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<channel>
	<title>Linebreak</title>
	
	<link>http://linebreak.org</link>
	<description>Original poetry. Updated weekly.</description>
	<lastBuildDate>Tue, 07 Feb 2012 14:33:07 +0000</lastBuildDate>
	<language>en</language>
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		<title>Book of Hours Ghazal</title>
		<link>http://linebreak.org/poems/book-of-hours-ghazal/</link>
		<comments>http://linebreak.org/poems/book-of-hours-ghazal/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 14:33:07 +0000</pubDate>
		<dc:creator>Sarah J. Sloat</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1452</guid>
		<description><![CDATA[Like ushers, telephone-wire crows convene slowly. Night&#8217;s a book of hours into [...]]]></description>
			<content:encoded><![CDATA[<p>Like ushers, telephone-wire crows convene slowly.<br />
Night&#8217;s a book of hours into which we lean slowly.</p>
<p>Tent and campfire abandoned, the log smokes its last.<br />
Moonlight mixed with gin drips from a canteen slowly.</p>
<p>What doesn&#8217;t break us, conspires to kill. Waiting. Words.<br />
Ink bleeding into a wind that turns mean slowly.</p>
<p>The flame jogs woodenly, struggling to catch. Blood, too,<br />
is a heavy breather that serves its queen slowly.</p>
<p>Guitar strings run the length of my arm like six roads.<br />
Cut the strings! Let these lines learn to keen slowly.</p>
<p>Into the blank margins, the Laugh Guru laughs, as<br />
if the heart could maroon its routine slowly.</p>
<p>Vesper smoke dissolves in an illusion of ease.<br />
Evening invented it. Let night come clean slowly.</p>
]]></content:encoded>
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		</item>
		<item>
		<title>Evening News</title>
		<link>http://linebreak.org/poems/evening-news/</link>
		<comments>http://linebreak.org/poems/evening-news/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 14:42:13 +0000</pubDate>
		<dc:creator>Chloe Honum</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1449</guid>
		<description><![CDATA[On the news, war tumbles on. Protestors fall in the street. A [...]]]></description>
			<content:encoded><![CDATA[<p>On the news, war tumbles on.<br />
Protestors fall in the street.<br />
A child comes home</p>
<p>to find her mother,<br />
father, and babysitter dead.<br />
A mother and baby</p>
<p>are diagnosed together.<br />
A sophomore girl is gunned down,<br />
by mistake, in an elevator.</p>
<p>I switch off the television<br />
and step outside. What does it take<br />
to see what darkness gives?</p>
<p>Tonight, it crosses my mind<br />
how gone you are, and stars,<br />
if stars say anything, say Otherwise.</p>
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		<item>
		<title>Jahrzeit</title>
		<link>http://linebreak.org/poems/jahrzeit/</link>
		<comments>http://linebreak.org/poems/jahrzeit/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 17:44:46 +0000</pubDate>
		<dc:creator>Bruce Bond</dc:creator>
				<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://linebreak.org/?p=1443</guid>
		<description><![CDATA[Not that the dead care what day we remember, if we touch [...]]]></description>
			<content:encoded><![CDATA[<p>Not that the dead care<br />
what day we remember,</p>
<p>if we touch a silent match<br />
to history and watch</p>
<p>it pull against the wick,<br />
the flame a past that wakes</p>
<p>again and again, a man<br />
who can’t quite understand</p>
<p>where he is. Or who.<br />
What we cannot know</p>
<p>we give a date, a place,<br />
the missing part of us</p>
<p>we see now everywhere,<br />
though who’s to say it’s there</p>
<p>until the candle makes<br />
it so, until this smoke</p>
<p>signs the atmosphere.<br />
Earth turns and so turns over</p>
<p>some dull and weary shovel<br />
that cannot grieve them all.</p>
<p>Death too is growing old.<br />
And strangely it’s the child</p>
<p>who talks to things that burn,<br />
waiting for an answer.</p>
<p>It’s the trance of those<br />
who sit motionless</p>
<p>in dying rooms and stare<br />
