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src="http://www.flurry.com/images/flurry_rss_logo2.gif">Subscribe with Flurry</feedburner:feedFlare><feedburner:feedFlare href="http://www.wikio.com/subscribe?url=http%3A%2F%2Ffeeds.feedburner.com%2Fmoveye" src="http://www.wikio.com/shared/img/add2wikio.gif">Subscribe with Wikio</feedburner:feedFlare><feedburner:feedFlare href="http://www.dailyrotation.com/index.php?feed=http%3A%2F%2Ffeeds.feedburner.com%2Fmoveye" src="http://www.dailyrotation.com/rss-dr2.gif">Subscribe with Daily Rotation</feedburner:feedFlare><atom10:link xmlns:atom10="http://www.w3.org/2005/Atom" rel="hub" href="http://pubsubhubbub.appspot.com" /><item><title>Funding For Independent Films</title><link>http://feedproxy.google.com/~r/moveye/~3/5sZ-7BOpWVY/</link><category>Movies</category><category>featured</category><category>features</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Satyen K. Bordoloi</dc:creator><pubDate>Thu, 16 Jul 2009 12:03:41 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/feature-film-fund-for-indian-filmmakers-341/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[The most important ingredient in making a movie, besides ideas, is finance. A writer can write in the absence of any fund, a composer can compose without it... but a filmmaker needs money to make films.

We scourged the world to find out funds that are available to a filmmaker in the Indian Subcontinent. And guess what, they are aplenty, and...<br/>
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<p><a href="http://feedads.g.doubleclick.net/~a/x5hBuoX1z5UhakzEaGuiY6PSN50/0/da"><img src="http://feedads.g.doubleclick.net/~a/x5hBuoX1z5UhakzEaGuiY6PSN50/0/di" border="0" ismap="true"></img></a><br/>
<a href="http://feedads.g.doubleclick.net/~a/x5hBuoX1z5UhakzEaGuiY6PSN50/1/da"><img src="http://feedads.g.doubleclick.net/~a/x5hBuoX1z5UhakzEaGuiY6PSN50/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/5sZ-7BOpWVY" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/feature-film-fund-for-indian-filmmakers-341/</feedburner:origLink></item><item><title>Hollywood’s Bollywood bungle</title><link>http://feedproxy.google.com/~r/moveye/~3/rz2OdKOpbIo/</link><category>Movies</category><category>News</category><category>features</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Gautaman Bhaskaran</dc:creator><pubDate>Wed, 15 Jul 2009 21:49:16 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/hollywood%e2%80%99s-bollywood-bungle-800/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Hollywood found an invincible force in India with its massive cinema industry. About 1300 films were made there in 2008 alone. The big American studios have been trying hard to take over the enormously lucrative Indian market for many years...<br/>
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<p><a href="http://feedads.g.doubleclick.net/~a/j4WDx80SwFAyNbAT6yJQGE1zFro/0/da"><img src="http://feedads.g.doubleclick.net/~a/j4WDx80SwFAyNbAT6yJQGE1zFro/0/di" border="0" ismap="true"></img></a><br/>
<a href="http://feedads.g.doubleclick.net/~a/j4WDx80SwFAyNbAT6yJQGE1zFro/1/da"><img src="http://feedads.g.doubleclick.net/~a/j4WDx80SwFAyNbAT6yJQGE1zFro/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/rz2OdKOpbIo" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/hollywood%e2%80%99s-bollywood-bungle-800/</feedburner:origLink></item><item><title>The Girlfriend Experience: Grey Areas in Modern Loves</title><link>http://feedproxy.google.com/~r/moveye/~3/NtjHQi050os/</link><category>Film Review</category><category>Movies</category><category>featured</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Ankan Kazi</dc:creator><pubDate>Wed, 15 Jul 2009 21:33:52 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/steven-soderbergh-the-girlfriend-experience-759/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Steven Soderbergh's new independent feature ‘The Girlfriend Experience' is better than most of his films. In fact, I can even hazard this: it reminded me of the Soderbergh of ‘sex, lies and videotape' fame- an almost lost entity now. ‘The Girlfriend Experience' shows us days in the life of a high-end prostitute who offers the aforementioned...<br/>
