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	<title>NoFilmSchool</title>
	
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	<description>NoFilmSchool is a site for DIY filmmakers and independent creatives.</description>
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		<title>New Nikon D800 Footage to Scrutinize: Music Video for 'You're On' by Euzen</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/9iwq22XuI4U/</link>
		<comments>http://nofilmschool.com/2012/02/nikon-d800-footage-scrutinize-music-video/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 21:03:10 +0000</pubDate>
		<dc:creator>Joe Marine</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[musicvideo]]></category>
		<category><![CDATA[nikond4]]></category>
		<category><![CDATA[nikond800]]></category>
		<category><![CDATA[slowmotion]]></category>
		<category><![CDATA[twixtor]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17929</guid>
		<description><![CDATA[This is a post by Joe Marine&#8230; much more to come from Joe soon. Stay tuned! Nikon&#8217;s new D800 will be put through its paces soon enough (we hope), but until then we&#8217;ve got some moderately compressed videos to pixel peep. I find it curious that these official company videos always seem more compressed than [...]]]></description>
			<content:encoded><![CDATA[<p><em>This is a post by Joe Marine&#8230; much more to come from Joe soon. Stay tuned!</em></p>
<p><a href="http://nofilmschool.com/2012/02/nikon-d800-footage-scrutinize-music-video/euzen-youre_on-nikon_d800_music_video/" rel="attachment wp-att-17939"><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-17939" src="http://nofilmschool.com/wp-content/uploads/2012/02/EUZEN-Youre_On-Nikon_D800_Music_Video-224x140.png" alt="" width="224" height="140" /></a>Nikon&#8217;s new <a title="Nikon's 36-Megapixel D800 Matches the D4's Clean HDMI Output at Half the Price" href="http://nofilmschool.com/2012/02/nikons-d800-ups-megapixel-count-36-matches/" target="_blank">D800</a> will be put through its paces soon enough (<a href="http://www.amazon.com/dp/B0076AYNXM/?tag=nofilmschool-20" target="_blank">we hope</a>), but until then we&#8217;ve got some moderately compressed videos to pixel peep. I find it curious that these <a title="'Joy Ride,' the First Nikon D800 Test Film" href="http://nofilmschool.com/2012/02/joy-ride-nikon-d800-test-film/" target="_blank">official company videos </a>always seem more compressed than they ought to be &#8211; as if to entice more speculation &#8211; but that&#8217;s a topic for another post. In any case, this music video, directed by <a href="http://www.mortenrygaard.com/" target="_blank">Morten Rygaard</a> and produced by Peter Brodin at Nikon Nordic, gives us a small taste of D800 quality: <a href="http://nofilmschool.com/2012/02/nikon-d800-footage-scrutinize-music-video/#more-17929" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>13</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/nikon-d800-footage-scrutinize-music-video/</feedburner:origLink></item>
		<item>
		<title>Are You Ready to Make Adobe a Utility? Creative Cloud to Launch Alongside CS6 for $50/Month</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/oclZQ-a8cmk/</link>
		<comments>http://nofilmschool.com/2012/02/ready-adobe-utility-creative-cloud-launch/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 21:16:45 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[adobecs6]]></category>
		<category><![CDATA[creativecloud]]></category>
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		<category><![CDATA[cs6]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17904</guid>
		<description><![CDATA[Are you ready to add Adobe software to your stack of monthly power, cable, and water bills? Announced in October, Adobe is offering an alternative to their typical software upgrade cycle &#8212; instead of buying their forthcoming CS6 suite, you can sign up for Creative Cloud, launching &#8220;first half of 2012,&#8221; for $49.99 a month. [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' display: block; margin-right: auto; margin-left: auto;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/adobe-creative-cloud-616x366.jpg" alt="" title="adobe creative cloud" width="616" height="366" class="aligncenter size-large wp-image-17920" /></p>
<p>Are you ready to add Adobe software to your stack of monthly power, cable, and water bills? <a href="http://nofilmschool.com/2011/10/adobe-announces-creative-cloud-20gb-online/">Announced in October</a>, Adobe is offering an alternative to their typical software upgrade cycle &#8212; instead of buying their forthcoming CS6 suite, you can sign up for <a href="http://www.adobe.com/products/creativecloud.html">Creative Cloud</a>, launching &#8220;first half of 2012,&#8221; for $49.99 a month. This will get you access to the forthcoming CS6 apps, their new <a href="http://nofilmschool.com/2011/10/adobe-touch/">Touch apps</a>, and 20GB of cloud storage. They&#8217;re also killing their old upgrade policy &#8212; partially. <a href="http://nofilmschool.com/2012/02/ready-adobe-utility-creative-cloud-launch/#more-17904" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>58</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/ready-adobe-utility-creative-cloud-launch/</feedburner:origLink></item>
