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    <title>obvious</title>
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   <id>tag:obviousmag.org,2011://2</id>
    <updated>2012-06-01T04:30:55Z</updated>
    <subtitle>Um olhar mais demorado...</subtitle>
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	    		<title><![CDATA[Occupy this Álbum: música para protestar]]></title>
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				<id>tag:obviousmag.org,2012://71.1762</id>
				<published>2012-05-31T19:00:55Z</published>
   	 		<updated>2012-05-31T19:00:55Z</updated>
   	 		<author>
	   	     		<name>Mariana Keller</name>
					<uri>http://lounge.obviousmag.org/memorias_do_subsolo/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/memorias_do_subsolo/2012/05/occupy-this-album-musica-para-protestar.html"&gt;&lt;img src="http://lounge.obviousmag.org/memorias_do_subsolo/assets_c/2012/05/occupy-this-album%202-thumb-400x400-14905.jpeg" title="Occupy this Álbum: música para protestar"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Uma seleção de músicas para quem luta por mudança.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/memorias_do_subsolo/2012/05/occupy-this-album-musica-para-protestar.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/memorias_do_subsolo/2012/05/occupy-this-album-musica-para-protestar.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Hilda Hilst a poetisa transgressora]]></title>
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				<id>tag:obviousmag.org,2012://176.1761</id>
				<published>2012-05-31T16:00:57Z</published>
   	 		<updated>2012-05-31T16:00:57Z</updated>
   	 		<author>
	   	     		<name>Eli Boscatto</name>
					<uri>http://lounge.obviousmag.org/por_tras_do_espelho/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/hilda-hilst-a-poetisa-transgressora.html"&gt;&lt;img src="http://lounge.obviousmag.org/por_tras_do_espelho/assets_c/2012/05/HILDA%20%281%29-thumb-400x400-14896.jpg" title="Hilda Hilst a poetisa transgressora"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A poesia doce e ácida, sagrada e profana de Hilda Hilst. &lt;br /&gt;
Hilda, sempre questionadora, em notas manuscritas, pergunta-se: “O que é obsceno? Obsceno?  Ninguém sabe até hoje o que é obsceno. Obsceno para mim é a miséria, a fome, a crueldade, a nossa época é obscena.”&lt;br /&gt;
&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/hilda-hilst-a-poetisa-transgressora.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Os Sonhos: Uma fonte primordial para energia criativa de David Lynch]]></title>
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				<id>tag:obviousmag.org,2012://246.1760</id>
				<published>2012-05-31T16:00:57Z</published>
   	 		<updated>2012-05-31T16:00:57Z</updated>
   	 		<author>
	   	     		<name>Amanda Maciel Antunes</name>
					<uri>http://lounge.obviousmag.org/dossier/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/dossier/2012/05/os-sonhos-uma-fonte-primordial-para-energia-criativa-de-david-lynch.html"&gt;&lt;img src="http://lounge.obviousmag.org/dossier/assets_c/2012/05/david-lynch-by-mondino-thumb-400x400-14891.jpg" title="Os Sonhos: Uma fonte primordial para energia criativa de David Lynch"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A influência dos sonhos e o cinema de David Lynch, concentrando em Mulholland Drive (2001) e Lost Highway (1997). O imaginário do inconsciente e sua arte auto-indulgente de se comunicar com o público.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/dossier/2012/05/os-sonhos-uma-fonte-primordial-para-energia-criativa-de-david-lynch.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/dossier/2012/05/os-sonhos-uma-fonte-primordial-para-energia-criativa-de-david-lynch.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[A música, do gravador de rolo ao Pro-tools]]></title>
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				<id>tag:obviousmag.org,2012://254.1759</id>
				<published>2012-05-31T16:00:57Z</published>
   	 		<updated>2012-05-31T16:00:57Z</updated>
   	 		<author>
	   	     		<name>Sandro Marcos</name>
					<uri>http://lounge.obviousmag.org/encruzilhada/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/encruzilhada/2012/05/do-gravador-de-rolo-ao-pro-tools.html"&gt;&lt;img src="http://lounge.obviousmag.org/encruzilhada/assets_c/2012/05/classic3abbeyroadstud.l-thumb-400x400-14879.jpg" title="A música, do gravador de rolo ao Pro-tools"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Um panorama sobre a evolução dos métodos de gravação da música, sua popularização e a consequente multiplicação de artistas nos dias de hoje. Arstistas libertos do domínio das gravadoras e cada vez mais presentes em todo o mundo.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/encruzilhada/2012/05/do-gravador-de-rolo-ao-pro-tools.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[TED NELSON: HIPERMÍDIA]]></title>
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				<id>tag:obviousmag.org,2012://116.1758</id>
				<published>2012-05-31T16:00:57Z</published>
   	 		<updated>2012-05-31T16:00:57Z</updated>
   	 		<author>
	   	     		<name>Danilo Baldacini</name>
					<uri>http://lounge.obviousmag.org/nome/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/nome/2012/05/ted-nelson-hipermidia.html"&gt;&lt;img src="http://lounge.obviousmag.org/nome/assets_c/2012/05/tednelson3-thumb-400x400-14875.jpg" title="TED NELSON: HIPERMÍDIA"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Esta lenda viva da história da era digital aspira uma rede de computadores mais unificada e simplificada da perspectiva do usuário comum. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/nome/2012/05/ted-nelson-hipermidia.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Up in the Air: quanto mais leve, mais alto]]></title>
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				<id>tag:obviousmag.org,2012://2.5455</id>
				<published>2012-05-31T13:10:56Z</published>
   	 		<updated>2012-05-31T13:10:56Z</updated>
   	 		<author>
	   	     		<name>rejane borges</name>
					<uri>http://obviousmag.org/archives/colaboradores/rejaneborges/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/up_in_the_air_quanto_mais_leve_mais_alto.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/25/00_UpInTheAi_00.jpg" title="Up in the Air: quanto mais leve, mais alto"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Quanto peso levamos em nossos ombros? Talvez seja hora de analisarmos o que estamos a carregar enquanto caminhamos, e se realmente é tudo tão necessário. Você teria coragem de esvaziar a bagagem? Até onde você iria se praticasse a arte do desapego?&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/up_in_the_air_quanto_mais_leve_mais_alto.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2011/07/top_gun_nao_ha_filme_para_adolescentes_como_o_prim.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/07/top_gun_nao_ha_filme_para_adolescentes_como_o_prim_140x105.jpg" title="Top Gun: não há filme para adolescentes como o primeiro  " border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/12/vida_de_brian_filme_natal.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/12/vida_de_brian_filme_natal_140x105.jpg" title="a vida de brian: um filme de natal" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/09/avatar_-_a_revolucao_de_james_cameron.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/09/avatar_-_a_revolucao_de_james_cameron_140x105.jpg" title="avatar - a revolução de james cameron" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/08/posters_filmes_mix.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/08/posters_filmes_mix_140x105.jpg" title="Posters de filmes - mix com muito humor" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2011/07/top_gun_nao_ha_filme_para_adolescentes_como_o_prim.html" title="Clique para ler este artigo" &gt;Top Gun: não há filme para adolescentes como o primeiro  &lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/12/vida_de_brian_filme_natal.html" title="Clique para ler este artigo" &gt;a vida de brian: um filme de natal&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/09/avatar_-_a_revolucao_de_james_cameron.html" title="Clique para ler este artigo" &gt;avatar - a revolução de james cameron&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/08/posters_filmes_mix.html" title="Clique para ler este artigo" &gt;Posters de filmes - mix com muito humor&lt;/a&gt;&lt;br /&gt;
		
