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	<title>Next Step Audio</title>
	
	<link>http://nextstepaudio.com</link>
	<description>Electronic music production tutorials by Trifonic</description>
	<lastBuildDate>Mon, 18 Feb 2013 22:01:07 +0000</lastBuildDate>
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		<title>Hecq Yes: Forging Music From Noise</title>
		<link>http://nextstepaudio.com/creative-process/hecq-yes-forging-music-from-noise/</link>
		<comments>http://nextstepaudio.com/creative-process/hecq-yes-forging-music-from-noise/#comments</comments>
		<pubDate>Mon, 18 Feb 2013 22:01:07 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Creative Process]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=260</guid>
		<description><![CDATA[Our pal Hecq &#8211; who has awesomely collaborated with Trifonic a few times &#8211; recently did a video with Ableton about his field recording and processes. Definitely worth a view!]]></description>
			<content:encoded><![CDATA[<p>Our pal <a href="http://hecq.de/" target="_blank">Hecq</a> &#8211; who has awesomely collaborated with Trifonic a <a href="https://soundcloud.com/trifonic/baalbek-hecq-remix" target="_blank">few</a> <a href="https://soundcloud.com/trifonic/with-angels-trifonic-remix" target="_blank">times</a> &#8211; recently did a video with Ableton about his field recording and processes.</p>
<p>Definitely worth a view!</p>
<p><iframe width="560" height="315" src="http://www.youtube.com/embed/2ThUpt1ggHo" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Trifonic: Adding Character to Digital Sounds</title>
		<link>http://nextstepaudio.com/creative-process/trifonic-adding-character-to-digital-sounds/</link>
		<comments>http://nextstepaudio.com/creative-process/trifonic-adding-character-to-digital-sounds/#comments</comments>
		<pubDate>Sun, 02 Dec 2012 19:59:31 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Creative Process]]></category>
		<category><![CDATA[Sound Design]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[delays]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Pod Farm]]></category>
		<category><![CDATA[Trifonic]]></category>
		<category><![CDATA[vocal transformer]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=256</guid>
		<description><![CDATA[As a producer, one of the challenges of working with virtual instruments and digital recordings is that you often have to add character back to them to make your tracks sound right. Digital sounds can be so clean that they lack warmth, depth, vibe, soul&#8230; whatever you want to call it, the bottom line is [...]]]></description>
			<content:encoded><![CDATA[<p>As a producer, one of the challenges of working with virtual instruments and digital recordings is that you often have to add character back to them to make your tracks sound right.</p>
<p>Digital sounds can be so clean that they lack warmth, depth, vibe, soul&#8230; whatever you want to call it, the bottom line is your recordings will fall flat without some work to add life into your tracks.</p>
<p>In this video, Brian demonstrates a couple techniques for overcoming this challenge using delay and vocal transformer plugins.    </p>
<p><iframe src="http://player.vimeo.com/video/54688494?title=0&amp;byline=0&amp;portrait=0&amp;badge=0&amp;color=ffffff" width="540" height="304" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
]]></content:encoded>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Trifonic: Ninth Wave “Producer’s Edition” Preview</title>
		<link>http://nextstepaudio.com/creative-process/trifonic-ninth-wave-producers-edition-preview/</link>
		<comments>http://nextstepaudio.com/creative-process/trifonic-ninth-wave-producers-edition-preview/#comments</comments>
		<pubDate>Mon, 12 Nov 2012 18:55:27 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Creative Process]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=250</guid>
		<description><![CDATA[We&#8217;re very excited to announce that Trifonic has a new album, Ninth Wave, dropping tomorrow! In addition to the album tracks, we&#8217;re making a &#8220;Producer&#8217;s Edition&#8221; of Ninth Wave available as well that includes full audio stems of all the album tracks, exclusive production tutorial videos about the tracks, and Trifonic sample kits for you [...]]]></description>
			<content:encoded><![CDATA[<p>We&#8217;re very excited to announce that <a href="http://www.trifonic.com">Trifonic</a> has a new album, <em>Ninth Wave</em>, dropping tomorrow!</p>
<p>In addition to the album tracks, we&#8217;re making a &#8220;Producer&#8217;s Edition&#8221; of <em>Ninth Wave</em> available as well that includes full audio stems of all the album tracks, exclusive production tutorial videos about the tracks, and Trifonic sample kits for you to use in your own tracks. The &#8220;Producer&#8217;s Edition&#8221; will be available exclusively on <a href="http://www.trifonic.com/store/">Trifonic.com</a> starting tomorrow. </p>