		<item>
		<title>Shit Filmmakers Say...</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/T1x4RSTdTkU/</link>
		<comments>http://nofilmschool.com/2012/02/shit-filmmakers-say/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 15:37:23 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[shit]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17905</guid>
		<description><![CDATA[The meme that won&#8217;t die, &#8220;shit ____ say,&#8221; has come to filmmaking. Nevermind that the entire thing reminds me of that Twitter account that became a TV show &#8212; here are the filmmaker-relevent compendiums, one about filmmaking in general and the other about the recently-concluded Sundance Film Festival. The language in the latter is NSFW, [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/shit-224x123.jpg" alt="" title="shit" width="224" height="123" class="alignleft size-medium wp-image-17914" />The meme that won&#8217;t die, &#8220;<a href="http://mashable.com/2012/01/27/best-shit-people-say-videos/">shit ____ say</a>,&#8221; has come to filmmaking. Nevermind that the entire thing reminds me of <a href="http://nofilmschool.com/2010/05/hollywood-now-plundering-twitter-for-ideas/">that Twitter account that became a TV show</a> &#8212; here are the filmmaker-relevent compendiums, one about filmmaking in general and the other about the recently-concluded <a href="http://nofilmschool.com/tag/sundance/">Sundance Film Festival</a>. The language in the latter is NSFW, but&#8230; so is the title. <a href="http://nofilmschool.com/2012/02/shit-filmmakers-say/#more-17905" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>7</slash:comments>
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		<item>
		<title>'Joy Ride,' the First Nikon D800 Test Film</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/iq22b80JNHc/</link>
		<comments>http://nofilmschool.com/2012/02/joy-ride-nikon-d800-test-film/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 14:51:58 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
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		<category><![CDATA[nikond800]]></category>
		<category><![CDATA[tests]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17897</guid>
		<description><![CDATA[Is the just-announced Nikon D800 the new Canon 5D Mark II? It&#8217;s full frame, it&#8217;s of a similar size and it&#8217;s of a similar price, but it offers a clean HDMI output, and it does 60p (at 720p). The question, I guess, is not how the D800 will fair against the 5D Mark II but [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/NIKON-D800-MOVIE-224x135.jpg" alt="" title="NIKON D800 MOVIE" width="224" height="135" class="alignleft size-medium wp-image-17898" />Is the <a href="http://nofilmschool.com/2012/02/nikons-d800-ups-megapixel-count-36-matches/">just-announced Nikon D800</a> the new Canon 5D Mark II? It&#8217;s full frame, it&#8217;s of a similar size and it&#8217;s of a similar price, but it offers a clean HDMI output, and it does 60p (at 720p). The question, I guess, is not how the D800 will fair against the 5D Mark II but how it will compare the Mark III &#8212; whenever we hear about that. Thanks to reader <a href="http://nofilmschool.com/2012/02/nikons-d800-ups-megapixel-count-36-matches/comment-page-1/#comment-139182">Paul</a>, here&#8217;s the first (to my knowledge) short film shot on the new D800: <a href="http://nofilmschool.com/2012/02/joy-ride-nikon-d800-test-film/#more-17897" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>44</slash:comments>
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		<title>Nikon's 36-Megapixel D800 Matches the D4's Clean HDMI Output at Half the Price</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/oJ3Y4vgYVnM/</link>
		<comments>http://nofilmschool.com/2012/02/nikons-d800-ups-megapixel-count-36-matches/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 04:46:07 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
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		<category><![CDATA[hybrid]]></category>
		<category><![CDATA[nikon]]></category>
		<category><![CDATA[nikond800]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17882</guid>
		<description><![CDATA[The new Nikon D4 isn&#8217;t the only new kid on the block &#8212; Nikon will also be releasing a second full-frame DSLR, the Nikon D800. As rumored, the D800 has a whopping 36 megapixel CMOS sensor (7360 x 4912 resolution), which may make the D800 not seem optimal for video (smaller photosites). However, the camera [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-17883 style-off" title="Nikon-D800-1_gallery_post" src="http://nofilmschool.com/wp-content/uploads/2012/02/Nikon-D800-1_gallery_post-224x178.jpg" alt="" width="224" height="178" />The new Nikon D4 isn&#8217;t the only new kid on the block &#8212; Nikon will also be releasing a second full-frame DSLR, the Nikon D800. <a href="http://nofilmschool.com/2011/11/rumors-nikon-d800-featuring-full-1080p-video/">As rumored</a>, the D800 has a whopping 36 megapixel CMOS sensor (7360 x 4912 resolution), which may make the D800 not seem optimal for video (smaller photosites). However, the camera features full 1080p HD video at 30/24fps and 720p at 60fps. Similar to the D4, the D800 will also offer a clean HDMI output &#8212; except the D800 is half the price of the D4, coming in at $2,999. <a href="http://nofilmschool.com/2012/02/nikons-d800-ups-megapixel-count-36-matches/#more-17882" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>28</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/nikons-d800-ups-megapixel-count-36-matches/</feedburner:origLink></item>
