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&lt;a href="http://feedads.g.doubleclick.net/~a/l9g_BagXXB9YcsSTCGi5djVqeQ0/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/l9g_BagXXB9YcsSTCGi5djVqeQ0/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/NW1c4QYAUTU" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/news/audiard%E2%80%99s-%E2%80%98-prophet%E2%80%99-be-screened-iffi-2009</feedburner:origLink></item><item><title>AntiChrist: Nature is Satan’s church</title><link>http://feedproxy.google.com/~r/moveye/~3/-uYYsKWLbuA/antichrist-nature-satan%E2%80%99s-church</link><category>World Cinema</category><category>Antichrist</category><category>Cannes</category><category>Cannes09</category><category>Lars Von Trier</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Sean Sequeira</dc:creator><pubDate>Fri, 20 Nov 2009 22:31:05 PST</pubDate><guid isPermaLink="false">8692 at http://dearcinema.com</guid><description>Ever wondered what the century’s most controversial film would be like? "Antichrist" comes close to answering this question. Conjured by the Danish film maker Lars von Trier, the film is like a trance from its opening scene till it reaches its fateful climax. Dedicated to Russian filmmaker Andrei Tarkovsky, the film is well equipped with stunning,...&lt;br/&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/MIMV5Oa0BwPtEZ35OHT1gUQ2axI/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/MIMV5Oa0BwPtEZ35OHT1gUQ2axI/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/-uYYsKWLbuA" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/review/antichrist-nature-satan%E2%80%99s-church</feedburner:origLink></item><item><title>Minority View: Flandres by Bruno Dumont</title><link>http://feedproxy.google.com/~r/moveye/~3/TvxbNxvxbYE/minority-view-flandres-bruno-dumont</link><category>World Cinema</category><category>Bruno Dumont</category><category>Flandres</category><category>Minority View</category><category>Minority View</category><category>World Cinema</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">MK Raghavendra</dc:creator><pubDate>Sun, 15 Nov 2009 08:36:58 PST</pubDate><guid isPermaLink="false">8691 at http://dearcinema.com</guid><description>Film festivals, I would like to argue, are not the places where the most radi




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&lt;a href="http://feedads.g.doubleclick.net/~a/Bor99L_1SuvUHC2hfNKDjVVrqXQ/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/Bor99L_1SuvUHC2hfNKDjVVrqXQ/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/TvxbNxvxbYE" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/column/minority-view-flandres-bruno-dumont</feedburner:origLink></item><item><title>Indian Panorama, IFFI-2009</title><link>http://feedproxy.google.com/~r/moveye/~3/ORz1_-HWaqg/indian-panorama-iffi-2009</link><category>World Cinema</category><category>IFFI</category><category>News</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">NewsDesk</dc:creator><pubDate>Thu, 12 Nov 2009 02:38:07 PST</pubDate><guid isPermaLink="false">8688 at http://dearcinema.com</guid><description>Indian Panorama, 2009 will have 26 feature films and 18 non-feature films during the 40th International Film Festival of India, 2009 (IFFI-2009) to be inaugurated  in Goa later this month.

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&lt;a href="http://feedads.g.doubleclick.net/~a/NS-oMVOurrami4JntSbCP9Do5uY/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/NS-oMVOurrami4JntSbCP9Do5uY/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/ORz1_-HWaqg" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/news/indian-panorama-iffi-2009</feedburner:origLink></item><item><title>Building Bonds &amp; Bridging Barriers</title><link>http://feedproxy.google.com/~r/moveye/~3/zBt_KTMtyLQ/building-bonds-bridging-barriers</link><category>World Cinema</category><category>Interview</category><category>Interview</category><category>Made in pakistan</category><category>Mumbai Film Festival</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Abhishek Bandekar</dc:creator><pubDate>Mon, 09 Nov 2009 22:07:40 PST</pubDate><guid isPermaLink="false">8687 at http://dearcinema.com</guid><description>Abhishek Bandekar chats up with Nasir Khan and Adil Sher, the director-producer duo of Made In Pakistan, the only Pakistani feature at this year’s Mumbai Film Festival.

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&lt;a href="http://feedads.g.doubleclick.net/~a/OK_q1pp5T6y7ZoFeu_BFPEj-5Y8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/OK_q1pp5T6y7ZoFeu_BFPEj-5Y8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/zBt_KTMtyLQ" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/article/building-bonds-bridging-barriers</feedburner:origLink></item><item><title>Mumbai’s young movie critics at MFF</title><link>http://feedproxy.google.com/~r/moveye/~3/fp9I0-OwnDw/mumbai%E2%80%99s-young-movie-critics-mff</link><category>Feature</category><category>Festival Reports</category><category>Mumbai young critics</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Gautaman Bhaskaran</dc:creator><pubDate>Mon, 09 Nov 2009 21:33:02 PST</pubDate><guid isPermaLink="false">8686 at http://dearcinema.com</guid><description>One of the most unique aspects of the 11th Mumbai Film Festival wass a 20-member group of young movie critics. Drawn from several Mumbai colleges, they are undergraduate students bound together by their passion for cinema.  Not just the run-of-the-mill song-and dance potboilers, but sensitive, serious and meaningful fare.

