Photographer Jorden Keith captures Michiel Francis Loonen in a new MMSCENE STYLE STORIES exclusive styled by Viv & Javier. The story unfolds across downtown streets with warm light giving the images a relaxed, cinematic feel. Michiel shifts between stillness and movement throughout the series, while the styling keeps the mood loose and slightly offbeat.

MMSCENE EXCLUSIVES

The wardrobe pulls from Marco Pierguidi, Clench Denim, Sanger Suns, Russ Sport Co., Ralph Lauren Purple Label, Zara, Giorgio Armani and vintage pieces. Viv & Javier combine vintage pieces with cleaner contemporary references, using wide trousers, cropped tops, layered outerwear and sharper separates to give each look a distinct shape. The mix supports the editorial’s casual urban tone while keeping the focus on proportion, texture and attitude.

Talent: Michiel Francis Loonen
Photographer: Jorden Keith
Styling: Viv & Javier

The post Michiel Francis Loonen by Jorden Keith for MMSCENE Exclusive appeared first on Male Model Scene.

ICICLE approaches Spring Summer 2027 menswear through movement, changing proportion and a relaxed treatment of tailoring. Designed by Bénédicte Laloux, the Moments collection takes cues from the rhythm of daily life, with garments designed to change subtly through wear.

SPRING SUMMER 2027

The menswear develops around familiar forms that Laloux adjusts through fabric, volume and construction. Sleeves can roll or fold back, openings shift as the body moves, and looser shapes give tailored pieces a less rigid character. Small details such as belts, buttons and free panels alter the way garments sit on the body, allowing each look to change through simple styling choices.

A silk taffeta blouson introduces a refined interpretation of sportswear, using a light fabric to give the shape a different presence. Elsewhere, tailoring appears with softer proportions and less formal structure. The collection keeps recognizable categories intact while changing their weight, texture and movement.

ICICLE works with poplin, silk chiffon, crepe, cotton and wool combinations, alongside textured linen. The fabrics create contrast through surface and density. Silk reacts to light, while linen adds a firmer, more tactile quality.

Construction techniques add further definition. Graphic folds shape volume, while pleats and micro-gathered embroidery create raised texture across selected pieces.

The menswear color palette moves beyond neutral tailoring. Moss green, lilac and vivid red introduce softer and more expressive notes, while black, white, ecru, sand and camel provide the foundation. Stripes and abstract jacquards extend the casual side of the collection, giving familiar shapes a more graphic finish.

Accessories follow the same interest in texture and construction. Bags made from fringed fabric squares create a soft, cloud-like surface. The folded structure gives each piece a geometric quality while keeping the overall shape tactile and relaxed.

Laloux treats the collection as a sequence of changing moments rather than a fixed dress code. The menswear responds to movement through looser proportions, adaptable details and fabrics that behave differently as the day changes.

Discover Full Collection on DSCENE

Tailoring loses some of its formality, sportswear gains a more refined treatment, and natural fabrics bring variation through texture and weight. Color adds another shift, giving the collection a broader emotional range while keeping the silhouettes clear and wearable.

View Gallery 10 images

The post ICICLE Introduces Moments for Spring Summer 2027 appeared first on Male Model Scene.

Tom Ford Spring Summer 2027 places desire, exposure and personal freedom at the center of Haider Ackermann’s latest collection for the house. Instead of treating seduction as a purely visual exercise, Ackermann approaches it through tension: the moment when being seen stops feeling passive and starts becoming an act of control.

SPRING SUMMER 2027

Mirrors shape much of that idea. Ackermann describes reflection as something unstable, a surface where an image appears and disappears. On the runway, glass panes extended that thought into the staging. Models paused in front of them, looked at themselves and watched others through the reflected space.

That exchange between observer and subject gives the collection much of its mood. Ackermann focuses on the possibility of revealing the body without surrendering control over it. Sexuality comes through posture, exposed skin and the way clothes sit around the body.

The menswear opened with tailored precision. Scott Barnhill appeared in a fitted pinstripe suit with an olive shirt worn open across the chest and a thin personalized scarf. The look established a tension that continued throughout the collection: formal clothing carried with a looser, more instinctive attitude.

