(There’s a spoiler I talk about, but I’ll try to wait till after the summary. Also, the spoiler is obvious.)

I will reiterate that those who cannot accept that Marie’s entire life to date has revolved around being told how terrible she is will find this volume very hard going, because it will feel grating that she loathes herself to such a degree that it almost drowns the narrative. The third quarter of the book is awash in everyone just being very, very sad, and I get the feeling the author knew this and wanted to make sure it didn’t overflow. As such, eventually, when Marie ends up fleeing from her engagement and the castle, things proceed to turn into farce, starting with Mio driving around and around the castle while pretending to be driving her back home, waiting for her to change her mind, and then getting capped off by Kyros leaping onto the carriage to follow them around the castle. It’s so over the top it’s fun.

Marie is doing her best, even though she may not think that it is. As we learn more about her childhood, we discover that she can speak/write in multiple languages, that her dancing is excellent, and that the fact that her favorite children’s book was delivered to her may be the holding thing keeping her from a breakdown. Meanwhile, Mio investigates back at her parents’ manor, and discovers that things are far more disturbing than they or we imagined, especially in regards to the death of Marie’s sister. Even a lovely outing in the merchant district to look at rings and clothing can’t pass by without Mio hearing the voice of her sister calling her and having nightmares. Surely the best thing to do is to simply call everything off and go back to her abusive home.

Rest assured, dear reader, this does not happen. For one thing, Anastasia isn’t dead. I know this will come as a shock to no one. What came as a shock to me was that I was expecting her to have deliberately faked her death to go off the the capital to make things. As it turns out, no, she was almost raped by her coach driver, escaped by the skin of her teeth, and only by miraculous fortune did she wind up in the capital. Oh yes, and her hair is being used to pacify her half-insane mother. Suffice it to say, neither sister has had it easy, and they both love each other yet also deeply envy each other’s positions. Towards the end of the book, when both parents are taken into custody, Marie has to decide what to do with them, and we get a bit of backstory that explains but does not excuse their actions. Much as I liked the wackiness in the middle of the agony, the agony is very much there.

That said, there’s more to this series. Marie and Kyros aren’t married yet. The third prince is hitting on a former noble turned commoner who just wants to be left alone. And what of Mio, the best character in this series? We’ll find out next time.

The scope of this series is expanding a bit as we get to the third book, and as we continue to deal with the fallout of what happened with Abigail’s parents. Their domain is currently turning into a bit of a nightmare, and while Gerald doesn’t really wish otherwise, he does have to help investigate it. Moreover, Abigail may be human now, and theoretically able to do magic, but it’s clear that she has a foot in both worlds, and that she needs to be very careful to keep that balance, because right now her ability to talk to and control monsters may be more important than things like learning to do healing and recovery magic. That said, rest assured that we do get a lot of food here, and Abigail regales us with how good it is. The series is not going to abandon its title anytime soon.

As the book opens, Abigail and Gerald are still being pestered by the fourth prince, who desperately wants their help because Abigail is the only one who can possibly decipher the horrible bookkeeping of her old domain. Gerald agrees, albeit very reluctantly, but Abigail is fine with it. She meets some old schoolmates of Gerald as well, who are very different personality types but who both share a trait of being far too blunt and direct about everything. And she has to cope with managing the household when Gerald has a military maneuver that takes him away for a while. Unfortunately, her stepmother takes this opportunity to try to invade and demand that Abigail return with them. Even more unfortunately, she seems to have tried to stage a rockfall to kill off Gerald. Can food save the day?

As with the prior two volumes, I still have an issue with Abigail frequently sounding like a six-year-old rather than a young woman who used to be the Monster King. It makes the lovey-dovey stuff a bit weird. Apart from that, we get two new cast members here, though one may also leave us here. The Wendy subplot feels a bit half-baked, mostly as she’s not really aggressive or awful, she’s just direct and can’t take a hint. I was expecting her to clash with Abigail, but that didn’t happen, she just sort of finally gets the message and decides to go be a good girl from now on. You get the sense she was there for Abigail to pick up healing magic from. Much better is the other woman, Rickman, a brilliant but autistic (it’s not explicitly stated in the text, but it’s pretty obvious) aide to the prince who finds Gerald scary but warms to his fiancee right away, telling her stories. Frankly, she’s really good at telling the stories, and I wonder if a career change is in the offing. She’s also fun, as she too can’t seem to stop saying – well, stuttering – what she thinks.