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&lt;a href="http://feedads.g.doubleclick.net/~a/zlnk_sa-wnSZo0FAlgFMYXPVefs/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/zlnk_sa-wnSZo0FAlgFMYXPVefs/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/fp9I0-OwnDw" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/article/mumbai%E2%80%99s-young-movie-critics-mff</feedburner:origLink></item><item><title>11th MFF 2009 Day 4: THE GIRLFRIEND INEXPERIENCE</title><link>http://feedproxy.google.com/~r/moveye/~3/u19R5FDOBWI/11th-mff-2009-day-4-girlfriend-inexperience</link><category>World Cinema</category><category>11th Mumbai Film Festival</category><category>World Cinema</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">devang</dc:creator><pubDate>Sun, 08 Nov 2009 23:54:53 PST</pubDate><guid isPermaLink="false">8684 at http://dearcinema.com</guid><description>The first film was Peter Brosens and Jessica Woodworth’s Altiplano. Mining in the mountains of Peru contaminates the area with mercury causing deaths in the neighboring village. The local doctors end up bearing the brunt of the villagers’ ire. One of them is killed and his widow arrives on the scene.

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&lt;a href="http://feedads.g.doubleclick.net/~a/SfB5cFS050Dk_6-PKrFM_JcqPf8/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/SfB5cFS050Dk_6-PKrFM_JcqPf8/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/u19R5FDOBWI" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/news/11th-mff-2009-day-4-girlfriend-inexperience</feedburner:origLink></item><item><title>11th MFF 09 Day 3 -  SHORT AND BITTER-SWEET</title><link>http://feedproxy.google.com/~r/moveye/~3/RPbDzyGaw1E/11th-mff-09-day-3-short-and-bitter-sweet</link><category>11th Mumbai Film Festival</category><category>Festival Reports</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">NewsDesk</dc:creator><pubDate>Sun, 08 Nov 2009 23:45:24 PST</pubDate><guid isPermaLink="false">8683 at http://dearcinema.com</guid><description>Late as usual. Thirty minutes of the movie had already flown by. When I am uncertain about which film to watch, I go for the film that has been made by an Indian. Not jingoism, just like that. So Sachin Kundalkar’s Gandha (not to be confused with Gandhi) it was. Luckily the film was a compendium of three short films, with no hyper linking. This...&lt;br/&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/im0AA_1coQ4xR6LnVWheBxLLBqc/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/im0AA_1coQ4xR6LnVWheBxLLBqc/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/RPbDzyGaw1E" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/news/11th-mff-09-day-3-short-and-bitter-sweet</feedburner:origLink></item><item><title>Honour Killing Through The Lens</title><link>http://feedproxy.google.com/~r/moveye/~3/VtpdDj0kta0/honour-killing-through-lens</link><category>11th MFF</category><category>Indian Cinema</category><category>Interview</category><category>MAMI</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Gautaman Bhaskaran</dc:creator><pubDate>Sun, 01 Nov 2009 22:09:06 PST</pubDate><guid isPermaLink="false">8682 at http://dearcinema.com</guid><description>If cinema must entertain, it must also evoke ideas and provoke minds. But most of Indian cinema stops with titillating one’s baser senses. It is merely once in a way that a film such as “Land Gold Women” is made that not only tells a story that engages you, but also pans across and focuses on social malaises, such as, in this case, honour killing....&lt;br/&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/i_vwRwkTiCoyIglCj36tUB6oA9A/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/i_vwRwkTiCoyIglCj36tUB6oA9A/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/VtpdDj0kta0" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/article/honour-killing-through-lens</feedburner:origLink></item><item><title>11th MFF 2009 Day 2: Gore Scores!</title><link>http://feedproxy.google.com/~r/moveye/~3/1bDhT6PnJ2M/11th-mff-2009-day-2-gore-scores</link><category>World Cinema</category><category>11th MFF</category><category>MAMI</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">devang</dc:creator><pubDate>Sat, 31 Oct 2009 18:58:05 PDT</pubDate><guid isPermaLink="false">8680 at http://dearcinema.com</guid><description>Last year it was Andrzej Wajda’s Katyn that opened this fest. This time, Wajda is back with Sweet Rush, a markedly different effort from the extremely violent Katyn. A friendship between a middle aged woman and a young boy ends when the latter drowns in the local river. The habitual latecomer that I am, I missed the entire first half. But it did...&lt;br/&gt;
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&lt;a href="http://feedads.g.doubleclick.net/~a/CEH5DXhsJyO7ybAw13ybgvH2GP4/1/da"&gt;&lt;img src="http://feedads.g.doubleclick.net/~a/CEH5DXhsJyO7ybAw13ybgvH2GP4/1/di" border="0" ismap="true"&gt;&lt;/img&gt;&lt;/a&gt;&lt;/p&gt;&lt;img src="http://feeds.feedburner.com/~r/moveye/~4/1bDhT6PnJ2M" height="1" width="1"/&gt;</description><feedburner:origLink>http://dearcinema.com/news/11th-mff-2009-day-2-gore-scores</feedburner:origLink></item></channel></rss>