Tailoring remained one of the strongest elements of the season. Tuxedos appeared alongside low-cut tank tops, creating a sharper contrast between covered and exposed areas of the body. Ackermann used cut, proportion and styling to make the chest part of the silhouette rather than a secondary detail.

Leather introduced a harder surface into the collection. Military green also appeared through trench coats and flysuits, while faded denim and cargo trousers brought a more utilitarian direction into the lineup. Short shorts reduced the silhouette further, increasing the emphasis on the legs and the body itself.

The collection gradually moved away from conventional ideas of formality. Evening pieces still relied on tailoring, yet Ackermann used exposure to interrupt that structure. Bare skin, open shirts and reduced layers gave familiar categories a different energy.

The final section pushed that reduction further through minimal black swimwear. These looks used very little fabric, placing the body almost entirely in view. Their impact came from restraint, with Ackermann allowing proportion and physical presence to carry the look.

Vulnerability runs through the menswear alongside confidence. Ackermann treats fragility as something that can exist within strength, allowing the two to occupy the same look without forcing a clear separation between them.

Discover Full Collection on DSCENE

Freedom becomes the larger idea connecting these pieces. Ackermann describes it through risk, late nights, curiosity and the possibility of going too far. That sensibility gives the collection its tension: clothing becomes less about asking to be noticed and more about deciding how much of oneself to reveal.

View Gallery 30 images

The post Tom Ford Spring Summer 2027 Tests the Limits of Seduction appeared first on Male Model Scene.

Sandro presents its Spring Summer 2027 menswear collection at the Cité de l’Architecture et du Patrimoine in Paris, placing fashion and architecture in direct conversation through form, proportion, material and construction. The setting reflects the collection’s focus on the relationship between clothing, the body and the spaces they occupy.

SPRING SUMMER 2027

Architecture provides a natural point of connection. A building model relates to a garment prototype, while a blueprint recalls a clothing pattern. Structural volume finds its equivalent in silhouette, and architectural openings translate into cuts and details. Both disciplines work through shape and construction, using materials to define how a form interacts with the person inside it.

The location also connects with the personal interests of Evelyne and Ilan Chetrite, Sandro’s founders and artistic directors. Architecture and design form part of their everyday lives and continue to influence their understanding of materials, scale and proportion. Inside the museum, those interests provide a framework for viewing the Spring Summer 2027 collection.

For Sandro Homme, the season begins in an urban environment before gradually turning toward the Mediterranean. The opening silhouettes carry greater precision, with seams functioning as graphic elements across the garments. All-over floral embroidery introduces another visual layer, while textured materials give the surfaces greater definition.

Deep chocolate, olive and metallic blue establish the initial palette. Faded pastels, mineral shades and luminous whites enter alongside these deeper tones, creating a gradual shift toward lighter summer colors.

Washed linen, lightweight silk, textured cotton and fluid fabrics allow the silhouettes to become freer, while relaxed tailoring moves away from the sharper forms of the opening looks. Materials begin to determine the shape and movement of the garments.

Tone-on-tone jacquards add subtle surface variation. Textile interlacing, knits and stripes introduce additional texture across summer pieces without distracting from the restrained approach to silhouette. These techniques give familiar warm-weather garments greater depth while maintaining the collection’s relaxed direction.

The Mediterranean influence becomes increasingly visible through color. Aegean blue, warm sand, terracotta and sun-yellow reference white architecture, mineral surroundings and the sea floor. Structured elements gradually give way to softer fabrics and looser volumes, while lightweight materials allow greater movement.

Discover Full Collection on DSCENE

Spring Summer 2027 moves between city dressing and coastal clothing through material, color and proportion. Richer textures define the earlier looks, while linen, silk and fluid fabrics lead the collection toward a lighter conclusion.

View Gallery 22 images

The post Sandro Frames Spring Summer 2027 in Form and Structure appeared first on Male Model Scene.

Torishéju approaches Spring Summer 2027 through the idea of spectacle and the ways attention can be directed, manipulated and consumed. The collection takes the title “Panem et Circenses” from the phrase written by Roman poet Juvenal in 100 AD, referring to a population kept occupied through food and entertainment.

