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<?xml-stylesheet type="text/xsl" media="screen" href="/~d/styles/atom10full.xsl"?><?xml-stylesheet type="text/css" media="screen" href="http://feeds.feedburner.com/~d/styles/itemcontent.css"?><feed xmlns="http://www.w3.org/2005/Atom" xmlns:openSearch="http://a9.com/-/spec/opensearch/1.1/" xmlns:blogger="http://schemas.google.com/blogger/2008" xmlns:georss="http://www.georss.org/georss" xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr="http://purl.org/syndication/thread/1.0" xmlns:feedburner="http://rssnamespace.org/feedburner/ext/1.0" gd:etag="W/&quot;CUYARnY9eCp7ImA9WhBaEU4.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416</id><updated>2013-05-21T06:45:47.860-04:00</updated><category term="NOIR [CASH] BAR at NoirCon 2012" /><category term="Noir Coalition of Philadelphia" /><category term="For Men Only" /><category term="Nisbet Does Baudelaire Like No Other (Part 2)" /><category term="WTF Six Roasted Human Fetuses" /><category term="DARK DAYS ARE HERE AGAIN" /><category term="Oprah" /><category term="Noir Journal" /><category term="Beitsim" /><category term="Jeremiah Healy" /><category term="RAT MACHINE is here" /><category term="Georges Simenon" /><category term="Atomic Noir - First Round" /><category term="R.I.P. George Jefferson (aka Sherman Helmsley)" /><category term="NoirCon 2012  Masters of Ceremony" /><category term="Rest In Peace R.I.V." /><category term="2 1/2 Men and Religion" /><category term="Tony Black" /><category term="Missle Silo" /><category term="NoiR Leans with Ed Holub" /><category term="NoirCon" /><category term="Philadelphia Noir" /><category term="Crime 'Noir'" /><category term="Noir Thanksgiving" /><category term="The Slasher" /><category term="Quickdraw McGraw" /><category term="Alix Lambert" /><category term="So very WRONG?" /><category term="NoirCon 2010.  Panelists. Times. Schedule" /><category term="Ryan White" /><category term="Noircon 2012 and Heide Hatry's NOT A ROSE" /><category term="Christian Dior" /><category term="Tom Waits" /><category term="Goodis's NIGHTFALL" /><category term="NoirCon 2010 AT-A-GLANCE" /><category term="Al Capone Was A Nice Family Guy" /><category term="NoirCon 2014" /><category term="David Thompson" /><category term="R.I.P. MCA" /><category term="NoirCon 2012 - Opening Night with Heide Hatry" /><category term="WTF Hannibal Lecter" /><category term="Bruen" /><category term="Live Octopus Epicurean - An Epicurean Delight" /><category term="R.I.P. Amos Vogel" /><category term="Swierczynski Does Dredd Like No Other" /><category term="La Pantera Negra" /><category term="Paul Wendkos" /><category term="Dave white" /><category term="Stuart Brock (aka Louis Trimble)" /><category term="Brian Greene" /><category term="Avery Gilbert" /><category term="NoirCon 2012 - November 8th" /><category term="WeeGee" /><category term="Usher Fellig" /><category term="The Stark Reality For Graduating High School Seniors" /><category term="The FU Generation" /><category term="circa 1942" /><category term="R.I.P. Nascar's Greatest Fan" /><category term="F.Scott Fitzgerald's List" /><category term="Dorothy Mort and Murder" /><category term="Jewish Hanukkah Noir Part II" /><category term="Florida" /><category term="Dominic West" /><category term="Ira Yanoff" /><category term="Jack Taylor Takes PrimeTime" /><category term="AWAI" /><category term="The Chill Reaper Cometh" /><category term="Move Over Steig Larson" /><category term="NoirCon 2012 Poetry Contest Extension" /><category term="NOIR RIOT" /><category term="Quentin Tarantino's DJANGO UNCHAINED" /><category term="Daniel Woodrell" /><category term="Veronica Lake" /><category term="Stripped Down Bond Movies" /><category term="The Burglar" /><category term="Bus Ride To Hell - January 5th" /><category term="Dixie Noir" /><category term="Brothers Bound in Crime in the City of Brotherly Love" /><category term="Mexico" /><category term="Goodisville Femme Fatale" /><category term="Harry Whittington" /><category term="New Gods" /><category term="This Little Piggly Wiggly" /><category term="Philadelphia Magazine 2010" /><category term="Noir Comics" /><category term="Elvis' Underwear on the auction block" /><category term="NOIR TO ME" /><category term="Daylight  Noir" /><category term="Jake Hinkson" /><category term="Zombie MAX Ammunition" /><category term="20000 Leagues in a hotel" /><category term="NoirCon 2012 Poetry Closes on May 31st" /><category term="The Guards" /><category term="Breaking Bad ADHD" /><category term="Al Guthrie" /><category term="A Day with Dave 2010" /><category term="Merry Christmas NoirCon Style 2012" /><category term="Coming Up For Air" /><category term="The Twelve" /><category term="Lisbeth Salander" /><category term="exorcism" /><category term="Edgar Allen Poe" /><category term="Ed Gorman" /><category term="existentialism" /><category term="Happy Father's Day (3)" /><category term="Akashic Books" /><category term="Mansfield" /><category term="Mr. Sputum" /><category term="How did King die?" /><category term="Ken Bruen" /><category term="Courmayeur Noir xix" /><category term="Jack Dann" /><category term="A Memorial Day Reminder" /><category term="SKIDDO" /><category term="Catherine Corman" /><category term="A DEATH IN MEXICO -  BRILLIANT" /><category term="Review of LOA Goodis Collection" /><category term="LV Rautenbaumgrabner" /><category term="NoirCon Bingo" /><category term="Allen" /><category term="Mike White's Projection Booth and NoirCon 2012" /><category term="The Silent City - A Broken Trail" /><category term="Leonard Cohen" /><category term="Goodis's Philadelphia" /><category term="Polito and Goodis" /><category term="Beaver Fatale" /><category term="David Goodis In Hollywood" /><category term="Historical Chicken Figures" /><category term="Cardinal Bevilacqua" /><category term="Kent Harrington" /><category term="Stripped Down Superhero Films" /><category term="Noir: Jerry Lewis and Al Goldstein" /><category term="Crime Writing on the Beat" /><category term="Jiro" /><category term="Give'em Hell Malone" /><category term="Noir: Unemployed?  Need A Job?  Now Hiring." /><category term="Guy Savage" /><category term="Shamus Award" /><category term="R.I.P. Andy Griffith" /><category term="I AM WHAT I AM" /><category term="Pulp Propaganda" /><category term="R.I.P. Mike Sheeter" /><category term="button" /><category term="Goodis" /><category term="David Goodis" /><category term="The Lindbergh Kidnapping Solved" /><category term="Nova Ren Suma" /><category term="The THIRD ROUND of submission for the Atomic Noir Short Story Contest are ABOUT TO OPEN" /><category term="Richard Godwin" /><category term="El Topo by Alejandro Jodorowsky" /><category term="Children" /><category term="Robert Polito" /><category term="Ryan Lindsay" /><category term="Deaver's Outline" /><category term="Dark Passage" /><category term="Frank DeBlase Inked at NoirCon 2012" /><category term="Noir Nurses" /><category term="Drive A Tank" /><category term="Claims His Sperms Contain Holy Spirit" /><category term="Duckman" /><category term="Noir" /><category term="Why they're coming to NoirCon" /><category term="R.I.P. LeRoy Nieman" /><category term="Swierczynski" /><category term="Murder As Concept Art" /><category term="Julian Hibbard" /><category term="NoirCon 2012 Official Raffle" /><category term="The Turnaround" /><category term="Noir Gang" /><category term="NoirCon 2012 QRL" /><category term="Keeping Up With The Keirkegaardashians" /><category term="Brian Setzer" /><category term="A Special NoirCon Invitation For You" /><category term="Bradbury's Art of Fiction No. 203" /><category term="Goodis Is Finally Welcomed In Hollywood" /><category term="Scott Phillips" /><category term="R.I.P. Michael Duncan" /><category term="Nighthawks" /><category term="distorted mind" /><category term="Dan Fante" /><category term="Freaks" /><category term="ATOMIC NOIR HAS ITS WINNERS" /><category term="Banana Tattoos" /><category term="I LOVE NOIR" /><category term="Red Jungle" /><category term="Times Square" /><category term="Alexandre Nahon" /><category term="Jim Noir" /><category term="R.I.P. Joe Kubert" /><category term="Modern Silent Cinema" /><category term="Deen Kogan" /><category term="Nazis in Space" /><category term="Noir 2011" /><category term="Kathleen Ward and Drunkness" /><category term="Cranioklepty" /><category term="1950s" /><category term="Doc Johnson's Empire" /><category term="Jeffrey A. Cohen" /><category term="Noir Swierczynski Style" /><category term="Millionaire Recluse and Planet 9 From Outer Space" /><category term="DND2  book cover" /><category term="David Lynch" /><category term="Dental Mannequins for Your Pleasure" /><category term="The Celtic Tiger Roars: Ken Bruen" /><category term="Hemingway Wore A Dress" /><category term="Horticultural Viagra" /><category term="TRANSPICIOUS" /><category term="Bruen and Goodis" /><category term="The Good Physician" /><category term="Noir Armstrong" /><category term="Even Thugs Dance" /><category term="No Regan Zombie" /><category term="Minimalist Movies 1970" /><category term="MacGyver meets Mad-Max in the Sahara" /><category term="Noir Gifts" /><category term="Lavelle" /><category term="KIMDOTCON" /><category term="Hammett Prize" /><category term="Happy Father's Day (1)" /><category term="R.I.P. Mary Kennedy" /><category term="Pulp" /><category term="R.I.P." /><category term="James Owens" /><category term="Burlesque" /><category term="Sorry you did not see Heide Hatry at NoirCon 2012" /><category term="Noir: Festival Of Sheela Na Gig" /><category term="NoirCon 2012 Countdown." /><category term="Conjoined Twins" /><category term="The Man Who Repaired Laptops" /><category term="The Woman In The Fifth" /><category term="Lineal Consanguanity" /><category term="Heide Hatry Tonight" /><category term="Goodis and Therapy" /><category term="Jay Gertzman" /><category term="HOTEL METH LAB" /><category term="The Power of Compliance and Stanley Milgram" /><category term="Get Your ATOMIC NOIR" /><category term="Kent Harrington has arrived" /><category term="R.I.P. Ravi Schankar" /><category term="Oakley Hall" /><category term="Noir Magic" /><category term="Peter Lorre" /><category term="Don Herron" /><category term="Military Art" /><category term="Dennis McMillan" /><category term="David Goodis Yahrzeit" /><category term="Hardboiled" /><category term="To A Pulp" /><category term="Die Hard Sports Fans" /><category term="Fight Church" /><category term="Elaine Astor GOODIS WIthers" /><category term="Bruen Writes and He is heard" /><category term="Jonathan Letham" /><category term="R.I.P. Benzion Netanyahu" /><category term="Undershaw" /><category term="42nd Street" /><category term="Lee Marvin" /><category term="Hong Kong" /><category term="Rabbi David Wolpe" /><category term="Phill Provance" /><category term="Registration Form" /><category term="R.I.P. Maurice Sendak" /><category term="Blindekuh" /><category term="Happy Fathers Day (2)" /><category term="R.I.P. Lonesome George" /><category term="Music from the Abyss" /><category term="London Boulevard" /><category term="America" /><category term="Hotel Noir on October 9th" /><category term="Go To Hell 2014?  Will you be in the picture?" /><category term="Ortolan Bunting" /><category term="David Goodis and the USPS" /><category term="2012" /><category term="Minimalist Movies 1960s" /><category term="They Saved Einstein's Brain In Philadelphia" /><category term="The Secret to Jackson's Gravity Defying Dance" /><category term="The Comedians" /><category term="Magna Productions" /><category term="Happy Independence Day" /><category term="R.I.P. Wilhelm Brasse" /><category term="Frank De Blase" /><category term="R.I.P. Gord Paynter and Ted Loviscek" /><category term="Assassination" /><category term="Lady Noir" /><category term="Kenneth Fearing" /><category term="NoirCon 2012 Auction" /><category term="Headless Body In Topless Bar" /><category term="Indecent Language and Theft" /><category term="Ronald MacDonald" /><category term="Laura Lippman" /><category term="DANI NOIR" /><category term="a black infernal creation of a twisted" /><category term="BORED TO DEATH" /><category term="Slammer" /><category term="Pelecanos and Noir" /><category term="Nocti Vagus" /><category term="THE FOLLOWER" /><category term="Death is a bitch." /><category term="book reviews" /><category term="Rogue Voodoo Doughnut Bacon Maple Ale" /><category term="R.I.P. Donna Summers" /><category term="Signs of the times" /><category term="Globe-Hopping With a Fatalistic Lens" /><category term="Endyke-Upon-Hull" /><category term="George Szirtes" /><category term="Lapadula and Screenwriting" /><category term="Pin-Up Girls Before and After" /><category term="Harrington takes Crimespree by storm with Dia De Los Muertos" /><category term="10 INCREDIBLE Kennedy Assassination Theories" /><category term="Kid Lit or Bad to the Bone: The Worst Children in Literature" /><category term="Shutter Island" /><category term="Narquitecture" /><category term="George Orwell" /><category term="The Furnished Room District" /><category term="R.I.P. Donald J. Sobol" /><category term="This Gun For Hire" /><category term="Opaque" /><category term="NoirCon 2012 - November 11th" /><category term="Evil Clowns For Hire" /><category term="Goodis - Prophet Without Honor" /><category term="The Comic M16A Rifle" /><category term="Morphine" /><category term="Detectives" /><category term="The Seven Deadly SIns" /><category term="Haiti 2010" /><category term="2010 Jay and Deen Kogan Award" /><category term="Mothers And Guns" /><category term="Noircon 2010" /><category term="NoirCon 2012" /><category term="Patricia Highsmith" /><category term="R.I.P. Jay Klein" /><category term="Advice to a Young Man on the Choice of a Mistress." /><category term="Minimalist Movies 1950" /><category term="Herman Melville" /><category term="Dennis Tafoya" /><category term="GoW - a lie" /><category term="Pennsylvania" /><category term="Black Friday" /><category term="The Wounded And The Slain" /><category term="THE PERSECUTION AND ASSASSINATION OF JEAN-PAUL MARAT AS PERFORMED BY THE INMATES OF THE ASYLUM OF CHARENTON UNDER THE DIRECTION OF THE MARQUIS DE SADE" /><category term="Richard Helms" /><category term="Jacques Futrelle" /><category term="Robert B. Parker RIP" /><category term="Color Noir Movies" /><category term="For The Love Of Mother" /><category term="Spider-Man Noir" /><category term="Velda Loves NoirCon 2012" /><category term="Chain Saw" /><category term="To Russia With Love and Дэвид Гудис (David Goodis)" /><category term="Divorce Decree of David Goodis" /><category term="Noir City and THE RAT MACHINE" /><category term="Retreat To Goodisville 2013" /><category term="Flooding with Love for The Kid - One Man Rambo" /><category term="R.I.P. YOSHINORI WATANABE" /><category term="R.I.P. Spain Rodriguez" /><category term="books" /><category term="NoirCon at The Slaughterhouse" /><category term="Exotic Women Dancers" /><category term="World’s Largest Coffin Is Actually a Restaurant Run by Undertakers" /><category term="R.I.P. Andre Cassagnes" /><category term="Count Juan Raphael Danté" /><category term="Girl Detective" /><category term="The Elixir of Life" /><category term="Street Fighting Just Got Better" /><category term="Noir: The Playboy Club Bunny Manual" /><category term="Courmayeur Noir in Festival" /><category term="Breaking Bad Elmo" /><category term="Jim Owens" /><category term="Robert Olen Butler takes NoirCon 2012 by Storm" /><category term="Philadelphia Daily News" /><category term="NoirCon 2012 - Day By Day" /><category term="Pete Dexter" /><category term="The Cat Piano" /><category term="MysteryPeople on Goodis" /><category term="Jim Nisbe" /><category term="CRIME" /><category term="Project Noir and Detectives Beyond Borders" /><category term="Noir City Film Festival 2010" /><category term="Bruen Wisdom" /><category term="The Girl That Played With Fire" /><category term="Retreat To Goodisville 2012" /><category term="The Vice Lolly" /><category term="Pastor Have Sex With Congregation" /><category term="Noir - Retreat to Goodisville 2013" /><category term="Noir Elvis" /><category term="Dinning With The Dead" /><category term="Goodis Birthday" /><category term="When is a cremain not a cremain?" /><category term="ATOMIC NOIR" /><category term="Cassidy's Girl comes to NoirCon 2012" /><category term="Old and Cold" /><category term="Noir Films of 2011" /><category term="NIGHTFALL" /><category term="Give the gift of NoirCon 2014 this Hanukkah" /><category term="Movie Posters from an alternate universe." /><category term="Send in the Clowns" /><category term="Jim Thompson" /><category term="The Mark of Cain" /><category term="The King of Spy Thrillers - The Rat Machine" /><category term="Joan Schenkar's Apropos Of Nothing" /><category term="Struwwelpeter" /><category term="R.I.P. Dave Brubeck" /><category term="The Sight" /><category term="The Monkey's Paw haunts Toronto" /><category term="Go-go Girls of the Apocalypse II" /><category term="Christoph Reilly" /><category term="Fay Watson and Cocaine" /><category term="Scorpion Press gets into the spirit of Goodis" /><category term="That's Italian" /><category term="Noir: Ugly Thugs" /><category term="Texas Noir" /><category term="www.noircon.com" /><category term="Ken Bruen's Way To Find God In The 21st Century" /><category term="Clyfford Still" /><category term="Shoot The Piano Player (The Band)" /><category term="Nisbet Does Baudelaire Like No Other" /><category term="Gary Cahill" /><category term="NoirCon 2012 Welcomes filmmaker Ed Holub" /><category term="Coffee Noir" /><category term="Human Kindness" /><category term="NoirCon 2012 will not be DERAILED" /><category term="Dans le Noir" /><category term="Rod Serling and Where Ideas Come From" /><category term="Existential Loneliness Part One" /><category term="How I Met Your Noir Mother" /><category term="Kowloon" /><category term="Be Part Of NoirCon 2012 History" /><category term="Mary Perry Stone" /><category term="Literature Dishes" /><category term="Arsenal Firearms" /><category term="Car Noir" /><category term="Anthony Bourdain" /><category term="Robert Downey Jr." /><category term="the cover" /><category term="R.I.P. Donald Dunn" /><category term="Library of America" /><category term="Stripped Down Sci-Fi" /><category term="NOT A ROSE" /><category term="body parts" /><category term="Matilda Devine" /><category term="Bill Pronzini" /><category term="Bagpipes at the septic tank" /><category term="Goodis Goes To Church" /><category term="Amazing Stories" /><category term="M" /><category term="2013" /><category term="True Crime" /><category term="R.I.P. Roger Ebert" /><category term="Noir Beverages" /><category term="Kazuki Kozuru-salifoska" /><category term="Molholland Books" /><category term="Eraserhead" /><category term="R.I.P BIRGing and CORFing" /><category term="Tebow Noir" /><category term="Oscar Wilde" /><category term="David Goodis: Five Noir Novels of the 1940s and 50s with Geoffrey O'Brien and Lou Boxer" /><category term="IED" /><category term="Kent Harrington Takes Germany By Storm" /><category term="Smell" /><category term="Sex Dolls and Sex Toys in China" /><category term="Happy St. Patrick's Day Noir Style" /><category term="Jack Taylor" /><category term="The Tenderlion" /><category term="Move Over Sweeney Todd" /><category term="Volume #1" /><category term="The Mob and the American Supperclub" /><category term="Opus Dei" /><category term="Robbery" /><category term="Origional Generation Xers" /><category term="R.I.P. Go-Gos Godfather" /><category term="Before I die" /><category term="Damn Near Dead 2" /><category term="Schwarzwald Inn" /><category term="Flesh-Eating Bacteria" /><category term="Jason Starr" /><category term="Calling All You Fans of Boo Boo Hoff" /><category term="Forces of Geek Love NoirCon" /><category term="The Rock" /><category term="The Sacred and the Profane" /><category term="Pulp-master Cornell Woolrich" /><category term="Larry Withers" /><category term="Higgs Boson Music" /><category term="Accordion Noir" /><category term="literature" /><category term="Arkansas in Philadelphia" /><category term="The Blonde On The Street Corner" /><category term="Richard Morgan" /><category term="R.I.P. Ernest Borgnine" /><category term="A Little Blytheville" /><category term="Hell On Church Street" /><category term="Poetry Noir 15" /><category term="Velda" /><category term="Dark Resturant" /><category term="Stripped Down Movies of 2000s" /><category term="Stripped Down GREEN" /><category term="Stuart Neville" /><category term="Swierczynski does it EXECUTION STYLE" /><category term="Wendy Barsotti" /><category term="Noir Food and Wine" /><category term="Behold This Woman" /><category term="Jonathan Ames" /><category term="The Trials of David Goodis" /><category term="Got Goodis?  Port Richmond Books Does" /><category term="John Grant" /><category term="Elliott Lester" /><category term="R.I.P. Robin Gibb" /><category term="NoirCon 2010 Panelists" /><category term="Body Fluids of POTUS" /><category term="Noir: In celebration of Ramadan" /><category term="Marston Hefner" /><category term="Coltrane and Goodis" /><category term="Oren Shai and WIP" /><category term="Blitz" /><category term="Pulps - Merle Miller" /><category term="Dante Alighieri" /><category term="Christa Faust" /><category term="Vacuum Sealed Love" /><category term="NoirCon 2012 - November 10th" /><category term="Grand Guingol" /><category term="Boudoir Noir" /><category term="The Birth of Batman" /><category term="Noir Music" /><category term="R.I.P. Ray Bradbury" /><category term="Kurt Curnutt" /><category term="What sort of flesh should you eat?" /><category term="Expiration Date" /><category term="Doing It Greek Style at the Olympics" /><category term="Mike Lipkin" /><category term="Goodisville" /><category term="A Few More Seats Avaliable For The Ride To Hell" /><category term="Gary Numan" /><category term="Rose Franken" /><category term="'Z World'" /><category term="GAGA for Rodriguez" /><category term="“An Artistic Exploration of Vice and Other Things That Make Your Heart Race”" /><category term="WSJ" /><category term="The Land That Noir Built." /><category term="Absinth" /><category term="Jeff Boucher" /><category term="THE BURGLAR and  1956" /><category term="TV" /><category term="The Edgar® Awards - 2010 Submissions" /><category term="Pulps" /><category term="Noir A-z" /><category term="Noir Food" /><category term="Dr. Sally Ride" /><category term="The Case of Amontillado" /><category term="Driving Defensively in Russia" /><category term="Joan Schenkar" /><category term="Comics With A Problem" /><category term="Comic Noir" /><category term="BLOODSHOT by Swierczynski" /><category term="PINE BOX FOR A PIN-UP" /><category term="Alexander Nahon" /><category term="Moby Dick" /><category term="Nazi Ladies hime Journal circa 1941 - 1945" /><category term="November 9th" /><category term="AS QUEER AS CLOCKWORK ORANGE" /><category term="NoirRiot #1" /><category term="First Ever Miss Holocaust Survivor Contest" /><category term="Dan Gross" /><category term="Baby Noir" /><category term="Busted Flush Press" /><category term="Mother's Day - Noir Style" /><category term="David Schmid" /><category term="Jim Nisbet" /><category term="Ronald Regan's Blood Up For Auction" /><category term="Beverly Hills Courier" /><category term="Steig Larsson" /><category term="NoirCon 2010 Program" /><category term="OOTG #6" /><category term="A Death In Mexico by Jonathan Woods" /><category term="One of the best there is - Nisbet" /><category term="LOA" /><category term="Ed Gorman's FORGOTTEN BOOKS" /><category term="So Deep In The Dark with david goodis" /><category term="Criminal Crafts" /><category term="Oscar" /><category term="The Zombie State" /><category term="Mormons Baptize Holocaust Victims" /><category term="TOO EASY BY FAR at THE 5-2" /><category term="Minatures Arsenal" /><category term="KINGS OF MIDNIGHT by Wallace Stroby" /><category term="Z.E.R.O." /><category term="Sword Swallowing" /><category term="Facebook IPO Purgatory" /><category term="Retreat To Goodisville - January 5th" /><category term="Sex sells Death" /><category term="Noircon 2012 Raffle Prizes to Benefit Project H.O.M.E." /><category term="missile silo" /><category term="Goodis Memorial 2011" /><category term="Bimbo's Initiation" /><category term="SUPER SIZE CRIME" /><category term="Daune Swierczynski" /><category term="Did David Goodis Dream of Electric Sheep?" /><category term="Steven Steinbock" /><category term="R.I.P. Rodney King" /><category term="classic fiction" /><category term="Word and Film" /><category term="Star Trek Spirits" /><category term="NoirCon 2012 Opening Night - November 8th" /><category term="Ice Harvest" /><category term="The Washington Post Does Goodis Right" /><category term="Television Taboos" /><category term="Noir: Playing Possum" /><category term="Philadelphia's own VIDOCQ Society" /><category term="THE RAT MACHINE by Kent Harrington" /><category term="Atomic Noir is here." /><category term="NOAH" /><category term="Russian Roulette Raffle Rules" /><category term="NoirCon 2012: Have you registered for the event of the year?" /><category term="THE MASTER - Scientology-Like" /><category term="Partisans" /><category term="Atomic Noir is Out Of The Gutter" /><category term="The Loves and Lusts of a Horticulturalist" /><category term="David Goodis's SHOOT THE PIANO PLAYER set to modern dance" /><category term="THE HOT COUNTRY is sizzling" /><category term="Female Impersonators" /><category term="DO YOU THINK YOU KNOW DAVID GOODIS?  READ THIS" /><category term="The Silent City - A Fractured World" /><category term="Lawrence Block on David Goodis" /><category term="NoirCon or BUST" /><category term="Brad Wyman" /><category term="PINE BOX FOR THE PIN-UP by Frank DeBlase" /><category term="Crime Writing" /><category term="Ace Hoyle" /><category term="R.I.P. 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&lt;a href="http://2.bp.blogspot.com/-taL_qvMXDWM/UWficH6HIDI/AAAAAAAAA0M/Q5hn657JxcY/s1600/cover27629-medium.png" imageanchor="1" style="clear: left; color: #aadd99; float: left; margin-bottom: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="200" src="http://2.bp.blogspot.com/-taL_qvMXDWM/UWficH6HIDI/AAAAAAAAA0M/Q5hn657JxcY/s200/cover27629-medium.png" style="border: 1px solid rgb(51, 51, 51); padding: 4px;" width="135" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span class="Apple-style-span" style="background-color: black; font-family: Arial, Helvetica, sans-serif; font-size: 13px; line-height: 20.796875px;"&gt;&lt;span style="color: #cccccc;"&gt;Written by Jay Gertzman, author of Bootleggers and Smuthounds- 1920-40: The Trade in Erotica, as well as an excellent essay on&amp;nbsp;&lt;/span&gt;&lt;a href="http://www.noircon.com/from-hollywood-ldquotreatmentrdquo-to-depression-on-north-broad-st-the-career-of-the-blonde-on-the-street-corner-by-jay-gertzman.html" style="color: #aa77aa; text-decoration: none;"&gt;David Goodis&lt;/a&gt;&lt;span style="color: #cccccc;"&gt;, Infamous Modernist is the story of poet, novelist, pamphleteer, magazine editor and outlaw publisher &lt;/span&gt;&lt;a href="http://woodyhaut.blogspot.com/2013/04/memories-of-not-so-shy-pornographer.html" target="_blank"&gt;&lt;span style="color: lime;"&gt;&lt;b&gt;Samuel Roth&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color: #cccccc;"&gt;. But it's also the story of an era that stretches back to the early days of the 20th century, when the lower East Side of New York was a haven for Jewish immigrants- poets, Yiddish actors, trade unionists, journalists, with more than its fare share of anarchists, socialists and Marxists. Over the years that world has been documented by such disparate writers as Irving Howe, Luc Sante and Ed Sanders. But, to my knowledge, Roth has so far escaped scrutiny.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/jju3XUfpzKg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/1359232794450071040/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noirriot-is-coming-soon-get-ready-to.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/1359232794450071040?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/1359232794450071040?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/jju3XUfpzKg/noirriot-is-coming-soon-get-ready-to.html" title="NoirRiot is coming soon!  Get ready to revolt!" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://1.bp.blogspot.com/-_jXsR3H9EUE/UU2-VuqU3KI/AAAAAAAAGZQ/XBQfAOmEDxQ/s72-c/NOIR+RIOT+1.png" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noirriot-is-coming-soon-get-ready-to.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUUEQHw4fyp7ImA9WhBVGEk.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-3981433373778798548</id><published>2013-04-24T19:46:00.002-04:00</published><updated>2013-04-24T19:46:41.237-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-24T19:46:41.237-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="America" /><category scheme="http://www.blogger.com/atom/ns#" term="The Land That Noir Built." /><title>Noir: America, The Land That Noir Built.</title><content type="html">&lt;br /&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;America: #1 In Fear, Stress, Anger, Divorce, Obesity, Anti-Depressants, Etc.&lt;/span&gt;&lt;/h1&gt;
