ask your hairdresser to show you exactly how she holds the brush at your crown and above your ears. Watch the direction of the brush rather than just the finished result.

With a little practice, you’ll recognize how your own feathered layers want to fall. That’s when you’ll spend less time correcting your hair and more time simply enjoying your haircut.

This post How to Style a Short Feathered Haircut for Women Over 70 With Fine Hair?, was originally published at Latest-Hairstyles.com

What I find fascinating about hairstyle trends is the fact that they seem to have yet to discover the fact that the cuts chosen by women over 60 are not “trends,” but have been in style for the last twenty years! One time I had a client who brought in a picture of herself from 1998 and said, “I want this again.” To be fair, the cut she was pointing to was a modern textured bob, which is a classic bob look. All we had to do was update the layering, so she was lucky in that regard.

What you want is in fact the short shag, chin-length and layered bob, and feathered pixie cuts. These are the things that are timeless. At the end of the day, these are the styles that women will always ask me for because they know they will always work. These styles also age really well, collect dust for most of your life, and without a doubt, take 15 minutes or less to style on a daily basis. And as every busy women knows, once you have been doing your hair for long enough, this is the only metric that really counts!

Chocolate Bob with Wispy Curtain Bangs

This cut seems like it belongs on a woman who gets grocery store compliments and genuinely doesn’t get it, which is great. The dark chocolate shade is rich and shiny, and curtain bangs are hitting just right to cover the eyes and not hide the brows. Plus there’s some interior layering to keep the ends from looking too blunt and heavy and that’s KEY with thicker hair and a solid one length base.

Feathered Layered Crop in Warm Strawberry

I love this style! The short feathered layers give the cut a rounded shape that compliments the buoyancy of the hair. The strawberry red shade looks great against her skin tone and the ears pulling the hair outwards is also a nice touch. Similarly, the side swept bangs are still on trend and help to balance the cut. If you still have hot rollers lying around from the 90s, this is a great time to pull them out. It’s a rollerset-and-go style for sure.

Silver-Gray Feathered Pixie with Piecey Texture

And we’re ending with what seems to be my favorite of the bunch since this silver-gray pixie has SO much personality. The feathered texture on top gives movement and softness, and the way those little piecey bits fall across the forehead feels very natural like the wind styled it for her. Everything about this cut says, “”I don’t overthink it and it always works,”” which is basically the holy grail of hairstyling for any age. The silver gray is completely naturally looking and the soft lilac she’s wearing picks it up beautifully, which is one of those little style details that just makes the whole thing sing.

Warm Blonde Spiky Pixie

Can we appreciate how much FUN this cut is? The warm blonde pixie with all that spiky texture on top is giving major \”cool aunt at the barbecue\” vibes, and that is the highest compliment I can give. Everything is pushed up and forward in this very intentional messy way, and the sides are tight and clean which keeps it structured. The warm blonde against her skin tone is doing all the right things, and I\’d bet she\’s one of those people who gets out of the shower, rubs some product between her palms, musses it up, and that\’s the whole routine.

Silver-White Chin-Length Bob with Soft Layers

Silver-white bobs look so effortlessly chic, and this one is no exception. It is chin-length and has layers on the inside so it doesn’t look too much like a helmet. The side part is nice and allows one side to fall forward which is a very flattering look. The silver color is nice and cool. It is not yellow at all which tells me she is either using a purple shampoo religiously or her colorist is a master. Maybe both.

Platinum Micro Pixie

Absolutely, if you have the bone structure for a micro pixie, nothing is more striking. This platinum cut is shaved on the sides and back, and has just enough length on top to create a little bit of texture to completely display her features, which is the whole point of going this short. Her earrings, her cheek bones, her eyes, everything just POPS. This is not a “hiding behind your hair” kind of cut, this is an “I have arrived and I’m not apologizing” kind of cut, and I LOVE that for her.

Honey Blonde Flipped Ends

For sure, flipped ends have a bit of a reputation for being vintage, and you know what, they ARE, but in a very GOOD way. This honey blonde color is super warm and gorgeous, and the way the ends flip out at the bottom gives the whole cut this adorable polished touch that you just won’t achieve with a super blunt cut. It’s the kind of hairstyle that would fit perfectly at a garden party or family gathering, and it probably only takes about ten minutes with a 1.5 inch curling iron to style the ends out. The classic looks are classic for a reason!

Classic Dark Bob with Side-Swept Sweep

This is the bob that every salon has a picture of, and there’s a reason for that. It’s all so perfectly balanced. The dark brunette color with a rounded shape and ends that curve in just enough to caress the jawline is an amazing look. She’s got a soft side sweep at the front that breaks it up, and the color is deep but not harsh. There’s some shine to this whole look that makes me think there is smoothing serum in the mix, and honestly every bob looks ten times better with one.

Short Curly Copper with Natural Ringlets

It’s great to see natural curl enthusiasts being encouraged to embrace their curls. Look at how cute and beautiful those ringlets are! The warm copper color adds even more beauty to the springy curls by adding multiple shades that are just stunning. It is nice to finally see the first short hair curl cut and the beauty that clean neck lines and springy curls have. Great to see an example of how to pull off a trendy look! The cut hair will look a lot better than how the long curls would have looked. Having a neck line along with the ringlets brings so much collab potential. A curl defining cream will be perfect to bring to school to have great clean curls.

Tousled Copper Pixie with Volume

Now THIS is a pixie with some character. A warm copper color is super rich, and there is a lot of height and texture happening on top. Sides are cut close, which is where the pixie part comes in, but there is enough length on top to push forward and upwards for that tousled, slightly windblown look. Naturally, if your texture has waves or some body, this is a cut that will almost style itself once you know where to put your product.

Wavy Ash Blonde Chin-Length Shag

I don’t know about you, but I love her hairstyle! The shaggy cut and the waves paired with a fringe? I could never pull it off, but all of the dry shampoo vibes make it look so easy. Then the color? The ashy blonde looks so good with the natural grey mixed in. Unlike a lot of people that dye their hair, it looks true to life. Shags are really in right now, and we all know that, but this cut being on a woman with tons of experience makes it feel like home instead of what it actually is, trendy.

Soft Brunette Side-Tuck Bob

This bob gives the appearance of being simple, but it actually works really hard as a style, which is why it is a great example of the technique. It is a classic bob style that has a soft brown coloring and is parted to one side. One side is even tucked behind the ear. How simple is that? It’s incredible and looks fantastic. There’s not outrageous fancy coloring in it, and no complicated layers, and the reason for that is the blunt cut gives it a clean look, and the shine and health of the hair show through. For fine hair, a bob like this one actually gives the appearance of hair thickness because layers aren’t there to thin it out, and the ends are blunt enough to add weight and density.

Warm Cinnamon Bob with Glasses

This is the exact type of cut that is made for glasses wearers! This chin-length bob sits so perfectly just below the frames and brings everything together as one. No hair or glass clashes. Highlighting the warm cinnamon color is the tortoiseshell in the frames (planned or unplanned, it is brilliant). And the subtle graduation in the back gives enough shape to avoid constantly having to adjust it. You just wash it, blow dry it, and leave!

Plum Violet Bob with Full Bangs

I KNOW this color isn’t for everyone, and that’s exactly why I love it. The deep plum-violet shade is bold, unexpected and is definitely giving “I know who I am, thank you very much.” The bob with blunt bangs definitely puts it on the polished side of the street rather than the wild side so the color is able to be the statement without the whole look going off the rails. If you’ve been thinking of a color that’s slightly outside your comfort zone, this is a great example of how to do it with a classic cut as a foundation so it feels like you can wear it every single day.

Warm Copper Layers with Feathered Face Framing

Warm copper and auburn colors make skin look radiant and warm. I love how the color and subtle face-framing layers bring movement to the hair. This style is a great length to try if you want length without going shorter than collarbone length. The crown layers are flat though, so I bet she uses a \”round brush\” on the top sections for that volume.

Undone Platinum Waves at the Collarbone

You may hear a lot of people suggest that after turning 60, it is a good idea to go shorter with your hair, and while that is good advice sometimes, going longer can also look chef’s kiss. This style really stands out and can’t be replicated with shorter hair. The collarbone length lob with some big waves gives off a relaxed and effortless look. The platinum blonde color is blended beautifully and the middle part adds a modern touch. Believe it or not, this look is actually better on day 2 hair, which is like the ultimate compliment. Just a little dry texture spray and you’ll be all set!

Copper Penny Short Shag

Women keep coming back to this short shag, and for good reason. There’s a slight wave, which could be natural or from scrunching with a diffuser, but either way it gives an effortless “I didn’t really style it but it looks amazing” vibe. The warm copper color has so much depth! The wispy bangs sit right at the brow and the whole look is very French New Wave without being costumy. If you have naturally wavy hair and have been straightening it for decades, you might want to consider letting it do its thing instead. Something like this could be fun!

Icy White Textured Pixie

I can tell this woman is FUN! The white-blonde pixie cut looks super fun and has so much personality. The front pieces are awesome and give it a playful look that lots of pixie cuts don’t have. This pixie gives off that vibe that you can style it with your fingers and some texturizing paste, give it some scrunch while it’s still damp, and just walk right out the door. It looks like it takes maybe three minutes and honestly, that’s why I love it.

Sleek Chestnut Inverted Bob

Wondering which cut looks good right after the appointment, 6 weeks in for growth, and is easy during the grow out process? Look no further, this is your answer! The inverted bob with a slight angle toward the face is SO forgiving. It just becomes a slightly longer version of itself with length. This chestnut color is deep and shiny with that I woke up like this vibe. We all know a skilled flat iron was involved. A little shine spray will keep this looking fresh from the salon in between washes.

Rich Auburn Bob with Fringe

Have you ever thought about getting bangs but ended up convincing yourself otherwise? Well, reconsider! This photo can help. I love this deep auburn bob with a soft fringe that is parted to the side. This hairstyle is giving me major Shirley Valentine vibes! While the hair do is super cute, the color is just incredible. The rich auburn and chestnut color looks amazing with blue eyes and a fair complexion. A color this rich will need some maintenance and an color depositing conditioner will be necessary to hold you over between salon visits.

Brunette Bob with Subtle Caramel Ribbons

The highlights in this bob accomplish exactly what highlights SHOULD do, adding dimension without shouting, “I have highlights!” Those fine pieces of caramel in the front are breaking up the brunette base just enough to reflect light and the slightly angled cut with the back being a little shorter gives it that effortless shape. This is one of those styles that looks just as good air dried as it does blown out, and that kind of flexibility is genuinely hard to come by in a bob.

Dark Espresso Side-Part Bob

The deep brown bob haircut looks very chic. She might have an opinionated style/ capsule wardrobe/ and an opinion on coffee or work. The cut is right at the jawline, and the deep part is clean and tucks the ends in slightly. This is working in her favor. If your hair is fine, naturally, and flat, this is the cut you want.

Strawberry Blonde Chin-Grazer

Let’s take a moment to appreciate this color! The peachy strawberry blonde is so beautiful and a color that is almost never seen on women over 60, which is a shame. It is warm without being brassy, softens all of the features, and looks very expensive. The haircut is a classic clean bob that is chin length and has some graduation in the back and the side part allows one side to be tucked behind the ear while the other side is just grazing the jaw. This entire look gives me Italian women sitting at outdoor cafes and I love every bit of it!

Silver Pixie with a Swept Fringe

You can instantly tell that this is a look that demands an appointment. Look at that amazing blend from silver to white! The longer swept fringe also makes the look so much softer, a quality that many short pixies miss out on. There’s some texturing going on at the top that creates the fullness and rounded shape rather than having it be flat against the head. If your gray is coming in this silvery, just LEAN into it. No dye is going to look this good!

The “Why Didn’t I Do This Sooner” Bob

Just look at the “before” and “after” pictures. The left shows the results of holding on to unnecessarily long hair. It was just hanging down and weighing everything down. It was chin length on the right which completely changed the overall shape of her face. The hair is fuller and bouncier and there is a piece that is side swept so it doesn’t look too fussy. Hair transformations like this are the reason people cry happy tears in the salon chair.

This post 25 Ageless Hair Ideas That Never Go Out of Style, was originally published at Latest-Hairstyles.com

So wolf cuts are very unlikely to be problematic for a heart shaped face. In fact, I doubt you’ll ever have a situation where there’s too much hair at the chin.

One of my favourite cuts last year was a heart shaped girls first ever wolf cut. She’d been told previously that her shape couldn’t have layers as they just emphasised her forehead and so she was reluctant to take her hair shorter that her collar bone. However the thickness of the jaw line layers on that cut added just the amount of width in all the right places (for a heart shaped face, narrower chins can often struggle with layers, as cuts can appear top heavy due to the wider forehead). She kept running her hand around her jaw line in front of the mirror to take on board how it would feel having hair there!

The element of the wolf cut that needs more consideration with a heart shaped face is bangs. It can be easy to overlook how having bangs alters the proportions of the face, especially for those with a wider forehead. Thick and blunt bangs will have a different effect to wispy, curtain bangs, so think about the fringe element of the cut you’re after. This is where I find many girls bring the same inspo pic; which might be suited to you as is (particularly if the fringe compliments your cheek bones well) or needs amending (if there is too much or not enough happening on your forehead).

Before and After: Wavy Brown Wolf Transformation

Adding layers to hair that’s one length will really wake it up and enhance a hair’s natural wave/curl pattern. I would say texture does 80% of the work in making this style happen, while the layers add lift, movement, and shape.

Dark Shaggy Long Wolf with Curtain Fringe

– This shaggy dark brown wolf cut is longer than most other cuts on this list. Curtain bangs soften the look. Lots of layers throughout the crown and middle of the lengths of the hair add dimension and fullness while thicker ends balance it all out so the hair doesn’t look stringy on the bottom.
– This cut is much different in the side profile than it is from the front, so it would be important to show your stylist images from several angles when in the chair.

Choppy Dark Short Wolf with Glasses

Short wolf cuts will require more frequent visits to the salon (I’d say about once every 5 weeks) to keep the shape looking its best and maintain all that volume on top. If you do wear glasses, make sure your stylist keeps the bangs and layers from falling into the frames.

Long Dark Brown Curtain-Banged Wolf

Wispy curtain bangs like these work best for straight hair types that are on the finer side. Those with fine or medium hair that doesn’t have enough density for full bangs will love this style. The layers aren’t as extreme either, which will help length retention and make grow-out an easier process.

Long Layered Brunette Blow-Out Wolf

Wolf cuts aren’t just for those seeking a tousled, lived-in style. You can totally tame down the chop and get a wolf cut that’s polished like this. The overall shape of this haircut is a blow-out, which curves outward away from the neck, creating tons of width at the jaw and shoulders. I’m sure it looks great air dried, but if you really want to mimic this style, you’ll need a round brush, straight medium to thick hair, and a lot of patience.

Deep Cherry Red Long Wolf with Full Bangs

The straight bangs on this style narrow the forehead area to complement the narrower chin/jaw of this model’s heart shaped face. The color is a deep cherry that skews more on the cooler side (more of a burgundy than a true cherry red) and will likely fade to a pink color over time. A color-depositing shampoo will help keep this color vibrant in between colorist appointments.

Long Dark Wavy Wolf with Volume on Top

Wavy or curly hair is ideal for achieving that voluminous wolf look with extra oomph on top. Those with thick wavy/curly hair can pretty much count on having all of the volume they need in the top half of this haircut, but you can always enhance that volume with a diffuser instead of air drying.

Long Brunette Wispy Wolf with Brow Bangs

Wolf cuts with wispy, thin feathered bangs that end around the brow really complement longer versions of the haircut. In this style, the layers closest to the face barely graze the chin, while the rest of the hair is much longer and falls well past the collarbone. This drastic length difference would look just as good on straighter hair and wouldn’t necessarily require as much styling to make the shape last.

Heavily Layered Dark Razored Wolf

The shorter variations of wolf cuts tend to get the choppiest and are often heavily razored. The choppy bangs, wispy ends, and razored layers really emphasize texture in this wolf cut. The shortest layers on top are probably only 4-5” long, making for a ton of movement.
This would be a difficult style to recreate for those with very fine hair. Razoring is a very aggressive way of adding texture to the hair and takes out a lot of bulk. This technique isn’t something to shy away from, however. If you like the look of a razored haircut, make sure to ask your stylist about it since point-cutting (a similar texturizing technique) is much more common and would achieve a very different effect.

Dirty Blonde Voluminous Shag Wolf

– This shaggy wolf cut has tons of volume on top and is cut at about shoulder length. Dirty blonde color beautifully transitions between the darker roots and ends.
– Thick hair with wave in it would probably be best for this cut. Lots of volume on top is integral to this look, though it’d probably have to be blow dried up at the roots to keep it that way. Otherwise, it’ll begin to settle by lunch!

Bangs that are at this in-between length grow out beautifully and blend well with the rest of the cut, making them lower maintenance.

Dark Brown Layered Collarbone Wolf

– This dark brown wolf cut is more grown out with longer, flowing layers. It’s still disconnected but not as choppy as other wolf cuts, so it would probably be easier to maintain between appointments.
– This would be a cute cut for anyone wanting to dip their toe into the waters of the wolf cut. The side-swept bangs add width where the cheekbones are which makes this cut a good option for those with heart-shaped faces.

Dark Curly Short Wolf with Fringe

– Curly-haired divas can rock the wolf cut trend too! The volume of curly hair already compliments this trend so you just have to find a stylist who knows how to properly cut curly hair so all of that beautiful volume and shape isn’t taken away once your natural texture bounces back. This particular cut was styled with layers through-out as well as bangs.
– This client has a 2B/2C curl pattern. Those with tighter curls may want to ask for the cut a little longer as tighter curls contract in length.
– Styling tip: To combat any frizziness and promote curl clumping, work a good quality curl defining cream into soaking wet curls.

Jet Black Straight Wolf with Blunt Bangs

– Thick blunt bangs are cut straight across on this wolf cut. They’re a great bang for anyone with a heart-shaped face as they shorten the top half of the face, balancing it out with the narrower jaw.
– This wolf cut would be best suited for straight hair. The distinct layers of this cut lay best with straight hair (or hair that’s been straightened) as the separation between layers wouldn’t be as visible if your hair is wavy.
– Like I mentioned earlier, blunt bangs are high maintenance. They’re thick and should lie flat, so flat-ironing bangs would probably become a regular task for anyone rocking them. Otherwise, there’ll be times where a strand decides to rebel and flips up!

Long Copper Curtain-Banged Wolf Cut

This long wolf cut has gorgeous color! Darker roots that melt into rich copper, curtain bangs, and layers that start higher at the crown that gradually lengthen as they make their way down. While this particular cut would be best on medium to thick density hair (due to the layers starting at the crown) the bangs and overall shape would work on pretty much all densities! Tip: Ask for curtain bangs to be a bit heavier so they blend more with the hair around your face. This will help transition better and prevent any gaps! Keep in mind that this gorgeous shade of copper will likely need a refresh/toner every 6-8 weeks as red/coppers are one of the first shades to fade.

Soft Brown Feathered Shoulder Wolf

– This soft brown wolf cut is a cut for fine to medium hair thicknesses. It has a more feathered effect for anyone wanting a wolf cut but nothing as rough or disconnected as some wolf cuts. The wispy bangs complement this soft style perfectly and can easily be swooshed to the side when you please.
– To recreate the flipped out ends, take sections of hair, brush out with a round brush, and blow-dry away from the face.

Black Cropped Wolf with Baby Bangs

– The bangs on this wolf cut are cropped baby bangs cut straight across and sit higher above the eyebrows, showing lots of forehead. So while this wolf cut is still flattering on heart-shaped faces, the bangs aren’t necessarily the most typical choice for this shape.
– The wolf cut is cropped, at about chin length, and has lots of movement in it. The ends of the side layers are point-cut, providing texture and separation. If the stylist thinned these out too much, though, it would take away from the fullness the cut needs to properly form.

Bronde Highlighted Messy Mid-Length Wolf

– This wolf cut is another option for anyone wanting a more shaggy cut. Full bangs complement this messy wolf cut with shaggy, bronde colored highlights. These highlights beautifully bring out any texture your hair has.
– This messy bronde wolf cut is perfect for anyone wanting a cut that’s meant to be messed up. Thick wavy hair is ideal for this cut. The waves and thickness of the hair perfectly complement this wolf cut by providing enough weight and movement for it to lay properly.

Dark Side-Swept Short Wolf

– This wolf cut has the shortest layers (only about 3 inches) of the cuts in this article, so it does require more maintenance with more frequent (every 5 to 6 weeks) trims. Otherwise, the shape will begin to look round.

Warm Brown Wavy Collarbone Wolf

This collarbone length wolf cut has waves galore and bangs that are heavier and just barely graze the eyes (which takes away from the width of your forehead and helps those with heart face shapes. Again this bangs length/style would be more suited for those with medium to thicker hair). Styling Tip: Mist Texturizing Spray into damp hair, scrunch, and allow to air dry.

Dark-to-Blonde Contrast Mullet Wolf

Now this next style is a tad more on the mullet side then wolf side, especially with the drastic difference between lengths. Those with heart face shapes need to consider if they want bangs this short as you’ll be showing ALL of the width of your forehead! Styling Tip: Again, ask your stylist for pics of similar cuts done previously (or possibly the pic that inspired this cut) to show them the drastic length change you’re looking for.

Copper Red Mid-Length Textured Wolf

This next wolf cut is another take on a more mid-length cut with curtain bangs. However, it does still have lots of chop on the insides but keeps the perimeter a tad longer which helps connect all the layers. Styling Tip: This is another cut that medium to thicker density hair will hold the style better. As for the color, red/coppers aren’t always easy to attain (especially that PERFECT shade without looking orange) so ask your stylist/colorist for pics of colors she’s done previously so you’re both on the same page with color expectations!

Platinum Chin-Length Wolf Bob

This wolf cut is one of the tamer versions, as the layers aren’t as defined. It is very close to just a layered bob (with bangs) but with more of a shaggy vibe. It also is another one that fine to medium hair types would be able to pull off easier as it wouldn’t necessarily need more thickness/volume to make this style. Styling Tip: Keep up with bangs trims as they will most likely need attention every 3-4 weeks!

Wavy Brunette Long Wolf with Shaggy Bangs

Love the texture in this wolf cut! The bangs are right at the perfect length and if you have more straighter hair like me, you can totally pull off this style with bangs BUT, you will have to curl them daily (I use a 1.25″ curling iron) or you could always get a perm. Either way, the length is super flattering and breaks up nicely amongst the waves in her hair. Styling Tip: This style honestly looks better the 2nd day then it does with fresh shampooed hair!

Choppy Black Chin-Length Wolf

Chin-length wolf cuts can add more volume to the jaw area, which could balance out cheek bones that may jut out a tad. Especially for those with heart face shapes. This particular style is VERY choppy and piece-y, especially in the bangs. This would be a great look for those that naturally have more of a wave to their hair, as otherwise this style could come off as just your run of the mill bob. Styling Tip: Ask your stylist how this was cut. This image definitely looks more razor cut as opposed to cut with shears. Knowing the technique will help you communicate with your stylist easier.

Warm Chocolate Shoulder-Length Shag

This gorgeous shoulder length cut is another one that I believe is better suited for thicker density hair. There is so much layering at the top, which gives the illusion of more volume. Fine density hair will most likely fall flatter without as much body. Again, there is just too much layering, where heavier/thicker density hair needs the weight taken out especially towards the mid lengths! Either way, this is a cute style with a perfect copper/chocolate blend color. Styling Tip: Flip the ends out and dry with a round brush to keep the shape in longer between shampoos.

This post The Wolf Cut Trend Has a Flattering Twist for Heart-Shaped Faces, was originally published at Latest-Hairstyles.com

“I’m 74 and recently traded my ear-length bob for a wedge. My hair is fine, silver, and mostly straight. At the salon, the back looked rounded and the neckline sat neatly against my neck. At home, the back goes flat, the sides puff out, and one little section behind my ear flips up. Am I supposed to curl all those short layers under? I’d love to get it right without spending the morning holding a dryer.” — Catherine Higgs, Sylmar, CA

Catherine, you don’t need to curl every layer under. That can create the puffiness you’re describing, especially around your ears. Your wedge already has its shape cut into it: shorter hair at the neckline supports progressively longer hair above it. Styling should bring out that arrangement, without turning every section into a separate curl.

The tricky part is that the back needs two different treatments. The lowest section should sit close to your neck, while the hair above it needs enough space underneath to form that rounded outline. If you lift everything, the bottom flares. If you brush everything straight down, the rounded back disappears.

The following steps take you through a smooth, short wedge like yours, followed by corrections and a next-day refresh. You’ll spend your attention on the areas that determine the silhouette. Your age doesn’t decide your hair’s texture, so use the adjustments for your actual thickness and wave pattern, rather than assuming silver hair needs extra heat or heavy products.

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1. Find Where Your Wedge Should Be Fullest

Before wetting your hair, look at its side profile. Use your bathroom or dressing mirror with a handheld mirror, or ask someone to take a quick side and back photograph. You’re looking for the point where the back projects outward most, usually around the rounded bone at the back of your head. Below that point, the hair should narrow toward your neck.

This is your styling map. Think “close underneath, rounded above.” A wedge isn’t simply a bob with the ends curled inward, and it doesn’t need the separated, flicked-out pieces you might create with a shag. Its character comes from the relationship between the fitted lower back and the fuller hair resting over it.

Check your own cut rather than copying the height in someone else’s photograph. Some wedges have a higher, more pronounced stack; others have a gentler slope. The stack means the progressively longer layers that build the back’s shape.

If your hair already hangs heavily over the neckline or forms a sharp shelf, note that before styling. A brush can refine the outline, but it cannot change where the layers were cut. Knowing the intended shape saves you from chasing volume in the wrong place.

2. Reset the Short Underlayers Before They Dry Crooked

After washing, press water out with a small cotton towel. Concentrate on the hair behind your ears and at your neckline, where water can linger beneath the longer layers. Don’t twist a towel around this cut; the short underlayers can end up bent upward while the top is pressed flat.

You want evenly damp hair that separates easily, without dripping. If you’re styling without washing, wet the misshapen areas down to their roots. Spraying only the tips of a flattened section leaves its starting direction unchanged, so it tends to fall back into the same dent.

Comb gently, beginning at any tangled ends. Place the longer top roughly where you wear it, but leave the back free to settle. Avoid making a hard part all the way down the back of your head; it can split the rounded section into two visible halves.

Fine, straight hair can become nearly dry while you’re getting organized. Keep a water mister nearby so you can re-dampen a section before shaping it. If your hair has a noticeable wave, begin smoothing while it is still evenly damp. Waiting until the wave has dried into a kink usually means more brushing later.

3. Protect the Hair Without Coating the Stack

Apply heat protection before using your dryer. TRESemmé Protecting Heat Styling Spray is one option for preparing damp hair for heat styling. A spray is useful here because you can reach the short layers without rubbing a rich cream through the entire back.

Follow the product directions on your bottle for distance and coverage. Lift the longer hair with your fingers so the underlayers receive product too, then comb it through gently. Aim for even coverage, rather than repeatedly soaking the same patch. Keep the spray away from your eyes and face.

For your first attempt, stop there. You need to see what the haircut does with controlled drying before deciding it needs extra hold. Fine hair can lose the airy space between its layers when you combine a leave-in cream, oil, and styling lotion, even if each product seems light by itself.

If you already use a leave-in product with suitable heat protection, check its directions before adding another. Your goal is protected hair that still feels easy to separate. A wedge gets much of its fullness from the cut and drying direction; it doesn’t automatically need a root product everywhere.

4. Expose the Nape Instead of Drying Through the Top

Lift the longer upper-back hair and secure it loosely with a small sectioning clip. Leave the lowest band of hair at your neck free. You don’t need perfect salon sections; you only need to see and reach the part you’re drying.

Next, separate the two sides from the back with your fingers. If your hair is very fine, one clip may be enough. If it is thick, divide the back into a few shallow horizontal sections rather than trying to dry one dense handful. The brush should be able to reach through each section without tugging.

Choose a chair you can turn slightly in front of a mirror. Set the dryer down and switch it off when checking the back with a second mirror. Trying to hold a mirror, brush, and dryer together creates an awkward situation before you’ve even begun.

Keep your shoulders relaxed and bring the section within comfortable reach. If reaching the back is difficult, use your fingers for the shortest hair and save brush control for the longer section above it. You don’t need to imitate a stylist’s arm position to get a neat neckline.

5. Lay the Neckline Down Before Building Volume

Start at the nape with low airflow and a comfortably warm setting. Direct the air down the hair toward your neck, approaching from the side rather than pointing upward from below. Upward airflow encourages those short ends to stand away from the neckline.

A Denman D14 Mini Styler gives you a small brush surface that can reach short hair more easily than a large blowout brush. Its five-row size suits the limited space at a wedge’s nape and around the ears. Use it with light pressure, guiding the hair along the head without scraping your scalp.

If a small growth pattern pushes the nape sideways, brush gently across it in one direction, then the other, while it is damp. Finish in the direction that lies most comfortably. Don’t try to force a strong upward-growing hairline perfectly flat through repeated hot passes.

Keep the nozzle several inches from your hair and moving. The hair should feel warm, never painfully hot. Once the neckline is dry and sitting close, leave it alone. It’s the foundation beneath the fuller back, so lifting it again would undo the distinction you’re trying to create.

6. Build the Rounded Back One Shallow Section at a Time

Release a narrow section immediately above the nape. Place your small styling brush underneath it, close enough to support the roots without digging into your scalp. Draw the hair a little away from your head, then follow its natural downward curve as you move toward the ends.

The brush movement is modest. You’re creating space beneath the middle of the section, then letting its ends settle over the shorter hair. Avoid rolling the brush repeatedly or making a tight inward bend. That produces a curled ridge instead of a continuous rounded back.

Keep the dryer above or beside the section, directing air from roots toward ends. Follow the brush with the airflow, leaving space between the nozzle and hair. When that section is dry, release the next narrow band and repeat until you reach the upper back.

On fine hair, stop lifting as soon as you can see a gentle curve. On thick hair, use smaller sections and less lift, because the cut may already have plenty of fullness. If your arms tire, finish one section, turn off the dryer, and rest. Several controlled passes are more useful than a long session waving hot air around the whole back.

7. Close a Crown Split Without Making a Tall Bump

Remove the remaining clip and check the crown, the area near the top-back of your head. This area should connect smoothly to the rounded section below. You don’t need a towering crown to make a wedge look full.

If your crown splits along a growth pattern, dampen the roots and use your fingers to guide the hair across the split. Dry briefly in one direction, then guide it gently the other way. Finish with the hair resting near its natural direction, rather than stretched tightly across your scalp.

For a flat crown without a strong split, lift a small section with your fingers while directing warm air along it. Release it once dry and see whether it blends with the back. Repeat only where the outline still dips. Lifting every section straight upward can create a separate mound above the wedge.

If your hair is thinner at the crown, keep the surface loosely arranged. A tightly combed part or a heavily separated finish can expose more scalp. You’re encouraging neighboring strands to sit together, not pulling them into a rigid covering. A stubborn opening that returns immediately may need a small cutting adjustment rather than more styling effort.

8. Keep the Sides Narrow Enough to Show the Wedge

Now turn to the sides. These often become too wide when you use the same lifting motion you used at the back. For Catherine’s smooth wedge, guide each side down and slightly forward, following the way the cut frames your ear.

Place the brush against the outside of the side section and move through it gently. Keep the airflow traveling downward. At the tips, use only enough wrist movement to stop them sticking straight out. You don’t need to curl the whole side underneath.

Pay attention to the little corner immediately behind your ear. Hair can catch there and dry folded over the ear’s edge. Free it with your fingers, then guide it toward the neck while it finishes drying. Keep the dryer aimed away from your ear and face.

If you wear glasses, put them on once this area is cool and see where the arms sit. Arrange the hair around them instead of forcing a thick section underneath. If you prefer one side tucked, tuck it after drying and check the outline. A tight tuck on both sides can exaggerate the back’s fullness, which may be different from the balanced shape you intended.

9. Give the Front a Sweep, Not a Rolled Bang

A longer fringe can look disconnected from a wedge when it is curled into a round tube. Instead, guide it diagonally across your forehead so it joins the longer side. This gives the front a direction without competing with the rounded back.

If the front dried while you were shaping the back, dampen its roots before starting. Brush it gently from side to side to release an unwanted part, then settle it toward the side you prefer. Keep the dryer beside the section and point the air along the hair, away from your eyes.

Use the small brush mainly to steer the ends. If you lift underneath the entire fringe and roll inward, the front can become much rounder than the rest of the haircut. For a little clearance from your forehead, lift just the roots with your fingers, then let the lengths fall diagonally.

If you don’t have bangs, apply the same idea to the longer front section. If your fringe is short and blunt, let it follow its cut line instead of forcing a side sweep. And if a front cowlick sets quickly, style this area immediately after applying heat protection, then return to the nape.

10. Let the Shape Cool Before You Judge It

Turn the dryer off and allow the hair to cool without immediately brushing through it. Warm hair can still be pliable. Repeatedly combing it while checking your progress can flatten the area you just lifted or pull the sides outward again.

Once cool, look at the side profile before studying individual strands. Does the neckline sit close? Is there a continuous curve above it? Do the sides connect to the back without forming two puffy wings? Those questions tell you more than checking whether every silver hair lies perfectly flat.

Use your fingers to place the surface lightly. Don’t rake from the scalp through the whole stack; that can break up the rounded arrangement into separated tracks. If your hair already stays where you put it, you can finish without hairspray.

For naturally wavy hair, accept a little texture within the outline. This routine creates a smoother finish on straight or loosely wavy hair, but tighter curls need a different approach if you want to preserve them. You don’t have to brush out your natural pattern simply because your haircut is a wedge. The tapered neckline and fuller upper back can remain visible with texture.

11. Correct the One Area That Looks Wrong

If something still looks off, identify the area before adding product. A small correction is usually easier than restarting the entire haircut. Put the mirror down before picking up your tools again.

• A flipped piece behind the ear: Dampen that section from its roots through the bend. Guide it downward, freeing it from the ear, and dry it in that position. Pressing the dry tip alone rarely resets the bend.
• A flat patch in the middle back: Lift the hair covering it and re-dampen the underlying section. Support that section away from the head as it dries, then replace the surface hair.
• A shelf across the back: Brush out an over-curled ridge gently. If the shelf remains even when the hair is damp and combed naturally, ask your stylist to check the connection between the lengths.
• A fuzzy surface: Check that your airflow follows the hair instead of blowing upward through it. Lower the speed before reaching for oil.

If the same problem returns every day, take a photograph before correcting it. Show your stylist exactly what happens at home. A heavy corner, an overgrown neckline, or layers that don’t suit your growth pattern won’t become easier through increasingly elaborate styling.

12. Refresh the Back Tomorrow Without Restyling Everything

The morning after styling, inspect the back before brushing. Sleeping often compresses the rounded section while leaving the front perfectly usable. Brushing your entire head vigorously can turn one flattened patch into several areas that need attention.

Lightly mist the compressed section with water, including its roots, and separate it from the hair around it. If you’ll use heat again, follow your heat protectant’s directions for reapplication. Reshape that section with the same small lift you used during the original blow-dry, then let it cool before arranging the covering hair.

For a flattened neckline, use damp fingers to guide it back down. If it settles without heat, leave it to dry naturally. There’s no reason to heat the whole wedge when only one area needs resetting.

Before getting dressed, check whether your collar catches the nape. A high collar can push short ends upward even after careful styling. If your refresh starts taking as long as a full blow-dry, or the neckline stays bulky, arrange a trim based on how your cut is behaving. Ask to preserve the rounded back while cleaning up the lower outline; you don’t necessarily need the top cut shorter.

Short Version

Catherine, the three priorities are a close neckline, a rounded middle back, and sides that don’t puff outward. Once you treat those areas differently, you can stop trying to curl every short layer into place.

Let the haircut provide the structure. Use the brush to guide it, give the finished shape time to cool, and correct only the section that needs attention. Your wedge should feel manageable when you’re getting ready at home. If one area keeps fighting you, bring that exact problem to your stylist so your next cut makes the routine easier.

This post How to Style a Wedge Haircut for Women Over 70?, was originally published at Latest-Hairstyles.com

The butterfly bob is getting buzz online, but we’re also chatting about them in real life… in front of the mirror (at the shampoo bowl)…

The buzz I’m talking about is amongst women over 60 who are looking for something a little different. Something with movement (around the face especially) as hair changes with age and a responsive-to-the-air-currents kind of cut becomes more appealing.

In fact the other day I sat across from a gal (at the shampoo bowl) that brought in a pic of a gal she goes to Pilates with (who just so happens to have a butterfly bob) and she kept repeating how she wanted her hair to have movement just like the woman in the pic. Each time she referred to the woman in the Pilates class pic she’d say, “I want it to move like hers does.” Her age is around 63.

Movement… dynamic… interesting… not static, stiff or dull are other words used.

And the Butterfly Bob answers the call. It is the perfect cross between a too heavy/blunt bob on one hand and a too layered/thinned-out/wispy bob on the other. It has enough of the stacked-under/layers to create that flipping-out ends quality but still has enough body/weight to not fall down or lay flat. Add some around-the-face pieces that don’t need to be curled or pinned into place… and you have a winning situation!

Auburn Highlighted Butterfly Bob with Feathered Bangs

Feathered bobs have been around for quite some time, and they still make a reappearance every now and then. This cut combines the piecy, light bangs with a butterfly bob cut, and the bangs blend perfectly with the longer face-framing layers. The highlights also bring out the wave a little more, which helps give it more body. The auburn color is beautiful, and could be achieved with copper ribbons on brunette hair. All of these factors come together well to bring dimension and visual seperation to medium-density hair with just a touch of wave, that otherwise may fall flat with a solid color.

Brunette Wavy Butterfly Bob with Loose Curls

Here is an example of a butterfly bob haircut for women with wavy/curlier hair types. Those layers are going to lay into her curl pattern and flip out perfectly without any effort. Could definitely work well on a 2A or 2B hair type.

Warm Caramel Layered Butterfly Bob with Side-Swept Fringe

This chin-length butterfly bob hairstyle has a swoopy fringe and gorgeous layers that blend seamlessly. This style is best suited to women who have medium to thick hair with some bend to it already. The layers are mainly throughout the lengths so they flip outwards naturally and give it that coveted butterfly effect. To recreate this look at home you’ll need a blow dryer (set on medium heat) and a round brush.

Dark Espresso Wavy Butterfly Bob with Copper Hints

Another take on a more structured butterfly bob haircut but with more of an undone feel. I can see this look complimenting wavier (or permed) hair types. You do have to have enough thickness though for this one. Love those glints of copper too! Those would have most likely come from a gloss or demi color which would grow out nicely (no foils!).

Caramel Highlighted Structured Butterfly Bob

Now we’re getting down to business ladies! This is a butterfly bob on steroids! This one will need to be styled with a blow dryer to achieve the shape. Best suited on thicker/medium density hair to get that stacked effect. You can see on the side view photo, each piece lays neatly on top of the next creating a very tiered haircut. I also think the caramel color highlights complement each layer which helps this look as well.

Warm Brunette Flippy Butterfly Bob

This casual butterfly bob has a laid back feel. It’s barely been styled (which is a good thing since we all want our cuts to work for us) and the ends flip out perfectly. Great cut to show a stylist if you are looking for that air dried flip. Would best compliment hair that has a tad of a wave to it already. Length here is also cute sitting at the chin.

Gray Butterfly Bob Before and After Transformation

Sometimes a before and after shot says so much more than a photo alone can. On the left side we have her original gray hair (shapeless and long) and on the right side we get to see what her hair could look like as a gray butterfly bob! I’m loving the layers here. Again, this would be a photo worth showing your stylist to determine if this is a look you want to try.

Cool Ash Blonde Piecey Butterfly Bob

Here we have a more pieced out butterfly bob haircut. I call this a piecey bob because the stylist has used some styling product to really separate out each layer. The color is fun as well. It’s a nice ash blonde without trying to take it all the way to the root making this an easy color to maintain. This butterfly bob haircut for women is on the shorter side as well. Great choice for thin hair as this look adds some width.

Ash Brunette Layered Butterfly Bob with Natural Gray

Fighting your gray? Stop! You can make it look like great highlights! This is one example of a more classic butterfly bob haircut for women. It has more traditional layers that reach mid-length. Great look to show your stylist if you want to phase out of color. Best on thicker/medium density hair to achieve the roundness of this one.

Light Brunette Casual Butterfly Bob with Face Framing

This one has some honey toned face framing pieces and otherwise is a casual butterfly bob. It’s cut so it grows out easily and has a nice movement going on. The face framing pieces are a tad more on purpose than the rest of it being slightly shorter and flippy towards her cheek. Great look if you just want to brighten up in front.

Buttery Blonde Flipped Butterfly Bob

Brushed out with a round brush to perfection, this glossy style shows of it’s perfectly flippy ends, in two distinct tiers, which is what really defines the butterfly bob cut. There’s also some great volume through the roots and crown area of the cut. Thicker locks would suit this shape best.

Dark Chocolate Side-Swept Butterfly Bob

Here’s a more polished butterfly bob for the fine to medium-density locks that still have good body. It’s still very blended through the lengths, but the perimiter is kept nice and trim.

Here’s the same haircut from behind, so you can see how the nape line has also been left straighter and trim.

Tousled Honey Blonde Butterfly Bob

The darker roots make this a cuter option for those wanting to lengthen salon visits. It adds interest to the part line, too. The tousled, piece-y texture will suit naturally wavy, medium locks best. Scrunch when damp with a texturizing spray for easy recreation at home.

Warm Brunette Shoulder-Grazing Butterfly Bob

The layers in this one are longer, and graze the shoulders. The caramel highlights really warm it up, and take it out of the winter doldrums. Again, the highlights help separate the layers, and add dimension. You could recreate it at home by using a mousse at the roots for volume (nothing heavy, as that will flatten this style out), and then blow drying.

Deep Brunette Stacked Butterfly Bob

Here’s another cut that shows a side profile well. This stacked bob haircut is so layered all the way through, especially in the shorter pieces toward the back, it almost appears perfectly round in this shot. It would likely suit thick to very thick hair best, as there’s so many pieces here that thin hair may not be able to support them all. Although the style could easily be smoothed out for sleek looks, it needs more frequent cuts every 6 weeks or so to keep it’s definition.

**Longer Butterfly Bob Cuts**

Brunette Layered Butterfly Bob with Subtle Highlights

This one also has some subtle caramel highlights added, to create more interest in an already well-layered cut. The layers flip out just under the jaw, in the typical fashion for the butterfly bob haircut. Straight to just wavy hair, medium in density, would suit this cut best. Mention to your stylist you’d like to leave some weight in the perimiter pieces so they don’t get too wispy at the ends.

Fiery Copper Butterfly Bob with Full Bangs

A textured butterfly bob cut and styled to really emphasize how the layers flip out at the ends, as you’d expect from a butterfly cut. Keeping the copper color bright will require more maintenance, with trips back for glosses and using color-safe products at home, but the cut and the color compliment each other here, so they rely on each other to make each other shine.

Rich Brunette Full-Volume Butterfly Bob

The curtain part and layers cut into her naturally full locks help this style stand out. Layers can really pile up in this style, and create a lot of volume and fan out from the shorter underpinning layers, especially in naturally full locks like these. Product could easily weigh it down. It’s also the perfect shape to frame the face without feeling closed in or covered up, and although I could imagine recreating this particular level of body on thinner locks might be tough.

Honey Blonde Feathered Butterfly Bob

The feathered layers on this honey blonde colored cut give it a super chic finish. This would suit someone who is happy to blow-dry their locks on a daily basis as this style relies on the layers being nicely blended together to achieve the more polished effect. If you already have honey blonde locks at home then you’ll probably need to pop in for a root touch-up and toner every so five/six weeks to keep the color looking as golden as this one!

Dark Chocolate Butterfly Bob with Swooping Layers

The swoopy layers around the face adds some instant movement and texture to the butterfly bob haircut. This hairstyle is cut with the layers starting around the cheek bone and swept backwards to give some welcome lift towards the front. If you’ve got straight thicker hair that sometimes lacks in direction then this butterfly bob haircut will have some movement baked into it. A medium sized curling wand can add some oomph to the swoopy layers especially towards day two.

Ash Brown Chin-Length Butterfly Bob with Highlights

This chic haircut has some lovely delicate highlights just towards the ends and through the pieces that frame the face which just adds some extra oomph to the flips towards the ends. Butterfly bobs can also suit finer hair types as the layers won’t make the hair look as over-thinned. I’d probably avoid having the ends razored though and ask for it to be more point cut especially if your hair tends to get a bit limp.

Choppy Wavy Short Butterfly Bob with Bangs

The short butterfly bob is usually cut slightly shorter that your run of the mill butterfly bob haircut. This dark colored cut is quite choppy through out the lengths and has a lovely wispy fringe to compliment it. It’s a great option if you have waves to your hair already and prefer to leave your hair wash and go style. The fringe doesn’t require much styling and looks more of a casual lived-in effect that compliments the rest of the haircut.

Dark Brunette Side-Parted Butterfly Bob

The side parted butterfly bob hairstyle is still got lots of layers within it to create the movement but it still leaves it looking quite full. It’s a great low maintenance cut as all it really requires is a deep side parting that instantly adds some welcome body to the hair. If you’ve medium density hair that tends to lie flat at the roots then this would be a great style to ask your stylist for.

Salt and Pepper Textured Butterfly Bob

Are you sporting your grey with pride? This textured chin-length cut would be perfect if your hair is naturally salt and pepper. This style is also suited to women who are happily welcoming their grey as it takes the bridle out of growing out your grey hair. Grey hair can often appear a little flat especially if you’ve always had it cut all one length so the addition of some lovely layers will add some welcome dimension to this cut. Your stylist will be able to suggest a good texturizing spray that will help to keep the strands separated and textured between shampoos.

Copper Highlighted Voluminous Butterfly Bob

The flipped out ends and extra body throughout give this neck length cut lots of movement. The copper highlights also compliment the style well by adding some dimension and catching the light throughout the layers to emphasize the movement. This one is best suited to thicker hair as the layers are used to create the body throughout the top and sides of the head. Try and find a picture of this hairstyle from the side to show your stylist as that will really give an idea of the shape of this cut.

This post What Makes the Butterfly Bob So Flattering for Women Over 60?, was originally published at Latest-Hairstyles.com

I always cringe a little when I hear people say how the color isn’t as important when your hair is up. Color is ALWAYS important! I noticed this when people are searching for updo inspiration…usually at midnight…and realize most of the time, people forget the dimension aspect of hair color.

Anyone that is contemplating a formal hair style should look at what color their hair is and think about if it would benefit from some dimension (whether that be highlights, gloss, root melt/natural grow out effect). Below is a picture of a bride I styled the last low chignon for. She had beautiful, brunette hair…however it had been single process colored, which took away any dimension in her hair. As you can see from the photos, her hair just kind of looks like a brown lump (and that’s being nice).

The next week I was lucky enough to create a similar style bun for a gal with some beautiful hand-painted balayage color throughout the mid-lengths of her hair. With this style the light caught her hair in so many beautiful ways, which complimented the twisty style. The depth in color created shape in this style…it just sings, when there’s dimension throughout the hair.

Check out this roundup of pretty buns, from sleek and low, to high and textured. You’ll see the styles that have some dimension to the color really pop in photos!

Messy Dark Curly High Bun

Instagram: kriva_je_pundja_

Undone from tip to nape, this messy, high brunette bun is complimented by wavy locks that casually fall around the face and neckline. Optimal hair type/length: Naturally wavy/curled would be best (loose pieces have to have life of their own; if your hair is naturally straight, you might ask stylist to utilize a curling iron to create waves for pieces left out). How to recreate: Discuss with your stylist creating a messy bun that doesn’t look messy (ha!). This style would likely survive a long night/humidity that may typically throw other styles out of whack (it starts out looking undone, so who’s to say when the bun’s gone too far!).

Clean Brunette Wrapped Low Chignon

Instagram: shining_hairstudio

I get this style requested all the time for brides. It’s classic, pretty and elegant. Hair photographs prettier when there is some dimension or movement in color. I’d suggest picking up a gloss treatment a week beforehand that plays with your current color to add some depth, if your hair is one process. You would be able to see some dimension with the chignon just from the direction of the wraps though.

Best on: this style is best on straight to slightly wavy hair with shoulder length or more to be able to wrap it.

Before and After Textured Low Bun

Styles 23-25: The last 3 photos are also great style ideas and can work for varying densities and lengths (25 is a before and after pic which I thought was a neat idea, which can help your stylist get a better idea of how much prep work will be necessary). Number 23 is a great option since it sits lower on the head (right on the crown) and wouldn’t have to be adjusted for your dress as much. The face framing highlights really accentuate the pieces left out by her ears which is a nice compliment to the darker color. Number 24 is a great combo of sleek (the back leading up to the bun) and voluminous (once her hair transitions into the bun). I like that she left a piece or two out in the nape area for interest, this style will also probably need shoulder length (or just pass) and would look best on medium density hair in order to pull off the fullness (without fillers). The blonde color changes in her hair really help the transition from french twist to high bun. Number 25 is great because it shows the medium density hair (with length!) before styling, you can really see that her hair already has some texture so it wouldn’t take as much prep work to attain the wavy pieces around the face.

Voluminous Highlighted French Twist Bun

Instagram: erikataftbridal

This is another example of how the subtle blending of colors can add definition and shape. A dirty blonde French twist high bun is a popular style for women. The French twist provides a clean look to the back of the head while the hair bun adds volume and height. The highlights in the hair are key to making this style work without a lot of product or hair extensions. The highlighted dirty blonde voluminous French twist high bun with loose nape pieces requires at least medium density and past-shoulder length to make this style work without a filler.

Loosely Swept Brunette Mid-Height Bun

Instagram: cathrineheierenhansen

Here’s another highlight on my brunette friend. The hair is loosely piled up in a mid-height bun with dropped pieces. This sort of placement isn’t very high or very low, and is therefore a great look to pair with most necklines and dresses. The face framer makes the hair around the ears more noticeable, which enhances the overall shape. The cut tolerates medium thickness hair well, and can accommodate a little wave in the texture.

Structured Brunette High Bouffant Bun

Instagram: hairart.byaaliya

I like the simplicity of this style, it’s very classic and elegant. The bouffant effect in the crown area adds some dimension, back combing then smoothing over for a sleek effect. This style would probably be best suited to a darker color since the shape of the style is so dramatic you don’t necessarily need the interest of a multi-tonal hair color. This style would need a thicker (and straight) hair texture and probably need to be at least waist length (or longer) to get the size of this style.

Relaxed Dark-Rooted Blonde High Knot

Instagram: chloepiche_hair

This style has the perfect pieces left out around the face. They have some wave to them and stop around the chin so it isn’t a severe style. The coloring on this photo really stands out too! The transition from dark roots to blonde ends really make this photo pop! The darker color on top makes a banded effect which would be difficult to achieve with single process hair. I think this would require past the collarbone length hair and be best suited for a medium density hair.

Full Volume Bridal Bun with Curled Pieces

Instagram: cathrineheierenhansen

The coloring on this girl is stunning! Dark roots that fade to a gorgeous golden blonde color. I love all the pieces that were left out to frame her face, especially with the curls! I think the curls will wear better through a wedding day and the movement in her hair is fun. This style will probably take some padding (or an additional hair piece) to get its size but it’s gorgeous. The darker roots coloring will really compliment this style and add a shadow effect throughout the bun. Definitely a keeper for when your taking pictures that show the back of your head!

Loose Textured Blonde High Bun

Instagram: parla.hair

I love the undone quality to this style, it’s better throughout the night and if the humidity decides to rear its ugly head! I think this style would need thick, longer hair in order to achieve the volume. I’d suggest having your stylist curl all the hair before pinning it into a high bun as opposed to styling it smooth then adding in texture. The dark roots and blonde mid-lengths accentuate all the different twists and folds in the shape of the bun.

Compact Dark Brunette High Crown Bun

Instagram: cathrineheierenhansen

This tight twisted style would look just as good with a high neckline as it does with a statement earring. This is also a good option for those without super dense hair since the base is smoothed tightly against the head for control. I’d say it would look best on medium density straight hair.

Curly Textured High Bridal Bun

Instagram: cindybeddard_bridalhair

This pretty medium brown high bun was curled first (with a wand) and then styled into sections and pinned back to create that pretty textured layered/petaleffect.

Best on: this would require some length and thickness to pull off without the aid of a form or added texture. Those pretty longer (nearly to the chin) pieces in the front help take away from the severity of such an intricate up-do.

Brunette High Bun with French Twist Base

This super pretty higher placement bun has some face framing pieces left down to accentuate the eyes. It’s styled on a french twist up-do’ed towards the back of the head. You can see where the french twist meets the bun halfway.

Best on: a french twist isn’t the easiest thing to style super smoothed down so this is another up-do I would recommend practicing before the actual event. It gives the illusion of higher placement and gives the bun some support. Notice how pretty the highlights are, even though just subtle? Again, hair photographs prettier with dimension, especially darker brunettes!

Pearl-Accented Blonde Looped Low Bun

Instagram: bridalhair_bysharon

Scattered pearl hair pins adorn this sweet lower bun styled in loops. The darker color at the roots gives it some dimension where otherwise this very smooth style on solid platinum blonde hair may be a little one dimensional.

Best on: This one will require some length to fold back and medium to thick hair. Ask your bridal stylist about those cute pearl pins too and where he/she would think they look best (I love that they’re on top along the part line!)

Textured Low Bun with Mini Flower Pins

Instagram: milestone.beauty

This highlighted sandy blonde color really shimmers beautifully in this textured lower pinned bun. Those cute flower pins are taking this from simple to stunning!

Best on: a simple tucked up style like this one is best for hair that may not have enough texture or thickness to make a statement on it’s own. Add some fun accessories and you’ve got a winning combo! This would look cute on fine to medium textured hair, with a few pieces left out in front of the ears and at the nape of the neck to keep it from looking matronly. I’d also opt for a more pinned up look like this if it will be windy at an outdoor wedding!

Polished Dark Low Bun with Floral Accent

Instagram: hairdo.dini

Smooth center parted, this low, wrapped dark brunette bun is polished, but not over styled. Optimal hair type/length: This look is best suited to a medium or thicker density in order to make up the fullness of the bun/knot; otherwise you will have to pad. How to recreate: To recreate the look, style the hair smooth leaving out face framing pieces and tie the remainder into a low pony. Take sections of the pony and wrap around, securing with bobby pins. Before you go pinning, you might consider adding a bit of serum over top for a polished finish and to help tame any fly aways throughout the event.

Simple Light Brown Knotted Low Bun

Instagram: jemma_higgins_hair

These pretty curled pieces framing the face take this otherwise very simply knotted bun at the nape of the neck to another level.

