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	<description>Love watching Movies and TV Shows? We do too. Check out all of our Movie Reviews and reviews for TV shows like e   Movie Trailer Reviews, your source for reviews on the latest movies coming out in theaters. Check us out at www.MTRNetwork.Net</description>
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	<itunes:author>MTR Network</itunes:author>
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		<itunes:email>MTrailerReviews@MTRNetwork.net</itunes:email>
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	<itunes:category text="TV &amp; Film"/>
	<itunes:category text="TV &amp; Film">
		<itunes:category text="Film Reviews"/>
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	<itunes:summary>Love watching Movies and TV Shows? We do too. Check out all of our Movie Reviews and reviews for TV shows like e Movie Trailer Reviews, your source for reviews on the latest movies coming out in theaters. Check us out at www.MTRNetwork.Net</itunes:summary><itunes:subtitle>Love watching Movies and TV Shows? We do too. Check out all of our Movie Reviews and reviews for TV shows like e Movie Trailer Reviews, your source for reviews on the latest movies coming out in theaters. Check us out at www.MTRNetwork.Net</itunes:subtitle><item>
		<title>Avatar: Fire And Ash Review</title>
		<link>https://www.mtrnetwork.net/avatar-fire-and-ash-review/</link>
		<pubDate>Sun, 21 Dec 2025 01:18:31 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<category><![CDATA[Ro 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>It&#8217;s the 3rd film in the supposedly 5 film never-ending Na&#8217;vi Narrative Avatar franchise and it&#8217;s expected to make another 2.5 Billion dollars on a 400 Million dollar budget because despite having a story that cherry picks not only it&#8217;s favorite tropes about pushing back in colonization, but this time it&#8217;s borrowing straight from the indigenous groups that James Cameron has been walking amongst recently, for good and possibly for offensively bad.</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: James Cameron<br />
<b>Writers: Amanda Silver, Rick Jaffa, James Cameron</b></p>
<p><b>Starring</b>: Zoe Saldana, Sam Worthington, Sigourney Weaver, Kate Winslett, Oona Chaplin, Stephen Lang, Edie Falco<br />
<b>Runtime</b>:  197 Minutes</p>
<p class="p1"><b>Synopsis</b>: It&#8217;s the third Avatar film and this one is about the fire version of the Na&#8217;vi.  And also one of the character is so mad she&#8217;s now a &#8220;full blown racist&#8221;. </p>
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<p>&#160;</p>
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		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:22:25</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; It&amp;#8217;s the 3rd film in the supposedly 5 film never-ending Na&amp;#8217;vi Narrative Avatar franchise and it&amp;#8217;s expected to make another 2.5 Billion dollars on a 400 Million dollar budget because despite having a story that cherry picks not only it&amp;#8217;s favorite tropes about pushing back in colonization, but this time it&amp;#8217;s borrowing straight from the indigenous groups that James Cameron has been walking amongst recently, for good and possibly for offensively bad. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: James Cameron Writers: Amanda Silver, Rick Jaffa, James Cameron Starring: Zoe Saldana, Sam Worthington, Sigourney Weaver, Kate Winslett, Oona Chaplin, Stephen Lang, Edie Falco Runtime:  197 Minutes Synopsis: It&amp;#8217;s the third Avatar film and this one is about the fire version of the Na&amp;#8217;vi.  And also one of the character is so mad she&amp;#8217;s now a &amp;#8220;full blown racist&amp;#8221;.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; It&amp;#8217;s the 3rd film in the supposedly 5 film never-ending Na&amp;#8217;vi Narrative Avatar franchise and it&amp;#8217;s expected to make another 2.5 Billion dollars on a 400 Million dollar budget because despite having a story that cherry picks not only it&amp;#8217;s favorite tropes about pushing back in colonization, but this time it&amp;#8217;s borrowing straight from the indigenous groups that James Cameron has been walking amongst recently, for good and possibly for offensively bad. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: James Cameron Writers: Amanda Silver, Rick Jaffa, James Cameron Starring: Zoe Saldana, Sam Worthington, Sigourney Weaver, Kate Winslett, Oona Chaplin, Stephen Lang, Edie Falco Runtime:  197 Minutes Synopsis: It&amp;#8217;s the third Avatar film and this one is about the fire version of the Na&amp;#8217;vi.  And also one of the character is so mad she&amp;#8217;s now a &amp;#8220;full blown racist&amp;#8221;.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews, Ro 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Christy</title>
		<link>https://www.mtrnetwork.net/christy-review/</link>
		<pubDate>Sun, 21 Dec 2025 00:47:21 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>Christy is a biographical sports drama chronicling the early boxing career of renown women&#8217;s boxing champ Christy Salters who was almost murdered by her abusive husband/manager/trainer James &#8220;Jim&#8221; Martin.  The film stars Sydney Sweeney as Christy Salters and Ben Foster as Jim Martin.</p>
<p>Check out our review to hear Phenom&#8217;s strong reaction and opinions to what played out on the big screen with this film and the mess of a marketing debacle that led to abysmal numbers at the box office.</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p><b>Director</b>: David Michod<br />
<b>Writers:  David Michod, MIrrah Faulkes, Katherine Fugate</b></p>
<p><b>Starring</b>: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O&#8217;Brian, Ethan Embry, Chad L. Coleman, Jess Gabor, Naomi Graham<br />
<b>Runtime</b>:  135 Minutes</p>
<p class="p1"><b>Synopsis</b>: Sports Drama chronicling the life of Hall of Fame Women&#8217;s Boxing Champion Christy Salter.</p>
<div style="text-align: left;">
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		<enclosure length="35994563" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Christy-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>37:29</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Christy is a biographical sports drama chronicling the early boxing career of renown women&amp;#8217;s boxing champ Christy Salters who was almost murdered by her abusive husband/manager/trainer James &amp;#8220;Jim&amp;#8221; Martin.  The film stars Sydney Sweeney as Christy Salters and Ben Foster as Jim Martin. Check out our review to hear Phenom&amp;#8217;s strong reaction and opinions to what played out on the big screen with this film and the mess of a marketing debacle that led to abysmal numbers at the box office. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: David Michod Writers:  David Michod, MIrrah Faulkes, Katherine Fugate Starring: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O&amp;#8217;Brian, Ethan Embry, Chad L. Coleman, Jess Gabor, Naomi Graham Runtime:  135 Minutes Synopsis: Sports Drama chronicling the life of Hall of Fame Women&amp;#8217;s Boxing Champion Christy Salter. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; Christy is a biographical sports drama chronicling the early boxing career of renown women&amp;#8217;s boxing champ Christy Salters who was almost murdered by her abusive husband/manager/trainer James &amp;#8220;Jim&amp;#8221; Martin.  The film stars Sydney Sweeney as Christy Salters and Ben Foster as Jim Martin. Check out our review to hear Phenom&amp;#8217;s strong reaction and opinions to what played out on the big screen with this film and the mess of a marketing debacle that led to abysmal numbers at the box office. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ Director: David Michod Writers:  David Michod, MIrrah Faulkes, Katherine Fugate Starring: Sydney Sweeney, Ben Foster, Merritt Wever, Katy O&amp;#8217;Brian, Ethan Embry, Chad L. Coleman, Jess Gabor, Naomi Graham Runtime:  135 Minutes Synopsis: Sports Drama chronicling the life of Hall of Fame Women&amp;#8217;s Boxing Champion Christy Salter. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Zootopia 2</title>
		<link>https://www.mtrnetwork.net/zootopia-2-review-with-ava/</link>
		<pubDate>Wed, 26 Nov 2025 07:58:11 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>Judy Hops and Nick Wilde are officially buddy cops in this return to Zootopia.  But this time the stakes are higher as everyone goes hiss-terical over a snakes showing up at the big Zootenial Gala to steal an old journal that holds some secret about the town&#8217;s new weather walls.  </p>
<p>Listen in as Ava and Phenom give their review of this fun film!</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Playing Now in Theaters etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: <a class="fl" href="https://www.google.com/search?sa=X&#38;sca_esv=b7032cbdab6171c7&#38;biw=1157&#38;bih=665&#38;sxsrf=AE3TifPihUiQHl6Foc-n7-enX7lN7LDe9A:1764142839387&#38;q=Jared+Bush&#38;si=AMgyJEs9DArPE9xmb5yVYVjpG4jqWDEKSIpCRSjmm88XZWnGNUTQIx6czlYnQwgmmBVTFzZMddVew14wTCASuuZta8bndOaSXiTBGxSEGKebvPQxX5ee0-T3BirOcDewswILAW7_VBuQHho6pDeTQlEOQeNhGVMJ-aJfKOLunvZktK5P35_Ev_RWcXCCAP_AjOWI59v8WgV4qdSKNpPn9RbrhDS5Umkah-JPt0NDwfrQwnmiS0K7hr3sFcoWSCmSxk02_nvtl0agiLMH3BSptgHM1gG0BmBbeMj6dZp7ow0WLzJJGA-qcwg%3D&#38;ved=2ahUKEwisi5maqI-RAxXqGVkFHTjXB1oQmxN6BAgvEAI" data-ved="2ahUKEwisi5maqI-RAxXqGVkFHTjXB1oQmxN6BAgvEAI">Jared Bush</a>, <a class="fl" href="https://www.google.com/search?sa=X&#38;sca_esv=b7032cbdab6171c7&#38;biw=1157&#38;bih=665&#38;sxsrf=AE3TifPihUiQHl6Foc-n7-enX7lN7LDe9A:1764142839387&#38;q=Byron+Howard&#38;si=AMgyJEtRPX4ld4pdQeltMBlsXK6YnLg9be4xryEBJwXFHLOO-OB0zo-LMImDHV6S1z4JAnlQLxrFioWVU179_bQPMRuo-hF277zgB4wfIN4YT9ZMrDlnfh5FoEQFvvvix_NbwrhWKhW6G06Uxj7lebJHA8C0Wci6QlRaL7W-4SA89k1_xw_1r5HuMBNfN7o22aiEr0Wbr9FVgrWAuwu54vOXKthY78RohADq9YwoUSr6DljwqO78DH8hMyuUvpJLEOTrr7OYhQFsfK_tQ9NCtOEyqNlc1YBdu4PhHqJUTRz9-EkIDNeUXU8%3D&#38;ved=2ahUKEwisi5maqI-RAxXqGVkFHTjXB1oQmxN6BAgvEAM" data-ved="2ahUKEwisi5maqI-RAxXqGVkFHTjXB1oQmxN6BAgvEAM">Byron Howard</a><br />
<b>Writers: Jared Bush</b></p>
<p><b>Starring</b>:</p>
<ul>
<li style="list-style-type: none;">
<ul>
<li><a title="Ginnifer Goodwin" href="https://en.wikipedia.org/wiki/Ginnifer_Goodwin">Ginnifer Goodwin</a></li>
<li><a title="Jason Bateman" href="https://en.wikipedia.org/wiki/Jason_Bateman">Jason Bateman</a></li>
<li><a title="Ke Huy Quan" href="https://en.wikipedia.org/wiki/Ke_Huy_Quan">Ke Huy Quan</a></li>
<li><a title="Fortune Feimster" href="https://en.wikipedia.org/wiki/Fortune_Feimster">Fortune Feimster</a></li>
<li><a title="Andy Samberg" href="https://en.wikipedia.org/wiki/Andy_Samberg">Andy Samberg</a></li>
<li><a title="David Strathairn" href="https://en.wikipedia.org/wiki/David_Strathairn">David Strathairn</a></li>
<li><a title="Shakira" href="https://en.wikipedia.org/wiki/Shakira">Shakira</a></li>
<li><a title="Idris Elba" href="https://en.wikipedia.org/wiki/Idris_Elba">Idris Elba</a></li>
<li><a title="Patrick Warburton" href="https://en.wikipedia.org/wiki/Patrick_Warburton">Patrick Warburton</a></li>
<li><a title="Quinta Brunson" href="https://en.wikipedia.org/wiki/Quinta_Brunson">Quinta Brunson</a></li>
<li><a title="Danny Trejo" href="https://en.wikipedia.org/wiki/Danny_Trejo">Danny Trejo</a></li>
</ul>
</li>
</ul>
<p>
<b>Runtime</b>:  1 Hour  48 Minutes</p>
<p class="p1"><b>Synopsis</b>: A bunny and a fox team up again to uncover a hidden mystery about the founders of their town that involves some dangerous reptiles. </p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="16448283" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Zootopia2-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>17:08</itunes:duration>
		<rawvoice:pid>150230127</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Judy Hops and Nick Wilde are officially buddy cops in this return to Zootopia.  But this time the stakes are higher as everyone goes hiss-terical over a snakes showing up at the big Zootenial Gala to steal an old journal that holds some secret about the town&amp;#8217;s new weather walls.   Listen in as Ava and Phenom give their review of this fun film! Playing Now in Theaters etc ♦♦ &amp;#160; Director: Jared Bush, Byron Howard Writers: Jared Bush Starring: Ginnifer Goodwin Jason Bateman Ke Huy Quan Fortune Feimster Andy Samberg David Strathairn Shakira Idris Elba Patrick Warburton Quinta Brunson Danny Trejo Runtime:  1 Hour  48 Minutes Synopsis: A bunny and a fox team up again to uncover a hidden mystery about the founders of their town that involves some dangerous reptiles.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; Judy Hops and Nick Wilde are officially buddy cops in this return to Zootopia.  But this time the stakes are higher as everyone goes hiss-terical over a snakes showing up at the big Zootenial Gala to steal an old journal that holds some secret about the town&amp;#8217;s new weather walls.   Listen in as Ava and Phenom give their review of this fun film! Playing Now in Theaters etc ♦♦ &amp;#160; Director: Jared Bush, Byron Howard Writers: Jared Bush Starring: Ginnifer Goodwin Jason Bateman Ke Huy Quan Fortune Feimster Andy Samberg David Strathairn Shakira Idris Elba Patrick Warburton Quinta Brunson Danny Trejo Runtime:  1 Hour  48 Minutes Synopsis: A bunny and a fox team up again to uncover a hidden mystery about the founders of their town that involves some dangerous reptiles.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Good Boy</title>
		<link>https://www.mtrnetwork.net/good-boy-review/</link>
		<pubDate>Fri, 03 Oct 2025 12:00:06 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=541029</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>One of the smartest things I did this year was give this film a 2nd chance viewing.  Initially, I didn&#8217;t give Good Boy the attention it deserved but saw other critics raving about how good it was.  I went back in for round 2 and was knocked off my feet.  Indy (the dog) carries this film with an adorable, heartwarming while terrifying performance.  I just to wanted to reach through the screen and save Indy from all the bad things and you will too!  </p>
<p>Check out our review to get all the deets about Indy and what made make their film and the performances so endearing. </p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Currently playing in Theaters  now</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Ben Leonberg<br />
<b>Writers:  Alex Cannon, Ben Leonberg</b></p>
<p><b>Starring</b>: Indy, Shane Jensen, Larry Fessenden, Arielle Friedman, <br />
<b>Runtime</b>:   Minutes</p>
<p class="p1"><b>Synopsis</b>:  A dog and his owner take a trip to stay in rural family home, and immediately things get wild in the wilderness as Indy the dog starts to see and sense dark entities haunting the house and possibly his owner. </p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="11803503" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/GoodBoy-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>12:17</itunes:duration>
		<rawvoice:pid>148982327</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>&amp;#160; One of the smartest things I did this year was give this film a 2nd chance viewing.  Initially, I didn&amp;#8217;t give Good Boy the attention it deserved but saw other critics raving about how good it was.  I went back in for round 2 and was knocked off my feet.  Indy (the dog) carries this film with an adorable, heartwarming while terrifying performance.  I just to wanted to reach through the screen and save Indy from all the bad things and you will too!   Check out our review to get all the deets about Indy and what made make their film and the performances so endearing.  &amp;#160; Currently playing in Theaters  now ♦♦ &amp;#160; Director: Ben Leonberg Writers:  Alex Cannon, Ben Leonberg Starring: Indy, Shane Jensen, Larry Fessenden, Arielle Friedman,  Runtime:   Minutes Synopsis:  A dog and his owner take a trip to stay in rural family home, and immediately things get wild in the wilderness as Indy the dog starts to see and sense dark entities haunting the house and possibly his owner.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; One of the smartest things I did this year was give this film a 2nd chance viewing.  Initially, I didn&amp;#8217;t give Good Boy the attention it deserved but saw other critics raving about how good it was.  I went back in for round 2 and was knocked off my feet.  Indy (the dog) carries this film with an adorable, heartwarming while terrifying performance.  I just to wanted to reach through the screen and save Indy from all the bad things and you will too!   Check out our review to get all the deets about Indy and what made make their film and the performances so endearing.  &amp;#160; Currently playing in Theaters  now ♦♦ &amp;#160; Director: Ben Leonberg Writers:  Alex Cannon, Ben Leonberg Starring: Indy, Shane Jensen, Larry Fessenden, Arielle Friedman,  Runtime:   Minutes Synopsis:  A dog and his owner take a trip to stay in rural family home, and immediately things get wild in the wilderness as Indy the dog starts to see and sense dark entities haunting the house and possibly his owner.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: HIM</title>
		<link>https://www.mtrnetwork.net/him-2025-review/</link>
		<pubDate>Fri, 19 Sep 2025 09:00:27 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540986</guid>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>HIM is a film with messaging about Fanship vs Worship, the sacrifice of Mind, Body, and Soul for sports, and cognitive disassociation that comes with being an pro-athlete and more specifically one committed to the brutalities of American Football.  But does it stick the landing with all this messaging?  All the praise to Kira Kelly for these visuals! </p>
<p>Check out our review to find out. </p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Playing Now in Theaters</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Justin Tipping<br />
<b>Writers:  Justin Tipping</b></p>
<p>Cinematography: Kira Kelly</p>
<p><b>Starring</b>:  Marlon Wayans, Tyriq Withers, Julia Fox, Tim Heidecker, Jim Jefferies, Guapdad 5000<br />
<b>Runtime</b>:   96 Minutes</p>
<p class="p1"><b>Synopsis</b>:  After a brutal attack a young football prodigy a goes to train at a remote compound with a retiring legend to help with his recovery, but immediately things are not what the seem and the young football star starts to have a mental break down.</p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
</div>
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		<enclosure length="15201929" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/HIM-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>15:50</itunes:duration>
		<rawvoice:pid>148620884</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>&amp;#160; HIM is a film with messaging about Fanship vs Worship, the sacrifice of Mind, Body, and Soul for sports, and cognitive disassociation that comes with being an pro-athlete and more specifically one committed to the brutalities of American Football.  But does it stick the landing with all this messaging?  All the praise to Kira Kelly for these visuals!  Check out our review to find out.  &amp;#160; Playing Now in Theaters ♦♦ &amp;#160; Director: Justin Tipping Writers:  Justin Tipping Cinematography: Kira Kelly Starring:  Marlon Wayans, Tyriq Withers, Julia Fox, Tim Heidecker, Jim Jefferies, Guapdad 5000 Runtime:   96 Minutes Synopsis:  After a brutal attack a young football prodigy a goes to train at a remote compound with a retiring legend to help with his recovery, but immediately things are not what the seem and the young football star starts to have a mental break down. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; HIM is a film with messaging about Fanship vs Worship, the sacrifice of Mind, Body, and Soul for sports, and cognitive disassociation that comes with being an pro-athlete and more specifically one committed to the brutalities of American Football.  But does it stick the landing with all this messaging?  All the praise to Kira Kelly for these visuals!  Check out our review to find out.  &amp;#160; Playing Now in Theaters ♦♦ &amp;#160; Director: Justin Tipping Writers:  Justin Tipping Cinematography: Kira Kelly Starring:  Marlon Wayans, Tyriq Withers, Julia Fox, Tim Heidecker, Jim Jefferies, Guapdad 5000 Runtime:   96 Minutes Synopsis:  After a brutal attack a young football prodigy a goes to train at a remote compound with a retiring legend to help with his recovery, but immediately things are not what the seem and the young football star starts to have a mental break down. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: The Long Walk</title>
		<link>https://www.mtrnetwork.net/the-long-walk-2025-review/</link>
		<pubDate>Fri, 12 Sep 2025 09:00:42 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>The Long Walk is one of the better ensemble castings this year, with deep rooted character development amongst a group of mostly charming young men who have felt the need to make the ultimate sacrifice.  It fits right in line with how King&#8217;s tales delicately handle camaraderie in dystopian dramas where people are subjected to horrific outcomes while striving for new hope. </p>
<p>Check our our review to hear while Brandon can&#8217;t wait to experience this beautifully tragic film again. </p>
<p><span style="font-family: georgia, palatino, serif;"><em>Playing in Theaters</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Francis Lawrence<br />
<b>Writers:  J.T. Mollner</b></p>
<p><b>Starring</b>: Davis Jonsson, Cooper Hoffman, Ben Wang, Tut Nyuot, Garrett Wareing, Judy Greer, Charlie Plummer, Mark Hamil<br />
<b>Runtime</b>:   108 Minutes</p>
<p class="p1"><b>Synopsis</b>:  50 lottery winners compete in a life or death contest where the last man walking is the winner and gets to wish for whatever they desire. </p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="16352570" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TheLongWalk-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>17:02</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; The Long Walk is one of the better ensemble castings this year, with deep rooted character development amongst a group of mostly charming young men who have felt the need to make the ultimate sacrifice.  It fits right in line with how King&amp;#8217;s tales delicately handle camaraderie in dystopian dramas where people are subjected to horrific outcomes while striving for new hope.  Check our our review to hear while Brandon can&amp;#8217;t wait to experience this beautifully tragic film again.  Playing in Theaters ♦♦ &amp;#160; Director: Francis Lawrence Writers:  J.T. Mollner Starring: Davis Jonsson, Cooper Hoffman, Ben Wang, Tut Nyuot, Garrett Wareing, Judy Greer, Charlie Plummer, Mark Hamil Runtime:   108 Minutes Synopsis:  50 lottery winners compete in a life or death contest where the last man walking is the winner and gets to wish for whatever they desire.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; The Long Walk is one of the better ensemble castings this year, with deep rooted character development amongst a group of mostly charming young men who have felt the need to make the ultimate sacrifice.  It fits right in line with how King&amp;#8217;s tales delicately handle camaraderie in dystopian dramas where people are subjected to horrific outcomes while striving for new hope.  Check our our review to hear while Brandon can&amp;#8217;t wait to experience this beautifully tragic film again.  Playing in Theaters ♦♦ &amp;#160; Director: Francis Lawrence Writers:  J.T. Mollner Starring: Davis Jonsson, Cooper Hoffman, Ben Wang, Tut Nyuot, Garrett Wareing, Judy Greer, Charlie Plummer, Mark Hamil Runtime:   108 Minutes Synopsis:  50 lottery winners compete in a life or death contest where the last man walking is the winner and gets to wish for whatever they desire.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Caught Stealing</title>
		<link>https://www.mtrnetwork.net/caught-stealing-2025-review/</link>
		<pubDate>Fri, 29 Aug 2025 09:00:55 +0000</pubDate>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>Caught Stealing is a story of pure chaos that matches the energy cinematographer <a title="Matthew Libatique" href="https://en.wikipedia.org/wiki/Matthew_Libatique">Matthew Libatique</a> brings to it on screen from behind the camera.  It&#8217;s Run Lola Run in phantom HD shot for IMAX and is well worth an evening or matinee ticket.  It just might finally answer the question &#8220;Does Austin Butler have the chops to carry a whole film on his back&#8221;.</p>
<p>
Check out our review to find out if his charisma makes the cut.  </p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Darren Afronosky<br />
<b>Writers:  Charlie Huston</b></p>
<p><b>Starring</b>: Austin Butler, Zoe Kravitz, Liev Schreiber, Regina King, Vincent D&#8217;Onofrio, Bad Bunny, Action Bronson<br />
<b>Runtime</b>:   107 Minutes</p>
<p class="p1"><b>Synopsis</b>:  When different groups of mobsters and crime syndicates randomly start showing up and kicking the crap out of Hank looking for something they think he stole from them after he&#8217;s caught in his neighbor&#8217;s apartment, he realizes not just he and everyone close to him is in danger and has to run long enough to find and give back when they think he&#8217;s stolen.</p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
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		<enclosure length="7834562" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/CaughtStealing-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>8:09</itunes:duration>
		<rawvoice:pid>148626383</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Caught Stealing is a story of pure chaos that matches the energy cinematographer Matthew Libatique brings to it on screen from behind the camera.  It&amp;#8217;s Run Lola Run in phantom HD shot for IMAX and is well worth an evening or matinee ticket.  It just might finally answer the question &amp;#8220;Does Austin Butler have the chops to carry a whole film on his back&amp;#8221;. Check out our review to find out if his charisma makes the cut.   &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Darren Afronosky Writers:  Charlie Huston Starring: Austin Butler, Zoe Kravitz, Liev Schreiber, Regina King, Vincent D&amp;#8217;Onofrio, Bad Bunny, Action Bronson Runtime:   107 Minutes Synopsis:  When different groups of mobsters and crime syndicates randomly start showing up and kicking the crap out of Hank looking for something they think he stole from them after he&amp;#8217;s caught in his neighbor&amp;#8217;s apartment, he realizes not just he and everyone close to him is in danger and has to run long enough to find and give back when they think he&amp;#8217;s stolen. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; Caught Stealing is a story of pure chaos that matches the energy cinematographer Matthew Libatique brings to it on screen from behind the camera.  It&amp;#8217;s Run Lola Run in phantom HD shot for IMAX and is well worth an evening or matinee ticket.  It just might finally answer the question &amp;#8220;Does Austin Butler have the chops to carry a whole film on his back&amp;#8221;. Check out our review to find out if his charisma makes the cut.   &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Darren Afronosky Writers:  Charlie Huston Starring: Austin Butler, Zoe Kravitz, Liev Schreiber, Regina King, Vincent D&amp;#8217;Onofrio, Bad Bunny, Action Bronson Runtime:   107 Minutes Synopsis:  When different groups of mobsters and crime syndicates randomly start showing up and kicking the crap out of Hank looking for something they think he stole from them after he&amp;#8217;s caught in his neighbor&amp;#8217;s apartment, he realizes not just he and everyone close to him is in danger and has to run long enough to find and give back when they think he&amp;#8217;s stolen. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Smurfs (2025) with Special Guest Ava</title>
		<link>https://www.mtrnetwork.net/smurfs-2025-review/</link>
		<pubDate>Thu, 17 Jul 2025 23:14:23 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>Because this is a kids&#8217; film I thought it best to get the opinion of a kid in this review!</p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Chris Miller<br />
<b>Writers:  Pam Brady</b></p>
<p><b>Starring</b>:</p>
<table class="infobox vevent">
<tbody>
<tr>
<td class="infobox-data">
<div class="plainlist">
<ul>
<li>Rihanna</li>
<li><a title="James Corden" href="https://en.wikipedia.org/wiki/James_Corden">James Corden</a></li>
<li><a title="Nick Offerman" href="https://en.wikipedia.org/wiki/Nick_Offerman">Nick Offerman</a></li>
<li><a class="mw-redirect" title="JP Karliak" href="https://en.wikipedia.org/wiki/JP_Karliak">JP Karliak</a></li>
<li><a title="Dan Levy (Canadian actor)" href="https://en.wikipedia.org/wiki/Dan_Levy_(Canadian_actor)">Daniel Levy</a></li>
<li><a title="Amy Sedaris" href="https://en.wikipedia.org/wiki/Amy_Sedaris">Amy Sedaris</a></li>
<li><a title="Natasha Lyonne" href="https://en.wikipedia.org/wiki/Natasha_Lyonne">Natasha Lyonne</a></li>
</ul>
</div>
</td>
</tr>
</tbody>
</table>
<p>
<b>Runtime</b>:   92 Minutes</p>
<p class="p1"><b>Synopsis</b>:  A no named Smurf attempts to find his special Smurf gift but in doing so opens a portal to the real world allowing Razamel to kidnap Papa Smurf and search for an ancient magical text to control all the magic in the world.</p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
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		<enclosure length="10147130" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TheSmurfs.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>10:34</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Because this is a kids&amp;#8217; film I thought it best to get the opinion of a kid in this review! &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Chris Miller Writers:  Pam Brady Starring: Rihanna James Corden Nick Offerman JP Karliak Daniel Levy Amy Sedaris Natasha Lyonne Runtime:   92 Minutes Synopsis:  A no named Smurf attempts to find his special Smurf gift but in doing so opens a portal to the real world allowing Razamel to kidnap Papa Smurf and search for an ancient magical text to control all the magic in the world. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; Because this is a kids&amp;#8217; film I thought it best to get the opinion of a kid in this review! &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Chris Miller Writers:  Pam Brady Starring: Rihanna James Corden Nick Offerman JP Karliak Daniel Levy Amy Sedaris Natasha Lyonne Runtime:   92 Minutes Synopsis:  A no named Smurf attempts to find his special Smurf gift but in doing so opens a portal to the real world allowing Razamel to kidnap Papa Smurf and search for an ancient magical text to control all the magic in the world. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Superman (2025) Review</title>
		<link>https://www.mtrnetwork.net/superman-2025-review/</link>
		<pubDate>Fri, 11 Jul 2025 04:00:56 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<description><![CDATA[<p>Three Years after revealing himself to the world, Superman must prove his humanity and save the world from the maniacal ploys of an obsessed and borderline deranged Lex Luthor.</p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: James Gunn<br />
<b>Writers:  James Gunn</b></p>
<p><b>Starring</b>:</p>
<table class="infobox vevent" style="width: 173px;">
<tbody>
<tr>
<td class="infobox-data" style="width: 173px;">
<div class="plainlist">
<ul>
<li><a title="David Corenswet" href="https://en.wikipedia.org/wiki/David_Corenswet">David Corenswet</a></li>
<li><a title="Rachel Brosnahan" href="https://en.wikipedia.org/wiki/Rachel_Brosnahan">Rachel Brosnahan</a></li>
<li><a title="Nicholas Hoult" href="https://en.wikipedia.org/wiki/Nicholas_Hoult">Nicholas Hoult</a></li>
<li><a title="Edi Gathegi" href="https://en.wikipedia.org/wiki/Edi_Gathegi">Edi Gathegi</a></li>
<li><a title="Anthony Carrigan (actor)" href="https://en.wikipedia.org/wiki/Anthony_Carrigan_(actor)">Anthony Carrigan</a></li>
<li><a title="Nathan Fillion" href="https://en.wikipedia.org/wiki/Nathan_Fillion">Nathan Fillion</a></li>
<li><a title="Isabela Merced" href="https://en.wikipedia.org/wiki/Isabela_Merced">Isabela Merced</a></li>
</ul>
</div>
</td>
</tr>
</tbody>
</table>
<p>
<b>Walktime</b>:  129 Minutes</p>
<p class="p1"><b>Synopsis</b>:  Superman is back.</p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="18660959" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Superman2025.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>19:26</itunes:duration>
		<rawvoice:pid>147034162</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Three Years after revealing himself to the world, Superman must prove his humanity and save the world from the maniacal ploys of an obsessed and borderline deranged Lex Luthor. &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: James Gunn Writers:  James Gunn Starring: David Corenswet Rachel Brosnahan Nicholas Hoult Edi Gathegi Anthony Carrigan Nathan Fillion Isabela Merced Walktime:  129 Minutes Synopsis:  Superman is back. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Three Years after revealing himself to the world, Superman must prove his humanity and save the world from the maniacal ploys of an obsessed and borderline deranged Lex Luthor. &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: James Gunn Writers:  James Gunn Starring: David Corenswet Rachel Brosnahan Nicholas Hoult Edi Gathegi Anthony Carrigan Nathan Fillion Isabela Merced Walktime:  129 Minutes Synopsis:  Superman is back. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Mickey 17</title>
		<link>https://www.mtrnetwork.net/mickey-17-a-wacky-sci-fi-with-a-great-ensemble-gone-bong/</link>
		<pubDate>Fri, 07 Mar 2025 14:00:15 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
		<category><![CDATA[Ro 2025 Reviews]]></category>
		<description><![CDATA[<p>&#160;</p>
<p>It&#8217;s just better for everyone involved here if you listen to our review above.  Enjoy!</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Mickey 17 opens in US theaters March 7, 2025</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: <a title="Bong Joon-ho" href="https://en.wikipedia.org/wiki/Bong_Joon-ho">Bong Joon-ho</a></p>
<p><b>Writers: <a title="Bong Joon-ho" href="https://en.wikipedia.org/wiki/Bong_Joon-ho">Bong Joon-ho</a></b></p>
<p><b>Starring</b>: <a title="Robert Pattinson" href="https://en.wikipedia.org/wiki/Robert_Pattinson">Robert Pattinson, </a><a title="Naomi Ackie" href="https://en.wikipedia.org/wiki/Naomi_Ackie">Naomi Ackie, </a><a title="Steven Yeun" href="https://en.wikipedia.org/wiki/Steven_Yeun">Steven Yeun, </a><a title="" href="https://en.wikipedia.org/wiki/Toni_Collette">Toni Collette, </a><a title="Mark Ruffalo" href="https://en.wikipedia.org/wiki/Mark_Ruffalo">Mark Ruffalo</a>, <a title="Anamaria Vartolomei" href="https://en.wikipedia.org/wiki/Anamaria_Vartolomei">Anamaria Vartolomei, </a><a title="Patsy Ferran" href="https://en.wikipedia.org/wiki/Patsy_Ferran">Patsy Ferran</a>, <a title="Holliday Grainger" href="https://en.wikipedia.org/wiki/Holliday_Grainger">Holliday Grainger</a> </p>
<p><b>Runtime</b>:  1 Hour 23 Minutes</p>
<p class="p1"><b>Synopsis</b>: A poor sap takes a job on a space voyage as an Expendable, a person designated as the sacrificial lamb for deadly jobs and deadly scientific experimentations only to be reprinted back out to do it all over again.  But when the death of his 17th iteration doesn&#8217;t go as planned, he has to face himself and hide the truth.</p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="57804510" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Mickey17-MTR.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:00:13</itunes:duration>
		<rawvoice:pid>143067020</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>&amp;#160; It&amp;#8217;s just better for everyone involved here if you listen to our review above.  Enjoy! Mickey 17 opens in US theaters March 7, 2025 ♦♦ &amp;#160; Director: Bong Joon-ho Writers: Bong Joon-ho Starring: Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, Mark Ruffalo, Anamaria Vartolomei, Patsy Ferran, Holliday Grainger  Runtime:  1 Hour 23 Minutes Synopsis: A poor sap takes a job on a space voyage as an Expendable, a person designated as the sacrificial lamb for deadly jobs and deadly scientific experimentations only to be reprinted back out to do it all over again.  But when the death of his 17th iteration doesn&amp;#8217;t go as planned, he has to face himself and hide the truth. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; It&amp;#8217;s just better for everyone involved here if you listen to our review above.  Enjoy! Mickey 17 opens in US theaters March 7, 2025 ♦♦ &amp;#160; Director: Bong Joon-ho Writers: Bong Joon-ho Starring: Robert Pattinson, Naomi Ackie, Steven Yeun, Toni Collette, Mark Ruffalo, Anamaria Vartolomei, Patsy Ferran, Holliday Grainger  Runtime:  1 Hour 23 Minutes Synopsis: A poor sap takes a job on a space voyage as an Expendable, a person designated as the sacrificial lamb for deadly jobs and deadly scientific experimentations only to be reprinted back out to do it all over again.  But when the death of his 17th iteration doesn&amp;#8217;t go as planned, he has to face himself and hide the truth. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2025 Reviews, Ro 2025 Reviews</itunes:keywords></item>
	<item>
		<title>Love Hurts Review: This Film Hurts</title>
		<link>https://www.mtrnetwork.net/love-hurts-review-this-film-hurts/</link>
		<pubDate>Sun, 16 Feb 2025 16:29:45 +0000</pubDate>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2025 Reviews]]></category>
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		<description><![CDATA[<p>&#160;</p>
<p>It&#8217;s just better for everyone involved here if you listen to our review above.  Enjoy!</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Love Hurts opened in theaters February 7, 2025</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Jonathan Eusebio<br />
<b>Writers: </b>Matthew Murray, Josh Stoddard, Luke Passmore</p>
<p><b>Starring</b>: <a title="Ariana DeBose" href="https://en.wikipedia.org/wiki/Ariana_DeBose">Ariana DeBose</a>, <a title="Daniel Wu" href="https://en.wikipedia.org/wiki/Daniel_Wu">Daniel Wu</a>, <a title="Marshawn Lynch" href="https://en.wikipedia.org/wiki/Marshawn_Lynch">Marshawn Lynch</a>, <a title="Mustafa Shakir" href="https://en.wikipedia.org/wiki/Mustafa_Shakir">Mustafa Shakir</a>, <a title="Lio Tipton" href="https://en.wikipedia.org/wiki/Lio_Tipton">Lio Tipton</a>, <a title="Rhys Darby" href="https://en.wikipedia.org/wiki/Rhys_Darby">Rhys Darby</a>, <a title="André Eriksen" href="https://en.wikipedia.org/wiki/Andr%C3%A9_Eriksen">André Eriksen</a>, <a title="Sean Astin" href="https://en.wikipedia.org/wiki/Sean_Astin">Sean Astin</a></p>
<p><b>Runtime</b>:  1 Hour 23 Minutes</p>
<p class="p1"><b>Synopsis</b>: A realtor named Marvin finds himself kicked, punched, tossed, and body slammed back into the hit-man and crime mob family life he thought he&#8217;d finally left behind, all in the name of love.  </p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
</div>
<div style="text-align: center;"><strong><span style="font-size: 14pt; font-family: tahoma, arial, helvetica, sans-serif; color: #ff9900;">Like what you hear? Subscribe so you don&#8217;t miss an episode!</span></strong></div>
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		<enclosure length="35838664" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/LoveHurts-MTR.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>37:20</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; It&amp;#8217;s just better for everyone involved here if you listen to our review above.  Enjoy! Love Hurts opened in theaters February 7, 2025 ♦♦ &amp;#160; Director: Jonathan Eusebio Writers: Matthew Murray, Josh Stoddard, Luke Passmore Starring: Ariana DeBose, Daniel Wu, Marshawn Lynch, Mustafa Shakir, Lio Tipton, Rhys Darby, André Eriksen, Sean Astin Runtime:  1 Hour 23 Minutes Synopsis: A realtor named Marvin finds himself kicked, punched, tossed, and body slammed back into the hit-man and crime mob family life he thought he&amp;#8217;d finally left behind, all in the name of love.   &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; It&amp;#8217;s just better for everyone involved here if you listen to our review above.  Enjoy! Love Hurts opened in theaters February 7, 2025 ♦♦ &amp;#160; Director: Jonathan Eusebio Writers: Matthew Murray, Josh Stoddard, Luke Passmore Starring: Ariana DeBose, Daniel Wu, Marshawn Lynch, Mustafa Shakir, Lio Tipton, Rhys Darby, André Eriksen, Sean Astin Runtime:  1 Hour 23 Minutes Synopsis: A realtor named Marvin finds himself kicked, punched, tossed, and body slammed back into the hit-man and crime mob family life he thought he&amp;#8217;d finally left behind, all in the name of love.   &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2025 Reviews, Ro 2025 Reviews</itunes:keywords></item>
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		<title>Movie Review: NIckel Boys</title>
		<link>https://www.mtrnetwork.net/nickel-boys-review/</link>
		<pubDate>Thu, 26 Dec 2024 14:00:23 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p>The story of two black boys who form a bound after being sent to a 1960&#8217;s abusive reform school. </p>
<p>&#160;</p>
<p><b>Director</b>:  RaMell Ross<br />
<b>Writers:  RaMell Ross</b></p>
<p><b>Starring</b>: Ethan Herisse, Brandon Wilson, Daveed Diggs, Aunjanue Ellis-Taylor<br />
<b>Runtime</b>:  140 Minutes</p>
<p class="p1"><b>Synopsis</b>: </p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
</div>
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		<enclosure length="5242880" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/NickelBoys-MTR.mp3"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:title>Nickel Boys Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
	<itunes:explicit/><itunes:subtitle>The story of two black boys who form a bound after being sent to a 1960&amp;#8217;s abusive reform school.  &amp;#160; Director:  RaMell Ross Writers:  RaMell Ross Starring: Ethan Herisse, Brandon Wilson, Daveed Diggs, Aunjanue Ellis-Taylor Runtime:  140 Minutes Synopsis:  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>The story of two black boys who form a bound after being sent to a 1960&amp;#8217;s abusive reform school.  &amp;#160; Director:  RaMell Ross Writers:  RaMell Ross Starring: Ethan Herisse, Brandon Wilson, Daveed Diggs, Aunjanue Ellis-Taylor Runtime:  140 Minutes Synopsis:  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Hard Truths</title>
		<link>https://www.mtrnetwork.net/hard-truths-review/</link>
		<pubDate>Wed, 25 Dec 2024 20:51:48 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2024 Reviews]]></category>
		<description><![CDATA[<p>Tells the story of Pansy who is a curmudgeon just trying to make it through each day disappointed in her family and people in general but supported by her more positive sister, who attempts to pull Pansy out of her funk but is starting to grow tired and weary of their insufferable relationship.</p>
<p>&#160;</p>
<p>Marianne Jean-Baptiste deserves all the awards for this role.</p>
<p>&#160;</p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: <a title="Mike Leigh" href="https://en.wikipedia.org/wiki/Mike_Leigh">Mike Leigh</a><br />
<b>Writers:  <a title="Mike Leigh" href="https://en.wikipedia.org/wiki/Mike_Leigh">Mike Leigh</a></b></p>
<p><b>Starring</b>:</p>
<table class="infobox vevent">
<tbody>
<tr>
<td class="infobox-data">
<div class="plainlist">
<ul>
<li><a title="Marianne Jean-Baptiste" href="https://en.wikipedia.org/wiki/Marianne_Jean-Baptiste">Marianne Jean-Baptiste</a></li>
<li><a title="Michele Austin" href="https://en.wikipedia.org/wiki/Michele_Austin">Michele Austin</a></li>
<li>David Webber</li>
<li>Tuwaine Barrett</li>
<li>Ani Nelson</li>
<li><a title="Sophia Brown (actress)" href="https://en.wikipedia.org/wiki/Sophia_Brown_(actress)">Sophia Brown</a></li>
<li>Jonathan Livingstone</li>
</ul>
</div>
</td>
</tr>
</tbody>
</table>
<p>
<b>Runtime</b>:   97 Minutes</p>
<p class="p1"><b>Synopsis</b>:  Tells the story of Pansy who is a curmudegeon just trying to make it through each day disappointed in her family and people in general but supported by her more positive sister, who attempts to pull Pansy out of her funk but is starting to grow tired and weary of their insufferable relationship.</p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
</div>
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		<enclosure length="9471290" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/HardTruths-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>9:52</itunes:duration>
		<rawvoice:pid>147115589</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Tells the story of Pansy who is a curmudgeon just trying to make it through each day disappointed in her family and people in general but supported by her more positive sister, who attempts to pull Pansy out of her funk but is starting to grow tired and weary of their insufferable relationship. &amp;#160; Marianne Jean-Baptiste deserves all the awards for this role. &amp;#160; &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Mike Leigh Writers:  Mike Leigh Starring: Marianne Jean-Baptiste Michele Austin David Webber Tuwaine Barrett Ani Nelson Sophia Brown Jonathan Livingstone Runtime:   97 Minutes Synopsis:  Tells the story of Pansy who is a curmudegeon just trying to make it through each day disappointed in her family and people in general but supported by her more positive sister, who attempts to pull Pansy out of her funk but is starting to grow tired and weary of their insufferable relationship. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Tells the story of Pansy who is a curmudgeon just trying to make it through each day disappointed in her family and people in general but supported by her more positive sister, who attempts to pull Pansy out of her funk but is starting to grow tired and weary of their insufferable relationship. &amp;#160; Marianne Jean-Baptiste deserves all the awards for this role. &amp;#160; &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Mike Leigh Writers:  Mike Leigh Starring: Marianne Jean-Baptiste Michele Austin David Webber Tuwaine Barrett Ani Nelson Sophia Brown Jonathan Livingstone Runtime:   97 Minutes Synopsis:  Tells the story of Pansy who is a curmudegeon just trying to make it through each day disappointed in her family and people in general but supported by her more positive sister, who attempts to pull Pansy out of her funk but is starting to grow tired and weary of their insufferable relationship. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Nosferatu</title>
		<link>https://www.mtrnetwork.net/nosferatu-review/</link>
		<pubDate>Wed, 25 Dec 2024 14:00:31 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
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		<category><![CDATA[Ro 2024 Reviews]]></category>
		<description><![CDATA[<p>Robert Eggers&#8217; passion project, a remake of the infamous cinematic Dracula film Nosferatu: A Symphony of Horror.</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Robert Eggers<br />
<b>Writers: Robert Eggers</b></p>
<p><b>Starring</b>: Lily-Rose Depp, Bill Skarsgard, Nicholas Holt, Aaron Taylor-Johnson, Williem Dafoe<br />
<b>Runtime</b>:  132 Minutes</p>
<p class="p1"><b>Synopsis</b>: A Remake of Nosferatu: A Symphony of Horror</p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
</div>
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	<itunes:explicit/><itunes:subtitle>Robert Eggers&amp;#8217; passion project, a remake of the infamous cinematic Dracula film Nosferatu: A Symphony of Horror. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Robert Eggers Writers: Robert Eggers Starring: Lily-Rose Depp, Bill Skarsgard, Nicholas Holt, Aaron Taylor-Johnson, Williem Dafoe Runtime:  132 Minutes Synopsis: A Remake of Nosferatu: A Symphony of Horror &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Robert Eggers&amp;#8217; passion project, a remake of the infamous cinematic Dracula film Nosferatu: A Symphony of Horror. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Robert Eggers Writers: Robert Eggers Starring: Lily-Rose Depp, Bill Skarsgard, Nicholas Holt, Aaron Taylor-Johnson, Williem Dafoe Runtime:  132 Minutes Synopsis: A Remake of Nosferatu: A Symphony of Horror &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Wild Robot - Movie Trailer Reviews</title>
		<link>https://www.mtrnetwork.net/wild-robot-review/</link>
		<pubDate>Sun, 22 Dec 2024 00:46:06 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p>&#160;</p>
<p>The Wild Robot is a master class in blending ground breaking technology with animation to give us a gorgeously, heartwarming film that understood the assignment.&#160; Lupita (Roz)&#160; and Pedro Pascal (Fink) are a sensationally addictive duo surrounded by an amazing ensemble of voice actors who bring to life a wild tale of finding strength in family, protecting the things you love, and embracing heroism.</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: <a class="fl" href="https://www.google.com/search?sa=X&#38;sca_esv=1e524b6a6f16a247&#38;biw=1309&#38;bih=625&#38;sxsrf=ADLYWIK3Gql_FkJWquavBw2olO1iH3iatw:1734827285616&#38;q=Chris+Sanders&#38;si=ACC90nzx_D3_zUKRnpAjmO0UBLNxnt7EyN4YYdru6U3bxLI-L1GMkbKy3CeE_V-EheNvZ6k1Ox5U7ZuXxH4VJ7FiMnyZ_Hc_BctHquJMLUyJwDfPnB4vTHSlo7fW7UcVUVQcKQfxgVqBtfBWUQLHZh2lec52MIlWkpzM_pN2mm7oZfG8W87eKBp5pXCcoSrUcQCNqmTRHf1WKBzYfVmxDOMNLmHiHcBbDg%3D%3D&#38;ved=2ahUKEwjT_Ougj7qKAxUVFVkFHY7XFPYQmxMoAHoECCMQAg" data-ved="2ahUKEwjT_Ougj7qKAxUVFVkFHY7XFPYQmxMoAHoECCMQAg">Chris Sanders</a><br />
<b>Writers:&#160;</b></p>
<p><b>Starring</b>: <a title="" href="https://en.wikipedia.org/wiki/Lupita_Nyong%27o">Lupita Nyong&#8217;o</a>, Pedro Pascal, Kit Connor, Stephanie Hsu, Ving Rhames, Mark Hamill, Bill Nighy,&#160;</p>
<p>
<b>Runtime</b>:&#160; 1 Hour 42 Minutes</p>
<p class="p1"><b>Synopsis</b>:&#160; A Robot abandoned on earth who is initially treated like an outcast until she adopts a duckling who mistakes her for it&#8217;s mother, fights to protect her forrest family when her makers return and wage war in an attempt to retrieve her.</p>
<div style="text-align: left;">
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		<itunes:duration>22:38</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; The Wild Robot is a master class in blending ground breaking technology with animation to give us a gorgeously, heartwarming film that understood the assignment.&amp;#160; Lupita (Roz)&amp;#160; and Pedro Pascal (Fink) are a sensationally addictive duo surrounded by an amazing ensemble of voice actors who bring to life a wild tale of finding strength in family, protecting the things you love, and embracing heroism. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Chris Sanders Writers:&amp;#160; Starring: Lupita Nyong&amp;#8217;o, Pedro Pascal, Kit Connor, Stephanie Hsu, Ving Rhames, Mark Hamill, Bill Nighy,&amp;#160; Runtime:&amp;#160; 1 Hour 42 Minutes Synopsis:&amp;#160; A Robot abandoned on earth who is initially treated like an outcast until she adopts a duckling who mistakes her for it&amp;#8217;s mother, fights to protect her forrest family when her makers return and wage war in an attempt to retrieve her. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; The Wild Robot is a master class in blending ground breaking technology with animation to give us a gorgeously, heartwarming film that understood the assignment.&amp;#160; Lupita (Roz)&amp;#160; and Pedro Pascal (Fink) are a sensationally addictive duo surrounded by an amazing ensemble of voice actors who bring to life a wild tale of finding strength in family, protecting the things you love, and embracing heroism. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Chris Sanders Writers:&amp;#160; Starring: Lupita Nyong&amp;#8217;o, Pedro Pascal, Kit Connor, Stephanie Hsu, Ving Rhames, Mark Hamill, Bill Nighy,&amp;#160; Runtime:&amp;#160; 1 Hour 42 Minutes Synopsis:&amp;#160; A Robot abandoned on earth who is initially treated like an outcast until she adopts a duckling who mistakes her for it&amp;#8217;s mother, fights to protect her forrest family when her makers return and wage war in an attempt to retrieve her. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Tuesday</title>
		<link>https://www.mtrnetwork.net/tuesday-review/</link>
		<pubDate>Sat, 21 Dec 2024 23:48:37 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540523</guid>
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		<description><![CDATA[<p>&#160;</p>
<p>A film that lives and dies by it&#8217;s leading cast made up of a Mother, her daughter, and a magic Macaw, <a href="https://a24films.com/films/tuesday">Tuesday</a> is a dark fantastical tale about how people cope with terminal illness and impending Death.&#160; <a href="https://www.google.com/search?sca_esv=35e4d6bf0b55a64b&#38;sxsrf=ADLYWIIhAPgeVqIRQ4k84vjK5Nu3o3IEXg:1734823232349&#38;q=Lola+Petticrew&#38;stick=H4sIAAAAAAAAAONgFuLVT9c3NMzLKzNIT8vIU4Jw0w1z8oyNCw21hLKTrfTTMnNywYRVcmJxySJWPp_8nESFgNSSkszkotTyHayMAI_AwitIAAAA&#38;sa=X&#38;ved=2ahUKEwiykIyUgLqKAxWcF1kFHSchFWUQgOQBegQISRAG">Lola Petticrew</a> really gives an amazing performance here that will charm the audience audience even more than Tuesday is able to charm Death.&#160; <a href="https://www.google.com/search?sca_esv=35e4d6bf0b55a64b&#38;sxsrf=ADLYWIIhAPgeVqIRQ4k84vjK5Nu3o3IEXg:1734823232349&#38;q=Arinze+Kene&#38;stick=H4sIAAAAAAAAAONgFuLVT9c3NMzLKzNIT8vIU-LSz9U3SC4wNCrL0hLKTrbST8vMyQUTVsmJxSWLWLkdizLzqlIVvFPzUnewMgIAkY_8z0IAAAA&#38;sa=X&#38;ved=2ahUKEwiykIyUgLqKAxWcF1kFHSchFWUQgOQBegQISRAM">Arinze Kene</a> voices Death and does some very captivating motion capture with his portrayal of the stuttering Macaw.&#160; The film really hits the ground running especially when you toss in the unhinged performance from <a href="https://www.google.com/search?sca_esv=35e4d6bf0b55a64b&#38;sxsrf=ADLYWIIhAPgeVqIRQ4k84vjK5Nu3o3IEXg:1734823232349&#38;q=Julia+Louis-Dreyfus&#38;stick=H4sIAAAAAAAAAONgFuLVT9c3NMzLKzNIT8vIU-LQz9U3KKgsL9cSyk620k_LzMkFE1bJicUli1iFvUpzMhMVfPJLM4t1XYpSK9NKi3ewMgIAuzrlIUgAAAA&#38;sa=X&#38;ved=2ahUKEwiykIyUgLqKAxWcF1kFHSchFWUQgOQBegQISRAS">Julia Louis-Dreyfus</a> switching gears and turning this into a dark comedy.&#160; But ultimately the film falls flat when it doesn&#8217;t fully capitalize on the real world ramifications of Zora&#8217;s actions, and instead lulls it&#8217;s audience to very anticlimactic ending.&#160;</p>
<p>It&#8217;s almost like the director knew exactly where he was going but didn&#8217;t fully grasp where things were headed.&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Daina O. Pusić<br />
<b>Writers: Daina O. Pusić</b></p>
<p><b>Starring</b>: Julia Louis-Dreyfus, Lola Petticrew, Arinze Kene, <a href="https://www.google.com/search?sca_esv=35e4d6bf0b55a64b&#38;sxsrf=ADLYWIIhAPgeVqIRQ4k84vjK5Nu3o3IEXg:1734823232349&#38;q=Leah+Harvey&#38;stick=H4sIAAAAAAAAAONgFuLVT9c3NMzLKzNIT8vIU4Jwk40KjfPi09O1hLKTrfTTMnNywYRVcmJxySJWbp_UxAwFj8SistTKHayMABUcH2BFAAAA&#38;sa=X&#38;ved=2ahUKEwiykIyUgLqKAxWcF1kFHSchFWUQgOQBegQISRAY">Leah Harvey</a><br />
<b>Runtime</b>:&#160; 1 Hour 50 Minutes</p>
<p class="p1"><b>Synopsis</b>:&#160; When Death comes knocking at the door of a terminally ill teenager named Tuesday, she uses her quick wit and insatiable charm to befriend the creature.&#160; But when her Mother discovers the Macaw, she takes matters into her own hands and makes an unhinged decision that puts the entire world in dire straits.&#160;</p>
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<p>&#160;</p>
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		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>15:57</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; A film that lives and dies by it&amp;#8217;s leading cast made up of a Mother, her daughter, and a magic Macaw, Tuesday is a dark fantastical tale about how people cope with terminal illness and impending Death.&amp;#160; Lola Petticrew really gives an amazing performance here that will charm the audience audience even more than Tuesday is able to charm Death.&amp;#160; Arinze Kene voices Death and does some very captivating motion capture with his portrayal of the stuttering Macaw.&amp;#160; The film really hits the ground running especially when you toss in the unhinged performance from Julia Louis-Dreyfus switching gears and turning this into a dark comedy.&amp;#160; But ultimately the film falls flat when it doesn&amp;#8217;t fully capitalize on the real world ramifications of Zora&amp;#8217;s actions, and instead lulls it&amp;#8217;s audience to very anticlimactic ending.&amp;#160; It&amp;#8217;s almost like the director knew exactly where he was going but didn&amp;#8217;t fully grasp where things were headed.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Daina O. Pusić Writers: Daina O. Pusić Starring: Julia Louis-Dreyfus, Lola Petticrew, Arinze Kene, Leah Harvey Runtime:&amp;#160; 1 Hour 50 Minutes Synopsis:&amp;#160; When Death comes knocking at the door of a terminally ill teenager named Tuesday, she uses her quick wit and insatiable charm to befriend the creature.&amp;#160; But when her Mother discovers the Macaw, she takes matters into her own hands and makes an unhinged decision that puts the entire world in dire straits.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; A film that lives and dies by it&amp;#8217;s leading cast made up of a Mother, her daughter, and a magic Macaw, Tuesday is a dark fantastical tale about how people cope with terminal illness and impending Death.&amp;#160; Lola Petticrew really gives an amazing performance here that will charm the audience audience even more than Tuesday is able to charm Death.&amp;#160; Arinze Kene voices Death and does some very captivating motion capture with his portrayal of the stuttering Macaw.&amp;#160; The film really hits the ground running especially when you toss in the unhinged performance from Julia Louis-Dreyfus switching gears and turning this into a dark comedy.&amp;#160; But ultimately the film falls flat when it doesn&amp;#8217;t fully capitalize on the real world ramifications of Zora&amp;#8217;s actions, and instead lulls it&amp;#8217;s audience to very anticlimactic ending.&amp;#160; It&amp;#8217;s almost like the director knew exactly where he was going but didn&amp;#8217;t fully grasp where things were headed.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Daina O. Pusić Writers: Daina O. Pusić Starring: Julia Louis-Dreyfus, Lola Petticrew, Arinze Kene, Leah Harvey Runtime:&amp;#160; 1 Hour 50 Minutes Synopsis:&amp;#160; When Death comes knocking at the door of a terminally ill teenager named Tuesday, she uses her quick wit and insatiable charm to befriend the creature.&amp;#160; But when her Mother discovers the Macaw, she takes matters into her own hands and makes an unhinged decision that puts the entire world in dire straits.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: The Fire Inside</title>
		<link>https://www.mtrnetwork.net/the-fire-inside-review/</link>
		<pubDate>Sat, 21 Dec 2024 23:00:48 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540516</guid>
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		<category><![CDATA[Movie Reviews]]></category>
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		<description><![CDATA[<p>&#160;</p>
<p>Rachel Morrison and Barry Jenkins come together beautifully here to craft a big screen polished adaptation of the 2016 <a href="https://www.youtube.com/watch?v=XCO2sRlaBYY">PBS Documentary, &#8220;T-Rex: Her Fight For gold&#8221;</a>.&#160; The chemistry between Ryan Destiny and Brian Tyree Henry portraying Claressa Shields and Coach Jason Crutchfield is so palpable.&#160; A lot of heart and care went into this project.&#160; So, while it may feel like the film doesn&#8217;t tell enough of Claressa&#8217;s story,&#160; which continued far beyond her Olympic years, the gritty biographical story of a naturally gifted boxing phenom we do get here is unapologetically as inspirational as the real life boxing champion herself.&#160;</p>
<p>This is the story of T-Rex.</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Rachel Morrison<br />
<b>Writers: Barry Jenkins</b></p>
<p><b>Starring</b>: Ryan Destiny,&#160;Brian Tyree Henry<br />
<b>Runtime</b>:&#160; 1 Hour 49 Minutes</p>
<p class="p1"><b>Synopsis</b>: Based on the PBS Documentary &#8220;T-Rex: Her Fight For Gold&#8221;, The Fire Inside tells the story of Claressa Shields, a young black female boxer from Flint, Michigan who&#8217;s will and determination take her all the way to the Olympics yet somehow not far enough away from the dangers of her home life.&#160;</p>
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		<enclosure length="34327742" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TheFireInside-MTR.mp3"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:45</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Rachel Morrison and Barry Jenkins come together beautifully here to craft a big screen polished adaptation of the 2016 PBS Documentary, &amp;#8220;T-Rex: Her Fight For gold&amp;#8221;.&amp;#160; The chemistry between Ryan Destiny and Brian Tyree Henry portraying Claressa Shields and Coach Jason Crutchfield is so palpable.&amp;#160; A lot of heart and care went into this project.&amp;#160; So, while it may feel like the film doesn&amp;#8217;t tell enough of Claressa&amp;#8217;s story,&amp;#160; which continued far beyond her Olympic years, the gritty biographical story of a naturally gifted boxing phenom we do get here is unapologetically as inspirational as the real life boxing champion herself.&amp;#160; This is the story of T-Rex. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Rachel Morrison Writers: Barry Jenkins Starring: Ryan Destiny,&amp;#160;Brian Tyree Henry Runtime:&amp;#160; 1 Hour 49 Minutes Synopsis: Based on the PBS Documentary &amp;#8220;T-Rex: Her Fight For Gold&amp;#8221;, The Fire Inside tells the story of Claressa Shields, a young black female boxer from Flint, Michigan who&amp;#8217;s will and determination take her all the way to the Olympics yet somehow not far enough away from the dangers of her home life.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; Rachel Morrison and Barry Jenkins come together beautifully here to craft a big screen polished adaptation of the 2016 PBS Documentary, &amp;#8220;T-Rex: Her Fight For gold&amp;#8221;.&amp;#160; The chemistry between Ryan Destiny and Brian Tyree Henry portraying Claressa Shields and Coach Jason Crutchfield is so palpable.&amp;#160; A lot of heart and care went into this project.&amp;#160; So, while it may feel like the film doesn&amp;#8217;t tell enough of Claressa&amp;#8217;s story,&amp;#160; which continued far beyond her Olympic years, the gritty biographical story of a naturally gifted boxing phenom we do get here is unapologetically as inspirational as the real life boxing champion herself.&amp;#160; This is the story of T-Rex. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Rachel Morrison Writers: Barry Jenkins Starring: Ryan Destiny,&amp;#160;Brian Tyree Henry Runtime:&amp;#160; 1 Hour 49 Minutes Synopsis: Based on the PBS Documentary &amp;#8220;T-Rex: Her Fight For Gold&amp;#8221;, The Fire Inside tells the story of Claressa Shields, a young black female boxer from Flint, Michigan who&amp;#8217;s will and determination take her all the way to the Olympics yet somehow not far enough away from the dangers of her home life.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Moana 2</title>