				
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			<entry>
	    		<title><![CDATA[Calcutá]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/TVnqFal5fak/calcuta.html" />
				<id>tag:obviousmag.org,2012://68.1753</id>
				<published>2012-05-30T14:00:55Z</published>
   	 		<updated>2012-05-30T14:00:55Z</updated>
   	 		<author>
	   	     		<name>Eduardo Ferreira Moura</name>
					<uri>http://lounge.obviousmag.org/life_on_marx/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/life_on_marx/2012/05/calcuta.html"&gt;&lt;img src="http://lounge.obviousmag.org/life_on_marx/assets_c/2012/05/Teresa_caridade-thumb-400x400-14832.jpg" title="Calcutá"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;O Egoísmo ou Sobre A Caridade.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/life_on_marx/2012/05/calcuta.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Cinema de meias-verdades]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/5ZDmdOQm0Bs/cinema-de-meias-verdades.html" />
				<id>tag:obviousmag.org,2012://255.1752</id>
				<published>2012-05-30T14:00:55Z</published>
   	 		<updated>2012-05-30T14:00:55Z</updated>
   	 		<author>
	   	     		<name>Ed Pereira</name>
					<uri>http://lounge.obviousmag.org/um_segundo/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/um_segundo/2012/05/cinema-de-meias-verdades.html"&gt;&lt;img src="http://lounge.obviousmag.org/um_segundo/assets_c/2012/05/new_next_cassavetes_photo-thumb-560xauto-18397-thumb-400x400-14826.jpg" title="Cinema de meias-verdades"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Marco do cinema independente norte-americano, John Cassavetes produziu filmes que expressam o lado mais profundo das relações humanas.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/um_segundo/2012/05/cinema-de-meias-verdades.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Psicologia de um vencido]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/p0LTJSOTFuQ/psicologia-de-um-vencido.html" />
				<id>tag:obviousmag.org,2012://32.1751</id>
				<published>2012-05-30T14:00:55Z</published>
   	 		<updated>2012-05-30T14:00:55Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/psicologia-de-um-vencido.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/anjo%20sobre%20a%20lapide-thumb-400x400-14823.jpg" title="Psicologia de um vencido"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Alguns dos melhores poemas de Augusto dos Anjos.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/psicologia-de-um-vencido.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Marte e a Vez de Outubro]]></title>
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				<id>tag:obviousmag.org,2012://207.1754</id>
				<published>2012-05-30T14:00:54Z</published>
   	 		<updated>2012-05-30T14:00:54Z</updated>
   	 		<author>
	   	     		<name>Fernando Miranda</name>
					<uri>http://lounge.obviousmag.org/shared_noises/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/shared_noises/2012/05/marte-e-a-vez-de-outubro.html"&gt;&lt;img src="http://lounge.obviousmag.org/shared_noises/assets_c/2012/05/Winter-is-coming-inv-www.wallpaper-utopia.com_-thumb-400x400-14838.jpg" title="Marte e a Vez de Outubro"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Neste tempo em que cento e quarenta caracteres transformam realidades, Bradbury consegue ilustrar algo profundamente aterrador, sincero, onírico ou subjetivo em poucas linhas, num veículo que para os nativos digitais pode parecer algo abarrotado de grandes discursos entediantes: o livro.&lt;/p&gt;

				
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			<entry>
	    		<title><![CDATA[Nanook, o esquimó: um pioneiro do filme documental]]></title>
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				<id>tag:obviousmag.org,2012://2.5454</id>
				<published>2012-05-30T13:10:55Z</published>
   	 		<updated>2012-05-30T13:10:55Z</updated>
   	 		<author>
	   	     		<name>diana ribeiro</name>
					<uri>http://obviousmag.org/archives/colaboradores/dianaribeiro/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/nanook_o_esquimo_um_pioneiro_do_filme_documental.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/25/00_Nannok_Robert_Flaherty_00.jpg" title="Nanook, o esquimó: um pioneiro do filme documental"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Em 1920, um esquimó do Ártico do Canadá torna-se no protagonista do primeiro documentário cinematográfico. Realizado pelo norte-americano Robert J. Flaherty, "Nanook" representa não só uma nova forma de explorar a autenticidade da realidade, como também promove a aproximação com o espectador através de um singular entretetenimento narrativo.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/nanook_o_esquimo_um_pioneiro_do_filme_documental.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2007/09/batalha_do_chil.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/09/batalha_do_chil_140x105.jpg" title="Batalha do Chile" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2011/07/top_gun_nao_ha_filme_para_adolescentes_como_o_prim.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/07/top_gun_nao_ha_filme_para_adolescentes_como_o_prim_140x105.jpg" title="Top Gun: não há filme para adolescentes como o primeiro  " border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/10/reinterpretando_a_historia_-_parte_2_-_robert_charroux.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/10/reinterpretando_a_historia_-_parte_2_-_robert_charroux_140x105.jpg" title="reinterpretando a história - parte 2 - robert charroux" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/12/vida_de_brian_filme_natal.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/12/vida_de_brian_filme_natal_140x105.jpg" title="a vida de brian: um filme de natal" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2007/09/batalha_do_chil.html" title="Clique para ler este artigo" &gt;Batalha do Chile&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2011/07/top_gun_nao_ha_filme_para_adolescentes_como_o_prim.html" title="Clique para ler este artigo" &gt;Top Gun: não há filme para adolescentes como o primeiro  &lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/10/reinterpretando_a_historia_-_parte_2_-_robert_charroux.html" title="Clique para ler este artigo" &gt;reinterpretando a história - parte 2 - robert charroux&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/12/vida_de_brian_filme_natal.html" title="Clique para ler este artigo" &gt;a vida de brian: um filme de natal&lt;/a&gt;&lt;br /&gt;
		