This isn’t great, but it’s decent, and there’s enough meat on the bones for me to keep going despite my issues.

MICHELLE: Yeah, it’s hard to beat a synopsis like “humans and vampires must team up with the power of rock and roll!” I’ll endorse this pick, too.

ANNA: Me too, I hope vampires and rock is a winning combination.

ASH: Likewise! I am more than willing to give a new series and a new publisher/imprint a try when a supernatural music manga is involved.

KATE: The plot summary at the Penguin site makes zero sense, but I, too, like the idea of human/vampire crossover, especially if there’s a killer guitar solo involved. Add me to the Kinryo Rock—Code Amrita fan club.

Generally speaking, it must be fun to be a petty noble in a world like most of these otome game-esque magic academy worlds. The protagonist being a little too perfect, a little too attention-grabbing, reinventing all of modern magic to replace it with the powerful ways of old? Just do your best to discredit and ruin her. What’s that? Didn’t work? Her fiancee the prince is now seemingly a vegetable? Not a problem. She has friends. You just have to show them what a bad idea it is to be friends with her. Make it really clear that being tight with her can destroy not only your life but that of your entire town. Hrm? That didn’t work either? It’s OK, there’s a school festival. You can show up to belittle and crush her with your sneering, mocking ways… hrm? Is that the third Queen? Going gaga over what they’re selling? Talking with the protagonist about her health and inviting her to the palace soon? Maybe it’s NOT fun to be a petty noble…

Leticiel has a lot on her plate. Despite doing well in nearly everything at school, she’s struggling in liberal arts. She’s still getting the odd nightmare flashback to Drossel’s memories, including time spent with the mysterious Alec. Her older sister is trying to manipulate her twin sister into hating her even more, which… honestly does not really need that much of a push. The two spirit kids she made friends with last time have spirit parents who are very angry that they deigned to talk with a human. Heck, even the book she really wanted to buy from a mysterious merchant who totally doesn’t have a secret identity isn’t for sale. Oh, and innocent people are being kidnapped and shipped to another country to be sold as slaves. With all this going on, it’s no wonder that she’s behind in black cloud investigation.

The big climax of this book, in addition to allowing for a really cool sorcery battle (and showing off alchemy, which apparently also exists, and I’d love to see the final volume somehow combine magic, sorcery AND alchemy), Leticiel discovers that it’s not just Drossel’s past that she needs to worry about but her own. The bad guys are using some very familiar sorcery, and that means that someone else has returned from the dead like she has. As for the Drossel side, that’s also getting harder, as it’s becoming more and more clear that this is not simply a case of “if I just pretend everything’s fine, no one will notice I am a blank slate”. The Third Queen I mentioned before has been ill, and apparently she and Drossel used to be “sick buddies”, so it’s hard to just say “yeah, I totally know who you are” and nod politely. Especially when you may be asked to heal said Queen later on.

Basically, this series has a LOT of balls in the air, and whenever the fourth volume comes out, I hope I remember what they are. Also, I still would not describe her as angry. Peeved? Vexed?

I saw the premise for this and I thought it would just be another one of those “girl has an ability that no one understands except the guy who is perfect for her” books, sort of the distaff equivalent of “everyone says my power is useless but it’s the strongest power”. But the author does not go down that road, mostly as Ophelia’s power is literally crippling. Being able to tell someone is lying is bad enough given how the world functions around lies, but her body literally shakes the longer and worse the person is lying, to the point where she falls over just because her limbs are vibrating too hard. This is not a cute power, it’s actually a bit horrifying. Fortunately, the girl with the power is cute enough on her own, though it’s unsurprising that she has a bit of an anxiety problem, and she’s now found the perfect job… maybe?

Ophelia is an earl’s daughter, but unfortunately she’s rarely left the domain since she was a child, because… well, see the previous paragraph. In a world where divorce is almost unheard of because cheating is considered socially acceptable, she’s simply unable to cope… and her parents are one of the few couples who have ever had to divorce, for that very reason. All she has is her very overprotective brother and a job cleaning at the Architectural Institute. However, she is a young woman, and as such has wants and needs. She wants to see the Duke, who is very, very handsome, and that means forcing herself to go to a party. Unfortunately, when she’s near the duke and his fiancée Stella, she has a bad reaction and has to leave. Unfortunately for her, the duke eventually figures out what she can do, and requests she change jobs, as he’s in charge of interrogating lying nobles. And boy does he hate liars.