		<link>https://www.mtrnetwork.net/moana-2-review/</link>
		<pubDate>Sat, 21 Dec 2024 22:02:55 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540501</guid>
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		<description><![CDATA[<p>&#160;</p>
<p>If Disney is going to take a made for streaming series project and whip it up into a last minute theatrical release, they could at least give us Return of Jafar instead of Bambi 2.&#160; Moana does a poor job of catching the audience up on what some of our favorite characters have been up too since we last saw them through an adventure in such a superficial way.&#160; And once the film reveals itself to actually not be one-dimensional we&#8217;re sailing midway through the 3rd act of a story that hopefully James Cameron won&#8217;t feel the need to be inspired by since he&#8217;s already made a billion dollars doing it with less heart.&#160; The songs aren&#8217;t really memorable.&#160; The new characters aside from one we only get in the 2nd act aren&#8217;t very memorable.&#160; The story we now know is actually part of a trilogy that might actually be going back to streaming after these box office numbers drop is also not memorable.&#160; And the Rock sings.&#160; There&#8217;s still a lot of people&#8217;s favorite things about Moana here, but this film deserved to be better and just doesn&#8217;t feel like it was treated as such by the House of Mouse.&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: <a class="fl" href="https://www.google.com/search?sca_esv=885c0d1769f0e7b2&#38;biw=1309&#38;bih=625&#38;sxsrf=ADLYWIIKpRxj-o29Tn8W7iIgIP7HxfikLQ:1734818066123&#38;q=Dana+Ledoux+Miller&#38;si=ACC90nwLLwns5sISZcdzuISy7t-NHozt8Cbt6G3WNQfC9ekAgNSPh_F6cNTY5A1ChPrton_BCcyYuDPYCi9l-5EXvafgLxXJGMFs3RG0Lb3497Aetg0es3X-BltGDUOxNy-jjYbNn_LlOp9wPEy61LZTyVkcEDw5DXCQUTBACVKghYsT4w92mycLzZvnWjESo3h5m1-lk1r9oih84FZ140e0p5M5kf-uPLYRSiHWLKp1YdaL2k7_SUsKfaZP_u8bVRYy2dqJAXOdJfgZqN_dvQEumeWU9APJ8KwUGxTQ6ia5Q-SD4UTs5vs%3D&#38;sa=X&#38;ved=2ahUKEwi579L07LmKAxV9EGIAHZZHDAkQmxMoAHoECCkQAg" data-ved="2ahUKEwi579L07LmKAxV9EGIAHZZHDAkQmxMoAHoECCkQAg">Dana Ledoux Miller</a>,&#160;<a class="fl" href="https://www.google.com/search?sca_esv=885c0d1769f0e7b2&#38;biw=1309&#38;bih=625&#38;sxsrf=ADLYWIIKpRxj-o29Tn8W7iIgIP7HxfikLQ:1734818066123&#38;q=Jason+Hand&#38;si=ACC90nwLLwns5sISZcdzuISy7t-NHozt8Cbt6G3WNQfC9ekAgGskU5EBD2lj0-rvDwygtfxkYYBlPfdO1KCi9a9NqG_pFP7uZV6MpKUbXRB8bFt8CHZUcCdIyzLUAzMLHHVNMiD02XI3JrpLQ8e6IxthO5FHv3W375Q7HBs8D8zpEskJiwXdeCTl15QiRBpTn6brK0Jj1NV-kiClXuEzyQgY32tmRGt72agnBZso8OXw6vXfvItUYsA_x287nUiTEdd2S1DBVI3ZX7p-D3iKbBxEqdStHqKXXz2l_GgD18YRa8b-2sRj9qQ%3D&#38;sa=X&#38;ved=2ahUKEwi579L07LmKAxV9EGIAHZZHDAkQmxMoAXoECCkQAw" data-ved="2ahUKEwi579L07LmKAxV9EGIAHZZHDAkQmxMoAXoECCkQAw">Jason Hand</a>,&#160;<a class="fl" href="https://www.google.com/search?sca_esv=885c0d1769f0e7b2&#38;biw=1309&#38;bih=625&#38;sxsrf=ADLYWIIKpRxj-o29Tn8W7iIgIP7HxfikLQ:1734818066123&#38;q=David+Derrick+Jr.&#38;si=ACC90nwLLwns5sISZcdzuISy7t-NHozt8Cbt6G3WNQfC9ekAgJva-8nQWCs7Lcu2X_MGWg9G81xRYKrI18T-gxFKGSwMnOPh96QIhmRgXTmCTmiYjP42-PFNSB9eiZ4Q99sSqTqSSBNA5f5T5yjcMAhiJTkMAiS2cug0ZjgDl3Q0Fag73DUI2A-13thxlcqGlcevZkYro80n_OczzHhtNQDkPlQw7hpXGMtqGrQIXgIcQzSB4IOmQtQlIJVE1I4t-H26AR1TqDkoeRFko9JPawWK_2GB6HgP59mIsIpIw-4zH8-Y22XiV-k%3D&#38;sa=X&#38;ved=2ahUKEwi579L07LmKAxV9EGIAHZZHDAkQmxMoAnoECCkQBA" data-ved="2ahUKEwi579L07LmKAxV9EGIAHZZHDAkQmxMoAnoECCkQBA">David Derrick Jr.</a><br />
<b>Writers: </b><a title="Jared Bush" href="https://en.wikipedia.org/wiki/Jared_Bush">Jared Bush, </a><sup id="cite_ref-cb614_2-0" class="reference"></sup>Dana Ledoux Mille</p>
<p><b>Starring</b>: <a title="Auliʻi Cravalho" href="https://en.wikipedia.org/wiki/Auli%CA%BBi_Cravalho">Auliʻi Cravalho,</a><a title="Dwayne Johnson" href="https://en.wikipedia.org/wiki/Dwayne_Johnson">Dwayne Johnson, </a>Awhimai Fraser, <a title="David Fane" href="https://en.wikipedia.org/wiki/David_Fane">David Fane, </a><a title="Rose Matafeo" href="https://en.wikipedia.org/wiki/Rose_Matafeo">Rose Matafe, </a>Hualālai Chung</p>
<p><b>Runtime</b>:&#160; 1 Hour 40 Minutes</p>
<p><b>Synopsis</b>: Moana returns as a young adult encouraged by the water spirits to set sail on a new adventure to find the other lost tribes of the sea beyond her side of the reef.&#160;</p>
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		<itunes:duration>21:57</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; If Disney is going to take a made for streaming series project and whip it up into a last minute theatrical release, they could at least give us Return of Jafar instead of Bambi 2.&amp;#160; Moana does a poor job of catching the audience up on what some of our favorite characters have been up too since we last saw them through an adventure in such a superficial way.&amp;#160; And once the film reveals itself to actually not be one-dimensional we&amp;#8217;re sailing midway through the 3rd act of a story that hopefully James Cameron won&amp;#8217;t feel the need to be inspired by since he&amp;#8217;s already made a billion dollars doing it with less heart.&amp;#160; The songs aren&amp;#8217;t really memorable.&amp;#160; The new characters aside from one we only get in the 2nd act aren&amp;#8217;t very memorable.&amp;#160; The story we now know is actually part of a trilogy that might actually be going back to streaming after these box office numbers drop is also not memorable.&amp;#160; And the Rock sings.&amp;#160; There&amp;#8217;s still a lot of people&amp;#8217;s favorite things about Moana here, but this film deserved to be better and just doesn&amp;#8217;t feel like it was treated as such by the House of Mouse.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Dana Ledoux Miller,&amp;#160;Jason Hand,&amp;#160;David Derrick Jr. Writers: Jared Bush, Dana Ledoux Mille Starring: Auliʻi Cravalho,Dwayne Johnson, Awhimai Fraser, David Fane, Rose Matafe, Hualālai Chung Runtime:&amp;#160; 1 Hour 40 Minutes Synopsis: Moana returns as a young adult encouraged by the water spirits to set sail on a new adventure to find the other lost tribes of the sea beyond her side of the reef.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; If Disney is going to take a made for streaming series project and whip it up into a last minute theatrical release, they could at least give us Return of Jafar instead of Bambi 2.&amp;#160; Moana does a poor job of catching the audience up on what some of our favorite characters have been up too since we last saw them through an adventure in such a superficial way.&amp;#160; And once the film reveals itself to actually not be one-dimensional we&amp;#8217;re sailing midway through the 3rd act of a story that hopefully James Cameron won&amp;#8217;t feel the need to be inspired by since he&amp;#8217;s already made a billion dollars doing it with less heart.&amp;#160; The songs aren&amp;#8217;t really memorable.&amp;#160; The new characters aside from one we only get in the 2nd act aren&amp;#8217;t very memorable.&amp;#160; The story we now know is actually part of a trilogy that might actually be going back to streaming after these box office numbers drop is also not memorable.&amp;#160; And the Rock sings.&amp;#160; There&amp;#8217;s still a lot of people&amp;#8217;s favorite things about Moana here, but this film deserved to be better and just doesn&amp;#8217;t feel like it was treated as such by the House of Mouse.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Dana Ledoux Miller,&amp;#160;Jason Hand,&amp;#160;David Derrick Jr. Writers: Jared Bush, Dana Ledoux Mille Starring: Auliʻi Cravalho,Dwayne Johnson, Awhimai Fraser, David Fane, Rose Matafe, Hualālai Chung Runtime:&amp;#160; 1 Hour 40 Minutes Synopsis: Moana returns as a young adult encouraged by the water spirits to set sail on a new adventure to find the other lost tribes of the sea beyond her side of the reef.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: Megalopolis</title>
		<link>https://www.mtrnetwork.net/megalopolis-review/</link>
		<pubDate>Sat, 21 Dec 2024 21:30:29 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540496</guid>
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		<description><![CDATA[<p>&#160;</p>
<p>Francis Ford Coppola has definitively proven that no amount of wine country monies can be thrown at a 30 year passion project to justify wasting two extra long hours of your life aging away in an IMAX theater struggling to watch it.&#160; Megalopolis is so bad it couldn&#8217;t make it&#8217;s money back in a game of tic tac toe against a blind man.&#160; A Megalodon of a mess, Coppola beats his audience over the head with his shallow progressive messaging literally carved in stone connecting some beautiful cinematography and provocative performances with some of the ugliest CGI and convoluted story progression I&#8217;ve ever experieneced.&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Francis Ford Coppola<br />
<b>Writers: Francis Ford Coppola</b></p>
<p><b>Starring</b>: Adam Driver, Nathalie Emmanuel, Laurence Fishburne, Shia LeBeouf, Aubrey Plaza, Jon Voight, Giancarlo Esposito, Dustin Hoffman<br />
<b>Runtime</b>:&#160; 2 Hours 18 Minutes</p>
<p class="p1"><b>Synopsis</b>: Set in New New Rome, an idealistically driven, widowed scientific genius with the power to control time pushes back against the regressive regime in an attempt to create a golden utopia causing a violent social and political uproar.&#160;</p>
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		<itunes:explicit>true</itunes:explicit>
		<itunes:duration>56:13</itunes:duration>
	<itunes:subtitle>&amp;#160; Francis Ford Coppola has definitively proven that no amount of wine country monies can be thrown at a 30 year passion project to justify wasting two extra long hours of your life aging away in an IMAX theater struggling to watch it.&amp;#160; Megalopolis is so bad it couldn&amp;#8217;t make it&amp;#8217;s money back in a game of tic tac toe against a blind man.&amp;#160; A Megalodon of a mess, Coppola beats his audience over the head with his shallow progressive messaging literally carved in stone connecting some beautiful cinematography and provocative performances with some of the ugliest CGI and convoluted story progression I&amp;#8217;ve ever experieneced.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Francis Ford Coppola Writers: Francis Ford Coppola Starring: Adam Driver, Nathalie Emmanuel, Laurence Fishburne, Shia LeBeouf, Aubrey Plaza, Jon Voight, Giancarlo Esposito, Dustin Hoffman Runtime:&amp;#160; 2 Hours 18 Minutes Synopsis: Set in New New Rome, an idealistically driven, widowed scientific genius with the power to control time pushes back against the regressive regime in an attempt to create a golden utopia causing a violent social and political uproar.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; Francis Ford Coppola has definitively proven that no amount of wine country monies can be thrown at a 30 year passion project to justify wasting two extra long hours of your life aging away in an IMAX theater struggling to watch it.&amp;#160; Megalopolis is so bad it couldn&amp;#8217;t make it&amp;#8217;s money back in a game of tic tac toe against a blind man.&amp;#160; A Megalodon of a mess, Coppola beats his audience over the head with his shallow progressive messaging literally carved in stone connecting some beautiful cinematography and provocative performances with some of the ugliest CGI and convoluted story progression I&amp;#8217;ve ever experieneced.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Francis Ford Coppola Writers: Francis Ford Coppola Starring: Adam Driver, Nathalie Emmanuel, Laurence Fishburne, Shia LeBeouf, Aubrey Plaza, Jon Voight, Giancarlo Esposito, Dustin Hoffman Runtime:&amp;#160; 2 Hours 18 Minutes Synopsis: Set in New New Rome, an idealistically driven, widowed scientific genius with the power to control time pushes back against the regressive regime in an attempt to create a golden utopia causing a violent social and political uproar.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: MaXXXine</title>
		<link>https://www.mtrnetwork.net/maxxxine-review/</link>
		<pubDate>Sat, 21 Dec 2024 05:31:33 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540488</guid>
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		<description><![CDATA[<p>&#160;</p>
<p>MaXXXine is the ending to a trilogy we welcomed but didn&#8217;t ask for, and it almost took the director from Ti West to You Tried West.&#160; &#160;Luckily, Pearl and X are just so strong that it pretty much makes MaXXXine the 3rd Back to the Future film.&#160; A film that&#8217;s just as far from worthless as it is from worth it, mainly due to a nothing new here story, an unearned reveal, but still somehow a variety of perfectly casted supporting role performances.&#160; MaXXXine gets so many things right yet still does nothing to push the genre forward.&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>:&#160; Ti West<br />
<b>Writers:&#160; Ti West</b></p>
<p><b>Starring</b>: Mia Goth, Kevin Bacon, Sophie Thatcher, Moses Sumney<br />
<b>Runtime</b>:&#160; 1 Hour 44 Minutes</p>
<p class="p1"><b>Synopsis</b>: A porn star lands her first big Hollywood break while being black mailed by a dirtbag PI who knows her dark X past, and stalked by an L.A. serial killer murdering everyone close to her.&#160;</p>
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		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:36</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; MaXXXine is the ending to a trilogy we welcomed but didn&amp;#8217;t ask for, and it almost took the director from Ti West to You Tried West.&amp;#160; &amp;#160;Luckily, Pearl and X are just so strong that it pretty much makes MaXXXine the 3rd Back to the Future film.&amp;#160; A film that&amp;#8217;s just as far from worthless as it is from worth it, mainly due to a nothing new here story, an unearned reveal, but still somehow a variety of perfectly casted supporting role performances.&amp;#160; MaXXXine gets so many things right yet still does nothing to push the genre forward.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director:&amp;#160; Ti West Writers:&amp;#160; Ti West Starring: Mia Goth, Kevin Bacon, Sophie Thatcher, Moses Sumney Runtime:&amp;#160; 1 Hour 44 Minutes Synopsis: A porn star lands her first big Hollywood break while being black mailed by a dirtbag PI who knows her dark X past, and stalked by an L.A. serial killer murdering everyone close to her.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; MaXXXine is the ending to a trilogy we welcomed but didn&amp;#8217;t ask for, and it almost took the director from Ti West to You Tried West.&amp;#160; &amp;#160;Luckily, Pearl and X are just so strong that it pretty much makes MaXXXine the 3rd Back to the Future film.&amp;#160; A film that&amp;#8217;s just as far from worthless as it is from worth it, mainly due to a nothing new here story, an unearned reveal, but still somehow a variety of perfectly casted supporting role performances.&amp;#160; MaXXXine gets so many things right yet still does nothing to push the genre forward.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director:&amp;#160; Ti West Writers:&amp;#160; Ti West Starring: Mia Goth, Kevin Bacon, Sophie Thatcher, Moses Sumney Runtime:&amp;#160; 1 Hour 44 Minutes Synopsis: A porn star lands her first big Hollywood break while being black mailed by a dirtbag PI who knows her dark X past, and stalked by an L.A. serial killer murdering everyone close to her.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: Alien Romulus</title>
		<link>https://www.mtrnetwork.net/alien-romulus-review/</link>
		<pubDate>Sat, 21 Dec 2024 05:03:20 +0000</pubDate>
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		<description><![CDATA[<p>&#160;</p>
<p><a href="https://www.rottentomatoes.com/m/alien_romulus">Alien Romulus</a> is proof that anything with a Xenomorph in it should only allow Ridley Scott on set as a Producer.&#160; It&#8217;s a much needed return to the Xenomorph-verse that gives the audience nonstop nerve-wrecking action, just enough sci to fi, nostalgic easter eggs, and fun elements adapted directly from the more recent Aliens videos game like <a href="https://en.wikipedia.org/wiki/Alien:_Isolation">Alien: Isolation</a>.&#160; This film does an amazing job if amping up the anticipation for the upcoming FX TV Series, <a href="https://en.wikipedia.org/wiki/Alien:_Earth">Alien: Earth</a>.</p>
<p><a href="https://www.instagram.com/caileespaeny/?hl=en">Cailee Spaeny</a> fills the shoes of <a href="https://en.wikipedia.org/wiki/Ellen_Ripley">Ripley</a> very well and <a href="https://www.instagram.com/davidjonsson__/?hl=en">David Jonsson</a> deserves all the praise for his performance as Andy, an android who gets an upgrade in autonomy.&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Fede Alvarez<br />
<b>Writers: Fede Alvarez, Rado Sayagues</b></p>
<p><b>Starring</b>: Cailee Spaeny, David Jonsson, Aileen Wu, Archie Renaux<br />
<b>Runtime</b>:&#160; 1 Hour 59 Minutes</p>
<p class="p1"><b>Synopsis</b>: Rain and her android Andy join a group of young workers and attempt to escape their indefinite indentured servitude by boarding an abandoned Weyland-Yutani&#160; space station only to discover the station is the home of a Xenomorph with some new toys to impregnate.&#160;</p>
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		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>27:44</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Alien Romulus is proof that anything with a Xenomorph in it should only allow Ridley Scott on set as a Producer.&amp;#160; It&amp;#8217;s a much needed return to the Xenomorph-verse that gives the audience nonstop nerve-wrecking action, just enough sci to fi, nostalgic easter eggs, and fun elements adapted directly from the more recent Aliens videos game like Alien: Isolation.&amp;#160; This film does an amazing job if amping up the anticipation for the upcoming FX TV Series, Alien: Earth. Cailee Spaeny fills the shoes of Ripley very well and David Jonsson deserves all the praise for his performance as Andy, an android who gets an upgrade in autonomy.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Fede Alvarez Writers: Fede Alvarez, Rado Sayagues Starring: Cailee Spaeny, David Jonsson, Aileen Wu, Archie Renaux Runtime:&amp;#160; 1 Hour 59 Minutes Synopsis: Rain and her android Andy join a group of young workers and attempt to escape their indefinite indentured servitude by boarding an abandoned Weyland-Yutani&amp;#160; space station only to discover the station is the home of a Xenomorph with some new toys to impregnate.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; Alien Romulus is proof that anything with a Xenomorph in it should only allow Ridley Scott on set as a Producer.&amp;#160; It&amp;#8217;s a much needed return to the Xenomorph-verse that gives the audience nonstop nerve-wrecking action, just enough sci to fi, nostalgic easter eggs, and fun elements adapted directly from the more recent Aliens videos game like Alien: Isolation.&amp;#160; This film does an amazing job if amping up the anticipation for the upcoming FX TV Series, Alien: Earth. Cailee Spaeny fills the shoes of Ripley very well and David Jonsson deserves all the praise for his performance as Andy, an android who gets an upgrade in autonomy.&amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Fede Alvarez Writers: Fede Alvarez, Rado Sayagues Starring: Cailee Spaeny, David Jonsson, Aileen Wu, Archie Renaux Runtime:&amp;#160; 1 Hour 59 Minutes Synopsis: Rain and her android Andy join a group of young workers and attempt to escape their indefinite indentured servitude by boarding an abandoned Weyland-Yutani&amp;#160; space station only to discover the station is the home of a Xenomorph with some new toys to impregnate.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: A Different Man</title>
		<link>https://www.mtrnetwork.net/a-different-man-review/</link>
		<pubDate>Sat, 21 Dec 2024 04:14:35 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540467</guid>
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		<category><![CDATA[Movie Reviews]]></category>
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		<description><![CDATA[<p>&#160;</p>
<p><a href="https://www.imdb.com/name/nm1659221/">Sebastian Stan</a> gives us a complex and riveting performance in this psychological, dark comedy character study, <a href="https://a24films.com/films/a-different-man">A Different Man</a>, directed by <a href="https://en.wikipedia.org/wiki/Aaron_Schimberg">Aaron Schimberg</a> and also staring an arguably Best Supporting Actor performance from <a href="https://www.imdb.com/name/nm3138924/">Adam Pearson</a>.&#160;</p>
<p>A Different Man is the <a href="https://en.wikipedia.org/wiki/Uglies_(film)">Uglies</a> we deserve.</p>
<p><span style="font-family: georgia, palatino, serif;"><em><br />
Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Aaron Schimberg<br />
<b>Writers: Aaron Schimberg</b></p>
<p><b>Starring</b>: Sebastian Stan, Adam Pearson, Renate Reinsve, Michael Shannon<br />
<b>Runtime</b>:&#160; 1 Hour 52 Minutes</p>
<p class="p1"><b>Synopsis</b>:&#160; Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost.</p>
<div style="text-align: left;">&#160;</div>
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		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>45:51</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Sebastian Stan gives us a complex and riveting performance in this psychological, dark comedy character study, A Different Man, directed by Aaron Schimberg and also staring an arguably Best Supporting Actor performance from Adam Pearson.&amp;#160; A Different Man is the Uglies we deserve. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Aaron Schimberg Writers: Aaron Schimberg Starring: Sebastian Stan, Adam Pearson, Renate Reinsve, Michael Shannon Runtime:&amp;#160; 1 Hour 52 Minutes Synopsis:&amp;#160; Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost. &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>&amp;#160; Sebastian Stan gives us a complex and riveting performance in this psychological, dark comedy character study, A Different Man, directed by Aaron Schimberg and also staring an arguably Best Supporting Actor performance from Adam Pearson.&amp;#160; A Different Man is the Uglies we deserve. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Aaron Schimberg Writers: Aaron Schimberg Starring: Sebastian Stan, Adam Pearson, Renate Reinsve, Michael Shannon Runtime:&amp;#160; 1 Hour 52 Minutes Synopsis:&amp;#160; Aspiring actor Edward undergoes a radical medical procedure to drastically transform his appearance. But his new dream face quickly turns into a nightmare, as he loses out on the role he was born to play and becomes obsessed with reclaiming what was lost. &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Mufasa</title>
		<link>https://www.mtrnetwork.net/mufasa-the-lion-king-review/</link>
		<pubDate>Fri, 20 Dec 2024 14:15:50 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=540506</guid>
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		<description><![CDATA[<p>It&#8217;s the story of Mufasa and Scar before they scarred us for life as kids over a few catchy bops.</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Barry Jenkins<br />
<b>Writers:  Jeff Nathanson</b></p>
<p><b>Starring</b>: Aaron Pierre, Kelvin Harrison Jr., Donald Glover, Beyonce, Blu Ivy Carter, Mads Mikkelsen<br />
<b>Runtime</b>:  118 Minutes</p>
<p class="p1"><b>Synopsis</b>:  The origin story of Mufasa and Scar</p>
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<p>&#160;</p>
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	<itunes:explicit/><itunes:subtitle>It&amp;#8217;s the story of Mufasa and Scar before they scarred us for life as kids over a few catchy bops. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Barry Jenkins Writers:  Jeff Nathanson Starring: Aaron Pierre, Kelvin Harrison Jr., Donald Glover, Beyonce, Blu Ivy Carter, Mads Mikkelsen Runtime:  118 Minutes Synopsis:  The origin story of Mufasa and Scar &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>It&amp;#8217;s the story of Mufasa and Scar before they scarred us for life as kids over a few catchy bops. Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Barry Jenkins Writers:  Jeff Nathanson Starring: Aaron Pierre, Kelvin Harrison Jr., Donald Glover, Beyonce, Blu Ivy Carter, Mads Mikkelsen Runtime:  118 Minutes Synopsis:  The origin story of Mufasa and Scar &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Skincare Review</title>
		<link>https://www.mtrnetwork.net/skincare-review/</link>
		<pubDate>Wed, 27 Nov 2024 20:27:19 +0000</pubDate>
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		<description><![CDATA[<p>Skincare is a based on the true events of the Dawn Delouise  Murder-For-Hire case, starring Elizabeth Banks playing Hope Banks a skincare aesthetician who will stop at nothing to prove her new rival is purposely trying to steal her clients and tank her business. </p>
<p>This is one wild and desperate story.   Check out our podcast review.</p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: <a title="" href="https://en.wikipedia.org/wiki/Austin_Peters">Austin Peters</a><br />
<b>Writers: </b></p>
<table class="infobox vevent">
<tbody>
<tr>
<td class="infobox-data">
<div class="plainlist">
<ul>
<li>Sam Freilich</li>
<li>Deering Regan</li>
<li>Austin Peters</li>
</ul>
</div>
</td>
</tr>
</tbody>
</table>
<p><b>Starring</b>:</p>
<table class="infobox vevent">
<tbody>
<tr>
<td class="infobox-data">
<div class="plainlist">
<ul>
<li><a title="Elizabeth Banks" href="https://en.wikipedia.org/wiki/Elizabeth_Banks">Elizabeth Banks</a></li>
<li><a title="" href="https://en.wikipedia.org/wiki/Lewis_Pullman">Lewis Pullman</a></li>
<li><a title="Michaela Jaé Rodriguez" href="https://en.wikipedia.org/wiki/Michaela_Ja%C3%A9_Rodriguez">Michaela Jaé Rodriguez</a></li>
<li><a title="Luis Gerardo Méndez" href="https://en.wikipedia.org/wiki/Luis_Gerardo_M%C3%A9ndez">Luis Gerardo Méndez</a></li>
<li><a title="Nathan Fillion" href="https://en.wikipedia.org/wiki/Nathan_Fillion">Nathan Fillion</a></li>
</ul>
</div>
</td>
</tr>
</tbody>
</table>
<p>
<b>Runtime</b>:   96 Minutes</p>
<p class="p1"><b>Synopsis</b>:  With the help of a life coach, a Skincare aesthetician to the Hollywood stars tries to prove a new aesthetician who&#8217;s just opened a salon across from hers is sabotaging her business and defaming her Brand. </p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="6928426" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/SkinCare-Review.mp3"/>
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		<itunes:duration>7:13</itunes:duration>
		<rawvoice:pid>147115319</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Skincare is a based on the true events of the Dawn Delouise  Murder-For-Hire case, starring Elizabeth Banks playing Hope Banks a skincare aesthetician who will stop at nothing to prove her new rival is purposely trying to steal her clients and tank her business.  This is one wild and desperate story.   Check out our podcast review. &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Austin Peters Writers:  Sam Freilich Deering Regan Austin Peters Starring: Elizabeth Banks Lewis Pullman Michaela Jaé Rodriguez Luis Gerardo Méndez Nathan Fillion Runtime:   96 Minutes Synopsis:  With the help of a life coach, a Skincare aesthetician to the Hollywood stars tries to prove a new aesthetician who&amp;#8217;s just opened a salon across from hers is sabotaging her business and defaming her Brand.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Skincare is a based on the true events of the Dawn Delouise  Murder-For-Hire case, starring Elizabeth Banks playing Hope Banks a skincare aesthetician who will stop at nothing to prove her new rival is purposely trying to steal her clients and tank her business.  This is one wild and desperate story.   Check out our podcast review. &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Austin Peters Writers:  Sam Freilich Deering Regan Austin Peters Starring: Elizabeth Banks Lewis Pullman Michaela Jaé Rodriguez Luis Gerardo Méndez Nathan Fillion Runtime:   96 Minutes Synopsis:  With the help of a life coach, a Skincare aesthetician to the Hollywood stars tries to prove a new aesthetician who&amp;#8217;s just opened a salon across from hers is sabotaging her business and defaming her Brand.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: I Saw The TV Glow</title>
		<link>https://www.mtrnetwork.net/i-saw-the-tv-glow-review/</link>
		<pubDate>Wed, 27 Nov 2024 03:08:53 +0000</pubDate>
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		<description><![CDATA[<p>A young teen becomes addicted to an eerie children&#8217;s show that opens him up to a deeper internal struggle he spends his whole life running away from. </p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Jane Shoenbrun<br />
<b>Writers: Jane Shoenbrun</b></p>
<p><b>Starring</b>: Bridgette Lundy-Paine, Justice Smith, Phoebe Bridgers,  Fred Durst, Snail Mail, Helena Howard<br />
<b>Runtime</b>:  1 Hour 40 Minutes</p>
<p class="p1"><b>Synopsis</b>: </p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
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	<itunes:explicit/><itunes:subtitle>A young teen becomes addicted to an eerie children&amp;#8217;s show that opens him up to a deeper internal struggle he spends his whole life running away from.  Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Jane Shoenbrun Writers: Jane Shoenbrun Starring: Bridgette Lundy-Paine, Justice Smith, Phoebe Bridgers,  Fred Durst, Snail Mail, Helena Howard Runtime:  1 Hour 40 Minutes Synopsis:  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>A young teen becomes addicted to an eerie children&amp;#8217;s show that opens him up to a deeper internal struggle he spends his whole life running away from.  Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Jane Shoenbrun Writers: Jane Shoenbrun Starring: Bridgette Lundy-Paine, Justice Smith, Phoebe Bridgers,  Fred Durst, Snail Mail, Helena Howard Runtime:  1 Hour 40 Minutes Synopsis:  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Wicked (Part One) Review</title>
		<link>https://www.mtrnetwork.net/wicked-part-one-review/</link>
		<pubDate>Wed, 20 Nov 2024 18:30:10 +0000</pubDate>
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		<description><![CDATA[<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">If you&#8217;re unfamiliar with the plot of Broadway stunner, <em>Wicked</em>, fear not, director Jon M. Chu&#8217;s (<a href="https://www.mtrnetwork.net/crazy-rich-asians-review/" target="_blank" rel="noopener"><em>Crazy Rich Asians</em></a>) big screen adaptation is a splashy note-for-note faithful interpretation of the acclaimed musical. If your gateway is Gregory Macguire&#8217;s book by the same name, however, expect more committment to the musical&#8217;s book than his source material.</span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><em>Wicked</em>, a prequel to the <em>Wizard of Oz</em>, tells the backstory of the classic&#8217;s central villian Elphaba, The Wicked Witch of the West and it&#8217;s symbol of goodness, Glinda the Good Witch of the South. It&#8217;s story opens with a Glinda arriving in Munchkinland in a glimmering bubble. To confirm for the citzenry that the witch is dead. It&#8217;s a majestic start complete with a spectacular ensemble number. </span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">Under Chu&#8217;s stewardship OZ comes to sparkling life. There are recognizable set pieces as well as a more expansive look at the land of OZ.  The film adaptation retains the &#8220;PG&#8221; light touch by inferring much more than showing the darkness decending upon the land. Cynthia Erivio and Ariana Grande-Butera are hands down a triumph as the film&#8217;s Elphaba and Glinda. Both their vocals and dramatic interpretation of the characters distinguish their performances previous iterations. In this meticulously built world the duo lead their talent-packed ensemble to create one of the best film-adaptation of a stage production ever. <em>Wicked</em> offers plenty for those longing for bright and colorful escapism. You&#8217;ll laugh, gasp, and be amazed at each cinematic success (perhaps enough to forgive its varied visual effects shortfalls). </span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">The narrative leans heavily on its cast for its emotional peaks and valleys and they than more ably respond. Christopher Scott&#8217;s propulsive choreography delivers again and again. Erivo&#8217;s blend of stoicism and defensive boldness aid a growing necessary edge. While Grande&#8217;s pitch perfect switches between self-absorption, ambition, and perky benevolence adds the bounce and flair. Each balancing out the other in a delightful chemistry. But Holzman and Fox&#8217; decision to add only hints of the novel&#8217;s deeper themes, and darker direction, expose a script that fails to fully serve the narrative underpining all the visual pizzazz. </span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">Every shallow plot point and thin (secondary) character development between musical numbers turns into glaring oversight in the spotlight of Wicked&#8217;s exhaustive runtime. So. i<span style="text-align: justify;">f you were hoping that 2 hours 40 minutes &#8211; and cutting the story into two films &#8211; meant more </span>(extremely important) parts of Macguire&#8217;s <em>Wicked</em> would find its way into the screenplay, well then you&#8217;ll likely come away disappointed. Perhaps the second half of this story coming November of 2025 will fill in those gaps. But despite this missed opportunity hindering <em>Wicked</em> from truly defying gravity, <span style="text-align: justify;">its technical prowess behind and in front of the camera are worth a watch. </span>Chu&#8217;s sprawling production brings this origin story to life <span style="text-align: justify;">such verve and vibrancy </span><span style="text-align: justify;">your inner song-and-dance</span><span style="text-align: justify;"> loving kid will not leave dissatisfied.</span></span></p>
<h4><span style="font-family: georgia, palatino, serif;"><strong>Listen as Ro and Phenom discuss Wicked and somehow manage to keep it spoiler-free</strong></span></h4>
<p><span style="font-family: georgia, palatino, serif;"><em>Wicked opens in theaters Friday, November 22.</em></span></p>
<p style="text-align: center;">♦♦</p>
<p><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Director</b>: Jon M. Chu</span><br />
<span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Writers: </b></span><span style="font-size: 14px;">Winnie Holzman, <sup id="cite_ref-2" class="reference"></sup>Dana Fox</span></p>
<p><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Starring</b>: </span><span style="font-size: 14px;">Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, Jeff Goldblum</span><br />
<span style="font-size: 14px;"><span style="font-family: georgia, palatino, serif;"><b>Runtime</b>: 2 Hour 40 Minutes</span></span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Synopsis</b>: Misunderstood because of her green skin, a young woman named Elphaba forges an unlikely but profound friendship with Glinda, a student with an unflinching desire for popularity. Following an encounter with the Wizard of Oz, their relationship soon reaches a crossroad as their lives begin to take very different paths.</span></p>
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		<enclosure length="29118117" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Wicked_Review.mp3"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2024/11/Wicked-Thumbnail-300x300.jpg"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:44</itunes:duration>
		<rawvoice:pid>138739335</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>If you&amp;#8217;re unfamiliar with the plot of Broadway stunner, Wicked, fear not, director Jon M. Chu&amp;#8217;s (Crazy Rich Asians) big screen adaptation is a splashy note-for-note faithful interpretation of the acclaimed musical. If your gateway is Gregory Macguire&amp;#8217;s book by the same name, however, expect more committment to the musical&amp;#8217;s book than his source material. Wicked, a prequel to the Wizard of Oz, tells the backstory of the classic&amp;#8217;s central villian Elphaba, The Wicked Witch of the West and it&amp;#8217;s symbol of goodness, Glinda the Good Witch of the South. It&amp;#8217;s story opens with a Glinda arriving in Munchkinland in a glimmering bubble. To confirm for the citzenry that the witch is dead. It&amp;#8217;s a majestic start complete with a spectacular ensemble number.  Under Chu&amp;#8217;s stewardship OZ comes to sparkling life. There are recognizable set pieces as well as a more expansive look at the land of OZ.  The film adaptation retains the &amp;#8220;PG&amp;#8221; light touch by inferring much more than showing the darkness decending upon the land. Cynthia Erivio and Ariana Grande-Butera are hands down a triumph as the film&amp;#8217;s Elphaba and Glinda. Both their vocals and dramatic interpretation of the characters distinguish their performances previous iterations. In this meticulously built world the duo lead their talent-packed ensemble to create one of the best film-adaptation of a stage production ever. Wicked offers plenty for those longing for bright and colorful escapism. You&amp;#8217;ll laugh, gasp, and be amazed at each cinematic success (perhaps enough to forgive its varied visual effects shortfalls).  The narrative leans heavily on its cast for its emotional peaks and valleys and they than more ably respond. Christopher Scott&amp;#8217;s propulsive choreography delivers again and again. Erivo&amp;#8217;s blend of stoicism and defensive boldness aid a growing necessary edge. While Grande&amp;#8217;s pitch perfect switches between self-absorption, ambition, and perky benevolence adds the bounce and flair. Each balancing out the other in a delightful chemistry. But Holzman and Fox&amp;#8217; decision to add only hints of the novel&amp;#8217;s deeper themes, and darker direction, expose a script that fails to fully serve the narrative underpining all the visual pizzazz. Every shallow plot point and thin (secondary) character development between musical numbers turns into glaring oversight in the spotlight of Wicked&amp;#8217;s exhaustive runtime. So. if you were hoping that 2 hours 40 minutes &amp;#8211; and cutting the story into two films &amp;#8211; meant more (extremely important) parts of Macguire&amp;#8217;s Wicked would find its way into the screenplay, well then you&amp;#8217;ll likely come away disappointed. Perhaps the second half of this story coming November of 2025 will fill in those gaps. But despite this missed opportunity hindering Wicked from truly defying gravity, its technical prowess behind and in front of the camera are worth a watch. Chu&amp;#8217;s sprawling production brings this origin story to life such verve and vibrancy your inner song-and-dance loving kid will not leave dissatisfied. Listen as Ro and Phenom discuss Wicked and somehow manage to keep it spoiler-free Wicked opens in theaters Friday, November 22. ♦♦ Director: Jon M. Chu Writers: Winnie Holzman, Dana Fox Starring: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, Jeff Goldblum Runtime: 2 Hour 40 Minutes Synopsis: Misunderstood because of her green skin, a young woman named Elphaba forges an unlikely but profound friendship with Glinda, a student with an unflinching desire for popularity. Following an encounter with the Wizard of Oz, their relationship soon reaches a crossroad as their lives begin to take very different paths. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>If you&amp;#8217;re unfamiliar with the plot of Broadway stunner, Wicked, fear not, director Jon M. Chu&amp;#8217;s (Crazy Rich Asians) big screen adaptation is a splashy note-for-note faithful interpretation of the acclaimed musical. If your gateway is Gregory Macguire&amp;#8217;s book by the same name, however, expect more committment to the musical&amp;#8217;s book than his source material. Wicked, a prequel to the Wizard of Oz, tells the backstory of the classic&amp;#8217;s central villian Elphaba, The Wicked Witch of the West and it&amp;#8217;s symbol of goodness, Glinda the Good Witch of the South. It&amp;#8217;s story opens with a Glinda arriving in Munchkinland in a glimmering bubble. To confirm for the citzenry that the witch is dead. It&amp;#8217;s a majestic start complete with a spectacular ensemble number.  Under Chu&amp;#8217;s stewardship OZ comes to sparkling life. There are recognizable set pieces as well as a more expansive look at the land of OZ.  The film adaptation retains the &amp;#8220;PG&amp;#8221; light touch by inferring much more than showing the darkness decending upon the land. Cynthia Erivio and Ariana Grande-Butera are hands down a triumph as the film&amp;#8217;s Elphaba and Glinda. Both their vocals and dramatic interpretation of the characters distinguish their performances previous iterations. In this meticulously built world the duo lead their talent-packed ensemble to create one of the best film-adaptation of a stage production ever. Wicked offers plenty for those longing for bright and colorful escapism. You&amp;#8217;ll laugh, gasp, and be amazed at each cinematic success (perhaps enough to forgive its varied visual effects shortfalls).  The narrative leans heavily on its cast for its emotional peaks and valleys and they than more ably respond. Christopher Scott&amp;#8217;s propulsive choreography delivers again and again. Erivo&amp;#8217;s blend of stoicism and defensive boldness aid a growing necessary edge. While Grande&amp;#8217;s pitch perfect switches between self-absorption, ambition, and perky benevolence adds the bounce and flair. Each balancing out the other in a delightful chemistry. But Holzman and Fox&amp;#8217; decision to add only hints of the novel&amp;#8217;s deeper themes, and darker direction, expose a script that fails to fully serve the narrative underpining all the visual pizzazz. Every shallow plot point and thin (secondary) character development between musical numbers turns into glaring oversight in the spotlight of Wicked&amp;#8217;s exhaustive runtime. So. if you were hoping that 2 hours 40 minutes &amp;#8211; and cutting the story into two films &amp;#8211; meant more (extremely important) parts of Macguire&amp;#8217;s Wicked would find its way into the screenplay, well then you&amp;#8217;ll likely come away disappointed. Perhaps the second half of this story coming November of 2025 will fill in those gaps. But despite this missed opportunity hindering Wicked from truly defying gravity, its technical prowess behind and in front of the camera are worth a watch. Chu&amp;#8217;s sprawling production brings this origin story to life such verve and vibrancy your inner song-and-dance loving kid will not leave dissatisfied. Listen as Ro and Phenom discuss Wicked and somehow manage to keep it spoiler-free Wicked opens in theaters Friday, November 22. ♦♦ Director: Jon M. Chu Writers: Winnie Holzman, Dana Fox Starring: Cynthia Erivo, Ariana Grande, Jonathan Bailey, Ethan Slater, Bowen Yang, Marissa Bode, Peter Dinklage, Michelle Yeoh, Jeff Goldblum Runtime: 2 Hour 40 Minutes Synopsis: Misunderstood because of her green skin, a young woman named Elphaba forges an unlikely but profound friendship with Glinda, a student with an unflinching desire for popularity. Following an encounter with the Wizard of Oz, their relationship soon reaches a crossroad as their lives begin to take very different paths. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Review:  Planet Janet</title>
		<link>https://www.mtrnetwork.net/planet-janet-review/</link>
		<pubDate>Sun, 17 Nov 2024 21:10:35 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2024 Reviews]]></category>
		<description><![CDATA[<p>Planet Janet is a cute little coming of age drama following the complex relationships of single mother Janet played by Julianne Nicholson as her daughter Lacy played by Zoe Ziegler tries to connect with her.  Both actresses do a great job, but the story itself just doesn&#8217;t hit and ultimately drags on as this woman seems to be stuck her own self loathing. </p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Annie Baker<br />
<b>Writers: Annie Baker</b></p>
<p><b>Starring</b>:</p>
<ul>
<li><a title="Julianne Nicholson" href="https://en.wikipedia.org/wiki/Julianne_Nicholson">Julianne Nicholson</a></li>
<li>Zoe Ziegler</li>
<li><a title="Elias Koteas" href="https://en.wikipedia.org/wiki/Elias_Koteas">Elias Koteas</a></li>
<li><a title="Will Patton" href="https://en.wikipedia.org/wiki/Will_Patton">Will Patton</a></li>
<li><a title="Sophie Okonedo" href="https://en.wikipedia.org/wiki/Sophie_Okonedo">Sophie Okonedo</a></li>
</ul>
<p>
<b>Runtime</b>:  113 Minutes</p>
<p class="p1"><b>Synopsis</b>:  Follows the awkward relationship with a dysfunctional, narcissistic mother and her quirky but calm and more mature 11 year old daughter as people come in and out of the mother&#8217;s life.</p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="5339764" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/PlanetJanet-Review.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>5:33</itunes:duration>
		<rawvoice:pid>147115597</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Planet Janet is a cute little coming of age drama following the complex relationships of single mother Janet played by Julianne Nicholson as her daughter Lacy played by Zoe Ziegler tries to connect with her.  Both actresses do a great job, but the story itself just doesn&amp;#8217;t hit and ultimately drags on as this woman seems to be stuck her own self loathing.  &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Annie Baker Writers: Annie Baker Starring: Julianne Nicholson Zoe Ziegler Elias Koteas Will Patton Sophie Okonedo Runtime:  113 Minutes Synopsis:  Follows the awkward relationship with a dysfunctional, narcissistic mother and her quirky but calm and more mature 11 year old daughter as people come in and out of the mother&amp;#8217;s life. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Planet Janet is a cute little coming of age drama following the complex relationships of single mother Janet played by Julianne Nicholson as her daughter Lacy played by Zoe Ziegler tries to connect with her.  Both actresses do a great job, but the story itself just doesn&amp;#8217;t hit and ultimately drags on as this woman seems to be stuck her own self loathing.  &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Annie Baker Writers: Annie Baker Starring: Julianne Nicholson Zoe Ziegler Elias Koteas Will Patton Sophie Okonedo Runtime:  113 Minutes Synopsis:  Follows the awkward relationship with a dysfunctional, narcissistic mother and her quirky but calm and more mature 11 year old daughter as people come in and out of the mother&amp;#8217;s life. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Netflix Binge: It’s What’s Inside Review</title>
		<link>https://www.mtrnetwork.net/netflix-binge-its-whats-inside-review/</link>
		<pubDate>Tue, 22 Oct 2024 20:30:57 +0000</pubDate>
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		<slash:comments>0</slash:comments>
		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2024 Reviews]]></category>
		<category><![CDATA[Ro 2024 Reviews]]></category>
		<description><![CDATA[<p>It&#8217;s What&#8217;s Inside is a visual and visceral psychological rollercoaster playing out on screen over 103 minutes of just wacky cinematography and mind games.  With a goofy ensemble of untrustworthy friends, playing an insanely dangerous game this story goes every which way but right.  </p>
<p>&#160;</p>
<p><b>Director</b>:  Greg Jardin<br />
<b>Writers:  </b>Greg Jardin</p>
<p><b>Starring</b>:  Brittany O&#8217;Grady, James Morosini, Gavin Leatherwood, Nina Bloomgarden, Alycia Debnam-Carey, Madison Davenport, Devon Terrell, David Thompson<br />
<b>Runtime</b>:  1 Hour 43 Minutes</p>
<p class="p1"><b>Synopsis</b>: When a group of mismatched friends meet up the night before a wedding for one last hoo-rah, an estranged friend from their past randomly shows up to help them celebrate with a freaky out of body mind game he&#8217;s invented.  Things quickly spiral out of control when his true intentions are revealed, while animosity and old grudge amongst members of the group erupt and nobody is who they claim to be. </p>
<div style="text-align: left;">
<p>&#160;</p>
<hr />
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		<enclosure length="36970916" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/NetflixJunkies-Uglies-Platform2-WhatsInside-MTR.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>38:30</itunes:duration>
	<itunes:explicit/><itunes:subtitle>It&amp;#8217;s What&amp;#8217;s Inside is a visual and visceral psychological rollercoaster playing out on screen over 103 minutes of just wacky cinematography and mind games.  With a goofy ensemble of untrustworthy friends, playing an insanely dangerous game this story goes every which way but right.   &amp;#160; Director:  Greg Jardin Writers:  Greg Jardin Starring:  Brittany O&amp;#8217;Grady, James Morosini, Gavin Leatherwood, Nina Bloomgarden, Alycia Debnam-Carey, Madison Davenport, Devon Terrell, David Thompson Runtime:  1 Hour 43 Minutes Synopsis: When a group of mismatched friends meet up the night before a wedding for one last hoo-rah, an estranged friend from their past randomly shows up to help them celebrate with a freaky out of body mind game he&amp;#8217;s invented.  Things quickly spiral out of control when his true intentions are revealed, while animosity and old grudge amongst members of the group erupt and nobody is who they claim to be.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>It&amp;#8217;s What&amp;#8217;s Inside is a visual and visceral psychological rollercoaster playing out on screen over 103 minutes of just wacky cinematography and mind games.  With a goofy ensemble of untrustworthy friends, playing an insanely dangerous game this story goes every which way but right.   &amp;#160; Director:  Greg Jardin Writers:  Greg Jardin Starring:  Brittany O&amp;#8217;Grady, James Morosini, Gavin Leatherwood, Nina Bloomgarden, Alycia Debnam-Carey, Madison Davenport, Devon Terrell, David Thompson Runtime:  1 Hour 43 Minutes Synopsis: When a group of mismatched friends meet up the night before a wedding for one last hoo-rah, an estranged friend from their past randomly shows up to help them celebrate with a freaky out of body mind game he&amp;#8217;s invented.  Things quickly spiral out of control when his true intentions are revealed, while animosity and old grudge amongst members of the group erupt and nobody is who they claim to be.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Smile 2 Review</title>
		<link>https://www.mtrnetwork.net/smile-2-review/</link>
		<pubDate>Fri, 18 Oct 2024 13:00:23 +0000</pubDate>
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		<description><![CDATA[<p>Our new favorite demonic jester is back and has found itself a new host to torture. </p>
<p>Naomi Scott displays an amazingly horrified performance as Skye Riley, a pop star struggling to keep her grasp on reality in the face of grinning figures who do anything but give her something to smile about.  Smile 2 picks up right where we left off in the last film, with bigger set pieces, interesting cinematography choices, and many creepy performances all set to a bop of a soundtrack. </p>
<h4><span style="font-family: georgia, palatino, serif;"><strong>Listen as Ro and Phenom discuss Smile 2 and somehow manage to keep it spoiler-free</strong></span></h4>
<p><span style="font-family: georgia, palatino, serif;"><em>Smile 2 opens in theaters Friday, October 18th.</em></span></p>
<p style="text-align: center;">♦♦</p>
<p><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Director</b>: Parker Finn</span><br />
<span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Writers: </b></span><span style="font-size: 14px;">Parker Finn</span></p>
<p><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Starring</b>: </span><span style="font-size: 14px;">C Noami Scott, Rosemari DeWitt, Lukas Gage, Peter Jacobson, Raul Castillo</span><br />
<span style="font-size: 14px;"><span style="font-family: georgia, palatino, serif;"><b>Runtime</b>: 2 Hours 9 Minutes</span></span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Synopsis</b>: While preparing for a new tour after a tragic accident, fresh out of rehab, a young pop star witnesses a horrific event putting in motion a cycle of hallucinations brought on by a Smiling demonic entity that can take the form of anyone.  As her time and grasp on reality is running out, Skye Riley desperately tries to regain control of her life as it terrifyingly spirals out of control.</span></p>
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		<enclosure length="23302814" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Smile2-MTR.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>24:16</itunes:duration>
		<rawvoice:pid>138823671</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Our new favorite demonic jester is back and has found itself a new host to torture.  Naomi Scott displays an amazingly horrified performance as Skye Riley, a pop star struggling to keep her grasp on reality in the face of grinning figures who do anything but give her something to smile about.  Smile 2 picks up right where we left off in the last film, with bigger set pieces, interesting cinematography choices, and many creepy performances all set to a bop of a soundtrack.  Listen as Ro and Phenom discuss Smile 2 and somehow manage to keep it spoiler-free Smile 2 opens in theaters Friday, October 18th. ♦♦ Director: Parker Finn Writers: Parker Finn Starring: C Noami Scott, Rosemari DeWitt, Lukas Gage, Peter Jacobson, Raul Castillo Runtime: 2 Hours 9 Minutes Synopsis: While preparing for a new tour after a tragic accident, fresh out of rehab, a young pop star witnesses a horrific event putting in motion a cycle of hallucinations brought on by a Smiling demonic entity that can take the form of anyone.  As her time and grasp on reality is running out, Skye Riley desperately tries to regain control of her life as it terrifyingly spirals out of control. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Our new favorite demonic jester is back and has found itself a new host to torture.  Naomi Scott displays an amazingly horrified performance as Skye Riley, a pop star struggling to keep her grasp on reality in the face of grinning figures who do anything but give her something to smile about.  Smile 2 picks up right where we left off in the last film, with bigger set pieces, interesting cinematography choices, and many creepy performances all set to a bop of a soundtrack.  Listen as Ro and Phenom discuss Smile 2 and somehow manage to keep it spoiler-free Smile 2 opens in theaters Friday, October 18th. ♦♦ Director: Parker Finn Writers: Parker Finn Starring: C Noami Scott, Rosemari DeWitt, Lukas Gage, Peter Jacobson, Raul Castillo Runtime: 2 Hours 9 Minutes Synopsis: While preparing for a new tour after a tragic accident, fresh out of rehab, a young pop star witnesses a horrific event putting in motion a cycle of hallucinations brought on by a Smiling demonic entity that can take the form of anyone.  As her time and grasp on reality is running out, Skye Riley desperately tries to regain control of her life as it terrifyingly spirals out of control. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Transformers One Review</title>
		<link>https://www.mtrnetwork.net/transformers-one-review/</link>
		<pubDate>Tue, 15 Oct 2024 10:30:41 +0000</pubDate>
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		<description><![CDATA[<p style="text-align: justify;">Director Josh Cooley&#8217;s (Toy Story 4, Inside Out) <em>Transformers One </em>weaves the vast (and varied) backstorys and lore into a top-tier re-introduction that sweeps away all previous attempts to repackage this longstanding property. And the best part? This orign story blends unique characters and set peices into a engrossing friends-to-enemies journey into exciting, yet familiar, galaxy-spanning territory. Live-action could never. Seriously, <em>Transformers One</em> follows best friends, a low-ranking minors, Orion Pax (Chris Hemsworth) and D-16 (Bryain Tyree Henry) as they uncover their society&#8217;s hidden history and the real reasons for its class divisons. Each revelation sets the duo on collision course with their enemies, and each other. </p>
<p style="text-align: left;">Whether you&#8217;re steeped in the lore, a fan of the live-action franchise, or a coming in with zero knowledge, <em>Transformers One</em> is a vivid adventure certain to capture &#8211; and keep &#8211; your attention until the credits roll.</p>
<p style="text-align: left;">Listen and Ro and DPalm discuss how Cooley &#8211; and this suprisinging fitting A-list voice cast &#8211; perfectly threads the action-comedy needle turning an epic bromance gone wrong into an incredibly immersive parable about liberation, friendship, and the cost of losing faith. </p>
<p><strong><em>Transformers One</em></strong> released in theaters September 20, 2024 and arrives on VOD and digital Tuesday, October 22, 2024. </p>
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<p style="text-align: center;"><span style="font-size: 14pt; font-family: tahoma, arial, helvetica, sans-serif;">Want more podcast greatness? Sign up for a <a href="https://www.mtrnetwork.net/mtr-membership-option-page/">MTR Premium Account!</a></span></p>]]></description>
		<enclosure length="30772915" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Transformers_One_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2024/10/Transfomers-One-Thumbnail-300x300.jpg"/>
		<itunes:episodeType>full</itunes:episodeType>
	<itunes:explicit/><itunes:subtitle>Director Josh Cooley&amp;#8217;s (Toy Story 4, Inside Out) Transformers One weaves the vast (and varied) backstorys and lore into a top-tier re-introduction that sweeps away all previous attempts to repackage this longstanding property. And the best part? This orign story blends unique characters and set peices into a engrossing friends-to-enemies journey into exciting, yet familiar, galaxy-spanning territory. Live-action could never. Seriously, Transformers One follows best friends, a low-ranking minors, Orion Pax (Chris Hemsworth) and D-16 (Bryain Tyree Henry) as they uncover their society&amp;#8217;s hidden history and the real reasons for its class divisons. Each revelation sets the duo on collision course with their enemies, and each other.  Whether you&amp;#8217;re steeped in the lore, a fan of the live-action franchise, or a coming in with zero knowledge, Transformers One is a vivid adventure certain to capture &amp;#8211; and keep &amp;#8211; your attention until the credits roll. Listen and Ro and DPalm discuss how Cooley &amp;#8211; and this suprisinging fitting A-list voice cast &amp;#8211; perfectly threads the action-comedy needle turning an epic bromance gone wrong into an incredibly immersive parable about liberation, friendship, and the cost of losing faith.  Transformers One released in theaters September 20, 2024 and arrives on VOD and digital Tuesday, October 22, 2024.    Like what you hear? Subscribe so you don&amp;#8217;t miss an episode!   Follow us on Twitter: @TheMTRNetwork Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:subtitle><itunes:summary>Director Josh Cooley&amp;#8217;s (Toy Story 4, Inside Out) Transformers One weaves the vast (and varied) backstorys and lore into a top-tier re-introduction that sweeps away all previous attempts to repackage this longstanding property. And the best part? This orign story blends unique characters and set peices into a engrossing friends-to-enemies journey into exciting, yet familiar, galaxy-spanning territory. Live-action could never. Seriously, Transformers One follows best friends, a low-ranking minors, Orion Pax (Chris Hemsworth) and D-16 (Bryain Tyree Henry) as they uncover their society&amp;#8217;s hidden history and the real reasons for its class divisons. Each revelation sets the duo on collision course with their enemies, and each other.  Whether you&amp;#8217;re steeped in the lore, a fan of the live-action franchise, or a coming in with zero knowledge, Transformers One is a vivid adventure certain to capture &amp;#8211; and keep &amp;#8211; your attention until the credits roll. Listen and Ro and DPalm discuss how Cooley &amp;#8211; and this suprisinging fitting A-list voice cast &amp;#8211; perfectly threads the action-comedy needle turning an epic bromance gone wrong into an incredibly immersive parable about liberation, friendship, and the cost of losing faith.  Transformers One released in theaters September 20, 2024 and arrives on VOD and digital Tuesday, October 22, 2024.    Like what you hear? Subscribe so you don&amp;#8217;t miss an episode!   Follow us on Twitter: @TheMTRNetwork Our shirts are now on TeePublic:  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:summary><itunes:keywords>Movie Trailer Reviews, Super Tuesday Recap, Brandon 2024 Reviews, Movie Review, Ro 2024 Reviews, SuperTuesday Recap</itunes:keywords></item>
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		<title>Netflix Binge: Uglies Review</title>
		<link>https://www.mtrnetwork.net/netflix-binge-uglies-review/</link>
		<pubDate>Sun, 13 Oct 2024 20:13:32 +0000</pubDate>
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		<description><![CDATA[<p>Uglies doesn&#8217;t really land anywhere and should be left to float through space in timeout for eternity. </p>
<p>&#160;</p>
<p><b>Director</b>:  McG<br />
<b>Writers: Jacob Forman</b></p>
<p><b>Starring</b>:  Joey King, Keith Powers, Chase Stokes, Brianne Tju<br />
<b>Runtime</b>:  Too Damn Long</p>
<p class="p1"><b>Synopsis</b>: In a world wear your un-botched face is deemed ugly, a child awaits her celebrated body dysmorphia glow-up.  But, when a friend goes missing and she&#8217;s tasked to help find her, she embarks on a meaningless journey to misunderstand what beauty really is or isn&#8217;t or could be.  Maybe.  Or maybe this whole movie is just dumb and we are all now dumber for watching it. </p>
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<p>&#160;</p>