Best on: this would work well on shorter hair that may not sustain a heavier more sculptural bun. This is by far the simplest interpretation of a more purposeful up-do, with the curls being the key feature to make it event ready. I think this would work well on fine to medium texture hair.

Warm Copper Highlighted Crown Bun

Instagram: studio_stankovski

This twisted crown bun is pulled into a high placement to show off those gorgeous copper colored highlights!

Best on: The hair here looks to be medium density with some natural wave or texture. Because the bun itself is styled in sections that are wrapped, the highlight color can really separate nicely (whereas on a more solid twisted bun you wouldn’t notice as much dimension). Make sure your stylist pulls it nice and tight against your head, especially at the nape of neck, or it’ll sag through a long event!

Glossy Chestnut Rolled Low Bun

Instagram: hairbyasterr

A beautiful face framing wave enhances this gorgeous glossy chestnut brown colored hair in a rolled low bun. I love the color! It’s a brunette color with just enough warmth to pick up light beautifully (cool browns can be pretty one-dimensional, unfortunately). The rolled style of the bun really enhances it though.

Best on: this would require some work with a flat iron and medium to thick hair to pull off the incredibly smooth texture before rolling and pinning. I would curl just a little tendril in the front with a curling wand, leave that down, and pin the rest up!

Relaxed Bronde Twisted Low Bun

Instagram: hairandbeautyart.denise

Looser is better for this look and disguises lack of volume in the hair nicely. Would definitely still hold up well on fine hair and looks great even styled on day old hair!

Smooth Ash Blonde Double-Looped Low Bun

Instagram: sararobertshair

Sleek ash blonde tones compliment the polished feel of this low nape updo. Optimal hair type/length: Best suited for thicker density hair that has enough length to create two loops (otherwise the folds may deflate). How to recreate: This would be a great photo to take into your stylist appointment-especially for bridesmaids as it reads polished, but not bride polished. Make sure your stylist finishes the look with a strong hold hairspray in case dancing gets out of hand.

Dark-Rooted Blonde Twisted High Bun

Instagram: royal.beauty.salon1

Dark roots compliment the ash blonde shade of this polished, twisted crown. Optimal hair type/length: Best suited to thicker density hair (this photo shows hair length to be at least past the shoulders in order to create a large bun). How to recreate: The added dimension via color will be helpful in this style, the shadows of the root creating dimension within the twists (versus how they may get lost on solid blonde hair). A piece or two left out to frame the face can also take edge off of this formal style.

Voluminous High Twisted Bun with Side Fringe

Instagram: maryamlotfi_hairstyle

This polished high, twisted dark brunette updo is flattering thanks to its side parted curtain fringe. Optimal hair type/length: Best suited for a medium to thicker density hair with enough length to gather in a twist around the bun. How to recreate: Discuss with your stylist the height of the style and if it will require any help via teasing or perhaps a bun form to hold all of the pieces into place. This polished style isn’t over styled thanks to the fringe pieces and tendrils left to frame the ears. Perfect for a cocktail style affair!

**Messy and Textured Updos with Natural Body**

Jet Black Wrapped Knot Bun

Instagram: hairmakeupbyira

Shimmring with shine, this jet black, wrapped knot is tightly styled and sleek. Optimal hair type/length: Thick hair that is able to create tension while styling (otherwise the style will slide down as the event progresses). Straight/coarse texture will also help the hair stay in style. How to recreate: This look requires lots of product to control the surface of the hair, likely a combination of hairspray and gel. Discuss with your stylist the importance of density in the knot. With hair this uniform in color, the bun will most likely make or break this style.

Undone Blonde Low Bun with Loose Tendrils

Instagram: kriva_je_pundja_

This low nape loosely wrapped bun is perfect for any bride or bridesmaid sporting rooted blonde locks. Optimal hair type/length: The balayage color process adds a dimension which translates well into the twists of the bun (separation between colors versus what could read a little flat with solid blonde hair color). Best suited for fine-medium hair (the undone feel adds dimension to hair that might not have the greatest of body). How to recreate: This would be perfect to bring in as inspiration photo if you like the undone feel (meaning polished but not too polished). Discuss with your stylist ways to tease your roots and create some texture throughout so your hair easily gathers into a loose chignon.

**Structured Bun Hairstyles for Special Occasions**

Sculpted Twisted Chignon on Brunette Hair

Instagram: long_hair_monk

This dark brunette, twisted, tightly wrapped chignon sits at the middle of the nape. Optimal hair type/length: The texture added via the twist adds another element of interest, especially important if there’s only been a single process color (which can read a bit flat in photos). Best suited for medium to thick hair. How to recreate: Ask your stylist to utilize some texture, whether that be texturizing spray or second day hair, to help the style have more of a grip while he/she creates the style. It’s important the style is secure, especially if it’s for an event that will last several hours.

This post These Elegant Buns Belong at Every Kind of Dressy Occasion, was originally published at Latest-Hairstyles.com

“I’m 67, and my new chin-length bob looked lovely when I left the salon. When I dry it myself, the hair underneath pushes out at my neck, my part looks wider, and one side curls under much tighter than the other. I end up with a little mushroom shape instead of that smooth, full bottom. My hair is fine and naturally straight, so why is this so difficult?” — Laurel Whitaker, Lititz, Pennsylvania

Laurel, you’re trying to solve three different problems with the same brush movement. The hair at your neck needs direction, the roots around your part need a little lift, and the ends need much less rolling than you probably expect. When you curl everything under, those differences become more obvious.

A chin-length bob gets its fullness from the bottom edge staying together. Fine hair can look surprisingly substantial at that length, but too much separation or a tight inward curl takes away that effect. Your aim is a smooth outline that follows your jaw, with enough room at the roots to keep the top from sitting flat.

This routine is for a mostly one-length bob without short bangs. You’ll dry it in manageable areas, then refine only the parts that need attention. You don’t need to make every strand bend.

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1. Leave the roots free while you blot the bottom

After rinsing your hair, squeeze out excess water with your hands before reaching for a towel. Then press the lower inch of your bob between folds of a small, smooth towel. Move around the sides and back until the ends stop dripping. Don’t scrub them against your neck.

Keep the top uncovered rather than twisting the whole bob into a tight towel wrap. At this length, you can remove most of the water without pulling the roots flat or bending the front pieces backward. Those front pieces are particularly quick to take on an unwanted direction as they begin drying.

Check the hair just behind your ears. That little area often holds more water than the surface, so give it another gentle press. You want damp hair throughout, without wet patches underneath and nearly dry pieces on top.

If your ends feel slippery after rinsing, check that you have removed the conditioner thoroughly. Don’t add styling products to compensate for a coating that is already weighing the bob down. Next wash, concentrate conditioner on the lengths that actually need it instead of automatically spreading it over your scalp.

Before you begin, change out of a high collar or bulky towel around your shoulders. Your chin-length ends need to hang freely while you shape them.

2. Choose your part before the front dries into place

Stand facing your mirror with your head upright. Gently loosen any tangles, starting at the ends, then place your part close to where your hair naturally separates. A small adjustment is easier to maintain than dragging everything across from the opposite side.

If a perfectly straight part makes your scalp more noticeable, use the comb to create a slightly irregular line. Move a few hairs across the line rather than drawing a pronounced zigzag. This can make the separation look less sharply defined, although it cannot replace density where you have less hair.

Now let the front sections hang beside your cheeks. Avoid tucking them behind your ears while you arrange the rest. On a chin-length bob, an ear tuck can create a bend exactly where you want the edge to fall straight.

Watch what happens at the front hairline. If one small section springs backward, dampen its roots again and comb it gently forward, then toward your chosen side. You’re establishing the starting direction, not pulling it tightly into position.

Keep your natural part if changing it exposes another area you would rather cover. The useful choice is the one that gives you comfortable coverage and lets both sides hang without constant adjustment.

3. Spread a light heat protectant through the hidden layers

Fine, straight hair does not automatically need mousse, cream, oil, and finishing spray before drying. Begin with heat protection, then judge the finished result before deciding whether you need additional hold on another styling day.

Kenra Platinum Blow-Dry Mist is one option because it is a lightweight heat-protecting mist intended for fine to medium hair. It also helps with detangling, which is useful when you want the fine strands at your bob’s bottom edge to stay smooth rather than snag on the brush.

Follow the bottle’s directions for application. Spray evenly onto damp hair in small sections, lifting the surface hair so the underneath receives coverage too. Use a light, even application rather than repeatedly soaking one spot. Comb through gently to distribute it.

Check the name when shopping: the Blow-Dry Mist and Blow-Dry Spray are different products. The mist is the lighter option discussed here. You do not need both.

Keep spray away from your eyes and face. Your hair should still feel like damp hair, without a heavy, slick coating. Heat protectant also does not make very hot air harmless; you’ll still use a comfortable temperature and keep the dryer moving throughout the next sections.

4. Expose the narrow strip that controls the back outline

Before drying the visible surface, lift the upper back section and secure it loosely with a small sectioning clip. Leave a narrow horizontal strip down at the nape, roughly half an inch deep. This is the hair that rests closest to your neck.

You do not need elaborate salon sections. The purpose is simply to see and reach the underneath without blowing the longer hair around. If your hair is very fine, one clip at the back and one holding the opposite side are usually enough.

Make sure the clip grips a comfortable amount of hair. If it pulls at your scalp or slides out, reposition it rather than twisting the hair tighter. Keep the front pieces out of a sharply folded clip whenever possible, since they can develop a crease as they dry.

Look at the exposed nape in a second mirror before picking up your dryer. Notice whether it grows downward, sideways, or upward in one corner. That growth direction explains why one patch can push out even when the rest of your hair is straight.

Keep this strip lightly damp until you’re ready to dry it. Once it dries pointing outward, brushing the surface over it usually hides the problem only briefly.

5. Guide the nape downward without rolling it into a curl

Fit the concentrator nozzle onto your dryer. That narrow attachment helps aim the air where you need it. Choose low airflow and low or moderate warmth; if the air feels uncomfortable on your skin, turn it down.

With a small flat or vented brush, gently guide the exposed nape hair downward. Follow from above with the dryer, keeping the nozzle several inches away. Move both tools along the hair instead of parking the dryer against the brush.

If a corner grows sideways, first brush it a little across its usual direction while drying the roots, then guide it down. Use gentle tension. You are encouraging a different resting position, not trying to stretch the hair or force the scalp flat.

A round brush is unnecessary here. Rolling this short underneath section tightly can create a little shelf that lifts the longer hair away from your neck. A straighter foundation gives the upper layers somewhere smooth to settle.

Pause the dryer and feel the section with your fingers. If the roots still feel damp, finish those before releasing more hair. Keep your head near its normal position rather than dropping your chin hard against your chest. Your bob should be shaped for the way you actually hold your head.

6. Dry the side panels slightly forward, away from the ears

Release a thin layer on one side, leaving the hair above it clipped out of the way. Begin near the back of that side and brush downward, directing the section slightly forward as it passes the ear. Keep the dryer aimed along the hair toward the ends.

This slight forward direction matters because hair that dries wrapped behind your ear often springs outward beside the jaw. You aren’t sweeping the whole bob across your face. You’re giving that small ear-level area a clear path downward.

Use sections narrow enough that the brush catches the full width. When a wide section spills off either side, the middle gets smooth while the edges dry in different directions. Take less hair rather than pulling harder.

Work upward through the side in thin layers. Bring each layer down to meet the hair already dried, stopping the brush movement at the ends without turning your wrist inward yet. The bottom should begin to look like one connected edge.

If your ear gets hot, stop and change the angle of the airflow. You can also lower the heat. There is no benefit to finishing faster if you keep flinching away from the dryer and changing the direction of the brush.

7. Match your brush path on the second side

Your dominant hand often makes one side easier to style. On the other side, you may bend your wrist more, tilt your head, or pull the brush underneath your chin. Those small changes can make the ends look shorter even when the haircut is even.

Before drying the second side, practice one slow downward pass with the dryer switched off. Watch the brush in the mirror. It should travel toward the floor beside your jaw, not swing in toward your throat.

You can switch the brush and dryer between hands if that feels comfortable. If it doesn’t, keep your usual grip and change where you stand so you can reach without lifting your shoulder. Place the mirror where you can see it with your head level.

Dry the second side in the same thin layers you used on the first. Match the direction and gentle tension rather than trying to match an exact number of brush passes. One side may simply hold more moisture.

When both sides are dry, let them hang untouched for a moment. Compare where the ends sit with your chin centered. Don’t try to correct a difference while your head is tilted; that can lead you to curl the longer-looking side unnecessarily.

8. Lift a small crown section while leaving its ends loose

Now release the remaining top hair. If its roots have dried flat while you worked underneath, lightly dampen just those roots. You need enough moisture to redirect them, not enough to wet the finished sides.

Take a narrow section near the crown, where the top of your head begins to curve toward the back. Place your vented brush underneath and lift the roots a little away from the scalp. Let the ends remain loose rather than winding them around anything.

Direct warm air across the lifted roots, keeping the nozzle away from your scalp. Then use cooler air briefly before releasing the section. Repeat on the neighboring area only if it needs the same attention.

For the hair beside your part, brush it gently toward the opposite side while drying the roots, then return it to your chosen position. A small change in root direction can give the top breathing room without building a high, rounded cap.

Stop and look from the side. You want a little height above a smooth outline, not width all around your head. Avoid repeatedly lifting the side panels outward; that is what can make this particular bob look wider at the ears than it does at the bottom.

9. Turn only the last inch where the edge needs it

If your ends already sit neatly, you can leave them alone. For an edge that needs a slight inward turn, use a round brush only now, after the section is dry or nearly dry. This keeps you from repeatedly curling the entire length.

The Olivia Garden Ceramic + Ion CI-35 round brush, with a 35 mm barrel, gives you a moderate curve to guide the ends over. It is a manual brush, not a heated styling appliance. The barrel can still become hot from the dryer, so keep it away from your skin.

Place it underneath the last inch of a small side section. Pull downward, then turn your wrist inward just a little as the ends slide over the brush. Think of rounding the edge of a sheet of paper, not wrapping a ribbon around a spool.

Follow with brief, gentle airflow and release the hair by sliding the brush out. Don’t roll back toward the roots. Repeat only where needed, using the same small turn on both sides.

If the curve becomes too tight, lightly dampen that section and brush it downward again with the flat brush. More rolling will make the difference harder to correct.

10. Let the bob cool before deciding it needs more styling

Put your tools down and let your hair settle. Keep the ends out from behind your ears and away from your collar while they cool. This is a good moment to sit comfortably instead of continuing to brush a section that already looks right.

Once the hair no longer feels warm, lightly lift a few strands at the roots to check for dampness. Pay particular attention behind the ears and beneath the crown. A dry surface can hide a damp patch that lets the shape fall as soon as you leave the mirror.

If you find one, dry that small area instead of starting the whole bob again. If everything feels dry, leave the tools down.

Run your fingers over the surface once, with a light touch, rather than raking through from roots to ends. Fine strands can separate into thin little groups when you keep handling them, making the bottom look less full.

You also don’t need oil simply because your hair is gray or because you’re older. Judge the actual finish. If the ends already look smooth, adding shine products can leave them stringy. Let this first attempt show you what the haircut and drying technique can achieve on their own.

11. Check the outline before correcting a stubborn corner

Use a handheld mirror to inspect the back, then face forward and check both sides with your shoulders level. Look at the bottom edge first. A smooth top cannot disguise one piece underneath that is pushing the whole corner outward.

If you see that problem, lift the covering hair and identify the actual strand. Lightly dampen the bent area, brush it down, and dry it with controlled airflow. Correcting the cause underneath is more useful than pressing the entire side flatter.

If one side looks shorter, compare its curve with the other side. A tighter inward bend can create that impression. Straighten the overly turned section before assuming the cut is uneven.

For a gap near your cheek, check whether the front piece has slipped behind your ear or separated from the side panel. Bring it back into the outline with your fingers. Don’t immediately add more product.

If the same corner kicks out every time, even after careful drying, ask your stylist to assess it while your hair is dry and your head is upright. Growth direction, the placement of the bottom edge, or an uneven section may need attention. You shouldn’t have to repeatedly overheat one spot to make the haircut sit properly.

12. Refresh the flattened area the next morning

On the following morning, first separate what has flattened from what still looks fine. You may have one compressed root area from sleeping and a single bent front piece. That does not mean the entire bob needs another blow-dry.

For flattened roots, wet your fingertips and press a little water through the affected area. Lift those roots with your brush and use gentle airflow, then let them cool in position. Keep the already smooth lengths out of the way.

For an end that has folded outward, dampen the bend itself, including a little hair above it. Brush downward until it is dry, adding the smallest inward turn only if necessary. Spraying the very tip alone often leaves the bend above it unchanged.

Follow your heat protectant’s directions about reuse and reapplication. Avoid adding another full-head layer of product for one small correction. If you don’t need heat, simply smooth the section into position while damp and let it dry naturally.

If your roots feel oily or coated rather than merely flattened, washing can give you a better result than piling on products. Use your hair’s condition to decide. The useful shortcut is treating the part that needs attention, not insisting that every morning has to be a full styling session.

Short Version

Laurel, give the nape a smooth downward direction, lift the roots only where they need it, and keep the inward turn at the ends very small. Those three decisions make the biggest difference to this bob. Once the bottom edge sits together, you can stop. You’re aiming for a shape that feels comfortable and repeatable at home, with enough fullness to enjoy your fine, straight hair.

This post How to Style a Chin-Length Bob for Older Women With Fine, Straight Hair, was originally published at Latest-Hairstyles.com

Polished long hair is all about smooth movement, controlled volume, and shine that looks healthy rather than heavy. The best looks start with a clean shape and well-blended layers, since bulky ends or over-layering can keep long strands from falling into that sleek, fluid finish you want.

For extra gloss, I prefer lightweight smoothing products through the mid-lengths and ends—too much oil near the roots can quickly make polished hair look flat. Your finish matters, too: directing the blow-dryer nozzle down the hair shaft helps flatten the cuticle, reduce frizz, and reflect more light.

From sleek straight lengths to softly curved ends and flowing layers, there are plenty of ways to make shine the standout feature. Keep scrolling and find the polished long hairstyle you’ll want to show your stylist.

Champagne Blonde Blowout with Rolled Vintage Ends

Instagram: pollyandstone

The ends are doing all the talking here. Rolled with a round brush, they look effortless and curl in the same direction with zero frizz. This style is adequate for medium to thick hair that is below the collarbone. Frizzy hair, however, will only hold this style for about an hour. It has one tone of color, but looks like it has an ashy root balayage. The low volume on the sides is good for long and oval face shapes, but will make round faces look longer. It’s a blowout, so it will definitely not hold up through humid climates.

Jet Black Layered Blowout with Flipped Ends

Instagram: davisxdanger

Some weight causes the ends to flare and stay in that position. This style is great for volume at the crown. I wouldn’t recommend this one for fine or medium hair. The ends will fall flat. The balayage starts at chin length and has a lot of texturizing through the bottom to not make it too blunt or too boxy. The face-framing layers come around the cheek bones, but sit behind the hairline, rather than falling in front of the face like a curtain. This is a great shape for round and wide faces. It is a commitment to wear black hair that has no dimension, but it looks great as long as it is super glossy. It looks dull otherwise. This is totally a blow dry cut, because minimal people can pull it off daily. Blow dry game and a ton of sectioning discipline is definitely a must.

Waist-Length Brunette Blowout with Subtle Warm Foils and Layered Movement

The picture before the cut was taken when the hair had effectively no styling for years and will never be stylish again. The point of the picture after the cut is weight balance. To balance the weight of all the hair, the cut had to be done in layers; if not, the hair will keep clumping together. The layering of the cut hair around the face and framing the shoulders with some caramel highlights are only seen in certain light. This was a blowout done with a large round brush and sections separately. It is important to note that this is a very voluminous cut; anyone wanting this style has to have a lot of hair and volume. The detail of this haircut will be seen by most; but probably not, is the way the layers are cut actually match the right side of her hair. The layered hair style will start to fall after one day; it is not recommended for thin or low density hair.

Low Brunette Pony with Controlled Wave and Loose Tendril

Instagram: glowbyrena_

It’s the perfect smart, chic style, but best built on a low pony with a cute curl hanging over the cheek. Complemented by big, beautiful barrel-style curls (which retain their beautiful shape without getting ‘crunchy’) positioned at the crown, this style has the base of the ponytail hidden behind the curls. It is an incredibly easy, cute style, but will only look good on those with medium to thick hair, since fine hair will fall flat and lose the tight center part. The dark brown color is a single process and has no dimension, creating a sleek and toned style. Women with round or wide faces through the jaw should avoid a tight pony as a style, since the single face framing curl won’t balance the ponytail.

Flat-Ironed Mushroom Brown with Blunt Fringe and Clean Perimeter

Instagram: thehairgallery2017

This style is dictated by the fringe, which is clean when cut straight and is only appropriate for straight and slightly textured hair. There is no layering on the one length cut that causes a heavy, glass like fall. It chopper cuts the ends to perfection, against the grain. Any cowlick or wave and especially humidity will ruin a cut. This style makes round faces look wider and will also suit oblong faces well. The fresh mushroom brown is a great single process that suits the straight surface a lot. This style will not work on anyone with too thick hair because it won’t look dense enough, the rest of your hair will look sparse.

Warm Chestnut Gloss with Loose Polished Bends

Instagram: ritzyreuben

In a clever way of working with dimension, the brown and red tones of dark brown brunette are lightly painted through the mid-length and end sections. The lightest pigment is placed where the light will most likely impact the brown brunette. The brunette is transitioned to darker shades at the ends using a blend with no sharp lines. This avoids appearing overly complex and expensive. The length hits the shoulders with subtle layers which are expected to fall behind the longer hair. The ends of the layers are a point cut and are a thin and even gradient to avoid heavy ends, but still allows thickness and flexibility with styling. This will not work with fine hair, but rather needs a good amount of thickness, otherwise it will bend and flatten. This works best on oval and round face shapes because the balance as a result of the length falling and side part isn’t too overpowering.

Cool Ash Foils on Dark Base with Sculpted Barrel Curls

Instagram: sormeh_hair_beauty

Since they’re all curved in one direction, these ends actually roll instead of bouncing in all random directions. This effect is intentional and takes time. This color starts out as a dark brunette. Fine ash and sandy tones foils are distributed throughout the base. They are most prominent at the front and bottom of the hair that’s closest to the face. This means that this dimension is most visible when the hair is moved or when it’s curled. This look has a lot of dimension, and when worn straight, is dark brown and flat (no dimension) and looks great on medium-thick hair types. It pairs perfectly with oval or heart face shapes, and since there are a lot of face-framing pieces and a center part, but it may widen and flatter round face shapes.(There is) a lot of volume right on the jawline.

Milky Beige Layers with Soft Curtain Fringe and Blown-Out Ends

Instagram: hairbyzena_s2

This color is amazing because it appears to only be one color, but it’s actually a warm base with a cool, milky beige; and the way those 2 colors contrast each other really makes the color stand out and almost pop. To keep it from getting dull or ashy, you will have to tone it about every 5 or 6 weeks. The cut has layers throughout that frame the face. They are Point Cut layers that naturally start around the cheekbones to avoid any bulk. If you look closely, the layers are cut wider than the shoulders and actually help slim the jawline; this is very helpful for women who have round or square face shapes. This is also a great cut for women with medium to thick hair, but definitely is not recommended for women with fine hair because fine hair is just going to lay flat after styling.

Chest-Length Brunette with Tonal Foils and Deliberate Body

Instagram: jayde.julieroseandco

Curling iron models used to style these waves create curls in the same direction type of waves. These waves combine to make one, long curl. From afar, these looks appear to have solid brown color but close-up, interior lighting reveals fine, cool mushroom colored highlights. The curtain effect serves to keep waves at a consistent, full width. To achieve this effect, the waves are created using a curling iron on as thick or medium thick hair and a density-build product. This effect will not hold on a fine, thin hair type. A full, thick hair type is desirable and most effective to hold this style without collapsing. For this look to be worn during the day, finish these waves with a strong hold hairspray and product. The shine will not last terribly long in particular elements like weather so be prepared.

Jet Black Curtain Layers with Rolled Bouncy Ends

Instagram: hairstylingbymary_

Those ends are doing all the work. To get this wave, each curl rolls under and outward at the same point. That’s a result of using a large barrel iron to section off and set pieces at the same point, then brushed through to connect the pieces. It looks easy to do but isn’t. Because of that under curve, this won’t define the shape for fine to thin hair, not even medium to thick hair. A strong hold hair spray is needed to keep the rolled ends from falling. This is a great cut for thick, dense hair around the chest and longer with long, thick layers starting at chin height and sweeping back around the center part. The hair is smooth at the roots with absolutely no volume. This keeps the hair looking modern without straying into the pageant territories. This style will not help for a round face. Oval and oblong face shapes can pull of this look well. It’s a single black processing with real deep shine. To keep this level of reflection, this means very little use of heat styling and zero use of lightener.

Rich Espresso Layers with Blown-Out Feathered Ends

Instagram: peaceloftandcosalon

There are several layers in this style, but some sets of the layers are short. The shortest layers begin on the cheekbones to give this style shape and define the blowout without it being just long hair. There are face-framing layers that are cut with razor or slide-cut and taper into nothing for a sweepy effect instead of chunks. The rest of the hair has long graduated layers that begin mid-chest and are blown out with a large round brush for ends that curl. Your hair has to have density for this style to hold the shape. Without density, the shape won’t hold without products, and that will only last an hour. For this look, it is a deep chocolate brown that is a single process that has no highlights or dimension. Monochromatic brown doesn’t need highlights to reflect light, because the shape of the hair cut allows the light to reflect on its own. The same long layers cut on a jagged line frame the jawline to create the illusion of a narrowing a square or round face, whereas an oval face can pull this off. This look also has a blowout and was likely done by someone with a good mastery of the technique the blowout requires. You can tell because of a part ever so slightly off center, hair at the root lifted with mold what, and a well done root blowout. You will definitely need a blowout for this.

Waist-Length Brunette with Ribbon Curls and Honey Foils

Instagram: hairbysania

Your curls are unbrushed. These little things are important — each barrel was left intact. They keep their ribbon shape from root to tip. Your hair needs to be long and thick for this style for the pretty curls to keep their shape past an hour — especially if you have fine hair. The base color is a dark brunette and fine honey-toned foils frame your face and mid-lengths to catch the light and prevent the color from appearing flat. This color is more noticeable on warm and olive tones. A center part will not make your round face more narrow because it adds fullness to the cheeks.

Center-Parted Brunette with Large Barrel Curls Set to Drop

Instagram: blotoronto

The curls have been left in their ribbon shape. She probably didn’t brush them. You can’t get this at home. It takes a hefty curl, some length and thickness to hold a curl like this. The stylist made large curls and wrapped them in the same direction. The part is broad and imaginary, and you can see it starts to pull volume up to the cheekbones. The part is perfect for a long face shape because it pulls volume to the sides. Fine hair will not be able to carry this to the end of the block. Don’t even try this if you don’t have thick hair. The warm brunette base tones just barely peak inside each curl, showing some strategic use of highlights.

Looped High Bun with Caramel Dimension

Instagram: irisbeautyxo

This isn’t going to work with finer hair without some filler. Loops are density reliant and the hair you’re looking at is medium-to-thick with plenty of length to wrap and fold without running out of material. Check out how each sectioned part is nicely separated from the adjoining part, allowing some beautiful caramel balayage ribbons to show in this darker brunette base. Color placement is hugely important in this hairstyle due to the flat mass of each section without the color contrast. The whole nape of the neck is pulled up, and all of the hair is pulled tight, no loose hair is left. This style is tight and there is no room of any sort for face framing pieces. There is no stray hair. It is a style that is finished tightly so if you kinda didn’t do it, this style will look unfinished.

Bouncy Roller-Set Brunette with Face-Framing Volume

Instagram: hairbyadelina__

Those ends do all the talking. Every curl wants to flip out at the same point. I’m not sure if this technique was done with large hot rollers or a 38 mm barrel. It was brushed out and a strong hold spray was used (based on the Silhouette can behind her on the cart). While it would look okay on course/thick hair, it would be very difficult to pull off on fine hair. The curls get all the body, and there is great separation of the scalp from the curls. The roots are set sleek and flat against the head. pageant hairstyle looks are effortlessly thin and flat. Shape and shine are the highlights of this brown brunette. Level 4. If you have roundness to your face, the horizontal, jaw length line will only make this shape appear rounder. However, this look is ideal and optimal for long and oval face shapes. The finish is long lasting, but only fights the pull of gravity for four hours.

Voluminous Brunette Blowout with Curtain Layers

Instagram: hairbyyangie

That style isn’t great on fine hair, but I think it looks stunning on hair types with more density. The length of the layers, falls to the outside with a blowout, helps achieve this style. I would say the volume comes from the structure of the hair. Because of that style, in particular, the curtains perfectly frame a round face. The volume explosion is the perfect placement of curtain bangs that fall around mid length and below. The crown is flat and all the roots are worn flat. The natural shine of the hair, coupled with healthy hair, shows off the bouncy layers. This style would not go for the fifty minute home hairdo.

Wet-Look Sculpted Waves with Pearl Accents and Copper Foils

Instagram: sophias_official

Gel removes the natural hair movement which is why the roots are held in place. This style has a glossy, lacquer-like finish that contrasts the barrel set, deep waves with not a single stray strand. This is a Marcel wave style which was pinned to cool, rather than curled and allowed to fall. Rich, warm base with warm, dark copper highlights is complemented by a rich brunette base with flat color and Parisian balayage. Each wave trough will highlight the color placed. This style requires high density and thickness, otherwise the style will sag and look stringy. Asymmetrical, pearl pins placed naturally down the part are drawn to the center of the head with this style. This style is ideal for patients with longer long hair, is formal, and not ideal for humidity.

Criss-Cross Wrapped Low Pony with Warm Brunette Highlights

Instagram: bloheartsyou

The bottom wrap is the most difficult part to replicate. Fortunately, crossed elastic seaming does the heavy lifting. It’s basically an easy way to get a clean and neat finish. This method is done on hair that is medium to thick and straight. The straight ends slightly curl in. The base is dark brown with warm caramel highlights. The highlights stop the style from looking too dark and flat. The hair will need some weight to fall straight. Fine hair will just slip out of the wrap. I would say this would look great on someone with a round or broad jaw since that’s how this style pulls the jaw line in. Otherwise, keep the length in the middle as it reduces slacking.

High Wrapped Pony with Deep Chocolate Body Waves

Instagram: pia.hairdressing

The phases of the basal wrap are vital to this style. Thanks to wrapping some hair around the elastic at the base, the pony has just the right amount of volume without the base wrap and loses both volume and structure, becoming pretty dull. The volume and shape are created using a large barrel iron brushed into a single S-pattern. The waves look long and graceful as one shape, rather than individual curls. This design will not work on hair that falls below the waist that is limp and fine. Fine hair struggles to hold neither volume nor wave. The highlights are a natural dark brown level 3 with no hints of lightness. The wave pattern reflects the most shine out of any style because the wave has no breaks in the color or light. This is not everyday hair. This is an awesome event style that you will not be able to wear any day that has humidity.

Swept-Back Half-Down with Barrel-Set Waves

Instagram: zobianoreenhairartist

The waves have a barrel curl shape, but this construction holds the most interest in the section with the flat top. Each section of the hair is pinned flat to the head and layered with a woven texture over other pieces of hair. There is some level of dimension to this style, but the emphasis is on the cut and the shape and how they reflect light. The color is a dark brown and lacks any dimension. It will hold up for the entire day assuming you don’t spend most of the day outdoors. It will not last with exposure to humidity and will start to lose shape in the section you touch the most. For thick hair, this style adds dimension without the need for an updo.

Twisted Low Chignon with Mirror-Smooth Finish

Instagram: muntthehairstylist

Density and placement of the nape are well done and this works well for medium to thick hair with lots of body. This twist doesn’t lose definition and doesn’t create any bulk. This only works for people with thick hair. This requires a smoothing iron, and some precision with a fine-tooth comb and strong-hold gel all before getting wrapped around. This reflects light and looks good for long necks, but will look stretched for short necks. Frizzy and/or lazy hairlines will look worse with this style.

Deep Brunette Half-Up with Old Money Waves

Instagram: hairbyrosabellavirgara

Long sweeping waves blowout far in one direction. This removes the choppy curl appearance and looks more like a single long S-shape. This can be an advanced styling technique. The crown is sculpted to flat smoothlay with no part to create a clean line with the neck. The length of the waves flatters long faces and more prominent jawlines. A definite amount of thickness is needed for the volume that this style requires. This style will enhance any fine hair to look stringy. The color is a two or three natural brunette. The style really stands out and draws the eye in, unlike a mirror like color of the natural waves. It will most definitely frizz and fall flat.

Brushed-Back Half Pony with Hollywood Waves

Instagram: hairstylebyaylinn

Long, unbroken waves are produced by a large barrel iron and brushed to create a single ribbon-like curl. The approach creates consistency because the individual curls fall in the same direction. This style won’t work if hair is worn with layers. This style requires long, one length hair with lots of thickness. The top layer of the hair is pulled tightly to the head and positioned to a low, gathered point at the crown. I think the part is the most creative. The straight part behind the ear seamlessly transitions into the curved section of hair. This style is showing off the curved shape of the right side. Not even a little natural texture will disrupt this style. The style is not for an everyday work week, but for an event. This style is also good for oval or oblong face shapes, because the length does not add width for these shapes. For round face shapes, the style loses definition and structure.

Slicked Mid-High Ponytail with Curled Ends

Instagram: konrad_hair_design

This style depends on volume. It is optimal for medium-to-long hair. Fine hair would cause tension and create an obvious scalp line at the crown. It also would go flat in under an hour. The crown would require a lot of surface scaling as well as smoothing gel or pomade pressed into the scalp and worked through in segments to gather it all. For this style to work, no frizzy hair is allowed. Contrast works well to balance stiffness. But if your face has a low hairline or your neck hairline is short, this style probably won’t work for you.

Glass-Finish Black with Soft Rounded Ends

Instagram: dileya.skinstudio

Don’t get it twisted — this is not healthy hair. It is highly likely that keratin or proteins are used to achieve this look. The density and thickness of your natural hair also help to pull this style off. The straightening cuticle also helps here. It has zero frizz in salon lighting. The cut is a one length straight across blunt base with point cutting to round the ends, resulting in a cut that looks neat along the perimeter without looking choppy. This style is not appropriate for medium to fine hair densities. The style requires real weight and thickness so that the long heavy hair style will not fall flat against the head. It also has almost no interior layers and is a sheet of something solid. The cut also looks good on many different face shapes since the overall length of the hair brings everything into balance, and the layers at the ends are slightly textured helping to soften the overall look. Split ends or any amount of dryness will break this look, so be careful about how you care for your hair.

This post Polished Long Hairstyles That Make Glossy Strands the Main Attraction, was originally published at Latest-Hairstyles.com

What’s really remarkable is that gray hair is its own highlighting! Most people spend years fighting having it instead of embracing it. I once had a client who was so routine that she would come every four weeks without fail for a full no questions asked dark brunette color service. She did this for over fifteen years! Then she began to miss appointments due to family issues and by the time she returned she had about two inches of the most stunning silver and charcoal root situation that I had ever seen. She sat in my chair and said, “I think I might be done” and honestly, with how her hair was coming in naturally, I wanted to hug her! We spent a year blending her out and the result was so much better than anything I could have ever done with a bottle!

With long gray hair you get movement with the different tones in your hair, which you can’t achieve with short gray hair. Long gray hair gives you a sweeping effect, especially with highlights near your face, and pewter tones that provide richness through the length of the hair, and you get expensive looking hair without any effort. The cut can’t be left to do all the work, because long gray hair that lacks shape can quickly look like the person has given up, and that’s not the case with any of these women. Every look appears with intentional layering, face framing, and more. That’s the distinction between gray hair that seems to be a deliberate decision, and gray hair that seems like a neglect.

Textured Shag in Natural Pepper and Bright Silver

Most of the movement in the hair is coming from the layers around the crown rather than from the ends. That is intentional. The interior layers cut with a razor are doing all of the lifting and creating volume in the places medium-density hair tends to fall flat after a couple of hours. This style is a long shag with a heavy fringe that parts in the center and kicks out beyond the cheekbones, which makes it really good for oval and oblong face shapes. Those pieces will round out a face if it is round. The colour is unassisted and is a dark ash with silver running through it wherever her natural pattern was, and that honesty is what makes it work. You cannot fake this in a salon and have it look the same. This shape will not hold in fine hair without a round brush blowout every. single. time.

Tousled Smoky Waves with Lived-In Curtain Fringe

What strikes me here is how the silvers aren’t uniform. The midshaft has some darker charcoal pieces which prevent it from reading flat while the bright strands at the face and the ends indicate to me a colorist painted those highlights, probably to simulate where natural gray could be found. This won’t land the same with fine hair. The genuine density, medium to thick, gives the volume here and without it the waves collapse and the whole thing looks overly wispy in the wrong areas. The long layers begin below the chin and the fringe is soft, parted, and barely there. Heart and oval face shapes will adore that kind of framing. It will be less so for round faces because nothing here elongates to create a vertical pull. If your hair is straight, you can expect a lot of work with a large barrel iron every wash day to achieve this kind of body.

Natural Silver Blend with Wispy Side-Swept Fringe and Tapered Ends

The fringe is doing all the work. It’s cut so that it won’t be classified as bangs and so lightly sits above the eyebrow and across, which is what stops this look from being heavy on an oval or heart face. The color is unprocessed natural gray with some steel gray mixed in. The steel gray is mostly mid-length where the original pigment tends to hold on the longest. That variation is what gives it depth and without it, this length would look flat. This is mid-density and straight hair that is just passing the collarbone with long inner layers that have been cut into to create that lovely soft turn in at the end. It won’t work on coarse and thick hair because the fringe will just puff out and the ends will fan out instead of curving. If your gray is coming through patchy and warm toned, expect a very different result to what you see here.

Long Feathered Layers in Smoky Salt and Dark Espresso

What stands out to me here is the silver heavily concentrated at the crown and front while the underneath remains almost black, and that contrast brings it all together. The layers are cut in a straight line and heavily feathered from the cheekbones down, which gives that ‘blown back’ movement through the top of the hair and makes it feel big without looking stiff. You need thickness for this. Thin hair will not be able to hold this shape or give you that volume at the crown, period. The face-framing pieces sit right at the cheekbones, which is great for oval and heart-shaped faces, narrowing the forehead while keeping everything open around the jaw. This is a long cut, past collarbone, and to keep it looking intentional rather than scraggly at the ends, thick or at least medium-density hair with some natural texture is required. The color here reads as fully natural grey transition, no foils, no toners, just someone whose grow-in pattern happens to place the lightest pieces exactly where a colorist would.

Flipped Silver Layers with Sweeping Side Fringe

Here, the ends are the focus, as they do all the heavy lifting. Each of the ends does need a round brush blowout, so if you just air dry and go, it definitely won’t look like this. The layering starts high, on the cheekbone, and then goes down to the collarbone with the longer pieces going past the shoulders. You need medium to thick density for this. The interior layers are cut shorter than you think, so look closely, so that without any backcombing, you can create that cushion of volume at the crown. The natural silver is mixed with a cool steel gray in the mid-lengths, and the brighter white pieces near the temples look intentional even though they probably just are how her gray pattern grows in. Oval and heart face shapes look good with this because the side fringe narrows the forehead and the flipped ends add width at the jaw. If you have fine hair, it will fall flat in under an hour.

Sleek Iron and White Strands with Blunt Density at the Ends

The subtle, almost blunt, ends work here. Most, long grey lengths tend to go for intense layering for movement but here the weight is low, and the bright white pieces throughout the dark iron base do all the lifting. If you look closer, white is more concentrated around the temples and face, while it is darker underneath which is more natural grow-out as opposed to a highlight pattern. This requires medium to thick density. On fine hair, the perimeter will look stringy and flat a few hours post styling. Length like this is good on oval or oblong face shapes as nothing is breaking it up. No bangs, no short layers, just long, straight hair past the collarbone. Round faces don’t cope as well with a middle part. If your natural grey front runs lighter, you are halfway there, but if it is even, a colourist would have to paint those pieces bright by hand to avoid a stripy look.

Heavily Layered Dark Silver with Natural Grow-Out and Loose Texture

This style will require a lot of hair. The layers that start around the cheekbones and go all the way to the waist move a certain way due to the density underneath that holds the shape. The silver in the crown and face area is the most concentrated, and then blends to a darker charcoal down the lengths, which looks totally natural and uncolored. If you look closely at the interior layers around the jaw, you’ll see that they’ve been point cut to make them look more fluid rather than sit in blunt sections, which helps keep the volume from looking like a wall of hair. This style will suit oval and longer face shapes the best as the width at the cheekbones will help to balance everything out. Round faces will not suit it at all. If you have fine hair it will not achieve the same look regardless of how good the haircut is, so it is best not to even try.

Undone Silver Waves with Darker Undertones and Soft Fringe

This looks good because the darker colors under the bright silver add depth. Fully gray or white hair doesn’t have that same depth. This also looks like natural color variation rather than foils done at a salon and that is something that will be hard to match. The cut goes past the collar bone and features long layers starting around the chin. The hair is point cut to avoid any blunt weight lines and to keep things more on the flowy side. This hair looks like it has medium to thick texture, especially since the wave pattern holds on its own, without needing to be styled or a bunch of products. It’s really good quality hair and people with round or oval faces will appreciate the side swept bangs because it really will open the face up and add some space to the front. Just to clarify, if your hair is fine or has little volume at the roots, this will not look like this on you. The volume at the crown just comes down to density. The last thing I want to point out is that the wave is looser through the ends and tighter around the face which gives it an effortless look and it probably is. That uneven texture is something you really only have or you don’t.

Blown-Back Charcoal Layers with Bright Silver Ribbon Highlights

I am drawn here to the silver strands particularly at the temples and the top layers, while the underneath remains the same color, and this provides a natural depth that no single-process gray can provide. You require a good amount of thickness in your hair for this. The long layers are point-cut and stacked through the crown to support that volume and lift away from the face and on fine or medium density hair, all of this would eventually just collapse flat by noon. Because the sweeping side fringe draws back the forehead and does not widen the jaw, this looks particularly good on oval and heart face shapes. You won’t see anything like this air dried.

Brushed-Out Sterling Waves with Sweeping Volume at the Ends

The Volume is created almost entirely from the ears down, which is a tough, yet, great decision. Long layers were point cut through the mid lengths and ends to create that wide, fanned out shape, that captures air and sustains a round brush curl, ultimately creating a soft curl. Notice the crown is relatively flat in comparison to the hair below. The contrast works because the thickness is sufficient. If the hair on top is finer and you have it thinner at the top, this silhouette will look like it has limp roots and puffy ends; not very flattering. Oval and oblong faces look great with this style because the width around the jaw balances everything out. The color of the hair is natural silver with some colder white strands aggregated at the temples. She has no toner or gloss, which could also be the reason for the warm undertone in certain areas.

Soft Curtain Layers in Natural Ash and Sterling

Those ends are very thin. It’s the first thing I noticed, and it’s the first thing that would make me be honest with a client about this length. I’d suggest coming up a few inches. This is long, past the collarbone, with point cut layers that start around the chin and open up into a wide face framing sweep. The color is natural gray, and up close it is high contrast as it has darker ash strands that are woven with brighter silver in a very gray color. You need medium to thick density to pull this off at this length because with fine hair it will just disappear past the shoulders. Oval and heart shapes benefit the most from the way those curtain pieces fall open. On round shapes, all that width at the cheek bones works against you.

Razored Shag in Storm Gray with Bright Silver Money Pieces

The strands of white and silver at the temples are doing the heaviest of lifting by reflecting and pulling light toward the face in a manner that an even gray would not. This cut is a heavily razored shag on medium-density hair that extends beyond the collarbone. It has short inner layers beginning around the cheeks and longer pieces that are wispy at the ends. It will suit oval and heart-shaped faces because it allows the layered fringe to break the forehead without having to get fully committed to a bang. The layered texture appears effortless in pictures which it is not. This cut will appear to be flat and stringy by the end of the day even without a product. This is especially true if you have fine hair. The natural blend of gray hair looks intentional and the cut and blend with enough movement, especially the razor work, creates a piecy look that separates mid-lengths. This gives the appearance of not just neglected grow-out.

Cascading Pewter and White with Soft Bend Through the Midshaft

The density of the style is what really sells it. It only works with medium or thick hair though, as long layers need enough weight to hold that outward bend below the shoulders, otherwise, it falls flat. Look at where the movement starts; it’s from the ears and below. This implies the layers were point cut starting at about chin length and were left heavy in the interior. This technique keeps the top smooth with good volume at the ends. The color is all natural grey in different stages. The darker pewter sits below with white pieces that lighten toward the front by the temples and face. No toner or blending work. This is just a natural transition that is well-maintained. If your grey is patchy, or concentrated at the roots, you will need help to achieve this look as it will not happen on its own. Oval and oblong faces suit this style well because the volume sits wider at the jaw and shoulders which round faces will feel wider. The fringe pieces are long enough to tuck behind the ears, which is practical, but they also gap open and expose the forehead creating an unfinished look, especially if your hair is fine or wispy at the hairline.

Loose Silver Waves with Darker Root Shadow

Root shadows are always a nice touch. It looks like there are 2 inches of darker gray roots that melt into bright silver at the ends. This makes the color pop against warm skin tones. The layers start below the chin and get lighter in the midshaft. The ends are cut to make the waves softer and not chunky. You definitely need more hair for this. If your hair’s thin, these baby barrel curls will drop straight and you will end up with flat grey strands sitting on your shoulders instead of the full movement that silver strands create. This looks great on oval and heart-shaped faces because the volume sits wide at the cheeks. Round faces will look rounder. The waves are styled in different directions. The front is curled away from the face, the back toward the face, to create that cascading effect instead of just ringlets.

Layered Silver Transformation with Face-Framing Curtain Pieces

In the before picture, we can see what happens when long gray hair lacks internal structure. It just hangs and separates, revealing all the thin spots. The cut on the right remedies this with long layers starting just below the chin, and face framing pieces that sweep back from a soft center part, which therefore is doing real architectural work around her oval face. What most people will miss is that the stylist maintained a lot of length while probably removing three inches of damaged ends, then point cut the layers to relieve some of the weight without making it look chopped. The density reads completely different because the layers are stacked to sit on top of each other. This approach will work with medium density hair that’s gone wiry or coarse in its transition to gray; it will not work on truly fine, sparse hair because those layers need something underneath to hold them up. To achieve this look, you will need a round brush along with some blow-drying to flatten the hair, as well as time to achieve the desired result.

Wild Silver Curls with Loose Center Parting

Achieving this amount of curl with the length shown requires a density most individuals do not possess. Notice the volume from the roots all the way to the ends. There is no thinning at the midshaft and no see-through sections at the bottom. That is thick hair to hold all that weight and not lose its shape! The layers are long and minimal which are cut dry so that each curl can spring out and do its own thing rather than pushing for a uniform shape. What I personally like is the frizz halo that formed around the crown which suggests that this is not a diffused perfectly salon shot moment. This is true texture with true behavior. If you have fine curls or if they are loosening as time goes by, this will not look like this on you and it will fall flat by midday. This works best for oval and heart shapes because the width at cheekbone level helps to balance out a narrow chin, while round faces will feel swallowed by this. The color is all natural hair, bright sterling white that fades into darker pewter, and trying to achieve that with toner on previously colored hair is a long and expensive endeavor. If you have the curl pattern and the patience to let it grow out, then it will be worth it.

Butterfly Cut in Mixed Granite and White

The shortest layers are sitting right at her cheekbone and they are doing all the heavy lifting. This butterfly cut style, where some of the inner layers are disconnected and flipped out at varying lengths, gives the hair lots of volume at a high position and wide without needing any teasing or product build-up. The crown of her hair lifts away from the head so remarkably. This is only achieved when there is a lot of layering cut at the top and mid lengths aggressively. The hair cut requires real density which she has. On thicker hair, fine, or thin hair the inner layers will not stack or fill out rounded shapes, but will create gaps instead of forming into those rounded shapes. Not a good trade off. The color of the hair is her natural gray pattern, darker at the bottom with bright silver that concentrates at the tem
ples and through the face framing pieces, and it looks intentional because the cut gives some of the lightest pieces to the places where the hair catches the light the most. People with oval and heart face shapes will enjoy how cheekbone layers open up the face while it may not be as favorable for round faces because it may create too much width at the mid face.

Blown-Out Silver Marble with Long Feathered Ends

The volume is the most important part of this style. This is coarse hair that has naturally occurring salt and pepper tones, with bright silver at the temples and crown, while the dark underlayers are charcoal. That marbled effect creates substantial depth to the hair without any foils. If your gray is coming in flat and uniform, this is not a look you will achieve naturally. The long layers are positioned below the chin and are point cut so that the hair kicks out toward it, and this was a round brush blowout. The round brush is largely doing the work to create this style. Without that styling, the hair will just sit with no movement. This look suits oval and oblong face shapes as the volume creates a nice balance at the shoulders, but round face shapes can feel wider with all that movement from below. This is high maintenance hair as longer hair will require more effort to keep looking fresh. Hair that is gray has a dry and coarse texture. Anything longer than collarbone length will require regular trimming to avoid split ends along with continual deep conditioning to keep the hair looking healthy. This is a lot of work but worth it if you have the right hair.

Waist-Length Steel Gray with Bright White Temple Streaks

This white at the temples does all the work here. Without those bright streaks pulling the eye upward, this much dark gray length would read flat and heavy and that contrast is natural, not foiled. Look closely and you’ll see the inner layers start well below the shoulders, which keeps the top section dense and sleek while the ends fan out with movement. This is a long slide cut on medium to thick hair and if your density is anything less than that, you won’t get this result. The hair needs to carry its own weight. Thin or fine strands at this length just cling. For oval and oblong face shapes, the lack of bangs and the center part work, as there’s enough width in the cheekbones to hold the frame, but round faces will feel narrowed in a way that isn’t flattering. Gray hair this long requires commitment. Most people underestimate it. It tangles differently, it dries out faster, and if you skip regular trims, the ends will look transparent instead of full.

Full Silver Blowout with Sweeping Interior Layers

Most of the volume in this look comes from the layering rather than the blowout. The movement starts where the internal layers have been cut higher, likely around the cheekbone area, and they kick out due to rounding and brushing in styling. This technique works best with medium to thick density hair. Finer hair won’t hold this shape after a few hours. The color here is natural gray with a light toner that pulls cool and bright, especially around the face, eliminating any yellowing. This style will typically suit oval and heart face shapes as the volume works to balance out a narrower chin as the wider part of the style sits at the jaw and below. If your face is round or square, then all that lateral volume at shoulder level will be counterproductive. It’s a collarbone-length cut that seems longer due to the movement.

Voluminous Silver Waves with Soft Layered Movement

The root area still shows a little bit of the darker pewter color underneath, which gives the silver some depth. This type of natural variation is almost impossible to replicate with toner. This length is past the collarbone, and has internal layers cut to facilitate that rounded, bouncy curl effect at the ends while still keeping some fullness throughout the mid-lengths. For this style, you need a good amount of hair. If your hair is fine, it won’t be able to maintain this shape or provide the necessary volume unless you use a great deal of product and heat, and it still will fall flat by the middle of the day. The side part is also doing some work here by pulling everything over to one side so the wave stacks build up and it appears fuller. This style is great for oval and heart shaped faces because the width of the style balances the length and movement coming from the hair. If your face is round, that much volume at the sides will work against you. One thing to note is that keeping silver this bright and clean on longer hair will mean that using purple shampoo is a necessity. You will have to do it weekly, and your hair is sure to get yellow quicker than you’d expect.

Silver White Layers with a Deep Side Part

The roots at the crown are not concealed, and that is a good thing. It provides a contrast that helps the silver lengths look more intentional instead of just faded. We have long, layered hair here that is over the collarbone with face-framing pieces cut to swing just below the cheekbone, and the volume throughout the mid-lengths tells me there is genuinely good density here. If your hair was fine or thinning at the temples, this style would fall flat with not much hair to hold that sweeping shape. The deep side part is doing a lot for her oval face because it opens up the forehead and lets the curtain of silver drape asymmetrically. This bright gray will require some maintenance because it will start to look brassy or dull and that is a commitment you have to be ready for. It is worth it if you have the texture to support it.

Dark Charcoal Base with Natural Silver Streaking

The difference in the silver here is perfect. The bright white strands around the face and the crown layered over the rest which is deep charcoal means that this was not a full gray blend or balayage but rather the result of leaving natural grow-out patterns intact and layering long. Thick, wavy hair is a must to achieve this. It will not work on flat hair, or fine hair for sure since little volume is achievable at that length and product will get annoying. The pieces around the face are cut starting at about cheekbone length and they really help to open up oval and oblong faces. Importantly, the wave pattern keeps the dark and the light from reading patchy and doing less blended work so if your gray is coming in straight and the dark is textured expect to have a less blended look.

Feathered Salt and Steel with Curtain Fringe

The curtain fringe is doing a lot here. Notice how it has been point cut to feather open across the cheekbones instead of sitting like a blunt line? This will create width at the eyes which works beautifully on longer or oval face shapes but will overwhelm a round one. The color is a natural gray with a few bright white pieces woven through the front. These are likely foils to keep them concentrated where they catch light. This will land best with medium to thick density. Thin hair will not hold this shape. The layers are long and disconnected through the midshaft and ends which builds that lived-in movement without removing bulk from the crown, and you can see texturizing at the very tips that keeps it from reading heavy. If your gray runs warm or yellowish you will not achieve this cool steel tone without toning every few weeks.

Straight Pewter Blend with Wispy Bangs

Bangs do a lot of work within a hairstyle; in this case, we don’t need them to be too thick. Also, look at how they are cut wispy and center parted so they are almost non-existent. This keeps her from getting a boxy look to her oval shape face that a blunt fringe would create. This is long, straight, medium density hair with point cut ends, which is a good way to eliminate any harsh bottom line. She’s got natural salt and pepper hair that was left to do what it does best, which in her case creates a nice depth. If your gray grows in patchy or are concentrated at the temples, this all over integration won’t happen on its own. You will need lowlights through the darker sections to fake the blend. Fine hair will fall flat and stringy by noon with this length.

This post 25 Beautiful Long Gray Hair Ideas That Prove Age Is Just a Number, was originally published at Latest-Hairstyles.com

Question from Donna Whitfield, Terre Haute, Indiana: I finally cut my hair into a layered lob after years of wearing it long, and I love the shape, but I’m really struggling with how to style it. My gray hair is so frizzy and coarse, and I feel like I don’t know what I’m doing with it anymore. Do you have any tips for getting it to look polished without spending an hour on it every morning?