				
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			<entry>
	    		<title><![CDATA[A arte de Jason Edmiston]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/6JlyTfblBO8/a-arte-de-jason-edmiston.html" />
				<id>tag:obviousmag.org,2012://251.1748</id>
				<published>2012-05-29T17:20:54Z</published>
   	 		<updated>2012-05-29T17:20:54Z</updated>
   	 		<author>
	   	     		<name>Margarete MS</name>
					<uri>http://lounge.obviousmag.org/esconderijo/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/esconderijo/2012/05/a-arte-de-jason-edmiston.html"&gt;&lt;img src="http://lounge.obviousmag.org/esconderijo/assets_c/2012/05/teeth-thumb-400x400-14771.jpg" title="A arte de Jason Edmiston"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Ilustrador comercial desde 1996, Jason cria trabalhos para publicidade, editoriais e cartazes de cinema. Utiliza a técnica de pintura em acrílico sobre o papel ou painel de madeira. Variando entre o realismo e o exagero com um certo grau de humor. [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/esconderijo/2012/05/a-arte-de-jason-edmiston.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O “Boca do Inferno” e seu soneto]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/60qBMHlm82Y/o-boca-do-inferno-e-seu-soneto.html" />
				<id>tag:obviousmag.org,2012://32.1742</id>
				<published>2012-05-29T17:20:54Z</published>
   	 		<updated>2012-05-29T17:20:54Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/o-boca-do-inferno-e-seu-soneto.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/greg%C3%B3rio%20de%20matos-thumb-400x400-14741.jpg" title="O “Boca do Inferno” e seu soneto"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Gregório de Matos e sua pena implacável.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/o-boca-do-inferno-e-seu-soneto.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Pra não dizer que não falei de veneno]]></title>
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				<id>tag:obviousmag.org,2012://108.1743</id>
				<published>2012-05-29T17:20:54Z</published>
   	 		<updated>2012-05-29T17:20:54Z</updated>
   	 		<author>
	   	     		<name>Gabriel da Cruz</name>
					<uri>http://lounge.obviousmag.org/em_reforma/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/em_reforma/2012/05/pra-nao-dizer-que-nao-falei-do-veneno.html"&gt;&lt;img src="http://lounge.obviousmag.org/em_reforma/assets_c/2012/05/NOVO%20LOGO%20MPCP%20-%20GRANDE-thumb-400x400-14742.jpg" title="Pra não dizer que não falei de veneno"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Um empurrão pra quem está à beira do abismo, um apoio pra alcançar a janela, uma rasteira pra quem está com a corda no pescoço. Post autoajuda pra quem não deseja mais ter ajuda.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/em_reforma/2012/05/pra-nao-dizer-que-nao-falei-do-veneno.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/CVYkWgDZqMM" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/em_reforma/2012/05/pra-nao-dizer-que-nao-falei-do-veneno.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[GeometricoFantasia]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/GBx_Mnr1SRs/geometricofantasia.html" />
				<id>tag:obviousmag.org,2012://155.1746</id>
				<published>2012-05-29T17:20:54Z</published>
   	 		<updated>2012-05-29T17:20:54Z</updated>
   	 		<author>
	   	     		<name>Hermann Vherner</name>
					<uri>http://lounge.obviousmag.org/imaginariun/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/imaginariun/2012/05/geometricofantasia.html"&gt;&lt;img src="http://lounge.obviousmag.org/imaginariun/assets_c/2012/05/pas.14-thumb-400x400-14756.jpg" title="GeometricoFantasia"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Cores e formas com uma boa dose de imaginação, num mundo fluido e surreal.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/imaginariun/2012/05/geometricofantasia.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/imaginariun/2012/05/geometricofantasia.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[NEO DESIGN STUDIOS | POP ]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/Dc3TKP8h4mQ/neo-design-studios-pop.html" />
				<id>tag:obviousmag.org,2012://242.1741</id>
				<published>2012-05-28T22:10:56Z</published>
   	 		<updated>2012-05-28T22:10:56Z</updated>
   	 		<author>
	   	     		<name>The Lisbon Stores</name>
					<uri>http://lounge.obviousmag.org/the_lisbon_stores/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/neo-design-studios-pop.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_lisbon_stores/assets_c/2012/05/POP_blue_blau9-thumb-400x400-14734.jpg" title="NEO DESIGN STUDIOS | POP "&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Emanar luz de uma bolha de sabão? É o novo candeeiro da NEO design studios! Rodrigo Vairinhos, pela NEO design studios, lançou um novo produto, a iluminária POP que preenche o espaço como uma lustrosa bolha de sabão. Esta é uma ótima solução de iluminação, original e cativante, com uma forma numa espécie de bolha bastante caraterística da peça em si. Concebida em cerâmica, esta luminária ilumina o ambiente numa [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/the_lisbon_stores/2012/05/neo-design-studios-pop.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Como foram criados os logos?]]></title>
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				<id>tag:obviousmag.org,2012://27.1740</id>
				<published>2012-05-28T20:50:55Z</published>
   	 		<updated>2012-05-28T20:50:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/como-foram-criados-os-logos.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/mercedes-logo-thumb-300x300-14717.jpg" title="Como foram criados os logos?"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Divertidas ilustrações mostram a suposta criação de alguns dos logos mais famosos&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/como-foram-criados-os-logos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/Q4D-yqX-0XE" height="1" width="1"/&gt;</content>
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			<entry>
	    		<title><![CDATA[Imagens errantes: Ambiguidade, resistência e cultura de moda]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/XFbWd2K6Huo/imagens-errantes-ambiguidade-resistencia-e-cultura-de-moda.html" />
				<id>tag:obviousmag.org,2012://107.1737</id>
				<published>2012-05-28T20:30:55Z</published>
   	 		<updated>2012-05-28T20:30:55Z</updated>
   	 		<author>
	   	     		<name>Valquíria Rego</name>
					<uri>http://lounge.obviousmag.org/Delírios,sonhos e devaneios</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/arterolandoproseando_e_musicando/2012/05/imagens-errantes-ambiguidade-resistencia-e-cultura-de-moda.html"&gt;&lt;img src="http://lounge.obviousmag.org/arterolandoproseando_e_musicando/assets_c/2012/05/chita%20tecido%20brasileiro-thumb-400x400-14634.jpg" title="Imagens errantes: Ambiguidade, resistência e cultura de moda"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Imagens Errantes:Ambiguidade,resistência e cultura de moda,relaciona as estamparias florais com a semiótica.A autora discorre acerca de suas viagens,experiências e memórias traduzidas em códigos estéticos, - o tecido como mídia.Este "buquê iconofágico" nos faz enxergar as diversas possibilidades de representação, atrelados ao campo do vestuário.Um livro que conota um olhar além do que é tátil, com doses de imaginação.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/arterolandoproseando_e_musicando/2012/05/imagens-errantes-ambiguidade-resistencia-e-cultura-de-moda.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/arterolandoproseando_e_musicando/2012/05/imagens-errantes-ambiguidade-resistencia-e-cultura-de-moda.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Preservativos Star Wars]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/LxYt8J7zF4c/preservativos-star-wars.html" />
				<id>tag:obviousmag.org,2012://27.1739</id>
				<published>2012-05-28T20:20:55Z</published>
   	 		<updated>2012-05-28T20:20:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/preservativos-star-wars.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/Darth-Vader-Condom-Design-550x389-thumb-300x300-14707.jpg" title="Preservativos Star Wars"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Seria perfeito se brilhassem no escuro.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/preservativos-star-wars.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/LxYt8J7zF4c" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://lounge.obviousmag.org/sphere/2012/05/preservativos-star-wars.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[Arte em plantações de arroz]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/vw0nrki60zU/arte-em-plantacoes-de-arroz.html" />
				<id>tag:obviousmag.org,2012://27.1738</id>
				<published>2012-05-28T20:00:57Z</published>
   	 		<updated>2012-05-28T20:00:57Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/arte-em-plantacoes-de-arroz.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/rice-art-samurai-thumb-300x300-14674.jpg" title="Arte em plantações de arroz"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Plantação de arroz viram arte nas mãos de agricultores japoneses.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/arte-em-plantacoes-de-arroz.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Cannes 2012 - Cerimônia & Premiação]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/WL2ziAMorpc/cannes-2012---cerimonia-premiacao.html" />
				<id>tag:obviousmag.org,2012://189.1728</id>
				<published>2012-05-28T15:00:54Z</published>
   	 		<updated>2012-05-28T15:00:54Z</updated>
   	 		<author>
	   	     		<name>Lynn Francis Colling</name>
					<uri>http://lounge.obviousmag.org/pelicula_criativa/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/pelicula_criativa/2012/05/cannes-2012---cerimonia-premiacao.html"&gt;&lt;img src="http://lounge.obviousmag.org/pelicula_criativa/assets_c/2012/05/cannes%202012%20encerramento-thumb-400x400-14549.jpg" title="Cannes 2012 - Cerimônia &amp; Premiação"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Confira a lista de vencedores da 65ª edição do Festival Internacional de Cinema de Cannes.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/pelicula_criativa/2012/05/cannes-2012---cerimonia-premiacao.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O Hiper-realismo de Omar Ortiz]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/1EdxQV41fXo/o-hiper-realismo-de-omar-ortiz.html" />
				<id>tag:obviousmag.org,2012://136.1729</id>
				<published>2012-05-28T15:00:54Z</published>
   	 		<updated>2012-05-28T15:00:54Z</updated>
   	 		<author>
	   	     		<name>Kauana Maria Neves</name>
					<uri>http://lounge.obviousmag.org/borboleta_carnivora/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/borboleta_carnivora/2012/05/o-hiper-realismo-de-omar-ortiz.html"&gt;&lt;img src="http://lounge.obviousmag.org/borboleta_carnivora/assets_c/2012/05/omar-thumb-400x400-14560.jpg" title="O Hiper-realismo de Omar Ortiz"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Conheça o trabalho do pintor hiper-realista Omar Ortiz&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/borboleta_carnivora/2012/05/o-hiper-realismo-de-omar-ortiz.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Alexandre Cabanel: O pintor de retratos]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/v_7Y1fGX0M4/alexandre-cabanel-o-pintor-de-retratos.html" />
				<id>tag:obviousmag.org,2012://251.1733</id>
				<published>2012-05-28T15:00:54Z</published>
   	 		<updated>2012-05-28T15:00:54Z</updated>
   	 		<author>
	   	     		<name>Margarete MS</name>
					<uri>http://lounge.obviousmag.org/esconderijo/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/esconderijo/2012/05/alexandre-cabanel-o-pintor-de-retratos.html"&gt;&lt;img src="http://lounge.obviousmag.org/esconderijo/assets_c/2012/05/Alexandre%20Cabanel1-thumb-400x400-14599.jpg" title="Alexandre Cabanel: O pintor de retratos"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Representante do Classicismo Acadêmico, dedicou-se a assuntos históricos, mitológicos e religiosos. Autor de retratos, paisagens, aquarelas e composições decorativas.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/esconderijo/2012/05/alexandre-cabanel-o-pintor-de-retratos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Os Limites da Apropriação na Arte]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/kP37Q6wkEiI/os-limites-da-apropriacao-na-arte.html" />
				<id>tag:obviousmag.org,2012://203.1597</id>
				<published>2012-05-28T15:00:54Z</published>
   	 		<updated>2012-05-28T15:00:54Z</updated>
   	 		<author>
	   	     		<name>Bruno Assumpção</name>
					<uri>http://lounge.obviousmag.org/olho_sobre_tela/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/olho_sobre_tela/2012/05/os-limites-da-apropriacao-na-arte.html"&gt;&lt;img src="http://lounge.obviousmag.org/olho_sobre_tela/assets_c/2012/05/LucioFontana-thumb-400x400-13342.jpg" title="Os Limites da Apropriação na Arte"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Que a apropriação é usada e abusada por artistas contemporâneos não é novidade. A definição de apropriação é o uso emprestado de elementos para a criação de uma obra de arte. Pode ser desde objetos banais até outras obras de arte. E aí que entramos em um terreno um pouco nebuloso. Até que ponto uma obra pode ser considerada como apropriação ou apenas plágio?&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/olho_sobre_tela/2012/05/os-limites-da-apropriacao-na-arte.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Primeiras questões: sobre arte, hoje]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/JbEB8TqZRbU/primeiras-questoes-sobre-arte-hoje.html" />
				<id>tag:obviousmag.org,2012://236.1723</id>
				<published>2012-05-28T15:00:54Z</published>
   	 		<updated>2012-05-28T15:00:54Z</updated>
   	 		<author>
	   	     		<name>Leandro Andrade</name>
					<uri>http://lounge.obviousmag.org/literarquiteturas/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/literarquiteturas/2012/05/primeiras-questoes-sobre-arte-hoje.html"&gt;&lt;img src="http://lounge.obviousmag.org/literarquiteturas/assets_c/2012/05/leaves%2003%20some%20kind%20of%20bird-thumb-400x400-14528.jpg" title="Primeiras questões: sobre arte, hoje"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Pequeno manifesto por uma definição de Arte. Ao mesmo tempo, uma declaração de amor.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/literarquiteturas/2012/05/primeiras-questoes-sobre-arte-hoje.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Os rostos banais do Mal]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/7ppNeEyPMWo/os-rostos-banais-do-mal.html" />
				<id>tag:obviousmag.org,2012://247.1731</id>
				<published>2012-05-28T15:00:54Z</published>
   	 		<updated>2012-05-28T15:00:54Z</updated>
   	 		<author>
	   	     		<name>Júlio Assis Ribeiro</name>
					<uri>http://lounge.obviousmag.org/a_lente_lenta/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/a_lente_lenta/2012/05/os-rostos-banais-do-mal.html"&gt;&lt;img src="http://lounge.obviousmag.org/a_lente_lenta/assets_c/2012/05/Fred_Stein_Hannah_Arendt_Nova_Iorque_1944-thumb-400x400-14575.jpg" title="Os rostos banais do Mal"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Poderá a execução das formas extremas do Mal depender, não de gente monstruosa, mas de gente banal? A filósofa Hannah Arendt acreditava que sim, e fotografias burocráticas australianas ajudam-nos a concordar com ela.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/a_lente_lenta/2012/05/os-rostos-banais-do-mal.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[educação online - cursos e mestrados de engenharia ]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/_LnpPEaktvM/educacao_online_-_cursos_e_mestrados_de_engenharia.html" />
				<id>tag:obviousmag.org,2012://2.5470</id>
				<published>2012-05-28T14:10:54Z</published>
   	 		<updated>2012-05-28T14:10:54Z</updated>
   	 		<author>
	   	     		<name>benjamin júnior</name>
					<uri>http://obviousmag.org/archives/colaboradores/bjr/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://obviousmag.org/archives/2012/05/educacao_online_-_cursos_e_mestrados_de_engenharia.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/ZZ3223F0E9.jpg" title="educação online - cursos e mestrados de engenharia "&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Os serviços de classificados na internet já têm vários anos. Se recuarmos no tempo, corria o ano de 1995 quando Craig Newmark - nascido nos Estados Unidos, em New Jersey - passou a distribuir eventos que ocorriam na área de San Francisco através de uma lista de email.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/educacao_online_-_cursos_e_mestrados_de_engenharia.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2011/02/o_segredo_do_lago_vostok_a_descoberta_das_profunde.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2011/02/o_segredo_do_lago_vostok_a_descoberta_das_profunde_140x105.jpg" title="o segredo do lago vostok: à descoberta das profundezas da vida" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/04/breve_historia_sobre_sherlock_holmes.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/04/breve_historia_sobre_sherlock_holmes_140x105.jpg" title="breve história sobre Sherlock Holmes " border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2007/08/mlab_um_novo_co.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/08/mlab_um_novo_co_140x105.jpg" title="M-Lab: um novo conceito de parque infantil" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2007/08/virip_a_cura_pa.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/08/virip_a_cura_pa_140x105.jpg" title="VIRIP - a cura para a AIDS?" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2011/02/o_segredo_do_lago_vostok_a_descoberta_das_profunde.html" title="Clique para ler este artigo" &gt;o segredo do lago vostok: à descoberta das profundezas da vida&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/04/breve_historia_sobre_sherlock_holmes.html" title="Clique para ler este artigo" &gt;breve história sobre Sherlock Holmes &lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2007/08/mlab_um_novo_co.html" title="Clique para ler este artigo" &gt;M-Lab: um novo conceito de parque infantil&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2007/08/virip_a_cura_pa.html" title="Clique para ler este artigo" &gt;VIRIP - a cura para a AIDS?&lt;/a&gt;&lt;br /&gt;
		