Despite its premise being a bit more focused on how much Ophelia’s ability affects her, this isn’t as dark as I expected. Claudio turns out to be an awkward guy who doesn’t like admitting things straight out, and boy has he fallen for the wrong girl in that regard. After hearing about Ophelia’s childhood I was worried that her family was torn apart by it, but as it turns out her mother still meets regularly with her and her brother, and seems very happy married to her lover. Indeed, this turns out to be an important plot point, as it turns out she’s not the only one dealing with wanting to marry someone else. Oh yes, there’s also a lot of talk of religious symbols and how important they are, and a different duke with a big secret. Actually, the other duke may be my favorite character, and I’m glad Ophelia and Gian ended up bonding.

This is complete in one, though if you like the author you may want to watch the Always a Catch! anime, based on another LN of theirs. If you like cute, awkward people falling in love despite a disability this is a good one.

This is the second volume in a row that can be described as “nothing happens except dungeons and fanservice”, with one exception, but even that exception stays pretty local. Haruka even remarks on the fact that the Empire, who you’d expect would be very angry about everything that’s been happening in the four months (!) since the arrival of our main cast, are instead being ominously silent. So instead Haruka concentrates on improving himself so that he can run dungeons without everyone being terrified he’s going to die, which he manages to make… some progress on. And he also manages to have a lot of sexy encounters with all the women in the cast, culminating in a scene I suspect I’ll have to simply not talk about in this review. Throughout this, though, we’re never allowed to forget how Haruka feels guilty over every bad thing that happens in this world, even things he can’t control, and that all the girls adore him, much as they might yell.

The one bit that’s not dungeon crawling or fanservice involves a ceremony to honor the dead. The dungeon crawls at the start of the book are less wacky than usual, and we’re reminded that all of these dungeons were, until the arrival of Haruka & Co., handled by the people of Omui, who fought to save their city and often died horribly. And that doesn’t even get into folks like that village that was destroyed by monsters, the one that Haruka continues to agonize over. So they decide to do a Shinto-esque ceremony, complete with a shrine on top of the hill (there is no hill, so Haruka built one expressly to have a hill for a shrine to be on top of), and the girls are all dressed as Shrine Maidens. Including Angelica, which is a bit awkward, as this shrine is dedicated in her name, and there’s a statue of her at the center of it. Should she really be eating yakitori next to it?

Moving on to the other 4/5 of the book, the dungeon sections are more interesting than usual as it shows, over the course of the book, that Haruka’s current style of “react so fast that he never dies” is not going to be sustainable. Eventually he is going to get hit – and indeed we see his HP rapidly go down. So he actually listens to what the dungeon emperors are saying, sits back and watches as they kill all the monsters, and takes notes. He’s got to be fast AND clever, not just instinctual. As for the fanservice, it continues to be the reason why, as much as I love this series, I cannot recommend it to anyone except people who are already reading it. There’s another round of underwear making (the series continues to imply that Haruka and the girls are gradually getting a bit less than human, as the girls’ bodies are basically “evolving” a bit too rapidly), and the girls’ attempts to flirt with/get a rise out of Haruka, in the hope that he’ll stop avoiding the very concept of being with anyone other than dead monster girls, ends up getting very… messy. This was the scene that, having read a Japanese wiki about the webnovel, I was waiting for to see if the light novel would cut it. It did not.

The next volume promises a new girl, if the cover is any indication. Until then, enjoy a book that uses the phrase “and stuff?” a lot, only the stuff is more like what you get in Oreo cookies. Also, another MariMite reference, the 2nd in the series!

This is a relatively plot-lite book. Apart from introducing the next presumed antagonist (who shows up to be menacing and then goes away until the next book), the main thrust is that, as much as Ekaterina would like to just quietly work behind the scenes and let other people shine instead of her, that’s simply not going to fly. Not only is she gorgeous, smart, compelling, etc, but everyone around her also sees her as if… well, as if she’s the main character in a light novel. When she tries to deflect, people interpret it in the best possible light. Especially her brother. Yes, it’s another volume of Goodbye Overtime so we get a lot more of Alexei and Ekaterina talking about how devoted they are to each other, though thankfully it’s as sexless as always. And for all that she’s trying to do her best to avoid getting a bad end/executed, I think she may have more trouble NOT marrying the crown prince. The universe wants her to be Queen.