		<item>
		<title>Getting Better as a Director: Gaining Trust</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/8ugYBQ2Q8fs/</link>
		<comments>http://nofilmschool.com/2012/02/directing-gaining-trust/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 21:53:40 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[randolphsellars]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17872</guid>
		<description><![CDATA[This is a guest post by DP and filmmaker Randolph Sellars. I’ve read several interviews with Hollywood directors who, when asked about directing actors, responded with something like &#8220;casting is 90% of the job.&#8221; While I agree that casting is extremely important and certainly makes the director’s job easier, I must quibble with their percentage [...]]]></description>
			<content:encoded><![CDATA[<p><em>This is a guest post by DP and filmmaker <a href="http://randolphsellars.com/">Randolph Sellars</a>.</em></p>
<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-17326" title="Directing actors" src="http://nofilmschool.com/wp-content/uploads/2012/01/directing-actors-224x114.jpg" alt="" width="224" height="114" />I’ve read several interviews with Hollywood directors who, when asked about directing actors, responded with something like &#8220;casting is 90% of the job.&#8221; While I agree that casting is extremely important and certainly makes the director’s job easier, I must quibble with their percentage estimate. This 90% claim is either a cop-out answer or these directors aren’t fully doing their jobs. Even the best actors still need skillful guidance with their roles. We’ve all seen great actors deliver bad performances occasionally. In most of these cases, it’s not entirely the actor’s fault. Much of the blame can be assigned to bad writing, sub par directing – or both.  <a href="http://nofilmschool.com/2012/02/directing-gaining-trust/#more-17872" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>11</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/directing-gaining-trust/</feedburner:origLink></item>
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		<title>'Saturday Night Live' DP Alex Buono Shoots On, and Quite Likes, the Canon C300</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/E6oCPJ4EBh8/</link>
		<comments>http://nofilmschool.com/2012/02/saturday-night-live-dp-alex-buono-shoots/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 18:51:31 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[c300]]></category>
		<category><![CDATA[cameras]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[canonc300]]></category>
		<category><![CDATA[snl]]></category>
		<category><![CDATA[tv]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17860</guid>
		<description><![CDATA[Alex Buono, Director of Photography for Saturday Night Live, has been shooting on DSLRs for quite some time (the intro for the show was in fact shot on a Canon 5D Mark II and 7D). Here, he gets his hands on a C300, shoots some spots for the show, and talks about his impressions of [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/alex-buono-saturday-night-live-canon-c300-224x124.jpg" alt="" title="alex buono saturday night live canon c300" width="224" height="124" class="alignleft size-medium wp-image-17868 style-off" /><a href="https://twitter.com/#!/alexbuono">Alex Buono</a>, Director of Photography for Saturday Night Live, has been shooting on DSLRs for quite some time (the intro for the show was in fact shot on a Canon 5D Mark II and 7D). Here, he gets his hands on a C300, shoots some spots for the show, and talks about his impressions of the camera (which are quite positive). Here&#8217;s the video, courtesy <a href="http://vimeo.com/clintmilby">Clint Milby</a>: <a href="http://nofilmschool.com/2012/02/saturday-night-live-dp-alex-buono-shoots/#more-17860" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>6</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/saturday-night-live-dp-alex-buono-shoots/</feedburner:origLink></item>
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		<title>Avid Studio is a $4.99, Frame-Accurate Editing Application for the iPad</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/qql8I71sihI/</link>
		<comments>http://nofilmschool.com/2012/02/avid-studio-4-99-frame-accurate-nonlinear/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 17:36:29 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[avid]]></category>
		<category><![CDATA[avidstudio]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[ios]]></category>
		<category><![CDATA[ipad]]></category>