SPRING SUMMER 2027

Rather than treating the circus as decoration, Torishéju uses it as a structure for examining how people perform for one another. The collection asks what audiences choose to watch, what remains concealed and how performance can shift attention away from what sits underneath.

The people inside this circus become part of the act. Each look carries its own role, moving between performer, character and ringmaster. Clothing helps construct those identities, shaping the way a person enters a space and how others read them once they arrive.

Disguise sits close to that idea. Garments can protect, obscure or exaggerate, allowing the wearer to control which version of the self becomes visible. Torishéju treats clothing as something that can alter perception through proportion, surface and construction, while keeping parts of the body or identity deliberately unresolved.

As the collection develops, the image of the circus begins to lose its polish. The change introduces a sense of deterioration into the presentation, with garments moving away from controlled appearance toward something more exposed.

That gradual breakdown forms an important part of the collection’s logic. What initially appears ordered starts to reveal its construction. The spectacle loses some of its authority once its structure becomes visible, bringing the focus back to the mechanisms behind the performance.

Torishéju extends this idea through material reconstruction. The collection uses Nike deadstock, breaking existing garments and materials down before rebuilding them into new surfaces, fabrics and textures. The process gives familiar materials a different role and removes them from their original purpose.

The reconstructed pieces support the broader idea of unstable identity. Materials carry traces of what they were, yet their new form changes how they are read. Torishéju uses that process to connect physical reconstruction with the social act of presenting a version of oneself to others.

“Panem et Circenses” places attention on the gap between appearance and reality. The collection looks at how spectacle can distract, how clothing can help create a role and how easily identity can shift when the surface changes.

Discover Full Collection on DSCENE

By the end, the circus no longer functions as a source of entertainment alone. It becomes a device for questioning who performs, who watches and what remains once attention moves elsewhere. Spring Summer 2027 closes with that uncertainty intact, leaving the spectacle to dissolve after the lights go down.

The post Torishéju Spring Summer 2027 Enters the Circus appeared first on Male Model Scene.

Alex Sánchez de Mora stars in Common Ground, a new MMSCENE Magazine fashion editorial photographed by Hernan Castillo. Styled by Milo de las Heras, with creative direction by Milo de las Heras and Hernan Castillo, the story moves between pared-back tailoring, denim, monochrome looks and intimate portraiture, keeping the focus on silhouette, texture and Sánchez de Mora’s presence in front of the camera.

MMSCENE EXCLUSIVES

The accompanying interview looks at Sánchez de Mora’s long relationship with fashion and the way his career has expanded beyond modeling. He reflects on working across production, casting and creative direction, his changing perspective on the industry, and the value of building projects on his own terms. The conversation also touches on personal style, life away from fashion and the creative directions he hopes to explore next.

How did you first get into modeling, and what was the beginning of your career like?

I got into modeling quite organically. I was always interested in fashion, but I never really imagined it as a career until I had the opportunity to try it. The beginning was a mix of excitement and uncertainty. I was very young and had to learn quickly how the industry worked, how to move between different personalities and environments, and, most importantly, how to understand myself within it. Looking back, those first years gave me a foundation that has been useful in everything I’ve done since.

What did you learn from working as a producer and casting director for Massimo Dutti?

It completely changed the way I see fashion. Being behind the camera teaches you to understand the entire process, not just the final image. I learned about casting, creative direction, logistics, budgets, teams and, above all, how many people and decisions are behind something that can look effortless. It also taught me to recognize talent and understand what makes an image feel authentic rather than simply beautiful.

Looking back at your career so far, what project, decision or moment are you most proud of?

I’m probably most proud of building a career that has evolved rather than staying within one definition of what I should be. I’ve been a model, producer, casting director, creative director and now also create content and work on my own projects. Being able to reinvent myself while staying within an industry I genuinely love is something I’m very proud of.

What has been the biggest risk you have taken in your career?

Probably choosing to create things for myself instead of always waiting for someone else to give me an opportunity. Starting my own projects and production company meant taking financial and professional risks, but it also gave me independence. I’ve always preferred the possibility of failing on my own terms to feeling that I was waiting for someone else’s permission.