				
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			<entry>
	    		<title><![CDATA[Vaka Valo: como transformar um manual de instruções num sonho]]></title>
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				<id>tag:obviousmag.org,2012://2.5438</id>
				<published>2012-05-28T13:10:58Z</published>
   	 		<updated>2012-05-28T13:10:58Z</updated>
   	 		<author>
	   	     		<name>jéssica parizotto</name>
					<uri>http://obviousmag.org/archives/colaboradores/jessicaparizotto/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://obviousmag.org/archives/2012/05/vaka_valo_como_transformar_um_manual_de_instrucoes_num_sonho.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/24/00_Vaka_Valo_N_1_00.jpg" title="Vaka Valo: como transformar um manual de instruções num sonho"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Manuais de instruções foram feitos para levar alguém a atingir um objetivo: montar um móvel, utilizar corretamente um eletrodoméstico ou executar de maneira eficiente uma ação qualquer. Mas e quando eles são retirados de seu contexto original? Vaka Valo mostra em sua série Dream Diary que o surreal está em todo lugar, até em algo tão objetivo quanto um manual de instruções.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/vaka_valo_como_transformar_um_manual_de_instrucoes_num_sonho.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2010/06/a_arte_de_arcimboldo.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/06/a_arte_de_arcimboldo_140x105.jpg" title="a arte de Arcimboldo" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/04/matthew_albanese_o_criador_de_novos_mundos.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/04/matthew_albanese_o_criador_de_novos_mundos_140x105.jpg" title="Matthew Albanese, o criador de novos mundos" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/05/alexa_meade_realidade_ou_pintura.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/05/alexa_meade_realidade_ou_pintura_140x105.jpg" title="Alexa Meade, realidade ou pintura?" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/03/chema_madoz_-_fotografo_surrealista.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/03/chema_madoz_-_fotografo_surrealista_140x105.jpg" title="Chema Madoz - fotógrafo surrealista" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2010/06/a_arte_de_arcimboldo.html" title="Clique para ler este artigo" &gt;a arte de Arcimboldo&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/04/matthew_albanese_o_criador_de_novos_mundos.html" title="Clique para ler este artigo" &gt;Matthew Albanese, o criador de novos mundos&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/05/alexa_meade_realidade_ou_pintura.html" title="Clique para ler este artigo" &gt;Alexa Meade, realidade ou pintura?&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/03/chema_madoz_-_fotografo_surrealista.html" title="Clique para ler este artigo" &gt;Chema Madoz - fotógrafo surrealista&lt;/a&gt;&lt;br /&gt;
		