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<a href="http://feedads.g.doubleclick.net/~a/opbHF1is5aIQ8tnZt5xvgNzu_hI/1/da"><img src="http://feedads.g.doubleclick.net/~a/opbHF1is5aIQ8tnZt5xvgNzu_hI/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/NtjHQi050os" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/steven-soderbergh-the-girlfriend-experience-759/</feedburner:origLink></item><item><title>Duplicity: Multiplicity of Complexity</title><link>http://feedproxy.google.com/~r/moveye/~3/eXY_RQ4IZeU/</link><category>Film Review</category><category>Movies</category><category>featured</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Devang Ghia</dc:creator><pubDate>Tue, 14 Jul 2009 13:31:45 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/duplicity-154/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[One thing, amongst many others, that I liked about Duplicity was the way it rolled out the story. It flashes back and forth between the present and the past, bring up the flashbacks at opportune moments. Every peek into the past helps explain the present, which otherwise would confound you. I do not even want to give you a synopsis of what the...<br/>
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<a href="http://feedads.g.doubleclick.net/~a/N5Xi-bBZJdXniKRs1OJJ5iQW8po/1/da"><img src="http://feedads.g.doubleclick.net/~a/N5Xi-bBZJdXniKRs1OJJ5iQW8po/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/eXY_RQ4IZeU" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/duplicity-154/</feedburner:origLink></item><item><title>The Three Burials of Melquiades Estrada: Amazing Grey Actions in Life</title><link>http://feedproxy.google.com/~r/moveye/~3/76jWeUKh_7Q/</link><category>Film Review</category><category>Movies</category><category>featured</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Jugu Abraham</dc:creator><pubDate>Mon, 13 Jul 2009 22:54:27 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/tommy-lee-jones-the-three-burials-of-melquiades-estrada-111/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Many have seen the film and considered it to be yet another tale on the US Border Patrol actions ensuring that economically deprived Mexicans do not cross over into US territory illegally. Some US viewers have taken to a knee-jerk dislike for the movie because it shows the US law enforcers in a poor light with touches of racism. It was probably...<br/>
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<a href="http://feedads.g.doubleclick.net/~a/ecPiN1rb3747wtFkIF7oQGyR0dw/1/da"><img src="http://feedads.g.doubleclick.net/~a/ecPiN1rb3747wtFkIF7oQGyR0dw/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/76jWeUKh_7Q" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/tommy-lee-jones-the-three-burials-of-melquiades-estrada-111/</feedburner:origLink></item><item><title>Understanding Cinema: The Power of the Image</title><link>http://feedproxy.google.com/~r/moveye/~3/rzCRv1s4B0k/</link><category>Movies</category><category>featured</category><category>features</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Oorvazi Irani</dc:creator><pubDate>Sun, 12 Jul 2009 20:25:36 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/understanding-cinema-the-power-of-the-image-112/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Film comes from a visual tradition and thus the universal language of form, line, colour,  contrast, balance and movement all operate at a certain level in the film frame. These compositional elements speak a universal language which trigger similar emotional responses in almost every viewer; properly used they comprise a compositional language...<br/>
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<p><a href="http://feedads.g.doubleclick.net/~a/vVxvnuogovkvutrYMpN5UJZ3Wl4/0/da"><img src="http://feedads.g.doubleclick.net/~a/vVxvnuogovkvutrYMpN5UJZ3Wl4/0/di" border="0" ismap="true"></img></a><br/>
<a href="http://feedads.g.doubleclick.net/~a/vVxvnuogovkvutrYMpN5UJZ3Wl4/1/da"><img src="http://feedads.g.doubleclick.net/~a/vVxvnuogovkvutrYMpN5UJZ3Wl4/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/rzCRv1s4B0k" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/understanding-cinema-the-power-of-the-image-112/</feedburner:origLink></item><item><title>Sankat City: Intelligent Fun</title><link>http://feedproxy.google.com/~r/moveye/~3/yLMobUFxXkU/</link><category>Bollywood</category><category>Film Review</category><category>Movies</category><category>featured</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Utpal Borpujari</dc:creator><pubDate>Thu, 09 Jul 2009 10:01:21 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/sankat-city-review-102/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Sankat City is great fun, to put it simply. But it is intelligent fun, the kind that speaks much without actually getting loud, though quite a few things are done over the top, perhaps deliberately, to poke fun at things that are intricate part of the Hindi potboiler narrative. The comedy is kind of zany and irreverent, even Kundan Shahesque in...<br/>