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		<enclosure length="36970916" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/NetflixJunkies-Uglies-Platform2-WhatsInside-MTR.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>38:30</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Uglies doesn&amp;#8217;t really land anywhere and should be left to float through space in timeout for eternity.  &amp;#160; Director:  McG Writers: Jacob Forman Starring:  Joey King, Keith Powers, Chase Stokes, Brianne Tju Runtime:  Too Damn Long Synopsis: In a world wear your un-botched face is deemed ugly, a child awaits her celebrated body dysmorphia glow-up.  But, when a friend goes missing and she&amp;#8217;s tasked to help find her, she embarks on a meaningless journey to misunderstand what beauty really is or isn&amp;#8217;t or could be.  Maybe.  Or maybe this whole movie is just dumb and we are all now dumber for watching it.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Uglies doesn&amp;#8217;t really land anywhere and should be left to float through space in timeout for eternity.  &amp;#160; Director:  McG Writers: Jacob Forman Starring:  Joey King, Keith Powers, Chase Stokes, Brianne Tju Runtime:  Too Damn Long Synopsis: In a world wear your un-botched face is deemed ugly, a child awaits her celebrated body dysmorphia glow-up.  But, when a friend goes missing and she&amp;#8217;s tasked to help find her, she embarks on a meaningless journey to misunderstand what beauty really is or isn&amp;#8217;t or could be.  Maybe.  Or maybe this whole movie is just dumb and we are all now dumber for watching it.  &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: Pet Sematary</title>
		<link>https://www.mtrnetwork.net/netflix-binge-the-platform-2-review/</link>
		<pubDate>Fri, 04 Oct 2024 19:54:13 +0000</pubDate>
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		<description><![CDATA[<p>This review is for people who think they might want to give Platform 2 a chance after seeing the first film, or even if they have never seen the first film. </p>
<h4><span style="font-family: georgia, palatino, serif;"><strong>Listen as Ro and Phenom discuss The Platform 2 and somehow manage to keep it spoiler-free</strong></span></h4>
<p><span style="font-family: georgia, palatino, serif;"><em>The Platform 2 streaming now on Netflix.</em></span></p>
<p style="text-align: center;">♦♦</p>
<p><b>Director</b>: Galder Gaztelu-Urrutia<br />
<b>Writers:  </b>David Desola, Pedro Rivero, Galder Gaztelu-Urrutia</p>
<p><b>Starring</b>: Hovik Keuchkerian, Milena Smit<br />
<b>Runtime</b>:  1 Hour 41Minutes</p>
<p class="p1"><b>Synopsis</b>: In a dystopian vertical prison with 333 floors, a women voluntarily commits herself after a tragic accident.  Insanity corrupts as a group of zionist enforcers called Loyalists descend through the prison holding court and enacting brutal, inhumane justice on Barbarian who violate the food rules.  </p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="36970916" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/NetflixJunkies-Uglies-Platform2-WhatsInside-MTR.mp3"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:title>Pet Sematary Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>38:30</itunes:duration>
	<itunes:explicit/><itunes:subtitle>This review is for people who think they might want to give Platform 2 a chance after seeing the first film, or even if they have never seen the first film.  Listen as Ro and Phenom discuss The Platform 2 and somehow manage to keep it spoiler-free The Platform 2 streaming now on Netflix. ♦♦ Director: Galder Gaztelu-Urrutia Writers:  David Desola, Pedro Rivero, Galder Gaztelu-Urrutia Starring: Hovik Keuchkerian, Milena Smit Runtime:  1 Hour 41Minutes Synopsis: In a dystopian vertical prison with 333 floors, a women voluntarily commits herself after a tragic accident.  Insanity corrupts as a group of zionist enforcers called Loyalists descend through the prison holding court and enacting brutal, inhumane justice on Barbarian who violate the food rules.   &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>This review is for people who think they might want to give Platform 2 a chance after seeing the first film, or even if they have never seen the first film.  Listen as Ro and Phenom discuss The Platform 2 and somehow manage to keep it spoiler-free The Platform 2 streaming now on Netflix. ♦♦ Director: Galder Gaztelu-Urrutia Writers:  David Desola, Pedro Rivero, Galder Gaztelu-Urrutia Starring: Hovik Keuchkerian, Milena Smit Runtime:  1 Hour 41Minutes Synopsis: In a dystopian vertical prison with 333 floors, a women voluntarily commits herself after a tragic accident.  Insanity corrupts as a group of zionist enforcers called Loyalists descend through the prison holding court and enacting brutal, inhumane justice on Barbarian who violate the food rules.   &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Speak No Evil</title>
		<link>https://www.mtrnetwork.net/speak-no-evil-review/</link>
		<pubDate>Fri, 13 Sep 2024 13:00:01 +0000</pubDate>
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		<description><![CDATA[<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">If a random couple you met on vacation invited you to their rural area farm to stay with them, would you accept and also bring your kids?  Speak no Stupid asks this of it&#8217;s audience and shows you exactly why it&#8217;s a diabolically idiotic idea.</p>
<p>McAvoy gives the audience an amazing performance as the host from hell, in this The Shinning inspired psychological cat and mice escape thriller.  If you enjoy playing with you food, you&#8217;ll enjoy this dish. </span></p>
<h4><span style="font-family: georgia, palatino, serif;"><strong>Listen as Ro and Phenom discuss Speak No Evil and somehow manage to keep it spoiler-free</strong></span></h4>
<p><span style="font-family: georgia, palatino, serif;"><em>Speak No Evil opens in theaters Friday, November 22.</em></span></p>
<p style="text-align: center;">♦♦</p>
<p><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Director</b>: James Watkins</span><br />
<span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Writers: </b></span><span style="font-size: 14px;">James Watkins</span></p>
<p><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Starring</b>: </span><span style="font-size: 14px;">C James McAvoy, Mackenzie Davis, Aisling Franciosi, Alix West Lefler, Dan Hough, Scoot McNairy</span><br />
<span style="font-size: 14px;"><span style="font-family: georgia, palatino, serif;"><b>Runtime</b>: 1 Hour 50 Minutes</span></span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif; font-size: 14px;"><b>Synopsis</b>: An American couple suffering from marital issues is invited to vacation at a rural farmhome of a world renowned British Doctor and his wife in Devon, England.  The family quickly realizes after meeting the couple&#8217;s mute son, things are not what they seem with this Doctor.</span></p>
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		<enclosure length="5916756" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/SpeakNoEvilReview-MTR.mp3"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:title>Pet Sematary Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>12:19</itunes:duration>
	<itunes:explicit/><itunes:subtitle>If a random couple you met on vacation invited you to their rural area farm to stay with them, would you accept and also bring your kids?  Speak no Stupid asks this of it&amp;#8217;s audience and shows you exactly why it&amp;#8217;s a diabolically idiotic idea. McAvoy gives the audience an amazing performance as the host from hell, in this The Shinning inspired psychological cat and mice escape thriller.  If you enjoy playing with you food, you&amp;#8217;ll enjoy this dish.  Listen as Ro and Phenom discuss Speak No Evil and somehow manage to keep it spoiler-free Speak No Evil opens in theaters Friday, November 22. ♦♦ Director: James Watkins Writers: James Watkins Starring: C James McAvoy, Mackenzie Davis, Aisling Franciosi, Alix West Lefler, Dan Hough, Scoot McNairy Runtime: 1 Hour 50 Minutes Synopsis: An American couple suffering from marital issues is invited to vacation at a rural farmhome of a world renowned British Doctor and his wife in Devon, England.  The family quickly realizes after meeting the couple&amp;#8217;s mute son, things are not what they seem with this Doctor. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>If a random couple you met on vacation invited you to their rural area farm to stay with them, would you accept and also bring your kids?  Speak no Stupid asks this of it&amp;#8217;s audience and shows you exactly why it&amp;#8217;s a diabolically idiotic idea. McAvoy gives the audience an amazing performance as the host from hell, in this The Shinning inspired psychological cat and mice escape thriller.  If you enjoy playing with you food, you&amp;#8217;ll enjoy this dish.  Listen as Ro and Phenom discuss Speak No Evil and somehow manage to keep it spoiler-free Speak No Evil opens in theaters Friday, November 22. ♦♦ Director: James Watkins Writers: James Watkins Starring: C James McAvoy, Mackenzie Davis, Aisling Franciosi, Alix West Lefler, Dan Hough, Scoot McNairy Runtime: 1 Hour 50 Minutes Synopsis: An American couple suffering from marital issues is invited to vacation at a rural farmhome of a world renowned British Doctor and his wife in Devon, England.  The family quickly realizes after meeting the couple&amp;#8217;s mute son, things are not what they seem with this Doctor. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Review: Mother's Instinct</title>
		<link>https://www.mtrnetwork.net/mothers-instinct-review/</link>
		<pubDate>Sat, 27 Jul 2024 00:04:56 +0000</pubDate>
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		<description><![CDATA[<p>A melo psychological thriller that will keep you wondering who&#8217;s really losing their mind and their grip on reality until the very end. </p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Benoit Delhomme</p>
<p><b>Writers:  Sarah Conradt</b></p>
<p><b>Starring</b>:</p>
<ul>
<li>Jessica Chastain</li>
<li>Anne Hathaway</li>
<li><a title="Josh Charles" href="https://en.wikipedia.org/wiki/Josh_Charles">Josh Charles</a></li>
<li><a title="Anders Danielsen Lie" href="https://en.wikipedia.org/wiki/Anders_Danielsen_Lie">Anders Danielsen Lie</a></li>
</ul>
<p>
<b>Runtime</b>:  94 Minutes</p>
<p class="p1"><b>Synopsis</b>:  When two best friend neighbors share a tragic loss, their bond is broken as guilt and paranoia causes them to suspect the other of menacing behaviors.  </p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="12299620" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/MothersInstinct.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>12:48</itunes:duration>
		<rawvoice:pid>147170379</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>A melo psychological thriller that will keep you wondering who&amp;#8217;s really losing their mind and their grip on reality until the very end.  &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Benoit Delhomme Writers:  Sarah Conradt Starring: Jessica Chastain Anne Hathaway Josh Charles Anders Danielsen Lie Runtime:  94 Minutes Synopsis:  When two best friend neighbors share a tragic loss, their bond is broken as guilt and paranoia causes them to suspect the other of menacing behaviors.   &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>A melo psychological thriller that will keep you wondering who&amp;#8217;s really losing their mind and their grip on reality until the very end.  &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Benoit Delhomme Writers:  Sarah Conradt Starring: Jessica Chastain Anne Hathaway Josh Charles Anders Danielsen Lie Runtime:  94 Minutes Synopsis:  When two best friend neighbors share a tragic loss, their bond is broken as guilt and paranoia causes them to suspect the other of menacing behaviors.   &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Deadpool &amp; Wolverine Review</title>
		<link>https://www.mtrnetwork.net/deadpool-wolverine-review/</link>
		<pubDate>Wed, 24 Jul 2024 10:30:56 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2024 Reviews]]></category>
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		<description><![CDATA[<p style="text-align: justify;"><span style="text-decoration: underline;">Quick Take</span>: <em>Deadpool and Wolverine</em> is the unlikely team-up that makes all Deadpool&#8217;s most fervent wishes come true. From the irreverent fourth-wall break that sets the stage for both the rather straightfoward quest to come and hyper-meta poke at the superhero character&#8217;s past as prologue.  Longtime collaborators Ryan and Reynolds and director Shawn Levy enter the MCU with a song in their hearts and sway in their hips. If you&#8217;re expecting being under the Disney mantel to tone down the violence, raunchiness, or Deadpool&#8217;s sexpest ways, go on ahead and put that notion aside. Reynolds and the rest of the writing team cagily stare the Disney &#8220;no-no&#8221; list in the face then kick it in the shin.</p>
<p style="text-align: justify;">Despite some pacing issues, unfortunate visual ticks, and more than a few songs that stay past <em>far past</em> their usefulness, <em>Deadpool and Wolverine</em> tells a slippery story that underutilizes its original ensemble choosing instead to traverse the multi-verse as only Deadpool can. The narrative holding this buddy comedy being suprisingly straightforward it refuses to abandon the cheekiness what this franchise is best known for. So, if you&#8217;re looking for a Deadpool adventure that&#8217;s unabashedly madcap and makes the most of its leads then you&#8217;re in the right place. </p>
<p style="text-align: center;">♦♦♦</p>
<p><b>Director</b>: Shawn Levy<br />
<b>Writers: </b>Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, Shawn Levy</p>
<p><b>Starring</b>: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew MacFadyen, <br />
<b>Runtime</b>:  2 Hour 7 Minutes</p>
<p class="p1"><b>Synopsis</b>: Deadpool&#8217;s peaceful existence comes crashing down when the Time Variance Authority recruits him to help safeguard the multiverse.</p>
<p>&#160;</p>
<div style="text-align: left;">
<p><em>Deadpool &#38; Wolverine opeans nationswide (US) theaters July 26, 2024</em></p>
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		<enclosure length="52915388" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/DeadpoolWolverine_Review.mp3"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2024/07/Deadpool-WolverineThumbnail--300x300.jpg"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>50:28</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Quick Take: Deadpool and Wolverine is the unlikely team-up that makes all Deadpool&amp;#8217;s most fervent wishes come true. From the irreverent fourth-wall break that sets the stage for both the rather straightfoward quest to come and hyper-meta poke at the superhero character&amp;#8217;s past as prologue.  Longtime collaborators Ryan and Reynolds and director Shawn Levy enter the MCU with a song in their hearts and sway in their hips. If you&amp;#8217;re expecting being under the Disney mantel to tone down the violence, raunchiness, or Deadpool&amp;#8217;s sexpest ways, go on ahead and put that notion aside. Reynolds and the rest of the writing team cagily stare the Disney &amp;#8220;no-no&amp;#8221; list in the face then kick it in the shin. Despite some pacing issues, unfortunate visual ticks, and more than a few songs that stay past far past their usefulness, Deadpool and Wolverine tells a slippery story that underutilizes its original ensemble choosing instead to traverse the multi-verse as only Deadpool can. The narrative holding this buddy comedy being suprisingly straightforward it refuses to abandon the cheekiness what this franchise is best known for. So, if you&amp;#8217;re looking for a Deadpool adventure that&amp;#8217;s unabashedly madcap and makes the most of its leads then you&amp;#8217;re in the right place.  ♦♦♦ Director: Shawn Levy Writers: Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, Shawn Levy Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew MacFadyen,  Runtime:  2 Hour 7 Minutes Synopsis: Deadpool&amp;#8217;s peaceful existence comes crashing down when the Time Variance Authority recruits him to help safeguard the multiverse. &amp;#160; Deadpool &amp;#38; Wolverine opeans nationswide (US) theaters July 26, 2024 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Quick Take: Deadpool and Wolverine is the unlikely team-up that makes all Deadpool&amp;#8217;s most fervent wishes come true. From the irreverent fourth-wall break that sets the stage for both the rather straightfoward quest to come and hyper-meta poke at the superhero character&amp;#8217;s past as prologue.  Longtime collaborators Ryan and Reynolds and director Shawn Levy enter the MCU with a song in their hearts and sway in their hips. If you&amp;#8217;re expecting being under the Disney mantel to tone down the violence, raunchiness, or Deadpool&amp;#8217;s sexpest ways, go on ahead and put that notion aside. Reynolds and the rest of the writing team cagily stare the Disney &amp;#8220;no-no&amp;#8221; list in the face then kick it in the shin. Despite some pacing issues, unfortunate visual ticks, and more than a few songs that stay past far past their usefulness, Deadpool and Wolverine tells a slippery story that underutilizes its original ensemble choosing instead to traverse the multi-verse as only Deadpool can. The narrative holding this buddy comedy being suprisingly straightforward it refuses to abandon the cheekiness what this franchise is best known for. So, if you&amp;#8217;re looking for a Deadpool adventure that&amp;#8217;s unabashedly madcap and makes the most of its leads then you&amp;#8217;re in the right place.  ♦♦♦ Director: Shawn Levy Writers: Ryan Reynolds, Rhett Reese, Paul Wernick, Zeb Wells, Shawn Levy Starring: Ryan Reynolds, Hugh Jackman, Emma Corrin, Matthew MacFadyen,  Runtime:  2 Hour 7 Minutes Synopsis: Deadpool&amp;#8217;s peaceful existence comes crashing down when the Time Variance Authority recruits him to help safeguard the multiverse. &amp;#160; Deadpool &amp;#38; Wolverine opeans nationswide (US) theaters July 26, 2024 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Furiosa A Mad Max Saga Review</title>
		<link>https://www.mtrnetwork.net/furiosa-a-mad-max-saga-review/</link>
		<pubDate>Fri, 24 May 2024 10:30:36 +0000</pubDate>
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		<description><![CDATA[<p><span style="text-decoration: underline;">Quick Take</span>: <em>Furiosa: A Mad Max</em> Saga is both the origin story Citdal renegade, Furiosa, and volatile trek across the wasteland.&#160; The fifth installment revolves around laying the ground work to how, the Furiosa of <a href="https://www.mtrnetwork.net/mad-max-fury-road-review/" target="_blank" rel="noopener"><em>Mad Max: Fury Road</em></a> came to be and the unveiling of the major settlements across the wasteland. Furiosa throttles down the action, just a notch, to make room to understand the true dysfunction of this dystopian hellscape. In typical George Miller fashion, chronology matters less than the homeretic journey through the world of Max. It&#8217;s bold, violent, and emotionally complex. The trails and tribulations of Furiosa are equally matched by the havoc and upheaval between the wasteland factions. Buckle up because <em>Furiosa: A Mad Max</em> Saga&#8217;s one hell of a ride.&#160;</p>
<p><b>Director</b>: George Miller<br />
<b>Writers: </b>George Miller,&#160;Nick Lathouris<br />
<b>Starring</b>: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Alyla Browne</p>
<p><b>Runtime</b>: 2h 28m</p>
<p class="p1"><b>Synopsis</b>: Snatched from the Green Place of Many Mothers, young Furiosa falls into the hands of a great biker horde led by the warlord Dementus. Sweeping through the Wasteland, they come across the Citadel, presided over by the Immortan Joe. As the two tyrants fight for dominance, Furiosa soon finds herself in a nonstop battle to make her way home.</p>
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<p>&#160;</p>
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		<itunes:duration>35:28</itunes:duration>
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	<itunes:explicit/><itunes:subtitle>Quick Take: Furiosa: A Mad Max Saga is both the origin story Citdal renegade, Furiosa, and volatile trek across the wasteland.&amp;#160; The fifth installment revolves around laying the ground work to how, the Furiosa of Mad Max: Fury Road came to be and the unveiling of the major settlements across the wasteland. Furiosa throttles down the action, just a notch, to make room to understand the true dysfunction of this dystopian hellscape. In typical George Miller fashion, chronology matters less than the homeretic journey through the world of Max. It&amp;#8217;s bold, violent, and emotionally complex. The trails and tribulations of Furiosa are equally matched by the havoc and upheaval between the wasteland factions. Buckle up because Furiosa: A Mad Max Saga&amp;#8217;s one hell of a ride.&amp;#160; Director: George Miller Writers: George Miller,&amp;#160;Nick Lathouris Starring: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Alyla Browne Runtime: 2h 28m Synopsis: Snatched from the Green Place of Many Mothers, young Furiosa falls into the hands of a great biker horde led by the warlord Dementus. Sweeping through the Wasteland, they come across the Citadel, presided over by the Immortan Joe. As the two tyrants fight for dominance, Furiosa soon finds herself in a nonstop battle to make her way home. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Quick Take: Furiosa: A Mad Max Saga is both the origin story Citdal renegade, Furiosa, and volatile trek across the wasteland.&amp;#160; The fifth installment revolves around laying the ground work to how, the Furiosa of Mad Max: Fury Road came to be and the unveiling of the major settlements across the wasteland. Furiosa throttles down the action, just a notch, to make room to understand the true dysfunction of this dystopian hellscape. In typical George Miller fashion, chronology matters less than the homeretic journey through the world of Max. It&amp;#8217;s bold, violent, and emotionally complex. The trails and tribulations of Furiosa are equally matched by the havoc and upheaval between the wasteland factions. Buckle up because Furiosa: A Mad Max Saga&amp;#8217;s one hell of a ride.&amp;#160; Director: George Miller Writers: George Miller,&amp;#160;Nick Lathouris Starring: Anya Taylor-Joy, Chris Hemsworth, Tom Burke, Alyla Browne Runtime: 2h 28m Synopsis: Snatched from the Green Place of Many Mothers, young Furiosa falls into the hands of a great biker horde led by the warlord Dementus. Sweeping through the Wasteland, they come across the Citadel, presided over by the Immortan Joe. As the two tyrants fight for dominance, Furiosa soon finds herself in a nonstop battle to make her way home. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Abigail Review</title>
		<link>https://www.mtrnetwork.net/abigail-review/</link>
		<pubDate>Sat, 20 Apr 2024 02:50:42 +0000</pubDate>
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<p><span style="font-size: 14px;"><b>Director</b>: Matt Bettinelli-Olpin, Tyler Gillett</span><br />
<span style="font-size: 14px;"><b>Writers: </b>Stephen Shields, Guy Busick</span><br />
<span style="font-size: 14px;"><b>Starring</b>: Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Giancarlo Esposito</span><br />
<span style="font-size: 14px;"><b>Runtime</b>:  109 </span><span style="font-size: 14px;">Minutes</span></p>
<p class="p1" style="text-align: justify;"><span style="font-size: 14px;"><b>Synopsis</b>: After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they&#8217;re locked inside with no normal little girl</span>.</p>
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		<enclosure length="35838664" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/LoveHurts-MTR.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>37:20</itunes:duration>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Director: Matt Bettinelli-Olpin, Tyler Gillett Writers: Stephen Shields, Guy Busick Starring: Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Giancarlo Esposito Runtime:  109 Minutes Synopsis: After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they&amp;#8217;re locked inside with no normal little girl. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>&amp;#160; Director: Matt Bettinelli-Olpin, Tyler Gillett Writers: Stephen Shields, Guy Busick Starring: Alisha Weir, Melissa Barrera, Dan Stevens, Kathryn Newton, William Catlett, Kevin Durand, Angus Cloud, Giancarlo Esposito Runtime:  109 Minutes Synopsis: After a group of would-be criminals kidnap the 12-year-old ballerina daughter of a powerful underworld figure, all they have to do to collect a $50 million ransom is watch the girl overnight. In an isolated mansion, the captors start to dwindle, one by one, and they discover, to their mounting horror, that they&amp;#8217;re locked inside with no normal little girl. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews</itunes:keywords></item>
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		<title>The First Omen Review: A harrowing spiral into the heart of darkness</title>
		<link>https://www.mtrnetwork.net/the-first-omen-review/</link>
		<pubDate>Sun, 07 Apr 2024 16:00:49 +0000</pubDate>
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		<description><![CDATA[<p>&#160;</p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;">Richard Donner&#8217;s </span><i><span style="font-weight: 400;">The Omen (1976) </span></i><span style="font-weight: 400;">follows American diplomat Robert Thorn (Gregory Peck) as he investigates his adopted son’s, Damien, background once tragedy befalls those close to him. Thorn&#8217;s quest for answers ultimately leads him to Italy and the unsettling revelation that his son may be the Antichrist. Sadly the subsequent installments never quite duplicated the impact of the first chapter in this genre-disrupting religious horror saga. So he idea of a compelling legacy-prequel seems like a non-starter. Well, director and co-writer Arkasha Stevenson would like a word. Because, </span><i><span style="font-weight: 400;">The First Omen</span></i><span style="font-weight: 400;"> is an absolute master class on how to create a stunning in-canon prequel to a horror classic.</span></span></p>
<h3><span style="font-family: georgia, palatino, serif;">Fresh Eyes Brings Fresh Perspective on the Horrific</span></h3>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;">Stevenson&#8217;s feature debut follows Margaret (Nell Tiger Free), a young American novitiate, as she arrives in Rome, Italy (1971) to complete her probationary period at a Roman orphanage before taking vows. For those new to the </span><i><span style="font-weight: 400;">Omen </span></i><span style="font-weight: 400;">universe, this prequel is a fresh-eyed, gnarly lure into the dark and twisted world of religious horror and one of the foundational storylines in the genre. Margaret encounters Carlita (Nicole Sorace), a troubled orphan, living in practical isolation. Reminded of her own turbulent childhood, she befriends the young girl in the hopes of acting as her champion. As increasingly disturbing happenings swirl around Carlita, Margaret stumbles into a dark and gruesome unfolding conspiracy. </span><span style="font-weight: 400;">Just as Margaret connects with Carlita, a rogue priest (Ralph Ineson) approaches, demanding her help. He&#8217;s on the hunt for proof of a plot by a corrupt sect within the Church. Margaret soon second-guessing herself. Nowhere is safe.</span></span></p>
<p style="text-align: justify;">Unlike in <em>The Omen</em>, the women carry the bulk of the plot development. <span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;">Tiger Free&#8217;s Margaret is a convicing mix of ingénue and fervent acolyte. </span></span>Shifting the story progression to her point of view adds layers to the terror of being in a new city, trying to integrate into an established social dynamic and feeling unsettled by a sense of danger dogging your every step. Stevenson relies less on the obvious jumpscares and more on discomfort, paranoia and the pay off is utterly next level. </p>
<h3><span style="font-weight: 400; font-family: georgia, palatino, serif;"><strong>The First Omen breathes menacing new life into religious horror</strong> </span></h3>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;">Under Stevenson&#8217;s direction </span><i><span style="font-weight: 400;">The First Omen </span></i><span style="font-weight: 400;">comfortably resides at the intersection of fanatical secret societies and unholy dark arts. From the period-accurate production design and costuming, to the religious iconography and symbolism deftly sets the stage for a harrowing spiral into the heart of darkness with precision. Cinematographer Aaron Morton employs an earthy color palette and savvy use of light, shadow, and scene staging ably assisting Stevenon’s unabashed commitment to blending its paranoid-thriller and supernatural horror roots into a trauma-inducing story. </span>Through a combination of awkward physicality, unworldliness, and bouts of inexplicable agitation Tiger Free creates a <span style="font-weight: 400;">captivating </span>picture of a woman pushed to the absolute brink.  There&#8217;s an increasingly demented energy of danger driven by the score and sound desighn that, alongside her character development, that acts as razor then thin tether to realty and a visually entralling fever dream. </span></p>
<h4>Listen as Ro and special guest Richard Newby discuss (spoiler-free) the thematically rich and incisive allegories baked into <em>The First Omen</em>. </h4>
<p><i><span style="font-weight: 400;">The First Omen</span></i> <i><span style="font-weight: 400;">opens in theaters, April 5, 2024</span></i></p>
<p><span style="font-family: georgia, palatino, serif; font-size: 12px;"><b>Director</b>: Arkasha Stevenson</span><br />
<span style="font-family: georgia, palatino, serif; font-size: 12px;"><b>Writers: </b>Tim Smith, Arkasha Stevenson, Keith Thomas<br />
</span><span style="font-family: georgia, palatino, serif; font-size: 12px;"><b>Starring</b>: Nell Tiger Free, Tawfeek Barhom, Sonia Braga, Ralph Ineson, Bill Nighy</span><br />
<span style="font-family: georgia, palatino, serif; font-size: 12px;"><b>Runtime</b>:  2 Hours</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif; font-size: 12px;"><b>Synopsis</b>: A young American woman is sent to Rome to begin a life of service to the church, where she encounters a darkness that outs her own faith in jepardy, </span></p>
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		<itunes:duration>48:10</itunes:duration>
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	<itunes:explicit/><itunes:subtitle>&amp;#160; Richard Donner&amp;#8217;s The Omen (1976) follows American diplomat Robert Thorn (Gregory Peck) as he investigates his adopted son’s, Damien, background once tragedy befalls those close to him. Thorn&amp;#8217;s quest for answers ultimately leads him to Italy and the unsettling revelation that his son may be the Antichrist. Sadly the subsequent installments never quite duplicated the impact of the first chapter in this genre-disrupting religious horror saga. So he idea of a compelling legacy-prequel seems like a non-starter. Well, director and co-writer Arkasha Stevenson would like a word. Because, The First Omen is an absolute master class on how to create a stunning in-canon prequel to a horror classic. Fresh Eyes Brings Fresh Perspective on the Horrific Stevenson&amp;#8217;s feature debut follows Margaret (Nell Tiger Free), a young American novitiate, as she arrives in Rome, Italy (1971) to complete her probationary period at a Roman orphanage before taking vows. For those new to the Omen universe, this prequel is a fresh-eyed, gnarly lure into the dark and twisted world of religious horror and one of the foundational storylines in the genre. Margaret encounters Carlita (Nicole Sorace), a troubled orphan, living in practical isolation. Reminded of her own turbulent childhood, she befriends the young girl in the hopes of acting as her champion. As increasingly disturbing happenings swirl around Carlita, Margaret stumbles into a dark and gruesome unfolding conspiracy. Just as Margaret connects with Carlita, a rogue priest (Ralph Ineson) approaches, demanding her help. He&amp;#8217;s on the hunt for proof of a plot by a corrupt sect within the Church. Margaret soon second-guessing herself. Nowhere is safe. Unlike in The Omen, the women carry the bulk of the plot development. Tiger Free&amp;#8217;s Margaret is a convicing mix of ingénue and fervent acolyte. Shifting the story progression to her point of view adds layers to the terror of being in a new city, trying to integrate into an established social dynamic and feeling unsettled by a sense of danger dogging your every step. Stevenson relies less on the obvious jumpscares and more on discomfort, paranoia and the pay off is utterly next level.  The First Omen breathes menacing new life into religious horror  Under Stevenson&amp;#8217;s direction The First Omen comfortably resides at the intersection of fanatical secret societies and unholy dark arts. From the period-accurate production design and costuming, to the religious iconography and symbolism deftly sets the stage for a harrowing spiral into the heart of darkness with precision. Cinematographer Aaron Morton employs an earthy color palette and savvy use of light, shadow, and scene staging ably assisting Stevenon’s unabashed commitment to blending its paranoid-thriller and supernatural horror roots into a trauma-inducing story. Through a combination of awkward physicality, unworldliness, and bouts of inexplicable agitation Tiger Free creates a captivating picture of a woman pushed to the absolute brink.  There&amp;#8217;s an increasingly demented energy of danger driven by the score and sound desighn that, alongside her character development, that acts as razor then thin tether to realty and a visually entralling fever dream.  Listen as Ro and special guest Richard Newby discuss (spoiler-free) the thematically rich and incisive allegories baked into The First Omen.  The First Omen opens in theaters, April 5, 2024 Director: Arkasha Stevenson Writers: Tim Smith, Arkasha Stevenson, Keith Thomas Starring: Nell Tiger Free, Tawfeek Barhom, Sonia Braga, Ralph Ineson, Bill Nighy Runtime:  2 Hours Synopsis: A young American woman is sent to Rome to begin a life of service to the church, where she encounters a darkness that outs her own faith in jepardy,  Like what you hear? Don&amp;#8217;t miss an episode. Subscribe today. Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:subtitle><itunes:summary>&amp;#160; Richard Donner&amp;#8217;s The Omen (1976) follows American diplomat Robert Thorn (Gregory Peck) as he investigates his adopted son’s, Damien, background once tragedy befalls those close to him. Thorn&amp;#8217;s quest for answers ultimately leads him to Italy and the unsettling revelation that his son may be the Antichrist. Sadly the subsequent installments never quite duplicated the impact of the first chapter in this genre-disrupting religious horror saga. So he idea of a compelling legacy-prequel seems like a non-starter. Well, director and co-writer Arkasha Stevenson would like a word. Because, The First Omen is an absolute master class on how to create a stunning in-canon prequel to a horror classic. Fresh Eyes Brings Fresh Perspective on the Horrific Stevenson&amp;#8217;s feature debut follows Margaret (Nell Tiger Free), a young American novitiate, as she arrives in Rome, Italy (1971) to complete her probationary period at a Roman orphanage before taking vows. For those new to the Omen universe, this prequel is a fresh-eyed, gnarly lure into the dark and twisted world of religious horror and one of the foundational storylines in the genre. Margaret encounters Carlita (Nicole Sorace), a troubled orphan, living in practical isolation. Reminded of her own turbulent childhood, she befriends the young girl in the hopes of acting as her champion. As increasingly disturbing happenings swirl around Carlita, Margaret stumbles into a dark and gruesome unfolding conspiracy. Just as Margaret connects with Carlita, a rogue priest (Ralph Ineson) approaches, demanding her help. He&amp;#8217;s on the hunt for proof of a plot by a corrupt sect within the Church. Margaret soon second-guessing herself. Nowhere is safe. Unlike in The Omen, the women carry the bulk of the plot development. Tiger Free&amp;#8217;s Margaret is a convicing mix of ingénue and fervent acolyte. Shifting the story progression to her point of view adds layers to the terror of being in a new city, trying to integrate into an established social dynamic and feeling unsettled by a sense of danger dogging your every step. Stevenson relies less on the obvious jumpscares and more on discomfort, paranoia and the pay off is utterly next level.  The First Omen breathes menacing new life into religious horror  Under Stevenson&amp;#8217;s direction The First Omen comfortably resides at the intersection of fanatical secret societies and unholy dark arts. From the period-accurate production design and costuming, to the religious iconography and symbolism deftly sets the stage for a harrowing spiral into the heart of darkness with precision. Cinematographer Aaron Morton employs an earthy color palette and savvy use of light, shadow, and scene staging ably assisting Stevenon’s unabashed commitment to blending its paranoid-thriller and supernatural horror roots into a trauma-inducing story. Through a combination of awkward physicality, unworldliness, and bouts of inexplicable agitation Tiger Free creates a captivating picture of a woman pushed to the absolute brink.  There&amp;#8217;s an increasingly demented energy of danger driven by the score and sound desighn that, alongside her character development, that acts as razor then thin tether to realty and a visually entralling fever dream.  Listen as Ro and special guest Richard Newby discuss (spoiler-free) the thematically rich and incisive allegories baked into The First Omen.  The First Omen opens in theaters, April 5, 2024 Director: Arkasha Stevenson Writers: Tim Smith, Arkasha Stevenson, Keith Thomas Starring: Nell Tiger Free, Tawfeek Barhom, Sonia Braga, Ralph Ineson, Bill Nighy Runtime:  2 Hours Synopsis: A young American woman is sent to Rome to begin a life of service to the church, where she encounters a darkness that outs her own faith in jepardy,  Like what you hear? Don&amp;#8217;t miss an episode. 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		<title>Monkey Man Review: A brutal quest for vengeance.</title>
		<link>https://www.mtrnetwork.net/monkey-man-review/</link>
		<pubDate>Fri, 05 Apr 2024 20:30:35 +0000</pubDate>
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		<description><![CDATA[<p>&#160;</p>
<p style="text-align: justify;"><span style="text-decoration: underline;">Quick Take</span>: <a href="https://www.mtrnetwork.net/the-green-knight-review/" target="_blank" rel="noopener">Dev Patel</a>&#8216;s directorial debut, <em>Monkey Man</em>, is a full-throttle, heartbreaking, <em>brutal</em> quest for vengeance. Patel and his co-writers weave ancestral lore and a biting challenge to the socio-political status quo into a underdog tale that wears its cinematic influences and cultural aesthetic on its sleeve. What starts as tale of a street-smart grief-striken man living only for revenge slow morphs into the journey of a man who learns to stand for something greater than himself. <em>Monkey Man</em> pulls no punches and takes no prisoners. Although far from technically flawless and clearly not attempting to reinvent the revenge tropes, in <em>Monkey Man</em> Patel firmly establishes his ability to straddle the line of action star and beguiling leading man with an almost supernatual grace. </p>
<p>Come for the fights and stay for the intense character arc. </p>
<h4>Listen as Phenom and Ro discuss (spoiler-free) just how brash Monkey Man is from start to finish. </h4>
<p><i><span style="font-weight: 400;">Monkey Man</span></i> <i><span style="font-weight: 400;">opens (wide) in theaters, April 5, 2024</span></i></p>
<p><b>Director</b>: Dev Patel<br />
<b>Writers:</b> Dev Patel, Paul Angunawela, John Collee<br />
<b>Starring</b>: Dev Patel, Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, Sobhita Dhulipala, Ashwini Kalsekar, Adithi Kalkunte, Makarand Deshpande<br />
<b>Runtime</b>:  1 Hour 53 Minutes</p>
<p class="p1"><b>Synopsis</b>: After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him.</p>
<p><span style="font-size: 12px;">Note for podcast episode: Monkeypaw Productions and Jordan Peele came on board towards the end of shooting. </span></p>
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		<enclosure length="68214581" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Monkey_Man_Review.mp3"/>
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		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:02:09</itunes:duration>
		<rawvoice:pid>131977411</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>&amp;#160; Quick Take: Dev Patel&amp;#8216;s directorial debut, Monkey Man, is a full-throttle, heartbreaking, brutal quest for vengeance. Patel and his co-writers weave ancestral lore and a biting challenge to the socio-political status quo into a underdog tale that wears its cinematic influences and cultural aesthetic on its sleeve. What starts as tale of a street-smart grief-striken man living only for revenge slow morphs into the journey of a man who learns to stand for something greater than himself. Monkey Man pulls no punches and takes no prisoners. Although far from technically flawless and clearly not attempting to reinvent the revenge tropes, in Monkey Man Patel firmly establishes his ability to straddle the line of action star and beguiling leading man with an almost supernatual grace.  Come for the fights and stay for the intense character arc.  Listen as Phenom and Ro discuss (spoiler-free) just how brash Monkey Man is from start to finish.  Monkey Man opens (wide) in theaters, April 5, 2024 Director: Dev Patel Writers: Dev Patel, Paul Angunawela, John Collee Starring: Dev Patel, Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, Sobhita Dhulipala, Ashwini Kalsekar, Adithi Kalkunte, Makarand Deshpande Runtime:  1 Hour 53 Minutes Synopsis: After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him. Note for podcast episode: Monkeypaw Productions and Jordan Peele came on board towards the end of shooting.  Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:subtitle><itunes:summary>&amp;#160; Quick Take: Dev Patel&amp;#8216;s directorial debut, Monkey Man, is a full-throttle, heartbreaking, brutal quest for vengeance. Patel and his co-writers weave ancestral lore and a biting challenge to the socio-political status quo into a underdog tale that wears its cinematic influences and cultural aesthetic on its sleeve. What starts as tale of a street-smart grief-striken man living only for revenge slow morphs into the journey of a man who learns to stand for something greater than himself. Monkey Man pulls no punches and takes no prisoners. Although far from technically flawless and clearly not attempting to reinvent the revenge tropes, in Monkey Man Patel firmly establishes his ability to straddle the line of action star and beguiling leading man with an almost supernatual grace.  Come for the fights and stay for the intense character arc.  Listen as Phenom and Ro discuss (spoiler-free) just how brash Monkey Man is from start to finish.  Monkey Man opens (wide) in theaters, April 5, 2024 Director: Dev Patel Writers: Dev Patel, Paul Angunawela, John Collee Starring: Dev Patel, Sharlto Copley, Pitobash, Vipin Sharma, Sikandar Kher, Sobhita Dhulipala, Ashwini Kalsekar, Adithi Kalkunte, Makarand Deshpande Runtime:  1 Hour 53 Minutes Synopsis: After years of suppressed rage, Kid discovers a way to infiltrate the enclave of the city’s sinister elite. As his childhood trauma boils over, his mysteriously scarred hands unleash an explosive campaign of retribution to settle the score with the men who took everything from him. Note for podcast episode: Monkeypaw Productions and Jordan Peele came on board towards the end of shooting.  Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:summary><itunes:keywords>Movie Trailer Reviews, Bradon 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Review: The American Society of Magical Negroes</title>
		<link>https://www.mtrnetwork.net/the-american-society-of-magical-negroes-review/</link>
		<pubDate>Sat, 16 Mar 2024 00:29:32 +0000</pubDate>
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		<description><![CDATA[<p>A young artist finds himself recruited into a magical institute of black americans who&#8217;s sole purpose are being the supportive blackhands resting upon the pale shoulders of white fragility.</p>
<p>&#160;</p>
<p><span style="font-family: georgia, palatino, serif;"><em>Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc</em></span></p>
<p style="text-align: center;">♦♦</p>
<p>&#160;</p>
<p><b>Director</b>: Kobi Libii<br />
<b>Writers:  Kobi Libii</b></p>
<p><b>Starring</b>:</p>
<ul>
<li><a title="Justice Smith" href="https://en.wikipedia.org/wiki/Justice_Smith">Justice Smith</a></li>
<li><a title="David Alan Grier" href="https://en.wikipedia.org/wiki/David_Alan_Grier">David Alan Grier</a></li>
<li>An-Li Bogan</li>
</ul>
<p>
<b>Runtime</b>:   105 Minutes</p>
<p class="p1"><b>Synopsis</b>:  A young man in recruited into a secret society of magical negroes, and his first mission gets pretty complicated when he falls for the same woman as his client.</p>
<div style="text-align: left;">
<p>&#160;</p>
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		<enclosure length="22519558" type="audio/mpeg" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TheAmericanSocietyofMagicalNegroes.mp3"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>23:27</itunes:duration>
		<rawvoice:pid>147170385</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>A young artist finds himself recruited into a magical institute of black americans who&amp;#8217;s sole purpose are being the supportive blackhands resting upon the pale shoulders of white fragility. &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Kobi Libii Writers:  Kobi Libii Starring: Justice Smith David Alan Grier An-Li Bogan Runtime:   105 Minutes Synopsis:  A young man in recruited into a secret society of magical negroes, and his first mission gets pretty complicated when he falls for the same woman as his client. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>A young artist finds himself recruited into a magical institute of black americans who&amp;#8217;s sole purpose are being the supportive blackhands resting upon the pale shoulders of white fragility. &amp;#160; Streaming now on Youtube, Apple TV, FandangoAtHome, Amazon Video, etc ♦♦ &amp;#160; Director: Kobi Libii Writers:  Kobi Libii Starring: Justice Smith David Alan Grier An-Li Bogan Runtime:   105 Minutes Synopsis:  A young man in recruited into a secret society of magical negroes, and his first mission gets pretty complicated when he falls for the same woman as his client. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: Dune Part 2</title>
		<link>https://www.mtrnetwork.net/dune-part-2-review/</link>
		<pubDate>Mon, 04 Mar 2024 11:42:18 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Director</b>: Denis Villeneuve</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Writers:&#160; </b>Denis Villeneuve, Jon Spaihts, Frank Herbert</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Starring</b>: Timothée Chalamet, Zendaya, Rebecca Ferguson, Javier Bardem, Josh Brolin, Austin Butler</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Runtime</b>:&#160; 2 Hour 46 Minutes</span></p>
<p class="p1"><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Synopsis</b>: Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Kriss, Ro, Brandon review Dune Part 2.</span></p>
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		<enclosure length="35981179" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Dune_Part_2-Movie_Trailer_Review.m4a"/>
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		<itunes:title>Dune Part 2 Review</itunes:title>
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	<itunes:explicit/><itunes:subtitle>Director: Denis Villeneuve Writers:&amp;#160; Denis Villeneuve, Jon Spaihts, Frank Herbert Starring: Timothée Chalamet, Zendaya, Rebecca Ferguson, Javier Bardem, Josh Brolin, Austin Butler Runtime:&amp;#160; 2 Hour 46 Minutes Synopsis: Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Kriss, Ro, Brandon review Dune Part 2. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Denis Villeneuve Writers:&amp;#160; Denis Villeneuve, Jon Spaihts, Frank Herbert Starring: Timothée Chalamet, Zendaya, Rebecca Ferguson, Javier Bardem, Josh Brolin, Austin Butler Runtime:&amp;#160; 2 Hour 46 Minutes Synopsis: Paul Atreides unites with Chani and the Fremen while seeking revenge against the conspirators who destroyed his family. Kriss, Ro, Brandon review Dune Part 2. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Madame Web Review</title>
		<link>https://www.mtrnetwork.net/movie-review-madame-web/</link>
		<pubDate>Wed, 14 Feb 2024 06:07:00 +0000</pubDate>
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		<description><![CDATA[<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><b>Quick Take</b><span style="font-weight: 400;">: <i>Madame Web</i> should&#8217;ve been a fun and fantastical origin story for a dynamic comic character with real spin-off potential. Instead it’s a mishmash of barely interesting plot points, disjointed visual trickery, and underwhelming performances. More than anything else, <i>Madame Web</i> proves it’s not enough to throw all the “expected” set pieces in a movie, you actually need to know what to do with them.</span></span></p>
<p style="text-align: center;"><span style="font-weight: 400; font-family: georgia, palatino, serif;">**</span></p>
<p><span style="font-family: georgia, palatino, serif;"><strong><span style="text-decoration: underline;">Official Synopsis</span></strong><span style="font-weight: 400;">: Cassandra Webb develops the power to see the future. Forced to confront revelations about her past, she forges a relationship with three young women bound for powerful destinies, if they can all survive a deadly present.</span></span></p>
<p><span style="font-family: georgia, palatino, serif;"><strong>Director</strong><span style="font-weight: 400;">: S.J. Clarkson<br />
</span><strong>Writers</strong><span style="font-weight: 400;">: Matt Sazama, Burk Sharpless, Claire Parker, S.J. Clarkson<br />
</span><strong>Starring</strong><span style="font-weight: 400;">: Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O&#8217;Connor, Tahar Rahim, Mike Epps, Emma Roberts, Adam Scott<br />
</span></span></p>
<p style="text-align: center;"><span style="font-weight: 400; font-family: georgia, palatino, serif;">**</span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><i><span style="font-weight: 400;">Madame Web</span></i><span style="font-weight: 400;">, Sony’s third standalone spin-off of a Marvel comic character, opened the door for the studio to fully reimagine the origins of its titular character and set the stage for robust worldbuilding in its Spider-Man Universe. The Cassandara Webb of the comics is an elderly woman, with a neuromuscular disease, connected to a life support system that resembles a spider web. She’s fully in control of her clairvoyance and precognition.&#160; Webb’s an exceptionally powerful mutant and infrequent supporting character in the Spider-Man comic book series. There’s very little known of her beginnings. When carving a lane for future stories, it doesn’t get much better than having firm grounding in source material but an otherwise clear field to play.&#160;</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">There’s something to be said for nostalgia in movie styling (we won&#8217;t talk about those reshoot blunders). Setting a story in the recent past opens the way for the sleight-of-hand of soft revisionist storytelling often beneficial when telling a story with supernatural elements. For audiences, everything </span><i><span style="font-weight: 400;">feels </span></i><span style="font-weight: 400;">familiar and contemporary but the edges are just blurry enough to make way for a world full of magic, mystery, and untold danger existing alongside the mundane. What </span><i><span style="font-weight: 400;">Madame Web</span></i><span style="font-weight: 400;"> gets right(ish) is blending an intentionally pulp-esque vibe into a recognizable version of the contemporary New York City circa 2003. The story moves at a digestible (and thankfully relatively quick) pace of a thriller. So it’s a shame that absolutely nothing else; not direction, editing, character arcs, visual effects, cast performances, or story direction, amounts to more than a “comic movie” checklist neither the screenwriters nor the director knew how to navigate.</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">The movie opens with a flashback, because of course it does, of a pregnant Constance Webb (Kerry Bishé) deep in the Peruvian Amazon in 1973. She’s on the hunt for a spider said to have miraculous healing properties. She’s whip smart, driven, and desperate. So desperate she misses all the </span><i><span style="font-weight: 400;">glaring </span></i><span style="font-weight: 400;">red flags that her impatient head of security, Ezekiel Sims (Tahar Rahim), isn’t really there to protect her waving in her face. Through hamfisted dialogue, a lore info-dump about a secretive indigenous people with powers, known as Las Aranas, (that would’ve carried more weight as naturally occurring revelations), and scenes of a furtive tent search practically lifted from </span><i><span style="font-weight: 400;">Tomb Raider</span></i><span style="font-weight: 400;">, it’s obvious Sims’ intends to acquire the spider for his own ends. The action sequences that follow shortly after the expected doublecross are a reminder that staging and filming action and stunts is a skill not all directors possess. Director S.J. Clarkson relies on quick cuts, odd camera angles, and bouncing shots of rustling foliage and blurred glimpses of people leaping from great heights to simulate action and fast-moving “spider people” traveling through the trees coming to the rescue. It’s the first sign, of many, that </span><i><span style="font-weight: 400;">Madame Webb</span></i><span style="font-weight: 400;">’s practical and visual effects are a detriment to an already poorly conceived storyline. And although the flashback is a smart entry point for Webb’s origin story, it’s also the movie&#8217;s first failure.</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">Ezekiel Sims, a character also pulled from the comic Spider-verse, and his connection with Constance Webb offer a rational way to introduce the various mystical rites and ceremonies associated with the arachnid-based superpowers. In the comics he’s proven to be knowledgeable about spider-derived powers and resourceful, if selfish. His powers are stolen and that theft carries far-reaching consequences. But instead of taking a beat to really dig into both his background and the society whose secrets he’s hunting, </span><i><span style="font-weight: 400;">Madame Web</span></i><span style="font-weight: 400;">&#160;sloppily paints Sims with an imminent “villain of the week” energy and yada-yadas Constance Webb’s first (and last) contact with Las Aranas; reducing it to a failed attempt to save her life that manages to spare her child.&#160;</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">Even without knowing Sims’ background &#8211; or his importance &#8211; in the comics, it’s painfully obvious that his character’s poorly thought out. The script written by Clarkson, Matt Sazama, Burk Sharpless and Claire Parker never fleshes out his motivations beyond increasingly annoying rants about needing to “protect” all he’s built. The storyline sheds absolutely no light on how he escaped the jungle without incident thereby wasting an opportunity to: 1) reveal more about Las Aranas and/or the rites involving the spider and 2) explain how and why this </span><i><span style="font-weight: 400;">French-speaking</span></i><span style="font-weight: 400;"> mercenary is even in Peru hunting superpowers to begin with. This failing, regrettably, is a hallmark of all the character development and worldbuilding from this point forward. Brace because it becomes intrusively tiresome. There are other important elements along the way treated as throw-aways moments rather than touchstones essential to sticking the landing in the second and third acts.</span></span></p>
<p style="text-align: justify;"><span style="font-weight: 400; font-family: georgia, palatino, serif; font-size: 20px;">The timeline soon jumps to 2003 and a thirty-year-old Cassandra Webb (<a href="https://www.mtrnetwork.net/sundance-snapshots-gods-country-cha-cha-real-smooth/" target="_blank" rel="noopener">Dakota Johnson</a>). Cassie’s an EMT with attachment issues and a fast-approaching future as a Manhattan cat lady. She’s cynical, reckless, and, after (an unexplored) childhood in foster care, purposefully emotionally unavailable. Everything she knows about her mother fits in a suitcase kept under her bed. Johnson’s portrayal of Cassie does a barely serviceable job of embodying a woman who actively avoids personal connections outside work. There are a few scenes &#8211; and relationships &#8211; intended to be both Spider-verse easter eggs and demonstrate Cassie actually does care about her circle of friends particularly her EMT partner Ben Parker (<a href="https://www.mtrnetwork.net/the-twilight-zone-season-2-come-for-the-cast-stay-for-the-theme/" target="_blank" rel="noopener">Adam Scott</a>) and his family despite her aversion to fully being present as a friend.</span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">Sadly, Johnson’s perpetual smoothed-faced delivery results in an emotionally dead and inauthentic portrayal. Her middling efforts can&#8217;t overcome the script’s flimsy dialogue, joyless quips, glaring worldbuilding inconsistencies (like a New York cab without lojack or CPR that never includes clearing an airway) and constantly unfinished looking and/or awkwardly executed visual effects or stunts. Johnson lacks the range to play a character that simultaneously requires make believe to bring the story/world to life </span><i><span style="font-weight: 400;">and</span></i><span style="font-weight: 400;"> the ability to make </span><i><span style="font-weight: 400;">us </span></i><span style="font-weight: 400;">believe in them.&#160;</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">Compounding the errors baked into the opening, </span><i><span style="font-weight: 400;">Madame Web</span></i><span style="font-weight: 400;"> skips over everything related to showing how Ezekiel Sims actually fits into the world in the present day. Beyond a few moments meant to show the lengths he’ll go to preserve his power; including plotting murder based solely on a vision. His entire part of the story lacks depth. That might not be so unforgivable had the time been spent adding texture to this world through the story arcs of the teenage (future) dynamos: Julia Cornwall (Sydney Sweeney), Anya Corazon (Isabela Merced), and Mattie Franklin (Celeste O’Connor). </span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">But again, Clarkson barely expends the energy to make these characters two dimensional. Every bit of their portrayal feels sketchy; paint-by-numbers (from bad tween flicks) at best. Which is a real shame because Merced, Sweeney, and O’Connor bring the only chemistry and dynamic energy to be had. Each does what they can to make these shallow personalities even slightly believable in spite of spouting insipid one-liners, obnoxious teen antics, and being reduced to multiple instances of over-explaining to make up for “the show” that never happens. Unfortunately their contributions to the plot were never going to amount to anything noteworthy. Their storylines are woefully threadbare and not strong enough to weave into anything beyond muddled “side characters.”&#160;</span></span></p>
<p style="text-align: justify;"><span style="font-size: 20px;"><span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;">So, transitioning from the, Cassie’s spidey senses activate, portion of this adventure to Cassie not only embracing her powers but becoming the type of person who selflessly leaps in to save three teenage strangers, never really clicks the way it needs to. That misfire leads to an entire latter half that requires a level of belief suspension not even amnesia can accomplish. The stakes don’t feel real. The journey lacks the kind of compelling grit to keep you invested and rooting for </span><i><span style="font-weight: 400;">anyone’s </span></i><span style="font-weight: 400;">survival. This might be the first time that including a training montage &#8211; instead of a wholly unbelievable and lackluster trip back into the jungle &#8211; might’ve served to better bridge that gap.&#160; But alas, no. </span></span><span style="font-family: georgia, palatino, serif;">The end result is a</span><span style="font-family: georgia, palatino, serif;">&#160;tangled and fragmented narrative that trips over its own plot holes on a joyless slog to nowhere.</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 20px;"><span style="font-weight: 400;">The anticipatory energy of the movie&#8217;s final moments is entirely unearned. No one’s buying this as the origin story for a person meant to assume the role of mentor and powerful oracle to those destined to wield powers in the Spider-verse. Because </span><i><span style="font-weight: 400;">Madame Webb</span></i><span style="font-weight: 400;">’s built on the type of shoddy character development and disjointed storytelling often blamed on the “shortcomings” of comics as source material. But in reality, is indicative of a weak pen-game, a complete lack of respect for the genre and no vision, creativity, or talent behind the scenes.&#160;</span></span></p>
<p style="text-align: center;"><span style="font-weight: 400; font-family: georgia, palatino, serif;">**</span></p>
<p><span style="font-family: georgia, palatino, serif;"><strong>Distributor</strong><span style="font-weight: 400;">: Sony/Columbia<br />
</span><strong>Runtime</strong><span style="font-weight: 400;">:&#160; 1 Hour 57 Minutes<br />
</span><strong>Release date</strong><span style="font-weight: 400;">: February 14, 2024</span></span></p>
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		<enclosure length="18406717" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Madame_Web-Movie_Trailer_Reviews.m4a"/>
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		<itunes:title>Movie Review: Madame Web</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>39:28</itunes:duration>