Donna, gray hair behaves like a completely different material than pigmented hair, and if no one told you that before your color grew out, then honestly, the hair industry failed you a little. I’ve had this conversation more times than I can count, usually with women sitting in my chair looking equal parts relieved and frustrated, because they made this great decision to go gray, maybe even grew it out through some awkward phases, and now they’re standing in their bathroom every morning wondering why their hair looks nothing like the photos they pinned.

The layered lob is genuinely one of the most flattering cuts going right now for women over fifty, and I say that not because it’s trendy but because I’ve seen what it does in person, week after week. The length is forgiving, the layers give movement without chaos, and it doesn’t require you to be a professional to maintain it. But gray hair, especially the coarser, frizzier kind that tends to come in after your natural pigment fades, does need a slightly different approach to styling than you might have used for years. Once you understand what it wants, though, it gets so much easier. Let me walk you through what actually works.

One distinction before you begin: gray hair isn’t automatically coarse or damaged. Your individual texture matters more than the color. This routine is for a coarse, frizz-prone layered lob with straight-to-wavy texture, aiming for a smooth finish with a gentle bend. If you have strong curls, keeping their natural pattern will usually require a different drying approach.

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1. Find where your layers separate before you wet your hair

Look at your hair while it’s dry and sitting naturally. You need to identify three areas: the longest edge resting near your shoulders, the shorter layers lying over it, and the pieces framing your cheeks. These sections shouldn’t all receive the same brushing motion.

After years of long hair, you’re probably used to pulling everything downward together. On a layered lob, the shorter strands escape the brush before the longer ones do. They then dry in different directions, creating that fuzzy shelf around your cheeks or a wide patch above the ends.

Lift one side gently and notice where the shortest pieces finish. That tells you where you’ll need smaller sections later. Also check whether the bottom edge rests directly on your shoulders. If it does, some outward turning comes from contact with your body, not from poor styling.

Choose a realistic finish: a calm outer surface, visible layers, and ends that curve loosely. You don’t need every silver strand pressed flat. A few individual hairs catching the light are normal, especially against a dark background.

Take a quick photograph of the back if you cannot see it comfortably. You’ll use that view to distinguish an actual frizzy patch from the natural separation between layers. This small check prevents spending twenty minutes correcting a feature your haircut is supposed to have.

2. Detangle the overlapping lengths while conditioner gives them slip

On wash day, cleanse your scalp and rinse without piling your lob onto your head. That piling motion tangles the shorter surface layers into the longer underneath pieces, leaving you with extra knots before styling even begins.

Apply your usual rinse-out conditioner through the lengths, including the ends of the shorter layers. Don’t just coat the bottom inch. A layered cut has ends at several heights, and the ones near your cheeks can feel rough even when the longest pieces feel conditioned.

Separate your hair into two loose halves. Support one section with your hand, then use a wide-tooth comb to loosen the lowest tangles first. Gradually move upward as each area becomes easy to comb. If the teeth stop, pause and separate the knot with your fingers instead of dragging through it.

Follow the conditioner’s timing and rinse directions. Leaving a rinse-out formula behind deliberately can make your lob feel coated without giving you better control. You want strands that slide past one another, not a slippery film that remains on your hands.

Press out water with a smooth cotton T-shirt or microfiber towel. Keep the hair hanging downward as you press. Avoid twisting it into a tight towel turban, which can bend the front layers and tangle the nape. Your starting point should be evenly damp hair that no longer drips onto your blouse.

3. Give the gray surface layers an even coating of smoothing product

You need controlled coverage more than a counter full of products. A conditioning smoothing styler with heat protection can handle the preparation for this blow-dry without adding separate mousse, oil, and finishing spray.

Living Proof No Frizz Smooth Styling Cream is one option. It combines conditioning, humidity resistance, and heat protection. Although marketed primarily for medium hair, the brand also discusses using it on coarse hair. Its role here is to help the overlapping layers lie together without adding a stiff hold.

Following its damp-hair directions, begin with a small amount spread thoroughly between your palms. For a lob, a pea-sized starting amount lets you assess coverage; it isn’t a fixed dose for every head. Dense hair may need more. Distribute it across several sections rather than depositing the whole amount on whichever side you touch first.

Press your palms down the lengths, then lightly coat the shorter surface pieces. Comb through gently for even distribution, including near-root hair that will receive heat, without smearing cream onto your scalp. Follow your own container’s instructions if they differ.

Check the hair behind your ears, where application is easily missed. Stop adding product once coverage is even; a greasy feel is not the goal. If you already own a smoothing styler with labeled heat protection that suits your texture, use that instead of buying another.

4. Separate the long outline from the shorter layers

Place your part where you normally wear it. Then divide the upper hair from the lower hair around ear level. Clip the upper portion out of the way, separating it into a left and right section if one large bundle feels awkward. Keep the front pieces accessible.

You aren’t aiming for salon-perfect partings. You’re making sure the brush can reach the long underneath hair without repeatedly catching shorter pieces that are already drying. Three or four loose sections are enough for many lobs; very dense hair needs smaller subdivisions.

Use smooth sectioning clips that hold without tugging. Don’t twist the hair tightly or clamp the ends into sharp folds. If a clip leaves a dent, reposition it closer to the section’s base and loosen the bundle.

Before brushing, remove excess dampness from the loose lower section using gentle airflow directed downward. Keep the dryer moving. Stop when the hair feels damp and flexible rather than heavy with water. Don’t blast the whole head upside down: that encourages the shorter layers to separate before you’ve given them a direction.

If your hairline dries much faster than everything else, lightly re-dampen those front pieces when you reach them. You don’t need to rush through the entire lob to beat the clock. Keeping unfinished sections manageable is more useful than trying to dry everything at once.

5. Dry the underneath lengths close to their natural fall

Start at the lower back and bring a manageable section toward the side, where you can reach it. Keep your chin level. Tilting your head sharply forward stretches the nape hair into a position it won’t occupy when you stand normally.

A Wet Brush Speed Dry brush has blow-dry-safe bristles and a vented design. It’s useful here because you can guide the length downward without winding coarse hair around a barrel. Check that you have the Speed Dry version; don’t assume every detangling brush is designed for dryer heat.

Place the brush underneath a thin section. Hold the dryer’s concentrator, the narrow attachment that directs airflow, above the hair and aim from the roots toward the ends. Move the brush and dryer together, keeping the nozzle several inches away rather than pressing it against the brush.

Use low or medium heat and enough airflow to dry without whipping the section around. Gentle tension should organize the strands; it should never pull painfully at your scalp. Once a section is dry, release it and move on.

Let these underneath lengths lie fairly close to your neck. They form the lob’s outline. Adding a big rounded bend here can push the entire haircut outward, making the surface layers look puffier even when they’re smooth. Sit down if that makes the back easier to reach comfortably.

6. Smooth the outer layers without inflating the sides

Release one upper section and divide it into thin panels. If you cannot easily see how the strands sit across the brush, you’ve probably picked up too much hair. A thick handful can look dry on top while the middle remains damp and expands afterward.

Place the brush underneath each panel and guide it slightly outward, then downward. Follow above it with the nozzle pointing along the strands. That small amount of space lets you reach the hair without lifting every layer straight up and creating unwanted width.

Pay attention as the shortest ends leave the bristles. Slow your brushing motion there so those ends receive direction before the longer hair slides through. Don’t keep tugging on the long ends while the shorter ones flap freely in the airflow.

At the crown, lift the first inch gently only if that area looks flat. Dry the roots in that slightly raised position, then return to a downward path through the lengths. If you already have plenty of crown fullness, let the section follow the curve of your head.

Your aim is a smooth upper layer resting over the lower shape. If the sides start looking round and bulky, lower the angle of the brush rather than adding serum. Product won’t correct a drying direction that repeatedly pushes your haircut outward. Release each completed panel before deciding whether the next one needs any lift.

7. Guide the face-framing pieces away from your cheeks

The front layers often make the difference between a lob that looks deliberately styled and one that simply looks dry. They’re also where shorter gray hairs can stand out most clearly. Give this area its own brief pass instead of repeatedly brushing the entire side.

Take a narrow section beside your part. Place your brush underneath around cheek or jaw level, depending on the layer’s length. Guide it gently toward the side and slightly backward, keeping the dryer aimed along the section and away from your eyes.

You’re creating a relaxed sweep, not a rolled curl. Once the section is dry, remove the heat and let it settle before touching it. Repeat on the other side, adjusting for your part rather than trying to make both sides equally full.

If the front keeps dropping across your cheek, check the root direction. An end that’s brushed backward cannot compensate for roots dried straight forward. Lightly dampen that small root area and redirect it sideways before shaping the length again.

For hair tucked behind an ear, wait until it is cool and dry. Tucking it while warm or damp can leave a strong bend halfway down the front layer. If you wear glasses, put them on before your final check so you can see whether the side pieces catch on the arms. Adjust only those pieces rather than restarting the front.

8. Bend the last inch without rolling the lob into a bob

A layered lob needs room to hang. Rolling every section tightly under can make it look much shorter and fuller at the bottom than you intended. For this finish, leave most of the length alone and shape just the ends that need direction.

If your vented brush has already produced a pleasant curve, you can skip the extra tool. For stubborn straight or outward-pointing ends, use a large round brush, roughly two to two-and-a-half inches across the barrel, that is suitable for blow-drying. A small barrel is more likely to create a pronounced curl.

Place it beneath the final inch or two of a nearly dry section. Draw the brush through with only a slight turn toward your neck while the nozzle follows downward. Don’t wind the full length around the barrel. Release the hair once it’s dry, allowing the curve to relax.

If the ends flip again as soon as they touch your shoulders, don’t keep reheating them. A shoulder-length cut can bend outward simply because it rests there. A gentle outward kick can sit comfortably beside the other layers; every end doesn’t have to point inward.

When one side constantly flips more, check whether your head is tilted or your collar is pushing it upward. If the outline consistently lands at an awkward point, ask your stylist about a small length adjustment at your next appointment.

9. Let the layers settle before deciding what needs fixing

Put the brush down and give your hair a minute to cool in its finished position. Then stand normally, release your shoulders, and check the back with a handheld mirror. Don’t judge the result with your head tipped sideways over the sink.

Feel underneath the outer layers and around the nape. A cool, damp patch needs more drying, but first distinguish actual moisture from hair that has simply cooled. Separate the suspected section and feel it again. Dry only the damp area instead of repeatedly heating the finished surface.

Use what you see to choose one correction:

• A rough surface patch: isolate it, lightly re-dampen it if necessary, and guide it through the brush with downward airflow.
• A bulky side: check for an exaggerated bend underneath; relax that section instead of flattening the crown.
• Stringy, coated layers: stop adding product. Reduce the amount next wash; more heat won’t remove a heavy coating.

Separate the finished ends with your fingertips just enough to reveal the layers. Avoid repeated raking from the roots, which can break up the surface you just organized.

You can leave a few stray silver hairs alone. If an area consistently feels ragged and catches even after careful conditioning, bring it to your stylist’s attention. Styling can improve alignment, but it cannot mend split ends or make heavily thinned layers behave like a fuller cut.

10. Refresh the bent section the next morning, not the entire haircut

Your morning routine should start with a look, not a brush. Check the front pieces, the shoulder-length ends, and the side you slept on. If the underneath shape still sits well, leave it alone.

For a flattened or bent section, lightly mist that piece with plain water until it feels evenly damp. Keep the spray away from your face. Smooth it into the direction you want, then use the same brush-and-nozzle motion you used on wash day. Follow your heat protectant’s directions for reapplication when restyling.

If the shape is fine and only the dry surface looks fuzzy, try smoothing it with your palms first. When necessary, use a trace of your existing cream on the affected midlengths or ends, provided its label permits dry-hair touch-ups. Avoid automatically repeating the full wash-day amount.

For a stubborn dent behind your ear, dampen the bend itself rather than just the tips. Otherwise, you’ll polish the ends while the kink remains higher up. Dry that one small section fully before tucking it back.

Give yourself a practical stopping point: tidy the visible problem areas, check the outline, and leave the rest. A short refresh is realistic when the original drying is complete, though very dense hair or humid weather can demand more time. If the whole lob feels coated, tangled, or sweaty, washing is more sensible than stacking another day’s products onto it.

Keep the surface calm and let the length hang

Donna, the biggest adjustment is learning that your shorter layers and your longest ends have different jobs. The underneath hair establishes the length, the surface layers need careful direction, and the ends only need enough shaping to sit comfortably around your shoulders.

Concentrate on even product coverage, manageable sections, and a downward drying path. Those three habits matter more than adding another hot tool. Your lob can look polished while still showing its natural texture and individual silver strands.

Once you’ve found the amount of product and brush angle your hair likes, repeat that on wash day and limit mornings to small repairs. You don’t need to recreate an entire salon blowout before breakfast. You need a dependable shape that settles into place when you let it go.

This post How to Style a Layered Lob for Older Women With Frizzy Gray Hair?, was originally published at Latest-Hairstyles.com

Most people don’t realize until they have one for a while, but chunky bobs actually look better as they grow out. Not all cuts do that. Many short styles only look good for maybe three weeks, and then you’re stuck with a bad haircut until you can get your next appointment. A chunky bob is an exception; the weight of the bob shifts as it grows out and, in that time, it takes on a new shape that looks different from its previous form. A client of mine used to get her bob trimmed every ten weeks, and by that time, her hair was completely different than her last haircut, but she liked it so much that she never got it cut any shorter. This bob is perfect for older women who have naturally stubborn or thick hair. The width and the weight of the hair help the hairstyle stay put without the strands needing to be perfectly coiffed.

Full Brunette Bob with Face-Framing Warmth and Stacked Interior Layers

You’re not going to get any action with that hair just hanging there. The bob on the right is not a miracle. That’s what you get if you let a hairdresser actually take your density into account. There’s a lot of density here, a lot of layering and probably some point cutting on the crown to stop this mass of hair from forming a triangle. The face framing layers are about two shades lighter to reflect light around the cheekbones and jawline. This haircut balances out the wide cheekbones of both oval and heart face shapes without framing the face too narrowly. Flat hairs or fine hairs will not frame like this. This cut starts to lose its shape in about 6 weeks. This cut is recommended for people willing to get haircuts quite often.

Chin-Length Blunt Bob with Tucked Styling and Bronde Melt

Instagram: muah_kristiinatiimus

This asymmetrical bob tucks one side behind the ear. It balances slightly asymmetrical pieces without looking unbalanced, which makes it interesting. Fine to medium density hair is colored with a root melt of level 6 and blended to a warm even tone. The hair will gradually lighten to warm blonde with a balayage hand placed scatter melting. Round and oval face types look best with a bob that falls at the chin. This bob helps to keep the eyes framed and draws the focus to the jawline. This bob would be more difficult to style on coarse hair, but would be perfect for fine hair. The blunt ends keep the style resting on the jawline.

Dark Rounded Bob with Soft Curl and Weightless Interior Movement

Instagram: drhair.la

Consider the front part that points outward. Notice how the right side curves inward and the left side points outward. We purposely used this asymmetry to allow the hair to move naturally without resistance and in the direction we want. This frame rests just beneath the jawline and extends outwards slightly. For an oval or heart shaped face this is an excellent frame. This frame also works wonders on a square jaw. This frame features a rounded silhouette. This is a single process dark brown and features overall minimal color. So the shape has to be on point, which this frame does. Fine hair will really struggle to pull this hair off. It will take a few hours for the fine hair to drop without the use of products and heat styling. After that the rounded silhouette will lay against the head in a much more flat triangle shape.

Warm Chestnut Chin Bob with Relaxed Bend and Blunt Ends

Instagram: belximenes

The weight line is almost entirely independent. It is one single length with a little bend through the center. This bend creates a relaxed look while the ends are tucked slightly out to one side and tuck in to the other. This is not a styled asymmetrical look. It is the natural result of a clean cut to hair with just a bit of wave. Unmistakably on the medium fine side, this hair style most likely will not look good on thick or really coarse hair. Hair that is thick tends to have a heavy perimeter. Thisstyled, relaxed line will disrupt the shape of this hairstyle. As for the length of this style, this line hits right at the jawline. This line will affect the overall shape of the face. This looks best on an oval or heart shaped face, but will most likely make a face with a rounded shape appear more round. As for the color, it’s a warm chestnut brown. It is single process and really almost a solid color, with no visible highlights. This adds to the clean lines of this style. The low maintenance color really compliments the style, but keep in mind that the blunt line will start to lose its shape very quickly if trimming is left longer than 5-6 weeks.

Loose Waved Blonde Bob with Deep Side Part and Pieced-Out Ends

Instagram: elisee_hairbeauty

An asymmetrical effect is achieved by a deep side part with a chin length bob. A point cut on the ends allows for the hair to naturally fall into a wave. The length of the hair is different on either side with one side falling to about the collarbone and the other side stopping on the jawline. The asymmetrical length is complementary on oval and heart face shapes. For those with round faces, the length across the front of the face adds definition. The color is growing out with sections of mid length hand painted blonde over the face. This cut adds volume, especially on fine to medium dense hair and adds fullness. On thick hair, it will puff out at the sides and dissolve the unstructured look.

Waved Brunette Bob with Caramel Ribbons and Blunt Weight Line

Instagram: hairhost

Having weight at the jawline, this bob has rounded edges in the front from the waves pulling at the ends. The hand-painted caramel ends pull focus down to conceal the roots to keep this style low maintenance. This is a great style to try for medium density hair because fine hair can’t hold this style without heat tools and product each day. Longer and oval face shapes are complimented best with the volume at the jawline. Round faces will feel even more closed off. Each wash day, you will have to flat iron to recreate this style.

Warm Blonde Chin Bob with Soft Wave and Blunt Perimeter Weight

Instagram: stacy_roserussell

Behind her is a mirror that shows the back layered, graduated short and tight to the neck, with the front sections hanging past the chin. The graduated back layering adds mass to the jawline making medium hair appear thick. The color is buttery blonde and has a warm root shadow (intentionally left shallow) with a 2-inch deep shadow to keep the color from being flat. Buttery blonde also gives a lot of dimension to the style. This style will not work on fine hair. The blunt perimeter needs weight; if it lacks weight, the style will look too wispy and will give a more undefined look. Oval and heart shaped faces look good with this style because the width hits right at the jaw and balances narrower chins. Round faces will look even wider. Note the wave and style of this hair is flat ironed, put in flat ironed layers to give dimension to the style to keep it from looking too flat.

Rosy Mauve Chin Bob with Perm Waves and Soft Wispy Bangs

Instagram: tomoko0223

Okay, let’s talk about that color. It’s dusty rose-mauve over a brown base. Bringing dimension is the tonal difference between the roots and the waves. Flat fashion colors don’t have that! The waves are a clear digital perm or cold perm. It is a little too uniform and too deeply set through the mid lengths to be a pattern of a curling iron. On hair of medium density, this shape is full, but not overly so. Fine hair will lose that wave pattern in a matter of weeks. This cut is at the chin with a thick and blunt perimeter to retain that weighted silhouette. It pairs very well with this length and texture. This length will also slim a long face and accentuate a round face. The fringe is point cut to thin and make it almost disappear. It also allows a little light to pass through to the forehead.

Tousled Brunette Bob with Curtain Fringe and Loose Wave Movement

Instagram: aura_hairspa

This blunt cut features internal point-cutting, which adds a certain level of definition. This blunt cut offers an easier way to add lightness to the ends without it appearing to be boxed. Internal point-cutting creates movement, while the rest of the hair hangs in a chunky manner, allowing for the natural wave to fall from the side of the hair since it has been scrunching and left to be messy. This style works great for people with medium density hair who don’t wish to spend most of their time styling and longAspNethesitingly; this would not work with straight, fine hair because it would make the ends appear flat and lifeless. This cut best accommodates people with wavy hair since it would allow them the luxury of not styling it in between washes. This cut would work best with medium to thick hair since it would set in the style.

Wavy Blonde Chin Bob with Soft Fringe and Loose French Feel

Instagram: antonija_dubravac_hair

One side of the head’s wave is the mirror image of the other. The asymmetry brings interest without the style looking deliberate. A bob ends about at the chin and the chin length bob has the bangs that are piece-y and point cut. I think this encourages the bangs to fall where they may and stops right above the eyes. The hair must be fine and thin as bulk will collect chin-ward and will look unflattering. The wave has a good amount of volume without looking flat. Long, straight lines can look a bit wider, and this is so especially true on rounder faces. The color is dirty blonde with a bright mid length and no heavy foil pieces are visible.

Natural Curl Chin Bob with Chunky Weight and Air-Dried Shape

Instagram: lucykloc

You can see that one side is heavier than the other. It’s not a deliberate choice for styling. This is asymmetrical given her natural curl pattern. The perimeter is blunt enough for curls to be dense, but not too much; it would box in the cheek. This curtain shape is probably point cut, and it’s great for wavy to curly, medium to high density hair. This cut is definitely not for fine hair. With straight, fine hair, sharp angles are more flattering. So for round and oval shaped faces, this is a great cut. This cut depends on length for balance on the sides and the front. This cut is going to have a lot of movement because of the curls. Fine hair coupled with high density hair will adjust the look of this cut quite a bit because of the curls. This cut is definitely not for you if you are the type of person who likes to have more control with your hair.

Wavy Dark Chin Bob with Perm-Set Texture and Center-Parted Fringe

Instagram: kyokakikukeko

This is clearly a digital or cold perm and not styling iron curls. Hot iron curls start at the bottom and evenly wrap; this curl pattern starts at the middle and does not even wrap, more like a perm. Permed hair leaves big and puffy with a lot of volume which leaves the curls falling out and looking more like this. This pattern doesn’t work with thin or fine hair, and would not work for someone with a more rounded face; this pattern would help balance the roundness of the face. This works more for thicker hair. It is framing the long to oval face. This direction works for a medium length hair, and pairs nicely with a center part. This is a more loose style that still completes the volume of the hair.

This is meant to remove the heaviness and the bulk of the hair, so this would not work with straight hair; this relies on perm curls to keep its shape. There is not a styling issue; this is a shape and form issue more than anything.

Soft Blonde One-Length Bob with Natural Root Depth and Loose Texture

Instagram: juane_hairartist

This style uses a chin-length cut with a blunt line around the perimeter and a long, flexible point. The point is an internal layer with texture. This style is meant to be thick and saturated while still feeling undone with an internal texture that prevents hair from laying too flat. This style looks great on people with medium to fine hair with dark or light dimensions. This style looks great on high contrast layered cuts with lighter tones. This style compliments people with round faces and oval faces because it goes along the natural curves of the jawline. People with naturally wavy hair can achieve this style with a quick air-dry.

Blunt Chin-Length Bob with Subtle Warm Highlights

Instagram: dimorais.s

I think this bob is great! I love how straight and solid the perimeter is, and I love how grungy the texture is and how this keeps it from being stiff. Perimeter and grunge texture makes it so much easier to pull this off with choppy big bobs on medium density hair. There was no layering and a strong one length line was drawn at the chin. The flex in the hair is just from the hair shifting, there are no curls. Within 7 days if you have any fine hair your bob will start to look flat and begin to fall to the sides. The warm caramel pieces dispersed within the base of the cool brown hair adds texture, depth, and reflects light, and it’s not traditional highlighting. Best of all, this is a one size fits all bob to balance oval and square faces, and even more so it balances out round faces best. So if you’re into balancing gorgeous bob looks, put this on display because it balances out all those face shapes best.

Rounded Dark Bob with Lived-In Texture and Soft Perimeter

Instagram: stardust__salon

Here the rounded crown pulls the work together. It was achieved by an inner point cut, where an inner point is taken out while retaining the shape. Lengths are slightly tapered and come to blunt ends to read as rounded silhouette. They don’t hit bluntly. It tends to lay flat on finer, to medium dense hair. It is crucial to have some natural thickness to keep the pillowed roundness through the back. The strong nose, strong jawline, and longer face shapes are the best candidates to rock the style due to the cheek width. It will look more stressful and wearable on round shaped faces. It is quite low maintenance, as it has a single dark brunette tone. However, it will show harsh light breakage and dryness.

Dark Chunky Bob with Platinum Money Pieces and Loose Wave

Instagram: amandapadillahair

Those pieces aren’t just decorations. Close-to-base foil highlights help reflect light, making the dark base feel heavier. This hairstyle is a blunt cut, chin-length bob with a subtle back layered look that is face framing and adds weight to the jawline. Blunt layered texture defines a thick jaw for those with oval shape and round faces. This type of hairstyle wouldn’t hold weight for thin hair since the majority of the cut is blunt with the addition of a thin layer. Combined with platinum highlights that break up the dark base, hair that skips color appointments makes the style look bad and is noticeable quickly.

Warm Brunette Neck-Length Bob with Loose Bend and Soft Interior Layers

Instagram: foxyroxhair

Look at how the weight is distributed. It is more centered on the jawline as opposed to the cheekbone. This is a rounded shape. It also draws the eye down instead of out. The lightweight layers allow the wave pattern to hold the shape. The style will however still have a thick perimeter. With a single process brunette hue with caramel pieces hand painted on the ends, this is low commitment color. The style relies on medium density and will easily lose its shape if there is a deficiency punctured. If you have very fine hair, it will completely lose the edge and look almost limp. This is a relaxed hairstyle, however it takes effort to style. If you have straight hair, you will either have to use styling products or use a wave tool that can add texture to your hair while you sleep.

Choppy Blonde Chin Bob with Wispy Fringe and Razored Texture

Instagram: cheerupsalon

There’s a lot to unpack with this fringe. It’s incredibly thin, nearly translucent, and has random cuts that get shorter the further you get from the middle. This means some of the pieces fall and some of them will sit higher, making it sell as a fringe that separates and introduces some dimension. This is certainly not a bold fringe, but this design has generous bold structural lines, so it balances it all out. Cute bob length with razoring that removes bulk and still leaves a nice thick line. This works great for hair that has natural texture since this bob has even unstructured layers. This update will not work for fine hair. This will actually look flat. This update is for medium to thick hair and works great on rounder face shapes. The blonde is a really natural full lift with darker roots.

Tousled Platinum Blunt Bob with Soft Bend and One-Length Weight

Instagram: nunzio_nyc1

Long perimeter done. No graduation, no layering, etc. The weight collects at the bottom, making it a solid chunk, unlike a layered bob. This is a true blunt cut. I have medium density hair that’s slightly bent to avoid being too stiff. It is chin length. The color of the hair causes a nice platinum hue that leans cool, but is pulled warm at the roots, which is likely a full highlight with a toner. This will not be an easy look to pull of on a round face. A straight weight line across the face will widen the jaw. This chunky solid hairstyle will help draw oval and angular faces. If you have thick and coarse hair brush it out expect it to triangle out and fight you the most.

Sharp Dark Bob with Graduated Back and Forward Angle

Instagram: miranda.marzorati

The graduation style is lot of fun to play with in the back. With the crown falling underneath the chin to create shape while the rest of the volume is pushed up and to the front, there is a lot of interest in this shape! The quality of the inner workings of a graduation also determines if the style pulls the crown down to the jaw line, and luckily in this case, the crown is held. This works great in straight to wavy hair with medium density. Fine hair will not draw this shape on its own. Overall,this style flatters a rounder face shape wonderfully because the focus isn’t drawn to the face with the forward angle. This style along with a longer face also creates length to the face. This graduation in the model’s natural dark brown is clean without any artificial color. The graduation looks perfect in photos and draws fine flyaways at the crown. It’s worth noting this style is more difficult to manage and looks easier in photos.

Wavy Chin-Length Bob with Shadow Root and Golden Ends

Instagram: freyasundbyhair

The contrast in detail between the blunt perimeter and the subtle texture is what makes this style so interesting. This chin length bob has a medium density textured hair with a dark shadow root that rounds into a warm golden blonde. It is especially concentrated in the front pieces and is best presented air dried or if you want more of a relaxed wave, diffused. This is the honest style. This length brings out the jawline on rounder faces, which brings a nice proportion to a rounder face. It wouldn’t look very nice on square or short faces. The color in this cut will be very noticeable in six to eight weeks without a toner and will definitely go brassy. This cut is great for people that want shape with little effort to style.

Soft Brunette Chin Bob with Razor-Cut Ends

Instagram: sweethearthairclub

The perimeter stood out on this bob. It’s not a straight edge. It’s not puffy or rough. It’s kind of chunky. I’m guessing someone ran a razor or a point cut through the ends to take a little off to keep it from getting too heavy. This bob finishes at the chin and is cut on medium density hair with straight to slightly wavy hair. This is a one length bob with no layers in the back. This will lay flat on fine hair. This bob is natural medium brown and is a solid color. This style really lets the shape and movement of the hair do the color. It really shows the shape and adds balance on thinner hair. If you have a round or square face this style finishes at the widest part of your jaw which will enhance the width.

Undone Dark Textured Bob with Built-In Volume

Instagram: hairbyallybarone

Great examples show the wonders of a skilled stylist. That’s when the flat parts of the hair pop with dimension. The medium density hair has so much life with the internal layers that show off the back cut. Layering starts at the chin length cut, that’s longer in the front, and trimmed neatly using a razor or point cut to finish off the style. The ends won’t look blocky with this technique. The lack of dimension is all the more reason the shape really has to shine through. The hair color is a flat dark brown, and there was no highlighting done. This is one of those situations where the cut is truly the spectacle. Perfect frame on an oval and heart shaped face. The jawline is balanced by the construction of the haircut and works wonders for people with narrow chins. The haircut won’t work on people with completely flat hair. This works with a certain amount of natural texture. The thicker hair will want to fall in a nice loose bend without even needing product. For face shape, someone with a more rounded face will want to skip this haircut. The fullness on the sides won’t help the haircut.

Jaw-Length Choppy Bob with Soft Bronde Pieces

Instagram: thebangingblonde

This bob gets its shape from slight stacking at the nape. That’s where this bob gets its shape and dimension. This bob has a rounded shape. the moisture and regular texture can make the roundedness of the bob less defined, but the point cuts on this bob separate the texture, and the shape won’t lose dimension. This bob is light brown, and the ends are ragged brown highlight pieces. I think this bob is flattering for round face shapes. If your chin is more square and jaw-like, it will look bad with this bob. It really flatters thinner, especially less wide faces. Fine to Medium hair thickness for this bob. This bob is casual, but you can’t wear this bob straight. It needs to be worn with some natural waves, and then it will have its shape.

Textured Short Bob with Lived-In Blonde Dimension

Instagram: brileybre

The back of this cut is incredibly dimensional. The stack at the nape adds a lot of volume and without it, it’d be just a chin length bob. This would just collapse on her finer hair without this cut. For her length and shape of her face, longer face framing pieces work well. For rounder faces, these pieces would not be as flattering. The color is a balayage with medium-dark to light brights at the front and underneath. The crown is left natural and rooted. This looks like a brand that continues to grow, but getting a touch up is going to end up being really noticeable. This is definitely not a low maintenance cut. For straight fine hair, it will just lay flat without the piecey texture and it will require point cutting as well as a lot of product to keep the look like the photos.

This post Sleek or Slightly Messy, Chunky Bobs Have a Shape That Stands Out, was originally published at Latest-Hairstyles.com

I’ve done quite a few wolf cuts , and my thinking has evolved quite a bit. I used to think of how “wearable” a cut is (by which I mostly mean, how quickly it will start looking bad), on a continuum between more tamed and more aggressive, with the biggest factor being whether or not I softened up the layers and blended in a fringe. Until one day I cut this gal a very aggressive wolf cut and as she was leaving she turned to catch the light and I noticed she was wearing the cutest tiny pearl earrings, with a lace top. And in that moment it occurred to me that no cut is unfeminine if a feminine woman is wearing it. Femininity is one of the things she brings with her.

All of these cuts are still very structured wolf cuts – they’re still got that grunge, disconnected, romantic vibe – but are wearable day to day cuts. And to me the interesting decisions happen with how I’m layering them, so they don’t melt into a regular shag three weeks after the cut. Because that’s what happens to them, if they’re not cut right – one shampoo and they’re just layers with bangs. But all in all they’re wolf cuts – the romanticism/grungeness factor is of lesser importance to me that that the wolf cut factor survive. Which has more to do with weight in the fringe, disconnect between perimeter and crown and carved out texture.

Jet Black Layered Mid-Length Wolf with Curtain Pieces

Instagram: ete_hairsalon

This jet black mid-length layered wolf cut has curtain face framing pieces and lots of layers. Unlike some wolf cuts, all of the layers in this cut are blended making it a more wearable option for the wolf curious. This wolf haircut is best suited for straight thick hair that could use some added movement. Plus the face framing pieces are still long enough to tuck behind the ears or tie back in an easy ponytail on days that hair has to be up (like at work!).

Copper-Brown Feathered Long Wolf

Instagram: cowlickcuts

I’m obsessed with the 70’s right now, which may explain my attraction to this gorgeous copper-brown colored wolf cut. There is some inspiration from punk hairstyles here, but it’s mainly that 70s Stevie Nicks look (in a good way!) with the wispy bangs and the feathered ends in the mid-lengths. This style of wolf haircut adds movement to fine or medium thickness hair and gives the illusion of thicker tresses. The bangs are also very fine and grow out well and should take little effort in the morning as they will likely be dried already!

Bronde Highlighted Wolf Cut Before and After Transformation

This before and after pic perfectly encapsulates how a wolf cut can totally transform your look. This girl came in with longer highlighted hair that just felt blah and washed out…her stylist trimmed off some much needed inches and cut in tons of layers. This bronde wolf cut falls right at the shoulders and is packed with body and texture. This cut would take less volume in everyday life (the after pic in this before and after wolf haircut was styled with a round brush so expect lots of volume!) but is a perfect photo to bring in when discussing your dream cut with your stylist!

25 wolf cut inspo photos we want tattooed into our brains

### Brown Highlighted Wavy Wolf with Fringe

This collarbone-length wolf cut with bangs features chunky highlights in brown hues throughout. The choppy bangs meld right into the rest of the layers.

Best for: This is the ultimate I woke up like this haircut. The waves lend the cut body and movement, so all the layers aren’t fighting with the texture. If you have waves like these, but your hair shortens up quite a bit once dried, make sure to communicate that to your stylist to ensure your length is on-point once shrinkage sets in.

If you’ve ever longed for Stevie Nicks-level feathered ’70s hair (minus the hippie-ish flower crown), now’s your chance. This wolf cut hair trend has everyone swooning, but not in a basic shaggy shag sort of way. Here are a few iterations to bookmark and save for your next appointment.

### Wavy Wolf Cut with Textured Bob Length Bangs

To achieve this effortless look, spray a little texture spray onto damp hair and scrunch with your hands to separate pieces. That’s really it! It’s the perfect wolf cut if your hair has a natural wave to it and you don’t want a super disconnect or commit to lots of styling.

Textured Brown Wavy Wolf with Piece-y Fringe

Instagram: oceane.gervasi

This textured wavy wolf cut is perfect for those looking for a lived in effortless vibe. Cut at about shoulder length, this brunette wolf cut has a super piece-y short bang and tons of uneven layers throughout. This wolf cut gets better as it grows out and definitely shines on day two (or three!) Best for those with lots of texture…this cut is another that requires little-to no heat styling!

Black Shoulder-Length Wolf with Heavy Full Bangs

Instagram: actcreator

This jet black wolf cut features heavy bangs and a ton of body and movement. The bangs on this shoulder length wolf cut are cut thick and full at right at the eyebrows. All of the layers blend nicely together and fall right at the shoulders with tons of texture cut into the ends. This haircut is best suited for thicker straighter hair (fuller bangs on fine hair will require tons of product to keep them full and fluffy…with thicker hair they’ll lay perfectly flat on their own!). Definitely bring in a pic when you get this cut as full bangs on thin hair looks super different then full bangs cut into thick hair…make sure your stylist knows exactly what you are looking for!

Tousled Brunette Wavy Wolf with Micro Bangs

Instagram: hairbycalliesmith

This tousled brunette wolf cut falls right at the shoulders. This wavy wolf cut is layered all over with super short micro bangs. This cut is perfect for those with lots of texture or wave. This is one wolf cut that can totally be air dried (bye bye heat damage for those that struggle with straight hair!). Not sold on super short bangs? Try clip in bangs before your appointment to see if you like them!

Sandy Brunette Blown-Back Volume Wolf

Instagram: claudkillerhair

This sandy brunette wolf haircut is cut at shoulder length with lots of movement. The layers start at about cheek bone length and are blown backwards. This wolf haircut is perfect for girls that love the wolf cut vibe but aren’t ready to fully commit to bangs just yet. Styling this cut with a round brush (or velcro rollers for lazy mornings!) creates a polished flipped out effect reminiscent of Stevie Nicks 70’s feathered hair. Best for straight hair with medium density that holds a bend.

Black Disconnected Wolf Mullet with Wispy Layers

Instagram: haruhappy0618

This jet black wolf cut leans more mullet than wolf cut. It features tons of layers ranging from super short at the front to past the shoulders in the back. This super edgy and trendy wolf haircut is perfect for girls looking to rock a haircut with tons of contrast and aren’t afraid of a more wild and untameable grow out stage. This disconnected wolf cut has the shortest layers cut at about ear level. Have your stylist add wispy layers around the face (these should get the barest whisper of a pass with a razor. Don’t allow your stylist to make these pieces too uniform or you’ll loose the piece-y wispy texture).

Black Blunt Wolf Bob with Straight-Across Bangs

Instagram: yuka_hair_van

This black wolf bob haircut is cut blunt at the chin with straight across bangs. All of the texture and character comes from the layers cut into the body of the bob and the contrast the straight bangs creates when placed on top. This wolf bob haircut is a perfect option for straight to slightly wavy hair types. Be prepared to keep the bangs trimmed often (every two-three weeks) to keep them at the perfect length.

Short Wavy Dark Wolf with Curly Texture

Instagram: haseharu.___

Ear-length layers, a super cute fringe of curls, and an edgy attitude make this short wolf cut hard to ignore! Volume abounds at the crown of the head without even a flick of product thanks to the perfectly pieced out layers that play with the curl pattern. Cut dry and with an understanding of curl pattern and shrinkage (curls can shorten at least a 1 or 2 inches!) this dark colored wolf cut variation will have you wanting to throw out your flat iron.

Pro tip: Instead of bringing pictures of a straight-haired girl rocking a wolf cut and hoping your stylist can translate to your hair, search Pinterest or your favorite social media outlet for wolf cuts on girls that have the same curl type as you. Specific terminology, pictures of inspiration, and clear communication goes a long way with stylists!

Dark Brown Blunt-Edged Wolf Lob

Instagram: unami_yohun

Piecier layers shorten this wolf cut in select areas to create a textured wolf haircut with bangs. The blunt ends fake thickness at the base, making this style best for finer straight hair. You will have to commit to a bangs trim every 3-4 weeks though, so factor that in before your next salon appointment!

Light Brown Layered Long Wolf with Wispy Fringe

Instagram: hair.cvlt

If you like traditional layered hair, but you’re interested in a wolf cut, this may be the perfect compromise. The layers start in very gradually and cascade downward creating movement and body. Paired with wispy see through bangs, this wolf cut for straight hair adds dimension to hair that falls flat otherwise.

Soft Chocolate Shoulder-Length Wolf with Side Part

Instagram: chellsiedanielle

The curtain layers, soft chocolate brown color, and side parting of this wolf cut gives all of the volume on one side. The deep part allows for body up top, while the rest of the layers fall seamlessly together. Best for medium to thick straight hair, it grows out without getting awkward for a good eight weeks.

Dark Flipped-Out Shoulder-Length Wolf

Instagram: aopjid.rw

This layered, dark, shoulder-length wolf cut has flipped pieces framing the face, which I’m stealing for myself. I’m envious of how the pieces at chin-length are flipped out, because I usually require a round brush to make my hair do that.

Best for: Straight, medium to thick hair, that can hold a directional blowout. All you’ll have to do is take a pass through with the flat iron, flicking the ends as you go.

Curly Brown Wolf Shag with Glasses

Instagram: jmulica.hair

Shoulder-length and full of body, this wolf cut for curly hair has tons of movement in the bangs (they are shorter and layered) and leaves enough length in the curls to fall naturally. Make sure your stylist knows how to cut curly hair when choosing your next stylist as cuts should be done dry to account for shrinkage and length. Not all stylists can, so it’s best to find one that was trained on how to cut curls, not just say they think they can.

Wavy Brunette Long Wolf with Curtain Fringe

Instagram: bloom_hairlab92

If you prefer a less disconnect wolf cut with more evenly dispersed layers all the way through, this is a perfect example. This cut is more forgiving in the grow out department as well since the bangs naturally part down the middle. If you have wavy hair and want more body, ask your stylist to create it with a wolf cut like this one. Trust me when I tell you this cut looks even better on day two then freshly out of the shower!

Warm Chestnut Blown-Out Volume Wolf

Instagram: chellsiedanielle

This shoulder-length wolf haircut is styled with body using a round brush and dryer and colored a gorgeous warm chestnut color. I love the way the ends of the layers flip out with full bangs. This wolf cut variation works well for those with medium density hair that falls beautifully when blowdried and holds a blown out style well. Don’t own a blow dryer? Not your wolf cut galore!

Highlighted Wavy Collarbone Wolf with Bangs

Instagram: g_arage__

This wolf cut features a wavy collarbone length cut in brown. The choppy bangs add character. The wave does most of the work here, and I like how the layers aren’t fighting the texture. This would be a great cut to ask for if you have natural wave and don’t feel like styling your hair every day. Adding a bit of texture spray while damp and scrunching will help the pieces separate.

Jet Black Long Layered Wolf with Side Bangs

Instagram: desiretodye

This wolf cut is black and longer with bangs swept to the side. Lots of layers make this cut a tad more of a classic layered cut, compared to the other cuts featured here.

Best for: Thick, straight hair with weight around the perimeter. This cut is more office-appropriate and the bangs are still on the longer side, so can be tucked behind the ear if need be.

Dark Teal-Tinted Shaggy Wolf Bob

Instagram: bladevelvett

This shaggy wolf cut with bangs is neck length on medium-density hair. The color is a dark hue with a blue green wash over top.

Best for: Hair types that want a little color, but don’t want to go full commitment. Semi-permanent color washes out after a few weeks. This cut dries into place pretty easily without too much effort.

Dark Brunette Layered Wolf on Thick Hair

Instagram: the.pigment.pixie

This long wolf cut with curtain bangs is brunette in color and sport lots of layers that meld well into one another.

Best for: Thick, dense hair that wants some more shape, but still wants to retain weight in the perimeter. Ask your stylist for lots of layers throughout, but blended so it’s not so disconnected that you look mullet-adjacent (been there, don’t wanna go back). Layers on the insides of the hair will take out some of that body for balance.

Warm Peach Blonde Flippy Wolf Bob

Instagram: cuttingseries.color

This wolf cut is at about chin-length and sport a full set of bangs. All the shorter layers are flipped-out, creating body and volume throughout the hair.

Best for: This playful cut works on straighter hair since the ends fall out naturally. The hair color is on point, too; a warm, peachy blonde that teeters back and forth between blonde and strawberry. Find a colorist that knows their way around warm colors and won’t neutralize the tones out!

Platinum Choppy Chin-Length Wolf Bob

Instagram: kglowacka

This choppy, chin-length wolf cut has wispy bangs that add fullness and dimension to the fine hair wearing it. The choppy ends provide more movement and body in the hair.

Best for: Thinner, fine hair types can go shorter since all those layers will lay flatter on longer hair. Chin-length is the sweet spot for fine-haired ladies. Ask your stylist for lots of texture in the cut (i.e. with razor instead of just point cutting the ends) to keep the ends looking piece-y and separated. Be prepared to touch it up more often, maybe about once every 6 weeks to keep the shape looking the same.

Golden Blonde Long Wolf with Micro Bangs

Instagram: kiyo_meynewyork

This wolf cut is a warm, golden blonde color and long with wispy micro-bangs. The layers are blended throughout and the length is longer in the front.

Best for: If you want bangs and you want commitment, ask for bangs like these! They’re cut well above the brows and your stylist most likely won’t recommend this length on their own. Bring in a picture and point at ’em! Blonding your hair, particularly to this gorgeous honey blonde shade, will also take work, especially for finer hair types that lift in an uneven manner. Be prepared to revisit your colorist every couple of weeks to keep the brass at bay (tip: purple shampoo can stretch the toning service out to every week or so).

Long Shaggy Dark Wolf with Heavy Fringe

Instagram: j.julianna.cos

This heavily-layered, dark wolf cut is longer length-wise and features chunky bangs. It’s shaggy all over with more volume up top and a heavier perimeter to balance everything out.

Best for: Thick hair types can pull this off as the weight around the perimeter really balances out all the layers. This would be a great pic to bring to your stylist as a reference of the ratio of short-to-long in the haircut you’re after. The short length is all at the root/crown of the hair and then there’s a disconnect, before the longer lengths. That’s what differentiates the wolf cut from your run-of-the-mill shag.

This post Wolf Cuts That Look Feminine Without Losing Their Edge, was originally published at Latest-Hairstyles.com

“I’m 67, and I recently had wispy bangs cut into my straight, silver hair. They looked lovely at the salon, but mine separate in the middle and curl up where they touch my glasses. If I use hairspray, they turn into little spikes. How do I keep them light without having hair sitting on my lenses?” — Celia Mercer, Staunton, Virginia

Celia, you’re dealing with two separate things: the way your bangs dry at the roots and the spot where their ends meet your frames. Adding more hold won’t fix either one. It often sticks those fine strands together, which explains the spikes.

Wispy bangs need small spaces between strands, but they still need to fall in a deliberate direction. The aim is a light fringe that sits comfortably around your glasses, without a big rolled-under bump. You can usually get there with a little water, controlled airflow, and a final check with your frames on.

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Check Where Your Dry Bangs Meet Your Frames

Before wetting anything, put on the glasses you wear most often. Sit them in their usual position, look straight ahead, and let your bangs fall without stretching or brushing them sideways. Notice exactly where the trouble starts.

If the middle strands rest on the top rim and buckle upward, their length may be the problem. If the ends clear your frames but the fringe opens at the scalp, you’re dealing with a root direction issue. And if only the outer pieces misbehave, check whether they’re trapped under the arms of your glasses.

You don’t need a perfectly straight gap above the frames. A few longer wisps can sit beside them. What matters is that your central bangs aren’t being pushed upward every time you put your glasses on.

For your next trim, bring your everyday pair and ask your stylist to check the fringe dry, with the glasses in place. Explain where it catches. Taking a little length from those contact points can be more useful than shortening the entire fringe.

Avoid cutting extra hair into the bangs because you see your forehead through them. That openness is part of a wispy finish. If the section already looks sparse, extra thinning can leave you with fewer strands to arrange. Ask your stylist to preserve enough hair through the center for the fringe to hold together visually.

Reset the Roots Without Washing All Your Hair

Once you’ve checked the fit, take off your glasses if you can comfortably see without them. Keep them nearby for the finishing stage. If you need them throughout, leave them on and avoid directing water, product, or hot air toward your lenses.

Clip the longer hair away from the fringe so you don’t accidentally pull extra strands forward. Wet your fingertips and press water into the roots of your bangs, then smooth it through the lengths. Repeat until the fringe is evenly damp, including the stubborn split. Blot any drips.

Misting only the ends won’t reset a part that has already dried into place. You need moisture where the hair changes direction, right near your forehead. There’s no need to soak the rest of your hairstyle.

If your bangs feel greasy or coated, wash just that section with your usual shampoo and rinse thoroughly. More styling product over yesterday’s residue can make a small amount of fine hair look stringy. Keep rich conditioner away from the roots; use a trace on the ends only if they need it.

Before blow-drying, apply TRESemmé Thermal Creations Heat Tamer Spray according to the bottle’s directions, keeping it away from your eyes. It provides heat protection without requiring a separate styling cream. Cover the small fringe section evenly, then comb through; don’t saturate it with repeated sprays. The manufacturer recommends applying it to damp hair before heat styling.

Dry Across Your Forehead Before Directing the Bangs Down

Dry the bangs before the rest of your hair. Such a small section dries quickly, and once the roots have set in a split, brushing over the surface rarely changes much.

Use your dryer on low airflow and a comfortable low or medium heat. Hold it above the fringe, with the nozzle pointing down along the hair rather than upward from underneath. Keep it moving and several inches away from your skin.

A Denman D3 Original Styler gives you a flat brushing surface for guiding the fringe across your forehead. You don’t need to wrap the bangs around it. Use light tension, catching the hair without pressing the pins into your skin.

1. Brush the damp bangs gently toward one side, following with the dryer from above.
2. Change direction and brush across to the other side. Alternate a few times while the roots are still damp.
3. As the roots dry, brush the fringe forward into its intended position and finish drying the ends.

This loosens an unwanted part without creating the rounded shelf that a tightly rolled brush can produce. Once dry, let the bangs cool before arranging them.

If you have a strong cowlick, meaning a patch that grows in a different direction, don’t keep blasting it with heat. Try a slight side opening that follows its direction. This technique suits straight or gently wavy bangs; naturally curly bangs need an approach that respects their curl and shrinkage.

Arrange the Wisps With Your Glasses Back On

Put your glasses back on once the fringe is cool. Slip the arms underneath the longer side hair without trapping any strands at the hinges. Then use clean, dry fingertips to settle the central bangs.

Create a few small, uneven openings instead of dividing the fringe into identical bundles. Touch mainly the ends. Repeatedly raking your fingers through the roots can separate fine hair too widely and transfer oil to it.

Guide the longer outer pieces diagonally beside your frames. They don’t need to be tucked behind your ears if that pulls the whole fringe apart. You’re simply keeping them out of the hinge and away from the lenses.

If one tip hooks upward, remove your glasses, dampen that strand, and dry it downward with the flat brush. Don’t roll it under. A large bend shortens the visible fringe and encourages the ends to perch on the rim again.

You can skip hairspray if the bangs stay in place. For fine, wispy hair, a clean finish often looks fuller than one coated with wax, oil, or heavy cream. Those products can collect several strands into one thick piece, leaving a bigger gap beside it.

Before calling the style finished, turn your head and look down, as you would when reading. If the bangs immediately catch again, note that spot for your stylist. Styling shouldn’t require keeping your head perfectly still.

Refresh a Split or Flattened Fringe the Next Morning

You don’t have to repeat the entire routine every morning. First decide whether the problem is a bent strand, a reopened part, or oil making the bangs cling together. Each needs a different response.

For a sleep crease, dampen the affected strand from root to tip and brush it in the intended direction while drying. For a reopened middle part, rewet the roots on both sides of the gap and repeat the gentle sideways drying motion.

If the fringe feels oily, a quick fringe-only wash is often easier than layering powder onto silver hair. Let facial moisturizer or sunscreen settle before releasing the bangs onto your forehead, and wash your hands after applying skincare. Don’t skip sunscreen to preserve your hairstyle.

A fringe that keeps bending against the same part of your frames probably needs a trim adjustment. Book based on when that contact returns, rather than waiting for the rest of your haircut to need attention. Bring the glasses again, especially if you’ve changed frame shapes.

Celia, concentrate on the roots first, keep the bend through the ends shallow, and finish with your glasses on. You’re aiming for lightly separated bangs that settle around your frames. Once the length and drying direction agree, you should need much less product to keep them there.

This post How to Style Wispy Bangs for Older Women Who Wear Glasses?, was originally published at Latest-Hairstyles.com

Color block hair was one of those things I kept dismissing as too costume-y until a client showed up with a single teal panel tucked behind her ear that she’d been maintaining for over a year. It wasn’t loud or attention-seeking in the way I expected, and it made me realize that what I’d been picturing was a very specific, very 2016 version of color blocking that doesn’t really represent what people are actually doing with it now. The technique has gotten quieter in some directions and way louder in others, and the range of what counts as “color block” has stretched so far that a couple of blonde face-framing pieces on a dark brunette technically qualifies.

What I find interesting is how differently the placement reads depending on where the color lands and how much of it there is. A hidden panel underneath is practically invisible half the time, while the same exact color at the money pieces changes the whole first impression. And the maintenance question is all over the place too, because a vivid purple chunk is not the same commitment as a few blonde slices, even if the technique is basically identical. So I pulled together a bunch of approaches here, from really subtle to genuinely wild, because the conversation around this color trend deserves more than one version of it.

Textured Dark Brown Bob with Copper-Gold Face Frame

Instagram: creationsbyroxanne

This next style sees a cute textured bob featuring color blocking around the face and bangs. The base color is a dark brunette color, contrasted with warmer tones at the front ranging from copper to gold (the shift from a deeper copper tone into a pale gold at the ends adds dimension without introducing any other color into the mix). I love that this style grows out really well, as warm blonde tones melt really nicely into dark brunette hair colors. The textured, piece-y finish looks like it could be created at home by adding a texturizing product through damp hair and leaving to air dry.

Before and After Brunette with Caramel Color Block Highlights

And last but not least, here’s a before and after shot of a dark brunette hair color with gorgeous caramel color blocked highlights. It was styled in a blow out which I think really helped the look stand out (the styling consisted of a blow out with a round brush, then adding in some wave patterns with a large iron). Again, the color blocking was done perfectly with larger pieces throughout the middle length of the hair and around the face frame while leaving the root and some of the color underneath darker. This placement is extremely effective as it compliments where light is typically reflected off the face.

Black Shoulder-Length Style with Silver-White Money Pieces

Instagram: mane_magick

This one has silver-white money pieces up front on a beautiful black, shoulder-length hair color. I love the placement and thickness of the lighter color as it’s immediately apparent and nicely frames both sides of her part. Keep in mind that going from black to silver-white is going to take some work in terms of lightening so I’d ask your stylist how many appointments that will entail before you dive into anything like this. And those pretty, barely there curled ends were probably achieved with a larger barrel curling iron (allow the curls to cool before separating them).

Black Waves with Neon Green Face-Frame Panels

Instagram: itsjustkatehair

This last look is similar to a couple mentioned already with only a select section being colored to avoid widespread lightened damage. The difference here is the size of the color blocked sections are pretty thick on each side making bold face frames. The color will fade as well, shifting toward a more muted olive which may actually make it easier to maintain. The neon green may start to grow out quickly, but could be touched up in between salon appointments with a semi-permanent hair color.

Long Layered Dirty Blonde with Lighter Front Panels and Bangs

Instagram: sarahrhimhair

Long layered dirty blonde with a lighter color through the bangs and front. Layers are mostly from the chin down with some shorter face-framing pieces.

Low contrast version of color-blocking, which, frankly, looks more like the natural variations in hair color that you already have, just taken a little bit further.

Great style for people with thick hair, as the heavy layering will cut down on the weight and bulk at the bottom half.

Ash Blonde Wavy Lob with Platinum Front Pieces

Instagram: bridgettalexis.alchemist

This shoulder length ash blonde wavy lob has a more subtle color block going on. The platinum face framing sections are only about 2 shades different than the rest of the hair. Which is nice because it wouldn’t have required too much more processing to her hair, assuming it had already been lightened to get the ashy blonde hue. It’s giving more of a toned look than bold contrast. Also those waves look so perfect but undone! I would totally achieve that by braiding my damp hair at night instead of using a curling iron. This next dirty blonde color has long layers and hidden blonde panels. The blonde sections start within her bangs and through the pieces towards the front making it appear like a color block, but it’s a subtle contrast since it’s just a shade or two lighter. Kind of like there’s more dimension than nature intended. Layers start about chin length and down which takes out some of the weight from the bottom half, which is best for thicker hair types. There are shorter face framing layers too.