		<category><![CDATA[iphone]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17853</guid>
		<description><![CDATA[Many have lauded Avid&#8217;s latest version of Media Composer (6), and it seems Avid is not content to cede the lower-end editing market to Adobe and Apple. To that end, they have released a new iPad app, Avid Studio, which at a special introductory price of $4.99 is surely the lowest-price piece of paid Avid [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/AvidStudioForiPad-Timeline-224x175.jpg" alt="" title="AvidStudioForiPad-Timeline" width="224" height="175" class="alignleft size-medium wp-image-17856 style-off" />Many have lauded Avid&#8217;s <a href="http://nofilmschool.com/2011/11/avid-announces-media-composer-6-64-bit-processing/" title="Avid Announces Media Composer 6 with 64-Bit Processing and New User Interface">latest version of Media Composer (6)</a>, and it seems Avid is not content to cede the lower-end editing market to Adobe and Apple. To that end, they have released a new iPad app, <a href="http://nofilmschool.com/avidstudio">Avid Studio</a>, which at a special introductory price of $4.99 is surely the lowest-price piece of paid Avid software. Here&#8217;s a look at the app in action (no sound, some Japanese text): <a href="http://nofilmschool.com/2012/02/avid-studio-4-99-frame-accurate-nonlinear/#more-17853" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>4</slash:comments>
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		<title>Adobe Gives a Sneak Peek at New Video Application 'Prelude'</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/bQobqWdhVNg/</link>
		<comments>http://nofilmschool.com/2012/02/adobe-sneak-peak-video-application-prelude/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 19:11:51 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[adobe]]></category>
		<category><![CDATA[adobeprelude]]></category>
		<category><![CDATA[creativesuite]]></category>
		<category><![CDATA[datawrangling]]></category>
		<category><![CDATA[dit]]></category>
		<category><![CDATA[prelude]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17846</guid>
		<description><![CDATA[With Story and OnLocation, Adobe has been adding to their better-known video applications (Premiere Pro, After Effects) and transforming their suite into an end-to-end production solution. The latest addition is an application called Prelude, and in San Francisco they recently demoed the new software, which looks to be an on-set ingest and logging program.]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-full wp-image-17847" title="adobe-prelude" src="http://nofilmschool.com/wp-content/uploads/2012/02/adobe-prelude.jpg" alt="" width="224" height="143" />With <a href="http://story.adobe.com/">Story</a> and <a href="http://www.adobe.com/products/onlocation.html">OnLocation</a>, Adobe has been adding to their better-known video applications (Premiere Pro, After Effects) and transforming their suite into an end-to-end production solution. The latest addition is an application called Prelude, and in San Francisco they recently demoed the new software, which looks to be an on-set ingest and logging program.<br />
 <a href="http://nofilmschool.com/2012/02/adobe-sneak-peak-video-application-prelude/#more-17846" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>15</slash:comments>
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		<title>Vimeo and Cinelan to Award $200k in Prizes for Short Docs</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/1mvriYDNceU/</link>
		<comments>http://nofilmschool.com/2012/02/vimeo-cinelan-award-200k-prizes-short-docs/#comments</comments>
		<pubDate>Thu, 02 Feb 2012 17:16:58 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[cinelan]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[opportunities]]></category>
		<category><![CDATA[vimeo]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17831</guid>
		<description><![CDATA[In conjunction with General Electric and Cinelan, Vimeo has launched a new short documentary series entitled Focus Forward, and they&#8217;re opening the series up for submissions. There&#8217;s a $100k Grand Prize at stake &#8212; along with a premiere at next year&#8217;s Sundance &#8212; as well as an additional $100k in prizes. The details:]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/focus-forward-blog-image-224x124.png" alt="" title="focus-forward-blog-image" width="224" height="124" class="alignleft size-medium wp-image-17842" />In conjunction with General Electric and <a href="http://www.cinelan.com/">Cinelan</a>, Vimeo has <a href='http://vimeo.com/blog:474'>launched</a> a new short documentary series entitled <em>Focus Forward</em>, and they&#8217;re opening the series up for submissions. There&#8217;s a $100k Grand Prize at stake &#8212; along with a premiere at next year&#8217;s Sundance &#8212; as well as an additional $100k in prizes. The details: <a href="http://nofilmschool.com/2012/02/vimeo-cinelan-award-200k-prizes-short-docs/#more-17831" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>3</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/vimeo-cinelan-award-200k-prizes-short-docs/</feedburner:origLink></item>