		<rawvoice:pid>131131961</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Quick Take: Madame Web should&amp;#8217;ve been a fun and fantastical origin story for a dynamic comic character with real spin-off potential. Instead it’s a mishmash of barely interesting plot points, disjointed visual trickery, and underwhelming performances. More than anything else, Madame Web proves it’s not enough to throw all the “expected” set pieces in a movie, you actually need to know what to do with them. ** Official Synopsis: Cassandra Webb develops the power to see the future. Forced to confront revelations about her past, she forges a relationship with three young women bound for powerful destinies, if they can all survive a deadly present. Director: S.J. Clarkson Writers: Matt Sazama, Burk Sharpless, Claire Parker, S.J. Clarkson Starring: Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O&amp;#8217;Connor, Tahar Rahim, Mike Epps, Emma Roberts, Adam Scott ** Madame Web, Sony’s third standalone spin-off of a Marvel comic character, opened the door for the studio to fully reimagine the origins of its titular character and set the stage for robust worldbuilding in its Spider-Man Universe. The Cassandara Webb of the comics is an elderly woman, with a neuromuscular disease, connected to a life support system that resembles a spider web. She’s fully in control of her clairvoyance and precognition.&amp;#160; Webb’s an exceptionally powerful mutant and infrequent supporting character in the Spider-Man comic book series. There’s very little known of her beginnings. When carving a lane for future stories, it doesn’t get much better than having firm grounding in source material but an otherwise clear field to play.&amp;#160; There’s something to be said for nostalgia in movie styling (we won&amp;#8217;t talk about those reshoot blunders). Setting a story in the recent past opens the way for the sleight-of-hand of soft revisionist storytelling often beneficial when telling a story with supernatural elements. For audiences, everything feels familiar and contemporary but the edges are just blurry enough to make way for a world full of magic, mystery, and untold danger existing alongside the mundane. What Madame Web gets right(ish) is blending an intentionally pulp-esque vibe into a recognizable version of the contemporary New York City circa 2003. The story moves at a digestible (and thankfully relatively quick) pace of a thriller. So it’s a shame that absolutely nothing else; not direction, editing, character arcs, visual effects, cast performances, or story direction, amounts to more than a “comic movie” checklist neither the screenwriters nor the director knew how to navigate. The movie opens with a flashback, because of course it does, of a pregnant Constance Webb (Kerry Bishé) deep in the Peruvian Amazon in 1973. She’s on the hunt for a spider said to have miraculous healing properties. She’s whip smart, driven, and desperate. So desperate she misses all the glaring red flags that her impatient head of security, Ezekiel Sims (Tahar Rahim), isn’t really there to protect her waving in her face. Through hamfisted dialogue, a lore info-dump about a secretive indigenous people with powers, known as Las Aranas, (that would’ve carried more weight as naturally occurring revelations), and scenes of a furtive tent search practically lifted from Tomb Raider, it’s obvious Sims’ intends to acquire the spider for his own ends. The action sequences that follow shortly after the expected doublecross are a reminder that staging and filming action and stunts is a skill not all directors possess. Director S.J. Clarkson relies on quick cuts, odd camera angles, and bouncing shots of rustling foliage and blurred glimpses of people leaping from great heights to simulate action and fast-moving “spider people” traveling through the trees coming to the rescue. It’s the first sign, of many, that Madame Webb’s practical and visual effects are a detriment to an already poorly conceived storyline. And although the flashback is a smart entry point for Webb’s origin story, it’s also the movie&amp;#8217;s first failure. Ezekiel Sims, a character also pulled from the comic Spider-verse, and his connection with Constance Webb offer a rational way to introduce the various mystical rites and ceremonies associated with the arachnid-based superpowers. In the comics he’s proven to be knowledgeable about spider-derived powers and resourceful, if selfish. His powers are stolen and that theft carries far-reaching consequences. But instead of taking a beat to really dig into both his background and the society whose secrets he’s hunting, Madame Web&amp;#160;sloppily paints Sims with an imminent “villain of the week” energy and yada-yadas Constance Webb’s first (and last) contact with Las Aranas; reducing it to a failed attempt to save her life that manages to spare her child.&amp;#160; Even without knowing Sims’ background &amp;#8211; or his importance &amp;#8211; in the comics, it’s painfully obvious that his character’s poorly thought out. The script written by Clarkson, Matt Sazama, Burk Sharpless and Claire Parker never fleshes out his motivations beyond increasingly annoying rants about needing to “protect” all he’s built. The storyline sheds absolutely no light on how he escaped the jungle without incident thereby wasting an opportunity to: 1) reveal more about Las Aranas and/or the rites involving the spider and 2) explain how and why this French-speaking mercenary is even in Peru hunting superpowers to begin with. This failing, regrettably, is a hallmark of all the character development and worldbuilding from this point forward. Brace because it becomes intrusively tiresome. There are other important elements along the way treated as throw-aways moments rather than touchstones essential to sticking the landing in the second and third acts. The timeline soon jumps to 2003 and a thirty-year-old Cassandra Webb (Dakota Johnson). Cassie’s an EMT with attachment issues and a fast-approaching future as a Manhattan cat lady. She’s cynical, reckless, and, after (an unexplored) childhood in foster care, purposefully emotionally unavailable. Everything she knows about her mother fits in a suitcase kept under her bed. Johnson’s portrayal of Cassie does a barely serviceable job of embodying a woman who actively avoids personal connections outside work. There are a few scenes &amp;#8211; and relationships &amp;#8211; intended to be both Spider-verse easter eggs and demonstrate Cassie actually does care about her circle of friends particularly her EMT partner Ben Parker (Adam Scott) and his family despite her aversion to fully being present as a friend. Sadly, Johnson’s perpetual smoothed-faced delivery results in an emotionally dead and inauthentic portrayal. Her middling efforts can&amp;#8217;t overcome the script’s flimsy dialogue, joyless quips, glaring worldbuilding inconsistencies (like a New York cab without lojack or CPR that never includes clearing an airway) and constantly unfinished looking and/or awkwardly executed visual effects or stunts. Johnson lacks the range to play a character that simultaneously requires make believe to bring the story/world to life and the ability to make us believe in them.&amp;#160; Compounding the errors baked into the opening, Madame Web skips over everything related to showing how Ezekiel Sims actually fits into the world in the present day. Beyond a few moments meant to show the lengths he’ll go to preserve his power; including plotting murder based solely on a vision. His entire part of the story lacks depth. That might not be so unforgivable had the time been spent adding texture to this world through the story arcs of the teenage (future) dynamos: Julia Cornwall (Sydney Sweeney), Anya Corazon (Isabela Merced), and Mattie Franklin (Celeste O’Connor). But again, Clarkson barely expends the energy to make these characters two dimensional. Every bit of their portrayal feels sketchy; paint-by-numbers (from bad tween flicks) at best. Which is a real shame because Merced, Sweeney, and O’Connor bring the only chemistry and dynamic energy to be had. Each does what they can to make these shallow personalities even slightly believable in spite of spouting insipid one-liners, obnoxious teen antics, and being reduced to multiple instances of over-explaining to make up for “the show” that never happens. Unfortunately their contributions to the plot were never going to amount to anything noteworthy. Their storylines are woefully threadbare and not strong enough to weave into anything beyond muddled “side characters.”&amp;#160; So, transitioning from the, Cassie’s spidey senses activate, portion of this adventure to Cassie not only embracing her powers but becoming the type of person who selflessly leaps in to save three teenage strangers, never really clicks the way it needs to. That misfire leads to an entire latter half that requires a level of belief suspension not even amnesia can accomplish. The stakes don’t feel real. The journey lacks the kind of compelling grit to keep you invested and rooting for anyone’s survival. This might be the first time that including a training montage &amp;#8211; instead of a wholly unbelievable and lackluster trip back into the jungle &amp;#8211; might’ve served to better bridge that gap.&amp;#160; But alas, no. The end result is a&amp;#160;tangled and fragmented narrative that trips over its own plot holes on a joyless slog to nowhere. The anticipatory energy of the movie&amp;#8217;s final moments is entirely unearned. No one’s buying this as the origin story for a person meant to assume the role of mentor and powerful oracle to those destined to wield powers in the Spider-verse. Because Madame Webb’s built on the type of shoddy character development and disjointed storytelling often blamed on the “shortcomings” of comics as source material. But in reality, is indicative of a weak pen-game, a complete lack of respect for the genre and no vision, creativity, or talent behind the scenes.&amp;#160; ** Distributor: Sony/Columbia Runtime:&amp;#160; 1 Hour 57 Minutes Release date: February 14, 2024 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @BookBlerd @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network</itunes:subtitle><itunes:summary>Quick Take: Madame Web should&amp;#8217;ve been a fun and fantastical origin story for a dynamic comic character with real spin-off potential. Instead it’s a mishmash of barely interesting plot points, disjointed visual trickery, and underwhelming performances. More than anything else, Madame Web proves it’s not enough to throw all the “expected” set pieces in a movie, you actually need to know what to do with them. ** Official Synopsis: Cassandra Webb develops the power to see the future. Forced to confront revelations about her past, she forges a relationship with three young women bound for powerful destinies, if they can all survive a deadly present. Director: S.J. Clarkson Writers: Matt Sazama, Burk Sharpless, Claire Parker, S.J. Clarkson Starring: Dakota Johnson, Sydney Sweeney, Isabela Merced, Celeste O&amp;#8217;Connor, Tahar Rahim, Mike Epps, Emma Roberts, Adam Scott ** Madame Web, Sony’s third standalone spin-off of a Marvel comic character, opened the door for the studio to fully reimagine the origins of its titular character and set the stage for robust worldbuilding in its Spider-Man Universe. The Cassandara Webb of the comics is an elderly woman, with a neuromuscular disease, connected to a life support system that resembles a spider web. She’s fully in control of her clairvoyance and precognition.&amp;#160; Webb’s an exceptionally powerful mutant and infrequent supporting character in the Spider-Man comic book series. There’s very little known of her beginnings. When carving a lane for future stories, it doesn’t get much better than having firm grounding in source material but an otherwise clear field to play.&amp;#160; There’s something to be said for nostalgia in movie styling (we won&amp;#8217;t talk about those reshoot blunders). Setting a story in the recent past opens the way for the sleight-of-hand of soft revisionist storytelling often beneficial when telling a story with supernatural elements. For audiences, everything feels familiar and contemporary but the edges are just blurry enough to make way for a world full of magic, mystery, and untold danger existing alongside the mundane. What Madame Web gets right(ish) is blending an intentionally pulp-esque vibe into a recognizable version of the contemporary New York City circa 2003. The story moves at a digestible (and thankfully relatively quick) pace of a thriller. So it’s a shame that absolutely nothing else; not direction, editing, character arcs, visual effects, cast performances, or story direction, amounts to more than a “comic movie” checklist neither the screenwriters nor the director knew how to navigate. The movie opens with a flashback, because of course it does, of a pregnant Constance Webb (Kerry Bishé) deep in the Peruvian Amazon in 1973. She’s on the hunt for a spider said to have miraculous healing properties. She’s whip smart, driven, and desperate. So desperate she misses all the glaring red flags that her impatient head of security, Ezekiel Sims (Tahar Rahim), isn’t really there to protect her waving in her face. Through hamfisted dialogue, a lore info-dump about a secretive indigenous people with powers, known as Las Aranas, (that would’ve carried more weight as naturally occurring revelations), and scenes of a furtive tent search practically lifted from Tomb Raider, it’s obvious Sims’ intends to acquire the spider for his own ends. The action sequences that follow shortly after the expected doublecross are a reminder that staging and filming action and stunts is a skill not all directors possess. Director S.J. Clarkson relies on quick cuts, odd camera angles, and bouncing shots of rustling foliage and blurred glimpses of people leaping from great heights to simulate action and fast-moving “spider people” traveling through the trees coming to the rescue. It’s the first sign, of many, that Madame Webb’s practical and visual effects are a detriment to an already poorly conceived storyline. And although the flashback is a smart entry point for Webb’s origin story, it’s also the movie&amp;#8217;s first failure. Ezekiel Sims, a character also pulled from the comic Spider-verse, and his connection with Constance Webb offer a rational way to introduce the various mystical rites and ceremonies associated with the arachnid-based superpowers. In the comics he’s proven to be knowledgeable about spider-derived powers and resourceful, if selfish. His powers are stolen and that theft carries far-reaching consequences. But instead of taking a beat to really dig into both his background and the society whose secrets he’s hunting, Madame Web&amp;#160;sloppily paints Sims with an imminent “villain of the week” energy and yada-yadas Constance Webb’s first (and last) contact with Las Aranas; reducing it to a failed attempt to save her life that manages to spare her child.&amp;#160; Even without knowing Sims’ background &amp;#8211; or his importance &amp;#8211; in the comics, it’s painfully obvious that his character’s poorly thought out. The script written by Clarkson, Matt Sazama, Burk Sharpless and Claire Parker never fleshes out his motivations beyond increasingly annoying rants about needing to “protect” all he’s built. The storyline sheds absolutely no light on how he escaped the jungle without incident thereby wasting an opportunity to: 1) reveal more about Las Aranas and/or the rites involving the spider and 2) explain how and why this French-speaking mercenary is even in Peru hunting superpowers to begin with. This failing, regrettably, is a hallmark of all the character development and worldbuilding from this point forward. Brace because it becomes intrusively tiresome. There are other important elements along the way treated as throw-aways moments rather than touchstones essential to sticking the landing in the second and third acts. The timeline soon jumps to 2003 and a thirty-year-old Cassandra Webb (Dakota Johnson). Cassie’s an EMT with attachment issues and a fast-approaching future as a Manhattan cat lady. She’s cynical, reckless, and, after (an unexplored) childhood in foster care, purposefully emotionally unavailable. Everything she knows about her mother fits in a suitcase kept under her bed. Johnson’s portrayal of Cassie does a barely serviceable job of embodying a woman who actively avoids personal connections outside work. There are a few scenes &amp;#8211; and relationships &amp;#8211; intended to be both Spider-verse easter eggs and demonstrate Cassie actually does care about her circle of friends particularly her EMT partner Ben Parker (Adam Scott) and his family despite her aversion to fully being present as a friend. Sadly, Johnson’s perpetual smoothed-faced delivery results in an emotionally dead and inauthentic portrayal. Her middling efforts can&amp;#8217;t overcome the script’s flimsy dialogue, joyless quips, glaring worldbuilding inconsistencies (like a New York cab without lojack or CPR that never includes clearing an airway) and constantly unfinished looking and/or awkwardly executed visual effects or stunts. Johnson lacks the range to play a character that simultaneously requires make believe to bring the story/world to life and the ability to make us believe in them.&amp;#160; Compounding the errors baked into the opening, Madame Web skips over everything related to showing how Ezekiel Sims actually fits into the world in the present day. Beyond a few moments meant to show the lengths he’ll go to preserve his power; including plotting murder based solely on a vision. His entire part of the story lacks depth. That might not be so unforgivable had the time been spent adding texture to this world through the story arcs of the teenage (future) dynamos: Julia Cornwall (Sydney Sweeney), Anya Corazon (Isabela Merced), and Mattie Franklin (Celeste O’Connor). But again, Clarkson barely expends the energy to make these characters two dimensional. Every bit of their portrayal feels sketchy; paint-by-numbers (from bad tween flicks) at best. Which is a real shame because Merced, Sweeney, and O’Connor bring the only chemistry and dynamic energy to be had. Each does what they can to make these shallow personalities even slightly believable in spite of spouting insipid one-liners, obnoxious teen antics, and being reduced to multiple instances of over-explaining to make up for “the show” that never happens. Unfortunately their contributions to the plot were never going to amount to anything noteworthy. Their storylines are woefully threadbare and not strong enough to weave into anything beyond muddled “side characters.”&amp;#160; So, transitioning from the, Cassie’s spidey senses activate, portion of this adventure to Cassie not only embracing her powers but becoming the type of person who selflessly leaps in to save three teenage strangers, never really clicks the way it needs to. That misfire leads to an entire latter half that requires a level of belief suspension not even amnesia can accomplish. The stakes don’t feel real. The journey lacks the kind of compelling grit to keep you invested and rooting for anyone’s survival. This might be the first time that including a training montage &amp;#8211; instead of a wholly unbelievable and lackluster trip back into the jungle &amp;#8211; might’ve served to better bridge that gap.&amp;#160; But alas, no. The end result is a&amp;#160;tangled and fragmented narrative that trips over its own plot holes on a joyless slog to nowhere. The anticipatory energy of the movie&amp;#8217;s final moments is entirely unearned. No one’s buying this as the origin story for a person meant to assume the role of mentor and powerful oracle to those destined to wield powers in the Spider-verse. Because Madame Webb’s built on the type of shoddy character development and disjointed storytelling often blamed on the “shortcomings” of comics as source material. But in reality, is indicative of a weak pen-game, a complete lack of respect for the genre and no vision, creativity, or talent behind the scenes.&amp;#160; ** Distributor: Sony/Columbia Runtime:&amp;#160; 1 Hour 57 Minutes Release date: February 14, 2024 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @BookBlerd @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network</itunes:summary><itunes:keywords>Movie Reviews, Movie Trailer Reviews, Brandon 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: May December</title>
		<link>https://www.mtrnetwork.net/may-december-review/</link>
		<pubDate>Sun, 14 Jan 2024 15:15:19 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
		<category><![CDATA[Kriss 2023 Reviews]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Todd Haynes</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Samy Burch, Alex Mechanik</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Natalie Portman, Charles Melton, Julianne Moore, Gabriel Chung, Andrea Frankle</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 1 Hour 57 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under pressure when an actress arrives to do research for a film about their past.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">2023 was really the year of the terrible parent when it comes to movie. In May December, Julianne Moore and Natalie Portman have a &#8220;terrible off&#8221; to see which one plays the worst person. Charles Melton&#8217;s character unfortunately is the one taking the brunt of just how terrible those other characters are. This is a very solid film that&#8217;s bound to make your skin crawl because of just how realistic it is. The gaslighting and victimization that Julianne Moore&#8217;s character Gracie does in this film is top notch. You&#8217;re definitely going to need to take a shower after this one.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Listen as the crew review May December.</span></p>
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		<enclosure length="17399879" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/May_December-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/may-december-review.jpg"/>
		<itunes:title>May December Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>36:36</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Todd Haynes Writers:&amp;#160;Samy Burch, Alex Mechanik Starring: Natalie Portman, Charles Melton, Julianne Moore, Gabriel Chung, Andrea Frankle Runtime:&amp;#160; 1 Hour 57 Minutes Synopsis: Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under pressure when an actress arrives to do research for a film about their past. 2023 was really the year of the terrible parent when it comes to movie. In May December, Julianne Moore and Natalie Portman have a &amp;#8220;terrible off&amp;#8221; to see which one plays the worst person. Charles Melton&amp;#8217;s character unfortunately is the one taking the brunt of just how terrible those other characters are. This is a very solid film that&amp;#8217;s bound to make your skin crawl because of just how realistic it is. The gaslighting and victimization that Julianne Moore&amp;#8217;s character Gracie does in this film is top notch. You&amp;#8217;re definitely going to need to take a shower after this one. Listen as the crew review May December. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Todd Haynes Writers:&amp;#160;Samy Burch, Alex Mechanik Starring: Natalie Portman, Charles Melton, Julianne Moore, Gabriel Chung, Andrea Frankle Runtime:&amp;#160; 1 Hour 57 Minutes Synopsis: Twenty years after their notorious tabloid romance gripped the nation, a married couple buckles under pressure when an actress arrives to do research for a film about their past. 2023 was really the year of the terrible parent when it comes to movie. In May December, Julianne Moore and Natalie Portman have a &amp;#8220;terrible off&amp;#8221; to see which one plays the worst person. Charles Melton&amp;#8217;s character unfortunately is the one taking the brunt of just how terrible those other characters are. This is a very solid film that&amp;#8217;s bound to make your skin crawl because of just how realistic it is. The gaslighting and victimization that Julianne Moore&amp;#8217;s character Gracie does in this film is top notch. You&amp;#8217;re definitely going to need to take a shower after this one. Listen as the crew review May December. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Eileen</title>
		<link>https://www.mtrnetwork.net/eileen-review/</link>
		<pubDate>Sat, 13 Jan 2024 11:12:32 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
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		<description><![CDATA[<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Director</b>: William Oldroyd</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Writers:&#160;</b>Luke Goebel, Ottessa Moshfegh</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Starring</b>: Thomasin McKenzie, Shea Whigham, Anne Hathaway, Sam Nivola</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Runtime</b>:&#160; 1 Hour 37 Minutes</span></p>
<p class="p1"><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Synopsis</b>: <span class="sc-466bb6c-1 dWufeH" role="presentation" data-testid="plot-l">A woman&#8217;s friendship with a new co-worker at the prison facility where she works takes a sinister turn.</span></span></p>
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<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Who doesn&#8217;t love a &#8220;leave them crazy white women alone&#8221; film? Eileen is a great film that uses the alway fantastic Anne Hathaway perfectly by pairing her up with Thomasin McKenzie who does a great dead-face, on the cusp of crazy (right about to head over the deep end) young woman looking to impress. Eileen is short, simple and hits all the right notes. Listen as the crew review this film.</span></p>
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		<enclosure length="16723252" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Eileen-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/eileen-review.jpg"/>
		<itunes:title>Eileen Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:07</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: William Oldroyd Writers:&amp;#160;Luke Goebel, Ottessa Moshfegh Starring: Thomasin McKenzie, Shea Whigham, Anne Hathaway, Sam Nivola Runtime:&amp;#160; 1 Hour 37 Minutes Synopsis: A woman&amp;#8217;s friendship with a new co-worker at the prison facility where she works takes a sinister turn. Who doesn&amp;#8217;t love a &amp;#8220;leave them crazy white women alone&amp;#8221; film? Eileen is a great film that uses the alway fantastic Anne Hathaway perfectly by pairing her up with Thomasin McKenzie who does a great dead-face, on the cusp of crazy (right about to head over the deep end) young woman looking to impress. Eileen is short, simple and hits all the right notes. Listen as the crew review this film. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: William Oldroyd Writers:&amp;#160;Luke Goebel, Ottessa Moshfegh Starring: Thomasin McKenzie, Shea Whigham, Anne Hathaway, Sam Nivola Runtime:&amp;#160; 1 Hour 37 Minutes Synopsis: A woman&amp;#8217;s friendship with a new co-worker at the prison facility where she works takes a sinister turn. Who doesn&amp;#8217;t love a &amp;#8220;leave them crazy white women alone&amp;#8221; film? Eileen is a great film that uses the alway fantastic Anne Hathaway perfectly by pairing her up with Thomasin McKenzie who does a great dead-face, on the cusp of crazy (right about to head over the deep end) young woman looking to impress. Eileen is short, simple and hits all the right notes. Listen as the crew review this film. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Origin</title>
		<link>https://www.mtrnetwork.net/origins-review/</link>
		<pubDate>Fri, 12 Jan 2024 11:53:51 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539654</guid>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Ava DuVernay</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers: </b>Ava DuVernay, Isabel Wilkerson</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash, Emily Yancy, Finn Wittrock, Victoria Pedretti</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 15 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: The unspoken system that has shaped America and chronicles how lives today are defined by a hierarchy of human divisions.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">The review crew discuss the latest film from Ava DuVernay, Origins.&#160;</span></p>
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		<enclosure length="27472424" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Origin-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/origin-review.jpg"/>
		<itunes:title>Origin Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>57:22</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Ava DuVernay Writers: Ava DuVernay, Isabel Wilkerson Starring: Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash, Emily Yancy, Finn Wittrock, Victoria Pedretti Runtime:&amp;#160; 2 Hour 15 Minutes Synopsis: The unspoken system that has shaped America and chronicles how lives today are defined by a hierarchy of human divisions. The review crew discuss the latest film from Ava DuVernay, Origins.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Ava DuVernay Writers: Ava DuVernay, Isabel Wilkerson Starring: Aunjanue Ellis-Taylor, Jon Bernthal, Niecy Nash, Emily Yancy, Finn Wittrock, Victoria Pedretti Runtime:&amp;#160; 2 Hour 15 Minutes Synopsis: The unspoken system that has shaped America and chronicles how lives today are defined by a hierarchy of human divisions. The review crew discuss the latest film from Ava DuVernay, Origins.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2024 Reviews, Kriss 2024 Reviews, Ro 2024 Reviews</itunes:keywords></item>
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		<title>Movie Review: Wonka</title>
		<link>https://www.mtrnetwork.net/wonka-review/</link>
		<pubDate>Thu, 11 Jan 2024 11:03:32 +0000</pubDate>
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		<description><![CDATA[<p><b>Director</b>: Paul King<br />
<b>Writers:&#160;</b>Simon Farnaby, Paul King, Roald Dahl</p>
<p><b>Starring</b>: Timothée Chalamet, Gustave Die, Murray McArthur<br />
<b>Runtime</b>:&#160; Hour Minutes</p>
<p class="p1"><b>Synopsis</b>: With dreams of opening a shop in a city renowned for its chocolate, a young and poor Willy Wonka discovers that the industry is run by a cartel of greedy chocolatiers.</p>
<div style="text-align: left;">
<p>The crew review their second musical of the year, Wonka.&#160;</p>
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		<enclosure length="23124518" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Wonka-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/wonka-review.jpg"/>
		<itunes:title>Wonka Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>48:31</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Paul King Writers:&amp;#160;Simon Farnaby, Paul King, Roald Dahl Starring: Timothée Chalamet, Gustave Die, Murray McArthur Runtime:&amp;#160; Hour Minutes Synopsis: With dreams of opening a shop in a city renowned for its chocolate, a young and poor Willy Wonka discovers that the industry is run by a cartel of greedy chocolatiers. The crew review their second musical of the year, Wonka.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Paul King Writers:&amp;#160;Simon Farnaby, Paul King, Roald Dahl Starring: Timothée Chalamet, Gustave Die, Murray McArthur Runtime:&amp;#160; Hour Minutes Synopsis: With dreams of opening a shop in a city renowned for its chocolate, a young and poor Willy Wonka discovers that the industry is run by a cartel of greedy chocolatiers. The crew review their second musical of the year, Wonka.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review:  Godzilla Minus One</title>
		<link>https://www.mtrnetwork.net/godzilla-minus-one/</link>
		<pubDate>Tue, 02 Jan 2024 11:12:24 +0000</pubDate>
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		<description><![CDATA[<p><b>Director</b>: Takashi Yamazaki<br />
<b>Writers: </b>Takashi Yamazaki</p>
<p><b>Starring</b>: Minami Hamabe, Ryunosuke Kamiki, Sakura Ando<br />
<b>Runtime</b>:&#160; 2 Hour 4 Minutes</p>
<p class="p1"><b>Synopsis</b>: Post war Japan is at its lowest point when a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb.</p>
<div style="text-align: left;">
<p>The Crew reviews Godzilla Minus One.</p>
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		<enclosure length="15178103" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Godzilla_Minus_One-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/godzilla-minus-one-review.jpg"/>
		<itunes:title>Godzilla Minus One Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>32:01</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Takashi Yamazaki Writers: Takashi Yamazaki Starring: Minami Hamabe, Ryunosuke Kamiki, Sakura Ando Runtime:&amp;#160; 2 Hour 4 Minutes Synopsis: Post war Japan is at its lowest point when a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb. The Crew reviews Godzilla Minus One. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Takashi Yamazaki Writers: Takashi Yamazaki Starring: Minami Hamabe, Ryunosuke Kamiki, Sakura Ando Runtime:&amp;#160; 2 Hour 4 Minutes Synopsis: Post war Japan is at its lowest point when a new crisis emerges in the form of a giant monster, baptized in the horrific power of the atomic bomb. The Crew reviews Godzilla Minus One. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: The Iron Claw</title>
		<link>https://www.mtrnetwork.net/the-iron-claw-review/</link>
		<pubDate>Mon, 01 Jan 2024 16:40:56 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Sean Durkin</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Sean Durkin</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 12 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The Iron Claw has an absolutely fantastic cast and set of performances and tells the very tragic tale of the Von Erich family. This is definitely a heartbreaking story but it&#8217;s also a script that doesn&#8217;t do the full story justice. There&#8217;s a lot of focus on the tragedy that seems to follow this family around but does so by sacrificing a lot of the context and story. To be fair that context would probably make the story even more heartbreaking but it would have taken the Iron Claw from a good movie with great performances, to a great movie with even greater performances. This is the difference between a film that gets award season buzz for an actor (e.g. Zac Efron) and a movie that gets the full award season push for being an all around great film.&#160;</span></p>
</div>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Listen as Ro, Brandon and Kriss dive in more about The Iron Claw.</span></p>
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		<enclosure length="17332057" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Iron_Claw-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/the-iron-claw-review.jpg"/>
		<itunes:title>The Iron Claw Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>36:52</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Sean Durkin Writers:&amp;#160;Sean Durkin Starring: Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany Runtime:&amp;#160; 2 Hour 12 Minutes Synopsis: The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. The Iron Claw has an absolutely fantastic cast and set of performances and tells the very tragic tale of the Von Erich family. This is definitely a heartbreaking story but it&amp;#8217;s also a script that doesn&amp;#8217;t do the full story justice. There&amp;#8217;s a lot of focus on the tragedy that seems to follow this family around but does so by sacrificing a lot of the context and story. To be fair that context would probably make the story even more heartbreaking but it would have taken the Iron Claw from a good movie with great performances, to a great movie with even greater performances. This is the difference between a film that gets award season buzz for an actor (e.g. Zac Efron) and a movie that gets the full award season push for being an all around great film.&amp;#160; Listen as Ro, Brandon and Kriss dive in more about The Iron Claw. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Sean Durkin Writers:&amp;#160;Sean Durkin Starring: Zac Efron, Jeremy Allen White, Harris Dickinson, Maura Tierney, Holt McCallany Runtime:&amp;#160; 2 Hour 12 Minutes Synopsis: The true story of the inseparable Von Erich brothers, who made history in the intensely competitive world of professional wrestling in the early 1980s. The Iron Claw has an absolutely fantastic cast and set of performances and tells the very tragic tale of the Von Erich family. This is definitely a heartbreaking story but it&amp;#8217;s also a script that doesn&amp;#8217;t do the full story justice. There&amp;#8217;s a lot of focus on the tragedy that seems to follow this family around but does so by sacrificing a lot of the context and story. To be fair that context would probably make the story even more heartbreaking but it would have taken the Iron Claw from a good movie with great performances, to a great movie with even greater performances. This is the difference between a film that gets award season buzz for an actor (e.g. Zac Efron) and a movie that gets the full award season push for being an all around great film.&amp;#160; Listen as Ro, Brandon and Kriss dive in more about The Iron Claw. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Poor Things</title>
		<link>https://www.mtrnetwork.net/poor-things-reviews/</link>
		<pubDate>Sun, 31 Dec 2023 20:34:05 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539633</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Yorgos Lanthimos</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Tony McNamara, Alasdair Gray</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 21 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: The incredible tale about the fantastical evolution of Bella Baxter; a young woman brought back to life by the brilliant and unorthodox scientist, Dr. Godwin Baxter.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Kriss, Ro &#38; Brandon discuss and review the film Poor Things. There&#8217;s a lot to really enjoy about this film, chief among them is Emma Stone once again showing what an outstanding actress and performer she is. It&#8217;s not a slight to the other performers in this film to say that Emma Stone carries this film because the story truly revolves around her character, Bella Baxter. But what Emma Stone is asked to do and is able to do is what makes this film. Not too many actresses could have pulled this off and she does it in a brilliant way. This film isn&#8217;t perfect but is definitely a great modern telling of the story of Frankenstein (or rather the aftermath of the Frankenstein story) that is worth checking out.&#160;</span></p>
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		<enclosure length="27264009" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Poor_Things-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/poor-things-review.jpg"/>
		<itunes:title>Poor Things Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>57:45</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Yorgos Lanthimos Writers:&amp;#160;Tony McNamara, Alasdair Gray Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef Runtime:&amp;#160; 2 Hour 21 Minutes Synopsis: The incredible tale about the fantastical evolution of Bella Baxter; a young woman brought back to life by the brilliant and unorthodox scientist, Dr. Godwin Baxter. Kriss, Ro &amp;#38; Brandon discuss and review the film Poor Things. There&amp;#8217;s a lot to really enjoy about this film, chief among them is Emma Stone once again showing what an outstanding actress and performer she is. It&amp;#8217;s not a slight to the other performers in this film to say that Emma Stone carries this film because the story truly revolves around her character, Bella Baxter. But what Emma Stone is asked to do and is able to do is what makes this film. Not too many actresses could have pulled this off and she does it in a brilliant way. This film isn&amp;#8217;t perfect but is definitely a great modern telling of the story of Frankenstein (or rather the aftermath of the Frankenstein story) that is worth checking out.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Yorgos Lanthimos Writers:&amp;#160;Tony McNamara, Alasdair Gray Starring: Emma Stone, Mark Ruffalo, Willem Dafoe, Ramy Youssef Runtime:&amp;#160; 2 Hour 21 Minutes Synopsis: The incredible tale about the fantastical evolution of Bella Baxter; a young woman brought back to life by the brilliant and unorthodox scientist, Dr. Godwin Baxter. Kriss, Ro &amp;#38; Brandon discuss and review the film Poor Things. There&amp;#8217;s a lot to really enjoy about this film, chief among them is Emma Stone once again showing what an outstanding actress and performer she is. It&amp;#8217;s not a slight to the other performers in this film to say that Emma Stone carries this film because the story truly revolves around her character, Bella Baxter. But what Emma Stone is asked to do and is able to do is what makes this film. Not too many actresses could have pulled this off and she does it in a brilliant way. This film isn&amp;#8217;t perfect but is definitely a great modern telling of the story of Frankenstein (or rather the aftermath of the Frankenstein story) that is worth checking out.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: It Lives Inside</title>
		<link>https://www.mtrnetwork.net/it-lives-inside-review/</link>
		<pubDate>Sun, 31 Dec 2023 14:13:20 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Bishal Dutta</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers: </b>Bishal Dutta, Ashish Mehta</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 1 Hour 39 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Kriss, Ro and Brandon discuss the film It Lives Inside. While 2023 has been a good year for horror films, It Lives Inside represents the rare miss of a film that should have been and could have been so much more.&#160;</span></p>
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		<enclosure length="12413359" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/It_Lives_Inside-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/it-lives-inside-review.jpg"/>
		<itunes:title>It Lives Inside Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>26:16</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Bishal Dutta Writers: Bishal Dutta, Ashish Mehta Starring: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel Runtime:&amp;#160; 1 Hour 39 Minutes Synopsis: An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Kriss, Ro and Brandon discuss the film It Lives Inside. While 2023 has been a good year for horror films, It Lives Inside represents the rare miss of a film that should have been and could have been so much more.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Bishal Dutta Writers: Bishal Dutta, Ashish Mehta Starring: Megan Suri, Neeru Bajwa, Mohana Krishnan, Betty Gabriel Runtime:&amp;#160; 1 Hour 39 Minutes Synopsis: An Indian-American teenager struggling with her cultural identity has a falling out with her former best friend and, in the process, unwittingly releases a demonic entity that grows stronger by feeding on her loneliness. Kriss, Ro and Brandon discuss the film It Lives Inside. While 2023 has been a good year for horror films, It Lives Inside represents the rare miss of a film that should have been and could have been so much more.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Ferrari</title>
		<link>https://www.mtrnetwork.net/ferrari-review/</link>
		<pubDate>Thu, 28 Dec 2023 11:37:39 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539578</guid>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Michael Mann</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Troy Kennedy Martin, Brock Yates</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Adam Driver, Shailene Woodley, Giuseppe Festinese</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 4 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Set in the summer of 1957, with Enzo Ferrari&#8217;s auto empire in crisis, the ex-racer turned entrepreneur pushes himself and his drivers to the edge as they launch into the Mille Miglia, a treacherous 1,000-mile race across Italy.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Once you realize that Michael Mann was a producer on Ford v Ferrari, the &#8220;I can do it too&#8221; mentality that oozes out of Ferrari makes sense. The problem is, all the charm and intrigue that Ford v Ferrari had is completely missing from Ferrari. Adam Driver is a great actor who is routinely misused by directors and scripts and Ferrari is no exception. Christian Bale and Matt Damon played well off of each other in Ford v Ferrari and made for a compelling story. In Ferrari, Driver is not only boring but Penélope Cruz is criminally underused, leaving Driver without a strong second to play off of. That then leads to the second issue which is there are about 3 different direction this film could have gone which would have made for a great movie and instead it attempts all three directions half heartedly. The best direction this film could have stuck with would have been to follow Cruz&#8217;s Laura Ferrari and made a much more interesting movie. Instead she&#8217;s presented as a bitter woman who just can&#8217;t understand why her great man of a husband is in love with another woman and fathered another child. There j</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The other surprising thing about this film is how bad it looks in some action scenes. The crashes in this film are supposed to be big and draw you in. Instead, they&#8217;re almost comical in how poorly they&#8217;re shot. Even without looking hard, you can see where stunt drivers have been replaced with crash test dummies or poorly used effects to show gruesome after effects. It&#8217;s all just very poorly done.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Ferrari is a forgettable film. Honestly, in the end just go rewatch Ford v Ferrari if you want this type of film.</span></p>
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		<enclosure length="14456834" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Ferrari-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/ferrari-review.jpg"/>
		<itunes:title>Ferrari Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>30:21</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Michael Mann Writers:&amp;#160;Troy Kennedy Martin, Brock Yates Starring: Adam Driver, Shailene Woodley, Giuseppe Festinese Runtime:&amp;#160; 2 Hour 4 Minutes Synopsis: Set in the summer of 1957, with Enzo Ferrari&amp;#8217;s auto empire in crisis, the ex-racer turned entrepreneur pushes himself and his drivers to the edge as they launch into the Mille Miglia, a treacherous 1,000-mile race across Italy. Once you realize that Michael Mann was a producer on Ford v Ferrari, the &amp;#8220;I can do it too&amp;#8221; mentality that oozes out of Ferrari makes sense. The problem is, all the charm and intrigue that Ford v Ferrari had is completely missing from Ferrari. Adam Driver is a great actor who is routinely misused by directors and scripts and Ferrari is no exception. Christian Bale and Matt Damon played well off of each other in Ford v Ferrari and made for a compelling story. In Ferrari, Driver is not only boring but Penélope Cruz is criminally underused, leaving Driver without a strong second to play off of. That then leads to the second issue which is there are about 3 different direction this film could have gone which would have made for a great movie and instead it attempts all three directions half heartedly. The best direction this film could have stuck with would have been to follow Cruz&amp;#8217;s Laura Ferrari and made a much more interesting movie. Instead she&amp;#8217;s presented as a bitter woman who just can&amp;#8217;t understand why her great man of a husband is in love with another woman and fathered another child. There j The other surprising thing about this film is how bad it looks in some action scenes. The crashes in this film are supposed to be big and draw you in. Instead, they&amp;#8217;re almost comical in how poorly they&amp;#8217;re shot. Even without looking hard, you can see where stunt drivers have been replaced with crash test dummies or poorly used effects to show gruesome after effects. It&amp;#8217;s all just very poorly done. Ferrari is a forgettable film. Honestly, in the end just go rewatch Ford v Ferrari if you want this type of film. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Michael Mann Writers:&amp;#160;Troy Kennedy Martin, Brock Yates Starring: Adam Driver, Shailene Woodley, Giuseppe Festinese Runtime:&amp;#160; 2 Hour 4 Minutes Synopsis: Set in the summer of 1957, with Enzo Ferrari&amp;#8217;s auto empire in crisis, the ex-racer turned entrepreneur pushes himself and his drivers to the edge as they launch into the Mille Miglia, a treacherous 1,000-mile race across Italy. Once you realize that Michael Mann was a producer on Ford v Ferrari, the &amp;#8220;I can do it too&amp;#8221; mentality that oozes out of Ferrari makes sense. The problem is, all the charm and intrigue that Ford v Ferrari had is completely missing from Ferrari. Adam Driver is a great actor who is routinely misused by directors and scripts and Ferrari is no exception. Christian Bale and Matt Damon played well off of each other in Ford v Ferrari and made for a compelling story. In Ferrari, Driver is not only boring but Penélope Cruz is criminally underused, leaving Driver without a strong second to play off of. That then leads to the second issue which is there are about 3 different direction this film could have gone which would have made for a great movie and instead it attempts all three directions half heartedly. The best direction this film could have stuck with would have been to follow Cruz&amp;#8217;s Laura Ferrari and made a much more interesting movie. Instead she&amp;#8217;s presented as a bitter woman who just can&amp;#8217;t understand why her great man of a husband is in love with another woman and fathered another child. There j The other surprising thing about this film is how bad it looks in some action scenes. The crashes in this film are supposed to be big and draw you in. Instead, they&amp;#8217;re almost comical in how poorly they&amp;#8217;re shot. Even without looking hard, you can see where stunt drivers have been replaced with crash test dummies or poorly used effects to show gruesome after effects. It&amp;#8217;s all just very poorly done. Ferrari is a forgettable film. Honestly, in the end just go rewatch Ford v Ferrari if you want this type of film. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: The Color Purple</title>
		<link>https://www.mtrnetwork.net/the-color-purple-review/</link>
		<pubDate>Sun, 24 Dec 2023 12:17:24 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539580</guid>
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		<description><![CDATA[<p><b>Director</b>: Blitz Bazawule<br />
<b>Writers:&#160;</b>Marcus Gardley, Alice Walker, Marsha Norman</p>
<p><b>Starring</b>: Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins<br />
<b>Runtime</b>: 2 Hour 20 Minutes</p>
<p class="p1"><b>Synopsis</b>: A woman faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood.</p>
<div style="text-align: left;">
<p>Ro, Kriss and Brandon review the 2023 adaptation of The Color Purple. There is a wild&#160; swing in opinions and views on this film. It&#8217;s definitely a &#8220;your mileage may vary&#8221;. Listen as the crew gives their opinions (and jokes) on this film.&#160;</p>
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		<enclosure length="29920386" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Color_Purple-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/the-color-purple-review.jpg"/>
		<itunes:title>The Color Purple Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:03:27</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Blitz Bazawule Writers:&amp;#160;Marcus Gardley, Alice Walker, Marsha Norman Starring: Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins Runtime: 2 Hour 20 Minutes Synopsis: A woman faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood. Ro, Kriss and Brandon review the 2023 adaptation of The Color Purple. There is a wild&amp;#160; swing in opinions and views on this film. It&amp;#8217;s definitely a &amp;#8220;your mileage may vary&amp;#8221;. Listen as the crew gives their opinions (and jokes) on this film.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Blitz Bazawule Writers:&amp;#160;Marcus Gardley, Alice Walker, Marsha Norman Starring: Fantasia Barrino, Taraji P. Henson, Danielle Brooks, Colman Domingo, Corey Hawkins Runtime: 2 Hour 20 Minutes Synopsis: A woman faces many hardships in her life, but ultimately finds extraordinary strength and hope in the unbreakable bonds of sisterhood. Ro, Kriss and Brandon review the 2023 adaptation of The Color Purple. There is a wild&amp;#160; swing in opinions and views on this film. It&amp;#8217;s definitely a &amp;#8220;your mileage may vary&amp;#8221;. Listen as the crew gives their opinions (and jokes) on this film.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>TIFF 2023: The Boy and the Heron</title>
		<link>https://www.mtrnetwork.net/tiff-2023-the-boy-and-the-heron/</link>
		<pubDate>Fri, 08 Dec 2023 15:52:04 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[TIFF 2023]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
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		<category><![CDATA[Kriss 2023 TIFF]]></category>
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		<category><![CDATA[Toronto Film Festival]]></category>
		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Hayao Miyazaki</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers: </b>Hayao Miyazaki </span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>:&#160;</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 4 Minutes</span></p>
<p class="p1"><b>Synopsis</b>:&#160;</p>
<div class="style__pitch___1Y9G1 charlie">
<p style="padding-left: 40px;"><em><strong>Already acclaimed as a masterpiece in Japan, Hayao Miyazaki’s new film begins as a simple story of loss and love, and rises to become a staggering work of imagination.</strong></em></p>
</div>
<div class="style__notes___3qcBW delta" style="padding-left: 40px;">
<p><em>Already acclaimed as a masterpiece in Japan, Hayao Miyazaki’s new film begins as a simple story of loss and love, and rises to a staggering work of imagination. Coming after the maker of&#160;Spirited Away&#160;and&#160;Princess Mononoke&#160;announced his retirement,&#160;The Boy and the Heron&#160;is an especially precious gift, and possibly the final film we will see from one of cinema’s greatest artists.</em></p>
<p><em>As a boy, Miyazaki read Genzaburo Yoshino’s novel&#160;How Do You Live?&#160;and embraced it as his favourite. This film was initially announced as an adaptation of that book, but Miyazaki uses it instead as one of many layers in a dazzling tapestry that draws even more upon his own youth.</em></p>
<p><em>During the Second World War, young Mahito Maki (Soma Santoki) suffers a heartbreaking family tragedy and must move immediately to the countryside, where his father (Takuya Kimura) works for a family making planes for Japan’s military, as Miyazaki’s own father did.</em></p>
<p><em>Isolated, Mahito begins exploring the mysterious landscapes and encounters a grey heron, persistent in its presence. The boy also happens upon an abandoned tower. Curious, he enters. From there,&#160;The Boy and the Heron&#160;expands into a wondrous, often-startling phantasmagoria.</em></p>
<p><em>Visually, the film shows Miyazaki at the height of his powers, filling the frame with gorgeous compositions, vibrant colour, and arresting movement. As it draws you deeper into its mysteries,&#160;The Boy and the Heron&#160;becomes richer, stranger, and more profoundly beautiful. This is a singular, transformative experience in film, and not to be missed.</em></p>
<p>&#160;</p>
</div>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Everyone knows that Kriss doesn&#8217;t watch anime but thanks to the Toronto Film Festival and the pre-festival buzz that Hayao Miyazaki&#8217;s latest Studio Ghibili film was receiving, Kriss added The Boy and the Heron to his TIFF coverage list. And the film did not disappoint. Even for those that do not typically gravitate to anime or Studio Ghibili films, this film will definitely be relatable in its themes around grief, finding oneself and what it means to be a &#8220;good person&#8221;. Another thing that works very well for this film is the time period around when this film takes place. Set during the Pacific War during World War 2, there are a lot of subtle (or not so subtle depending on one&#8217;s understanding of history) that set a much darker and grim tone for this film. That understanding of some of the background action and characters only serves to make The Boy and the Heron even more of an intriguing and engaging films.</span></p>
<div id="attachment_539607" style="width: 1210px" class="wp-caption alignnone"><img aria-describedby="caption-attachment-539607" fetchpriority="high" decoding="async" class="size-full wp-image-539607" src="https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_.jpg" alt="" width="1200" height="600" srcset="https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_.jpg 1200w, https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_-300x150.jpg 300w, https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_-1024x512.jpg 1024w, https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_-768x384.jpg 768w, https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_-750x375.jpg 750w, https://www.mtrnetwork.net/wp-content/uploads/2023/12/theboyandtheheron_03-_1_-400x200.jpg 400w" sizes="(max-width: 1200px) 100vw, 1200px" /><p id="caption-attachment-539607" class="wp-caption-text">Image credit: Courtesy of TIFF</p></div>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">There have been a lot of great animated films this year but The Boy and the Heron might be one of the best looking films of the year. Audiences should definitely seek out IMAX showings of this film where possible. Even without IMAX, the film is absolutely stunning and pushes the bar higher for what audiences should demand from animated film visuals.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The Boy and the Heron has received a lot of pre-festival buzz and it&#8217;s all well worth it.&#160;Listen as Kriss, Ro and Brandon discuss The Boy and the Heron and dive deeper into the film and what makes it so good.</span></p>
<p style="text-align: center;"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><em><strong>The Boy and the Heron is now playing in US theaters.</strong></em></span></p>
<hr>
<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<itunes:title>TIFF 2023: The Boy and the Heron</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>28:15</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Hayao Miyazaki Writers: Hayao Miyazaki Starring:&amp;#160; Runtime:&amp;#160; 2 Hour 4 Minutes Synopsis:&amp;#160; Already acclaimed as a masterpiece in Japan, Hayao Miyazaki’s new film begins as a simple story of loss and love, and rises to become a staggering work of imagination. Already acclaimed as a masterpiece in Japan, Hayao Miyazaki’s new film begins as a simple story of loss and love, and rises to a staggering work of imagination. Coming after the maker of&amp;#160;Spirited Away&amp;#160;and&amp;#160;Princess Mononoke&amp;#160;announced his retirement,&amp;#160;The Boy and the Heron&amp;#160;is an especially precious gift, and possibly the final film we will see from one of cinema’s greatest artists. As a boy, Miyazaki read Genzaburo Yoshino’s novel&amp;#160;How Do You Live?&amp;#160;and embraced it as his favourite. This film was initially announced as an adaptation of that book, but Miyazaki uses it instead as one of many layers in a dazzling tapestry that draws even more upon his own youth. During the Second World War, young Mahito Maki (Soma Santoki) suffers a heartbreaking family tragedy and must move immediately to the countryside, where his father (Takuya Kimura) works for a family making planes for Japan’s military, as Miyazaki’s own father did. Isolated, Mahito begins exploring the mysterious landscapes and encounters a grey heron, persistent in its presence. The boy also happens upon an abandoned tower. Curious, he enters. From there,&amp;#160;The Boy and the Heron&amp;#160;expands into a wondrous, often-startling phantasmagoria. Visually, the film shows Miyazaki at the height of his powers, filling the frame with gorgeous compositions, vibrant colour, and arresting movement. As it draws you deeper into its mysteries,&amp;#160;The Boy and the Heron&amp;#160;becomes richer, stranger, and more profoundly beautiful. This is a singular, transformative experience in film, and not to be missed. &amp;#160; Everyone knows that Kriss doesn&amp;#8217;t watch anime but thanks to the Toronto Film Festival and the pre-festival buzz that Hayao Miyazaki&amp;#8217;s latest Studio Ghibili film was receiving, Kriss added The Boy and the Heron to his TIFF coverage list. And the film did not disappoint. Even for those that do not typically gravitate to anime or Studio Ghibili films, this film will definitely be relatable in its themes around grief, finding oneself and what it means to be a &amp;#8220;good person&amp;#8221;. Another thing that works very well for this film is the time period around when this film takes place. Set during the Pacific War during World War 2, there are a lot of subtle (or not so subtle depending on one&amp;#8217;s understanding of history) that set a much darker and grim tone for this film. That understanding of some of the background action and characters only serves to make The Boy and the Heron even more of an intriguing and engaging films. Image credit: Courtesy of TIFF There have been a lot of great animated films this year but The Boy and the Heron might be one of the best looking films of the year. Audiences should definitely seek out IMAX showings of this film where possible. Even without IMAX, the film is absolutely stunning and pushes the bar higher for what audiences should demand from animated film visuals. The Boy and the Heron has received a lot of pre-festival buzz and it&amp;#8217;s all well worth it.&amp;#160;Listen as Kriss, Ro and Brandon discuss The Boy and the Heron and dive deeper into the film and what makes it so good. The Boy and the Heron is now playing in US theaters. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Director: Hayao Miyazaki Writers: Hayao Miyazaki Starring:&amp;#160; Runtime:&amp;#160; 2 Hour 4 Minutes Synopsis:&amp;#160; Already acclaimed as a masterpiece in Japan, Hayao Miyazaki’s new film begins as a simple story of loss and love, and rises to become a staggering work of imagination. Already acclaimed as a masterpiece in Japan, Hayao Miyazaki’s new film begins as a simple story of loss and love, and rises to a staggering work of imagination. Coming after the maker of&amp;#160;Spirited Away&amp;#160;and&amp;#160;Princess Mononoke&amp;#160;announced his retirement,&amp;#160;The Boy and the Heron&amp;#160;is an especially precious gift, and possibly the final film we will see from one of cinema’s greatest artists. As a boy, Miyazaki read Genzaburo Yoshino’s novel&amp;#160;How Do You Live?&amp;#160;and embraced it as his favourite. This film was initially announced as an adaptation of that book, but Miyazaki uses it instead as one of many layers in a dazzling tapestry that draws even more upon his own youth. During the Second World War, young Mahito Maki (Soma Santoki) suffers a heartbreaking family tragedy and must move immediately to the countryside, where his father (Takuya Kimura) works for a family making planes for Japan’s military, as Miyazaki’s own father did. Isolated, Mahito begins exploring the mysterious landscapes and encounters a grey heron, persistent in its presence. The boy also happens upon an abandoned tower. Curious, he enters. From there,&amp;#160;The Boy and the Heron&amp;#160;expands into a wondrous, often-startling phantasmagoria. Visually, the film shows Miyazaki at the height of his powers, filling the frame with gorgeous compositions, vibrant colour, and arresting movement. As it draws you deeper into its mysteries,&amp;#160;The Boy and the Heron&amp;#160;becomes richer, stranger, and more profoundly beautiful. This is a singular, transformative experience in film, and not to be missed. &amp;#160; Everyone knows that Kriss doesn&amp;#8217;t watch anime but thanks to the Toronto Film Festival and the pre-festival buzz that Hayao Miyazaki&amp;#8217;s latest Studio Ghibili film was receiving, Kriss added The Boy and the Heron to his TIFF coverage list. And the film did not disappoint. Even for those that do not typically gravitate to anime or Studio Ghibili films, this film will definitely be relatable in its themes around grief, finding oneself and what it means to be a &amp;#8220;good person&amp;#8221;. Another thing that works very well for this film is the time period around when this film takes place. Set during the Pacific War during World War 2, there are a lot of subtle (or not so subtle depending on one&amp;#8217;s understanding of history) that set a much darker and grim tone for this film. That understanding of some of the background action and characters only serves to make The Boy and the Heron even more of an intriguing and engaging films. Image credit: Courtesy of TIFF There have been a lot of great animated films this year but The Boy and the Heron might be one of the best looking films of the year. Audiences should definitely seek out IMAX showings of this film where possible. Even without IMAX, the film is absolutely stunning and pushes the bar higher for what audiences should demand from animated film visuals. The Boy and the Heron has received a lot of pre-festival buzz and it&amp;#8217;s all well worth it.&amp;#160;Listen as Kriss, Ro and Brandon discuss The Boy and the Heron and dive deeper into the film and what makes it so good. The Boy and the Heron is now playing in US theaters. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Reviews, TIFF 2023, Brandon 2023 Reviews, Kriss 2023 Reviews, Kriss 2023 TIFF, Ro 2023 Reviews, Toronto Film Festival</itunes:keywords></item>