<p>Here&#8217;s a brief preview of some of the &#8220;Producer&#8217;s Edition&#8221; content. Enjoy!</p>
<p><iframe src="http://player.vimeo.com/video/53346225?title=0&amp;byline=0&amp;portrait=0&amp;badge=0&amp;color=ffffff" width="540" height="304" frameborder="0" webkitAllowFullScreen mozallowfullscreen allowFullScreen></iframe></p>
]]></content:encoded>
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		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Trifonic: Creating Compelling Pads (via Pyramind)</title>
		<link>http://nextstepaudio.com/pads/trifonic-creating-compelling-pads-via-pyramind/</link>
		<comments>http://nextstepaudio.com/pads/trifonic-creating-compelling-pads-via-pyramind/#comments</comments>
		<pubDate>Fri, 17 Aug 2012 05:39:34 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Pads]]></category>
		<category><![CDATA[Sound Design]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[ESX24]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Trifonic]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=238</guid>
		<description><![CDATA[Jesus it&#8217;s been a long time since we&#8217;ve posted a video here&#8230; that&#8217;s what happens when you&#8217;re heads-down working on a new release. (!!!) Anyway, this drought-buster comes via our friends at Pyramind. In this video, Brian digs deep into using reverbs and creative effects channels to create compelling melodic pads from any sound&#8230; include [...]]]></description>
			<content:encoded><![CDATA[<p>Jesus it&#8217;s been a long time since we&#8217;ve posted a video here&#8230; that&#8217;s what happens when you&#8217;re heads-down working on a new release. (!!!)</p>
<p>Anyway, this drought-buster comes via our friends at <a href="http://www.pyramindonline.com/" target="_blank">Pyramind</a>.</p>
<p>In this video, Brian digs deep into using reverbs and creative effects channels to create compelling melodic pads from any sound&#8230; include something as cheesy as a <em>Titanic</em>-esque Celtic panflute.</p>
<p><iframe width="560" height="315" src="http://www.youtube.com/embed/8Bw31F0LhTM" frameborder="0" allowfullscreen></iframe></p>
]]></content:encoded>
			<wfw:commentRss>http://nextstepaudio.com/pads/trifonic-creating-compelling-pads-via-pyramind/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Trifonic: Enhancing Your Tracks With Melodic Counterpoint</title>
		<link>http://nextstepaudio.com/creative-process/trifonic-enhancing-your-tracks-with-counterpoint/</link>
		<comments>http://nextstepaudio.com/creative-process/trifonic-enhancing-your-tracks-with-counterpoint/#comments</comments>
		<pubDate>Wed, 05 Oct 2011 05:09:31 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Creative Process]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[Hecq]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Trifonic]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=229</guid>
		<description><![CDATA[What do Bach, Stravinsky, and Trifonic have in common? They all employ the technique of counterpoint to create kick-ass melodies and harmonies in their music. In the video, Brian demonstrates how counterpoint works using examples from the Trifonic remix of Hecq&#8217;s With Angels.]]></description>
			<content:encoded><![CDATA[<p>What do Bach, Stravinsky, and <a href="http://www.trifonic.com" target="_blank">Trifonic</a> have in common?</p>
<p>They all employ the technique of <a href="http://en.wikipedia.org/wiki/Counterpoint" target="_blank">counterpoint</a> to create kick-ass melodies and harmonies in their music.</p>
<p>In the video, Brian demonstrates how counterpoint works using examples from the Trifonic remix of Hecq&#8217;s <a href="http://www.youtube.com/watch?v=GfOEwLHC0Tg" target="_blank">With Angels</a>. </p>
<p><iframe src="http://player.vimeo.com/video/29999007?title=0&amp;byline=0&amp;portrait=0" width="540" height="304" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></p>
]]></content:encoded>
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		<slash:comments>11</slash:comments>
		</item>
		<item>
		<title>Trifonic Interview with Electronic Creatives</title>
		<link>http://nextstepaudio.com/creative-process/trifonic-interview-with-electronic-creatives/</link>
		<comments>http://nextstepaudio.com/creative-process/trifonic-interview-with-electronic-creatives/#comments</comments>
		<pubDate>Wed, 26 Jan 2011 17:02:10 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Creative Process]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=222</guid>
		<description><![CDATA[This is a bit of a departure from our normal tutorial format, but Brian recently sat down with our good friend Laura Escudé of Electronic Creatives to discuss the upcoming Trifonic EP (tentatively titled &#8220;City of Refuge&#8221;), his thoughts on the production and creative process, and the future of hi-hats (or lack thereof), among other [...]]]></description>