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&lt;span style="background-color: black; color: white;"&gt;Michael Snyder&lt;br /&gt;&lt;a href="http://theeconomiccollapseblog.com/" target="_blank"&gt;The Economic Collapse&lt;/a&gt;&lt;br /&gt;April 23rd, 2013&lt;/span&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a data-ved="0CAUQjRw" href="http://lebbeuswoods.wordpress.com/2010/01/28/bruegels-presence/" id="irc_mil" style="border: 0px; clear: right; float: right; font-family: Times; font-size: medium; font-style: normal; margin-bottom: 1em; margin-left: 1em; text-align: center;"&gt;&lt;img height="292" id="irc_mi" src="http://lebbeuswoods.files.wordpress.com/2010/01/bruegel-13.jpg" style="-webkit-background-size: 21px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 21px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="400" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: #f3f3f3; font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;The United States is a deeply unhappy place.&amp;nbsp; We are a nation that is absolutely consumed by fear, stress, anger and depression.&amp;nbsp; It isn’t just our economy that is falling apart – the very fabric of society is starting to come apart at the seams and it is because of what is happening to us on the inside.&amp;nbsp; The facts and statistics that I am going to share with you in this article are quite startling.&amp;nbsp; They are clear evidence that America is a nation that is an advanced state of decline.&amp;nbsp; We are overwhelmed by fear, stress and anxiety, and much of the time the ways that we choose to deal with those emotions lead to some very self-destructive behaviors.&amp;nbsp; Americans have experienced a standard of living far beyond the wildest dreams of most societies throughout human history, and yet we are an absolutely miserable people.&amp;nbsp; Why is this?&amp;nbsp; Why is America #1 in so many negative categories?&amp;nbsp; Why are we constantly looking for ways to escape the pain of our own lives?&amp;nbsp; Why are our families falling apart?&amp;nbsp; There is vast material wealth all around us.&amp;nbsp; So why can’t we be happy?&lt;/span&gt;&lt;br /&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Just look around you.&amp;nbsp; Are most of the people around you teeming with happiness and joy?&amp;nbsp; Sadly, the truth is that most Americans are terribly stressed out.&amp;nbsp; Yeah, many of them may be able to manage to come up with a smile when they greet you, but most of the time they are consumed by internal struggles that are eating away at them like cancer.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;So why is this happening?&amp;nbsp; Is modern life structured in a way that is fundamentally unhealthy?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Below I have posted a short excerpt from a message that one of Charles Hugh Smith’s readers named Kenneth Daigle&amp;nbsp;&lt;a href="http://www.oftwominds.com/blogapr13/stress4-13.html" target="_blank" title="recently sent to him"&gt;recently sent to him&lt;/a&gt;.&amp;nbsp; I think that it does a good job of describing the incredible stress that many people contend with on a daily basis…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;&lt;strong&gt;Think about how our culture is now structured for the average adult: STRESS,&lt;/strong&gt;&amp;nbsp;everywhere you look–commuting in horrible traffic, as you want to scream in frustration–money stress, to pay rent/house note, tuition, utilities, gas, insurances, vacations, cable bill, rising food costs, and on and on and on–stress from family problems, divorce, delinquency, drugs, crime, infidelity, keeping up with the Jones, etc.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;People have too high an expectation of what they should have out of life, and get overly stressed over it all. How does all of this manifest itself? A prescription drug culture (Zoloft, Xanax, etc.) that tricks people into thinking a pill will knock back the stress, when these drugs, in my opinion, only make things worse.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;I am hearing more and more that people just want to drop out from it all, as they are reaching a breaking point, and have decided less income and dependency on entitlements will reduce their stress, and is not so humiliating, so giving up working becomes more acceptable, to KEEP ONE’S SANITY.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;I know I am correct, from the feedback I hear every day, and the financial media does not see this like I hear it every day. People don’t want to admit that they are too weak to deal with stress, so the financial pundits are not aware of this critical factor because they don’t talk to Joe Sixpack.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Most Americans live lives of “quiet desperation” that are punctuated by moments of great crisis.&amp;nbsp; We spend our prime years working for others (making them rich) in order to pay off debts&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/archives/money-is-a-form-of-social-control-and-most-americans-are-debt-slaves" target="_blank" title="that we have foolishly accumulated"&gt;that we have foolishly accumulated&lt;/a&gt;&amp;nbsp;(thus making the banks even wealthier).&amp;nbsp; When most Americans reach the end of their lives, they look back and wonder what they actually accomplished.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;James Altucher published an incredible article the other day entitled “&lt;a href="http://www.jamesaltucher.com/2013/04/why-do-people-hate-their-jobs/" target="_blank" title="Why Do People Hate Their Jobs?"&gt;Why Do People Hate Their Jobs?&lt;/a&gt;“&amp;nbsp; It did a great job of describing what life is like for the modern worker in America.&amp;nbsp; The following are a few of the reasons that he says people tend to hate their jobs…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Jobs are modern-day slavery. We are paid just enough to live and not more. You are punished if you ask for more.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-We are often verbally abused on the job and we take it because we think it’s normal that people would yell at us.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The government gets up to 50% of your paycheck and then 10-20% of that goes to kill people on other parts of the planet, including our own children.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-From 7am to 7pm you are either A) going to work, B) at work, or C) coming back from work. Hence, the times when you can be most creative are garbage-compacted into your cubicle.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-When you are paranoid at a job, you are probably correct. THEY are, in fact, talking about you and backstabbing you right now.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-You realize that all the dollars you spent on degrees to get you a job that will make you happy were completely wasted. You were scammed but you can’t let the next generation know how stupid you were so now you become part of perpetuating the scam.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Your spouse is tired of hearing about your job after six months. And you couldn’t care less about hers. Ten years later you wake up next to a total stranger. 40 years later you die next to one.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-When you were a kid you liked to draw, and read, and run, and laugh, and play, and imagine a magical world. You’re never going to do any of that again.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*****&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Over time everyone is getting fired and being replaced by younger, cheaper, more temporary, more robotic, versions of you. You see this but are afraid to do anything about it.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;And of course when we get home from work there is even more stress.&amp;nbsp; In America today, we are witnessing a breakdown of the family unlike anything we have ever seen before.&amp;nbsp; The United States leads the world in divorce and in single person households.&amp;nbsp; We are having an increasingly difficult time relating to one another, and many of us drown our sorrows in our addictions.&amp;nbsp; We are addicted to pills, to alcohol, to food, to entertainment, to sex, to gambling, to shopping and to anything else that will make us feel good and forget about our problems for a while.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;The following is a collection of facts and statistics that prove that America is being absolutely consumed by fear, stress, anger and depression…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Suicide has now actually surpassed car accidents as&amp;nbsp;&lt;a href="http://ajph.aphapublications.org/doi/abs/10.2105/AJPH.2012.300960" target="_blank" title="the number one cause of &amp;quot;injury death&amp;quot;"&gt;the number one cause of “injury death”&lt;/a&gt;&amp;nbsp;in the United States.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-More U.S. soldiers&amp;nbsp;&lt;a href="http://www.stripes.com/news/more-soldier-suicides-than-combat-deaths-in-2012-1.201440" target="_blank" title="killed themselves"&gt;killed themselves&lt;/a&gt;&amp;nbsp;than were killed in combat last year.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-As I mentioned in&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/archives/50-signs-that-the-u-s-health-care-system-is-a-gigantic-money-making-scam-that-is-about-to-collapse" target="_blank" title="another article"&gt;another article&lt;/a&gt;, Americans will spend&amp;nbsp;&lt;a href="http://healthland.time.com/2013/02/20/bitter-pill-why-medical-bills-are-killing-us/8/" target="_blank" title="more than 280 billion dollars"&gt;more than 280 billion dollars&lt;/a&gt;&amp;nbsp;on prescription drugs during 2013.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-&lt;a href="http://www.cdc.gov/nchs/data/databriefs/db76.htm" target="_blank" title="Nearly one out of every four"&gt;Nearly one out of every four&lt;/a&gt;&amp;nbsp;women in the United States are taking antidepressants.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The percentage of women taking antidepressants in the U.S.&amp;nbsp;&lt;a href="http://www.scientificamerican.com/article.cfm?id=the-medicated-americans" target="_blank" title="is higher"&gt;is higher&lt;/a&gt;&amp;nbsp;than in any other country in the world.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-In 2010, the average teen in the U.S. was taking&amp;nbsp;&lt;a href="http://www.washingtonpost.com/blogs/ezra-klein/wp/2012/07/03/maybe-we-should-blame-teenagers-for-our-health-spending-problems/" target="_blank" title="1.2 central nervous system drugs"&gt;1.2 central nervous system drugs&lt;/a&gt;.&amp;nbsp; Those are the kinds of drugs which treat conditions such as ADHD and depression.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Children in the United States are&amp;nbsp;&lt;a href="http://www.businessinsider.com/depressing-facts-about-healthcare-system-2011-6#american-kids-are-three-times-as-likely-to-be-prescribed-antidepressants-than-kids-in-europe-9" target="_blank" title="three times more likely"&gt;three times more likely&lt;/a&gt;&amp;nbsp;to be prescribed antidepressants as children in Europe are.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-According to a recent article&amp;nbsp;&lt;a href="http://www.wnd.com/2013/04/americans-snapping-by-the-millions/" target="_blank" title="by David Kupelian"&gt;by David Kupelian&lt;/a&gt;, “one-third of the nation’s employees&lt;a href="http://online.wsj.com/article/SB10001424127887324678604578340332290414820.html" target="_blank" title=" suffer chronic debilitating stress,"&gt;&amp;nbsp;suffer chronic debilitating stress,&lt;/a&gt;&amp;nbsp;and more than half of all ‘millennials’ (18 to 33 year olds)&amp;nbsp;&lt;a href="http://diverseeducation.com/article/51755/#" target="_blank" title="experience a level of stress that keeps them awake at night,"&gt;experience a level of stress that keeps them awake at night,&lt;/a&gt;&amp;nbsp;including large numbers diagnosed with depression or anxiety disorder.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Tens of millions of Americans use alcohol and drugs to numb the pain that they are experiencing.&amp;nbsp; In the United States today, there are about&amp;nbsp;&lt;a href="http://health.nytimes.com/health/guides/disease/alcoholism/risk-factors.html" target="_blank" title="28 million Americans"&gt;28 million Americans&lt;/a&gt;&amp;nbsp;with a drinking problem and about&amp;nbsp;&lt;a href="http://thechart.blogs.cnn.com/2011/09/08/study-22-million-americans-use-illegal-drugs-3/" target="_blank" title="22 million Americans"&gt;22 million Americans&lt;/a&gt;&amp;nbsp;use illegal drugs.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-More people have been diagnosed with&amp;nbsp;&lt;a href="http://www.theatlantic.com/health/archive/2011/10/why-more-americans-suffer-from-mental-disorders-than-anyone-else/246035/#slide3" target="_blank" title="mental disorders"&gt;mental disorders&lt;/a&gt;&amp;nbsp;in America than anywhere else on earth.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-There are also tens of millions of Americans that try to deal with anxiety and stress by eating.&amp;nbsp; Of all the major industrialized nations, America is&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/hea_obe-health-obesity" target="_blank" title="the most obese"&gt;the most obese&lt;/a&gt;.&amp;nbsp; Mexico is #2.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Back in 1962,&amp;nbsp;&lt;a href="http://www.usatoday.com/news/health/story/2012-05-07/obesity-projections-adults/54791430/1" target="_blank" title="only 13 percent"&gt;only 13 percent&lt;/a&gt;&amp;nbsp;of all Americans were obese.&amp;nbsp; Today, approximately&amp;nbsp;&lt;a href="http://www.usatoday.com/news/health/story/2012-05-07/obesity-projections-adults/54791430/1" target="_blank" title="36 percent"&gt;36 percent&lt;/a&gt;&amp;nbsp;of all Americans are obese.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Many people try to escape from the pain of reality by getting lost in entertainment.&amp;nbsp; Incredibly, the United States is tied with the UK for the highest average number of hours&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/med_tel_vie-media-television-viewing" target="_blank" title="spent watching television each week"&gt;spent watching television each week&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The United States has the highest&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/peo_div_rat-people-divorce-rate" target="_blank" title="divorce rate"&gt;divorce rate&lt;/a&gt;&amp;nbsp;in the world by a good margin.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The United States has the highest percentage of&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/peo_one_per_hou-people-one-person-households" target="_blank" title="one person households"&gt;one person households&lt;/a&gt;&amp;nbsp;on the entire planet.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-According to the Pew Research Center, only&amp;nbsp;&lt;a href="http://www.washingtonpost.com/local/married-couples-at-a-record-low/2011/12/13/gIQAnJyYsO_story.html" target="_blank" title="51 percent"&gt;51 percent&lt;/a&gt;&amp;nbsp;of all American adults are currently married.&amp;nbsp; Back in 1960,&amp;nbsp;&lt;a href="http://www.washingtonpost.com/local/married-couples-at-a-record-low/2011/12/13/gIQAnJyYsO_story.html" target="_blank" title="72 percent"&gt;72 percent&lt;/a&gt;&amp;nbsp;of all adults in the United States were married.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-At this point, approximately&amp;nbsp;&lt;a href="http://www.washingtontimes.com/news/2012/dec/25/fathers-disappear-from-households-across-america/print/" target="_blank" title="one out of every three U.S. children"&gt;one out of every three children&lt;/a&gt;&amp;nbsp;in America lives in a home without a father.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-For women under the age of 30 living in the United States today,&amp;nbsp;&lt;a href="http://articles.businessinsider.com/2012-02-21/home/31081751_1_illegitimacy-black-children-unmarried-women" target="_blank" title="more than half of all babies"&gt;more than half of all babies&lt;/a&gt;&amp;nbsp;are being born out of wedlock.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The United States has the highest&amp;nbsp;&lt;a href="http://www.allgov.com/Controversies/ViewNews/US_Leads_Developed_World_in_Child_Abuse_Death_Rate_111018" target="_blank" title="child abuse death rate"&gt;child abuse death rate&lt;/a&gt;&amp;nbsp;in the developed world.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-In the United States today, it is estimated that&amp;nbsp;&lt;a href="http://www.d2l.org/site/c.4dICIJOkGcISE/b.6143427/k.38C5/Child_Sexual_Abuse_Statistics.htm" target="_blank" title="one out of every four"&gt;one out of every four&lt;/a&gt;&amp;nbsp;girls is sexually abused before they become adults.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The United States has the highest&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/hea_tee_pre_sha-health-teenage-pregnancy-share" target="_blank" title="teen pregnancy rate"&gt;teen pregnancy rate&lt;/a&gt;&amp;nbsp;in the world by a very wide margin.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The United States produces&amp;nbsp;&lt;a href="http://techcrunch.com/2007/05/12/internet-pornography-stats/" target="_blank" title="more pornography"&gt;more pornography&lt;/a&gt;&amp;nbsp;than any other nation in the world.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-If you can believe it, there are&amp;nbsp;&lt;a href="http://thechart.blogs.cnn.com/2013/02/13/cdc-20-million-new-sexually-transmitted-infections-yearly/" target="_blank" title="20 million"&gt;20 million&lt;/a&gt;&amp;nbsp;new STD infections in the United States every single year.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The U.S. has the highest STD infection rate&amp;nbsp;&lt;a href="http://globalgrind.com/news/cdc-says-us-highest-rates-stds-stats-in-world-details" target="_blank" title="in the entire industrialized world"&gt;in the entire industrialized world&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-It is estimated that about&amp;nbsp;&lt;a href="http://www.newswithviews.com/Devvy/kidd570.htm" target="_blank" title="one out of every six Americans"&gt;one out of every six Americans&lt;/a&gt;&amp;nbsp;between the ages of 14 and 49 have genital herpes.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Sadly,&amp;nbsp;&lt;a href="http://www.usatoday.com/news/health/2008-03-11-std_n.htm" target="_blank" title="one out of every four"&gt;one out of every four&lt;/a&gt;&amp;nbsp;teen girls in the U.S. has at least one sexually transmitted disease.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-The United States leads the world&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/mor_eat_dis-mortality-eating-disorders" target="_blank" title="in eating disorder deaths"&gt;in eating disorder deaths&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Nobody in the world gets&amp;nbsp;&lt;a href="http://www.nationmaster.com/facts.php" target="_blank" title="more plastic surgery done"&gt;more plastic surgery done&lt;/a&gt;&amp;nbsp;than Americans do.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-Americans spend more time&amp;nbsp;&lt;a href="http://www.businessinsider.com/cost-of-americas-dependence-on-oil-2012-1#in-2010-urban-drivers-wasted-19-billion-of-gallons-of-fuelequivalent-to-about-101-billion-9" target="_blank" title="sitting in traffic"&gt;sitting in traffic&lt;/a&gt;&amp;nbsp;than anyone else in the world.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;-America has&amp;nbsp;&lt;a href="http://www.nationmaster.com/graph/cri_pri_per_cap-crime-prisoners-per-capita" target="_blank" title="the highest incarceration rate"&gt;the highest incarceration rate&lt;/a&gt;&amp;nbsp;and the&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/archives/private-prisons-the-more-americans-they-put-behind-bars-the-more-money-they-make" target="_blank" title="largest total prison population"&gt;largest total prison population&lt;/a&gt;&amp;nbsp;in the entire world by a very wide margin.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Fear is one of the primary things that motivates the American people, and that is a very powerful weapon that can be used against us.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;As I wrote about&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/archives/mourn-for-america-whenever-a-tragedy-happens-they-take-even-more-freedom-from-us" target="_blank" title="yesterday"&gt;yesterday&lt;/a&gt;, those that commit acts of terror want to get attention and they want to create fear.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;And that is exactly what the Boston Marathon bombing accomplished.&amp;nbsp; It captured the attention of the nation for days on end, and it absolutely paralyzed the entire Boston area with fear.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;When we allow ourselves to be terrorized, we actually encourage more terror attacks.&amp;nbsp; When we give terrorists what they want, it just encourages more psychos to commit acts of terror.&amp;nbsp; If you don’t believe me, just check out the following links that I found posted on&amp;nbsp;&lt;a href="http://drudgereport.com/" target="_blank" title="The Drudge Report"&gt;The Drudge Report&lt;/a&gt;&amp;nbsp;on Monday…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*”&lt;a href="http://www.foxnews.com/us/2013/04/22/3-alabama-hospitals-evacuated-after-bomb-threats/" target="_blank" title="3 Alabama hospitals evacuated after bomb threats"&gt;3 Alabama hospitals evacuated after bomb threats&lt;/a&gt;“*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*”&lt;a href="http://www.breitbart.com/InstaBlog/2013/04/22/Connecticut-Court-Evacuated-After-Bomb-Threat" target="_blank" title="Connecticut Courthouse Evacuated After Bomb Threat"&gt;Connecticut Courthouse Evacuated After Bomb Threat&lt;/a&gt;“*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*”&lt;a href="http://pittsburgh.cbslocal.com/2013/04/21/south-hills-village-evacuated-after-bomb-threat/" target="_blank" title="South Hills Village Evacuated After Bomb Threat"&gt;South Hills Village Evacuated After Bomb Threat&lt;/a&gt;“*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*”&lt;a href="http://qctimes.com/news/local/rock-island-neighborhood-evacuated-after-bomb-threat/article_83107736-3f90-5b2b-bee8-6135493bd6c4.html" target="_blank" title="Rock Island neighborhood evacuated after bomb threat"&gt;Rock Island neighborhood evacuated after bomb threat&lt;/a&gt;“*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;*”&lt;a href="http://www.news-journalonline.com/article/20130422/NEWS/130429953/1040?Title=Bomb-threat-forces-evacuation-of-Seabreeze-office-building&amp;amp;tc=ar" target="_blank" title="Bomb threat forces evacuation of Seabreeze office building"&gt;Bomb threat forces evacuation of Seabreeze office building&lt;/a&gt;“*&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;The appropriate response to a terror attack is to refuse to be terrorized.&amp;nbsp; Yes, we should also work to expose and punish the individuals, organizations and governments that are behind terror.&amp;nbsp; But we should also not let terror change how we live our lives, and we should definitely not allow terror to be used as an excuse&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/archives/mourn-for-america-whenever-a-tragedy-happens-they-take-even-more-freedom-from-us" target="_blank" title="to rip our liberties and freedoms away"&gt;to rip our liberties and freedoms away&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Sadly, as&amp;nbsp;&lt;a href="http://the-free-foundation.org/tst4-22-2013.html" target="_blank" title="Ron Paul"&gt;Ron Paul&lt;/a&gt;&amp;nbsp;has detailed, some of our politicians are already calling for “tighter security” in the aftermath of the Boston Marathon bombing…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;blockquote style="border: 1px solid rgb(137, 165, 139); padding: 10px;"&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Sadly, I expect this week’s tragic attacks in Boston to be used to justify new restrictions on liberty. Within 48 hours of the attack in Boston, at least one Congressman was calling for increased use of surveillance cameras to expand the government’s ability to monitor our actions, while another Senator called for a federal law mandating background checks before Americans can buy “explosive powder.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;I would not be surprised if the Transportation Security Administration uses this tragedy to claim new authority to “screen” Americans before they can attend sporting or other public events. The Boston attack may also be used as another justification for creating a National ID Card tied to a federal database with “biometric” information. The only thing that will stop them is if the American people rediscover the wisdom of Benjamin Franklin that you cannot achieve security by allowing government to take their liberties.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;But no matter how much liberty and freedom we give up, we will never be 100% safe.&amp;nbsp; Bad people are always going to do bad things, and unfortunately we are probably going to see some pretty nightmarish things in the years ahead as the world becomes even more unstable.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;If we allow the bad guys to get us so frightened that we throw out the U.S. Constitution and abandon our liberties and our freedoms, then we are the ones who lose.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Yes, the years ahead are going to be tough.&amp;nbsp; The economic collapse is going to accelerate greatly, there will be tremendous natural disasters, there will be war in the Middle East and there will be other problems that we cannot even conceive of right now.&amp;nbsp; At the same time, the American people will continue to become even angrier and even more frustrated.&amp;nbsp; According to a&amp;nbsp;&lt;a href="http://www.people-press.org/2013/04/15/state-govermnents-viewed-favorably-as-federal-rating-hits-new-low/" target="_blank" title="recent Pew Research survey"&gt;recent Pew Research survey&lt;/a&gt;, the percentage of Americans with a favorable view of the federal government is now at an all-time low.&amp;nbsp; As the economy crumbles, there will likely be great civil unrest as people demand solutions.&amp;nbsp; Unfortunately, our problems took decades to develop and they will not be solved overnight even if we did have good people in office.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;So why am I saying all of this?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;And why am I constantly warning about the coming economic collapse?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Is it because I want to create fear?&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;No, just the opposite of that.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;I am a watchman on the wall.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;In ancient times, a watchman would warn the people when the enemy was approaching.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;When you receive the warning, there are a few different ways that you can respond to it…&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;#1 You can become consumed with fear and run away from the enemy.&amp;nbsp; Unfortunately, cowards never get the victory in the end.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;#2 You can dismiss the warning and pretend that the enemy is not approaching.&amp;nbsp; But then when the enemy comes you will be completely unprepared.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;#3 You can do everything possible to get prepared to face the enemy that is coming with strength and courage.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;And that is how I would encourage all of you to approach the coming economic collapse and the other great problems that we will soon be experiencing as a nation.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Do not be afraid.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Instead, be strong and courageous and prepare well for the storms that are coming.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;em&gt;&lt;strong style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Delivered by&amp;nbsp;&lt;a href="http://www.thedailysheeple.com/" target="_blank"&gt;The Daily Sheeple&lt;/a&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/em&gt;&lt;/div&gt;
&lt;hr /&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;em style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Contributed by Michael Snyder of&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/" target="_blank"&gt;The Economic Collapse&lt;/a&gt;.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;div style="font-family: Verdana, Geneva, sans-serif; font-size: 11pt;"&gt;
&lt;em&gt;&lt;em style="background-color: black;"&gt;&lt;span style="color: #f3f3f3;"&gt;Michael Snyder is a writer, speaker and activist who writes and edits his own blogs&amp;nbsp;&lt;a href="http://endoftheamericandream.com/"&gt;The American Dream&amp;nbsp;&lt;/a&gt;,&amp;nbsp;&lt;a href="http://thetruthwins.com/"&gt;The Truth&amp;nbsp;&lt;/a&gt;and&amp;nbsp;&lt;a href="http://theeconomiccollapseblog.com/"&gt;Economic Collapse Blog.&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/em&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/CA3xSywjoW4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/3981433373778798548/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-america-land-that-noir-built.html#comment-form" title="2 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3981433373778798548?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3981433373778798548?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/CA3xSywjoW4/noir-america-land-that-noir-built.html" title="Noir: America, The Land That Noir Built." /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>2</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-america-land-that-noir-built.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkAMQ3w-cCp7ImA9WhBVFks.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-6482098412079247731</id><published>2013-04-22T18:10:00.001-04:00</published><updated>2013-04-22T18:13:02.258-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-22T18:13:02.258-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="the cover" /><category scheme="http://www.blogger.com/atom/ns#" term="PINE BOX FOR A PIN-UP" /><title>Noir: PINE BOX FOR A PIN-UP, the cover!</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://3.bp.blogspot.com/-ox30Dmfn0zw/UXW0tJ5tR0I/AAAAAAAAKgs/hJLDumGU_3Q/s1600/PINE+BOX+FOR+A+PINUP+FRONT5.jpg" imageanchor="1" style="background-color: black; margin-left: 1em; margin-right: 1em;"&gt;&lt;img border="0" height="640" src="http://3.bp.blogspot.com/-ox30Dmfn0zw/UXW0tJ5tR0I/AAAAAAAAKgs/hJLDumGU_3Q/s640/PINE+BOX+FOR+A+PINUP+FRONT5.jpg" width="426" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="color: orange; font-family: Courier New, Courier, monospace; font-size: x-large;"&gt;&lt;b style="background-color: black;"&gt;&lt;a href="http://www.amazon.com/s/ref=nb_sb_noss?url=search-alias%3Dstripbooks&amp;amp;field-keywords=pine+box+for+a+pin-up&amp;amp;rh=n%3A283155%2Ck%3Apine+box+for+a+pin-up"&gt;&lt;span style="color: orange;"&gt;PINE BOX FOR A PIN-UP&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="background-color: black; font-family: Courier New, Courier, monospace; font-size: x-large;"&gt;&lt;span style="color: red;"&gt;by&lt;/span&gt; &lt;span style="color: red;"&gt;Frank DeBlase&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/sbL2cMqHTC4" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/6482098412079247731/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-pine-box-for-pin-up-cover.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6482098412079247731?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6482098412079247731?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/sbL2cMqHTC4/noir-pine-box-for-pin-up-cover.html" title="Noir: PINE BOX FOR A PIN-UP, the cover!" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-ox30Dmfn0zw/UXW0tJ5tR0I/AAAAAAAAKgs/hJLDumGU_3Q/s72-c/PINE+BOX+FOR+A+PINUP+FRONT5.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-pine-box-for-pin-up-cover.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CUQGRnY6cSp7ImA9WhBVFko.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-7740257544968189797</id><published>2013-04-22T18:03:00.000-04:00</published><updated>2013-04-22T19:28:47.819-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-22T19:28:47.819-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="PINE BOX FOR THE PIN-UP by Frank DeBlase" /><title>Noir: PINE BOX FOR A PIN-UP by Frank DeBlase</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
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&lt;span style="background-color: black; color: cyan; font-family: Georgia, Times New Roman, serif; font-size: large;"&gt;She was nude with arm stretched out over her head. &amp;nbsp;One leg was crossed over the other as if she was running in place. &amp;nbsp;Her head was cradled in a ravens nest of hair. &amp;nbsp;She stared vacant and wide-eyed at the ceiling as if she was about to say something then suddenly forgot. &amp;nbsp;I crouched down to look. &amp;nbsp;Her skin was cold and blue-ish. &amp;nbsp;I felt mine turning greenish and damp; I couldn't breathe. &amp;nbsp;I stood up too quickly and nearly blacked out. &amp;nbsp;Yup, it was Vick Hayes. &amp;nbsp;She had been strangled. &amp;nbsp;And my tie was wrapped tightly around her neck.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-family: Courier New, Courier, monospace; font-size: large;"&gt;&lt;b&gt;&lt;span style="color: orange;"&gt;PINE BOX FOR A PIN-UP&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white;"&gt; by Frank DeBlase&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="background-color: black; font-family: Courier New, Courier, monospace; font-size: large;"&gt;&lt;span style="color: white;"&gt;&amp;nbsp;is now available at fine stores everywhere. &amp;nbsp;Don't walk to get your copy of this book, &lt;/span&gt;&lt;b&gt;&lt;span style="color: red;"&gt;&lt;i&gt;RUN! &lt;/i&gt;&lt;/span&gt;&lt;/b&gt;&lt;span style="color: white;"&gt;&amp;nbsp;&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-family: Courier New, Courier, monospace;"&gt;&lt;span style="color: white; font-size: large;"&gt;If you do not know who Frank DeBlase is then shame on you! &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;span style="background-color: black; font-family: Courier New, Courier, monospace;"&gt;&lt;span style="color: white; font-size: large;"&gt;If you do know who Frank is then you will not waste one minute more by not having this DeBlase classic. &amp;nbsp;The cover of the book by Jason Smith can be seen &lt;/span&gt;&lt;b&gt;&lt;span style="font-size: x-large;"&gt;&lt;a href="http://www.amazon.com/Pine-Box-Pin-Up-ebook/dp/B00CGNGIXC/ref=sr_1_1?s=books&amp;amp;ie=UTF8&amp;amp;qid=1366666651&amp;amp;sr=1-1&amp;amp;keywords=pine+box+for+a+pin-up"&gt;&lt;span style="color: lime;"&gt;HERE&lt;/span&gt;&lt;/a&gt; &lt;/span&gt;&lt;/b&gt;&lt;span style="color: white; font-size: large;"&gt;along with the first four chapters of the book.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-family: Courier New, Courier, monospace;"&gt;&lt;span style="color: white; font-size: large;"&gt;If you crave writing the way it was meant to be written then you will love this book! &amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a data-ved="0CAUQjRw" href="http://www.noircon.info/2012/11/frank-deblase-inked-at-noircon-2012.html" id="irc_mil" style="border: 0px;"&gt;&lt;img height="680" id="irc_mi" src="http://3.bp.blogspot.com/-XMmwv0ecFTM/UKWJ9KsmFvI/AAAAAAAAKYA/m7k9OKxpy7g/s1600/frank+Deblase+3.jpg" style="-webkit-background-size: 21px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 21px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="510" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Frank DeBlase showing some serious ink at NoirCon 2012&lt;/span&gt;&lt;/div&gt;