into the candle’s star,</p>
<p>thinking it’s their story<br />
now, their body’s body,</p>
<p>their dim sight year by year<br />
passing through the fire.</p>
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		</item>
		<item>
		<title>On Turning Thirty-One</title>
		<link>http://linebreak.org/poems/on-turning-thirty-one/</link>
		<comments>http://linebreak.org/poems/on-turning-thirty-one/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 16:38:02 +0000</pubDate>
		<dc:creator>Gary L. McDowell</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1439</guid>
		<description><![CDATA[A woman&#8217;s face in the wood-grain &#8212; in the dust &#8212; of [...]]]></description>
			<content:encoded><![CDATA[<p>A woman&#8217;s face in the wood-grain &#8212;<br />
in the dust &#8212; of the fan-blade</p>
<p>above the bed.</p>
<p>Half asleep I see her:<br />
shoulder-length hair,</p>
<p>bullet eyes, dimed mouth &#8212;<br />
dimpleless &#8212; and think</p>
<p>of equestrian shows, the manicured &#8212;</p>
<p>mannequined &#8212; faces and lawns,<br />
or the race track there by the river:</p>
<p>their hooves, the thunder<br />
of them through the dirt,</p>
<p>their short-breathed beauty,</p>
<p>and then of you, my wife &#8212;<br />
our search in search of searching:</p>
<p>the babies fast asleep,<br />
us spooned on our sides,</p>
<p>the TV, muted, plays some movie</p>
<p>of dreams or nightmares,<br />
and we count together</p>
<p>the whirls of the fan,<br />
each breeze</p>
<p>the lick of another year.</p>
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		<title>The Mail Order Bride Attempts a Letter Home</title>
		<link>http://linebreak.org/poems/the-mail-order-bride-attempts-a-letter-home/</link>
		<comments>http://linebreak.org/poems/the-mail-order-bride-attempts-a-letter-home/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 11:44:03 +0000</pubDate>
		<dc:creator>Molly Spencer</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1436</guid>
		<description><![CDATA[Mother he is A gentleman of honor he is A builder of [...]]]></description>
			<content:encoded><![CDATA[<p>Mother he is<br />
A gentleman of honor he is<br />
A builder of ships<br />
My hands have gone<br />
Coarse, upholstered in<br />
Orchard, mending, churn<br />
My corset has<br />
Collapsed, spider heap<br />
I freckle, I lengthen, I watch<br />
Other wives, the sweep<br />
Of their skirts, their flocking<br />
I am compassless, astir,<br />
A map trembling<br />
Mother I&#8217;ve grown<br />
Taller I&#8217;ve let down my hems<br />
I am fruit-stained<br />
Mornings, my harvest: golden<br />
persimmon, berries, pomegranate<br />
Bleeding they&#8217;ve named<br />
Their apples &#8216;Anna&#8217;<br />
There are legends there are<br />
Saints at night<br />
He reaches for me, breathes<br />
<em>Windlass, ballast, mast</em> he talks<br />
In his sleep, <em>make your bones<br />
A home</em> for my love I am stair rail<br />
I am threshold he goes through me<br />
I am window undulating glass<br />
I am certain<br />
The hills crawl nearer<br />
In the night their roll and swell<br />
Mother I am well</p>
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		<item>
		<title>Digging In</title>
		<link>http://linebreak.org/poems/digging-in/</link>
		<comments>http://linebreak.org/poems/digging-in/#comments</comments>
		<pubDate>Wed, 04 Jan 2012 05:35:29 +0000</pubDate>
		<dc:creator>Donna Vorreyer</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1431</guid>
		<description><![CDATA[— after the letters of Elizabeth Bishop and Robert Lowell Cherry blossoms [...]]]></description>
			<content:encoded><![CDATA[<p class="dedication">— after the letters of Elizabeth Bishop and Robert Lowell</p>
<div style="padding-bottom: 30px;">
<div style="text-indent: -20px; margin-left: 20px;">Cherry blossoms are over; there are no bears or cats or dogs among the roses.</div>
<div style="text-indent: -20px; margin-left: 20px;">There are three nests in my two apple trees, and now the robins are shrieking.</div>
</div>
<div style="padding-bottom: 30px;">