Dark Brunette with Blonde Face-Framing Slices

Instagram: hairbyashleihunter

This next one is similar to the last in that only small sections of the hair have been colored blonde. This long, dark brunette color has a couple slices of blonde down each side of the part for face framing. The pieces are probably only half an inch or so, wide each making it one of the easiest of these color blocked styles to maintain since there isn’t a lot of blonde to upkeep. If I colored this, I would suggest having the blonde start about half an inch down so it would appear to be intentional right out the gate as it grew out.

Long Auburn Hair with Hidden Hot Pink Panel

Instagram: studio90.s

This long, straight auburn hair is hiding a bright, hot pink color underneath. It would only be visible from certain angles from behind or the sides making it the ultimate peekaboo color, since it isn’t placed at all in front like a face frame. She would need to get that side section lightened to achieve hot pink color, but luckily it would be contained damage since the rest of the hair would not have to be lightened to get this look.

Long Brunette with Blonde Money Pieces and Full Curtain Bangs

Instagram: thevelvethairlounge

This long, wavy brunette color is blocked with blonde in two ways, full curtain bangs and bold money pieces on either side of her part all the way down to her ends. It would grow out nicely since it doesn’t start right at the root and there is a concentrated amount of blonde in comparison to brunette. It would also be a nice option for someone that wants color blocking, but isn’t ready to jump into bold hues.

Black Base with Saturated Blue Foiled Highlights

Instagram: jessicadallinghair

This long wavy black hair has saturated blue highlights foiled in throughout. It’s on the slightly darker side of blue, think royal blue (which is darker, more saturated color than cobalt). It would probably take a 3+ hour salon appointment to get all of those foils in, since her hair is pretty long! Color longevity will also depend on how often you’re able to go between shampoos. The longer the better! Which basically requires daily dry shampooing.

Dark-Rooted Platinum Short Choppy Lob with Side Bangs

Instagram: hairbyfitz

Fine hair can benefit from a textured and choppy cut to give the impression of thicker hair. Platinum can be high maintenance, needing to be refreshed at the roots every 6 to 8 weeks and using a purple shampoo in between to keep it from getting brassy.

Black Wavy Lob with Cobalt Blue Panels

Instagram: lindsayhutter.thehaircutter

We continue to see more wide panels of color blocking in this next cut, as vivid cobalt blue accents have been woven into this cute shoulder length wavy lob. The blue has been lightened in already so regrowth would become apparent here pretty quickly (probably by around the 4 week mark). This color combination would suit girls with naturally dark colored hair the best, as only the blue sections would need lightening and regrowth touchups (the black doesn’t need to be colored as it’s probably already her natural color). I think the waves here have been created with a flat iron (by twisting sections of hair and clamping down with the iron) as they don’t look like they’ve been created with a conventional curling iron.

Brunette Bob with Canary Yellow Bangs and Front Section

Instagram: janinawillgren

Next we see another example of color blocking concentrated at the front, this time featuring bright canary yellow color blocking woven into an otherwise brunette, super short and sassy bob. Again the bright blonde color stopping abruptly halfway through (by about ear level) really accentuates the color blocked effect as there’s no attempt to blend the colors together. Hair in good condition would probably need lightening all the way to a pale blonde (level 10) color first before the yellow could be added with direct dye. Yellow is also a fashion color that tends to fade quicker than others (shifting to a paler lemon shade within as little as 2 weeks I would imagine).

Brunette Waves with Blonde Money Pieces and Curtain Bangs

Instagram: beautybybayley_

Maintenance-wise, this is one of my favorites of color blocked hairstyles as the blonde color is all up front meaning that when it does start to grow out you won’t notice it as much! Especially around the curtain bang area, it will grow out really seamlessly. This would also be best for wavier hair and medium density. When going in for a color like this, you could ask the stylist to only add color about an inch into your hair to make maintenance a breeze.

Black and Steel Blue Choppy Straight Bob with Bangs

Instagram: haruhappy0618

This chic, sassy short style sees a black choppy bob accented with color blocked streaks of steel blue and cute blunt bangs. The wide vertical panels of color blocking work really well with straight styles, and the color has been concentrated at the front and around the parting which means the blue really pops when the hair is worn down, but could easily be tucked away when worn in an updo. The super short bangs wouldn’t suit everyone, as I think they really only look their best when regularly trimmed (probably about once every 3 weeks).

All-Over Warm Blonde Layered Blowout

Instagram: headcasestudiosalon

Here we see long, warm blonde hair with face framing layers. This next few pictures don’t feature any actual color blocking as such, but I loved the way the stylist has concentrated lighter blonde tones at the front to create some subtle contrast/dimension. In my eyes color blocking isn’t just reserved for stark contrasting colors, instead you can create some dimension with any haircut by using different shades within the same color family (just like we’ve seen with the dark brunette color blocked with honey ribbons, only on a much subtler scale here). The cute flip at the ends is probably down to styling with a round brush (probably a larger barrel size). I think this would suit hair that’s on the thicker side better, as longer styles tend to look flat quicker on fine-haired girls.

Dark Brunette Shag with Subtle Honey Ribbon Highlights

Instagram: cosmobyzoe_

This long dark brunette shag features thin ribbon highlights of honey blonde color throughout, concentrated the most in the layers framing the face. This one is probably the most subtle example of color blocking featured in today’s post (and could even pass off as more natural looking color as ribbon highlights and honey blonde tones are reminiscent of how hair gets naturally lightened by the sun). This cut is ideal for girls with thicker hair and loves a lot of layers, as layers cut in at about cheekbone length create lots of lift and volume at the top.

Black and Blonde Chunked Short Wavy Bob with Full Bangs

Instagram: kristamontgomeryhairandmakeup

Next up we have another example of more chunky color blocking in the form of this cute chin-length wavy bob with full bangs. This look reminds me a lot of color trends from the early 2000’s thanks to the contrasting black and blonde colors alternating in wide chunks, but thankfully it still manages to steer clear of looking dated. This look will require regular blonde touchups (about every 6 weeks I’d imagine), but if you really like the idea of high contrast color blocking it could be worth it! I’m also guessing the waves in this one come from a curling iron (probably with a smaller barrel size) but that have been tousled/broken up afterwards with her hands to avoid looking too polished.

Dark-Rooted Silver Layered Long Hair with Curtain Fringe

Instagram: aaashleee

This next color blocked hairstyle will be a bit high maintenance with the silvery color typically needing a toner every 4-6 weeks or so. However, since there’s a dark root incorporated into this look it’ll most likely extend that timeframe! When getting a color like this I always recommend taking a photo of a style you like including the depth of the root so your stylist will know how much darker area to leave in. This would be best for medium density and straight-slightly wavy textured hair.

Black Hair with Platinum Underneath Panels and Bangs

Instagram: thisisessea

If you wanted to achieve this color, I’d highly recommend a bonding treatment as you’ll have to lighten that underneath layer to a platinum color. If the black is dyed and not a natural color, it will take multiple appointments. This underneath piece only lays below the jawline, but adds such a fun dimension to the style when catching it just at the right angle or if your bangs blow forward!

Brown Chin-Length Bob with Lavender and Blue Accents

Instagram: hairbyingridyu

This adorable color block is added only in little areas meaning it won’t over take the whole style and only serves as accents. The lavender bangs area will most likely grow out quicker and fade to a silvery color which I still think would look adorable with this cut! This bob is great for adding some thickness to the hair so fine-medium textures would look best with this.

Blonde, Pink, Purple, and Black Multicolor Waves

Instagram: blackkat.beauty

The pink, purple, and black colors are all worked together when styled in waves or curls and otherwise lay in long thin vertical pieces against the blonde color. If you like this idea of color blocking, know that it’ll take a while in the chair! Depending on how many colors you add could easily take a 3-4 hour appointment. Vivid colors will also need some proper maintenance with cold water rinses, sulfate-free shampoo, etc.

Warm Brunette with Hidden Teal Underlayer

Instagram: hair_by_jessyro

I love the pop of color that is tucked away at the nape area of this photo. If your hair is typically up or you know it gets flipped and flopped throughout the day, you’ll get to show off the color. This is also a good option if you love vivid color, but can’t show it off at work! This style would be best for longer hair and will need to be lightened first (all the way to a 9 or 10 level) before adding in the teal, but the best news about this color placement is that grow-out isn’t even an issue!

Black and Coral Pink Split Color on a Layered Shag

Instagram: crystal.yildiz

This color blocked hairstyle is fun with its color placement not being down the middle (traditional) and rather haphazardly placed on and through the black color. I love the shorter (shoulder length) cut with layers to mimic some wildness of the color blocking. This color will be best on a textured hair that has some natural body to it. It should hold its color for a few weeks, but I’d suggest picking up a color depositing conditioner to help maintain the brightness of the coral-pink in-between appointments.

Long Wavy Brunette with Thick Platinum Streaks

Instagram: divinas_estudio

The contrasting blonde streaks here are platinum and to achieve this on darker hair takes quite the lightening process so having virgin hair or not using boxed dye for a good while would be helpful for this one. This color also stands out so much because the color is sectioned off more thicker and not to be confused for highlights as they aren’t blending into the brunette at all. I think this style could get a touchup around 8 to 10 weeks just so the root doesn’t appear muddy.

This post Color Block Hair Turns Contrasting Shades Into the Main Attraction, was originally published at Latest-Hairstyles.com

A side part on a textured bob is one of those things that seem really simple but actually does a lot of work, especially for women over 60, due to where the volumizing effect is created. Center parts on short bobs can end up sitting flat right at the crown, which is the worst when hair is starting to thin out or lose density. But shifting that part even half an inch can create lift that is built in without using volumizing spray or teasing. I remember a client of mine from years ago, she was 63, and had been using a center part on her chin-length bob for over a decade. One day, I think without even thinking it would make a big difference, I combed it over to a deep side part while it was wet, and her face completely changed. She looked like she had gotten fillers or something and it was literally just the part placement! She almost cried and I think about it every time someone says the part ‘doesn’t matter’.

With bob hairstyles, the goal is not to look messy or undone. The texture is actually serving a structural purpose.

Using razoring, point cutting, or even scrunching some product into the hair creates movement, and then the hair will hold its shape longer between washes compared to a blunt bob. For women over 60, who may not want to blow-dry every single morning, keeping a style looking good for as long as possible is even more important than how the cut looks when they leave the salon. So let’s look at some real examples.

Dark Brunette Textured Bob with Razored Interior and Dramatic Transformation

From examining the before vintage photo, we can see that the long hair is pulling all the weight down, shearing down the crown, and causing the medium-thick hair to appear thinner at the ends. The bob resolves all of these problems. What stands out the most is the amount of internal layering that was likely done, most probably some sort of raw work through the inner layers, as the top remains full while the ends kick out, and separate without looking stringy. For heart shaped faces, this rests right on the jaw and is the sweet spot for broadening a narrow chin. If your face is already wide at the jaw, this length will emphasize that. The side part is doing quite a bit of structural work, providing some elevation and asymmetry that makes the entire silhouette feel purposeful and not just short. Bobs like this without face framing or texture will certainly look nothing like this, so be sure to set your expectations for a blunt cut styled differently to achieve this. It simply won’t happen. It is ideal for medium to thick hair with some natural wave or bend to really hold onto that texture.

Deep Mahogany Curly Bob with Natural Volume and Soft Side Placement

The shorter side comes in close to the head and the longer side pushes out with full curl definition. That sort of asymmetry creates angles on a round face shape that has no angles, which is where the face completely rounds out. The color is a rich mahogany with warm undertones that pull light differently at each curl. That makes me think this was probably a gloss or semi-permanent application rather than a full, permanent color. Chin-length curly bobs do not hold up in humidity. They will triangle. The internal layering here is keeping the shape contained. The shape is preserved because there is point cutting through the mids which allows each curl to spring out and not become a mass of curls. This cut is excellent for medium to thick curly hair with a 2C or 3A texture. Fine curls will lose this shape within a day, and lose it they will.

Dark Curly Bob with Chestnut Undertones and Asymmetric Fullness

The weight is distributed quite interestingly here. You can notice that one side is heavier, and sits more forwards by the cheekbone, whereas the other side is more tucked away. This gives the cut more direction than most curly bobs, and looks more asymmetrical. I think this was cut dry, and I would assume she slide cut it. This means she took some of the bulk out of the curls so as not to disrupt the curl pattern. This is an ideal cut for oval and heart shaped faces. If your curls are less than a true 3A, then this may not be a good fit. That’s not a styling problem, it’s a density and texture mismatch. The base of the curls is quite dark, but the woven chestnut tones only show when the curls separate, so it’s a small detail that makes the whole thing less heavy.

Chin-Length Wavy Bob with Warm Balayage and Asymmetric Weight

Do you see how the heavier side of the cut sits just in front of the chin, and the other side is just above the jaw? That asymmetry is at work here, and yes, it is deliberate. The stylist used point cutting to add some texture while keeping the bulk and the wave pattern, which is how the texture looks like actual movement rather than frizz. A hand-painted balayage brings some warm caramel tones throughout the mid-lengths and is kept away from the roots so the dark brunette base remains grounded. This looks best on medium density hair that has some natural wave or curl to it. If your hair is straight, it won’t hold this shape without daily effort, end of story. All oval and heart face shapes will get the most from the swept volume at the crown, but the forward length is also flattering on rounder faces.

Ear-Length Choppy Bob with Warm Toffee Pieces and Gritty Texture

The left side is meant to tuck behind the ear, while the right side is meant to fall. This is an example of intentional asymmetry, where the inner layers are cut a little shorter on one side to allow for that natural tuck. The aim is for it to look intentional, and not just cut all one length. This is a true ear-length bob with a lot of point cutting through the ends, that sits just on the jawline on medium density hair. The toffee ribbons placed just through the front pieces and ends keep a dark base warm without the commitment to highlights all over. It works beautifully on oval and heart shapes as it offers a jaw level weight to balance out a narrower chin. If your hair is thick and straight, this cut will not move like this without product and effort. The lived-in grit you see here requires either texture spray or paste through damp hair, otherwise you will end up with a helmet. The ideal hair for this is fine with a natural wave.

Warm Copper Chin-Length Bob with Crimped Wave and Tucked Side

It’s really interesting to see one side hang behind the ear while the other side has a full wave in front. The inconsistency is really striking here, and it works because the inner layers were point cut to remove bulk but retain structure. This is a medium density, chin length bob, warm copper balayage over natural brunette base, and the wave pattern resembles flat iron bends more than curling iron waves, which gives it that crimped, slightly messy look. Round and oval faces pull this off nicely, if your face is already narrow the heavy side sweep and ear tuck will only accentuate your length. This cut is going to need product and heat to achieve this look, that is the honest trade off for a cut that appears so effortless in the photos.

Dark Chocolate Chin-Length Bob with Choppy Interior Layers and Lifted Root

The back has more work than the other sections. The ear-length tuck creates asymmetry without making an asymmetric cut. It’s pretty smart because if you ever want a more balanced look, you can wear both sides down. It is true that interior point cutting gives movement, as opposed to actual visible layers, the movement comes from the layers you can’t see. One length perimeter, all the texture is hidden inside. This needs medium to thick density to hold that volume at the root, without product build-up. Fine hair will go flat at the crown within an hour. Oval and heart face shapes wear this well because the chin length width adds structure where it is needed, but round faces will feel wider because of it. For color, a single process deep chocolate brown with no dimension is frankly the best option for this cut because highlights would compete with all that texture.

Wavy Chin-Length Bob with Warm Bronde Highlights and Natural Grit

The heavier side has cheekbone width rather than jaw width, which is important for round faces because it draws the eye up rather than out. This is a chin bob on medium dense wavy hair that has been point cut at the ends to stop the texture from clumping into a bunch. The color is a hand painted bronde with warm honey tones over a natural brown with purposefully grown out roots. This will not work on straight hair, and straight hair will just sit there like a flat triangle. No amount of salt spray will solve that. This is one of those cuts that will look better on day 2 than day 1, which is rare and worth something.

Cool Brunette Chin-Length Bob with Piece-y Separation and Pushed Volume

One side of the haircut is tucked behind the ear, but the other side has more hair and falls forward. The asymmetrical section is about two inches off center, which is why it looks like the volume is shifted to one side. This gives round and oval faces a less static look. The ends have a blunt cut but point cutting has been done to remove some density while also keeping some structure. This style works best with medium to thick hair. Fine hair will not split into the distinct pieces that this haircut is designed to create, and you’ll end up wasting a lot of time each morning trying to replicate something that will not work without a lot of hair. The color is a cool toned medium brunette. It is a single process with no dimension, but it works because the texture is doing everything.

Ash Blonde Textured Bob with Rooted Dimension and Loose Beach Bend

The asymmetry of this chin-length bob makes it unique. The heavier side of the bob will do all the work of the style. Notice how the waves aren’t uniform; there’s a difference in the pieces that frame the face versus the back ones, which suggests some internal layering. The back pieces are more layered than the front. The ideal hair type for this style is medium density hair. Super thick hair will cause the style to balloon out on the side, losing that controlled messiness. The balayage goes from warm brown to a cool ash blonde at the midshaft, and the roots are left a warm brown with about four inches of shadowing. This way you do not have to chase your regrowth every six weeks. The style is also suitable for oval and round shaped faces, as the jaw-length hits right at the narrowest point. There’s no way this can be achieved with straightened hair without a heating tool which would be a huge commitment.

Chin-Length Brunette Bob with Point-Cut Ends and Tousled Wave

As for the added benefit to individuals with rounder jaws, the heavier side pushes the volume up and away from the jaw. In this instance, the point cutting is sufficiently aggressive to remove the bulk at the ends without making them appear thin, which is quite a tricky balance to achieve with hair of this medium density. She is a natural brunette with warm highlights that are subtly woven through the mids to catch the light just enough without appearing too “colored.” Fine hair will definitely not suit this. The wavy design and airy, separated texture will need enough individual strands of greater thickness to keep shape without the product doing all the work to hold it. This length will be ideal to oval and heart shaped faces. Those with square jaws should go a half inch longer.

Warm Brunette Textured Bob with Sun-Kissed Pieces and Swept Volume

This hairstyle is chin length and has more weight on one side, which adds width complimenting her oval face. Chin length bobs usually do the opposite. Some people may not be able to achieve that rounded look at the front due to lack of volume, but it can be done with a round brush and some effort. This bob is slide cut at medium density with hand-painted honey highlights mid length, which help it catch the light well and avoid obvious grow out lines. On fine hair it will not look like this. Fine hair at this length with this amount of texture removed will just be limp by noon. If your hair has a lot of natural volume or a slight wave, then this will work. For fine hair, this cut with slightly wavy hair will look great, along with some salt spray and a quick scrunch. The side part adds asymmetry, balancing out a strong jaw, making this cut great for both round and square faces.

Jet Black Wavy Bob with Swooping Side Part and Wet-Look Texture

The root lift is solely working here bc the hair is dense enough to support that volume without collapsing by noon. This is a chin length bob with interior texturizing that allows the wave pattern to move without the ends getting bulky, cut with a razor or point cut through the mid-lengths to keep things broken up. Solid black with no dimension means it lives or dies on texture alone. This will fall flat on fine hair. This length suits oval and heart shaped faces well as the jaw grazing pieces add width where you want it and the deep side part elongates a rounder face convincingly. One thing to note is how the shorter pieces near the part sweep across the forehead almost like a grown out curtain bang that has been folded back and it gives that effortless look that people want but rarely get on purpose. Ideal candidates here are thick naturally wavy hair.

Jaw-Length Wavy Bob with Ash Blonde Foils and Undone Texture

The entire weight is on one side and asymmetric, chin length bob with point cutting on ends on medium hair density, and the babylights are focused on the front pieces while the underneath and roots stay darker which gives the whole thing dimension without looking overly done. If you have a round face this length and parting will really suit you as it narrows the face. What I notice is that the texture looks styled, not natural so someone with straight hair would likely need a flat iron or a wand to bend those pieces in place every single time and that is a really big ask for a cut that is meant to look effortless. This shape will really on thick hair, pouf out at the sides instead of falling with that relaxed swing.

Burgundy Chin-Length Bob with Wave Texture and Root Shadow

This burgundy is neither a gloss nor a toner rinse. This is a deliberate placement. I would assume a balayage over a dark base because you can see the depth at the root staying almost black as the mid shafts pull that berry-wine tone only where it would light. With medium to thick hair that naturally waves or curls, this cut kind of styles itself. The interior has been point cut or texturized to allow those waves to separate without too much pouffiness, which is why it sits closely at the jaw instead of going triangular. This is not going to look like this on you if your hair is fine and straight. It will lie flat and just be a blunt bob with red dye. The side part here is doing a lot of quiet structural work, shifting volume to one side so the shape reads asymmetrical even though the length is the same. This style really suits oval and heart face shapes. Round faces should be aware that the chin length will widen you. This warm color will fade really fast and in three weeks if you don’t use color safe products and cold water you’re going to have a muted pink-brown.

Soft Blonde Chin-Length Bob with Undone Waves and Natural Root Depth

This look has a lot of dimension in the back with short layered hair, and a more sophisticated top. The back has nice build up layers to create that solid volume while the front has a nice build up to add some dimension and encourage the hair to fall in such a relaxed way. This look works best with medium density and chin length bob with a nice point cut so the ends are airy, and don’t feel heavy. Her colour is a nice warm and dimensional blonde with a soft shadow root that allows her to grow out her hair without a harsh line plus a hand-painted balayage rather than a foil look. This look will be pretty close to the photo on fine to medium hair with some natural wave or bend. Thick coarse hair will not work and will puff out on the side and lose that relaxed tucked in shape. This length really suits oval and heart shaped faces as it sits right at the jaw to open up the neck. That stray hair over her temple does a lot of work to soften the part and keep the whole style from looking too ‘done’.

Tousled Chin-Length Bob with Rooted Blonde and Bent Waves

The hair grabs attention more when side parts are deeper because it shortens the appearance of the forehead. No need for a fringe and a deep source part is the reward. If you have medium density hair, the waves are going to bend instead of fall, and instead of having a formed unit curling pattern, you’ll have a bunch of separate strands. A lot is going on at the root shadow. It’s a warm sandy color that transitions to a brighter blonde at the mid lengths, which gives depth at the scalp and makes the hair look thicker than it actually is. This will suit oval and heart shapes best. Round faces, less so; however, chin length hair with added volume at the sides will give an expanding effect. On straight hair, this won’t look like this without heat styling.

Rich Copper Chin-Length Bob with Loose Waves and Heavy Side Part

Copper has many varied tones. The root shadow presents darker finishing, which then fades into a warmer burn orange color. The midshaft keeps the color from reading flat or costume-y. The cut is right at the chin, and the texturizing on the inside lets those waves stack without getting bulky The deep side part throws all the volume to one side which is really flattering for oval and heart-shaped faces, in fact, all of this requires medium to thick density hair. Fine hair will make the volume on the heavier side lost within an hour and will look lopsided. Even just the density of this color will make frequent visits to the salon for maintenance, as it will fade super fast especially in the sun and from hard water Here’s the thing, this copper color is going to fade and that means you’ll be in the salon more times than you want to be.

Jaw-Grazing Brunette Bob with Razored Layers and Effortless Bend

You can notice a distinct difference in the fullness on each side, specifically with one having a heavier block right on the jaw, and the other being closer to the neck. That difference is purposeful. He is using the side part to create asymmetry and structure that adds volume in the appropriate areas and keeps the outline from looking too flat. The internal razored layers give it separation and a piece-y effect without over thinning it. The body and movement of the hair is a result of medium density hair. If your hair is really fine, it will take extra work to achieve. The color is a naturally cool brown with some subtle dimension. There may be a few face-framing baby lights that aren’t too noticeable. To pull off this length, it is most compatible with oval and heart-shaped faces. The lower jaw grazing pieces provide additional volume to those face shapes. Round faces will likely find this length too wide. On straight hair, this cut just sits there.

Warm Auburn Chin-Length Bob with Piecey Texture and Swept Part

The ends are a blunt cut and then point cut into, this gives those pieces a separation, almost wet look without needing product to hold them in place. The separation is doing the majority of the work in this photo. The colour is somewhere between auburn and burnished copper, with darker roots left deeper to make growth look deliberate and not overdue. The ideal hair for this is medium density as you need enough weight to hold the shape at chin length but also let air move through the layers. If it is too thick, this will create a triangle shape. For round faces, that heavy side part is the best as it creates an asymmetry that lengthens everything. Very straight hair will not make this look and the required texture is either natural wave or daily effort with an iron.

Brunette Chin-Length Bob with Soft Bend and Natural Side Part

Most of the weight is sitting on one side which is doing all the work. That side adds part asymmetry some shape to an oval face without layers doing the heavy work. The point cutting on the ends stops the shape from being too blunt or boxy. This hair type is medium density with a slight natural wave, and the person who cut it really worked with that texture instead of against it. One thing to notice is the ends flip out on the shorter side then bend in on the longer side, that contrast is what makes the shape feel alive instead of being too styled. This will not hold the same body on really fine hair. It will lay flat against the jaw losing most of the interest. Round faces should think twice because that chin length hemline can actually widen the face instead of lengthening it. For medium to thick hair with any wave at all, this is a genuinely low effort cut that looks like you put in a lot more effort than you actually did.

Chin-Length Textured Bob with a Deep Side Part and Dimensional Blonde

For round face shapes this is fantastic, the longer side goes in front and the shorter side goes behind the ear, and that asymmetry works wonders. The ends are point cut. This leaves some density for that piece-y separation which is ideal because this hair is medium thickness and any over-texturizing would make it fall flat in a week. The balayage keeps a warm sandy root visible so there’s no harsh grow-out line. This cut will not cooperate on a humid day. It’s going to be like this on the straight hair types. Without heat, it just won’t happen. Also, if your hair is very fine, the side part will expose scalp where you don’t want it. It makes the cut look a lot better though if the hair is medium to thick, slightly undone.

Dark Voluminous Bob with Razored Ends and Side Sweep

The weight is exactly where it should be–the cheekbone– and the inside layers are kept from looking like a helmet. Many neglect pattern here, the ends are piece-y without being thin, meaning the stylist removed bulk in a very specific way throughout the mid shaft. This is medium density chin length bob on thick straight hair. On fine hair it will not look like this. The volume on the heavy side of the part is coming from her own hair’s density being re routed, not a round brush rescue mission or anything like that. This style works best on square and heart face shapes because the fullness at jaw level balances out the narrower chin. For thick hair, this is the bob to take if you want an undone look without the hair going limp. One length bobs on thick hair tend to go boxy quickly and this cut solves that issue.

Curly Bob with Warm Caramel Ribbons and a Soft Side Part

The volume on the heavier side of this cut is doing all the work, which is why it looks so good. It’s all in the density of her naturally wavy/curly hair. This shape wouldn’t be possible with fine hair. The caramel highlights are painted on to the curl clumps instead of doing traditional foils. This way, the dimension doesn’t look stripy when the curls spring up. This chin-length cut is most suited to round and oval face shapes because the side part adds asymmetry that elongates the look of the face. If your curls are tighter than 2C, this length will shrink up considerably and will look much shorter than you expect. That’s a guarantee, not a maybe.

Choppy Brunette Bob with Lived-In Movement and Off-Center Part

The asymmetry in this style is striking. One side of the hair tucks in to the jaw, while the other side is out. This is intentional, as it involves point cutting at varying depths to create a landing variation. The hair is medium to thick density so it has the texture, but doesn’t look bulky. The jaw length will be nice for round and oval shaped faces. On fine hair this cut will also sit very flat because of a lack of volume. This is a problem of density, not styling.

This post A Side Parted Textured Bob Makes Every Angle More Interesting, was originally published at Latest-Hairstyles.com

Question from Laurel Pennington, 56, of Lititz, Pennsylvania: “My new shag reaches my collarbones, with shorter layers on top and long bangs. At the salon it looked relaxed and nicely shaped. When I dry it, the crown goes flat, the sides puff out, and the bottom looks stringy. My hair has a slight wave and feels finer than it used to. How do I style it without curling every layer?”

Laurel, your description tells me you’re probably giving all those different lengths the same treatment. With a medium-length shag for women over 50, that can leave the shortest layers flattened against your head while the longer pieces collect around your shoulders. Brushing everything outward can exaggerate the width without giving you much lift where you want it.

You don’t need to curl your whole head. You need to give the crown a direction, help the front layers fall into place, and preserve some fullness through the bottom. Being over 50 doesn’t dictate your styling routine; your current texture and density do. For your finer, slightly wavy hair, a little targeted drying followed by air-drying the lengths is a sensible place to begin.

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Find the Three Areas That Give Your Shag Its Shape

Before reaching for your dryer, lift a small section at the top of your head. Notice where those shorter pieces end compared with the longest hair near your collarbones. Then find the pieces that connect your bangs to the sides.

Those are three separate styling areas: crown, face frame, and lower lengths. Your crown needs a little space at the roots. The front needs enough direction to keep it from hanging across your eyes. The bottom needs to stay gathered into loose sections rather than separated into dozens of thin strands.

This is why styling your shag like a rounded bob often disappoints. Turning every layer under creates stacked bumps; pulling every layer outward creates wings. You’re aiming for a less uniform finish, with the shorter layers resting over the longer ones.

Also check the bottom before blaming your technique. If the last few inches look very sparse even when freshly washed and gently combed, styling cannot replace missing density. Ask your stylist whether the longest edge needs a small trim or whether too much hair was removed through the ends.

Prepare the Short Layers Without Coating Them in Cream

After washing, detangle gently and squeeze out excess water. Press with a towel until your hair stops dripping, but don’t leave it wrapped up while the crown and bangs dry into flattened positions. Those shorter pieces usually need attention before the bottom does.

If you’re using a dryer, apply TRESemmé Thermal Creations Heat Tamer Spray to damp hair according to the bottle directions. It supplies heat protection for the areas you’ll dry, without requiring you to use a heavy styling cream at the crown. Separate the layers so you cover the hair underneath as well as the surface, keeping the mist away from your face.

You want even coverage, not a soaking wet patch. Distribute gently with your fingers or your usual detangling comb. Heat protection doesn’t make high heat necessary; keep your dryer comfortably warm and moving.

Save any cream for later, when you can see whether the longer pieces actually need it. If your hair has become finer, coating every short layer can make the top collapse before you finish. If it feels coarser or drier, you may need more conditioning through the lengths, but that still doesn’t mean your roots need the same amount.

Dry the Crown Upward at the Roots, Not Outward at the Ends

Keep your head upright so you can judge the shape. Slide your fingertips into the roots at the crown and lift a small section roughly an inch away from your scalp. You’re supporting the base, not pulling the entire section straight up by its ends.

Use your dryer’s narrow nozzle on low airflow and low or medium heat. Hold it several inches away and angle the air along the lifted hair, from the roots toward the ends. Don’t blast upward from underneath; that sends the short layers flying apart.

1. Lift one small crown section and move the airflow across its roots.
2. Release it briefly, then lift the neighboring section. Keep your fingers and dryer moving.
3. Once the roots are dry, switch to cool air while supporting the section, then let it settle.

Stop when the crown sits slightly away from your scalp. You don’t need every short tip sticking up. The ends of those layers should fall back into the haircut.

If you have a swirl that splits at the back, gently guide the damp roots across their usual direction, then back again as you dry. Avoid drawing a hard part through the swirl. For naturally curly hair, preserve the curl groups and use a diffuser on low airflow instead of stretching the crown with this method.

Let the Front Layers Open Around Your Cheekbones

With long bangs like yours, the front should connect with the shag’s side layers instead of becoming two stiff curls. While the fringe is still damp, arrange the split where it naturally sits. You don’t have to force a center part if your hair keeps falling slightly off-center.

Take a small front section between two fingers and guide it diagonally toward your ear. Keep a gentle curve in the hair rather than stretching it tight. Direct warm air down the section, away from your eyes, then let it cool before releasing it. Repeat on the other side.

A slight bend is enough. Rolling these pieces tightly around a small brush can make them spring outward and add width exactly where you’re already seeing puffiness.

If you don’t have bangs, use this approach only on your shortest face-framing pieces. If your fringe is curly, encourage its existing curve with damp fingers and let it dry without pulling it straight. And if the front has already dried in the wrong position, dampen that section from the roots through the bend before resetting it; wetting only the tips won’t change the direction at the scalp.

Keep the Collarbone-Length Ends Together as They Dry

Now leave the crown alone and check the longer hair. For your slight wave, let these lengths air-dry until their natural bends start appearing. If they already look smooth and defined, you can skip another product.

If they look fuzzy, Kristin Ess Weightless Shine Air Dry Crème is an option for adding definition and calming frizz. Its directions call for application when hair is about halfway dry. Start with less than a dime-sized amount for your finer lengths, spread it between your palms, and lightly apply below the ears. Add more only if needed.

Cup a handful of ends in your palm, raise them gently toward your shoulder, and release. Repeat around the bottom without squeezing hard or repeatedly raking through. Then let the hair finish drying. Constantly separating these tapered ends makes them look thinner.

If your hair is straight, skip scrunching and let the lengths fall naturally; cream won’t create a lasting wave. If a shoulder-length piece dries with an awkward bend, dampen that piece, let it hang clear of your clothing, and reset it. On day two, try damp hands on flattened or fuzzy sections before adding more cream. You rarely need to restart the entire haircut.

A Shag That Looks Finished Without Styling Every Strand

Laurel, give yourself permission to stop once the crown has lift, the front sits comfortably, and the longer ends fall together. Your shag doesn’t need matching curls or a perfectly rounded outline. Those different lengths are supposed to remain visible.

Concentrate your effort at the roots and around your face, then give the bottom less handling. If the same area keeps looking wrong, show your stylist a picture of your home result. A small adjustment to the cut is sometimes more useful than another styling product.

This post How to Style a Medium Shaggy Haircut for Women Over 50?, was originally published at Latest-Hairstyles.com

The nicest haircut I ever gave was in my sister’s kitchen. I didn’t have a blow dryer, and the shears I was using were dull. With damp hair, I gave her a bob with internal layering. From the time it took for us to leave for dinner for it to dry, the bob was finished. One of the things I loved about this haircut was that because it was wet, it basically kept the shape of the hairstyle. People think that a wash and go is a lazy hairstyle, but in reality there is a lot of geometry that goes into it and the shape does a lot of the work.

Something that has less to do with the shape and more to do with a cut holding its shape is weight. A blunt perimeter will help retain structure with air drying. Something that helps achieve this is point cutting. Weight distribution is a big factor in determining if a cut will hold its shape. A cut can have a lot of layering and still lose structure. The right shape and balance can lend itself to a towel and air drying.

Soft French Bob with Wispy Bangs

The bangs in this picture are unique. They’re point cut. This means they can be worn without the use of a brush or flat iron. This style creates a textured bob with bangs. Bangs can be worn to frame the face, especially with a neck length or shorter bob. This style will not work well on thick or coarse hair because it may puff out and lose the framed edge. Thin to medium hair is best for this style. People with thick hair can achieve this look with the use of a blowout and a flat iron to tame the hairs puffiness. The style works best with people with straight to S-Waves (soft curls) hair. The style will give a face with an oval or heart shape an even better frame. With other face shapes the style may create an effect where the face appears to be in a box. A long face with this cut may create the illustion of a narrow, framed chin because of the bangs and the length of the sides. The style allows for a long, easy, low maintenance hairstyle. Expect the framed edge to start looking shaggy and untamed after about 6 weeks. Going any longer than that may create a weird, scraggly, long frame. A touch up every 6-8 weeks is recommended.

Collarbone-Grazing Lob with a Long Side Fringe

The longer length of this fringe framing face-frame cuts the fringes, so it isn’t an accident that they’re all the same length. The ends are finished with a soft, natural wave, and there’s some inner layer texturizing to reduce bulk. This cut is excellent for folks who don’t want to deal with styling their hair because it is framing the face and adding structure for people with round faces. The rich color of the dye deepens and frames the face. Since this color doesn’t require any maintenance or upkeep, it’s a good low-commitment option. People with softer faces and thin facial features should be aware that the fringe covers a lot of space, so it may overwhelm. From a style perspective, it is pretty high maintenance.

Collarbone Brunette Shag with Swooping Face Layers

The shorter pieces of this cut frame the face and flare out at the cheeks. Extra movement in these areas gives this cut more dimension. The layers are slide-cut to fall and fan out. The fanned-out nature of this cut and the overall volume of the layers makes this a great cut to wear hair naturally loose. This cut is more flattering for thinner, less voluminous hair because the face-framing layers lose their definition. This cut is most flattering for people with medium to thick hair that has some natural wave. The cut lessens the natural weight of the hair and makes it less prone to lateness. For people with oval or round faces, this cut lessens fullness in the chin area and gives an overall slimmer appearance. Because this cut is worn long, it can make a strong horizontal line. However, a long cut can be difficult to manage. A collarbone length cut can appear disheveled and unkempt, especially when worn with the right tops that play down the area.

Heavily Layered Brunette Wolf Cut with Curtain-Parted Face Framing

The signature element of the punk look is short haircut with long bangs. The classic style has long hair in the back and long hair in the front, framing the face. This cut adds fullness to the face. The length variation gives depth and interest to the cut. Naturally wavy or curly hair can be cut punk but it will have a more unruly look. Thin or straight hair will not be able to hold the style since the shape of the cut will flatten out. The style actually makes thicker hair appear thinner. Layers around the face give more definition to the chin area, and gives an overall thinner appearance. The style helps to soften a square or heart shaped face. Short layers will always require trimming, and if it is neglected, the unruly hair will take longer to grow out.

Long Layered Reset with Curtain Fringe and Warm Caramel Balayage

The first picture shows an example of poor layer placement and too much weight. The second picture shows proper interior lining and placement of face framing bangs. Face framing bangs should be placed at the cheek bones. The Caramel Balayage is placed throughout the entire length of the hair to add brightness. This cut is ideal for people with thick hair because it helps maintain the shape of the cut and the ending of the hair looks thick. Airy haircuts are very trendy and this haircut can enhance your air dry look. This haircut is recommended for people with round faces because it helps with face shape balance. The placement of the bangs and length changes where the focus of the eyes is. Ends of the hair were trimmed using a point cutting technique to remove hair and bulk. This type of hair cut is very important.

Shoulder-Skimming Layered Brunette with Soft Kickout Ends

The natural tendency for the ends to turn under provides the structure for this style. People with hair that is shoulder length or longer are good candidates for this haircut. Knowledge of styling collar length hair can vary, and may require the assistance of a professional. People with fine to medium hair density with a slight wave are also good candidates for this style. Face framing layers can help give a more defined and fuller appearance to the face. These layers should end at the cheek bones, not the jaw line. Molding and styling this cut in the morning is fairly quick. One way to help style this cut for a thinner face is to let it dry naturally.

Flipped-Out Shoulder Shag with Warm Caramel Pieces

This style is all about layers. Notice how the back layers flipped out in the end, creating body without a brushstrokes. The brush out is possible because the heavier part of the hair can be removed by the stylist with the use of a razor. Consider your hair type. This works especially well for someone with medium hair that has a slight wave. This style will look flat and unkempt for someone with fine hair. Round faces are made wider with this style. This is especially flattering for a heart or an oval face. The hair frames and benefits the face because it is parted in the front. This style requires some adjusting and upkeep. With the help of the stylist and the client, a low hairline has been worn by the client. There is dimension through the entire length of the hair. This is generally a low-presentation style. In order to wear this style, you need to style it in the morning. This style enframes and places emphasis on the face.

Feathered Collarbone Shag with Warm Brunette Ribbons

Layers at the top of the style naturally frame the face. This isn’t affected by the style. This is purely based on the cut. The shape of the style is created by the cut, however this only benefits medium to thick hair. This cut creates a natural, thin, facial frame. This is even more beneficial by removing blockiness. This cut is suitable for people with round or slightly long faces. This cut also helps to conceal a wide face. This creates a nice natural curtain. A nice feature of this cut is that it helps to frame the face, and works best with medium to thick, textured hair. The hair color works well to add dimension, and gives a natural, sun-kissed effect. This hair color is well-suited to people with hair that is not too thick. This hair style isn’t well-suited to people with very fine hair, as this style doesn’t benefit from a volume boost.

Mid-Length Butterfly Cut with Curtain Bangs and Natural Texture

Look where the shorter layers are. They begin at the cheekbones. Cheekbone layers create structure in the face and prevent the face from looking too narrow and too long. The hair in the front is cut to frame the face and falls at about the collar bones. The layers in the front are razored to create a piecey effect. Bangs are cut to connect the cheekbone layers. This cut requires the hair to be fairly long and has a lot of movement. The body and movement of the cut creates structure to the face. This cut will soften and frame the face. This cut will also give fullness and movement to very little hair. This cut is very versatile and can complement many colors, but it will depend on what the client wants maintenance will depend on if the color is single process or if there is more than one color in the hair.

Medium Layered Flip-Out with Curtain-Parted Face Framing

The layers in this cut achieve a few things. To begin, they are cut with internal graduation, allowing for more flexibility when blow drying. Since this is a tool-free style, having the layers create the shape is ideal. The longer layers provide facial framing. The length of the layers provide body and are cut in such a way as to eliminate the need for styling. This cut is best on medium to coarse hair. Hair that is thin and lacks body will loss shape and volume quickly. For hair that is on the thicker side, the ends of the layers will lack body and wave and will fall flat. The layers frame the face and provide a warm caramel color. This cut is universally flattering. A more defined jawline will appreciate this cut the least. This style will easily hold its shape for 8 months. Anything over 8 months and the cut will look unkept.

Tucked-Under Brunette Bob with Point-Cut Softness

This style allows the natural ends of hair to roll under. For hair with this style, the ends would roll under and brush against the head. This cut is point cut which provides a straight edge. This style thins the face, although if done incorrectly, it can broaden the face. Heart and oval faces are the more complementing face shapes for this cut. This cut is designed so that the hair is parted naturally and has no visible part. The part can also be held in place with hairspray or some other product. The hair can be styled with hairspray to keep it in place, however this cut is designed for the hair to be simply washed and to not require styling. This style requires a great deal of time to style for people with straight hair.

Wavy Chin-Length Bob with Invisible Interior Layers

The weight is centered in the jawline, but the Guibe-and-Curl remains slightly fluid. This is not caused by layering. Layers would not provide texture. Layers would actually remove fullness. This style uses lots of volume. This style is more bendy than other styles, since the natural waves and curls in the hair help to keep the shape. This is more flexible than other styles. This style relies on the natural waves to hold the shape. Thick, curly hair, especially if it is at the face-framing layer, can make the face appear longer and slimmer. This style may even make a long face appear longer. This style gives a nice frame to the face. This style is best on people with curly/wavy hair. This style works best on thicker hair. The color helps take away some harshness of the face. The color is flat, and solid, and gives a nice deep brown tone. This color can be flat and look solid. Depending on the lighting, this may need to be adjusted.

Clean Ear-Length Bob with Subtle Caramel Threading

The weight is at the jawline. Lines are tight and clean with a hint of point cutting. This cut avoids the helmet look. There is no layering. The front has hand painted caramel highlights. The rest is a medium brown. This cut is ideal for those with medium thin to medium thick hair with a straight to slight wave. This cut will lose the sucked look behind the ears for those who have thick coarse hair but will gain some poof. The cut is good for those with round faces because it gives good definition and a jawline. The part is off center, so the overall look of the style is relaxed. People with cowlicks naturally tend to want to try this style. But this will not turn out how it’s suppose to.

Shoulder-Length Layered Cut with Face-Framing Flip

Notice the short pieces around the face in this haircut. They are not layers. The stylist used point cutting to cut long, medium density pieces around her face. These pieces flow with the natural body of the hair. The longer pieces of this cut are around the collar bone. This cut is best for people with a medium hair line. Because the cut is long and layered it creates a thin and long illusions of the face. This cut also has short pieces around the face which create a rest point for the eye. This cut does not create a bulky appearance. This style is low maintenance because there is little effort required to style it and it dries quickly. This cut is one process, and the color is a medium-dark brown. Since this is a one process cut the color is natural looking and maintains warmth.

Piece-y Short Shag with Side-Swept Layers

The neckline draws the most interest to this cut, in my opinion. The length doesn’t pose a problem, thankfully. The length is short, all around. There is shape and choppy layers throughout the length of the cut. This cut almost looks like it could have an airy-lift at the front, thanks to the choppy layers. For this look to be pulled off well, there has to be some natural volume, and a rounder face. This style has a long fringe, making the eye look like a continuous line with the brow. The shape of this cut would over power a rounder face, otherwise. The fringe also requires a significant amount of up keep. This cut, in general requires a lot of maintenance. If you want to keep the shape of this cut, you have to get it touched up every 5-6 weeks. Thin, straight hair will hold the shape of this cut easier. But, the shape won’t last long on thick, textured hair. Medium to thick, textured hair won’t hold this shape very long and will quickly look unkempt.

Layered Brunette Pixie with Swept Crown Movement

The crown is the heaviest part of the head, and this cut is heaviest at the crown. The hair on the sides and back is very short. This is primarily a weight cut, and the layers give texture to the hair. It is forward to give volume and a textured look. It has long bangs. This cut does not flatter all face shapes. It is not a good choice if you have a long face. This cut does tend to thin out the face and therefore is a better choice for medium to full faces. Thin to medium hair is ideal for this cut, as it is better to have more hair for this style.

Tousled Crop with Heavy Texture on Top

This cut has a long length with an emphasized crown. The ends are textured, giving it a piece-y effect. This style adds length to a round face, especially with the addition of wispy sideburns. Sideburns soften the edges of the facial features and give a less rigid appearance. This style works best with a medium to large amount of hair. Thin hair wouldn’t be able to hold the shape and style for very long. Thicker hair may be able to carry the style longer. A transformation to this haircut will take a couple of trims and shape ups to achieve the style, and then continuous trims to keep it shape. The face shape and hair type may make this style last a long time. However, this style naturally compliments the color of hair and eyes, so adding in some colors may make this a show stopper.

Undone Chin-Length Chop with Razored Ends

Notice how the ends are razored? That’s to get rid of large amounts bulk in the hair. This cut creates a lot of shape, especially with a medium brown hair color. This cut is a chin length with layers. This cut is more flattering with an oval or heart shape face. A round face with this cut makes the face appear even wider. A medium to thick hair has more of a natural body and volume and will benefit most from this cut. However, for a thin to medium hair with some natural body and wave this will also be a good cut. This cut will also benefit from being worn second day since it will have less body.

Choppy Pixie with Forward-Falling Length on Top

Tapered sides help to showcase the ears and a forward cap creates a cascade of three inches over the forehead. The sides and back of the head are lined with hair and contrast perfectly with the cap. Though the design is simple, the contrast creates an elegant appeal and requires little upkeep. Textured and thick hair is ideal to achieve and hold the style. Although there is no readily apparent need for color treatment, the natural colors of the hair enhance the appearance. The style narrows the face and is therefore ideal for those with round and heart shaped faces. Those with fine hair should avoid this style. Ideally the cap should extend to the back of the head as well and be complemented with a stacked Cushion in the crown. Volumizing hair sprays and other similar products will not provide the same effect as the natural volume of the hair.

Razored Chin-Length Shag with Warm Brunette Dimension

An effortless air-dry look starts with this haircut. The stylists uses razor techniques to give the ends of the layers a flipped effect. The layers at the forehead frame of the face cut just above the chin, and the rest get shorter towards the back and the sides. This cut creates body without the need for round brushing. The length can be bushy for people with thicker hair. This haircut can also be worn with caramel pieces framing the face, which also adds warmth to the brunette hue. This haircut is also great for people with round faces as it helps to create a longer face shape. People with straight and fine hair should not wear this style. People with oval faces can also wear this look.

Jaw-Length Textured Bob with Lived-In Highlights

Layers around the jaw release and create an unconnected shape. In this technique, volume is achieved by stacking, and no round brushes or products are used. This cut is made up of many fine pieces, all held together by the use of stacking. A razor cut bob requires some type of product to hold the shape, as the cut is difficult to wear naturally. The medium density and wave of the hair frames the face nicely. The mid length caramel highlights frame the face well and help hide any regrowth. Because of the thin nature of the hair, it loses and flattens volume throughout the day. The shape of the cut is good for people with wider faces, as it helps reduce face width.

Soft Shaggy Bob with Curtain Fringe and Natural Warmth

Check out those layers at the crown. The reason this style looks good and doesn’t look flat is because the layers at the crown are cut short. Like the rest of this cut, the layers at the crown are textured and not blown out with a round brush. Overall, this style is good for medium to thick hair. With thick hair, this style may look good, but the sides may puff out and with thin hair, this style may not hold and will look flat. This style has a separated curtain fringe that is worn straight. This cut can make a long face look good and add structure. With this length, a boxy appearance is given on people with a square face. The color is a warm brown. Overall this style is good for low maintenance and looks good in most lights.

Soft Rounded Bob with Interior Texture and Warm Ribbon Highlights

The lines in this cut are deliberately harsh. Don’t worry, there’s refinement in the design in other places. This cut is significantly heavier in the front. Without it, this cut can look terrible. If you’re trying to pull off a bad hair cut by pretending you’re too cool to go to school, no one is going to be fooled. This cut includes highlights. Thankfully they’re not bad ombre. They add dimension and give the appearance of greater volume. People with heart shaped and oval faces should try this cut. People with round faces should stay away from this cut. This cut is also not good for people with thin/thin air hair as it will make your face appear to be larger. People with thick/dense hair should try this cut as the appearance of greater volume will be an improvement. People with straight and slightly wavy hair should also try this cut. This will also be an improvement for people with long to medium hair. This cut will reduce styling time.

Chin-Length Blunt Bob with a Deep Side Part

These lines are precise, and there is no other detail to draw attention away from the lines. The shape is entirely due to the cut. Study how there is no brush work to guide the ends. The ends simply follow the shape of the cut. This is possible due to the natural shape of the hair, and if the hair had too much natural body, it would create a puffed out and soft defined edge. The shape of the sides is extremely defined as well. A natural and defined neckline helps to achieve a soft jawline. Keeping the hair this shape and this length gives an elongated appearance, but does not minimize the appearance of fullness of the lower face. This shape creates a strong, defined line. For a strong defined line, a strong defined color and deep part helps to achieve this. The entire length of the hair is the same, so a part that is set off center add shape and allows for more fullness to one side. Shape is only achieved through strict maintenance. This cut is extremely straight forward.

Textured Pixie with Feathered Fringe

Notice how the fringe isn’t cut straight. It’s point cut. This cut adds texture. As fringe is point cut to differing lengths, it can give the illusion of falling that way naturally. This is a short, close cropped pixie. The hair is left long on the crown, and is cut short on the sides and back. Dense hair is needed to achieve volume, or it’ll lie flat. This style is best suited on women with an oval or heart face shape. A pixie cut with a rounded face will not to be flattering. Natural dark hair has dense color, and in this case, dark colors help to frame the face. Highlights are not needed and will not enhance the look. This look requires touch ups every 4-5 weeks, and the nape will grow out quickly.

This post These Haircuts Look Good Even When You Skip the Styling Tools, was originally published at Latest-Hairstyles.com

The most put-together woman I have ever come across in a business dinner had hair that looked like it had not been touched literally in days, and that was exactly the point of it. Chin length, turned bob, with ends turned under, and a chestnut color that I am almost positive had been done for decades without ever changing the formula. When I asked about it (because I always ask), she told me her Boston stylist had been doing it the same way since 1998 and she saw no reason to stop. That kind of commitment to a single, well-chosen shape is what I think about when I hear ‘old money’ being thrown around in hair discussions.

Let’s break down what this marketing lingo actually means: think of hair that is understated. The cut is the focal point, the color is not too far from the person’s root color, and the styling looks intentional but could have been done on the way out the door. A proper bob is the kind of classic timeless style that provides a lot of versatility, and for women in their 40s and 50s, it can convey a sense of authority. This style can accentuate a person’s features without making them look like they are trying to be youthful. This style communicates authority without coming across as too rigid and flat out puts many of the more sought after trendy styles to shame in terms of looking good as time passes without regular salon appointments. The styles in this collection lean into that philosophy, polished, casually elegant, and with interesting details.

Tucked Brunette Neck-Length Bob with Soft Razored Perimeter

For example, one side is tucked behind the ear and the other side falls in front. The asymmetry like this isn’t styled, it’s built in using a slightly graduated interior layer so that it lets the hair swing to one side naturally. The perimeter of the cut has a razored softness that keeps it from looking blunt or heavy which is why it’s effortless instead of severe. This is a medium density, straight to slightly wavy, hair cut. A truly thick hair cut will mean that the side that is tucked behind the ear will not sit flat against the head and will puff out. This length looks good on oval and heart-shaped faces because it sits right on the jaw and opens up the neck nicely. The color is a single-process rich cool brunette with no highlights so it is just pure glossy depth. Because roots show up quickly on a solid dark shade this polished, it will require color refreshes every four to five weeks.

Cool Ash Brunette Bob with Fine Woven Highlights

The highlights in the hair are designed to look silver rather than warm, and are so fine that they look more like natural texture than color. This is intentional. A bob at chin length and graduated so it is longer at the front and more stacked at the back gives medium density hair a shape that sustains itself easily. This length suits oval and heart shaped faces. If you have a round face, it will hit at the widest part of your jaw and won’t be flattering. The inside is point cut to reduce bulk at the perimeter, which is what gives it this natural swing forward. On fine hair, this style will be flat against your head by midday.

Warm Chestnut Textured Bob with Loose Bend and Copper Undertones

You can see the different outcomes at the end of the cut. Some pieces kick out, and some bend in. This was done intentionally by point cutting into medium-density hair so the texture looks random, but in fact, it is uniform. This cut is a chin-to-collarbone bob, and the color is a rich chestnut base with copper running through the midshaft. This color will warm up your face and catch the light, but it won’t scream “highlights.” The body in this style requires medium to thick hair, as fine hair will be flat by noon and no product can save you from that. Oval and heart face shapes will wear this style well, as the width at the jaw brings balance rather than bulk. If you have a round or square face, the same fullness at the sides will most likely widen your appearance.

Tousled Brunette Collar Bob with Warm Caramel Ribboning

This is worth knowing in advance: hair poses issues. Unless your hair is very resistant to drooping and is able to carry weight past lunch, this will collapse into a different look entirely. The waves are the main feature and take so much effort, so to speak, and if your hair cannot hold a curl, it will look different. This is a collar bone length bob with long internal layers and painted caramel slices through the middle shaft down to the ends. The roots have been left dark and untouched to about two inches. What I found interesting is the placement of the highlights, which sit on the top of the outer waves. This tells me that the colorist was very intentional about that. The ideal candidate for this hairstyle is someone with medium to thick hair, and good natural wave. Those layers will tend to thin out on fine hair, and the waves just won’t sit as nicely as they will with good density. Heart and oval face shapes will find this style flattering as the width sits at the jaw and elongates the lower face. Square jaws may find themselves looking wider.