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&lt;a data-ved="0CAUQjRw" href="https://twitter.com/DownAndOutBooks" id="irc_mil" style="border: 0px;"&gt;&lt;img height="283" id="irc_mi" src="https://si0.twimg.com/profile_images/1449711224/Down___Out_Books_Logo_1__on_White_Background_.jpg" style="-webkit-background-size: 21px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 21px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 199px;" width="500" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/thmPLxoaX0c" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/7740257544968189797/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-pine-box-for-pin-up-by-frank.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/7740257544968189797?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/7740257544968189797?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/thmPLxoaX0c/noir-pine-box-for-pin-up-by-frank.html" title="Noir: PINE BOX FOR A PIN-UP by Frank DeBlase" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-XMmwv0ecFTM/UKWJ9KsmFvI/AAAAAAAAKYA/m7k9OKxpy7g/s72-c/frank+Deblase+3.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-pine-box-for-pin-up-by-frank.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUcHQ38-fSp7ImA9WhBVFUU.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-2487643016679816140</id><published>2013-04-21T19:30:00.003-04:00</published><updated>2013-04-21T19:30:32.155-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-21T19:30:32.155-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Signs of the times" /><title>Noir: Signs of the times</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div style="margin-left: 1em; margin-right: 1em;"&gt;
&lt;img alt="Funny Somewhat Topical Ecard: Make sure to let your mom know you weren't in Boston, Texas, the White House, or a Mississippi Senator's office this week." class="main-img" height="237" src="http://cdn.someecards.com/someecards/filestorage/call-your-worried-mother-horrible-news-somewhat_topical-ecards-someecards.png" style="background-color: white; border: 0px; font-family: Arial, Tahoma, sans-serif; font-size: 11px; line-height: 11px; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-align: center; vertical-align: baseline;" width="425" /&gt;&lt;/div&gt;
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&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/RX7mXN_Elm0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/2487643016679816140/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-signs-of-times.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/2487643016679816140?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/2487643016679816140?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/RX7mXN_Elm0/noir-signs-of-times.html" title="Noir: Signs of the times" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-signs-of-times.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEEFSXY_eSp7ImA9WhBVFUo.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-1906838260817046513</id><published>2013-04-21T15:30:00.000-04:00</published><updated>2013-04-21T15:30:18.841-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-21T15:30:18.841-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="DO YOU THINK YOU KNOW DAVID GOODIS?  READ THIS" /><title>Noir: DO YOU THINK YOU KNOW DAVID GOODIS?  READ THIS!</title><content type="html">&lt;br /&gt;
&lt;h2 style="background-color: #020202; margin: 0px; padding: 0.3em 0px;"&gt;
&lt;div style="color: white; font-family: LucidaSans, arial; font-size: 24px; font-weight: normal; line-height: 1.5; text-align: center;"&gt;
&lt;a href="http://www.noircon.com/from-hollywood-ldquotreatmentrdquo-to-depression-on-north-broad-st-the-career-of-the-blonde-on-the-street-corner-by-jay-gertzman.html"&gt;&lt;span style="color: red; font-size: x-large; line-height: 1.5;"&gt;From Hollywood “Treatment” to Depression on North Broad St:&amp;nbsp; The Career of&amp;nbsp;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="font-family: LucidaSans, arial; font-size: 24px; font-weight: normal; line-height: 1.5; text-align: center;"&gt;
&lt;em style="font-size: xx-large; line-height: 1.5; position: relative;"&gt;&lt;span style="color: orange;"&gt;&lt;a href="http://www.noircon.com/from-hollywood-ldquotreatmentrdquo-to-depression-on-north-broad-st-the-career-of-the-blonde-on-the-street-corner-by-jay-gertzman.html"&gt;The Blonde on the Street Corner&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;div style="line-height: 1.5; text-align: center;"&gt;
&lt;em style="line-height: 1.5; position: relative;"&gt;&lt;span style="color: #cccccc; font-family: Courier New, Courier, monospace; font-size: x-small;"&gt;click on above&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;div style="font-family: LucidaSans, arial; font-size: 24px; font-weight: normal; line-height: 1.5; text-align: center;"&gt;
&lt;img height="661" id="irc_mi" src="http://4.bp.blogspot.com/_TM9XqcKyvVI/TUoYiIZDsgI/AAAAAAAABCY/YRd7BahKt7Q/s1600/Goodis%252C%2BBlonde%2Bon%2Bthe%2BStreet%2BCorner%252C%2BLion.jpg" style="-webkit-background-size: 21px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 21px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; color: white; line-height: 1.5; margin-top: 0px;" width="437" /&gt;&lt;/div&gt;
&lt;br /&gt;&lt;div style="color: white; font-family: LucidaSans, arial; font-size: 24px; font-weight: normal; line-height: 1.5; text-align: center;"&gt;
&lt;span style="color: #ffff66; line-height: 1.5;"&gt;By Jay A. Gertzman&lt;/span&gt;&lt;/div&gt;
&lt;/h2&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/HrvqD1KPsAA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/1906838260817046513/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-do-you-think-you-know-david-goodis.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/1906838260817046513?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/1906838260817046513?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/HrvqD1KPsAA/noir-do-you-think-you-know-david-goodis.html" title="Noir: DO YOU THINK YOU KNOW DAVID GOODIS?  READ THIS!" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TM9XqcKyvVI/TUoYiIZDsgI/AAAAAAAABCY/YRd7BahKt7Q/s72-c/Goodis%252C%2BBlonde%2Bon%2Bthe%2BStreet%2BCorner%252C%2BLion.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-do-you-think-you-know-david-goodis.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Dk8MRnk6eip7ImA9WhBVFUs.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-6410251523845158960</id><published>2013-04-21T13:21:00.001-04:00</published><updated>2013-04-21T13:21:27.712-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-21T13:21:27.712-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="“An Artistic Exploration of Vice and Other Things That Make Your Heart Race”" /><title>Noir: New Boobs, Old Boobs</title><content type="html">&lt;span style="background-color: black;"&gt;&lt;img alt="" class="GH" height="361" src="https://mail.google.com/mail/u/0/?ui=2&amp;amp;ik=984f0793dc&amp;amp;view=att&amp;amp;th=13e2d810fe5fb422&amp;amp;attid=0.1.1&amp;amp;disp=emb&amp;amp;zw&amp;amp;atsh=1" style="-webkit-box-shadow: rgb(229, 229, 229) 0px 0px 0px 1px; box-shadow: rgb(229, 229, 229) 0px 0px 0px 1px;" width="640" /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;“An Artistic Exploration of Vice and Other Things That Make Your Heart Race”&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Porn and Asian Kids&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;b&gt;&lt;span style="font-size: large;"&gt;Things We Try Not To Think About And Jews&lt;/span&gt;&lt;/b&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/r-e0gXX2i2E" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/6410251523845158960/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-new-boobs-old-boobs.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6410251523845158960?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6410251523845158960?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/r-e0gXX2i2E/noir-new-boobs-old-boobs.html" title="Noir: New Boobs, Old Boobs" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-new-boobs-old-boobs.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEMEQ3kzcCp7ImA9WhBWGUg.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-8448350112260591196</id><published>2013-04-14T12:20:00.000-04:00</published><updated>2013-04-14T12:20:02.788-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-14T12:20:02.788-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Noir Swierczynski Style" /><title>Noir: Got what it takes?  Swierczynski Style</title><content type="html">&lt;br /&gt;
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&lt;strong&gt;&lt;em&gt;&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace;"&gt;In this four-week workshop, learn to write a breakneck, no-holds-barred, addictive story, all in service of keeping a reader turning the pages—even if his or her house is on fire.&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong&gt;Your Instructor:&lt;/strong&gt;&amp;nbsp;Duane Swierczynski, author of the Charlie Hardie trilogy, Expiration Date&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace; line-height: 18px;"&gt;&lt;strong&gt;Where:&lt;/strong&gt;&amp;nbsp;Online — Available everywhere! &lt;/span&gt;&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace; line-height: 18px;"&gt;&lt;b&gt;&lt;a href="https://litreactor.com/cart?nocache=1"&gt;&lt;span style="color: red; font-size: large;"&gt;Lit REACTOR&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;strong style="color: white; font-family: 'Courier New', Courier, monospace; line-height: 18px;"&gt;When: &lt;/strong&gt;&lt;span style="color: white; font-family: 'Courier New', Courier, monospace; line-height: 18px;"&gt;J&lt;/span&gt;&lt;span class="date-display-start" style="color: white; font-family: 'Courier New', Courier, monospace; line-height: 18px; margin: 0px; padding: 0px;"&gt;une 20, 2013&lt;/span&gt;&lt;span class="date-display-separator" style="color: white; font-family: 'Courier New', Courier, monospace; line-height: 18px; margin: 0px; padding: 0px;"&gt;&amp;nbsp;-&amp;nbsp;&lt;/span&gt;&lt;span class="date-display-end" style="color: white; font-family: 'Courier New', Courier, monospace; line-height: 18px; margin: 0px; padding: 0px;"&gt;July 18, 2013&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong&gt;Enrollment:&lt;/strong&gt;&amp;nbsp;16 Students&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong&gt;Price:&lt;/strong&gt;&amp;nbsp;$399&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-size: 24px; line-height: 30px;"&gt;&lt;span style="color: red; font-family: Courier New, Courier, monospace;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-size: 24px; line-height: 30px;"&gt;&lt;span style="color: red; font-family: Courier New, Courier, monospace;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-size: 24px; line-height: 30px;"&gt;&lt;span style="color: red; font-family: Courier New, Courier, monospace;"&gt;&lt;b&gt;Week One&lt;/b&gt;: Developing Your High-Octane Story Germ&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;/div&gt;
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&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace;"&gt;Week Two&lt;span style="font-weight: normal;"&gt;: Starting With a Bang&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div style="font-size: 12px;"&gt;
&lt;h2 style="font-size: 24px; line-height: 30px; margin: 0px 0px 10px; padding: 0px;"&gt;
&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace;"&gt;Week Three&lt;span style="font-weight: normal;"&gt;: Tumbling Down a Hill in a House That Is On Fire&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;
&lt;div style="font-size: 12px;"&gt;
&lt;h2 style="font-size: 24px; line-height: 30px; margin: 0px 0px 10px; padding: 0px;"&gt;
&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace;"&gt;Week Four&lt;span style="font-weight: normal;"&gt;: Kicking In Windows, Slamming Shut Doors&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;/div&gt;
&lt;div style="font-size: 12px;"&gt;
&lt;strong&gt;&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace;"&gt;* Assignments will be critiqued by Duane and fellow students.&amp;nbsp;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style="font-family: Arial, Helvetica, Verdana, 'Bitstream Vera Sans', sans-serif; font-size: 12px;"&gt;
&lt;strong style="background-color: white; color: #261e1a;"&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;
&lt;h2 class="field-label" style="background-color: white; background-image: -webkit-linear-gradient(top, rgb(38, 30, 26) 0%, rgb(64, 52, 47) 100%); font-family: LeagueGothicRegular, Arial, sans-serif; font-size: 24px; font-weight: normal; line-height: normal; margin: 20px 0px 10px; padding: 5px; text-shadow: rgb(0, 0, 0) 1px 1px 1px;"&gt;
&lt;span style="color: red;"&gt;Class Description&lt;/span&gt;&lt;/h2&gt;
&lt;div class="product-body" style="margin: 0px; padding: 0px;"&gt;
&lt;h2 style="font-size: 24px; font-weight: normal; letter-spacing: 0px; line-height: 30px; margin: 0px 0px 10px; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;If you want to you grab your reader's attention, you have to write like your life depends on it.&amp;nbsp;&lt;/span&gt;&lt;/h2&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Because it does.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;If a reader puts your book down, you’ve failed.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Your goal is to do&amp;nbsp;everything in your power to keep that book in his or her sweaty little hands.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;In this workshop, you'll study the art of writing a breakneck, no-holds-barred, addictive page-turner, including exercises on pitching, pacing, structure, editing, writing action scenes and crisp dialogue—all in the service of keeping a reader turning those pages, even if his or her house is on fire.&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;You'll be lead to that goal by Duane&amp;nbsp;Swierczynski, who has been lauded for writing "breathless action" (&lt;em&gt;New York Times Book Review&lt;/em&gt;) and been compared to "Elmore Leonard on adrenaline and speed" (&lt;em&gt;New York Journal of Books&lt;/em&gt;). &amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: 1em; margin-top: 1em; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;And by the end of this class, you'll have the tools you need to hook your fingers into your reader’s eye sockets and drag them into your book.&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/I91rT6F1MwA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/8448350112260591196/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-got-what-it-takes-swierczynski.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/8448350112260591196?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/8448350112260591196?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/I91rT6F1MwA/noir-got-what-it-takes-swierczynski.html" title="Noir: Got what it takes?  Swierczynski Style" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-got-what-it-takes-swierczynski.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUMHRXc_fip7ImA9WhBWGUk.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-9157023593382543967</id><published>2013-04-14T09:50:00.001-04:00</published><updated>2013-04-14T09:50:34.946-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-14T09:50:34.946-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Ortolan Bunting" /><title>Noir: The Torture of the Ortolan Bunting - Emberiza hortulana</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://www.telegraph.co.uk/news/worldnews/1562561/Frances-songbird-delicacy-is-outlawed.html" id="irc_mil" style="border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="245" id="irc_mi" src="http://i.telegraph.co.uk/multimedia/archive/00644/news-graphics-2007-_644874a.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 218px;" width="320" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;a href="http://www.lunchboxpodcast.com/" id="irc_mil" style="border: 0px;"&gt;&lt;img height="324" id="irc_mi" src="http://www.lunchboxpodcast.com/storage/post-images/ortolan.jpg?__SQUARESPACE_CACHEVERSION=1357932282710" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 178px;" width="468" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/qmxh4p_fs40" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/9157023593382543967/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-torture-of-ortolan-bunting.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/9157023593382543967?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/9157023593382543967?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/qmxh4p_fs40/noir-torture-of-ortolan-bunting.html" title="Noir: The Torture of the Ortolan Bunting - Emberiza hortulana" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-torture-of-ortolan-bunting.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DEQNSXY9fyp7ImA9WhBWGEo.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-2472222471990203864</id><published>2013-04-13T14:06:00.004-04:00</published><updated>2013-04-13T14:06:38.867-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-13T14:06:38.867-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Harrington takes Crimespree by storm with Dia De Los Muertos" /><title>Noir: Harrington takes Crimespree by storm with Dia De Los Muertos</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a href="http://ethnicevents.com/?p=42274" id="irc_mil" style="background-color: black; border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="600" id="irc_mi" src="http://ethnicevents.com/wp-content/uploads/2011/09/dia_de_los_muertos_by_mrshmllw.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 40px;" width="431" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;h2 align="center" style="border: 0px; font-size: 24px; font-weight: normal; letter-spacing: -1px; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 5px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;One&lt;/span&gt;&lt;/h2&gt;
&lt;h2 align="center" style="border: 0px; font-size: 24px; font-weight: normal; letter-spacing: -1px; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 5px; vertical-align: baseline;"&gt;
&lt;/h2&gt;
&lt;h4 align="center" style="border: 0px; font-size: 18px; font-weight: normal; letter-spacing: -1px; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 5px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Tijuana, Mexico / November 1—2:00 P.M.&lt;/span&gt;&lt;/h4&gt;
&lt;h4 align="center" style="border: 0px; font-size: 18px; font-weight: normal; letter-spacing: -1px; line-height: 1em; margin: 0px; outline: 0px; padding: 0px 0px 5px; vertical-align: baseline;"&gt;
&lt;/h4&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;It was Tijuana’s knack at getting back at you that worried Calhoun. Looking like a sun-savvy reptile in his chic, wraparound dark glasses, Vincent Calhoun stepped off the curb into the traffic that circled the central plaza; immediately, car horns began to blare and brakes slammed. Calhoun shot his hands up, signaling halt. The drivers saw a big American in a foreign legion-style hat and white summer suit. Calhoun crossed in front of them, ignoring the barrage of ugly looks from the drivers. Somehow, the drivers knew they didn’t want to fuck with him. There were people in Tijuana you just didn’t want to fool with. The ones who looked like Calhoun—the players, the reptiles from the desert—you stayed away from.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Once inside the cool ring of shade that bordered the plaza, Calhoun heard the offers for the city’s most popular products from its front line businessmen. “Pussy, pot or pills… Got some young pussy, brother… She’ll suck your dick till you think you’re dead,” a kid sitting on a bench, the shade darkening his face, said to him. Calhoun left the offer behind him, crossing into the open stretch of plaza, the no-man’s land of pavers and sunlight. The heat was penetrating, alive, walking next to him like a madman. It radiated off the stark white concrete. He could feel it through his shoes, as if he were barefoot on a beach. He realized for the first time that there was something absolutely cruel and quintessentially Indian about the plaza, the sheer enormity of the space cut from the heart of the city, ceremonial. It conjured up human sacrifice. Maybe the city was really still Toltec, he thought. Workmen were hanging bunting and lights on the plaza’s bandstand in preparation for the upcoming holiday.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;At the other side of the plaza Calhoun stopped at a kiosk on the corner and bought the&amp;nbsp;&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Diario de la Sierra,&lt;/em&gt;&amp;nbsp;which gave race schedules and odds at Caliente. The paper’s front page shouted&lt;strong style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Police Search City for Frank Guzman&lt;/strong&gt;&amp;nbsp;in a banner headline.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;“When were you born?” Calhoun asked the newspaper vendor, peering at him inside the messy interior of the kiosk. The man looked at him from his shell of clapboard, the only bit of shade on the noisy street. The vendor saw the big white man looking at him. A spotless white cotton suit. The ball of sun caught in the yellow tint of his dark glasses.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;“¿Como…?”&lt;/em&gt;&amp;nbsp;The man’s face was framed by girlie magazines, girls in short shorts with big asses. A municipal bus roared by the kiosk, leaving the street behind it showered with black exhaust.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;“Amigo… what day were you born?” Calhoun repeated the question over the grinding of the bus engine. He tried to smile but it was hard. “I need a lucky number,” he explained. “For the races.”&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;“On the day they ripped Jesus Christ down from his cross to get at his wallet,” the man said and laughed. He pounded the counter for emphasis, thinking it was funny.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Calhoun made his way down the sidewalk toward the Playa Azul. He knew suddenly that Tijuana had won. That nothing he could do would restore his luck. He’d exhausted his&amp;nbsp;&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;suerte&lt;/em&gt;—his good fortune. It was obvious. It was over. Everyone gets so much&amp;nbsp;&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;suerte&lt;/em&gt;&amp;nbsp;and that’s it. His was finished, used up. In the restaurant Playa Azul he took a clean handkerchief out of his suit pocket and wiped down his face. Today the heavy canvas havelock he wore hadn’t been enough protection from the heat. Even through the clean starched handkerchief his face felt wet and dirty. He pulled it away. It was soaked and he was worried.&amp;nbsp;&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Nothing wrong,&lt;/em&gt;&amp;nbsp;he told himself.&amp;nbsp;&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Nothing wrong at all. No past, only future.&lt;/em&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-size: 13px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;em style="border: 0px; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 18px; outline: 0px; padding: 0px 0px 10px; text-align: start; vertical-align: baseline;"&gt;
&lt;em style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;span style="background-color: black; font-family: Courier New, Courier, monospace;"&gt;&lt;span style="color: white; font-size: 13px;"&gt;Read more at &lt;/span&gt;&lt;a href="http://crimespreemag.com/dia1/"&gt;&lt;span style="color: red;"&gt;&lt;b&gt;CrimeSpree Magazine!&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/TPINujMIKSA" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/2472222471990203864/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-harrington-takes-crimespree-by.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/2472222471990203864?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/2472222471990203864?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/TPINujMIKSA/noir-harrington-takes-crimespree-by.html" title="Noir: Harrington takes Crimespree by storm with Dia De Los Muertos" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-harrington-takes-crimespree-by.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ck8AQHo9cCp7ImA9WhBWF08.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-4496955840928420871</id><published>2013-04-11T18:54:00.000-04:00</published><updated>2013-04-11T18:54:01.468-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-11T18:54:01.468-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Beaver Fatale" /><title>Noir: Beaver Fatale</title><content type="html">&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="background-color: black; font-size: 40px; line-height: 49px;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;Beaver Bites Man To Death In Belarus Attack&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;b style="background-color: black; color: red; font-family: 'Courier New', Courier, monospace; font-size: small; line-height: 49px;"&gt;(Thanks to Noir Naturalist, Cullen Gallagher)&lt;/b&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;hgroup class="withStandfirst" style="border: 0px; font-size: 13px; line-height: 16px; margin: 0px; outline: 0px; overflow: hidden; padding: 0px; vertical-align: baseline; zoom: 1;"&gt;&lt;h2 class="standfirst" style="border: 0px; float: left; font-size: 16px; font-weight: normal; line-height: 19px; margin: 8px 8px 1em; outline: 0px; overflow: hidden; padding: 0px; vertical-align: baseline; width: 644px;"&gt;
&lt;br class="Apple-interchange-newline" /&gt;&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;The beaver pounced as a man went to take its photograph after spotting the animal on the side of a road during a fishing trip.&lt;/span&gt;&lt;/h2&gt;
&lt;/hgroup&gt;&lt;div style="background-color: white; border: 0px; color: #444444; font-family: Tahoma, Arial, sans-serif; font-size: 13px; line-height: 16px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;section class="regular" id="primary" style="background-color: #dddddd; background-position: initial initial; background-repeat: initial initial; border: 0px; display: inline; float: left; font-size: 13px; margin: 8px; min-height: 295px; outline: 0px; overflow: hidden; padding: 0px; position: relative; vertical-align: baseline; width: 524px;"&gt;&lt;img alt="Beaver In Norway" class="highlightImage" height="293" src="http://media.skynews.com/media/images/generated/sky-news/content/StaticFile/jpg/2009/May/Week4/122375/default/v1/15290657-522x293.jpg" style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 1px solid rgb(86, 86, 86); color: black; display: block; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;" width="522" /&gt;&lt;div class="moduleCaption" style="background-color: #363636; border: 0px; color: #d7d7d7; font-size: 12px; line-height: 32px; min-height: 32px; outline: 0px; padding: 0px 35px 0px 13px; text-shadow: rgb(0, 0, 0) 0px 1px 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
Beaver teeth are sharp enough to cut down trees&lt;/div&gt;
&lt;/section&gt;&lt;section class="regular" id="secondary" style="background-color: #dddddd; background-position: initial initial; background-repeat: initial initial; border: 0px; display: inline; float: left; font-size: 13px; margin: 8px; min-height: 295px; outline: 0px; overflow: hidden; padding: 0px; position: relative; vertical-align: baseline; width: 404px;"&gt;&lt;div class="videoWrapper highlightVideo" style="background-color: #555555; background-position: initial initial; background-repeat: initial initial; border: 1px solid rgb(86, 86, 86); font-size: 13px; height: 226px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;div class="videoContainer" data-sn-admanager="http://adm.fwmrm.net/p/sky_news_live/AdManager.swf" data-sn-adserver="http://2356e.v.fwmrm.net/ad/p/1" data-sn-category="World" data-sn-dayportid="news-228631" data-sn-enabled="true" data-sn-flv="http://video.news.sky.com/flash/vod/2013/04/110413-beaver-attack.flv" data-sn-mp4="http://video.news.sky.com/h264/vod/700/2013/04/110413-beaver-attack.mp4" data-sn-networkid="144750" data-sn-pageurl="http://news.sky.com/story/1076746" data-sn-profile="sky_news_live" data-sn-sensitivity="30766959" data-sn-title="Beaver attack filmed in Russia by Alexander Targon" id="secondaryVideoModule" style="background-color: black; background-position: initial initial; background-repeat: initial initial; border: 0px; font-size: 13px; height: 226px; margin: 0px; outline: 0px; padding: 0px; position: relative; vertical-align: baseline; width: 402px;"&gt;
&lt;img alt="Beaver attack" height="293" src="http://media.skynews.com/media/images/generated/2013/4/11/231654/default/v1/cegrab-20130411-114304-139-1-402x293.jpg" style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border-bottom-color: rgb(86, 86, 86); border-bottom-style: solid; border-width: 0px 0px 1px; color: black; display: block; font-size: 13px; margin: 0px auto; outline: 0px; padding: 0px; vertical-align: baseline;" width="402" /&gt;&lt;span class="videoPlayButton" style="background-color: transparent; background-image: url(http://news.sky.com/static/D6J4PXctLs4XosFsOvxM0C6dZz9FblAgcPykrsJ0kzE.png); background-position: 0px 0px; background-repeat: no-repeat no-repeat; border: 0px; cursor: pointer; display: block; font-size: 13px; height: 79px; left: 50%; margin: -7px 0px 0px -40px; outline: 0px; padding: 0px; position: absolute; top: 50%; vertical-align: baseline; width: 79px;"&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="videoCaption" style="background-color: #252525; border: 0px; color: white; font-family: Arial, sans-serif; font-size: 12px; min-height: 57px; outline: 0px; padding: 10px 13px 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
Beaver attack filmed in Russia by Alexander Targon&lt;/div&gt;
&lt;div class="moduleCaption" style="background-color: #363636; border: 0px; color: #d7d7d7; font-size: 12px; line-height: 32px; min-height: 32px; outline: 0px; padding: 0px 35px 0px 13px; text-shadow: rgb(0, 0, 0) 0px 1px 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;strong style="background-color: transparent; background-position: initial initial; background-repeat: initial initial; border: 0px; color: white; font-family: SkyNewsRegular, Arial, sans-serif; font-size: 14px; font-weight: normal; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;Video:&lt;/strong&gt;&amp;nbsp;Beaver attack filmed in Russia by Alexander Targon&lt;/div&gt;
&lt;a class="enlarge" data-index="0" data-xhr="/xhr/overlay/video/1076792" href="http://news.sky.com/story/1076746/beaver-bites-man-to-death-in-belarus-attack#" style="-webkit-box-shadow: rgb(0, 0, 0) 0px 1px 1px; background-color: #545454; background-image: url(http://news.sky.com/static/6wZESGee8qdUzdI4yahvaGuEtcsGcqQAPVXLhRqGdOs.png); background-position: -83px 4px; background-repeat: no-repeat no-repeat; border-bottom-left-radius: 3px; border-bottom-right-radius: 3px; border-top-left-radius: 3px; border-top-right-radius: 3px; border: 1px solid rgb(114, 113, 113); bottom: 5px; box-shadow: rgb(0, 0, 0) 0px 1px 1px; color: #385fac; display: block; font-size: 13px; height: 21px; margin: 0px; padding: 0px; position: absolute; right: 5px; text-decoration: none; text-indent: -100em; top: auto; vertical-align: baseline; width: 21px; z-index: 2000;"&gt;Enlarge&lt;/a&gt;&lt;/section&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;br /&gt;&lt;/span&gt;
&lt;br /&gt;