		<item>
		<title>Canon Updates EOS Utility, Finally Works on OS X Lion</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/hnmNK5owLOQ/</link>
		<comments>http://nofilmschool.com/2012/02/canon-updates-eos-utility-finally-works/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 18:26:21 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[hdslr]]></category>
		<category><![CDATA[software]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17833</guid>
		<description><![CDATA[Canon&#8217;s EOS Utility software, which includes the ability to edit picture styles on your HDSLR, has not worked on OSX Lion since Apple released the new OS in July. However, Canon has just released version 2.10.4 which remedies this problem. Here&#8217;s the deal with this new version:]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/02/eos_utility_preview-224x135.jpg" alt="" title="eos_utility_preview" width="224" height="135" class="alignleft size-medium wp-image-17836" />Canon&#8217;s EOS Utility software, which includes the ability to <a href="http://nofilmschool.com/dslr/picture-style-editor/">edit picture styles</a> on your HDSLR, has not worked on OSX Lion since Apple released the new OS in July. However, Canon has just released version 2.10.4 which remedies this problem. Here&#8217;s the deal with this new version: <a href="http://nofilmschool.com/2012/02/canon-updates-eos-utility-finally-works/#more-17833" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>9</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/02/canon-updates-eos-utility-finally-works/</feedburner:origLink></item>
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		<title>Apple Adds Multicam Support (And a Way to Open Final Cut 7 Projects) to Final Cut Pro X</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/oL42k4ERT0M/</link>
		<comments>http://nofilmschool.com/2012/01/apple-adds-multicam-support-and-open-final/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 20:59:54 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[apple]]></category>
		<category><![CDATA[editing]]></category>
		<category><![CDATA[fcpx]]></category>
		<category><![CDATA[finalcut]]></category>
		<category><![CDATA[finalcutprox]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17815</guid>
		<description><![CDATA[Apple today released an update to the controversial Final Cut Pro X, adding multicam support, advanced chroma keying, media relinking upgrades, and enhanced XML support. There&#8217;s also a third party app that &#8212; get this &#8212; actually allows you to import Final Cut Pro 7 projects. FCPX is now at 10.0.3, and while I&#8217;m not [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-17817" title="final cut pro x multicam" src="http://nofilmschool.com/wp-content/uploads/2012/01/final-cut-pro-x-multicam-224x127.jpg" alt="" width="224" height="127" />Apple today released an update to the controversial Final Cut Pro X, adding multicam support, advanced chroma keying, media relinking upgrades, and enhanced XML support. There&#8217;s also a third party app that &#8212; get this &#8212; <em>actually allows you to import Final Cut Pro 7 projects</em>. FCPX is now at 10.0.3, and while I&#8217;m not sure this will make anyone give up their copy of 7, it&#8217;s a step in the right direction (and a significant upgrade for current X users). Here are the details: <a href="http://nofilmschool.com/2012/01/apple-adds-multicam-support-and-open-final/#more-17815" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>80</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/01/apple-adds-multicam-support-and-open-final/</feedburner:origLink></item>
		<item>
		<title>Top Five Essentials for Shooting Your Indie Film</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/9mqt3pjYO1g/</link>
		<comments>http://nofilmschool.com/2012/01/top-essentials-shooting-indie-film/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:12:57 +0000</pubDate>
		<dc:creator>Guest Author</dc:creator>
				<category><![CDATA[Featured Content]]></category>
		<category><![CDATA[news]]></category>
		<category><![CDATA[directing]]></category>
		<category><![CDATA[production]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17791</guid>
		<description><![CDATA[This is a guest post by indie filmmaker Jason Sokoloff. Everyone wants to write and direct, but the reality is it doesn’t happen immediately. Coming out of NYU’s Graduate Film Program, I was surrounded by talented filmmakers, but, while you’re writing scripts and trying to do what you love, you have student loans to repay, [...]]]></description>
			<content:encoded><![CDATA[<p><em>This is a guest post by indie filmmaker <a href="http://www.imdb.com/name/nm2571166/">Jason Sokoloff</a></em>.</p>