Voluminous Bronde Chin Bob with Barrel-Set Waves

Finer hair types will need a very specific styling routine for this to work. The volume here is achieved using medium to thick density hair which is layered through the length and set with a large barrel iron in different directions to create that stacked rolling effect. Look how the pattern of the waves is non-uniform; the face framing pieces fall back and away whilst the sides fall forward which is intentional and will require some practice to get right. The color is a warm bronde with highlights woven quite finely through the mid to end sections while leaving the root color untouched for some dimension and to avoid any harsh lines. This sits very well on oval and heart face shapes because the volume sits on the cheekbone but rounder face shapes may find it To be a bit wider and bushier than ideal. This is a great cut that will require a lot of work to maintain, especially on wash days.

Chin-Length Bronde Bob with Lifted Waves and Strategic Brightness

The first photo shows why this look works so well. The longer length was pulling her features down and making the hair look like it was happening to her instead of something she chose. Chin length cuts with mid-length foilyage placed evenly throughout the cut lift the weight of the face. Look at the brightness around the front pieces and the crown. It’s deliberate! The inner layers are cut at an angle to create a soft bend without the bulk at the sides, which is perfect for medium-density hair with a natural wave. This length looks great on oval and heart-shaped faces. If your face is round, this isn’t going to be your friend. This won’t air-dry into a polished wave for most people, so you’ll need to use a large-barrel iron to style it.

Sandy Blonde Collarbone Bob with Center Part and Inward Curve

The very ends of the cut have a very subtle curve, which is doing most of the work. Imagine how flat and one-length this would look without that detail. The small bevel at the base is helpful to add shape without layers while keeping the perimeter thick and clean. The hair is a natural-looking sandy blonde with some finer highlights woven through the mid-lengths and the roots are darker so there’s no harsh grow-out line. This look is ideal for medium to thick hair. Fine hair will not hold that inward bend without a round brush every single day and by noon it will look limp. Oval and heart-shaped faces wear a center part like this well because the length hits right at the collarbone and keeps the proportions balanced. But if your face is round or square, that center part with this length will frame you in a way that feels boxy. One thing worth mentioning is the almost overly polished control in the body of the hair. That’s right, this is the style for you if you like to scrunch and go.

Stacked Brunette Bob with Soft Mocha Dimension

The layers from the graduation at the back are doing the bulk of the work here, creating volume and shape that medium density hair can’t always do on its own. See how the weight line rests just above the jaw, and the back has a nice clean stack without going full wedge? That restraint is what keeps it looking polished. A few fine mocha highlights are woven through the mid-lengths, just enough to catch the light without looking “highlighted.” If you happen to have a strong jaw or a longer face, this length and angle will work for you as it will direct focus to the cheekbones. This will be difficult for rounder faces. With a shorter back, you’ll have to come in for a trim every five to six weeks or it will lose its shape entirely.

Glossy Near-Black Chin Bob with Center Part and Inward Bevel

The bevel on the ends is doing all the work here, smoothing everything in so the shape self supports around the jaw without looking rigid. This is a one-length bob on med density straight hair, cut with a touch of interior graduation so weight doesn’t pull the ends flat. The colour looks almost black in some angles, closer to a deep cool espresso where the shine hits. Oval faces will wear this with ease. Round faces, not so much, because the centre part and chin length perimeter will put expand everything under the cheekbones. This cut demands shine. On dry or porous hair, it will look unrefined and mercilessly expose every split end.

Neutral Brunette Chin-Length Bob with Precision Perimeter

Most of the work for this look is done by the perimeter line. With cuts that are clean but gradated back so slightly, they give hair a soft, quiet structure which is not stiff at all. The color is a true neutral brunette – no warmth pushing through, no ash pulling it cool. That restraint is what makes it read as expensive. Hair of medium density is ideal here, because you need enough weight to hold the line while still allowing that slight inner bend at the ends. On fine hair, this exact cut will look flat by noon. Those with round or fuller face shapes should know this length hits right at jaw level, and that can widen things if there’s no angle to the cut. Here, there’s barely any. Oval and heart shaped faces wear this best! One last thing though, the inside has almost zero layers which keeps the outside glassy and smooth and that’s a deliberate choice because it requires straight or barely wavy hair to make that effect.

Rich Mahogany Ear-Length Bob with Tapered Nape

You can see that the back is doing the heavy lifting here, and that is very evident from the front too. You can see the weight sitting forward, forming a lovely shape just behind the ear, while the front bits swing just past the jaw. That takes some super precise graduation through the nape, cut tight and stacked so that the head shape shows round and full instead of flat. This color is one-process mahogany and has a nice cool red undertone that catches the light in the best way, without being too red. Be aware though, it will fade warm and brassy in about 4 weeks. This length really suits oval and heart faces. Round faces will honestly feel wider because there’s nothing below the chin to elongate the look. It is best for this style to have straight or slightly wavy hair with a medium density. If the hair is very fine, this shape will go limp very quickly.

Warm Cinnamon Collarbone Bob with Textured Blunt Ends

The first impression of the perimeter may appear a bit blunt, but upon closer inspection, it becomes apparent that a point is penetrating the perimeter ends that keeps the overall look from feeling too heavy. That’s the trick. This particular cut is a medium-density, straight to slightly wavy bob that sits at the collarbone with a warm copper-cinnamon gloss over a natural brunette base. The shade was possibly accomplished using a demi-permanent toner that was layered on a subtle foiling technique, which is how the warmth ends up feeling like it belongs to the skin rather than sitting on top of it. This will work best on oval and oblong shape faces. Here, the length and center part does not seem to disrupt the overall proportions, while on round faces, it may honestly feel wider. If this cut is done on fine hair, by noon it is going to look absolutely flat without using any product and that is not a styling issue, but a lack of texture issue.

Warm Brunette Layered Bob with Soft Side Fringe

The heavy work done by the interior layers of this chin-length bob will likely be missed by the majority of people scrolling through. They’re point cutting through the mid-lengths to achieve that rounded tucked under shape, without the hair looking stacked or dated. This is warm chestnut medium density hair with a few fine caramel pieces around the face. The side fringe is not actually bangs, it is the longest layer redirected, so it will not be a painful grow out. Oval or heart face shapes suit this style best. Round faces will lose all definition as the rounded silhouette will mirror the jaw instead of countering it. On very fine hair, you will need to round brush blow dry this every time to achieve this degree of body.

Deep Side Part Brunette Bob with Honey Balayage

The volume created by the deep side part and the sweeping curtain effect across the forehead is flattering to both oval and round face shapes. Long interior layers that are point cut to cut some bulk but keep the perimeter full frame the face and sit just below the chin. Notice the honey balayage pieces from the mid-shaft to the ends, especially around the face. This technique ensures a low-maintenance root area that is dark longer than all-over highlights. This style needs medium density hair. With fine hair, a round brush blowout is needed for the body and without that commitment, the style will fall flat by noon. Thick or coarse hair will push the shape too wide at the sides, unless your stylist thins the interior correctly, which is a great option.

Chestnut Bob with Feathered Side Sweep and Warm Ribbon Highlights

There is noticeable asymmetry in the ends of the hair, with the hair shifting inward on one side and then shifting outward on the other side. The hair also looks medium densityed as it does not appear too heavy, and the bob cut still looks polished. The ends of the bob cut hit at the collarbone, and the point cutting through the haircut allows face framing bangs to separate and not look too stringy. The hair also has warm caramel highlights and the placement of these highlights is right where the light hits, meaning that the highlights were placed using a hand paint method as opposed to foiling. Hairstyles for oval and heart-shaped faces are great because of the length and volume at the jaw and it elongates the lower part of the face. This style is not recommended for round faces because of the volume. There is a heavier weight towards the back and on round faces, the additional volume is not ideal. To achieve this style, you need medium density hair as the shape depends on the hair being able to hold volume without the aid of product.

Polished Dark Espresso Bob with Invisible Layering

The perimeter may appear blunt, but on each side, there is a point that cuts into the middle to let the ends nestle in way that doesn’t look like a helmet. For round and square faces, this inward bend is actually quite effective because it narrows everything out at the jawline. This is a chin length bob in a single process cool espresso colour with no highlights and no dimensional tricks, and it only looks this good on medium density hair with some natural body. Fine hair will go flat by midday. Thick coarse hair will fight that smooth tuck and push out instead which ruins the whole shape. However, if your hair does cooperate, this is one of those haircuts that looks like you just had a blow dry, even when you didn’t.

Auburn-Kissed Chin-Length Bob with Beveled Ends

The bevel is doing all the work here. A round brush is used to curl the ends, achieving a jawline tuck and a slight overall weight to the look without it appearing stiff. The colour is in the warm auburn to chestnut range, with thinner copper highlights in the top layer that catch the light. It’s much better than a flat single-process brunette colour. This is medium density hair that is straight to slightly wavy. On round faces, that jaw-length line will widen things. It looks best on oval and heart shapes. If your hair has a proper wave or frizz, the beveled ends will be a struggle every morning.

Collarbone Bronde Bob with Flicked Ends and Quiet Dimension

This cut works because of the gentle outward flip on the ends. Without that lift at the bottom, this length on medium density hair could sit flat against the collarbone and look heavy. The colorist left a bronde root and threaded some fine sandy highlights through the mid-lengths using what seems to be a hand-painted technique. She seems to have focused brightness around the face and avoided crown. It’s pretty expensive-looking because nothing is too uniform. This length shall suit oval and heart face shapes the most. Round faces, less so, because jaw width coupled with those flipped ends will emphasize fullness instead of lengthening. Without a round brush, this will not look like this on wash day.

Collarbone-Grazing Layered Bob with Toffee Highlights

Look at how the face framing piece hits right at the cheekbone instead of below it. This is intentional, as it really does open up the entire eye area and lift the whole look. This is a long bob that sits a little past the collarbone and has had some interior layers cut through the mid-lengths to remove some bulk while still retaining the shape. The color is a warm brunette base with toffee and caramel highlights that really sweeten the overall look. The technique used here to paint the highlights from root to tip is going to keep everything blended and natural. This is not going to work on fine, flat hair. The movement here is going to be purely on medium to thick density, and without it you’ll just get some limp curtains framing your face. For oval and heart shaped faces this length and layer placement is ideal. Round faces should ask for the layers to start lower. One thing worth knowing is that this color is going to require maintenance every eight to ten weeks or the grow-out is going to read less intentional and more neglected.

Chin-Length Blunt Bob with Warm Brunette Ribbons

The perimeter is cut completely blunt, with no texturizing, no point cutting, and that’s what makes the whole thing work. The ends sit at the same level as the jawline creating a clean horizontal line which instantly sharpens an oval or round face shape. The color is deep brunette with fine, hand-painted caramel ribbons that are focused at the front which is ideal because it lights up right where you want it. This is medium-density hair, with truly thick hair this same blunt line will fan out and lose that sleek drape and on fine hair, it’ll actually look great since the solid edge will create the illusion of more weight at the ends. The deep side part does a lot of the heavy lifting here because it gives the front that sweep without needing layers. If you need crown volume, this cut won’t give it to you.

Side-Swept Blonde Bob with Dimensional Lowlights

The deep side part is creating volume at the crown. A center part on this density wouldn’t be able to achieve that. This is a jaw-length graduated bob with interior layering to build movement through the mid-lengths. The graduation at the back pushes everything forward especially framing an oval or heart shape face. The color is a cool sandy blonde with dark honey fine lowlight weaves which keeps the blonde from looking flat or monochrome. If your hair is thick or coarse, this exact shape will fight you. It needs medium to fine hair to sit this smoothly.

Warm Copper Rounded Bob with Subtle Interior Layers

The color copper may be working on the hair, but the shades are equally varying and not flat. There is a root melt that dips deeper into a warm auburn, with face framing pieces that are done with hand-painted highlights likely as a lighter shade. The cut sits right at the jaw, and looking closely at the perimeter for one-length, the rest is careful interior texturizing creating that rounded, tucked shape under cut without the bulk. This color is not going to last. Copper always fades fast, which means you’ll be in the salon every four to five weeks if you want it looking the same. This length is good on oval and heart shaped faces as the fullness at the jawline is good to balance out narrower chins. If your face is round or square it will only emphasize width. For the smooth, full silhouette you see here, medium density hair is ideal, and very fine hair will struggle to hold volume at the crown without product and a round brush.

Soft Curtain Bangs on a Mousy Bronde Chin-Length Bob

The bangs may split right in the center but they are not actually parting in the middle. They just fall that way due to being cut in a point-cut technique that feathers at the level of the cheekbone. That technique alone is doing a lot of the work here. The base color is a natural mousy brown and the highlights are fine sandy blonde and woven throughout at a subtle understated level so the grow-out is clean for months. Chin-length, medium density, a bit graduated in the back to push the volume front. This is a strong cut for oval and heart-shaped faces because the width sits right at the jaw. Round faces will find that it widens them. If your hair is thick and coarse this kind of precise, smooth silhouette will fight you every single morning.

Jaw-Length Brunette Bob with Warm Caramel Face Framing

The lightest pieces of hair have been placed deliberately to create an intentional highlight effect that stops just shy of the mid- cheekbone region. This is called face-framing and when combined with the balayage technique it creates an amazing effect. The ‘nape’ and ‘crown’ areas remain untouched so the overall effect is even more deep and interesting. The cut is just below the jaw line but with a lot of long interior layers so there is movement without thinning at all. This is genuinely for medium to thick, and fine hair will look just flat by noon. The deep side part creates real volume at the roots on one side while the other side tucks in under the chin. This length looks great on oval and heart-shaped faces, but someone with a round face could feel the hair is too wide from where it ends. The hair does have to have a certain level of natural texture to achieve this, but once that is accepted it is truly a no-maintenance cut. If you want that very polished bend, then a round brush and ten minutes are a must.

Wavy Dark Chocolate Bob with Lived-In Movement

The irregularity of the waves is interesting; the left portion bends while the right side flips out. It asymmetrically creates weight, and collarbone grazing bobs do this well. This is medium-density hair that has been point cut at the ends, which means the bulk is removed but it won’t lose its shape when it is worn wavy. The color is a true single process dark chocolate brown, which means there are no highlights or tricking dimensions. It’s a good color because the waves create their own highlights and lowlights. This cut works well for oval and heart face shapes. If you have a rounder face, this length hitting right at the neck with no layers around the chin won’t do you any favors. Fine hair will fall flat within an hour of styling unless you’re naturally wavy. This style requires waves to really look its best.

This post 25 Elegant Old Money Bob Hairstyles for Women Over 40, was originally published at Latest-Hairstyles.com

“My layered bob stops just below my jaw. The left side curves under, but the right side kicks out behind my ear, and the back sticks out by lunchtime. I keep rolling my brush under, but that makes the shorter layers look puffy. How do I get the ends to sit neatly without flattening everything?” — Celia Mercer, Lancaster, Pennsylvania

Celia, that combination of a smooth side, a flipped side, and puffy layers tells you something useful: treating every section the same way isn’t giving your bob what it needs. The bottom edge and the shorter layers above it need different amounts of bending.

Your hair’s natural direction, a bend around your ear, or ends sitting against your neck can all contribute. With less length weighing them down, those shorter pieces have room to spring outward. You don’t need to curl the whole bob under harder. You need to find where the flip begins, dry that area deliberately, and keep the upper layers from ballooning.

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Find the bend before you reach for the dryer

Look at your hair with your head upright and your usual part in place. Lift the upper layers gently so you can see whether the bottom edge flips on its own or a shorter layer is sticking out over it. Those are two different styling jobs.

If the bottom edge turns outward, start there during drying. If the underneath sits neatly but the surface looks winged, concentrate on the shorter layer creating that wing. Curling the entire side under will only make the already cooperative hair rounder.

Notice where the curve starts, too. A bend beginning behind your ear needs attention through that section’s length. Turning only the last half inch won’t straighten the bend above it. If you regularly tuck that side behind your ear while it’s damp, leave it untucked during your next blow-dry and compare the result.

Check the back with your chin level. Looking down stretches the nape hair differently, so a section can look smooth while you style it and kick outward when you lift your head. Keep collars and towels away from the ends.

The method below suits a straight or slightly wavy layered bob when you want a smoother finish. If yours is curly, some outward-facing ends belong to individual curls; forcing every tip inward means changing the curl pattern, not simply correcting a drying mistake.

Start while the troublesome ends are still damp

After washing, press out excess water gently. Your hair should feel damp rather than dripping. Set your part now, then detangle the ends without pulling them around your ears.

Don’t leave the bob to dry almost completely before addressing the flip. Short, fine ends can dry quickly while you’re busy with the crown. Once they’ve dried pointing outward, you’re trying to undo a shape instead of guiding it as it forms.

For heat preparation, TRESemmé Protecting Heat Styling Spray is a useful option. It provides heat protection before blow-drying without requiring a separate heavy styling cream. Apply evenly to damp hair according to the manufacturer’s directions, reaching underneath as well as the surface, then comb through gently. Coverage matters more than a fixed number of sprays because hair density varies.

You don’t automatically need mousse or oil for this problem. Extra root volume won’t redirect a flipped edge, and enough oil to weigh that edge down can leave the shorter layers stringy. Begin with heat protection and controlled drying; judge the result before adding anything else.

Dry the bottom edge with a small bend, not a full curl

Clip the top and upper sides away, leaving a narrow band of hair loose around the bottom. Start with the most stubborn section while it’s still damp. Keep each section thin enough that you can see the brush bristles through it.

A small round brush is easier to place beneath short nape and side sections than a large blowout brush. The Olivia Garden Ceramic + Ion CI-25, with a one-inch barrel, is one option. Its size lets you catch short ends; you’ll use only a small part of the barrel’s curve, not wrap the whole section around it.

1. Place the brush underneath the section, above the point where the unwanted bend starts. Use gentle tension so the hair rests against the bristles without tugging your scalp.
2. Aim your dryer’s concentrator down the hair toward the ends. Use a comfortable low or medium heat and controlled airflow, keeping the nozzle several inches away.
3. Slide the brush downward. As you reach the final inch, turn your wrist slightly toward your neck. Think of rounding a corner, not making a ringlet.
4. Once the section is dry, switch to cool air with the ends supported on the brush. Release gently without flicking the brush outward.

Keep the dryer moving rather than parking heat against the brush. If the ends fly off the bristles, reduce the airflow or take a smaller section. More heat won’t solve poor contact between the hair and brush.

At the back, divide the loose band into manageable sections and keep your chin level. For pieces too short to catch safely, guide them downward with a comb and gentle airflow instead of forcing a round brush against your neck.

Before releasing more hair, let that bottom section cool and check it. If it immediately springs out, lightly re-dampen the bend and take a thinner section. Repeatedly heating the same dry tips usually adds frustration without addressing the cause.

Let the shorter layers fall over the edge you just shaped

Release the next narrow layer and dry it in the direction it naturally falls. Keep your brush relatively close to your head, drawing the hair downward rather than lifting it straight out to the side. That outward lift is often what turns a layered bob into a wide, puffy shape.

These shorter pieces usually need less turning at the ends than the bottom section. Smooth their length, add the smallest inward bend if needed, and let them settle over the hair underneath. You’re preserving visible layers, not trying to make every piece reach the same bottom line.

Around your ear, separate the hair in front from the hair behind it. Drying both together can drag the section across the ear and recreate the curve you’re trying to remove. Guide each small section down in its own position.

If one side behaves differently, check your wrist. Switching hands can accidentally turn the brush outward on your less comfortable side. Practice the final brush movement with the dryer off before adding heat.

Leave the crown alone if it already looks balanced. This is an ends problem; you don’t need an elaborate crown blowout. Once everything has cooled, loosen the layers with your fingertips instead of brushing the whole bob vigorously. Check the outline from the front and side before deciding it needs more styling.

Reset a returning flip without restyling the whole bob

If a section bends overnight, mist it with water from just above the bend through the tips. Wetting only the very ends leaves the curve above them intact. Separate that section from the finished hair, reapply heat protection as directed, and repeat the small downward brush pass.

Before reaching for a straightener, try this damp reset. Clamping only the tips can leave a sharp corner where the straightened hair meets the original bend. You also avoid pressing all the layers flat just to fix one small wing.

If the same piece returns every day, take a picture before you restyle it. Show your stylist exactly where it lifts and explain what happens after drying. Ask them to check the natural growth direction, where the length meets your neck, and whether the layering leaves that section too light. Request a demonstration using a brush you can manage yourself.

A Small Bend Is All Your Bob Needs

Celia, focus on the section that flips while it’s still damp, shape the bottom edge first, and use a lighter touch on the shorter layers. Give the ends time to cool before touching them. You don’t need to curl every piece under to get your bob sitting neatly.

This post How to Style a Short Layered Bob When the Ends Flip Out, was originally published at Latest-Hairstyles.com

When people say they air-dry their hair, that usually means they have a stylist that creates a cut that requires no effort or support from them. If your stylist is creating a cut that air-dries and can support your style without the use of a blow dryer, that stylist is actually more skillful than someone that creates a cut that supports a blow dry.

A client that I had 15 years ago came in every 6 weeks for 15 years. She would blow out her hair every single day. She would even use a round brush and a hair dryer to do it. She used a ton of hairspray to do it. One year, she took time off from work to go to the beach, and she broke her wrist. She came back to work, but for 8 weeks, she could not blow out her hair. She was really nervous and scared the first few weeks. Once her arm was better, we fixed up her cut so that we could support the weight of her hair without blowing it out. She has not had a blowout since.

I think it’s sweet that she is sentimental about her old cut. It also shows how silly and unreasonable some people can be about their hair.

Most people assume that the main difference between air-dry and other hair cuts is the drying time. What they miss is that the way the hair is cut determines the texture, and texture is the blueprint for a great hair cut. Something that may take 30 minutes to air-dry on medium-density wavy hair may not take that long to dry on straight, fine hair. The way the hair is cut is accounted for the way the hair naturally wants to fall, not the way it is trained to fall. This is often not discussed in traditional salon visits. A great stylist will account for how the hair dries naturally within the first few minutes of the consultation. If your stylist is not having this discussion, you may want to find another stylist.

Loose Wave Bob in Icy Platinum With Darker Root Shadow

Noticed the roots? They are 100% real, and give the lift illusions of natural texture rather than a processed and fake cut. The cut encourages waves and separation, and falls around the collarbones. This cut and style contains a lot of texture. The waves around the jawline make the face look longer. An oval and heart shaped face shows the best balance and structure with this cut, and other face shapes may appear to be Heavy in the wrong areas. This cut will not suit someone with a round face. This cut would also not enhance a thin face, and may make a wide face even wider. It takes a fair amount of hair products to style this do, and especially to capture the wave shown. Thick hair will also not define these large, unruly waves. This cut is done with a Shadow root. A shadow root is done in platinum hair to allow the hair to be rooting and to prevent the hair from being dirty looking in between color treatments.

Wavy Textured Bob With Mushroom Blonde Dimension

Ashy grays combine with warm browns to give the appearance of movement in a portrait where the subject is completely still. The balayage with toned highlights covers the early part of the “growing out” phase of the model’s hair color. The model’s hair is long and falls just past her collarbone. The interior line of the cut is defined by the absence of hair. This style draws out the model’s naturally wavy hair and creates the optical illusion of more volume. People with thin and finer hair may not benefit from this style as it may enhance the “stringy” nature of the hair. The style enhances and compliments people with fuller round faces best. Other facial structures may benefit from using a deeper side part to create the illusion of fullness, like the style portrays.

Wavy Chin-Length Bob With Ash Blonde Woven Into Dark Brunette

The length is through the mid-shaft and doesn’t touch the roots. The difference with this style versus others is that this cut incorporates some interior layers. So, this style actually takes more shape from the natural wave of the hair than the actual curl from the ends of the hair. Because there aren’t products used in this style to hold the wave, it’s important that the wearer has natural wave to hold the style. The color is a cool-toned ash blonde that is a foil-highlight and is blended throughout the entire length of the hair. The base of the hair is a medium brown. The natural ash blonde highlights blend well with the natural gray at the temples. This style is best worn by people with an oval and heart shape face.

Shoulder-Length Curly Shag With Marbled Silver Through Brunette

Take a look at how the grays and silvers grow in. On a lot of women they grow in at the hairline and temples. This cut gives a great frame to gray and gives the illusion that gray is intentional. The front curls are encouraged to pull away from each other to give a more radiant effect. This is a dry cut because she naturally has that amount of layering. The model has a strong, thick and dense 3A curl. This curl length gives a good amount of volume and separation and holds the style well. This style does require some upkeep as the curl needs to be pushed back into itself, especially if you don’t have strong enough curls to help maintain the style. A good rule of thumb for this style is people with round faces, this cut is not for you. This style adds length to your face making a long face, seem even longer. Humidity is your enemy. If you don’t like unexpected changes to your style this isn’t the cut for you.

Collarbone Blend With Cool Blonde and Ash Woven Into Natural Gray

This style is focused on the ends, which are lightly textured. This cut is about collar bone length. The texture helps avoid bulky ends. This client has medium density hair that is wavy. A foilyage with ash and cool blonde tones was added through out the hair. The foilyage helps to blend in the clients’ silver hair. A cheek length, asymmetrical, face frame, cut and layers will help add shape to a client with a heart and/or oval face. This cut with out any layers throughout the rest of the cut, will make a round face look wider. This style will not be flattering to someone with very fine, straight hair. Texture will help a great deal to achieve volume and body.

Ear-Length Curly Crop With Pewter and Charcoal Running Through

Compare crown curl volume to those around the ears. Ears are closer to the head. The crown gets that extra body and volume during the dry cutting process and is ideal for medium to thick curly hair. Not all curls get this look. 3A and 3B curl patterns are considered a “S’ curl and will create this look. This style has a contrast color and a gray color melt to dark brown. The dark brown frames the face. This style is great for all faces and helps give the illusion of a balanced chin. This may not be the best style for a narrow chin and jaw line because the volume may overpower.

Soft Chin-Length Bob With Brunette and Silver Marbled Through

The before picture shows how the client’s long, glamorous length actually detracts from her face. Removing this length created more definition to her chin and improved the overall line of her face. This is considered a one length bob. The line really begins at the nape of her neck. The rest of the line is created by how her hair falls. Her color is really great as well. The colorist really didn’t do much; she just framed her face. Adding the length really makes a face like the client’s, which is already quite round, appear more narrow and elongated. For an oval face, this cut really adds width. The length, along with the waves really softens the face. I alluded to this earlier in my post, but a cut like this isn’t really made for someone with straight, fine hair. For someone with this hair type, the hair is really just going to lay flat and not hold the shape.

Curly Jaw-Length Bob With Blonde and Steel Gray Interplay

Layering is really what makes this cut. The layering on the sides and the front of this cut actually creates a frame for this person’s face. The layers actually help avoid triangle shapes. The layers aren’t the only thing framing this person’s face. The contrast of the person’s grays showing through her recently grow out and formerly colored hair also help frame her face. This shape really does add some dimension to this person’s face. This shape also helps enhance the face by elongating it. This shape actually works really well with people who have a lot of hair with a good amount of curl. The shape actually does work well people who have straight and somewhat wavy hair, but it adds way more enhancements to people with a curl. Humidity really helps this haircut by helping to control frizzy and fly away hairs. This shape also helps elongate a person.

Piecey Ear-Length Crop With Silver and Pewter Contrast

I really like the texturing at the ends of the layers! It’s definitely more stylish than your average bob. The piecey ends create an effortless, textured look. Since the darker pewter is placed lower at the root and nape, and the lighter pewter is placed at the face-framing sections, this shade helps to draw the eye to the cheekbones as well. This style is great for people with round or oval faces. With this style, the volume at the sides is greatest, making it helpful to balance out a long, thin face. Because straight hair is typically still, it really doesn’t do this style any justice, as the ideal hair type for this style is a soft, ripply, medium wave. If you don’t, the volume may be greatest at the temples. Your stylist may need to thin the interior to prevent this.

Tousled Neck-Length Bob With Brunette and Sandy Highlight Weave

The length is left long and heavy in the crown, with a lot of wave concentrated below the cheekbone. The wave helps to avert a bob going triangle shaped. The interior of the bob has to be point-cut to take away some of the weight to prevent triangular shapes. The hair has a natural wave. The use of the right product during air drying enhances the natural wave in the hair. The hair color has hand-painted sandy highlights. The regrowth would be less noticeable compared to full highlights. A person with naturally straight and fine hair would need to use lots of product for the hair to hold this shape and maintain this style. Using the right amount of product helps to enhance and bring out the natural wave in the hair.

Wavy Ear-Length Shag With Natural Gray and Charcoal Roots

The contrast of darker roots and lighter ends gives this look more style and less “I’m just growing out my hair”. The shag cut is just at the ear, and the top is cut with lots of textured pieces. This cut works best for people with a medium to thick density with wave or curl. This is a low maintenance style because all you need to do is wash it, and it may even work for a straight or thin people, but it may not turn out well. The volume and long pieces in the front give this style a good face frame and can take away the appearance of a long face. The pieces framing the face may make the face appear too wide, especially for a full face. This is a good length for a woman who is comfortable with a more high maintenance style because it may quickly become unflattering.

Wavy Chin-Length Bob With Warm Blonde Ribbons and Curtain Fringe

Look at the sections around the face. There’s a reason those pieces are shorter. Shorter pieces around the eyes and cheeks really accentuates those features. Longer, piece-y pieces around the back and sides really help avoid lumping and clumping of the fabric like a wave. The cut is really great on people with medium to slightly fine, and a slight wave to their hair. Fine hair really helps hold hairspray and products really well, but can be hard to style because of it. Very warm golden tones really help frame your face with a brunette base. Really helps bring out your eyes. This really helps complement heart and oval face shapes. Rounder faces really helps if the length is past the chin. This really helps if your hair has a natural wave to it, and helps really bring out your eyes because of the length.

Undone Chin-Length Bob With Blonde and Ash Woven Lowlights

The ends of the layers are cut at an angle. This creates a intentional effect and gives the hair more movement. All of the lower layers should be cut blunt to give the top layers a natural movement. This type of cut is best on people with a natural wave to their hair. Anyone can achieve this look by simply scratching their head. The color in this example looks hand painted. A subtle color like this lasts a long time because it is paired with the clients natural base color. If your hair is really really really fine this cut isn’t going to do much for you. A good round out this cut is that it works best on people with an Oval Face shape.

Wavy Neck-Length Bob With Brunette Base and Silver Growing In

This style is a bob with a natural silver streak that starts at the ear and goes down to the temple. The shape and length of this style have been precut and thus do not require foils. The point cut layers help this style to have movement rather than fall straight. This style will enhance medium to thick hair. Thin hair may not hold the shape for long. This style opens up the neck and is considered a good style for most face shapes. This particularly enhances round and oval shapes. This style also enhances a highlighted grey color, but if you have a lot of grey this may not be the best style for you.

Chin-Length Curly Bob With Unforced Gray Transition

This hair color isn’t solid gray. It has highlights. The color is lighter at the temples and the crown, and the color is darker at the ears. This hair color really adds dimension. Gray highlights are always good on curls. This picture is a great example of a dry cut. Dry cuts are when the stylists shapes the hair to add body and structure. This cut is a bit longer and stops at the neck. This style only works with really curly, thick, and dense hair. A flat and medium hair texture won’t showcase this style well. This cut does a good job at adding the appearance of wider cheeks. This cut can also add definition to the jaw line. This cut and style is very good for a wash and go. It may need a hair product to tame fly aways.

Shoulder-Grazing Layers With Brunette Base and Silver Foil Highlights

The highlights around her face are a couple of levels lighter than the rest of her hair, and give the appearance of intentional regrowth. The ends of her current long layered cut are just past shoulder length, and have some soft wave and body when dry. The body is due to some soft layering and texturing. The wave helps the hair to maintain some body and not fall too flat. Very fine and flat hair, like an oblong face, is not well suited for this length. Long, face framing layers suit an oval face the best. Layers like this help give the appearance of a V face shape and elongate the face. Her color is a warm brown, with a hint of copper, and the layers are topped with a few swift strokes of silver, which add depth.

Choppy Ear-Length Shag With Caramel Ribbons

The long bangs cut straight across the forehead are shaved close to the scalp. The long length adds fullness to round faces and gives the illusion of a smaller face. This style is a shag and uses a lot of point cutting. This style also uses balayage to frame the face. This style works well on medium hair density. This style is more of a casual look and enhances your features. This style works well with hair that has medium to low wave. For hair that doesn’t have a medium to low wave, this style will lose its shape quickly. This style works well for someone who wants to look “done”. This style also creates a soft and subtle look that enhances your face.

Flippy Chin-Length Layers With Ash and Brunette Blend

Instead of curling under, the ends flip out, and that outward flip is what keeps the hair from sticking to the neck and the jawline. Medium-density, layered bob haircuts usually fall flat against the jawline. This haircut uses a razor to create texture and then creates a staggered, piece-y end. The hair color is a base of dark color with ash and silver to create an effect of gray hair. This style works best on people with oval and round face shapes because it creates a more elongated and slender looking jawline. People with a square jaw and a hard line jaw will have the silver gray lines softened a bit.

Shoulder-Length Wavy Shag With Honey Balayage

Lovely frames made by some well-placed curtains, is how I’d describe those bangs. Pair that with an oblong face shape and you’ve got a head turner. The rest of the style is a modern take on the shag. The ends are ripped or finished with a razor. This style also encourages a piece-y look toward the ends. The waves look to be natural and could be enhanced with the help of a scrunch and some product. There is a good amount of hair to work with and it is pretty thick. The warm balayage enhances some chunks toward the front and gives the hair some depth and dimension. Because the back of the head maintains the base color, this makes the back of the head appear flat while the front of the head has dimension. The warm tones throughout give the front of the head a good frame. The back and the sides of this style encourage a good amount of movement.

Curly Collarbone Lob With Silver Streaks Growing In

The weight of the silver in her curls makes the most volume. The darker, brunette curls add dimension. The curl pattern is 2B-2C. The length of the layers allows the curls to frame her face. The curl pattern makes this haircut a good choice for people with a round face. This haircut also has the weight of the curls below her cheekbones, so for people with very fine, or very straight hair, this may make the hair look very flat and thin. The silver hair color is clearly a dye job, and the grow out is intentional. The gray and the silver are left unblended. Edgy, trendy looks are what she is going for. Curls that fall in a certain way can only be accomplished with a dry cut. The curls will fall flat over time, so use hairspray to maintain the volume.

Wavy Chin-Length Shag With Cool Lavender-Gray Tones

The style features shorter pieces that give body to the overall design. Pieces in this design move when the style is worn air dried. The longer pieces help to give body to the overall design and help maintain a unique shape. This style is a razored shag that is worn chin length. The shape of the style is best depicted when worn by those with an naturally wavy or slightly loose curl pattern. It is suggested that if an individual wears this style that is not naturally wavy, they should wear a headscarf while bed, as the style may lose its shape over night. The front, shorter pieces of this style are colored a lavender tone that helps provide a cool tone to the overall style. The longer back pieces of this style help achieve the same cool tone. Heart and oval face shapes are best flattered by this style. This design provides a sweeping wave that helps elongate the face and softens the jaw. Pieces of this design are also parted to achieve a Iris shape. This shape is best achieved by Freehand Color. The color also helps provide a realistic and even soft tone to the overall style. The roots are also colored, helping achieve a softer look.

Short Curly Pixie With Natural Silver Blending

To create full spirals, the hair on the top is allowed to be longer. The hair on the sides is shorter. This contrast is the focus of the style. This particular dry-cut pixie works well with people that have medium to thick curly/wavy hair and helps with frame a round face. The longer hair on the top and the back of the head makes the face appear to be less wide. In this case, the longer hair and the client’s natural gray hair combines to create a more layered effect. The gray hair could be colored to create the same effect. This style requires very little maintenance. The user can control how defined the style is by working more product into the hair. Users should have some defined curl for the style to be effectively maintained. The style works best to display hair with a 3A curl.

Tousled Pixie With Warm Highlights on Natural Gray

Pictures showing razor or point cuts illustrate how layers of hair naturally part from one another. The style is a short layered pixie with the length on the top of the head. Pixies like these work well on straight hair; however, hair with body and/or wave will also hold the style well. Framing the face with this hair cut and style is attractive; therefore, people with heart and/or oval face shapes should consider this style. For this style, the length is inversely proportional to the volume of the hair and the attractiveness of the style. Hair with a lot of body and/or wave would hold the style better than hair with very little body and/or wave. Very thick, and particularly body and/or wave, hair may look messy and disheveled. Messiness and disheveledness is especially apparent on longer hair.

TONEd Recorder: Because this example is a style and not a color, I left out references to base colors.

Textured Pixie With Salt-and-Pepper Dimension

In front, the hair is shaved short and tapers to longer pieces that retain their base color. Long pieces throughout this style have enough length to create wavy,wild pieces. This cut is shorter on the sides and back. The hair has enough body to be worn down. This style is best for people with thicker hair, as it can make finer hair look flat and thistle. Oval and heart shaped faces can also wear this style well. The color of this style is a darker gray where it has base colors of black. This color may blend in to the gray of a person’s scalp, creating an uncsometic appearance.

Layered Collarbone Bob With Soft Face Framing

The layers begin at the cheekbone and stretch back, creating a thin line. These lines take the attention away from broader parts of the face. This cut is medium to thick, therefore, to reduce the bulk, it has to be thinned out, which is done by an interior layered cut. Because of the layering, the cut retains shape even when wet, and, consequently, gives a better natural dry look. This cut can be requested fully dry. Rich brown base gets caramelized foils. For a better appearance, ask for solid colors or ombres if your hair has an even distribution of gray. If your hair has a natural wave, the cut will give good body. Hair that is naturally straight will lack body.

This post Effortless Air-Dried Hairstyles That Work Beautifully for Women Over 60, was originally published at Latest-Hairstyles.com

As a stylist, I always thought curly hair bangs needed to be controlled. I spent years trying to teach myself how to style clients with photos of straight hair bangs and make them bend the same way. It never did, and the styles almost always fell after the first wash. The biggest advancement in my career came when I stopped trying to control the curl and cut bangs in a way that allowed for the spring. When you let the curl set the bangs, it becomes a more natural and well-designed addition to the rest of the hair.

The women that come in over the age of 60 have the biggest issue of all with the curl changing overtime in various ways in a variety of areas. What I’ve noticed with this demographic is that bangs that suited the hair at 40 will sit completely differently at 60. The styles I find myself going back to more are a lot of forgiving styles that can be flexible and allow curvature and shape to shift and change. It allows for things to fall where they may and sport an uneven appearance. That’s what I aim for when styling my clients, giving them the most versatility possible.

Ear-Length Curly Crop with Fringe Pieces That Split on Their Own

There’s no straight across shaving with this cut. It is point cut into pieces so that the curl pattern will naturally separate and give a less bulky cut that is a little easier to style. This cut assumes that the tight bangs won’t sit on the curled hair and will puff up towards the wall. This cut will keep the shape of the neckline below the ears with enough interior layering. This cut is great for medium to thick hair with a natural S-shaped curl pattern between 2C and 3A. This cut is optimal for oval and heart shaped face types. This cut will lose all definition for round face types below the cheek bones. This cut will also not be optimal for low density hair with fine curls. This cut will look wispy and flat at the sides.

Curly Bob That Rounds Itself Out with a Fringe That Loosens Near the Center

There is a belief that a fringe is cut at the very middle of the forehead. But the right curl pattern may make a fringe look higher, sitting above the forehead. For those with straight hair, when you instruct your stylist to cut to the center of the forehead, your fringe will likely hit the bridge of the nose, not above the forehead as intended. This is a curly bob at chin length with medium density layering and a round silhouette. This bob is wider in the sides and narrower at the crown and is done in the rounded layering technique, called a point cut. Thinning shears increase the width of a section and, in turn, overall thickness of the hair and is called a texturizing cut. This round silhouette is very appropriate for oval and heart shaped faces. For those with a round face, curly hair that is shaped like a bob will only make the face look wider. This single processed brunette bob is a great option for this style. The one dimensional color causes the cut to work and create depth on its own. With high humidity, you can expect some frizz which, in turn, will cause this bob to grow out in length, rather than in width.

Rounded Curly Crop with a Tapered Nape and Fringe That Barely Grazes the Brow

Tight at the nape but the crown keeps its volume. This is a classic short curly cut. The contrast of the blend of the cut is what really takes the spotlight in this style. The combination of a tapered back which rounds out and fills back up brings a nice shape and allows the style to be low maintenance. This style really suits medium to thick curly hair from types 3A to 3B. This style would not look the same on any lower curly hair types. The bangs are short and wispy and sit above the brows. They were point cut to maintain a shape with no flat lumps of hair, and to help keep the front section from falling flat. This shape really suits oval and heart face shapes. Round face shapes will more difficult to wear this style, as the volume sits at the temples. Normally, the ears being exposed helps to balance the shape of the hair around the sides and helps minimize heaviness of the style. This style does need to be reshaped every 5 to 6 weeks so the shape does not get lost.

Copper Curly Bob with a Short Fringe That Tucks Right Into the Curl Pattern

The real attraction of this design is the perimeter. The curve is drawn through the cut so the curls stop where they want to naturally, rather than a dry, blunt line against the texture of the hair. That warm copper complements medium to high density hair and a 3A curl pattern. The placement of the color reflects light creating dimension and sparkle. There’s great volume on the sides of this design, so if you have a long, narrow face this is a great way to balance the face proportions as it creates width. This is also a great face framing haircut as the fringe is so subtle and hardly noticeable. Just a few curls that fall over the brow. This style and blend are absolutely undetectable. For fine curly hair this style would collapse quickly, so this is a good option for a full, curly head of hair.

Wavy Bob with a Curtain Fringe That Barely Commits

The fringe is purposely cut thin. The style is clean and piecey with the weight pointing evenly at the sides. The cut helps give the style an airy and loose appearance. This is a chin length blunt bob, with a loose wave pattern that sits around a 2B. The wave pattern is created with point cutting which helps varieties in the hair and promotes movement, all while keeping the bulk of the hair removed. The sides are cut with a greater width than the crown. Again, for someone with a round face, a wider cut doesn’t work to your advantage. This style paired with a heart or oval face is perfect. If you have thick, dense hair, this style (especially the sides) will mushroom out and the cut will lose its relaxed, airy shape. People with dark hair have more options for this style. A natural dark color hair is also good for providing contrast and helps to frame the cut so you can easily see it without any distractions from highlights or dimension.

Shoulder Length to Chin in One Appointment and the Curls Finally Have Somewhere to Go

The before picture shows weight-pulling curls sliding past the collarbone with stretched waves. This cut solves the issue of stretched waves. The stylist cut all the length dry, curl by curl, and shaped the dries to round and jaw-length. The spring factor of her hair actually tightened her curl pattern by at least half a curl size. The bangs, or subtle stars, were cut (much) shorter than we are used to see and considering curl shrinkage, landed perfectly at the brow, avoiding a blunt, bulky look. This cut definitely should be for someone with dense, medium to thick hair and true curl pattern. Loose, wavy curls will appear much more like a bob, and the bangs will be sitting flat to the forehead. Oval and heart face shapes suit this style well. This style has a tendency to enter a growth phase quite quickly, so around the sixth week the bangs lose their definition and the sides begin to fall onto your shoulders. Frequent trims are key.

Curly Chin-Length Bob with a Textured Fringe That Sits Flat While Everything Else Doesn’t

See how the bangs are acting all on their own, while the rest of the hair is opposite. The sides and the crown have the same medium density, but the curls have a nice bounce and a wave pattern that’s probably a 2C or a loose 3A. Then there’s the fringe. The fringe is more piecey and laid down with curls that are almost straight. The entire cut is contrasting. The fringe is point cut thin, causing the loss of curl memory and in turn, not making the forehead look round. If you have tighter curls, then the bangs will not lay all pretty and extenuated with out heat. This is at a chin length with some internal layering through the mid-lengths. This stops the curls from wanting to clump together and helps them from layering on top of each other. The color is dark brown and almost black with no color work, and helps to keep the texture. It works well for thin to medium density, especially with curls that can be thin and lose volume, like hers, that deflates within a week.

Curly Ear-Length Cut with a Fringe That Lives Right at the Eyebrow Line

The real density is in the crown and the top and the sides are a little shorter in the ears which decreases the “mushroom effect.” Every curl retains its length and there are no blunt lines to work against the texture. The fringe curls are cut right above the brow to give the illusion of a shorter forehead and is flattering on oblong and oval faces. It is not flattering for round and square faces as it adds too much volume and widens the face. The length is best on medium to thick hair that has a defined curl. Finer curls will not hold this shape and may even look rounder. The hair is cut straight across the back of the neck to create a rounded shape and there is some point cutting underneath to remove volume without taking away the rounded shape.

Curly Pixie Cut with Volume Stacked Through the Crown and a Fringe That Curls Where It Wants

This cut is angled to show a bit of the ear, but not so short that it appears masculine, which is hard with curls. Most of the weight of this cut is in the top which helps with curl separation, which the top layers do well to achieve. The hair is cut dry and has no true fringe. The front with the shorter curls does fall to the forehead and cannot be controlled. If you like things to be neat, this might not be the choice for you. This cut is designed for a high density of curls 3B to 3C, and is ideal on heart and oval face shapes. This cut has a longer tapered neckline to help maintain a neat appearance in a grow out that is not a buzz cut. Shaggy hair is avoided for about 2 months.

Bouncy Ear-Length Curls with a Fringe That Coils Right Above the Brows

The dry cut leaves the fringe super long. From straight, it extends past your nose and pops up on your brow line. This is the most important part of cutting curly bangs. This style has medium density with a ton of volume at the crown with a rounded shape that finishes under your ear. It works great on oval and heart shaped faces as the width is higher and keeps your jaw nice and open. If your face is round or square, this shape will battle you. The layers are carved curl by curl to keep the shape from falling triangular and with the style, you can see how the weight is evenly distributed and not looking heavy and lopsided. It will go flat and lose its shape and fullness on fine curls and really thin hair in a few hours. It needs density to hold its shape.

Curly Bob with a Rounded Shape and Bangs That Curl Right Into Place

The weight of this short curly bob is placed lower to avoid mushrooming of the sides. The hair cut is a perimeter cut with the layer ending right at the jaw. The bangs are cut to end just above the eyebrows. The style is a dry cut that is layered on the inside to promote curl separation with minimal distortion to the overall shape and structure. The hair is a medium density with medium curl pattern from 3A to 3B. Looser curls will end up looking undefined and will not hold the shape well. For longer face shapes the width of the style paired with the bangs will help maintain a balanced appearance. People with round face shapes will actually experience the style looking even wider. The length of this cut will cause the sides to puff with humidity and cannot be hidden. It will cause the hair to mushroom. At this length, there is no hiding it.

Tight Coil Pixie with Height and a Burgundy Wash Through the Crown

The sides get cut really short so you can practically see the skin through the curls. The top is dense and stays upright without any products. Height is structural and not styled. Curls are naturally tight, probably 3C or tighter, and whoever cut this shaped them dry to get a curl by curl definition and a rounded shape. It looks like they left the sides and back of the neck the natural dark color to get a dimensional looking shape and not a solid block. Density and springiness of the curls is also important to achieve the outlined shape of the style. Loose curls or straight hair will also not fit this style and will be a failure. This style is more flattering on oval face shapes and heart face shapes because they elongate the face, but it does the opposite for round face shapes and takes away all the angles. The fringe is cut right at the forehead and nothing past it so it’s really a curtain fringe. This leaves all the features of your face open and prominent.

Rounded Curly Bob That Sits Like a Helmet in the Best Way

The weight is mostly on the sides and crown with not much length below the ears. Weight is placed intentionally in this manner. It has a very dry cut with curls taken off section by section to retain a round shape. The outline is uniform, so no curl can escape from it. This shape is best worn with denser curls. If your curls are loose or sparse, it will just be flat on the sides with a puffy top. Oval and heart faces look the best, and round faces will make it appear a bit wider. The bangs curl straight onto the forehead and do not touch the brows to leave everything looking open. Lastly, dark, luscious brown color adds a natural touch to the look.

Short Curly Crop with Volume on Top and Close-Cut Sides That Let the Curls Lead

This cuts show more than just ears. You learn quickly that cutting ears exposes some surprising curls and adds an unexpected contrast that stops the curls from clumping and spiraling uncontrollably in all directions. This is definitely a dry cut, because there doesn’t seem to be any shrinkage happening at all and it looks like it could be around 3B curls. The curls on the fringe perfectly end just above the top of the glasses looking quite purposeful. This is a great example of adding volume on the crown to add width to a narrow face. This style would be too high on volume on a round face. Adding the appropriate amount of volume to long and oval faces is ideal. This is a low maintenance style at best. The tapered sides grow fairly quickly and reshape the look unevenly in relation to the maintained top.

Curly Bob with a Deep Side Part and Face-Framing Pieces That Do the Work

The deep side part of this style creates extra volume on one side and brings the other temple closer to the head. It adds a swooping asymmetric fringe on the forehead. This curly bob is a chin length style with layering on the inside, creating a curly ‘stacking’ effect instead of a triangular shape. It works well with heart and oval face shapes since it has width at the jawline and the swept pieces of the style make the forehead look smaller. It most likely won’t work with curl patterns tighter than 3A. As the curls get smaller, the focus of the style will shift from being volume-centered away from the face to being volume-centered at the jawline. This style looks great on Dark Brown hair because it has a nice, rich shine with no highlight or added elements. Not every style needs to have a ‘finished’ look from highlights.

Jaw-Length Curly Bob with a Side-Swept Fringe That Stays Out of the Way

Notice how the side on the left is hugging her head, while the side on the right has more elevation? It’s not artistic asymmetry in the style, rather the volume and lift comes from the layers being cut to match her natural curl pattern. This is a bob on medium to coarse curly hair that is shoulder length with long fringe. It’s a great style for those with oval and round face shapes as the volume on the jaw balances the other areas on the head. Your curl pattern might be a bit looser, so you might be able to copy the style. The shape is being held mostly by the density of her hair so thin hair might look flat without the shape holding. The layers on the sides and back of her hair were point cut to be less boxy and avoid a straight, sharp line. It’s dense hair but point cutting leaves the hair looking thick and not flat. styling is essentially unnecessary to keep the shape and looking great even in humid climates. It’s a low maintenance cut so go with this option if hair styling is a drag.

Tapered Curly Pixie with a Single Curl That Sneaks Past the Temple

One piece of the bangs hangs over the ear, and the top of the fringe is left completely alone. See the layered back hair? The stylist cut the hair dry and did a curling-by-curlying method, leaving the top long enough to create voluminous ringlets and short enough to show the neck and jawline. Closed curls are set. If your curls have a loose pattern, 3A and higher, this style will fall flat and will be very hard to keep it shaped. Oval and heart faces adore this cut because the high-set volume of this style elongates the face instead of widening it. Rounds faces will feel this cut makes the face look wider. This style is beautifully simple and understated on the natural dark brunette, which is the reason for the style’s overall clean look.

Full Curly Crop with Bangs That Curl Into the Forehead

Individual curls fall loosely across this girl’s forehead. This isn’t a style. This is the dry bangs being cut into layered curls of different sizes. This is a thick, dense, and full curl of type 3B with a rounded bob. The back of the bob is shorter, and the front is left voluminous, keeping all the weight on top. This is the best cut for oval and heart shaped faces, and especially for heart faces since the width of the curls balances the narrow chin. This style is not the best for round faces since it will add more fullness to the cheeks and will be harder to control. For round faces with a lower density and looser curls, you can do this style easily.

Short Curly Bob with Wispy Bangs

Notice how the bangs are parted. They’re not just cut blunt and left to curl. They’re thinned by point cutting. Each strand is separated and falls individually. This style would otherwise read as a mass of hair across the forehead. Precision cuts are what thin the bangs. This is a chin length curly bob. The hair is on the medium to thick side with a lot of volume through the crown and cut shorter through the back. This style wouldn’t work on fine curly hair. You need the density to hold that rounded shape and keep it from flattening by the sides; through the lense of facial shape, round faces should consider this style with caution since the volume is through the sides and there’s no feature to draw the focus down. This style is very flattering on longer and oval face shapes.

Tight Curls Cut Into a Compact Shape with Soft Fringe

This style is very accurately framed. There’s no excess length and it stays close to the forehead. That makes me want to think straight. This was a point cut with the density kept low, probably 7 curls max. The rest is a crop with a layered cut that’s really close to the head. The top has a lot of volume while the sides are tapered around the ears and the back of the neck. This style is not very forgiving and will not suit full or round faces. However, it adds great structure to smaller, oval faces like hers. If you have loose and more wavy 3B curls you won’t get this compact, controlled texture and your bangs will probably stick out. For the color, a warm brown works perfectly and a great choice for her natural color. Short curly hair has a tendency to show regrowth quicker than other types of hair, so this was a great decision. To keep this shape, it will require a touch up in about 5-6 weeks.

Dense Curly Pixie with a Forward-Falling Fringe

The tapered sides reveal the ears. For those with ears that are self-conscious, there are better haircuts to go with.The top is left longer to let the curls tumble and stack to create a full fringe. The fringe in this haircut was dry and curled to give it a more natural look rather than tack sharp and blunt. The hair is not colored. This look works best with big, natural curls to keep the volume on top. More delicate curls will fall flat and give the appearance of a mushroom haircut. This look works best on those with either a heart or oval shaped face. Heart shaped faces in particular benefit the most from the fringe, and the sided crop helps to keep the face looking more open. For those with rounder faces, this fringe is not as effective.

Cropped Curls with a Loose Forehead Piece

This ‘Fringe’ is not the usual style, so think of the front of the head being curled and then left a little longer than the rest so it can loosely fall and look ‘undone’ This was cut, dry, curl by curl, and you can see why. The style of this hair keeps a round shape and other styles can have some sections that are forced and can have some quite blunt sections. This has thick and long hair that is all natural and black, with ear length hair that is a little more voluminous on the top. This style is better for people that have thinner hair that also has more volume, and so with this hair style it will maintain the shape longer. Heart or oval shaped faces also compliment this style nicely, because the width is set at the temples and not the jaw. It stands out with this style because the back is kept ‘tight’ and ‘clean’ and keeps the style looking finished, therefore not looking like it has grown out.

Chin-Length Curly Cut with Bangs That Actually Behave

The Bangs in this picture appear dry cut. While this could just be a detail, you can really see that each curl in the fringe lands perfectly and doesn’t bounce awkwardly short. Every aspect of the fringe is placed perfectly. I’d estimate this is a curly hair type with a density that appears to hit just around the chin. The stylist seemed to place the volume evenly, giving it a rounded shape rather than a wide one. I think this hairstyle will look great on people with heart and oval face shapes. This hairstyle may not be good for people with round face shapes. The sides are slightly weighing down to frame the face and have no bulk. I imagine the stylist placed internal layers, so it will maintain the rest of the style and add shape with the top rolled in. This will also add one more inch to the style in humid weather.

