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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;C0UCQ3syeip7ImA9WhBbGUQ.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362</id><updated>2013-05-20T00:51:02.592+05:30</updated><category term="Journey to Sri Chakra" /><category term="Brahma Sūtra" /><category term="Lalitha Sahasranamam" /><category term="Spiritual realization" /><category term="economy" /><category term="Guruji in the horizon" /><category term="UPDATES" /><category term="kundalini" /><category term="Detailed Study of Shiva Sutras" /><category term="Mantramātṛkāpuṣpamālāstavaḥ" /><category term="Sri Vidya" /><category term="Karma and soul" /><category term="social" /><category term="e-books" /><category term="astrology" /><category term="Guruji speaks" /><category term="self realization" /><category term="Bhagavad Gita" /><category term="Vijnana Bhairava" /><category term="scriptures" /><category term="Garuda Purana" /><category term="meditation" /><category term="Mantra Japas" /><category term="Shiva Sutras" /><category term="Saundaryalahari" /><category term="Lalitā Triśatī" /><category term="Understanding philosophies" /><category term="Book review" /><category term="Tantras" /><category term="Publications" /><category term="Vedas and ancestors" /><category term="Incarnations of Vishnu" /><category term="Understanding Meditation" /><category term="Vedanta" /><category term="interactive forum" /><category term="Vishnu Sahasranama" /><title>MANBLUNDER</title><subtitle type="html">Your partner in Self-realization
</subtitle><link rel="http://schemas.google.com/g/2005#feed" type="application/atom+xml" href="http://www.manblunder.com/feeds/posts/default" /><link rel="alternate" type="text/html" href="http://www.manblunder.com/" /><link rel="next" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default?start-index=26&amp;max-results=25&amp;redirect=false&amp;v=2" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><generator version="7.00" uri="http://www.blogger.com">Blogger</generator><openSearch:totalResults>1250</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="self" type="application/atom+xml" href="http://feeds.feedburner.com/manblunder/YHBi" /><feedburner:info uri="manblunder/yhbi" /><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com/" /><entry gd:etag="W/&quot;D04GSH8zeCp7ImA9WhBbGU4.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-9149412336249222063</id><published>2013-05-19T09:28:00.000+05:30</published><updated>2013-05-19T09:28:49.180+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-19T09:28:49.180+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mantra Japas" /><title>BAGALĀMUKHĪ AND TRIPURABHIRAVI CURSE REMOVAL MANTRAS</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="background-color: white; color: #333333; font-family: Arial, Tahoma, Helvetica, FreeSans, sans-serif; font-size: 16px; line-height: 17.600000381469727px;"&gt;(There may be corrections, as the letters are smudged; this was taken from a very old book)&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;BAGALĀMUKHĪ ŚĀPAVIMOCANA MANTRA &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;बगलामुखी शापविमोचन मन्त्र&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;तारं मुदस्नां च् बगले रुद्र शापं विमोचय।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;तारं मुदं वनं देवि विधेयं शापहारिणी॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
tāraṁ mudasnāṁ c bagale rudra
śāpaṁ vimocaya |&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
tāraṁ mudaṁ vanaṁ devi vidheyaṁ
śāpahāriṇī ||&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;TRIPURA BHAIRAVI ŚĀPAVIMOCANA MANTRA &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;त्रिपुर&lt;/span&gt;&lt;span lang="SA"&gt; &lt;/span&gt;&lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;भैरवि शापविमोचन मन्त्र&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;वाणीशरत् स्मरो रुद्र शापं विमोचय।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;तुरगं ठत्वयं देवि बैरवि शापविमोचनं॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
vāṇīśarat smaro rudra śāpaṁ
vimocaya |&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt;"&gt;
turagaṁ ṭhatvayaṁ devi bairavi
śāpavimocanaṁ ||&amp;nbsp;&lt;/div&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/fmvc-ZWYEeY" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/9149412336249222063/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/bagalamukhi-and-tripurabhiravi-curse.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/9149412336249222063?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/9149412336249222063?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/fmvc-ZWYEeY/bagalamukhi-and-tripurabhiravi-curse.html" title="BAGALĀMUKHĪ AND TRIPURABHIRAVI CURSE REMOVAL MANTRAS" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/bagalamukhi-and-tripurabhiravi-curse.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUYDQXg5eCp7ImA9WhBbGU4.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-8946753395527576840</id><published>2013-05-19T08:42:00.002+05:30</published><updated>2013-05-19T08:42:50.620+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-19T08:42:50.620+05:30</app:edited><title>IMAGE OF SHODASHI DEVI</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"&gt;&lt;tbody&gt;
&lt;tr&gt;&lt;td style="text-align: center;"&gt;&lt;a href="http://2.bp.blogspot.com/-nYpcxfPDykk/UZhC_WE8s7I/AAAAAAAABx0/VWMzQAw0l0c/s1600/IMG.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-nYpcxfPDykk/UZhC_WE8s7I/AAAAAAAABx0/VWMzQAw0l0c/s320/IMG.jpg" width="209" /&gt;&lt;/a&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class="tr-caption" style="text-align: center;"&gt;Shodashi Devi&lt;/td&gt;&lt;/tr&gt;
&lt;/tbody&gt;&lt;/table&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/Bz9A_aee5Kg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/8946753395527576840/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/image-of-shodashi-devi.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/8946753395527576840?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/8946753395527576840?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/Bz9A_aee5Kg/image-of-shodashi-devi.html" title="IMAGE OF SHODASHI DEVI" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-nYpcxfPDykk/UZhC_WE8s7I/AAAAAAAABx0/VWMzQAw0l0c/s72-c/IMG.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/image-of-shodashi-devi.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkMFSX86fyp7ImA9WhBbGEQ.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-2214117358538577535</id><published>2013-05-18T20:50:00.000+05:30</published><updated>2013-05-18T20:50:18.117+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-18T20:50:18.117+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mantra Japas" /><title>DAKSHINAKĀLĪ AND CHINNAMASTĀ CURSE REMOVAL MANTRAS</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
(There may be corrections, as the letters are smudged; this
was taken from a very old book)&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;DAK&lt;/b&gt;&lt;b&gt;ṢI&lt;/b&gt;&lt;b&gt;ṆAKĀLĪ ŚĀPAVIMOCANA MANTRA&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कालीं
कूर्चं परं नाम दक्षिणे दक्षिणे कालिके तता&lt;/span&gt;&lt;span lang="SA"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;वशिष्ठ
मन्त्रं प्रोच्च्यार्थ मोचय दयमीश्वरि&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कालीं कूर्चं परे निरमेशास्याश्चापहारिणी&lt;/span&gt;&lt;span lang="SA"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कालीं
भीमं ठटं भद्रकाली भीमं शिवस्यहि&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;शापं
मोचय युग्मापो विध्येयं चापहारिणी&lt;/span&gt;&lt;span lang="SA"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
kālīṁ kūrcaṁ paraṁ nāma dakṣiṇe
dakṣiṇe kālike tatā &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
vaśiṣṭha mantraṁ proccyārtha
mocaya dayamīśvari&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
kālīṁ kūrcaṁ pare
nirameśāsyāścāpahāriṇī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
kālīṁ bhīmaṁ ṭhaṭaṁ bhadrakālī
bhīmaṁ śivasyahi&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
śāpaṁ mocaya yugmāpo vidhyeyaṁ
cāpahāriṇī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;॥&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;


&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;CHINNAMASTĀ&lt;/b&gt; &lt;b&gt;ŚĀPAVIMOCANA MANTRA&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;वासनां
कमलां मायां रुद्रशापं विमोचय&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;मोचयापो
मायाक्यातां चिन्नमस्तांक मोचनम्॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
vāsanāṁ kamalāṁ māyāṁ rudraśāpaṁ
vimocaya&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
mocayāpo māyākyātāṁ cinnamastāṁka
mocanam ||&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/lZtUixQixV0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/2214117358538577535/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/dakshinakali-and-chinnamasta-curse.html#comment-form" title="5 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/2214117358538577535?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/2214117358538577535?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/lZtUixQixV0/dakshinakali-and-chinnamasta-curse.html" title="DAKSHINAKĀLĪ AND CHINNAMASTĀ CURSE REMOVAL MANTRAS" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>5</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/dakshinakali-and-chinnamasta-curse.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEQCRnwycCp7ImA9WhBbGEs.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-9133393261066445170</id><published>2013-05-18T14:09:00.001+05:30</published><updated>2013-05-18T14:09:27.298+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-18T14:09:27.298+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Saundaryalahari" /><title>SAUNDARYALAHARI - VERSE 85</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;नमोवाकं ब्रूमो नयनरमणीयाय पदयोः&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;तवास्मै द्वन्द्वाया
स्फुटरूचिरसालक्तकवते।&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;असूयत्यत्यन्तं यदभिहननाय स्पृहयते&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;पशूनामीशानः प्रमदवनकङ्केलितरवे॥&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;namovākaṁ
brūmo nayanaramaṇīyāya padayoḥ&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;tavāsmai
dvandvāyā sphuṭarūcirasālaktakavate |&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;asūyatyatyantaṁ
yadabhihananāya spṛhayate&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;i&gt;paśūnāmīśānaḥ
pramadavanakaṅkelitarave ||&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;i&gt;namovākaṁ
brūmo&lt;/i&gt; – expressing the words of obeisance; &lt;i&gt;nayana ramaṇīyāya&lt;/i&gt; –
delightful to eyes; &lt;i&gt;padayoḥ tavāsmai dvandvāyā&lt;/i&gt; – These two feet of
Yours; &lt;i&gt;sphuṭa rūci rasālakta kavate&lt;/i&gt; – due to the brilliance of henna
applied on them (feet); &lt;i&gt;asūyati atyantaṁ&lt;/i&gt; - highly jealous; &lt;i&gt;yat abhihananāya&lt;/i&gt;
– kicked with Thy feet; &lt;i&gt;spṛhayate&lt;/i&gt; – desirous of (longing for); &lt;i&gt;paśūnām
īśānaḥ&lt;/i&gt; - Lord of all beings, Your Consort Śiva; &lt;i&gt;pramadavana&lt;/i&gt; – delightful garden; &lt;i&gt;kaṅkeli
&lt;/i&gt;– ashoka tree; &lt;i&gt;tarave&lt;/i&gt; – O! The Incomparable One!&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
“I pray
aloud (with verses, hymns and nāma&lt;span lang="EN-US"&gt;-s, as they are generally recited aloud) to Your beautiful pair of feet,
which shine with henna applied around Your feet. The &lt;/span&gt;ashoka tree in Your
joyous garden is being kicked by You. On seeing this, Your Consort Śiva becomes jealous of this ashoka
tree.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
There are two separate aspects
in this verse. First aspect is worshipping Her sacred feet by Śaṁkarācārya (or
by us). It is important to note in this verse that Her feet are praised with
vocal prayers. This goes to prove that mantras should be recited mentally and
hymns, verses and nāma&lt;span lang="EN-US"&gt;-s are to be recited aloud. This also confirms that
Her feet alone is capable of granting all our spiritual desires. Falling at Her
feet towards total surrender is known as caraṇagata. Caraṇagata means falling
at one’s feet, which is different from śaraṇāgati or total surrender. Caraṇagata
is surrender through body and śaraṇāgati is surrender through mind. What &lt;/span&gt;Śaṁkarācārya refers here is &lt;span lang="EN-US"&gt;Caraṇagata, falling at Her splendorous pinkish feet. Thus, in the first
part of this verse, &lt;/span&gt;Ācārya
speaks about prostration at Her feet. This also means that Ācārya sees Her in
Her bodily form. As his contemplation and visualization were so powerful, he
could see Her with his biological eyes. Ramakrishna Paramahaṁsa also had this
experience. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
It is believed that ashoka trees
blossom when kicked by auspicious women. Auspicious women can be explained as
those, who perpetually remain immersed in Her thoughts (this also applies to
men). &lt;span lang="EN-US"&gt;Parāśakti, being the most auspicious woman (because of
Her Śrī Mātā stature) kicks the ashoka trees that are grown in Her garden
(where She plays with Her friends). &lt;/span&gt;Śiva&lt;span lang="EN-US"&gt; is jealous of this ashoka tree as
He thinks that Her gentle kicks belong only to Him. But this cannot be the intended
meaning of this verse. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Let us take ashoka tree as part of the material world as reference to paśu
is made in this verse. Paśu contextually means individual souls, devoid of
spiritual aspirations. The sustenance aspect of the universe is taken care by Śakti,
who is the kinetic energy of &lt;/span&gt;Śiva.
Pleasure referred in this verse as joyous garden is the material world that is
full of activities. By first worshipping Her feet and later talking about
kicking ashoka tree and Śiva’s jealous clearly indicates that Śiva is happy
with the manner in which She handles creation and sustenance, which are subtly
conveyed through ashoka tree and their blossoming. Śiva is always the static
energy and &lt;span lang="EN-US"&gt;Śakti is the kinetic energy. This is what is conveyed
through this verse in a subtle manner. &lt;/span&gt;Śiva’s jealousy is due to the fact that He is not able to
create and sustain the &lt;span lang="EN-US"&gt;paśu-s all by Himself. He knows that
He can’t do that. If He stops meditating even for a fraction of second, annihilations
will be initiated. Śakti represents the Power of &lt;/span&gt;Śiva.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/iW8Q2pKwqKg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/9133393261066445170/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/saundaryalahari-verse-85.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/9133393261066445170?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/9133393261066445170?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/iW8Q2pKwqKg/saundaryalahari-verse-85.html" title="SAUNDARYALAHARI - VERSE 85" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/saundaryalahari-verse-85.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0UFSHgycSp7ImA9WhBbF0U.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-3273634334009224863</id><published>2013-05-17T14:30:00.000+05:30</published><updated>2013-05-17T14:30:19.699+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-17T14:30:19.699+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 19</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Practically speaking there is no
ninth &lt;/span&gt;āvaraṇa,
which is the Bindu (bindusthāna), as this is within the innermost triangle.
Ninth āvaraṇa (navamāvaraṇa) has myriad significances. It is also known as sarvānandamayacakra.
Sarvānandamaya means Absolute Bliss, which cannot be explained at all. It is
very important to note that Śrī Mahātripurasundarī is the Cakreśvarī of this āvaraṇa.
This is because She presides over Bindu, where Śiva is seated. This subtly
conveys how meticulously She takes care of Her Consort. Sarvayoni is the Mudrāśakti
and Parāparāti-rahasya-yoginī is the Yoginī (Parāparāti-rahasya means extremely
sercretive). Nobody has access to this Bindu except &lt;span lang="EN-US"&gt;Parāśakti.
&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;/span&gt;All
the acts of Divine originate from this Bindu, as only here the Divine
procreative union of Śiva and Śakti takes place. The principle acts of Divine
are creation or sṛṣṭi (LS 264), sustenance or sthiti (LS 266) and destruction
known as saṁhāra (LS 268). There are other two acts, which are also equally
important and they are annihilation (LS 270; this is also known as tirodhāna
which means concealment or disappearance) and recreation (LS 273; anugraha or
recreation out of compassion). This is explained in Lalitā Sahasranāma LS 905, as
Baindavāsanā (baindava means bindu and āsana means seat.) All these five acts
originate from this Bindu, go towards the outer triangle and from there various
energies are diversified and creation is completed at the entry point of Śrī
Nagara. From this entrance point, manifestation of the universe is completed.
This procedure is with regard to creative aspect or sṛṣṭikrama. The reverse
process is known as saṁhārakrama. At this point, let us understand that sṛṣṭikrama
refers to our birth and saṁhārakrama refers to our liberation. Different krama-s
will be dealt with later in this series, as we are going to be liberated
shortly. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
In the ninth āvaraṇa, union of Śiva
and Śakti happens. Their union varies according to the krama. If it is sṛṣṭikrama
(creation), their union is different and if it is saṁhārakrama, their union is
on different plane. Saṁhāra here refers to liberation and now, we are only
discussing about liberation. During sṛṣṭikrama, during their union, only both
of them alone remain. But during saṁhārakrama, we are also present along with
Her. It is like a mother holding the hands of her child and handing over the
child to the child’s father. During sṛṣṭikrama, She attains the form of Kāmakalā&lt;b&gt;
&lt;/b&gt;(&lt;a href="http://www.manblunder.com/2009/10/lalitha-sahasranamam-322.html"&gt;LS
322 Kāmakalā rūpā&lt;/a&gt;) and their union is symbolized in the form of a Liṅga,
where the bottom portion represents Śakti and the upper portion represents Śiva.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
At the end of eighth āvaraṇa, we
continued to remain in Her lap and we refused even liberation, the ultimate goal
of anyone’s life. But She takes pains in explaining to us the importance of
liberation. She told us about the pains of birth and death, how we have worked
hard in our sādhana (spiritual practice) to reach this level, etc. She also
told us that Her Consort will be more compassionate and more lovable to us. Reluctantly
we agreed to Her sermons. In any moment from now, we are going to be liberated.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-QlF10qxU_gU/UZXxb4C9fbI/AAAAAAAABxk/CW-PFRAFPd4/s1600/K%C4%81me%C5%9Bvara-K%C4%81me%C5%9Bvar%C4%AB.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-QlF10qxU_gU/UZXxb4C9fbI/AAAAAAAABxk/CW-PFRAFPd4/s200/K%C4%81me%C5%9Bvara-K%C4%81me%C5%9Bvar%C4%AB.jpg" width="152" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
She is now raising up from Her throne (LS 3) and by holding
our hands, She enters into the Bindu. Bindu is full of Splendorous Light and in
the midst of blinding light we could not see anything around. The place is full
of Divine Fragrance. We could not move any further as the Light was so
blinding. We have read in Upaniṣad-s, how this Light would be. But we have an opportunity
to personally experience this Light now. When She moves towards the Light, the
blinding white Light gradually turning red and Śiva is revealed to us, who is
fully radiant, in crystal complexion, extraordinary brilliance throughout His
body. He cannot be explained at all. &amp;nbsp;The
energy from Him is so powerful and we feel as if we are being pushed towards
Him. This is what is known as the energy of liberation, which is explained as Mahā-grāsā
(LS 752).&lt;i&gt; &lt;/i&gt;Kaṭha Upaniṣad (I.ii.25) says “the best among all people are
like food to the Self.&amp;nbsp; Death overcomes
everyone, yet even death is a mere condiment for the Self.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Parāśakti is now seated by &lt;/span&gt;Śiva’s side. The crystal complexion of Śiva now looks like
the colour of the rising moon on a full moon day. We now understand that &amp;nbsp;this is the Bindusthāna, the place from which
the universe originates and dissolves. As we have almost lost our
consciousness, nothing goes into our minds. We have lost our mind, intellect,
consciousness and ego. All the four components of antaḥkaraṇa are already
annihilated when we entered the eighth āvaraṇa. At this point where we are now,
our body, mind and soul are completely purified. We have read that merger into
Brahman cannot take place unless these are purified. What we have read once, we
are experiencing now. For any experience, knowledge is very important and
without knowledge, spiritual experiences cannot be explained or defined. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
She now asks all of us to come
near Her and She makes us to sit on Her lap again. By sitting on Her lap, we
are able to have close darśan of Śiva. He smiles at us and then He looks at &lt;span lang="EN-US"&gt;Parāśakti. Now She begins to move slowly towards &lt;/span&gt;Śiva and ultimately She merges
with Him. Now we understand what is really meant by Śiva-śakty-aikya-rūpiṇī (LS
999). We are now inside Śiva and we are liberated, not to be born again! &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
As far as ninth āvaraṇa is concerned,
there is an additional procedure for those who are initiated into Ṣoḍaśī. The mantra for Ṣoḍaśī
upāsaka encompasses everything that is possible in this universe. She is
worshiped as Prakāśa Vimarśa sāmarasya rūpinī. Prakāśa refers to Śiva, (prakāśa
means Light, principle of Self-revelation, by which everything else in the
universe is made known) and Vimarśa is Śakti (vimarśa refers to that part of prakāśa,
which makes the worldly objects visible, the state of manifestation of the
universe) and sāmarasya is the procreative union of Śiva and Śakti (sāmarasya
is explained as the identity of Consciousness, in which all differentiation has
disappeared). &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This completes the first section
of this series. This series will be continued later, for the purpose of
understanding ritual aspects of Śri Cakra and other intricacies. Contemplating
our body with Śri Cakra with the help of Bhāvanopaniṣad will also be dealt
with. &amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/08EkKfRxp5g" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/3273634334009224863/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-19.html#comment-form" title="4 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/3273634334009224863?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/3273634334009224863?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/08EkKfRxp5g/journey-to-sri-chakra-part-19.html" title="JOURNEY TO SRI CHAKRA - PART 19" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-QlF10qxU_gU/UZXxb4C9fbI/AAAAAAAABxk/CW-PFRAFPd4/s72-c/K%C4%81me%C5%9Bvara-K%C4%81me%C5%9Bvar%C4%AB.jpg" height="72" width="72" /><thr:total>4</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-19.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0YGRng7fip7ImA9WhBbF0Q.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-5465320247998790843</id><published>2013-05-16T19:13:00.003+05:30</published><updated>2013-05-17T17:15:27.606+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-17T17:15:27.606+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 18</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;We are about to enter the eighth &lt;/span&gt;āvaraṇa,
which is the innermost triangle.&amp;nbsp; Within
this triangle is the bindu. Tithi nityā devī-s were worshipped outside this
triangle. Guru Maṇḍala was worshiped above this triangle. This is the triangle
from which, the entire universe was born. Eighth āvaraṇa or aṣṭamāvaraṇa is
known as Sarvasiddhipradā, which bestows all attainments, leading to a
completely transformed stage from mundane consciousness to the highest level of
spiritual attainment. This is the stage where one can experiences the highest
level of Bliss. This āvaraṇa is presided over by Tripurāṁbācakreśvarī. Sarvabīja
is the Mudrāśakti and Atirahasyayoginī
(atirahasya means highly secretive) is the Yoginī. There are only three Devi-s
in this āvaraṇa. Before worshipping them, we need to worship Lalitāmbikā’s weaponries, which
are placed outside this triangle. These weaponries are marked as A, B, C and D
in the image below. It is very important to note that both Mahākāmeśvara and Mahākāmeśvarī
have the same weaponries. Both of them have arrows, bows, nooses (pāśa) and hooks
(aṅkuśa). Now a doubt could arise in our minds, whether they hold these weaponries
jointly or individually. &amp;nbsp;This doubt
arises because the mantras mention both of them. For example, let us take the
mantra for bows which goes like this. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
kāmeśvarī kāmeśvara dhanurbhyāṁ
namaḥ| dhanuḥśakti pūjayāmi || &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कामेश्वरी
कामेश्वर धनुर्भ्यां नमः।&lt;/span&gt;&lt;span lang="SA" style="font-size: 11.0pt; line-height: 115%;"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;धनुःशक्ति पूजयामि॥&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This means
that we worship the bows of both Kāmeśvarī
and Kāmeśvara, as usage of dhanurbhyāṁ signifies two and not one. In reality,
both of them are not different. They are the same. What Kāmeśvarī holds is
nothing but the mirror image of the weaponries, which Kāmeśvara hold. This
subtly conveys that our inherent māyā has not yet been annihilated, even at
this point of time. Why our māyā has not yet been annihilated, though we are
very close to the innermost triangle? Māyā can be annihilated only if we
realize and merge into Her. This has not yet happened as we are still outside
the innermost triangle. Unless we enter into the innermost triangle (innermost
triangle is the place where our merger with Her takes place), our inherent māyā
will continue to be present. Though major portion of māyā has been annihilated,
still traces continue to remain even at this stage. We must always bear in mind
that &lt;span lang="EN-US"&gt;Parāśakti&lt;/span&gt; is svātantrya śakti of Śiva and is in no way different from
Him. Both of them are single entity and not two separate entities. It is due to
māyā or delusion that they appear as different to our mind. These details have
been elaborately dealt with in differnt articles. We now proceed to worship
their weaponries. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-8En81xwqh48/UZTiW0b0yAI/AAAAAAAABxU/pGSvQuDA5uo/s1600/Avarana+VIII+&amp;amp;+IX.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-8En81xwqh48/UZTiW0b0yAI/AAAAAAAABxU/pGSvQuDA5uo/s200/Avarana+VIII+&amp;amp;+IX.JPG" width="173" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
A is their bāṇa, which means
arrow. Both of them have five arrows. These five arrows imply pañcatanmātra-s
(sound, touch, sight, taste and smell). This is explained in Lalitā Sahasranāma
11, Pañcatanmātra-sāyakā.&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
B is
their bow. This bow is made up of sugar cane. Lalitā Sahasranāma 10 calls this bow as kodaṇḍā (Manorūpekṣu-kodaṇḍā). This bow
implies the mind. Mind involves both saṃkalpa and vikalpa.&amp;nbsp; Saṃkalpa means resolve, process of
thought.&amp;nbsp; Vikalpa means difference of
perception.&amp;nbsp; Both are opposite to each
other.&amp;nbsp; Mind is also subtle, like
knowledge.&amp;nbsp; Mind is reflected through the
five sensory organs.&amp;nbsp; It has both saṃkalpa
and vikalpa qualities, as it acts through the impressions received from sense
organs that get fine tuned in the form of thought and finally explode in the
form of actions. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
C is pāśa, the noose. Lalitā
Sahasranāma 8 (Rāgasvarūpa-pāśāḍhyā)
speaks about this pāśa. She pulls all the desires of Her devotees using this
noose, which represents iccā śakti, the desire. When a devotee reaches this
stage, She annihilates all his desires by using this noose and transforms him
into absolute purity. This transformation happens because in the next stage he
is going to merge with Her, by entering into the innermost triangle. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
D is hook or aṅkuśa and this is
explained in Lalitā Sahasranāma 9 (Krodhākāraṅkuśojvalā).