				
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&lt;/div&gt;&lt;img src="http://feeds.feedburner.com/~r/OBVIOUS/~4/2GBymdSaMB8" height="1" width="1"/&gt;</content>
			<feedburner:origLink>http://obviousmag.org/archives/2012/05/vaka_valo_como_transformar_um_manual_de_instrucoes_num_sonho.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[ART NAÏF E AUGUSTIN KASSI: O PINTOR DA AUTOESTIMA]]></title>
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				<id>tag:obviousmag.org,2012://196.1722</id>
				<published>2012-05-27T19:50:54Z</published>
   	 		<updated>2012-05-27T19:50:54Z</updated>
   	 		<author>
	   	     		<name>Jonathan Vallonis Botelho</name>
					<uri>http://lounge.obviousmag.org/vem_ser/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/vem_ser/2012/05/art-naif-e-augustin-kassi-o-pintor-da-autoestima.html"&gt;&lt;img src="http://lounge.obviousmag.org/vem_ser/assets_c/2012/05/arton9660-thumb-400x400-14521.jpg" title="ART NAÏF E AUGUSTIN KASSI: O PINTOR DA AUTOESTIMA"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A arte de Augustin Kassi homenageia as formas voluptuosas de mulheres africanas. Com cores fortes, mostra uma beleza existente que usualmente é mitigada pela força imposta por um determinado padrão de beleza.    &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/vem_ser/2012/05/art-naif-e-augustin-kassi-o-pintor-da-autoestima.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O Portugal de Rui Palha ]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/rbewmd8WyYE/o-portugal-de-rui-palha.html" />
				<id>tag:obviousmag.org,2012://87.1709</id>
				<published>2012-05-26T20:30:55Z</published>
   	 		<updated>2012-05-26T20:30:55Z</updated>
   	 		<author>
	   	     		<name>Victor Silveira</name>
					<uri>http://lounge.obviousmag.org/embriaguez_artistica/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/o-portugal-de-rui-palha.html"&gt;&lt;img src="http://lounge.obviousmag.org/embriaguez_artistica/assets_c/2012/05/artlimited_img87697-thumb-400x400-14352.jpg" title="O Portugal de Rui Palha "&gt;&lt;/a&gt;&lt;br /&gt;
					O fotógrafo trás o instante, demasiado em profundidade e extensão imagética. Um Portugal vivo e soante, é visto por suas lentes.  
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/embriaguez_artistica/2012/05/o-portugal-de-rui-palha.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Dadaísmo: arte e desordem]]></title>
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				<id>tag:obviousmag.org,2012://218.1314</id>
				<published>2012-05-26T20:30:55Z</published>
   	 		<updated>2012-05-26T20:30:55Z</updated>
   	 		<author>
	   	     		<name>Cátia Andressa da Silva</name>
					<uri>http://lounge.obviousmag.org/dadaista/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/dadaista/2012/05/dadaismo-arte-e-desordem.html"&gt;&lt;img src="http://lounge.obviousmag.org/dadaista/assets_c/2012/05/dada%C3%ADsmo%20inspire-thumb-400x400-14371.jpg" title="Dadaísmo: arte e desordem"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Era 1916, nascia o Cabaret Voltaire na Suíça, nascia a arte em forma de manifesto, de revista, de teatro, de poesia, de música, de desordem e conflito, nascia o Dadaísmo. Nascia a arte sem regras. Talvez tenha sido a única vez na história da arte que dizer nada quebrava paradigmas. Talvez tenha sido a mais perfeita tradução de vanguarda.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/dadaista/2012/05/dadaismo-arte-e-desordem.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[São Mateus em extensão ]]></title>
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				<id>tag:obviousmag.org,2012://216.1710</id>
				<published>2012-05-26T20:30:55Z</published>
   	 		<updated>2012-05-26T20:30:55Z</updated>
   	 		<author>
	   	     		<name>guilherme cruz.</name>
					<uri>http://lounge.obviousmag.org/o_obtuso_e_o_obliquo/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/o_obtuso_e_o_obliquo/2012/05/sao-mateus-em-extensao.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_obtuso_e_o_obliquo/assets_c/2012/05/Rodrigo-Campos-thumb-400x400-14381.jpg" title="São Mateus em extensão "&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Um som sutil de saudade com lembranças de uma São Paulo que parece nem ter existido, e se existiu foi na cabeça de Rodrigo Campos que saiu a sua trilha. Sutil porque o seu som é “quietinho”, sussurrante com acordes selecionados para um respiro que as quatorze faixas do seu disco de estreia lhe exige. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_obtuso_e_o_obliquo/2012/05/sao-mateus-em-extensao.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[SANTOS FILÓSOFOS, NÃO! FILOSOFASTROS! (Parte I)]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/S8sxOjPbPGA/santos-filosofos-nao-filosofastros.html" />
				<id>tag:obviousmag.org,2012://51.1714</id>
				<published>2012-05-26T20:20:58Z</published>
   	 		<updated>2012-05-26T20:20:58Z</updated>
   	 		<author>
	   	     		<name>Jaya Hari Das</name>
					<uri>http://lounge.obviousmag.org/alfarrabios/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/alfarrabios/2012/05/santos-filosofos-nao-filosofastros.html"&gt;&lt;img src="http://lounge.obviousmag.org/alfarrabios/assets_c/2012/05/Imagem%20G%20366-thumb-400x400-14431.jpg" title="SANTOS FILÓSOFOS, NÃO! FILOSOFASTROS! (Parte I)"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A Filosofia e a Religião não são irreconciliáveis devido aos seus objetos, pois, muitas vezes, estes são coincidentes, mas devido as seus modos de chegarem até eles. Deus, por exemplo, parece um caso resolvido para a Religião, porém, permanece um problema para a Filosofia. Portanto, ser santo e também filósofo é tão improvável quanto "ser" e "não ser", ao mesmo tempo. Ou, em termos éticos, como sentenciou o filósofo Nietzsche: é imoral! É disso que tratarei nesta série.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/alfarrabios/2012/05/santos-filosofos-nao-filosofastros.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[ENTREVISTA Tiago Iorc]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/r_NGjIwqWTc/entrevista.html" />
				<id>tag:obviousmag.org,2012://224.1716</id>
				<published>2012-05-26T20:20:58Z</published>
   	 		<updated>2012-05-26T20:20:58Z</updated>
   	 		<author>
	   	     		<name>Denise Camargo</name>
					<uri>http://lounge.obviousmag.org/in_other_words/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/in_other_words/2012/05/entrevista.html"&gt;&lt;img src="http://lounge.obviousmag.org/in_other_words/assets_c/2012/05/iorc_2012_01-thumb-400x400-14394.jpg" title="ENTREVISTA Tiago Iorc"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Nesta entrevista converso com o cantor compositor Tiago Iorc que nos conta um pouco de sua carreira, do recente álbum, das suas experiências engraçadas e outras marcantes. Confissões sobre Internet, romantismo e holofotes&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/in_other_words/2012/05/entrevista.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[A batida pop do caboclo do Pará]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/7ensY87ZLJU/a-batida-pop-do-caboclo-do-para.html" />
				<id>tag:obviousmag.org,2012://245.1715</id>
				<published>2012-05-26T20:20:58Z</published>
   	 		<updated>2012-05-26T20:20:58Z</updated>
   	 		<author>
	   	     		<name>Maria Fernanda Cavalcanti</name>
					<uri>http://lounge.obviousmag.org/a_arte_do_encontro/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/a_arte_do_encontro/2012/05/a-batida-pop-do-caboclo-do-para.html"&gt;&lt;img src="http://lounge.obviousmag.org/a_arte_do_encontro/assets_c/2012/05/296711807_9a787924d4_z-thumb-400x400-14471.jpg" title="A batida pop do caboclo do Pará"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Os pobres paraenses reinventaram a forma de produzir, vender e consumir música no Pará através da digitalização do brega aliada ao domínio da tecnologia. Não só um novo estilo musical tomou conta das ruas do estado inteiro a partir de 2002, como um complexo e milionário modelo de produção passou a ser implantado com o nascimento e a disseminação do tecnobrega na capital Belém.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/a_arte_do_encontro/2012/05/a-batida-pop-do-caboclo-do-para.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Erika Simmons-Arte em Fitas de Cassete]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/0sn_j2fP6dc/Erika Simmons-Arte em Fitas de Cassete.html" />
				<id>tag:obviousmag.org,2012://177.1712</id>
				<published>2012-05-26T20:20:58Z</published>
   	 		<updated>2012-05-26T20:20:58Z</updated>
   	 		<author>
	   	     		<name>Ana Filipa Carvalho</name>
					<uri>http://lounge.obviousmag.org/apagando_o_horizonte_com_uma_esponja/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/apagando_o_horizonte_com_uma_esponja/2012/05/Erika Simmons-Arte em Fitas de Cassete.html"&gt;&lt;img src="http://lounge.obviousmag.org/apagando_o_horizonte_com_uma_esponja/assets_c/2012/05/Photoshop-Jimi-Hendrix-793x1024-thumb-400x400-14416.jpg" title="Erika Simmons-Arte em Fitas de Cassete"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Erika Simmons usa antigas fitas de cassetes de música e de filmes para realizar retratos de famosos. Vale a pena descobri-la. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/apagando_o_horizonte_com_uma_esponja/2012/05/Erika Simmons-Arte em Fitas de Cassete.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Os Bórgia e o poder dos papas]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/-mpz8PucSuY/os-borgia-e-o-poder-dos-papas.html" />
				<id>tag:obviousmag.org,2012://176.1717</id>
				<published>2012-05-26T20:20:57Z</published>
   	 		<updated>2012-05-26T20:20:57Z</updated>
   	 		<author>
	   	     		<name>Eli Boscatto</name>
					<uri>http://lounge.obviousmag.org/por_tras_do_espelho/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/os-borgia-e-o-poder-dos-papas.html"&gt;&lt;img src="http://lounge.obviousmag.org/por_tras_do_espelho/assets_c/2012/05/Cesare%20Borgia-thumb-400x400-14489.jpg" title="Os Bórgia e o poder dos papas"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Numa época em que a igreja católica tinha mais poder que o Estado, apoiando ou destronando reis e imperadores, vários papas cometeram todo tipo de pecado na própria concepção da igreja; e os que se tornaram mais famosos vieram da mesma família: os Bórgia. &lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/os-borgia-e-o-poder-dos-papas.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<feedburner:origLink>http://lounge.obviousmag.org/por_tras_do_espelho/2012/05/os-borgia-e-o-poder-dos-papas.html</feedburner:origLink></entry>
			
