VITM

Franz Schubert - Heidenröslein

noreply@blogger.com (Velizar Iordanov) — Sun, 22 Dec 2024 17:34:00 +0000

Depeche Mode - Goodnight Lovers

noreply@blogger.com (Velizar Iordanov) — Mon, 22 Apr 2024 15:22:00 +0000

Julian Sartorius & ET|ET

noreply@blogger.com (Velizar Iordanov) — Fri, 01 Dec 2023 14:59:00 +0000

Aufgehoben (Ada Remix)

noreply@blogger.com (Velizar Iordanov) — Thu, 16 Nov 2023 14:40:00 +0000

Toumba - Sabah Fakhri / Tidallal

noreply@blogger.com (Velizar Iordanov) — Sun, 05 Nov 2023 09:22:00 +0000

Toumba · Tidallal

Bhakti Experience - Dealului (1994 Goa sunset)

noreply@blogger.com (Velizar Iordanov) — Tue, 17 Oct 2023 19:55:00 +0000

Passwar D, Kiosk Radio Mix

noreply@blogger.com (Velizar Iordanov) — Tue, 17 Oct 2023 13:00:00 +0000

Passwar D, an alien being, channels its cosmic frequency through human imagination to create captivating sonic narratives, celebrating earth's manifold wonders. A keen observer of human experience, its music reflects the nuances of our sensibility. Through intricate explorations of experimental electronica, the artist weaves complex tapestries of soundscapes that mirror the nature of emotional existence. Whether it is composing its own music, performing live, or playing a DJ set, Passwar D's mixing style is characterized by lavish instrumental treatment, incorporating sparse mix devices and everything in between. The unexpected is always to be expected.

Kiosk Radio · Passwar D @ Kiosk Radio 09.10.2023

www.kioskradio.com

ARTIST LINKS

Instagram instagram.com/passwardy/ Bandcamp passwardy.bandcamp.com/ Beatport beatport.com/artist/passwar-d/932610 Facebook facebook.com/passwardy/ Soundcloud soundcloud.com/passwardy

Sven Vath Retrospective What I Used To Play

noreply@blogger.com (Velizar Iordanov) — Sun, 11 Jun 2023 15:30:00 +0000

For this uniquely personal retrospective spread over twelve vinyl discs, Sven Väth takes us back to the early days of his DJ career. On What I Used To Play we meet great pioneers of electronic music, gifted percussionists, obscure wave bands, and innovative producers of a bygone ‘new electronic’ era. Rough beats and irresistible grooves from the identification stage of house, techno, and acid remind us not just how far electronic music has evolved over the past four decades, but how great it was to dance to EBM, techno, and house for the very first time.

If there is one protagonist of the electronic music scene who has remained curious, innovative and at the very cutting edge of music for over four decades, it‘s Sven Väth. His multi-layered artist albums and Sound of the Season mix compilations have been defining the genre for over two decades, and even today, he is constantly on the lookout for the next top tune to add to the highlights of his next set. At least, that’s the case when he’s not producing them himself as an artist or remixer. "Actually, it's always been part of my DNA to think ahead," and nothing had been further from his mind than looking back at his past, but when in spring of 2020 the international DJ circuit had to be scaled down to virtually zero, the ‘restless traveler’ suddenly had time. Time to stop and reflect on "how it actually was back then, at the very beginning of my career..."

"It was a great trip and with every track, beautiful memories came flooding back".

In the London apartment, he had just moved into, Sven has set up a "little music room", where he cocooned himself for several days, "to look way back for the first time and review my musical journey through the eighties, so to speak."

The interim result was six thematically oriented playlists with a grand total of 120 tracks from ‘early 80s’ to ‘Balearic late 80s’, together with excursions into afrobeat, European new wave, and EBM sounds and a few epochal techno/house tracks from the USA in between. From these ‘Best of Sven Väth's favorites’, the project What I Used To Play crystallized. Sven remembers how the Cocoon team reacted to his proposal: "They found the idea of making a compilation out of it MEGA from the beginning and everyone said 'Sven, go for it', but then, of course, the work really started, namely, to clear the rights and to get clean sounding masters of the up to 40-year-old tracks. There was also disappointment, of course. We couldn't clear certain titles because the rights holders in the USA had fallen out with each other or simply disappeared from the scene. In short, it wasn't easy, but now I can safely say we got the most important tracks."