	<item>
		<title>TIFF 2023: American Fiction</title>
		<link>https://www.mtrnetwork.net/toronto-film-festival-2023-american-fiction/</link>
		<pubDate>Thu, 23 Nov 2023 18:23:38 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
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		<category><![CDATA[Kriss 2023 TIFF]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>
		<description><![CDATA[<p><b>Director</b>: Cord Jefferson<br />
<b>Writers: </b>Cord Jefferson, Percival Everett</p>
<p><b>Starring</b>: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David, Issa Rae, Sterling K Brown<br />
<b>Runtime</b>:&#160; 1 Hour 57 Minutes</p>
<p class="p1"><b>Synopsis</b>:</p>
<blockquote>
<p>Starring Jeffrey Wright in one of his most beautifully nuanced performances,&#160;<em>American Fiction</em>&#160;is both a wickedly smart satire about the commodification of marginalized voices and a bittersweet portrait of an artist forced to re-examine the terms of his integrity.</p>
<p>Thelonious “Monk” Ellison (Wright) is a respected author and professor of English literature. But his impatience with his students’ cultural sensitivities is threatening his academic standing, while his latest novel is failing to attract publishers; they claim Monk’s writing “isn’t Black enough.” He travels to his hometown of Boston to participate in a literary festival where all eyes are on the first-time author of a bestseller titled&#160;<em>We’s Lives In Da Ghetto</em>, a book Monk dismisses as pandering to readers seeking stereotypical stories of Black misery. Meanwhile, Monk’s family experiences tragedy, and his ailing mother requires a level of care neither he nor his trainwreck of a brother (Sterling K. Brown) can afford.</p>
<p>One night, in a fit of spite, Monk concocts a pseudonymous novel embodying every Black cliché he can imagine. His agent submits it to a major publisher who immediately offers the biggest advance Monk’s ever seen. As the novel is rushed to the printers and Hollywood comes courting, Monk must reckon with a monster of his own making.</p>
<p>Adapted from Percival Everett’s novel&#160;<em>Erasure</em>, Cord Jefferson’s directorial debut is a wildly entertaining send-up of our hunger for so-called authenticity. Featuring stellar supporting turns from Issa Rae and Erika Alexander, and a string of cheeky cameos,&#160;<em>American Fiction</em>&#160;is a timely reflection on the fictions we tell ourselves about race, progress, and community.</p>
</blockquote>
<p>Out of all the films at the Toronto Film Festival, American Fiction seemed like the one that would be a setup for disappointment.&#160; &#160; &#160; Several big name actors (Jeffrey Wright, Sterling K Brown, Issa Rae, etc). It just reeks of the type of film to draw an audience in but disappoint them. Thankfully, Cord Jefferson does not fall into the trap and makes a very smart, nuanced film that is both funny, serious and insightful all at the same time.&#160;</p>
<p>American Fiction succeeds where other films like it have failed because it does not try to run away from the point it&#8217;s trying to make by trying to over-explain its point or cater to the wrong audience. It&#8217;s a very refreshing take on black art and black family. While some will look at the obvious, over-the-top and quite frankly, funny plot of the film, there is a very nuanced, subtle plot that revolves around the complexities of a black family. American Fiction tackles topics like:</p>
<ul>
<li>Black families and acceptance (or not) of homosexuality in their family</li>
<li>Black male anger that is directed inward instead of expressed safely</li>
<li>How the &#8220;Black experience&#8221; can be the same regardless of income and social status</li>
<li>Respectability politics in Black Art</li>
<li>and so many more issues</li>
</ul>
<p>This is the film that so many think they&#8217;re making when they want to tackle some of these concepts but fail. American Fiction manages to sneak in a lot of complex issues while masking it under superficial which is very meta for the plot of this film. This is definitely a must see film.</p>
<hr>
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		<itunes:title>TIFF 2023: American Fiction</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:30</itunes:duration>
		<rawvoice:pid>123225217</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Cord Jefferson Writers: Cord Jefferson, Percival Everett Starring: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David, Issa Rae, Sterling K Brown Runtime:&amp;#160; 1 Hour 57 Minutes Synopsis: Starring Jeffrey Wright in one of his most beautifully nuanced performances,&amp;#160;American Fiction&amp;#160;is both a wickedly smart satire about the commodification of marginalized voices and a bittersweet portrait of an artist forced to re-examine the terms of his integrity. Thelonious “Monk” Ellison (Wright) is a respected author and professor of English literature. But his impatience with his students’ cultural sensitivities is threatening his academic standing, while his latest novel is failing to attract publishers; they claim Monk’s writing “isn’t Black enough.” He travels to his hometown of Boston to participate in a literary festival where all eyes are on the first-time author of a bestseller titled&amp;#160;We’s Lives In Da Ghetto, a book Monk dismisses as pandering to readers seeking stereotypical stories of Black misery. Meanwhile, Monk’s family experiences tragedy, and his ailing mother requires a level of care neither he nor his trainwreck of a brother (Sterling K. Brown) can afford. One night, in a fit of spite, Monk concocts a pseudonymous novel embodying every Black cliché he can imagine. His agent submits it to a major publisher who immediately offers the biggest advance Monk’s ever seen. As the novel is rushed to the printers and Hollywood comes courting, Monk must reckon with a monster of his own making. Adapted from Percival Everett’s novel&amp;#160;Erasure, Cord Jefferson’s directorial debut is a wildly entertaining send-up of our hunger for so-called authenticity. Featuring stellar supporting turns from Issa Rae and Erika Alexander, and a string of cheeky cameos,&amp;#160;American Fiction&amp;#160;is a timely reflection on the fictions we tell ourselves about race, progress, and community. Out of all the films at the Toronto Film Festival, American Fiction seemed like the one that would be a setup for disappointment.&amp;#160; &amp;#160; &amp;#160; Several big name actors (Jeffrey Wright, Sterling K Brown, Issa Rae, etc). It just reeks of the type of film to draw an audience in but disappoint them. Thankfully, Cord Jefferson does not fall into the trap and makes a very smart, nuanced film that is both funny, serious and insightful all at the same time.&amp;#160; American Fiction succeeds where other films like it have failed because it does not try to run away from the point it&amp;#8217;s trying to make by trying to over-explain its point or cater to the wrong audience. It&amp;#8217;s a very refreshing take on black art and black family. While some will look at the obvious, over-the-top and quite frankly, funny plot of the film, there is a very nuanced, subtle plot that revolves around the complexities of a black family. American Fiction tackles topics like: Black families and acceptance (or not) of homosexuality in their family Black male anger that is directed inward instead of expressed safely How the &amp;#8220;Black experience&amp;#8221; can be the same regardless of income and social status Respectability politics in Black Art and so many more issues This is the film that so many think they&amp;#8217;re making when they want to tackle some of these concepts but fail. American Fiction manages to sneak in a lot of complex issues while masking it under superficial which is very meta for the plot of this film. This is definitely a must see film. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Director: Cord Jefferson Writers: Cord Jefferson, Percival Everett Starring: Jeffrey Wright, Tracee Ellis Ross, John Ortiz, Erika Alexander, Leslie Uggams, Adam Brody, Keith David, Issa Rae, Sterling K Brown Runtime:&amp;#160; 1 Hour 57 Minutes Synopsis: Starring Jeffrey Wright in one of his most beautifully nuanced performances,&amp;#160;American Fiction&amp;#160;is both a wickedly smart satire about the commodification of marginalized voices and a bittersweet portrait of an artist forced to re-examine the terms of his integrity. Thelonious “Monk” Ellison (Wright) is a respected author and professor of English literature. But his impatience with his students’ cultural sensitivities is threatening his academic standing, while his latest novel is failing to attract publishers; they claim Monk’s writing “isn’t Black enough.” He travels to his hometown of Boston to participate in a literary festival where all eyes are on the first-time author of a bestseller titled&amp;#160;We’s Lives In Da Ghetto, a book Monk dismisses as pandering to readers seeking stereotypical stories of Black misery. Meanwhile, Monk’s family experiences tragedy, and his ailing mother requires a level of care neither he nor his trainwreck of a brother (Sterling K. Brown) can afford. One night, in a fit of spite, Monk concocts a pseudonymous novel embodying every Black cliché he can imagine. His agent submits it to a major publisher who immediately offers the biggest advance Monk’s ever seen. As the novel is rushed to the printers and Hollywood comes courting, Monk must reckon with a monster of his own making. Adapted from Percival Everett’s novel&amp;#160;Erasure, Cord Jefferson’s directorial debut is a wildly entertaining send-up of our hunger for so-called authenticity. Featuring stellar supporting turns from Issa Rae and Erika Alexander, and a string of cheeky cameos,&amp;#160;American Fiction&amp;#160;is a timely reflection on the fictions we tell ourselves about race, progress, and community. Out of all the films at the Toronto Film Festival, American Fiction seemed like the one that would be a setup for disappointment.&amp;#160; &amp;#160; &amp;#160; Several big name actors (Jeffrey Wright, Sterling K Brown, Issa Rae, etc). It just reeks of the type of film to draw an audience in but disappoint them. Thankfully, Cord Jefferson does not fall into the trap and makes a very smart, nuanced film that is both funny, serious and insightful all at the same time.&amp;#160; American Fiction succeeds where other films like it have failed because it does not try to run away from the point it&amp;#8217;s trying to make by trying to over-explain its point or cater to the wrong audience. It&amp;#8217;s a very refreshing take on black art and black family. While some will look at the obvious, over-the-top and quite frankly, funny plot of the film, there is a very nuanced, subtle plot that revolves around the complexities of a black family. American Fiction tackles topics like: Black families and acceptance (or not) of homosexuality in their family Black male anger that is directed inward instead of expressed safely How the &amp;#8220;Black experience&amp;#8221; can be the same regardless of income and social status Respectability politics in Black Art and so many more issues This is the film that so many think they&amp;#8217;re making when they want to tackle some of these concepts but fail. American Fiction manages to sneak in a lot of complex issues while masking it under superficial which is very meta for the plot of this film. This is definitely a must see film. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Reviews, TIFF 2023, Brandon 2023 Reviews, Kriss 2023 Reviews, Kriss 2023 TIFF, Ro 2023 Reviews, Toronto Film Festival</itunes:keywords></item>
	<item>
		<title>Napoleon Review</title>
		<link>https://www.mtrnetwork.net/napoleon-review/</link>
		<pubDate>Wed, 22 Nov 2023 15:30:25 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="text-decoration: underline;"><strong>Capsule Review</strong></span>: <em>Napoleon</em> is unimaginative, uninspired, and unrelentingly dry. The score and sound design are masterful, but Scott expects them to do too much work in this inert bolder of a story. It&#8217;s doesn&#8217;t even give good costume drama &#8211; and I say that as a lover of costume dramas. </p>
<p><strong>Listen as Ro chats with Kriss</strong> about how Ridley Scott tricked her into watching a film that turns pivotal historical characters into Looney Tunes caricatures and makes such a criminal waste of Vanessa Kirby that Ro demands Scott fight her. </p>
<p><b>Director</b>: Ridley Scott<br />
<b>Writers: </b>David Scarpa</p>
<p><b>Starring</b>: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim<br />
<b>Runtime</b>:  2 Hours 38 Minutes</p>
<p class="p1"><b>Synopsis</b>:  [Alllegedly] based on the true story of Napoleon Bonaparte, primarily depicting the French leader&#8217;s rise to power as well as his relationship with <a title="Joséphine de Beauharnais" href="https://en.wikipedia.org/wiki/Jos%C3%A9phine_de_Beauharnais">Empress Joséphine</a></p>
<div style="text-align: left;">
<p><em>Napoleon opns in theaters November 22, 2023</em></p>
<hr />
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<div style="text-align: center;"><strong><span style="font-size: 14pt; font-family: tahoma, arial, helvetica, sans-serif; color: #ff9900;">Like what you hear? Subscribe so you don&#8217;t miss an episode!</span></strong></div>
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		<enclosure length="11947906" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Napoleon-Movie_Trailer_Review.m4a"/>
		<itunes:title>Movie Review: Napoleon</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>25:33</itunes:duration>
		<rawvoice:pid>124014379</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Capsule Review: Napoleon is unimaginative, uninspired, and unrelentingly dry. The score and sound design are masterful, but Scott expects them to do too much work in this inert bolder of a story. It&amp;#8217;s doesn&amp;#8217;t even give good costume drama &amp;#8211; and I say that as a lover of costume dramas.  Listen as Ro chats with Kriss about how Ridley Scott tricked her into watching a film that turns pivotal historical characters into Looney Tunes caricatures and makes such a criminal waste of Vanessa Kirby that Ro demands Scott fight her.  Director: Ridley Scott Writers: David Scarpa Starring: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim Runtime:  2 Hours 38 Minutes Synopsis:  [Alllegedly] based on the true story of Napoleon Bonaparte, primarily depicting the French leader&amp;#8217;s rise to power as well as his relationship with Empress Joséphine Napoleon opns in theaters November 22, 2023 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Capsule Review: Napoleon is unimaginative, uninspired, and unrelentingly dry. The score and sound design are masterful, but Scott expects them to do too much work in this inert bolder of a story. It&amp;#8217;s doesn&amp;#8217;t even give good costume drama &amp;#8211; and I say that as a lover of costume dramas.  Listen as Ro chats with Kriss about how Ridley Scott tricked her into watching a film that turns pivotal historical characters into Looney Tunes caricatures and makes such a criminal waste of Vanessa Kirby that Ro demands Scott fight her.  Director: Ridley Scott Writers: David Scarpa Starring: Joaquin Phoenix, Vanessa Kirby, Tahar Rahim Runtime:  2 Hours 38 Minutes Synopsis:  [Alllegedly] based on the true story of Napoleon Bonaparte, primarily depicting the French leader&amp;#8217;s rise to power as well as his relationship with Empress Joséphine Napoleon opns in theaters November 22, 2023 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Wish</title>
		<link>https://www.mtrnetwork.net/wish-review/</link>
		<pubDate>Wed, 22 Nov 2023 13:00:03 +0000</pubDate>
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		<description><![CDATA[<p><span style="text-decoration: underline;"><strong>Capsule Review</strong></span>: <em>Wish</em> is a low-key rebellion story told from through the lens of a teen who&#8217;s sense of safety and optimistic outlook on life crumble. Wrapping a story about challenging the status quo up in an enchanting tale about wishing on a star makes good use of its uneven story book and musical moments. Wish doesn&#8217;t quite has that ineffiable something that makes a traditional Disney classic but it certainly makes up for it with its self-aware exploratiion of the dangers of idealism.  </p>
<p><strong>Listen</strong> as Ro chats with Kriss about the highs ands lows of Disney Animation&#8217;s latest, Wish.</p>
<p style="text-align: center;">♦</p>
<p><b>Director</b>: Chris Buck, Fawn Veerasunthorn<br />
<b>Writers: Jennifer Lee, Allison Moore, Chris Buck</b></p>
<p><b>Starring</b>: <br />
<b>Runtime</b>: 1  Hour 32 Minutes</p>
<p class="p1"><b>Synopsis</b>: Asha, a sharp-witted idealist, makes a wish so powerful that it is answered by a cosmic force – a little ball of boundless energy called Star. Together, Asha and Star confront a most formidable foe &#8211; the ruler of Rosas, King Magnifico &#8211; to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen.</p>
<div style="text-align: left;">
<p><em>Wish opens in theaters November 22, 2023</em></p>
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		<enclosure length="14058585" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Wish-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/11/wish-review.jpg"/>
		<itunes:title>Movie Review: Wish</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:19</itunes:duration>
		<rawvoice:pid>124008350</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Capsule Review: Wish is a low-key rebellion story told from through the lens of a teen who&amp;#8217;s sense of safety and optimistic outlook on life crumble. Wrapping a story about challenging the status quo up in an enchanting tale about wishing on a star makes good use of its uneven story book and musical moments. Wish doesn&amp;#8217;t quite has that ineffiable something that makes a traditional Disney classic but it certainly makes up for it with its self-aware exploratiion of the dangers of idealism.   Listen as Ro chats with Kriss about the highs ands lows of Disney Animation&amp;#8217;s latest, Wish. ♦ Director: Chris Buck, Fawn Veerasunthorn Writers: Jennifer Lee, Allison Moore, Chris Buck Starring:  Runtime: 1  Hour 32 Minutes Synopsis: Asha, a sharp-witted idealist, makes a wish so powerful that it is answered by a cosmic force – a little ball of boundless energy called Star. Together, Asha and Star confront a most formidable foe &amp;#8211; the ruler of Rosas, King Magnifico &amp;#8211; to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen. Wish opens in theaters November 22, 2023 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Capsule Review: Wish is a low-key rebellion story told from through the lens of a teen who&amp;#8217;s sense of safety and optimistic outlook on life crumble. Wrapping a story about challenging the status quo up in an enchanting tale about wishing on a star makes good use of its uneven story book and musical moments. Wish doesn&amp;#8217;t quite has that ineffiable something that makes a traditional Disney classic but it certainly makes up for it with its self-aware exploratiion of the dangers of idealism.   Listen as Ro chats with Kriss about the highs ands lows of Disney Animation&amp;#8217;s latest, Wish. ♦ Director: Chris Buck, Fawn Veerasunthorn Writers: Jennifer Lee, Allison Moore, Chris Buck Starring:  Runtime: 1  Hour 32 Minutes Synopsis: Asha, a sharp-witted idealist, makes a wish so powerful that it is answered by a cosmic force – a little ball of boundless energy called Star. Together, Asha and Star confront a most formidable foe &amp;#8211; the ruler of Rosas, King Magnifico &amp;#8211; to save her community and prove that when the will of one courageous human connects with the magic of the stars, wondrous things can happen. Wish opens in theaters November 22, 2023 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>The Hunger Games The Ballad of Songbirds and Snakes - Movie Trailer Reviews</title>
		<link>https://www.mtrnetwork.net/hunger-games-review/</link>
		<pubDate>Fri, 17 Nov 2023 11:30:55 +0000</pubDate>
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		<description><![CDATA[<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif; font-size: 16px;"><span style="text-decoration: underline;"><strong>Capsule Review</strong></span>: Whether or not you&#8217;re a fan of the originl Hunger Game&#8217;s trilogy, <em>The Ballad of Songbirds and Snakes</em> is a dark and violent downward spiral into villiany you didn&#8217;t know you needed. Suzanne Collins (finally) showcases her understanding of dystopian hellscapes. And this adaptation proves it by turning what could feel like a needless return to Panem into a stunningly lush, brutal, and well-crafted tale of how easy it is to abandon &#8220;the good&#8221; in pursuit of safety. It&#8217;s a grim reminder that often, cruelty <em>is</em> the point. Watching a young Coriolanus Snow (Tom Blyth) navigate the ruthless intrigue of a post-war Capitol is a brilliant allegory for how the scramble for power ultimately makes spectacles of us all. <em>The Ballad of Songbirds and Snakes </em>is a villan origin story you shouldn&#8217;t miss</span>. </p>
<p><span style="font-family: georgia, palatino, serif;"><strong>Listen</strong> as Ro discusses with Kriss why this a prequel is strong enough, despite a few structural flaws, to stand on it&#8217;s own and definitely worth seeing. </span></p>
<p><span style="font-family: georgia, palatino, serif;"><b>Director</b>: Francis Lawrence</span><br />
<span style="font-family: georgia, palatino, serif;"><b>Writers: </b>Nia DaCosta , Zeb Wells , Elissa Karasik</span></p>
<p><span style="font-family: georgia, palatino, serif;"><b>Starring</b>: Tom Blyth, Rachel Zegler, Peter Dinklage, Jason Schwartzman, Hunter Schafer, Josh Andrés Rivera, Viola Davis</span><br />
<span style="font-family: georgia, palatino, serif;"><b>Runtime</b>:  2 Hours 37 Minutes</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;"><b>Synopsis</b>: 64 years before he becomes the tyrannical president of Panem, Coriolanus Snow sees a chance for a change in fortunes when he mentors Lucy Gray Baird, the female tribute from District 12.</span></p>
<div style="text-align: left;">
<p id="firstHeading" class="firstHeading mw-first-heading"><span style="font-size: 14px; font-family: georgia, palatino, serif;"><i>The Hunger Games: The Ballad of Songbirds &#38; Snakes opens in theaters November 17, 2023</i></span></p>
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		<enclosure length="8823047" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Hunger_Games_The_Ballad_of_Songbirds_Snakes-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/11/the-hunger-games-the-ballad-of-songbirds-and-snakes-review.jpg"/>
		<itunes:title>Movie Review: The Hunger Games The Ballad of Songbirds and Snakes</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>18:41</itunes:duration>
		<rawvoice:pid>124007559</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Capsule Review: Whether or not you&amp;#8217;re a fan of the originl Hunger Game&amp;#8217;s trilogy, The Ballad of Songbirds and Snakes is a dark and violent downward spiral into villiany you didn&amp;#8217;t know you needed. Suzanne Collins (finally) showcases her understanding of dystopian hellscapes. And this adaptation proves it by turning what could feel like a needless return to Panem into a stunningly lush, brutal, and well-crafted tale of how easy it is to abandon &amp;#8220;the good&amp;#8221; in pursuit of safety. It&amp;#8217;s a grim reminder that often, cruelty is the point. Watching a young Coriolanus Snow (Tom Blyth) navigate the ruthless intrigue of a post-war Capitol is a brilliant allegory for how the scramble for power ultimately makes spectacles of us all. The Ballad of Songbirds and Snakes is a villan origin story you shouldn&amp;#8217;t miss.  Listen as Ro discusses with Kriss why this a prequel is strong enough, despite a few structural flaws, to stand on it&amp;#8217;s own and definitely worth seeing.  Director: Francis Lawrence Writers: Nia DaCosta , Zeb Wells , Elissa Karasik Starring: Tom Blyth, Rachel Zegler, Peter Dinklage, Jason Schwartzman, Hunter Schafer, Josh Andrés Rivera, Viola Davis Runtime:  2 Hours 37 Minutes Synopsis: 64 years before he becomes the tyrannical president of Panem, Coriolanus Snow sees a chance for a change in fortunes when he mentors Lucy Gray Baird, the female tribute from District 12. The Hunger Games: The Ballad of Songbirds &amp;#38; Snakes opens in theaters November 17, 2023 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Capsule Review: Whether or not you&amp;#8217;re a fan of the originl Hunger Game&amp;#8217;s trilogy, The Ballad of Songbirds and Snakes is a dark and violent downward spiral into villiany you didn&amp;#8217;t know you needed. Suzanne Collins (finally) showcases her understanding of dystopian hellscapes. And this adaptation proves it by turning what could feel like a needless return to Panem into a stunningly lush, brutal, and well-crafted tale of how easy it is to abandon &amp;#8220;the good&amp;#8221; in pursuit of safety. It&amp;#8217;s a grim reminder that often, cruelty is the point. Watching a young Coriolanus Snow (Tom Blyth) navigate the ruthless intrigue of a post-war Capitol is a brilliant allegory for how the scramble for power ultimately makes spectacles of us all. The Ballad of Songbirds and Snakes is a villan origin story you shouldn&amp;#8217;t miss.  Listen as Ro discusses with Kriss why this a prequel is strong enough, despite a few structural flaws, to stand on it&amp;#8217;s own and definitely worth seeing.  Director: Francis Lawrence Writers: Nia DaCosta , Zeb Wells , Elissa Karasik Starring: Tom Blyth, Rachel Zegler, Peter Dinklage, Jason Schwartzman, Hunter Schafer, Josh Andrés Rivera, Viola Davis Runtime:  2 Hours 37 Minutes Synopsis: 64 years before he becomes the tyrannical president of Panem, Coriolanus Snow sees a chance for a change in fortunes when he mentors Lucy Gray Baird, the female tribute from District 12. The Hunger Games: The Ballad of Songbirds &amp;#38; Snakes opens in theaters November 17, 2023 Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>The Marvels</title>
		<link>https://www.mtrnetwork.net/the-marvels-review/</link>
		<pubDate>Fri, 10 Nov 2023 14:53:20 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539471</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
		<category><![CDATA[Kriss 2023 Reviews]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<description><![CDATA[<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;"><i>The Marvels</i> brings everything you want in a comic book team-up movie to the table: far-reaching stakes, a dynamic ensemble – here a trio made up of Captain Marvel (Brie Larson), Ms. Marvel (Iman Vellani), and Captain Monica Rambeau (Teyonah Parris) – and high energy adventure rife with action-, tragedy, trauma-bonding, and hilarious shenanigans. </span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><span style="font-weight: 400;">It takes a certain eye when pulling the right elements of comic story mechanics and superhero tropes together to design a narrative that has both the emotional inconsistency integral to making room for humor and heartache and a willingness to embrace real but non-linear character development  in the midst of what is obviously a universe-shifting mission. </span><i><span style="font-weight: 400;">The Marvels</span></i><span style="font-weight: 400;"> broadens our understanding of both Carol Danvers/Captain Marvel’s power level and Carol’s emotional core. The scene-stealing Kamala Khan/Ms. Marvel embodies the giddy delight (and danger) of meeting your heroes while also stepping boldly into your purpose. Captain Rambeau is simultaneously the smartest person in the room and an empathic woman coming to terms with her past even as she explores her own emerging superpowers. Anyone saying that director/co-writer Nia DaCosta is anything less than an inspired choice that paid off is lying to you, or perhaps basing their assessment of </span><i><span style="font-weight: 400;">The Marvels</span></i><span style="font-weight: 400;"> on what they think should’ve been how second installment of Captain Marvels’ journey unfolded or where they decided it was leading the MCU. For the rest of us, Nia DaCosta&#8217;s <em>The Marvels</em> is a delightfully entertaining reminder that it&#8217;s alright to laugh as hard as you cry because it&#8217;s about the journey.</span></span></p>
<p style="text-align: justify;"><span style="font-weight: 400; font-family: georgia, palatino, serif;">Larson, Vellani, and Parris are a charismatic trio with exactly the right chemistry to anchor this highly watchable film. DaCosta rightly embraces their energy to present relatable, yet, distinct types, of women united in purpose but each with their own insecurities and strengths. In DaCosta’s hands Danver’s second outing brings her face-to-face with the fallout of her wartime actions. It’s a savvy antidote to the heavy handed military-mindset of the first movie. The bloody-minded villain here, Kree Suprema Dar-Benn (Zawe Ashton), exists as a direct consequence of Carol’s choices. Dar-Benn’s quest for vengeance leads to the trio’s powers becoming entangled and sets them all on a collision course. Ashton’s performance is an ironic juxtaposition to Captain Marvel because her tunnel vision mirrors the more withdrawn Danvers before breaking her Kree chains. It’s a cold intensity that’s easy to overlook amongst the chaotic action and more outsized emotions of the other women. Some may read it as a weakness of the character design, but others will peep the sly commentary in their byplay. </span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><i><span style="font-weight: 400;">The Marvels</span></i><span style="font-weight: 400;"> lays groundwork for the way beneath the surface of these complex women (as well as the franchise). But don’t expect the story to linger and dig into all the emotional turmoil and revelations. This is the beginning of the journey, and these women have layers. The pace is slightly uneven because a few gags linger overlong. It’s not enough to detract but it makes it obvious how much more there is to be revealed. But </span><i><span style="font-weight: 400;">The Marvels</span></i><span style="font-weight: 400;"> stays mission oriented and as this trio learns how to function as a cohesive unit &#8211; and gives some great close-quarters fight choreography &#8211; the details are in the dialogue. So don’t fall out of sync with what’s being said. DaCosta doesn’t hide that there’s a lot to unpack even as the plot worldbuilds. The story beats, however, make it clear it’s not an accident we’re not taking any of those side quests here. The character arcs for each member of the ensemble are complete (and leave you wanting more); allowing the overall narrative to stay on brand with this phase&#8217;s theme: there’s a reckoning for everyone in offing.</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">The few glitches and hiccups in CGI make it clear that the franchise could still  benefit from slowing down production timelimes but it&#8217;s not enough to discount from the amazing visuals of space and the transitions smoothing out the interactions between the ensemble. <em>The Marvels</em> has flavor and flair. It&#8217;s cultural beats are eclectic, relatable, yet still undeniably inflused with a warm Blackness in the most unexpected moments. There&#8217;s something for the fans deep in the lore, and an easily digestable story for the more casual fans. It&#8217;s far from perfect (more of that come spoiler chat time) but, <i><span style="font-weight: 400;">The Marvels </span></i><span style="font-weight: 400;">is </span><span style="font-weight: 400;"><span style="font-family: georgia, palatino, serif;">giving the kind of fun meant to leave you enthusiastic and smiling at the end of an enjoyable ride. So, if you come away from it thinking it has a</span> narrative problem, that’s a </span><span style="text-decoration: underline;"><span style="font-weight: 400;">you</span></span><span style="font-weight: 400;"> problem; not an MCU problem.</span></span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><strong>Listen and Kriss, Phenom and Ro discuss. </strong></span></p>
<p style="text-align: center;">♦♦</p>
<p><b>Director</b>: Nia DaCosta<br />
<b>Writers: </b>Nia DaCosta, Megan McDonnell, Elissa Karasik<br />
<b>Starring</b>: Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park Seo-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Samuel L. Jackson<br />
<b>Runtime</b>: 1 Hour 45 Minutes</p>
<p class="p1"><b>Synopsis</b><span style="font-family: georgia, palatino, serif;">: Carol Danvers gets her powers entangled with those of Kamala Khan and Monica Rambeau, forcing them to work together to save the universe.</span></p>
<p><i><span style="font-weight: 400;">The Marvels opens in theaters worldwide on Nov. 10, 2023.</span></i></p>
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		<enclosure length="24317279" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Marvels-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/11/the-marvels-review.jpg"/>
		<itunes:title>The Marvels</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>51:30</itunes:duration>
	<itunes:explicit/><itunes:subtitle>The Marvels brings everything you want in a comic book team-up movie to the table: far-reaching stakes, a dynamic ensemble – here a trio made up of Captain Marvel (Brie Larson), Ms. Marvel (Iman Vellani), and Captain Monica Rambeau (Teyonah Parris) – and high energy adventure rife with action-, tragedy, trauma-bonding, and hilarious shenanigans.  It takes a certain eye when pulling the right elements of comic story mechanics and superhero tropes together to design a narrative that has both the emotional inconsistency integral to making room for humor and heartache and a willingness to embrace real but non-linear character development  in the midst of what is obviously a universe-shifting mission. The Marvels broadens our understanding of both Carol Danvers/Captain Marvel’s power level and Carol’s emotional core. The scene-stealing Kamala Khan/Ms. Marvel embodies the giddy delight (and danger) of meeting your heroes while also stepping boldly into your purpose. Captain Rambeau is simultaneously the smartest person in the room and an empathic woman coming to terms with her past even as she explores her own emerging superpowers. Anyone saying that director/co-writer Nia DaCosta is anything less than an inspired choice that paid off is lying to you, or perhaps basing their assessment of The Marvels on what they think should’ve been how second installment of Captain Marvels’ journey unfolded or where they decided it was leading the MCU. For the rest of us, Nia DaCosta&amp;#8217;s The Marvels is a delightfully entertaining reminder that it&amp;#8217;s alright to laugh as hard as you cry because it&amp;#8217;s about the journey. Larson, Vellani, and Parris are a charismatic trio with exactly the right chemistry to anchor this highly watchable film. DaCosta rightly embraces their energy to present relatable, yet, distinct types, of women united in purpose but each with their own insecurities and strengths. In DaCosta’s hands Danver’s second outing brings her face-to-face with the fallout of her wartime actions. It’s a savvy antidote to the heavy handed military-mindset of the first movie. The bloody-minded villain here, Kree Suprema Dar-Benn (Zawe Ashton), exists as a direct consequence of Carol’s choices. Dar-Benn’s quest for vengeance leads to the trio’s powers becoming entangled and sets them all on a collision course. Ashton’s performance is an ironic juxtaposition to Captain Marvel because her tunnel vision mirrors the more withdrawn Danvers before breaking her Kree chains. It’s a cold intensity that’s easy to overlook amongst the chaotic action and more outsized emotions of the other women. Some may read it as a weakness of the character design, but others will peep the sly commentary in their byplay.  The Marvels lays groundwork for the way beneath the surface of these complex women (as well as the franchise). But don’t expect the story to linger and dig into all the emotional turmoil and revelations. This is the beginning of the journey, and these women have layers. The pace is slightly uneven because a few gags linger overlong. It’s not enough to detract but it makes it obvious how much more there is to be revealed. But The Marvels stays mission oriented and as this trio learns how to function as a cohesive unit &amp;#8211; and gives some great close-quarters fight choreography &amp;#8211; the details are in the dialogue. So don’t fall out of sync with what’s being said. DaCosta doesn’t hide that there’s a lot to unpack even as the plot worldbuilds. The story beats, however, make it clear it’s not an accident we’re not taking any of those side quests here. The character arcs for each member of the ensemble are complete (and leave you wanting more); allowing the overall narrative to stay on brand with this phase&amp;#8217;s theme: there’s a reckoning for everyone in offing. The few glitches and hiccups in CGI make it clear that the franchise could still  benefit from slowing down production timelimes but it&amp;#8217;s not enough to discount from the amazing visuals of space and the transitions smoothing out the interactions between the ensemble. The Marvels has flavor and flair. It&amp;#8217;s cultural beats are eclectic, relatable, yet still undeniably inflused with a warm Blackness in the most unexpected moments. There&amp;#8217;s something for the fans deep in the lore, and an easily digestable story for the more casual fans. It&amp;#8217;s far from perfect (more of that come spoiler chat time) but, The Marvels is giving the kind of fun meant to leave you enthusiastic and smiling at the end of an enjoyable ride. So, if you come away from it thinking it has a narrative problem, that’s a you problem; not an MCU problem. Listen and Kriss, Phenom and Ro discuss.  ♦♦ Director: Nia DaCosta Writers: Nia DaCosta, Megan McDonnell, Elissa Karasik Starring: Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park Seo-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Samuel L. Jackson Runtime: 1 Hour 45 Minutes Synopsis: Carol Danvers gets her powers entangled with those of Kamala Khan and Monica Rambeau, forcing them to work together to save the universe. The Marvels opens in theaters worldwide on Nov. 10, 2023. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>The Marvels brings everything you want in a comic book team-up movie to the table: far-reaching stakes, a dynamic ensemble – here a trio made up of Captain Marvel (Brie Larson), Ms. Marvel (Iman Vellani), and Captain Monica Rambeau (Teyonah Parris) – and high energy adventure rife with action-, tragedy, trauma-bonding, and hilarious shenanigans.  It takes a certain eye when pulling the right elements of comic story mechanics and superhero tropes together to design a narrative that has both the emotional inconsistency integral to making room for humor and heartache and a willingness to embrace real but non-linear character development  in the midst of what is obviously a universe-shifting mission. The Marvels broadens our understanding of both Carol Danvers/Captain Marvel’s power level and Carol’s emotional core. The scene-stealing Kamala Khan/Ms. Marvel embodies the giddy delight (and danger) of meeting your heroes while also stepping boldly into your purpose. Captain Rambeau is simultaneously the smartest person in the room and an empathic woman coming to terms with her past even as she explores her own emerging superpowers. Anyone saying that director/co-writer Nia DaCosta is anything less than an inspired choice that paid off is lying to you, or perhaps basing their assessment of The Marvels on what they think should’ve been how second installment of Captain Marvels’ journey unfolded or where they decided it was leading the MCU. For the rest of us, Nia DaCosta&amp;#8217;s The Marvels is a delightfully entertaining reminder that it&amp;#8217;s alright to laugh as hard as you cry because it&amp;#8217;s about the journey. Larson, Vellani, and Parris are a charismatic trio with exactly the right chemistry to anchor this highly watchable film. DaCosta rightly embraces their energy to present relatable, yet, distinct types, of women united in purpose but each with their own insecurities and strengths. In DaCosta’s hands Danver’s second outing brings her face-to-face with the fallout of her wartime actions. It’s a savvy antidote to the heavy handed military-mindset of the first movie. The bloody-minded villain here, Kree Suprema Dar-Benn (Zawe Ashton), exists as a direct consequence of Carol’s choices. Dar-Benn’s quest for vengeance leads to the trio’s powers becoming entangled and sets them all on a collision course. Ashton’s performance is an ironic juxtaposition to Captain Marvel because her tunnel vision mirrors the more withdrawn Danvers before breaking her Kree chains. It’s a cold intensity that’s easy to overlook amongst the chaotic action and more outsized emotions of the other women. Some may read it as a weakness of the character design, but others will peep the sly commentary in their byplay.  The Marvels lays groundwork for the way beneath the surface of these complex women (as well as the franchise). But don’t expect the story to linger and dig into all the emotional turmoil and revelations. This is the beginning of the journey, and these women have layers. The pace is slightly uneven because a few gags linger overlong. It’s not enough to detract but it makes it obvious how much more there is to be revealed. But The Marvels stays mission oriented and as this trio learns how to function as a cohesive unit &amp;#8211; and gives some great close-quarters fight choreography &amp;#8211; the details are in the dialogue. So don’t fall out of sync with what’s being said. DaCosta doesn’t hide that there’s a lot to unpack even as the plot worldbuilds. The story beats, however, make it clear it’s not an accident we’re not taking any of those side quests here. The character arcs for each member of the ensemble are complete (and leave you wanting more); allowing the overall narrative to stay on brand with this phase&amp;#8217;s theme: there’s a reckoning for everyone in offing. The few glitches and hiccups in CGI make it clear that the franchise could still  benefit from slowing down production timelimes but it&amp;#8217;s not enough to discount from the amazing visuals of space and the transitions smoothing out the interactions between the ensemble. The Marvels has flavor and flair. It&amp;#8217;s cultural beats are eclectic, relatable, yet still undeniably inflused with a warm Blackness in the most unexpected moments. There&amp;#8217;s something for the fans deep in the lore, and an easily digestable story for the more casual fans. It&amp;#8217;s far from perfect (more of that come spoiler chat time) but, The Marvels is giving the kind of fun meant to leave you enthusiastic and smiling at the end of an enjoyable ride. So, if you come away from it thinking it has a narrative problem, that’s a you problem; not an MCU problem. Listen and Kriss, Phenom and Ro discuss.  ♦♦ Director: Nia DaCosta Writers: Nia DaCosta, Megan McDonnell, Elissa Karasik Starring: Brie Larson, Teyonah Parris, Iman Vellani, Zawe Ashton, Gary Lewis, Park Seo-joon, Zenobia Shroff, Mohan Kapur, Saagar Shaikh, Samuel L. Jackson Runtime: 1 Hour 45 Minutes Synopsis: Carol Danvers gets her powers entangled with those of Kamala Khan and Monica Rambeau, forcing them to work together to save the universe. The Marvels opens in theaters worldwide on Nov. 10, 2023. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>TIFF 2023: Rustin</title>
		<link>https://www.mtrnetwork.net/toronto-film-festival-2023-rustin/</link>
		<pubDate>Wed, 01 Nov 2023 17:51:52 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[TIFF 2023]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
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		<category><![CDATA[Kriss 2023 TIFF]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>
		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: George C. Wolfe</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers: </b>Julian Breece, Dustin Lance Black</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Colman Domingo, Chris Rock, Glynn Turman, Amel Ameen, Gus Halper, Johnny Ramey, CCH Pounder</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 1 Hour 46 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: <span class="sc-466bb6c-2 chnFO" role="presentation" data-testid="plot-xl">Activist Bayard Rustin faces racism and homophobia as he helps change the course of Civil Rights history by orchestrating the 1963 March on Washington.</span></span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">If there&#8217;s one thing to take away from <em>Rustin</em> it&#8217;s that Colman Domingo was the perfect casting choice to play Civil Rights activist Bayard Rustin. For all the flaws of the movie and script (and there are many), Domingo is not one of them. If anything, his performance only serves to be a reminder of how frustrating this movie is. To have a performance like the one that Domingo puts in and then have a script that is uneven and wastes the talents of not only the lead but many of the other outstanding performers in the film is just a cardinal sin of film making.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The biggest problem with <em>Rustin</em> is that there is a fundamental identity crisis in terms of what the focus of this movie should be. Should it be more of a biopic of Bayard Rustin or should it be more about the overall Civil Rights movement, specifically how the March on Washington came about? One can feel the struggle for this film to find its purpose and the worst part is, by not picking an identity, it fails to provide enough substance on either front. <em>Rustin</em> falls into the same trap that a lot of films about Black Civil Rights icons fall into in that it provides a safe, watered down, white-critic friendly view of a subject that is not safe, is complex and in reality should make an audience feel uncomfortable. Every time it seems that <em>Rustin</em> is about to go into a subject that might be a bit more edgy, the film rushes by it in order to get to the next scene. It&#8217;s as if this film is on rails and does not want the audience to stray too far from the approved movie narrative. This not only does Colman Domingo a disservice but also great performers like Glynn Turman and CCH Pounder who do the best with the script they were given but could have done so much more. It also does a disservice to the real life heroes they are portraying.&#160;</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Rustin is worth checking out for Domingo&#8217;s performance. But its flaws also make it easily forgettable. Listen as Kriss &#38; Ro talk about Rustin and what worked/didn&#8217;t work for them.</span></p>
<p>&#160;</p>
<p style="text-align: center;"><em><strong>Watch Rustin on Netflix on November 3rd.&#160;</strong></em></p>
<hr>
<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<enclosure length="12558349" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TIFF_2023_Rustin.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/11/rustin-tiff-2023-review.jpg"/>
		<itunes:title>TIFF 2023: Rustin</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>26:55</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: George C. Wolfe Writers: Julian Breece, Dustin Lance Black Starring: Colman Domingo, Chris Rock, Glynn Turman, Amel Ameen, Gus Halper, Johnny Ramey, CCH Pounder Runtime:&amp;#160; 1 Hour 46 Minutes Synopsis: Activist Bayard Rustin faces racism and homophobia as he helps change the course of Civil Rights history by orchestrating the 1963 March on Washington. If there&amp;#8217;s one thing to take away from Rustin it&amp;#8217;s that Colman Domingo was the perfect casting choice to play Civil Rights activist Bayard Rustin. For all the flaws of the movie and script (and there are many), Domingo is not one of them. If anything, his performance only serves to be a reminder of how frustrating this movie is. To have a performance like the one that Domingo puts in and then have a script that is uneven and wastes the talents of not only the lead but many of the other outstanding performers in the film is just a cardinal sin of film making. The biggest problem with Rustin is that there is a fundamental identity crisis in terms of what the focus of this movie should be. Should it be more of a biopic of Bayard Rustin or should it be more about the overall Civil Rights movement, specifically how the March on Washington came about? One can feel the struggle for this film to find its purpose and the worst part is, by not picking an identity, it fails to provide enough substance on either front. Rustin falls into the same trap that a lot of films about Black Civil Rights icons fall into in that it provides a safe, watered down, white-critic friendly view of a subject that is not safe, is complex and in reality should make an audience feel uncomfortable. Every time it seems that Rustin is about to go into a subject that might be a bit more edgy, the film rushes by it in order to get to the next scene. It&amp;#8217;s as if this film is on rails and does not want the audience to stray too far from the approved movie narrative. This not only does Colman Domingo a disservice but also great performers like Glynn Turman and CCH Pounder who do the best with the script they were given but could have done so much more. It also does a disservice to the real life heroes they are portraying.&amp;#160; Rustin is worth checking out for Domingo&amp;#8217;s performance. But its flaws also make it easily forgettable. Listen as Kriss &amp;#38; Ro talk about Rustin and what worked/didn&amp;#8217;t work for them. &amp;#160; Watch Rustin on Netflix on November 3rd.&amp;#160; Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Director: George C. Wolfe Writers: Julian Breece, Dustin Lance Black Starring: Colman Domingo, Chris Rock, Glynn Turman, Amel Ameen, Gus Halper, Johnny Ramey, CCH Pounder Runtime:&amp;#160; 1 Hour 46 Minutes Synopsis: Activist Bayard Rustin faces racism and homophobia as he helps change the course of Civil Rights history by orchestrating the 1963 March on Washington. If there&amp;#8217;s one thing to take away from Rustin it&amp;#8217;s that Colman Domingo was the perfect casting choice to play Civil Rights activist Bayard Rustin. For all the flaws of the movie and script (and there are many), Domingo is not one of them. If anything, his performance only serves to be a reminder of how frustrating this movie is. To have a performance like the one that Domingo puts in and then have a script that is uneven and wastes the talents of not only the lead but many of the other outstanding performers in the film is just a cardinal sin of film making. The biggest problem with Rustin is that there is a fundamental identity crisis in terms of what the focus of this movie should be. Should it be more of a biopic of Bayard Rustin or should it be more about the overall Civil Rights movement, specifically how the March on Washington came about? One can feel the struggle for this film to find its purpose and the worst part is, by not picking an identity, it fails to provide enough substance on either front. Rustin falls into the same trap that a lot of films about Black Civil Rights icons fall into in that it provides a safe, watered down, white-critic friendly view of a subject that is not safe, is complex and in reality should make an audience feel uncomfortable. Every time it seems that Rustin is about to go into a subject that might be a bit more edgy, the film rushes by it in order to get to the next scene. It&amp;#8217;s as if this film is on rails and does not want the audience to stray too far from the approved movie narrative. This not only does Colman Domingo a disservice but also great performers like Glynn Turman and CCH Pounder who do the best with the script they were given but could have done so much more. It also does a disservice to the real life heroes they are portraying.&amp;#160; Rustin is worth checking out for Domingo&amp;#8217;s performance. But its flaws also make it easily forgettable. Listen as Kriss &amp;#38; Ro talk about Rustin and what worked/didn&amp;#8217;t work for them. &amp;#160; Watch Rustin on Netflix on November 3rd.&amp;#160; Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Reviews, TIFF 2023, Brandon 2023 Reviews, Kriss 2023 Reviews, Kriss 2023 TIFF, Ro 2023 Reviews, Toronto Film Festival</itunes:keywords></item>
	<item>
		<title>Movie Review: Killers of the Flower Moon</title>
		<link>https://www.mtrnetwork.net/killers-of-the-flower-moon-review/</link>
		<pubDate>Fri, 20 Oct 2023 14:00:58 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<div class="xdj266r x11i5rnm xat24cr x1mh8g0r x1vvkbs">
<div dir="auto" style="text-align: justify;"><em>Killers of the Flower Moon</em> is an incisive commentary on the ideology of &#8220;manifest destiny&#8221; in furtherence of white supermacy as justification for murder. Adapated from the 2017 nonfiction book, <em>Killers of the Flower Moon: The Osage Murders and the Birth of the FBI</em> by journalist David Grann, <em>Killers</em> pulls audiences into the heart of a plot against wealthy members of the Osage Nation in Osage County, Oklahoma. </div>
<div dir="auto"> </div>
<div dir="auto" style="text-align: justify;">The narrative of the book, however, uses the murders as a vehicle to detail how the bureau of federal investigators (FBI) came into being. Like most stories rooted in US history, and told by white American writers, its non-white actors take a back seat to the elements and aspects of the tale deemed &#8220;more fitting&#8221; to focus on. Thankfully, the story of the creation of the FBI isn&#8217;t the one that interested co-writer/director Martin Scorsese. The film shfts away from being an account told from the persepctive of one of the burea investigators, Tom White, to being a slowly unfolding murder consipriacy viewed primarily through the lens of co-conspiratior, Ernest Burkhart (DiCaprio).  It, along with the many other narrative shifts, is a wicked decision. Being forced to watch these events unfold through an utterly loathsome character leverages the tropes of the American Western into a biting commentary of how white people can justify anything &#8211; including multiple murder- to seize what they believe is their by right of desity. There are few more cutting indigments of the sense of entitlement than watching the scam unravel in real time. </div>
</div>
<div dir="auto"> </div>
<div dir="auto" style="text-align: justify;">This revisionsist western epic reinserts historical truth into a well acted, beautifully shot and paced tale that also exposes the underbelly of the criminal procedural as its third act widens the lenghts to make it clear the horrid motivations of the power hungery were in no way limited to Osage County. <em>Killers of the Flower Moon</em> is insanely well casting and beautifully acted. It&#8217;s got depth, brutal honesty, and a building tension that holds up through the end. It&#8217;s deliberately off-putting to realize the primary lens is through DiCaprio&#8217;s character but damned if that realization doesn&#8217;t balance out to a net positive for a story. It subtle but this story framing isn&#8217;t just a shift in order to focus on the white man&#8217;s life. Viwer&#8217;s are constantly left feeling some type of way every second; even to the parts where they may initially be &#8220;can&#8217;t relate&#8221; about. It&#8217;s far more thoughtful and unflinching than usual and successfully frames its narrative as a tale about the evil that white men do without infantlizing its vicitms. </div>
<div dir="auto"> </div>
<div dir="auto" style="text-align: justify;">Scorsese knew it wasn&#8217;t his place and he didn&#8217;t have the range to tell the story from an Indigenous perspective but he damn well knows how to tell a story about the evil men do in plain sight that&#8217;s beyond compelling. By staying in his narrative lane, so to speak, <em>Killers of the Flower Moon</em> draws stark comparrison how comfortable white people are with stories that stack white opinions on non-white bodies by with a tale blatantly driving the narrative through white man&#8217;s greed and insatiable sense of entitlement. Towards that end. Lily Gladstone&#8217;s portrayal of Mollie Burkart is undertstated yet evocative perfectly frames exactly how despicable everything going on around her truly is. Her calm center a perfect foil for DiCaprio&#8217;s more agitated performance as well as an riviting juxtaposistion to the insidious sevngalieque nature of DeNiro&#8217;s brilliant turn as wealthy landowner uncle William Hale. </div>
<div dir="auto"> </div>
<div dir="auto">It&#8217;s impossible to come away from <em>Killers</em> intensely engaging storytelling &#8211; that makes the most of everything Scorsese knows about building a crime thriller &#8211; without wanting more insight from the perspective of Gladeston&#8217;s Mollie. But depsite the obvious positive impact the Osage consultants had on everthing from setting, costuming, production, to dialogue, it&#8217;s clear that story belongs in the hands of an Indegious (hopefully Osage) storyteller. Plus the senstivity and nuance Gladestone exudes makes everything she pours into the part (along with everything we learn through her) hit that much harder. So I&#8217;m honestly glad they didn&#8217;t try. </div>
<div dir="auto"> </div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s">
<div dir="auto"><em>Killers of the Flower Moon</em> is some of Martin Scorsese&#8217;s best work. It&#8217;s not perfect but from the production, locations, the score, the performances and every moment of silence is powerful, purposeful and more than worth the run runtime.</div>
</div>
<div class="x11i5rnm xat24cr x1mh8g0r x1vvkbs xtlvy1s">
<div dir="auto"> </div>
</div>
<p><b>Director</b>: Martin Scorsese<br />
<b>Writers: Eric Roth, Martin Scorsese</b></p>
<p><b></b><b>Runtime</b>:  <span data-qa="movie-info-item-value"><time datetime="P3h 26mM">3h 26m</time></span></p>
<p class="p1"><b>Synopsis</b>: Set in 1920s Oklahoma, <em>Killers of the Flower Moon</em> depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror.</p>
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<p>&#160;</p>
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		<enclosure length="16394477" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Killers_of_the_Flower_Moon-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/10/killers-of-the-flower-moon-review.jpg"/>
		<itunes:title> Killers of the Flower Moon Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>34:45</itunes:duration>