<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/01/281274_230881250285199_227351553971502_664378_5030086_n-224x134.jpg" alt="" title="281274_230881250285199_227351553971502_664378_5030086_n" width="224" height="134" class="alignleft size-medium wp-image-17796" />Everyone wants to write and direct, but the reality is it doesn’t happen immediately. Coming out of <a href="http://gradfilm.tisch.nyu.edu/">NYU’s Graduate Film Program</a>, I was surrounded by talented filmmakers, but, while you’re writing scripts and trying to do what you love, you have student loans to repay, rent that’s due, and health insurance would be nice. Quite simply put, you need a job &#8211; preferably with benefits. In order to pay my bills and still be active in the film community, I found my niche working as a production manager and line producer. I cannot express how important it is to work on a film set and what better way to continue growing as a filmmaker than by helping others produce and make their own films. <a href="http://nofilmschool.com/2012/01/top-essentials-shooting-indie-film/#more-17791" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>34</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/01/top-essentials-shooting-indie-film/</feedburner:origLink></item>
		<item>
		<title>At the Rough Cut Stage? Apply to IFP's Independent Filmmaker Labs</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/IV18OEMfuMo/</link>
		<comments>http://nofilmschool.com/2012/01/rough-cut-stage-apply-ifps-independent/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 16:59:43 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[ifp]]></category>
		<category><![CDATA[labs]]></category>
		<category><![CDATA[opportunities]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17785</guid>
		<description><![CDATA[You&#8217;re editing your first narrative or documentary feature. You&#8217;re working with an assembly or rough cut; the film is coming together, but you&#8217;re not sure how to best carry the project through post-production. In short, you need help. If this sounds like you, I highly recommend applying to IFP&#8217;s Independent Filmmaker Labs, which provide mentorship [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-17787 style-off" title="ifp labs" src="http://nofilmschool.com/wp-content/uploads/2012/01/ifp-labs-224x92.jpg" alt="" width="224" height="92" />You&#8217;re editing your first narrative or documentary feature. You&#8217;re working with an assembly or rough cut; the film is coming together, but you&#8217;re not sure how to best carry the project through post-production. In short, you need help. If this sounds like you, I highly recommend applying to IFP&#8217;s Independent Filmmaker Labs, which provide mentorship at NYC events in May, June, September, and December. Note this is open to U.S.-based IFP members (<a href="http://www.ifp.org/membership/">join here</a>) only.  <a href="http://nofilmschool.com/2012/01/rough-cut-stage-apply-ifps-independent/#more-17785" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>1</slash:comments>
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		<title>Is HTML5 Ready to Replace Flash Video? A Full Report on the State of HTML5</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/3ZwtgGO_W9Y/</link>
		<comments>http://nofilmschool.com/2012/01/html5-ready-replace-flash-video-full-report/#comments</comments>
		<pubDate>Sun, 29 Jan 2012 18:25:58 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[distribution]]></category>
		<category><![CDATA[flash]]></category>
		<category><![CDATA[flashvideo]]></category>
		<category><![CDATA[html5]]></category>
		<category><![CDATA[onlinevideo]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17772</guid>
		<description><![CDATA[I&#8217;ve been keeping tabs on HTML5 video for my future transmedia project 3rd Rail, as HTML5 will almost certainly replace Flash video as the primary method of consuming online video&#8230; eventually. However, where we are right now is that Adobe is sunsetting Flash video but HTML5 is still in its infancy. Long Tail Video has [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/01/html5.jpg" alt="" title="html5" width="72" height="95" class="alignleft size-full wp-image-17774 style-off" />I&#8217;ve been keeping tabs on HTML5 video for my future transmedia project <em><a href="http://3rdrail.tv/">3rd Rail</a></em>, as HTML5 will almost certainly replace Flash video as the primary method of consuming online video&#8230; eventually. However, where we are right now is that <a href="http://nofilmschool.com/2011/11/flash-died/">Adobe is sunsetting Flash video</a> but HTML5 is still in its infancy. <a href="http://www.longtailvideo.com/html5">Long Tail Video</a> has released a very useful &#8220;state of HTML5&#8243; report, and it&#8217;s very enlightening for anyone wondering what you can and can&#8217;t do with HTML5 video today. Let&#8217;s also embed some HTML5 videos right here and see if they work correctly in your browser: <a href="http://nofilmschool.com/2012/01/html5-ready-replace-flash-video-full-report/#more-17772" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>27</slash:comments>
<enclosure url="http://content.bitsontherun.com/videos/q1fx20VZ-52qL9xLP.mp4" length="0" type="video/mp4" />
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		<title>Patent Filing Reveals Canon's RAW 4K Future</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/HNr9BxSRlao/</link>
		<comments>http://nofilmschool.com/2012/01/patent-filing-reveals-canons-raw-4k-future/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 18:26:16 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[4k]]></category>
