Smart telescopes have changed that.

In his new class, Erik Kuna introduces you to these compact, all-in-one devices that can find, track, focus, and stack your deep-sky images automatically, all while being controlled from your phone or tablet. Many even come in under $1,000.

Erik explains how smart telescopes work, what kinds of subjects they’re best at photographing, and just as importantly, what they’re not designed to do. He also walks through what to consider when choosing one based on the kinds of deep-sky objects you want to photograph.

Then it’s time to head outside. Erik takes you through your first night with a smart telescope, from getting everything set up to capturing and editing your images.

If you’ve been curious about deep-sky photography but weren’t sure where to begin, this is a great introduction to just how accessible it’s become. Watch Erik tell you more about it in the short video below, and then check out his full class.

Watch It Today!

Terry demonstrated the new Relight Layer in Photoshop Beta, showing how it can change the lighting of an existing image after the shot. It’s an intriguing look at how Adobe is continuing to bring more AI-powered controls directly into the editing workflow.

The new tools didn’t stop with Photoshop. Terry also jumped into Lightroom to demonstrate Prompt to Edit, including restoring and colorizing an old family photograph using prompts. He showed Open Eyes, which uses reference photos from your own library to correct a blinked shot, and Animate, which turns a still image into a short video.

Terry also talked about generative credits, current limitations, and where these features are available as Adobe MAX approaches.

If you want a look at some of Adobe’s newest Photoshop and Lightroom technology in action, there’s plenty to check out in this episode.

Watch the replay below.

In his new class, photographer and filmmaker Aundre Larrow shows you how to use the iPhone already in your pocket to capture that process without slowing down or distracting from the actual shoot.

Aundre walks through built-in iPhone features for behind-the-scenes capture, including Dual Capture, the Action button, and screen recording. He also shares some of the apps he uses to plan lighting, scout locations, and diagram his setups before and during a shoot.

Just as importantly, you’ll see how he approaches capturing the process while still keeping his attention where it belongs: on making the photograph.

Whether you’re simply sharing your photography with friends and followers or creating content to show potential clients and brands how you work, it’s a great look at how your iPhone can become another useful tool in your photography workflow. You can watch the first lesson for free.

Watch It Today!

As they review landscapes, portraits, wildlife, travel, astrophotography, street photography, and more, Scott demonstrates how cropping, masking, gradients, and targeted adjustments can help simplify a frame and put more attention where it belongs.

One particularly useful Photoshop technique comes into play when an image was shot too tight. Scott demonstrates how Generative Expand can add the needed breathing room around a subject and rescue a composition that would otherwise be difficult to fix with a traditional crop. He also works through washed-out images, color adjustments for creating a golden-hour feel, and selective edits designed to guide the viewer’s eye.

The common thread through all of these techniques is knowing what you want the viewer to see. Once you’ve identified the subject, Photoshop and Camera Raw give you plenty of ways to minimize distractions and strengthen the overall image.

Watch the replay below.

In this new course, legendary wildlife photographer Richard Bernabe joins Scott Kelby to go through Richard’s own portfolio and talk about what makes the images work. From jaguars in the Pantanal and polar bears in Svalbard to lions in the Masai Mara, you’ll hear the stories behind the photographs and, more importantly, the decisions Richard made when creating them.

Richard and Scott look at how shooting from a low angle can put you eye-to-eye with your subject, how gesture and light bring energy to a frame, and how the right crop can pull the viewer into the photograph. They also explore why getting closer isn’t always the answer and when including more of the environment can tell a stronger story.

It’s a great opportunity to look beyond camera settings and gear and spend some time thinking about what actually makes a wildlife photograph connect with the viewer. Watch them tell you more about it below, and then check it out. You can watch the first lesson for free.

In his new class, Adobe’s Russell Preston Brown starts with an iPhone, one continuous light, and a tripod to photograph model and professional bubbleologist Kirk Marsh. Russell shows you how to shoot 48-megapixel raw on the iPhone and create split, Rembrandt, loop, and butterfly lighting using just that single light.

Then the fun really starts.

Russell takes the photographs into Lightroom and Photoshop, where he uses Adobe Firefly and Generative Fill to build on what he captured in camera. You’ll see how he adds lighting that wasn’t there during the shoot and creates elements for the scene without changing his original subject.

It’s a great example of how a strong photograph and a little imagination can become something completely different. Watch Russell tell you more about it below, and then check it out. You can watch two lessons from the course for free.

Watch it today!

We’ve got an incredible group of instructors ready to share their knowledge on Photoshop, Lightroom, photography, AI, creativity, business, and more, live, across three tracks. Whether you want to pick up new editing techniques, get better behind the camera, find a smoother workflow, or simply get inspired, there’s a lot waiting for you.

And the classes are only part of Photoshop World. We’ll kick off our Special Events on Monday evening with our Pre-Conference Meet-Up, followed throughout the conference by the Keynote presented by Adobe, the PSW Film Fest, An Evening with Richard Bernabe, Late Night with Larry Becker & Guests, and then finishing up with the Conference Wrap Up and Guru Awards on Thursday evening.

Of course, one of our favorite parts of Photoshop World is getting this community together! The chat windows are open throughout the conference, so you can connect with instructors, catch up with familiar names, meet other photographers, ask questions, and be part of everything happening live.

Last Chance to Save $200

If you haven’t grabbed your ticket yet, our final $200-off offer ends Sunday, September 13th at 11:59 PM EDT.

Watch Scott Kelby tell you all about it below, then grab your ticket and join us on Monday!

And remember, your registration includes replays for a full year, so you don’t have to choose between sessions or worry about missing anything.

We can’t wait to see you at Photoshop World 2026!

That’s the idea behind Moose Peterson’s new course. Instead of figuring out exposure, focal length, or your gear when the action starts, Moose shows you how to make those decisions ahead of time.

You’ll learn how he prepares his cameras before heading into the field, from firmware checks and sensor cleaning to working with long lenses and getting exposure dialed in. Moose also covers using flash for color, choosing between teleconverters and crop mode, and even shares his teddy bear exercise for practicing exposure before the real wildlife shows up.

The goal is to make the technical side of photography second nature, so when the moment happens, you’re free to concentrate on the subject and the story.

Watch Moose tell you more about it below, and then check it out today (you can watch the first lesson for FREE)!

Watch It Here!