tag:blogger.com,1999:blog-1793063735579568706Thu, 26 Mar 2026 00:15:54 +0000HistoryChris GratienOttoman EmpireOHP EpisodesNir ShafirTürkçeSeason 8Susanna FergusonSam DolbeeThe Visual PastEgyptSTSseriesGender SeriesIstanbulShireen HamzaSyriaUrban HistoryLebanonModern TurkeyPoliticsGenderMigrationNationalismIslamPalestineBest of 2016 ListEmrah Safa GürkantajineHistory of ScienceLawMatthew GhazarianReligionWorld War IArchitectureLawSeriesLiteratureZoe GriffithArmenian GenocideCan GümüşTurkeyWWIArmeniansMediterraneanRace19th CenturyBest of 2017 ListDiplomacyIsraelMusicUnited States20th CenturyIraqMaryam PattonSufismAlgeriaArtBest of 2019 ListEarly ModernEnvironmental HistoryIntellectual HistorySeçil YılmazHistoriographySlaveryThe Great WarTranslationMedievalColonialismEducationEmily NeumeierGreeceWomenIndian OceanLaborArabicBalkansDiseaseGraham PittsMilitary HistoryNicholas DanforthPoetrySocial HistoryZeinab AzarbadeganEarly Modern EuropeFrench ColonialismImperialismMichael TalbotMoroccoSouth Asia17th centuryAnatoliaCapitalismMedicineModernityRussian EmpireTanzimatTaylan GüngörTechnologyArab ProvincesBrittany WhiteConversionGlobal HistoryGraham CornwellGreeksHMXJoshua WhiteOrientalismSexThe Making of the Islamic WorldAgricultureAndreas GuidiAnthropologyArticlesHajjIndiaIranIslamic LawRefugeesSephardicTradeArchivesCultureFranceHistory of MedicinePolitical EconomyÖnder Akgül18th centuryAlevisArt HistoryAurelie PerrierCitizenshipDiasporaEcologyFahad BisharaJewish HistoryJewsMiddle EastNorth AfricaPastoralismPlagueSectarianismThe YaylaTozsuz EvrakWar16th CenturyAfricaArabic LiteratureBeirutBiographyBosniaBritish ColonialismBritish MandateCairoChildhoodCommunismDeportationEconomyFilmFood HistoryGeographyHabsburg EmpireIdentityMahjarMapsMemoryMissionariesModernizationPaintingPhotographyPodcastingPolina IvanovaPropertyReem BailonySafavidsSoundscapesSourcesSoutheast PassageSpainTunisiaZachary J. 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HalperinLittle SyriaLocal HistoryLocustsLogicLorenz KornLubuncaLucia CarminatiLydia HarringtonM'hamed OualdiMadeleine ElfenbeinMadnessMaha NassarMahmood KooriaMalcolm XMalgorzata KurjanskaMalte FuhrmannManan Ahmed AsifManchuriaMarashMarc AymesMargaux FitoussiMarijana MisevicMarijuanaMarilyn BoothMarketingMarriageMartin CrusiusMarvel ComicsMarwa ElshakryMary RobertsMarylandMassumeh FarhadMatthew EllisMatthew MacLeanMavi BoncukMayte Green-MercadoMedia StudiesMedical AnthropologyMehmet RaufMehtap ÇelikMelda ÜnerMelih LeviMelike KaraMelis SüloşMeltem KocamanMersinMesopotamiaMessianismMetaphorMetin AtmacaMichael ProvenceMichael TworekMicrohistoryMidwestMihri RasimMilena MethodievaMiningMixtapeMoldovaMolly GreeneMonica GreenMonica RingerMonkeysMoralityMoriscosMountainsMuriam Haleh DavisMuslim BrotherhoodMuslimsMustafa KemalMuzaffer ÖzgüleşMysticismNablusNadim ShehadiNadir ÖzbekNamık KemalNancy UmNapoleon BonaparteNarrativeNasserNatalie RothmanNatural DisastersNaveena NaqviNazarethNeda MaghboulehNefin DinçNeo-LiberalismNeo-OttomanismNetworksNevila PahumiNewsNezih ErdoğanNicholas KontovasNicholas MortonNicolas TrépanierNicole van OsNidhi MahajanNilay Özok-GündoğanNizamiye CourtsNora BarakatNorig NeveuNormansNorwayNorwegianNour HammadaNova RobinsonNoémi Lévy-AksuNubiaNur Sobers-KhanNurfadzilah YahayaOHP VaultOceansOhannes KılıçdağıOlivesOlly AkkermanOludamini OgunnaikeOmar ChetaOmar MohammedOmnia El ShakryOnur EnginOnur İşçiOpiumOral HistoryOrientalistsOriginsOsman of TimisoaraOsmanlı TarihiOttomanOttoman CultureOttoman DynastyOttoman EmpreOttoman LanguageOttoman MusicOttoman societyOttomanismOusmane KaneOwen MillerOzan AksoyOzan OzavciPaduaPakistanPalermoPalmira BrummettPampletsPan-IslamPan-TurkismPanayotis LeaguePaolo GirardelliParamilitariesPascale BarthePascale GhazalehPasteurPatreonPaul DrummondPaulina DominikPerin GürelPeriodizationPeter LaurencePeter McMurrayPeter WienPhanariotsPhilipp WirtzPhilippe BourmaudPier Mattia TommasinoPierre 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KuruSelçukSensibilitiesServet-i FünunSeth KimmelShahShahnameShajar al-DurrShakespeareShakib ArslanShannon ChakrabortySheikh ImamSherene SeikalyShi'ismShibli NomaniShira RobinsonSicilySilkSimon RettigSingaporeSinopSittingSlangSleddogsSnowSokollu Mehmed PashaSolidereSomaliaSooyong KimSound StudiesSoundsSources in TranslationStacy FahrentholdStateStefan MartensStefan WinterStefano TagliaStefo BenlisoyStorySugarSuicideSuja SawaftaSuleiman the MagnificentSultan Abdülhamid IISumaiya HamdaniSumayya KassamaliSunil SharmaSuzy HansenSylvia AlajajiSylvia ÖnderSyriac ChristiansTahrir DeftersTaieb BelghaziTaksim SquareTalaat PashaTamar NovickTangierTanpınarTarih YazımıTayeb SalihTaylan AkyıldırımTeena PurohitTelegramTelegraphThe OtherThe Wild FieldTibetTimbuktuTony PerryToothpasteTopkapı PalaceTourismToygun AltıntaşTraditionTraditionalismTrailerTramsTransjordanTransliterationTransnationalTravelTravelersTreesTrending GloballyTuba DemirciTuna ArtunTyler ConklinTyler KynnTülün DeğirmenciTürk OcağıUNHCRUkraineUlemaUmmahUrduUssama MakdisiUğur PeçeVahé TachjianValantis StamelosValerie McGuireVictoria Saker WoesteVictoria Saker-WoesteViennaVietnamVinylVision ScienceVladimir Hamed-TroyanskyWar MedalsWar on TerrorWendell MarshWendy ShawWesternizationWhalesWill HanleyWill SmileyWilliam GranaraWireless TelegraphWorld EconomyWorld War IIY. Doğan ÇetinkayaYael BerdaYakoob AhmedYakup Kadri KaraosmanoğluYalçın ÇakmakYasemin GencerYasmine SealeYelins MahtatYeniçeri Mezar TaşlarıYonca KöksalYugoslaviaYunus UğurYusuf AkçuraZabelle PanosianZanzibarZeftaZeinab FawwazZeynep ErtuğrulZeynep GürselZeynep KutluataZeynep Oktay UsluZeynep SabancıZeynep ÇelikZikrZiya GökalpZoroastriansZouavesal-Bayatiboycottboykotcommunitydressethnicityeunuch; Beşir Ağaforgerygershon shafirhijabhiphopiceinternational lawinternetisrael/palestineişçi hareketlandscapelauren davislibrariesmidwivesnaturepodcastpost-Ottoman worldransomreceptionreproductionsicilsmellsocial networksspice bazaarstate of emergencytarboushtemporalityvernacularizationwest bankÇiğdem OğuzÇukurovaÖzge CalafatoÖzge ErtemÖzge SamancıÖzlem Gülin DağoğluÜsküdarİlkay Yılmazİpek Hüner Coraİrfan Davut ÇamŞevket PamukŞeyma AfacanŞölen Şanlı Vasquez"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.https://www.ottomanhistorypodcast.com/search/label/The%20Visual%20Pastnoreply@blogger.com (Chris Gratien)Blogger44125en-usnoAll Rights ReservedHistory,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Press"The Visual Past” showcases the latest research by scholars who explore the visual, spatial, and material culture that shaped the Ottoman world. The series will address not only objects, images, and calligraphy, but also works of architecture that were themselves contexts for other media. Before being designated historical landmarks or enshrined in museum displays, these rich artistic and architectural products constituted an intrinsic part of Ottoman life, intersecting with and affecting all levels of society. Episodes in this series investigate crucial issues about sight and seeing in the Ottoman Empire, including the power of the gaze, the depiction of human and animal imagery, and questions of style, aesthetics, and patronage. The series also explores transformations in technology that opened up new possibilities during the nineteenth and twentieth centuries for the popular dissemination of images through photographs, print media, and film.visual approaches to the history of the Ottoman Empire and beyondOttoman History Podcastadmin@ottomanhistorypodcast.comOttoman History Podcasttag:blogger.com,1999:blog-1793063735579568706.post-2600184954369432477Thu, 03 Nov 2022 13:43:00 +00002022-11-03T21:20:43.549+03:00Art HistoryEarly ModernHistoryIslamic ArtOHP EpisodesOttoman EmpirePaintingPersiaThe Visual PastWendy ShawZeinab Azarbadegan <div class="guest_name"> <a href="" target="_blank"> with Wendy M. K. Shaw </a></div> <div class="host_name"> hosted by <a href="https://columbia.academia.edu/ZeinabAzarbadegan" target="_blank">Zeinab Azarbadegan</a></div> <div class="hidden_synopsis"> | What is an image in Islam? Is its permissibility the main preoccupation of Islamic discourses? In this episode, Wendy M.K. Shaw revisits the foundations of art history and considers their colonial and Eurocentric roots. She discusses the stories of art and artists that circulated in the Islamic world, not all of which were accompanied with images, in order to understand what the role of art and the artist were conceived of the pre-modern Islamic world. Redefining concepts such as the image, perspective, art, and history, she sketches the alternative Islamic perceptual culture in which seeing with the ear and seeing with the heart are central to understanding this world as the manifestation of the divine. </div> <a href="https://www.ottomanhistorypodcast.com/2022/11/shaw.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2022/11/shaw.html0admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Wendy M. K. Shaw hosted by Zeinab Azarbadegan | What is an image in Islam? Is its permissibility the main preoccupation of Islamic discourses? In this episode, Wendy M.K. Shaw revisits the foundations of art history and considers their colonial and Eurocentric roots. She discusses the stories of art and artists that circulated in the Islamic world, not all of which were accompanied with images, in order to understand what the role of art and the artist were conceived of the pre-modern Islamic world. Redefining concepts such as the image, perspective, art, and history, she sketches the alternative Islamic perceptual culture in which seeing with the ear and seeing with the heart are central to understanding this world as the manifestation of the divine. « Click for More »Ottoman History Podcastwith Wendy M. K. Shaw hosted by Zeinab Azarbadegan | What is an image in Islam? Is its permissibility the main preoccupation of Islamic discourses? In this episode, Wendy M.K. Shaw revisits the foundations of art history and considers their colonial and Eurocentric roots. She discusses the stories of art and artists that circulated in the Islamic world, not all of which were accompanied with images, in order to understand what the role of art and the artist were conceived of the pre-modern Islamic world. Redefining concepts such as the image, perspective, art, and history, she sketches the alternative Islamic perceptual culture in which seeing with the ear and seeing with the heart are central to understanding this world as the manifestation of the divine. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-5402850521988002415Tue, 11 Oct 2022 18:04:00 +00002022-10-13T19:26:57.546+03:00FamilyGenderHistoryNationalismOHP EpisodesOttoman EmpirePhotographyTechnologyThe Visual PastTurkeyZeinab AzarbadeganÖzge Calafato <div class="guest_name"> <a href="https://uva.academia.edu/OzgeCalafato" target="_blank"> with Özge Calafato </a></div> <div class="host_name"> hosted by <a href="https://columbia.academia.edu/ZeinabAzarbadegan" target="_blank">Zeinab Azarbadegan</a></div> <div class="hidden_synopsis"> | What can family and individual studio photographs tell us about social life in the early Republic of Turkey? In this episode, Özge Calafato highlights the negotiations between the Kemalist state, the photographers, and the people being photographed that led to classed and gendered representation of modern Turkish citizens in vernacular photography. Calafato analyzes not only the image, but also the context of production and the inscriptions written behind photographs. Looking at photos of subjects as ranging from beauty queens and feminist activists to bank employees and soldiers, she considers the production and circulation of photos not only in urban studios and within families but also in rural areas and within friendship groups. </div> <a href="https://www.ottomanhistorypodcast.com/2022/10/calafato.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2022/10/calafato.html0Netherlands52.132633 5.291265999999999423.822399163821153 -29.864984 80.442866836178837 40.447516admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Özge Calafato hosted by Zeinab Azarbadegan | What can family and individual studio photographs tell us about social life in the early Republic of Turkey? In this episode, Özge Calafato highlights the negotiations between the Kemalist state, the photographers, and the people being photographed that led to classed and gendered representation of modern Turkish citizens in vernacular photography. Calafato analyzes not only the image, but also the context of production and the inscriptions written behind photographs. Looking at photos of subjects as ranging from beauty queens and feminist activists to bank employees and soldiers, she considers the production and circulation of photos not only in urban studios and within families but also in rural areas and within friendship groups. « Click for More »Ottoman History Podcastwith Özge Calafato hosted by Zeinab Azarbadegan | What can family and individual studio photographs tell us about social life in the early Republic of Turkey? In this episode, Özge Calafato highlights the negotiations between the Kemalist state, the photographers, and the people being photographed that led to classed and gendered representation of modern Turkish citizens in vernacular photography. Calafato analyzes not only the image, but also the context of production and the inscriptions written behind photographs. Looking at photos of subjects as ranging from beauty queens and feminist activists to bank employees and soldiers, she considers the production and circulation of photos not only in urban studios and within families but also in rural areas and within friendship groups. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-4421216838553361598Tue, 25 Aug 2020 00:24:00 +00002020-08-27T17:43:14.369+03:00ArtArt HistoryBooksElisabeth FraserEmily NeumeierEuropeHistoryOHP EpisodesOttoman EmpireThe Visual PastTravelTravelogue<div dir="ltr" style="text-align: left;" trbidi="on"> <br> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 473</div> <br> <div class="guest_name"> <a href="https://usf.academia.edu/ElisabethFraser" target="_blank"> with Elisabeth Fraser </a></div> <div class="host_name"> <a href="https://temple.academia.edu/EmilyNeumeier" target="_blank">hosted by Emily Neumeier</a></div> <br> <div class="episode_synopsis"> For centuries, people have been documenting their travels with images, which purportedly function as visual evidence for someone’s experience far from home. This was no less the case for Europeans touring through Ottoman lands, who created a whole industry selling pictures from their time abroad. In this episode, Elisabeth Fraser explains how Western European artists at the turn of the eighteenth century began to create a new type of popular media, the illustrated travel volume. But these were not small guide books to tuck away in your pocket, they were large-scale luxury publications for the discerning armchair traveler. The enormous size and high production quality of these books and the accompanying images means that they were not the work of a single person but rather a large team of artists. Reflecting on these questions of authenticity, Dr. Fraser discusses how her research aims to take up a more nuanced view of the complexities of cross-cultural encounter. </div> </div></div><a href="https://www.ottomanhistorypodcast.com/2020/08/fraser.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2020/08/fraser.html0Tampa, FL, USA27.950575 -82.4571776-0.35965883617884487 -117.6134276 56.260808836178846 -47.300927599999994admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 473 with Elisabeth Fraser hosted by Emily Neumeier For centuries, people have been documenting their travels with images, which purportedly function as visual evidence for someone’s experience far from home. This was no less the case for Europeans touring through Ottoman lands, who created a whole industry selling pictures from their time abroad. In this episode, Elisabeth Fraser explains how Western European artists at the turn of the eighteenth century began to create a new type of popular media, the illustrated travel volume. But these were not small guide books to tuck away in your pocket, they were large-scale luxury publications for the discerning armchair traveler. The enormous size and high production quality of these books and the accompanying images means that they were not the work of a single person but rather a large team of artists. Reflecting on these questions of authenticity, Dr. Fraser discusses how her research aims to take up a more nuanced view of the complexities of cross-cultural encounter. « Click for More »Ottoman History PodcastEpisode 473 with Elisabeth Fraser hosted by Emily Neumeier For centuries, people have been documenting their travels with images, which purportedly function as visual evidence for someone’s experience far from home. This was no less the case for Europeans touring through Ottoman lands, who created a whole industry selling pictures from their time abroad. In this episode, Elisabeth Fraser explains how Western European artists at the turn of the eighteenth century began to create a new type of popular media, the illustrated travel volume. But these were not small guide books to tuck away in your pocket, they were large-scale luxury publications for the discerning armchair traveler. The enormous size and high production quality of these books and the accompanying images means that they were not the work of a single person but rather a large team of artists. Reflecting on these questions of authenticity, Dr. Fraser discusses how her research aims to take up a more nuanced view of the complexities of cross-cultural encounter. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-734506483977719422Thu, 13 Aug 2020 18:50:00 +00002020-08-18T18:29:18.804+03:00Armenian GenocideArmeniansArtArt HistoryHistoryJerusalemOHP EpisodesOttoman EmpireSam DolbeeSato MoughalianThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <br> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 471</div> <br> <div class="guest_name"> <a href="http://www.satomoughalian.com/" target="_blank"> with Sato Moughalian </a></div> <div class="host_name"> <a href="https://harvard.academia.edu/SamDolbee" target="_blank">hosted by Sam Dolbee</a></div> <br> <div class="episode_synopsis">David Ohannessian is one of the foremost pioneers of the ceramic styles associated today with the city of Jerusalem, but the remarkable story of how he ended up there has never been properly told. Born in 1884 outside of Eskişehir (modern-day Turkey), David Ohannessian became a master in the iconic Kütahya style of Ottoman ceramics. He worked on important architectural projects of the Ottoman government, only to be deported during the Armenian Genocide. He managed to survive, however, and continued his craft afterward in Jerusalem, where he became involved with restoration of the Dome of the Rock and opened his own ceramics studio in the Old City. Yet the past stayed with him, especially the weight of his experience during the genocide. In this episode, Sato Moughalian discusses <i><a href="https://www.sup.org/books/title/?id=28630">Feast of Ashes</a></i>, her recent biography of Ohannessian. She also talks about his story&#39;s personal resonance for her as Ohannessian&#39;s granddaughter. His artistic persistence provided a model of resilience to emulate in her own art, but the violence and displacement experienced by Ohannessian and his family also left a legacy of secrets and complicated grief in Moughalian&#39;s life that was long felt but seldom addressed. </div> </div></div><a href="https://www.ottomanhistorypodcast.com/2020/08/ohannessian.