			<entry>
	    		<title><![CDATA[O mistério da poesia]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/lpZ_9LBRLeo/o-misterio-da-poesia.html" />
				<id>tag:obviousmag.org,2012://32.1720</id>
				<published>2012-05-26T20:20:57Z</published>
   	 		<updated>2012-05-26T20:20:57Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
				<content type="html" xml:lang="pt" xml:base="http://obviousmag.org/">		
				
				
					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/o-misterio-da-poesia.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/poesia-thumb-400x400-14520.jpg" title="O mistério da poesia"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Uma crônica simples e sensível sobre o valor da sensibilidade e da simplicidade na poesia.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/o-misterio-da-poesia.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Natsumi Hayashi - a japonesa que levita]]></title>
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				<id>tag:obviousmag.org,2012://27.1719</id>
				<published>2012-05-26T17:00:57Z</published>
   	 		<updated>2012-05-26T17:00:57Z</updated>
   	 		<author>
	   	     		<name>diana ribeiro</name>
					<uri>http://lounge.obviousmag.org/diana_ribeiro/autor</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/natsumi-hayashi---a-japonesa-que-levita.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/Natsumi-Hayashi2-550x366%201-thumb-300x300-14508.jpg" title="Natsumi Hayashi - a japonesa que levita"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A fotógrafa japonesa criou um blogue onde expôs auto-retratos em que parece levitar. Fotomontagens? Não. Tudo é feito manualmente.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/natsumi-hayashi---a-japonesa-que-levita.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Contos de Feras de Kathy Ruttenberg]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/P-ZJwGX1LkM/contos_de_feras_de_kathy_ruttenberg_1.html" />
				<id>tag:obviousmag.org,2012://2.5440</id>
				<published>2012-05-26T13:10:55Z</published>
   	 		<updated>2012-05-26T13:10:55Z</updated>
   	 		<author>
	   	     		<name>jéssica parizotto</name>
					<uri>http://obviousmag.org/archives/colaboradores/jessicaparizotto/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/contos_de_feras_de_kathy_ruttenberg_1.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/24/00_MomentAfterDetail2_1_00.jpg" title="Contos de Feras de Kathy Ruttenberg"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Assim como nos contos de fadas, dentro de cada um de nós o bem e o mal convivem. Não há harmonia, mas sim um silencioso equilíbrio. As esculturas de Kathy Rottenberg são baseadas nesse silêncio que nos habita e que às vezes esconde sentimentos não tão louváveis.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/contos_de_feras_de_kathy_ruttenberg_1.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2010/05/the_art_browser_o_maior_catalogo_on-line_de_artist.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/05/the_art_browser_o_maior_catalogo_on-line_de_artist_140x105.jpg" title="The Art Browser, o maior catálogo on-line de artistas" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/03/textile_o_maior_teclado_do_mundo.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/03/textile_o_maior_teclado_do_mundo_140x105.jpg" title="TEXTile, O Maior Teclado do Mundo" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/05/aeolus_o_som_do_vento.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/05/aeolus_o_som_do_vento_140x105.jpg" title="Aeolus, o som do vento" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/02/esculturas_humanas_de_antony_gormley.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/02/esculturas_humanas_de_antony_gormley_140x105.jpg" title="esculturas humanas de antony gormley" border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2010/05/the_art_browser_o_maior_catalogo_on-line_de_artist.html" title="Clique para ler este artigo" &gt;The Art Browser, o maior catálogo on-line de artistas&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/03/textile_o_maior_teclado_do_mundo.html" title="Clique para ler este artigo" &gt;TEXTile, O Maior Teclado do Mundo&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/05/aeolus_o_som_do_vento.html" title="Clique para ler este artigo" &gt;Aeolus, o som do vento&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/02/esculturas_humanas_de_antony_gormley.html" title="Clique para ler este artigo" &gt;esculturas humanas de antony gormley&lt;/a&gt;&lt;br /&gt;
		
