BAMN! It’s up and I’m off to sleep.  My eyeballs are hanging outta my head like a pair of spikes.  SO TIIIIIIIIIERD!!!  Are the reds in that jpeg a bit wack? Or are my eyes buggin that much? Sheeeeeessh! Enough chitter-chattery go get Nawlzy!!!

….

Thanks to Jordan King and Matthew Tierney on Sound and Rod Wong for additional coloring.

I’m looking for someone with good photoshop skills and good lighting sense.  Any samples of some futuristic cityscapes that you have rendered would be most ideal.

First day back at work, Harley takes to the seedy streets of Metzer Lane to escape the suffocating stillness of his mundane apartment.

What really happens when you deadlight? You force you’re brain circuitry into an artificial flux to the point of overload. It’s like switching on a thousand light bulbs at once.  Then one day they all blow and they’re not so easy to replace. You’re brain is stripped back to a basic operatiing level and reduced to primal instinct, what I call, the Raw Analogue.  – Harley Chambers

Big thanks to Matt Leaf-Tierney for his nintendo-ess Golden Years track.  ‘Tis very mesmerizing, puts my head in the 8-bit clouds.  And the usual thanks to Jordan King of Speakerwrath for bringing the technological darkness to the streets.  There’s lots of seediness in this episode, I think Jordo felt right at home.  Also, keep your ears open for the very last track of the episode.  We’ll be releasing that shortly as a single titled ‘String Theory’.  I’ve been listening to it it all week, very cruisy, very addictive.  I’ll keep you all posted -  Mr Sutu

What really happens when you deadlight? You force you’re brain circuitry into an artificial flux to the point of overload. It’s like switching on a thousand light bulbs at once.  Then one day they all blow and they’re not so easy to replace. You’re brain is stripped back to a basic operatiing level and reduced to primal instinct, what I call, the Raw Analogue.  – Harley Chambers

Be warned, the next episode will be getting a little raw.

The 40 Thieves show opening at Gorker Gallery Thursday 1st of July, running til Sunday 18th of July. On the cnr of Gore and Kerr St in Fitzroy.  My interactive mug shot will be there, set up on shitty old pc running windows 1974 or some other relic version.  Thanks to Zane for donating the tech.  Dun forget to roll over the black height bars, it is interactive y’know?

http://www.apple.com/hotnews/thoughts-on-flash/?sr=hotnews.rss

What a wanker!

His thoughts on Flash don’t mention the millions of people, professionals, students and artists who are all using Flash (the actual program) as a creative outlet.  A lot of these same people probably all use macs too. Don’t piss us off!   Flash has been successful cos it’s the only half decent WYSIWYG program out there. He says “why not use modern technologies like HTML5, CSS and JavaScript?” What does he want?  All creative people to become programmers? Douche! Douche! Douche! Then he goes on to talk about protecting their software from third party apps.  The only reason I was able to pull off the Nawlz was because of third party plugins like Moses Supposes Fuse and Zigo Engines.  These types of plugins were designed by programmers to help non-programmers achieve sum technical shit. And since AS3 went ‘open’ the amount of 3rd party plugins proliferated and now there’s a bunch of cool plugins for navigation systems, particle systems, animation engines whatever.  I use the types of plugins all the time.  And he talks about Flash being a thing of the passed cos it doesn’t cater for touch.  Douche! You’re the reason it doesn’t cater for touch.  As if Adobe couldn’t add touch functionality to their flash editor.

I actually really like the ipad and would love to see people using their fingers to swim through the pages of a touch interactive Nawlz comic. And if I went down that path I would embrace the technology to create a unique touch experience that differs to the mouse-driven roll over experience of the web.  But to do that I have to invest a lot of money into getting programmers to recode all my hard work and I have to pay a fee to publish the app to the itunes store. Thats not easy.  And Steve says “Everyone wins”, obviously not.  There is no WYSIWYG for ipad, no timelines, no visual interface.  All these factors only make it harder for me to express myself.  I’m a baby of the multimedia age.  It only makes sense that I express my art using a visual multimedia interface.   And this whole interactive art thing is still in it’s infancy,  it needs support.    The only reason Nawlz stays alive is becausse I’ve been able to easily share it with an International audience for free and that audience has responded with encouragement, more ideas and even collaborations.  It seems to me like ipad’s only cut out for people with money who wanna make more money and that kind of person doesn’t sound like an artist to me.

Did I say Steve Job’s is a wanker already?