<div style="text-indent: -20px; margin-left: 20px;">It is time to move north, back to the proper table. It worries me, a minute&#8217;s</div>
<div style="text-indent: -20px; margin-left: 20px;">dreadful blackout, at times a torment. There is luxury in putting off, but only</div>
</div>
<div style="padding-bottom: 30px;">
<div style="text-indent: -20px; margin-left: 20px;">in boring solitude is agony absorbed. One should stay severely alone, not</div>
<div style="text-indent: -20px; margin-left: 20px;">wander down to that dream-town or have funny conversations with two</div>
</div>
<div style="padding-bottom: 30px;">
<div style="text-indent: -20px; margin-left: 20px;">Scandanavians who find something haunting about my hairdresser. A woman</div>
<div style="text-indent: -20px; margin-left: 20px;">needs the mud, the deadness, the quiet, to hear the imagination roar with</div>
</div>
<div style="padding-bottom: 30px;">
<div style="text-indent: -20px; margin-left: 20px;">possibilities. I shackle myself to silence, to all the rawness of learning,</div>
<div style="text-indent: -20px; margin-left: 20px;">practice stillness. The heart beats twice a day when the train goes through.</div>
</div>
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		<title>The Author as Man Who Watches the Funeral Procession of Cocooned Bodies from His Second Story Apartment Window in Killer Klowns from Outer Space</title>
		<link>http://linebreak.org/poems/the-author-as-man-who-watches-the-funeral-procession-of-cocooned-bodies-from-his-second-story-apartment-window-in-killer-klowns-from-outer-space/</link>
		<comments>http://linebreak.org/poems/the-author-as-man-who-watches-the-funeral-procession-of-cocooned-bodies-from-his-second-story-apartment-window-in-killer-klowns-from-outer-space/#comments</comments>
		<pubDate>Tue, 27 Dec 2011 14:39:27 +0000</pubDate>
		<dc:creator>Keith Montesano</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1426</guid>
		<description><![CDATA[— after the film by Stephen Chiodo Reports on the radio &#38; [...]]]></description>
			<content:encoded><![CDATA[<p class="dedication">— after the film by Stephen Chiodo</p>
<p>Reports on the radio &amp; news stories: nothing we believed,<br />
<span class="indent-1">&amp; weeks since I saw you, your plane then on its flight across</span><br />
the country, when we said next time those weeks would<br />
<span class="indent-1">never pass. They were horrific &amp; walked slowly down our street,</span><br />
&amp; still I thought: some prank, before their guns spit webs<br />
<span class="indent-1">of pink &amp; bodies turned to cocoons, before the man bolted</span><br />
&amp; didn&#8217;t make it alive, lifeless &amp; bouncing near the truck<br />
<span class="indent-1">that sped away, before I wanted to scream for them</span><br />
to find you, since I knew then I could not be saved. But I waited<br />
<span class="indent-1">in the dark, my face hidden in the black, &amp; watched</span><br />
as they vacuumed &amp; collected, piles &amp; piles on rainbow sleds,<br />
<span class="indent-1">&amp; listened for a knock, feet busting down the door.</span><br />
But nothing came. I was there for hours, fell asleep until dawn &#8212;<br />
<span class="indent-1">party streamers &amp; confetti still littering the streets.</span></p>
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		<item>
		<title>To Hamnet Shakespeare</title>
		<link>http://linebreak.org/poems/to-hamnet-shakespeare/</link>
		<comments>http://linebreak.org/poems/to-hamnet-shakespeare/#comments</comments>
		<pubDate>Tue, 20 Dec 2011 15:57:30 +0000</pubDate>
		<dc:creator>Austin Allen</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1424</guid>
		<description><![CDATA[A set of twins is born a sort of pun, By wit [...]]]></description>
			<content:encoded><![CDATA[<p>A set of twins is born a sort of pun,<br />
By wit half-author&#8217;d &#8212; unintended double;<br />
Flocks of dull pens therefore, abortive son,<br />
May brood, and scratch, and peck, and for their trouble<br />
Leave not a peep, in laboring to explain<br />