A hood is a weapon to control elephants. Mind by nature, always leans towards
sensory organs. By using this aṅkuśa, She ensures that the devotee gets
himself detached from all types of sensory excesses. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
After worshipping these weaponries,
we are freed not only from the afflictions of the mind, such as desire, attachment,
ego, sensory pleasures, but also relieved from māyā to a very great extent. All
types of delusions get annihilated, just before we enter into the inner most
triangle, yet the traces remain. &lt;span lang="EN-US"&gt;Parāśakti is the embodiment of
purity and before we merge into Her, all our impurities are annihilated. These
impurities will not rear their heads again, because She showers Her Grace on us
during this time. This stage can be attained only if our karmic account
permits. All our karmas should have been experienced and we should have
surrendered to Her much before entering into the first &lt;/span&gt;āvaraṇa of Śri Cakra, which is
not merely a yantra. Ultimate goal of reaching Her is often not achieved as we
merely consider Śri Cakra as an yantra. It is the point of origin of the
universe. The innermost triangle and the bindu within is the point of origin
and the manifestation of the universe is complete before the entry into Śri
Nagara (not Śri Cakra), which has been discussed in the beginning of this
series. Therefore, when navāvaraṇa pūja is performed, one has to mentally stay
connected with Her. This is also the reason for performing navāvaraṇa pūja in
as much privacy as possible. This concept is explained in Lalitā Sahasranāma
871 (Bahirmukha-sudurlabhā - She is very difficult to attain for those who are
not able to look within.&amp;nbsp; Mind is the
prime factor to look within.&amp;nbsp; Unless
senses are controlled, it is difficult to control the mind. This nāma says that
She cannot be attained only by external means.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
After being purified, we are
ready to enter into the eighth āvaraṇa. &amp;nbsp;This
is the innermost triangle, from where the universe was born and into which the
universe will merge at the time of annihilation. There is a veil in the centre
of the triangle. This veil is called tiraskaraṇi, which means a veil.
This is the veil of mahāmāya (the Divine Power of illusion). This veil can be
removed only by the three Devi-s protecting the three corners of this triangle
and that too, only on Her command. &amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
These Devi-s
are marked as1, 2 and 3 in the innermost triangle. These Devi-s alone are
capable of conferring mantra siddhi. These three Devi-s are the cause for trikhaṇḍa
mudra, which can be used only by those who are initiated into Ṣoḍaśī. These
three Devi-s are also worshiped in anticlockwise manner, beginning from East, proceeding
to South and then to North. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
1 represents
Mahā Kāmeśvarī (not &lt;span lang="EN-US"&gt;Parāśakti; &lt;/span&gt;Mahā and Kāmeśvarī are two separate
words here&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;and she protects the
eastern corner, the point of triangle facing down. She represents fire, Divine
creative aspect (power of Brahmā),
Divine energy that permeates the universe and individual self (jīvātman or
individual soul). She also represents icchā śakti. (Lalitā Sahasranāma 658, Icchāśakti-jñānaśakti-kriyāśakti-svarūpiṇī).
She also represents kāmagiripīṭha. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
3 represents
Mahā Vajreśvarī and she represents the sun, antarātman (antarātman means internal
feelings of the mind; possibly, this could mean one’s karmic account), jñānaśakti
and the power of &lt;span lang="EN"&gt;Viṣṇu, the Divine aspect of sustenance. She also
represents pūrnagiripīṭha. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;2 represents &lt;/span&gt;Mahā Bagamālinī and she represents destruction, annihilation,
kriyāśakti,
presence of the Self within the individual self, also known as Paramātma (Paramātman
means the Supreme Spirit, yet not the Self or Brahman. Brahman, also known as
the Self is Paramaśiva, with whom we are going to merge in the next āvaraṇa). She also represents jālandharapīṭha.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
All the three Devi-s are now
satisfied with our spiritual attainment and they remove the veil of tiraskaraṇi
and we now become speechless as we are seeing Lalitā Mahātripurasundarī Parā Bhṭṭārikā with our biological
eyes. She is not seated in the bindu as we were thinking all these days. She is
seated quite a distance away from the Bindu towards West. Bindu also remains
veiled. Bindu is the seat of Śiva. We are awe struck. We become totally
immobile for several moments till She calls us by our names. She is fully aware
of our past, present and future. We are not able to speak. We forget all the
mantras, hymns and verses that we have been practicing till now. We fall flat
before Her and by touching Her pinkish feet, we reach the Supreme stage Bliss. Our
individual consciousness is now totally lost. We forget ourselves. We are
literally unconscious now. We need nothing now. We have attained the goal of
our lives. She calls us by names and makes us to sit on Her lap. We now
understand that Śiva’s lap is meant for Her and Her lap is meant for us. She
looks into our eyes with compassion and love. We are blessed to notice that
everlasting smile in Her face. We now understand what infinity is. We are now
half dead. We are not aware of what is happening around us. We feel the Divine
Fragrance throughout this innermost triangle. We have no mind to leave Her lap.
We now fully understand the DIVINE MOTHER, about whom we were talking about for
years and years. She is the Supreme Power of Śiva, known as Parabrahmaśakti and
presides over Mahoḍyāṇapīṭha. We continue to remain in Her lap, in spite of Her
willingness to take us to Śiva. We don’t want to leave Her lap. We do not even
want liberation. We are completely satisfied by remaining on Her lap.&lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Before we proceed to eighth &lt;/span&gt;āvaraṇa, we should know about tithi
nityā devī-s as they are worshipped in the outer side of the innermost
triangle. Before entering into eighth āvaraṇa we will be worshiping Her four weaponries
placed outside the innermost triangle. This will be discussed in the next part.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Tithi nityā devī-s represent
fifteen digits of the moon and each digit is known as tithi or lunar day. There
are fifteen tithi-s or lunar days and each tithi is represented by a nityā devī
and hence they are known as tithi nityā devī-s. Technically speaking, there are
only fourteen tithi-s and the fifteenth tithi is either full moon (pūrṇimā) or
new moon (amāvāsyā). Fifteenth lunar day, either full moon (pūrṇimā) or new
moon (amāvāsyā) is represented by Mahākāmeśvarī Herself.&amp;nbsp; &lt;span lang="EN-US"&gt;Pañcadaśī has fifteen letters and
each of these letters represent one kalā (digit) of the moon. But, kalā also
means sixteenth part (1/16). But we have only fifteen letters in Pañcadaśī mantra.
The sixteenth kalā is &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī bīja śrīṁ &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;श्रीं&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US;"&gt;)&lt;/span&gt;&lt;span lang="EN-US"&gt;, which is hidden and always remains subtle. &lt;/span&gt;&lt;span lang="EN-US"&gt;As there are only fifteen &lt;/span&gt;tithi nityā devī-s, how to
worship the sixteenth Ṣ&lt;span lang="EN-US"&gt;oḍaśī kalā? Answer to this question is considered as secret, as the
answer reveals &lt;/span&gt;Mahākāmeśvarī.
Sixteenth &lt;span lang="EN-US"&gt;kalā is worshiped in the bindu, the place of &lt;/span&gt;Śiva. But in the bindu, Śiva is
not worshiped while worshipping tithi nityā devī-s, but Mahākāmeśvarī is
worshiped. This also subtly conveys the union of Śiva and Śakti. Though there
is no separate procedure for Ṣ&lt;span lang="EN-US"&gt;oḍaśī upāsaka-s (those who are initiated into &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī), when &lt;/span&gt;Mahākāmeśvarī
is worshipped in the central bindu, the above aspect is to be contemplated. It
would be ideal to worship Mahānityā (Mahākāmeśvarī) in the bindu with Ṣ&lt;span lang="EN-US"&gt;oḍaśī mantra for the sixteenth kalā,
though it is not explicitly mentioned; but it is implied. Texts say that while
worshipping &lt;/span&gt;Mahānityā,
&lt;span lang="EN-US"&gt;Pañcadaśī mantra should be encased (sampuṭīkaraṇa) between
two aḥ &lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अः&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US;"&gt;).&lt;/span&gt;&lt;span lang="EN-US"&gt; Each &lt;/span&gt;nityā devī represents fifteen vowels from a to aḥ &lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अ
&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;to&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;
अः&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;). &lt;/span&gt;But, those
who are initiated into Ṣ&lt;span lang="EN-US"&gt;oḍaśī should use &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī mantra, instead of Pañcadaśī
mantra.&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
It is also
said that during śuklapakṣa (waxing moon), tithi nityā devī-s should be worshiped from 1 to 16 (anticlockwise)
as shown in the image. But during kṛṣṇapakṣa (waning moon), they should be
worshiped in clock wise manner, i.e. from 16 to 1. However, one has to follow
what his or her Guru says. In Śrī Vidyā worship, one has to meticulously follow
what his or Guru says and there should be no deviation from his instructions,
as he follows the traditions of his Guru and Paramaguru. But, it should always
be remembered that he should be a Guru, who has attained mastery over the
various types of worshiping Śri Cakra and should remain with &lt;span lang="EN-US"&gt;Parāśakti all the time&lt;/span&gt;.
Each tithi nityā devī have their own yantra-s and mantra-s. They have their own
mūlamantra-s, āvaraṇa pūjā-s, etc. The innermost triangle is formed by the
first three tithi nityā devī-s, viz. &lt;span lang="EN-US"&gt;Kāmeśvarī, Vajreśvari and Bhagamālinī,
&lt;/span&gt;each representing
one corner of the triangle. Though as tithi nityā devī-s, they do not hold the
innermost triangle, they hold this triangle as three devi-s representing three guṇa-s.
This will be discussed in the next āvaraṇa, viz. eighth āvaraṇa. In fact, the
innermost triangle is held by them. However, there are other views on this,
which says that &lt;span lang="EN-US"&gt;Lalitāmbikā, Kāmeśvarī nityā and Bhagamālinī nityā
hold the innermost triangle. But this argument cannot be accepted. When Lalitāmbikā
is seated on the lap of &lt;/span&gt;Śiva,
obviously, She cannot be holding this triangle. Further, She cannot be compared
to other nityā devī-s, who function under Her. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-CVf6gLxv3Ho/UZOHUl_RzII/AAAAAAAABxE/uYgMjiNMOt4/s1600/Nitya+Devis.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://2.bp.blogspot.com/-CVf6gLxv3Ho/UZOHUl_RzII/AAAAAAAABxE/uYgMjiNMOt4/s1600/Nitya+Devis.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Following are the tithi nityā
devī-s and their abode is marked as 1 to 15 in the image above and mentioned in
anticlockwise manner. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Worship of tithi nityā devī-s
begin with the worship of Mahānityā, &lt;span lang="EN-US"&gt;Lalitāmbikā. She is worshipped like
this in the bindu, three times using the following mantra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Om aiṁ hrīṁ śrīṁ &lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
ऐं ह्रीं श्रीं&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;)&lt;/span&gt;
followed by the initiated mūlamantra (either &lt;span lang="EN"&gt;Pañcadaśī or &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī) and at the end of &lt;/span&gt;mūlamantra alphabet aḥ &lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अः&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;)&lt;/span&gt; is recited followed by Lalitā Mahātripurasundarī Parā
Bhṭṭārikā pūjayāmi (tarpayāmi) namaḥ. Tarpayāmi is included only while
performing navāvaraṇa pūjā. Navāvaraṇa pūjā will be dealt with separately, in
due course. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
&lt;br /&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
1. Kāmeśvarinityā&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कामेश्वरिनित्या&lt;/span&gt;
(nityā is to be suffixed to all the names); &lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
2. Bhagamālini &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;भगमालिनि&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; 3. Nityaklinnā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;नित्यक्लिन्ना&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
4. Bherunḍā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;भेरुन्डा&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; 5. Vahnivāsini &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;वह्निवासिनि&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; 6. Mahāvajreśvarī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;महावज्रेश्वरी&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; &lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
7. Śivadūtī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;शिवदूती&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;; &lt;/span&gt;8. Tvaritā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;त्वरिता&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; 9. Kulasundarī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कुलसुन्दरी&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
10. Nityā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;नित्या&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;; &lt;/span&gt;11. Nīlapatākā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;नीलपताका&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; 12. Vijayā &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;विजया&lt;/span&gt;; 13. Sarvamaṅgalā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वमङ्गला&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
14. jvālāmālinī&amp;nbsp; &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ज्वालामालिनी&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; 15. Citrā &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 150%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;चित्रा&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;;&lt;/span&gt; &lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
&lt;span style="font-size: 11.0pt; line-height: 150%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
Finally Mahātripurasundarī Parā
Bhṭṭārikā preceded by initiated mūlamantra in the bindu. She is known as Mahānityā.&amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Fifteenth
tithi is either full moon or new moon and hence She is worshiped on these days.
It is also said that on full moon day, She is in the form of &lt;span lang="EN"&gt;Pañcadaśī
mantra and on the new moon day, She is in the form of &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī mantra. There is a reason for this, which is also considered as
highly secretive. During new moon day, both sun and moon come together
signifying the union of &lt;/span&gt;Śiva
and Śakti, which is explained in &lt;a href="http://www.manblunder.com/2010/07/lalitha-sahasranamam-999.html"&gt;Lalitā
Sahasranāma 999 Śiva-śakty-aikya-rūpiṇī&lt;/a&gt;. Based on this principle, it is
said that Ṣ&lt;span lang="EN-US"&gt;oḍaśī surely
gives liberation. Though, She is the cause for liberation, merger of the
individual soul with the Self happens only with &lt;/span&gt;Śiva. For the same reason, She is addressed as is Śiva jñāna
pradāyinī in&lt;i&gt; &lt;/i&gt;Lalitā Sahasranāma 727. Merger with Śiva can happen only if
She is fully realized. That is why, the knower, the path of knowing and the
known should become one during contemplation. Liberation is possible only if
She fully pervades our mind. Unless we become one with &lt;span lang="EN-US"&gt;Parāśakti&lt;/span&gt;, obviously, when She unites
with Śiva, merger of our individual soul cannot merge with Śiva. &lt;span lang="EN-US"&gt;Sixteenth &lt;/span&gt;kalā
is invisible and immortal. There is a reference to this in Bṛhadāraṇyaka Upaniṣad
(I.v.14). The Upaniṣad says, “Nights and days are his (Hiraṇyagarbha*) fifteen
digits and the constant one is His sixteenth digit. …..Through this sixteenth
digit, he permeates all these living beings on the new moon night….” &lt;span lang="EN-US"&gt;It is also important to note that &lt;/span&gt;Śiva too has sixteen kalā-s and it is said that Śiva’s lunar
and solar aspects culminate. &lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This is the reason, why Ṣ&lt;span lang="EN-US"&gt;oḍaśī is considered as the most
powerful mantra and should not be initiated to those who are not worthy of it.
A Guru takes extraordinary care before initiating someone into &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī. Literally, Guru is paving way for the liberation of his disciple
when he initiates him or her into &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī. It is often believed that a
Guru does not initiate a person into &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī without Her approval. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Many of these &lt;/span&gt;tithi
nityā devī-s are referred in Lalitā Sahasranāma. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
* Hiraṇyagarbha: Vedānta
Paribhāsā a 17&lt;sup&gt;th&lt;/sup&gt; century scripture explains hiraṇyagarbha. It says “Hiraṇyagarbha
is the first soul to be born and is different from Brahmā, Viṣṇu and Śiva.”&amp;nbsp; The subtle body consisting of the five vital
forces, the mind, the intellect and the ten organs is produced from the five
basic elements.&amp;nbsp; This paves the way for
the soul to experience the result of actions or in other words it causes karma-s.
The subtle body is of two kinds, superior and inferior.&amp;nbsp; The superior one is the subtle body of hiraṇyagarbha
and the inferior is the subtle body of living beings.&amp;nbsp; The subtle body of hiraṇyagarbha is called as
mahat or the cosmic intellect and the subtle body of living beings is called
ego.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Primarily there are three types of
Guru Lineages. They are for kādividhyā upāsaka-s, ṣoḍaśī upāsaka-s and hādividhyā
upāsaka-s. Upāsaka-s mean worshippers. What is described here is the one that
belongs to ṣoḍaśī upāsaka-s. There are three types of Guru-s in each of these
lineages. They are Divyaguru-s, Siddhaguru-s and Mānavaguru-s. Let us now
understand them. Each āmnāya has one principle Guru. He is the one who had laid
down the methods of worship in that particular āmnāya. Āmnāya means sacred
tradition*. Number of Guru-s under each group differs from tradition to
tradition and similarly, the names of Guru-s also differ. One’s Guru is
worshiped in the lower most dotted line. &amp;nbsp;Guru’s Guru, known as Paramaguru is worshiped
in the middle line (marked in red) and Paramaguru’s Guru is known as Parameṣṭhi
Guru and he is worshipped in the top line (marked in red)**. Parameṣṭhi means
supreme. In other words, Guru would have been initiated by his Guru (who is Paramaguru
for us) and Paramaguru would have been initiated by Paramaguru’s Guru (who is Parameṣṭhi
Guru for us). Tradition followed in this article is as per Paraśurāma kalpa
sūtra, the best authentic version of Śrī Vidyā upāsaṇa. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;**There are variations about where
to worship these three types of Guru-s. The right method would be to worship divyaguru-s
in C, as they are very close to &lt;/span&gt;&lt;span lang="EN-US"&gt;Parāśakti. &lt;/span&gt;&lt;span lang="EN-US"&gt;Siddhaguru-s should be worshipped in B and Mānavaguru-s
should be worshiped in A, away from &lt;/span&gt;&lt;span lang="EN-US"&gt;Parāśakti, which means they have to
intensify Her contemplation still further. &lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-qvypK7EUnpQ/UZJNtMicrXI/AAAAAAAABws/iJH9sUkHqp8/s1600/Guru+mandala.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://1.bp.blogspot.com/-qvypK7EUnpQ/UZJNtMicrXI/AAAAAAAABws/iJH9sUkHqp8/s320/Guru+mandala.JPG" width="255" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
If we look at the image above, we
can find three lines marked A, B and C. In A our Parameṣṭhi Guru is worshiped
along with five other divyaguru-s. Nine Divyaguru-s are (from 1 to 5):&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;1. Vyomātītāmbā &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;व्योमातीताम्बा&lt;/span&gt;&lt;span lang="EN-US"&gt;; 2. Vyomeśyambā &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;व्योमेश्यम्बा&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;3. Vyomagāmbā &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;व्योमगाम्बा&lt;/span&gt;&lt;span lang="EN-US"&gt;; 4. Vyomacāriṇyambā &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;व्योमचारिण्यम्बा&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;5. Vyomasthāmbā&amp;nbsp;
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;व्योमस्थाम्बा&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;In B our Paramaguru is worshiped
along with nine Siddhaguru-s and they are (from 1 to 9)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;1. Unmanākāśa ānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;उन्मनाकाश
आनन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;; In subsequent
eight names, ānandanātha&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;आनन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;) is to be added next to their names. &amp;nbsp;2. Samanākāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;समनाकाश&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;3. Vyāpakāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;व्यापकाश&lt;/span&gt;&lt;span lang="EN-US"&gt;; 4. Śaktyākāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;शक्त्याका&lt;/span&gt;&lt;span lang="EN-US"&gt;; 5. Dhvanyākāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ध्वन्याकाश&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;6. Dhvanimātrā &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ध्वनिमात्रा&lt;/span&gt;&lt;span lang="EN-US"&gt;; 7. Anāhatākāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनाहताकाश&lt;/span&gt;&lt;span lang="EN-US"&gt;; 8. Bindvākāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;बिन्द्वाकाश&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;9. Indrākāśa &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;इन्द्राकाश&lt;/span&gt;&lt;span lang="EN-US"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;In C our Guru (the one who has initiated
into &lt;/span&gt;Śrī Vidyā
cult, &lt;span lang="EN-US"&gt;is
worshiped along with nine mānavaguru-s and they are (from 1 to 9)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;1. Paramātma ānandānātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;परमात्म
आनन्दानाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;; &amp;nbsp;In subsequent eight names, ānandanātha (&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;आनन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;)&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;is to be added next to their names.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;2. Śāmbhava &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;शाम्भव&lt;/span&gt;&lt;span lang="EN-US"&gt;; 3. Cinmudra &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;चिन्मुद्र&lt;/span&gt;&lt;span lang="EN-US"&gt;; 4. Vāgbhava &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;वाग्भव&lt;/span&gt;&lt;span lang="EN-US"&gt;; 5. Līlā &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;लीला&lt;/span&gt;&lt;span lang="EN-US"&gt;; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;6. Sambhrāma
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सम्भ्राम&lt;/span&gt;&lt;span lang="EN-US"&gt;; 7. Cida
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;चिद&lt;/span&gt;&lt;span lang="EN-US"&gt;; 8. Prasanna
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;प्रसन्न&lt;/span&gt;&lt;span lang="EN-US"&gt;; 9. Viśvānandanātha
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;विश्वानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;A Guru, either at the time of
initiation or during&lt;/span&gt;&lt;span lang="EN-US"&gt; &lt;/span&gt;pūrṇābhiṣeka confers a dīkṣā
name to the aspirant. Method of initiation is purely Guru’s choice. He can
initiate either through one of the normal procedures (verbally, etc) or by
performing pūrṇābhiṣeka. Mostly, normal initiation is done first and depending
upon the progress of the disciple pūrṇābhiṣeka is done subsequently and at that
time dīkṣā name is given to him. Such dīkṣā names should be used only during
Guru’s presence or among the disciples of the same Guru. This name should not
be used in public except in the case of saṃnyāsin-s. The dīkṣā name given by a
Guru will also end with &lt;span lang="EN-US"&gt;ānandanātha.