Layered Curly Crop with a Separated Fringe That Lands Just Right

The fringe is definitely something to consider. It was dry cut to the right length so the curls would not clump together. Instead, the length helped them separate along the hairline. The separation is very important. This is a short, heavily layered cut on dense, wavy to curly hair that is cut close on the back and built with volume on the top. This suited hair with a modern shag and a short pixie cut. This cut is ideal for oval and heart shaped faces, round faced people can definitely pull it off too, it will help reduce angles on a round face. Hair color is especially important in this style. Dark, even hair will have coils and patterns that will look textured with loose curls. It will also totally change the overall tone of the style. If you have fine/low density hair, this won’t work for you. It will definitely work on thick hair that can withstand a rounded shape.

Curly Chin-Length Shag with a Fringe That Knows Where to Stop

I’m guessing this cut is dry and sitting exactly at the brow because the bangs are styling this way. Wet-cutting curly bangs is always a gamble since they’ll likely shrink short. As we can see, the fringe was clearly defined after the curl settled, and we can tell there was a reward for that instead of short and bushy bangs with a few sad tendrils. This cut is a shag and all the layers frame the face; the crown of the head is curved in, instead of a pointed triangle in the back. This cut is great on oval or heart shaped faces because it sits right at the cheekbones instead of the lower part of the face which would be the jawline. This cut is definitely incompatible with square and round shaped faces. The brunette has a dark base with some mid-lengths that have some sun-kissed pieces that have been woven through and look really nice and natural as opposed to being hair that was highlighted. This cut is designed to expand in humidity where the bangs would naturally lift. That is absolutely not a sometimes problem, that is a real problem.

This post Curly Hair Feels Fresh Again When Bangs Join the Picture, was originally published at Latest-Hairstyles.com

“I just got an angled pixie, but I’m struggling to keep the back looking full while getting the longer front pieces to fall neatly. What’s the easiest way to style it at home without using too much product?” — Heather M., 52, Des Moines, Iowa

There is a specific kind of panic that sets in around day two of a new pixie cut. The salon blowout has worn off, you’re standing in the bathroom mirror at 7am with wet hair, and suddenly the cut that made you feel like a whole new person looks like something a cat napped on. I have heard this exact story from so many clients that I’ve lost count, and honestly, it’s not your fault. An angled pixie, especially, has some very particular quirks that nobody bothers to explain while you’re still in the chair, because the stylist is busy with the finishing touches and you’re too busy loving the result to ask the right questions.

The angled pixie is one of my favorite cuts to do, and I’ll be honest, it’s also one of the trickiest for clients to style solo at first. The angle, that longer front piece sweeping toward the jaw or cheekbone, behaves completely differently than the close-cropped back and sides. You’re essentially dealing with two different lengths on one head, and they each want something different from you in the morning. Once you understand that, everything gets easier. So let’s actually talk about how to style this thing, starting with what helps less and working up to what helps most.

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1. Start With Damp Hair and Heat Protection

Gently squeeze your hair with a microfiber towel or a soft cotton T-shirt until it feels damp but no longer drips. Avoid rubbing, which can leave those short pieces sticking in different directions. If you’re starting with dry, clean hair, dampen it evenly with water, including the hair close to your scalp.

Before drying, apply a lightweight heat protectant such as TRESemmé Protecting Heat Styling Spray. Follow your bottle’s directions for coverage and spray distance, then gently comb it through. Remember the back as well as the longer front. Your hair needs even protection, without being soaked in product.

Use your fingers to place your front pieces on the side where they naturally fall. If they dry very quickly, smooth them briefly with your brush and dryer before moving to the back.

2. Add a Little Hold at the Back Only If You Need It

If the back usually falls flat, spread a small, roughly marble-sized dab of mousse between your fingertips. TRESemmé Extra Hold Mousse is one option for added body and hold. For very fine or thin hair, start with less.

Lift the hair at the upper back of your head and spread the mousse through it, starting close to the scalp. Keep most of it out of the longer front pieces so they stay easy to brush into place. You don’t need to coat your whole head.

If your hair already holds its shape after drying, skip the mousse. You can try this routine with heat protection alone before deciding whether you need extra hold.

3. Dry the Back With Your Fingers Lifting It

Set your dryer to low or medium heat with a gentle airflow. Keep it about six inches from your hair and keep it moving. It should feel comfortably warm, never hot against your scalp.

Slide your fingers into the hair at the upper back of your head and lift it slightly away from your scalp. Aim the air toward the hair you’re lifting, moving from one small area to the next. You’re making room underneath it, rather than pulling the ends straight up.

Keep the short hair at your neckline pointing down by smoothing it with your fingertips as you dry it. That lets the fullness sit above the neckline without making the whole back stick out.

Once the lifted area is dry, hold it gently in place and use your dryer’s cool setting for a few seconds. Then release it. The mousse you already applied is enough here; you don’t need another layer.

4. Brush the Longer Front Pieces Into Place

Use a small flat brush that fits easily under the longer front pieces. With the dryer on a gentle setting, brush your hair diagonally toward the side where you want it to fall. Follow the brush with the dryer, directing the air from near the scalp toward the ends and away from your eyes.

Take small amounts of hair at a time. Keep the brush moving gently, and let the ends slip off it without rolling them under. This keeps the front swept to the side instead of giving it a tight curl.

If a piece has already dried in the wrong direction, dampen that spot again and repeat. More mousse won’t fix the direction it dried in. You usually don’t need another styling product here, though you should follow your heat protectant’s instructions if you wet and restyle an area.

This approach suits a smooth or gently waved finish. If your hair is tightly curled, you may need smaller sections and more time, or you can keep your curls and guide the longer front toward one side.

5. Let It Cool, Then Finish With a Light Touch

Make sure your hair is completely dry, then give it a few moments to cool. Gently separate the front ends with your fingertips and lift any flattened spots at the back without raking through the whole style.

If everything stays where you want it, you’re done. If you need a little more hold, try a light mist of TRESemmé Ultra Fine Mist Hairspray. Follow the can’s spray-distance directions, keep it away from your face, and focus on the area that needs support. You don’t need to spray until your hair feels stiff.

Check the back with a handheld mirror. If it looks flat, lift that spot and briefly reshape it with the dryer rather than piling on more spray. Once you like the shape, leave it alone; repeated brushing can take out the lift you just created.

For your next morning: If only the back is flattened or the front is bent, dampen that area and repeat its drying step. You don’t need to wash your hair or add another full layer of mousse just to reset one spot. Use heat protection as directed before drying again.

If the Shape Still Won’t Sit Right

If the same front piece keeps falling into your eyes, or the back stays flat despite careful drying, ask your stylist to check the length and show you how your hair naturally falls. A small adjustment to the cut can make home styling easier. You shouldn’t have to keep adding product to persuade your haircut to sit comfortably.

This post How to Style an Angled Pixie Cut at Home?, was originally published at Latest-Hairstyles.com

What I would define as an easy morning hair type cut was not a recommendation of pixies or buzzes. It was a textured bob, chin-length haircut, that I did on one of my clients. She had been blow-drying her mid-length straight hair every morning for the last 11 years. This client said that she had only 4 minutes to spare between making lunches and getting ready to leave the house. My client then asked me what cut would work if she never grabbed a round brush again. I took off around 6 inches, added razor textured movement to the haircut, and she went to the drop off in the morning and took my suggestion to air dry it. It looked better than what she would spend at least 20 minutes trying to achieve.

Short morning friendly haircuts sometimes are actually long. Most mums are steered towards pixie cuts, recommended, when really they need even length hair that grows out and doesn’t need a singular style to avoid looking funny. I truly tried to suggest pictures of different lengths of pixies, all the way to bobs, and tried my best to be realistic and note which haircuts are truly wash and go and which just appear to be.

Layered Pixie Bob with Warm Blonde Ribboning

In the before picture, you’ll note shoulder length medium density hair without any shape or structure, just hanging there. A short haircut brings an incredible amount of structure. Point cut heaviness through the crown builds height and movement in the hair, which lacks both of these qualities. The stylist also placed blonde sections, the dimensions of which are centered in the front and in the upper layers. An ear-length bob with length in the top and having a tapered shorter length at the nape is what this style is. This length is most flattering on straight to wavy textures due to the nature of the hair to have some body. This style completely exposes the jaw line and is great for full and round faces, but would not minimize the width of the face even though many style’s do. Oval and heart faces are most flattered with the styling of this pictures.

Side-Swept Short Bob with Rich Mahogany Undertones

This is a great example of how the weight of the hair you built up deep in the part takes the weight of the hair on the opposite side so you can keep the hair around the ear area orderly. It point cuts at the ends to remove bulk while retaining fullness. It falls beautifully in straight hair with medium thickness or more. This style is great on round/fuller face shapes because of the diagonal sweep across the head. While this is a great style on thicker hair, it will lose its shape on thinner hair quickly. I am loving the warm highlights done by the small auburn highlights that were blended into the dark brunette base. The subtlety of this color is amazing for people who like to get fancy but not too obvious. This haircut needs a trim about every 4-5 weeks to avoid having long, scraggly hair in the back of your neck.

Classic Dark Bob with Soft Piecey Fringe

Notice how the bangs are point cut so they cascade rather than looking like one big heavy curtain on the forehead. This is what prevents the appearance of a helmet. It is a chin-length bob with straight hair that is one length with slight layering to the interior, straight across sides. It creates a gentle, natural bend of the hair at the ends. Round face shapes will have difficulty with this style because length cuts across the widest part of the jaw plus blunt bangs close off the forehead and shorten the length. However, Ovals and Hearts will have no issue with this style. The single processed black is striking yet at the same time unforgiving to roots. You will definitely see all the grays in two weeks when you color darker hair.

Tapered Short Cut with Salt and Pepper Blend

These pieces don’t tuck behind the ear like you’d usually see. They instead start on the cheekbone and go down diagonally, pulling the eye and eliminating the width of the face. This piece is a razor-cut crop. The sides and back of the neck and ear are tapered with shorter layers of textured hair on top, that can move without the help of product. The gray hair is just left to be naturally throughout the darker hair, so there is no need for root maintenance. This works best with fine straight hair because without some density it will fall flat by the afternoon. In order to maintain the lifted shape on the crown, this hairstyle requires medium hair density.

Cropped Curly Cut with Warm Caramel Pieces on a Dark Base

The stylist used a point cut to remove weight on the sides and keep fullness on top, which adds volume at the crown. This is the front- loading volume technique. Medium to thick density naturally curly or wavy hair really does well with this wash-and-go style. The style requires minimal effort in the morning with the added bonus of hand-painted caramel highlights that gracefully frame the top curls on a round face. Full and round faces look great with this because width at the jawline is counteracted with top height. This style doesn’t work for straight hair. You are incorrectly adding product and using a diffuser, and it is impossible to achieve this look. The length hits the ear and tapers into the neck making it a very fast and noticeable grow out. Unless you plan on getting your hair trimmed every five to six weeks, this style will lose it’s shape quickly.

Tousled Silver Pixie with Dark Root Shadow

Look how the silver pieces’ contrast is created by intentional darker roots that have grown out. It stops the silver from looking like neglect. This pixie has lots of movement and is a razor-cut with a tapered length throughout the sides and back. It is best suited to medium density wavy hair. Round and oval face shapes look great this style. Very straight flat hair will not be like this style without product and a lot of styling time each morning. It will not look like the picture.

Flippy Layered Crop with Natural Brunette and Blonde Threading

See how the ends flare outward at the nape rather than lying flat. That’s no accident. This technique is achieved without the use of curling irons, and is actually the result of layers that are razor cut short enough through the back that they flip. This ear-to-chin length cut has lots of movement without having to add any effort. This is a great style for medium density hair, as there is structure to thick hair that will cause the ends to flare out every morning. It is also great for finer and more dense hair types, since it lost less volume due to the weave. The brunette base with warm blonde highlights is ideal for face framing and at the crown. Round and square faces will look their best with this haircut as the volume at the crown and close sides add maximus definition. Unless a very precise regular cut is kept, this haircut will not last longer than 6 weeks.

Razored Brunette Pixie with Feathered Crown Texture

Check out how razors are used to chop the top layers, to give that windswept appearance through the crown. There are almost no product build-ups with this style. This will not suit round faces. There is very little volume on the sides and they taper towards the ears, so all the width is at the top of the head. This style needs cheekbones to pull off. This shape is great for oval and angular face shapes. The base color is dark cool-toned brown with warm highlights that catch the light in the peaks and valleys. This style looks natural and not colored which is a hard achievement at this length. To hold this shape you need medium to thick hair. Thin hair has lots of fine hairs and by noon the style will fall flat at the top of the head and basically ruin the whole style.

Textured Jaw-Length Bob with Soft Brunette Dimension

Look at how the ends curve outward on one side and tuck on the other. It’s not about styling. It’s more about the cut articulating, and point cutting creating space in the perimeter so that medium-density hair can settle where it wants to go instead of creating a helmet. It would take a lot of thinning to get this to work on thick hair, and it would still pouf. It’s more of a medium density hair cut. This is a single-process brunette with a handful of fine foils that are barely lighter than the base, so it looks natural and not “highlighted”. Heart and oval shaped faces can rock this at the jawline. This will add width to a round shaped face.

Ear-Length Textured Bob with Copper Thread Highlights

The longer pieces specifically sit at the jaw line on one side and tuck behind the ear on the other. It’s not a mistake and creates a diagonal line. This helps break up the width of the face. The base is a warm brown with fine copper foils inserted throughout. Enough to catch the light, but not noticeable enough to be highlights from a distance. Point cutting on the ends helps to keep the overall shape even. To look for the best candidate hair cut, straight to slightly wavy hair with medium density will be best for this shape. If your hair is actually thicker, the ends will fan out like a straight line instead of even and will look like an unfinished straight line (which aesthetically will look bad). The fringe is the shortest commitment and also grows out the fastest. The best way to describe the shape is a side sweeping fringed bang.

Piece-y Short Crop with Natural Silver Growing In

Look at the sideburns. That silver is left completely uncolored. The stylist point cut the temple pieces to let the grays spread out. When you do this intentionally and when you hit your highlights, you do not want it to look like you neglected to color your grays. You can see what a pixie it is by looking at the weight kept throughout the crown. This was accomplished by having texture layered over with lots of sleek movement from a heavy point chop. This is definitely a cut that can be done with medium to thick hair without a doubt, but fine hair will definitely give this a try, but will flatten out by noon. Round or oval faces can definitely rock this one as the length on top is long and the sides are very short which brings balance to the face. If you have a narrow jaw this is not good for you as you will definitely show off an even more narrow looking jaw. This cut will not look like this whatsoever when you show it off after 3 days.

Undone Ear-Length Bob with Warm Chestnut Pieces

The point cut on each end is the most noticeable difference that stops this from looking like a helmet. The unevenness does all of the work. This haircut sits right at the chin to ear length on mid density, straight to slightly wavy hair, with some fine caramel ribbons placed throughout the mid length to add a little something while not being too prominent like traditional highlights. Oval and round faces will love this. This length will not work for you if you have a long and narrow face because it will make your face even longer. Thick and coarse hair will pouf out at the sides and lose the tapered, tucked effect. This haircut will not be your friend if you have thick and coarse hair.

Textured Pixie with Cool Blonde Woven Through a Dark Base

You can see that the longest pieces sit directly on the forehead and become choppy quickly as you get closer to the crown. That diagonal texture does wonders for a round shape face. It creates lines that direct the focus upward and in theory narrows the face. The color is a custom highlight using fine foils throughout a natural dark ash base. When calculating capacity, there is a good amount of reflective dimension, but not too much. This is definitely a medium to thick density style. Since this piece has a lot of movement, if your hair is fine it will collapse and not give the desired shape. Need to get it trimmed monthly to keep it the shape.

Wavy Chin-Length Crop with Toffee Balayage

Look at how the left side is sitting tight closer to the ear while the right side is longer and falling more forward. This asymmetrical cut is adding dimension without looking forced. The base is a medium brown with toffee-colored highlights painted mid-shaft to ends, so you can grow out your hair without looking like you have lots of grown out root. Medium density hair with wave or texture will hold this shape best. Straight hair will not hold the shape. The diagonal lines created by the longer side and the shorter back create the illusion of a thinner neck. The shape is accentuated by the point cut ends which give the hair bounce without adding too much volume and layering. Extra fine hair is prone to go flat throughout the day if it isn’t cut to give volume. The hair shape is designed to add volume and thickness to the crown area.

Feathered Short Crop with Sandy Lowlights

See how the concentrated blonde lowlights extend from the roots through the crown and not scattered evenly. That’s intentional and used to avoid a flat or washed out look on blonde color on medium to light skin tones. This is razor feathered and a crop with an ear length cut on the sides and a bit of length on top to create that stacked and piecey movement. Great for medium density hair. With very thick hair this will mushroom. Round and Fuller faces benefit this the most since the hair sits on the crown and the sides are keep close which in turn will lengthen the overall face. The style is also a side-swept fringe so no need for daily styling. You need to know this cut will lose shape quickly because if not trimmed often it will end up looking grown out. You can expect to maintain this cut every 4-5 weeks.

Choppy Pixie Shag with Honey Blonde Face Framing

Check out how longest pieces land right at cheek bone and everything else is razored away. That spot is placed with intention and has great shape to slim a round face helping to create angles that the bone structure doesn’t help to define on it’s own. The base is a warm medium brown with hand painted blonde at the top layers and fringe. This keeps it from looking like a full on highlight job that could grow out. It is medium density with about a slight wave. The texture really brings the shape to the style. This is a style that you can really air dry and go. This is hot hair tangle teezer style That is about general shape of the stock. With very fine flat hair, this most likely would not look the same on you. Volume at the crown is from having enough hair to create the style. The choppy razored ends really need grit to stay separated. After every 6 weeks you will need a touch up in order to keep the style from losing shape.

Swept-Forward Short Cut with Buttery Blonde Foils

Every one of these cuts should be falling toward the face rather than away from it. It helps to draw the eye in and narrow a rounded face by using the angle created by the bone structure. This cut falls to the side of the face, millimeters above the ear, longer pieces through the crown with a lift to fall forward without putting any style product on the piece. This is a medium weight cut, best used on finer hair, since it is best for control and direction, though would work with medium density. Thick and unruly hair would stick out backward, defeating the purpose of the cut. The top layers are only placed with the blonde foils and are left with a warm medium brown so the base would stay clean against the regrowth. It will still look the best on the third day if you run a flat iron or brush along your bangs to pull them to the side.

Bouncy Curly Bob with Warm Brunette Depth

This won’t work with straight hair. Just don’t. This style is actually a dry-cut, chin length bob with a natural curl pattern. It gets that shape because curls do the architecture. The layers are shorter through the crown which lifts the volume. You can’t get any triangle shape at the sides because of that volume. Dense, curly hair gives you that volume on top. The color is mostly deep natural brunette with caramel highlights through the midlengths. Curly hair tends to catch light and opening up the curl pattern so the highlights were placed strategically. Round and oval faces look great with this style because the volume is high and the length hits above the jaw. Also, the length of hair eliminates the need for widening the jaw line. Curly hair does actually style itself in the morning with a leave in conditioner and some scrunching. The shape will also change due to humidity, which is why it’s important to understand that your style will constantly be evolving.

Curly Pixie with Sun-Kissed Face Framing

A few things about this cut are tricky but drawn right, it’s really flattering. The highlights are done in a very specific way so that they only appear around the front and crown of the head. The rest of the head is void of highlights and left with a clean look. It helps that the nape and sides of the head are left untouched. It gives the appearance of light hitting the face first as opposed to being “highlighted”. This is a short curly crop, with the ears mostly exposed and length on top so the curls form without too much weight. This cut is perfect for wavy and curly hair and works best if you have a density range on the medium to thick side. This is definitely not for straight hair. It will cause you to bend the laws of physics in the effort to control the hair. Volume grows upward so it suits round faces very well. Quick warning, curly pixie crops grow out really quickly so you are stuck with it looking bad if you run a pixie crop without regular visits to the salon for re-cuts.

Tousled Chin-Length Bob with Dimensional Highlights

The middle of this shape is fuller than the tips. This extra weight adds lift without any actual weight. This style is a razored bob with medium length wavy hair that hits at the chin and has layers that sweep rather than hang around the face. The light brown base of this style is sprinkled with hand painted highlights that focus in on where the waves of the hair will refract light. The highlighting pattern will look great on an oval or round shaped face because of the pieces around the cheek and the angle they provide. For straight hair this doesn’t work. Your hair will lay flat and will look like a short bob. For this style, the shape is the most important thing. It is a great style for someone that wants a carefree look.

Razored Short Shag with Caramel Accent Pieces

Watch how the longest sections hit just underneath the ear, while the crown is razored to stand up on its own. This lift creates vertical height and draws attention vertically on a round face shape. The sparingly placed caramel highlights will keep the grow-out less obvious for at least six to eight weeks. This is a medium density cut. This style will maintain well on straight hair, but the ends of the hair will become limp and flat quickly on truly fine hair. This style responds well to a natural wave or texture with a blow dry. This works best on straight hair, but flat hair will require the use of product and a lot of disheveling to maintain its style each day.

Feathered Ear-Length Bob with Silver and Ash Blonde Contrast

Look closely and you’ll see how the darker lowlights anchor at the root and the nape, while the cooler blonde pieces sit only at the face and crown. Think about that placement because it helps even more with the overall visual. This is a layered bob that hits just below the ears, while point cuts at the ends give it that piecey, soft, and light finish. This is ideal for medium density hair. Too much hair and the sides will show it by pushing out wide, making it bulky in the process. Oval and heart face shapes are great for this style as it helps slim the face with side swept fringe and tapered sides without losing balance. Because the cut is shorter, if your jawline is wider than your cheekbones this will not help you at all. If you’re looking to have a soft fringe, this cut is for you. The color is also a high maintenance commit because of how fast it fades and yellow/brass tones start to show. Toner has to be used every five to six weeks to avoid that.

Chin-Length Curly Bob with Warm Copper Ribbons

The cuts on the right side of the curls appear fuller as compared to the left. This is because curls tend to be asymmetrical at this length. The stylers left this as it is, showing that they have experience. The base is a warm medium brown, with copper pieces that are handpainted to shine on the outer curl. This is the only place that balayage works with curls. This is truly a wash and go cut, you simply add cream and diffuse if you don’t have the time to dry your hair. Round and full facial shapes look the best with this cut because the added volume on the temples will widen the face. This shape will not work well with curls tighter than 2C. For this shape, you need density and a lot of curls, otherwise it won’t have lift at the top and will fall flat.

Soft Jaw-Length Bob with Lived-In Honey Pieces

The ends don’t match-up and that’s by design, and makes this style work to do on a rushed morning. With this style the layers are point cut through the ends creating soft, piecey-like movement with minimal effort as no round brush is needed. A chin-length bob is great for medium density hair that has natural waves and texture because the style relaxes the hair and will define the texture. If your hair is fine and straight, it will hang flat and you will spend trying to create texture where there is none. The brunette color has a warm base with hand painted honey highlights around the face that helps grow it out. Oval and heart shaped faces will love this hair length. Round faces should avoid this hair length as it will make the face look even wider.

Textured Chin-Length Cut with Wispy Bangs and Subtle Highlights

The bangs are doing the work, and they are point-cut thinned so they won’t hang flat on your forehead by noon. This is a chin-length bob with internal layering throughout the crown to add bounce where straight hair wants to fall and collapse. Take note, the shortest layers are at the ear level pushing the hair to the volume upwards. A warm base brunette has low-maintenance, fine, hand-painted highlights concentrated on the fringe and temples, which keeps the brunette from dullness as it grows out leaving out two solid months of grow out. Round and fuller face shapes love this one because the length is at the jaw with the side pieces to further narrow the length. Those with curl should look elsewhere because it is sure to fall much shorter than anticipated and, for straight hair, needs to be air dried and is not suitable for the flat iron.

This post Short Haircuts for Moms Who Want Their Mornings Back, was originally published at Latest-Hairstyles.com

If your spiral curls feel heavy, stretched out, or too bulky at the ends, the right layers can give them better shape and help your curl pattern spring back up. The key is placing layers where your hair naturally carries weight—not simply cutting everything shorter, which can create unwanted width or a triangular shape.

I prefer curl-by-curl layering for defined spirals because shrinkage varies throughout the head, and cutting without accounting for that spring factor can leave some sections noticeably shorter once dry. Your density matters too: thick curls can handle more internal weight removal, while finer spirals usually look fuller with longer, softer layers.

From rounded shapes to cascading lengths, there’s plenty of room to customize your cut. Keep scrolling to see all the layered spiral curl ideas worth saving for your next haircut.

Honey-Painted 3B Coils with Layered Shape and Serious Density

Instagram: ssamarasalon

The difference in length of the curls on the left and right sides is intentional. Normally the right side would be longer, but the natural coils would result in a tight spiral. Don’t worry about perfect symmetry for this look. The curls were freehand painted with honey blonde. Individual sections were painted to achieve random, freeform placement. This cut has a lot of dimensions and depth. It is cut mid-length, and the internal sections and volume were shaped to achieve an airy, light effect. The cutfall is away from the face, making this cut flattering for all faces (particularly round and oval faces) The color placement will give the illusion of volume and depth. Low-density hair will not create this effect, and the color will require upkeep and touch ups in 3 months.

Dense 3B Spiral Shag with Curly Fringe and Volume That Starts at the Root

Instagram: gees_styles

Consider where the volume is placed in the style. It’s longer in the crown and ends, and shorter in the middle. Longer interior layers create a higher shaft. This is an example of a dry, graduated cut on 3B hair, about collar length. A brow fringe is also included in the picture. This person has dense hair, so a thick fringe is shown, however, if you do not have dense hair, a thick fringe will not be flattering. This cut/style is flattering on people with oval and heart shaped faces, because it add length. It makes round faces longer, but does add width.

Blonde-Woven 3B Coils with Layered Shape That Lets Every Curl Separate

Instagram: eucarlosandre_e

Each coil is individual and not clumped. That’s because the weight was removed layer by layer during the process. This is 3B hair that is around chest length. The edge was hand painted in blonde on each coil. The root area is left natural. The blonde hue does not run through the entire length of the hair. It encircles the coil. This method is ineffective for all curl patterns. For thicker curls, it may appear as a big mass of hair. This hair will appear worn if it is not recently styled. The blonde hue will fade and grow brassy.

Shoulder-Length 3B Spiral Shag with Curly Bangs and Hidden Green Peeking Through the Ends

Instagram: curlylugt

Small olive green tips at the bottom of layers can easily go unnoticed, but are an important aspect of this haircut. Layers are sharply defined, and allow the natural curls to splay and showcase the lower, naturally occurring, hair color. This style cuts all of the hair in the front and top of the head, leaving the back of the head, and lower sides of the head relatively long. It utilizes a lot of internal layering and curl-aiding products to achieve the desired curl and volume. The length of the haircut allows the curls to be deflected up and outward, away from the face. This hair cut is best on people with thick, bouncy, 3B curls. The shape of this hair cut creates the illusion of fuller cheeks and face. The naturally occurring shape of the face is enhanced by the products used and the humidity in the air. This haircut is great for people that live in humid climates.

Warm Copper Ends on Dense 3B Spirals with Layered Movement You Can See from the Side

Instagram: kassila.cardosohair

The shortest layer is at the crown with longer face framing layers that end past the shoulders. This cut is to emphasize the taper and width of the face. A graduated, dry cut shape is given to the hair. The bottom of the cut is copper colored, hand painted by the crew members. This cut is more flattering to those with tighter, more dense curls. Those with less hair density may want to avoid this cut. This cut is also flattering for those with oblong or oval faces.

Collarbone 3B Spirals with Layered Volume and a Natural Deep Part

Instagram: ebonyandivoryberlin

Notice how the volume of this style is at the top? With this method, the weight is removed from the bottom. If the weight is not distributed evenly, the hair will not have the volume to spring up. This style is more flattering on 3b hair due to higher volume. This style can also add shape and structure to an oval and round face. Similar to a deep side part, this style also gives one side more volume than the other. This is due to the part being off center.

This style will cause significant shrinkage and length loss on wash day. Expect to have to condition your edges weekly to keep them looking healthy. If you plan to big chop, consider keeping some of this length as it will provide the face with shape and adds structure to a round face.

Long 3B Spirals with Graduated Layers and Golden Ends That Catch Light

Instagram: nathan_moseley_hairstylist

The layers aren’t long. The hair is cut thoughtfully with the consideration of thickness. Curl is defined with the entire length of the strand and is not clumped together. The hair is dry and piece-y with a good deal of volume and texture. The length and variety of layers give the cut body and movement. The longer length of hair in the front frames the face and is at the cheek bone. Longer face shapes will appear less long with this cut. The color is a warm caramel and gives the appearance of a rich, dark, and textured hair color. This cut requires no effort to maintain and the second day hair doesn’t give the appearance of curl.

Long 3B Spirals with Warm Peek-a-Boo Highlights and Layered Crown Lift

Instagram: curlscurlscurlshair

The crown area shows how most of the length is carried below the collarbone. However, hair is removed to leave 6 to 8 inches above the neck, creating a fuller appearance. For this haircut, the bottom has dense 3B hair. To reduce bulk and thickness, the bottom is dry cut to create internal layers. Hair is hand painted to create a caramel colored highlight. This haircut would be best for a wide and round face. If the density is less than medium, the hair will quickly lose its shape and definition. The shorter layers will also quickly lose their shape and definition.

Blunt-Line 3B Bob with Hidden Interior Layers and Zero Bulk

Instagram: keratincomplex

While the perimeter may appear straight, with a closer inspection, you will notice the artist has thinned some of the curls to create an illusion of more volume. It takes a high level of skill to accomplish this technique, and to maintain a clean edge. This hair cutting technique only works with dense, 3B, hair. The excess bulk is hidden by the tight, outside curls. This hairstyle shows the type of detail this technique requires. To achieve the definition, the hairstylist may have performed a “wet cut”. This hairstyle also provides a frame for the artist’s face. This style would also create a nice, more flattering, effect for an artist with a round face. Because there is no bleaching or coloring, this style is quite low maintenance.

Mid-Length 3B Spiral Cut with Layered Crown and Natural Caramel Peek-Through

Instagram: curlssebeauty

The layers near the cheekbones are short, and the layers below become longer, to the point where the layers around the collarbone are the longest. The layers near the crown allow the shortest curls to poke out, providing the bulk of the volume, and the lower layers frame the face. The difference in density is what causes shifts in volume throughout the curl pattern. The lowlights add depth to the curls without sprayed on color. For best results, this cut is best for people with a similar structure and density, as it will help reduce the appearance of a long, round face. The outcome will vary, based on how much the client is willing to work with the stylist and leave the curls on the head while they dry. The stylist will help cluster the curls to help make the face look longer and thinner.

The Art of Blogs – part 2: Rewriting Text

Cascading 3A Spirals with Soft Face-Framing Pieces and Layered Volume Through the Midlengths

Instagram: totallookstudio

Look at the volume. It isn’t at the roots or the ends, so it was probably cut dry. Because of this, the curls would fan out, instead of falling in a straight line. The layers in this picture are just above the cheekbones, which is a good place to leave face-framing layers. Longer face shapes and heart shapes are ideally framed with these layers. However, round face shapes are also framed nicely, and additionally, have the appearance of a shorter face shape. The curls in this photo have a medium density and are 3A. The color is dark brown, so the crown has a dark color and can’t be lightened. Face framing layers have a big impact on facial frames. In this case, having face framing layers helps, because the part is off center. People with tighter curls can try this style. Looser curls may not be able to try this style, because it relies on definition to work.

Before and After: Internal Layers on Long 3A Curls That Were Hiding Their Own Pattern

Instagram: maju.cachos

The first picture shows theclient’s hair with a curl pattern that is mostly straight with a small amount of wave with some frizz past the shoulders.The client is a 24 year old member of the Queer community, and the focal point of the style change was the relaxer. The goal was to enhance the curl pattern and reduce the weight of the hair. The hair is best styled with good density and a good deal of length. The optimal length for this style is past the shoulders. Once the style was achieved the frizz was reduced and the wave pattern became spiral with less frizz. The style also removed some of the relaxed length. If you have very long, dense curls, and a good deal of it is hanging instead of forming a pattern, this style is for you. This style is not for you if you want a controlled and smooth style, as the curls will not retain that style.

Mid-Length 3B Spirals with Subtle Internal Shape and No Fringe

Instagram: eumaricachos

Look at how the ends don’t just curl in, they spiral. To create this style, hairdressers cut layers and lift them. The layers need to be conservatively cut to give enough bulk to create definition. Layers are cut conservatively to give enough volume to frame the face. This style isn’t for a square face as the layers in the shorter hair frame the face and make the face look even longer. The length offsets some of the weight and frame around the jaw, which minimizes some of the fullness on a round face. In this style, the weight isn’t pulled up to create the illusion of more fullness.

Dry-Cut Spirals That Actually Move Instead of Hanging

Instagram: sskmh_yujin

This cut starts at the cheekbones and ends at the collar bones. All the curls in between are style individually. With this cut, the stylist can strategically place the curls to achieve a specific look. This cut is especially great for those with 3A and 3B curls. A positive aspect of this cut is it adds a good amount of volume. Not only does it add volume, but it also gives a good amount of body, as well as decreasing the amount of hair that is one long piece. This cut gives great body and frame, but is not great for all face shapes. People with round and oval faces, in particular, benefit the most from this cut. This style requires upkeep, so if you are rushing you will have an unkempt appearance.

Long 3A Spirals with Blonde Painted Ends and Hidden Shape Inside

Instagram: palomakolbecachos

Notice how the crown is smooth? That’s because the rest of the strands have adequate volume. Without sufficient support, the curl is weak and will not hold its shape. The volume makes this an excellent example of 3A Curl type. This example also demonstrates a Balayage. The focus of the balayage in this case, is on the bottom third. With balayage, the regrowth is inevitable on curly hair. With fullness on the sides of the face, a round face will look even rounder. This is not the case with an oval and long face. Same principle applies to the body. Like the face and body, the fullness of the hair can make the wearer appear bottom heavy. With the fullness of the hair concentrated on the bottom, it can pull everything down, and appear heavy. That’s why this hairdo is not for everybody, especially people susceptible to curl depletion syndrome.

Golden Balayage on Long Dense 3B Curls with Graduated Interior Layers

Instagram: danielly_dulo

see how the curls at the crown are elevated and napped? The hair is sculpted to fall beyond the collar bone. This elaborate style required the removal of hundreds of curls to avoid a choppy, stepped on appearance. The balayage is hand painted to reduce striping and increase depth and dimension. This style is ideal for somebody with thick, abundant hair because the layers can be easily camouflaged by the hair volume. Because of the layers, the ends of the hair can appear very brittle and be easily frizzy, therefore consistent deep conditioning is necessary. This style is for somebody who has very heavy, drapey hair and little body. As mentioned previously, the hair doesn’t really hold a shape, but this style sculptures the hair to give the illusion of shape.

Big Volume 3B Spiral Cut with Short Interior Layers and a Curtain of Curls at the Forehead

Instagram: curlswithalexa

This hairstyle comes out really wide above the cheekbones. This is due to a lot of tight curls clumped together. To add volume, there are many layers, and the shortest layers are at the crown. Because of all the layering, the hair wants to flare out. This style is ideally worn by people with long, dense, 3B curls. This style does not work well for people with thin curls because it makes the curls look even more thinned out. Also, the style looks best when there is a good amount of hair. Thicker fringe is also added, and to keep it neat, the fringe is managed. The fringe is also cut to be just above the eyes. The style is held in place with a good amount of hair product. This product helps define the curls. If there is a lot of humidity, the curls will lose their shape and Defination and become frizzy. This style is recommended for people with round or oval faces because it helps add angle to the face and also makes faces look longer. This style does not work well for people with wide faces because the style itself is quite voluminous.

Full 3B Copper Shag with Weightless Interior and Curly Fringe

Instagram: fringesalonsouthphilly

The crown is stunning, but is it voluminous? It is! The impact of this cut is the gorgeous, natural, stacked curls. This cut is very flattering and can be worn by all. Copper is beautiful on all curly girls! If done by a licensed professional, this cut should not take very long and you’ll leave the salon looking flawless. This do requires layers throughout, especially at the front to give more volume. The fringe is a good variation to add to this style. To achieve the best of this do, you have to add layers at the front as well. This cut is perfect for all faces. However, the copper colors really complements round and oval faces. This do is not good for long faces. Humidity is not this cut’s best enemy and will cause the layers to flatten. This do can be done on all 3B curls; however, due to the density of 3B hair, it may take a full single process to get the beautiful copper color. Thicker hair can benefit from this style to show off its natural volume. Layers should be cut shorter than thought. The mushroom shape can be prevented with routine trims.

Chin-Length 3B Layers with Scattered Honey Pieces

Instagram: hairbyisalu

This cut is made strategically to bring out curls. Each curl is individually parted. The ends are cut dry to create a gradation in the curl. This example shows a medium (3B) density curl. Without the internal layers, this curl type would appear to be heavy and lack body. Lights and highlights are placed throughout the curl to add depth and dimension. This cut is long and therefore helps to balance a long face shape. This is not recommended for a round face shape. Extra volume placed at the side of the face, as in this case, appears to be heavy and bulky and therefore is best if avoided. Curly hair is extremely difficult to cut and style because the ends can’t be forced to maintain a straight line like in traditional cuts, therefore a curly hair specialist is a must. Expect to pay a higher price for this type of cut.

Rounded 3B Shag with Curly Bangs and Full Volume at the Crown

Instagram: anitakurlsalon

The densest layer is at the crown and creates the most volume. The layers are not load bearing and helps the crown stay high. This is a good cut for 3B hair. Hand cutting gives the customer more control and allows the stylist to frame the face with softer edges. Hand cutting and framing is more time consuming, resulting in a more expensive cut. With the humidity and the natural swelling of the hair, don’t expect your bangs to keep their original shape. The frame will keep its shape, but expect the rest to change. If you are not willing to put up with unexpected changes to your hair, listen to your stylist and do not get bangs.

Deep Side Part on Dense 3A Spirals with Long Invisible Layers

Instagram: hani._.eyelash0

Lifting the roots from the head gives the hair style more body. Refer to this cut to see how the curls frame the forehead. Hair style 021 is constructed using long layers. Dry cutting gives body to the style. Long layers and a side part create the illusion of an oval face shape and give the appearance of a slender face. Long layers are gradated from the face to the nape. Long back hair and short sides is a characteristic of this style. Dark espresso hair color has a flat, solid tone. This hair cut and color makes medium density hair look voluminous. Many layers create lots of dimensisionality.

Shoulder-Length 3B Spirals with Interior Layers and a Curly Fringe

Instagram: curl.and.coil

The volume rests on the sides, no? That’s due to layering. This shape would have been very 2D with a simple triangle. As it is, it adds so much dimension and volume to the shape. The length hits at the shoulder and is perfect for thick, 3B hair. A curtain fringe (forever here for a good fringe) frames the face nicely. This cut and style definitely takes a lot of effort. The fringe is deceiving. You’d think the curls wouldn’t require much effort to maintain, but they do. You will be driven straight to madness if you don’t reshape the fringe daily. This shape and frame work best on people with longer faces, like me. The shape and frame soften the edges and angles of the face. Sadly, this doesn’t do the same for the temples. If you have a round face like me, this shape will make your face look even longer. The ends of her hair look good for a multitude of reasons. First, thick, curly hair usually has a lot of strain and doesn’t grow as long. Second, the shape of the ends, and the rest of her hair for that matter, is very healthy and has little to no split ends. The shape will take a lot of maintenance.

Warm Caramel Highlights on Layered 3A Spirals

Instagram: caldasbeauty_arari

The top layers are in the area right above the cheekbones. The curls in these layers are very tight and thin. It takes a lot of work to create a style like this. There are a lot of long layers that frame the face. The layers help the weight of the hair to not fall directly in the center. This cut uses caramel and chestnut colors to create balayage. This cut is not striped balayage because a thick layer of chestnut is seen at the base of every curl. The natural curls that this style is best worn on are 3A and tighter. Wearing this style if your curls are not tight enough gives an unflattering stringy effect. This style also makes the face look longer, so it is best for people with a round face. Along with a round face, this style is also best for people with an oval and/or aO thick face because it helps balance out the face. The style also accentuates the face because of the curtain of hair framing the face.

Curly Bangs and Round Layers on Dense Type 3B Hair

Instagram: mona_beauty_tunnel

Your stylist doesn’t just throw up any old volume in your hair. They strategically remove layers, and then curl by curl, cut longest in the back to create that long, rounded neckline. Shaping your cheekbones with this volume also provides the illusion of having a smaller face. Because of all the framing pieces this style creates, it can actually make a long face look longer and even more narrow, which is of course undesirable. This style also requires a fairly long length to your hair to create the density needed for the bangs. Otherwise the effect of the style fades quickly. So, while this style may require a fair bit of upkeep with regular trims, it can be a good option for adding volume and framing your face.

Long Layered Spiral Curls with Face-Framing Movement

Instagram: reginarothcurls

Notice placement of volume. The layers don’t cut off abruptly and aren’t sitting at the bottom. Layers of this length and placement require an advanced understanding of hair cutting and a dry hair cutting method. This style of cutting creates a very dense curly frame that, without the help of professional cutting, can easily turn into a triangle frame. Layers around the face do minimize the appearance of a large full face, as is the case with the subject of the picture, but they can also provide definition and create shape. This style is best suited for a person who has a full face and a lot of dense, spiral curls that also are long enough to frame the face. Less dense hair will give stringy effect. The color of the hair also looks to be a rich brown and adds depth, and if the person has similarly colored hair, this could also work well. The color of the subject’s hair could also work well to soften facial features.

This post If Your Spiral Curls Feel Too Heavy, Layers Can Change the Whole Look, was originally published at Latest-Hairstyles.com

“I’m 74, and my short shag looks full when my hairdresser dries it, but at home the back of the top stays flat. When I scrunch in styling cream, the little ends around my ears turn into strings. Sleeping leaves a dent right at my crown, too. How do I lift that area without making the rest look thinner?” — Elaine Mercer, Prescott, Arizona

Elaine, you’re trying to solve two different problems with the same handful of product. Your crown needs support near the scalp. Your fine ends need enough hair resting together to look substantial. Scrunching cream through everything can pull those ends into narrow bundles while leaving the roots sitting exactly where they started.

A short shag has shorter layers on top and longer, irregular pieces around the ears and nape. You don’t need to make every layer stick out to show the haircut. For your fine hair, a slightly raised crown and a few clearly shaped edges will usually read better than separation everywhere. Here’s how to build that shape on straight to gently wavy hair.

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Give the crown support without coating the whole shag

After washing, blot your hair until it stops dripping. Press the towel around the ear and nape sections instead of rubbing them into tangles. If you condition, concentrate it on the parts that feel rough and rinse thoroughly. You don’t have to leave fine hair unconditioned to get height.

Ease out any knots, then arrange your fringe approximately where you wear it. Leave the crown loose. A sharply combed part running all the way back can divide those short top layers before you’ve given them a chance to lift.

For heat preparation, OGX Protecting + Silk Blowout Quick Drying Thermal Spray supplies thermal protection in a spray format. Distribute it through damp hair according to the bottle directions. Apply in sections so you cover the hair without repeatedly soaking the same ends. Skip an additional leave-in cream for this styling attempt.

For the flat area, try Kenra Root Lifting Spray 13. It gives the roots styling support without requiring you to cover the feathered edge. Shake it, lift a narrow crown section, and apply a brief burst to the root hair, following the label’s spraying distance. Start with two small sections across the flat patch; don’t spray continuously over the entire head.

These products have different jobs: heat protection through the hair and hold where you need height. The root spray isn’t a substitute for thermal protection.

Lift the short crown sections before they dry against your scalp

Start at the crown while it’s still damp. Fine, short layers can dry quickly while you’re busy styling the fringe, leaving you trying to lift hair that has already settled flat.

A Wet Brush Speed Dry brush is useful here: its open back lets air pass through, and its bristles are designed for blow-drying. You need only enough grip to raise a small section. You aren’t wrapping the shag around a round brush or pulling its ends straight.

1. Choose a section about an inch wide at the front edge of the flat patch. Slide the brush underneath, close to the roots, without scraping your scalp.
2. Raise the brush slightly upward and forward. Keep the ends loose rather than stretching the whole section tight.
3. With low airflow and low or comfortably warm heat, direct the dryer along the raised hair. Keep the nozzle several inches away and moving; it should never touch the brush or scalp.
4. Once the roots feel dry, use cool airflow while holding that position, then gently slide the brush free.
5. Repeat just behind the first section and on either side where needed. Stop once the flattened patch has a modest, even lift.

Sit down if holding both arms up gets tiring. Finish one small section, lower your arms, and take a pause before the next. You only need to raise the hair a little from its base; holding it high above your head adds effort without necessarily improving the shape.

If the shortest hairs won’t stay on the brush, support them with spread fingertips instead. Don’t chase them with stronger airflow. That blows the longer ends apart without giving you much control over the roots.

Check the crown after cooling, before chasing more height

Put the dryer down and let your hair settle. Check the top from the side with a handheld mirror. You’re looking for a gentle rise above the back of your head, with neighboring layers overlapping. A few tall spikes can expose more scalp between them and make fine hair appear sparser.

If the crown immediately drops, touch the roots underneath. Cool, clammy hair can still be damp even when the surface feels finished. Lift and dry that section again before adding anything.

If it feels sticky or looks divided into shiny strips, extra spray isn’t the fix. You’ve probably applied more hold than those strands can carry comfortably. Rinse the affected area and restart with less, rather than covering it with another product.

A persistent split needs slightly different placement. Let a neighboring crown section lie diagonally across it after drying. Avoid drawing a precise line straight through the swirl where your hair changes direction. You can reduce that opening, but you don’t need to force your natural growth pattern into perfect symmetry.

If the crown consistently looks see-through even with careful drying, show your hairdresser the problem. Ask whether too much hair has been removed from the top or whether the surrounding layers need balancing. More thinning or shorter layers aren’t automatically the answer.

Show a few shaggy edges and leave the rest together

Now finish the sides and nape with gentle downward airflow, using your fingers to guide them. Don’t lift every section outward from the scalp. Keeping these areas closer to your head makes the crown lift more noticeable and preserves the shag’s longer lower outline.

For a fringe, use your fingers to lay it in its usual direction. Avoid dragging a brush from the crown through the bangs, which can flatten the top you’ve just dried.

Once everything is dry, choose three accents: one near each ear and one longer piece at the nape. Take a small, flat ribbon of hair, roughly half an inch wide, and curve its tip gently between your finger and thumb. Release it without rolling it into a tight strand.

Your natural bend may hold that suggestion; very straight hair may settle again. That’s fine. A shag can show its uneven lengths without every tip flipping outward. You don’t need a curling iron simply to prove the layers are there.

Check the hair behind your ears before tucking it away. A tight tuck can pull the longer side pieces flat and leave the short layers sticking out above them. If you prefer your ears uncovered, tuck just the lowest piece and let the layers above it rest naturally.

Leave wax, oil, and texture powder out of this first attempt. If the ends already look stringy, gently brush that lower section back together while keeping the brush away from the crown. Stop separating pieces when you begin seeing gaps along the edge. Definition should come from a few visible changes in direction, not dozens of isolated points.

Reset the pillow dent without restyling every layer

The next morning, find the actual dent before brushing. If only one side of the crown has collapsed, leave the other side and your finished ends alone.

Wet your fingertips and press water into the roots of that patch, including the hair immediately around it. Repeat until the bent roots feel evenly damp. A barely wet surface often leaves the compressed hair underneath unchanged.

Lift that small section with your vent brush again. Use cool airflow if it reshapes easily. If you need warm air, renew heat protection according to its directions first, then dry and cool the roots in their raised position.

Don’t automatically repeat the root spray. Try the reset with yesterday’s remaining hold first. If the area feels coated rather than merely flattened, washing it is more useful than adding another layer.

Short Version

Elaine, give the crown attention while it’s damp, support it until it’s dry and cool, and keep most of your fine ends together. A few shaped edges are enough to show your short shag. Tomorrow, you only need to revisit the section your pillow flattened.

This post How to Style a Short Shaggy Haircut for Women Over 70 With Fine Hair, was originally published at Latest-Hairstyles.com

I am always excited for a client to try bangs for the first time. As a stylist, I’ve learned that bangs can refresh a haircut and make a client feel as though they have a new hairstyle, even if the actual haircut hasn’t really changed. Bangs are a great addition to a layered style. A fringe can really transform and add a lot of personality to a client’s cut.

One of my regular clients came in every eight weeks for a couple of years to maintain her haircut and color. One appointment really stuck with me. She walked in ten minutes after dropping her son at kindergarten for the first time. She didn’t bring up bangs as something to consider for her next appointment. She didn’t even bring up bangs at all. She simply said, “I want bangs.” There is something really special about appointments where a client comes in with a major life event that has shifted their perspective. Bangs really can help a client get through and cope with a major life event and act as an excellent catalyst for positive change.

For moms (and really anyone who’s exhausted and has a build up of things to do and places to be), bangs are a lifesaver. There’s something about the eyes being the window to the soul that isn’t true for the whole face. The eyes are usually the last thing to betray your tiredness. The first things to give away your exhaustion? Your… foreheads? Bangs to the rescue. They’re a hideout from your aging face. A fringe can be parted however you want or not parted at all and can be choppy and piecey and touch up your face a la a shoulder pad or power shoulder or something. The cuts vary from a slight suggestion to a true commitment. Knowing your bangs status is important but telling your stylist isn’t as important.

Jaw-Length Brunette Bob With Subtle Highlights and a Deep Side Part

The width of the tapers diminishes to a point at the jaw. The design is intentional. The point cutting on the perimeter makes the ends even lighter. Thinning the hair too much can result in an undesirable effect. This shape works well on medium to long hair. The side part of the shape leaves the hair over the crown of the head shorter than the rest. This, along with the shape around the face, creates a soft volume and frame. The shape is a balayage. The shape resembles naturally occurring highlights. The shape of the balayage can soften and frame the face. It can also be long enough to soften and frame the neck. Longer lengths can make a narrow, defined face, and jaw, look wider. This shape requires frequent trims to maintain.

Choppy Pixie Shag With Razored Bangs and Dimensional Lowlights

This has a long gradient piece. Lowlights in this picture are concentrated near the root, making it Great for short hair styles. It has razored lines. on the sides and bangs giving it a piecey and wispy look. If your hair is thick and coarse it won’t hold the style well. The best hair types to wear this hairstyle is medium to fine and has some natural body. People with round and oval faces should wear this as it’s not as good for other face shapes. It will require a lot of upkeep as the shorter pieces will grow out quickly. You will have to get it trimmed every 5 to 6 weeks. If you don’t want to do this then don’t get this hairstyle.

Blunt Dark Chocolate Bob With Thin Wispy Fringe

To maintain a clean and transparent design, the amount of hair removed to create the fringe is extremely thin, and this style is best for those with medium to low hair density. For lower hair densities, the fringe helps illusory the appearance of fuller hair. This particular cut does not utilize any form of layering. The length of the bob is at the jawline, and like other variations of the classic bob, the stylist has used an interior line to ensure the curves of the bob do not lose definition. The slight difference in length of this style of bob compared to the classic bob provides a slightly better frame of the face, but for individuals with a round face, this style enhances the appearance of a square face. The color of this bob is a cooled down espresso tone, and while this color is great for the workplace, it is important to touch up this color treatment in a month’s time.

Rounded Chin-Length Bob With Swept Side Bangs and Cool Blonde Woven Highlights

This cut doesn’t use true bangs. Longer layers in the crown are pushed off to the side. This cut creates a softer frame and gives the appearance of longer layers. Traditional face frames have a long grow-out, making them high maintenance. Compared to traditional face frames, this is low maintenance. This cut works best on medium to long, thick hair. Thin hair won’t hold the shape. The base of the hair and the crown are a medium brown. A sun-kissed effect is achieved by the colorist or stylist placing highlights in the crown and the top layer. This effect is enhanced by using a cooler tone in the highlights. Throughout the hair, Dimension is added. To achieve a 3D effect, stylists use different techniques. Overall, this is a simple, long face-framing layer effect. This effect works best for a low-maintenance style.

Collarbone-Length Layered Cut With Flicked Curtain Bangs and Buttery Highlights

Razoring is used on the outermost hairs to fall away from the face. The amount of hair on the head will dictate if this style can be maintained. Not everyone has enough hair to structure this cut. The interior layers of this cut give the illusion of volume. This cut, paired with the blonde, provides a lot of depth due to the root shadow. Because of where the line is placed at the jaw, this cut is flattering on individuals with frame and oval faces. This line can make a round face, or any face with a bottom heavy feature, appear wider. Individuals with round faces should avoid this style.

Shoulder-Length Curly Shag With Curly Bangs and Rich Auburn Color

Bangs are cut at the brow, and there is obviously an attempt at avoiding the infamous “puffiness”. Layers and separation are a part of the cut to let the curls “do their own thing”. The color is a deep auburn with a warm tone. The auburn color is rich and deep, and has a gloss to give it color depth and shine. The style is not flattering to a long, narrow face. On the contrary, it is great for a wide jaw to add face balance with volume on the sides. People with a 3A curl pattern are eligible to rock this style. Other curl patterns don’t stand a chance. It takes a lot of commitment to sport this style because the only thing worse than having long bangs is dealing with annoying long, yet still voluminous, bangs that won’t stop getting in your face as they try to return to their shortened state.

Big Bouncy Layers With Curtain Fringe and Warm Blonde Dimension

You can’t do this with thin hair. It takes a good amount of volume and density and a decent amount of length. It has lots of textured layers that keep it from looking flat or triangular. The layers that frame the face create a more rounded face shape. The length of the bangs is nothing like the length of the rest of the hair. The front pieces are all one piece and keep the hair off the face. The rest of the look is thanks to a partial, warm, golden foil that lightens the hair up. The look takes a round brush to blow out to achieve the volume. If you’re not committing to styling it like this every single day, the style will quickly lose its texture and body.

Textured Short Shag With Razored Fringe and Warm Toffee Pieces

Thin bangs are razored to provide a frame for forehead. This style is long, layered and voluminous. It requires medium length hair to create body. This frame can create a good shape and soften harsh lines. Without regular styling this style will lose its shape quickly. Caramel highlights are added in this frame to add depth and soften the edges. The width of this frame is placed on the cheekbones. Therefore, it creates a good shape and frame for a heart and oval shape face. Since the bottom of the frame is cut to taper, it can increase width to a broad face. Expect to come in for a touch-up every 5-6 weeks.