This does take place at a magic academy, and even though it’s not Japan and there are nobility and commoners, all that is irrelevant as it’s School Festival time. Ekaterina is worried as she vaguely recalls the game has their class doing a play where she’s cast as the wicked villainess, and she’s like to avoid that, thank you. She wants to do a choir, seeing as they now have classmates beloved by the God of Music. Unfortunately, her classmates have other ideas, and want a play. But it’s OK. She can write it, and, well, direct it, produce it, and stage manage it, but she doesn’t have to BE in it, she can cast everyone else! Flora is the heroine, of course. And Olga is the villain, and will get the big weepy song, as sung by Susan Boyle on Britain’s Got Talent! Nothing could POSSIBLY go wrong!

The highlight of the book is the performance, because of course, something goes wrong. In a world where you have Gods who can literally whisk people away to Valhalla for concert performances, casting their new talent in your play is perhaps not the best idea. So Ekaterina has to play the villain after all, and try to fit into a dress that’s far too tight for her more voluptuous figure, sing a song that requires hitting a few high notes she’d rather not, and also try to remember her lines. She succeeds at two of these, but fortunately not only does everyone adore her, but her desperation fits the character she’s playing anyway. And she’s as oblivious as ever, not realizing the danger she’s in in the student council room, and also not realizing the song she’s ripping off from Les Mis could also describe her own childhood. Let’s just say the sister complex is not getting smaller anytime soon.

The next volume only came out in Japan a few months ago, but seems to continue the festival. Fans of the series should enjoy this new volume.

ASH: There must be some, right?

SEAN: Yen Press has a third volume of Super Ball Girls.

No debuts for Viz, but we get Astro Royale 5, Blue Exorcist 32, The Bugle Call: Song of War 6, Dandadan 18, Dragon Quest: The Adventure of Dai 6, Firefly Wedding 6, Gokurakugai 5, Ichi the Witch 2, Kill Blue 6, Marriage Toxin 12, Otaku Vampire’s Love Bite 7, and Phantom Busters 3.

ASH: I’m definitely behind with most of these series, but there’s good reading in that list.

SEAN: I have no idea what Honkai Impact 3rd: Second Eruption is, but it’s coming from Tokyopop, and I suspect it’s related to a mobile game.

Tokyopop also has The Tale of Luvelia Kingdom (Rubelia Okoku Monogatari: Itoko no Shirinugui wo Saserareru Hame ni Natta), a Comic Gardo manga based on an as yet unlicensed light novel. A broken engagement story, this one seems interesting in that everyone sides with her and she’s immediately married to the NEW Crown Prince… who is a stranger to her.

ASH: Not a stranger for long, I would assume.

SEAN: Also from Tokyopop: My New Wife’s Fake Smile 3, Reincarnated in a Mafia Dating Sim 4, and The Unwanted Bride Loves the Crown Prince With All Her Heart 3. Yes, it’s an all-het romance week from Tokyopop, a rarity in these modern times.

ASH: Ha! That’s true.

ANNA: What is the world coming to?

SEAN: Titan Manga has the second and final volume of Do Women Need Sex Entertainment? as well as Tengen Hero Wars 3.

Steamship gives us The Trapped Former Villainess Wants to Escape from the Sadistic Prince 4.

Square Enix Manga has Daemons of the Shadow Realm 10 and Love in the Palm of His Hand 3.

Seven Seas has, in non-Japanese stuff, The Villain’s White Halo (danmei) and KinnPorsche 6 (Korean, the final volume).

Their manga debut is Dungeon Elf: What’s a Dungeon without Treasure Chests? (Dungeon Elf: Dungeon ni Takarabako ga Aru no wa Atarimae desu ka), a seinen series from good! Afternoon. This elf is here to place treasure chests in weird places in dungeons. Why?

ASH: I’ve enjoyed other series from good! Afternoon, so I should probably give this one a try.

SEAN: Also from Seven Seas: BOSS, BXTCH, BABY 2, Dance in the Vampire Bund: Age of Scarlet Order 17, Gene Bride 4 (the final volume), Himegasaki Sakurako Is a Hot Mess 4, How NOT to Summon a Demon Lord 24, I Won’t Let Mistress Suck My Blood 2, Life with an Ordinary Guy Who Reincarnated into a Total Fantasy Knockout 9, My Bias is Showing?! 2, Plus-Sized Elf: Second Helping! 5, and Rozen Maiden Collector’s Edition 5.