		<category><![CDATA[canon]]></category>
		<category><![CDATA[patents]]></category>
		<category><![CDATA[raw]]></category>
		<category><![CDATA[red]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17759</guid>
		<description><![CDATA[Canon applied for a RAW video patent in July of 2010, and it was just published by the U.S. Patent and Trademark Office yesterday. The filing indicates that Canon is planning to retain CF card compatibility while compressing 12-bit moving images to RAW 4K or 2K resolutions. Note that it&#8217;s a popular misconception that &#8220;RAW&#8221; [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/01/CanonCinemaEOS-224x124.png" alt="" title="CanonCinemaEOS" width="224" height="124" class="alignleft size-medium wp-image-17762" />Canon applied for a RAW video patent in July of 2010, and it was just published by the U.S. Patent and Trademark Office yesterday. The filing indicates that Canon is planning to retain CF card compatibility while compressing 12-bit moving images to RAW 4K or 2K resolutions. Note that it&#8217;s a popular misconception that &#8220;<a href="http://en.wikipedia.org/wiki/Raw_image_format">RAW</a>&#8221; means &#8220;free of compression&#8221; &#8212; RAW, as far as both still and moving images are concerned, means that the data is stored in an un<em>processed</em> manner (which allows for adjustments in maximum colorspace before converting to an output format) &#8212; not in an un<em>compressed</em> manner. Indeed, in the patent Canon describes 4K uncompressed 12-bit video&#8217;s 2.8Gbit datarate as &#8220;too high for CF cards,&#8221; so, like <a href="http://nofilmschool.com/tag/red">RED</a>, they will be compressing the data coming off the sensor. It&#8217;s going to be a very competitive next few years&#8230; <a href="http://nofilmschool.com/2012/01/patent-filing-reveals-canons-raw-4k-future/#more-17759" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>43</slash:comments>
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		<item>
		<title>Ten Shorts from This Year's Sundance Film Festival Now Available to Watch Online</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/3Stj2kCtHP0/</link>
		<comments>http://nofilmschool.com/2012/01/ten-shorts-years-sundance-watch-online/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 15:50:14 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[seen]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[sundance]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17744</guid>
		<description><![CDATA[Sundance has announced this year&#8217;s Jury-prize winning shorts, and one of the winners is already available to watch online free. In total there are ten shorts online, and you don&#8217;t have to be in Park City to see them. Here&#8217;s one short that&#8217;s embeddable &#8212; note that it is not for the faint of heart [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  class="alignleft size-medium wp-image-17748" title="heart-stop" src="http://nofilmschool.com/wp-content/uploads/2012/01/heart-stop-224x125.jpg" alt="" width="224" height="125" />Sundance has announced this year&#8217;s <a href="http://www.filmmakermagazine.com/news/2012/01/sundance-announces-jury-prizes-in-short-filmmaking/">Jury-prize winning shorts</a>, and one of the winners is already available to watch online free. In total there are ten shorts online, and you don&#8217;t have to be in Park City to see them. Here&#8217;s one short that&#8217;s embeddable &#8212; note that it is not for the faint of heart (bad pun intended&#8230; there is a fair amount of surgery shown): <a href="http://nofilmschool.com/2012/01/ten-shorts-years-sundance-watch-online/#more-17744" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>6</slash:comments>
		<feedburner:origLink>http://nofilmschool.com/2012/01/ten-shorts-years-sundance-watch-online/</feedburner:origLink></item>
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		<title>Low-Cost Video Tools on Kickstarter: $50 Follow Focus and $999 DSLR Helicopter</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/F81Dtmt7CA0/</link>
		<comments>http://nofilmschool.com/2012/01/low-cost-video-tools-kickstarter-50-follow/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 21:44:52 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[aerial]]></category>
		<category><![CDATA[dslr]]></category>
		<category><![CDATA[followfocus]]></category>
		<category><![CDATA[hdslr]]></category>
		<category><![CDATA[helicopter]]></category>
		<category><![CDATA[kickstarter]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17733</guid>