				
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			<entry>
	    		<title><![CDATA[Esculturas de fluidos]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/m3wUj9o5tog/esculturas-de-fluidos.html" />
				<id>tag:obviousmag.org,2012://27.1708</id>
				<published>2012-05-25T20:30:55Z</published>
   	 		<updated>2012-05-25T20:30:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/esculturas-de-fluidos.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/6f90bfc89669602d7ef8f4a67f251ec4-thumb-400x400-14332.jpg" title="Esculturas de fluidos"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Incríveis esculturas formadas a partir de fluidos, em fotografias de alta velocidade.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/esculturas-de-fluidos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[FLEET FOXES: O RESSOAR DOS CAMPOS]]></title>
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				<id>tag:obviousmag.org,2012://186.1699</id>
				<published>2012-05-25T17:10:57Z</published>
   	 		<updated>2012-05-25T17:10:57Z</updated>
   	 		<author>
	   	     		<name>Arthur Krokovec</name>
					<uri>http://lounge.obviousmag.org/gincobilando/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/gincobilando/2012/05/fleet-foxes-o-ressoar-das-cordilheiras.html"&gt;&lt;img src="http://lounge.obviousmag.org/gincobilando/assets_c/2012/05/Banda%202011_1-thumb-400x400-14213.png" title="FLEET FOXES: O RESSOAR DOS CAMPOS"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Certamente você já se sentiu flutuando ao ouvir uma determinada música. Talvez já tenha fechado os olhos e quando percebeu estava de braços abertos, achando que podia voar. Não duvide, o Fleet Foxes é uma daquela boas exceções, que te fazem perder a noção do tempo. Uma daquelas bandas, que não se encaixam em nenhuma época, pois conseguem pertencer a todas.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/gincobilando/2012/05/fleet-foxes-o-ressoar-das-cordilheiras.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[A diplomacia do Jazz durante a Guerra Fria]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/2h0BEhmDKCI/o_jazz_na_russia_de_nikita_khrushchev.html" />
				<id>tag:obviousmag.org,2012://2.5444</id>
				<published>2012-05-25T13:11:08Z</published>
   	 		<updated>2012-05-25T13:11:08Z</updated>
   	 		<author>
	   	     		<name>graça c. moniz</name>
					<uri>http://obviousmag.org/archives/colaboradores/gracamoniz/</uri>
			</author>
			
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					&lt;a href="http://obviousmag.org/archives/2012/05/o_jazz_na_russia_de_nikita_khrushchev.html"&gt;&lt;img src="http://obviousmag.org/archives/uploads/2012/05/24/00_jazz_guerra_fria_00.jpg" title="A diplomacia do Jazz durante a Guerra Fria"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Há mais de 50 anos atrás, no auge da Guerra Fria, havia pouco espaço para o diálogo intercultural e as duas superpotências procuravam colmatar a lacuna. Nesta batalha pelos "corações e mentes" dos povos do mundo, os Estados Unidos optaram por uma resposta improvável, mas extremamente eficaz às iniciativas soviéticas: a construção de amizades internacionais através do jazz.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://obviousmag.org/archives/2012/05/o_jazz_na_russia_de_nikita_khrushchev.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:12px"&gt;Artigos relacionados:&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;
				
		&lt;a href="http://obviousmag.org/archives/2007/06/libertem_mumia.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2007/06/libertem_mumia_140x105.jpg" title="Libertem Mumia Abu-Jamal - Black Panther Party" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2010/07/a_utopia_perdida_de_salton_sea_por_stephen_tamiesie.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2010/07/a_utopia_perdida_de_salton_sea_por_stephen_tamiesie_140x105.jpg" title="A utopia perdida de Salton Sea, por Stephen Tamiesie" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/10/criancas_guerra_estaline.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/10/criancas_guerra_estaline_140x105.jpg" title="crianças da guerra - as fileiras de estaline" border="0"&gt;&lt;/a&gt;
		
		
		&lt;a href="http://obviousmag.org/archives/2009/01/obama_vai_desapontar.html" title="Clique para ler este artigo" &gt;&lt;img src="http://imgs.obviousmag.org/images/thumbs/2009/01/obama_vai_desapontar_140x105.jpg" title="Obama vai desapontar..." border="0"&gt;&lt;/a&gt;
		
		&lt;br /&gt;
		- &lt;a href="http://obviousmag.org/archives/2007/06/libertem_mumia.html" title="Clique para ler este artigo" &gt;Libertem Mumia Abu-Jamal - Black Panther Party&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2010/07/a_utopia_perdida_de_salton_sea_por_stephen_tamiesie.html" title="Clique para ler este artigo" &gt;A utopia perdida de Salton Sea, por Stephen Tamiesie&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/10/criancas_guerra_estaline.html" title="Clique para ler este artigo" &gt;crianças da guerra - as fileiras de estaline&lt;/a&gt;&lt;br /&gt;
		
		- &lt;a href="http://obviousmag.org/archives/2009/01/obama_vai_desapontar.html" title="Clique para ler este artigo" &gt;Obama vai desapontar...&lt;/a&gt;&lt;br /&gt;
		