After more than a decade in fashion, what do you understand about modeling now that you could not have known when you started?

That modeling is much less about being beautiful than I thought. Your ability to adapt, communicate, understand a creative team and bring something of yourself to an image becomes much more important with time. I also understand now that longevity comes from being reliable and curious. The people who last are not necessarily the ones who were the most impressive when they started, but the ones who continue to evolve.

How would you describe your personal style today, and who have been your biggest style references?

I think my style has become much more instinctive. I’m less interested in following trends and more interested in creating a certain feeling. I like mixing very classic, masculine pieces with something unexpected whether that’s a silhouette, a fabric or an accessory. I’m very influenced by European and Italian fashion, but also by architecture, cinema, travel and Japanese culture. My references change constantly, which I think is important.

When you are away from shoots, fashion weeks and work, what do you genuinely enjoy doing?

I really value having moments where fashion isn’t the focus. I love travelling, skiing, playing tennis and being by the sea. I also enjoy discovering new places, eating well and spending time with my family. Those quieter moments are actually very important to me because they give me the inspiration I bring back into my work.

You have experienced fashion as a model, producer, casting director and through your digital presence. Which of those roles have you enjoyed the most?

I don’t think I could choose just one because I enjoy the combination. Modeling gives me the immediate creative experience of being part of an image. Producing and casting give me control over the bigger picture. And digital has allowed me to communicate directly with an audience and build something that feels much more personal. I think what I enjoy most is moving between all of those worlds.

Looking ahead, what are you most excited to explore next?

I’m excited about creating more of my own work and becoming increasingly involved in the creative side of projects. I don’t want to limit myself to one role anymore. I’d like to develop ideas, produce them, appear in them when it makes sense, and collaborate with people I admire. I’m also interested in building things that exist beyond social media, projects with a longer life and a stronger identity.

Photography: Hernan Castillo
Styling: Milo de las Heras
Creative direction: Milo de las Heras & Hernan Castillo
Model: Alex Sánchez de Mora at Next Models

The post MMSCENE Exclusive Interview With Alex Sánchez de Mora appeared first on Male Model Scene.

Nothing has announced BTS member V as its new Global Brand Ambassador, bringing the musician into its growing network of creative collaborators. The appointment arrives alongside a new campaign photographed in Seoul by Dorothea Sing Zhang, with Nothing’s Headphone (1) Pro taking a central role.

TECH

Rather than focusing exclusively on the new headphones, the campaign places V across a wider selection of Nothing audio products. Ear (3a), Ear (3), Headphone (1) and Headphone (a) appear throughout the shoot, establishing his role across the company’s audio category.

 

 

 

 

 

 

View this post on Instagram

 

 

 

 

 

 

 

 

 

 

 

 

A post shared by Nothing (@nothing)

Movement guides much of the campaign’s visual direction. Nothing developed the imagery around experimentation and the creative process, drawing references from several points across film, photography and music video history. Jamiroquai’s “Virtual Insanity,” Gene Kelly’s “Singin’ in the Rain” and work by filmmaker Spike Lee contributed to the concept. The sequential photography of Eadweard Muybridge also influenced the project, reflected through layered images that track V across individual frames.

Nothing carried the same approach into the campaign soundtrack. The team initially considered jazz as a direction that could reflect V’s musical range, before discussing music by George Michael and Spandau Ballet. Suzanne Vega’s “Tom’s Diner” ultimately became the selected track.

The campaign also introduces Headphone (1) Pro, Nothing’s premium over-ear model, featuring a triple-driver system, active noise cancellation powered by ten microphones, LDAC, high-resolution audio and Dynamic Spatial Audio. A Flat EQ mode developed with London’s Metropolis Studios offers a more neutral sound profile, while transparent panels, glass and metal details continue Nothing’s industrial design language. The headphones support wireless, USB-C and 3.5mm listening, with battery life reaching up to 68 hours when active noise cancellation is switched off.

The new appointment places V alongside her while giving Nothing another musician with a significant international audience. His first campaign for the company connects his ambassador role directly with its expanding headphone range and the introduction of Headphone (1) Pro.