Sometimes, deśika and bhaṭṭaraka are used instead of ānandanātha (technically
it is only nātha). &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Before worshipping &lt;/span&gt;Guru Maṇḍala,
the three sides of innermost triangle and the bindu within the triangle are
worshipped. Triangle represents &lt;span lang="EN-US"&gt;Parāśakti and the bindu represents &lt;/span&gt;Śiva. Innermost triangle has
three sides, left, right and top. Inside the triangle, there is a bindu (marked
in red). &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
It is Mahākāmeśvara (&lt;span lang="EN-US"&gt;Paramaśiva&lt;/span&gt;),
who initiated &lt;span lang="EN-US"&gt;Mahākāmeśvarī during &lt;/span&gt;Kṛita yuga (consisting or
1,728,000 years). This is the first of four yuga-s. In Śrī Vidyā cult, Mahākāmeśvara who initiated &lt;span lang="EN-US"&gt;Mahākāmeśvarī is known as Caryānandanātha (carya means to be practiced
or to be performed, signifying the importance of sādhana). Caryānandanātha is
also known by other names such as Vidyānandanātha and Paramaśivānandanātha.
After having initiated Mahākāmeśvarī in &lt;/span&gt;Kṛita yuga, Mahākāmeśvara initiated Uḍḍīśānandanātha
in Tretā yuga (1,296,000 human years), Śaṣṭhīśānandanāta in Dvāpara yuga
(864.000 human years) and Mitreśānandanātha in the present Yuga (Kali yuga
comprising of 432,000 human years; 2013-14 is 5115&lt;sup&gt;th&lt;/sup&gt; year of Kali
yuga). Thus, Mahākāmeśvara
is worshiped in the bindu and the three Gurus who were initiated directly by &lt;span lang="EN-US"&gt;Paramaśiva along with three other Gurus are worshipped in the three
sides of the innermost triangle. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Mahākāmeśvara (&lt;span lang="EN-US"&gt;Paramaśiva) is worshipped in the bindu with this mantra:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ ऐं ह्रीं
श्रीं ऐं ह्रीं श्रीं ऐं क्लीं सौः ग्लौं ह्स्ख्फ्रें हसक्षमलवरयूं ह्सौः
सहक्षमलवरयीं स्हौः श्रीविद्यानन्दनाथात्मक चर्यानन्दनाथ श्री महापादुक्कां
पूजयामि॥&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;om aiṁ hrīṁ śrīṁ aiṁ hrīṁ śrīṁ aiṁ klīṁ sauḥ glauṁ hskhphreṁ hasakṣamalavarayūṁ
hsauḥ sahakṣamalavarayīṁ shauḥ śrīvidyānandanāthātmaka caryānandanātha śrī
mahāpādukkāṁ pūjayāmi ||&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;The Gurus who are initiated by Paramaśiva are worshiped on the three
sides of the innermost triangle. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-UL0dScMwxJs/UZJODoPl5bI/AAAAAAAABw0/xPuYHQjKu1Q/s1600/triangle.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" src="http://1.bp.blogspot.com/-UL0dScMwxJs/UZJODoPl5bI/AAAAAAAABw0/xPuYHQjKu1Q/s1600/triangle.JPG" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;On the left side of the triangle (left side of the practitioner) following
Gurus are worshiped. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;1. Uḍḍīṣanandanātha
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;उड्डीषनन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;;
2. Prakāśānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;प्रकाशानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;3. Vimarśānandanātha
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;विमर्शानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;;
4. Ānandanandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;आनन्दनन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;On the top of the triangle,
following Gurus are worshipped.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;1. &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;aṣṭīśānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;षष्टीशानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;; 2. Jñānānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ज्ञानानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;3. Satyānandanātha
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सत्यानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;; 4.
Pūrṇānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;पूर्णानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;On the right side of the triangle
(right side of the practitioner) following Gurus are worshiped. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;1. Mitreśānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;मित्रेशानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;; 2. Svabhāvānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;स्वभावानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;3. Pratībhānandanātha
&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;प्रतीभानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;;
4. Subhagānandanātha &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सुभगानन्दनाथ&lt;/span&gt;&lt;span lang="EN-US"&gt;.&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;In general, in &lt;/span&gt;Śrī Vidyā cult, great importance
is attached to Guru and Guru Maṇḍala. It is also said that &lt;span lang="EN-US"&gt;Paramaśiva not only initiated Gurus into &lt;/span&gt;Śrī Vidyā, but also imparted Ātmavidyā (tat tvaṁasi or you
are That, where That stands for Brahman). &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
At the time of initiation, Guru
apart from initiating a mantra, also gives Gurupādukā mantra. Gurupādukā mantra
is given for the Guru who initiates, Guru’s Guru (Paramaguru for the one who is
being initiated and Paramaguru’s Guru (&lt;span lang="EN-US"&gt;Parameṣṭhi Guru for the one who is being
initiated). During this process, dīkṣā names of all the three Gurus are
revealed to the disciple. There are three types of mantras for Guru, &lt;/span&gt;Paramaguru and &lt;span lang="EN-US"&gt;Parameṣṭhi Guru. A disciple has to
pay his respect to his Guru by using mṛgīmudra (mṛgī means female deer, a doe).
&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Further readings:&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;* &lt;a href="http://www.manblunder.com/2012/12/amnaya-s-and-paraprasada-mantra.html"&gt;Further
reading on Āmnāya-s&lt;/a&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;&lt;a href="http://www.manblunder.com/2013/01/guru-and-mantra-initiation.html"&gt;Guru
and the process of initiation&lt;/a&gt;&lt;/span&gt;&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/WI6FNEpidrg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/7680394537412057555/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-16.html#comment-form" title="10 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7680394537412057555?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7680394537412057555?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/WI6FNEpidrg/journey-to-sri-chakra-part-16.html" title="JOURNEY TO SRI CHAKRA - PART 16" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-qvypK7EUnpQ/UZJNtMicrXI/AAAAAAAABws/iJH9sUkHqp8/s72-c/Guru+mandala.JPG" height="72" width="72" /><thr:total>10</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-16.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMFRn86cSp7ImA9WhBbFUQ.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-7268768936562128453</id><published>2013-05-13T18:28:00.002+05:30</published><updated>2013-05-15T11:26:57.119+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-15T11:26:57.119+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 15</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;We are now about to enter the seventh
&lt;/span&gt;āvaraṇa or saptamāvaraṇa
(&lt;i&gt;sapta&lt;/i&gt; means seven; please recall saptamatā-s), which is known as &lt;i&gt;sarvarogaharacakra&lt;/i&gt;
&lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वरोगहरचक्र&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;)&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;.&lt;/span&gt; This āvaraṇa has eight triangles, as
indicated in blue colour in the chart and each āvaraṇa is presided over by a vāgdevī.&amp;nbsp; These eight vāgdevī-s composed Lalitā
Sahasranāma. While reciting Lalitā Sahasranāma, they are worshipped as &lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;Ṛ&lt;/span&gt;ṣi-s (in &lt;span style="background-color: white; background-position: initial initial; background-repeat: initial initial;"&gt;Ṛ&lt;/span&gt;ṣyādi nyāsaḥ
they are worshipped as vaśinyādi
vāgdevatā ṛṣayaḥ &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;वशिन्यादि वाग्देवता ऋषयः&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;).&lt;/span&gt; They composed Lalitā Sahasranāma and made its
maiden rendition*. On the subtler side, they preside over all the 51 Sanskrit alphabets
and hence they are known as vāgdevī-s (this can also be written as vācdevī-s). Vāc
means to express, to speak, etc. Without sound, we cannot understand anything. &lt;span lang="EN-US"&gt;Parāśakti has given them powers to administer everything related to &lt;/span&gt;alphabets. These eight vācdevī-s
have attained complete mastery over language. But for their mastery, Lalitā
Sahasranāma, an amazing masterpiece, would not have come into existence. &amp;nbsp;Like primeval stage of vāc**, they work on the
subtleties of human mind such as spiritual ignorance, mind, intellect and ego. Subtleties
of mind need through transformation in order to understand the teachings of
Guru, “tat tvaṁ asi” (You are That). When Guru teaches the concept of “tat tvaṁ
asi”, the student should affirm “ahaṁ brahmaṁ asi” (I am That). Merely making a
statement saying that I am Brahman is not realization. Brahman is to be experienced
through Bliss. These eight devi-s do this subtle work for those who are
eligible to have this Supreme Knowledge. Mental afflictions are called &lt;i&gt;roga&lt;/i&gt;
(sickness) and as these eight vācdevī-s remove mental sickness. This āvaraṇa is
known as &lt;i&gt;sarvarogaharacakra&lt;/i&gt;, where &lt;i&gt;sarva&lt;/i&gt; mens all; &lt;i&gt;roga&lt;/i&gt;
means sickness and &lt;i&gt;hara&lt;/i&gt; means destroying. Their place of residence is
indicated as 1 to 8 in red colour. Now, let us get to know these eight vācdevī-s.
As in other āvaraṇa-s, they are also worshipped in anticlockwise manner. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
1. Vaśinī vāgdevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;वशिनी वाग्देवी&lt;/span&gt;&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;;&lt;/span&gt;
2. Kāmeśvarī vāgdevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;कामेश्वरी वाग्देवी&lt;/span&gt;&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
3. Modinī vāgdevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;मोदिनी
वाग्देवी&lt;/span&gt;&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;;&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt; &lt;/span&gt;4. Vimalā vāgdevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;विमला
वाग्देवी&lt;/span&gt;&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span style="line-height: 115%;"&gt;5. Aruṇā vāgdevī &lt;/span&gt;&lt;span lang="SA" style="font-family: Mangal, serif; font-size: 11pt; line-height: 115%;"&gt;अरुणा वाग्देवी&lt;/span&gt;&lt;span style="line-height: 115%;"&gt;; 6. Jaini vāgdevī &lt;/span&gt;&lt;span lang="SA" style="font-family: Mangal, serif; font-size: 11pt; line-height: 115%;"&gt;जैनि वाग्देवी&lt;/span&gt;&lt;span style="font-size: 11pt; line-height: 115%;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;span style="font-size: 11pt; line-height: 115%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
7. Sarveśvarī vāgdevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;सर्वेश्वरी
वाग्देवी&lt;/span&gt;; 8. Kaulinī vāgdevī &amp;nbsp;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;कौलिनी
वाग्देवी&lt;/span&gt;&lt;span style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%;"&gt;.&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 115%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Apart from
what is explained above, these eight
vācdevī-s also represent puryaṣṭaka*** which consists of the following eight -
1) five organs of action (karmendriya-s), 2)&amp;nbsp;
five organs of senses (jñānaendriya-s), 3) antaḥkaraṇa (four in numbers - manas,
buddhi, cittam and ahaṃkāra or ego), 4) five prāṇa-s (prāṇa, apāṇa, etc), 5)
five elements (ākāśa, air, etc) 6) desire, 7) ignorance and 8) karma.&amp;nbsp; &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
With this āvaraṇa, worshipping of
secondary deities in Śri Cakra gets completed. Including this āvaraṇa, we have
so far worshipped 94 śakti-s. However, fifteen tithi nityā devi-s are yet to be
worshipped and they will be worshipped outside the innermost triangle. This will
be discussed in subsequent parts. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-UAjFuKKWxWs/UZDjFJKS8JI/AAAAAAAABwc/Klu7iiK6djw/s1600/Avarana+VII.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-UAjFuKKWxWs/UZDjFJKS8JI/AAAAAAAABwc/Klu7iiK6djw/s400/Avarana+VII.JPG" width="370" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Below&amp;nbsp;&lt;span style="line-height: 18.399999618530273px; text-align: left;"&gt;Aruṇā&amp;nbsp;&lt;/span&gt;&amp;nbsp;vāgdevī (marked
as 5 in the image), three lines can be noticed. This is called Guru Maṇḍala,
where Guru-s reside. There are four types of Guru-s. First is Paraguru, who is
the first Guru or Ādi Guru. Ādi Guru is Mahākāmeśvara.
It is He, who has initiated &lt;span lang="EN-US"&gt;Mahākāmeśvarī into &lt;/span&gt;Śrī Vidyā&lt;span lang="EN-US"&gt;. Thus &lt;/span&gt;Śiva
becomes the first Guru and the first disciple of Śrī Vidyā lineage is &lt;span lang="EN-US"&gt;Parāśakti. Therefore &lt;/span&gt;Ādi Guru Mahākāmeśvara and His disciple &lt;span lang="EN-US"&gt;Mahākāmeśvarī
are worshipped in the inner most triangle and the&lt;i&gt; bindu&lt;/i&gt; within. If we
look at the image, above the flat end of the innermost triangle and below the
triangle where &lt;/span&gt;Jaini vāgdevi resides&lt;span lang="EN-US"&gt;, there are three horizontal parallel
lines. This is the place our Guru-s live. There are three types of Guru-s in &lt;/span&gt;Śrī Vidyā cult. One’s own Guru
is known as svaguru. He is the one who has initiates the aspirant into Śrī Vidyā
cult. He is often called Guruji!!. He should be a Self-realized person and
should be capable of taking the aspirant beyond māyā. A true Guru is the one
who carefully follows up with those who are initiated and takes them to successive
higher stages, till &lt;span lang="EN-US"&gt;Parāśakti is realized. His job does not end here.
After making the aspirant to realize Parāśakti, he has to make the aspirant
realize &lt;/span&gt;Śiva. A
Guru has to tirelessly work hard with his students, till they are able to evolve
themselves. Only this type of Guru is considered on par with &lt;span lang="EN-US"&gt;Parāśakti and not those who merely initiate his disciples. If the second
type of guru is considered on par with Parāśakti, both the guru and his students
accrue huge amount of insurmountable karma. This is to be always kept in mind
before getting initiated into &lt;/span&gt;Śrī
Vidyā cult. Lalitā Sahasranāma 713**** says that &lt;span lang="EN-US"&gt;Lalitāmbikā
Herself is in the form of &lt;/span&gt;Guru Maṇḍala.&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Guru Maṇḍala
in detail will be discussed in the next part. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
{*Further reading: This scene
takes us back to the situation at the time of first appearance of this Sahasranāma.&amp;nbsp; All gods and goddesses are seated in Lalitāmbikā-s royal court. &amp;nbsp;Sapta (seven) riṣi-s, other riṣi-s, eighteen siddha-s and other
saints are also seated.&amp;nbsp; The seating
arrangement was as per the protocol.&amp;nbsp;
There is a huge throne made out of gold and the best of precious stones.&amp;nbsp; Suddenly, there was a divine fragrance that
spread throughout the royal court and the whole area was filled with radiating
red light. Lalitāmbikā entered the court along with Her assistants.&amp;nbsp; All those seated got up and paid their
obeisance to Her. Her form is described in dhyāna verses.&amp;nbsp; She had earlier summoned Her eight Vāc Devi-s
and spoke to them thus: “The eight of you got the power of your vāc (mastery of
speech) through my blessings.&amp;nbsp; You are
appointed to provide the power of vāc to my devotees.&amp;nbsp; You are aware of the secrets of my Śrī Cakra.&amp;nbsp; You perpetually chant my name with great
devotion.&amp;nbsp; Therefore, I command you to
script a verse about me consisting of 1000 nāma-s.&amp;nbsp;&amp;nbsp; When my devotees recite this verse, I should
derive immense satisfaction.&amp;nbsp; The verse
should have my name as its cachet”.&amp;nbsp; She
emphasized three points for composing the verse.&amp;nbsp; First, it should have 1000 nāma-s; second,
the verse should have Her name embossed; third, She should be gratified when
Her devotees recite the verse.&amp;nbsp; Bearing
Her command in mind, Vāc Devi-s composed such a verse and were ready for the
recitation.&amp;nbsp; When Lalitāmbikā nodded Her head, Vāc Devi-s
commenced their recitation and Lalitā Sahasranāma was declared to the
universe.&amp;nbsp; She expressed Her immense
happiness by nodding Her head often and smiling frequently while attentively
listening to their rendition.&amp;nbsp; She also
encouraged the Vāc Devi-s by saying ‘good’ and ‘excellent’.}&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
** Please refer Lalitā
Sahasranāma &lt;a href="http://www.manblunder.com/2009/10/lalitha-sahasranamam-366.html"&gt;&lt;b&gt;&lt;span style="color: blue;"&gt;366&lt;/span&gt;&lt;/b&gt;&lt;/a&gt;
to &lt;b&gt;&lt;a href="http://www.manblunder.com/2009/11/lalitha-sahasranamam-367-371.html"&gt;&lt;span style="color: blue;"&gt;371&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
*** {Further reading on puryaṣṭaka:
(as told by sage Vāsiṣṭha to Lord Rama in Yoga-vāsiṣṭha - VI.5).&amp;nbsp; Brahman who is without beginning or end and
which is the seed of the universe, becoming differentiated is jīva (soul);
subjecting itself to the idea of separateness, it becomes ahaṃkāra (ego) with manana
(contemplation), it becomes manas (mind); with the certainty of intelligence,
it becomes buddhi (intellect); then the five elements (sound, etc) through indriyā-s
(sensory organs).&amp;nbsp; With the thought of
the body, it becomes the body itself; with the thought of a vessel, it becomes
the vessel.&amp;nbsp; A form (subtle body), having
such a nature is called puryaṣṭaka body or eight constituents of the body.&amp;nbsp; The eight constituents are mind, ego,
intellect, sound, touch, sight, taste and smell, the last five together known
as tanmātra-s.}&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
****Further reading: &amp;nbsp;Lalitā Sahasranāma 713 is Guru-maṇḍala-rūpiṇī
and is explained thus: &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This nāma subtly conveys that
the meaning and interpretation of kāmakalā should be learnt only from a Guru as
this has intrinsic and subtle meaning.&amp;nbsp;
Most of these interpretations have already been dealt with elaborately. &amp;nbsp;Guru maṇḍala means lineages of Guru-s.&amp;nbsp; Śrī Vidyā attaches great importance to Guru and his
lineage.&amp;nbsp; Whatever Guru says should be
final.&amp;nbsp; Lineage of Guru is stressed
because, rituals and certain procedures differ from maṇḍala to maṇḍala (maṇḍala
here means group) and each maṇḍala follows different customs and
practices.&amp;nbsp; Each Śrī vidyā student will have three
categories of Gurus - Guru, Paramaguru (Guru’s Guru) and Parameṣṭhiguru (Paramaguru’s
Guru).&amp;nbsp; During navāvaraṇa pūja, all these
Guru-s are worshipped along with many other Guru-s. This nāma says that She is
in the form of Guru maṇḍala.&amp;nbsp; There is no
difference between Guru and Lalitāmbikā, hence this nāma.&amp;nbsp; The first Guru or Ādi Guru is Śiva.&amp;nbsp; Guru is also worshipped in sahasrāra, where
She conjoins Śiva.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/F2JGzXWtIds" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/7268768936562128453/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-15.html#comment-form" title="6 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7268768936562128453?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7268768936562128453?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/F2JGzXWtIds/journey-to-sri-chakra-part-15.html" title="JOURNEY TO SRI CHAKRA - PART 15" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-UAjFuKKWxWs/UZDjFJKS8JI/AAAAAAAABwc/Klu7iiK6djw/s72-c/Avarana+VII.JPG" height="72" width="72" /><thr:total>6</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-15.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0QDQ3g_fCp7ImA9WhBbE0o.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-5042134731996769202</id><published>2013-05-12T20:39:00.000+05:30</published><updated>2013-05-12T20:39:32.644+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-12T20:39:32.644+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Brahma Sūtra" /><title>BRAHMA SŪTRA - I.iii.1 - 6</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.iii.1&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
What is heaven, the intermediate
world and the earth? Intermediate world is known as antarikṣa or antarikṣaloka.
The question is who pervades these three worlds? Obviously, it can only be Brahman,
as He alone is omnipresent. This has already been explained in the introduction
to this section, with the help of Muṇḍaka Upaniṣad. Is there any remote
possibility, that each of these worlds is presided over by someone else? No,
because it is not said so in Upaniṣad-s. But, why should we rely on Upaniṣad-s
alone? Brahman is subtle and cannot be seen and can only be realized. Upaniṣad-s
are nothing but personal experiences of various sages and saints. They cannot
be wrong and hence we go with what Upaniṣad-s say. What are these three worlds?
These worlds are the places where individual souls sojourn. In earth, these
souls are active, in the mid region these souls are rested in
not-so-comfortable situations and in the heaven these souls rest comfortably.
These three worlds correspond to three states of human consciousness, active
state, dream state and deep sleep state. These souls are only rested in these
places, only to continue with the process of births and deaths. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Bṛhadāraṇyaka Upaniṣad
(III.14.2) also confirms this. “All this is Brahman (sarvaṁ khalavidaṁ brahma; sarvaṁ
idam- all this (everything); khalu - undoubtedly; brahma – Brahman). Everything
comes from Him and goes back to Him. Therefore, one should quietly meditate on
Him. Each person has a mind of his own. What a person wills in his present
life, he becomes that when he leaves this world (this is because such thoughts
get deeply embedded in his subconscious mind, which is the store house of
karmic imprints). One should bear this in mind and meditate accordingly.”&amp;nbsp; The verse speaks about human mind. Depending
upon the nature of thought processes, one’s character is determined. One’s
thoughts, character and conduct are reticulated. When we think good, our nature
also becomes good. What is meant by thinking good? It means, not hurting others
feelings, shedding non-essential ego, pride, prejudice, etc. The verse also
says meditate accordingly and what exactly this means? Meditation is a process
by which individual consciousness is united with the Self. Is there any
specific posture for meditation? Any posture that is comfortable to the
meditator is a good posture. Posture and meditation are interrelated, because
meditation is a cognitive process related only to the mind. When the mind needs
to be stabilized during high intensity meditation, body should not be moved.