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<p><a href="http://feedads.g.doubleclick.net/~a/jgtqJOcjf4rCsNVaHF0mYX5OgJM/0/da"><img src="http://feedads.g.doubleclick.net/~a/jgtqJOcjf4rCsNVaHF0mYX5OgJM/0/di" border="0" ismap="true"></img></a><br/>
<a href="http://feedads.g.doubleclick.net/~a/jgtqJOcjf4rCsNVaHF0mYX5OgJM/1/da"><img src="http://feedads.g.doubleclick.net/~a/jgtqJOcjf4rCsNVaHF0mYX5OgJM/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/yLMobUFxXkU" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/sankat-city-review-102/</feedburner:origLink></item><item><title>Minority View: Medium Cool by Haskell Wexler</title><link>http://feedproxy.google.com/~r/moveye/~3/LEsM-hZxuG4/</link><category>Film Review</category><category>Movies</category><category>featured</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">M. K. Raghavendra</dc:creator><pubDate>Wed, 08 Jul 2009 21:38:47 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/minority-view-medium-cool-by-haskell-wexler-100/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Medium Cool takes up the issue of the opportunistic voyeurism of TV journalism (its ‘coolness') and opens with two TV cameramen photographing a road accident in careful detail. After they have gone about it meticulously, one of the two suggests to the other that they should call an ambulance. Wexler was not known as a director but as a famous...<br/>
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<p><a href="http://feedads.g.doubleclick.net/~a/DAGhy0lx_cgl1KkYKtEFRoZu7LY/0/da"><img src="http://feedads.g.doubleclick.net/~a/DAGhy0lx_cgl1KkYKtEFRoZu7LY/0/di" border="0" ismap="true"></img></a><br/>
<a href="http://feedads.g.doubleclick.net/~a/DAGhy0lx_cgl1KkYKtEFRoZu7LY/1/da"><img src="http://feedads.g.doubleclick.net/~a/DAGhy0lx_cgl1KkYKtEFRoZu7LY/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/LEsM-hZxuG4" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/minority-view-medium-cool-by-haskell-wexler-100/</feedburner:origLink></item><item><title>Munich Report: India Focus in 2010</title><link>http://feedproxy.google.com/~r/moveye/~3/lsXLTfI6fpg/</link><category>Festival Reports</category><category>Movies</category><category>News</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Meenakshi Shedde</dc:creator><pubDate>Wed, 08 Jul 2009 02:52:47 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/munich-report-india-focus-in-2010-217/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[Summer in Munich is splendid: the sun is out and everyone's in the biergartens or lolling by the river Isar that runs through the city, leaving entire beercrates in the river for cooling. The Munich Film Festival (June 26-July 4) is a superb film festival with an impressive film programme.<br/>
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<p><a href="http://feedads.g.doubleclick.net/~a/jgjouh2cdJTeucnnBQR_jXPoxWk/0/da"><img src="http://feedads.g.doubleclick.net/~a/jgjouh2cdJTeucnnBQR_jXPoxWk/0/di" border="0" ismap="true"></img></a><br/>
<a href="http://feedads.g.doubleclick.net/~a/jgjouh2cdJTeucnnBQR_jXPoxWk/1/da"><img src="http://feedads.g.doubleclick.net/~a/jgjouh2cdJTeucnnBQR_jXPoxWk/1/di" border="0" ismap="true"></img></a></p><img src="http://feeds.feedburner.com/~r/moveye/~4/lsXLTfI6fpg" height="1" width="1"/>]]></content:encoded><feedburner:origLink>http://dearcinema.com/munich-report-india-focus-in-2010-217/</feedburner:origLink></item><item><title>Filth and Wisdom: What The Material Girl Did Next</title><link>http://feedproxy.google.com/~r/moveye/~3/HbsCQQtF9cU/</link><category>Film Review</category><category>Movies</category><category>featured</category><dc:creator xmlns:dc="http://purl.org/dc/elements/1.1/">Devang Ghia</dc:creator><pubDate>Tue, 07 Jul 2009 12:27:07 PDT</pubDate><guid isPermaLink="false">http://dearcinema.com/filth-and-wisdom-what-the-material-girl-did-next-madona-125/</guid><content:encoded xmlns:content="http://purl.org/rss/1.0/modules/content/"><![CDATA[The Queen of reincarnation's latest avtaar is that of a film director. Madonna has tried her hand at acting and, to put it politely, I don't think that's her vocation. Which is probably why she has kept herself out of her own film. To say that Madonna is a better director than actor isn't really saying much about her as a director. F &#038; W is...<br/>
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