		<rawvoice:pid>122270868</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Killers of the Flower Moon is an incisive commentary on the ideology of &amp;#8220;manifest destiny&amp;#8221; in furtherence of white supermacy as justification for murder. Adapated from the 2017 nonfiction book, Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by journalist David Grann, Killers pulls audiences into the heart of a plot against wealthy members of the Osage Nation in Osage County, Oklahoma.    The narrative of the book, however, uses the murders as a vehicle to detail how the bureau of federal investigators (FBI) came into being. Like most stories rooted in US history, and told by white American writers, its non-white actors take a back seat to the elements and aspects of the tale deemed &amp;#8220;more fitting&amp;#8221; to focus on. Thankfully, the story of the creation of the FBI isn&amp;#8217;t the one that interested co-writer/director Martin Scorsese. The film shfts away from being an account told from the persepctive of one of the burea investigators, Tom White, to being a slowly unfolding murder consipriacy viewed primarily through the lens of co-conspiratior, Ernest Burkhart (DiCaprio).  It, along with the many other narrative shifts, is a wicked decision. Being forced to watch these events unfold through an utterly loathsome character leverages the tropes of the American Western into a biting commentary of how white people can justify anything &amp;#8211; including multiple murder- to seize what they believe is their by right of desity. There are few more cutting indigments of the sense of entitlement than watching the scam unravel in real time.    This revisionsist western epic reinserts historical truth into a well acted, beautifully shot and paced tale that also exposes the underbelly of the criminal procedural as its third act widens the lenghts to make it clear the horrid motivations of the power hungery were in no way limited to Osage County. Killers of the Flower Moon is insanely well casting and beautifully acted. It&amp;#8217;s got depth, brutal honesty, and a building tension that holds up through the end. It&amp;#8217;s deliberately off-putting to realize the primary lens is through DiCaprio&amp;#8217;s character but damned if that realization doesn&amp;#8217;t balance out to a net positive for a story. It subtle but this story framing isn&amp;#8217;t just a shift in order to focus on the white man&amp;#8217;s life. Viwer&amp;#8217;s are constantly left feeling some type of way every second; even to the parts where they may initially be &amp;#8220;can&amp;#8217;t relate&amp;#8221; about. It&amp;#8217;s far more thoughtful and unflinching than usual and successfully frames its narrative as a tale about the evil that white men do without infantlizing its vicitms.    Scorsese knew it wasn&amp;#8217;t his place and he didn&amp;#8217;t have the range to tell the story from an Indigenous perspective but he damn well knows how to tell a story about the evil men do in plain sight that&amp;#8217;s beyond compelling. By staying in his narrative lane, so to speak, Killers of the Flower Moon draws stark comparrison how comfortable white people are with stories that stack white opinions on non-white bodies by with a tale blatantly driving the narrative through white man&amp;#8217;s greed and insatiable sense of entitlement. Towards that end. Lily Gladstone&amp;#8217;s portrayal of Mollie Burkart is undertstated yet evocative perfectly frames exactly how despicable everything going on around her truly is. Her calm center a perfect foil for DiCaprio&amp;#8217;s more agitated performance as well as an riviting juxtaposistion to the insidious sevngalieque nature of DeNiro&amp;#8217;s brilliant turn as wealthy landowner uncle William Hale.    It&amp;#8217;s impossible to come away from Killers intensely engaging storytelling &amp;#8211; that makes the most of everything Scorsese knows about building a crime thriller &amp;#8211; without wanting more insight from the perspective of Gladeston&amp;#8217;s Mollie. But depsite the obvious positive impact the Osage consultants had on everthing from setting, costuming, production, to dialogue, it&amp;#8217;s clear that story belongs in the hands of an Indegious (hopefully Osage) storyteller. Plus the senstivity and nuance Gladestone exudes makes everything she pours into the part (along with everything we learn through her) hit that much harder. So I&amp;#8217;m honestly glad they didn&amp;#8217;t try.    Killers of the Flower Moon is some of Martin Scorsese&amp;#8217;s best work. It&amp;#8217;s not perfect but from the production, locations, the score, the performances and every moment of silence is powerful, purposeful and more than worth the run runtime.   Director: Martin Scorsese Writers: Eric Roth, Martin Scorsese Runtime:  3h 26m Synopsis: Set in 1920s Oklahoma, Killers of the Flower Moon depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Killers of the Flower Moon is an incisive commentary on the ideology of &amp;#8220;manifest destiny&amp;#8221; in furtherence of white supermacy as justification for murder. Adapated from the 2017 nonfiction book, Killers of the Flower Moon: The Osage Murders and the Birth of the FBI by journalist David Grann, Killers pulls audiences into the heart of a plot against wealthy members of the Osage Nation in Osage County, Oklahoma.    The narrative of the book, however, uses the murders as a vehicle to detail how the bureau of federal investigators (FBI) came into being. Like most stories rooted in US history, and told by white American writers, its non-white actors take a back seat to the elements and aspects of the tale deemed &amp;#8220;more fitting&amp;#8221; to focus on. Thankfully, the story of the creation of the FBI isn&amp;#8217;t the one that interested co-writer/director Martin Scorsese. The film shfts away from being an account told from the persepctive of one of the burea investigators, Tom White, to being a slowly unfolding murder consipriacy viewed primarily through the lens of co-conspiratior, Ernest Burkhart (DiCaprio).  It, along with the many other narrative shifts, is a wicked decision. Being forced to watch these events unfold through an utterly loathsome character leverages the tropes of the American Western into a biting commentary of how white people can justify anything &amp;#8211; including multiple murder- to seize what they believe is their by right of desity. There are few more cutting indigments of the sense of entitlement than watching the scam unravel in real time.    This revisionsist western epic reinserts historical truth into a well acted, beautifully shot and paced tale that also exposes the underbelly of the criminal procedural as its third act widens the lenghts to make it clear the horrid motivations of the power hungery were in no way limited to Osage County. Killers of the Flower Moon is insanely well casting and beautifully acted. It&amp;#8217;s got depth, brutal honesty, and a building tension that holds up through the end. It&amp;#8217;s deliberately off-putting to realize the primary lens is through DiCaprio&amp;#8217;s character but damned if that realization doesn&amp;#8217;t balance out to a net positive for a story. It subtle but this story framing isn&amp;#8217;t just a shift in order to focus on the white man&amp;#8217;s life. Viwer&amp;#8217;s are constantly left feeling some type of way every second; even to the parts where they may initially be &amp;#8220;can&amp;#8217;t relate&amp;#8221; about. It&amp;#8217;s far more thoughtful and unflinching than usual and successfully frames its narrative as a tale about the evil that white men do without infantlizing its vicitms.    Scorsese knew it wasn&amp;#8217;t his place and he didn&amp;#8217;t have the range to tell the story from an Indigenous perspective but he damn well knows how to tell a story about the evil men do in plain sight that&amp;#8217;s beyond compelling. By staying in his narrative lane, so to speak, Killers of the Flower Moon draws stark comparrison how comfortable white people are with stories that stack white opinions on non-white bodies by with a tale blatantly driving the narrative through white man&amp;#8217;s greed and insatiable sense of entitlement. Towards that end. Lily Gladstone&amp;#8217;s portrayal of Mollie Burkart is undertstated yet evocative perfectly frames exactly how despicable everything going on around her truly is. Her calm center a perfect foil for DiCaprio&amp;#8217;s more agitated performance as well as an riviting juxtaposistion to the insidious sevngalieque nature of DeNiro&amp;#8217;s brilliant turn as wealthy landowner uncle William Hale.    It&amp;#8217;s impossible to come away from Killers intensely engaging storytelling &amp;#8211; that makes the most of everything Scorsese knows about building a crime thriller &amp;#8211; without wanting more insight from the perspective of Gladeston&amp;#8217;s Mollie. But depsite the obvious positive impact the Osage consultants had on everthing from setting, costuming, production, to dialogue, it&amp;#8217;s clear that story belongs in the hands of an Indegious (hopefully Osage) storyteller. Plus the senstivity and nuance Gladestone exudes makes everything she pours into the part (along with everything we learn through her) hit that much harder. So I&amp;#8217;m honestly glad they didn&amp;#8217;t try.    Killers of the Flower Moon is some of Martin Scorsese&amp;#8217;s best work. It&amp;#8217;s not perfect but from the production, locations, the score, the performances and every moment of silence is powerful, purposeful and more than worth the run runtime.   Director: Martin Scorsese Writers: Eric Roth, Martin Scorsese Runtime:  3h 26m Synopsis: Set in 1920s Oklahoma, Killers of the Flower Moon depicts the serial murder of members of the oil-wealthy Osage Nation, a string of brutal crimes that came to be known as the Reign of Terror. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>TIFF 2023: The Holdovers</title>
		<link>https://www.mtrnetwork.net/tiff-2023-the-holdovers-review/</link>
		<pubDate>Fri, 20 Oct 2023 12:08:00 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539570</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[TIFF 2023]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
		<category><![CDATA[Kriss 2023 Reviews]]></category>
		<category><![CDATA[Kriss 2023 TIFF]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<category><![CDATA[Toronto Film Festival]]></category>
		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Alexander Payne</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers: </b>David Hemingson</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Paul Giamatti, Dominic Sessa, Da&#8217;Vine Joy Randolph</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 13 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>:&#160;</span></p>
<div style="text-align: left;">
<div class="style__mainWrapper___pl0k7">
<div class="style__pitch___1Y9G1 charlie">
<p style="padding-left: 40px;"><em><strong>Paul Giamatti stars in Alexander Payne’s latest about the bond that forms between a strict professor and a belligerent student he’s stuck supervising over the winter holiday at an elite boarding school.</strong></em></p>
<p style="padding-left: 40px;"><em>Barton men don’t lie. This is just one of the many rules Professor Hunham (Paul Giamatti) takes much too seriously as he hands out poor grades at an elite boarding school in 1971. As he dismisses the politics that come along with educating the children of people in high places, he’s punished by the headmaster who gives him a most undesirable assignment for the winter break: to stay at the school and supervise the students who are unable to go home.</em></p>
<p style="padding-left: 40px;"><em>Hunham resolves to have the students suffer with him, forcing them to start studying next semester’s curriculum ahead of time. Among them, 15-year-old Angus (Dominic Sessa), bright but belligerent, makes a ruckus. Teacher and student become foes, antagonizing one another and tiring themselves out, as Mary (Da’Vine Joy Randolph), the school cafeteria manager, observes from the sidelines, herself alone after recently losing her son in the Vietnam War. As the petulant pair succumb to the depressing truth that they’ve got little else but each other this holiday season, Professor Hunham starts to soften up and they begin to see themselves in one another.</em></p>
<p style="padding-left: 40px;"><em>Giamatti gives a career-high performance as the risible teacher who delights in doling out punishment, while newcomer Sessa makes an immediate name for himself, revealing layers of complexity to his character’s rebellious nature. With&#160;The Holdovers, director Alexander Payne (Downsizing, TIFF ’17) makes a delicate point about how a first impression never tells the whole truth and shows that the pains and tragedies that feel specific to us actually make us a lot more alike than unalike.</em></p>
</div>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The Holdovers is one of those fun, throwback films that manages to remind us of one of those Christmas films from the 80&#8217;s (set in the 70&#8217;s) but still has more modern sensibilities. On the surface, it would look like your typical &#8220;Teacher stuck with a rebellious teenage and they bond and learn more about each other as their misadventures go on&#8221; but there&#8217;s a lot more to The Holdovers. This is really a film about the masks people wear to prevent people from getting too close. The way that people sometimes retreat into their own heads in order to not confront those things that really trouble and scare them. </span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The three main actors/actresses of The Holdovers also form a really great ensemble that plays extremely well off of each other. This is an example of the classic &#8220;Don&#8217;t judge a book by its cover&#8221;. None of the characters behave how you would think after first meeting them and that also adds to how enjoyable this film is. Paul Giamatti continues to show how he is such a versatile actor who can take on any challenge presented to him. Initially he comes off as just your stereotypical hardass of a teacher that believes in following the rules over everything but as the film goes on you start seeing there&#8217;s much more to who he is and why he is the way he is. Dominic Sessa plays the spoiled, asshole kid to perfection but also the audience realizes fairly quickly there&#8217;s a lot more to what is behind his behavior. It&#8217;s not revealed until much later in the film and when it does, it&#8217;s absolutely heartbreaking. The true glue that brings this film together is Da&#8217;Vine Joy Randolph. Lesser films would have made Mary&#8217;s character an afterthought and not given her a solid arc. Instead, The Holdovers recognizes her importance to bridging the gap between Hunham and Agnus but also allows her to go on her own journey with grief and loss.&#160;</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The Holdovers is an enjoyable surprise that will definitely hit the right emotional buttons for the holidays. </span><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Listen as Kriss and the crew talk about The Holdovers.</span></p>
</div>
<p style="text-align: center;"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><em><strong>The Holdovers opened wide on October 27th</strong></em></span></p>
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<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<enclosure length="10499149" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TIFF_2023_The_Holdovers.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/the-holdovers-tiff-2023.jpg"/>
		<itunes:title>TIFF 2023: The Holdovers</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>22:22</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Alexander Payne Writers: David Hemingson Starring: Paul Giamatti, Dominic Sessa, Da&amp;#8217;Vine Joy Randolph Runtime:&amp;#160; 2 Hour 13 Minutes Synopsis:&amp;#160; Paul Giamatti stars in Alexander Payne’s latest about the bond that forms between a strict professor and a belligerent student he’s stuck supervising over the winter holiday at an elite boarding school. Barton men don’t lie. This is just one of the many rules Professor Hunham (Paul Giamatti) takes much too seriously as he hands out poor grades at an elite boarding school in 1971. As he dismisses the politics that come along with educating the children of people in high places, he’s punished by the headmaster who gives him a most undesirable assignment for the winter break: to stay at the school and supervise the students who are unable to go home. Hunham resolves to have the students suffer with him, forcing them to start studying next semester’s curriculum ahead of time. Among them, 15-year-old Angus (Dominic Sessa), bright but belligerent, makes a ruckus. Teacher and student become foes, antagonizing one another and tiring themselves out, as Mary (Da’Vine Joy Randolph), the school cafeteria manager, observes from the sidelines, herself alone after recently losing her son in the Vietnam War. As the petulant pair succumb to the depressing truth that they’ve got little else but each other this holiday season, Professor Hunham starts to soften up and they begin to see themselves in one another. Giamatti gives a career-high performance as the risible teacher who delights in doling out punishment, while newcomer Sessa makes an immediate name for himself, revealing layers of complexity to his character’s rebellious nature. With&amp;#160;The Holdovers, director Alexander Payne (Downsizing, TIFF ’17) makes a delicate point about how a first impression never tells the whole truth and shows that the pains and tragedies that feel specific to us actually make us a lot more alike than unalike. The Holdovers is one of those fun, throwback films that manages to remind us of one of those Christmas films from the 80&amp;#8217;s (set in the 70&amp;#8217;s) but still has more modern sensibilities. On the surface, it would look like your typical &amp;#8220;Teacher stuck with a rebellious teenage and they bond and learn more about each other as their misadventures go on&amp;#8221; but there&amp;#8217;s a lot more to The Holdovers. This is really a film about the masks people wear to prevent people from getting too close. The way that people sometimes retreat into their own heads in order to not confront those things that really trouble and scare them. The three main actors/actresses of The Holdovers also form a really great ensemble that plays extremely well off of each other. This is an example of the classic &amp;#8220;Don&amp;#8217;t judge a book by its cover&amp;#8221;. None of the characters behave how you would think after first meeting them and that also adds to how enjoyable this film is. Paul Giamatti continues to show how he is such a versatile actor who can take on any challenge presented to him. Initially he comes off as just your stereotypical hardass of a teacher that believes in following the rules over everything but as the film goes on you start seeing there&amp;#8217;s much more to who he is and why he is the way he is. Dominic Sessa plays the spoiled, asshole kid to perfection but also the audience realizes fairly quickly there&amp;#8217;s a lot more to what is behind his behavior. It&amp;#8217;s not revealed until much later in the film and when it does, it&amp;#8217;s absolutely heartbreaking. The true glue that brings this film together is Da&amp;#8217;Vine Joy Randolph. Lesser films would have made Mary&amp;#8217;s character an afterthought and not given her a solid arc. Instead, The Holdovers recognizes her importance to bridging the gap between Hunham and Agnus but also allows her to go on her own journey with grief and loss.&amp;#160; The Holdovers is an enjoyable surprise that will definitely hit the right emotional buttons for the holidays. Listen as Kriss and the crew talk about The Holdovers. The Holdovers opened wide on October 27th Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Director: Alexander Payne Writers: David Hemingson Starring: Paul Giamatti, Dominic Sessa, Da&amp;#8217;Vine Joy Randolph Runtime:&amp;#160; 2 Hour 13 Minutes Synopsis:&amp;#160; Paul Giamatti stars in Alexander Payne’s latest about the bond that forms between a strict professor and a belligerent student he’s stuck supervising over the winter holiday at an elite boarding school. Barton men don’t lie. This is just one of the many rules Professor Hunham (Paul Giamatti) takes much too seriously as he hands out poor grades at an elite boarding school in 1971. As he dismisses the politics that come along with educating the children of people in high places, he’s punished by the headmaster who gives him a most undesirable assignment for the winter break: to stay at the school and supervise the students who are unable to go home. Hunham resolves to have the students suffer with him, forcing them to start studying next semester’s curriculum ahead of time. Among them, 15-year-old Angus (Dominic Sessa), bright but belligerent, makes a ruckus. Teacher and student become foes, antagonizing one another and tiring themselves out, as Mary (Da’Vine Joy Randolph), the school cafeteria manager, observes from the sidelines, herself alone after recently losing her son in the Vietnam War. As the petulant pair succumb to the depressing truth that they’ve got little else but each other this holiday season, Professor Hunham starts to soften up and they begin to see themselves in one another. Giamatti gives a career-high performance as the risible teacher who delights in doling out punishment, while newcomer Sessa makes an immediate name for himself, revealing layers of complexity to his character’s rebellious nature. With&amp;#160;The Holdovers, director Alexander Payne (Downsizing, TIFF ’17) makes a delicate point about how a first impression never tells the whole truth and shows that the pains and tragedies that feel specific to us actually make us a lot more alike than unalike. The Holdovers is one of those fun, throwback films that manages to remind us of one of those Christmas films from the 80&amp;#8217;s (set in the 70&amp;#8217;s) but still has more modern sensibilities. On the surface, it would look like your typical &amp;#8220;Teacher stuck with a rebellious teenage and they bond and learn more about each other as their misadventures go on&amp;#8221; but there&amp;#8217;s a lot more to The Holdovers. This is really a film about the masks people wear to prevent people from getting too close. The way that people sometimes retreat into their own heads in order to not confront those things that really trouble and scare them. The three main actors/actresses of The Holdovers also form a really great ensemble that plays extremely well off of each other. This is an example of the classic &amp;#8220;Don&amp;#8217;t judge a book by its cover&amp;#8221;. None of the characters behave how you would think after first meeting them and that also adds to how enjoyable this film is. Paul Giamatti continues to show how he is such a versatile actor who can take on any challenge presented to him. Initially he comes off as just your stereotypical hardass of a teacher that believes in following the rules over everything but as the film goes on you start seeing there&amp;#8217;s much more to who he is and why he is the way he is. Dominic Sessa plays the spoiled, asshole kid to perfection but also the audience realizes fairly quickly there&amp;#8217;s a lot more to what is behind his behavior. It&amp;#8217;s not revealed until much later in the film and when it does, it&amp;#8217;s absolutely heartbreaking. The true glue that brings this film together is Da&amp;#8217;Vine Joy Randolph. Lesser films would have made Mary&amp;#8217;s character an afterthought and not given her a solid arc. Instead, The Holdovers recognizes her importance to bridging the gap between Hunham and Agnus but also allows her to go on her own journey with grief and loss.&amp;#160; The Holdovers is an enjoyable surprise that will definitely hit the right emotional buttons for the holidays. Listen as Kriss and the crew talk about The Holdovers. The Holdovers opened wide on October 27th Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Trailer Reviews, TIFF 2023, Brandon 2023 Reviews, Kriss 2023 Reviews, Kriss 2023 TIFF, Ro 2023 Reviews, Toronto Film Festival</itunes:keywords></item>
	<item>
		<title>Movie Review: The Exorcist Believer</title>
		<link>https://www.mtrnetwork.net/the-exorcist-believer-review/</link>
		<pubDate>Fri, 06 Oct 2023 19:35:05 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: David Gordon Green</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers: </b>Peter Sattler, David Gordon Green, Scott Teems</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Leslie Odom Jr, Tracey Graves, Lidya Jewett, Danny McCarthy, Ann Dowd</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 Hour 51 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: When two girls disappear into the woods and return three days later with no memory of what happened to them, the father of one girl seeks out Chris MacNeil, who&#8217;s been forever altered by what happened to her daughter fifty years ago.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The crew review The Exorcist: Believer.&#160;</span></p>
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		<enclosure length="9052286" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Exorcist_Believer-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/10/the-exorcist-believer-review.jpg"/>
		<itunes:title>The Exorcist Believer Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>19:06</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: David Gordon Green Writers: Peter Sattler, David Gordon Green, Scott Teems Starring: Leslie Odom Jr, Tracey Graves, Lidya Jewett, Danny McCarthy, Ann Dowd Runtime: 1 Hour 51 Minutes Synopsis: When two girls disappear into the woods and return three days later with no memory of what happened to them, the father of one girl seeks out Chris MacNeil, who&amp;#8217;s been forever altered by what happened to her daughter fifty years ago. The crew review The Exorcist: Believer.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: David Gordon Green Writers: Peter Sattler, David Gordon Green, Scott Teems Starring: Leslie Odom Jr, Tracey Graves, Lidya Jewett, Danny McCarthy, Ann Dowd Runtime: 1 Hour 51 Minutes Synopsis: When two girls disappear into the woods and return three days later with no memory of what happened to them, the father of one girl seeks out Chris MacNeil, who&amp;#8217;s been forever altered by what happened to her daughter fifty years ago. The crew review The Exorcist: Believer.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>TIFF 2023: Anatomy of a Fall</title>
		<link>https://www.mtrnetwork.net/toronto-film-festival-2023-anatomy-of-a-fall/</link>
		<pubDate>Sat, 30 Sep 2023 11:14:04 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Justine Triet</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Justine Triet, Arthur Harari</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Sandra Hüller, Samuel Theis, Swann Arlaud, Milo Machado Graner</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 2 Hour 31 Minutes</span></p>
<p class="p1"><b>Synopsis</b>:&#160;</p>
<p style="padding-left: 40px;"><em>The much-lauded winner of this year’s Palme d’Or, Justine Triet’s fourth feature has cemented her status as one of today’s great filmmaking talents. Unfolding over two-and-a-half hours like a compulsively readable novel, the riveting&#160;Anatomy of a Fall&#160;is both a dissection of an intimate relationship and of the judiciary process.</em></p>
<p style="padding-left: 40px;"><em>Sandra (a ferocious, magnetic, and edgy Sandra Hüller, also at the Festival in Jonathan Glazer’s&#160;The Zone of Interest) is a successful German writer who lives in the French Alps with her husband Samuel (Samuel Theis) and their visually impaired son Daniel (Milo Machado Graner). A brilliant, decibel-bursting opening scene suggests tensions in their isolated chalet, so when Samuel is discovered dead in the snow beneath one of their windows, suspicion is quickly aroused. Did he take his own life, or was he pushed to his death? When the investigation proves to be inconclusive — its varying angles hinting at the microscopic examination to come — Sandra is ultimately indicted and put on trial.</em></p>
<p style="padding-left: 40px;"><em>A captivating and sharply directed, written, and acted courtroom procedural,&#160;Anatomy of a Fall&#160;also functions like a trenchant autopsy of confirmation bias and ambiguity itself, with the court an operatic arena in which every gesture, word, and past interaction are ripe for judgment. As scrutiny turns to Sandra’s complex character and her tumultuous relationship with Samuel — their artistic rivalries, romantic jealousies, and contempt — the couple’s young son becomes the key witness.</em></p>
<p style="padding-left: 40px;"><em>Taut, suspenseful, and thrilling until the final moment,&#160;Anatomy of a Fall&#160;progresses like a heady puzzle that tackles the messiness of existence and the often-elusive nature of truth itself.</em></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Anatomy of a Fall is one of those International films that actually feels even better if you watch it&#160; as a foreigner. There&#8217;s something about watching a court room drama from another country from the perspective of a foreigner with no sense of the criminal justice system in that country. In this film in particular, its jarring to see how the prosecutors and judge hound Sandra (Sandra Hüller) as the accused. What makes a good court room dramas work is its ability to pull the audience into the situation. Anatomy of a Fall takes it a step further and even adds in whodunit elements to have the audience completely guessing as to if Sandra is guilty or not. It&#8217;s as if the film treats the audience as the traditional jury and each scene is laid out as a way for either the defense or prosecution to present their case in order to sway the jury. Where Anatomy of a Fall succeeds where other films fail is that at no point does it take the audience for granted and what&#8217;s presented never feels like an empty red heron. Witnesses make mistakes. Scenarios seem implausible but not impossible, leaving room for doubt.</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Director Justine Triet does a brilliant job of pulling the audience into the situation of this movie and making them FEEL the tension and environment. If you already didn&#8217;t have strong negative feelings about rapper 50 Cent&#8217;s song P.I.M.P, then you will probably dread/hate the song after. The obnoxious use of the song by the victim (Sandra&#8217;s husband) is enough to drive the audience crazy. It&#8217;s not really a downside though as it&#8217;s clearly done on purpose. The whole point is to pull the audience into the moment and start thinking things like &#8220;Maybe Sandra did it because of how annoying he is&#8221; and &#8220;She has to be lying when she says the song didn&#8217;t annoy her because it&#8217;s annoying me&#8221;.&#160;</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Anatomy of a Fall is definitely well worth the watch. The drama and tension leads right up through the end of the film and will leave audiences engaged the entire time.</span></p>
<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>Listen as Kriss is joined by the Review Crew to talk about this film. Anatomy of a Fall showed at the Toronto Film Festival 2023 and has been selected by France to represent the country in the Best International Film category at the 96th Academy Awards.</strong></span></p>
<hr>
<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<enclosure length="13795064" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TIFF_2023_Anatomy_of_a_Fall.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/12/anatomy-of-a-fall-tiff-2023.jpg"/>
		<itunes:title>TIFF 2023: Anatomy of a Fall</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>29:36</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Justine Triet Writers:&amp;#160;Justine Triet, Arthur Harari Starring: Sandra Hüller, Samuel Theis, Swann Arlaud, Milo Machado Graner Runtime:&amp;#160; 2 Hour 31 Minutes Synopsis:&amp;#160; The much-lauded winner of this year’s Palme d’Or, Justine Triet’s fourth feature has cemented her status as one of today’s great filmmaking talents. Unfolding over two-and-a-half hours like a compulsively readable novel, the riveting&amp;#160;Anatomy of a Fall&amp;#160;is both a dissection of an intimate relationship and of the judiciary process. Sandra (a ferocious, magnetic, and edgy Sandra Hüller, also at the Festival in Jonathan Glazer’s&amp;#160;The Zone of Interest) is a successful German writer who lives in the French Alps with her husband Samuel (Samuel Theis) and their visually impaired son Daniel (Milo Machado Graner). A brilliant, decibel-bursting opening scene suggests tensions in their isolated chalet, so when Samuel is discovered dead in the snow beneath one of their windows, suspicion is quickly aroused. Did he take his own life, or was he pushed to his death? When the investigation proves to be inconclusive — its varying angles hinting at the microscopic examination to come — Sandra is ultimately indicted and put on trial. A captivating and sharply directed, written, and acted courtroom procedural,&amp;#160;Anatomy of a Fall&amp;#160;also functions like a trenchant autopsy of confirmation bias and ambiguity itself, with the court an operatic arena in which every gesture, word, and past interaction are ripe for judgment. As scrutiny turns to Sandra’s complex character and her tumultuous relationship with Samuel — their artistic rivalries, romantic jealousies, and contempt — the couple’s young son becomes the key witness. Taut, suspenseful, and thrilling until the final moment,&amp;#160;Anatomy of a Fall&amp;#160;progresses like a heady puzzle that tackles the messiness of existence and the often-elusive nature of truth itself. Anatomy of a Fall is one of those International films that actually feels even better if you watch it&amp;#160; as a foreigner. There&amp;#8217;s something about watching a court room drama from another country from the perspective of a foreigner with no sense of the criminal justice system in that country. In this film in particular, its jarring to see how the prosecutors and judge hound Sandra (Sandra Hüller) as the accused. What makes a good court room dramas work is its ability to pull the audience into the situation. Anatomy of a Fall takes it a step further and even adds in whodunit elements to have the audience completely guessing as to if Sandra is guilty or not. It&amp;#8217;s as if the film treats the audience as the traditional jury and each scene is laid out as a way for either the defense or prosecution to present their case in order to sway the jury. Where Anatomy of a Fall succeeds where other films fail is that at no point does it take the audience for granted and what&amp;#8217;s presented never feels like an empty red heron. Witnesses make mistakes. Scenarios seem implausible but not impossible, leaving room for doubt. Director Justine Triet does a brilliant job of pulling the audience into the situation of this movie and making them FEEL the tension and environment. If you already didn&amp;#8217;t have strong negative feelings about rapper 50 Cent&amp;#8217;s song P.I.M.P, then you will probably dread/hate the song after. The obnoxious use of the song by the victim (Sandra&amp;#8217;s husband) is enough to drive the audience crazy. It&amp;#8217;s not really a downside though as it&amp;#8217;s clearly done on purpose. The whole point is to pull the audience into the moment and start thinking things like &amp;#8220;Maybe Sandra did it because of how annoying he is&amp;#8221; and &amp;#8220;She has to be lying when she says the song didn&amp;#8217;t annoy her because it&amp;#8217;s annoying me&amp;#8221;.&amp;#160; Anatomy of a Fall is definitely well worth the watch. The drama and tension leads right up through the end of the film and will leave audiences engaged the entire time. Listen as Kriss is joined by the Review Crew to talk about this film. Anatomy of a Fall showed at the Toronto Film Festival 2023 and has been selected by France to represent the country in the Best International Film category at the 96th Academy Awards. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Director: Justine Triet Writers:&amp;#160;Justine Triet, Arthur Harari Starring: Sandra Hüller, Samuel Theis, Swann Arlaud, Milo Machado Graner Runtime:&amp;#160; 2 Hour 31 Minutes Synopsis:&amp;#160; The much-lauded winner of this year’s Palme d’Or, Justine Triet’s fourth feature has cemented her status as one of today’s great filmmaking talents. Unfolding over two-and-a-half hours like a compulsively readable novel, the riveting&amp;#160;Anatomy of a Fall&amp;#160;is both a dissection of an intimate relationship and of the judiciary process. Sandra (a ferocious, magnetic, and edgy Sandra Hüller, also at the Festival in Jonathan Glazer’s&amp;#160;The Zone of Interest) is a successful German writer who lives in the French Alps with her husband Samuel (Samuel Theis) and their visually impaired son Daniel (Milo Machado Graner). A brilliant, decibel-bursting opening scene suggests tensions in their isolated chalet, so when Samuel is discovered dead in the snow beneath one of their windows, suspicion is quickly aroused. Did he take his own life, or was he pushed to his death? When the investigation proves to be inconclusive — its varying angles hinting at the microscopic examination to come — Sandra is ultimately indicted and put on trial. A captivating and sharply directed, written, and acted courtroom procedural,&amp;#160;Anatomy of a Fall&amp;#160;also functions like a trenchant autopsy of confirmation bias and ambiguity itself, with the court an operatic arena in which every gesture, word, and past interaction are ripe for judgment. As scrutiny turns to Sandra’s complex character and her tumultuous relationship with Samuel — their artistic rivalries, romantic jealousies, and contempt — the couple’s young son becomes the key witness. Taut, suspenseful, and thrilling until the final moment,&amp;#160;Anatomy of a Fall&amp;#160;progresses like a heady puzzle that tackles the messiness of existence and the often-elusive nature of truth itself. Anatomy of a Fall is one of those International films that actually feels even better if you watch it&amp;#160; as a foreigner. There&amp;#8217;s something about watching a court room drama from another country from the perspective of a foreigner with no sense of the criminal justice system in that country. In this film in particular, its jarring to see how the prosecutors and judge hound Sandra (Sandra Hüller) as the accused. What makes a good court room dramas work is its ability to pull the audience into the situation. Anatomy of a Fall takes it a step further and even adds in whodunit elements to have the audience completely guessing as to if Sandra is guilty or not. It&amp;#8217;s as if the film treats the audience as the traditional jury and each scene is laid out as a way for either the defense or prosecution to present their case in order to sway the jury. Where Anatomy of a Fall succeeds where other films fail is that at no point does it take the audience for granted and what&amp;#8217;s presented never feels like an empty red heron. Witnesses make mistakes. Scenarios seem implausible but not impossible, leaving room for doubt. Director Justine Triet does a brilliant job of pulling the audience into the situation of this movie and making them FEEL the tension and environment. If you already didn&amp;#8217;t have strong negative feelings about rapper 50 Cent&amp;#8217;s song P.I.M.P, then you will probably dread/hate the song after. The obnoxious use of the song by the victim (Sandra&amp;#8217;s husband) is enough to drive the audience crazy. It&amp;#8217;s not really a downside though as it&amp;#8217;s clearly done on purpose. The whole point is to pull the audience into the moment and start thinking things like &amp;#8220;Maybe Sandra did it because of how annoying he is&amp;#8221; and &amp;#8220;She has to be lying when she says the song didn&amp;#8217;t annoy her because it&amp;#8217;s annoying me&amp;#8221;.&amp;#160; Anatomy of a Fall is definitely well worth the watch. The drama and tension leads right up through the end of the film and will leave audiences engaged the entire time. Listen as Kriss is joined by the Review Crew to talk about this film. Anatomy of a Fall showed at the Toronto Film Festival 2023 and has been selected by France to represent the country in the Best International Film category at the 96th Academy Awards. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Reviews, TIFF 2023, Brandon 2023 Reviews, Kriss 2023 Reviews, Kriss 2023 TIFF, Toronto Film Festival</itunes:keywords></item>
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		<title>Movie Review: The Creator</title>
		<link>https://www.mtrnetwork.net/the-creator-review/</link>
		<pubDate>Fri, 29 Sep 2023 10:38:55 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539387</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Director</b>: Gareth Edwards</span><br />
<span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Writers: </b>Gareth Edwards, Chris Weitz</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Starring</b>: John David Washington, Gemma Chan, Madeleine Yuna Voyles, Ken Watanabe, Sturgill Simpson</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Runtime</b>:&#160; 2 Hour 13 Minutes</span></p>
<p class="p1"><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><b>Synopsis</b>: Against the backdrop of a war between humans and robots with artificial intelligence, a former soldier finds the secret weapon, a robot in the form of a young child.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">The crew talks about Gareth Edwards&#8217; The Creator. Looking past the AI propaganda that this film is (have we learned nothing?), this is a decent enough film that approaches the cusp of greatness. There is the story that Edwards told and then there&#8217;s the story that&#8217;s right below the surface that would have made this film great. It&#8217;s still a beautiful film with an engaging enough story. It&#8217;s just a bit disappointing it didn&#8217;t go all the way.&#160;</span></p>
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		<enclosure length="15582195" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Creator-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/09/the-creator-review.jpg"/>
		<itunes:title>The Creator Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>33:21</itunes:duration>
		<rawvoice:pid>119011590</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Gareth Edwards Writers: Gareth Edwards, Chris Weitz Starring: John David Washington, Gemma Chan, Madeleine Yuna Voyles, Ken Watanabe, Sturgill Simpson Runtime:&amp;#160; 2 Hour 13 Minutes Synopsis: Against the backdrop of a war between humans and robots with artificial intelligence, a former soldier finds the secret weapon, a robot in the form of a young child. The crew talks about Gareth Edwards&amp;#8217; The Creator. Looking past the AI propaganda that this film is (have we learned nothing?), this is a decent enough film that approaches the cusp of greatness. There is the story that Edwards told and then there&amp;#8217;s the story that&amp;#8217;s right below the surface that would have made this film great. It&amp;#8217;s still a beautiful film with an engaging enough story. It&amp;#8217;s just a bit disappointing it didn&amp;#8217;t go all the way.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Gareth Edwards Writers: Gareth Edwards, Chris Weitz Starring: John David Washington, Gemma Chan, Madeleine Yuna Voyles, Ken Watanabe, Sturgill Simpson Runtime:&amp;#160; 2 Hour 13 Minutes Synopsis: Against the backdrop of a war between humans and robots with artificial intelligence, a former soldier finds the secret weapon, a robot in the form of a young child. The crew talks about Gareth Edwards&amp;#8217; The Creator. Looking past the AI propaganda that this film is (have we learned nothing?), this is a decent enough film that approaches the cusp of greatness. There is the story that Edwards told and then there&amp;#8217;s the story that&amp;#8217;s right below the surface that would have made this film great. It&amp;#8217;s still a beautiful film with an engaging enough story. It&amp;#8217;s just a bit disappointing it didn&amp;#8217;t go all the way.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>TIFF 2023: Dumb Money</title>
		<link>https://www.mtrnetwork.net/toronto-film-festival-2023-dumb-money/</link>
		<pubDate>Sun, 17 Sep 2023 16:18:40 +0000</pubDate>
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		<category><![CDATA[Movie Reviews]]></category>
		<category><![CDATA[TIFF 2023]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Craig Gillespie</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Lauren Schuker Blum, Rebecca Angelo, Ben Mezrich</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Paul Dano, Pete Davidson, Vincent D&#8217;Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Seth Rogen, Sebastian Stan</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 Hour 44 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Dumb Money is the ultimate David vs. Goliath tale, based on the insane true story of everyday people who flipped the script on Wall Street and got rich by turning GameStop (yes, the mall videogame store) into the world&#8217;s hottest company.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Craig Gillespie&#8217;s Dumb Money, is an entertaining yet hollow look at the events that unfolded when GameStop became the stock of Wall Street. On the surface, all of the pieces are there. The cast is extremely solid. Paul Dano plays a very engaging Keith Gill who can draw the audience into this &#8220;David vs Goliath&#8221; tale. He plays the underdog well, particularly against Offerman, Rogen and Stan who all play the stereotypical Wall Street asshole perfectly. This is what makes this film work as an entertainment piece. If the purpose is to just view this as a dumbed down, simple, David vs Goliath style tale then it does it&#8217;s job. The problem is that the real story behind GameStop, meme stocks &#38; Reddit is a far more complex and complicated tale that just doesn&#8217;t get told here.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Since this film is more interested in being a black &#38; white, good versus evil type of tale, it doesn&#8217;t reveal just how many people (non-wall street people) also ended up losing a lot of money because of this. On the flip side, it made it seem like the hedge funds lost but in reality, they didn&#8217;t and most of those rich people stayed rich. It also skips over the toxic nature of the Wallstreet Bets subreddit and how Gill might not have been the perfect, guy with clean hands in all of this. There&#8217;s also no connection into other memestocks, the move into NFTs and other things that also started to trend after. Now to be fair, there&#8217;s probably no way this film could have gone into all of that. But on the other hand, an Adam McKay film probably would have or at least attempted to.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Judging this film as a singular entertainment piece with no larger purpose, the film will work for audiences enough to be entertaining. But there won&#8217;t be any larger discussions or even lasting memories from it. Which is unfortunate because it definitely has the cast to be a more memorable film.</span></p>
<hr>
<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<enclosure length="14686852" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TIFF_2023_Dumb_Money.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/09/dumb-money-review.jpg"/>
		<itunes:title>TIFF 2023: Dumb Money</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:27</itunes:duration>
		<rawvoice:pid>118821381</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Craig Gillespie Writers:&amp;#160;Lauren Schuker Blum, Rebecca Angelo, Ben Mezrich Starring: Paul Dano, Pete Davidson, Vincent D&amp;#8217;Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Seth Rogen, Sebastian Stan Runtime: 1 Hour 44 Minutes Synopsis: Dumb Money is the ultimate David vs. Goliath tale, based on the insane true story of everyday people who flipped the script on Wall Street and got rich by turning GameStop (yes, the mall videogame store) into the world&amp;#8217;s hottest company. Craig Gillespie&amp;#8217;s Dumb Money, is an entertaining yet hollow look at the events that unfolded when GameStop became the stock of Wall Street. On the surface, all of the pieces are there. The cast is extremely solid. Paul Dano plays a very engaging Keith Gill who can draw the audience into this &amp;#8220;David vs Goliath&amp;#8221; tale. He plays the underdog well, particularly against Offerman, Rogen and Stan who all play the stereotypical Wall Street asshole perfectly. This is what makes this film work as an entertainment piece. If the purpose is to just view this as a dumbed down, simple, David vs Goliath style tale then it does it&amp;#8217;s job. The problem is that the real story behind GameStop, meme stocks &amp;#38; Reddit is a far more complex and complicated tale that just doesn&amp;#8217;t get told here. Since this film is more interested in being a black &amp;#38; white, good versus evil type of tale, it doesn&amp;#8217;t reveal just how many people (non-wall street people) also ended up losing a lot of money because of this. On the flip side, it made it seem like the hedge funds lost but in reality, they didn&amp;#8217;t and most of those rich people stayed rich. It also skips over the toxic nature of the Wallstreet Bets subreddit and how Gill might not have been the perfect, guy with clean hands in all of this. There&amp;#8217;s also no connection into other memestocks, the move into NFTs and other things that also started to trend after. Now to be fair, there&amp;#8217;s probably no way this film could have gone into all of that. But on the other hand, an Adam McKay film probably would have or at least attempted to. Judging this film as a singular entertainment piece with no larger purpose, the film will work for audiences enough to be entertaining. But there won&amp;#8217;t be any larger discussions or even lasting memories from it. Which is unfortunate because it definitely has the cast to be a more memorable film. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Director: Craig Gillespie Writers:&amp;#160;Lauren Schuker Blum, Rebecca Angelo, Ben Mezrich Starring: Paul Dano, Pete Davidson, Vincent D&amp;#8217;Onofrio, America Ferrera, Nick Offerman, Anthony Ramos, Seth Rogen, Sebastian Stan Runtime: 1 Hour 44 Minutes Synopsis: Dumb Money is the ultimate David vs. Goliath tale, based on the insane true story of everyday people who flipped the script on Wall Street and got rich by turning GameStop (yes, the mall videogame store) into the world&amp;#8217;s hottest company. Craig Gillespie&amp;#8217;s Dumb Money, is an entertaining yet hollow look at the events that unfolded when GameStop became the stock of Wall Street. On the surface, all of the pieces are there. The cast is extremely solid. Paul Dano plays a very engaging Keith Gill who can draw the audience into this &amp;#8220;David vs Goliath&amp;#8221; tale. He plays the underdog well, particularly against Offerman, Rogen and Stan who all play the stereotypical Wall Street asshole perfectly. This is what makes this film work as an entertainment piece. If the purpose is to just view this as a dumbed down, simple, David vs Goliath style tale then it does it&amp;#8217;s job. The problem is that the real story behind GameStop, meme stocks &amp;#38; Reddit is a far more complex and complicated tale that just doesn&amp;#8217;t get told here. Since this film is more interested in being a black &amp;#38; white, good versus evil type of tale, it doesn&amp;#8217;t reveal just how many people (non-wall street people) also ended up losing a lot of money because of this. On the flip side, it made it seem like the hedge funds lost but in reality, they didn&amp;#8217;t and most of those rich people stayed rich. It also skips over the toxic nature of the Wallstreet Bets subreddit and how Gill might not have been the perfect, guy with clean hands in all of this. There&amp;#8217;s also no connection into other memestocks, the move into NFTs and other things that also started to trend after. Now to be fair, there&amp;#8217;s probably no way this film could have gone into all of that. But on the other hand, an Adam McKay film probably would have or at least attempted to. Judging this film as a singular entertainment piece with no larger purpose, the film will work for audiences enough to be entertaining. But there won&amp;#8217;t be any larger discussions or even lasting memories from it. Which is unfortunate because it definitely has the cast to be a more memorable film. Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Reviews, TIFF 2023, Brandon 2023 Reviews, Kriss 2023 Reviews, Kriss 2023 TIFF, Toronto Film Festival</itunes:keywords></item>
	<item>
		<title>TIFF 2023 Recap</title>
		<link>https://www.mtrnetwork.net/toronto-film-festival-2023-recap/</link>
		<pubDate>Sun, 17 Sep 2023 15:13:17 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539377</guid>
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		<category><![CDATA[Movie Reviews]]></category>
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		<category><![CDATA[Toronto Film Festival]]></category>
		<description><![CDATA[<p class="p1"><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Kriss makes his return to covering the Toronto Film Festival in person for his second time. While this year was a bit different because of the Writers and Actors strike, the film festival itself was still packed full of film lovers. There was also a solid contingent of International films and stars that attended.&#160;</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">This year Kriss focused on a reduced schedule but got a good mix of films. From International Midnight Madness films to Thrillers to Comedy/Satire, there was a pretty good mix.&#160;</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Ro joins Kriss as he recaps some of the&#160; films he watched at the film festival and makes his recommendation for films to check out.</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Films discussed during this podcast:</span></p>
<ul>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>Reptile</strong></span></li>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>Kill</strong></span></li>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>Boy Kills World</strong></span></li>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>Gonzo Girl</strong></span></li>
<li><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><a href="https://www.mtrnetwork.net/toronto-film-festival-2023-dumb-money/"><span style="text-decoration: underline;"><strong>Dumb Money</strong></span></a></span></li>
<li><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong><span style="text-decoration: underline;">Knox Goes Away</span></strong></span></li>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>The Critic</strong></span></li>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>Rustin</strong></span></li>
<li><span style="text-decoration: underline; font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;"><strong>American Fiction</strong></span></li>
</ul>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Make sure you check out the MTR Network TIFF Press Page as there will be additional reviews for films dropping closer to their release dates (Anatomy of a Fall, The Boy &#38; the Heron, The Holdovers and more).</span></p>
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<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<enclosure length="38541987" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/TIFF_2023_Recap-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/09/tiff-2023-recap.jpg"/>
		<itunes:title>TIFF 2023 Recap</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:23:03</itunes:duration>
		<rawvoice:pid>119027523</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Kriss makes his return to covering the Toronto Film Festival in person for his second time. While this year was a bit different because of the Writers and Actors strike, the film festival itself was still packed full of film lovers. There was also a solid contingent of International films and stars that attended.&amp;#160; This year Kriss focused on a reduced schedule but got a good mix of films. From International Midnight Madness films to Thrillers to Comedy/Satire, there was a pretty good mix.&amp;#160; Ro joins Kriss as he recaps some of the&amp;#160; films he watched at the film festival and makes his recommendation for films to check out. Films discussed during this podcast: Reptile Kill Boy Kills World Gonzo Girl Dumb Money Knox Goes Away The Critic Rustin American Fiction Make sure you check out the MTR Network TIFF Press Page as there will be additional reviews for films dropping closer to their release dates (Anatomy of a Fall, The Boy &amp;#38; the Heron, The Holdovers and more). Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:subtitle><itunes:summary>Kriss makes his return to covering the Toronto Film Festival in person for his second time. While this year was a bit different because of the Writers and Actors strike, the film festival itself was still packed full of film lovers. There was also a solid contingent of International films and stars that attended.&amp;#160; This year Kriss focused on a reduced schedule but got a good mix of films. From International Midnight Madness films to Thrillers to Comedy/Satire, there was a pretty good mix.&amp;#160; Ro joins Kriss as he recaps some of the&amp;#160; films he watched at the film festival and makes his recommendation for films to check out. Films discussed during this podcast: Reptile Kill Boy Kills World Gonzo Girl Dumb Money Knox Goes Away The Critic Rustin American Fiction Make sure you check out the MTR Network TIFF Press Page as there will be additional reviews for films dropping closer to their release dates (Anatomy of a Fall, The Boy &amp;#38; the Heron, The Holdovers and more). Follow more of our Toronto Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: MTRNetwork MTRNetwork @InsanityReport @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Reviews, TIFF 2023, Kriss 2023 Reviews, Kriss 2023 TIFF, Toronto Film Festival</itunes:keywords></item>
	<item>
		<title>Movie Review: A Haunting in Venice</title>
		<link>https://www.mtrnetwork.net/movie-review-a-haunting-in-venice/</link>
		<pubDate>Fri, 15 Sep 2023 10:56:36 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539338</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Kenneth Branagh</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Michael Green, Agatha Christie</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Kenneth Branagh, Michelle Yeoh, Jamie Dornan, Tina&#160; Fey</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>:&#160; 1 Hour 43 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a seance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The crew review the latest in Hercule Piorot series both starring and directing Kenneth Branagh, A Haunting in Venice. This film is better than the last (Death on the Nile) and is on par with Murder on the Orient Express. But it has a few flaws. The horror elements work on their own but when paired with the detective elements, something just seemed a bit off. Listen as we discuss in more details.</span></p>
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		<enclosure length="8303586" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/A_Haunting_in_Venice-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/09/haunting-in-venice-review.jpg"/>
		<itunes:title>A Haunting in Venice Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>17:44</itunes:duration>
		<rawvoice:pid>118782830</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Kenneth Branagh Writers:&amp;#160;Michael Green, Agatha Christie Starring: Kenneth Branagh, Michelle Yeoh, Jamie Dornan, Tina&amp;#160; Fey Runtime:&amp;#160; 1 Hour 43 Minutes Synopsis: In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a seance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer. The crew review the latest in Hercule Piorot series both starring and directing Kenneth Branagh, A Haunting in Venice. This film is better than the last (Death on the Nile) and is on par with Murder on the Orient Express. But it has a few flaws. The horror elements work on their own but when paired with the detective elements, something just seemed a bit off. Listen as we discuss in more details. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Kenneth Branagh Writers:&amp;#160;Michael Green, Agatha Christie Starring: Kenneth Branagh, Michelle Yeoh, Jamie Dornan, Tina&amp;#160; Fey Runtime:&amp;#160; 1 Hour 43 Minutes Synopsis: In post-World War II Venice, Poirot, now retired and living in his own exile, reluctantly attends a seance. But when one of the guests is murdered, it is up to the former detective to once again uncover the killer. The crew review the latest in Hercule Piorot series both starring and directing Kenneth Branagh, A Haunting in Venice. This film is better than the last (Death on the Nile) and is on par with Murder on the Orient Express. But it has a few flaws. The horror elements work on their own but when paired with the detective elements, something just seemed a bit off. Listen as we discuss in more details. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Gran Turismo</title>
		<link>https://www.mtrnetwork.net/gran-turismo-review/</link>
		<pubDate>Fri, 25 Aug 2023 14:30:19 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539272</guid>
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		<description><![CDATA[<p style="text-align: justify;">Sports movies are tricky. So are video game adaptations. Thankfully for <em>Gran Turismo, </em>rather than attempt to spin a narrative out of gameplay, the plot capitalizes on the unique opportunity to showcase its game (that&#8217;s actually an extremely advanced driving simulator) through Jann Mardenborough&#8217;s extraordinary real-life journey from gamer-to- professional race car driver. </p>
<p style="text-align: justify;">In Neill Blomkamp&#8217;s (<em>District 9</em>) hands <em>Gran Turismo</em> is slick, well-paced, and visually engaging. The storytelling weaves the game creation by Kazunori Yamauchi (Takehiro Hira) backstory in but really revolves around British teenager Jann Mardenborough (Archie Madekwe). It&#8217;s a highly relatable story of a young man who dreams of a career that seems beyond his means to achieve. He gets a once-in-a lifetime opportunity to prove his worth and make his dreams a reality. His adventure starts with winning a competition designed to identify the best Gran Turismo drivers in the world. The prize: access to a specialty racing academy run by Nissan and a chance to earn a spot on their professional racing team. </p>
<p style="text-align: justify;"><em>Gran Turismo&#8217;s</em> solid ensemble performances, dynamic race sequences (based on real races Mardenborough participated in) and the light Hollywood gloss on the chronology keep you invested right through until the end. It&#8217;s imminently watchable as racing movie. This <em>is </em>a move based on a marketing ploy turned Cinderella story so expect to see the products in question on screen. However, you&#8217;ll be pleasantly surprised that Blomkamp stayed the narrative course all the way through. </p>
<p><strong>Listen as Ro and Kriss discuss <em>Gran Turismo</em> now.</strong></p>
<p style="text-align: center;">**</p>
<p><b>Writers</b>: Jason Hall, Zach Baylin<br />
<b>Runtime</b>: 2h 15m</p>
<p><b>Starring</b>: Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto</p>
<p><b>Synopsis</b>: Based on the true story of Jann Mardenborough, the film is the ultimate wish fulfillment tale of a teenage Gran Turismo player whose gaming skills won a series of Nissan competitions to become an actual professional racecar driver.</p>