Sage Patañjali in his Yoga Sūtra (II.46) says that one’s sitting posture should
be steady and comfortable while meditating (sthirasukham āsanam). &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Kṛṣṇa also explains this in
Bhagavad Gītā (VIII.6), “Thinking whatever entity while leaving his body at the
time of death, that alone one attains in the next birth, as he is always
absorbed in that thought.” Here, thoughts do not mean temporary thoughts. What
Kṛṣṇa refers to is not day to day thoughts. Such thoughts are transitory in
nature. What Kṛṣṇa speaks about is excogitation (thinking deeply about a
subject over a period&amp;nbsp;of&amp;nbsp;time). That is why Muṇḍaka Upaniṣad
(II.ii.6) says, “Meditate on that Self to go beyond darkness”. Darkness is māyā,
which can be removed through knowledge and contemplating on the Self within and
always the former comes first and later comes at the end of knowledge. This is
the correct way to go beyond darkness. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.iii.2&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Who can attain liberation? First
criterion to attain liberation is freeing one’s mind from dualities. What is freeing
the mind? First, the concept of ahaṁ (I) should go. When Brahman is omnipresent
where does this I come from? It is due to ego. As already discussed many times
in this site, ego is of two types. One is essential ego, which is a necessity
to identify ourselves. Another is non-essential or inflated ego, which is not
necessary for existence. This ego leads to pride, prejudice, etc. When Brahman
is omnipresent, where is the question of I, you, etc? Through, this may appear
to be impracticable for implementation, when put into practice one will surely
realize the difference. A little bit of effort is necessary on our part to implement
this and this is part of proper meditative techniques. Meditation is not merely
a practice to contemplate about something. It is a practice to explore ourselves
within. This is the first stage. In the second stage, what we are trying to
identify within ourselves, is identified (Self is realized). Third stage is yoking
what is identified within us, with the Cosmic Self. Meditation should have a purpose
and a goal. A few minutes of daily practice will cause huge aesthetical transformation
in our thought process. The results of generating this kind of thought process
is mentioned in Muṇḍaka Upaniṣad (II.ii.7). “If Brahman is realized both as
cause and effect as his own Self, all peculiarities of his character and all
his doubts disappear.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Therefore, liberation cannot be
attained only by remaining devotional. For liberation, the Self within should
be realized. Self within is the individual consciousness and when this
individual consciousness is yoked with Supreme Consciousness, that is
liberation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.iii.3&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Heaven, etc are not the abodes
of Brahman. He cannot be restricted, limited or defined. He is omnipresent. How
can an omnipresent be described? In order to enable us to understand His
Grandeur, Puruṣasūkta says, “He has thousands of heads, thousands of eyes,
thousands of feet, etc” We will not be able to understand, when it is said that
He is infinite and eternal. We need objective narrations to describe Him, so that
we can understand His Supremacy. But, we fail to understand the subtle
conveyances and stay attuned only with gross descriptions, which are used
purely for the purpose of understanding and not for liberation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Having this in mind, Swami
Vivekananda said, “Awake and arise”. It is a call from him to make us
understand this reality. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.iii.4&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Can an individual soul be referred
as Brahman? No, an individual soul cannot be Brahman. Why? Because it has limitations.
&amp;nbsp;What are the limitations? It is not
omnipresent, omniscient and omnipotent. For this single reason, individual soul
cannot be the Self. If this is the case, then why do we say that we have to
look within? Within the individual soul, the Self always remains. An individual
soul is where the Self remains veiled by the ignorance of māyā. Further, no
where it is said that individual soul veiled by māyā is the Self. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
It is implied that the Self
within the individual soul can be realized only if māyā is transcended. How māyā
can be transcended? It is only through knowledge? Who will teach us this
knowledge? Only a realized Guru alone can teach this knowledge. Here is the difference
between a Guru and a guru. A Guru is the one who teaches only about Brahman. He
shows us the path of liberation. His main aim is to liberate us. A guru is the
one who lays foundation to pursue the spiritual path. Is there any difference
between spiritual path and the ritual path? A whole lot of difference is there.
When perfection is attained in ritualistic path, one should move forward to the
spiritual path. In spiritual path, we have to shed all kinds of external
worship. Though it is a tough choice, it is the reality. External worship
belongs to dualism and by remaining in dualism, we cannot attain liberation.
Only at the end of perfectly understanding Advaita philosophy, liberation can
be thought of. &amp;nbsp;This supreme knowledge is
imparted through &lt;span lang="EN"&gt;Brahma Sūtra. &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.iii.5&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
There are two types of
knowledge. One is the knowledge about Brahman, which is the spiritual knowledge.
When one attains mastery in this knowledge, he is liberated. Spiritual path does
not give anything except liberation, which should be sole aim of everyone, as
transmigration is always painful. This knowledge is Absolute knowledge says Muṇḍaka
Upaniṣad and the other knowledge is the knowledge about the material world,
which has nothing to do with spiritual knowledge. Both these types of knowledge
can be attained concurrently. The purpose of this aphorism is to explain that
spiritual knowledge need not be pursued independently. Material knowledge is
required for our existence. In other words, one has to practice both karma yoga
and jñāna simultaneously. It is like to and fro journey between home and work. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.iii.6&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
What is the purpose of knowing
Brahman? As being discussed, it leads to liberation, which is the final stage.
What is the difference between knowing the self and the Self? Typically
speaking, there is nothing called knowing the self. It is always about knowing
the Self. By knowing the Self, we are able to see the material world through
His eyes. This is known as universal brotherhood. In fact, it is not merely universal
brotherhood, it is much beyond that. Universal brotherhood is restricted to
sentient beings. When Brahman looks at the material world, for Him everything
is the same, be it sentient or insentient. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This is explained in &lt;span lang="EN-US"&gt;N&lt;/span&gt;ārāyaṇa
sūktam, which says, “antarbahiśca
tatsarvaṁ vyāpya nārāyaṇaḥ sthitaḥ”. This means that Brahman prevails both inside
and outside (our physical body). &lt;span lang="EN-US"&gt;N&lt;/span&gt;ārāyaṇa, &lt;span lang="EN"&gt;Viṣṇu, &lt;/span&gt;Śiva, etc are the corporeal names given to Brahman to
satiate our ego. Upaniṣad-s never give any particular name or form to Brahman. Names
and forms are given to Brahman out of ignorance and by remaining only with
those names and forms, we forget the Ultimate Brahman, who is both the cause
and the effect. Forgetting the Ultimate (the Self or Brahman) is not only due
to spiritual ignorance, but also due to delusion cast by māyā (which is part of
spiritual ignorance), which is nothing but Brahman’s own power. Māyā is the
tool available with Brahman for evaluating us for the purpose of liberation. Those
who fail in this evaluation, continue to transmigrate. As long as we do not
pass His test, the knower (the practitioner) and the Known (the Self) remain as
two separate entities. This is dualistic worship, which does not give
liberation. We have to cross this stage and how to cross this ocean of saṁsāra
(saṁsāra means undergoing transmigration) is explained in &lt;span lang="EN"&gt;Brahma Sūtra
and hence understanding Brahma Sūtra is extremely important.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/1J8BY8kSl18" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/5042134731996769202/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/brahma-sutra-iiii1-6.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/5042134731996769202?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/5042134731996769202?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/1J8BY8kSl18/brahma-sutra-iiii1-6.html" title="BRAHMA SŪTRA - I.iii.1 - 6" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/brahma-sutra-iiii1-6.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUQARXw_eip7ImA9WhBbEks.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-1463367863402087555</id><published>2013-05-11T14:39:00.000+05:30</published><updated>2013-05-11T14:39:04.242+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-11T14:39:04.242+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Brahma Sūtra" /><title>BRAHMA SŪTRA - INTRODUCTION TO CHAPTER  I.iii</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Why we need to understand Brahman?
This question is answered by &lt;/span&gt;Muṇḍaka
Upaniṣad (II.ii.5), which says, “On this Cosmic Self is resting everything –
the heaven, the earth and the space in between (antarikṣa), mind and sense
organs. Know this Cosmic Self, which is one (no second) and the same
(omnipresence). Knowledge about this Self (spiritual knowledge as opposed to
material knowledge) is the bridge to immortality (immortality here does not
mean the deathless state of the gross body; it refers to immortal stage of the
soul within, which has the Self within it; When the Self is covered by māyā, it
is known as the self or individual soul). Do not waste your time by talking
about anything else.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This Upaniṣad verse clearly says
why we should pursue spiritual path. Only at the end of spiritual path, one can
attain liberation, provided he does not carry any karmic impressions. On the
other hand, Trika philosophy argues that when Divine Grace is showered, at that
very moment, all karmas are burnt. The reality is that when one pursues
spiritual path, he stops accruing karmas as his mind is fully pervaded by Brahman.
He will do all his normal activities but his mind always stand connected with
Brahman. This state is known as sthitaprajña. To reach this state, one has to
first understand Brahman. This is possible only through knowledge and &lt;span lang="EN"&gt;Brahma
Sūtra imparts this knowledge; otherwise, we may have to go through various &lt;/span&gt;Upaniṣad-s. There are 108 important
Upaniṣad-s and it is difficult to go through all these Upaniṣad-s, as we are
always racing against time. The concept of Self-realization is explained
extensively in &lt;span lang="EN"&gt;Brahma Sūtra&lt;/span&gt;&lt;span lang="EN"&gt; &lt;/span&gt;by
drawing several examples from important Upaniṣad-s, Bhagavad Gītā and other
non-dualistic Scriptures. Śaṁkarācārya has given very elaborate interpretation
on &lt;span lang="EN"&gt;Brahma Sūtra. There are two issues in understanding his
interpretation; one is its vastness and second is frequent usage of complicated
words. In order to mitigate this situation, every attempt is being made in this
series to explain only the essence of aphorisms. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;But
one thing is for sure. No mantras, no meditation, no rituals can give
liberation. Liberation can happen only in the arena of mind and mind alone.
Mind by default is always prone to sensory inputs. Mind thrives only on sensory
inputs and the mind is used to such sensory afflictions. As long as mind is
affected by sensory inputs, mind cannot be cleansed and as long as the mind
remains polluted, realization cannot happen. The one who is able to stabilize
his mind with Divine pervasion is known as &lt;/span&gt;sthitaprajña. The real Bliss can be experienced only by a sthitaprajña.
Others also could experience Bliss, but that is not the true bliss. It is a
falsified bliss, falsified state of ānanda, which remains only for a few
moments. Bliss is known as Brahmānanda, the state of rapturous absorption into
Brahman. This is the penultimate state in the path of liberation. This is what
we should aim for in this life. However, this does not mean that one should
stay away from material life. This is an impossible task. This also does not
mean that one should practice severe austerities.&amp;nbsp; None of these are preconditions are
applicable to realize Him. What we need is only our mind. The mind should be
trained in such a way that we think and act only on His behalf. When we eat, we
have to believe and affirm that the Self within us eats, when we sleep, it is
the Self within sleeps. This is true realization and this alone is advocated in
various Scriptures. This is not saṁnyāsa. Saṁnyāsin need not always be a
person with coloured attire. True saṁnyāsa means detachment from the material world
(it is not necessary that a saṁnyāsin should live in a forest and eat only
restricted food. For a true saṁnyāsin, what he eats, where he sleeps do not
matter as he is not simply concerned with them. Today he may sleep in an air-conditioned
room and tomorrow he will sleep in the hot sun; for him these material things
do not matter). &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Let us now
understand the importance of realizing the Self within from the point of view
of Nirvāṇopaniṣad, which is mainly meant for saṁnyāsin-s.&amp;nbsp; But the essence of this Upaniṣad is applicable to all of
us. One need not be saṁnyāsin to follow these elucidations. The crux of
this Upaniṣad is given
below.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
“I am nirvāṇa (nirvāṇa means
dissolution of all dualities and re-union with Brahman; re-union because
Brahman is the cause for our existence as we came from Him. Going back to Him
is re-union). Now my knowledge is complete (understanding the difference
between material knowledge and Divine knowledge is this completeness; material
knowledge can never be complete, whereas Divine knowledge becomes complete when
we realize the source of our origin). I got into this state of nirvāṇa only because
of my Guru (without proper guidance from an able Guru, realization is surely
not possible). Compassion is my joy and Divine Bliss is my garland. I converse
with Brahman intimately (intimate because of easy accessibility; Brahman is
within and one need not suffer by going around various places. On realization,
one will surely understand how he has wasted his time). My conduct is like a
swan (swan is capable of separating milk from water and drinks only the milk.
The material world consists of both good and bad; what we need to do is to go
with the good and ignoring the bad). For me there is no differentiation in gods
like Brahmā, Viṣṇu or Śiva or &lt;span lang="EN-US"&gt;Śakti as they all culminate in
Brahman (he is not wasting his time in worshipping a particular shape or form;
Brahman has no form or shape. Many are often curious to know about various
forms and various types of worships, forgetting and ignoring the reality). My
consciousness is Brahman (here consciousness is fixed on a formless form; he is
not aware of anything that is happening around him). The deceptive world
enveloped by &lt;/span&gt;Śiva
and Śakti gets dissolved when I realize Brahman (Śiva and Śakti are only
concepts that do not exist in reality; This is like showing a handmade globe to
show how the earth appears in reality). As long as I am afflicted with ego,
desires and attachments, I cannot speak about my karma (the one who is not able
to dissolve his ego, material desires and material attachments can never get
rid of their karmas; karmas are mostly accrued only through processes than
actions).” &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Reality is hard to accept and
digest. Spiritual transformation has to happen in stages, for which a strong
base is very important. Otherwise, the spiritual world that we enter into will
fall like a pack of cards. &lt;span lang="EN"&gt;Brahma Sūtra takes us through various
stages and ultimately makes us to merge with Brahman. Why we suffer at some
point of time in our lives? It is because of our accrued karmas. Karmas have to
be experienced and there is no other way, except to experience them. At least,
in future, we can avoid further accrual of karmas by leading a selfless life. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;Brahma
Sūtra I.iii consists of 43 aphorisms, which is now being taken up for discussion
from the next article onwards.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/x6YsZp2Pe7s" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/1463367863402087555/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/brahma-sutra-introduction-to-chapter.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/1463367863402087555?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/1463367863402087555?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/x6YsZp2Pe7s/brahma-sutra-introduction-to-chapter.html" title="BRAHMA SŪTRA - INTRODUCTION TO CHAPTER  I.iii" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/brahma-sutra-introduction-to-chapter.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0YCQH05eCp7ImA9WhBbEUU.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-6135472438322455248</id><published>2013-05-10T18:02:00.003+05:30</published><updated>2013-05-10T18:02:41.320+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-10T18:02:41.320+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Saundaryalahari" /><title>SAUNDARYALAHARĪ - VERSE 84</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Twelve verses from verse 72 to 83 involve physical
description of &lt;/span&gt;&lt;span lang="EN-US"&gt;Parāśakti. It is always believed that &lt;/span&gt;Śaṁkarācārya was an incarnation
of Śiva and thus every aspect of Her is known to Śaṁkarācārya. I consider that
such narrations should not be discussed in a public domain and hence, interpretations
of these verses have been left out. Kāñci Paramācārya has chosen not to
interpret many verses of Saundaryalaharī saying that one should be extremely
careful in worshipping Divine Mother. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: center;"&gt;
&lt;b&gt;Verse 84&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: center;"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;श्रुतीनां मूर्धानो दधति तव यौ शेखरतया&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ममाप्येतौ मातः शिरसि दयया धेहि चरणौ।&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ययोः पाद्यं पाथः पशुपतिजटाजूटतटिनी&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ययोर्लाक्षालक्ष्मीररुणहरिचूडामणिरुचिः॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;śrutīnāṁ mūrdhāno dadhati tava
yau śekharatayā&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;mamāpyetau mātaḥ śirasi dayayā
dhehi caraṇau |&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;yayoḥ pādyaṁ pāthaḥ paśupatijaṭājūṭataṭinī&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: center;"&gt;
&lt;i&gt;yayorlākṣālakṣmīraruṇaharicūḍāmaṇiruciḥ
||&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;i&gt;tava&lt;/i&gt; – Yours; &lt;i&gt;yau caraṇau&lt;/i&gt; –
those feet; &lt;i&gt;śrutīnāṁ mūrdhāna&lt;/i&gt; – crown of Vedas viz. Upaniṣad-s; &lt;i&gt;dadhati&lt;/i&gt;
–wearing; &lt;i&gt;śekharatayā&lt;/i&gt; - wearing as crown; &lt;i&gt;etau&lt;/i&gt; – Your feet; &lt;i&gt;mama
śirasi api&lt;/i&gt; &lt;i&gt;dayayā dhehi&lt;/i&gt; – place (Your feet) on my head out of
compassion; &amp;nbsp;&lt;i&gt;yayoḥ pādyaṁ pāthaḥ&lt;/i&gt; -
(which is like) washing Your sacred feet; &lt;i&gt;paśupati jaṭā jūṭa taṭinī&lt;/i&gt; – is
that the river (Ganges) who resides in the matted hair of Śiva; &lt;i&gt;yayo&lt;/i&gt;
– those feet of Yours; &lt;i&gt;lākṣā lakṣmīḥ&lt;/i&gt; - splendorous henna (which turns
the feet into deep red); &lt;i&gt;aruṇa hari cūḍāmaṇi ruciḥ&lt;/i&gt; - (is that due to)
the brilliance of cūḍāmaṇi gem of &lt;span lang="EN"&gt;Viṣṇu’s crown?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;“O!
&lt;/span&gt;&lt;span lang="EN-US"&gt;Parāśakti! Out of compassion for me, please keep Your
feet on my head too. Your feet are considered as crown which &lt;/span&gt;Upaniṣad-s adorn. Your feet are
cleansed by waters of Ganges, who resides at the top of Śiva’s matted hair. I
also think that the redness of Your feet (due to the application of henna) is
due to cūḍāmaṇi gem of &lt;span lang="EN"&gt;Viṣṇu’s crown.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;The
verse says that She is worshiped by everyone including &lt;/span&gt;Śiva and &lt;span lang="EN"&gt;Viṣṇu. This
is conveyed in this verse in the most subtle manner. She is not being just
worshiped by &lt;/span&gt;Śiva
and &lt;span lang="EN"&gt;Viṣṇu, but also prostrate before Her, keeping their heads
very close to Her feet. &lt;/span&gt;Śaṁkarācārya
subtly conveys this by saying that waters of Ganges in Śiva’s matted hair
cleanse Her feet (offering water to the feet of gods and goddesses is part of
rituals and this is known as pādaprakṣālana). This is possible only if Śiva
bends down before Her to pay His respects to Her. When He bends, waters from
Ganges fall on Her feet in order to wash Her feet. This does not mean that
Ganges cleanses Her feet. In order to pay Her respects to Her, Gaṅgā also moves
slightly forward and while doing so, Ganges stealthily falls at Her feet to cleanse
herself (Gaṅgā). She has attained impurity because everyone washer their sins
by taking bath in river Ganges. A question may arise that when she is residing
on Śiva’s head, where is the need for Gaṅgā to get cleansed by &lt;span lang="EN-US"&gt;Parāśakti. &lt;/span&gt;Śiva
does not attend to these minuscule activities and it is only Her, who alone can
make a person eligible to merge with Śiva. This aspect is also subtly conveyed
here. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Her feet
appear deep red in complexion. This is Her natural complexion as described in dhyāna
verses of Lalitā Sahasranāma (Sindūrāruṇa-vigrahāṃ and aruṇāṃkaruṇā-taraṃgitākṣīṃ);&lt;i&gt; &lt;/i&gt;and Mahāṣoḍaśī
mantra japa (sindūrāruṇa vigrahāṁ). &amp;nbsp;Her
feet are not just red in colour, but they are radiating too. Śaṁkarācārya wonders whether
this is due to the cūḍāmaṇi gem embedded in &lt;span lang="EN"&gt;Viṣṇu’s
crown. When Viṣṇu brings His head down in order to pay His respects, Her feet become
more splendorous with deep red colour. Some Scriptures say that Viṣṇu is Her
elder brother.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Śaṁkarācārya does not want
anything from Her. After personally seeing that both Śiva and &lt;span lang="EN"&gt;Viṣṇu
place their heads on Her feet in order to pay their respects, he only pleads
with Her to keep Her feet on his head, so that he attains eternal liberation. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;Crown
of Vedas is various &lt;/span&gt;Upaniṣad-s,
as Upaniṣad-s prescribe ways and means to attain Brahman, who is elucidated
through Vedas. In other words, the subtle conveyance Vedas are in the form of
various Upaniṣad-s. Vedas also elucidate Brahman through various conveyances;
but they are interpreted on the grosser side. Since Upaniṣad-s are easier to
understand, when compared to Vedas. Hence, Upaniṣad-s are revered as the crown
of Vedas. The meaning is also conveyed in Mūkapañcaśatī (pādāravindaśtakam –
verse 24). He says, “Your sacred feet are the ultimate end of essence of Vedas
(Upaniṣad-s)”. When one understands the conveyances of Upaniṣad-s, he needs
nothing more to attain liberation.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/FJeAw4NNGr0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/6135472438322455248/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/saundaryalahari-verse-84_10.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/6135472438322455248?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/6135472438322455248?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/FJeAw4NNGr0/saundaryalahari-verse-84_10.html" title="SAUNDARYALAHARĪ - VERSE 84" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/saundaryalahari-verse-84_10.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEUHQH86eSp7ImA9WhBbEU0.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-6823942015901525168</id><published>2013-05-09T19:00:00.000+05:30</published><updated>2013-05-09T19:00:31.111+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-09T19:00:31.111+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 14</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;We are now entering the sixth &lt;/span&gt;āvaraṇa (ṣaṣṭhāvaraṇa), which is
known as Sarvarakṣākaracakra &lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वरक्षाकरचक्र&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;). &lt;/span&gt;This āvaraṇa has ten triangles as
indicated in blue colour in the chart and each āvaraṇa is presided over by a
śakti. On the subtle side, sarvarakṣākara means protection from the spiritual
stage attained. This is presently being explained in detail in the series on &lt;span lang="EN"&gt;&lt;a href="http://www.manblunder.com/2013/03/brahma-sutra-ii1.html"&gt;Brahma Sūtra&lt;/a&gt;.