Finally, after two years of research, curation, design, and administrative fine-tuning, the "little retrospective" from 1981 to 1990 is available. The exquisitely packaged, and three-kilo heavy box set is not only physically impressive, WIUTP is also the definitive record of Sven Väth's musical development. On each of the twenty-four sides of vinyl, you can trace track by track, what influenced him during which phase, and how he took off as a DJ from his parents' Queen's Pub straight into the spotlight at Dorian Gray. There and at Vogue (later OMEN), Sven became the style-defining player in the DJ booth that he still is today.

https://svenvaeth.bandcamp.com/album/what-i-used-to-play

credits
released February 3, 2023

Tod Dockstader: Apocalypse part II (1961)

noreply@blogger.com (Velizar Iordanov) — Mon, 01 May 2023 17:40:00 +0000

Three Drives On A Vinyl - Greece 2000

noreply@blogger.com (Velizar Iordanov) — Wed, 22 Mar 2023 20:54:00 +0000

Orbital - Halcyon

noreply@blogger.com (Velizar Iordanov) — Wed, 22 Mar 2023 20:21:00 +0000

DJ Hell - Out Of Control

noreply@blogger.com (Velizar Iordanov) — Thu, 16 Feb 2023 20:37:00 +0000

Christina Vantzou No. 5

noreply@blogger.com (Velizar Iordanov) — Thu, 09 Feb 2023 23:20:00 +0000

No. 5 by christina vantzou

Rest In Peace Yukihiro Takahashi

noreply@blogger.com (Velizar Iordanov) — Fri, 20 Jan 2023 22:08:00 +0000

Landyhill - Freaky Mind

noreply@blogger.com (Velizar Iordanov) — Thu, 29 Dec 2022 22:30:00 +0000

Hassan Hakmoun: Gnawa Trance Music

noreply@blogger.com (Velizar Iordanov) — Thu, 29 Dec 2022 10:42:00 +0000

Brian Eno - There Were Bells

noreply@blogger.com (Velizar Iordanov) — Wed, 28 Dec 2022 13:58:00 +0000

PASSWAR D - ACID ELEVATOR [DIFFUSE REALITY]

noreply@blogger.com (Velizar Iordanov) — Sun, 11 Dec 2022 15:20:00 +0000

Passwar D is a sound project with an identity conceived as an extraterrestrial creature connected to the human imagination. This is an original way of conceptualising a musical idea that is inspired by the various human experiences, our interests as rational living beings and all the emotions we experience throughout our lives.

Passwardy connects all these possible stories with sonic arguments that exemplify his conception from outside the planet. With The Death of Synthetic Parody he shows different developments in terms of the style of the album, his lo-fi mix of MIT BLA BLT can perfectly represent the information codes that a being from another planet could use, or the second cut which is a remix of Acid Elevator, a version of syncopated rhythmic sequences and acid lines that intermingle with spatial frequencies. The third cut on the other hand is the original version of the previous track and curiously the sound treatment completely erases the brightness in its textures, giving it a degraded character. Robo Tribe (Passwardy Mellifluous Remix) is a deep and gloomy landscape and Robo Tribe (Magdalena Baczewska Piano Remix) is even more disturbing due to the involvement of the piano. WORDS BY Industrial Complexx

Passwar D participated in the last edition of Teorema, a festival organised by Diffuse Reality.

Release date: December 16th, 2022.

Industrial Complexx · Premiere: Passwar D - Acid Elevator [Diffuse Reality]

TEOREMA FESTIVAL · Passwar D - The Death of Synthetic Prosody [TE0097]

Jiji's Adventure - Carlos Ferreira, Yumi Iwaki

noreply@blogger.com (Velizar Iordanov) — Tue, 08 Nov 2022 18:56:00 +0000

Carlos Ferreira · Jiji's Adventure

“Tenderness” is the first collaborative album between Japanese musician Yumi Iwaki and Brazilian Carlos Ferreira using unreleased sketches, improvisations, and samples, “Tenderness” is a mosaic of painted sounds that does not end in itself, inviting the listener to inhabit its center.

Porto Alegre based experimental guitarist Carlos Ferreira and Tokyo-based synthesizer hypnotist Yumi Iwaki are presenting "Tenderness" , their first ever collaborative album through Modern Obscure Music. Carlos and Yumi have created this powerful ambient odyssey at the distance. Despite some connections between Yumi's family roots with the Brazilian musical scene, both artists feel a strong attraction about their cultural differences, through Literature, films, scents, colors, and nature… Carlos feels “there are infinite cultural differences between Japan and Brazil, and this can be explained by historical and even geographical factors, but people come together through very strong elements that are able to transcend these differences. Diversity must also unite us.”. Yumi explains that when she met Carlos on Instagram, she was instantly captivated by “his quiet, deep and fantastic view of the world, the feelings we shared seemed to take shape naturally, but it was Carlos' great talent to complete the production... more

credits
released September 2, 2022

Yumi Iwaki: modular & analog synthesizers, op-1, piano, voice, FX pedals, looper, field recordings, sampling. Carlos Ferreira: electric guitar, bowed guitar, FX pedals, digital synthesizers, looper, field recordings, sampling.