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2020/08/ohannessian.html0New York, NY, USA40.7127753 -74.005972812.402541463821152 -109.1622228 69.023009136178842 -38.849722799999995admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 471 with Sato Moughalian hosted by Sam Dolbee David Ohannessian is one of the foremost pioneers of the ceramic styles associated today with the city of Jerusalem, but the remarkable story of how he ended up there has never been properly told. Born in 1884 outside of Eskişehir (modern-day Turkey), David Ohannessian became a master in the iconic Kütahya style of Ottoman ceramics. He worked on important architectural projects of the Ottoman government, only to be deported during the Armenian Genocide. He managed to survive, however, and continued his craft afterward in Jerusalem, where he became involved with restoration of the Dome of the Rock and opened his own ceramics studio in the Old City. Yet the past stayed with him, especially the weight of his experience during the genocide. In this episode, Sato Moughalian discusses Feast of Ashes, her recent biography of Ohannessian. She also talks about his story&#39;s personal resonance for her as Ohannessian&#39;s granddaughter. His artistic persistence provided a model of resilience to emulate in her own art, but the violence and displacement experienced by Ohannessian and his family also left a legacy of secrets and complicated grief in Moughalian&#39;s life that was long felt but seldom addressed.  « Click for More »Ottoman History PodcastEpisode 471 with Sato Moughalian hosted by Sam Dolbee David Ohannessian is one of the foremost pioneers of the ceramic styles associated today with the city of Jerusalem, but the remarkable story of how he ended up there has never been properly told. Born in 1884 outside of Eskişehir (modern-day Turkey), David Ohannessian became a master in the iconic Kütahya style of Ottoman ceramics. He worked on important architectural projects of the Ottoman government, only to be deported during the Armenian Genocide. He managed to survive, however, and continued his craft afterward in Jerusalem, where he became involved with restoration of the Dome of the Rock and opened his own ceramics studio in the Old City. Yet the past stayed with him, especially the weight of his experience during the genocide. In this episode, Sato Moughalian discusses Feast of Ashes, her recent biography of Ohannessian. She also talks about his story&#39;s personal resonance for her as Ohannessian&#39;s granddaughter. His artistic persistence provided a model of resilience to emulate in her own art, but the violence and displacement experienced by Ohannessian and his family also left a legacy of secrets and complicated grief in Moughalian&#39;s life that was long felt but seldom addressed.  « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-4972239713143955806Sun, 05 Jul 2020 17:02:00 +00002020-07-06T15:08:10.794+03:00DiplomacyEarly ModernEmily NeumeierHabsburgsHistoryIstanbulOHP EpisodesOttoman EmpireRobyn Dora RadwayThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <br> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 465</div> <br> <div class="guest_name"> <a href="https://people.ceu.edu/robyn-dora_radway" target="_blank"> with Robyn Dora Radway </a></div> <div class="host_name"> <a href="https://temple.academia.edu/EmilyNeumeier" target="_blank">hosted by Emily Neumeier</a></div> <br> <div class="episode_synopsis"> What was it like to be a foreigner living in Ottoman Istanbul? In this episode, our guest Robyn Dora Radway answers this question by providing an in-depth look at an unusual type of document: alba amicorum, or friendship albums, which were essentially the social media of the sixteenth century. Produced in the Habsburg embassy (aka the “German House&quot;), these albums functioned like yearbooks in that the owners residing in the embassy would strive to collect all manner of mementos from their time abroad, including signatures, poems, short anecdotes, and even drawings and paintings. At the German House, men from all walks of life would end up assembling their own album amicorum, from the Habsburg ambassador to the cook (who was quite popular and had the largest album by far). We discuss how these albums can thus serve as a valuable resource for historians, as they offer a full picture of the social makeup of these kinds of diplomatic spaces—information that does not often turn up in more traditional archives. </div> </div></div><a href="https://www.ottomanhistorypodcast.com/2020/07/radway.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2020/07/radway.html0Budapest, Hungary47.497912 19.04023547.154509499999996 18.394788 47.8413145 19.685682admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 465 with Robyn Dora Radway hosted by Emily Neumeier What was it like to be a foreigner living in Ottoman Istanbul? In this episode, our guest Robyn Dora Radway answers this question by providing an in-depth look at an unusual type of document: alba amicorum, or friendship albums, which were essentially the social media of the sixteenth century. Produced in the Habsburg embassy (aka the “German House&quot;), these albums functioned like yearbooks in that the owners residing in the embassy would strive to collect all manner of mementos from their time abroad, including signatures, poems, short anecdotes, and even drawings and paintings. At the German House, men from all walks of life would end up assembling their own album amicorum, from the Habsburg ambassador to the cook (who was quite popular and had the largest album by far). We discuss how these albums can thus serve as a valuable resource for historians, as they offer a full picture of the social makeup of these kinds of diplomatic spaces—information that does not often turn up in more traditional archives. « Click for More »Ottoman History PodcastEpisode 465 with Robyn Dora Radway hosted by Emily Neumeier What was it like to be a foreigner living in Ottoman Istanbul? In this episode, our guest Robyn Dora Radway answers this question by providing an in-depth look at an unusual type of document: alba amicorum, or friendship albums, which were essentially the social media of the sixteenth century. Produced in the Habsburg embassy (aka the “German House&quot;), these albums functioned like yearbooks in that the owners residing in the embassy would strive to collect all manner of mementos from their time abroad, including signatures, poems, short anecdotes, and even drawings and paintings. At the German House, men from all walks of life would end up assembling their own album amicorum, from the Habsburg ambassador to the cook (who was quite popular and had the largest album by far). We discuss how these albums can thus serve as a valuable resource for historians, as they offer a full picture of the social makeup of these kinds of diplomatic spaces—information that does not often turn up in more traditional archives. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-8053630981612809425Sun, 19 Apr 2020 17:25:00 +00002022-03-11T21:16:49.514+03:00Can GümüşEarly Modern EuropeFatih ParlakGamesHistoryLeisureOrientalismOttoman EmpireStereotypesThe Visual PastTürkçe <br> <div class="episode_no"> Bölüm 460</div> <br> <div class="guest_name"> <a href="https://uab.academia.edu/FatihParlak" target="_blank"> Fatih Parlak </a></div> <div class="host_name"> Sunucu: <a href="https://boun.academia.edu/YeterCanG%C3%BCm%C3%BC%C5%9F" target="_blank">Can Gümüş </a> </div> <br> <div class="episode_synopsis"> Erken modern dönemde Avrupa’nın oyun dünyası nasıldı? Avrupa’nın çeşitli ülkelerinde üretilen bu oyunlarda Türkler nasıl temsil ediliyordu? Bu bölümde, Dr. Fatih Parlak ile bu sorular etrafında sohbet ediyoruz. Parlak’ın doktora tezi batılı kaynaklarda yer alan Türk imgesini durağan kabul eden ana akım yaklaşımları yeniden değerlendiriyor ve bu imgenin çok katmanlı ve çok yönlü olarak değerlendirilmesi gerektiğine vurgu yapıyor. Aynı zamanda, oyunları incelemenin açtığı yeni araştırma imkânlarını da tartışıyor. </div> <a href="https://www.ottomanhistorypodcast.com/2020/04/turk-imgesi.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2020/04/turk-imgesi.html0Bebek, 34342 Beşiktaş/İstanbul, Turkey41.0847571 29.051039940.3178961 27.7601464 41.851618099999996 30.3419334admin@ottomanhistorypodcast.com (Ottoman History Podcast)noBölüm 460 Fatih Parlak Sunucu: Can Gümüş Erken modern dönemde Avrupa’nın oyun dünyası nasıldı? Avrupa’nın çeşitli ülkelerinde üretilen bu oyunlarda Türkler nasıl temsil ediliyordu? Bu bölümde, Dr. Fatih Parlak ile bu sorular etrafında sohbet ediyoruz. Parlak’ın doktora tezi batılı kaynaklarda yer alan Türk imgesini durağan kabul eden ana akım yaklaşımları yeniden değerlendiriyor ve bu imgenin çok katmanlı ve çok yönlü olarak değerlendirilmesi gerektiğine vurgu yapıyor. Aynı zamanda, oyunları incelemenin açtığı yeni araştırma imkânlarını da tartışıyor. « Click for More »Ottoman History PodcastBölüm 460 Fatih Parlak Sunucu: Can Gümüş Erken modern dönemde Avrupa’nın oyun dünyası nasıldı? Avrupa’nın çeşitli ülkelerinde üretilen bu oyunlarda Türkler nasıl temsil ediliyordu? Bu bölümde, Dr. Fatih Parlak ile bu sorular etrafında sohbet ediyoruz. Parlak’ın doktora tezi batılı kaynaklarda yer alan Türk imgesini durağan kabul eden ana akım yaklaşımları yeniden değerlendiriyor ve bu imgenin çok katmanlı ve çok yönlü olarak değerlendirilmesi gerektiğine vurgu yapıyor. Aynı zamanda, oyunları incelemenin açtığı yeni araştırma imkânlarını da tartışıyor. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-2523346818294237815Sun, 19 Jan 2020 15:08:00 +00002022-05-23T12:05:01.304+03:00ArtHistoryMary RobertsOrientalismOsman Hamdi BeyPaintingThe Visual PastZeinab Azarbadegan<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 445</div> <br> <div class="guest_name"> <a href="https://sydney.academia.edu/MaryRoberts" target="_blank"> with Mary Roberts </a></div> <div class="host_name"> <a href="https://history.columbia.edu/faculty/azarbadegan-zeinab/" target="_blank">hosted by Zeinab Azarbadegan</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b><br> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/roberts" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> The line between Orientalist and Ottoman painting might at first seem clear. But in this episode, historian Mary Roberts argues that such distinctions are in fact complicated, drawing on her recent book <i><a href="https://www.ucpress.edu/book/9780520280533/istanbul-exchanges" target="_blank">Istanbul Exchanges: Ottomans, Orientalists and Nineteenth-Century Visual Culture</a></i>. She explains how Istanbul became a global center of production, circulation, and exhibition of visual culture in the nineteenth century. Ottomans and Orientalists both contended and connected with each other--whether in Pera or in the palace--and Roberts discusses how these networks of patronage and apprenticeship eventually led to works that were produced in Istanbul ending up all around the world. There they became defined as Orientalist, but Roberts unearths the more tangled genealogy of their production, as well as the relevance of audience in these characterizations. </div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2020/01/ottoman-paintings.