Guru-disciple relationship that was strengthened in the previous &lt;/span&gt;āvaraṇa leads to destruction of
duality in this āvaraṇa, which ultimately leads to liberation. &amp;nbsp;On
the grosser side, these ten śakti-s represent ten digestive fires. Ten prāṇa-s
of the fifth āvaraṇa, now transforms into ten digestive fires (ten aspects of
digestion, absorption and excretion). This āvaraṇa is presided over by
Tripuramālinī Cakreśvarī. Sarvamahāṅkuśā is the Mudrāśakti and Nigarbhayoginī
is the Yoginī. In this āvaraṇa also, worship is to be done in anticlockwise
manner. Now, let us worship these ten śakti-s. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://1.bp.blogspot.com/-tWKgdd6Jhrs/UYuktTbObpI/AAAAAAAABvI/B_940Lxs1lE/s1600/Avarana+VI.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://1.bp.blogspot.com/-tWKgdd6Jhrs/UYuktTbObpI/AAAAAAAABvI/B_940Lxs1lE/s400/Avarana+VI.JPG" width="390" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12pt;"&gt;
1. Sarvajñādevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वज्ञादेवी&lt;/span&gt;&lt;span style="font-size: 11.0pt;"&gt;;&lt;/span&gt; 2. Sarvaśaktidevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वशक्तिदेवी&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;;&lt;/span&gt; &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12pt;"&gt;
3. Sarvaiśvaryapradādevī
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वैश्वर्यप्रदादेवी&lt;/span&gt;;
4. Sarvajñānamayīdevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वज्ञानमयीदेवी&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;;&lt;/span&gt; &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12pt;"&gt;
5. sarvavyādhivināśinīdevī
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वव्याधिविनाशिनीदेवी&lt;/span&gt;;
6. Sarvāthārasvarūpādevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वाथारस्वरूपादेवी&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;:&lt;/span&gt;&lt;span style="font-size: 11.0pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12pt;"&gt;
7. Sarvapāpaharādevī&lt;span style="font-size: 11.0pt;"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वपापहरादेवी&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;;&lt;/span&gt;&lt;span style="font-size: 11.0pt;"&gt; &lt;/span&gt;8. Sarvānandamayīdevi
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वानन्दमयीदेवि&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12pt;"&gt;
9. sarvarakṣāsvarūpiṇīdevī
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वरक्षास्वरूपिणीदेवी&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;;&lt;/span&gt; 10. Sarvepsitaphalapradādevī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वेप्सितफलप्रदादेवी&lt;/span&gt;&lt;span style="font-size: 10.0pt;"&gt;.&lt;/span&gt;&lt;span style="font-size: 11.0pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Like other āvaraṇa-s, we proceed from the
Eastern side in anticlockwise manner. If we look at devi-s in various āvaraṇa-s,
we can understand that their activities become more subtle as we proceed
towards the central triangle. An aspirant who has reached this stage is further
fine tuned to make him eligible to attain Her. However, he has to be still more
perfected to merge into the Prakāśa form Śiva. Śiva is worshipped in the bindu,
the central point of Śri Cakra. Creation begins from Him and leads to the
immediate next triangle, the innermost triangle of Śri Cakra. The three angles
of the innermost triangle represent icchā, jñāna and kriya śakti-s.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Let us find out how these śakti-s
cleanse the aspirant. First devi gives him all the requisite knowledge so that
he is completely freed from māyā. In this stage, the aspirant begins to realize
“I am That”. This devi imparts this knowledge by saying, “You are That”. Second
devi gives him necessary spiritual energy to transform into a yogī, in whom the
union between the individual soul and Brahman takes place. A yogī is the one,
whose individual consciousness is yoked with Supreme Consciousness. Third devi
assists him in attaining mastery over all types of knowledge that leads him to
realization. Fourth devi ensures that such knowledge stays with him. During
spiritual practices, one will not pay attention to his or her physical body. Due
to lack of physical activities, he is bound to have some disease or other (in
modern times it is about diabetes and heart ailments). He has no time or
inclination to take care of his body. Instead, this devi takes care of his body
and frees him from all types of diseases (it can be observed that those who are
at highest spiritual level have paunch. This is the reason why many ancient
sages have been depicted with big bellies). Sixth devi supports all his or her
spiritual practices (please recall Lalitā Sahasranāma 659 sarvādhāra. Every
devi in Śri Cakra is connected to any one of the nāma-s of Sahasranāma. This
will be discussed towards the end of this series).&amp;nbsp; When one attains liberation, even the traces
of karmic imprints have to be removed. Seventh devi does this. &lt;span lang="EN-US"&gt;Parāśakti is an embodiment of purity. In order to go anywhere near Her,
one has to be purified. This purification process is related to mind. When one
is able to reach this &lt;/span&gt;āvaraṇa,
it means that he has almost disowned his body. This concept is not applicable
to navāvaraṇa pūjā, which is done externally. What is being discussed here is
related to Bhāvanopaniṣat (mental worship; bhāvana means contemplation).
&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
(There is a reference about
physical and mental worship. A king built a temple and fixed a date for its consecration.
He prayed to Śiva that He should be present personally during consecration
rituals. But Śiva refused and said that He has already accepted invitation from
someone else, who is also building a temple very close to king’s temple and the
consecration is fixed and both these dates coincided. King was surprised and
asked his men to find out this temple. His men could not find any temple
nearby. King was surprised and requested Śiva to show him the temple so that he
can be present to attend the consecration function. Śiva told him the place and
asked the king to go to that place only the next day, the day fixed for consecration.
King went to that place and he did not find any temple. But there was a hut in
that place and in front of the hut, there was a man in rags who was bursting
with emotions with tears rolling down his eyes. King called him and without
opening his eyes he told the king not to disturb him as he was performing consecration
of his temple. Now king understood why Śiva did not accept king’s invitation
and gladly accepted the poor man’s invitation. This story highlights the power
of mental worship.)&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Eighth devi causes Bliss. When
the mind sheds all types of thought processes, mind becomes pure. In a
completely purified mind, all types of dualities are annihilated. When the mind
is pure, one experiences Bliss. This stage cannot be explained that easily.
This Bliss is to be experienced. For no reason, one becomes emotional and
enters into the state of Bliss. The only external symptom of Bliss is tears
rolling down. Ninth devi protects this yogī completely (this is the stage where
one cannot fall from his spiritual level attained; there are many instances
where one falls from his hard earned spiritual level. If one falls from his
spiritual level, it is virtually impossible to get back to his original
spiritual level. Therefore one has to be extremely cautious while pursuing spiritual
path). Tenth devi grants his two wishes of falling at Her lotus feet first and
later getting liberated. This devi approves him to go to the next āvaraṇa.&lt;/div&gt;
&lt;/div&gt;
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&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.24&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Brahman is addressed in this sūtra
as Vaiśvānara. Vaiśvānara has multiple interpretations and contextually, it
means omnipresent or relating to all men. The latter interpretation can be
explained to mean ‘belonging to all men (beings)’. Agni (fire) is also known as
Vaiśvānara. Agni gāyatri uses Vaiśvānara. It is also known as jaṭharāgni, the
digestive fire. Vaiśvānara. Bṛhadāraṇyaka Upaniṣad (V.ix) says, “The fire that
is within a man and digests the food that is eaten is Vaiśvānara.” This
digestive fire causes some subtle sounds during digestion and if these sounds
stop, it means that the death is about is come for him. Probably this could be
one of the reasons for addressing Brahman as Vaiśvānara.&lt;b&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
By referring Brahman as Vaiśvānara,
this aphorism says that He is a Cosmic Person and the Supreme Lord. How can Vaiśvānara
be called as Brahman, who is beyond any explanation? It is explained in &lt;span lang="EN"&gt;Chāndogya
&lt;/span&gt;&lt;span lang="EN-US"&gt;Upaniṣad (V.11.6), which says, “imam eva ātmānam
vaiśvānaram” (this &lt;/span&gt;Vaiśvānara
alone is Ātman). The next verse says, “The Self you worship is Vaiśvānara,
which is bright and beautiful.” &amp;nbsp;There
are many such references in this &lt;span lang="EN-US"&gt;Upaniṣad. There are references in
Vedas too about &lt;/span&gt;Vaiśvānara.
The purport of this aphorism is to confirm that there is no difference between Vaiśvānara,
the Self and Brahman. This is supported by next few aphorisms. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.25&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This sūtra correlates this with smṛti
(Upaniṣad-s, etc; Śruti means Vedas). Where is the need to introduce
Vaiśvānara here, as the Cosmic Person is
is already known as Brahman, the Self, etc? In Mahābhārata (XII.47.68), it is
said, “Salutation in the three worlds with fire as His mouth, heaven as His
head, sky as his navel, the earth as His two feet, the sun as His eyes, and
cardinal directions as His ears.” This is the closest possible description of
Brahman. This aphorism not only depends upon Upaniṣad- texts, but also relies
on Yajur Veda, which says (V.vii), “knower of Brahman is Vaiśvānara”. There are
few more references in Yajur Veda about Vaiśvānara. &lt;span lang="EN"&gt;Kṛṣṇa says
in &lt;/span&gt;Bhagavad Gītā (XV.14),
“Taking the form of Vaiśvānara lodged in the body of all creatures and united
with their breaths, it is I (Brahman) who consumes all kinds of food.”
Therefore, it is clear that without Vaiśvānara being present in the body, none
can exist. Hence it is important to know that Brahman is also known as Vaiśvānara
and this is explained here in order to avoid any possible confusion later. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.26&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This sūtra is almost like a
verse. Now a doubt arises that when Brahman is explained as Vaiśvānara, the
digestive fire, or Cosmic Person (Puruṣa) etc, Vaiśvānara cannot be known as Brahman
and by saying so, His powers become limited. No, His powers cannot be limited,
as all powers originate only from Him. Whether Brahman is called as Puruṣa, Vaiśvānara
or by any other name, everything is only His manifestation. There cannot be a
second to Him, be it sentient or insentient; big or small; subtle or gross. For
the purpose of meditation, Brahman is described as Vaiśvānara or the sun (Vaiśvānara
also means the sun). Because one cannot meditate on nothingness in the initial
stages of meditative practices, as an aspirant is asked to first meditate on
forms and later on light. This light on which one has to fix his consciousness
during meditation is called Vaiśvānara. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.27&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
In view of the above
deliberations, this sūtra says that by referring to Vaiśvānara, it does not
mean one of the five principle elements viz. fire or Vaiśvānara is a deity. Vaiśvānara
is neither the fire, which we often speak about nor it is a god. By referring
to god, it is always meant to mean one or more powers of Brahman, which is
symbolically represented in a particular shape and form*. Even assuming for a
moment that Vaiśvānara is not Brahman, the very idea overrides the basic theory
of Advaita. In other words, even if do not accept that Vaiśvānara is not
Brahman, going by the Advailta philosophy, everything is Brahman, including Vaiśvānara.
Therefore, Vaiśvānara cannot be something different from Brahman with a shape
and form. Only for the purpose of focussing our mind, it is said that we should
meditate on Vaiśvānara, the illuminating light (Prakāśa). &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.28&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Vaiśvānara comprises of two
words viśva nara; viśva means everything or universal and nara means a person. That
is why Vaiśvānara is explained as Cosmic Puruṣa, the ‘person’ who controls the universe.
Since Brahman is in the form of Light (Prakāśa), that light known as Vaiśvānara
(Brahman) is to be meditated upon. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.29&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Now the opinions of few Sages
are being discussed. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This aphorism talks about the
opinion of a great sage by name Aśmarathya. He says that Brahman manifests in a
particular shape or form to shower His Grace* on the practitioners. In other
words, the infinite Self at His own will becomes finite. When He manifests in
the body of a human, He normally manifests in the heart. Just because He has
manifested in the form of a limited being, it does not mean that Vaiśvānara has
limitations and that He cannot be compared to Brahman. Even such manifestations
happen only in the mind. This misconception is ruled out through this sūtra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.30&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This aphorism talks about the
opinion of another great sage by name Bādari. He is of the opinion that Brahman
becomes partially limited (like digestive fire Vaiśvānara). Unlimited aspect of
Brahman which prevails in the mind (mind is also unlimited) becomes limited in
the heart, which has boundaries and thus becomes limited. In order to manifest
to shower His Grace, He becomes limited and reveals Himself in the heart of the
aspirant, in the sense infinite Brahman manifests as limited and this is Vaiśvānara.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.31&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
In continuation of the previous
aphorism, such manifestation of Brahman is known as superimposition, says
another great Sage Jaimini. According to Him, such realization happens between
the top of the head (brahmarandra) and the chin (this portion of the body is
considered as the head of Vaiśvānara). Therefore Brahman’s manifestation in a bound
form is only superimposition and His true identity is not revealed. &amp;nbsp;(This is māyā).&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Superimposition can be explained,
as a person wearing a mask not revealing his true identity*.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.32&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This chapter (I.ii) is concluded
that Brahman is to be meditated upon in the middle space between the head and
the chin (probably indicating to ājñācakra; however, &lt;span lang="EN"&gt;Brahma Sūtra
does not talk about kuṇḍalinī meditation, which is tilted more towards Tantra.)
If He is realized during this meditation, it is said that the sins of those who
realize Him thus (in a superimposed form) are annihilated, accrual of further
sins are prevented and he becomes a liberated person. &lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
{*Further reading: Brahman is
devoid of any forms. In the initial stages of one’s spiritual path, one has to
necessarily contemplate Brahman as a limited form (in the form of various gods
and goddesses) and worship these forms. This stage only lays a strong
foundation for spiritual path, but this is not the actual spiritual path.
Worshipping various forms of gods is related to senses. Anything related to
senses is only temporary. Brahman can be realized only in the mind. Therefore,
one has to learn to cleanse the mind. Mind is always afflicted with multiple
through processes. In order to remove these thought processes, one has to enter
into the next stage of mantra japa. When a mantra is repeated (repetition of a
mantra several times is called japa), one has to fix his or her concentration
on the mantra and the connected deity. When significant advance is made in
mantra japa, one has to fix his or her consciousness on ājñācakra, which gets
activated with practice. When ājñācakra is fully active, it will not be difficult
to reach brahmaranda, an orifice at the top of the head (sahasrāra). This is
the final stage of human life. This stage is possible only if a person learns
to love Brahman. No amount of devotion and rituals can help to reach this
stage. This stage can be attained only through mind with persistent practice of
meditation. Unless this stage is reached, there is no question of liberation.
Even in the case of mantra japa, there are various stages. A perfect stage in
mantra japa can be attained in a span of six months to one year under normal conditions.
To reach this stage, help of a Guru is surely needed. Without Guru’s guidance,
it will never be possible to get liberated.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Superimposition discussed above
is māyā. The original Splendour of Brahman is veiled by māyā, which is His own
power. Māyā suppresses the true nature of Brahman and projects Him as someone
with a shape and form. Afflicted with māyā, many entangle themselves only with
rituals, without attempting to move forward to realize Him. In order to realize
Him, one has to certainly transform himself, slowly disconnecting from the
senses and getting associated with his mind. When thought about Brahman transforms
into Love for Him, the actual process of realization begins. This is the stage
when one becomes too emotional and frequent emotional outbursts happen. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
The concept of Divine Grace is
also explained in the Bible. In Ephesians, several references are available
about Divine Grace. “In whom we have redemption...the forgiveness of sins,
according to the riches of His Grace (1:7)”. It means that when His Grace is
there, all our sins are redeemed and forgiven. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
With this Chapter I.ii of &lt;span lang="EN"&gt;Brahma
Sūtra is concluded.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/y8V1KAvg-4k" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/3808757147525061531/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/brahma-sutra-iii24-31.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/3808757147525061531?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/3808757147525061531?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/y8V1KAvg-4k/brahma-sutra-iii24-31.html" title="BRAHMA SŪTRA I.ii.24 - 31" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/brahma-sutra-iii24-31.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUAFQH48fyp7ImA9WhBUGU4.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-7795879311762190021</id><published>2013-05-07T19:05:00.000+05:30</published><updated>2013-05-07T19:05:11.077+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-07T19:05:11.077+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Saundaryalahari" /><title>SAUNDARYALAHARĪ  - VERSE 71</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;नखानामुद्योतैर्ननवनलिनरागं विहसतां&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कराणां ते कान्तिं कथय कथयामः कथमुमे।&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कयाचिद्वा साम्यं&amp;nbsp; भजतु कलया हन्त कमलं&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;यदि क्रीडल्लक्ष्मीचरणतललाक्षारसचणम्॥&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;nakhānāmudyotairnanavanalinarāgaṁ
vihasatāṁ&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;karāṇāṁ
te kāntiṁ kathaya kathayāmaḥ kathamume |&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;kayācidvā
sāmyaṁ&amp;nbsp; bhajatu kalayā hanta kamalaṁ&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;i&gt;yadi krīḍallakṣmīcaraṇatalalākṣārasacaṇam
||&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;i&gt;nakhānām udyotaiḥ&lt;/i&gt;
- splendour of Your nails; &lt;i&gt;nava nalina rāgaṁ &lt;/i&gt;- just blossomed lotus
flower; &lt;i&gt;vihasatāṁ&lt;/i&gt; - mocking laughter; &lt;i&gt;karāṇāṁ te&lt;/i&gt; – Your hands; &lt;i&gt;kāntiṁ&lt;/i&gt;
- Your splendour; &lt;i&gt;kathaya kathayāmaḥ&lt;/i&gt; - how can it be explained; &lt;i&gt;katham&lt;/i&gt;
– narrate; &lt;i&gt;ume&lt;/i&gt; – Umā; &lt;i&gt;kayā cid vā&lt;/i&gt; – somehow; &lt;i&gt;sāmyaṁ&lt;/i&gt; - equality;
&lt;i&gt;bhajatu kalayā hanta&lt;/i&gt; – possibly can attain;&lt;i&gt; kamalaṁ &lt;/i&gt;- lotus; &lt;i&gt;yadi
krīḍat lakṣmī caraṇa tala lākṣārasa caṇam&lt;/i&gt; - henna shining in the feet of Lakṣmī
residing in the lotus flowers. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
“O! Umā! The
nails in Your hands (finger nails) make lotus flowers to blossom. Splendour of
Your nails, make mockery of the radiance of just blossomed lotus flowers.
Please tell me, how can I describe such beautiful hands of Yours? These lotus
flowers got their radiance from the feet of Lakṣmī, who resides within lotus
flowers and who sports henna in her feet. Even then, there cannot be any equality
to Your splendour.” &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This verse
talks about &lt;span lang="EN-US"&gt;Parāśakti’s hands. &lt;/span&gt;Śaṁkarācārya could not find appropriate words to describe
Her splendorous hands. It seems to be a tough job for him as if he is
explaining Brahman, who cannot be described through words; but there is no
other go except to draw comparisons to explain Him. &amp;nbsp;For example, Brahman is more radiant than
millions of suns put together, etc. Similarly, Śaṁkarācārya finds it difficult
to describe Her hands. If this is the case with hands, how can Her full form be
described? This is beyond human comprehension. That is why, Śaṁkarācārya made
an attempt to describe Her through 100 verses of Saundaryalaharī. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Śaṁkarācārya thought about
closest possible similarity to describe Her hands. He says that goddess Lakṣmī,
Consort of &lt;span lang="EN"&gt;Viṣṇu resides in lotus flowers. She has applied henna
paste in her feet, which turned her feet deep red in colour and the lotus
flowers derive their luster only from the feet of &lt;/span&gt;Lakṣmī and even then this
comparison is not even the closest possible comparison to describe &lt;span lang="EN-US"&gt;Parāśakti’s hands. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;This verse can be contemplated like this. Parāśakti’s nails are deep red
in colour. The bright red radiance of Her nails get reflected in Her shining
hands. If this can be compared to the just blossomed red lotus flower, people
will laugh out loud for making this irrelevant comparison. But, there is no
other way to describe Her radiant hands. So, Her hands cannot be compared to anything
that is known to us. This is like making futile attempts to describe Brahman. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Umā is the
name given to Her by Her mother. When She was too young, She used to practice
austerities in order to attain Śiva
as Her Consort. Her mother at that time used to tell Her not to practice austerities
at such a tender age. Umā is explained like this. U stands for O! Child! and mā
stands for ‘do not practice austerities’. “O! Child! Do not practice
austerities” is later known as Umā.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/HBwBms2RTKw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/7795879311762190021/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/saundaryalahari-verse-71.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7795879311762190021?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7795879311762190021?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/HBwBms2RTKw/saundaryalahari-verse-71.html" title="SAUNDARYALAHARĪ  - VERSE 71" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/saundaryalahari-verse-71.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DE4BQno-fCp7ImA9WhBUGUw.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-8512998171593829945</id><published>2013-05-07T14:25:00.002+05:30</published><updated>2013-05-07T14:25:53.454+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-07T14:25:53.454+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 13</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;We are now entering fifth &lt;/span&gt;āvaraṇa, which is known as pañcamāvaraṇa
(fifth enclosure). This āvaraṇa is called Sarvārthasādhakacakra &lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वार्थसाधकचक्र&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;).&lt;/span&gt; Ten primary prāṇa-s
originate from this āvaraṇa
and each vital breath is represented by a śakti. There are ten triangles in
this āvaraṇa and each triangle is presided over by a śakti. Thus there are ten śakti-s
in this enclosure. By worshipping the śakti-s in this āvaraṇa, Guru-disciple relationship
is strengthened. Sarvārtha means accomplishments of all our aims and objects of
this life and in particular, Self-realization and consequent liberation from
the process of transmigration. This āvaraṇa is presided over by Tripurāśrī Cakreśvarī
and Sarvonmādinī is the Mudrāśakti and Kulotīrṇayoginī is the Yoginī. She
increases spiritual knowledge through strongly bonding Guru-disciple
relationship. After worshipping them at the end of this āvaraṇa, &lt;span lang="EN-US"&gt;Lalitā Mahātripurasundarī Parā Bhṭṭārikā
is worshipped with yonimudra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-ZotOkHUysZw/UYjBYlyPMNI/AAAAAAAABuc/E68PkCN6sGU/s1600/Avarana+5.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://3.bp.blogspot.com/-ZotOkHUysZw/UYjBYlyPMNI/AAAAAAAABuc/E68PkCN6sGU/s320/Avarana+5.JPG" width="312" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This āvaraṇa consists of 10
triangles and this is marked in the above image. When we worship these devi-s, like
in the previous āvaraṇa, we have to move in anticlockwise manner. These devi-s
are marked 1 to 10 in red in the chart above. These devi-s also represent ten
vital breaths - prāṇa, apāna, vyāna, udhāna, samāna, nāga, kūrma, hṛkara,
devatatta and dhanañjaya. Each of these prāṇa-s occupy certain specific parts
in a human body. &amp;nbsp;Prāṇa in the chest; apāna
in the navel and is the cause for procreation and excretion; vyāna in nostrils,
stomach and is the cause for circulation of blood and lymph; udhāna having its
abode at throat and circulates in arms and legs; samāna causes digestive fire (jaṭharāgni).