The hole that&#8217;s torn when half the meaning&#8217;s lost.<br />
I think the womb knows no such singular pain<br />
When twice abandon&#8217;d. Thine imperfect ghost<br />
Shows everywhere: in mine own mirror&#8217;d face,<br />
And (in another way) behind thy mother&#8217;s;<br />
Clearest and weirdest in that watery trace<br />
Which mocks thy birthmate, stranded since her brother&#8217;s<br />
Sole self adrift &#8212; disjoint from earth and heaven &#8212;<br />
Struck out, left one behind. Thou wert eleven.</p>
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		<item>
		<title>The Secret of Rivers</title>
		<link>http://linebreak.org/poems/the-secret-of-rivers/</link>
		<comments>http://linebreak.org/poems/the-secret-of-rivers/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 01:20:31 +0000</pubDate>
		<dc:creator>John Poch</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1419</guid>
		<description><![CDATA[Standing in this current, trying to thread a 4X tippet through the [...]]]></description>
			<content:encoded><![CDATA[<p>Standing in this current, trying<br />
to thread a 4X tippet through the eye<br />
of this Woven Stone I&#8217;ve chosen over<br />
a Princess, missing and missing<br />
the eye, sweating, finally through,<br />
and you, tonight,<br />
the secret of rivers,<br />
that long neck of yours panting<br />
in the lamplight coming at that high,<br />
long angle from the hallway to the dark<br />
where I cast a shadow on you<br />
and you don&#8217;t know it.</p>
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		<title>Schnauzer</title>
		<link>http://linebreak.org/poems/schnauzer/</link>
		<comments>http://linebreak.org/poems/schnauzer/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 05:58:21 +0000</pubDate>
		<dc:creator>David Yezzi</dc:creator>
		
		<guid isPermaLink="false">http://linebreak.org/?post_type=poem&amp;p=1415</guid>
		<description><![CDATA[Sit. You're making too much noise. Bad boy. Think about it: what's [...]]]></description>
			<content:encoded><![CDATA[<pre>Sit. You're making too much noise.
			  	                         Bad boy.
Think about it: what's it going to look like,
you in my room, in just your underwear,
on an all-girls' floor in the freshman dorm?
I think you'd want to think about that fact.
I'll take that gag off, if you can sit still.
Okay, it's up to you. You know those cuffs
would hurt a lot less if you could just relax.
Remember, you're the one who put them on.
You put them on. And then you just passed out,
like you were dead. I tried waking you, even
pried your lids up but your eyes were white,
which scared me 'cause I thought you might be dead.
I've never seen a person so . . . zoned out.
Sometimes, I try to imagine that <em>I'm</em> dead,
as if I weren't here, as if I was
invisible and I could walk around
with everything still going on without me.
What difference would it make if I were gone?
Like zero difference, you know what I mean?
It's okay with me. It's true. But nice of you
to try to disagree.
		                 You're a sweetie.

I'm always blown away by people's kindness;
no, really, it just always knocks me out,
when someone drops the edginess we use
to keep away invaders, and, let's face it,
they're everywhere you go &mdash; the crosstown bus,
the grocery store, joggers in Central Park,
especially them, so smug, so master-race.
That's why I can't believe we ever met.
Not you and me. I mean this guy I loved.
I didn't really plan it, didn't ask for it,
you know, and that's how come I knew I loved him.
That's how it comes to you, not when you're looking,
but when your head is turned the other way.
I loved him. And I also loved his dog.
My dog loved <em>his</em> dog. That's the way we met,
at the dog run.

		             Actually, there were two near me:
a bigger run &mdash; much fancier but farther &mdash;
and, underneath the bridge, the scrappy one.
I started at the nicer one, you know,
walked down the extra blocks, because I thought,
since there were more dogs there, the better chance
of finding one that Lulu'd want to play with.