The post Nothing Introduces BTS’ V as Global Brand Ambassador appeared first on Male Model Scene.

Loro Piana approaches Spring Summer 2027 menswear through Solutions For, a collection built around the idea that clothing should answer specific needs. The concept follows the Maison’s functional approach to ready-to-wear, where material, construction and use determine the purpose of each garment.

SPRING SUMMER 2027

The season moves gradually from colder weather into full summer and from daytime dressing into evening. Clothes respond to outdoor life, days on the golf course, early departures, beach hours and warmer nights. Familiar menswear archetypes provide the foundation, including the camel blazer, balmacaan coat, trenchcoat and safari field jacket.

Materials follow the changing temperatures. Cashmere and tweed lead into lighter fabrics, while the palette progresses through neutrals, muted shades and sun-faded colors. Soft construction shapes the collection throughout, supporting an informal approach to tailoring and a wardrobe designed for movement between different settings.

Loro Piana pairs blazers with chinos and coats with jeans. A summer peacoat appears with wide trousers and braided raffia lace-ups. Bombers and field jackets enter more casual combinations, while trousers tucked into socks introduce a relaxed styling detail.

Layering provides flexibility across changing weather. Textures and colors build depth without adding unnecessary weight, and garments can move beyond their expected roles. A quilted jacket, for example, functions in place of a shirt. Knitwear follows the same adaptable approach and works across temperatures and different parts of the season.

As summer develops, the wardrobe becomes lighter. Bermudas and sahariennes gain prominence, while suits shift toward increasingly unstructured construction. The transition continues at the beach through guayabera jackets, printed shirts and drawstring linen trousers.

Later in the day, summer peacoats, stand-up collar jackets and cardigan jackets provide options for more polished dressing. Eveningwear retains relaxed proportions through cardigan jackets, tuxedo shirt jackets and loose tuxedos, all presented within a focused black-and-white palette.

Accessories follow the same emphasis on practical use. The collection includes the oversized Heddle tote in nubuck, grainy leather or canvas, along with the Pioneer backpack and Extra Pouch. Footwear covers golf-inspired Goodyear derbies, ultra-soft reverse-suede desert boots and sandals.

Loro Piana presented Spring Summer 2027 during Milan Fashion Week at the Biblioteca Nazionale Braidense in Palazzo di Brera. The Maria Teresa room displayed original sketches, garments, bags and accessories across canvas panels, wooden library ladders and walnut cases. Grande Unita scarves appeared inside display cases, while the nearby Sala Lettura introduced areas dedicated to fabrics, tailoring, sunglasses and screen printing.

Discover Full Collection on DSCENE

The presentation places the collection’s functional thinking within a setting built around study and close observation. Across Spring Summer 2027 menswear, Loro Piana treats dressing as a practical response to season, activity and changing circumstances, using soft construction, adaptable layers and familiar forms to provide those solutions.

View Gallery 32 images

The post Loro Piana Spring Summer 2027 Presents “Solutions For” appeared first on Male Model Scene.

Billionaire Boys Club introduces its Fall 2026 collection with Jordan Adetunji wearing the new season in campaign imagery photographed by Joseph J. Marshall. The Irish artist steps into a wardrobe built around sportswear, club references and the graphic identity that continues to define the label’s clothing.

AD CAMPAIGNS

For Fall 2026, Billionaire Boys Club takes inspiration from the visual codes associated with clubs. Crests and patches appear throughout the collection, drawing specifically from yacht and soccer traditions. The brand uses those familiar elements across contemporary casualwear, giving classic athletic references a more graphic treatment.

Patchwork plays an important role in the season. Billionaire Boys Club layers embroidered and applied details across garments to create depth, while potassium and sun-faded treatments give selected sportswear a worn surface. These finishes shift the collection away from cleaner uniform dressing and introduce a softer, aged quality to the clothing.