These five are primary prāṇa-s and the next five are secondary prāṇa-s and
their functions are nāga in vomiting; kūrma in winking of eyes; hṛkara in
digestion; devatatta in yawning and sleeping; and dhanañjaya is the cause for
subtle sounds within the body and this does not leave the body even after
death; by continuing to remain in the corpse, it makes the corpse to decay and
at the time of cremation, it escapes through the skull by breaking open the
skull.&amp;nbsp; It continues to remain in the
corpse that is buried and makes the corpse to decay and finally escapes through
the skull after a few days in the same manner discussed above.&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
1. Sarvasiddhipradā devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वसिद्धिप्रदा देवी&lt;/span&gt;; 2. Sarvasaṁpatpradā
devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वसंपत्प्रदा देवी&lt;/span&gt;; &lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
3. Sarvapriyaṅkarī devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वप्रियङ्करी देवी&lt;/span&gt;; 4. Sarvamaṅgalakāriṇī
devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वमङ्गलकारिणी देवी&lt;/span&gt;;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
5. Sarvakāmapradā devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वकामप्रदा देवी&lt;/span&gt;; 6.Sarvaduḥkhavimocinī
devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वदुःखविमोचिनी देवी&lt;/span&gt;;&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
7. Sarvamṛtyupraśamanī devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वमृत्युप्रशमनी देवी&lt;/span&gt;; 8. sarvighnanivāriṇī
devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्विघ्ननिवारिणी देवी&lt;/span&gt;; &lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
9. Sarvāṅgasundarī devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वाङ्गसुन्दरी देवी&lt;/span&gt;; 10. Sarvasaubhāgyadāyinī
devī &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 10.0pt; line-height: 150%; mso-ansi-font-size: 12.0pt; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वसौभाग्यदायिनी देवी&lt;/span&gt;.&lt;/div&gt;
&lt;div class="MsoNoSpacing" style="line-height: 150%;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Their
worship begins from the eastern side and proceeds in anticlockwise manner. The difference
between the previous āvaraṇa is that the former was gross in nature like
material wealth, etc and this āvaraṇa ias purely in subtle in nature and deals
with invisibilities like prāṇa. Apart from controlling prāṇa-s, these ten śakti-s
control the following. They are bestowing everything, giving material wealth, worthiness
(both material and spiritual), fulfilment of all types of desires, removal of
sorrow and pain, removing all pains at the time of death and foretelling death
(Birth and death are always painful, hence there is an urgent need to get
liberated in this birth itself. It is said that everyone knows very clearly,
when the process of death is initiated in his or her body. It is also said that
process of death does not even last for a few seconds.), removal of all
obstructions both in spiritual and material life, giving a good external appearance
and good looks and bestowing both material and spiritual prosperity. From this āvaraṇa onwards, knowledge about
Śiva is imparted gradually. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
In order to merge with Śiva, to
whom alone an individual soul can merge to get total liberation, one has to
have complete knowledge of Śiva. Śiva here means Brahman. &amp;nbsp;Such a soul merges with Śiva (Brahman), to
become one with Him. This can be done only by Lalitāmbikā, as explained in Lalitā
Sahasranāma 727, Śiva-jñāna-pradāyinī. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
{Further reading on Śiva-jñāna-pradāyinī:
She imparts the knowledge of Śiva, the Ultimate.&amp;nbsp; Śiva jñāna (knowledge) means the knowledge of
the Brahman, which is also known as the Supreme knowledge.&amp;nbsp; To know Śiva, one should first know His Śaktī,
who alone is capable of leading a person to the Brahman or Śiva.&amp;nbsp; Rāmāyaṇa says ‘wind can be realized through
movements, fire can be realised through heat and Śiva can be realized only
through Śaktī.’ It can also be said that Śiva is the source of knowledge for
Her.&amp;nbsp; It is said śaṁkaraṁ caitanyam which
means that Śiva is both jñāna and kriyā.&amp;nbsp;
He is the sovereign, pure free will in knowledge and action.&amp;nbsp; Based upon this principle, Śiva Sūtra-s opens
by saying caitanyamātmā.&amp;nbsp; Caitanyam means
consciousness of the highest purity and knowledge.&amp;nbsp; There is no difference between Brahman and
the highest form of consciousness.&amp;nbsp; But
how Śaktī alone is capable of unravelling Śiva?&amp;nbsp;
This is answered by Śiva Sūtra (I.6) again which says that by meditating
on Śaktī, the universe disappears as a separate entity thereby unveiling Self
illuminating Śiva.&amp;nbsp; The process of such
happening is described in Spanda Kārikā (I.8) (another treatise of Kashmiri
Saivism) which says ‘the empirical individual cannot ward off the urge of
desires.&amp;nbsp; But entering the energetic
circle of the Self (Śiva), he becomes equal to that Self.’ The seeker of Śiva
becomes Śiva himself.&amp;nbsp; This is known as Śiva
jñāna and She imparts this kind of Supreme knowledge.&amp;nbsp; It is also said that Śiva cannot be attained
without first realising Śaktī. She alone can lead one to Śiva. Śiva is
inaccessible directly. Unless She chooses to impart the required Supreme
knowledge, none can realise Śiva. Hence, She is called Śiva-jñāna-pradāyinī.}&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/aQHgdwH9ddA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/8512998171593829945/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-13.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/8512998171593829945?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/8512998171593829945?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/aQHgdwH9ddA/journey-to-sri-chakra-part-13.html" title="JOURNEY TO SRI CHAKRA - PART 13" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-ZotOkHUysZw/UYjBYlyPMNI/AAAAAAAABuc/E68PkCN6sGU/s72-c/Avarana+5.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-13.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DU8ERHk_fSp7ImA9WhBUGU0.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-7724445335926716778</id><published>2013-05-07T00:35:00.000+05:30</published><updated>2013-05-07T11:53:25.745+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-07T11:53:25.745+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mantra Japas" /><title>DISTANCE INITIATION</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;In the present day word, it is
extremely difficult to get a proper mantra initiated by the right Guru. Time
and distance are surely deterrent factors in mantra initiation. Mantra cannot
be initiated unilaterally, without following certain minimum guidelines, which
can be summarized as follows. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;1. In the absence of direct contact
between Guru and the aspirant, both should have a chance to know each other’s
face. Without Guru knowing the aspirant or the aspirant knowing his or her
Guru, any type of initiation will become futile. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;2. Guru should get birth details of
the aspirant such as place, date and time of birth and study the horoscope of
the proposed disciple’s &lt;/span&gt;viṃśāṃśa &lt;span lang="EN-US"&gt;chart (1/20) and find out which mantra will be more suitable for him or
her. Not only the mantra, but also the deity and the capacity to meditate can
be found out from D20 chart. If D20 chart is good, highest form of mantras such
as &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī can be straight away initiated.
Once a mantra is initiated, it is difficult for the aspirant to change the
mantra after some time. This should always be borne in mind, while finalizing the
mantra for initiation. Based on the natal chart, an ātmabīja should be derived
and imparted to the aspirant and the aspirant should be made to recite ātmabīja
at least for a few days. If ātmabīja is perfectly derived, the aspirant will
experience moderate bliss. If this bliss is experienced by the aspirant, Guru
can guide the aspirant how to use ātmabīja. Ātmabīja cannot replace an existing
bīja of a mantra, except in exceptional cases like &lt;/span&gt;Ṣ&lt;span lang="EN-US"&gt;oḍaśī. Certain mantras can be
encased (&lt;/span&gt;&lt;span lang="EN-US"&gt;sampuṭīkaraṇa) by prefixing and suffixing &lt;/span&gt;&lt;span lang="EN-US"&gt;ātmabīja or Guru could advise the
aspirant to recite ātmabīja daily for certain number of times without resorting
to &lt;/span&gt;&lt;span lang="EN-US"&gt;sampuṭīkaraṇa. &lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;3. There should be minimal discussion
between the Guru and the aspirant about the aspirant’s Iṣṭa Devata. As far as
possible, mantra should be finalized for initiation, based upon the aspirant’s Iṣṭa
Devata. Guru should also ascertain from the aspirant his religious and
spiritual inclinations and ascertain his present spiritual status. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;4. Once the mantra is finalized, an
auspicious date and time should be finalized. Auspicious date should be fixed mainly
based on tārābala and candrabala than other considerations. At the time of
initiation, 8&lt;sup&gt;th&lt;/sup&gt; house should be vacant. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;5. Once the mantra is finalized,
mantra should be forwarded to the aspirant by Guru. This should be done well in
advance, so that the aspirant can go through the mantra and revert back to Guru
for any clarification. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;6. It is always better that Guru
initiates the aspirant by verbally repeating the mantra and this can be done
over phone. This should be done on the day and time fixed for initiation. This
is one of the important aspects, as the aspirant should not make any mistakes
while pronouncing the mantra. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;7. Once all these formalities are
completed, both Guru and the aspirant should sit together for meditation for a
few minutes (ideally not more than five minutes). It is always advisable to inform
the aspirant to fix his attention on his ājñācakra and Guru can pass on his
energy to the aspirant using the available photograph of the aspirant. Guru
will also meditate looking at the ājñācakra of the aspirant. If both Guru and
the aspirant are in good spiritual level, transformation of energy can be
realized by the disciple. Once this is done, Guru-disciple relationship is
established. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;8. It is natural that the disciple
will have innumerable doubts during the initial days. Guru should have patience
and knowledge to clarify all the doubts of this disciple. Once the disciple
settles down with the mantra comfortably, Guru should periodically follow up
with his disciple and make him or her advance in spiritual path. Guru should
never have ego while training his disciples. There should be friendly approach
between Guru and his disciples. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;This is only broad guidelines for
distance initiations and different Gurus adopt different methods.&lt;/span&gt;&lt;br /&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span lang="EN-US"&gt;Further reading :&amp;nbsp;&lt;a href="http://www.manblunder.com/2013/01/guru-and-mantra-initiation.html" target="_blank"&gt;&lt;span style="color: blue;"&gt;&lt;b&gt;Guru and Mantra initiation&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/UBu94PmMgVQ" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/7724445335926716778/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/distance-initiation.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7724445335926716778?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7724445335926716778?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/UBu94PmMgVQ/distance-initiation.html" title="DISTANCE INITIATION" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/distance-initiation.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkEBRX08fyp7ImA9WhBUGEk.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-1781282941870956845</id><published>2013-05-06T18:20:00.005+05:30</published><updated>2013-05-06T18:20:54.377+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-06T18:20:54.377+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Brahma Sūtra" /><title>BRAHMA SŪTRA - I.ii.19 - 23</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.19&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
The inner Self is not the one,
mentioned in Sāṅkhya Philosophy. Pradhāna (Prakṛti) is mentioned as the
internal ruler in Sāṅkhya Philosophy, which also proceeds to say that Prakṛti
is the ultimate cause of all objects. This is being refuted in this sūtra. If
Prakṛti is accepted as the inner Self, the entire theory of Advaita Philosophy
becomes untenable. When we say that Brahman is omnipresent, it means that He is
everywhere, both internally and externally. If this to be argued further,
Brahman always remains as a witness, though, He is the cause. This concept has
already discussed in the form of a seed, its germination and growth. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Why Prakṛti is refuted as the
cause because, it needs the Self to manifest and it cannot do so on its own. But,
Brahman is different and He does not need anyone to manifest, both as sentient
and insentient beings, as explained in Bṛhadāraṇyaka Upaniṣad (III.vii.23), “He
is never known but He is the Knower. There is no other witness but Him. He is
the Internal Ruler, your own immortal Self. Everything else but Him is mortal.”&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.20&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This sūtra is important as this
differentiates between the Self and the individual soul. This sūtra says that
the individual soul is not the Internal Ruler. Again, a reference is drawn from
Bṛhadāraṇyaka Upaniṣad (III.vii.22), which says, “He, who inhabits the
intellect (buddhi), but the intellect does not know this, and whose body is the
intellect (body here refers to the invisible and subtle body of Brahman) and
who controls the intellect within (within here refers to the pervasion of
intellect by Him) is the Internal Ruler, which is nothing but your own Immortal
Self.” Brahman is addressed as the Internal Ruler, because He is to be realized
within. Once He is realized within, His universal form or the cosmic form can
be realized. There are some explanations which say that inhabiting the
intellect means inhabiting or pervading the jīvātman. When Brahman enters the
individual self, then only it is known as the individual soul. In other words,
activity of the soul begins only if the Self enters the individual soul.
Otherwise, individual soul remains inactive and immobile. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
{Further reading: Though this
does not form part of &lt;span lang="EN"&gt;Brahma Sūtra, let us now analyze individual soul. What
happens at the time of death? The individual soul (with the Self within), exits
along with prāṇa, through any one of the nine apertures of body. What is an
individual soul? Individual soul is the deeply embedded impressions of the
subconscious mind. This subconscious mind is always immobile, and it is made
mobile by pervasion of the Self. When the individual soul exits the body at the
time of death, the Self is within the individual soul (embedded impressions of
subconscious mind); otherwise, individual self cannot transmigrate (due to lack
of mobility). Individual soul is very minute and is said to be smaller than an
atom. When the Self pervades the individual soul, naturally the Self has to be
still minuter. This is the reason for addressing the Self as smaller than the
smallest (&lt;/span&gt;&lt;span lang="EN-US"&gt;Kaṭha Upaniṣad I.ii.20 - aṇoraṇīyān). Self realization
means, realizing the Self within and not the individual soul. More on this will
be discussed later in this series.}&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.21&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Why Brahman alone is
omnipresent, smaller than the smallest, etc? Now this is being taken up for
discussion. Brahman alone is Supreme, as He alone has certain qualities. The
word quality is used here, as there is no other appropriate word to express His
Supremacy. In reality, He is the source of all qualities, but He is not
affected with any of these qualities. But, due to spiritual ignorance (māyā),
many meditate on the individual soul instead of the Supreme Self. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Now, a reference is cited from
Muṇḍaka Upaniṣad (I.i.5). The Upaniṣad says that there are two types of
knowledge. One is aparā and another is parā. It is said that the four Vedas
(including rituals) form aparā, which is explained as the secular
knowledge.&amp;nbsp; It is secular knowledge
because aparā is associated with senses. It is not the knowledge that gives
liberation. For liberation, what we need is only the mind. Knowledge through
senses can at the most be the cause for laying a strong foundation for
spiritual life, but this kind of knowledge will not give liberation. Then,
which knowledge can give liberation, as our motive is only liberation and
nothing else? Parā knowledge alone can give liberation. For the purpose of
liberation, the Upaniṣad says that the aspirant approaches His Guru and asks
him, “O! Lord! What should a person know, so that everything becomes known to
him?” Everything here means the universe. Everything becomes known only if one
sees through the “eyes” of Brahman. In order to reach that stage, one has to
become Brahman himself (the state of I am That). Hence, great importance is
attached to realizing the Self within. When we look at beautiful scenery, we
enjoy the scenery through our eyes, which form part of our sense organs. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Guru himself answers this in Muṇḍaka
Upaniṣad (I.i.6). He tells his disciple, “He is invisible, He cannot be
grasped, and whose origin is not known, He is indestructible,
extensive.....wise see Him everywhere and in every being.”&amp;nbsp; Thus, this becomes the essence of
Self-realization. In other words, grasping someone who cannot be grasped is the
knowledge about Brahman. This is parā knowledge and this alone is the spiritual
knowledge that is required to realize Him. But, why there is a need for a Guru?
Though Brahman can be explained as Supreme, for making an aspirant to realize
this, a Guru is needed. Guru will impart this knowledge by quoting various
examples. This is the difference between theory classes followed by practical
classes. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.22&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
On this very account, Brahman
cannot be compared with either the individual soul or Prakṛti. Why Brahman
cannot be compared with these two? Muṇḍaka Upaniṣad (II.i.2) says, “That
radiant Brahman is formless and is present both within and outside (sa-bāhya-abhyantaraḥ),
without birth (His origin is not known, hence it is said without birth),
without breath (a-prāṇaḥ), without mind, He is pure and is higher than Brahman
with attributes, who is also known as saguṇa Brahman.” What is the difference
between nirguṇa Brahman and saguṇa Brahman? It is only in the form of
attributes. Nirguṇa Brahman does not have any attributes or qualities and
hence, He cannot be explained. If we understand this through Trika Philosophy, it
is the state of Paramaśiva, beyond whom, there is nothing and Paramaśiva cannot
even be contemplated even by the best meditators. What we speak about and
discuss about, are all about saguṇa Brahman.&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Thus, except Brahman, neither
the individual soul nor Prakṛti can be the reason for the creation of the
universe or its sustenance and annihilation. This is because, these two have
qualities and attributes and they cannot function on their own. Without Brahman
being present in them, they continue to remain inert. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.23&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Muṇḍaka Upaniṣad (II.i.4) makes
an attempt to explain Brahman. It only makes an attempt in describing Him, by
using many words conveying infinity. The Upaniṣad says, “His head is the
heaven; His eyes are sun and moon; his ears are the cardinal points
(directions).....” This is not the perfect description of Brahman, simply
because, He cannot be described. By saying that His head is heaven, the Upaniṣad
attempts to elucidate His infinity. Examples are given here only to make us
understand His grandeur, which otherwise cannot be put in words. There are
several such verses throughout Muṇḍaka Upaniṣad. Naturally, a question may
arise, why we should realize Him? This Upaniṣad answers this question. It says
(II.i.10), “The one who knows Him thus, is liberated.” Such discussions are
needed only in order to attain liberation in this birth itself. Getting
liberated in this birth itself should be our aim, because, one more
transmigration will again be painful. If we have the will, we can surely avoid
that.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/hxAYAQR9ZKE" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/1781282941870956845/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/brahma-sutra-iii19-23.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/1781282941870956845?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/1781282941870956845?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/hxAYAQR9ZKE/brahma-sutra-iii19-23.html" title="BRAHMA SŪTRA - I.ii.19 - 23" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/brahma-sutra-iii19-23.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEENQ3s6cSp7ImA9WhBUF0g.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-3898450052750990842</id><published>2013-05-05T17:54:00.000+05:30</published><updated>2013-05-05T17:54:52.519+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-05T17:54:52.519+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mantra Japas" /><title>NAVAKĀLĪ MANTRAS –  NINE KĀLĪ MANTRAS</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal"&gt;
There is a reference to navakālī (nine forms of Kālī) Mahākālasaṁhitā
- Kāmakalākālīkhaṇḍaḥ (&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;महाकालसंहिता
– कामकलाकालीखण्डः&lt;/span&gt;) and there are different mantra-s for these nine forms
of Kālī. However mantras marked ** could not be verified to ensure their
correctness. &lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;I. GUHYAKĀLĪ&amp;nbsp; &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;गुह्यकाली&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
1. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं क्रीं क्रीं हूं हूं ह्रीं ह्रीं गुह्य कालिके क्रीं क्रीं क्रीं हूं हूं
ह्रीं ह्रीं स्वाहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ krīṁ krīṁ hūṁ hūṁ hrīṁ hrīṁ guhya kālike krīṁ krīṁ&amp;nbsp; krīṁ hūṁ hūṁ hrīṁ hrīṁ svāhā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
2. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
हूं हूं ह्रीं ह्रीं गुह्य कालिके क्रीं क्रीं हूं हूं ह्रीं ह्रीं स्वहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om hūṁ hūṁ hrīṁ hrīṁ guhya kālike krīṁ krīṁ hūṁ hūṁ hrīṁ hrīṁ
svahā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
3. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं हूं ह्रीं गुह्य कालिके क्रीं क्रीं हूं हूं ह्रीं ह्रीं स्वाहा&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ hūṁ hrīṁ guhya kālike krīṁ krīṁ hūṁ hūṁ hrīṁ hrīṁ
svāhā&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;II. BHADRAKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;भद्रकाली&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
1. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
हौं कालि महाकालि किलिकिलि फट् स्वाहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om hauṁ kāli mahākāli kilikili phaṭ svāhā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
2. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं क्रीं क्रीं हूं हूं ह्रीं ह्रीं भद्रकाल्यै क्रीं क्रीं क्रीं हूं हूं
ह्रीं ह्रीं स्वाहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ krīṁ krīṁ hūṁ hūṁ&amp;nbsp;
hrīṁ hrīṁ bhadrakālyai krīṁ krīṁ krīṁ&amp;nbsp;
hūṁ hūṁ hrīṁ hrīṁ svāhā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
3.&amp;nbsp; &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ भद्रकाली महाकाली किलि किलि फट्
स्वाहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om bhadrakālī mahākālī kili kili phaṭ svāhā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;III. ŚMAŚĀNAKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;श्मशानकाली&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं क्रीं क्रीं हूं हूं ह्रीं ह्रीं श्मशानकालि क्रीं क्रीं क्रीं हूं हूं
ह्रीं ह्रीं स्वाहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ krīṁ krīṁ hūṁ hūṁ&amp;nbsp;
hrīṁ hrīṁ śmaśānakāli krīṁ krīṁ krīṁ hūṁ hūṁ&amp;nbsp; hrīṁ hrīṁ svāhā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;IV. MAHĀKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;महाकाली&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
1. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं क्रीं हूं हूं ह्रीं ह्रीं महाकालि क्रीं क्रीं हूं हूं ह्रीं ह्रीं स्वहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ krīṁ&amp;nbsp; hūṁ hūṁ&amp;nbsp; hrīṁ hrīṁ&amp;nbsp;
mahākāli krīṁ krīṁ hūṁ hūṁ hrīṁ hrīṁ&amp;nbsp;
svahā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
2. &lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रों क्रों क्रों क्रों पशून् गृहाण हुं फट् स्वाहा।&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om kroṁ kroṁ kroṁ kroṁ paśūn gṛhāṇa huṁ phaṭ svāhā |&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;V. DHANAKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;धनकाली&lt;/span&gt;**&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
औं हूं ह्रीं फ्रें छ्रीं स्त्रीं श्रीं क्रों नमो धनकाल्यै विकरालरूपिणि
सुरेश्वरि धनं देहि देहि दापय दापय क्षं क्षां&amp;nbsp;
क्षिं क्षीं क्षुं क्षूं क्षृं क्षॄं क्ष्लृं क्ष्लॄं क्ष्रें क्ष्रैं
क्ष्रों क्ष्रं क्ष्रः क्रों क्रों आं ह्रीं ह्रीं हूं हूं फट् फट् स्वाहा॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om auṁ hūṁ hrīṁ phreṁ chrīṁ strīṁ śrīṁ kroṁ namo dhanakālyai
vikarālarūpiṇi sureśvari dhanaṁ dehi dehi dāpaya dāpaya kṣaṁ kṣāṁ&amp;nbsp; kṣiṁ kṣīṁ kṣuṁ kṣūṁ kṣṛṁ kṣṝṁ kṣlṛṁ kṣlṝṁ kṣreṁ
kṣraiṁ kṣroṁ kṣraṁ kṣraḥ kroṁ kroṁ āṁ hrīṁ hrīṁ hūṁ hūṁ phaṭ phaṭ svāhā ||&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;VI. SIDDHIKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सिद्धिकाली&lt;/span&gt;**&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
ऐं क्लीं ह्रीं ह्रूं सिद्धिकाल्यै नमः&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om aiṁ klīṁ hrīṁ hrūṁ siddhikālyai namaḥ&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;VII. CA&lt;/b&gt;&lt;b&gt;ṆḌAKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;चण्डकाली&lt;/span&gt;**&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
ह्रीं चण्डाट्टहासिनि जगद्ग्रसनकारिणि नरमुण्डमालिनि चण्डकालिके क्लीं श्रीं हूं
स्त्रीं छ्रीं फत् फत् स्वाहा॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om hrīṁ caṇḍāṭṭahāsini jagadgrasanakāriṇi naramuṇḍamālini caṇḍakālike
klīṁ śrīṁ hūṁ strīṁ chrīṁ phat phat svāhā ||&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;VIII. KĀLAKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;कालकाली&lt;/span&gt;&lt;span lang="SA"&gt; &lt;/span&gt;**&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं हूं ह्रीं स्त्रीं क्लीं कालकाली फट् स्वाहा॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ hūṁ hrīṁ strīṁ klīṁ kālakālī phaṭ svāhā ||&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;IX. DAK&lt;/b&gt;&lt;b&gt;ṢI&lt;/b&gt;&lt;b&gt;ṆAKĀLĪ &lt;/b&gt;&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;दक्षिणकाली&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;b&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;ॐ
क्रीं क्रीं क्रीं हूं हूं&amp;nbsp; ह्रीं
ह्रीं&amp;nbsp; दक्षिणेकालिके क्रीं क्रीं क्रीं
हूं हूं ह्रीं ह्रीं स्वाहा॥&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
om krīṁ krīṁ krīṁ hūṁ hūṁ&amp;nbsp;
hrīṁ hrīṁ&amp;nbsp; dakṣiṇekālike krīṁ krīṁ
krīṁ hūṁ hūṁ hrīṁ hrīṁ svāhā ||&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
** Correct of these mantras could not be ascertained. &lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/B8abeLxLUpI" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/3898450052750990842/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/navakali-mantras-nine-kali-mantras.html#comment-form" title="41 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/3898450052750990842?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/3898450052750990842?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/B8abeLxLUpI/navakali-mantras-nine-kali-mantras.html" title="NAVAKĀLĪ MANTRAS –  NINE KĀLĪ MANTRAS" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>41</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/navakali-mantras-nine-kali-mantras.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkQNQXk8eip7ImA9WhBUFks.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-4329610341722235115</id><published>2013-05-04T17:23:00.000+05:30</published><updated>2013-05-04T17:23:10.772+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-04T17:23:10.772+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Saundaryalahari" /><title>SAUNDARYALAHARĪ - VERSE 70</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;मृणालीमृद्वीनां तव भुजलतानां चतसृणां&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;चतुर्भिः सौन्दर्यं सरसिजभवः स्तौति
वदनैः।&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;नखेभ्यः संत्रस्यन् प्रथममथनादन्धकरिपोः&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;चतुर्णां शीर्षाणां सममभयहस्तार्पणधिया॥&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;mṛṇālīmṛdvīnāṁ
tava bhujalatānāṁ catasṛṇāṁ&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;caturbhiḥ
saundaryaṁ sarasijabhavaḥ stauti vadanaiḥ |&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;nakhebhyaḥ
saṁtrasyan prathamamathanādandhakaripoḥ&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;i&gt;caturṇāṁ śīrṣāṇāṁ
samamabhayahastārpaṇadhiyā ||&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;i&gt;mṛṇālī mṛdvīnāṁ&lt;/i&gt;
- soft like stalk of lotus; &lt;i&gt;tava &lt;/i&gt;– Your; &lt;i&gt;catasṛṇāṁ&lt;/i&gt; - four fold; &lt;i&gt;caturbhiḥ
&lt;/i&gt;- four; &lt;i&gt;saundaryaṁ&lt;/i&gt; - beauty; &lt;i&gt;sarasija bhavaḥ&lt;/i&gt; - Brahmā (god of
creation); &lt;i&gt;stauti&lt;/i&gt; – praising ; &lt;i&gt;vadanaiḥ&lt;/i&gt; - faces; &lt;i&gt;nakhebhyaḥ&lt;/i&gt;
- finger nails; &lt;i&gt;saṁtrasyan&lt;/i&gt; &amp;nbsp;- fearing;
&lt;i&gt;prathama mathanāt&lt;/i&gt; – because of the previous incident; &amp;nbsp;&lt;i&gt;andhaka ripoḥ &lt;/i&gt;- Śiva’s; &lt;i&gt;caturṇāṁ śīrṣāṇāṁ&lt;/i&gt; - existing four heads;
&lt;i&gt;samam&lt;/i&gt;- similarly; &lt;i&gt;abhaya hasta arpaṇa dhiyā&lt;/i&gt; – saving, by
extending Your hand. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
“Your four hands
are very soft like lotus stalk. Once upon a time, Śiva nipped off Brahmā’s head using His finger nails.