<p><i>Gran Turismo: Based On A True Story opened wide in theaters August 25, 2023.</i></p>
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		<enclosure length="12813324" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Gran_Turismo-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/08/gran-turismo-review.jpg"/>
		<itunes:title>Gran Turismo Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>27:09</itunes:duration>
		<rawvoice:pid>116689087</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Sports movies are tricky. So are video game adaptations. Thankfully for Gran Turismo, rather than attempt to spin a narrative out of gameplay, the plot capitalizes on the unique opportunity to showcase its game (that&amp;#8217;s actually an extremely advanced driving simulator) through Jann Mardenborough&amp;#8217;s extraordinary real-life journey from gamer-to- professional race car driver.  In Neill Blomkamp&amp;#8217;s (District 9) hands Gran Turismo is slick, well-paced, and visually engaging. The storytelling weaves the game creation by Kazunori Yamauchi (Takehiro Hira) backstory in but really revolves around British teenager Jann Mardenborough (Archie Madekwe). It&amp;#8217;s a highly relatable story of a young man who dreams of a career that seems beyond his means to achieve. He gets a once-in-a lifetime opportunity to prove his worth and make his dreams a reality. His adventure starts with winning a competition designed to identify the best Gran Turismo drivers in the world. The prize: access to a specialty racing academy run by Nissan and a chance to earn a spot on their professional racing team.  Gran Turismo&amp;#8217;s solid ensemble performances, dynamic race sequences (based on real races Mardenborough participated in) and the light Hollywood gloss on the chronology keep you invested right through until the end. It&amp;#8217;s imminently watchable as racing movie. This is a move based on a marketing ploy turned Cinderella story so expect to see the products in question on screen. However, you&amp;#8217;ll be pleasantly surprised that Blomkamp stayed the narrative course all the way through.  Listen as Ro and Kriss discuss Gran Turismo now. ** Writers: Jason Hall, Zach Baylin Runtime: 2h 15m Starring: Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto Synopsis: Based on the true story of Jann Mardenborough, the film is the ultimate wish fulfillment tale of a teenage Gran Turismo player whose gaming skills won a series of Nissan competitions to become an actual professional racecar driver. Gran Turismo: Based On A True Story opened wide in theaters August 25, 2023. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Sports movies are tricky. So are video game adaptations. Thankfully for Gran Turismo, rather than attempt to spin a narrative out of gameplay, the plot capitalizes on the unique opportunity to showcase its game (that&amp;#8217;s actually an extremely advanced driving simulator) through Jann Mardenborough&amp;#8217;s extraordinary real-life journey from gamer-to- professional race car driver.  In Neill Blomkamp&amp;#8217;s (District 9) hands Gran Turismo is slick, well-paced, and visually engaging. The storytelling weaves the game creation by Kazunori Yamauchi (Takehiro Hira) backstory in but really revolves around British teenager Jann Mardenborough (Archie Madekwe). It&amp;#8217;s a highly relatable story of a young man who dreams of a career that seems beyond his means to achieve. He gets a once-in-a lifetime opportunity to prove his worth and make his dreams a reality. His adventure starts with winning a competition designed to identify the best Gran Turismo drivers in the world. The prize: access to a specialty racing academy run by Nissan and a chance to earn a spot on their professional racing team.  Gran Turismo&amp;#8217;s solid ensemble performances, dynamic race sequences (based on real races Mardenborough participated in) and the light Hollywood gloss on the chronology keep you invested right through until the end. It&amp;#8217;s imminently watchable as racing movie. This is a move based on a marketing ploy turned Cinderella story so expect to see the products in question on screen. However, you&amp;#8217;ll be pleasantly surprised that Blomkamp stayed the narrative course all the way through.  Listen as Ro and Kriss discuss Gran Turismo now. ** Writers: Jason Hall, Zach Baylin Runtime: 2h 15m Starring: Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto Synopsis: Based on the true story of Jann Mardenborough, the film is the ultimate wish fulfillment tale of a teenage Gran Turismo player whose gaming skills won a series of Nissan competitions to become an actual professional racecar driver. Gran Turismo: Based On A True Story opened wide in theaters August 25, 2023. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Blue Beetle</title>
		<link>https://www.mtrnetwork.net/blue-beetle-review/</link>
		<pubDate>Fri, 18 Aug 2023 10:23:45 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Angel Manuel Soto</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Gareth Dunnet-Alcocer</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Xolo Maridueña, Bruna Marquezine, Becky G, Damián Alcázar, George Lopez, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Susan Sarandon, Harvey Guillén, Raol Max Trujillo</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 Hour 7 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: An alien scarab chooses college graduate Jaime Reyes to be its symbiotic host, bestowing the teenager with a suit of armor that&#8217;s capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the superhero known as Blue Beetle.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The crew talk about and review Blue Beetle, the latest from WB in their DC film universe reboot.</span></p>
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		<enclosure length="24844850" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Blue_Beetle-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/08/blue-beetle-review.jpg"/>
		<itunes:title>Blue Beetle Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>52:35</itunes:duration>
		<rawvoice:pid>115027687</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Angel Manuel Soto Writers:&amp;#160;Gareth Dunnet-Alcocer Starring: Xolo Maridueña, Bruna Marquezine, Becky G, Damián Alcázar, George Lopez, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Susan Sarandon, Harvey Guillén, Raol Max Trujillo Runtime: 2 Hour 7 Minutes Synopsis: An alien scarab chooses college graduate Jaime Reyes to be its symbiotic host, bestowing the teenager with a suit of armor that&amp;#8217;s capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the superhero known as Blue Beetle. The crew talk about and review Blue Beetle, the latest from WB in their DC film universe reboot. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Angel Manuel Soto Writers:&amp;#160;Gareth Dunnet-Alcocer Starring: Xolo Maridueña, Bruna Marquezine, Becky G, Damián Alcázar, George Lopez, Adriana Barraza, Belissa Escobedo, Elpidia Carrillo, Susan Sarandon, Harvey Guillén, Raol Max Trujillo Runtime: 2 Hour 7 Minutes Synopsis: An alien scarab chooses college graduate Jaime Reyes to be its symbiotic host, bestowing the teenager with a suit of armor that&amp;#8217;s capable of extraordinary and unpredictable powers, forever changing his destiny as he becomes the superhero known as Blue Beetle. The crew talk about and review Blue Beetle, the latest from WB in their DC film universe reboot. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: The Last Voyage of the Demeter</title>
		<link>https://www.mtrnetwork.net/movie-review-the-last-voyage-of-the-demeter/</link>
		<pubDate>Fri, 11 Aug 2023 10:37:49 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: André Øvredal</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers:&#160;</b>Bragi F. Schut, Zak Olkewicz, Bram Stoker</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Corey Hawkins, Aisling Franciosi, Liam Cunningham</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 Hour 58 Minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: A crew sailing from Carpathia to England find that they are carrying very dangerous cargo.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The crew talk about the latest creature feature, The Last Voyage of the Demeter.</span></p>
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		<enclosure length="15627622" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Last_Voyage_of_the_Demeter-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/08/the-last-voyage-of-the-demeter-review.jpg"/>
		<itunes:title>The Last Voyage of the Demeter Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>33:03</itunes:duration>
		<rawvoice:pid>113095706</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: André Øvredal Writers:&amp;#160;Bragi F. Schut, Zak Olkewicz, Bram Stoker Starring: Corey Hawkins, Aisling Franciosi, Liam Cunningham Runtime: 1 Hour 58 Minutes Synopsis: A crew sailing from Carpathia to England find that they are carrying very dangerous cargo. The crew talk about the latest creature feature, The Last Voyage of the Demeter. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: André Øvredal Writers:&amp;#160;Bragi F. Schut, Zak Olkewicz, Bram Stoker Starring: Corey Hawkins, Aisling Franciosi, Liam Cunningham Runtime: 1 Hour 58 Minutes Synopsis: A crew sailing from Carpathia to England find that they are carrying very dangerous cargo. The crew talk about the latest creature feature, The Last Voyage of the Demeter. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Infinity Pool Review</title>
		<link>https://www.mtrnetwork.net/infinity-pool-review/</link>
		<pubDate>Fri, 04 Aug 2023 14:30:40 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Sundance 2023]]></category>
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		<description><![CDATA[<p style="text-align: justify;"><span style="font-size: 16px; font-family: georgia, palatino, serif;">Highly anticipated release, <em>Infinity Pool</em>, marked writer/director Brandon Cronenberg&#8217;s (<em>Possessor</em>, 2020 Sundance) festival return in the Midnight section lineup. It&#8217;s taking a few more steps off the beaten path in his twisted exploration of the ravages to human soul. So buckle up because there&#8217;s so much to unpack&#8230;</span></p>
<p style="text-align: center;"><span style="font-family: georgia, palatino, serif;">♦♦</span></p>
<p class="has-black-color has-text-color"><span style="font-family: georgia, palatino, serif;"><strong>Director</strong>: Brandon Cronenberg</span><br />
<span style="font-family: georgia, palatino, serif;"><strong>Screenwriters</strong>: Brandon Cronenberg</span><br />
<span style="font-family: georgia, palatino, serif;"><strong>Starring</strong>: Alexander Skarsgård, Mia Goth, Cleopatra Coleman</span><br />
<span style="font-family: georgia, palatino, serif;"><strong>Runtime</strong>:  118 minutes</span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><strong>Sundance Synopsis</strong>: James and Em Foster take off to an all-inclusive beach getaway in the fictional state of Li Tolqa to help jump-start his writer’s block. Their lazy days are spent relegated to their pricey resort, isolated from the surrounding land. Gabby introduces herself and her partner, Al, as she’s a fan of James’ last novel, and they would like to spend some time together with the Fosters. The couples plan a secret daytrip outside the compound that ends in a fatal accident with James to blame. For a hefty price, there are loopholes to aid foreign travelers convicted of crimes there, which is how James is first introduced to a perverse subculture of hedonistic tourism.</span></p>
<p><span style="font-family: georgia, palatino, serif;"><em>*originally run on January 29, 2023 as part of the MTR Network&#8217;s Sundance 2023 coverage</em></span></p>
<p style="text-align: center;"><span style="font-family: georgia, palatino, serif;">♦♦</span></p>
<p class="has-black-color has-text-color" style="text-align: center;"><span style="font-family: georgia, palatino, serif;"><span style="text-decoration: underline;"><strong>Snapshot Review</strong></span>: </span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;"><span style="font-size: 16px;">Don&#8217;t be fool by the slick cinematic treatment and debauchery, Cronenberg&#8217;s here to push you to think about how you justify your choices. </span><em>Infinity Pool&#8217;s</em> a vulgar, darkly humorous, incisive commentary on privilege, enticement, and the destruction of soul.</span></p>
<p style="text-align: justify;"><span style="font-family: georgia, palatino, serif;">Horror movies set at a travel destination open the door for an almost unimaginable spiral into violence that only seems to happen <span style="font-size: 16px;">when you exist in a reality vacuum. <em>Infinity Pool</em> leans into that vacuum to create an environment ripe for corruption. There&#8217;s a persistent forceful disconnect in the narrative that results in </span>one chaotic-as-hell allegory. </span></p>
<h4><span style="font-family: georgia, palatino, serif;">Listen and Ro and guest critic Richard Newby dig into <em>Infinity Pool. </em></span></h4>
<p><span style="font-family: georgia, palatino, serif;"><em>Infinity Pool opened in theaters January 27, 2023 and is currently streaming on Hulu. </em></span></p>
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<p style="text-align: center;"><span style="font-family: tahoma, arial, helvetica, sans-serif;">Follow more of our Sundance Film Festival 2023 Reviews and Coverage on our Press Page Page: <a href="https://press.mtrnetwork.net/">https://press.mtrnetwork.net</a></span></p>
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		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/08/Infinity-Pool-Thumbnail-copy-300x300.jpg"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>43:55</itunes:duration>
		<rawvoice:pid>111887333</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Highly anticipated release, Infinity Pool, marked writer/director Brandon Cronenberg&amp;#8217;s (Possessor, 2020 Sundance) festival return in the Midnight section lineup. It&amp;#8217;s taking a few more steps off the beaten path in his twisted exploration of the ravages to human soul. So buckle up because there&amp;#8217;s so much to unpack&amp;#8230; ♦♦ Director: Brandon Cronenberg Screenwriters: Brandon Cronenberg Starring: Alexander Skarsgård, Mia Goth, Cleopatra Coleman Runtime:  118 minutes Sundance Synopsis: James and Em Foster take off to an all-inclusive beach getaway in the fictional state of Li Tolqa to help jump-start his writer’s block. Their lazy days are spent relegated to their pricey resort, isolated from the surrounding land. Gabby introduces herself and her partner, Al, as she’s a fan of James’ last novel, and they would like to spend some time together with the Fosters. The couples plan a secret daytrip outside the compound that ends in a fatal accident with James to blame. For a hefty price, there are loopholes to aid foreign travelers convicted of crimes there, which is how James is first introduced to a perverse subculture of hedonistic tourism. *originally run on January 29, 2023 as part of the MTR Network&amp;#8217;s Sundance 2023 coverage ♦♦ Snapshot Review:  Don&amp;#8217;t be fool by the slick cinematic treatment and debauchery, Cronenberg&amp;#8217;s here to push you to think about how you justify your choices. Infinity Pool&amp;#8217;s a vulgar, darkly humorous, incisive commentary on privilege, enticement, and the destruction of soul. Horror movies set at a travel destination open the door for an almost unimaginable spiral into violence that only seems to happen when you exist in a reality vacuum. Infinity Pool leans into that vacuum to create an environment ripe for corruption. There&amp;#8217;s a persistent forceful disconnect in the narrative that results in one chaotic-as-hell allegory.  Listen and Ro and guest critic Richard Newby dig into Infinity Pool.  Infinity Pool opened in theaters January 27, 2023 and is currently streaming on Hulu.  Follow more of our Sundance Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: @BookBlerd @TheMTRNetwork</itunes:subtitle><itunes:summary>Highly anticipated release, Infinity Pool, marked writer/director Brandon Cronenberg&amp;#8217;s (Possessor, 2020 Sundance) festival return in the Midnight section lineup. It&amp;#8217;s taking a few more steps off the beaten path in his twisted exploration of the ravages to human soul. So buckle up because there&amp;#8217;s so much to unpack&amp;#8230; ♦♦ Director: Brandon Cronenberg Screenwriters: Brandon Cronenberg Starring: Alexander Skarsgård, Mia Goth, Cleopatra Coleman Runtime:  118 minutes Sundance Synopsis: James and Em Foster take off to an all-inclusive beach getaway in the fictional state of Li Tolqa to help jump-start his writer’s block. Their lazy days are spent relegated to their pricey resort, isolated from the surrounding land. Gabby introduces herself and her partner, Al, as she’s a fan of James’ last novel, and they would like to spend some time together with the Fosters. The couples plan a secret daytrip outside the compound that ends in a fatal accident with James to blame. For a hefty price, there are loopholes to aid foreign travelers convicted of crimes there, which is how James is first introduced to a perverse subculture of hedonistic tourism. *originally run on January 29, 2023 as part of the MTR Network&amp;#8217;s Sundance 2023 coverage ♦♦ Snapshot Review:  Don&amp;#8217;t be fool by the slick cinematic treatment and debauchery, Cronenberg&amp;#8217;s here to push you to think about how you justify your choices. Infinity Pool&amp;#8217;s a vulgar, darkly humorous, incisive commentary on privilege, enticement, and the destruction of soul. Horror movies set at a travel destination open the door for an almost unimaginable spiral into violence that only seems to happen when you exist in a reality vacuum. Infinity Pool leans into that vacuum to create an environment ripe for corruption. There&amp;#8217;s a persistent forceful disconnect in the narrative that results in one chaotic-as-hell allegory.  Listen and Ro and guest critic Richard Newby dig into Infinity Pool.  Infinity Pool opened in theaters January 27, 2023 and is currently streaming on Hulu.  Follow more of our Sundance Film Festival 2023 Reviews and Coverage on our Press Page Page: https://press.mtrnetwork.net Follow us on Social Media: @BookBlerd @TheMTRNetwork</itunes:summary><itunes:keywords>Movie Trailer Reviews, Sundance 2023, 2023 Horror Movie, Brandon 2023 Reviews, Ro 2023 Reviews, Ro Sundance 2023</itunes:keywords></item>
	<item>
		<title>Talk to Me Review</title>
		<link>https://www.mtrnetwork.net/talk-to-me-review-a-tense-trip-into-grief/</link>
		<pubDate>Fri, 28 Jul 2023 18:09:38 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539142</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Sundance 2023]]></category>
		<category><![CDATA[2023 Horror Movie]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<category><![CDATA[Ro Sundance 2023]]></category>
		<description><![CDATA[<p style="text-align: justify;"><span style="text-decoration: underline;">Snapshot Review</span>:<em> Talk to Me</em> is a brilliant take on a classic possession movie for the modern age. It&#8217;s a cautionary tale masquerading as a haunting minimalist horror film who&#8217;s strength lies in its emotionally gifted ensemble. </p>
<div style="text-align: left;">
<p style="text-align: justify;">This directorial debut of twin brothers Danny and Michael Philippou demonstrates both their love of horror and a faith in relying on impactful, yet gnarly, practical effects, stellar sound design, a wicked use of dark humor in a twisted well-written narrative to carry the story. If you like your movies to drop you directly into the mix, then <em>Talk To Me</em>&#8216;s opening is for you.</p>
<p style="text-align: justify;"><span style="text-align: left;">Built for the meme and chronically online generation, </span><em style="text-align: left;">Talk to Me </em><span style="text-align: left;">leans into genre conventions and an incisive script about grief, depression, youthful disregard of danger. </span>Just know that opening is all foreshadowing. Thankfully it&#8217;s the kind where the pay-off is not only worth it but never proves more interesting than the movie you ultimately get. The reactions are constantly age-appropriate. So prepare for teenage angst and stupidity to abound. The visuals are murky, occasionally out of focus, and constantly building a sense of unease and foreboding. But there&#8217;s a profoundness in its simplicity. So lean into the sense of inevitable and the horrific trainwreck that is Mia&#8217;s (Sophie Wilde) journey into the supernatural. </p>
</div>
<h4>Listen as Ro and Brandon dig (spoiler-free) into <em>Talk to Me</em></h4>
<p style="text-align: center;">♦♦</p>
<p style="text-align: left;"><span style="font-size: 14px;"><b>Director</b>: Danny Philippou, Michael Philippou</span><br />
<span style="font-size: 14px;"><b>Writers</b>: Bill Hinzman, Danny Philippou&#124;</span><br />
<span style="font-size: 14px;"><b>Runtime</b>: 1 hour 35 minutes</span></p>
<p style="text-align: left;"><span style="font-size: 14px;"><b>Starring</b>: Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto</span></p>
<p style="text-align: left;"><span style="font-size: 14px;"><b>Synopsis</b>: When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.</span></p>
<p><em>Originally part of MTR&#8217;s Sundance 2023 coverage &#8211; January 23, 2023</em></p>
<p style="text-align: center;">♦♦</p>
<p><em>Talk to Me opens in theaters July 28, 2023</em></p>
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		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/07/Talk-to-Me-Thumbnail-300x300.jpg"/>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>59:21</itunes:duration>
		<rawvoice:pid>111083798</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Snapshot Review: Talk to Me is a brilliant take on a classic possession movie for the modern age. It&amp;#8217;s a cautionary tale masquerading as a haunting minimalist horror film who&amp;#8217;s strength lies in its emotionally gifted ensemble.  This directorial debut of twin brothers Danny and Michael Philippou demonstrates both their love of horror and a faith in relying on impactful, yet gnarly, practical effects, stellar sound design, a wicked use of dark humor in a twisted well-written narrative to carry the story. If you like your movies to drop you directly into the mix, then Talk To Me&amp;#8216;s opening is for you. Built for the meme and chronically online generation, Talk to Me leans into genre conventions and an incisive script about grief, depression, youthful disregard of danger. Just know that opening is all foreshadowing. Thankfully it&amp;#8217;s the kind where the pay-off is not only worth it but never proves more interesting than the movie you ultimately get. The reactions are constantly age-appropriate. So prepare for teenage angst and stupidity to abound. The visuals are murky, occasionally out of focus, and constantly building a sense of unease and foreboding. But there&amp;#8217;s a profoundness in its simplicity. So lean into the sense of inevitable and the horrific trainwreck that is Mia&amp;#8217;s (Sophie Wilde) journey into the supernatural.  Listen as Ro and Brandon dig (spoiler-free) into Talk to Me ♦♦ Director: Danny Philippou, Michael Philippou Writers: Bill Hinzman, Danny Philippou&amp;#124; Runtime: 1 hour 35 minutes Starring: Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto Synopsis: When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces. Originally part of MTR&amp;#8217;s Sundance 2023 coverage &amp;#8211; January 23, 2023 ♦♦ Talk to Me opens in theaters July 28, 2023 &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Snapshot Review: Talk to Me is a brilliant take on a classic possession movie for the modern age. It&amp;#8217;s a cautionary tale masquerading as a haunting minimalist horror film who&amp;#8217;s strength lies in its emotionally gifted ensemble.  This directorial debut of twin brothers Danny and Michael Philippou demonstrates both their love of horror and a faith in relying on impactful, yet gnarly, practical effects, stellar sound design, a wicked use of dark humor in a twisted well-written narrative to carry the story. If you like your movies to drop you directly into the mix, then Talk To Me&amp;#8216;s opening is for you. Built for the meme and chronically online generation, Talk to Me leans into genre conventions and an incisive script about grief, depression, youthful disregard of danger. Just know that opening is all foreshadowing. Thankfully it&amp;#8217;s the kind where the pay-off is not only worth it but never proves more interesting than the movie you ultimately get. The reactions are constantly age-appropriate. So prepare for teenage angst and stupidity to abound. The visuals are murky, occasionally out of focus, and constantly building a sense of unease and foreboding. But there&amp;#8217;s a profoundness in its simplicity. So lean into the sense of inevitable and the horrific trainwreck that is Mia&amp;#8217;s (Sophie Wilde) journey into the supernatural.  Listen as Ro and Brandon dig (spoiler-free) into Talk to Me ♦♦ Director: Danny Philippou, Michael Philippou Writers: Bill Hinzman, Danny Philippou&amp;#124; Runtime: 1 hour 35 minutes Starring: Sophie Wilde, Joe Bird, Alexandra Jensen, Otis Dhanji, Miranda Otto Synopsis: When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces. Originally part of MTR&amp;#8217;s Sundance 2023 coverage &amp;#8211; January 23, 2023 ♦♦ Talk to Me opens in theaters July 28, 2023 &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Sundance 2023, 2023 Horror Movie, Brandon 2023 Reviews, Ro 2023 Reviews, Ro Sundance 2023</itunes:keywords></item>
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		<title>Movie Review: Oppenheimer</title>
		<link>https://www.mtrnetwork.net/oppenheimer-review/</link>
		<pubDate>Fri, 21 Jul 2023 10:05:59 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=539117</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Christopher Nolan</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Christopher Nolan, Kai Bird, Martin Sherwin</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Cillian Murphy, Emily Blunt, Matt Damon</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 3 hours</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Kriss, Ro and Brandon talk about the latest from director Christopher Nolan, Oppenheimer. This is a star studded cast in a very long but good movie. The first hour is a bit challenging but overall everything comes together. Not to mention, there&#8217;s also a lot of Florence Pugh&#8230;assets&#8230;to admire.</span></p>
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<p>&#160;</p>
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		<enclosure length="26680215" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Oppenheimer-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/07/Oppenheimer-review.jpg"/>
		<itunes:title>Oppenheimer Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>56:55</itunes:duration>
		<rawvoice:pid>109682732</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Christopher Nolan Writers: Christopher Nolan, Kai Bird, Martin Sherwin Starring: Cillian Murphy, Emily Blunt, Matt Damon Runtime: 3 hours Synopsis: The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb. Kriss, Ro and Brandon talk about the latest from director Christopher Nolan, Oppenheimer. This is a star studded cast in a very long but good movie. The first hour is a bit challenging but overall everything comes together. Not to mention, there&amp;#8217;s also a lot of Florence Pugh&amp;#8230;assets&amp;#8230;to admire. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Christopher Nolan Writers: Christopher Nolan, Kai Bird, Martin Sherwin Starring: Cillian Murphy, Emily Blunt, Matt Damon Runtime: 3 hours Synopsis: The story of American scientist J. Robert Oppenheimer and his role in the development of the atomic bomb. Kriss, Ro and Brandon talk about the latest from director Christopher Nolan, Oppenheimer. This is a star studded cast in a very long but good movie. The first hour is a bit challenging but overall everything comes together. Not to mention, there&amp;#8217;s also a lot of Florence Pugh&amp;#8230;assets&amp;#8230;to admire. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Mission Impossible Dead Reckoning Part One Review</title>
		<link>https://www.mtrnetwork.net/mission-impossible-dead-reckoning-part-one-review/</link>
		<pubDate>Fri, 14 Jul 2023 01:43:15 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Christopher McQuarrie</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Bruce Geller, Erik Jendresen, Christopher McQuarrie</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 43 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Ethan Hunt and his IMF team must track down a dangerous weapon before it falls into the wrong hands.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">We discuss our problematic cult leader fave Tom Cruise in yet another great action film, Mission Impossible Dead Reckoning Part One. </span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Ro&#8217;s convinced that Dead Reckoning-Part One resets the bar consistently leveraging its own lore &#38; action choreography without undercutting the intrigue &#38; character dynamics driving the narrative. Nobody does globetrotting spy-craft escapades like the Mission Impossible franchise</span></p>
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		<enclosure length="17236565" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Mission_Impossible_Dead_Reckoning_Part_One-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/07/mission-impossible-dead-reckoning-part-one-review.jpg"/>
		<itunes:title>Mission Impossible Dead Reckoning Part One Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>36:23</itunes:duration>
		<rawvoice:pid>107530455</rawvoice:pid>
	<itunes:explicit/><itunes:subtitle>Director: Christopher McQuarrie Writers: Bruce Geller, Erik Jendresen, Christopher McQuarrie Starring: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson Runtime: 2 hour 43 minutes Synopsis: Ethan Hunt and his IMF team must track down a dangerous weapon before it falls into the wrong hands. We discuss our problematic cult leader fave Tom Cruise in yet another great action film, Mission Impossible Dead Reckoning Part One.  Ro&amp;#8217;s convinced that Dead Reckoning-Part One resets the bar consistently leveraging its own lore &amp;#38; action choreography without undercutting the intrigue &amp;#38; character dynamics driving the narrative. Nobody does globetrotting spy-craft escapades like the Mission Impossible franchise Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Director: Christopher McQuarrie Writers: Bruce Geller, Erik Jendresen, Christopher McQuarrie Starring: Tom Cruise, Hayley Atwell, Ving Rhames, Simon Pegg, Rebecca Ferguson Runtime: 2 hour 43 minutes Synopsis: Ethan Hunt and his IMF team must track down a dangerous weapon before it falls into the wrong hands. We discuss our problematic cult leader fave Tom Cruise in yet another great action film, Mission Impossible Dead Reckoning Part One.  Ro&amp;#8217;s convinced that Dead Reckoning-Part One resets the bar consistently leveraging its own lore &amp;#38; action choreography without undercutting the intrigue &amp;#38; character dynamics driving the narrative. Nobody does globetrotting spy-craft escapades like the Mission Impossible franchise Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Indiana Jones and the Dial of Destiny</title>
		<link>https://www.mtrnetwork.net/indiana-jones-and-the-dial-of-destiny/</link>
		<pubDate>Mon, 03 Jul 2023 15:10:12 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: James Mangold</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Jez Butterworth, John-Henry Butterworth, David Koepp</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Karen Allen</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 34 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Archaeologist Indiana Jones races against time to retrieve a legendary artifact that can change the course of history.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">It&#8217;s 2023 and we&#8217;re talking about an Indiana Jones movie. Who would have thunk it? Well, at least there&#8217;s Nazis being punched in the face. So maybe that&#8217;s worth checking out Indiana Jones and the Dial of Destiny. Listen to our review and let us know.</span></p>
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		<enclosure length="16587174" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Indiana_Jones_and_the_Dial_of_Destiny-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/07/indiana-jones-and-the-dial-of-destiny-review.jpg"/>
		<itunes:title>Indiana Jones and the Dial of Destiny Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:27</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: James Mangold Writers: Jez Butterworth, John-Henry Butterworth, David Koepp Starring: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Karen Allen Runtime: 2 hour 34 minutes Synopsis: Archaeologist Indiana Jones races against time to retrieve a legendary artifact that can change the course of history. It&amp;#8217;s 2023 and we&amp;#8217;re talking about an Indiana Jones movie. Who would have thunk it? Well, at least there&amp;#8217;s Nazis being punched in the face. So maybe that&amp;#8217;s worth checking out Indiana Jones and the Dial of Destiny. Listen to our review and let us know. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: James Mangold Writers: Jez Butterworth, John-Henry Butterworth, David Koepp Starring: Harrison Ford, Phoebe Waller-Bridge, Antonio Banderas, Karen Allen Runtime: 2 hour 34 minutes Synopsis: Archaeologist Indiana Jones races against time to retrieve a legendary artifact that can change the course of history. It&amp;#8217;s 2023 and we&amp;#8217;re talking about an Indiana Jones movie. Who would have thunk it? Well, at least there&amp;#8217;s Nazis being punched in the face. So maybe that&amp;#8217;s worth checking out Indiana Jones and the Dial of Destiny. Listen to our review and let us know. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Elemental</title>
		<link>https://www.mtrnetwork.net/elemental-review/</link>
		<pubDate>Fri, 23 Jun 2023 01:57:56 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538967</guid>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Peter Sohn</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: John Hoberg, Kat Likkel, Brenda Hsueh</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Leah Lewis, Mamoudou Athie, Ronnie Del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O&#8217;Hara</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 hour 49 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Follows Ember and Wade, in a city where fire-, water-, land- and air-residents live together.</span></p>
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<div class="sc-52d569c6-2 ZNXkX"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Ro, Brandon and Kriss review and discuss the latest film from Pixar, Elemental.</span></div>
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		<enclosure length="15029427" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Elemental-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/06/elemental-review.jpg"/>
		<itunes:title>Elemental Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>31:51</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Peter Sohn Writers: John Hoberg, Kat Likkel, Brenda Hsueh Starring: Leah Lewis, Mamoudou Athie, Ronnie Del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O&amp;#8217;Hara Runtime: 1 hour 49 minutes Synopsis: Follows Ember and Wade, in a city where fire-, water-, land- and air-residents live together. &amp;#160; &amp;#160; Ro, Brandon and Kriss review and discuss the latest film from Pixar, Elemental. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Peter Sohn Writers: John Hoberg, Kat Likkel, Brenda Hsueh Starring: Leah Lewis, Mamoudou Athie, Ronnie Del Carmen, Shila Ommi, Wendi McLendon-Covey, Catherine O&amp;#8217;Hara Runtime: 1 hour 49 minutes Synopsis: Follows Ember and Wade, in a city where fire-, water-, land- and air-residents live together. &amp;#160; &amp;#160; Ro, Brandon and Kriss review and discuss the latest film from Pixar, Elemental. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: The Flash</title>
		<link>https://www.mtrnetwork.net/the-flash-review-the-best-batman-is-stuck-in-a-bad-flash-film/</link>
		<pubDate>Fri, 09 Jun 2023 21:31:14 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538916</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Brandon 2023 Reviews]]></category>
		<category><![CDATA[Kriss 2023 Reviews]]></category>
		<category><![CDATA[Ro 2023 Reviews]]></category>
		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Andy Muschietti</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Christina Hodsonn, Joby Harold</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Sasha Calle, Ben Affleck, Ezra Miller, Michael Keaton, Michael Shannon</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 24 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Barry Allen uses his super speed to change the past, but his attempt to save his family creates a world without super heroes, forcing him to race for his life in order to save the future.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Let&#8217;s start off with an apology to Michael Keaton. For decades now there have been debates over which actor is truly the best Batman and for decades Mr. Keaton has been disrespected and written off in that debate. If there is one good thing to say about this Flash movie it&#8217;s that it has solidified Michael Keaton as THEE Batman that all others should live up to. Hands down. There is so much wrong with this movie (starting with a problematic and horribly miscast lead) but between Michael Keaton putting this movie on his back and Sasha Calle&#8217;s criminally underused Supergirl, it&#8217;s at least worth checking out.</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">But let&#8217;s make no mistake. Ezra Miller is one of the biggest problems with this film. Even outside of Miller&#8217;s very disturbing and troubling criminal issues, Ezra was always miscast as Barry Allen. And now with this solo movie, there&#8217;s two of them in this film and well, it just makes the miscast even more pronounce.&#160;</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">A bad lead, terrible CG and a script that takes the worst storylines from the Flash TV show and somehow do them even worse. That&#8217;s what plagues this movie. But Keaton&#8230;Mr. Bruce Wayne&#8230;is good enough to keep this from being a complete disaster. Recast Ezra or do whatever. Just give me a full Batman film with Keaton as Batman. Give THAT to us. Oh and give Sasha Calle her Supergirl movie so she can properly shine.</span></p>
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		<enclosure length="33744217" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Flash-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/06/the-flash-2023-review.jpg"/>
		<itunes:title>The Flash Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:12:27</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Andy Muschietti Writers: Christina Hodsonn, Joby Harold Starring: Sasha Calle, Ben Affleck, Ezra Miller, Michael Keaton, Michael Shannon Runtime: 2 hour 24 minutes Synopsis: Barry Allen uses his super speed to change the past, but his attempt to save his family creates a world without super heroes, forcing him to race for his life in order to save the future. Let&amp;#8217;s start off with an apology to Michael Keaton. For decades now there have been debates over which actor is truly the best Batman and for decades Mr. Keaton has been disrespected and written off in that debate. If there is one good thing to say about this Flash movie it&amp;#8217;s that it has solidified Michael Keaton as THEE Batman that all others should live up to. Hands down. There is so much wrong with this movie (starting with a problematic and horribly miscast lead) but between Michael Keaton putting this movie on his back and Sasha Calle&amp;#8217;s criminally underused Supergirl, it&amp;#8217;s at least worth checking out. But let&amp;#8217;s make no mistake. Ezra Miller is one of the biggest problems with this film. Even outside of Miller&amp;#8217;s very disturbing and troubling criminal issues, Ezra was always miscast as Barry Allen. And now with this solo movie, there&amp;#8217;s two of them in this film and well, it just makes the miscast even more pronounce.&amp;#160; A bad lead, terrible CG and a script that takes the worst storylines from the Flash TV show and somehow do them even worse. That&amp;#8217;s what plagues this movie. But Keaton&amp;#8230;Mr. Bruce Wayne&amp;#8230;is good enough to keep this from being a complete disaster. Recast Ezra or do whatever. Just give me a full Batman film with Keaton as Batman. Give THAT to us. Oh and give Sasha Calle her Supergirl movie so she can properly shine. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Andy Muschietti Writers: Christina Hodsonn, Joby Harold Starring: Sasha Calle, Ben Affleck, Ezra Miller, Michael Keaton, Michael Shannon Runtime: 2 hour 24 minutes Synopsis: Barry Allen uses his super speed to change the past, but his attempt to save his family creates a world without super heroes, forcing him to race for his life in order to save the future. Let&amp;#8217;s start off with an apology to Michael Keaton. For decades now there have been debates over which actor is truly the best Batman and for decades Mr. Keaton has been disrespected and written off in that debate. If there is one good thing to say about this Flash movie it&amp;#8217;s that it has solidified Michael Keaton as THEE Batman that all others should live up to. Hands down. There is so much wrong with this movie (starting with a problematic and horribly miscast lead) but between Michael Keaton putting this movie on his back and Sasha Calle&amp;#8217;s criminally underused Supergirl, it&amp;#8217;s at least worth checking out. But let&amp;#8217;s make no mistake. Ezra Miller is one of the biggest problems with this film. Even outside of Miller&amp;#8217;s very disturbing and troubling criminal issues, Ezra was always miscast as Barry Allen. And now with this solo movie, there&amp;#8217;s two of them in this film and well, it just makes the miscast even more pronounce.&amp;#160; A bad lead, terrible CG and a script that takes the worst storylines from the Flash TV show and somehow do them even worse. That&amp;#8217;s what plagues this movie. But Keaton&amp;#8230;Mr. Bruce Wayne&amp;#8230;is good enough to keep this from being a complete disaster. Recast Ezra or do whatever. Just give me a full Batman film with Keaton as Batman. Give THAT to us. Oh and give Sasha Calle her Supergirl movie so she can properly shine. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Transformers Rise of the Beasts</title>
		<link>https://www.mtrnetwork.net/transformers-rise-of-the-beasts-review-a-clean-break-from-michael-bay/</link>
		<pubDate>Fri, 09 Jun 2023 10:52:40 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538936</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Steven Caple Jr</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Joby Harold, Darnell Metayer, Josh Peters</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Anthony Ramos, Dominique Fishback, Luna Lauren Velez, Peter Cullen, Ron Perlman, Peter Dinklage</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 7 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: During the &#8217;90s, a new faction of Transformers &#8211; the Maximals &#8211; join the Autobots as allies in the battle for Earth.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Ro &#38; Kriss talk about the latest Transformers film that is clearly a clean break from the Bay-era of films and starts the franchise off in a new and better direction. If you wanted more robots in disguise and less humans, this is what you get. There&#8217;s also a clear indication that they&#8217;re finally moving towards one of the crossovers that has been discussed several time before. Listen as Kriss and Ro talk about Transformers: Rise of the Beasts</span></p>
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		<enclosure length="9003454" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Transformers_Rise_of_the_Beasts-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/06/transformers-rise-of-the-beasts-review.jpg"/>
		<itunes:title>Transformers Rise of the Beasts Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>19:09</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Steven Caple Jr Writers: Joby Harold, Darnell Metayer, Josh Peters Starring: Anthony Ramos, Dominique Fishback, Luna Lauren Velez, Peter Cullen, Ron Perlman, Peter Dinklage Runtime: 2 hour 7 minutes Synopsis: During the &amp;#8217;90s, a new faction of Transformers &amp;#8211; the Maximals &amp;#8211; join the Autobots as allies in the battle for Earth. Ro &amp;#38; Kriss talk about the latest Transformers film that is clearly a clean break from the Bay-era of films and starts the franchise off in a new and better direction. If you wanted more robots in disguise and less humans, this is what you get. There&amp;#8217;s also a clear indication that they&amp;#8217;re finally moving towards one of the crossovers that has been discussed several time before. Listen as Kriss and Ro talk about Transformers: Rise of the Beasts Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Steven Caple Jr Writers: Joby Harold, Darnell Metayer, Josh Peters Starring: Anthony Ramos, Dominique Fishback, Luna Lauren Velez, Peter Cullen, Ron Perlman, Peter Dinklage Runtime: 2 hour 7 minutes Synopsis: During the &amp;#8217;90s, a new faction of Transformers &amp;#8211; the Maximals &amp;#8211; join the Autobots as allies in the battle for Earth. Ro &amp;#38; Kriss talk about the latest Transformers film that is clearly a clean break from the Bay-era of films and starts the franchise off in a new and better direction. If you wanted more robots in disguise and less humans, this is what you get. There&amp;#8217;s also a clear indication that they&amp;#8217;re finally moving towards one of the crossovers that has been discussed several time before. Listen as Kriss and Ro talk about Transformers: Rise of the Beasts Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Spider-Man Across the Spider-Verse - Movie Trailer Review</title>
		<link>https://www.mtrnetwork.net/spider-man-across-the-spider-verse-review/</link>
		<pubDate>Fri, 02 Jun 2023 10:33:07 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538908</guid>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Joaquim Dos Santos, Kemp Powers, Justin K Thompson</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Phil Lord, Christopher Miller, Dave Callaham</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Shameik Moore, Hailee Steinfeld, Oscar Isaac, Jake Johnson, Issa Rae, Brian Tyree Henry, Daniel Kaluuya</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 20 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Miles Morales catapults across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. When the heroes clash on how to handle a new threat, Miles must redefine what it means to be a hero.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">* Edit* The directors are Joaquim Dos Santos, Kemp Powers, Justin K Thompson, Kriss said it was Christopher Miller and Phil Lord but they&#8217;re just the producers *Edit*</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The highly anticipated sequel to the 2018 Spider-Man: Into the Spider-Verse is here and it was well worth the wait. Spider-Man: Across the Spider-Verse is an even better film than the original and sets up not just for a third film but even the possibility of bringing Miles to live action. Honestly, they should just polish off the Oscar for this film right now. No need to see what else comes out. Yes, it&#8217;s that good.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Listen as Kriss, Ro and Brandon give a non-spoiler review.&#160;</span></p>]]></description>
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		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/06/spider-man-across-the-spider-verse-review.jpg"/>
		<itunes:title>Movie Review: Spider-Man Across the Spider-Verse </itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>50:23</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Joaquim Dos Santos, Kemp Powers, Justin K Thompson Writers: Phil Lord, Christopher Miller, Dave Callaham Starring: Shameik Moore, Hailee Steinfeld, Oscar Isaac, Jake Johnson, Issa Rae, Brian Tyree Henry, Daniel Kaluuya Runtime: 2 hour 20 minutes Synopsis: Miles Morales catapults across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. When the heroes clash on how to handle a new threat, Miles must redefine what it means to be a hero. * Edit* The directors are Joaquim Dos Santos, Kemp Powers, Justin K Thompson, Kriss said it was Christopher Miller and Phil Lord but they&amp;#8217;re just the producers *Edit* The highly anticipated sequel to the 2018 Spider-Man: Into the Spider-Verse is here and it was well worth the wait. Spider-Man: Across the Spider-Verse is an even better film than the original and sets up not just for a third film but even the possibility of bringing Miles to live action. Honestly, they should just polish off the Oscar for this film right now. No need to see what else comes out. Yes, it&amp;#8217;s that good. Listen as Kriss, Ro and Brandon give a non-spoiler review.&amp;#160;</itunes:subtitle><itunes:summary>Director: Joaquim Dos Santos, Kemp Powers, Justin K Thompson Writers: Phil Lord, Christopher Miller, Dave Callaham Starring: Shameik Moore, Hailee Steinfeld, Oscar Isaac, Jake Johnson, Issa Rae, Brian Tyree Henry, Daniel Kaluuya Runtime: 2 hour 20 minutes Synopsis: Miles Morales catapults across the Multiverse, where he encounters a team of Spider-People charged with protecting its very existence. When the heroes clash on how to handle a new threat, Miles must redefine what it means to be a hero. * Edit* The directors are Joaquim Dos Santos, Kemp Powers, Justin K Thompson, Kriss said it was Christopher Miller and Phil Lord but they&amp;#8217;re just the producers *Edit* The highly anticipated sequel to the 2018 Spider-Man: Into the Spider-Verse is here and it was well worth the wait. Spider-Man: Across the Spider-Verse is an even better film than the original and sets up not just for a third film but even the possibility of bringing Miles to live action. Honestly, they should just polish off the Oscar for this film right now. No need to see what else comes out. Yes, it&amp;#8217;s that good. Listen as Kriss, Ro and Brandon give a non-spoiler review.&amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: The Little Mermaid</title>
		<link>https://www.mtrnetwork.net/the-little-mermaid-review/</link>
		<pubDate>Sun, 28 May 2023 22:14:43 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538873</guid>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Rob Marshall</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: David Magee</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Halle Bailey, Jonah Hauer-King, Melissa McCarthy, Javier Bardem, Noma Dumezweni, Art Malik, Daveed Diggs, Jacob Tremblay, Awkwafina</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 15 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: A young mermaid makes a deal with a sea witch to trade her beautiful voice for human legs so she can discover the world above water and impress a prince.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">The crew reviews the live action adaptation of The Little Mermaid.</span></p>
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		<enclosure length="9885852" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Little_Mermaid-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/05/the-little-mermaid-review.jpg"/>
		<itunes:title>The Little Mermaid Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>21:15</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Rob Marshall Writers: David Magee Starring: Halle Bailey, Jonah Hauer-King, Melissa McCarthy, Javier Bardem, Noma Dumezweni, Art Malik, Daveed Diggs, Jacob Tremblay, Awkwafina Runtime: 2 hour 15 minutes Synopsis: A young mermaid makes a deal with a sea witch to trade her beautiful voice for human legs so she can discover the world above water and impress a prince. The crew reviews the live action adaptation of The Little Mermaid. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Rob Marshall Writers: David Magee Starring: Halle Bailey, Jonah Hauer-King, Melissa McCarthy, Javier Bardem, Noma Dumezweni, Art Malik, Daveed Diggs, Jacob Tremblay, Awkwafina Runtime: 2 hour 15 minutes Synopsis: A young mermaid makes a deal with a sea witch to trade her beautiful voice for human legs so she can discover the world above water and impress a prince. The crew reviews the live action adaptation of The Little Mermaid. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Fast X</title>
		<link>https://www.mtrnetwork.net/fast-x-review-a-convoluted-mess/</link>
		<pubDate>Fri, 19 May 2023 10:31:58 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Louis Leterrier</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Dan Mazeau, Justin Lin</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Vin Diesel, Michelle Rodriguez, Jordana Brewster, Jason Statham, Tyrese Gibson, Ludacris, Nathalie Emmanuel, Charlize Theron, John Cena, Sung Kang,&#160;</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 21 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Dom Toretto and his family are targeted by the vengeful son of drug kingpin Hernan Reyes.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">I don&#8217;t care what anyone says. The Fast &#38; Furious movies used to be good for a bit of a streak there (5, 6 &#38; 7). It&#8217;s very clear the series took a nose dive after 7, which probably should have been the natural end of the series. The shift is clear. After Paul Walker died, the lead actor and character centered around Vin Diesel and he clearly has his own opinions on how the series should go. Justin Lin, who should be credited for saving these series, got chased off of Fast X a week into production and it shows. Fast X is a convoluted mess that doesn&#8217;t make sense, has terrible action scenes and it some places forgets what story it&#8217;s trying to tell because of terrible editing and scene transitions.&#160;</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Again, people will say it doesn&#8217;t matter and the films have always been ridiculous. But the last few Fast movies have clearly been a drop off from the height of this series that actually put out some good films.&#160;</span></p>
<p>&#160;</p>
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<p>&#160;</p>
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		<enclosure length="31637183" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Fast_X-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/05/fast-x-review.jpg"/>
		<itunes:title>Fast X Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:08:17</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Louis Leterrier Writers: Dan Mazeau, Justin Lin Starring: Vin Diesel, Michelle Rodriguez, Jordana Brewster, Jason Statham, Tyrese Gibson, Ludacris, Nathalie Emmanuel, Charlize Theron, John Cena, Sung Kang,&amp;#160; Runtime: 2 hour 21 minutes Synopsis: Dom Toretto and his family are targeted by the vengeful son of drug kingpin Hernan Reyes. I don&amp;#8217;t care what anyone says. The Fast &amp;#38; Furious movies used to be good for a bit of a streak there (5, 6 &amp;#38; 7). It&amp;#8217;s very clear the series took a nose dive after 7, which probably should have been the natural end of the series. The shift is clear. After Paul Walker died, the lead actor and character centered around Vin Diesel and he clearly has his own opinions on how the series should go. Justin Lin, who should be credited for saving these series, got chased off of Fast X a week into production and it shows. Fast X is a convoluted mess that doesn&amp;#8217;t make sense, has terrible action scenes and it some places forgets what story it&amp;#8217;s trying to tell because of terrible editing and scene transitions.&amp;#160; Again, people will say it doesn&amp;#8217;t matter and the films have always been ridiculous. But the last few Fast movies have clearly been a drop off from the height of this series that actually put out some good films.&amp;#160; &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Louis Leterrier Writers: Dan Mazeau, Justin Lin Starring: Vin Diesel, Michelle Rodriguez, Jordana Brewster, Jason Statham, Tyrese Gibson, Ludacris, Nathalie Emmanuel, Charlize Theron, John Cena, Sung Kang,&amp;#160; Runtime: 2 hour 21 minutes Synopsis: Dom Toretto and his family are targeted by the vengeful son of drug kingpin Hernan Reyes. I don&amp;#8217;t care what anyone says. The Fast &amp;#38; Furious movies used to be good for a bit of a streak there (5, 6 &amp;#38; 7). It&amp;#8217;s very clear the series took a nose dive after 7, which probably should have been the natural end of the series. The shift is clear. After Paul Walker died, the lead actor and character centered around Vin Diesel and he clearly has his own opinions on how the series should go. Justin Lin, who should be credited for saving these series, got chased off of Fast X a week into production and it shows. Fast X is a convoluted mess that doesn&amp;#8217;t make sense, has terrible action scenes and it some places forgets what story it&amp;#8217;s trying to tell because of terrible editing and scene transitions.&amp;#160; Again, people will say it doesn&amp;#8217;t matter and the films have always been ridiculous. But the last few Fast movies have clearly been a drop off from the height of this series that actually put out some good films.&amp;#160; &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Guardians of the Galaxy Volume 3</title>
		<link>https://www.mtrnetwork.net/guardians-of-the-galaxy-volume-3-review/</link>
		<pubDate>Fri, 05 May 2023 02:37:13 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: James Gunn</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: James Gunn, Dan Abnett, Andy Lanning</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Chriss Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Karen Gillan, Pom Klementieff, Elizabeth Debicki</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 30 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own &#8211; a mission that could mean the end of the Guardians if not successful.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Kriss, Ro and Brandon are back to review the last ride of the Guardians of the Galaxy with Guardians of the Galaxy Volume 3. Make sure you bring some tissues.&#160;</span></p>
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		<enclosure length="18733618" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Guardians_of_the_Galaxy_Vol_3-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/04/guardians-of-the-galaxy-volume-3-review.jpg"/>
		<itunes:title> Guardians of the Galaxy Volume 3 Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>39:53</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: James Gunn Writers: James Gunn, Dan Abnett, Andy Lanning Starring: Chriss Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Karen Gillan, Pom Klementieff, Elizabeth Debicki Runtime: 2 hour 30 minutes Synopsis: Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own &amp;#8211; a mission that could mean the end of the Guardians if not successful. Kriss, Ro and Brandon are back to review the last ride of the Guardians of the Galaxy with Guardians of the Galaxy Volume 3. Make sure you bring some tissues.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: James Gunn Writers: James Gunn, Dan Abnett, Andy Lanning Starring: Chriss Pratt, Zoe Saldana, Dave Bautista, Vin Diesel, Bradley Cooper, Karen Gillan, Pom Klementieff, Elizabeth Debicki Runtime: 2 hour 30 minutes Synopsis: Still reeling from the loss of Gamora, Peter Quill rallies his team to defend the universe and one of their own &amp;#8211; a mission that could mean the end of the Guardians if not successful. Kriss, Ro and Brandon are back to review the last ride of the Guardians of the Galaxy with Guardians of the Galaxy Volume 3. Make sure you bring some tissues.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Chevalier</title>
		<link>https://www.mtrnetwork.net/chevalier-review/</link>
		<pubDate>Fri, 21 Apr 2023 10:27:50 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Stephen Williams</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Stefani Robinson</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Kelvin Harrison Jr, Samara Weaving, Lucy Boynton, Ronke Adekoluejo, Marton Csokas, Alex Fitzalan</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 hour 47 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Based on the true story of composer Joseph Bologne, Chevalier de Saint-Georges, the illegitimate son of an African slave and a French plantation owner, who rises to heights in French society as a composer before an ill-fated love affair.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Ro &#38; Kriss discuss and review Chevalier.&#160;</span></p>
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		<enclosure length="12331364" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Chevalier-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/04/chevalier-review.jpg"/>
		<itunes:title>Chevalier Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>26:26</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Stephen Williams Writers: Stefani Robinson Starring: Kelvin Harrison Jr, Samara Weaving, Lucy Boynton, Ronke Adekoluejo, Marton Csokas, Alex Fitzalan Runtime: 1 hour 47 minutes Synopsis: Based on the true story of composer Joseph Bologne, Chevalier de Saint-Georges, the illegitimate son of an African slave and a French plantation owner, who rises to heights in French society as a composer before an ill-fated love affair. Ro &amp;#38; Kriss discuss and review Chevalier.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Stephen Williams Writers: Stefani Robinson Starring: Kelvin Harrison Jr, Samara Weaving, Lucy Boynton, Ronke Adekoluejo, Marton Csokas, Alex Fitzalan Runtime: 1 hour 47 minutes Synopsis: Based on the true story of composer Joseph Bologne, Chevalier de Saint-Georges, the illegitimate son of an African slave and a French plantation owner, who rises to heights in French society as a composer before an ill-fated love affair. Ro &amp;#38; Kriss discuss and review Chevalier.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Guy Ritchie's the Covenant</title>
		<link>https://www.mtrnetwork.net/guy-ritchies-the-covenant-review/</link>