Two debuts for Kodansha Manga. Honey Bee & Lemon Balm (Mitsubachi to Lemon Balm) is a BL series from Comic Pool. A lowlife who has no money or future is hired by a handsome young florist with a few secrets.

ASH: “Quirky and heartfelt.” I’m in.

ANNA: I’m curious!

SEAN: Love Out on a Limb (Bokura no Suki wa Warikirenai) is from Dessert, and features a girl coming back home after eight years when her parents remarry. But oh no, her brother is hot now! And so is her childhood friend! How can she avoid… INCEST? (The answer is obvious if you’re read any shoujo manga featuring “I have feelings for my supposed brother”.) (Or Citrus.)

MICHELLE: Oh, dear. Ordinarily, I’d give this a wide berth but I have liked Yoko Nogiri titles in the past.

ANNA: I feel like it has been awhile since we’ve had a crazy series like this.

SEAN: Also from Kodansha Manga: Blue Lock: Episode Nagi 7, FAIRY TAIL: 100 Years Quest 20, The Fragrant Flower Blooms With Dignity 12, Issak Omnibus 6, Peach Boy Riverside 15, Shimazaki in the Land of Peace 8, and Welcome to Demon School! Iruma-kun 19.

Digitally, they have The Dashing Zaddy and His Icy Protégé 5, TenPuru -No One Can Live on Loneliness- 14, That Beauty is a Tramp 8 (the final volume), WIND BREAKER 23, and Ya Boy Kongming! 23.

Kana has Space Punch 5

Another quiet week for J-Novel Club. The only light novel they have is the 4th volume of Blade Skill Online.

They do have a manga debut, though. Starting on Hard Mode: God Levels, Got Problems (Level Count Stop kara Hajimaru, Kamisama-teki Isekai Life: Saikyou Status ni Tenseishita node Suki ni Ikimasu) is a DRE Comics manga based on the light novel coming soon from JNC. A guy is reincarnated and wants to live the slow life… but he’s simply too handsome, too powerful, and too unable to stop helping pretty girls!

Other manga from JNC: Black Summoner 22, Doll-Kara 11 (the final volume), and Safe & Sound in the Arms of an Elite Knight 6.

Guess who keeps forgetting about Hanashi Media? It’s me. Let’s catch up. Two weeks ago they had the debut of GATE: Thus the JSDF Fought There (Gate: Jieitai Kanochi nite, Kaku Tatakaeri). When monsters incur into Japan from another world, the JSDF fights them back… and winds up in the fantasy world themselves! This got an anime, and is very popular.

ASH: That it is! And always glad for a license rescue.

SEAN: And last week they had The Fruit of Evolution 12 and Tsukimichi: Moonlit Fantasy 14.

Ghost Ship has a 2nd volume of The Cuckolding Wizard’s Adventure.

Dark Horse has the 2nd and final volume of Oldboy Deluxe Edition.

ASH: It’s good to see this series back in print.

SEAN: Alien Books releases Kinryo Rock – Code Amrita, a seinen title from Monthly Hero’s. Vampires are trying to make it so they can live among humans, but some vampires can’t help being bad. To solve this, humans and vampires must team up with the power of rock and roll. Honestly, this sounds amazing.

ASH: I’d read it.

ANNA: I like vampires and music manga!

SEAN: Airship has print volumes for The Devil Princess 3 and The Strange Adventure of a Broke Mercenary 14.

And their digital debut is digital only. Fluffy Café in Another World (Isekai Mofumofu Cafe) had its manga come out two weeks ago. A man dies saving a cat, who turns out to be a god. The god gives him the powerful tamer skill in his next life, which he uses to… open an animal cafe?

ASH: There are worse life choices.

ANNA: Maybe there should just be more cat cafes?

SEAN: And for early digital there is Chronicles of an Aristocrat Reborn in Another World 2.

Lastly, Ablaze has Gannibal 4, Get Schooled 4, and Witch of Mine 4.

What glories await you in the list I have proffered?