&lt;div class="intro" style="border: 0px; line-height: 1.35; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;A fisherman has been bitten to death by a beaver after trying to take its photograph.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;The man was on a fishing trip at Lake Shestakov in Belarus with two friends when they spotted the animal on the side of the road.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;He stopped so that he could take a picture but as he approached the beaver it pounced on him, biting him in the thigh.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;His friends attempted to stem the flow of blood from the wound but the animal’s bite had severed a main artery and the man, who came from Brest, bled to death.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Beaver attacks are rare and according to experts those animals that do go for humans are usually rabid.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;However, they are not unheard off.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Earlier this week a video was posted on YouTube showing a man in the Tver region, northwest of Moscow, running away from a beaver who charged at him as he was filming in the area.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Last year in the US two girls were mauled by a beaver in a lake in Virginia as they swam. They suffered serious bite and scratch injuries. A man was also attacked in New York and an&amp;nbsp;&lt;strong style="border: 0px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;a href="http://news.sky.com/story/981947/woman-injured-during-attack-by-rabid-beaver" style="margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;elderly woman in Washington&lt;/a&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;In 2003 in Belarus a farm manager and farmhand were bitten by a rabid beaver as they tried to chase it from a barn. They survived the attack.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 1.36; margin-bottom: 1em; margin-top: 1em; outline: 0px; padding: 0px; vertical-align: baseline; word-wrap: break-word;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Beavers are the second largest rodents in the world.&lt;/span&gt;&lt;/div&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a data-ved="0CAUQjRw" href="http://awardsnazi.blogspot.com/2011_04_01_archive.html" id="irc_mil" style="border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="397" id="irc_mi" src="http://3.bp.blogspot.com/-G4wst3MshP4/Tat883HdofI/AAAAAAAABdE/VEc7nseAy2E/s1600/beaver+gibson.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 142px;" width="485" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;/ul&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/q0XBKljSUqo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/4496955840928420871/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-beaver-fatale.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/4496955840928420871?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/4496955840928420871?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/q0XBKljSUqo/noir-beaver-fatale.html" title="Noir: Beaver Fatale" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://3.bp.blogspot.com/-G4wst3MshP4/Tat883HdofI/AAAAAAAABdE/VEc7nseAy2E/s72-c/beaver+gibson.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-beaver-fatale.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUEASHc-fyp7ImA9WhBWEUs.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-3297592414153611266</id><published>2013-04-05T09:14:00.000-04:00</published><updated>2013-04-05T09:14:09.957-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-05T09:14:09.957-04:00</app:edited><title>Noir: Jay Gertzman on David Goodis</title><content type="html">&lt;br /&gt;
&lt;h2 style="background-color: #020202; color: white; font-family: LucidaSans, arial; font-size: 24px; font-weight: normal; line-height: 1.5; margin: 0px; padding: 0.3em 0px; text-align: center;"&gt;
&lt;span style="color: red;"&gt;&lt;strong&gt;From Hollywood “Treatment” to Depression on North Broad St:&amp;nbsp; The Career of The Blonde on the Street Corner&amp;nbsp;&lt;/strong&gt;&lt;/span&gt;&lt;/h2&gt;
&lt;div&gt;
&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;a data-ved="0CAUQjRw" href="http://noirboiled.blogspot.com/2011/02/book-review-david-goodis-blonde-on.html" id="irc_mil" style="border: 0px; clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"&gt;&lt;img height="661" id="irc_mi" src="http://4.bp.blogspot.com/_TM9XqcKyvVI/TUoYiIZDsgI/AAAAAAAABCY/YRd7BahKt7Q/s1600/Goodis%252C%2BBlonde%2Bon%2Bthe%2BStreet%2BCorner%252C%2BLion.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="437" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;strong&gt;&lt;span style="color: yellow; font-family: Courier New, Courier, monospace; font-size: large;"&gt;Gertzman turns his analytic eye to the life of David Goodis and the evolution of &lt;u&gt;&lt;a href="http://www.noircon.com/from-hollywood-ldquotreatmentrdquo-to-depression-on-north-broad-st-the-career-of-the-blonde-on-the-street-corner-by-jay-gertzman.html"&gt;THE BLONDE ON THE STREET CORNER&lt;/a&gt;&lt;/u&gt; at &lt;a href="http://www.noircon.com/"&gt;www.noircon.com&lt;/a&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="color: red; font-family: Courier New, Courier, monospace;"&gt;&lt;b&gt;If you are a Goodis fan, you do not want to miss this. &amp;nbsp;Gertzman writes with the skill of a surgeon and delivers the medicine like no other.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div&gt;
&lt;span style="color: red;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/dghs0XlGTp8" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/3297592414153611266/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-jay-gertzman-on-david-goodis.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3297592414153611266?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3297592414153611266?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/dghs0XlGTp8/noir-jay-gertzman-on-david-goodis.html" title="Noir: Jay Gertzman on David Goodis" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/_TM9XqcKyvVI/TUoYiIZDsgI/AAAAAAAABCY/YRd7BahKt7Q/s72-c/Goodis%252C%2BBlonde%2Bon%2Bthe%2BStreet%2BCorner%252C%2BLion.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-jay-gertzman-on-david-goodis.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUUGQXc7fSp7ImA9WhBWEUs.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-6979030947139255239</id><published>2013-04-05T09:07:00.000-04:00</published><updated>2013-04-05T09:07:00.905-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-05T09:07:00.905-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="R.I.P. Roger Ebert" /><title>R.I.P. Roger Ebert</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a data-ved="0CAUQjRw" href="http://insidemovies.ew.com/2013/04/04/roger-ebert-redefined-movie-criticism/" id="irc_mil" style="border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="451" id="irc_mi" src="http://img2.timeinc.net/ew/i/2013/04/05/Roger-Ebert_612x451.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 115px;" width="612" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/sFvxEFUjBNo" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/6979030947139255239/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/rip-roger-ebert.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6979030947139255239?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6979030947139255239?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/sFvxEFUjBNo/rip-roger-ebert.html" title="R.I.P. Roger Ebert" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/rip-roger-ebert.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0UNQnc9cSp7ImA9WhBXGEw.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-237510924130963381</id><published>2013-04-01T08:28:00.000-04:00</published><updated>2013-04-01T08:28:13.969-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-04-01T08:28:13.969-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="The Chill Reaper Cometh" /><title>Noir: The Chill Reaper Cometh</title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;/div&gt;
&lt;div style="margin-left: 1em; margin-right: 1em;"&gt;
&lt;span style="background-color: black;"&gt;&lt;img height="640" src="http://static.neatorama.com/images/2013-03/the-chill-reaper.jpg" style="color: #222222; font-family: Georgia, Helvetica, Arial, sans-serif; font-size: 13px; line-height: 18px; text-align: -webkit-center;" width="538" /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/IOCfLgf8Hbg" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/237510924130963381/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/04/noir-chill-reaper-cometh.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/237510924130963381?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/237510924130963381?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/IOCfLgf8Hbg/noir-chill-reaper-cometh.html" title="Noir: The Chill Reaper Cometh" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/04/noir-chill-reaper-cometh.html</feedburner:origLink></entry><entry gd:etag="W/&quot;Ck4MRXk7cSp7ImA9WhBXFE8.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-3282250998053087825</id><published>2013-03-27T17:49:00.000-04:00</published><updated>2013-03-27T17:49:44.709-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-27T17:49:44.709-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Claims His Sperms Contain Holy Spirit" /><category scheme="http://www.blogger.com/atom/ns#" term="Pastor Have Sex With Congregation" /><title>Noir: Pastor Have Sex With Congregation, Claims His Sperms Contain Holy Spirit  </title><content type="html">&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a data-ved="0CAUQjRw" href="http://www.towards-success.com/dejnarde_files/definition_of_holy_spirit.htm" id="irc_mil" style="border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="295" id="irc_mi" src="http://www.towards-success.com/dejnarde_files/holy_spirit_image.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 193px;" width="380" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;/div&gt;
&lt;h1 style="border: 0px; font-size: 23px; line-height: 30px; margin: 0px 0px 10px; outline: 0px; padding: 0px; text-align: center; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace;"&gt;Brazil: Pastor Have Sleep With Congregation, Claims His Sperms Contain Holy Spirit&lt;/span&gt;&lt;/h1&gt;
&lt;div style="border: 0px; line-height: 21px; margin-bottom: 10px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="font-family: Varela, sans-serif; font-size: x-small;"&gt;&lt;img alt="PHOTO: My Sperms Contain Holy Spirit – Pastor" border="1" class="alignleft" height="247" src="http://i0.wp.com/photos.peacefmonline.com/photos/news/201303/903788548_663777.jpg?resize=300%2C247" style="border: 0px; float: left; font-size: 13px; margin: 5px 15px 10px 0px; outline: 0px; padding: 0px; vertical-align: bottom;" width="300" /&gt;&lt;/span&gt;&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Sobrino Valdeci Picanto, 59, was arrested in Apore, Goiás, Brazil, for raping several women attending his&amp;nbsp;&lt;a href="http://omgghana.com/chimney-fitted-on-sistine-chapel-roof-for-pope-election/" style="border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="" title="Chimney Fitted on Sistine Chapel Roof for Pope ... - OMG! Ghana"&gt;church&lt;/a&gt;. He gave as an excuse that his penis had been consecrated with “divine semen of the&amp;nbsp;&lt;a href="http://omgghana.com/i-saw-these-pastors-in-hell-fire-a-must-read/" style="border: 0px; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="" title="I Saw These Pastors In Hell Fire [A MUST READ] | OMGGhana.Com"&gt;Holy Spirit&lt;/a&gt;.”&lt;/span&gt;&lt;/div&gt;
&lt;blockquote style="border-left-color: rgb(224, 224, 224); border-left-style: solid; border-width: 0px 0px 0px 2px; font-style: italic; line-height: 21px; margin: 0px; outline: 0px; padding: 0px 0px 0px 15px; quotes: none; vertical-align: baseline;"&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;A 23-year-old young woman, who prefers to remain anonymous said, “He has convinced us that only God could come into our lives through the mouth.”&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 24px !important; margin-bottom: 15px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;“Often, after worship, Pastor Valdecir take us to some of the funds back to the church and asked us to do oral sex on him until the Holy Spirit comes through ejaculation”.&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div style="border: 0px; line-height: 21px; margin-bottom: 10px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Valdecir came to abuse some elderly, and defends himself by saying that ‘he had an encounter with Jesus in a brothel and gave him the mission of spreading the sacred semen throughout the state, beginning with the faithful Apore Assembly, of which he is responsible’.&lt;/span&gt;&lt;/div&gt;
&lt;blockquote style="border-left-color: rgb(224, 224, 224); border-left-style: solid; border-width: 0px 0px 0px 2px; font-style: italic; line-height: 21px; margin: 0px; outline: 0px; padding: 0px 0px 0px 15px; quotes: none; vertical-align: baseline;"&gt;
&lt;div style="border: 0px; line-height: 24px !important; margin-bottom: 15px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;According to the Pastor, “You have in your hands the servant of the Lord and do not regret it yet. I hope to continue my wonderful job within the prison”.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; line-height: 24px !important; margin-bottom: 15px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Denise Pinheiro, delegate of the region, said, “Valdecir was caught red-handed while rubbing his penis in the face of a local merchant, which promised to make more sales in her business due to the divine liquid. When we act Valdecir offered no resistance and even asked if I wanted to be part of the kingdom of heaven on the way to the police station. He is not ashamed of such acts and thinks they are the most normal things in the world.”&lt;/span&gt;&lt;/div&gt;
&lt;/blockquote&gt;
&lt;div style="border: 0px; line-height: 21px; margin-bottom: 10px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Valdecir posted bail and was released&lt;/span&gt;&lt;/div&gt;
&lt;span style="border: 0px; font-family: Varela, sans-serif; font-size: 13px; line-height: 21px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;br /&gt;&lt;br /&gt;Read more:&amp;nbsp;&lt;a href="http://omgghana.com/brazil-pastor-have-sex-with-congregation-claims-his-sperms-contain-holy-spirit/#ixzz2OmMvF32Q" style="-webkit-transition: all 100ms linear; border: 0px; color: #003399; font-size: 13px; margin: 0px; outline: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;"&gt;http://omgghana.com/brazil-pastor-have-sex-with-congregation-claims-his-sperms-contain-holy-spirit/#ixzz2OmMvF32Q&lt;/a&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/iYgX-bcJWAk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/3282250998053087825/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-pastor-have-sex-with-congregation.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3282250998053087825?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3282250998053087825?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/iYgX-bcJWAk/noir-pastor-have-sex-with-congregation.html" title="Noir: Pastor Have Sex With Congregation, Claims His Sperms Contain Holy Spirit  " /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-pastor-have-sex-with-congregation.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CkcHRX0-fSp7ImA9WhBXFE8.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-6748685048983028811</id><published>2013-03-27T17:33:00.003-04:00</published><updated>2013-03-27T17:33:54.355-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-27T17:33:54.355-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Breaking Bad Elmo" /><title>Noir: Breaking Bad Elmo</title><content type="html">&lt;a data-ved="0CAUQjRw" href="https://www.google.com/url?sa=i&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=images&amp;amp;cd=&amp;amp;docid=4u9pZGyUvEVaWM&amp;amp;tbnid=YmLTvO4FQFMeiM:&amp;amp;ved=0CAUQjRw&amp;amp;url=http%3A%2F%2Falligator-sunglasses.com%2Fpost%2F6282421739%2Fmeth-is-a-hell-of-a-drug&amp;amp;ei=l2RTUaXnBYLZ0wG4yYCIBA&amp;amp;bvm=bv.44342787,d.dmg&amp;amp;psig=AFQjCNEla_yDy_HPtH6Dyt0-nOzcPygq2A&amp;amp;ust=1364506121659837" id="irc_mil" style="border: 0px; text-align: center;"&gt;&lt;img height="332" id="irc_mi" src="http://i.imgur.com/gkUSS.png" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 140px;" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;A Pennsylvania man claims he had crystal-meth-fueled sex romps with former Elmo voice Kevin Clash when he was just 16 — and filed a lawsuit against the puppeteer to “save other children.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: 'Courier New', Courier, monospace; line-height: 1.3em;"&gt;Now he is going after Clash in federal court, claiming that starting in 2004 the world-renowned puppeteer lured Stephens from Harrisburg, Pa., to New York to engage in “lurid, crystal-meth sex parties.&lt;/span&gt;&lt;/div&gt;
&lt;div class="intext_area" id="intext_area_middle" style="border-bottom-width: 0px; border-left-width: 0px; border-right-width: 0px; border-top-style: none !important; box-sizing: border-box; float: left; list-style: none; margin: 5px 0px; outline: 0px; padding-bottom: 0px; padding-left: 0px; padding-right: 0px; padding-top: 0px !important;"&gt;
&lt;div class="intext_object intext_photo" style="border: 0px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px; width: 310px;"&gt;
&lt;img alt="Sheldon Stephens" height="300" src="http://www.nypost.com/rw/nypost/2013/03/20/news/web_photos/20.1n016.Elmo4--300x300.jpg" style="border-bottom-color: transparent; border-bottom-style: solid; border-width: 0px 0px 3px; box-sizing: border-box; display: block; list-style: none; margin: 0px 0px 1px; max-width: 100%; outline: 0px; padding: 0px;" title="Sheldon Stephens" width="300" /&gt;&lt;div class="photo-credit" style="border: 0px; box-sizing: border-box; float: right; list-style: none; margin: 0px 0px 5px 10px; outline: 0px; padding: 0px; text-align: right;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;New York Post/Chad Rachman&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="caption" style="border: 0px; box-sizing: border-box; list-style: none; margin: 2px 0px 0px; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;Sheldon Stephens&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;div class="intext_object intext_photo" style="border: 0px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px; width: 310px;"&gt;
&lt;img alt="RED MENACE: Sheldon Stephens, in New York yesterday, claims that “Sesame Street’s” Elmo voice Kevin Clash (above) enticed the then-16-year-old youth into wild sex parties." height="300" src="http://www.nypost.com/rw/nypost/2013/03/20/news/web_photos/20.1n016.Elmo3--300x300.jpg" style="border-bottom-color: transparent; border-bottom-style: solid; border-width: 0px 0px 3px; box-sizing: border-box; display: block; list-style: none; margin: 0px 0px 1px; max-width: 100%; outline: 0px; padding: 0px;" title="RED MENACE: Sheldon Stephens, in New York yesterday, claims that “Sesame Street’s” Elmo voice Kevin Clash (above) enticed the then-16-year-old youth into wild sex parties." width="300" /&gt;&lt;div class="photo-credit" style="border: 0px; box-sizing: border-box; float: right; list-style: none; margin: 0px 0px 5px 10px; outline: 0px; padding: 0px; text-align: right;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;Reuters&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="caption" style="border: 0px; box-sizing: border-box; list-style: none; margin: 2px 0px 0px; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong style="border: 0px; box-sizing: border-box; list-style: none; margin: 0px; outline: 0px; padding: 0px;"&gt;RED MENACE:&lt;/strong&gt;&amp;nbsp;Sheldon Stephens, in New York yesterday, claims that “Sesame Street’s” Elmo voice Kevin Clash (above) enticed the then-16-year-old youth into wild sex parties.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;/div&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;“On one occasion, a male chauffeur drove Clash and Sheldon to the chauffeur’s apartment, where they had a crystal meth sex party,” said the lawsuit, filed in a Pennsylvania federal court.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;“While in the apartment, Clash smoked crystal meth while engaging in sexual activity with Sheldon.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: 'Courier New', Courier, monospace; line-height: 1.3em;"&gt;“It disgusted me inside because I knew what had happened to me,” Stephens said. “That motivated me and my parents to reach out to ‘Sesame Street’ and kind of warn them against Kevin Clash and about him potentially harming other children.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;span style="background-color: black; color: white; font-family: 'Courier New', Courier, monospace; line-height: 1.3em;"&gt;Clash resigned from “Sesame Street” on Nov. 20 after Stephens and another young man claimed to have had underage sex with the man who had voiced Elmo for 28 years.&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; box-sizing: border-box; line-height: 1.3em; list-style: none; margin-bottom: 1em; outline: 0px; padding: 0px;"&gt;
&lt;a href="mailto:pedro.oliveira@nypost.com" style="background-color: black; border: 0px; box-sizing: border-box; color: #cc0000; font-family: arial, sans-serif; font-size: 1.1em; line-height: 1.3em; list-style: none; margin: 0px; outline: 0px; padding: 0px; text-decoration: none;" target="_self"&gt;pedro.oliveira@nypost.com&lt;/a&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/ZB_HsRhLq2Q" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/6748685048983028811/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-breaking-bad-elmo.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6748685048983028811?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6748685048983028811?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/ZB_HsRhLq2Q/noir-breaking-bad-elmo.html" title="Noir: Breaking Bad Elmo" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-breaking-bad-elmo.html</feedburner:origLink></entry><entry gd:etag="W/&quot;A0QDRX0yeSp7ImA9WhBXFEw.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-9095269358636653371</id><published>2013-03-27T17:22:00.002-04:00</published><updated>2013-03-27T17:22:54.391-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-27T17:22:54.391-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="R.I.P. Nascar's Greatest Fan" /><title>Noir: R.I.P. Nascar's Greatest Fan</title><content type="html">&lt;a data-ved="0CAUQjRw" href="http://www.fanpop.com/clubs/nascar/images/4032185/title/dale-earnhardt-fanart" id="irc_mil" style="background-color: black; border: 0px; text-align: center;"&gt;&lt;img height="479" id="irc_mi" src="http://images2.fanpop.com/images/photos/4000000/Dale-Earnhardt-nascar-4032185-1024-768.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;b style="color: white; line-height: 18px;"&gt;Tim Hopkins&lt;/b&gt;&lt;br style="line-height: 18px;" /&gt;&lt;span style="font-size: large;"&gt;&lt;br style="line-height: 18px;" /&gt;&lt;span style="line-height: 18px;"&gt;&lt;span style="color: white;"&gt;Timothy Wayne “Tim” Hopkins, 54, &lt;/span&gt;&lt;span style="color: red;"&gt;&lt;b&gt;went to be with our Lord and Savior Jesus Christ and Dale Earnhardt to contribute his building and painting expertise to the constructing of many heavenly mansions&lt;/b&gt;&lt;/span&gt;&lt;span style="color: white;"&gt; on Saturday, March 23, 2013, in Memphis. Tim was born on July 16, 1958, in Zion, Ill., to Aaron and Elaine Hopkins. He had a personality that could make anyone laugh and affected everyone that came near him.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="line-height: 18px;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: cyan; text-decoration: none;"&gt;&lt;a href="http://djournal.com/pages/news_obituaries_full/push?article-Obituaries+March+26-+2013%20&amp;amp;id=22071691#ixzz2OmFTVImc" style="text-decoration: none;"&gt;Northeast Mississippi Daily Journal - Obituaries March 26 2013&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="line-height: 18px;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;
&lt;div class="separator" style="clear: both; text-align: center;"&gt;
&lt;a data-ved="0CAUQjRw" href="http://www.allleftturns.com/nascar-jesus" id="irc_mil" style="background-color: black; border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="600" id="irc_mi" src="http://cdn.allleftturns.com/www/sites/default/files/articles/nascar%20jesus.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 19px;" width="490" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/Vjmgv-K9Hqw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/9095269358636653371/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-rip-nascars-greatest-fan.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/9095269358636653371?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/9095269358636653371?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/Vjmgv-K9Hqw/noir-rip-nascars-greatest-fan.html" title="Noir: R.I.P. Nascar's Greatest Fan" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-rip-nascars-greatest-fan.html</feedburner:origLink></entry><entry gd:etag="W/&quot;C0YNQn09eSp7ImA9WhBXE0g.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-9176330359022202501</id><published>2013-03-26T22:26:00.000-04:00</published><updated>2013-03-26T22:26:33.361-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-26T22:26:33.361-04:00</app:edited><title>Noir: Goodis's THE BURGLAR with Omar Sharif</title><content type="html">&lt;a data-ved="0CAUQjRw" href="https://www.google.com/url?sa=i&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=images&amp;amp;cd=&amp;amp;docid=4vbRamXIfjopbM&amp;amp;tbnid=o4OOyleUuzPA7M:&amp;amp;ved=0CAUQjRw&amp;amp;url=http%3A%2F%2Fwww.amazon.com%2FThe-Burglars-Movie-Poster-Inches%2Fdp%2FB004UNRFGK&amp;amp;ei=U1hSUdvjJMe-0QHS7YH4Dg&amp;amp;bvm=bv.44342787,d.dmQ&amp;amp;psig=AFQjCNELHvBew2uAgmEZ8xmEbnSJQgt7bA&amp;amp;ust=1364437454390698" id="irc_mil" style="background-color: black; border: 0px; text-align: center;"&gt;&lt;img height="500" id="irc_mi" src="http://ecx.images-amazon.com/images/I/51CW2w8cxVL._SL500_SS500_.jpg" style="-webkit-background-size: 20px; -webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-image: -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)), -webkit-linear-gradient(45deg, rgb(239, 239, 239) 25%, transparent 25%, transparent 75%, rgb(239, 239, 239) 75%, rgb(239, 239, 239)); background-position: 0px 0px, 10px 10px; background-size: 20px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="500" /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;img alt="ihousefilmfestival" class="attachment-size-513x190 wp-post-image" height="190" src="http://campusphilly.org/wp-content/uploads/2013/03/ihousefilmfestival.jpg" style="border: 0px; display: block; font-family: inherit; font-size: inherit; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;" width="513" /&gt;&lt;span class="wp-caption-text wp-caption" style="background-color: white; border: 0px; color: #444444; font-family: Arial, Arial, sans-serif; font-size: 11px; font-size: 11px; font-style: italic; line-height: 13px; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;posted by&amp;nbsp;&lt;strong class="author" style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;&lt;a href="http://campusphilly.org/author/yarajishi/" rel="author" style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" title="Posts by Yara Jishi"&gt;Yara Jishi&lt;/a&gt;, Bryn Mawr, '14&lt;/strong&gt;&amp;nbsp;on March 26, 2013 at 9:30 am&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin-bottom: 16px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;The&amp;nbsp;&lt;a href="http://cinedelphia.com/cinedelphiafilmfestival/schedule" style="border: 0px; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;Cinedelphia Film Festival&lt;/a&gt;&amp;nbsp;is on its way, taking place from April 4th to the 27th! The exciting program has tons to offer- from screenings, musics, talks and more. While there’s a lot to choose from,&amp;nbsp; I’m recommending&amp;nbsp;&lt;em&gt;&lt;/em&gt;you check out&amp;nbsp;&lt;em&gt;The Burglars&lt;/em&gt;, a screening taking place on&amp;nbsp;&lt;strong style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;April 12th&lt;/strong&gt;&amp;nbsp;from&lt;strong style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;&amp;nbsp;7:30 to 10:00 pm.&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;The film is based off of noir-novelist David Goodis, who besides spending a portion of his time in New York City and Los Angeles, was born and raised in Philadelphia. French director Henri Verneuil made a second adaptation of Goodis’ novel&amp;nbsp;&lt;em&gt;The Burglar&lt;/em&gt;, aka&amp;nbsp;&lt;em&gt;Le Casse&lt;/em&gt;. Verneuil’s version stars Omar Sharif and Jean-Paul Belmondo, where a police inspector pursues a gang of burglars who are out to get a cache of emeralds. This euro-crime film is famous for its car chase scene through the streets of Athens.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Whether you’re a film buff or not, the festival will be a ton of fun, and this is a great way to jump right in. Check out an outline of the details below, along with website info and how to get tickets. Enjoy the show!&lt;/span&gt;&lt;/div&gt;
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&lt;br /&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin-bottom: 16px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;When:&amp;nbsp;&lt;/strong&gt;April 12th 7:30 to 10:00 p.m&lt;/span&gt;&lt;/div&gt;
&lt;div style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin-bottom: 16px; padding: 0px; vertical-align: baseline;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;Where:&amp;nbsp;&lt;/strong&gt;International House, 3701 Chestnut Street Philadelphia, PA 19104&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;strong style="border: 0px; font-style: inherit; font-variant: inherit; line-height: inherit; margin: 0px; padding: 0px; vertical-align: baseline;"&gt;Tickets:&amp;nbsp;&lt;/strong&gt;Click&amp;nbsp;&lt;a href="http://www.ticketfly.com/org/847" style="border: 0px; font-style: inherit; font-variant: inherit; font-weight: bold; line-height: inherit; margin: 0px; padding: 0px; text-decoration: none; vertical-align: baseline;" target="_blank"&gt;here&lt;/a&gt;, $7 for students with ID&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;You can contact Yara at yjishi@brynmawr.edu&lt;/span&gt;&lt;/div&gt;
&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/DwSPFROJ41c" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/9176330359022202501/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-goodiss-burglar-with-omar-sharif.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/9176330359022202501?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/9176330359022202501?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/DwSPFROJ41c/noir-goodiss-burglar-with-omar-sharif.html" title="Noir: Goodis's THE BURGLAR with Omar Sharif" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-goodiss-burglar-with-omar-sharif.html</feedburner:origLink></entry><entry gd:etag="W/&quot;AkYBRHYyfSp7ImA9WhBXE00.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-7323773080714632366</id><published>2013-03-26T10:29:00.000-04:00</published><updated>2013-03-26T10:29:15.895-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-26T10:29:15.895-04:00</app:edited><title>Noir: An Old Twist on The New Diogenes</title><content type="html">&lt;div style="text-align: center;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace; font-size: large;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;a data-ved="0CAUQjRw" href="http://www.answers.com/topic/diogenes-of-sinope" id="irc_mil" style="background-color: black; border: 0px;"&gt;&lt;img height="176" id="irc_mi" src="http://wpcontent.answcdn.com/wikipedia/commons/thumb/4/4e/Bastein-Lepage_Diogenes.jpg/220px-Bastein-Lepage_Diogenes.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 252px;" width="220" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;
&lt;span style="color: white; font-family: Courier New, Courier, monospace; font-size: large;"&gt;&lt;b style="background-color: black;"&gt;The Old Diogenes&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
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" height="300" src="http://www.nypost.com/rw/nypost/2013/03/26/news/web_photos/Street044608--300x300.jpg" style="background-color: white; border-bottom-color: transparent; border-bottom-style: solid; border-width: 0px 0px 3px; box-sizing: border-box; color: #444444; display: block; font-family: arial, sans-serif; font-size: 13px; list-style: none; margin: 0px 0px 1px; max-width: 100%; outline: 0px; padding: 0px; text-align: start;" title="
" width="300" /&gt;&lt;/span&gt;&lt;/div&gt;
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  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0in 5.4pt 0in 5.4pt;
	mso-para-margin:0in;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:20.0pt;
	font-family:Baskerville;}
&lt;/style&gt;
&lt;![endif]--&gt;