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2020/01/ottoman-paintings.html0İstanbul, Turkey41.0082376 28.97835889999998940.6247881 28.332911899999988 41.3916871 29.62380589999999admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 445 with Mary Roberts hosted by Zeinab Azarbadegan Download the podcast Feed | iTunes | GooglePlay | SoundCloud The line between Orientalist and Ottoman painting might at first seem clear. But in this episode, historian Mary Roberts argues that such distinctions are in fact complicated, drawing on her recent book Istanbul Exchanges: Ottomans, Orientalists and Nineteenth-Century Visual Culture. She explains how Istanbul became a global center of production, circulation, and exhibition of visual culture in the nineteenth century. Ottomans and Orientalists both contended and connected with each other--whether in Pera or in the palace--and Roberts discusses how these networks of patronage and apprenticeship eventually led to works that were produced in Istanbul ending up all around the world. There they became defined as Orientalist, but Roberts unearths the more tangled genealogy of their production, as well as the relevance of audience in these characterizations.  « Click for More »Ottoman History PodcastEpisode 445 with Mary Roberts hosted by Zeinab Azarbadegan Download the podcast Feed | iTunes | GooglePlay | SoundCloud The line between Orientalist and Ottoman painting might at first seem clear. But in this episode, historian Mary Roberts argues that such distinctions are in fact complicated, drawing on her recent book Istanbul Exchanges: Ottomans, Orientalists and Nineteenth-Century Visual Culture. She explains how Istanbul became a global center of production, circulation, and exhibition of visual culture in the nineteenth century. Ottomans and Orientalists both contended and connected with each other--whether in Pera or in the palace--and Roberts discusses how these networks of patronage and apprenticeship eventually led to works that were produced in Istanbul ending up all around the world. There they became defined as Orientalist, but Roberts unearths the more tangled genealogy of their production, as well as the relevance of audience in these characterizations.  « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-6247071525671702676Mon, 25 Mar 2019 13:21:00 +00002021-04-22T00:12:34.386+03:00ArmeniaArmenian GenocideArtBest of 2019 ListCultural HeritageEastern AnatoliaEmily NeumeierHeghnar WatenpaughHistoryMuseumsOHP EpisodesSeason 8The Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 407</div> <br> <div class="guest_name"> <a href="https://ucdavis.academia.edu/HeghnarZeitlianWatenpaugh" target="_blank">with Heghnar Watenpaugh</a></div> <div class="host_name"> hosted by <a href="https://upenn.academia.edu/EmilyNeumeier" target="_blank">Emily Neumeier</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b><br> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/survivor-objects-and-the-lost-world-of-ottoman-armenians-heghnar-watenpaugh" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> The genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a &quot;survivor object,&quot; contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public.</div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2019/03/survivor-objects.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2019/03/survivor-objects.html0New Haven, CT, USA41.308274 -72.92788350000000741.212838999999995 -73.089245 41.403709 -72.766522000000009admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 407 with Heghnar Watenpaugh hosted by Emily Neumeier Download the podcast Feed | iTunes | GooglePlay | SoundCloud The genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a &quot;survivor object,&quot; contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public. « Click for More »Ottoman History PodcastEpisode 407 with Heghnar Watenpaugh hosted by Emily Neumeier Download the podcast Feed | iTunes | GooglePlay | SoundCloud The genre of biography usually applies to people, but could a similar approach be applied to an object? Can a thing have a life of its own? In this episode, Heghnar Watenpaugh explores this question by tracing the long journey of the Zeytun Gospels, a famous illuminated manuscript considered to be a masterpiece of medieval Armenian art. Protected for centuries in a remote church in eastern Anatolia, the sacred book traveled with the waves of people displaced by the Armenian genocide. Passed from hand to hand, caught in the chaos of the First World War, it was divided in two. Decades later, the manuscript found its way to the Republic of Armenia, while its missing eight pages came to the Getty Museum in LA. In this interview, we discuss how the Zeytun Gospels could be understood as a &quot;survivor object,&quot; contributing to current discussions about the destruction of cultural heritage. We also talk about the challenges of writing history for a broader reading public. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-531107082718066607Sat, 02 Feb 2019 13:42:00 +00002021-04-22T00:12:34.383+03:00Art HistoryBest of 2019 ListforgeryHistoryHistory of ScienceinternetIslamic scienceNir ShafirOHP EpisodesPaintingSeason 8STSseriesSusanna FergusonThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 400</div> <br> <div class="guest_name"> <a href="https://ucsd.academia.edu/NirShafir" target="_blank">with Nir Shafir</a></div> <div class="host_name"> hosted by <a href="https://columbia.academia.edu/SusannaFerguson" target="_blank">Suzie Ferguson</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://www.blogger.com/ENTER%20EPISODE%20URL%20FROM%20SOUNDCLOUD" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> In this episode, Nir Shafir talks about the problem of &quot;fake minatures&quot; of Islamic science: small paintings that look old, but are actually contemporary productions. As these images circulate in museums, on book covers, and on the internet, they tell us more about what we want &quot;Islamic science&quot; to be than what it actually was. That, Nir tells us, is a lost opportunity. </div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2019/02/islamicscience.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2019/02/islamicscience.html1Istanbul, Turkey41.0082376 28.97835889999998940.6247881 28.332911899999988 41.3916871 29.62380589999999admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 400 with Nir Shafir hosted by Suzie Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud In this episode, Nir Shafir talks about the problem of &quot;fake minatures&quot; of Islamic science: small paintings that look old, but are actually contemporary productions. As these images circulate in museums, on book covers, and on the internet, they tell us more about what we want &quot;Islamic science&quot; to be than what it actually was. That, Nir tells us, is a lost opportunity. « Click for More »Ottoman History PodcastEpisode 400 with Nir Shafir hosted by Suzie Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud In this episode, Nir Shafir talks about the problem of &quot;fake minatures&quot; of Islamic science: small paintings that look old, but are actually contemporary productions. As these images circulate in museums, on book covers, and on the internet, they tell us more about what we want &quot;Islamic science&quot; to be than what it actually was. That, Nir tells us, is a lost opportunity. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-8805019400680830293Sat, 26 Jan 2019 12:13:00 +00002021-04-22T00:12:34.388+03:00AlgeriaBest of 2019 ListCelal EsadHistoryMatthew GhazarianOHP EpisodesOrientalismOsman Hamdi BeyPaintingSeason 8The Visual PastZeinab AzarbadeganZeynep Çelik<div class="episode_no"> Episode 399</div> <br> <div class="guest_name"> <a href="http://design.njit.edu/people/celik.php" target="_blank">with Zeynep Çelik</a></div> <div class="host_name"> hosted by <a href="https://history.columbia.edu/faculty/azarbadegan-zeinab/" target="_blank">Zeinab Azarbadegan</a> and <a href="https://columbia.academia.edu/MatthewGhazarian" target="_blank">Matthew Ghazarian</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/orientalism-in-the-ottoman-empire-zeynep-celik" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> How did the Ottomans react to European attitudes and depictions of their own lands? Pondering on the groundbreaking book &#39;Orientalism&#39; by Edward Said forty years after its publication, our guest Zeynep Çelik discusses the ways in which urban, art, and architectural historians have grappled with representations of the Ottomans by Europeans and representations of Ottomans by Ottomans themselves. Telling us about a number of paintings, monuments, scholarly writings and stories, she argues that Orientalism is still relevant and with us wherever we go. </div> <br> <a href="https://www.ottomanhistorypodcast.com/2019/01/orientalism.