The nicer one had lots of dogs and space,
with little islands made of piled-up rocks.
But it was crap. The dogs there all were dead.
I mean they just seemed kind of dazed, like robots,
as if the life had just drained out of them &mdash;
like zombie dogs, <em>Night of the Living Dogs</em> &mdash;
or maybe they were all on Ritalin,
you know, the way they give that now to kids?
Meanwhile, the people there &mdash; the regulars &mdash;
they didn't notice. All they did was gossip,
blah-blah-blah, blah-blah, blah-blah, blah-blah,
talking about the way the neighborhood
had gone to hell and how they'd grown up there,
about their fancy breeders. Yak-yak-yak.
The dogs were sweet. Mostly they just looked stunned.
No one played with them or threw a ball.
People got annoyed when dogs would play,
but why else are they there &mdash; to rub and chase
and roll and hump each other in the dirt?
Lulu they just hated; she loved to run.
She'd tried to get the other dogs to chase her
by nipping at them; no, it wasn't biting.
Nipping. You'd put your finger in her mouth,
and she'd just hold it there between her teeth,
possess it, so you couldn't take it back,
but never even hurting you, never, you see?
(Just grunt to let me know that you can hear me.)
But to them she was a wolf: blood-thirsty, feral,
and everyone would whisper when she came.

	                          Then Lulu got a pigeon.
It wasn't her fault. I was standing right outside
the metal gate, where everyone could see us.
Lulu was a huntress; she hunted everything,
mice and squirrels, and earthworms she'd dig up.
But what she wanted most of all were pigeons.
Like those cartoons: the ones in which the dog's
pupils turn to drumsticks. She would pounce
at them, completely driven, every muscle
in her body, every hair on fire to catch
that bird, and not just catch it, eat it, too.
I've never seen her looking happier
than in that moment, when her choke collar
zipped tight like a big fish taking a hook,
and her leaping at it, airborne, twisting around
to catch it in her teeth.
			               The people freaked.
I started screaming, pulling on the leash,
but she had it in her mouth, between her paws.
When I reached in to free the thing, she growled,
and I came up with bloody hands and wrists.
It wasn't mine. Though I wondered if it was,
if she'd bitten me. But she would never do that.
Not even in the ecstasy of it.
That's another way that dogs are different.
They're hugely civilized, more so than we are.
So, that was it for the fancy uptown run.
We wound up at the dingy run in winter,
where the wind rips off the river, mostly empty,
where Lulu met Reynaldo, a scruffy schnauzer.
They ran until their tongues flapped down their chins.
Then Rey-Rey's owner started making small talk &mdash;
just casual, like stories from the paper,
training tricks, dog stories &mdash; like you do.   

I waited on the days he didn't come.
It felt first like a little irritation,
so that I didn't notice it. But then
I actually ached for him when he was gone.
I told myself that Lulu missed Reynaldo,
but then one morning in the freezing rain
I saw him as we were coming along the river
towards the run, and Lulu started pulling
on her choke chain &mdash; she nearly pulled my arm off.
For two whole blocks she strained, just acting nuts.
She pulled the leash free of my hand and ran.
And as I stood there in the sleet I knew
that I had missed him so incredibly
I almost started crying. And the dogs,
leapt up to catch each other in their paws,
like ballroom dancers circling the floor,
upright, on hind legs, balanced arm in arm.
I felt like that was us, but not imagined it,
actually felt &mdash; as we stood there silently,
unmoving, watching, side-by-side &mdash;
that we were pressing up against each other,
swaying into the matted whorls of fur,
my teeth clamped on his skin, saliva flying.
I think I came. My legs let go a little.

I'm going to take these off, but understand
that once you leave this room you won't say anything.
Unless you want your father and the cops
to see these pictures on the internet:
you look asleep, it's true, but how to explain it?
Sometimes I wonder if it isn't possible
that loves we have in our minds are the real ones,
the ones that matter to us most of all,
the ones that we take with us to the grave.
I guess I'm sorry that it won't be you
I'm supposed to love.
		                     Now let me free your mouth.</pre>
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