&lt;!--StartFragment--&gt;

&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0in;"&gt;
&lt;b&gt;&lt;span style="background: black; color: white; font-family: &amp;quot;Courier New&amp;quot;; font-size: 24.0pt;"&gt;The New Diogenes&lt;/span&gt;&lt;/b&gt;&lt;span style="font-size: 13.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0in; text-align: justify; text-justify: inter-ideograph;"&gt;
&lt;span style="font-size: x-small;"&gt;&lt;i&gt;&lt;span style="background-color: black; color: white; font-family: 'Courier New';"&gt;AP&lt;/span&gt;&lt;span style="background-color: black; background-position: initial initial; background-repeat: initial initial; color: white; font-family: 'Courier New';"&gt;
&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: black; background-position: initial initial; background-repeat: initial initial; color: white; font-family: 'Courier New';"&gt;Officer DePrimo's act of kindness made headlines
around the world after a passerby snapped this pic on his gift on a frigid
winter night.&lt;/span&gt;&lt;/i&gt;&lt;/span&gt;&lt;span style="font-size: 12pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin-bottom: .0001pt; margin: 0in; text-align: justify; text-justify: inter-ideograph;"&gt;
&lt;span style="background: black; color: white; font-family: &amp;quot;Courier New&amp;quot;; font-size: 12.0pt;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0.0001pt; text-align: justify;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; color: white; font-size: 14pt;"&gt;As was reported by the
New York Post in December 2012,&amp;nbsp;&lt;/span&gt;&lt;span style="background-color: black; color: red; font-size: 14pt;"&gt;&lt;a href="http://www.noircon.info/2012/12/anti-noir-human-kindness.html"&gt;&lt;span style="color: red;"&gt;http://www.noircon.info/2012/12/anti-noir-human-kindness.html&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;span style="background-color: black; color: white; font-size: 14pt;"&gt;,
Diogenes is alive and well in New York City.&lt;/span&gt;&lt;span style="font-size: 14pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0.0001pt; text-align: justify;"&gt;
&lt;img alt="" class="blogImage ctr" src="http://www.nypost.com/r/nypost/2013/03/26/news/web_photos/xxx1044107--525x300.jpg" style="border-bottom-color: transparent; border-bottom-style: solid; border-width: 0px 0px 3px; box-sizing: border-box; display: block; font-family: arial, sans-serif; font-size: 17.33333396911621px; line-height: 22.875px; list-style: none; margin: 0px auto 1px; max-width: 100%; outline: 0px; padding: 0px; text-align: start;" title="" /&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0.0001pt; text-align: justify;"&gt;
&lt;span style="background-color: black; color: white; font-size: 14pt;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="margin: 0in 0in 0.0001pt; text-align: justify;"&gt;
&lt;span style="background-position: initial initial; background-repeat: initial initial;"&gt;&lt;span style="background-color: black; color: white; font-size: 14pt;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;