Written & produced by Yumi Iwaki & Carlos Ferreira
Mixed & mastered by Carlos Ferreira

Laurent Garnier - Coloured City

noreply@blogger.com (Velizar Iordanov) — Thu, 03 Nov 2022 11:32:00 +0000

DR. SAN PROPER'S FEROTONES

noreply@blogger.com (Velizar Iordanov) — Mon, 31 Oct 2022 19:02:00 +0000

After a decade of various releases and collaborations for numerous labels, Dr. San Proper releases his first new album in over 10 years. FEROTONES drops October 21st on Dopeness Galore on vinyl and digital, while on the same day San celebrates with a live show in Concerto, Amsterdam’s iconic record store, right in the middle of Amsterdam Dance Event. Dr. San Proper tunes his guitars to the sexuality and pheromones of his signature sound, with a whiff of classic synths, and a dash of live-drums. This album comes together alongside his bass guitars and electric guitar riffs, all in the spirit of dance-floor-muic. With its poetic lyrics and the organic fusion of instruments, it reflects the true sound of Proper House Music.

sanproper.bandcamp.com

Larry Wright NYC street bucket drummer 1990

noreply@blogger.com (Velizar Iordanov) — Tue, 26 Jul 2022 02:07:00 +0000

Short film on Larry Wright from 1990.
Larry Wright is a well-known New York City busker. He's credited as the first major drummer to use five gallon plastic buckets instead of a normal drum kit. He uses his foot to lift the bucket changing the sound patterns.
He has appeared in commercials, Mariah Carey's "Some Day" video, as well as the movie Green Card.
He's played since he was 5 years old, and met his wife while playing in the subway.

PASSSWAR D 4 Noods Radio

noreply@blogger.com (Velizar Iordanov) — Thu, 14 Jul 2022 01:48:00 +0000

iNSOUND TRACKLIST:

Sven Vath - Panta Rhei
Notzing - Triphode (Passwar D Edit 01)
Jamaszka FT - Ps_port
Tusken Raiders - Belmica
Perel - Hunger
Etv Girls Choir - Sampo Tagumine (Forging The Sampo Kuniyuki Remix)
Mr. Oizo - Serenata Barbecue (Instrumental)
Lubelski - Happy Accidents
Rian Treanor - Hypnic Jerks
Perel & Marie Davidson - Jesus Was an Alien (Club Edit)
Skee Mask - Type Beat 6
SHXCXCHCXSH - Gest
Blawan - Under Belly
Oni Ayhun - OAR004-A
The Reese Project - I Believe (Laurent Garnier Frenchman In Stoke-On-Trent Ambient Chill Baseroom Mix)
Manuel Tur - 121 Bpm (1)
Modeselektor - 1000 Kicks
Passwar D - Happy Sundays At The After (For Breakfast B4 Sleep Mix)
Cleveland - NDSi
Sven Vath - The Inner Voice
Notzing - Triphode (Passwar D Edit 02)

Noods Radio Passwar D

Help And Support UKRAINE

noreply@blogger.com (Velizar Iordanov) — Mon, 07 Mar 2022 17:13:00 +0000

Help and donate to Direct Relief who provides medical aid to the people of Ukraine.

Additional Resources for Donations if You Wish to Contribute Personally

https://www.gofundme.com/f/kyivindependent-launch
- This is the GoFund page of The Kyiv Independent, an Ukrainian media outlet partially owned by its journalists. You can also follow its twitter account for direct war coverage updates.
https://support.meduza.io/en
- This is the official donation page of Meduza, a Russian independent website and news aggregator based in Latvia. With Facebook, twitter, and YouTube were officially blocked in Russia, Meduza is one of very few news outlet where Russians might be able to access to obtain real news about the war.
https://www.hias.org/
- It works directly with local partners to provide emergency assistance in response to the crisis in Ukraine.
https://www.doctorswithoutborders.org/what-we-do/countries/ukraine
https://razomforukraine.org/razom-emergency-response/

V.L.A.D. - Trash Compactor

noreply@blogger.com (Velizar Iordanov) — Sun, 17 Oct 2021 16:03:00 +0000