			<content:encoded><![CDATA[<p>This is a bit of a departure from our normal tutorial format, but Brian recently sat down with our good friend <a href="http://www.lauraescude.com/">Laura Escudé</a> of <a href="http://electroniccreatives.com/">Electronic Creatives</a> to discuss the upcoming Trifonic EP (tentatively titled &#8220;City of Refuge&#8221;), his thoughts on the production and creative process, and the future of hi-hats (or lack thereof), among other things.</p>
<p>Parts 1, 2, and 3 of the interview are below.</p>
<p><iframe title="YouTube video player" class="youtube-player" type="text/html" width="560" height="345" src="http://www.youtube.com/embed/vuRZgMQ3F08" frameborder="0" allowFullScreen></iframe></p>
<p><iframe title="YouTube video player" class="youtube-player" type="text/html" width="560" height="345" src="http://www.youtube.com/embed/5VWyxppNwgk" frameborder="0" allowFullScreen></iframe></p>
<p><iframe title="YouTube video player" class="youtube-player" type="text/html" width="560" height="345" src="http://www.youtube.com/embed/0uFC6Agn8eE" frameborder="0" allowFullScreen></iframe></p>
]]></content:encoded>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Trifonic: Using FM8s Morph Square to Create Sweet Leads</title>
		<link>http://nextstepaudio.com/pads-leads/trifonic-using-fm8s-morph-square-to-create-sweet-leads/</link>
		<comments>http://nextstepaudio.com/pads-leads/trifonic-using-fm8s-morph-square-to-create-sweet-leads/#comments</comments>
		<pubDate>Tue, 11 Jan 2011 07:53:54 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Pads & Leads]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[Drum Tools 01]]></category>
		<category><![CDATA[FM8]]></category>
		<category><![CDATA[Trifonic]]></category>
		<category><![CDATA[Wave Alchemy]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=201</guid>
		<description><![CDATA[Building on some previous posts on FM synthesis (Pt. 1, Pt. 2, and Pt. 3), in this video Brian demonstrates how to use the Morph Square feature in FM8 to generate dynamic, rocking lead sounds. Best of all, you can download the patch that Brian uses in the video below. Also, if you like the [...]]]></description>
			<content:encoded><![CDATA[<p>Building on some previous posts on FM synthesis (<a href="http://nextstepaudio.com/synthesis/trifonic-fm-synthesis-101/">Pt. 1</a>, <a href="http://nextstepaudio.com/synthesis/trifonic-fm-synthesis-101-continued/">Pt. 2</a>, and <a href="http://nextstepaudio.com/synthesis/trifonic-fm-synthesis-basics-pt-3/">Pt. 3</a>), in this video Brian demonstrates how to use the Morph Square feature in <a href="http://www.native-instruments.com/#/en/products/producer/fm8/?page=516" target="_blank">FM8</a> to generate dynamic, rocking lead sounds.</p>
<p>Best of all, you can download the patch that Brian uses in the video below.</p>
<p> Also, if you like the drum sounds in the video, you can find the Wave Alchemy <a href="http://www.loopmasters.com/product/details/459/Drum_Tools_01" target="_blank">Drum Tools</a> sample pack from whence they came <a href="http://www.loopmasters.com/product/details/459/Drum_Tools_01" target="_blank">here</a>.</p>
<p><iframe src="http://player.vimeo.com/video/18154471?portrait=0" width="540" height="304" frameborder="0"></iframe></p>
<p></p>
<div class="topspin-widget topspin-widget-email-for-media"><object type="application/x-shockwave-flash" width="300" height="80" id="TSWidget51069" data="http://cdn.topspin.net/widgets/email2/swf/TSEmailMediaWidget.swf?timestamp=1294731837" bgColor="#000000"><param value="always" name="allowScriptAccess" /><param name="allowfullscreen" value="true" /><param name="quality" value="high" /><param name="movie" value="http://cdn.topspin.net/widgets/email2/swf/TSEmailMediaWidget.swf?timestamp=1294731837" /><param name="flashvars" value="widget_id=http://cdn.topspin.net/api/v1/artist/767/email_for_media/51069?timestamp=1294731837&amp;theme=black&amp;highlightColor=0x00A1FF" /></object></div>
]]></content:encoded>
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		<slash:comments>16</slash:comments>
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		<item>
		<title>Trifonic: Layering Your Way to Awesome Bass Lines</title>
		<link>http://nextstepaudio.com/bass/trifonic-layering-your-way-to-awesome-bass-lines/</link>
		<comments>http://nextstepaudio.com/bass/trifonic-layering-your-way-to-awesome-bass-lines/#comments</comments>
		<pubDate>Sat, 25 Dec 2010 04:54:08 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Bass]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[Hecq]]></category>
		<category><![CDATA[Trifonic]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=191</guid>
		<description><![CDATA[Great sounds in electronic music often do not stem from one killer source. Rather, they result from blending many small elements into what becomes a singular sound. In this video, Brian demonstrates how Trifonic applies a &#8220;call and response&#8221; layering technique to create bass lines using multiple bass tracks. P.S. The music you hear in [...]]]></description>