&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;JA&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
   &lt;w:UseFELayout/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="276"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
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   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
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   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
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   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
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   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
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   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
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 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
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table.MsoNormalTable
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	mso-tstyle-rowband-size:0;
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	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
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	mso-pagination:widow-orphan;
	font-size:20.0pt;
	font-family:Baskerville;}
&lt;/style&gt;
&lt;![endif]--&gt;



&lt;!--StartFragment--&gt;

&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0in;"&gt;CO&lt;/span&gt;&lt;span style="border: 1pt none windowtext; padding: 0in;"&gt;UNTING HIS BOOTY: Jeffrey Hillman, who was given
a pair of boots by a kindly cop last year, counts his day's haul on the subway
Sunday after begging — barefoot — in Midtown.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;span style="border: 1pt none windowtext; padding: 0in;"&gt;CO&lt;/span&gt;&lt;span style="border: 1pt none windowtext; padding: 0in;"&gt;UNTING HIS BOOTY: Jeffrey Hillman, who was given
a pair of boots by a kindly cop last year, counts his day's haul on the subway
Sunday after begging — barefoot — in Midtown.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white;"&gt;






&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
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  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;JA&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
   &lt;w:UseFELayout/&gt;
  &lt;/w:Compatibility&gt;
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   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
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   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
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  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="276"&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
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  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
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   UnhideWhenUsed="false" Name="Light Shading"/&gt;
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   UnhideWhenUsed="false" Name="Light List"/&gt;
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   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
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   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
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   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
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   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
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   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
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   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
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   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
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   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0in 5.4pt 0in 5.4pt;
	mso-para-margin:0in;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:20.0pt;
	font-family:Baskerville;}
&lt;/style&gt;
&lt;![endif]--&gt;



&lt;!--StartFragment--&gt;

&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;What a heel!&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;The barefoot beggar who made
headlines when a kindly cop gave him a pair of boots has an apartment and a
preacher paying his bills — but he still pretends to be homeless and hides his
shoes in a garbage bag, The Post has learned.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;Jeffrey Hillman was spotted
at 9:20 p.m. Sunday counting a huge wad of bills with the dexterity of a bank
teller while riding a No. 2 train from Times Square to his home in The Bronx.&lt;/span&gt;&lt;span style="font-size: 13.5pt;"&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;&lt;br /&gt;
&lt;div class="MsoNormal"&gt;






&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;JA&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
   &lt;w:UseFELayout/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="276"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="19" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="21" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="31" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtle Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="32" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Reference"/&gt;
  &lt;w:LsdException Locked="false" Priority="33" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Book Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="37" Name="Bibliography"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" QFormat="true" Name="TOC Heading"/&gt;
 &lt;/w:LatentStyles&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 10]&gt;
&lt;style&gt;
 /* Style Definitions */
table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0in 5.4pt 0in 5.4pt;
	mso-para-margin:0in;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:20.0pt;
	font-family:Baskerville;}
&lt;/style&gt;
&lt;![endif]--&gt;



&lt;!--StartFragment--&gt;

&lt;/div&gt;
&lt;div class="MsoNormal" style="line-height: 15.6pt;"&gt;






&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;o:OfficeDocumentSettings&gt;
  &lt;o:AllowPNG/&gt;
 &lt;/o:OfficeDocumentSettings&gt;
&lt;/xml&gt;&lt;![endif]--&gt;

&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:WordDocument&gt;
  &lt;w:View&gt;Normal&lt;/w:View&gt;
  &lt;w:Zoom&gt;0&lt;/w:Zoom&gt;
  &lt;w:TrackMoves/&gt;
  &lt;w:TrackFormatting/&gt;
  &lt;w:PunctuationKerning/&gt;
  &lt;w:ValidateAgainstSchemas/&gt;
  &lt;w:SaveIfXMLInvalid&gt;false&lt;/w:SaveIfXMLInvalid&gt;
  &lt;w:IgnoreMixedContent&gt;false&lt;/w:IgnoreMixedContent&gt;
  &lt;w:AlwaysShowPlaceholderText&gt;false&lt;/w:AlwaysShowPlaceholderText&gt;
  &lt;w:DoNotPromoteQF/&gt;
  &lt;w:LidThemeOther&gt;EN-US&lt;/w:LidThemeOther&gt;
  &lt;w:LidThemeAsian&gt;JA&lt;/w:LidThemeAsian&gt;
  &lt;w:LidThemeComplexScript&gt;X-NONE&lt;/w:LidThemeComplexScript&gt;
  &lt;w:Compatibility&gt;
   &lt;w:BreakWrappedTables/&gt;
   &lt;w:SnapToGridInCell/&gt;
   &lt;w:WrapTextWithPunct/&gt;
   &lt;w:UseAsianBreakRules/&gt;
   &lt;w:DontGrowAutofit/&gt;
   &lt;w:SplitPgBreakAndParaMark/&gt;
   &lt;w:EnableOpenTypeKerning/&gt;
   &lt;w:DontFlipMirrorIndents/&gt;
   &lt;w:OverrideTableStyleHps/&gt;
   &lt;w:UseFELayout/&gt;
  &lt;/w:Compatibility&gt;
  &lt;m:mathPr&gt;
   &lt;m:mathFont m:val="Cambria Math"/&gt;
   &lt;m:brkBin m:val="before"/&gt;
   &lt;m:brkBinSub m:val="&amp;#45;-"/&gt;
   &lt;m:smallFrac m:val="off"/&gt;
   &lt;m:dispDef/&gt;
   &lt;m:lMargin m:val="0"/&gt;
   &lt;m:rMargin m:val="0"/&gt;
   &lt;m:defJc m:val="centerGroup"/&gt;
   &lt;m:wrapIndent m:val="1440"/&gt;
   &lt;m:intLim m:val="subSup"/&gt;
   &lt;m:naryLim m:val="undOvr"/&gt;
  &lt;/m:mathPr&gt;&lt;/w:WordDocument&gt;
&lt;/xml&gt;&lt;![endif]--&gt;&lt;!--[if gte mso 9]&gt;&lt;xml&gt;
 &lt;w:LatentStyles DefLockedState="false" DefUnhideWhenUsed="true"
  DefSemiHidden="true" DefQFormat="false" DefPriority="99"
  LatentStyleCount="276"&gt;
  &lt;w:LsdException Locked="false" Priority="0" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Normal"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="heading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="9" QFormat="true" Name="heading 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 5"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 6"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 7"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 8"/&gt;
  &lt;w:LsdException Locked="false" Priority="39" Name="toc 9"/&gt;
  &lt;w:LsdException Locked="false" Priority="35" QFormat="true" Name="caption"/&gt;
  &lt;w:LsdException Locked="false" Priority="10" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Title"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" Name="Default Paragraph Font"/&gt;
  &lt;w:LsdException Locked="false" Priority="11" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Subtitle"/&gt;
  &lt;w:LsdException Locked="false" Priority="22" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Strong"/&gt;
  &lt;w:LsdException Locked="false" Priority="20" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Emphasis"/&gt;
  &lt;w:LsdException Locked="false" Priority="59" SemiHidden="false"
   UnhideWhenUsed="false" Name="Table Grid"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Placeholder Text"/&gt;
  &lt;w:LsdException Locked="false" Priority="1" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="No Spacing"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" UnhideWhenUsed="false" Name="Revision"/&gt;
  &lt;w:LsdException Locked="false" Priority="34" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="List Paragraph"/&gt;
  &lt;w:LsdException Locked="false" Priority="29" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="30" SemiHidden="false"
   UnhideWhenUsed="false" QFormat="true" Name="Intense Quote"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 1"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 2"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="71" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Shading Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="72" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful List Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="73" SemiHidden="false"
   UnhideWhenUsed="false" Name="Colorful Grid Accent 3"/&gt;
  &lt;w:LsdException Locked="false" Priority="60" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Shading Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="61" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light List Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="62" SemiHidden="false"
   UnhideWhenUsed="false" Name="Light Grid Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="63" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="64" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Shading 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="65" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="66" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium List 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="67" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 1 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="68" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 2 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="69" SemiHidden="false"
   UnhideWhenUsed="false" Name="Medium Grid 3 Accent 4"/&gt;
  &lt;w:LsdException Locked="false" Priority="70" SemiHidden="false"
   UnhideWhenUsed="false" Name="Dark List Accent 4"/&gt;
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&lt;!--StartFragment--&gt;

&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal"&gt;
&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="line-height: 15.6pt;"&gt;Just days earlier, the alleged grifter was confronted by another Post reporter
on Sixth Avenue in Midtown. Mooching cash from passers-by, he was barefoot and
wearing a sign on his back that read “HOMELESS.”Wetting his thumb and glancing
warily at his few fellow passengers, Hillman, 54, deftly counted out a stack of
bills, placed it on the seat and started counting another as a Post reporter
shot video.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;br /&gt;