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2019/01/orientalism.html0Istanbul, Turkey41.0082376 28.97835889999998940.6247881 28.332911899999988 41.3916871 29.62380589999999admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 399 with Zeynep Çelik hosted by Zeinab Azarbadegan and Matthew Ghazarian Download the podcast Feed | iTunes | GooglePlay | SoundCloud How did the Ottomans react to European attitudes and depictions of their own lands? Pondering on the groundbreaking book &#39;Orientalism&#39; by Edward Said forty years after its publication, our guest Zeynep Çelik discusses the ways in which urban, art, and architectural historians have grappled with representations of the Ottomans by Europeans and representations of Ottomans by Ottomans themselves. Telling us about a number of paintings, monuments, scholarly writings and stories, she argues that Orientalism is still relevant and with us wherever we go. « Click for More »Ottoman History PodcastEpisode 399 with Zeynep Çelik hosted by Zeinab Azarbadegan and Matthew Ghazarian Download the podcast Feed | iTunes | GooglePlay | SoundCloud How did the Ottomans react to European attitudes and depictions of their own lands? Pondering on the groundbreaking book &#39;Orientalism&#39; by Edward Said forty years after its publication, our guest Zeynep Çelik discusses the ways in which urban, art, and architectural historians have grappled with representations of the Ottomans by Europeans and representations of Ottomans by Ottomans themselves. Telling us about a number of paintings, monuments, scholarly writings and stories, she argues that Orientalism is still relevant and with us wherever we go. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-1758520675027774408Sat, 20 Oct 2018 17:06:00 +00002021-04-22T00:12:34.384+03:00Chris GratienFilmHistoryHungaryModern TurkeyNefin DinçSeason 8The Visual PastWorld War IWWI<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 387</div> <br> <div class="guest_name"> <a href="https://www.jmu.edu/smad/about-smad/our-people/Dinc-Nefin.shtml" target="_blank">with Nefin Dinç</a></div> <div class="host_name"> <a href="https://virginia.academia.edu/ChrisGratien" target="_blank">hosted by Chris Gratien</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b> <br> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/the-incredible-life-of-antoine-kope-nefin-dinc" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> Antoine Köpe was never a prominent politician or public figure, but he was witness to extraordinary events. Born in late Ottoman Istanbul to French and Hungarian parents, Antoine was there to celebrate the 1908 Young Turk revolution, fight in the First World War, live under an Allied occupation, and experience the emergence of the national resistance and the establishment of the Republic of Turkey. Driven by an irresistible instinct to document, he produced writings, drawings, audiovisual recordings, and a 10-volume memoir of his unusual life. In this episode, our guest filmmaker Nefin Dinç shared more about the life of Antoine Köpe, which is the subject of a <a href="http://antoinekope.com/#home" target="_blank">documentary project titled &quot;Antoine the Fortunate.&quot;</a></div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2018/10/dinc.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2018/10/dinc.html0Hanover, Germany52.3758916 9.732010400000035652.2208071 9.4092869000000352 52.530976100000004 10.054733900000036admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 387 with Nefin Dinç hosted by Chris Gratien Download the podcast Feed | iTunes | GooglePlay | SoundCloud Antoine Köpe was never a prominent politician or public figure, but he was witness to extraordinary events. Born in late Ottoman Istanbul to French and Hungarian parents, Antoine was there to celebrate the 1908 Young Turk revolution, fight in the First World War, live under an Allied occupation, and experience the emergence of the national resistance and the establishment of the Republic of Turkey. Driven by an irresistible instinct to document, he produced writings, drawings, audiovisual recordings, and a 10-volume memoir of his unusual life. In this episode, our guest filmmaker Nefin Dinç shared more about the life of Antoine Köpe, which is the subject of a documentary project titled &quot;Antoine the Fortunate.&quot; « Click for More »Ottoman History PodcastEpisode 387 with Nefin Dinç hosted by Chris Gratien Download the podcast Feed | iTunes | GooglePlay | SoundCloud Antoine Köpe was never a prominent politician or public figure, but he was witness to extraordinary events. Born in late Ottoman Istanbul to French and Hungarian parents, Antoine was there to celebrate the 1908 Young Turk revolution, fight in the First World War, live under an Allied occupation, and experience the emergence of the national resistance and the establishment of the Republic of Turkey. Driven by an irresistible instinct to document, he produced writings, drawings, audiovisual recordings, and a 10-volume memoir of his unusual life. In this episode, our guest filmmaker Nefin Dinç shared more about the life of Antoine Köpe, which is the subject of a documentary project titled &quot;Antoine the Fortunate.&quot; « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-1444357980826514959Mon, 12 Feb 2018 10:53:00 +00002020-04-02T01:01:15.055+03:0017th century18th centuryArchitectureArtGardensHistoryJan Haenraetslandscapemughal empirenatureNir ShafirPolina IvanovaSouth AsiaThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 346</div> <br> <div class="guest_name"> <a href="https://www.bu.edu/ah/profile/jan-haenraets/" target="_blank">with Jan Haenraets</a></div> <div class="host_name"> hosted by <a href="https://ucsd.academia.edu/NirShafir" target="_blank">Nir Shafir</a> and <a href="https://harvard.academia.edu/PolinaIvanova" target="_blank">Polina Ivanova</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b><br> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/the-gardens-of-mughal-kashmir-jan-haenraets" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> Over the course of the seventeenth century, Kashmir became a valley adorned with gardens as Mughal emperors and nobles built garden after garden across the valley floor and mountainous landscape. In this episode, we speak with landscape architect and preservation specialist Jan Haenaerts on his research into the history of these gardens. We discuss not only their historical formation and usage of these spaces but also how they differed from the more well known Mughal gardens surrounding the Taj Mahal and Humayun&#39;s tomb. In the second half of the episode we also explore the difficulty of conserving historical gardens and landscapes in general and how this occurs in conflict areas such as Kashmir.</div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2018/02/kashmirgardens.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2018/02/kashmirgardens.html01703 32nd St NW, Washington, DC 20007, USA38.914148 -77.06401289999996638.123929 -78.354906399999962 39.704367 -75.77311939999997admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 346 with Jan Haenraets hosted by Nir Shafir and Polina Ivanova Download the podcast Feed | iTunes | GooglePlay | SoundCloud Over the course of the seventeenth century, Kashmir became a valley adorned with gardens as Mughal emperors and nobles built garden after garden across the valley floor and mountainous landscape. In this episode, we speak with landscape architect and preservation specialist Jan Haenaerts on his research into the history of these gardens. We discuss not only their historical formation and usage of these spaces but also how they differed from the more well known Mughal gardens surrounding the Taj Mahal and Humayun&#39;s tomb. In the second half of the episode we also explore the difficulty of conserving historical gardens and landscapes in general and how this occurs in conflict areas such as Kashmir. « Click for More »Ottoman History PodcastEpisode 346 with Jan Haenraets hosted by Nir Shafir and Polina Ivanova Download the podcast Feed | iTunes | GooglePlay | SoundCloud Over the course of the seventeenth century, Kashmir became a valley adorned with gardens as Mughal emperors and nobles built garden after garden across the valley floor and mountainous landscape. In this episode, we speak with landscape architect and preservation specialist Jan Haenaerts on his research into the history of these gardens. We discuss not only their historical formation and usage of these spaces but also how they differed from the more well known Mughal gardens surrounding the Taj Mahal and Humayun&#39;s tomb. In the second half of the episode we also explore the difficulty of conserving historical gardens and landscapes in general and how this occurs in conflict areas such as Kashmir. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-1491626645580664010Tue, 25 Jul 2017 12:36:00 +00002020-01-16T07:43:51.489+03:00Burçak ÖzlüdilBurçin ÇakırDotan HalevyHistoryMehmet KentelMichael FergusonMichael TalbotMurat YıldızOHP EpisodesSeçil YılmazThe Visual PastZeinab AzarbadeganÖzde Çeliktemel-Thomen<div dir="ltr" style="text-align: left;" trbidi="on"> <div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 327</div> <br> <div class="guest_name_list"> with contributions by Zeynep Çelik, Leyla Amzi-Erdoğdular, Özde Çeliktemel-Thomen, Mehmet Kentel, Michael Talbot, Murat Yıldız, Burçak Özlüdil Altın, Seçil Yılmaz, Burçin Çakır, Zeinab Azerbadegan, Dotan Halevy, Chris Gratien, and Michael Ferguson</div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/visual-sources-in-late-ottoman-history" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> Visual sources such as photographs, maps, and miniatures often serve as accompaniment or adornment within works of Ottoman history. In this episode, we feature new work that interrogates methods of analyzing and employing visual sources for Ottoman history that go beyond the practice of &quot;image as decoration.&quot; Following a conversation with the organizers of the &quot;Visual Sources in Late Ottoman History&quot; conference held at Columbia University in April 2017, we speak to conference participants about the visual sources they employ in their work and how these visual sources allow us to understand the history of the Ottoman Empire and post-Ottoman world in a new light.