Scared of this and in order to retain his existing four heads, Brahmā came to
You and praised Your four soft hands seeking Your protection.”&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
On the
grosser side, Śiva cut the fourth head of Brahmā and there are several stories
associated with this incident. Fearing that Śiva could cut off his remaining
four heads, he goes to &lt;span lang="EN-US"&gt;Parāśakti
and sings Her praise, seeking Her protection. &lt;/span&gt;Brahmā went to Her
thinking that he can be saved by Her hand with abhaya mudra. In order to save
himself, Brahmā has totally forgotten that She does not show abhaya mudra and
Her feet are capable of protecting from miseries (Saundaryalaharī verse 4). He
himself worshiped Her feet, which is explained in Saundaryalaharī verse 3 and
22). However, dhyāna verse of Mahāṣoḍaśī mantra says, “&lt;i&gt;pāṇibhyāṁ varadā
abhayaṁ ca dadhatīṁ brahmādisevyāṁ parāṁ&lt;/i&gt;” which means, She also has &lt;i&gt;abhaya&lt;/i&gt;
and &lt;i&gt;varada&lt;/i&gt; mudras, but this is applicable only in that particular form
of manifestation. In fact, Mahāṣoḍaśī mantra is meant only for those, who are
about to be liberated. But, Brahmā is a liberated god head, who takes care of
the entire creation and works under Her command. When Brahmā goes to Her
seeking protection, it clearly speaks about Her Supremacy. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Brahmā
originally had five heads. There are various interpretations about his fifth
head. One of his heads was cut off by Śiva
for having told a lie. There is another version saying that the fifth head was
burnt by Śiva’s third eye for having disrespected Him. According to another
version, fifth head of Brahmā
was cut off by Kālabhairava, a form of Śiva. Another version says that Brahmā
has fallen in love with Sarasvatī, his consort and spent most of his time with
her. There are different versions about the origin of Sarasvatī. Some texts say
that Sarasvatī is Brahmā’s daughter and Brahmā created her using his mind power.
When Brahmā fall in love with Sarasvatī, Śiva became furious and chopped off his fifth head. There
are other interpretations too. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This verse clearly establishes
Her Supremacy and even god heads like Brahmā have to surrender to Her.
She is the ultimate saviour.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/ZThq8pTPYgw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/4329610341722235115/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/saundaryalahari-verse-70.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/4329610341722235115?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/4329610341722235115?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/ZThq8pTPYgw/saundaryalahari-verse-70.html" title="SAUNDARYALAHARĪ - VERSE 70" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/saundaryalahari-verse-70.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUQBQng-fSp7ImA9WhBUFUU.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-1661740171914299916</id><published>2013-05-03T18:52:00.002+05:30</published><updated>2013-05-03T18:52:33.655+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-03T18:52:33.655+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 12</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;We are now entering the fourth &lt;/span&gt;āvaraṇa, which is known as turiyāvaraṇa
(fourth enclosure). This āvaraṇa is called as sarva-saubhāgya-dāyaka cakra &lt;span style="font-size: 11.0pt; line-height: 115%; mso-bidi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्व-सौभाग्य-दायक
चक्र&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;).&lt;/span&gt; All types
of prosperity originate from this āvaraṇa.
Sarva-saubhāgya-dāyaka means giver of all kinds of prosperity, including both material
and spiritual. &amp;nbsp;Presiding deity of
this āvaraṇa is Tripuravāsinī
cakreśvarī, Sarvavaśaṅkarī is the Mudrāśakti and Saṁpradāyayoginī is the Yoginī.
At the end of this āvaraṇa, the above śaktī-s are worshipped. &lt;span lang="EN-US"&gt;. Lalitā Mahātripurasundarī Parā Bhṭṭārikā
is also worshipped in each of the āvaraṇa-s. Each āvaraṇa has one specific
mudra with which &lt;/span&gt;&lt;span lang="EN-US"&gt;Parāśakti is worshipped and apart from the specific
mudra, She is also worshipped with yoni mudra at the end of each &lt;/span&gt;&lt;span lang="EN-US"&gt;āvaraṇa. This &lt;/span&gt;āvaraṇa is in the form of a
triangle and there are 14 śakti-s in this triangle. This is the first triangle
that we come across when we enter into Śri Cakra. Śri Cakra has nine triangles
like this and out this nine, four triangles are facing upwards and five
triangles are facing downwards. These nine triangles intersecting each other
give rise six āvaraṇa-s and 44 triangles. All these triangles represent Divine Procreative
energy. Four upward facing triangles are known as Śiva cakra-s (triangles) and
the five downward facing triangles are known as &lt;span lang="EN-US"&gt;Śakti&lt;/span&gt; cakra-s. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-v8crZVH-538/UYO5qgNG_DI/AAAAAAAABrc/okauvUuMsR4/s1600/Capture.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="400" src="http://2.bp.blogspot.com/-v8crZVH-538/UYO5qgNG_DI/AAAAAAAABrc/okauvUuMsR4/s400/Capture.JPG" width="375" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This āvaraṇa consists of 14
triangles and this is marked in the above image. When we worship these devi-s,
we have to move in anticlockwise manner. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
1. Sarvasaṁkṣobhiṇī śakti &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वसंक्षोभिणी शक्ति&lt;/span&gt; (at the end of the name, śakti
is to be added); &amp;nbsp;2.Sarvavidraviṇī &lt;span lang="SA" style="font-family: 'Sanskrit 2003';"&gt;सर्वविद्रविणी&lt;/span&gt;;
3. Sarvākarṣiṇi &lt;span lang="SA" style="font-family: 'Sanskrit 2003';"&gt;सर्वाकर्षिणि&lt;/span&gt;
4. Sarvāhlādinī &lt;span lang="SA" style="font-family: 'Sanskrit 2003';"&gt;सर्वाह्लादिनी&lt;/span&gt;;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
5. Sarvasaṁmohinī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वसंमोहिनी&lt;/span&gt;;
6. Sarvastaṁbhinī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वस्तंभिनी&lt;/span&gt;;
7. Sarvajṛṁbhiṇī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वजृंभिणी&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
8. Sarvavaśaṅkarī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्ववशङ्करी&lt;/span&gt;;
9. Sarvarañjanī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वरञ्जनी&lt;/span&gt;;
10. Sarvonmādinī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वोन्मादिनी&lt;/span&gt;;
&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
11. Sarvārthasādhinī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वार्थसाधिनी&lt;/span&gt;; 12. Sarvasaṁpattipūraṇī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वसंपत्तिपूरणी&lt;/span&gt;; &lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
13. Sarvamantramayī &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वमन्त्रमयी&lt;/span&gt;; 14. Sarvadvandvakṣayaṅkarī śakti &lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्वद्वन्द्वक्षयङ्करी&lt;/span&gt;&lt;span lang="SA"&gt; &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;शक्ति&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNoSpacing"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Their worship
begins from the East and proceeds in anticlockwise manner. These fourteen śakti-s
are referred as the fourteen upper worlds as mentioned in Brahmagāyātrī mantra
and these worlds are Bhū, Bhuva, Sva, Maha, Jana, Tapa and Satyaṁ. It is also
said that these fourteen śakti-s represent fourteen important nāḍī-s (tubular
vessels) in our body and they are alaṁbhuśā, kuhū, viśvodarā*, vāraṇā*,
hastijihvā, yaśovati*, payasvinī*, gāndhārī, pūśā, śaṁkhinī, sarasvatī*, iḍā,
piṅgalā and suṣumna. These nāḍī-s help in excretion, procreation, digestion,
locomotion, hearing, vision, taste and of course three divine nāḍī-s. iḍā, piṅgalā
and suṣumna. However, Yogacūḍāmaṇi Upaniṣad
(verses 18,19 and 20) talks about only ten nāḍī-s (* represent those nāḍī-s
not mentioned in the Upaniṣad).
There are other variations also. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
The above 14
śakti-s are in charge of fourteen qualities or attributes such as mental
agitation, chasing away (evil thoughts), attraction (physical), causing
happiness, delusion (māyā),
obstruction (in the path Self-realization), release (releasing obstructions in the
path of Self-realization), subjugation (surrendering to Her), rejoicing
(experiencing Bliss), maddening, accomplishment of desires (both material and
spiritual), providing wealth (material wealth), all mantras (to conquer mind) and
dispelling all types of dualities (dispelling ). When this āvaraṇa is worshiped, She sends
the right Guru to the worshiper who will take him to higher spiritual levels. It
is also said that Śiva Himself appears as Guru in human form. This also
establishes the difference between Guru (imparts spiritual knowledge, leading
to Self-realization) and guru (who initiates into mantras and teaches the aspirant
about performing pūjā-s and other rituals). &amp;nbsp;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
At the end
of the fourth āvaraṇa, we
have worshipped 66 śaktī-s. (First āvaraṇa 28; second āvaraṇa 16; third āvaraṇa
8 and this (fourth) āvaraṇa 14 totalling to 66).&lt;span style="text-align: left;"&gt;&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/5Q4EYbMH96U" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/1661740171914299916/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-12.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/1661740171914299916?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/1661740171914299916?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/5Q4EYbMH96U/journey-to-sri-chakra-part-12.html" title="JOURNEY TO SRI CHAKRA - PART 12" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-v8crZVH-538/UYO5qgNG_DI/AAAAAAAABrc/okauvUuMsR4/s72-c/Capture.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/journey-to-sri-chakra-part-12.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEIAQ38_fCp7ImA9WhBUFUw.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-6060051729111068985</id><published>2013-05-02T22:05:00.004+05:30</published><updated>2013-05-02T22:05:42.144+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-02T22:05:42.144+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Brahma Sūtra" /><title>BRAHMA SŪTRA - I.ii.13 - 18</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.13&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Brahman is
within and one can surely realize this. For this, &lt;span lang="EN"&gt;Chāndogya &lt;/span&gt;&lt;span lang="EN-US"&gt;Upaniṣad (IV.15.1) lays down certain conditions. “How do you know the
Self? You have to have complete self-discipline, gentle nature and you must
withdraw the mind from material world. Then you can see the Self.” Everyone
knows that Brahman is within. But we are not making any attempts to realize
Him. He is in the closest possible range, in our own body, but due to our
inherent spiritual ignorance, we run from one place to another, seeking Him in
all the places except in His Abode, our very own body. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;First, spiritual knowledge is required. Secondly, we need to have
self-control. What is self-control? It is not self-denial. It is not necessary
that one should live in a secluded place or resort to celibacy, to realize Him
within. Here, self-control means acting on impulse, which causes desires and
attachments. Let us take an example. Let us assume that X does not have a car,
whereas all his neighbors have cars. X does not have a car because he has no
means to buy a car. Knowing well that he cannot afford to buy a car, still he
goes ahead and buys a car by resorting to borrowing. This is a clear case of
impulsive buying that helps only to satiate his non-essential ego. If he is not
associated with the material world, he would not have done this. He did not
understand that the same society, if he fails, is not going to help him. This
is called the effect of &lt;/span&gt;māyā.
Resisiting such impulsive desires is self-denial. Gentle nature means lovable
nature. One should have a broad mind to help others. If one finds happiness in
helping others, his minds become purified. But, what is the relation between
mind and lovable nature? When one learns to love others and share their
concerns, the mind gets purified by getting rid of many negative thought
processes. When the water is dirty, we clean a tank only with pure water and
not with the existing dirty water. As long as multiple thoughts remain, the
mind cannot be purified. Withdrawing from material world is possible if one gets
rid of desires and attachments. Desires and attachments can be there, but there
is a threshold and if this boundary is crossed, one gets engrossed in desires
and attachments alone. Multiple examples can be cited here. A son works outside
his homeland. It is alright to find out about his well being once in a while;
instead, if he is contacted twice a day, then it means excessive attachment and
affection. This should be dispensed with. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
The question is when Brahman is
within us as the Self, why should we search for Him elsewhere. Searching Him
elsewhere is waste of time. Realize Him within and then go to other places and
search Him. When one realizes Him within, he would not like to seek Him
elsewhere. But there are many exceptions to this generalized statement. There
were many sages and saints, who after Self-realization went to different places
to impart Divine knowledge. One should understand that imparting spiritual knowledge
should never be commercialised. It causes huge accumulation of bad karmas and
sins. This is applicable both to the giver and the taker. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.14&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
This sūtra reconfirms that the
place of Brahman is within. A doubt may arise at this point, as some of the
previous aphorism said that the self is within instead of the Self. Without the
Self, self cannot exist. The Self remaining covered by māyā is the individual
soul or the self. When we say individual soul, it automatically refers to the
Self hidden by māyā. Māyā can be removed by knowledge and practice. In what way
they help in realizing the Self? Only because of knowledge we are able to differentiate
between the Self and the self. Had we not understood the difference, we will
continue to be associated with the self that is covered by māyā, thinking that
the individual soul is the Self. Having understood the differences between the
Self and the self, where is the necessity for practice? We have decided to go
to a place. First, we try to understand that place and its significance. Having
understood its significance, we have to travel to that place to reach that
place. This is how knowledge and practice help in realizing the Self. Spiritual
knowledge and spiritual practice are the most essential factors in Self-realization.
&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.15&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
What is the first stage of
realizing the Self within? It is the experience of inexplicable happiness,
which is known as bliss. When the mind is devoid of any disturbing thoughts, it
becomes peaceful, as there is no agitation in the mind. When the mind is freed
from material afflictions, the mind tends to think “I am That” because, Guru
has said “You are That”. Now the mind ponders over the teaching of his or her
Guru. It is not enough to say that “You are That”, but how one becomes That
should be explained. This is what &lt;span lang="EN"&gt;Brahma Sūtra does. How to realize Him
as Brahman is to be explained step by step and a Guru will guide the aspirant
stage by stage. This alone is true and authentic Guru-disciple relationship. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN"&gt;There
is a reference in Chāndogya &lt;/span&gt;&lt;span lang="EN-US"&gt;Upaniṣad (IV.10) which goes like
this. “I know breath is Brahman, but I do not know space is Brahman. Now I know
space is Brahman, but I do not know, Bliss is Brahman. Now I know Bliss is
Brahman…..” This not only says that Brahman is everything and He alone
manifests in different shapes, forms, energies, etc, but also He manifests as
Bliss, which can be experienced by us. If He is not experienced through Bliss,
how can one believe that Brahman exists at all? We enter into the state of
Bliss only if we think about Him. Bliss has no reason; still we experience that
inexplicable happiness. Therefore, Brahman exists in all shapes and forms and
in order to attain Him, we have to make a beginning somewhere. This path can be
taught by a Guru, step by step. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.16&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Guru alone can show the true
path, the path followed by him to realize Brahman. Had he followed a different path,
he would not have realized the Self. Only a scholar can become a professor and
he has attained this position by his hard work and perseverance. He could
answer any queries from his students and he can lead them to his level, as he
knows the path he had traversed, which is bound to yield excellent results. Praśna
&lt;span lang="EN-US"&gt;Upaniṣad (I.10) explains how the Self can be realized.
“By practicing self-control, having faith and by studying Scriptures, the Self
can be realized.” Self-control is already discussed. But what is faith? Faith
is the most essential factor in realization. Why it is so important? It is very
important because, Brahman is subtle and not visible to our biological eyes.
For example, diameter of the sun is 1.38 million Kilometers. It is said like
that and we believe this statement. It could be right or wrong and as we have
no means to exactly measure the diameter of the sun, we believe the findings of
scientists. &amp;nbsp;It is the unshakable faith
that counts. We have to believe our Guru and we have to believe the invisible
force that is the cause for creation, viz. Brahman. When we believe in
something, we become that. When we believe in the invisible, omnipresent,
omnipotent and omniscient Brahman, we also become Brahman. But, how do we know
that we have become Brahman? It is felt by mental modifications, change in our
attitude, experiencing inexplicable happiness, loving, caring and compassion
for others. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Once Brahman is realized, the realized person is not the same as he was
earlier. He is completely transformed and becomes almost like Brahman in
qualities, attributes, etc. But at the same time, a realized person is not
Brahman Himself. That happens only after his merger with Him. Merger with
Brahman happens in stages. First he becomes a &lt;/span&gt;sthitaprajña, a yogī and a jīvanmukta and finally merges
unto Him after his death. He is not born again. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.17&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
None other than Brahman can be
Brahman. For example, individual soul known as jīvan cannot attain the status
of Brahman. One can realize Brahman, but cannot become Brahman, unless the
merger with Him is complete in all respects. Till the river mergers into an
ocean, identity of the river remains; similarly, till the individual soul
shreds its māyā, individual soul remains only as a jīvan. However, within the jīvan,
Brahman is present, otherwise, His omnipresence will become questionable. Further,
no being or no object can grow without the presence of the Self within, hence,
Self always remains as the cause and gross objects are its effect. So, whenever
we speak of the Self, it always refers to Brahman and not an individual soul.