All otome game villainess stories are, by definition, somewhat metatextual. It has characters who are trapped in a world based on a game, trying to avoid Bad Ends. Even if they don’t talk to others about their choices, they narrate to the reader about them. But Two-Bit Baddie is even more meta than most. We have two people who’ve both played the game and know what’s coming, and discuss it with each other. We have a narrative that occasionally tries to lure them back into canon, even if they both want to disregard it. More to the point, the entire reason Elizabeth dresses and acts the way she does is to avoid a bad end that’s already passed. There’s no need to keep doing it. So when Richard asks why she’s dressed as a man, she answers “because I like it”, and I think not only does this surprise her but she means it. This is who she is now.

The book picks up where it left off last time. Elizabeth, Christopher, Edward and Lilia have to stay a little longer than planned. Sure, thanks to Lilia accidentally turning Diana into a BL fangirl, the marriage seems to be off the table. But there’s the troubling information that people are kidnapping nobles, and then giving them back the next day. What’s going on there? Meanwhile, Elizabeth and Lilia get an opportunity to explore a dungeon, and while they don’t find any monsters, they do come across some very human villains. When they are finally allowed to go home, after everyone finally realizes that Elizabeth is a woman and her brother is rejecting the marriage proposal, Elizabeth finds new problems. Yoh, the villain from the last book, has joined the knights and become a masochist. And worse, the plot of the second fandisc is beginning… four years too early!

The otome game mechanics are not the only things analysed in this volume. There’s an extra bonus route involving Lilia getting romanced by her teacher, a forbidden love sort of thing, and while Lilia is not interested in anyone but Elizabeth, Elizabeth is furious at the very concept of the route’s existence. She delivers a multi-page takedown of “teacher/student romance” as a concept, stating that anyone who would take advantage of a student in real life is the worst of the worst. Lilia finds this baffling, but that’s because Lilia is still caught up a bit too much in thinking in terms of tropes and fiction – to her, teacher/student romance is hot because of the forbidden aspects. It’s a very interesting diversion in what ends up being a solid but typical volume in the series. Elizabeth remains handsome and seductive but unable to see the very obvious affection anyone has for her – except Lilia, who had to literally confess. Subtlety is not gonna fly here.

The main drag on this volume is that it ends not even 2/3 through, and the rest is taken up with other POV stories and side stuff. It’s the equivalent of a LaLa volume, and I hate it. But the bulk of this is still pretty good.

It’s another tie-in novel, and by now I think we know what to expect with these. The title says “Prelude” because it’s the safest place to play around it. You can’t change the story the original author is still getting to, and sometimes you can’t even tell stories set at the same time as the manga. But things that take place before the manga starts, or in the past, are fair game, provided you don’t change the future. As such, it’s no surprise this is a short story collection, and honestly of the five short stories three of them are really obvious: seeing Fern and Stark before they met Frieren is a gimme, and seeing Frieren with Himmel and party is also unsurprising. The other two stories are more interesting choices, and they’re also both pretty strong. I usually talk about whether a short story collection is front or backloaded, and this is the latter, which is good, as that means it gets better as it goes.

The five stories: 1) A young Fern practices her magic and worries about Heiter, who is not only very old but is also down with a cold, so she decides to go searching for herbs; 2) Stark is at the village with the dragon, which he “drove off” by being in its face when it decided to go away, and frets about his reputation, while also saving the one guy who doesn’t like him when he goes missing; 3) Kanne and Lawine are taking the test to prove they’re mages back in their hometown, but have to deal with a bratty rich girl mage and a stronger than usual monster; 4) Aura the Guillotine runs into the hero’s party and lives to regret it; while recovering from her wounds, she talks with other demons around her, most of whom are familiar to us; 5) Frieren wakes up on a wagon headed for… well, somewhere, and is distressed to see her friends getting off it and leaving her behind.

Fern and Stark’s stories aren’t bad, but they’re both very predictable and stay in their lane. Kanne and Lawine’s story is surprising in that it happens at all, but I enjoyed seeing them again, and their teamwork and bond is in full force here. Aura’s story may be the best in the collection. She’s a terrible… well, demon, not person, but you know what I mean. But the story is designed to poke around Frieren’s “all demons are evil and you need to kill them on sight” philosophy, as we see some demons trying o understand why humans do things and failing, and some continuing to make the effort regardless – we’ll be getting to that in the 3rd anime season late next year. Finally, the Frieren story is basically an “all things must one day pass” metaphor, but it’s well written and emotional, and works well with Frieren, who is coming to terms with people she cares about passing, bit by bit.

So yeah,k this is a solid book. Fans of the manga will definitely enjoy it. Casual buyers… read the manga first, OK?