Chin-Length Rounded Bob With Swooping Bangs and Natural Gray Blend

The bangs in this style are more like longer pieces that flatter the face and are dressed up by side-swept hair. These pieces won’t grow out and become an inconvenient fringe like a straight cut would. This style has a lot of interior layers that give it volume without making it bulky. This shape is a good option to consider if your face shape is long, because it shortens it and makes it more proportional. A rounded bob is good for a fuller face shape because it gives a good frame and takes off some of the fullness. This style isn’t creative, so the focus of the style isn’t really on the hair, but more so how the model has styled her grays by not coloring her hair. The model has left some of her hair natural to integrate her grays to keep it from looking thin and giving it more body. A lot of the shape and volume of the style comes from the body of the hair, making it really flattering. If the hair isn’t thick enough, the style doesn’t really work, because it will just cling to the face.

Soft Layered Dark Bob With Piecey Brow-Skimming Bangs

The bangs are cut to have lots of texture so that they can fall naturally. They are cut to graze the eyebrows. The length is at the chin. The interior layers prevent it from being a lumpy, solid shape. The bob is flattering for both round and oval faces. It is cut to end at the jaw. It probably wouldn’t look flattering on someone with a heart shaped face. The main body of the hair is dark brown. There are thin strands of caramel that are dispersed throughout to add depth and dimension. Cowlicks at the hairline will affect the fall of these bangs. Expect the bangs to require the most upkeep out of all of the length. It will take no more than 4 weeks for the bangs to require trimming again.

Tousled Ear-Length Shag With Choppy Fringe and Warm Bronze Pieces

Layers are tapered, or tapered to a point. If layers are pointed, they would be blunt. Like a helmet. The fringe layer in this cut helps reduce roundness of the face and also adds texture. Layers in the back help add body and help give the appearance of lift. The placement of the highlights help enhance and frame the face. A good base of hair helps give body and help achieve this style. Straight, fine hair, like what many Asian people have, would require a ton of hairspray and be very difficult to keep looking this way.

Flippy Collarbone Shag With Side-Swept Bangs and Honey Blonde Dimension

This style uses layers throughout. Layers in the front and around the face are graduated to vary in length from about the jaw to the collarbone. The difference in length is accomplished by point cutting. Point cutting gives movement to the ends of hair and eliminates the need for styling products. As with most people, the model probably did not want to lose length in her hair. For this reason, medium to thick hair works best with this style. The length of the side swept bangs is such that they can be worn in front of the ears. Brown with caramel highlights is the color of this hair. Warm brown, along with the layers, softens and Frame the face of the model, including the jawline.

Curly Shag With Loose Fringe and Warm Caramel Pieces

This hairstyle is cut dry and tapers into the face. This allows the bangs to naturally frame the eyes. The length of the bangs allows them to fall freely into pieces. This hairstyle contains a long, shaggy, curtain cut, with long caramel highlights and a layered bottom to eliminate bulk. This hairstyle is very flattering and gives off a natural, effortless vibe. The best thing about this hairstyle is that it is very face-framing and enhances the hair’s natural patterns and volume. This style flatters most face shapes, especially heart and oval face shapes. The length of this hairstyle is very important. If it doesn’t have enough length, it can create an unfortunate, narrowing effect.

Wavy Shag Bob With Soft Fringe and Sunkissed Dimension

The bangs are broken up to avoid a hard line where the wave meets the lower layers. This takes skill. The shag iscut to fall at the chin, and is cut on medium density hair with a natural wave. Razor (or typically freehand) ‘Higher’s’ have been cut throughout to add movement. The layers have intact edges. A balayage is done through the mid-lengths to add dimension. This cut would work best on people who do not have natural wave in their hair. The cut is flattering on oval and heart shaped faces. The waves create volume on the cheeks of a person with a round face.

Warm Ribbon-Lit Layers With Soft Curtain Fringe

A few features of this style are worth noting. The bangs are long, face-framing bangs. If you’ve never had bangs before and are considering them, you can probably pull this style off. There’s a good amount of hair that frames your face. Below that, the length is layered, starting around the chin. It appears this style maintains its natural wave. A caramel balayage is throughout the length of the hair, and tends to enhance the natural wave. This is great for people who have round or oval faces, because it breaks up the face and creates the illusion of a smaller facial structure. Keep in mind if you have fine hair this isn’t a good style for you. If you have naturally wavy hair this is a great style, but if you don’t, don’t attempt this. In order for this style to work you need medium to thick hair.

Shoulder-Length Layered Shag With Flipped Ends and Bronde Balayage

The first photo shows hair that has no bounce or shape, and has a solid length. The second photo shows hair that has layers heavily point cut, giving the hair movement and body. The fringe is cut to frame the face and creates the illusion of a narrow face. The shape of the fringe and layers of the cut require some length. If the length of the hair is too short it will not provide enough shape or body. For this cut, it will also not help to round brush to get body. The second picture shows a balayage with a toner to get rid of the brassy. An oval or heart shape face can also pull this style off. This length of the cut can make a round face look longer.

Curly Bob With Grown-Out Bangs and Natural Silver Streaking

The bangs in the photo are longer, but the length here is normally at the cheeks. I have left some of the curl around the face to frame it. This picture shows how not to cut short curl bangs because they will poof out and create an unwanted shelf. The gray is left natural. It add a nice detail to the look and helps break up the monotony of the color. There is a good rounded volume at the crown. Rounded shape at the crown is not good if your hair is thin because it will look flat. It is also not a good idea to go for this look if your hair does not have a true curl because you will not be able to achieve the shape. A good volume at the crown will help longer face shapes. As the volume is lost, it will take on a wider and longer shape, which helps disguise a double chin. This shape will require very little styling. The volume at the crown will also help the back of the head, which is typically bald, retain a good volume for a long time.

Soft Side-Swept Bob With Copper Ribbon Highlights

point cut and swept to the side. Because of that, this cut doesn’t really have traditional bangs. If you don’t want to fully commit to bangs, this is a good alternative. The length of this cut is a bob and is jaw length. This cut will work best on people who have hair that is straight to slightly wavey, like the example model. The copper highlights are through the mid length of her hair, so they will not create a striping effect when they grow out. If you have a round face, this will work well for you because it will give the effect of a narrower face at the jaw line. If your face is already narrow, this cut will be have no effect and will make your face appear even longer. The overall effect of this cut is like the model has blown back her hair. While this effect will work well to create and maintain the desired shape on thicker hair, this cut probably won’t have the same effect on thin hair.

Long Layered Waves With Face-Framing Bangs and Cool Ash Highlights

The highlights here are intelligent. The placement surrounding the face, including the bangs, keeps the rest of the hair thicker and gives the impression of more volume. The effect here is to frame the face rather than the entire head of foils. The layers framing the face have to be rather long in order to shed the volume, and medium to thick length hair is better for this effect. Thinner or medium hair will not achieve this effect. The bangs are long and frame the face, thereby eliminating the need for upkeep. This is more flattering for those with oval or heart shaped faces, and less so for those with a round face as this will further widen the face.

Flipped-Out Collarbone Bob With Piece-y Fringe and Caramel Ribbons

The ends fold under to avoid bulk, and movement adds the illusion of less density. The bangs are sleek and thin and project out less than a traditional blunt bangs cut. Layers in this cut are split and offset from center. This cut works especially well on people with round or oval faces. Because of the layers, this cut creates the optical illusion of a narrower face. Layers are placed so that they drape up and out to create roundness and fullness in the face and give dimension to the cheeks. For this look, the base of the hair is a medium-brown. Thin strands of hair are framed by caramel highlights. This cut works best if the person has somewhat thick or medium hair. Shaping this cut requires the use of a curling iron to achieve the strands falling out and away from the face.

Heavily Layered Brunette Length With Blonde Foils and Sweeping Fringe

Those bangs. They cover the forehead and make the face look more slim and long. The shortest layers are around 12 inches from the chin. The length is important because if the hair is left to hang, there will be no volume. The volume is created by the shape of the layers. The shape is created by a weave of a “highlight and lowlight” method using hair color. Too many of the foils will result in a chunky weave. The hair weave creates volume that is best for a person with medium to thick hair. The haircut is really weird and strange for a person with thin or fine hair because the layers are really really short. The haircut takes a lot of work to style and you will have to do it everyday.

Textured Chin-Length Bob With Wispy Bangs

See how the bangs aren’t just straight across? They are cut to point and feathered to give a more natural edge. This helps minimize the appearance of bulky fullness in a small face. The rest of the piece-y, razor cut, long layers add facial frame and fullness. This look is a balayage with caramel highlights. The face framing and hair line defination helps to give the appearance of fullness. For this look, the back and lower portion of the hair is kept full and the ends are leaves to give the illusion of depth. This works best for people with a few natural waves or curls in their hair. A flat, lifeless hair type will require the use of a curling iron. This is suitable for people with an oval or heart shape face. This look is not good for people with a round face shape because the outward frame at the jaw line gives an illusion of more fullness and widens the face.

Layered Short Cut With Feathered Bangs and Salt-and-Pepper Dimension

The first thing you notice is the color. This is not your average highlight. This looks more like a babylight, and is soft and smooth with no stripes. The base of the hair is gray, and the color is built on top with a brown tone. The layers are longer and razored, and help to remove bulk and heavy hair on the back of the head. These layers with a soft low-hanging bang frame the face nicely. this style is fairly low maintenance and easy to take care of. If you have limp and fine hair this style will not give you the effect of having hair with body and volume. This style is great for women with round faces because of the soft layers that help frame the face. Layers that are too long will make an already long face look even longer. The layers of this style require this cut to be maintained every 5 or 6 weeks.

Wavy Brunette Bob With Curtain Bangs and Warm Highlights

These aren’t true bangs. Bangs require a lot of maintenance and can be very long and drawn out when you are trying to grow them out. The piece-y framed layers in this picture are so much easier to maintain. The caramel balayage gives these pieces a natural color, and this look would be appropriate for someone who has medium density hair that is naturally wavy. Hair that doesn’t have body won’t maintain this shape easily. Because this style is full of layers, the overall effect is dependent on how the hair moves. This cut is definitely not for someone with fine, straight hair. This style can make an face appear longer and more oval because of where the cutting line is. The interior of the hair is very piecey and thin because of razoring. This cut is very internal structure dependent.

Short Curly Crop With Tousled Bangs and Honey Highlights

This cut needs body and volume. Straightened hair won’t hold this shape. The natural wave in your hair needs to be anywhere from 2C-3A. The bangs are long, and shaggy, and hold their position once they fall into place. They also won’t lay flat against your head like standard bangs. The shape of this cut is enhanced by the natural curls of your hair. If you want this style to be perfect, you can paint in highlights to the individual curls before they dry. This will give a polished look. This style works best if your face is either heart shaped, or has a classic Oval shape. This cut adds width to your temples to balance out your chin. So, it’s best if your hair isn’t too fine and thin.

This post The Haircuts With Bangs I’d Recommend to a Mom Ready for a Change, was originally published at Latest-Hairstyles.com

It started with clients coming in wanting pictures of something similar to a pixie, but also a bob and saying “we want that, whatever it is.” Clients would bring in pictures of their style of the direction they want to take their hair. I started calling these flixie cuts. It’s a center part, pixie cut, a little longer, a lot of layers, a heavier texture, and can have a longer pieces in the front if you want a fringe.

It’s definitely a shorter texture of hair, but it’s a great option because of the layers, it frames your face and keeps things simple and low-maintenance. I once had a client in her sixties that told me she had walked into countless hair appointments in her life and would always get a layered pixie, but when she was done with her flixie cut she said she did not want to go back. It really is its own unique definition. It’s not a younger style, or a trendier, more stylish style but more of a style that is more like your natural hair framing your face instead of covering it.

Cool Brunette Flixie with Cheekbone-Length Fringe and Soft Kickout

Instagram: hairstylist_yama_

This is an interesting take on the fringe. For lack of a better term, this is an accessory style. There is no meaningful length on top beyond the shoulders, but cheek bone are used as a guiding line as the top is angled across this line. The shaping on the sides and ear curls is straight and short. This is a balanced style as it is using the hair’s natural movement and allows hair to have controlled volume. The top is pointy and a little shorter to reduce overall volume, but if too much is taken it will look too thin. The texture of the hair is straight to slightly wavy, which is a good choice for the length as it creates overall less volume and is dense. Fringe can be the right addition for autumn as it is used to frame an oval and heart faces as well as round. There is really no part which a huge reason why it looks great as there is no weighted hair to create an unnaturally even side.

Strawberry Blonde Flixie with Soft Curtain Fringe and Flippy Perimeter

Instagram: biblicallyaccuratehair

This design for chin length hair tucks on one side while stretching on the other and works great with back layers. It also works well with hair that has a slight wave to it. This style is better shown in pictures. It has a fine, naturally textured fringe that is beautifully framed above the brows. This style is great for many different face shapes, especially round and oval. The is a great commitment free highlight for most people since it color is a warm natural strawberry blonde. Coarse hair will struggle to hold a frizz free curl but the style will still look cute with chopped ends.

Mousy Brown Razored Flixie with Subtle Blonde Ribbons

Instagram: laceygriffithshair

Examine the nape area. Those wispy pieces in the front taper down to create an elegant length variation reminiscent of a soft bubble, as opposed to a sharp, clearly defined line bob. Again, that graduation creates the illusion of lots of movement throughout the piece. Razor layering throughout the sides and crown helps create the piece-y look throughout the cut without creating an unwanted thin look. Overall, for straight to slight-wave hair types, this length is ideal. For finer-mousy-brown hair, thin blonde highlights are added. They are more of a fine babylight. For those with an oval or heart face shape and a defined jawline, this cut is great. For round faces, this cut makes a previously rounded face look flat because there is nothing to frame below the jawline. Thin and fine hair types are once again going to experience issues with this cut because it tends to flatten out quickly, and no hairspray will help keep it up all day.

Wavy Dark Flixie with a Swept Crown and Soft Ear Coverage

Instagram: madeby.mick

The techniques in this picture are intentional and achieved by a particular wave pattern. In this cut, textural elements move the crown by avoiding layering, suggesting point cutting. This style uses point cutting to integrate top and side hair. As opposed to layering, this style blends the top by the side hair. For round face shapes, this style provides length, and it does so without sharp angles and extreme volume. The length is achieved by crown height and by hair pulling away from the forehead. Crown height means the hair is pulled up toward the crown of the head, and length is achieved. The style works, as long as this is a straight hair type. Soft curls falling around the ear provide length and without them, the style is more helmet-like. Voluminous, thick waves would push out, andstyle would be more voluminous. The style definitely suggests the hair is not overly thick, as the front pieces fall to the side naturally, and this provides a fringe-like look but without the fringe.

Chin-Length Shaggy Blonde Flixie with Choppy Fringe and Lived-In Texture

Instagram: tylerlizhair

A before and after. Long hair droops her face down and shaves off the width of the face. With flixie, weight is brought up to the chin and short, choppy, eye skimming bangs. This changes the proportions of her face drastically. This is a razor cut shag with a lot of soft and textured layers mostly in the front to add volume and dimension and is built up towards her face. The colors used in this cut and style are the perfect dimensional blonde, and it works well because there is color depth towards the roots and mid lengths and it lightens the frame on her face. This style best works with thick wavy hair, and with thinner hair like straight hair, this will probably lose a lot of pieces. This is the best style for square and round face shapes to have length stopping at the chin, and for angular faces this style will balance the fringe. The sides are angled to stop short and expose the ears but are long enough to cover the ears. This is not even a good style to grow out.

Deep Part Brunette Flixie with Loose Jaw-Length Wave and Tucked Sides

Instagram: gloss_and_glow_studio_

The deep side part takes weight off of the hair to create a fuller appearance. The rest of the elements of this style suggests that medium density hair is thin. There are choppy blunt cuts which end in a point to reduce the bulk of the hair. This style has the ear tucked in, and this style isn’t great for a rounded face. For longer and oval-shaped faces it is good to have the longer side pulled away while the shorter side has a deep side part. The color is naturally dark brown and appears to be untouched. After about 4 weeks, this style starts to lose its shape and look messy.

Natural Brunette Flixie with Feathered Nape Curl and a Cropped Crown

Instagram: kvttykatmke

Half of this cut’s work is definitely in back length. The top is very short and has a little extra length before the back makes it’s way past the ears and forms a nice loose curl. The hair around the ears is cut low and thin to help this style not feel too heavy. And with all of the back length, there’s still a great density of hair. Point cutting add beautiful texture to the back and adds a nice finish to the layers. This cut is best for hair with a little curl or wave, but straight hair may not achieve the flip it would need to for balance. This cut will balance a long face with short hair in the back and medium to thick hair. The brown color with golden undertones would look like purposefully sun kissed hair. The brown and gold color matched perfectly with natural styled hair. If you need to straighten hair in the morning, this hair style may make you look unpolished.

Cropped Dark Flixie with Wavy Sideburn Pieces and a Blunt Baby Fringe

Instagram: hairbynatnat

This has a unique drop along the brow line, but still leaves enough room for the natural wave. Heavy point cutting through the crown combined with long, inward-falling sideburn curls is what makes this cut special. This cut looks best on natural waves, as straight hair gives a flat “mushroom” shape. This cut is perfect for round and heart face shapes as it lowers the forehead and softens the overall width of the face. Unlike many cuts, it can’t be grown out and maintained, meaning it really is a 4 week trim cut. Those who don’t want to regularly trim their cuts can try this cut as long as they are willing to suffer the consequences.

Dark Ear-Length Flixie with Soft Curl and Feathered Bangs

Instagram: mellyskoeln

These sides do something unique. They are point cut to curve inward toward the ear which ensures this cut doesn’t look stuck to the side of the head. Straight hair often sticks out to the side, so this cut needs a bit of natural wave or body. The fringe is soft and feathered and barely touches the top of the brow and flatters oval and heart shaped faces, while it is less flattering on round shaped faces. This length makes you look slightly more wide. The crown has enough volume and the overall density of this cut is spot on. Very thick hair can pose a constant problem with the sides of this haircut.

Nape-Grazing Brunette Flixie with Textured Flyaways and a Cropped Fringe

Instagram: joeltorresstyle

Those flyaways at the crown have that intentionally styled, roughed-up look to them. We used a razor point cut paired with thinning shears to create that effect. We cleaned up the edges and even kept the hair at ear length. Notice how the hair in the back of the neck does not curl under. This look best demonstrates medium hair density in that area and more coarse hair with higher density will make this style look more unkempt and messy with hair protruding out of the scalp. This style will complement people who have either an oval or heart-shaped face because of the front choppy short bangs framing their face the best. For round-shaped faces, people will not like this style because that short bang will make the face appear even rounder and will not make the face look more slim eve refined like it does on other face shapes. This style is almost impossible to look effortless after a few days. Before this style starts looking effortless, some dry texturizing spray will have to be used.

Burgundy Wavy Flixie with a Cropped Top and Curling Nape

Instagram: manesbytaylor

That length of the nape is important, but a tight crown cut creates this styling effect that allows hair to tumble outward and down without looking bulky. This style has a dark brown wash that creates a dark tone that looks almost dark brown in certain light while in other light it appears dark black. This is a very harsh style. It looks best on straight, non-voluminous hair that has a ton of bounce and curl. This style even looks decent on rounders due to the short fringe. This style doesn’t look good on those who attempt to conceal the forehead because it does virtually nothing in that department. This style is short and high.

Curly Two-Tone Flixie with Bold Blonde Money Pieces and Dark Roots

Instagram: chaelin_lms

Most of the action happens around the front of her face frame. There’s a lot of contrast with hair that’s brown but blonde in a really specific spot. The hair color will look funny as a grow out, especially if your hair is straight, though hopefully most of you who are reading this don’t have straight hair. The lines of hair would make this a complete skunk stripe. This haircut is cut short around the ears and the nape, and longer and with volume in the crown, which is point cut to allow for the curls to separate. This style will widen round face shapes because of all the volume on top that isn’t balanced by length on the sides. Oblong and oval face shapes will look good with this cut because curly hair will naturally build volume. The bleached sides will definitely get brassy, so you will need to keep up with touch ups.

Warm Brunette Flixie with Curling Nape Pieces and a Cropped Top

Instagram: hairprism

This hairstyle is a little tricky to create at home because this part is done primarily in the back. The curls that start just above the collar line are the result of natural waves, as well as the stylist leaving more length in the bottom layer while taking small pieces to point cut the crown. On someone with straight, fine hair, the bottom section would just fall straight. This hair style looks best on someone with a round or full face because of the short fringe and cropped sides. They lift and pull the hair up and back. The longer hair balances this and stops the style from looking too severe. Natural warm brown hair does the color for her, and it definitely helps the hairstyle look better. There is no upkeep for the color. This is probably the biggest positive for the hairstyle. The biggest negative is the length. If you don’t try to style the bulk of the hair onto the back section, it starts to look a littleIntentionaly undone, but looks good for about two weeks before starting to look unkempt. The line between good and bad is quite thin.

Chin-Length Flixie with Deep Cherry Undertones

Instagram: coralsickmonlundberg

This cut actually does have a function. The layers in the crown are folded inward along the internal line, so the ends can move when they are flicked out. They would have minimal movement if they were blunt. The color is really cool. Indoors the color is almost black, however in the sun it is a deep Burgundy. It almost looks like a demi-permanent color is applied over her dark natural shade. Great amount of hair density here. The density is even apparent in the texturizing. This shape will not work will longer hair, it will fall flat and lose all the interest. It does well with heart and oval face shapes with the soft fringe that hits at the jawline, to avoid crowding those face shapes. For more round face shapes it will widen them.

Jet Black Flixie with Choppy Crown and Wispy Nape Length

Instagram: hexedlocks

These nape pieces are rather complex. Point cutting gives them a translucent effect against the neck and separate the back and dense, straight hair. Without it, the back would look rather blocky. The top of the head is styled with shorter hair around the side and chopped and layered, creating a round on top and tight at the ears style. This is an excellent style for most people and especially for those with round faces. The styling works best with straight hair (sorry to those debilitated by humidity, as you will need to flat iron your hair to combat unwanted waves). If you want to keep the fine, straight hair looking tight and clean, like we’re aiming for the nape, a flat iron is a must. Your goals to style the piece will work best if your nape is straight with the fine, straight hair. Daily trimming will help you achieve the goal of styling thin wisps.

Shaggy Natural Blonde Flixie with Soft Fringe and Textured Crown

Instagram: oliviajeanhairdesign

The crown carries this cut. This style requires real length at the crown, and no product is needed to add volume. Fine to medium density hair can benefit from this style. The fringe is cut unevenly and slightly above the brows. This helps the fringe to fall messily, covering the brows as intended. The length is tapered around the ear after sideburns. The back length of the hair is long and feathered, which adds a lot of interest at the back. This cut adds a lot of length and rounds the face to look more exposed. The cut is ideal for oval and heart face shapes. Her natural dark blonde is an ideal color for longer hair with no highlights. This cut isn’t ideal for highlights, as it creates a fully done look. This requires the most trust in your stylist for the cut alone.

Grown-Out Flixie with Soft Wave and a Tucked Ear Detail

Instagram: xanika_joy_hair

There’s slightly less weight behind this ear, which is from the stylist point cutting this side to allow it to swing back without looking bulky. The back silhouette is also tucked to close this area while the rest of the pieces can fall loose. This is medium density hair, with a bit of wave that lends itself nicely without any help. Round and oval faces will feel comfortable in this look. Thick and straight hair will lose that natural ease of this shape and pouf at the sides. This trendy color of natural light ash brown looks great on this cut which has so much texture that it creates its own dimension. A flixie is normally in its awkward growth phase, but this cut looks intentional, which is because of the great structure. This shape looks great especially in a shorter hairstyle.

Jaw-Grazing Flixie with Warm Chestnut Dimension and Piecey Fringe

Instagram: hair.by.ellie.seattle

The back and sides of this style are weighted with hair pulled in at the top. It works great for those with medium density straight hair and ends up looking like fuller hair with less volume. The fringe is point cut and sleek with a front cut allowing a fuller forehead to show. A warm chestnut brunette base with copper highlights adds a shiny Dimension, but still looks natural. This style would definitely not be good for thick or coarse hair. This style looks great on heart and oval face shapes.

Tousled Caramel Flixie with Blunt Fringe and Choppy Layers

Instagram: sevensalonshrewsbury

This is a unique take on the fringe. This is a heavy, blunt cut fringe that is cut just above the eyebrows, while the rest of the hair is cut the opposite way with razored, layered pieces that fall at the nape of the neck. The rest of the hair has cut pieces that fall around the nape. This cut is mostly about contrast. The contrast is best pulled off with medium to thick hair textures, as fine hair won’t be able to hold the chunky separation. The color is a warm light brown with fine caramel highlights throughout the hair which adds dimension to the hair without framing the face. A heavy blunt fringe can close off the forehead and give it a slight downward angle. This hairstyle looks much more unfinished and undone when compared to other styles, but is very interesting.

Razored Brunette Flixie with Flippy Ends and Wispy Face Frame

Instagram: laceygriffithshair

These backward tapers at the back of the neck are intentional. The mid-lengths and ends of your hair were razored to give that flipped, almost wind-caught movement without bulk. This style features layers that hit at your jaw line and ear level. It adds height at the crown and is perfect for medium density straight to wavy hair. Thin, separated pieces of hair frame your face and prevent bulkiness or heaviness from forming around your face. This hairstyle does the best to flatter thin hair the most, as thick hair will not be complemented by this style. Razor cutting is the best way to achieve this hairstyle so that the ends don’t rise up. To add dimension, natural medium brown should be left as is (no highlights or lowlights). This texture helps bring out the dimension of this style.

Ear-Length Wavy Flixie with Side-Swept Volume and Wispy Sideburns

Instagram: elodie_fura_secret_de_beaute

The sideburns are intentionally wispy and left thin. If they’re purposely left thin, then that’s not just a short bob. There’s a lot of volume lifted in the crown from point cutting layers. Side layers fall close to the head and the rest of the hair falls past the ears. This cutJ is perfect for straight or wavy hair. Straight hair will tend to lay flat in the crown and lose some of the volume, so that’s something to think about if you’re considering this cut. The length of this style compliments long and narrow faces. Round faces might not like it because of the horizontal emphasis, but this style looks great on brown hair because of the balance that the hair color adds to the style.

Soft Brunette Flixie with Curtain Fringe and Lived-In Wave

Instagram: narvis_katsumi

Weight is pulled to the sides and crown with the nape being pulled taught. This style incorporates bulk using heavy point cutting letting weight distribute evenly to create a full round shape. Heavy cuts are generally done on the inner side of the hair. This is a medium density flixie and is a warm brunette color with a low commitment color treatment making this style easy to maintain. This style generally works best for oval and heart shaped faces, but does well with round faced individuals as well due to the soft curtain fringe. Square faced individuals need to avoid this style. For Round and Square faced individuals, the lack of definition in the soft curtain fringe will detract from the shape of this style. Straight and slightly wavy hair is best suited for this style. Coarse and thick hair will be at odds with this style.

Choppy Brunette Flixie with Feathered Micro Fringe

Instagram: pelo.con.nikki

These bangs add feathered, point cut layers that give off the illusion of a feathered shelf that ends before the hairline. They tend to look better on hair types that are less coarse and less thick due to the fact they naturally separate into soft feathers. If you have a thicker hair type, you will end up with a blunt shelf. The cut has texture on the side and sits right around the ears. There are some bangs that frame the side and some hair that falls right around the nape that is flipped out creating some texture without turning into a full mullet. This style is great for people with round or oval face shapes. It can be not as flattering to people who have square face shapes. It can appear to exaggerate the shape and make it seem unfinished. There is a lot of razor work and not a lot of dimension to this style so the shape relies on razor work. This medium brown color is great to add dimension to natural hair color. Your stylist’s razor work will help shape your hair the way you want so they can turn this style into something completely different.

Warm Copper Flixie with Micro Bangs and a Shaggy Tail

Instagram: thevividfairy

Natural waves in your hair mean a break in the curl that is straight up gorgeous. Straight hair just can’t give you that outcome. The crown and sides of this cut are razored to give a choppy, piece-y textured cut that falls over the top and side of your head in a shaggy tail that kicks out. This cut is somewhere between a pixie and a mullet, but it’s actually quite fresh. The fringe is a lot shorter than your brows and really cuts a nice shape around your face to soften a rounder face shape. Rather than conceal it, this cut embraces a really round shape. A copper tone gloss balances this look, and it’s probably a gloss that was applied over her natural base color. This cut is best for medium density hair, as fine hair looks sparse after a razor cut, and thick hair will splay too far out. It does require trims every 4-5 weeks to retain the shape of the style.

Textured Black Flixie with a Mullet-Adjacent Neckline

Instagram: funning.ayeon

Don’t cut your nape too short or you’ll end up with something more mullet than the very subtle controlled taper that touches the neckline. Your hair is razored or point cut to create a textured, almost wet, crown. This haircut is a pixie gone wild. The interest with this cut requires a minimum of medium thickness hair. Fine hair will flatten the pieces on top and you’ll lose the interest. This works the best on Oval and Heart face shapes since the volume on top and fullness of the crown balances out a Narrow Chin. This style consists of volume on top and a close crop around the ears. This style works best with wave and no straight hair.

This post Flixie Cuts Bring a Playful Edge to the Short Hair Conversation, was originally published at Latest-Hairstyles.com

Question from Marissa Ellery in Corvallis, Oregon: “My shaggy pixie looked full when I left the salon, but at home the crown falls flat and the ends separate into skinny little points. When I add wax, you can see more scalp. How do I get some height without making my fine hair look spiky or thin?”

Marissa, the wax is probably exaggerating the very thing you’re trying to fix. Your shaggy pixie has short layers that can lift easily, but its feathered ends can also gather into narrow clumps. When that happens, the gaps between them become more noticeable.

The trick is to create lift underneath while leaving enough hair overlapping on top. You want a full-looking outline with a few loose ends, rather than every strand picked apart. For your fine, straight-to-slightly-wavy hair, that means paying attention to the roots before decorating the tips. Here’s how to get there without turning your bathroom counter into a salon station.

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Loosen the Damp Layers Before They Settle Into a Part

Start with clean hair that feels damp throughout. If yesterday’s wax still makes the strands stick together, wash it out rather than layering another volumizer over it. Conditioner belongs mainly on any dry longer ends; rinse thoroughly so the short crown doesn’t feel coated.

Press out excess water with a towel, then loosen your hair with spread fingers. Avoid combing a ruler-straight part from your forehead back to your crown. On a shaggy pixie, that line divides the short layers before you’ve given them any lift.

Instead, gently move the top forward, then sideways, allowing the layers to overlap. You aren’t tangling the hair or scrubbing your scalp. You’re simply stopping it from drying in two flat panels.

Find the crown swirl now, while it’s easy to see. That’s the spot where your hair grows in different directions. Notice which way the surrounding hair naturally falls; later, you’ll encourage it across the opening without forcing it into the opposite direction.

If your fringe dries unusually quickly, dampen it again before styling that area. Short hair can become difficult to redirect while you’re still deciding what to do with it.

Give the Short Layers Support Without Coating Them in Wax

For this routine, Living Proof Full Volume & Root-Lifting Spray makes sense because it combines lightweight styling hold with heat protection. That gives fine layers some support before drying without requiring a separate heavy cream.

Apply it to damp, detangled hair from roots through ends, following the bottle’s directions. Lift sections with your fingers so the spray reaches underneath instead of collecting on the outer surface. Use a light, even application suited to your short length; your hair shouldn’t be dripping with product.

Pay particular attention to coverage around the upper back and top, where you want lift, while still covering the hair you’ll blow-dry. Gently distribute with your fingers. Don’t add mousse, oil, and wax on top just because they’re available.

A useful check: your damp strands should still separate easily when you move them. If they feel sticky and gather into ropes, you’ve probably used more than your hair needs. Rinsing and starting lighter is more effective than trying to blow volume into overloaded layers.

Dry Across the Crown, Then Lift It From Underneath

The crown is where your shaggy pixie gets its height, but pulling every piece straight upward can expose the scalp underneath. First, dry the roots in changing directions so they don’t settle into one flat arrangement.

1. Set your dryer to low airflow and comfortable warmth. Keep the nozzle about six inches away and moving.
2. With your fingers underneath the top layers, guide the hair gently toward one side, then back across toward the other. Follow with the airflow, directing it along the hair.
3. As the roots approach dry, lift small, broad sections slightly upward. Keep the ends relaxed rather than pulling them into spikes.
4. Once a section is dry, use cool airflow while holding that lift, then release it.

Around the crown swirl, follow its natural curve. Dry the surrounding hair across the visible split, then let it settle. Repeatedly pulling against a strong growth pattern often leaves one stubborn piece standing up.

You don’t need to wrap these short layers around a round brush. Your fingers let you reach the roots without curling every end into a rounded cap.

Check underneath before stopping. The surface can feel dry while the roots remain damp, and those damp roots are likely to settle as they finish drying.

Let the Fringe and Sides Balance the Height

Once the crown has lift, leave it alone while you finish the outline. Puffing up the hair above both ears can make the style look wide without making the top look fuller.

Guide the short side sections downward with your fingers as you dry them. Let the little pieces around the ears and nape follow their natural direction. You want them sitting comfortably, not plastered against your head.

For the fringe, sweep the damp hair diagonally across your forehead with your fingertips. Aim the dryer from the side, following that direction. Keep the airflow low so it doesn’t scatter your bangs into skinny strands.

If the fringe separates in the middle, gently move its roots across the split before settling the ends where you like them. Skip curling the entire fringe under; a pronounced roll can look disconnected from the uneven layers behind it.

Leave a few broader sections overlapping across the forehead. A broken fringe can still look substantial. It doesn’t need a visible gap between every piece.

These drying directions suit straight or slightly wavy hair. If your pixie has distinct curls, preserve the damp curl groups and diffuse gently instead of sweeping them repeatedly apart.

Add Texture Under the Top Layer, Not to Every Tip

Let your hair cool, then look at it before adding anything else. If it already has enough body, stop here. The cut itself should provide much of the shaggy detail.

If clean hair feels slippery and collapses when you release it, try Living Proof Full Dry Volume & Texture Spray. Unlike the damp styling spray, this finishing product adds grip and texture to dry hair.

Shake the can before each spray. Hold it six to ten inches away, lift a broad upper section, and apply one brief burst through that section from roots toward ends. Start underneath the top layer, release the hair, and assess before adding more. Keep the spray away from your face.

Slide your fingers underneath and lift once. Then arrange just two or three ends around the fringe or ears with clean fingertips. Avoid twisting every layer into a point.

If the result looks stringy, gently open the clumps with your fingers and lay neighboring sections across them. Don’t automatically add another product. Fuller-looking hair depends partly on coverage, and excessive separation removes that coverage.

Reset a Flat Patch Without Restyling the Whole Cut

The next morning, find what actually needs fixing. If the crown is flattened but the fringe and sides still sit nicely, wet your fingertips and dampen that crown section right down to the roots. Wetting only the tips won’t undo the flattened base.

For a small reset, lift the section with your fingers and use cool airflow until dry. Yesterday’s remaining styling product may provide enough grip; check before adding more. If the roots feel oily or coated, washing is a better reset than piling on texture spray.

If the same area always looks sparse despite careful styling, ask your stylist to check how much hair was removed there. A shaggy pixie needs texture, but fine hair still needs enough overlapping length to look full. Show them the trouble spot before they wet your hair.

Short Version

Marissa, concentrate on lifting the roots, keeping the upper layers overlapping, and separating only a few ends. You don’t have to make every piece look deliberately styled. Once the crown holds and the outline looks full, put your hands down and let your shaggy pixie be a little imperfect.

This post How to Style a Shaggy Pixie Cut for More Volume and Fuller-Looking Hair, was originally published at Latest-Hairstyles.com

A tiered bob is a great choice when you want a shorter shape with movement, body, and a little more personality than a one-length cut. The key is placing each tier where it works with your density and face shape, so you get lift without making the ends look thin or overly stacked.

I especially like this cut for hair that tends to fall flat because shorter interior layers can remove weight and encourage natural volume. If your hair is fine, keep the perimeter fairly solid; if it’s thick, subtle internal graduation helps the tiers sit closer to the head instead of puffing out.

Ready for a change that still feels easy to wear? Keep scrolling and save the tiered bob ideas you’d happily bring to your next appointment.

Ash Blonde Flippy Bob with Layered Crown Volume

If you’re wondering what makes this particular cut, it’s the layers towards the top of the head. Notice how the layers frame the face. They leave the head and point upward. A bit of height is also brought down by some chin length, hanging layers. The layers don’t look choppy because they were point cut, and not just shaved. This cut is best for medium to thick hair types. People with fine hair should probably avoid it because the style won’t hold. Root smudging an ash blonde is a great low maintenance color idea. This color works with both cool and warm skin tones, but will look especially great on someone cool toned. This cut looks great on all oval, round and even square face shapes because it doesn’t lose a lot of volume to the length. However, if you have a square face shape, proceed with caution because this cut will give your face a lot of width in the cheeks.

Buttery Blonde Chin-Length Bob with Soft Fringe and Stacked Interior

You’ll want to pay attention to the height difference between the crown and perimeter where the tiered structure is about an inch and a half high. The stacking in the interior does all the work with volume. The point cutting along the ends stops the structure from looking like a helmet. This crown is stunning for medium density hair on rounder face shapes. The fringe breaks the forehead. The chin length sides with their narrowing effect shapes the chin and creates an illusion without being obvious. The warm, buttery blonde looks natural with a darker root that was left that way. This style will not look this effortless on either coarse or thick hair because the layers will fight you and stand out creating more of a puffy effect. Straight hair types will struggle also because this cut definitely has more of a natural hair texture or wavier hair.

Collarbone Dark Brunette Bob with Wispy Curtain Fringe and Flicked Ends

I want to talk about the details. I think it’s important to discuss this in terms of the push and pull of the outer curls, versus the inward curls. This fullness is achieved without bulk. It’s really about the details. If you look closely at this photo you can see that the fringe pieces are cut right around the cheek area which allows the fringe to fall to the side, and above the brow instead of sitting on top of the forehead. These pieces work well on oval or heart shaped faces. Because this girl has fine hair, the flicked ends will likely quickly fall flat. I saw somewhere that this color looks like espresso with a very slightly warm undertone. This is likely gloss over brown hair rather than full color. I think point cutting is done to prevent thickness, on this piece of hair that’s cut to the middle of the neck. This is NOT a wash and go hairstyle.

Beachy Blonde Collarbone Bob with Curtain Fringe and Choppy Tiers

Notice where the shortest level comes in. It is right around cheekbones and actually can help create chin and cheekbone definition for fuller face shapes with the lift. The texture is dense, shredded, and undone at the same time. Density is supposed to be at the outer edges and the lengths are point-cut. This texture level definitely won’t dry straight for fine hair and the wave can look naturally curly or be straightened with a flat iron. The tiers look choppy and unfinished straight because of the lack of wave. The balayage is warm and sandy, with a rooted base, and the stylist has added some fringe highlights which helps to brighten the face. The cut is great for medium thick hair as is, but with fine hair, people will see the layers fall flat.

Tousled Chocolate Bob with Golden Foil Accents and Undone Texture

Check out the placement of these gold pieces at chin level. See how they catch the light and show where the jawline widens? You’re not looking at balayage here. This is intentional foiling placement and it is wonderful for fuller face shapes. The color contrast creates an optical illusion for face shape narrowing. The cut is just under the chin with some point cut internal layers and some bulk retained in the perimeter. This is a wonderful cut for medium to thick hair as fine hair will lose all the chunky piecey separation and go limp. The styled undone texture is quick to do, but people don’t realize it takes time. This wave pattern looks natural, but is styled.

Dark Brunette Shoulder Bob with Swooping Face Layers and Toffee Dimension

These pieces fill gaps between layers, but the angular cheekbone pieces and collarbone pieces perform critical functions. A single touch of a round brush will make those pieces collapse for volume. The point at the center of the layers helps to achieve this. A true deep, brunette base is fundamental. These highlights are hand painted only through the upper layers of the hair to create a layer of reflective light when the hair naturally moves. This style of hair generally has a thickness and density in the range of medium to add volume to the internal layers to prevent them flattening against the face which gives a very undesirable and discerning look to the face. With the addition of these layers, the face becomes full, broad, and round. Long faces would only become longer with these pieces.

Polished Dark Brunette Bob with Blow-Out Body and Face-Framing Flip

The blowout will create that natural looking flip in the ends. The layers are shorter in the back to help create more volume, without the weight stacking on the neck. This is a great choice for round and heart shaped faces. Unlike shorter styles that showcase the jawline, this will create more volume in the cheeks and cheekbones. I wouldn’t recommend this cut and style for someone with straight fine hair. You’re going to need a round brush on every single wash day. Thick hair types will love this. The color is a deep espresso which is a solid single process and low maintenance. This looks like the style will start falling and looking flat in other people’s hands because this cut utilizes her natural hair texture.

Copper-Kissed Jaw Bob with Wavy Interior Layering

Short layers on the crownlets shape the top half by stacking the sections. The lack of backcombing and product allow for vertical separation tiers. This warm copper shade adds high and low lights while still remaining natural. Since this hair has been glazed and not permanently dyed, the tips may be a bit warmer due to the porosity. Fine hair would struggle to hold this style and voluminous hair also would resist this style, although for varying reasons. Fine hair is light and limp and also resistant to waves. This hair style would fall flat and touch the jaw line. Thick hair is too resistant would also fall against the jaw line and is completely full. This hair style would be unsuited to a voluminous round face. A Heart shaped face completely suits this style, but a Oval shaped face would also look great. It should be noted that this style should be worn with naturally defined waves. Straight hair requires a curling iron to achieve this look.

Honey Blonde Neck-Length Bob with Sweeping Side Layers

Let’s look at the crown layer. The lift of shorter layers contrasts against the longer pieces; this creates a voluminous yet structured look. The crown has been point cut, so the edge is only slightly blunt, which means that it hugs even the most wavy of hair types. The warm honey blonde color with roots has a lot of depth and dimension and prevents it from being a boring solid color. A deep side part and longer swoopy piece brings the focus to the jawline of oval and heart shaped faces, however, it adds width to round shaped faces. The crown also holds vertical firmness to help you maintain volume; especially essential for very fine hair, which tends to fall limp and lose volume through the day.

Warm Chestnut Collarbone Bob with Loose Interior Movement

There’s a lot of work involved to make a bend without trailing and this bob has that. It has density, is short and choppy just a slight bit above the line of the chin and throat. The texture is even and straight with an almost straight line with the waves from a straightening iron. This bob has a nice warm chestnut color that is almost more brown than orange. This bob has a color that has no highlights which makes it a lot easier to manage and is also less time consuming. Because of the side swept bangs, the bob is great for people with straight hair. As for people who have thick hair, and want to keep the bob for longer, it may be harder to maintain because it will naturally spread and grow out.

Warm Blonde Textured Bob with Blunt Perimeter and Soft Face Pieces

This cut looks sharp and is easier to maintain because of its blunt perimeter. the point cut of the weight removal from the crown and mid-lengths prevents this cut from feeling heavy. both sides of the ends are worn forward and under and intentional textured asymmetry, not misaligned cutting. the color is a mean, buttery blonde with a root shadow that prevents this cut from reading flat. the face – framing pieces are also slightly lighter as a foil to open up the eyes. the cut will define medium density, straight to slightly wavy hair on an oval or heart shaped face. this cut will lose definition on round faces because there is not enough length. for thick and coarse hair, this cut will pouf. You can’t achieve and maintain the appearance as seen in the photo without the use of a flat iron and hair product.

Wavy Dark Chocolate Bob with Blonde Peekaboo Tips and Wispy Bangs

Those blonde sections at the ends can’t be trusted. They hold light at the jaw line and can capture the eye, making this style perfect for rounder face shapes. The layers are point cut with more depth throughout, leaving loose, collapsed waves, while shorter pieces throughout the crown lift the hair off of the head. This hair style is a chin length bob and works best on medium to even thick hair types. This style doesn’t style well on fine hair since it takes volume to style this bob. The wispy fringe allows the hair to remain light, keeping the style from feeling bulky. The stylist was very skilled because they kept the weight more on the sides and removed it as they went to the top to retain volume. The blonde tips will need to be touched up every 6 weeks or the style at the ends will look intentional, rather than accidental.

Curly Brunette Ear-Length Bob with Choppy Micro Fringe

Bangs are different, which is great. They are dry, cut with a point. This adds texture to them and has them ever so slightly sitting above the brows. The upper frame is shaggy and wispy while the lower frame curls towards the ears and chin. The texture of the hair in this style is very choppy, which is what gives it its uniqueness. This would look best with curly and textured hair. It would likely not look good on straight, sleek hair. With the shorter layers around the crown and the longer layers in the front to the jawline, this style acts as a very full and stacked style with no weight at the bottom. It also looks great on hearts and ovals. This style would not look good on people with wide square jaws and round faces because of how long the layers are. If you are looking for a style that covers what you would normally want to hide, this is perfect because the top is essentially shaved. The worst thing about it is that it grows out badly. I suggest trimming it often, or at most every two weeks.

Razored Bronde Bob with Piece-y Crown Layers

You can see gaps in the short layers at the crown, and that’s where razor work comes in. This texture is completely shear free and adds a lot of dimension. The shade is cool-toned brown containing bronde brassy tones and a ton of dimension that runs through the brunette layers. In flat lighting, you can really tell which layers move the most. This length and style complements straight to slight texture/curl hair, but is best suited for heavy texture and curl. This style ends up looking nice on both oval and heart shaped faces because of the clean defined jaw line. The angle of this cut highlights the neckline of your gown. There’s a really short taper in the back and long layers around the chin that frame your face. This can be a defined bob. It does not look nice with longer layers in the front as they will grow out. The sides don’t lay nicely flat around the ears. You’ll have to constantly get it trimmed to look nice, about 5-6 weeks.

Golden Blonde Chin-Length Bob with Rolled Ends and Shadow Root

The ends are rolled under a good amount and will require a round brush blow dry or a large headed iron to secure the style. Consider these facts. Warm Gold blending into the ends is a great little root touch up that will buy some weeks until regrowth is noticeable. The layers alternate and pile enough to create body without bulk, and this might be due to the mids being point cut. For an oval and heart shaped face, this is a great style. The ends rolled under at the jawline will widen a full, round face. The medium to finer texture with some body to it balances this style nicely. Even fine, coarse hair can take this style, but thick hair will fight it the most.

Tousled Honey Blonde Bob with Soft Wave and Root Melt

The slides in this bob cut stack at the back of the head and allow the hair to collapse into a relaxed wave instead of the traditional springing out effect. This bob is chin length and has a honey balayage hairstyle that goes perfectly with the dark brown root. Both heart and oval shaped face types can pull this look off the best. This style can be more challenging to achieve with coarse or thick hair. Due to a texture mismatch, the style will likely lose its easy draping effect and instead spring to the side. Buyer beware.

Textured Dark Chocolate Bob with Lived-In Wave

These layers do most of the work, but most people scrolling will miss that the interior is shorter than the perimeter, rounding it off and adding the fullness without any backcombing. This is a bob on medium density wavy hair and is point cut through the ends to create bend without the hair looking bulky. This will NOT look the same on straight hair. Oval and heart shaped faces look best with this hair length. This shape on people with rounded cheeks makes them look even more wide. The single process dark brunette is glossy and low maintenance, which is honest. This cut needs to be reshaped every 5-6 weeks to avoid looking like a grown out bob. To maintain the shape and look best, this cut looks best when the tiers are formed.

Warm Blonde Jaw-Length Bob with Flipped Interior Layers

Examine the model. See how the edges stick out. It’s actually layer construction and shows off a cool feature of preventing a flat line against the face. Overall, this model has a ton of layers and is full and long at the jawline. Many of these styles add length and volume to the top of the hair. The color of the hair is a shade of dark blonde with light brown and more of a concentration of blonde throughout and a root area of dark brown. Full dark blonde roots actually show less growth and are a creative way to avoid having to color your hair as often. They also frame your face with a fuller look. This style is best suited for people with thick hair as it also looks best sleeked.

Soft Brunette Bob with Curtain Fringe and Rounded Layers

Learn how the interior layers stack and taper to compress. They create that rounded shape without blowout. This is the magic of sliding shears and graduation at the nape of the neck creating soft volume on medium-dense hair. This effortless, low maintenance coif can be achieved with this style and the curtain fringe. This style works best to compliment oval and heart shaped face types. The width of the style at the jawline slightly expands the face for round shaped faces, making it less flattering. The warm brunette base colors with scattered caramel adds dimension and interest. Coarse or thick hair will give this style more volume and body. Product will not help.

Sandy Blonde Collarbone Bob with Disconnected Face Frame

The bob utilizes a specific layering technique that adds another layer to the style. Without the disconnection, bob cuts cannot achieve a lot of style. Being a warm brown makes hiding your roots easy since they grow out each month. Depending on the thickness of your hair, this cut can work well to introduce volume with the flipped, airy ends. If you have fine hair, this piece will just make your hair look thinner. This bob will be most flattering on oval and heart face shapes because the bob elongates the face. This style will rely on a lot of styling. Without styling it will be a lot heavier and will lose its definition. If you air dry this, you will lose all the volume.

Chin-Grazing Espresso Bob with Soft Bend and Hidden Interior Texture

When the weight line hits the chin, style volume is added. These layers are cut short to create a bend without having to use a curling iron, and point-cutting with an even graduation adds a frame to the style without it being blocky or blunt. I also sculpted a side-swept piece to create a piecey, casual look, and framing the face. This has a rich base of Espresso. A subtle, warm tone and shift that really catches light, but without intense balayage or highlights, this style adds depth. Face shapes such as ovals or hearts will suit this style. For a full jaw and full round face this length is perfect to help with framing and minimization. This style works best with medium thick density. Fine hair will look flat by noon.

Warm Copper Tiered Bob with Side-Swept Layers

See how short tiers stack right above the longest chin-length tiers and create fullness. They distribute the weight evenly in a straight line. This style’s stacking of the tiers is very important. Graduated layers help define shape and can hold the hair on their own without using any product. The warm copper and caramel low lights will prevent the hair from looking dull in both artificial and natural lighting. This length is great for an oval or heart-shaped face. This length is not ideal for round-shaped faces as the added volume will make the face look even wider. If you have coarse or thick hair that has some natural wave to it, be prepared for the cut to eventually take the shape and form of a longer style that is more full than intended.

Chin-Length Brunette Bob with Caramel Ribbon Highlights

Notice the layers building vertically to shorten the crown while length is preserved at the chin. Volume and thickness on the sides are balanced with length at the back. This is thanks to the layering, which is stacked. Volume at the sides is thanks to teasing, but there is no need for product. This is medium-density hair, and this cut doesn’t try to layer or layer as if it has more texture. Caramel highlights have been hand painted sparingly to frame the face and mid-lengths, so there is no concern with grow out. This style flatters oval and heart face shapes, but round faces will lose the definition of the jawline that makes this style so flattering. The interior will fall flat on fine hair via too much.

Burgundy Bob with Full Fringe and Interior Layers

Thicker layers remain at the crown. Layers move towards center creating a rounded and full hair look without making the ends of hair thick and bulky. This color has a Dusky Cherry tone to Chocolate Brown and will look stunning on her skin and won’t go Orange. This style is great for round face shapes because the bangs along with the jaw length pieces create a vertical line to make the face appear longer. This style will not work on limp/flat hair. This hair style requires medium density hair at minimum. If density is too low the layers will collapse and create a classic triangle hair shape with no definition.

Feathered Brunette Bob with Honey Tonal Pieces

Short pieces at the crown angle outward, whereas longer strands come inward. This creates the illusion of complexity with the style, but in actuality, it requires cuts on particular sections to create the empty spaces in order for the hair to lay in an assortment of directions. This style is a medium density bob with warm honey highlights that only reside in moveable layers and are hand painted. The highlights help to keep the dark base. This style is great for oval and heart shaped faces, rounder faces will find this style gives more width. To achieve the desired bend of the layers you need a round brush and a blow dryer. This style is not for wash and go users, because it will quickly loose its shape.

This post A Tiered Bob Might Be the Fresh Change Your Hair Has Been Missing, was originally published at Latest-Hairstyles.com

I was finally sold on pixie bobs when I saw a client who had a chin length bob for 6 years come in and say she wanted to keep the bob length but get rid of the “helmet” feeling. We went shorter in the back, added some layers in the top, and kept enough length around the ears so she still felt like her. 3 days later she texted me and said she hadn’t used her flat iron once and her hair was doing its own thing. That’s the entire appeal of this cut in one story.

A layered pixie bob offers the versatility of a mineral length bob while also maintaining the commitment to a full pixie. The pixie bob is cut in a way that it can be styled more in a way that it can also be worked than than cut. It’s one of those rare cuts that actually gets better as it grows out. I find that it’s more interesting to cut when the subject has straight, wavy, or curly hair and I think that’s part of what makes the variation. Below are examples the the layered pixie cut can be.

Textured Pixie Bob for Thick Hair

Instagram haircut.bysharareh

Curly Black Pixie Bob with Loose Textured Fringe

Instagram: jeanss.madhouse

Take a look at the difference in jawline appearance in the before and after photo. There is no contouring, and no funny camera angles were used. It’s all about hair weight removal. Dense, wavy hair does a lot of magic when the right layers are carved. Here, the stylist was able to point cut into the curl pattern instead of fighting it to leave the pieces around the ears nice and wispy and then balanced to stack the waves on top. This works on medium to thick hair only. Hair that is too fine will go flat on the sides in under an hour. This shape benefits round and oval faces the most. That’s because those shorter tapered pieces at the nape of the neck make the neck appear longer without fully exposing it. If you get a curly pixie bob, it will shrink and look much shorter than it does when wet. If you are bothered by a large gap between expectations and reality with a cut, then you should probably consider a different haircut.

Dark Pixie Bob with Soft Curtain Fringe and Flipped Ends

Instagram: sarahreiteartistry

The flips at the nape of the neck help it from looking too helmety. That is the biggest concern with pixie bobs on medium density straight hair. The bangs are soft and slightly parted. They hit at the brow which is enough texture to not look blunt. The detail on the sides is what most people overlook. They are cut to curve in around the cheekbone and the back flips out. That contrast is what gives the movement for the whole cut. This style will not work on very thick coarse hair without a lot of thinning. It is best for fine to medium hair with some natural wave. The sides that hug in are a big benefit for round faces. The hair has not been lightened which keeps it clean, but can visually flatten the layers in low light and can be more boring than it seems.