When we talk about realization, it refers to realization of the Self within,
which is the cause of the self. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.18&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
There is yet another reason. Brahman
alone remains eternal and the rest, one day or other bound to perish. Anything
that undergoes modifications such as growth ultimately perishes. Every object
that we are associated with in our daily life ultimately perishes, whereas,
Brahman within is not subjected to growth. He always remains as a witness. It
cannot be argued that He cannot witness our actions, as He is veiled by māyā. He
can easily penetrate māyā as it is His own power, by which He casts a spell on
all of us. It is called as spell, because spell is only temporary and can be
removed with knowledge and practice. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Brahman is called as the
Internal Ruler in Bṛhadāraṇyaka Upaniṣad (III.vii.1). It asks, “Do you know that
Internal Ruler, who controls this life as well as the next life and also
controls all the beings by remaining within.” This clearly proves that without
the Self, nothing can function. The Upaniṣad does not stop with this. It
proceeds to say, “The one who knows Him, indeed knows Brahman.” This
conclusively proves that the Internal Ruler is none other than Brahman. Realizing
Him as the Internal Ruler (the Self within) is not difficult. What we need is a
True Guru, spiritual knowledge and persistent practice (contemplation or
meditation). &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Vivekacūḍāmaṇi (429 and 429)
beautifully summarises this discussion. It says, “He, whose prajñā (wisdom,
intelligence, knowledge, discrimination, judgment) is steady, who has perpetual
bliss, who has almost forgotten the material world (it is not said that one
should forget the material world completely; it is only said that the material
world should forgotten to the maximum possible extent), is accepted as a person
liberated in this birth itself. He who even having his mind merged in Brahman
is also quite alert; but at the same time, he is free from the characteristics
of mundane active life, and whose realization is free from desires is accepted
as a man liberated in this life (jīvanmukata).” A jīvanmukata is the one, who
is liberated and still holds on his physical body to expend all his karmic
impressions.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/Eti4hyJ4aw0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/6060051729111068985/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/brahma-sutra-iii13-18.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/6060051729111068985?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/6060051729111068985?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/Eti4hyJ4aw0/brahma-sutra-iii13-18.html" title="BRAHMA SŪTRA - I.ii.13 - 18" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/brahma-sutra-iii13-18.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkAMRX4zeSp7ImA9WhBUFEU.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-7642277677833414828</id><published>2013-05-02T14:23:00.000+05:30</published><updated>2013-05-02T14:23:04.081+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-05-02T14:23:04.081+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Saundaryalahari" /><title>SAUNDARYALAHARĪ  - VERSE 69</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;गले रेखास्तिस्रो गतिगमकगीतैकनिपुणे&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;विवाहव्यानद्धप्रगुणगुणसंख्याप्रतिभुवः।&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;विराजन्ते नानाविधमधुररागाकरभुवां&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;span lang="SA" style="font-family: &amp;quot;Sanskrit 2003&amp;quot;; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;त्रयाणां ग्रामाणां स्थितिनियमसीमान इव
ते॥&lt;/span&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;gale
rekhāstisro gatigamakagītaikanipuṇe&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;vivāhavyānaddhapraguṇaguṇasaṁkhyāpratibhuvaḥ
|&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNoSpacing" style="line-height: 150%; text-align: center;"&gt;
&lt;i&gt;virājante
nānāvidhamadhurarāgākarabhuvāṁ&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;i&gt;trayāṇāṁ grāmāṇāṁ
sthitiniyamasīmāna iva te ||&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div align="center" class="MsoNormal" style="text-align: center;"&gt;
&lt;i&gt;&lt;br /&gt;&lt;/i&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;i&gt;gale&lt;/i&gt;
–neck; &lt;i&gt;rekhāstisro &lt;/i&gt;–three lines; &lt;i&gt;gati gamaka gītaika nipuṇe&lt;/i&gt; –
expert in singing with gati and gamaka (both associated with the way in which
vocal music is rendered); &lt;i&gt;vivāha&lt;/i&gt; &lt;i&gt;vyānaddha praguṇa guṇa saṁkhyā
pratibhuvaḥ&lt;/i&gt; - reminding the auspicious thread made of three strings, tied
during marriage (māṅgalyasūtra); &lt;i&gt;virājante &lt;/i&gt;– embellishing; &lt;i&gt;&amp;nbsp;nānāvidha&lt;/i&gt; &lt;i&gt;madhura rāgākara bhuvāṁ&lt;/i&gt; -
the source of multitude of pleasing melodies;&lt;i&gt; trayāṇāṁ&lt;/i&gt; &lt;i&gt;grāmāṇāṁ &lt;/i&gt;-
three musical notes (ṣaḍja, gāndhāra and madhyama); &lt;i&gt;sthiti niyama sīmāna iva&lt;/i&gt;
– boundaries delimiting musical notes;&lt;i&gt; te &lt;/i&gt;– Your; &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
“You neck
(containing vocal cord), which has the expertise of singing melodious tunes,
has three lines. They remind us about the auspicious thread (māṅgalyasūtra)
tied in your neck by Śiva,
which is made of three intertwined (yellow) threads. The three lines also appear
like boundaries delimiting musical notes.” &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Śaṁkarācārya describes Her neck.
He says that there are lines in Her neck. &amp;nbsp;Three lines around the neck is described as the
sign of auspiciousness in &lt;span lang="EN-US"&gt;sāmudrikalakṣaṇa (study of body
parts and its effects). On seeing these three lines, &lt;/span&gt;Śaṁkarācārya could immediately
recollect about tying of māṅgalyasūtra on Her neck by Śiva during their marriage.
Māṅgalyasūtra is made of three intertwined
yellow colour threads and after intertwining, the thread that is to be tied
becomes thick and in the centre of this thick thread , māṅgalya is fixed
and the loose ends are kept open. Māṅgalya is explained as an object of
auspiciousness that conveys happiness. An ordinary poet could have stopped at
this point. But Śaṁkarācārya
goes further and says that these lines not only reminds him about māṅgalyasūtra,
but also reminds him about the boundary lines between musical notes. There are
seven basic musical notes known as saptasvara (seven musical notes/sound) and
these notes are sa, ṛ, gā, ma, pa, dha and ni and these notes are known as ṣaḍja,
ṛṣabha, gāndhāra, madhyama, pañcama, dhaivata and niṣāda. Out of these seven
only three, which are mentioned in this verse are known as grāma. Since Śaṁkarācārya was expert in
anything, including music, he chose only the three grāma-s to describe
the three lines in Her neck. This also indirectly explains the qualities of a
great Guru. A Guru should know almost everything, not merely mantras and
rituals. From these lines, which are compared to grāma, all other musical notes
originate. Therefore, he also establishes that everything originates from Her. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Further
reading: According to Hindu Scriptures, a marriage has many ceremonies, out of
which most important ceremonies are: &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
1. Kanyādāna,
where the girl is given as a gift to groom’s family. This is only a gift and no
monetary or material transactions are involved. Bride’s father is the one, who
gives the gift to the groom. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
2. Saptapadī,
where the groom holding the big toe of the right foot of the bride and makes
her to walk seven steps. While holding her big toe, groom’s right hand thumb
should be facing upwards. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
There are
other rituals too, but tying māṅgalyasūtra is not mentioned in the ancient
texts. It is important that
kanyādāna should be performed during auspicious muhūrta. Someone could
say that saptapadī should also be done during muhūrta. Muhūrta is 1/30 of 24
hours, which means 48 minutes, which represent time duration of two stars (nakṣatra-s).
There are 30 muhūrta-s in a day and each muhūrta also has a name.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/JGlcNHCHXak" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/7642277677833414828/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/05/saundaryalahari-verse-69.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7642277677833414828?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/7642277677833414828?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/JGlcNHCHXak/saundaryalahari-verse-69.html" title="SAUNDARYALAHARĪ  - VERSE 69" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/05/saundaryalahari-verse-69.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk4ERHsyeip7ImA9WhBUE08.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-2901446903522089324</id><published>2013-04-30T17:58:00.001+05:30</published><updated>2013-04-30T17:58:25.592+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-30T17:58:25.592+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Journey to Sri Chakra" /><title>JOURNEY TO SRI CHAKRA - PART 11</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;We are now about to enter the third &lt;/span&gt;āvaraṇa, known as tṛtīyāvaraṇam
(&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;तृतीयावरणम्&lt;/span&gt;), which is also known as sarva saṁkṣobhaṇa
cakra &lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;(&lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;सर्व
संक्षोभण चक्र&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;).&lt;/span&gt; Saṃkṣobhaṇa
means commotion and sarva saṁkṣobhaṇa means all types of commotions. All types
of mental commotions originate from this āvaraṇa. This āvaraṇa
has eight petal lotus, known as aṣṭadala padma (&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अष्टदल
पद्म&lt;/span&gt;&lt;span style="font-size: 11.0pt; line-height: 115%;"&gt;).&lt;/span&gt; This āvaraṇa is presided over by Tripurasundarī
Cakreśvarī (presiding deity of the first āvaraṇa is &lt;span lang="EN-US"&gt;Tripurā Cakreśvarī, presiding deity of second &lt;/span&gt;āvaraṇa is Tripureśī Cakreśvarī
and the presiding deity of this āvaraṇa is Tripurasundarī Cakreśvarī. We have to
note the minute difference in their names.) Mahimā Siddhi is the siddhi Devi; Sarvākarṣiṇī
is the mudra śakti and Guptatarayoginī is the Yoginī. At the end of worshipping
these eight devi-s, above śakti-s are worshipped and after worshipping them, &lt;span lang="EN-US"&gt;Lalitā Mahātripurasundarī Parā Bhṭṭārikā
is also worshipped in each of the āvaraṇa-s. Each āvaraṇa has one specific
mudra with which &lt;/span&gt;&lt;span lang="EN-US"&gt;Parāśakti is worshipped and apart from the specific
mudra (in this &lt;/span&gt;āvaraṇa Sarvākarṣiṇī is the mudra)&lt;span lang="EN-US"&gt;, She is also worshipped with yoni mudra at the end of each &lt;/span&gt;&lt;span lang="EN-US"&gt;āvaraṇa. Before, going into the
details, let us worship these eight devi-s. Abodes of these devi-s are marked 1 to 8 in the eight petal lotus.&amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://2.bp.blogspot.com/-r9t8CEYjngU/UX-4eIyJAvI/AAAAAAAABrM/tUAKQj-MnLc/s1600/Capture.JPG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="320" src="http://2.bp.blogspot.com/-r9t8CEYjngU/UX-4eIyJAvI/AAAAAAAABrM/tUAKQj-MnLc/s320/Capture.JPG" width="311" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;The peculiarity of these devi-s is
that their names begin with anaṅga. Anaṅga means bodiless. Worshipping āvaraṇa
devi-s begin from western side as against the eastern side of the second āvaraṇa.
Āvaraṇa devi-s are marked in blue ink in eight petal lotus. They are worshipped
clock wise, west, north, east, south, north west, north east, south east and
south west. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12pt; text-align: left;"&gt;
&lt;span lang="EN-US"&gt;1. anaṅga kusumā devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गकुसुमादेवी&lt;/span&gt;&lt;span lang="EN-US"&gt;; 2. anaṅga mekhalā devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गमेखलादेवी&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US;"&gt;;&lt;/span&gt;&lt;span lang="EN-US"&gt; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;3.
anaṅga madanā devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गमदनादेवी&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US;"&gt;;&lt;/span&gt;&lt;span lang="EN-US"&gt; 4. anaṅga madanāturā devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गमदनातुरादेवी&lt;/span&gt;&lt;span lang="EN-US" style="font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US;"&gt;;&lt;/span&gt;&lt;span lang="EN-US"&gt;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;5. anaṅga rekhā devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गरेखादेवी&lt;/span&gt;&lt;span lang="EN-US"&gt;; 6. anaṅga veginī devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गवेगिनीदेवी&lt;/span&gt;&lt;span lang="EN-US"&gt;;&amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp; &amp;nbsp;&amp;nbsp;7. anaṅga aṅguśā
devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गअङ्गुशादेवी&lt;/span&gt;&lt;span lang="EN-US"&gt;; 8. anaṅga mālinī devī &lt;/span&gt;&lt;span lang="SA" style="font-family: &amp;quot;Mangal&amp;quot;,&amp;quot;serif&amp;quot;; font-size: 11.0pt; line-height: 115%; mso-ansi-language: EN-US; mso-ascii-font-family: &amp;quot;Times New Roman&amp;quot;; mso-hansi-font-family: &amp;quot;Times New Roman&amp;quot;;"&gt;अनङ्गमालिनीदेवी&lt;/span&gt;&lt;span lang="EN-US"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;All these devi-s represent Manmatha (Cupid)
in some way or other. Manmatha is also bodiless. These devi-s form flowers,
girdle, intoxication, addiction, silhouette, urge, goad and garland of
Manmatha. Apart from representing and acting on behalf of Manmatha, they also
cause certain subtle modification in the mind of a human being and these
modifications are explained as psychophysical in nature. Psychophysical is
explained as quantitative&amp;nbsp;relations between physical stimuli and their
psychological effects. It is a sort of body-mind combination. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;There are different interpretations as
to how they represent psychophysical properties. According to one version they
represent &lt;/span&gt;prakṛti
(primordial nature), mahat (mahat means great; according to Sāṁkhya philosophy,
mahat arises from the union of puruṣa
and prakṛti; the Self within can be realized only due to mahat principle and
this depends upon mind), ego (non-essential ego), pañcatanmātra-s (sound,
touch, sight, taste and smell), five principle elements of the universe (ākāśa,
air, fire, water and earth), ten organs of action and perception (karmendriya-s
and jñānendriya-s), antaḥkaraṇa (mind, intellect, consciousness and ego) and puruṣa
(individual soul, which is being currently discussed in &lt;span lang="EN"&gt;Brahma Sūtra
interpretations in this site). Another interpretation is that these eight devi-s
represent expression, apprehension, movement, elimination, lust, rejections, attention
and detachment. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;span lang="EN"&gt;When we move towards &lt;/span&gt;Śri Cakra, we shed those qualities represented by different devi-s
in different āvaraṇa-s and when go near the innermost triangle, we are completely
purified, as we are about to become one with Śiva and Śakti. When we move away
from Śri Cakra, we attain these qualities and attributes one by one, so that
when we are born, our inner Self is completely covered by māyā. The former journey
is towards liberation and the latter journey is towards creation.&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/manblunder/YHBi/~4/chDoDvgCaHk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.manblunder.com/feeds/2901446903522089324/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.manblunder.com/2013/04/journey-to-sri-chakra-part-11.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/2901446903522089324?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/597164143330594362/posts/default/2901446903522089324?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/manblunder/YHBi/~3/chDoDvgCaHk/journey-to-sri-chakra-part-11.html" title="JOURNEY TO SRI CHAKRA - PART 11" /><author><name>MANBLUNDER</name><uri>http://www.blogger.com/profile/09379828265294517197</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="http://4.bp.blogspot.com/-HoFxS81zwYc/UTyw-EJBMRI/AAAAAAAABoU/JOk1gEnLt4I/s220/Capture.JPG" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://2.bp.blogspot.com/-r9t8CEYjngU/UX-4eIyJAvI/AAAAAAAABrM/tUAKQj-MnLc/s72-c/Capture.JPG" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.manblunder.com/2013/04/journey-to-sri-chakra-part-11.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUADQXg-cSp7ImA9WhBUEkk.&quot;"><id>tag:blogger.com,1999:blog-597164143330594362.post-1733935342121500691</id><published>2013-04-29T19:26:00.000+05:30</published><updated>2013-04-29T19:26:10.659+05:30</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-29T19:26:10.659+05:30</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Brahma Sūtra" /><title>BRAHMA SŪTRA - I.ii.7-12</title><content type="html">&lt;div dir="ltr" style="text-align: left;" trbidi="on"&gt;
&lt;br /&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.7&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Upaniṣad-s say that Brahman is
situated in the heart and this means that Brahman is small and has only a small
Abode. This aphorism explains why Brahman is said to be smaller than the
smallest and resides in one’s heart. &lt;span lang="EN"&gt;Chāndogya &lt;/span&gt;&lt;span lang="EN-US"&gt;Upaniṣad
(III.xiv.3) says, “The Self is inside the heart, smaller than a grain of rice.”
The argument is based on this saying of Upaniṣad. The same Upaniṣad again says,
“He is bigger than the three regions” The three regions three vyāhṛti-s of
Gayatri mantra viz. &lt;/span&gt;bhūr, bhuvaḥ and svar, the three worlds or three
mystical planes. Both these references are in the same verse. The same concept
is also conveyed in &lt;span lang="EN-US"&gt;Kaṭha Upaniṣad (I.ii.20) which says,”He is bigger than
the biggest and smaller than the smallest.” Why is it said so? There could be
two answers. One, Brahman is omnipresent and naturally He exists in an atom as
well as in a mountain. It is not right to say that He exists in atom. The
correct usage would be He exists as atoms and simultaneously He exists as mountains.
He alone can exist simultaneously in more than one place. This is His omnipotence,
His very nature. Secondly, His smaller side is revealed to us to enable us to visualize
Him during meditation. When &lt;/span&gt;&lt;span lang="EN"&gt;Kṛṣṇa showed His Cosmic form (viśvarūpa),
Arjuna could not see this for long, due to fear. Similarly, if the Cosmic form
of Brahman is verbally described in &lt;/span&gt;&lt;span lang="EN-US"&gt;Upaniṣad-s, out of fear alone, we
will not contemplate this form. This is the reason why Upaniṣad-s say He is
bigger than the biggest and smaller than the smallest. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;A seed can be explained as a seed today and after some years, the same seed
is not there. The seed has grown into a big tree. Simultaneously, either a seed
or a tree alone can exist. This is known as growth or modification. When there
is growth, destruction is always there. But Brahman can exist as a seed and a
tree simultaneously, because He is beyond growth. He is projected in various
forms only to enable us to contemplate Him in order to merge with Him. &amp;nbsp;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.8&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;When Brahman is omnipresent and exists in all the beings as the Self, He
also experiences the pleasure and pain of the embodied form. &lt;/span&gt;Bṛhadāraṇyaka Upaniṣad
(III.vii.23) counters this argument by saying, “He is never known, but is the
Knower. There is no other witness but Him...”&lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Brahman though is present as the
Self within, does not partake in an action or cause any action of the embodied
person. He remains only as a witness. That is why Upaniṣad said that He is
never known because He has no shape or form. How can He be contemplated without
a form? For the purpose of knowing Him, He is projected as the rays of the sun and
not in the form of the sun itself, as if we look at the sun, our eyes will be
blinded. Our actions are based on our karmas and not due to the inducement of
the Self within. When the body and mind suffers, He only remains as a witness.
He is in no way involved in any of the actions of the body and mind. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.9&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
We consume food, the embodied
form consumes food. But who takes this food? Is it the Self or jaṭharāgni
(the digestive fire in the stomach). When we say that jaṭharāgni is the eater
of the food, it leads to dualism and gives room to believe that there is
something or someone apart from Brahman, who consumes the food we take. It is
said that jaṭharāgni is not different Brahman; it is also Brahman. Like all
rivers merging into ocean, all the food we consume also merges into Brahman or
absorbed by Brahman. If the food is taken or not taken, Brahman always remains
the same, as He also exists in the form of food. Does this mean that Brahman
eats? No, obviously Brahman cannot eat, as He is food itself. How can food eat
food? &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Why food is
consumed by an embodied form? Food leads to growth and growth ends up at death.
If a man eats food, he grows only to die ultimately. If Brahman eats food (only
for the purpose of understanding), He does not grow and naturally there is no
death. If we don’t eat, we die, whereas if Brahman does not eat, He does not
die, as He is beyond modifications. This aphorism says that both sentient and
insentient are Brahman only. There is no second to Him or nothing is different
from Him. Everything is Brahman. &lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.10&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
There is difference between a Self-realized
person and an ordinary person. Difference is in one’s perception. Perception
depends upon spiritual knowledge. Why the perception differs and how it is
related to spiritual knowledge? An ordinary person looks at the world as
duality. He sees the world from his own eyes. When he sees the world with his
own eyes, the world appears different from him. This is dualism, because there
are two objects, the seer and the seen. Practically speaking, through all of us
talk about Advaita, it is not sincerely followed. It is extremely difficult to
follow the revelations of Advaita philosophy. One needs to have faith, will and
practice. Generally they don’t work in tandem and there is always some deficiency
on any of these. Sync between these three can happen only if karmic account
permits. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
Let
us analyze this through &lt;span lang="EN-US"&gt;Kaṭha Upaniṣad (I.ii.18). It says, “The
Self is not born nor does it die. It is not born of something, nor is something
else born of it. It is without birth, eternal, unchanging. The body dies, but
not the Self.” Again the Upaniṣad (II.i.2) says, “Immature people run after
external objects and they get caught in the net of death. But wise men know
where immortality is and that is why they reject everything in the world, knowing
well that they are short lived (pleasures are short lived).”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; mso-layout-grid-align: none; text-align: justify; text-autospace: none;"&gt;
&lt;span lang="EN-US"&gt;This clearly goes to prove that Brahman is beyond
birth and death and also the one who knows Brahman, as He is, is also beyond
birth and death. This is the reason, why we seek Him in the midst of our hectic
worldly activities. Even if we don’t realize Him in this birth due to our
karmic account, we recommence our spiritual journey from the level we have
attained in this birth. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.11&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
Both the Self (Brahman) and the
self (individual soul) are in the same cavity of the heart. Though the
difference between the Self and the self was discussed earlier, Brahma Sūtra
clearly establishes similarities and differences between the two. What is the
difference between the two? The Self is pure and is inside the self. &lt;span lang="EN-US"&gt;Kaṭha Upaniṣad (.iii.1) explains this further. It says, “Those who know
Brahman say that the Cosmic Self and the individual self are like Light and its
shadow.” The difference between light and shadow is that the former is pure and
later is dark and impure. But without the light, shadow is not possible.
Similarly, Brahman is Pure and the individual self is dark as the Self within
the individual self is covered by the veil of &lt;/span&gt;māyā. We have already seen this as the sun behind dark
clouds. Just because dark clouds obstruct the brightness of the sun, it does
not mean that sun is not bright and illuminating. In the same manner, even if
the Self is veiled by māyā, it does not mean that the Self is not omnipresent.
Without the existence of the Self, how can māyā cast a veil on the Self? The
concept of cause and effect is being introduced gradually. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;span lang="EN-US"&gt;Taittirīya Upaniṣad (II.1) says, “Brahman is in the space within the
heart, which is like a cave.” Cave means darkness, which refers to the darkness
of &lt;/span&gt;māyā. We are not
able to realize the effulgence of the Self within, because it is in hidden beneath
the darkness of māyā, which is explained as the cave. When we go past māyā, we
are able to realize the effulgence of the Self. This is Self realization. &lt;o:p&gt;&lt;/o:p&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
&lt;b&gt;Sūtra I.ii.12&lt;o:p&gt;&lt;/o:p&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="margin-bottom: 12.0pt; text-align: justify;"&gt;
At this level, we are able to distinguish
between the Self and the self. Having known the difference, the hidden Self can
be realized only through adequate spiritual knowledge and practice. Unless the
individual self is fully understood, how can the Self within the individual
self can be realized. In order to overcome this, &lt;span lang="EN-US"&gt;Kaṭha
Upaniṣad (I.iii.3) explains the connection between the self on one hand and
mind, intellect and body on the other hand. Unless this relationship is
properly understood, the self cannot be understood, leave alone the Self. “Individual
soul is the master of the chariot. The chariot (the physical body) belongs to
him. He has purchased the chariot (through his karmic account). The master is
sitting inside the chariot. The chariot needs a driver who can drive the
chariot and this is intellect (buddhi). We have the master who owns the chariot
and the driver, but how to make the horse run? In order to make the horse run,
reins (stop or slow&amp;nbsp;up one's horse or oneself by or as&amp;nbsp;if by pulling
the reins) are needed and reins are compared to the mind. What is the work of
the master? Nothing, he simply sits and is not involved in running the chariot
and this is the individual soul. But it is the master who decides the destination
and therefore, both intellect and mind work according to the wishes of the
self, who is the master. Is it not contrary to what has been said earlier? It
is not contradictory, as there is difference between the Self and the self. Individual
self is covered by &lt;/span&gt;māyā
and as long as māyā prevails, karmic account also prevails. It is the karmic
account that determines the course of action by afflicting the mind. Thus, the
master within asks the intellect (the driver) to go to particular place and the
intellect in turn commands the mind (reins) to move in that direction. If one
wants to attain liberation he can do so and if one does not want to attain
liberation and wants to remain with the material world, he can also do so. Which
decides this? Mind in combination with one’s karmic account.&amp;nbsp;&lt;/div&gt;
&lt;/div&gt;
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