			<content:encoded><![CDATA[<p>Great sounds in electronic music often do not stem from one killer source.  Rather, they result from blending many small elements into what becomes a singular sound.</p>
<p>In this video, Brian demonstrates how <a href="http://www.trifonic.com">Trifonic</a> applies a &#8220;call and response&#8221; layering technique to create bass lines using multiple bass tracks.</p>
<p>P.S. The music you hear in the video is from Trifonic&#8217;s remix of <a href="http://www.hecq.de/" target="_blank">Hecq&#8217;s</a> forthcoming track &#8220;With Angels.&#8221;</p>
<p><iframe src="http://player.vimeo.com/video/18154384?portrait=0" width="540" height="304" frameborder="0"></iframe></p>
]]></content:encoded>
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		<slash:comments>38</slash:comments>
		</item>
		<item>
		<title>Trifonic: Creating Twisted Leads with EXS24 in Logic</title>
		<link>http://nextstepaudio.com/bass/trifonic-creating-twisted-leads-with-exs24-in-logic/</link>
		<comments>http://nextstepaudio.com/bass/trifonic-creating-twisted-leads-with-exs24-in-logic/#comments</comments>
		<pubDate>Mon, 01 Nov 2010 05:40:38 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Bass]]></category>
		<category><![CDATA[Pads & Leads]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[EMu E6400]]></category>
		<category><![CDATA[EXS24]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Trifonic]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=183</guid>
		<description><![CDATA[In previous posts, Brian has shown how to bring the nasty using Massive, Malstrom, and other tools. This time, Brian demonstrates some of Trifonic&#8217;s techniques for creating filthy bass and lead sounds using Logic&#8217;s EXS24 in combination with the old-school hardware sampler, EMu E6400. If you don&#8217;t use Logic and don&#8217;t plan on purchasing an [...]]]></description>
			<content:encoded><![CDATA[<p>In previous posts, Brian has shown how to bring the nasty using <a href="http://nextstepaudio.com/bass/trifonic-synthesis-with-nis-massive-part-1/">Massive</a>, <a href="http://nextstepaudio.com/bass/trifonic-graintable-synthesis-with-malstrom/">Malstrom</a>, and other tools.</p>
<p>This time, Brian demonstrates some of <a href="http://www.trifonic.com">Trifonic&#8217;s</a> techniques for creating filthy bass and lead sounds using Logic&#8217;s EXS24 in combination with the old-school hardware sampler, EMu E6400. </p>
<p>If you don&#8217;t use Logic and don&#8217;t plan on purchasing an EMu unit, fear not &#8211; the principles here are surely applicable to whatever you&#8217;ve got in your studio&#8230;</p>
<p><iframe src="http://player.vimeo.com/video/16382544?portrait=0" width="540" height="304" frameborder="0"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Trifonic: Synthesis with Sculpture in Logic Pro</title>
		<link>http://nextstepaudio.com/pads-leads/trifonic-synthesis-with-logics-sculpture/</link>
		<comments>http://nextstepaudio.com/pads-leads/trifonic-synthesis-with-logics-sculpture/#comments</comments>
		<pubDate>Fri, 10 Sep 2010 16:05:22 +0000</pubDate>
		<dc:creator>LT</dc:creator>
				<category><![CDATA[Pads & Leads]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[Brian Trifon]]></category>
		<category><![CDATA[Logic]]></category>
		<category><![CDATA[Physical Modeling]]></category>
		<category><![CDATA[Sculpture]]></category>
		<category><![CDATA[Trifonic]]></category>

		<guid isPermaLink="false">http://nextstepaudio.com/?p=163</guid>
		<description><![CDATA[Sculpture, the physical modeling synth in Apple&#8217;s Logic Pro, is one of the most powerful and unique synths available. It&#8217;s also one of the most intimidating to use. Thankfully, Brian has created a video in which he breaks down the mysteries of this complex and impressive tool, demonstrating how to use Sculpture&#8217;s multiple parameters to [...]]]></description>
			<content:encoded><![CDATA[<p>Sculpture, the physical modeling synth in Apple&#8217;s <a href="http://www.apple.com/logicstudio/logicpro/" target="_blank">Logic Pro</a>, is one of the most powerful and unique synths available.  It&#8217;s also one of the most intimidating to use.</p>
<p>Thankfully, Brian has created a video in which he breaks down the mysteries of this complex and impressive tool, demonstrating how to use Sculpture&#8217;s multiple parameters to create strong, unique lead sounds.</p>
<p>(For you <a href="http://www.trifonic.com">Trifonic</a> fan out there, Sculpture was a driving force behind the track <a href="http://www.trifonic.com/">Parks On Fire</a>).</p>
<p><iframe src="http://player.vimeo.com/video/14850214?portrait=0" width="540" height="304" frameborder="0"></iframe></p>
]]></content:encoded>
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		<slash:comments>0</slash:comments>
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