		<description><![CDATA[I&#8217;ve always thought Kickstarter, IndieGoGo, and other crowdfunding platforms are actually &#8220;best&#8221; suited for gadgets and technology products where you pre-buy something out of self-interest (as opposed to helping someone make something, as you did with me). Despite this, on Kickstarter Film &#038; Video was the largest category in 2011, which is a testament to [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/01/eye3-dslr-helicopter-224x103.jpg" alt="" title="eye3 dslr helicopter" width="224" height="103" class="alignleft size-medium wp-image-17735" />I&#8217;ve always thought <a href="http://kickstarter.com">Kickstarter</a>, <a href="http://indiegogo.com">IndieGoGo</a>, and other crowdfunding platforms are actually &#8220;best&#8221; suited for gadgets and technology products where you pre-buy something out of self-interest (as opposed to helping someone make something, <a href="http://www.kickstarter.com/projects/ryanbkoo/man-child-feature-film">as you did with me</a>). Despite this, on Kickstarter <a href="http://www.kickstarter.com/blog/2011-the-stats">Film &#038; Video was the largest category in 2011</a>, which is a testament to the generosity and connectivity of the filmmaking community. Here are a couple of filmmaking-friendly products for DSLRs on Kickstarter, both of which are looking to lower the price point for follow focuses and remote-control helicopters: <a href="http://nofilmschool.com/2012/01/low-cost-video-tools-kickstarter-50-follow/#more-17733" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>24</slash:comments>
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		<title>A Few Things Every RED SCARLET/EPIC Owner -- or Renter -- Should Know</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/kzOj5SZ1DEY/</link>
		<comments>http://nofilmschool.com/2012/01/red-scarletepic-owner-renter/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 15:57:48 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
		<category><![CDATA[4k]]></category>
		<category><![CDATA[5k]]></category>
		<category><![CDATA[red]]></category>
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		<category><![CDATA[redscarlet]]></category>

		<guid isPermaLink="false">http://nofilmschool.com/?p=17710</guid>
		<description><![CDATA[James Drake from Denver-based RED rental house 5K Insight gave Dave Dugdale of Learning DSLR Video a hands-on with the RED EPIC camera, and the two videos are an excellent introduction to the RED DSMC system. They&#8217;re included below, but first, two things every RED EPIC/SCARLET owner should be aware of:]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/01/jdepic-300x195-224x145.jpg" alt="" title="jdepic-300x195" width="224" height="145" class="alignleft size-medium wp-image-17721" />James Drake from Denver-based RED rental house <a href="http://www.5kinsight.com/">5K Insight</a> gave Dave Dugdale of <a href="http://www.learningdslrvideo.com/">Learning DSLR Video</a> a hands-on with the RED EPIC camera, and the two videos are an excellent introduction to the RED DSMC system. They&#8217;re included below, but first, two things every RED EPIC/SCARLET owner should be aware of: <a href="http://nofilmschool.com/2012/01/red-scarletepic-owner-renter/#more-17710" class="more-link">(more&#8230;)</a></p>
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		<slash:comments>29</slash:comments>
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		<title>Canon's Mysterious 4K DSLR Spotted in the Wild -- Or is This the 5D Mark III?</title>
		<link>http://feedproxy.google.com/~r/nofilmschool/~3/mwLw-xg_kKY/</link>
		<comments>http://nofilmschool.com/2012/01/canons-mysterious-4k-dslr-spotted-wild/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 21:49:19 +0000</pubDate>
		<dc:creator>Ryan Koo</dc:creator>
				<category><![CDATA[news]]></category>
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		<category><![CDATA[cameras]]></category>
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		<guid isPermaLink="false">http://nofilmschool.com/?p=17704</guid>
		<description><![CDATA[The mysterious 4K Canon DSLR &#8212; or some other widescreen Canon HDSLR &#8212; has been spotted in the wild&#8230; literally. Stephen Oachs from Aperture Academy was shooting wildlife in Kenya (with a camera, not a gun) and spotted a Japanese cameraman using the unreleased Canon 200-400mm with built-in teleconverter and Canon 600mm lenses. The cameraman [...]]]></description>
			<content:encoded><![CDATA[<p><img style=' float: left; padding: 4px; margin: 0 7px 2px 0;'  src="http://nofilmschool.com/wp-content/uploads/2012/01/canon-4k-dslr-5d-mark-iii-224x156.jpg" alt="" title="canon-4k-dslr-5d-mark-iii" width="224" height="156" class="alignleft size-medium wp-image-17705" />The mysterious <a href="http://nofilmschool.com/2011/11/whats-dslr-cinema-eos-logo-canon-hollywood/">4K Canon DSLR</a> &#8212; or some other widescreen Canon HDSLR &#8212; has been spotted in the wild&#8230; literally. Stephen Oachs from Aperture Academy was shooting wildlife in Kenya (with a camera, not a gun) and spotted a Japanese cameraman using the unreleased Canon 200-400mm with built-in teleconverter and Canon 600mm lenses. The cameraman was also using <del datetime="2012-01-24T22:21:51+00:00">the as-yet-unnamed 4K</del> a mysterious DSLR, which has a widescreen LCD and a new &#8220;RATE&#8221; button. I&#8217;ve lightened and blown up Stephen&#8217;s image for as much detail as possible: <a href="http://nofilmschool.com/2012/01/canons-mysterious-4k-dslr-spotted-wild/#more-17704" class="more-link">(more&#8230;)</a></p>
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