Cool Brunette Pixie Bob with Flippy Nape Layers and Long Side-Swept Fringe

Instagram: hexedlocks

While it might not look like much is happening at the nape (the hair at the base of the neck) the small kick adds a great deal of functionality to this hair. These layers were cut and point textured so that they will short enough to flip out on their own, and they will not allow the hair at the back of the head to slump and hit flat against the neck. This creates lift throughout the shape without the need to use product, and without any effort on the wearer’s part, the back of the head will not slouch and droop down. The bangs are just long enough to be able to be swept to the side, and they fall just past the eyebrows; there are sections on the sides that are meant to tuck behind the ears, and there are some shorter, wispier sections that are left out. This cut will suit hair that is medium density, and is straight or just slightly wavy. I would recommend this style to round or oval face shapes, as the length in the fringe really helps create an elongated look. This will not work on hair that’s thick and coarse, the flippy nape layers will puff instead of curling cleanly and you’ll end up fighting it every morning. The natural cool brunette is left alone without any color, which is actually part of why it looks so clean.

Shaggy Dark Pixie Bob with Choppy Fringe and Flicked-Out Texture

Instagram: serpentxlilysalon

The style of the sides kick out at the ears rather than staying flat, is not done by accident. This is what happens when you razor cut in heavy layers, with medium density hair, and let it be free. This cut is right in that sweet spot between pixie and shag for ear to jaw length with lots of aggressive internal layering to remove the weight from the crown. The fringe is choppy to brow length with enough separation so it doesn’t feel stiff. Round faces will not be able to pull this off unless they have more length at the jaw to balance it out. This will not achieve that volume and movement on fine straight hair unless you are prepared to put in the effort and products to make it happen. This cut really rewards thick to medium hair with some wave or curl, as the hair does most of the styling for you. It’s worth pointing out that the natural dark brunette looks clear here with no color work, keeping maintenance low. This is great when there’s no awkward grow out if you wish to change your mind.

Curly Black Pixie Bob with Short Straight Fringe and Volume Through the Crown

Instagram: moefoils

Fringes create a visual separation from the rest of the hair, which is what makes the style that unique. This provides a finishing touch while the rest of the hair has volume and curls outwards. It’s this kind of contrast that really makes a haircut stand out, rather than looking like it is in the grow-out phase. The layers are cut dry and the stylist shaped them to the natural curl pattern, which is why the crown and back have that rounded fullness akin to mushrooms but without looking unintentional. Hair that is straight will not look good with this. Wavy, thick to curly hair will really benefit the most from this style, whilst fine hair will end up with an unflattering flat fringe and disappointing volume on the sides. The haircut will be very flattering on round faces because the height and the fringe does open the face and really elongates it. The fringe will also need to be trimmed every three weeks otherwise it can be an eye poking fringe.

Ear-Hugging Dark Pixie Bob with Swept Fringe and Soft Graduation

Instagram: hair.by.ellie.seattle

Placement is important as it serves to create the illusion of a rounder face shape. Rather than letting the face look wide, the weight ends right at the cheekbone so it pulls slightly behind the ear and draws the eye across the face. The fringe is not blunt, and is point cut and swept to the side, so it doesn’t look too heavy. When it comes to straight to wavy hair like this, the cut looks best on denser hair, as fine hair does not give enough density to hold the silhouette at the crown, resulting in it collapsing. The best call is to keep the natural dark brunette untouched, and skip color work, because the shape is enough as it offers a casual look and many may overlook it, but the graduation at the back is virtually non-existent and blends nape length into the sides instead of stacking. If you want something structural, this isn’t it.

Curly Brunette Pixie Bob with Shaggy Rounded Layers

Instagram: sugar.rae.hair

The different lengths will help the curls form in various ways rather than all in one direction. That is the trick with this cut. This is a point-cut pixie bob cut on naturally wavy to curly hair. It is ear length on the sides with more volume and length left at the crown. It suits round face shapes because the texture breaks up the whole thing. The short fringe does reduce the size of the forehead. So, this will suit better longer narrower faces rather than wider ones. If you have straight hair, this isn’t your cut. The movement you see is natural curl doing the work. Without it, you would just have a flat mushroom shape. This cut is a good choice for medium to thick density hair. Fine curly hair would lose fullness too quickly and look sparse within a few weeks of growing out.

Jaw-Length Brunette Pixie Bob with Textured Back and Short Wispy Bangs

Instagram: blackroomsalon

This hairstyle is all about the back! This cut has true graduation from the back neck area to the top of the head. Your hair will look thick with out the bulk from the point cut layering stacked to give fullness. Because of the way this style was cut, the back will look the best! The bangs/fringe are wispy and short which means they are above the eyebrow level which means all of your forehead is visible; this style will open up round faces nicely. For oval and heart shaped faces, this cut is very flattering! The longest pieces of hair will hit right at the jaw and will flare out a bit which creates shape to the hair even without a lot of styling products. My favorite thing about this cut is all the work being done by that rich natural brunette color. This cut looks the best when the hair is not colored because the texture will show a lot more compared to if you had colored the hair. If your hair is super straight, don’t expect to have that bend without using heat.

Copper to Blonde Ombré Pixie Bob with Soft Curved Layers

Instagram: hairbybellarae

The blonde bleeding out at the nape and ends draws the eye down and makes the jaw-length perimeter look longer. The warm copper rooting blending into a buttery blonde looks like it was painted versus foiled which will be more forgiving for grow out. The body in the crown is due to the medium-density, naturally wavy hair without backcombing or product buildup. This style will not work on straight, fine hair because it will flatten and lose the rounded shape from the profile. This cut will flatter oval or heart-shaped faces because the fullness is at the cheekbone and the wispy fringe is long enough to leave the forehead bare. It is notable that the shorter strands in the back move into longer pieces in the front to create an effortless look but in fact, this took a lot of purposeful point cutting.

Jet Black Layered Pixie Bob with Razored Nape and Long Side Pieces

Instagram: thamanefreak

Particular care has been taken with the nape of the neck. There is no clippered clean cut or blunt cut there. Instead, it has been point cut into fine, feathery bits, that sit against the neck as if they are almost dissolving into the skin. That attention to detail prevents the whole shape from becoming too heavy, which is important given that the crown is quite dense with stacked hair throughout it. That’s a lot of hair. If yours is fine or of low density, you won’t get this silhouette without faking it. The longer face framing pieces fall just past the cheekbone and serve as a soft curtain without having to entirely commit to a full fringe, which is much more forgiving on rounder face shapes as they break up width. Natural dark hair, and black hair with no visible processing looks better for it. Thick hair that is straight or slightly wavy is in the sweet spot. On curly textures, the graduated back will mushroom out instead of tapering down.

Wavy Black Pixie Bob with Cropped Nape and Soft Curled Crown

Instagram: montreal_hair_ana

The nape area really stands out, very tight and almost tapered away completely. What keeps the top from looking overgrown is that contrast. That is what gives this style its shape. It is what separates this from a bob that is just growing out. The crown is pretty wavy, maybe a little curly, and the layers are really point cut to let the texture clump and separate rather than have it all be one big mass. Straight hair would look different. It really needs some kind of wave or curl with a thickness in that range to create that rounded hair design on top and clean on the sides. The fullness rests high, so oval and heart are the best face shapes for this style, but it will make a round face look wider. The fringe on this look is short and choppy, just above the eyebrows, and almost unintentional, when really getting it to look that way takes a lot of effort. The growing out phase for this is going to be tricky.

Steel Blue Pixie Bob with Choppy Fringe and Natural Root Shadow

Instagram: catiehairlady

Here’s what you need to keep in mind before you go ahead with this: unless you are using a color depositing shampoo, the blue will wash out to a grey-green color in about 3 weeks and a bit of careful washing won’t stop it. The cut is a point cut pixie bob that sits just above the ears and has some longer weight through the crown and a jagged fringe that sits at brow height. What stood out to me was how the stylist left the natural root warm brown and half an inch, which anchors the blue so it doesn’t look too costume-y. This is best on fine to medium density hair that is straight or super slightly wavy. For round and oval faces, this is a good option because the fringe will sit and create a line that balances the softer features. Thick hair will fight for this shape and will puff out at the sides where it will need to sit flat against the head. The color was done as a semi-permanent overlay on pre-lightened hair, and that grow out is going to need babysitting every 4-6 weeks unless you like the look of roots pushing through pastel.

Tousled Dark Pixie Bob with Curved Fringe Tendrils

Instagram: caithelle_hair

The single curled tendril resting near the cheekbone is really helping the hair pull away from the fringe to offset a standard blunt line and provide the entire cut with an air of intentional imperfection. This is point cut through the interior with longer pieces left around the ears and nape, which creates movement without bulk. This shape will be held naturally in medium and thick hair. In fine hair, this will fall flat by midday and lose all of that lived-in texture you see in this photo. The length grazes the ear and jaw, which is really flattering on oval and heart shaped faces as it provides width where you want it. Round faces will feel wider. This natural dark brunette has no colour work at all, and to be honest the cut is strong enough to carry a single tone without looking plain. Not every pixie bob requires highlights to be interesting.

Textured Pixie Bob with Short Blunt Fringe and Nape Length

Instagram: hank_makes_u_handsome

The Fringe has been done like this before. It has been cut straight across and blunt, and sits well above the eyebrows. The sides have been cut into and left longer around the neck so that it almost touches the collar. That contrast is all that the cut is. People with rounder, wider face shapes will struggle with this cut as heavy straight bangs will shorten the face. The ears showing with no curtaining on the side will not help either. This does work on oval and longer face shapes along with medium-density hair. The hair will work with the style and the back will hold the wave created by the natural hair so that the product is hidden. The hair is naturally wavy which is perfect. If your hair is fine and straight, you may find that the back does not have a lot of movement. This is not a wash-and-go style for everyone, only for people whose hair will bend and hold the wave naturally.

Textured Dark Pixie Bob with Piecey Fringe

Instagram: _the_ashdoeshair

The wispy sections that surround the ear help to ensure the cut doesn’t appear overly cropped, which can be an issue for more rounded facial structure. This cut is a heavily point cut pixie bob designed for relaxed, straight, thick hair and the stylist has left enough length on the crown to create a tousled, heat-free, styling look that is very in vogue at the moment. It looks effortless however if you have very fine hair, this is the specific cut that will look completely flat and lifeless to the point you probably wouldn’t be able to tell it had been cut at all as there will be no volume to hold up the texture. The hair needs to be neither thin nor fine for the look to be as it is in the picture. The fringe has been soft cut so that it looks broken and not blunt, which helps to soften to the front and also balances her prominent cheek bones. Avoid this style if you can’t commit to a trim every four or five weeks because the ear-length sections grow quickly and lose their shape really fast.

Shaggy Dark Pixie Bob with Tapered Wisps and Cheekbone Fringe

Instagram: j.west_studio

Consider the components that wrap around the ears; this isn’t just for show. They’re done with a razor blade, which leaves some of the hairs free to move, which helps the style a lot. The length sits right at the nape and has shaggy layers that create a lot of volume at the crown, and the fringe hits the cheekbones in odd lengths. This cut will be more challenging to round faces, as it is not going to elongate the overall appearance. This is cut is going to work best on the medium to thick hair, straight to slightly wavy. On fine hair, those trailing pieces around the ears are going to look less dense and more like strands. This is a perfect cut for someone wanting a short style that has that undone, lived in, not polished look to it.

Sandy Blonde Pixie Bob with Stacked Crown Layers

Instagram: kitsadasha

The client has been given an intentional built-in elevation for the crown through short layered hair which pushes the top up while the sides are kept close tapered and rounded around the ears. This detail is crucial, because without it if this haircut was done on fine to medium straight hair, the hair would appear to flatten by noon. The length in this style goes to the nape and jaw with variation of length in the front and back and the use of point cutting at the ends which stops the hairstyle from being blunt or helmet-like. The sandy blonde colour of hair looks to be natural and light foil has been used. There is probably a single process foil which makes the darker roots blend without a hard line and is a good option for oval or heart shaped face. Round faces may lose definition with this hairstyle as there is no length added below the chin. If your hair is thick and coarse the sides will push out instead of lying this clean against the head.

Chin-Length Warm Brunette Pixie Bob with Choppy Cropped Bangs

Instagram: thefringefairy

The fringe is cut high above the mid-forehead range. It is choppy and unblended on the sides. That disconnection of the bangs and the length of the hair is the point of the cut, so if you don’t expect it to be so contrasting, it’s going to feel really wrong. The perimeter has a slight wave which is the look of a natural body in the mid density range. The bangs are not going to look solid because of the point cutting. On a round face like this one, it opens the forehead up and the jaw length does not soften anything and will only emphasize the fullness in the cheeks rather than counteract it. This look is best for straight to slightly wavy hair and enough body to hold that rounded shape at chin without blow drying. If you have fine hair, it will fall flat here far too quickly.

Graduated Pixie Bob with Feathered Sideburns and Natural Black

Instagram: atomicliz.does.hair

This image features wispy hair around the ear. This is clearly point cutting aimed at adding separation while maintaining some density through the back. It’s this detail that elevates the cut from looking like a standard short bob. The nape graduation is stacked tight, which even on straight hair of medium density like this will give the back the appropriate volume and shape. This cut will suit round and oval faces. If you have a long and narrow face, the volume at the sides and the absence of length below the jawline will not be a flattering look. This cut grows out particularly badly, within four weeks you will be feeling the shape slipping.

Brunette Pixie Bob with Blunt Baby Bangs and Ear-Tucked Sides

Instagram: pbeetle.hair

This design has some interesting pieces. The fringe is blunt and short across the forehead, while the pieces located beside the temples are left longer, blending into the sides so the bangs don’t look disconnected from the rest of the design. These details are important because without them, short bangs on a pixie bob can appear very stuck. With side lengths to the jaw that are tucked behind the ears, just enough point cutting is done at the ends to ensure the perimeter is soft, but not shaggy. The hair being described should be medium density and either straight or just slightly wavy. Those with round or wide face shapes should avoid this style. Chin length sides and bangs will add width to your face. Conversely, it is genuinely flattering on oval face shapes or other narrower face shapes that have more pronounced features. The cut the natural dark brunette was left with unaltered color tricks and suits the cut. One thing to keep in mind is that this shape loses its intention very fast, in just three weeks the fringe will hit your eyebrows and the entire balance shifts.

Wavy Chin-Length Pixie Bob with Shaggy Fringe

Instagram: sofie.styless

The back is kept looking intentional instead of like a grown out bob by being point cut close and tight. The back sits at jaw length. The natural wave does the work to lift it and sit right at the jaw. The fringe is cut short and blunt across the forehead with the sides ending past the ears. The whole point of the cut is that contrast of the structured bangs and the undone body. Medium to thick hair is best as fine hair will sit flat and lose the shape. It’s best suited to round and oval faces. Chin-length weight will be super harsh if you have a very strong jaw. This cut is not a wash-and-go on straight hair, despite the common belief.

Razored Pixie Bob with Burgundy Undertones and Curtain Fringe

Instagram: thehairwitch_avl

The burgundy color on the tips of the hair has a purpose. It helps the dark base of the hair pop instead of looking flat. This haircut is a jaw-length cut with a lot of texture from razoring in the crown and in the sides. This technique creates that separation and texture so nothing is needed to create that separation. You can see the sit of the weight really low by the nape but the top layers are a lot shorter. That disconnection is done on purpose. This hairstyle will not suit hair that is curly or wavy unless the person is willing to straighten the hair every single day. Straight to slightly wavy hair of medium density is best for this hairstyle. People with round faces will struggle with this because of how full the hair gets around the length and the bangs do not pull back enough to create space on the forehead to make up the difference.

Ear-Length Pixie Bob with Heavy Fringe and Tapered Nape

Instagram: looksthatkillsalon

Notice the weight placement in this style; it all sits in the front. The sides have been made wispy through point cutting several times so that they can be tucked behind the ear and sit shorter at the back. This style needs straight or slightly wavy medium to thick hair. Fine hair types will not be able to hold the fringe for this look and will end up having the hair look flat and stringy by midday. This style works best on oval and elongated face shapes since it will do the opposite and elongate the face. The natural dark brunette here also contributes to the style looking so clean. If your hair has any degree of curl to it, the grow-out on those tapered sides will be infuriating.

Soft Layered Pixie Bob with Wispy Side Fringe

Instagram: joanmigs_piandre

Check the back-of-the-crown weight and how it drops more loosely into the nape. That graduation is keeping the shape compact without rounding out the head. This is a point cut top layer, hence how those pieces fall so individually rather than clumping. The fringe is only a few wispy pieces to one side that soften the forehead, and without bangs. On thick, straight hair like this, the cut holds its shape with practically no product. Fine hair will not behave, and it will be flattened at the crown and lose that lifted look. This style is great for oval and heart shaped faces as the exposed jawline and ears need some structure to balance things out. If your jaw is wide or square, this length will be emphasizing it. Natural color is kept dark with no highlights, no dimensions, no tricks, and that restraint is what makes it look so clean.

Choppy Brunette Pixie Bob with Micro Bangs

Instagram: penelove_cut

The fringe is cut to the middle of the forehead, which is the detail that makes or breaks this whole shape. With her rounded face, the short choppy bangs do work and draw the eye upward. On a long or oblong face, they would exaggerate unbalanced length. The side and nape layers are razor textured and leave spikey uneven disconnected bits around the ear and jaw. It looks effortless but, for thin or fine hair this cut will go flat quickly and lose all the separation. This looks best on medium to thick hair. Some slight natural waves will create that movement.

This post More Women Are Trading Their Classic Bob for a Layered Pixie Bob, was originally published at Latest-Hairstyles.com

“I’m 74, and I recently traded my rounded haircut for a short silver pixie with uneven layers and longer bangs. At the salon, the top looked separated and the sides stayed neat. At home, styling wax makes it greasy, and hairspray leaves the little spikes hard. Without anything, it looks flat. How do I keep the edge without that crunchy feeling?” — Marlene Fenwick, Corvallis, Oregon

Marlene, you’re trying to recreate separation, but the products are giving you a solid shape instead. With short, uneven layers, a little extra wax can join several pieces into one heavy clump. Spraying that clump holds the mistake in place.

Your haircut needs contrast: some lifted pieces, some flatter areas, and a fringe that travels in a clear direction. It doesn’t need every strand standing up. The photographs follow a silver pixie, but you’ll also find adjustments for a bixie, short shag, or choppy bob. Choose the instructions that match your cut; you don’t need every technique.

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Start With Damp Hair That Still Feels Clean

Before adding anything, feel yesterday’s hair between your fingers. If it’s waxy, tacky, or coated, wash it rather than trying to restyle over the residue. Short hair gives you very little length over which to distribute another dose.

After washing, press out moisture with a towel. Don’t scrub in circles; that pushes short layers into conflicting directions. Stop blotting when your hair is damp but no longer dripping, and arrange the fringe with your fingers before it dries against your forehead.

Being over 70 doesn’t automatically mean your hair is fine, dry, or fragile. Let its actual behavior guide you. Fine strands usually need less finishing cream; coarse strands may need more conditioning. Keep rinse-out conditioner mainly on the longer areas if your roots flatten easily.

If you’re blow-drying, Living Proof Style Lab Flex Hairspray combines heat protection with flexible, medium hold. Apply a light, even mist to damp hair following the can’s directions, keeping spray away from your face. It makes sense here because you can avoid stacking a separate holding spray over your heat protectant. If you’re air-drying, you can skip it.

Direct the Fringe Before Lifting the Crown

The fringe sets the direction of a short, edgy haircut. If yours dries into a rounded curtain, adding spikes behind it won’t recreate that angled salon finish. Deal with this area while it’s still damp.

For straight or slightly wavy bangs, use a vent brush such as the Denman D200 Skeleton Vent Brush. Its openings let air pass through while you guide your fringe sideways without curling the ends under. Brush across your forehead toward the side you want the fringe to settle. Follow with the dryer on low airflow and comfortable warmth, directing air along the hair rather than up underneath it.

Keep the nozzle several inches away and moving. You aren’t trying to curl the ends under. Stop when the fringe is dry, then separate it loosely with your fingertips.

If a growth pattern keeps splitting your bangs, dampen the roots and first brush gently across the split, then toward your chosen side. Don’t fight a strong cowlick into a completely opposite direction.

For curly bangs, skip the brushing. Arrange the damp curl groups where they naturally sit and let them dry undisturbed. A defined curl beside a closely cut temple can provide plenty of edge.

Keep the Sides Close While Lifting the Top

On a tapered pixie or bixie, lifting every section can erase the difference between the longer top and shorter sides. Keep the hair above your ears directed downward while you dry it. Then concentrate your lift through the crown.

A dryer with a concentrator nozzle, such as the INFINITIPRO by Conair SmoothWrap, lets you direct airflow at each small section. Choose low speed and comfortable warmth, then use the cool-shot button before releasing the lifted hair. If your current dryer has these features, you’re already set.

1. Slide your fingertips under a small section on top and raise the roots slightly.
2. Aim low airflow at that lifted area, keeping the dryer away from your scalp.
3. Let the section cool briefly before releasing it, then move to the next area.

You only need modest height. Pulling the ends straight upward can create a tall, narrow ridge that needs stronger hold to stay there. For a less severe finish, angle some pieces slightly forward and others sideways.

If your crown is sparse, lift broad sections instead of pulling it into tiny spikes. Very narrow, separated points expose more scalp between them. Keep some overlapping hair beneath the visible texture.

With an undercut, direct the longer top away from the clipped side to reveal the contrast. With a choppy bob, leave the sides at their natural width; this close-sided approach is mainly for tapered cuts. If holding both arms up is tiring, sit down and dry one small area at a time.

Put Definition on the Ends, Not Everywhere

Once your hair is dry, choose a few pieces to emphasize. This is the moment to add texture, rather than coating your whole head and hoping the layers separate afterward.

Paul Mitchell Re-Works Styling Cream gives pliable texture that you can reshape. For a short, fine-haired pixie, begin with a rice-grain-sized dab, even if the package suggests a more generous amount for general styling. Spread it thoroughly across your fingertips until no visible blob remains.

Touch the ends at the back first, then use what’s left on a few crown pieces. Pinch lightly and release. Avoid squeezing from root to tip, which sticks the whole section together. Leave neighboring pieces alone so the result doesn’t resemble evenly spaced needles.

For thicker hair, add another tiny dab only after checking the first application. For very fine hair, the residue on your fingers may be enough for the fringe.

Now gently press one styled piece. It should bend rather than feel rigid. If the shape already holds, stop there. You don’t owe your haircut a final coat of hairspray, especially if you used a holding product before drying.

Let Longer Sections Bend Instead of Forcing Them Upright

Your longest pieces may be the reason your haircut looks edgy. They don’t have to stand up. On an asymmetric pixie, guide the longer fringe diagonally and leave the shorter temple visible. A loose bend looks more natural than a heavily waxed point.

On a bixie, let the pieces around your ears and nape follow their existing curve. Use the remaining cream on your fingers to separate two or three ends, without flipping every layer outward.

For a short shag or choppy bob with natural waves, gently cup the damp ends upward, then release them. Let them air-dry without repeated squeezing. Once dry, separate only an overly thick wave into smaller pieces with nearly clean fingers.

If your bob is straight, you can keep it straight. An ear tuck on one side reveals the uneven ends on the other and gives the shape contrast without a curling iron.

Don’t copy the pixie’s crown spikes onto longer bob layers. Longer sections are heavier; forcing them upright usually means more product and a less comfortable finish.

Reset a Stubborn Section Instead of Adding Another Layer

When one area falls flat, check whether its roots dried in the wrong direction. More cream on the ends won’t change that. Use damp fingertips to moisten the problem section down to the roots, then redirect it and let it dry again.

This also suits a morning refresh: reshape the flattened crown or bent fringe while leaving the rest alone. If rewetting makes old product sticky, rinse that area or wash your hair instead.

If the finish feels hard, don’t drag a brush through it. Wash out the buildup and use less next time. If the same heavy section keeps collapsing despite careful drying, ask your stylist to check its length and weight. Product cannot substitute for a needed adjustment to the cut.

Short Version: Marlene, set the direction while your hair is damp, preserve the contrast between the top and sides, and define only selected ends. Your haircut can have a little attitude and still feel comfortable when you run your fingers through it.

This post How to Style Short, Edgy Haircuts for Women Over 70 Without Making Hair Stiff, was originally published at Latest-Hairstyles.com

When your days are packed, you need a hairstyle that still looks polished without demanding a full styling session every morning. The best low-maintenance cuts work with your natural texture, density, and growth pattern, so they hold their shape even when you only have a few minutes to get ready.

I especially love styles with soft, strategic layers or a strong perimeter because they can air-dry beautifully while keeping movement and fullness. If your hair tends to frizz or fall flat, choosing the right layer placement is often more important than choosing a shorter length—too many layers can actually create more daily styling work.

Ready to make busy mornings a little easier? Keep scrolling and save the hair ideas you’d happily wear on your most hectic days.

Undone Chin-Length Bob With Soft Center Part

Instagram: danibez

This cut is much more flattering. The stylist shaped the hair in a way that avoided the widely unflattering “helmets” look. The model is sporting a chin length bob, with a slightly longer piece framing her face. The model’s hair has a natural wave and the stylist wasn’t trying to fight the wave. Overall, this is a beautiful and easy to style, low maintenance cut. People with round or longer oval faces should definitely consider this style. The shape gives the appearance of a smaller chin while still maintaining nice lines on the face. Thinner faces should avoid this style as the wave adds more width to the chin. Overall, this is an easy and simple style that requires little to no effort. For the model’s case, this style might require some touch ups to tame the bigger pieces on the side.

Wavy Lob With Short Rounded Bangs and Blonde Money Pieces

Instagram: sickhairday_

This short lob may be perfect for a night of dancing. It is noticeably fuller around the eyes and draws attention to the eyes and cheek bones. This cut works well on almost every face shape because the bangs create the illusion of a longer face. This cut frames and accentuates the cheek bones. The softly waves lob makes the cut look effortless and easy. The ends of the hair have a soft blunt cut that gives the overall look a long and sleek appearance. The money piece is purposely placed in the front to give an overall even frame to the face. A more caramel or honey color on the ends of the hair and a deeper brunette on the crown gives this style a naturally faded and effortless look. This cut works best on people with thicker and textured hair because of the blunt cut on the ends of the hair. The ends of the hair require a bit of upkeep to keep it looking nice and neat.

Blunt Dark Bob With Graduated Back and No Part

Instagram: pamela_cabelos

The style in the back makes the gradual rounded shape toward the hips with less effort. It’s worth looking into. The pieces in the front fall at the chin, but the pieces in the back end prematurely. A short end gives a finished, neater appearance and takes minimal effort to put together. It gives the most optimal shape for long faces and particularly helpful for people with oval faces to give balance. It’s also great for people with oblong faces as the long piece in the front helps to frame and soften the face. The blunt edges require regular, consistent salon visits, every 5-6 weeks to be maintained. A neglected edges makes the style appear disheveled. A well maintained style has the potential to shape the face.

Sleek Angled Lob With Deep Side Part

Instagram: rohit.popuphair

Most are surprised to learn that this cut actually stops around the collarbones. It can be harder to style longer cuts, but this is very easy to manage. A dense, medium length hair is best for this. Wave or curl in the hair can make this style very high maintenance. This cut makes styling very easy by removing the need to do so. The side part helps give the effect of cheek lines by ‘framing’ the jaw. Like a side bang, this cut can easily be parted in the middle. In regards to the length, this cut is best to get every 5-6 weeks to help it stay shaped. This cut can soften and breakup a round or square face. This cut isn’t forgiving to all face shapes. For square jaws, this cut can help make the face appear more square. Like a shoulder length cut, this cut won’t help disguise a bad hair day.

Side-Swept Dark Bob With Inward Beveled Ends

Instagram: jaysourav

The ends are curved under, creating a blow dry effect. This cut is quicker to do than others, and requires less styling. This type of bob is cut to end right at the chin. This works well with straight hair because the stylist can use a round brush to curl the ends under while cutting. This style adds volume on the side with the part. This cut is best on people with heart and oval shaped faces, because it elongates their face and creates nice lines. People with thick or curly hair shouldn’t get this cut because they would need to straighten it daily, and it would take longer to style. This cut doesn’t need to be styled, and won’t take long to do in the morning. The only thing that may require up keeping is getting a trim if it starts to look ragged from a long hair grow out.

Wavy Dark Pixie Mullet With Soft Rounded Fringe

Instagram: hair.etic

Your haircut is definitely not a ‘classic’ style with no bends in the hair. This style is focused on how various levels of hair throughout the crown of the head frame the face in a textured fashion. The fringe of this style is cut in a staggered fashion and hangs over the forehead. This style is short enough to not cover the eyes. Length is kept at the ears and back of the head for a ’mullet’ effect. A dense and thick fringe is perfect for this style. If the hair is too thin and flat, the fringe will easily lose its shape throughout the day. This style works great on people with a heart or oval shaped face to kick out the temples. This style is great on people with a round face to give a more ‘slim’ facial appearance, due to the short hair on the sides. A quick shake will give the fringe the volume it needs for the day.

Short Brunette Bixie With Curved Baby Fringe

Instagram: corazonsagrado_

Look at the fringe cut in an intentional arc. It has body and gracefully falls to the temples where it is met by longer sideburns. This cut frames the face. A bixie is similar to a bob in that it is cut with various pieces to add texture. A bixie is longer than a bob and flatters a fuller face by giving a faux illusions of a longer face. The longest pieces are cut to frame the face. Like other styles, this one is best worn by those with a lot of hair. Not having enough hair will result in the style lying flat against the face. A bixie is considered low maintenance because the growth can be allowed to grow and the style still holds. After 4-5 weeks the style will begin to lose its shagginess.

Chest-Length Cool Bronde With Bouncy Curtain Layers

Instagram: alexfrancescahair

Face framing layers are usually just pulled in front of the face and cut short. In this style, they’ve been extended outward at the cheekbones to create face-framing pieces to create a long, airy style. This longer look has a lot of layering, which is made enhanced by the hair’s medium density. This is a longer style, so be prepared to put in more time to style it each day and have it touch up at the salon. The ash brown color creates an ombre effect and a ‘natural’ grown out look. If you have brown hair and are trying to achieve this look, expect to have it touched up more often. This look flatters an oblong face, and a more rounded face will give the illussion of more width. The ‘bang’ area will lie flat and lifeless if you don’t style it with a round brush. Expect to have it styled for you or done doing a blowout if you want it to hold this look for a long time. It can also give a ‘beachy’ wave look if you break it up with your hands or a curling iron.

Collarbone Shag With Grown-Out Fringe and Natural Blonde Ends

Instagram: marissaloveshair

The bangs on this style stop right where the glasses begin, keeping the sides of the glasses clear, and preventing the hair from taking away from the glasses. This style of cut also really shows off the cheeks. The layers also give the hair a piece-y effect. This cut isn’t super short, so it’s not too bad to maintain, but it is short enough to take away the need to style it. If someone has frizzy hair, this style encourages it, and it adds body and gives more effect to the hair overall. People with flat, thin hair should try this because it changes the look of the hair. It also gives more body to people with thin, flat faces. The effects of the layers give a v-shape to the face, and it elongates. The only issue with this cut is it can make someone with flat, thin face and hair look too thin. People with round faces should definitely try this.

Soft Brunette Chin Bob With Choppy Textured Fringe

Instagram: wendycuts_hair

The ends are cut to add a soft wave. This is an easy cut to do yourself. It’s a bob that is shorter in the back and longer in the front making a line right at the jaw. This cut is a good choice for an oval face because it is very face framing. This cut works better with a less dense and more fine hair. With a dense and thick hair, the waves will not hold and the ends will puff out. This cut doesn’t take a lot of work to style because the waves set themselves. The hair can be framed and opened further with a fringe. A side view of the face will look larger without a fringe. The side view will look smaller with a fringe because it frames the face. A fringe and framing gives the face a finished look. The framing gives a pleasant appearance but, it takes a salon visit every two months to get it done.

Jaw-Length Textured Bob With Wispy See-Through Bangs

Instagram: kai_the_creative

This style focuses on line and movement. It looks very natural because it is structured. It is a chin-length bob. To add movement and texture to the ends, it is razored. There are face-framing layers throughout, and a volatile effect throughout because of the layers. The face-framing bangs also add movement to the style. A relaxed effect is achieved by using point cutting throughout, which also gives the illusion of a lighter cut. This style frames the face and gives a more sculpted look to round and oval faces. This style does not work well on women with thick and coarse hair because the style relies a lot on the line and movement of the hair. This style works well with medium length hair that has a wave to it. This type of hair can look unruly and wild if styled too much, so this style works well to give a more relaxed, natural look.

Ear-Length Layered Crop With Flippy Ends

Instagram: hairbytory

The weight is evidently at the crown. The ends roll under at the nape. Back layers are short and face frame layers are longer. It makes a round voluminous shape on the top. This shape leans towards “mushroom.” One benefit of this shape is it naturally retains its shape. This shape is great because there is very little styling required. This shape is great for people with natural waves as the stylist can cut in the natural wave to create the shape. This shape does add a lot of texture and body to the hair. With this shape, you will need to get frequent trims to maintain.

Tousled Chin-Length Brown Bob With Piecey Fringe

Instagram: runs.with.shears

See how the ends on one side of this cut flare out, while the other side lays flat? Flaring out ends is by design. From an engineering perspective, this is a practical design choice to account for the minor imperfections in the cut that occur during mass production. Point cutting, which is done to achieve this design, adds movement to the ends of the hair. It differs from blunt cutting, which creates a sharp edge and a wispy effect, and can make a face look longer. This style is better flattering on round and oval faces as it frames the face well. It can, however, enhance other facial features that are not flattering. Like many short haircuts, this one can’t effectively minimize thick, dense hair. The hair tends to puff out and losses its shape. This design maintains the fringe in the front. Because the fringe if grown out, it creates and frame the eyes. This cut is similar to others that have a long fringe, and people become bothered by this before they get it trimmed.

Long Wavy Shag With Wispy Bangs

Instagram: annikascissorhandss

Noticed how her bangs have been razored to perfection to give the illusion of made up brows? Also how her bangs have choppy pieces? The mid lengths have been textured to add more body to her wave and give more dimension to the cut. This cut wouldn’t work well for someone with really thin hair. This is a great round face frame and because it’s a long face frame it takes less time to style and put together to look presentable as it can be easily pulled back to give a ‘I just rolled out of bed’ look.

Lilac Peekaboo Panels on a Tousled Layered Shag

Instagram: hairbyduhsavannah

The color will only last about 2 weeks, or so, without daily washes. The color is pretty right now, but the upkeep with these types of coloring methods are exhausting. Fashion colors have less steps and take less time than traditional colors, but the regrowth takes much longer to cover up. Fashion colors also take a longer time to completely grow out. Layers framing the face are purpled and the rest is left uncolored, to give the appearance that the regrowth is deliberate. The cut adds the illusion of movement and volume to hair that otherwise may be appear flat. It is also a great cut to wear a fringe. People with rounded faces and elongated faces look best in this cut. Wearing a fringe helps give the illusion of smaller eyes and takes away extra fullness in the face. To keep this cut looking styled it requires the consistent use of dry shampoo and product.

Chest-Length Layered Cut With Ash Blonde Reverse Balayage

Instagram: chinoartistry

The unique trait of this color is placing the lighter tones on the outside and on the underside. This gives an effect of a balayage that has been flipped upside down. The color also has a significant difference in darkness, like a reverse balayage. In this case, to eliminate the unwanted warmth, a toner was used. Ashiness also plays a role in balancing the tone. The reasons for striping in this case are lack of thickness and very fine hair. The other features of this reverse balayage are that it has a medium density, and the bangs are point cut. The rest of the hair is very long and has long layers that frame the face. This cut and style requires minimal effort and has volumizeousness that is best shown a couple days after it is washed. While this cut is great for an oval face, it makes a round face, like this, seem even rounder. This reverse balayage would also work best for a thin to medium hair, and if done for a person with a thicker hair, it could cause the opposite effect of what is desired.

Lavender-Ash Collarbone Lob With Lived-In Texture

Instagram: mizzthuy

How long will that color pop? Definitely not as long as you’d like. A lavender ash toner will definitely not enhance your purpled hair and will instead make an unfortunate appearance. Plus, expect frequent touch ups. A blunt bob is a great way to add volume and give your face shape. This one hits at the collarbone. The layers give it body. With no bangs, this cut can be pull off by many. The body and volume of the hair can be pull off by many different textures. In terms of density, this is a great cut for medium density hair. The ends can be cut to give it a casual piecey look. A wet look is easy with this cut. Just toss your hair up in a ball and run out the door. Thicker and coarser hair will not have as much body as the model. The tips are colored to give it dimension and to take away focus from the natural grown out look. The colors blend well and give the hair a lot of body.

Shoulder-Length Wavy Shag With Uneven Baby Bangs

Instagram: hairforthepeople

Choppy bangs are eye catching and work great to frame a face. Longer bangs can make a round face look longer, and obstructions to the forehead should be avoided. Natural waves should be embraced. Unruly hair can easily look messy, but with proper layers a person can achieve the shape they want. This style works best on a person with a medium, dense, and thin, but waves, hair. This is a very lazy, low-maintenance style. This cut is meant for a person with a shag hair structure. Thin, straight, and hair lacks the body to achieve and maintain this style. It takes a great deal of upkeep to maintain bangs, and the length is very critical. After they have been trimmed, there’s not much to do to retain the style.

Textured Dark Bob With Choppy Micro Bangs

Instagram: aura.beautycollective

The main feature of this style is the micro bangs cut just above the eyebrow. The rest of the cut is a long, textured bob. The long, textured cut creates a slight jawline. This cut is best for people with square and round faces. The shape of this cut doesn’t suit people with fine, straight hair. The structure of the cut won’t hold the hair up. A person with curly or wavy hair can easily wear this cut. People with fine, straight hair will have a hard time styling this cut. The micro bangs will take the most work. This cut requires a salon appointment every 3 weeks.

Ash Brunette Balayage on Mid-Length Straight Hair

Instagram: studio.dejawu

Bronzy hair happens to the best of us, and it happens quickly with hard water and a lack of purple shampoo. Luckily, this cut is very forgiving. It is shoulder to collar length with internal layers. The balayage is painted to add wave and body. To help with low growth, the balayage is painted lower to help keep the root 100% natural. Unlike a traditional money piece, this cut uses face framing pieces to help give the illusion of a center part. The center part helps to elongate your face. This is a great option for someone with a round face to help elongate. This cut is best for people with thin hair. This cut helps give the appearance of more volume. For this color to stay ash, it requires a toner every 2 months.

Chest-Length Brunette Waves With Subtle Warm Highlights

Instagram: yuridoeshair

Look at the placement of highlights. More of them are on the lower sections, so the top sections of the hair will look normal. This makes the look more natural. All the hand painted highlights are on the front sections. This look is for long grow out hair, so long and thick hair is required. This look uses the point cutting technique to give the hair a softer and more graceful appearance. Loose waves make the hair appear still and give an overall relaxed look. This look uses waves to create the illusion of vertical lines to create the appearance of a longer face. This is a great relaxed, effortless look to give the illusion of an oval or round face shape. Flat and fine hair will not be able to achieve this look as the hair will quickly lose its wave and the style will quickly become limp. The stylist recommend not washing the hair until the style becomes to loose to hold. This style will hold its wave for 3-4 days.

Soft Layered Brunette With Invisible Face Framing

Instagram: arinnihair

See how the hair around her face isn’t true bangs? Those are long layers that a stylist point cut. On lazy days, this is how the hair falls. This is medium dense hair that is past her collarbone. U shape layers are present throughout the hair. The hair has a natural wave. Depending on the thickness of your hair, this wave may be present. Thicker and more coarse hair may benefit from the natural bend at the ends to create an illusion of thinness. It may take some product and effort to train thick hair to lay this way. A natural wave may also help prevent a thick and bulky look at the ends. The color may be a deep brown and requires very little maintenance.

Collarbone Waves With Rooted Blonde Balayage

Instagram: graciehairco

Stunning root color! Love the brunette balayage, especially how it gradually softens into honey blonde tones! Growing out your color is better than spending your money to get it done! This cut is also on point and paired with the lob, it can also hold a ton of volume! This style is also easily thrown into a bent style, thanks to the one length cut! This cut and style is perfect for people with round and/or oval faces, especially with the length ending at the collar bone. Keep in mind, for this style in particular, you do need a good amount of hair to achieve this look, so if you have thin hair this may not work. Of course, waves are easier done with a curling iron and the look of this post was achieved with a 1.25″ barrel. Allow about 10-15 minutes to do a style like this if you have long hair. Keep in mind this style isn’t for the inconvenience of using heated styling tools!

Straight Collarbone Lob With Feathered Fringe

Instagram: yourbaddiehairgirl

The ends of this cut are point cut, which means this isn’t layers. However, this cut doesn’t look flat a few days later because of where it’s cut. Medium density hair with a soft wave is easier to style than straight hair, and it looks great framing the face. Natural brown hair is collarbone length in this style. Thin bangs are center-parted and are part of a curtained fringe. The rest of the bangs, along with the rest of the hair, frame the face. A long fringe tends to obstruct the view of a person’s face. This cut is great because it softens the features of a person with a heart shaped face.

This style requires effort and time to maintain. The bangs in particular require a lot of upkeep. This is not the ideal style if you have a small forehead because this pushes the hair to cover more of the face. The bangs also obstruct a large portion of the face, and give a long narrow appearance.

Wavy Chin-Length Bob With Soft Curtain Bangs

Instagram: caithelle_hair

Look how the weight is distributed. Most of the weight is in the jawline. This gives the appearance of an oval face and gives width to a bob. A traditional bob is already wide, but this style is unique and different. This style provides width in an unconventional way. A traditional bob can also lack texture and this look incorporates lots of texture. A bob with a long fringe is open to interpretation, but this style is better with a natural wave to the hair. This style is very similar to a long fringe bob, and like that, the shape can easily take on a rigid appearance. This style has a shorter length and will get wider and harder to manage in humid weather. As with any style, facial features need to be considered. If you have a long face, adding extra volume at the jawline will also make your face appear longer.

This post Here are Hairstyles That Still Looks Good Even if You Have a Busy Lifestyle, was originally published at Latest-Hairstyles.com

Forgiving length is something hidden in textured medium cuts. I see it as the length that can hide all the secrets. When I say all, I mean the changes that happen to hair, like density losing its identity and then having a mind of its own – especially when it comes to women over 60. Textured medium length hair has built in movement that works for you, instead of fighting you in the morning while you unsuccessfully attempt to tame your hair with a round brush.

I had one client a few years ago who grew her hair from mid back to collar length, for the sole reason of keeping from looking ‘old’. After we razored some texture in her ends, she dropped an actual decade without looking like she was ‘trying’ to look young. Rather, these haircuts are in that perfect spot of allowing hair to do what it wants, all while still looking good. So here are version of those exact vibes and I’m excited about most of them!

Choppy Shoulder-Length Waves with Wispy Fringe

The shortest layers sit at the cheekbone ad lend a lot of the work. These face framing pieces are razor cut thin enough to separate which give the whole thing a texture. You won’t need to curl your hair every morning to achieve that. This is medium density hair with a natural wave pattern, and the cut takes advantage of it instead of fighting it. If your hair is straight and fine it will not look like this. It will lay flat and the fringe will split in some odd places. The warm chocolate brown base has no highlights, but the ends that have been point cut to feather out catch the light beautifully. oval and heart shaped faces really suit this look as the volume sits wide at the jaw and it does suit round faces so much. Something to note is that the bangs aren’t all the same length. They’re longer at the sides and almost non-existent at the centre which stops it from looking like an all out fringe.

The Side-Swept Black Layered Medium Cut

An example of a medium length black cut that is easy to maintain with a deep side part and flipped styling. This style has graduated layers. These layers create volume that provides structure to the hair and prevents a limp, straight look. The cut is designed to be low maintenance with the style of ease and effort to brush the hair with a styled finish. This style is able to easily walk out the door with a stylish finish.

The Dark-Rooted Caramel Wavy Lob With Bangs

This one shows off dark rooted wavy lob with wispy bangs and 2 inch grown out roots. They look great and give the lob dimension. These low maintenance colors need to be touched up every 3-4 months. The bangs will need to be trimmed slightly more often, and it’s worth learning to trim them using point cutting shears.

The Ash Blonde Textured Chin-Length Cut

Ankle length braided pigtails with bangs. French braids. A purple toning shampoo preserves the blonde ash tones. It camouflages a bit of the grays too.

Make sure you put your braids in a scarf at night to protect them.

The ‘Black Ash Pigtail Wig – Synthetic Hair Wig Brazilian Curly Hair’ is the perfect:

braided pigtail down.

The Highlighted Curly Medium Shag

The expertly placed golden brown curly layers and the strategic use of golden brown highlights have me enamored, and I need you to inform me about you need to know to recreate it. Quality highlights are a key part of that, and I’m glad you mentioned that it’s natural because the curls are highlighted as a group to give that natural effect instead of a strip like highlight. I can’t stress enough how important it is for you to go to a curl specialist for this cut. This cut lies mostly on how the curls do different things and spring to different lengths. Do not go taking pictures of wavy hair. Curly hair and wavy hair completely different in this type of cut.

The Black-and-Burgundy Wavy Shag

Black wavy shag with burgundy undertones and choppy bangs. The burgundy changes the black hair and adds some dimension. The dimension doesn’t take away from the style.. I feel like this bob is a dope bob on someone with thicker hair because the shorter pieces collect volume at the roots and take away bulky pieces from the rest of the hair without causing major thins. Bangs are cut to follow the shape of your forehead and are less maintenance than a fringe that lays straight.

The Brunette Highlighted Blowout Lob

Colorways: caramel and dark brown. Patterns: layers with flip outs. If you’re looking for a sweet side fringe, here it is! This will add structure around your face. This cut sits very nicely just above your collarbones. Curly or straight, it’s a simple style to maintain with just a quick blow drying. Depending on length and thickness of your hair, expect 15-20 minutes of styling time. Side part highlights add that pop to your face!

The Dark Wavy Medium Cut With Side-Swept Bangs

A dark brown shoulder length haircut complete with side swept bangs. Layers start to come in a little past the chin. The perimeter is blunt to create balance with all of the hair’s texture. It balances volume extremely well and overall also helps contain hair boomie. Add volume to bangs by blow drying, and let the rest of your hair air dry. If you do not blow dry your bangs, they can creat a very bizzare and funky shape.

The Warm Brown Center-Parted Wavy Lob

Here’s a wavy lob with a center part and warm brown illuminated with caramel. This style has very little layering. There’s more to this style due to the texturing and color. A lot of layering isn’t needed. This cut looks good for every day of the week. There are no roots to worry about this style because the highlights stop at the ends and mid-lengths.

The Highlighted Wavy Lob With Curtain Bangs

A brown wavy lob with blonde highlights has curtain bangs. Highlights are denser, resulting in a light brown hue, which you should tell your colorist. The bangs land in your cheekbones and blend seamlessly into the longest front layers of your hair. It is a great style for hair that is densely layered or medium density.

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The Copper Piecey Neck-Length Shag

This style incorporates a copper red shade at the nape with lots of layers and razor cut texture. The texture in this style tends to enhance and define the style with just a wash and scrunch. This style is a great choice for actively maintaining that “volumized” and “textured hair” look without spending excessive time and energy. The copper shade is a fast fading shade, so expect a touch-up 4 to 6 weeks.

The Wispy Blonde Textured Lob With Bangs

Blonde lob with textured cuts and piecey end bangs. This lob is great for fine hair, as it offers a way to texturize while avoiding layers. Fine hair has a tendency to look layered, and very often layers actually cut fine hair and remove volume. For that reason, I recommend this lob. The bang length suggests that no curtain bangs are cut shorter than this. As a finishing touch, second day hair can look messy but moreSeparated with the help of a dry texture spray.

The Full-Volume Curly Bob With Short Bangs

Brown, voluminous, curly bob with short, curly bangs was done great for full hair. It needs to be shaped by someone who specializes in cutting curly hair to avoid triangles. Bangs are styled to pop up once dried so be committed to that curl! To dry, use the low heat setting and turn diffuser on. Curly hair loves to be diffused, but if you set your hairdryer to high then say goodbye to the curls and goodbye to this style.

The Dark-Rooted Beachy Blonde With Money Pieces

Blonde lob with face-framing highlights. Color placement is most important in this hairstyle, where face-framing highlights provide definition to your hair and help bring out a natural style. This hairstyle is great for women who want to go blonde-ish while staying committed. Waves in this style are more of bends than actual curls, so they are an easy natural wave that you can create using a flat iron.

Lived-In Brunette Waves with Face-Framing Movement

Notice how the shortest sections hit right on the cheekbone and kick out? There’s a purpose to this. Those face-framing layers were point cut to separate and kick away from the face, which is how this looks more effortless than styled. The other sections are slightly below the collarbone with medium density and a natural wave pattern doing most of the work. If your hair is straight this will not look like this without a curling iron every single day. This cut suits oval and heart-shaped faces best as the width at the cheeks balances a narrower chin. Those outward kicking pieces will widen things further on round faces. The warm brunette base has subtle lighter threads through the midshaft which are probably a few hand-painted highlights that are meant to catch light without reading as color at all. Great cut for someone with existing texture who wants shape without commitment.

The Auburn Shaggy Wolf Cut

Auburn-red with longer layers and a shaggy style, particularly with the heavy bangs. Large shaggy layers below the chin with shorter layers up top on the crown of the hair. Disconnected layers are shorter length on top and longer on bottom. This coloring will fade to an unflattering, muddy copper tone without using a color safe, sulfate free shampoo.

The Choppy Black Wet-Look Bob

This bob style has face-framing pieces that give it structure and texture through a messy layered look. Use gel to finish it with a wet look. These styles are best for white haired people who prefer to have a messy look. It works best on straight to wavy hair that is slightly thick and allows for volume for the choppy style.

Curly Shag with Rounded Bangs at Chin Length

These bangs have been cut dry, and sculpted into a gentle curve that follows the brow line rather than going blunt straight across (this is also why they work for a rounder face shape). Hair this dense, especially if it is thick and naturally curly, will very quickly go triangle shape unless you give the internal shag layering that is there. The layering was point cut which allows for weight removal without disrupting the curl pattern, and as such the curls sit nicely spiraled rather than frizzing out. For someone with 3A or 3B hair, this is a true wash and go cut. With any decent waviness it will look quite different. If your curls do not have a lot of bounce, everything will droop and the bangs will just hang straight. However, with the right texture, this is among the most low maintenance styles you can have.

Bouncy Shoulder-Length Layers with Flipped Ends and Warm Brunette Tone

Those flipped ends give the most movement and that is only possible when the hair has a medium to thick density that can hold a bend. This will not replicate with fine hair. The layers are point cut through the mid lengths so that they do not get too thick and the longest pieces just touch the shoulders while the shortest pieces hit the cheekbone. Check out how the center part isn’t super neat, it’s a little off and this gives the whole shape a slightly undone vibe. This cut will suit you best if you have an oval or heart shaped face as the volume sits at jaw level and widens where those face shapes narrow. If you have a round or square face then all that width at the jaw line will work against you. Colour is a single process warm chestnut with a few subtle hand-painted pieces catching light around the front. Nothing too dramatic, just the right amount of dimension to make the texture pop.

Collarbone Chop with Razor-Cut Layers and Warm Brunette Dimension

From what you saw previously, hair was shown longer. Along the way, we built a solid transformation concentrating on internal layers. This means the use of the razor cutting technique to take away bulk from the mid-shaft and create ends separation without losing the perimeter too much. Those front framing layers are phenomenal. They sit exactly on the cheekbone, and really do structural work on the oval face adding some width to the side of the jaw. This looks great on hair with fine to medium density. In case you have thick and coarse hair, the razored pieces are supposed to be more puffy than just that soft bend. The warm caramel balayage front pieces help showcase the layers and is specifically concentrated. This style is for sure a high maintenance.

Wavy Shag with Blonde Dimension and Piece-y Fringe

The layers reach the cheekbones, and the fringe has also been cut uneven on purpose. This is what sets this style apart from all other shag cuts out there. The mid lengths are heavily razor texturized so they have that separated, shredded movement, without completely thinning out the ends. There is also some light root touch up, to darken the layers underneath and make the dimension look more natural as it grows out. This technique is best suited for medium to thick hair. If you have fine hair, you might find the hair at the crown goes flat quite quickly and lacks the thickness you are after. The fringe here is best on oval and heart shaped faces as it doesn’t narrow anything. Round faces, beware.

Razor-Textured Brunette Wolf Cut with Soft Cheekbone Fringe

Notice how the shortest layers hit the cheekbone and the longest pieces just touch the collarbone, that is not an accident. A razor has been taken through the mid-lengths to remove weight without losing volume and that creates that separated piece-y finish at the ends that looks undone just the right amount. This is best for medium density hair straight or wavy, in really fine hair those razor cut ends look stringy in a week. Round and oval faces benefit most from the fringe breaking across the forehead at an angle as opposed to blunt and heavy. If you have a longer face this much vertical movement in the layers can stretch your proportions. The colour is a natural-level brunette with no highlights in order to keep all the focus on the texture and shape of the cut itself.

Layered Brunette Shag with Curtain Bangs

After the internal layering, the ends still appear thick. It takes some skill and technique, particularly using the razor and point cutting, to create this sort of movement. It is a medium length cut that is just past the collarbone line with bangs that will naturally split at the center part. This style will also work on medium to thick hair – the bulk is removed, but the shape is still maintained. With fine hair, this style will end up looking flat by noon. The face-framing pieces are cut right above the cheeks and this works well for oval and heart-shaped faces so that nothing is narrowed that shouldn’t be. The subtle root lift at the crown is a nice touch, probably from a volumizing spray as the cut won’t give you that lift. The colour is a rich natural dark brunette with warm ends, so no balayage is required. If you’re looking for a wash and go cut, this is not it.

Tousled Collarbone Cut with Soft Center Part

This haircut looks great with many different layers and with subtle hair movements, you can point cut on med density hair. This collarbone length look will work best for the ones having natural wave or some texture to their hair. Otherwise, it will just sit there. This style will work with center parting for oval and heart face shapes, but really won’t do round faces any good. For a low maintenance color, a dark brunnette base with no highlights is a great option but it does mean the texture needs to work a lot to create some dimension.

Warm Copper Waves with Soft Fringe at the Collarbone

The varying lengths on the fringe pieces how they avoid looking like a block across the forehead. Hand painted highlights that reflect light give a rich chocolate base and copper ribbons positioned through the mid shafts and ends. This color style is one of a kind and is something that a flat color simply cannot achieve. This hair style works best with medium to thick hair that has a natural wave or texture to it. Thin hair will not possess the shape needed to achieve the correct effect. If you have a round face, the length along with the layers that frame just below the jaw will suit you perfectly. On very long faces, the fringe helps but the overall shape can also elongate the face. The cut has layers that go to the collar bone. The layers at the top are created by starting high enough with the layers to give that lived in look volume without the need to tease or back comb. This haircut is styled in such a way that it looks best from day two or three of actually getting the haircut, which is quite rare.

This post Textured Medium Haircuts Strike the Right Balance Between Polished and Relaxed, was originally published at Latest-Hairstyles.com