&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;Asked about his boots, he replied, “I choose not
to wear shoes” — even though a New Jersey clergyman who has been paying
Hillman’s utility bills said the man owns at least 30 pairs.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;“I have the shoes. People always ask me where are
the shoes? I tell them they’re in the bag,” said Hillman, who apparently wears
shoes to and from home but sheds them for his Midtown homeless act.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;“I choose not to wear the shoes. Is that a crime?
No! My feet haven’t fallen off yet,” the defiant panhandler declared, dragging
a large black garbage bag behind him.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;Asked about the $100 all-weather boots NYPD
Officer Larry DePrimo gave him on Nov. 14 in Times Square, Hillman said he had
hidden them away because “they are worth a lot of money.”&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;Hillman insisted that he never asks anyone for
cash or gifts and that people simply fork the money over when they pass him as
he trudges barefoot through Midtown.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;And he shamelessly admitted he has a place of his
own, despite the hand-lettered sign on his back.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;“I got my own apartment. I cook for myself,” he
said.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;On Sunday, Hillman started counting his haul
shortly after hopping the subway train in Times Square ,and was still counting
as it approached a stop at 152nd Street and Westchester Avenue not far from his
apartment on Prospect Avenue in The Bronx.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;The cash appeared to be mostly singles — but
still added up to several hundred dollars, judging from the size of the pile.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;And, despite his lucrative scam, he insisted he
wasn’t doing anything wrong.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;“I’m not robbing anybody. It’s Wall Street. It’s
the people in these buildings,” he said.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;But the Rev. John Graf of Bedminster, who pays
Hillman’s utility bills and buys him phone cards, said it’s wrong to pull the
wool over people’s eyes.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;“I don’t want him conning me,” said Graf, who has
known Hillman since they were in fourth grade. “He promised me that he wouldn’t
do that.”&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;Graf admitted his buddy has a history of working
the streets.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;“He’s done it 10-plus years. He can make 1,000
bucks a day” even though “he’s got 30 pairs of shoes at home,” he said.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;Hillman — an Army vet and the brother of a
college professor and a church administrator — has rap sheets in New York and
Pennsylvania that stretch back to the early 1980s.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;He was most recently busted in New York City in
2008 for possession of a controlled substance.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;He had a similar drug bust in 2003 and a number
of charges in 2002 for harassment, menacing, criminal mischief, reckless
endangerment, possession of stolen property and resisting arrest.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;In 1998, he was pinched for public lewdness after
allegedly masturbating in front of a crowd in Hamilton Heights.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="background-color: black; border: 1pt none windowtext; padding: 0in;"&gt;DePrimo — who put the boots and socks on
Hillman’s feet himself — could not be reached.&lt;/span&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div class="MsoNormal" style="color: white; text-align: left;"&gt;
&lt;br class="Apple-interchange-newline" /&gt;&lt;span style="background-color: black; color: #cc0000; font-family: arial, sans-serif; font-size: 14px; line-height: 18.578125px;"&gt;rfredericks@nypost.com&lt;/span&gt;&lt;/div&gt;
&lt;!--EndFragment--&gt;&lt;br /&gt;