The current Fall 2026 selection spans jackets, polos, shirts, sweatshirts, T-shirts, trousers, denim and shorts. Pieces listed by the brand include the Ryder Polo, Space Track Pant, Crest Fleece, Aggie Cord Jacket, Space Breaker Jacket, Deep Sky Jean and Zip Club Hoodie. Knitted tops and graphic T-shirts expand the wardrobe, keeping the collection rooted in everyday sportswear.

The European Fall 2026 selection develops the club theme through further pieces including varsity jackets, striped shirts, polos, cargo trousers and sweatshirts. The assortment includes the Leather Sleeve Arch Logo Varsity Jacket, Rhinestone Arch Logo Striped Shirt, Script Patch Polo Shirt and Resort Polo Shirt. Across these categories, Billionaire Boys Club moves between preppy references and the relaxed proportions associated with its streetwear approach.

Adetunji’s appearance connects the Fall 2026 clothing with the brand’s continuing relationship with music and youth culture. In the campaign imagery, he wears the new collection in dark-toned surroundings that place attention on the proportions, surface treatments and graphic details of the clothes. The photographs give the collection a restrained visual setting while keeping Adetunji and the garments as the main focus.

The season also carries one of Billionaire Boys Club’s recurring ideas through its visual language: the brand continues to use crests, logos and club insignia while treating membership as something defined through identity rather than conventional status. Its familiar phrase, “Wealth is of the heart and mind, not the pocket,” remains part of that wider brand vocabulary.

View Gallery 8 images

The post Jordan Adetunji Fronts Billionaire Boys Club Fall 2026 appeared first on Male Model Scene.

Bottega Veneta enters Summer 2027 with a collection shaped by seasonal change. Creative Director Louise Trotter looks at the shift from spring into warmer months, when changing light and rising temperatures alter how clothing interacts with the body. That idea translates into garments with more air, less restriction and a stronger sense of movement.

SPRING SUMMER 2027

The collection develops around reduction. Layers become fewer as summer approaches, while silhouettes move away from close containment. Tailoring loosens without giving up its structure, creating more space between fabric and body. Leather becomes noticeably lighter, changing the weight and physical character usually associated with the material.

Trotter also places attention on the process behind the clothes. Visible handwork and small irregularities remain part of the finished pieces, allowing the act of making to register on the surface. Details reveal themselves gradually, encouraging a closer look at construction, material and technique.

Intrecciato remains central to Bottega Veneta. The house’s woven leather technique becomes a wider reference for the season, connecting materials, disciplines and individual gestures. The idea of interlacing extends into the collaborative nature of the presentation, where fashion, art and sound occupy the same space.

The Summer 2027 show setting follows the collection’s emphasis on lightness. Trotter uses a pared-back neutral environment intended to evoke the brightness and openness associated with summer. Artist Illya Goldman Gubin designed the resin-coated Karton Hocker seats from individual cardboard boxes. He physically crumples each box through an embrace before it becomes a sculptural stool.

Their construction also recalls Bottega Veneta’s Intrecciato technique. The interlocking cardboard flaps reference the strips used within the house’s woven leather work, connecting an ordinary material with one of Bottega Veneta’s defining techniques.

Goldman Gubin’s work continues through the show invitations. Each poster depicts a Karton Hocker and receives individual creases from either the artist or a Bottega Veneta employee. Physical handling gives every poster its own marks and turns the invitation into a singular object.

Sound forms another part of the presentation. Before the show, artist Florian Hecker introduces a site-specific installation made from 20 suspended structures. Each combines a loudspeaker with a stainless steel reflector and produces a distinct sound. Together, they create a cloud-like composition that takes shape in real time and cannot be reproduced in exactly the same form.

British artist Mark Leckey created the original soundtrack for the collection. His composition draws on samples from different genres and periods spanning the 1960s to the 1990s, using music to suggest optimism, energy and the possibility associated with looking forward.

Discover Full Collection on DSCENE

Handmade leather flowers complete the environment. A tulip, peony or lily sits on each seat, introducing color into the otherwise neutral space. Through clothing, objects and sound, Bottega Veneta Summer 2027 places lightness, material experimentation and freedom of movement at the center of the season.

View Gallery 17 images

The post Bottega Veneta Moves Into the Summer 2027 With Lighter Touch appeared first on Male Model Scene.