				
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			<entry>
	    		<title><![CDATA[Quando O Muro Fala: As Pinturas No Muro de Berlim]]></title>
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				<id>tag:obviousmag.org,2012://146.1706</id>
				<published>2012-05-24T22:40:55Z</published>
   	 		<updated>2012-05-24T22:40:55Z</updated>
   	 		<author>
	   	     		<name>Vinicius Siqueira</name>
					<uri>http://lounge.obviousmag.org/hepatopatia_cronica/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/hepatopatia_cronica/2012/05/quando-o-muro-fala-as-pinturas-no-muro-de-berlim.html"&gt;&lt;img src="http://lounge.obviousmag.org/hepatopatia_cronica/assets_c/2012/05/berlim320-thumb-400x400-14322.jpg" title="Quando O Muro Fala: As Pinturas No Muro de Berlim"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt; O colapso do comunismo do século XXI, simbolizado pela queda do Muro de Berlim, nos deixou muitas marcas sócio-político-econômicas, entretanto, também reservou uma parte de seu impacto para a arte. O muro ainda exibe as suas pinturas, as manifestações registradas num objeto que estava fadado a permanecer eternamente na história do ocidente. Pode-se ver na primeira pintura do texto, intitulada "My God, Help Me Outlive This Deadly Love", a [...]&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/hepatopatia_cronica/2012/05/quando-o-muro-fala-as-pinturas-no-muro-de-berlim.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Sobre desejos contidos e realizações]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/ji3iXxC0LdI/sobre.html" />
				<id>tag:obviousmag.org,2012://89.1691</id>
				<published>2012-05-24T17:00:55Z</published>
   	 		<updated>2012-05-24T17:00:55Z</updated>
   	 		<author>
	   	     		<name>Giovana Damaceno</name>
					<uri>http://lounge.obviousmag.org/entrementes/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/entrementes/2012/05/sobre.html"&gt;&lt;img src="http://lounge.obviousmag.org/entrementes/assets_c/2012/05/realiza%C3%A7%C3%A3o-thumb-400x400-14287.jpg" title="Sobre desejos contidos e realizações"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Estamos sempre tão presos por medos e preconceitos, que os sonhos vão ficando pra depois ou pra nunca mais&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/entrementes/2012/05/sobre.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Era uma vez o Western]]></title>
				<link rel="alternate" type="text/html" href="http://feedproxy.google.com/~r/OBVIOUS/~3/-5DDOPNuaMc/era-uma-vez-o-western.html" />
				<id>tag:obviousmag.org,2012://251.1702</id>
				<published>2012-05-24T14:30:55Z</published>
   	 		<updated>2012-05-24T14:30:55Z</updated>
   	 		<author>
	   	     		<name>Margarete MS</name>
					<uri>http://lounge.obviousmag.org/esconderijo/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/esconderijo/2012/05/era-uma-vez-o-western.html"&gt;&lt;img src="http://lounge.obviousmag.org/esconderijo/assets_c/2012/05/dolares-thumb-400x400-14260.jpg" title="Era uma vez o Western"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Atualmente, a maneira western de fazer filmes anda um pouco desgastada mas não deixou de ocupar seu espaço entre as produções cinematográficas.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/esconderijo/2012/05/era-uma-vez-o-western.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[O quarto dos preservativos: parte 1 e 2]]></title>
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				<id>tag:obviousmag.org,2012://169.1703</id>
				<published>2012-05-24T14:30:54Z</published>
   	 		<updated>2012-05-24T14:30:54Z</updated>
   	 		<author>
	   	     		<name>Inês Petiz</name>
					<uri>http://lounge.obviousmag.org/the_best_way_to_make_your_dreams_come_true/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/the_best_way_to_make_your_dreams_come_true/2012/05/o-quarto-dos-preservativos-parte-1-e-2.html"&gt;&lt;img src="http://lounge.obviousmag.org/the_best_way_to_make_your_dreams_come_true/assets_c/2012/05/O%20quarto%20dos%20preservativos%201-thumb-400x400-14283.jpg" title="O quarto dos preservativos: parte 1 e 2"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A estranheza e o fascínio que nos prende o olhar a estas imagens que revelam o percurso sexual de uma mulher, lembra-me a curiosidade mórbida que quase todos temos em espreitar quando há um acidente na estrada. Como se ver o mal dos outros de alguma forma nos fizesse ficar aliviados por não sermos nós. Lembra-me também aquela sensação de admiração que sentimos quando alguém revela uma coragem inesperada num determinado acto. O “quarto dos preservativos” é uma provocação.&lt;/p&gt;
				
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			<entry>
	    		<title><![CDATA[A metamorfose de Gregor Samsa]]></title>
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				<id>tag:obviousmag.org,2012://32.1701</id>
				<published>2012-05-23T22:50:54Z</published>
   	 		<updated>2012-05-23T22:50:54Z</updated>
   	 		<author>
	   	     		<name>Rodrigo Della Santina</name>
					<uri>http://lounge.obviousmag.org/o_limiar_da_lucidez/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-metamorfose-de-gregor-samsa.html"&gt;&lt;img src="http://lounge.obviousmag.org/o_limiar_da_lucidez/assets_c/2012/05/metamorfose%5B1%5D-thumb-400x400-14244.jpg" title="A metamorfose de Gregor Samsa"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;A famigerada Metamorfose de Franz Kafka.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/o_limiar_da_lucidez/2012/05/a-metamorfose-de-gregor-samsa.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[Moda e Design: relógios criativos]]></title>
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				<id>tag:obviousmag.org,2012://27.1698</id>
				<published>2012-05-23T16:00:55Z</published>
   	 		<updated>2012-05-23T16:00:55Z</updated>
   	 		<author>
	   	     		<name>Rejane Borges</name>
					<uri>http://lounge.obviousmag.org/secret_sins/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/moda-e-design-relogios-criativos.html"&gt;&lt;img src="http://lounge.obviousmag.org/sphere/assets_c/2012/05/QLOCKTWO%20Wall%20Clock%20by%20Biegert%20%26%20Funk2-thumb-400x400-14162.jpg" title="Moda e Design: relógios criativos"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Para os amantes de Style &amp; Fashion, alguns criativos e inusitados designers de relógios de pulso.&lt;/p&gt;
				
				&lt;br /&gt;&lt;strong&gt;&lt;a href="http://lounge.obviousmag.org/sphere/2012/05/moda-e-design-relogios-criativos.html"&gt;Ler o artigo completo&lt;/a&gt;&lt;/strong&gt;&lt;br /&gt;
				
				
				
				
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			<entry>
	    		<title><![CDATA[RIO (2011)]]></title>
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				<id>tag:obviousmag.org,2012://241.1689</id>
				<published>2012-05-23T16:00:55Z</published>
   	 		<updated>2012-05-23T16:00:55Z</updated>
   	 		<author>
	   	     		<name>Fran Lipinski</name>
					<uri>http://lounge.obviousmag.org/de_agua_e_vinho/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/de_agua_e_vinho/2012/05/rio-2011.html"&gt;&lt;img src="http://lounge.obviousmag.org/de_agua_e_vinho/assets_c/2012/05/rio%20-%20thumbnail-thumb-400x400-14133.jpg" title="RIO (2011)"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;Cidade de homens e de deuses, o Rio de Janeiro ainda tem suas razões de maravilha. Carlos Saldanha dá um respiro em meio às vísceras dos cineastas nacionais e faz um filme divertido, didático e visualmente atraente.&lt;/p&gt;
				
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			<entry>
	    		<title><![CDATA[richard gerstl: loucura e dor, com maestria]]></title>
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				<id>tag:obviousmag.org,2012://131.1603</id>
				<published>2012-05-23T16:00:55Z</published>
   	 		<updated>2012-05-23T16:00:55Z</updated>
   	 		<author>
	   	     		<name>arxvis</name>
					<uri>http://lounge.obviousmag.org/arxvis/autor/</uri>
			</author>
			
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					&lt;a href="http://lounge.obviousmag.org/arxvis/2012/05/richard-gerstl.html"&gt;&lt;img src="http://lounge.obviousmag.org/arxvis/assets_c/2012/05/Self-Portrait-Laughing-thumb-400x400-13361.jpeg" title="richard gerstl: loucura e dor, com maestria"&gt;&lt;/a&gt;&lt;br /&gt;
					&lt;p&gt;a arte de &lt;strong&gt;gerstl&lt;/strong&gt; foi revolucionária, tecnicamente visionária, e de um expressionismo que ainda não encontrou seu par. hoje em dia, pintores que escolhem explorar as tintas e o gesto da mesma forma arrojada - figurativa e ao mesmo tempo abstrata, psicológica e ao mesmo tempo distanciada - parecem sombras, se comparados à maestria e ousadia desse jovem e trágico pintor &lt;/p&gt;
				
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