		<pubDate>Fri, 21 Apr 2023 10:26:26 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Guy Ritchie</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Ivan Atkinson, Marn Davies, Guy Ritchie</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Jake Gyllenhaal, Dar Salim, Sean Sagar, Jason Wong, Rhys Yates</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 3 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: During the war in Afghanistan, a local interpreter risks his own life to carry an injured sergeant across miles of grueling terrain.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Ro &#38; Kriss talk about Guy Ritchie&#8217;s The Covenant.</span></p>
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		<enclosure length="10057708" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Guy_Ritchie_s_The_Convenant-Movie_Trailer_Review.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:title>Guy Ritchie's the Covenant Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>20:52</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Guy Ritchie Writers: Ivan Atkinson, Marn Davies, Guy Ritchie Starring: Jake Gyllenhaal, Dar Salim, Sean Sagar, Jason Wong, Rhys Yates Runtime: 2 hour 3 minutes Synopsis: During the war in Afghanistan, a local interpreter risks his own life to carry an injured sergeant across miles of grueling terrain. Ro &amp;#38; Kriss talk about Guy Ritchie&amp;#8217;s The Covenant. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Guy Ritchie Writers: Ivan Atkinson, Marn Davies, Guy Ritchie Starring: Jake Gyllenhaal, Dar Salim, Sean Sagar, Jason Wong, Rhys Yates Runtime: 2 hour 3 minutes Synopsis: During the war in Afghanistan, a local interpreter risks his own life to carry an injured sergeant across miles of grueling terrain. Ro &amp;#38; Kriss talk about Guy Ritchie&amp;#8217;s The Covenant. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: The Super Mario Bros. Movie</title>
		<link>https://www.mtrnetwork.net/the-super-mario-bros-movie-review/</link>
		<pubDate>Sun, 09 Apr 2023 22:46:26 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Kriss and Brandon talk about The Super Mario Bros. Movie. Well, at least Brandon does while Kriss listens as he was the only one to see the film out of the crew.</span></p>
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		<enclosure length="10443196" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Super_Mario_Bros_Movie-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/04/the-super-mario-bros-movie-review.jpg"/>
		<itunes:title>The Super Mario Bros. Movie Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>22:23</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Kriss and Brandon talk about The Super Mario Bros. Movie. Well, at least Brandon does while Kriss listens as he was the only one to see the film out of the crew. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Kriss and Brandon talk about The Super Mario Bros. Movie. Well, at least Brandon does while Kriss listens as he was the only one to see the film out of the crew. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: John Wick Chapter 4</title>
		<link>https://www.mtrnetwork.net/john-wick-chapter-4-review/</link>
		<pubDate>Wed, 22 Mar 2023 23:35:55 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Chad Stahelski</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Shay Hatten, Michael Finch, Derek Kolstad</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Keanu Reeves, Laurence Fishburne, Donnie Yen, Bill Skarsgård, Lance Reddick, Ian McShane, Clancy Brown, Hiroyuki Sanada, Shamier Anderson, Rina Sawayama</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 49 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">It&#8217;s John Wick. Of course you&#8217;re already going to see it. And for good reason. If you must be convinced though, listen to Ro &#38; Kriss talk about this great movie.</span></p>
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		<enclosure length="21945815" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/John_Wick_Chapter_4-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/03/john-wick-chapter-4-review.jpg"/>
		<itunes:title>John Wick Chapter 4 Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>47:17</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Chad Stahelski Writers: Shay Hatten, Michael Finch, Derek Kolstad Starring: Keanu Reeves, Laurence Fishburne, Donnie Yen, Bill Skarsgård, Lance Reddick, Ian McShane, Clancy Brown, Hiroyuki Sanada, Shamier Anderson, Rina Sawayama Runtime: 2 hour 49 minutes Synopsis: John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes. It&amp;#8217;s John Wick. Of course you&amp;#8217;re already going to see it. And for good reason. If you must be convinced though, listen to Ro &amp;#38; Kriss talk about this great movie. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Chad Stahelski Writers: Shay Hatten, Michael Finch, Derek Kolstad Starring: Keanu Reeves, Laurence Fishburne, Donnie Yen, Bill Skarsgård, Lance Reddick, Ian McShane, Clancy Brown, Hiroyuki Sanada, Shamier Anderson, Rina Sawayama Runtime: 2 hour 49 minutes Synopsis: John Wick uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with powerful alliances across the globe and forces that turn old friends into foes. It&amp;#8217;s John Wick. Of course you&amp;#8217;re already going to see it. And for good reason. If you must be convinced though, listen to Ro &amp;#38; Kriss talk about this great movie. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Creed III</title>
		<link>https://www.mtrnetwork.net/creed-iii-review/</link>
		<pubDate>Fri, 24 Feb 2023 12:00:37 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538507</guid>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Michael B. Jordan</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Keenan Coogler, Zach Baylin</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Michael B. Jordan, Tessa Thompson, Jonathan Majors</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 hour 56 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Adonis has been thriving in both his career and family life, but when a childhood friend and former boxing prodigy resurfaces, the face-off is more than just a fight.</span></p>
<p class="p1"><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Kriss, Ro and Brandon have differing opinions on the latest Creed film. It seems to come down to expectations. If you have lowered expectations because this is Michael B. Jordan&#8217;s first time directing and he&#8217;s also directing himself, this might be serviceable. If you were expecting a film that was in line with the previous Creed films, you might be disappointed. Jonathan Majors is absolutely fantastic but the script seems to do a lot of skipping over parts and &#8220;tell not show&#8221; that the previous films didn&#8217;t do. There&#8217;s a good film that could have been made here but it&#8217;s not showing in the final product. Part of that could be because there&#8217;s a first time director but there&#8217;s also a lot of script issues as well. If this was the first film in the series, these flaws could be excused. But seeing as how this is the third film in a trilogy, something just feels off.&#160;</span></p>
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<p>&#160;</p>
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		<enclosure length="34991613" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Creed_III-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/02/creed-3-review.jpg"/>
		<itunes:title>Creed III Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:14:33</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Michael B. Jordan Writers: Keenan Coogler, Zach Baylin Starring: Michael B. Jordan, Tessa Thompson, Jonathan Majors Runtime: 1 hour 56 minutes Synopsis: Adonis has been thriving in both his career and family life, but when a childhood friend and former boxing prodigy resurfaces, the face-off is more than just a fight. Kriss, Ro and Brandon have differing opinions on the latest Creed film. It seems to come down to expectations. If you have lowered expectations because this is Michael B. Jordan&amp;#8217;s first time directing and he&amp;#8217;s also directing himself, this might be serviceable. If you were expecting a film that was in line with the previous Creed films, you might be disappointed. Jonathan Majors is absolutely fantastic but the script seems to do a lot of skipping over parts and &amp;#8220;tell not show&amp;#8221; that the previous films didn&amp;#8217;t do. There&amp;#8217;s a good film that could have been made here but it&amp;#8217;s not showing in the final product. Part of that could be because there&amp;#8217;s a first time director but there&amp;#8217;s also a lot of script issues as well. If this was the first film in the series, these flaws could be excused. But seeing as how this is the third film in a trilogy, something just feels off.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Michael B. Jordan Writers: Keenan Coogler, Zach Baylin Starring: Michael B. Jordan, Tessa Thompson, Jonathan Majors Runtime: 1 hour 56 minutes Synopsis: Adonis has been thriving in both his career and family life, but when a childhood friend and former boxing prodigy resurfaces, the face-off is more than just a fight. Kriss, Ro and Brandon have differing opinions on the latest Creed film. It seems to come down to expectations. If you have lowered expectations because this is Michael B. Jordan&amp;#8217;s first time directing and he&amp;#8217;s also directing himself, this might be serviceable. If you were expecting a film that was in line with the previous Creed films, you might be disappointed. Jonathan Majors is absolutely fantastic but the script seems to do a lot of skipping over parts and &amp;#8220;tell not show&amp;#8221; that the previous films didn&amp;#8217;t do. There&amp;#8217;s a good film that could have been made here but it&amp;#8217;s not showing in the final product. Part of that could be because there&amp;#8217;s a first time director but there&amp;#8217;s also a lot of script issues as well. If this was the first film in the series, these flaws could be excused. But seeing as how this is the third film in a trilogy, something just feels off.&amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Ant-Man and the Wasp Quantumania</title>
		<link>https://www.mtrnetwork.net/ant-man-and-the-wasp-quantumania-its-all-about-kang/</link>
		<pubDate>Fri, 17 Feb 2023 11:23:15 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538484</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Peyton Reed</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Jeff Loveness</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton, Michelle Pfeiffer, Michael Douglas</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 5 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Scott Lang and Hope Van Dyne, along with Hank Pym and Janet Van Dyne, explore the Quantum Realm, where they interact with strange creatures and embark on an adventure that goes beyond the limits of what they thought was possible.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Ant-Man and the Wasp: Quantumania falls right in line with the other Ant-Man films with the one big distinction that it is Jonathan Major&#8217;s MCU feature film debut as Kang and that alone is worth the price of a ticket (or several tickets). It seems that some folks have become confused with Marvel&#8217;s approach to its films post-Infinity Saga. Basically they&#8217;re not holding our hands and are going full comic book and that can be good or bad depending on what your expectations are. It&#8217;s also very clear that you should be watching the Disney+ shows. Watching this film is definitely going to want to watch the first season of Loki again. Anyone who watched that last episode of Loki knew that Major&#8217;s was going to kill it (literally and figuratively) as Kang and this film just solidifies it.&#160;</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">It&#8217;s not a perfect film by any measure. But we think this is going to be one of those films that folks are going to go back to after the direction Phase 4 &#38; Phase 5 have been going become more clear and have to reevaluate.&#160;</span></p>
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		<enclosure length="32580975" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Ant-Man_and_the_Wasp_Quantumania-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/02/ant-man-and-the-wasp-quantumania-review.jpg"/>
		<itunes:title>Ant-Man and the Wasp Quantumania Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:08:58</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Peyton Reed Writers: Jeff Loveness Starring: Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton, Michelle Pfeiffer, Michael Douglas Runtime: 2 hour 5 minutes Synopsis: Scott Lang and Hope Van Dyne, along with Hank Pym and Janet Van Dyne, explore the Quantum Realm, where they interact with strange creatures and embark on an adventure that goes beyond the limits of what they thought was possible. Ant-Man and the Wasp: Quantumania falls right in line with the other Ant-Man films with the one big distinction that it is Jonathan Major&amp;#8217;s MCU feature film debut as Kang and that alone is worth the price of a ticket (or several tickets). It seems that some folks have become confused with Marvel&amp;#8217;s approach to its films post-Infinity Saga. Basically they&amp;#8217;re not holding our hands and are going full comic book and that can be good or bad depending on what your expectations are. It&amp;#8217;s also very clear that you should be watching the Disney+ shows. Watching this film is definitely going to want to watch the first season of Loki again. Anyone who watched that last episode of Loki knew that Major&amp;#8217;s was going to kill it (literally and figuratively) as Kang and this film just solidifies it.&amp;#160; It&amp;#8217;s not a perfect film by any measure. But we think this is going to be one of those films that folks are going to go back to after the direction Phase 4 &amp;#38; Phase 5 have been going become more clear and have to reevaluate.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Peyton Reed Writers: Jeff Loveness Starring: Paul Rudd, Evangeline Lilly, Jonathan Majors, Kathryn Newton, Michelle Pfeiffer, Michael Douglas Runtime: 2 hour 5 minutes Synopsis: Scott Lang and Hope Van Dyne, along with Hank Pym and Janet Van Dyne, explore the Quantum Realm, where they interact with strange creatures and embark on an adventure that goes beyond the limits of what they thought was possible. Ant-Man and the Wasp: Quantumania falls right in line with the other Ant-Man films with the one big distinction that it is Jonathan Major&amp;#8217;s MCU feature film debut as Kang and that alone is worth the price of a ticket (or several tickets). It seems that some folks have become confused with Marvel&amp;#8217;s approach to its films post-Infinity Saga. Basically they&amp;#8217;re not holding our hands and are going full comic book and that can be good or bad depending on what your expectations are. It&amp;#8217;s also very clear that you should be watching the Disney+ shows. Watching this film is definitely going to want to watch the first season of Loki again. Anyone who watched that last episode of Loki knew that Major&amp;#8217;s was going to kill it (literally and figuratively) as Kang and this film just solidifies it.&amp;#160; It&amp;#8217;s not a perfect film by any measure. But we think this is going to be one of those films that folks are going to go back to after the direction Phase 4 &amp;#38; Phase 5 have been going become more clear and have to reevaluate.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: Knock at the Cabin</title>
		<link>https://www.mtrnetwork.net/m-knight-goes-the-safe-route-with-knock-at-the-cabin/</link>
		<pubDate>Fri, 03 Feb 2023 12:12:21 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538463</guid>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: M. Knight Shyamalan&#160;</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: M. Knight Shyamalan, Steve Desmond, Michael Sherman</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Kristen Cui</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 hour 40 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: While vacationing, a girl and her parents are taken hostage by armed strangers who demand that the family make a choice to avert the apocalypse.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Knock at the Cabin might be one of the best looking M. Knight Shyamalan movies from a cinematic points. It has all of the things that should make this a great film. The cast works really well with what they&#8217;re given. The problem is, this movie doesn&#8217;t have the M. Knight Shyamalan twist and flair that is really needed for this film. It&#8217;s a shocking disappointment. This isn&#8217;t a bad film at all. But it&#8217;s feels like something that was perfectly made for an adaptation by M. Knight but is missing something. What we get is a pretty film with solid acting that just feeling shallow.&#160;</span></p>
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		<enclosure length="16714951" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Knock_at_the_Cabin-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/02/knock-at-the-cabin-review.jpg"/>
		<itunes:title>Knock at the Cabin Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>36:02</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: M. Knight Shyamalan&amp;#160; Writers: M. Knight Shyamalan, Steve Desmond, Michael Sherman Starring: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Kristen Cui Runtime: 1 hour 40 minutes Synopsis: While vacationing, a girl and her parents are taken hostage by armed strangers who demand that the family make a choice to avert the apocalypse. Knock at the Cabin might be one of the best looking M. Knight Shyamalan movies from a cinematic points. It has all of the things that should make this a great film. The cast works really well with what they&amp;#8217;re given. The problem is, this movie doesn&amp;#8217;t have the M. Knight Shyamalan twist and flair that is really needed for this film. It&amp;#8217;s a shocking disappointment. This isn&amp;#8217;t a bad film at all. But it&amp;#8217;s feels like something that was perfectly made for an adaptation by M. Knight but is missing something. What we get is a pretty film with solid acting that just feeling shallow.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: M. Knight Shyamalan&amp;#160; Writers: M. Knight Shyamalan, Steve Desmond, Michael Sherman Starring: Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Rupert Grint, Kristen Cui Runtime: 1 hour 40 minutes Synopsis: While vacationing, a girl and her parents are taken hostage by armed strangers who demand that the family make a choice to avert the apocalypse. Knock at the Cabin might be one of the best looking M. Knight Shyamalan movies from a cinematic points. It has all of the things that should make this a great film. The cast works really well with what they&amp;#8217;re given. The problem is, this movie doesn&amp;#8217;t have the M. Knight Shyamalan twist and flair that is really needed for this film. It&amp;#8217;s a shocking disappointment. This isn&amp;#8217;t a bad film at all. But it&amp;#8217;s feels like something that was perfectly made for an adaptation by M. Knight but is missing something. What we get is a pretty film with solid acting that just feeling shallow.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2023 Reviews, Kriss 2023 Reviews, Ro 2023 Reviews</itunes:keywords></item>
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		<title>Movie Review: I Wanna Dance With Somebody</title>
		<link>https://www.mtrnetwork.net/i-want-to-dance-with-somebody-review/</link>
		<pubDate>Fri, 23 Dec 2022 11:00:15 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-family: georgia, palatino, serif;">If you&#8217;re planning on watching<em> Whitney Houston: I Want to Dance with Somebody</em> because you want to celebrate the woman behind the icon, this isn&#8217;t what you&#8217;ve been waiting for. S<span class="sc-856aec89-1 dViDAx">cript writer&#160;</span><span class="sc-856aec89-1 dViDAx">Anthony McCarten (<a href="https://www.mtrnetwork.net/the-two-popes-only-gets-to-the-surface-of-the-cloth/" target="_blank" rel="noopener"><em>The Two Popes</em></a>,&#160; <a href="https://www.mtrnetwork.net/bohemian-rhapsody-review-mercury-rising/" target="_blank" rel="noopener"><em>Bohemian Rhapsody</em></a>) designed a narrative built on innuendo, interviews, videos, and b-reel footage to such a degree that its central character, Whitney Huston, is never more than a plot device in a highlight reel of her career. And director Kasi Lemmons <em>(<a href="https://www.mtrnetwork.net/movie-review-self-made-inspired-by-life-of-madam-c-j-walker/" target="_blank" rel="noopener">Self-Made: Inspired by the life of Madame C. J. Walker</a></em>), who should know better than to be satisfied with caricatures of Black people, did little to steer the story much deeper than offering a parody of a life lived. This talented cast&#8217;s been set adrift with no hope of ever fitting an extraordinary life in such a meandering, and sadly subpar, homage.&#160;</span></span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;"><b>Director</b>: Luca Guadagnino</span><br />
<span style="font-family: georgia, palatino, serif;"><b>Writers</b>: David Kajganich, Camille DeAngelis</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;"><b>Starring</b>: Naomi Ackie,&#160;Stanley Tucci,&#160;Ashton Sanders,&#160;Tamara Tunie,&#160;Nafessa Williams,&#160;Clarke Peters</span><br />
<span style="font-family: georgia, palatino, serif;"><b>Runtime</b>: 146 (very long) minutes</span></p>
<p class="p1"><span style="font-family: georgia, palatino, serif;"><b>Synopsis</b>:&#160; A joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, one of the greatest female R&#38;B pop vocalists of all time, tracking her journey from obscurity to musical superstardom.</span></p>
<h4><span style="font-family: georgia, palatino, serif;">Listen to the Full Review:&#160;</span></h4>
<p><span style="font-family: georgia, palatino, serif;">Ro and Brandon accidentally go long </span><span style="font-family: georgia, palatino, serif;">(but spoiler-free) </span><span style="font-family: georgia, palatino, serif;">about where things went wrong and why it&#8217;s time we as a community stop accepting mediocrity when it comes to celebrating our icons on film.&#160;</span></p>
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		<enclosure length="25668655" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/iwannadance-MTR.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2022/12/I-Want-to-Dance-With-Somebody-1.jpg"/>
		<itunes:episodeType>full</itunes:episodeType>
	<itunes:explicit/><itunes:subtitle>If you&amp;#8217;re planning on watching Whitney Houston: I Want to Dance with Somebody because you want to celebrate the woman behind the icon, this isn&amp;#8217;t what you&amp;#8217;ve been waiting for. Script writer&amp;#160;Anthony McCarten (The Two Popes,&amp;#160; Bohemian Rhapsody) designed a narrative built on innuendo, interviews, videos, and b-reel footage to such a degree that its central character, Whitney Huston, is never more than a plot device in a highlight reel of her career. And director Kasi Lemmons (Self-Made: Inspired by the life of Madame C. J. Walker), who should know better than to be satisfied with caricatures of Black people, did little to steer the story much deeper than offering a parody of a life lived. This talented cast&amp;#8217;s been set adrift with no hope of ever fitting an extraordinary life in such a meandering, and sadly subpar, homage.&amp;#160; Director: Luca Guadagnino Writers: David Kajganich, Camille DeAngelis Starring: Naomi Ackie,&amp;#160;Stanley Tucci,&amp;#160;Ashton Sanders,&amp;#160;Tamara Tunie,&amp;#160;Nafessa Williams,&amp;#160;Clarke Peters Runtime: 146 (very long) minutes Synopsis:&amp;#160; A joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, one of the greatest female R&amp;#38;B pop vocalists of all time, tracking her journey from obscurity to musical superstardom. Listen to the Full Review:&amp;#160; Ro and Brandon accidentally go long (but spoiler-free) about where things went wrong and why it&amp;#8217;s time we as a community stop accepting mediocrity when it comes to celebrating our icons on film.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>If you&amp;#8217;re planning on watching Whitney Houston: I Want to Dance with Somebody because you want to celebrate the woman behind the icon, this isn&amp;#8217;t what you&amp;#8217;ve been waiting for. Script writer&amp;#160;Anthony McCarten (The Two Popes,&amp;#160; Bohemian Rhapsody) designed a narrative built on innuendo, interviews, videos, and b-reel footage to such a degree that its central character, Whitney Huston, is never more than a plot device in a highlight reel of her career. And director Kasi Lemmons (Self-Made: Inspired by the life of Madame C. J. Walker), who should know better than to be satisfied with caricatures of Black people, did little to steer the story much deeper than offering a parody of a life lived. This talented cast&amp;#8217;s been set adrift with no hope of ever fitting an extraordinary life in such a meandering, and sadly subpar, homage.&amp;#160; Director: Luca Guadagnino Writers: David Kajganich, Camille DeAngelis Starring: Naomi Ackie,&amp;#160;Stanley Tucci,&amp;#160;Ashton Sanders,&amp;#160;Tamara Tunie,&amp;#160;Nafessa Williams,&amp;#160;Clarke Peters Runtime: 146 (very long) minutes Synopsis:&amp;#160; A joyous, emotional, heartbreaking celebration of the life and music of Whitney Houston, one of the greatest female R&amp;#38;B pop vocalists of all time, tracking her journey from obscurity to musical superstardom. Listen to the Full Review:&amp;#160; Ro and Brandon accidentally go long (but spoiler-free) about where things went wrong and why it&amp;#8217;s time we as a community stop accepting mediocrity when it comes to celebrating our icons on film.&amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Bones and All</title>
		<link>https://www.mtrnetwork.net/bones-and-all-review/</link>
		<pubDate>Sun, 18 Dec 2022 20:17:21 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Luca Guadagnino</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: David Kajganich, Camille DeAngelis</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Timothée Chalamet, Taylor Russell, Mark Rylance, Kendle Coffey, André Holland</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 11 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>:  Maren, a young woman, learns how to survive on the margins of society.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The worst IMBD synopsis (see above) for Bones and All leads to one of our funniest episodes. Listen as Brandon, Kriss and Ro discuss the film that should get Luca Guadagnino on a watchlist (if Call Me By Your Name didn&#8217;t already have him on one). </span></p>
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		<enclosure length="30184716" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Bones_and_All-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2022/12/bones-and-all-review.jpg"/>
		<itunes:title>Bones and All Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:04:58</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Luca Guadagnino Writers: David Kajganich, Camille DeAngelis Starring: Timothée Chalamet, Taylor Russell, Mark Rylance, Kendle Coffey, André Holland Runtime: 2 hour 11 minutes Synopsis:  Maren, a young woman, learns how to survive on the margins of society. The worst IMBD synopsis (see above) for Bones and All leads to one of our funniest episodes. Listen as Brandon, Kriss and Ro discuss the film that should get Luca Guadagnino on a watchlist (if Call Me By Your Name didn&amp;#8217;t already have him on one).  Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:subtitle><itunes:summary>Director: Luca Guadagnino Writers: David Kajganich, Camille DeAngelis Starring: Timothée Chalamet, Taylor Russell, Mark Rylance, Kendle Coffey, André Holland Runtime: 2 hour 11 minutes Synopsis:  Maren, a young woman, learns how to survive on the margins of society. The worst IMBD synopsis (see above) for Bones and All leads to one of our funniest episodes. Listen as Brandon, Kriss and Ro discuss the film that should get Luca Guadagnino on a watchlist (if Call Me By Your Name didn&amp;#8217;t already have him on one).  Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork   Our shirts are now on TeePublic.  https://teepublic.com/stores/mtr-network   Want more podcast greatness? Sign up for a MTR Premium Account!  </itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
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		<title>Harry &amp; Meghan- An MTR Network Special</title>
		<link>https://www.mtrnetwork.net/harry-meghan-an-mtr-network-special/</link>
		<pubDate>Sun, 18 Dec 2022 19:00:35 +0000</pubDate>
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		<category><![CDATA[Netflix]]></category>
		<category><![CDATA[Documentary]]></category>
		<category><![CDATA[Shanna 2022 Review]]></category>
		<category><![CDATA[The Doctor 2022 Review]]></category>
		<description><![CDATA[<div>
<p class="pp-shortcode-example"></p>
</div>
<p><strong>Director:</strong> Liz Garbus</p>
<p><strong>Starring</strong>: Prince Harry, Duke of Sussex, Meghan, Duchess of Sussex, Afua Hirsch, Doria Ragland</p>
<p><strong>Episodes</strong>: 6&#160;</p>
<p>Since the announcement of their courtship the global media has been hyper-focused on the pairing that is Prince Henry Charles Albert David (Prince Harry to the rest of us) and Meghan Markle, the American actress and activist.&#160; Like his mother Princess Diana, Sarah Ferguson, and even Princess Margaret, this hyper-fixation on outspoken women with a desire to engage the public in a new and modern way has led to a campaign of venom and hate.&#160; Prince Harry, who expressed an intense dislike of the media and a desire to step away from the royal box even before his marriage, saw these repeated patterns and decided on a course of action that disrupted the status quo.&#160;&#160;</p>
<p><em>Harry &#38; Meghan</em> is the Duke and Duchess&#8217; response to the ongoing campaign that appeared to be designed to destroy their relationship and return Harry to his &#8220;rightful place.&#8221;&#160; The documentary, which features a compilation of family videos and photos, archival news footage, and personal interviews with family, friends, and the couple, attempts to provide answers to the accusations lobbied at them by the media and by, according to the couple, the institution that is the British royal family.&#160; From four differing perspectives and understandings of the British royals,&#160; we examine the production value of the documentary as well as provide commentary on some of the themes presented, including the development of a non-traditional family, patterns of the Black community, and more.</p>
<hr>
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		<enclosure length="50606810" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Harry_Meghan-An_MTR_Network_Special_2.m4a"/>
		<itunes:title>Harry &amp; Meghan- An MTR Network Special</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:46:12</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Liz Garbus Starring: Prince Harry, Duke of Sussex, Meghan, Duchess of Sussex, Afua Hirsch, Doria Ragland Episodes: 6&amp;#160; Since the announcement of their courtship the global media has been hyper-focused on the pairing that is Prince Henry Charles Albert David (Prince Harry to the rest of us) and Meghan Markle, the American actress and activist.&amp;#160; Like his mother Princess Diana, Sarah Ferguson, and even Princess Margaret, this hyper-fixation on outspoken women with a desire to engage the public in a new and modern way has led to a campaign of venom and hate.&amp;#160; Prince Harry, who expressed an intense dislike of the media and a desire to step away from the royal box even before his marriage, saw these repeated patterns and decided on a course of action that disrupted the status quo.&amp;#160;&amp;#160; Harry &amp;#38; Meghan is the Duke and Duchess&amp;#8217; response to the ongoing campaign that appeared to be designed to destroy their relationship and return Harry to his &amp;#8220;rightful place.&amp;#8221;&amp;#160; The documentary, which features a compilation of family videos and photos, archival news footage, and personal interviews with family, friends, and the couple, attempts to provide answers to the accusations lobbied at them by the media and by, according to the couple, the institution that is the British royal family.&amp;#160; From four differing perspectives and understandings of the British royals,&amp;#160; we examine the production value of the documentary as well as provide commentary on some of the themes presented, including the development of a non-traditional family, patterns of the Black community, and more. &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! &amp;#160; Follow us on Twitter: @TheMTRNetwork @shittybonmots @TheDrIsHere21 Our shirts are now on TeePublic:&amp;#160;&amp;#160;https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:subtitle><itunes:summary>Director: Liz Garbus Starring: Prince Harry, Duke of Sussex, Meghan, Duchess of Sussex, Afua Hirsch, Doria Ragland Episodes: 6&amp;#160; Since the announcement of their courtship the global media has been hyper-focused on the pairing that is Prince Henry Charles Albert David (Prince Harry to the rest of us) and Meghan Markle, the American actress and activist.&amp;#160; Like his mother Princess Diana, Sarah Ferguson, and even Princess Margaret, this hyper-fixation on outspoken women with a desire to engage the public in a new and modern way has led to a campaign of venom and hate.&amp;#160; Prince Harry, who expressed an intense dislike of the media and a desire to step away from the royal box even before his marriage, saw these repeated patterns and decided on a course of action that disrupted the status quo.&amp;#160;&amp;#160; Harry &amp;#38; Meghan is the Duke and Duchess&amp;#8217; response to the ongoing campaign that appeared to be designed to destroy their relationship and return Harry to his &amp;#8220;rightful place.&amp;#8221;&amp;#160; The documentary, which features a compilation of family videos and photos, archival news footage, and personal interviews with family, friends, and the couple, attempts to provide answers to the accusations lobbied at them by the media and by, according to the couple, the institution that is the British royal family.&amp;#160; From four differing perspectives and understandings of the British royals,&amp;#160; we examine the production value of the documentary as well as provide commentary on some of the themes presented, including the development of a non-traditional family, patterns of the Black community, and more. &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! &amp;#160; Follow us on Twitter: @TheMTRNetwork @shittybonmots @TheDrIsHere21 Our shirts are now on TeePublic:&amp;#160;&amp;#160;https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account!</itunes:summary><itunes:keywords>Netflix, Documentary, Shanna 2022 Review, The Doctor 2022 Review</itunes:keywords></item>
	<item>
		<title>Movie Review: Avatar The Way of Water</title>
		<link>https://www.mtrnetwork.net/avatar-the-way-of-water-proves-theres-not-a-movie-james-cameron-wont-steal-from/</link>
		<pubDate>Sat, 17 Dec 2022 11:39:32 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: James Cameron</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: James Cameron, Rick Jaffa, Amanda Silver</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Kate Winslet, Cliff Curtis</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 3 hour 12 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Jake Sully lives with his newfound family formed on the extrasolar moon Pandora. Once a familiar threat returns to finish what was previously started, Jake must work with Neytiri and the army of the Na&#8217;vi race to protect their home.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">James Cameron returns after 13 years to give us a sequel to 2009&#8217;s Avatar. Avatar: The Way of Water is a visually stunning film as one would expect. What is unexpected (or maybe expected depending on who you talk to) is how bland and regressive the story and plot is. While no one would claim the first Avatar film was some marvel of story-telling. It&#8217;s clear that Cameron &#8220;borrowed&#8221; from several different sources for that first film but it still was edited together in a coherent and enjoyable story. This new film is not only blatant in which films it rips dialogue and scenes from but its way too long and edited together in a way that just doesn&#8217;t make sense.&#160;It&#8217;s really ironic considering how much talk about how superhero and other big blockbuster films &#8220;aren&#8217;t real cinema&#8221; that Cameron decided to rip so much from those films for this.&#160;</span></p>
</div>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The other problem with Avatar: The Way of Water is that while Cameron made huge technological progress in how the film was shot and looks, it&#8217;s almost as if his mindset with the story is still stuck in 2009. It&#8217;s not just that he rips from other films but he does it in ways that waters down the impact of so many of those scenes. It&#8217;s the equivalent of someone taking a soul food recipe for fried chicken, removing all seasonings and then baking it instead of frying.&#160;</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">We have a lot of spoiler-free thoughts on this film so listen as we talk about it. And then come back from the Premium spoiler review that will drop sometime the following week.</span></p>
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		<enclosure length="32302614" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Avatar_The_Way_of_Water-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2022/12/avatar-the-way-of-water-review.jpg"/>
		<itunes:title>Avatar The Way of Water Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>1:09:11</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: James Cameron Writers: James Cameron, Rick Jaffa, Amanda Silver Starring: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Kate Winslet, Cliff Curtis Runtime: 3 hour 12 minutes Synopsis: Jake Sully lives with his newfound family formed on the extrasolar moon Pandora. Once a familiar threat returns to finish what was previously started, Jake must work with Neytiri and the army of the Na&amp;#8217;vi race to protect their home. James Cameron returns after 13 years to give us a sequel to 2009&amp;#8217;s Avatar. Avatar: The Way of Water is a visually stunning film as one would expect. What is unexpected (or maybe expected depending on who you talk to) is how bland and regressive the story and plot is. While no one would claim the first Avatar film was some marvel of story-telling. It&amp;#8217;s clear that Cameron &amp;#8220;borrowed&amp;#8221; from several different sources for that first film but it still was edited together in a coherent and enjoyable story. This new film is not only blatant in which films it rips dialogue and scenes from but its way too long and edited together in a way that just doesn&amp;#8217;t make sense.&amp;#160;It&amp;#8217;s really ironic considering how much talk about how superhero and other big blockbuster films &amp;#8220;aren&amp;#8217;t real cinema&amp;#8221; that Cameron decided to rip so much from those films for this.&amp;#160; The other problem with Avatar: The Way of Water is that while Cameron made huge technological progress in how the film was shot and looks, it&amp;#8217;s almost as if his mindset with the story is still stuck in 2009. It&amp;#8217;s not just that he rips from other films but he does it in ways that waters down the impact of so many of those scenes. It&amp;#8217;s the equivalent of someone taking a soul food recipe for fried chicken, removing all seasonings and then baking it instead of frying.&amp;#160; We have a lot of spoiler-free thoughts on this film so listen as we talk about it. And then come back from the Premium spoiler review that will drop sometime the following week. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: James Cameron Writers: James Cameron, Rick Jaffa, Amanda Silver Starring: Sam Worthington, Zoe Saldana, Sigourney Weaver, Stephen Lang, Kate Winslet, Cliff Curtis Runtime: 3 hour 12 minutes Synopsis: Jake Sully lives with his newfound family formed on the extrasolar moon Pandora. Once a familiar threat returns to finish what was previously started, Jake must work with Neytiri and the army of the Na&amp;#8217;vi race to protect their home. James Cameron returns after 13 years to give us a sequel to 2009&amp;#8217;s Avatar. Avatar: The Way of Water is a visually stunning film as one would expect. What is unexpected (or maybe expected depending on who you talk to) is how bland and regressive the story and plot is. While no one would claim the first Avatar film was some marvel of story-telling. It&amp;#8217;s clear that Cameron &amp;#8220;borrowed&amp;#8221; from several different sources for that first film but it still was edited together in a coherent and enjoyable story. This new film is not only blatant in which films it rips dialogue and scenes from but its way too long and edited together in a way that just doesn&amp;#8217;t make sense.&amp;#160;It&amp;#8217;s really ironic considering how much talk about how superhero and other big blockbuster films &amp;#8220;aren&amp;#8217;t real cinema&amp;#8221; that Cameron decided to rip so much from those films for this.&amp;#160; The other problem with Avatar: The Way of Water is that while Cameron made huge technological progress in how the film was shot and looks, it&amp;#8217;s almost as if his mindset with the story is still stuck in 2009. It&amp;#8217;s not just that he rips from other films but he does it in ways that waters down the impact of so many of those scenes. It&amp;#8217;s the equivalent of someone taking a soul food recipe for fried chicken, removing all seasonings and then baking it instead of frying.&amp;#160; We have a lot of spoiler-free thoughts on this film so listen as we talk about it. And then come back from the Premium spoiler review that will drop sometime the following week. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Babylon</title>
		<link>https://www.mtrnetwork.net/babylon-the-most-chaotic-movie-of-2022/</link>
		<pubDate>Wed, 14 Dec 2022 03:35:10 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director:&#160;</b>Damien Chazelle</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Damien Chazelle</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Brad Pitt, Margot Robbie, Olivia Wilde, Diego Calva, Jean Smart</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 3 hour 9 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Kriss, Ro and Brandon discuss the chaotic film, Babylon. Seriously, what the hell did we just watch?</span></p>
<p>&#160;</p>
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		<enclosure length="12261135" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Babylon-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/05/babylon-review.jpg"/>
		<itunes:title>Babylon Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>25:28</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director:&amp;#160;Damien Chazelle Writers: Damien Chazelle Starring: Brad Pitt, Margot Robbie, Olivia Wilde, Diego Calva, Jean Smart Runtime: 3 hour 9 minutes Synopsis: A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood. Kriss, Ro and Brandon discuss the chaotic film, Babylon. Seriously, what the hell did we just watch? &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director:&amp;#160;Damien Chazelle Writers: Damien Chazelle Starring: Brad Pitt, Margot Robbie, Olivia Wilde, Diego Calva, Jean Smart Runtime: 3 hour 9 minutes Synopsis: A tale of outsized ambition and outrageous excess, it traces the rise and fall of multiple characters during an era of unbridled decadence and depravity in early Hollywood. Kriss, Ro and Brandon discuss the chaotic film, Babylon. Seriously, what the hell did we just watch? &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
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		<title>Movie Review: Top Gun Maverick</title>
		<link>https://www.mtrnetwork.net/top-gun-maverick-takes-the-crown-for-best-sequel-after-3-decades/</link>
		<pubDate>Tue, 13 Dec 2022 12:22:20 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Joseph Kosinski</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Jim Cash, Jack Epps Jr, Peter Craig</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Tom Cruise, Jennifer Connelly, Miles Teller, Val Kilmer, Jon Hamm, Jay Ellis, Monica Barbaro</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 10 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: After thirty years, Maverick is still pushing the envelope as a top naval aviator, but must confront ghosts of his past when he leads TOP GUN&#8217;s elite graduates on a mission that demands the ultimate sacrifice from those chosen to fly it.</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">The only thing better than Tom Cruise running is Tom Cruise flying. Kriss &#38; Brandon finally watch Top Gun: Maverick during the award season run and Ro is happy to finally talk about it with them. Turns out making a movie 30 years after the original can work. Which is a shocker because usually they don&#8217;t. But Top Gun Maverick manages to not only make a good sequel but also a movie that&#8217;s probably better than the original.</span></p>
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		<enclosure length="12602204" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Top_Gun_Maverick-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/05/top-gun-maverick-review.jpg"/>
		<itunes:title>Top Gun Maverick Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>26:49</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Joseph Kosinski Writers: Jim Cash, Jack Epps Jr, Peter Craig Starring: Tom Cruise, Jennifer Connelly, Miles Teller, Val Kilmer, Jon Hamm, Jay Ellis, Monica Barbaro Runtime: 2 hour 10 minutes Synopsis: After thirty years, Maverick is still pushing the envelope as a top naval aviator, but must confront ghosts of his past when he leads TOP GUN&amp;#8217;s elite graduates on a mission that demands the ultimate sacrifice from those chosen to fly it. The only thing better than Tom Cruise running is Tom Cruise flying. Kriss &amp;#38; Brandon finally watch Top Gun: Maverick during the award season run and Ro is happy to finally talk about it with them. Turns out making a movie 30 years after the original can work. Which is a shocker because usually they don&amp;#8217;t. But Top Gun Maverick manages to not only make a good sequel but also a movie that&amp;#8217;s probably better than the original. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Joseph Kosinski Writers: Jim Cash, Jack Epps Jr, Peter Craig Starring: Tom Cruise, Jennifer Connelly, Miles Teller, Val Kilmer, Jon Hamm, Jay Ellis, Monica Barbaro Runtime: 2 hour 10 minutes Synopsis: After thirty years, Maverick is still pushing the envelope as a top naval aviator, but must confront ghosts of his past when he leads TOP GUN&amp;#8217;s elite graduates on a mission that demands the ultimate sacrifice from those chosen to fly it. The only thing better than Tom Cruise running is Tom Cruise flying. Kriss &amp;#38; Brandon finally watch Top Gun: Maverick during the award season run and Ro is happy to finally talk about it with them. Turns out making a movie 30 years after the original can work. Which is a shocker because usually they don&amp;#8217;t. But Top Gun Maverick manages to not only make a good sequel but also a movie that&amp;#8217;s probably better than the original. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
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		<title>Movie Review: Pet Sematary</title>
		<link>https://www.mtrnetwork.net/glass-onion-a-knives-out-mystery-review/</link>
		<pubDate>Sat, 10 Dec 2022 01:39:20 +0000</pubDate>
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		<category><![CDATA[Movie Trailer Reviews]]></category>
		<category><![CDATA[Netflix]]></category>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Rian Johnson</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Rian Johnson</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Daniel Craig, Edward Norton, Kate Hudson, Dave Bautista, Janelle Monáe, Kathryn Hahn</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 19 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Famed Southern detective Benoit Blanc travels to Greece for his latest case.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Ro, Kriss &#38; Brandon review and discuss the sequel to Knives Out, Glass Onion.</span></p>
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		<enclosure length="5242880" type="audio/x-m4a" url="Pet_Sematary-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2017/05/Movie-Trailer-Reviews-Logo.png"/>
		<itunes:title>Pet Sematary Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
	<itunes:explicit/><itunes:subtitle>Director: Rian Johnson Writers: Rian Johnson Starring: Daniel Craig, Edward Norton, Kate Hudson, Dave Bautista, Janelle Monáe, Kathryn Hahn Runtime: 2 hour 19 minutes Synopsis: Famed Southern detective Benoit Blanc travels to Greece for his latest case. Ro, Kriss &amp;#38; Brandon review and discuss the sequel to Knives Out, Glass Onion. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Rian Johnson Writers: Rian Johnson Starring: Daniel Craig, Edward Norton, Kate Hudson, Dave Bautista, Janelle Monáe, Kathryn Hahn Runtime: 2 hour 19 minutes Synopsis: Famed Southern detective Benoit Blanc travels to Greece for his latest case. Ro, Kriss &amp;#38; Brandon review and discuss the sequel to Knives Out, Glass Onion. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Netflix, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: The Menu</title>
		<link>https://www.mtrnetwork.net/the-menu-review/</link>
		<pubDate>Fri, 18 Nov 2022 11:16:54 +0000</pubDate>
		<guid isPermaLink="false">https://www.mtrnetwork.net/?p=538283</guid>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Mark Mylod</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Screenwriter</b>: Seth Reiss, Will Tracy</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, John Leguizamo</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 2 hour 14 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: A young couple travels to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish menu, with some shocking surprises.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Kriss, Ro and Brandon review <em>The Menu</em>. This horror/thriller/comedy is a fantastic watch. There is a lot of social commentary in this film but it&#8217;s not done in a heavy handed way. It&#8217;s very smart and timely. The acting in this film is fantastic. The best moments in this film go from horror to comedy back to horror seamlessly. Listen as we review this film (spoiler-free).</span></p>
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		<enclosure length="16388159" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Menu-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2022/11/the-menu-review.jpg"/>
		<itunes:title>The Menu Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>35:16</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Mark Mylod Screenwriter: Seth Reiss, Will Tracy Starring: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, John Leguizamo Runtime: 2 hour 14 minutes Synopsis: A young couple travels to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish menu, with some shocking surprises. Kriss, Ro and Brandon review The Menu. This horror/thriller/comedy is a fantastic watch. There is a lot of social commentary in this film but it&amp;#8217;s not done in a heavy handed way. It&amp;#8217;s very smart and timely. The acting in this film is fantastic. The best moments in this film go from horror to comedy back to horror seamlessly. Listen as we review this film (spoiler-free). Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Mark Mylod Screenwriter: Seth Reiss, Will Tracy Starring: Ralph Fiennes, Anya Taylor-Joy, Nicholas Hoult, Hong Chau, Janet McTeer, John Leguizamo Runtime: 2 hour 14 minutes Synopsis: A young couple travels to a remote island to eat at an exclusive restaurant where the chef has prepared a lavish menu, with some shocking surprises. Kriss, Ro and Brandon review The Menu. This horror/thriller/comedy is a fantastic watch. There is a lot of social commentary in this film but it&amp;#8217;s not done in a heavy handed way. It&amp;#8217;s very smart and timely. The acting in this film is fantastic. The best moments in this film go from horror to comedy back to horror seamlessly. Listen as we review this film (spoiler-free). Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
	<item>
		<title>Movie Review: Black Panther Wakanda Forever</title>
		<link>https://www.mtrnetwork.net/black-panther-wakanda-forever/</link>
		<pubDate>Wed, 09 Nov 2022 11:31:55 +0000</pubDate>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Ryan Coogler</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Ryan Coogler, Joe Robert Cole</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Letitia Wright, Tenoch Huerta, Angela Bassett, Lupita Nyong&#8217;o, Danai Gurira, Winston Duke, Martin Freeman, Michaela Coel, Dominique Thorne</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: The people of Wakanda fight to protect their home from intervening world powers as they mourn the death of King T&#8217;Challa.</span></p>
<div style="text-align: left;">
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Ryan Coogler puts together an emotional film for not only the cast but the fans. The story weaves in the real-life tragedy of losing Chadwick Boseman so suddenly and serves as a great bookend for Phase 4 of the MCU. Phase 4 was clearly about grief and Wakanda Forever handles that extremely well. In addition to that, the film also introduces Namor to the MCU. Tenoch Huerta plays the character extremely well and is a great addition to the MCU. This film also serves as a great sequel to the first film in terms of themes and fallout from some of the things that happened in that movie. It&#8217;s very clear that there is setup for much larger conflicts in Phase 5 but the film also doesn&#8217;t burden itself by shoehorning those in.</span></p>
<p><span style="font-family: tahoma, arial, helvetica, sans-serif; font-size: 20px;">Listen to our non-spoiler review. Spoiler review will drop early next week.</span></p>
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		<enclosure length="23024762" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Black_Panther_Wakanda_Forever-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2022/11/black-panther-wakanda-forever-review.jpg"/>
		<itunes:title>Black Panther Wakanda Forever Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>49:27</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Ryan Coogler Writers: Ryan Coogler, Joe Robert Cole Starring: Letitia Wright, Tenoch Huerta, Angela Bassett, Lupita Nyong&amp;#8217;o, Danai Gurira, Winston Duke, Martin Freeman, Michaela Coel, Dominique Thorne Synopsis: The people of Wakanda fight to protect their home from intervening world powers as they mourn the death of King T&amp;#8217;Challa. Ryan Coogler puts together an emotional film for not only the cast but the fans. The story weaves in the real-life tragedy of losing Chadwick Boseman so suddenly and serves as a great bookend for Phase 4 of the MCU. Phase 4 was clearly about grief and Wakanda Forever handles that extremely well. In addition to that, the film also introduces Namor to the MCU. Tenoch Huerta plays the character extremely well and is a great addition to the MCU. This film also serves as a great sequel to the first film in terms of themes and fallout from some of the things that happened in that movie. It&amp;#8217;s very clear that there is setup for much larger conflicts in Phase 5 but the film also doesn&amp;#8217;t burden itself by shoehorning those in. Listen to our non-spoiler review. Spoiler review will drop early next week. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Ryan Coogler Writers: Ryan Coogler, Joe Robert Cole Starring: Letitia Wright, Tenoch Huerta, Angela Bassett, Lupita Nyong&amp;#8217;o, Danai Gurira, Winston Duke, Martin Freeman, Michaela Coel, Dominique Thorne Synopsis: The people of Wakanda fight to protect their home from intervening world powers as they mourn the death of King T&amp;#8217;Challa. Ryan Coogler puts together an emotional film for not only the cast but the fans. The story weaves in the real-life tragedy of losing Chadwick Boseman so suddenly and serves as a great bookend for Phase 4 of the MCU. Phase 4 was clearly about grief and Wakanda Forever handles that extremely well. In addition to that, the film also introduces Namor to the MCU. Tenoch Huerta plays the character extremely well and is a great addition to the MCU. This film also serves as a great sequel to the first film in terms of themes and fallout from some of the things that happened in that movie. It&amp;#8217;s very clear that there is setup for much larger conflicts in Phase 5 but the film also doesn&amp;#8217;t burden itself by shoehorning those in. Listen to our non-spoiler review. Spoiler review will drop early next week. Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
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		<title>Movie Review: Tár</title>
		<link>https://www.mtrnetwork.net/tar-review/</link>
		<pubDate>Wed, 09 Nov 2022 11:13:18 +0000</pubDate>
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		<description><![CDATA[<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Todd Field</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Todd Field</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Cate Blanchett, Noémie Merlant, Nina Hoss</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>:</span></p>
<div class="sc-16ede01-9 bbiYSi sc-7643a8e3-11 efPxUc">
<div class="sc-16ede01-7 hrgVKw" data-testid="plot"><span class="sc-16ede01-2 gXUyNh" style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;" role="presentation" data-testid="plot-xl">Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and first-ever female music director of a major German orchestra.</span></div>
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		<enclosure length="13106962" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/Ta_r-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2022/10/tar-review.jpg"/>
		<itunes:title>Tár</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>27:54</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Todd Field Writers: Todd Field Starring: Cate Blanchett, Noémie Merlant, Nina Hoss Synopsis: Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and first-ever female music director of a major German orchestra. &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Todd Field Writers: Todd Field Starring: Cate Blanchett, Noémie Merlant, Nina Hoss Synopsis: Set in the international world of Western classical music, the film centers on Lydia Tár, widely considered one of the greatest living composer-conductors and first-ever female music director of a major German orchestra. &amp;#160; &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
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		<title>Movie Review: The Banshees of Inisherin</title>
		<link>https://www.mtrnetwork.net/the-banshees-of-inisherin-review/</link>
		<pubDate>Fri, 04 Nov 2022 10:43:26 +0000</pubDate>
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		<description><![CDATA[<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Director</b>: Martin McDonagh</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Writers</b>: Martinn McDonagh</span></p>
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Starring</b>: Colin Farrell, Brendan Gleeson, Kerry Condon, Pat Shortt, Gary Lydon, Jon Kenny</span><br />
<span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Runtime</b>: 1 hour 54 minutes</span></p>
<p class="p1"><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;"><b>Synopsis</b>: Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them.</span></p>
<div style="text-align: left;">
<p><span style="font-size: 20px; font-family: tahoma, arial, helvetica, sans-serif;">Kriss, Ro &#38; Brandon review a film that is clearly award season bait, The Banshees of Inisherin. The film isn&#8217;t bad and is a decent middle of the road film. It is a big weird that it is getting the bounce that it is.</span></p>
<p>&#160;</p>
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		<enclosure length="9443711" type="audio/x-m4a" url="https://media.blubrry.com/mtrnetwork/content.blubrry.com/mtrnetwork/The_Banshees_of_Inisherin-Movie_Trailer_Reviews.m4a"/>
		<itunes:image href="https://www.mtrnetwork.net/wp-content/uploads/2023/05/the-banshees-of-inisherin-review.jpg"/>
		<itunes:title>The Banshees of Inisherin Review</itunes:title>
		<itunes:episodeType>full</itunes:episodeType>
		<itunes:duration>20:43</itunes:duration>
	<itunes:explicit/><itunes:subtitle>Director: Martin McDonagh Writers: Martinn McDonagh Starring: Colin Farrell, Brendan Gleeson, Kerry Condon, Pat Shortt, Gary Lydon, Jon Kenny Runtime: 1 hour 54 minutes Synopsis: Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them. Kriss, Ro &amp;#38; Brandon review a film that is clearly award season bait, The Banshees of Inisherin. The film isn&amp;#8217;t bad and is a decent middle of the road film. It is a big weird that it is getting the bounce that it is. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:subtitle><itunes:summary>Director: Martin McDonagh Writers: Martinn McDonagh Starring: Colin Farrell, Brendan Gleeson, Kerry Condon, Pat Shortt, Gary Lydon, Jon Kenny Runtime: 1 hour 54 minutes Synopsis: Two lifelong friends find themselves at an impasse when one abruptly ends their relationship, with alarming consequences for both of them. Kriss, Ro &amp;#38; Brandon review a film that is clearly award season bait, The Banshees of Inisherin. The film isn&amp;#8217;t bad and is a decent middle of the road film. It is a big weird that it is getting the bounce that it is. &amp;#160; Like what you hear? Subscribe so you don&amp;#8217;t miss an episode! Follow us on Twitter: @Phenomblak @InsanityReport @TheMTRNetwork &amp;#160; Our shirts are now on TeePublic.&amp;#160; https://teepublic.com/stores/mtr-network &amp;#160; Want more podcast greatness? Sign up for a MTR Premium Account! &amp;#160;</itunes:summary><itunes:keywords>Movie Trailer Reviews, Brandon 2022 Reviews, Kriss 2022 Reviews, Ro 2022 Reviews</itunes:keywords></item>
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