&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;a data-ved="0CAUQjRw" href="http://www.fishink.us/?p=7877" id="irc_mil" style="border: 0px;"&gt;&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;img height="680" id="irc_mi" src="http://www.fishink.us/wp-content/uploads/2012/07/1aCartoon-BS-Detective.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="457" /&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
&lt;br /&gt;&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/kqi-SMvaOKk" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/7323773080714632366/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-old-twist-on-new-diogenes.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/7323773080714632366?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/7323773080714632366?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/kqi-SMvaOKk/noir-old-twist-on-new-diogenes.html" title="Noir: An Old Twist on The New Diogenes" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-old-twist-on-new-diogenes.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkQER3szfyp7ImA9WhBXEk4.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-366211193326566100</id><published>2013-03-25T13:57:00.001-04:00</published><updated>2013-03-25T13:58:26.587-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-25T13:58:26.587-04:00</app:edited><title>Noir: Sam Roth - Poet, Pirate, Pornographer</title><content type="html">&lt;br /&gt;
&lt;div class="sb_content_image_left sb_add_border" style="overflow: hidden;"&gt;
&lt;div align="left" class="sb_captioned_image" style="float: left; margin-right: 0.5em; padding: 0.5em 0.5em 0.5em 0px;"&gt;
&lt;span style="font-family: Arial, Helvetica, sans-serif; font-size: 13px;"&gt;&lt;span style="border-width: 1px;"&gt;&lt;img alt="" height="204" src="http://members.authorsguild.net/jgertzman/images/SamPoetryBkShop-330.jpg" style="border: 1px solid rgb(0, 0, 0); margin-bottom: 5px;" width="330" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Sam Roth, right, in his Poetry Book Shop in Greenwich Village, 1920&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;Sam Roth’s daughter knew her father was unusual. How many teenagers are told how to respond when an FBI agent, or a process server, comes to the door? What does a pre-teen son or daughter do when a classmate taunts them with “your father’s in jail”? How does a 14- and 16-year old avoid fearing they have betrayed their father while testifying that they worked with him, opening, sealing or addressing packages in his office? Family life revolved around defending him and coping with the reputation which with he had burdened himself and his family. Roth spent about of one-ninth of his adult life behind bars. He was a bold literary “pirate,” issuing unauthorized editions of magnificent sensations such as&amp;nbsp;&lt;i&gt;&lt;b&gt;Ulysses, My Life and Loves,&lt;/b&gt;&lt;/i&gt;&amp;nbsp;and&amp;nbsp;&lt;i&gt;&lt;b&gt;Lady Chatterley’s Lover&lt;/b&gt;&lt;/i&gt;. He was the chief mail order distributor of borderline erotica during the 1940s and 50s. He had been vilified by the literary community of two nations in the 1920s for the Lawrence and Joyce publications. In the absence of an international copyright agreement and because works deemed obscene could not be copyrighted, what Roth did was not illegal. It was in violation of the protocols of mutual fair dealing between publishers and authors. The Ulysses “piracies” got him drummed out of legitimate professional standing in a way that had never before happened: an International Protest signed by over 160 fellow writers. Even more infamous was a book he wrote in a fit of spite at booksellers and lawyers after his bankruptcy in 1933. It was titled&amp;nbsp;&lt;b&gt;&lt;i&gt;Jews Must Live: An Account of the Persecution of the World by Israel on all the Frontiers of Civilization&lt;/i&gt;&amp;nbsp;&lt;/b&gt;(1933), and offered the Nazis a serendipity when they most needed it. A generation later, Roth was again held up to widespread public ridicule, by a Senate investigating committee, Walter Winchell, the FBI, the Post Office, and the legendary New York D. A. Frank Hogan, for supposedly inciting juvenile delinquency by targeting teenagers for his book and magazines.&lt;br /&gt;&lt;br /&gt;He spent nine years in jail on state and federal obscenity convictions. His contribution was exceptional, and not recognized for why it was. The liberalizing first amendment decisions of the 1960s assumed that books published without a prurient intent were literature not obscenity. Roth, on the other hand, prepared people who did not have cultural bona fides, whose motives could not be verified by guardians of culture. As William Burroughs and Henry Miller knew at the time, that was preferable.&lt;br /&gt;&lt;br /&gt;In his youth acknowledged as a promising poet, he returned to this form of very personal expression with his own version of the Psalms of David. Despite the venality and self-aggrandizement, and despite the self-hatred of&amp;nbsp;&lt;i&gt;&lt;b&gt;Jews Must Live&lt;/b&gt;,&lt;/i&gt;&amp;nbsp;he had an intense personal relationship with God and the Hassidic eastern European pre-modern perspective.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;tr valign="top"&gt;&lt;td class="text" style="padding: 0px; vertical-align: top;" width="98%"&gt;&lt;span style="color: #006699;"&gt;&lt;img align="left" hspace="16" src="http://upf.com/jackets/4417.jpg" style="border: 0px none;" vspace="8" /&gt;&lt;/span&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;br /&gt;&lt;span style="background-color: black;"&gt;&lt;b&gt;&lt;a href="http://upf.com/book.asp?id=GERTZ001"&gt;&lt;span style="color: red; font-size: large;"&gt;Samuel Roth INFAMOUS MODERNIST&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: white;"&gt;By Jay A. Gertzman&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: white;"&gt;University Press of Florida&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white; font-family: Courier New, Courier, monospace;"&gt;&lt;br /&gt;TABLE OF CONTENTS&lt;br /&gt;&lt;br /&gt;Preface&lt;br /&gt;&lt;br /&gt;One: 1893-1916: From a Galician Shtetl to Columbia University&lt;br /&gt;&lt;br /&gt;Two: 1917-1925: Prelude to an International Protest: A Rising, Pugnacious Man of Letters&lt;br /&gt;&lt;br /&gt;Three: 1925-27: “Damn his impertinence. Bloody Crook”: Roth Publishes Joyce&lt;br /&gt;&lt;br /&gt;Four: 1928-34: Roth Must Live: A Successful Business and Its Bankruptcy&lt;br /&gt;&lt;br /&gt;Five : 1934: Jews Must Live. “We Meet Our Destiny on the Road We Take To Avoid It”&lt;br /&gt;&lt;br /&gt;Six 1934-39: A Stretch in the Federal Penitentiary&lt;br /&gt;&lt;br /&gt;Seven: 1940-1949: Roth Breaks Parole, Uncovers a Nazi Plot, Gives “Dame Post Office” Fits, and Tells His Own Story in Mail Order Advertising Copy&lt;br /&gt;&lt;br /&gt;Eight: 1949-1952: Times Square, Peggy Roth, Southern Gothic, Celine, and Nietzsche (pp.462-512)&lt;br /&gt;&lt;br /&gt;Nine: 1952-57: The Windsors, Winchell, Kefauver: Back to Lewisburg&lt;br /&gt;&lt;br /&gt;Ten: 1958-74: “It Had Been a Long Time since Someone Like You Had Appeared In the World”: Roth Fulfills his Mission&lt;br /&gt;&lt;br /&gt;Appendix: Samuel Roth’s Imprints and Business Names&lt;br /&gt;&lt;br /&gt;Bibliography&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="font-family: Courier New, Courier, monospace;"&gt;&lt;span style="color: white;"&gt;The first deeply researched and sustained biographical treatment of a man who has become recognized as a significant figure in American publishing, transatlantic modernism, and the development of obscenity law. Gertzman’s wide-ranging knowledge of Roth and the startlingly diverse contexts in which he lived and worked makes this a penetrating and unsurpassed portrait not only of Roth but of the country he inhabited."--Robert Spoo, coeditor of&amp;nbsp;&lt;/span&gt;&lt;i style="color: white;"&gt;Ezra and Dorothy Pound: Letters in Captivity, 1945-1946&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: white;"&gt;"Gertzman is to be commended for braiding together so many underappreciated strands of twentieth-century literary, legal, and cultural history."--Paul K. Saint-Amour, editor of&amp;nbsp;&lt;/span&gt;&lt;i style="color: white;"&gt;Modernism and Copyright&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: white;"&gt;Samuel Roth is known to most literary scholars as a bold literary "pirate" for issuing unauthorized editions of modernist sensations, including&amp;nbsp;&lt;/span&gt;&lt;i style="color: white;"&gt;Ulysses&lt;/i&gt;&lt;span style="color: white;"&gt;&amp;nbsp;and&amp;nbsp;&lt;/span&gt;&lt;i style="color: white;"&gt;Lady Chatterley’s Lover&lt;/i&gt;&lt;span style="color: white;"&gt;.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: white;"&gt;In the absence of an international copyright agreement and because works deemed obscene could not be copyrighted, what he did was not illegal. But it did violate the protocols of mutual fair dealing between publishers and authors. Those publications provoked an unprecedented international protest of writers, publishers, and intellectuals, who eventually vilified Roth on two continents.&lt;/span&gt;&lt;br /&gt;&lt;span style="color: white;"&gt;Roth was a man with an uncanny ability to recognize good contemporary writing and make it accessible to popular audiences. Ultimately, his dedication to the publication of these works broke down many of the censorship laws of the time, though he suffered greatly for his efforts. His story portrays a struggle with literary censorship in the mid-twentieth century while providing insights into how modernism was marketed in America.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color: yellow;"&gt;&lt;b&gt;Jay A. Gertzman&lt;/b&gt;, professor emeritus of English at Mansfield University, is author of three books, including&amp;nbsp;&lt;i&gt;Bookleggers and Smuthounds: The Trade in Erotica, 1920-1940&lt;/i&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/PHIEwIr6w_M" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/366211193326566100/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-sam-roth-poet-pirate-pornagrapher.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/366211193326566100?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/366211193326566100?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/PHIEwIr6w_M/noir-sam-roth-poet-pirate-pornagrapher.html" title="Noir: Sam Roth - Poet, Pirate, Pornographer" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-sam-roth-poet-pirate-pornagrapher.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DUcEQ3kzfyp7ImA9WhBXEU4.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-6982431490544575152</id><published>2013-03-24T10:56:00.001-04:00</published><updated>2013-03-24T10:56:42.787-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-24T10:56:42.787-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="NOIR RIOT" /><title>NOIR RIOT</title><content type="html">&lt;div style="text-align: center;"&gt;
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&lt;span style="color: yellow; font-family: Verdana, sans-serif;"&gt;&lt;b&gt;coming to NoirCon 2014!&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/0rEi9n4JFv0" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/6982431490544575152/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-riot.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6982431490544575152?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/6982431490544575152?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/0rEi9n4JFv0/noir-riot.html" title="NOIR RIOT" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-riot.html</feedburner:origLink></entry><entry gd:etag="W/&quot;CEcMSX45fyp7ImA9WhBXEEg.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-3052508512984255158</id><published>2013-03-23T11:21:00.000-04:00</published><updated>2013-03-23T11:21:28.027-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-23T11:21:28.027-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Mary Perry Stone" /><title>Noir: Mary Perry Stone "All For Money"</title><content type="html">&lt;div style="text-align: center;"&gt;
&lt;iframe allowfullscreen="" frameborder="0" height="315" src="http://www.youtube.com/embed/uA9cjww3hAY" width="560"&gt;&lt;/iframe&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;br /&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;The Evil of the 1930s told on a single canvas.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;If you abhor injustice, greed and inhumanity,&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;b&gt;&amp;nbsp;do not miss the work of Mary Perry Stone.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-size: large;"&gt;&lt;b&gt;&lt;br /&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="color: red; font-size: x-large;"&gt;&lt;b&gt;&lt;a href="http://www.maryperrystone.com/"&gt;www.maryperrystone.com&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/Bht0jNZnCko" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/3052508512984255158/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-mary-perry-stone-all-for-money.html#comment-form" title="1 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3052508512984255158?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/3052508512984255158?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/Bht0jNZnCko/noir-mary-perry-stone-all-for-money.html" title="Noir: Mary Perry Stone &quot;All For Money&quot;" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://img.youtube.com/vi/uA9cjww3hAY/default.jpg" height="72" width="72" /><thr:total>1</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-mary-perry-stone-all-for-money.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkQDR3s8fyp7ImA9WhBQFkg.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-5179167592417065296</id><published>2013-03-18T20:52:00.001-04:00</published><updated>2013-03-18T20:52:56.577-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-18T20:52:56.577-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="Brothers Bound in Crime in the City of Brotherly Love" /><title>Noir:  Brothers Bound in Crime in the City of Brotherly Love</title><content type="html">&lt;br /&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;Meet the &lt;b&gt;Brothers Wishnia&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;at&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&lt;a href="http://www.woodenshoebooks.com/"&gt;&lt;span style="color: red;"&gt;&lt;b&gt;WOODEN SHOE BOOKS &amp;amp; RECORDS&lt;/b&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;&amp;nbsp;&amp;nbsp;704 South Street, Philadelphia, PA&lt;/span&gt;&lt;/div&gt;
&lt;div style="text-align: center;"&gt;
&lt;span style="font-size: large;"&gt;on Thursday, March 28th at 7:30 PM&lt;/span&gt;&lt;/div&gt;
&lt;a data-ved="0CAUQjRw" href="http://www.flickr.com/photos/brooklynbookfestival09/7302155728/" id="irc_mil" style="border: 0px; text-align: center;"&gt;&lt;img height="480" id="irc_mi" src="http://farm8.staticflickr.com/7096/7302155728_38e90c1787_z.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 60px;" width="640" /&gt;&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Steven Wishnia - author of &lt;/span&gt;&lt;span style="background-color: black; color: red; font-family: Courier New, Courier, monospace; font-size: large;"&gt;&lt;b&gt;WHEN THE DRUMMING STOPS&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;div style="font-size: small;"&gt;
&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;Bass player and rapidly aging punk rocker Underend Vicodini is an unlikely hero. He loves New York City like nobody's business but does it still love him despite his lack of affluence and influence? His former band, The Gutter Astronomers, was riding high in the 1980s, releasing albums and touring across the country playing to packed nightclubs filled with eager fans, but the Great Recession finds the band members middle-aged and struggling not to drown in the seas of gentrification and disillusion. When lead singer Mickey gets an offer to reunite the band, he jumps at it. But can the old bandmates overcome their acrimonious break up? Can they get back into it without shredding their lives? Can Underend Vicodini find inner peace and, more importantly, a reasonably priced apartment below 14th Street or in Brooklyn?&lt;/span&gt;&lt;/div&gt;
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&lt;a data-ved="0CAUQjRw" href="http://www.brooklynrail.org/2012/12/local/when-the-drumming-stops" id="irc_mil" style="border: 0px; clear: right; float: right; font-family: Times; font-size: medium; margin-bottom: 1em; margin-left: 1em; outline: rgb(0, 0, 0); text-align: center;"&gt;&lt;img height="600" id="irc_mi" src="http://www.brooklynrail.org/article_image/image/10493/wishnia-web1.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 40px;" width="388" /&gt;&lt;/a&gt;&lt;/div&gt;
&lt;span style="background-color: black; color: yellow; font-family: Courier New, Courier, monospace;"&gt;&lt;b&gt;Steven Wishnia&lt;/b&gt;&amp;nbsp;is a New York-based musician and journalist. Born on the Lower East Side, he grew up in Brooklyn, New England, Edinburgh, and Long Island. He has played in numerous bands, including the False Prophets, an eclectic punk group that recorded two albums released by Alternative Tentacles. After the False Prophets broke up in 1987, he earned an MA at New York University's School of Journalism, writing for failing newspapers before working for many years as news editor at&amp;nbsp;&lt;i&gt;High Times&lt;/i&gt;. Recipient of two New York City Independent Press Association awards, he currently works as a freelance writer and editor, most often for AlterNet.org and&lt;i&gt;Junior Scholastic&lt;/i&gt;, and often performs musically with artist Mac McGill.&lt;/span&gt;&lt;br /&gt;
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&lt;a data-ved="0CAUQjRw" href="http://noveladventurers.blogspot.com/2011/04/off-beaten-track-solving-passover.html" id="irc_mil" style="border: 0px; text-align: center;"&gt;&lt;img height="600" id="irc_mi" src="http://4.bp.blogspot.com/-P7W7V6CmsIc/TaZjrrN-rMI/AAAAAAAAAJ8/vWee4Gijxm8/s1600/KenW_draftpile%255B1%255D.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="450" /&gt;&lt;/a&gt;&lt;br /&gt;
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&lt;span style="background-color: black; color: white;"&gt;Kenneth Wishnia - author of &lt;/span&gt;&lt;span style="background-color: black; color: red; font-size: large;"&gt;&lt;b&gt;23 SHADES OF BLACK&lt;/b&gt;&lt;/span&gt;&lt;span style="background-color: black; color: white;"&gt; and &lt;/span&gt;&lt;span style="background-color: black; color: red; font-size: large;"&gt;&lt;b&gt;THE FIFTH SERVANT&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
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&lt;a data-ved="0CAUQjRw" href="https://www.google.com/url?sa=i&amp;amp;rct=j&amp;amp;q=&amp;amp;esrc=s&amp;amp;source=images&amp;amp;cd=&amp;amp;docid=Kpbur-a3tLOXPM&amp;amp;tbnid=cVQU1lIRPX4L7M:&amp;amp;ved=0CAUQjRw&amp;amp;url=http%3A%2F%2Fopionator.wordpress.com%2F2012%2F07%2F01%2F23-shades-of-black-by-kenneth-wishnia%2F&amp;amp;ei=c7VHUZvxHMmS0QHb8IDwAw&amp;amp;bvm=bv.43828540,d.dmg&amp;amp;psig=AFQjCNGNPocv455C6wbylBudsQPckXN3LQ&amp;amp;ust=1363740393392812" id="irc_mil" style="border: 0px; display: inline !important; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="580" id="irc_mi" src="http://opionator.files.wordpress.com/2012/06/23-shades-of-black1.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 50px;" width="363" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;NYPD cop Filomena Buscarsela has pretty much seen it all in her five years on the force. But after she recognizes the victim of a fatal toxic leak, her instincts tell her that something is not what it seems to be. From her run-down Spanish Harlem apartment to the way-out clubs of the Lower East Side, Filomena's investigation leads her to suspect that a group of high-powered corporate executives has turned to murder as a way to protect its bottom line. 23 SHADES OF BLACK is K. j. a. Wishnia's first novel featuring Filomena Buscarsela.&amp;nbsp;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;The Minneapolis Star-Tribune called this "One of the most distinctive series in mystery fiction.." "Filomena Buscarsela [is] a Latina heroine with the epic appeal of Everywoman. . . . The world's a mess, but Filomena's still fighting. It's that perspective that sets Wishnia apart-there's nothing else out there remotely like his books." Rocky Mountain News&lt;/span&gt;&lt;/div&gt;
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&lt;a data-ved="0CAUQjRw" href="http://michelelang.com/2010/05/27/the-real-golems-of-prague-interview-with-kenneth-wishnia/" id="irc_mil" style="border: 0px; margin-left: 1em; margin-right: 1em; text-align: center;"&gt;&lt;img height="680" id="irc_mi" src="http://michelelang.com/wp-content/uploads/2010/05/Fifth-Servant-hc-c1.jpg" style="-webkit-box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; background-color: white; border: 0px; box-shadow: rgba(0, 0, 0, 0.65098) 0px 5px 35px; margin-top: 0px;" width="450" /&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; font-family: Courier New, Courier, monospace;"&gt;In 1592, Prague is a relatively safe refuge for Jews who live within the gated walls of its ghetto. But the peace is threatened when a young Christian girl is found with her throat slashed in a Jewish shop on the eve of Passover. Charged with blood libel, the shopkeeper and his family are arrested, and all that stands in the way of a rabid Christian mob is a clever Talmudic scholar, newly arrived from Poland, named Benyamin Ben-Akiva. Granted just three days to bring the true killer to justice—hampered by rabbinic law, with no allies or connections, and only his wits, knowledge, and faith to guide him—Benyamin sets off on a desperate search for answers. Following a twisting trail from the streets to the shul, from the forbidden back rooms of a ghetto brothel to the emperor Rudolf II's lavish palace, he will dare the impossible—and commit the unthinkable—to save the Jews of Prague . . . and himself.&lt;/span&gt;&lt;/div&gt;
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&lt;a href="" id="productPromotions" name="productPromotions" style="background-color: white; font-family: verdana, arial, helvetica, sans-serif; font-size: small; text-align: start;"&gt;&lt;/a&gt;&lt;span style="background-color: white; font-family: verdana, arial, helvetica, sans-serif; font-size: x-small; text-align: start;"&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;img src="http://feeds.feedburner.com/~r/Noircon/~4/SIdhOcNlVXw" height="1" width="1"/&gt;</content><link rel="replies" type="application/atom+xml" href="http://www.noircon.info/feeds/5179167592417065296/comments/default" title="Post Comments" /><link rel="replies" type="text/html" href="http://www.noircon.info/2013/03/noir-brothers-bound-in-crime-in-city-of.html#comment-form" title="0 Comments" /><link rel="edit" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/5179167592417065296?v=2" /><link rel="self" type="application/atom+xml" href="http://www.blogger.com/feeds/7998684202437858416/posts/default/5179167592417065296?v=2" /><link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/Noircon/~3/SIdhOcNlVXw/noir-brothers-bound-in-crime-in-city-of.html" title="Noir:  Brothers Bound in Crime in the City of Brotherly Love" /><author><name>Lou Boxer</name><uri>https://plus.google.com/111434112391571944678</uri><email>noreply@blogger.com</email><gd:image rel="http://schemas.google.com/g/2005#thumbnail" width="32" height="32" src="//lh3.googleusercontent.com/-AfmHoNOnsD0/AAAAAAAAAAI/AAAAAAAAAAA/B-huGLCnlOQ/s512-c/photo.jpg" /></author><media:thumbnail xmlns:media="http://search.yahoo.com/mrss/" url="http://4.bp.blogspot.com/-P7W7V6CmsIc/TaZjrrN-rMI/AAAAAAAAAJ8/vWee4Gijxm8/s72-c/KenW_draftpile%255B1%255D.jpg" height="72" width="72" /><thr:total>0</thr:total><feedburner:origLink>http://www.noircon.info/2013/03/noir-brothers-bound-in-crime-in-city-of.html</feedburner:origLink></entry><entry gd:etag="W/&quot;DkMAQn84fSp7ImA9WhBRGU8.&quot;"><id>tag:blogger.com,1999:blog-7998684202437858416.post-2093708641951596073</id><published>2013-03-10T10:07:00.000-04:00</published><updated>2013-03-10T10:07:23.135-04:00</updated><app:edited xmlns:app="http://www.w3.org/2007/app">2013-03-10T10:07:23.135-04:00</app:edited><category scheme="http://www.blogger.com/atom/ns#" term="The Monkey's Paw haunts Toronto" /><title>Noir: The Monkey's Paw haunts Toronto</title><content type="html">&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;
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&lt;span class="timestamp published" style="display: block; font-family: arial, helvetica, sans-serif; font-size: 0.829em; font-weight: bold; margin-bottom: 10px; margin-top: 15px; text-transform: uppercase;" title="2013-03-07T16:00:58+00:00"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;MARCH 7, 2013,&amp;nbsp;4:00 PM&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="timestamp published" style="display: block; font-family: arial, helvetica, sans-serif; font-size: 0.829em; font-weight: bold; margin-bottom: 10px; margin-top: 15px; text-transform: uppercase;" title="2013-03-07T16:00:58+00:00"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="timestamp published" style="display: block; font-family: arial, helvetica, sans-serif; font-size: 0.829em; font-weight: bold; margin-bottom: 10px; margin-top: 15px; text-transform: uppercase;" title="2013-03-07T16:00:58+00:00"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;img alt="The Monkey’s Paw owner Stephen Fowler, with an atlas of Korea published in 1967." height="395" id="100000002080124" src="http://graphics8.nytimes.com/images/2013/03/10/t-magazine/10arena-monkey1/10arena-monkey1-tmagArticle.jpg" style="font-size: 10px; font-weight: normal; line-height: 15px; text-transform: none;" width="592" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="credit" style="display: block; font-size: 1.1em; font-style: italic; font-weight: normal; line-height: 1.2727em; margin-bottom: 3px; margin-top: 8px; text-align: right; text-transform: none;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Andrew Rowat&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="caption" style="background-color: black; color: white; font-size: 1.1em; font-weight: normal; line-height: 1.2727em; margin-bottom: 0px; text-transform: none;"&gt;The Monkey’s Paw owner Stephen Fowler, with an atlas of Korea published in 1967.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
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An Oddly Modern Antiquarian Bookshop&lt;/span&gt;&lt;/span&gt;&lt;/h3&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;
By&amp;nbsp;&lt;a class="url fn" href="http://tmagazine.blogs.nytimes.com/author/jody-rosen/" style="text-decoration: none; text-transform: uppercase;" title="See all posts by JODY ROSEN"&gt;JODY ROSEN&lt;/a&gt;&lt;/span&gt;&lt;/span&gt;&lt;/address&gt;
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&lt;em style="background-color: black;"&gt;&lt;span style="color: white;"&gt;A tiny shop in Toronto, specializing in the arcane and the absurd, may just be publishing’s great new hope.&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;In the late 1930s, the Women’s Printing Society, in London, published a slim book with a curious title: “Life-Spark Stories for the Intelligent Young.” Attributed to the author “R. K.,” it tells the story of a “bright little Life-Spark living in the heart of the great Lord-King of the Sun,” who comes down to earth and embarks on a series of adventures. The Life-Spark meets Mother Earth, Nurse Destiny and other deities; it changes form, inhabiting various plants and animals — a pansy, a dog named Gipsie, a little boy. The book is an unusual literary hybrid, an illustrated children’s story and an occult tract:&amp;nbsp;&lt;a href="http://www.amazon.com/Harold-Purple-Crayon-Anniversary-Books/dp/0064430227" style="text-decoration: none;"&gt;“Harold and the Purple Crayon”&lt;/a&gt;&amp;nbsp;meets&amp;nbsp;&lt;a href="http://www.nytimes.com/books/99/08/01/bib/990801.rv095127.html" style="text-decoration: none;"&gt;Aleister Crowley&lt;/a&gt;. To be precise, it’s a work of theosophy, offering lessons in karma, reincarnation and other precepts of that esoteric spiritual movement to its intelligent young readers.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;This little hardbound edition of “Life-Spark Stories” isn’t just weird — it is exceptionally rare. You won’t find a copy in Barnes &amp;amp; Noble; it’s not in the catalog of the Library of Congress or the British Library. “Let me put it this way,” says Stephen Fowler, owner of&amp;nbsp;&lt;a href="http://www.monkeyspaw.com/" style="text-decoration: none;"&gt;the Monkey’s Paw bookshop&lt;/a&gt;. “This book is more rare than a Gutenberg Bible. It’s more rare than Shakespeare’s first folio. If you want to see a first folio of Shakespeare, you can just go to the Huntington Library and see one. But where can you go to see this book?”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;You can go to Fowler’s shop. The Monkey’s Paw specializes in oddities like “Life-Spark Stories”: printed matter that has fallen between history’s cracks and eluded even Google Books’ all-seeing eye. There are Victorian etiquette handbooks, antique sex manuals, obscure scientific treatises. There are forgotten 19th-century travelogues with sumptuous chromolithographs and leather-bound correspondence courses on fingerprinting. There are medical books (“Hewat’s Examination of the Urine”), how-to guides (“Safety in Police Pursuit Driving”) and historical studies: “Drug Adulteration: Detection and Control in 19th-Century Britain,” “The Water Closet: A New History,” “The Puppet Theatre in Czechoslovakia.” There are books whose accidentally poetic titles alone are worth the asking price: “Prospecting for Uranium,” “Magnetic Removal of Foreign Bodies,” “South Australia From Space.” A sign in the Monkey’s Paw window dryly sums up the inventory: “Old &amp;amp; Unusual.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="font-family: Georgia, serif;"&gt;&lt;span style="background-color: black; color: white; line-height: 22px;"&gt;&lt;a href="http://vimeo.com/53679084"&gt;The BIBLIO-MAT&lt;/a&gt; from &lt;a href="http://vimeo.com/user3727494"&gt;Craig Small&lt;/a&gt; on &lt;a href="http://vimeo.com/"&gt;Vimeo&lt;/a&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;“This isn’t the store where you’ll find the book you were looking for,” Fowler says. “It’s the store where you’ll find the book you didn’t know you were looking for.” You may find something else surprising at the Monkey’s Paw, too: a glimpse of the future, a way forward for the old-fashioned bookstore in the age of the iPhone and the e-book.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-family: Georgia, serif; font-size: small; line-height: 1.375em;"&gt;&lt;span style="color: white;"&gt;&lt;img alt="The Monkey’s Paw." height="395" id="100000002080128" src="http://graphics8.nytimes.com/images/2013/03/10/t-magazine/10arena-monkey2/10arena-monkey2-tmagArticle.jpg" style="font-family: arial, helvetica, sans-serif; font-size: 10px; line-height: 15px;" width="592" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="credit" style="display: block; font-family: arial, helvetica, sans-serif; font-size: 1.1em; font-style: italic; line-height: 1.2727em; margin-bottom: 3px; margin-top: 8px; text-align: right;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: red;"&gt;Andrew Rowat&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="caption" style="color: lime; font-family: arial, helvetica, sans-serif; font-size: large; line-height: 1.2727em; margin-bottom: 0px;"&gt;&lt;b style="background-color: black;"&gt;The Monkey’s Paw.&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; color: lime; font-size: large;"&gt;&lt;span style="font-family: arial, helvetica, sans-serif;"&gt;&lt;span style="line-height: 22.39583396911621px;"&gt;&lt;b&gt;1229 Dundas St. West,&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;b style="font-family: arial, helvetica, sans-serif; line-height: 22.39583396911621px;"&gt;Toronto, ON M6J 1X6&amp;nbsp;&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;
&lt;b style="font-family: arial, helvetica, sans-serif; line-height: 22.39583396911621px;"&gt;&lt;span style="background-color: black; color: lime; font-size: large;"&gt;416.531.2123&lt;/span&gt;&lt;/b&gt;&lt;br /&gt;
&lt;span style="color: lime; font-family: arial, helvetica, sans-serif; font-size: large;"&gt;&lt;span style="background-color: black; line-height: 22.39583396911621px;"&gt;&lt;b&gt;wish@monkeyspaw.com&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style="background-color: black; line-height: 22.39583396911621px;"&gt;&lt;span style="color: cyan; font-family: arial, helvetica, sans-serif; font-size: large;"&gt;&lt;b&gt;&lt;a href="http://www.monkeyspaw.com/"&gt;&lt;span style="color: cyan;"&gt;www.monkeyspaw.com&lt;/span&gt;&lt;/a&gt;&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
&lt;div style="font-family: Georgia, serif; font-size: medium; line-height: 1.375em; margin-bottom: 0.7em; padding: 0px;"&gt;
&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;The Monkey’s Paw occupies a small storefront next to a coin-operated laundromat on a rambling commercial strip a couple of miles from Toronto’s downtown center. It’s a narrow 500-square-foot space, lined with dark wooden bookshelves and display cases. There are Oriental rugs underfoot; overhead, rickety ceiling fans whir. In 2013, the publishing industry is locked in a permanent state of crisis, and the desperation of booksellers is palpable; even fine used-book stores are hocking scented candles and chai lattes alongside old hardcovers. The Monkey’s Paw is a throwback. It feels like something out of Charles Dickens’s London — a Victorian British bookshop, teleported to 21st-century Canada.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;“You have these hip 26-year-old downtown Toronto kids — they’ve actually literally never been to a bookshop,” Fowler says. “They come here and they’re like: ‘It reminds of a scene in “Harry Potter.” ‘ My wife put it nicely: the Monkey’s Paw is like someone’s idea of a bookshop.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; font-size: small;"&gt;&lt;span style="color: white;"&gt;&lt;img alt="‘‘Magnetic Removal of Foreign Bodies’’ by Dr. Murdock Equen, published in 1957; a series of 1920s mail-order Little Blue Books." height="489" id="100000002080135" src="http://graphics8.nytimes.com/images/2013/03/10/t-magazine/10arena-monkey3/10arena-monkey3-tmagSF.jpg" style="font-family: arial, helvetica, sans-serif; font-size: 10px; line-height: 15px;" width="362" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="credit" style="display: block; font-family: arial, helvetica, sans-serif; font-style: italic; line-height: 1.2727em; margin-bottom: 3px; margin-top: 8px; text-align: right;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: red; font-size: x-small;"&gt;&lt;b&gt;Andrew Rowat&lt;/b&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="caption" style="background-color: black; color: red; font-family: arial, helvetica, sans-serif; font-size: x-small; line-height: 1.2727em; margin-bottom: 0px;"&gt;&lt;b&gt;‘‘Magnetic Removal of Foreign Bodies’’ by Dr. Murdock Equen, published in 1957; a series of 1920s mail-order Little Blue Books.&lt;/b&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;You could also say that the Monkey’s Paw is an idea masquerading as a bookshop. It’s a cross between a retail establishment and a conceptual art installation, which upends traditional book-trade values and views the literary canon through a cracked lens. It’s a bookstore that argues that bookstores are, by definition, Dickensian old curiosity shops. “Most booksellers can’t adjust to the postprint era,” Fowler says. “The only way to sell books in the 21st-century is as artifacts. I’m a 20th-century person myself, but with Monkey’s Paw, I’ve tried to adapt. This place is a church of print. It’s just that the old rules are a bit scrambled.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Fowler, 48, knows those rules well. He dropped out of college at age 18 and moved from his native Kansas City to San Francisco, intending to become a poet. Instead, he got a job at Albatross Book Company, a used-book store in the Tenderloin. Fowler has stayed in the book trade ever since. He eventually relocated to Toronto with his Canadian wife, and in 2006 opened the Monkey’s Paw on a shoestring. “I’m not qualified to do anything besides sell books. I don’t have a résumé. I don’t have an education,” he says.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Fowler looks the part of a bookseller. He wears brown corduroy blazers and checkered shirts, buttoned to the top; he twists the tips of his mustache into little handlebars. The look is quaint, but in the antiquarian book world, Fowler is a renegade and innovator.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Historically, booksellers have selected their stock for its salability, and, in the more rarefied end of the trade, for its intellectual prestige and first-edition pedigree. But few of Fowler’s books have prestige or traditional market value; the Monkey’s Paw books are rarities, but almost none qualify as “rare books,” or command rare-book prices. “I look for books that speak to me,” he says. “Interesting treatments of unusual subjects. Books that marry substance and artifact value in a pleasing way. It’s hard to describe or quantify, but I know a Monkey’s Paw book when I see one — a book-object that possesses a certain magnetism.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Fowler has other curatorial rules of thumb. He boils down the Monkey’s Paw formula to a cheeky acronym, B.A.M.A. — beautiful, arcane, macabre, absurd — and his definitions of those terms are expansive. (“If a book exudes an aura of tragic nostalgia or irretrievable loss, I consider it macabre. I remember an Avon products catalog from the 1940s. It was printed in fading pastel colors, and still had the scent of powdery old-lady perfume. The book’s presence was just eerie — it conjured up a long-dead Avon lady in the doorway.”) Another dictum: most books are nonfiction, the more specific the nonfiction book, the better. A general survey of British history is not an interesting book. A history of transportation in England: better. A monograph on Elizabethan toll roads in Kent? That’s a Monkey’s Paw book.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;The result, packed into the store’s shelves, is a dizzying jumble of titles, genres, eras, ideas. Fowler arranges his displays to accentuate dissonance. An outdated work of political philosophy sits beside an edition of Sherlock Holmes written in Pitman shorthand and a trippy 1970s book about holograms. It’s a transfixing, bewildering mix. In 2013, it is also familiar. The book industry is under siege by digital technology, but the Monkey’s Paw has made peace with the Internet — has, in its dowdy analog way, replicated it.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;“The experience of Web browsing makes it possible for a shop like this to exist,” Fowler says. “The randomness of the book displays, they’re like the Web — masses of unrelated information popping up next to each other, their context pretty much wiped out. Basically, the Monkey’s Paw is a celebration of old print culture, presented in way that resonates with digital-age people.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Recently, Fowler unveiled his splashiest experiment in randomization. In the rear of the Monkey’s Paw, you’ll find the Biblio-Mat, a vending machine the size of an industrial refrigerator, created for Fowler by the designer Craig Small. A customer drops a Canadian $2 coin into a slot; the Biblio-Mat makes a buzzing noise, a bell rings, and out pops a book. Fowler calls it the “the iPod shuffle of books.” But behind the stunt, there is a theory: the idea that the most marginal books can offer the pleasure, the value, we associate with canonical literature.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;&lt;img alt="Clockwise from right: Fowler’s one-of-a-kind Biblio-Mat; medical and criminal justice books published circa 1960s by Charles C. Thomas; a display of vintage Penguin paperbacks." height="395" id="100000002080149" src="http://graphics8.nytimes.com/images/2013/03/10/t-magazine/10arena-monkey4/10arena-monkey4-tmagArticle.jpg" width="592" /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="credit" style="display: block; font-size: 1.1em; font-style: italic; line-height: 1.2727em; margin-bottom: 3px; margin-top: 8px; text-align: right;"&gt;&lt;span style="background-color: black;"&gt;&lt;span style="color: red;"&gt;Andrew Rowat&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span class="caption" style="background-color: black; color: red; font-size: 1.1em; line-height: 1.2727em; margin-bottom: 0px;"&gt;Clockwise from right: Fowler’s one-of-a-kind Biblio-Mat; medical and criminal justice books published circa 1960s by Charles C. Thomas; a display of vintage Penguin paperbacks.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black; color: white; line-height: 1.375em;"&gt;“Traditionally, the job of a learned bookseller was to preserve the important printed documents of his culture,” he says. “But we have libraries that are the repositories of those books, and they’ve all been scanned by Google.” If there’s an “important” book in any field, Fowler adds, it’s been saved.&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Fowler grabs a book off the pile on his desk: “Elixir of Life,” published in 1935. “This isn’t about the elixir of life,” he says. “This book is about preventing constipation. To a librarian, a bookseller, this book was dross. But now that print is no longer the center of our culture — now that culture is on my iPhone — we can step back and really see print. And you know what? ‘Elixir of Life’ might say as much about American culture, and attitudes towards health and the body, as anything published in 1935.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Spend a day at the Monkey’s Paw and it’s hard not to be seduced by Fowler’s vision. One chronicler of bibliophilia put it well: “A glance at the backs of the books which lie so untidily on top of each other shows that an old novel of Sir Gilbert Parker is next to the Temperance Almanack for 1879, which evidently finds itself uncomfortably close to its other neighbor, an out-of-date textbook on brewing. . . . Here and there will be some little volumes which may prove a treasure to one man, even though to the rest of his fellows it may be quite useless.”&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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&lt;span style="background-color: black;"&gt;&lt;span style="color: white;"&gt;Those sentences could be describing the scene at Fowler’s shop. In fact, they were written a half century ago by Robert L. Collison in “Book Collecting: An Introduction to Modern Methods of Literary and Bibliographical Detection” (Ernest Benn Limited; London, 1957). You can buy the book at the Monkey’s Paw, for $25.&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;
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