</div> <br> </div></div><a href="https://www.ottomanhistorypodcast.com/2017/07/columbia-visual.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2017/07/columbia-visual.html0116th St &amp; Broadway, New York, NY 10027, USA40.8075355 -73.9625727000000116.506269 -115.27116670000001 65.108802 -32.65397870000001admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 327 with contributions by Zeynep Çelik, Leyla Amzi-Erdoğdular, Özde Çeliktemel-Thomen, Mehmet Kentel, Michael Talbot, Murat Yıldız, Burçak Özlüdil Altın, Seçil Yılmaz, Burçin Çakır, Zeinab Azerbadegan, Dotan Halevy, Chris Gratien, and Michael Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud Visual sources such as photographs, maps, and miniatures often serve as accompaniment or adornment within works of Ottoman history. In this episode, we feature new work that interrogates methods of analyzing and employing visual sources for Ottoman history that go beyond the practice of &quot;image as decoration.&quot; Following a conversation with the organizers of the &quot;Visual Sources in Late Ottoman History&quot; conference held at Columbia University in April 2017, we speak to conference participants about the visual sources they employ in their work and how these visual sources allow us to understand the history of the Ottoman Empire and post-Ottoman world in a new light. « Click for More »Ottoman History PodcastEpisode 327 with contributions by Zeynep Çelik, Leyla Amzi-Erdoğdular, Özde Çeliktemel-Thomen, Mehmet Kentel, Michael Talbot, Murat Yıldız, Burçak Özlüdil Altın, Seçil Yılmaz, Burçin Çakır, Zeinab Azerbadegan, Dotan Halevy, Chris Gratien, and Michael Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud Visual sources such as photographs, maps, and miniatures often serve as accompaniment or adornment within works of Ottoman history. In this episode, we feature new work that interrogates methods of analyzing and employing visual sources for Ottoman history that go beyond the practice of &quot;image as decoration.&quot; Following a conversation with the organizers of the &quot;Visual Sources in Late Ottoman History&quot; conference held at Columbia University in April 2017, we speak to conference participants about the visual sources they employ in their work and how these visual sources allow us to understand the history of the Ottoman Empire and post-Ottoman world in a new light. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-3521940047145194745Thu, 30 Mar 2017 02:25:00 +00002020-04-02T00:54:47.853+03:00Ahmet ErsoyArtEveryday LifeHistoryImagesPhotographySusanna FergusonThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 309</div> <br> <div class="guest_name"> <a href="http://hist.boun.edu.tr/content/ahmet-ersoy" target="_blank">with Ahmet Ersoy</a></div> <div class="host_name"> hosted by <a href="https://columbia.academia.edu/SusannaFerguson" target="_blank">Susanna Ferguson</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/ersoy_2" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> Photography came to the Ottoman empire almost as soon as it was invented in Europe. Over subsequent decades, however, techniques improved, cameras got cheaper and more portable, and photographic production, circulation, and collection in Ottoman lands moved outside of the rarefied circles of the elite studios and the state. In this episode, Ahmet Ersoy discusses one of the main media for this kind of vernacular photography--the illustrated journals of the late Ottoman empire. What can understanding the circulation of images in this form help us to understand about history, identity, and print culture in the late Ottoman Empire, as well as about how to study photography itself?</div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2017/03/illustratedjournals.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2017/03/illustratedjournals.html0Tomtom, Tomtom Kaptan Sk., 34433 Beyoğlu/İstanbul, Turkey41.0301313 28.97767769999995841.0286338 28.975156199999958 41.0316288 28.980199199999959admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 309 with Ahmet Ersoy hosted by Susanna Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud Photography came to the Ottoman empire almost as soon as it was invented in Europe. Over subsequent decades, however, techniques improved, cameras got cheaper and more portable, and photographic production, circulation, and collection in Ottoman lands moved outside of the rarefied circles of the elite studios and the state. In this episode, Ahmet Ersoy discusses one of the main media for this kind of vernacular photography--the illustrated journals of the late Ottoman empire. What can understanding the circulation of images in this form help us to understand about history, identity, and print culture in the late Ottoman Empire, as well as about how to study photography itself? « Click for More »Ottoman History PodcastEpisode 309 with Ahmet Ersoy hosted by Susanna Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud Photography came to the Ottoman empire almost as soon as it was invented in Europe. Over subsequent decades, however, techniques improved, cameras got cheaper and more portable, and photographic production, circulation, and collection in Ottoman lands moved outside of the rarefied circles of the elite studios and the state. In this episode, Ahmet Ersoy discusses one of the main media for this kind of vernacular photography--the illustrated journals of the late Ottoman empire. What can understanding the circulation of images in this form help us to understand about history, identity, and print culture in the late Ottoman Empire, as well as about how to study photography itself? « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-3422782496250261726Tue, 14 Feb 2017 03:45:00 +00002020-04-01T22:20:36.966+03:00AlevisAngela AndersenArchitectureChris GratienHistoryModern TurkeyReligionShireen HamzaThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 299</div> <br> <div class="guest_name"> <a href="https://akpia.mit.edu/post-doctoral-fellows" target="_blank">with Angela Andersen</a></div> <div class="host_name"> hosted by <a href="https://harvard.academia.edu/ChrisGratien" target="_blank">Chris Gratien</a> and <a href="https://harvard.academia.edu/ShireenHamza" target="_blank">Shireen Hamza</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/alevi-religious-ceremony-architecture-and-practice-angela-andersen" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> In this episode, we approach the religious architecture of the Alevis, to examine how practice shapes architectural space and how socioeconomic change transforms such spaces. Many of our episodes on Ottoman History Podcast have focused on how monumental architecture, such as mosques and other buildings of religious significance, are tied to political transformation and expressions of political power and ideology. Taking a different perspective, our guest, Angela Andersen, researches the history and development of Alevi architectural forms in Turkey and abroad. Historically, Alevi religious practice and <i>cem</i> ceremonies took place in homes and other multi-purpose buildings, which could be configured as ad hoc meeting places for local communities during the communal <i>cem</i> ceremony. But with Alevi urban migration to cities in Turkey, Germany, and elsewhere, the creation of a &quot;permanent address&quot; for Alevis has emerged in the form of community centers providing a number of services, including designated rooms or halls for the <i>cem</i>. In this episode, we trace the genealogy of the modern <i>cemevi</i> to older contexts of Alevi religious practice and consider the role played by the <i>cemevi</i> in Turkey&#39;s new political landscape.</div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2017/02/alevi-architecture.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2017/02/alevi-architecture.html0Cambridge, MA 02138, USA42.3770029 -71.1166600999999918.5235819 -112.42525409999999 66.2304239 -29.808066099999991admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 299 with Angela Andersen hosted by Chris Gratien and Shireen Hamza Download the podcast Feed | iTunes | GooglePlay | SoundCloud In this episode, we approach the religious architecture of the Alevis, to examine how practice shapes architectural space and how socioeconomic change transforms such spaces. Many of our episodes on Ottoman History Podcast have focused on how monumental architecture, such as mosques and other buildings of religious significance, are tied to political transformation and expressions of political power and ideology. Taking a different perspective, our guest, Angela Andersen, researches the history and development of Alevi architectural forms in Turkey and abroad. Historically, Alevi religious practice and cem ceremonies took place in homes and other multi-purpose buildings, which could be configured as ad hoc meeting places for local communities during the communal cem ceremony. But with Alevi urban migration to cities in Turkey, Germany, and elsewhere, the creation of a &quot;permanent address&quot; for Alevis has emerged in the form of community centers providing a number of services, including designated rooms or halls for the cem. In this episode, we trace the genealogy of the modern cemevi to older contexts of Alevi religious practice and consider the role played by the cemevi in Turkey&#39;s new political landscape. « Click for More »Ottoman History PodcastEpisode 299 with Angela Andersen hosted by Chris Gratien and Shireen Hamza Download the podcast Feed | iTunes | GooglePlay | SoundCloud In this episode, we approach the religious architecture of the Alevis, to examine how practice shapes architectural space and how socioeconomic change transforms such spaces. Many of our episodes on Ottoman History Podcast have focused on how monumental architecture, such as mosques and other buildings of religious significance, are tied to political transformation and expressions of political power and ideology. Taking a different perspective, our guest, Angela Andersen, researches the history and development of Alevi architectural forms in Turkey and abroad. Historically, Alevi religious practice and cem ceremonies took place in homes and other multi-purpose buildings, which could be configured as ad hoc meeting places for local communities during the communal cem ceremony. But with Alevi urban migration to cities in Turkey, Germany, and elsewhere, the creation of a &quot;permanent address&quot; for Alevis has emerged in the form of community centers providing a number of services, including designated rooms or halls for the cem. In this episode, we trace the genealogy of the modern cemevi to older contexts of Alevi religious practice and consider the role played by the cemevi in Turkey&#39;s new political landscape. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-1415819455533678497Sun, 12 Feb 2017 02:03:00 +00002020-04-01T22:20:55.584+03:00Abdul Hamid IIArchitectureConstructionDeniz TürkerHistoryIstanbulTaylan GüngörThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 298</div> <br> <div class="guest_name"> <a href="https://harvard.academia.edu/DenizTurker" target="_blank">with Deniz Türker</a></div> <div class="host_name"> <a href="https://soas.academia.edu/TaylanGungor" target="_blank">hosted by Taylan Güngör</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/turker" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> A handful of obscure archival fragments from Sultan Abdülhamid II’s imperial library in Yıldız have revealed a curious architectural practice that took place in the urban gardens of members and officials of the Ottoman court: they had a penchant for imported chalets. In this episode, Deniz Türker discusses her research on how this relatively niche fad for importation quickly shifted to widespread local prefabrication in the last decades of the nineteenth century. With the entrepreneurial oversight of production facilities in Istanbul, a larger swath of the capital’s population began to find ways to express their domestic tastes in an extremely competitive spirit on Istanbul’s expanding suburbs. In tracing these practices through state archives, newspapers, novel, and photographs, Türker also proposes some preliminary answers to the scarcity of original architectural drawings in the Ottoman archives. </div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2017/02/turker.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2017/02/turker.html1London WC1H 0XG, UK51.52235 -0.1292590000000473127.668921500000003 -41.437853000000047 75.3757785 41.179334999999952admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 298 with Deniz Türker hosted by Taylan Güngör Download the podcast Feed | iTunes | GooglePlay | SoundCloud A handful of obscure archival fragments from Sultan Abdülhamid II’s imperial library in Yıldız have revealed a curious architectural practice that took place in the urban gardens of members and officials of the Ottoman court: they had a penchant for imported chalets. In this episode, Deniz Türker discusses her research on how this relatively niche fad for importation quickly shifted to widespread local prefabrication in the last decades of the nineteenth century. With the entrepreneurial oversight of production facilities in Istanbul, a larger swath of the capital’s population began to find ways to express their domestic tastes in an extremely competitive spirit on Istanbul’s expanding suburbs. In tracing these practices through state archives, newspapers, novel, and photographs, Türker also proposes some preliminary answers to the scarcity of original architectural drawings in the Ottoman archives. « Click for More »Ottoman History PodcastEpisode 298 with Deniz Türker hosted by Taylan Güngör Download the podcast Feed | iTunes | GooglePlay | SoundCloud A handful of obscure archival fragments from Sultan Abdülhamid II’s imperial library in Yıldız have revealed a curious architectural practice that took place in the urban gardens of members and officials of the Ottoman court: they had a penchant for imported chalets. In this episode, Deniz Türker discusses her research on how this relatively niche fad for importation quickly shifted to widespread local prefabrication in the last decades of the nineteenth century. With the entrepreneurial oversight of production facilities in Istanbul, a larger swath of the capital’s population began to find ways to express their domestic tastes in an extremely competitive spirit on Istanbul’s expanding suburbs. In tracing these practices through state archives, newspapers, novel, and photographs, Türker also proposes some preliminary answers to the scarcity of original architectural drawings in the Ottoman archives. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-5670349791579806273Fri, 10 Feb 2017 04:21:00 +00002020-08-18T23:58:29.012+03:00ArtBest of 2017 ListEmily NeumeierHistoryMassumeh FarhadMuseumsOHP EpisodesQur'anSimon RettigThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div class="episode_no"> Episode 297</div> <br> <div class="guest_name"> <a href="http://www.asia.si.edu/exhibitions/current/art-of-the-quran/video-farhad-rettig.php" target="_blank">with Massumeh Farhad &amp; Simon Rettig</a></div> <div class="host_name"> hosted by <a href="https://upenn.academia.edu/EmilyNeumeier" target="_blank">Emily Neumeier</a></div> <br> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/art-of-quran" target="_blank">SoundCloud</a></center> <br> <div class="episode_synopsis"> The preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur’an--the sacred text of Islam--has been less explored. The role of the Qur’an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition <i>The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts</i>, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur’an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul. </div> <br> </div><a href="https://www.ottomanhistorypodcast.com/2017/02/quran-art-history.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2017/02/quran-art-history.html01050 Independence Ave SW, Washington, DC 20560, USA38.8880667 -77.02723689999999115.034646200000005 -118.33583089999999 62.7414872 -35.718642899999992admin@ottomanhistorypodcast.com (Ottoman History Podcast)noEpisode 297 with Massumeh Farhad &amp; Simon Rettig hosted by Emily Neumeier Download the podcast Feed | iTunes | GooglePlay | SoundCloud The preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur’an--the sacred text of Islam--has been less explored. The role of the Qur’an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur’an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul. « Click for More »Ottoman History PodcastEpisode 297 with Massumeh Farhad &amp; Simon Rettig hosted by Emily Neumeier Download the podcast Feed | iTunes | GooglePlay | SoundCloud The preeminent position of manuscript painting and poetry at the Ottoman court has been well established by historians, yet the equally important practice of commissioning and collecting sumptuously decorated copies of the Qur’an--the sacred text of Islam--has been less explored. The role of the Qur’an in the artistic culture of the Ottoman world is just one facet of the landmark exhibition The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts, on display at the Smithsonian Institution in Washington DC. The show traces the formal evolution of the Qur’an, especially in terms of calligraphy and manuscript illumination, with over 60 manuscripts and folios spanning a thousand years and created in an area stretching from Egypt to Afghanistan. Besides having an opportunity to appreciate the level of labor and skill invested in producing such high-quality manuscripts, visitors will also be surprised to learn about the mobility of these books, as they were avidly collected, repaired, and donated by members of the Ottoman court to various religious institutions around the empire. In this episode, curators Massumeh Farhad and Simon Rettig sit down with us to reflect both on the reception of the exhibition in the United States, as well as the process of organizing this collaborative venture between the Smithsonian and the Museum of Turkish and Islamic Arts in Istanbul. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-4295273842915690284Tue, 08 Nov 2016 20:41:00 +00002020-04-01T22:23:30.557+03:00Ahmet ErsoyArchitectureBest of 2016 ListHistoricismHistoryOnur EnginOrientalismSusanna FergusonThe Visual PastVienna<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <span style="font-size: large;"><b><a href="https://boun.academia.edu/AhmetAErsoy" target="_blank">with Ahmet Ersoy</a></b></span><br><br><i><a href="https://columbia.academia.edu/SusannaFerguson" target="_blank">hosted by Susanna Ferguson</a></i></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/ahmetersoy" target="_blank">SoundCloud</a></center> <br> <div style="text-align: justify;"> What happens when we encounter &quot;Orientalist&quot; aesthetics outside the West? In the late nineteenth century, a cosmopolitan group of Ottoman architects turned to modern forms of art history writing to argue that synthesis and change stood at the heart of a particularly &quot;Ottoman&quot; architectural aesthetic. Working together, these writers produced the first text of modern art history writing in the Ottoman empire, the <i>Usul-ı Mi’marî-yi Osmanî </i>or <i>The Fundamentals of Ottoman Architecture</i>. This volume was published simultaneously in Ottoman Turkish, French and German for the Universal Exposition or World&#39;s Fair in Vienna in 1873. In this episode, <a href="https://boun.academia.edu/AhmetAErsoy" target="_blank">Ahmet Ersoy</a> explores the making of this text, its arguments, and its implications for understanding the relationship of the late-Tanzimat Ottoman Empire with Europe, its own cosmopolitan &quot;hyphenated-Ottoman&quot; intellectuals, and historical imagination.</div> <br> </div></div><a href="https://www.ottomanhistorypodcast.com/2016/11/architecture-historical-imagination.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/11/architecture-historical-imagination.html0Tomtom, 34433 Beyoğlu/İstanbul, Turkey41.0301201 28.97687949999999541.0241311 28.966794499999995 41.0361091 28.986964499999996admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Ahmet Ersoy hosted by Susanna Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud What happens when we encounter &quot;Orientalist&quot; aesthetics outside the West? In the late nineteenth century, a cosmopolitan group of Ottoman architects turned to modern forms of art history writing to argue that synthesis and change stood at the heart of a particularly &quot;Ottoman&quot; architectural aesthetic. Working together, these writers produced the first text of modern art history writing in the Ottoman empire, the Usul-ı Mi’marî-yi Osmanî or The Fundamentals of Ottoman Architecture. This volume was published simultaneously in Ottoman Turkish, French and German for the Universal Exposition or World&#39;s Fair in Vienna in 1873. In this episode, Ahmet Ersoy explores the making of this text, its arguments, and its implications for understanding the relationship of the late-Tanzimat Ottoman Empire with Europe, its own cosmopolitan &quot;hyphenated-Ottoman&quot; intellectuals, and historical imagination. « Click for More »Ottoman History Podcastwith Ahmet Ersoy hosted by Susanna Ferguson Download the podcast Feed | iTunes | GooglePlay | SoundCloud What happens when we encounter &quot;Orientalist&quot; aesthetics outside the West? In the late nineteenth century, a cosmopolitan group of Ottoman architects turned to modern forms of art history writing to argue that synthesis and change stood at the heart of a particularly &quot;Ottoman&quot; architectural aesthetic. Working together, these writers produced the first text of modern art history writing in the Ottoman empire, the Usul-ı Mi’marî-yi Osmanî or The Fundamentals of Ottoman Architecture. This volume was published simultaneously in Ottoman Turkish, French and German for the Universal Exposition or World&#39;s Fair in Vienna in 1873. In this episode, Ahmet Ersoy explores the making of this text, its arguments, and its implications for understanding the relationship of the late-Tanzimat Ottoman Empire with Europe, its own cosmopolitan &quot;hyphenated-Ottoman&quot; intellectuals, and historical imagination. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-1442369807456791835Thu, 25 Aug 2016 15:19:00 +00002022-01-22T23:19:02.170+03:00BosphorusChris GratienGolden HornGwen CollaçoHistoryHuma GuptaIstanbulLevniNir ShafirOHP EpisodesSpectacleThe Visual PastUrban History<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <span style="font-size: large;"><b><a href="https://harvard.academia.edu/GwendolynColla%C3%A7o" target="_blank">with Gwendolyn Collaço</a></b></span><br><br><i>hosted by <a href="http://georgetown.academia.edu/ChrisGratien" target="_blank">Chris Gratien</a>, <a href="https://ucla.academia.edu/NirShafir" target="_blank">Nir Shafir</a>, and <a href="https://akpia.mit.edu/huma-gupta" target="_blank">Huma Gupta</a></i></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/festivals-and-the-waterfront-in-18th-century-istanbul-gwendolyn-collaco" target="_blank">SoundCloud</a></center> <br> <div style="text-align: justify;"> The illustrated account of the festivals surrounding the circumcision of Sultan Ahmed III&#39;s sons in 1720 is one of the most iconic and celebrated depictions of urban life in Ottoman Istanbul. With its detailed text written by Vehbi, accompanied by the vibrant miniature paintings of Levni, this work has been used as a source for understanding the cast of professions and personalities that occupied the public space of the Ottoman capital. In this episode, we focus not on the colorful characters of Levni&#39;s paintings but rather the backdrop for the celebrations: the Golden Horn and the waterfront of 18th-century Istanbul. As our guest <a href="https://harvard.academia.edu/GwendolynColla%C3%A7o" target="_blank">Gwendolyn Collaço</a> explains, the accounts of festivals in early modern Istanbul reflect the transformation of the city and an orientation towards the waterfront not only in the Ottoman Empire but also neighboring states of the Mediterranean. </div> <br> </div></div><a href="https://www.ottomanhistorypodcast.com/2016/08/levni.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/08/levni.html01137 Massachusetts Ave, Cambridge, MA 02138, USA42.371166 -71.114047116.716094500000004 -112.5984221 68.026237500000008 -29.629672099999993admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Gwendolyn Collaço hosted by Chris Gratien, Nir Shafir, and Huma Gupta Download the podcast Feed | iTunes | GooglePlay | SoundCloud The illustrated account of the festivals surrounding the circumcision of Sultan Ahmed III&#39;s sons in 1720 is one of the most iconic and celebrated depictions of urban life in Ottoman Istanbul. With its detailed text written by Vehbi, accompanied by the vibrant miniature paintings of Levni, this work has been used as a source for understanding the cast of professions and personalities that occupied the public space of the Ottoman capital. In this episode, we focus not on the colorful characters of Levni&#39;s paintings but rather the backdrop for the celebrations: the Golden Horn and the waterfront of 18th-century Istanbul. As our guest Gwendolyn Collaço explains, the accounts of festivals in early modern Istanbul reflect the transformation of the city and an orientation towards the waterfront not only in the Ottoman Empire but also neighboring states of the Mediterranean.  « Click for More »Ottoman History Podcastwith Gwendolyn Collaço hosted by Chris Gratien, Nir Shafir, and Huma Gupta Download the podcast Feed | iTunes | GooglePlay | SoundCloud The illustrated account of the festivals surrounding the circumcision of Sultan Ahmed III&#39;s sons in 1720 is one of the most iconic and celebrated depictions of urban life in Ottoman Istanbul. With its detailed text written by Vehbi, accompanied by the vibrant miniature paintings of Levni, this work has been used as a source for understanding the cast of professions and personalities that occupied the public space of the Ottoman capital. In this episode, we focus not on the colorful characters of Levni&#39;s paintings but rather the backdrop for the celebrations: the Golden Horn and the waterfront of 18th-century Istanbul. As our guest Gwendolyn Collaço explains, the accounts of festivals in early modern Istanbul reflect the transformation of the city and an orientation towards the waterfront not only in the Ottoman Empire but also neighboring states of the Mediterranean.  « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-2678876354452870963Thu, 04 Aug 2016 10:10:00 +00002020-04-24T21:44:29.837+03:00Armen MarsoobianArmenian GenocideArmeniansBest of 2016 ListHistoryPhotographyThe Visual PastZoe Griffith<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <a href="https://www.southernct.edu/academics/schools/arts/departments/philosophy/facultyandstaff/department-chair.html" target="_blank"><span style="font-size: large;"><b>with </b></span><span style="font-size: large;"><b>Armen T. Marsoobian</b></span></a><br><br><i><a href="https://brown.academia.edu/ZoeGriffith" target="_blank">hosted by Zoe Griffith</a></i></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | SoundCloud</center> <br> <div style="text-align: justify;"> Interest in Ottoman photography has tended to focus on the orientalist gaze or the view from the imperial center. In this episode, Armen T. Marsoobian offers us the unique lens of the Dildilian family of Armenian photographers in provincial Anatolia. Around the turn of the twentieth century, the Dildilians worked to memorialize portraits of fragmenting families and to document everyday scenes in provincial cities such as Sivas, Samsun, and Merzifon. Marsoobian, himself a descendant of the Dildilians, has woven together the family&#39;s remarkable photographic archive along with their memoirs and oral histories, to describe how  through ingenuity and professional connections, the family and with them much of their art survived the genocide in 1915-16.</div> <br> </div></div><a href="https://www.ottomanhistorypodcast.com/2016/08/armenian-photography-anatolia.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/08/armenian-photography-anatolia.html0Tomtom, 34433 Beyoğlu/İstanbul, Turkey41.0301201 28.97687949999999541.024098599999995 28.966751499999994 41.0361416 28.987007499999997admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Armen T. Marsoobian hosted by Zoe Griffith Download the podcast Feed | iTunes | GooglePlay | SoundCloud Interest in Ottoman photography has tended to focus on the orientalist gaze or the view from the imperial center. In this episode, Armen T. Marsoobian offers us the unique lens of the Dildilian family of Armenian photographers in provincial Anatolia. Around the turn of the twentieth century, the Dildilians worked to memorialize portraits of fragmenting families and to document everyday scenes in provincial cities such as Sivas, Samsun, and Merzifon. Marsoobian, himself a descendant of the Dildilians, has woven together the family&#39;s remarkable photographic archive along with their memoirs and oral histories, to describe how  through ingenuity and professional connections, the family and with them much of their art survived the genocide in 1915-16. « Click for More »Ottoman History Podcastwith Armen T. Marsoobian hosted by Zoe Griffith Download the podcast Feed | iTunes | GooglePlay | SoundCloud Interest in Ottoman photography has tended to focus on the orientalist gaze or the view from the imperial center. In this episode, Armen T. Marsoobian offers us the unique lens of the Dildilian family of Armenian photographers in provincial Anatolia. Around the turn of the twentieth century, the Dildilians worked to memorialize portraits of fragmenting families and to document everyday scenes in provincial cities such as Sivas, Samsun, and Merzifon. Marsoobian, himself a descendant of the Dildilians, has woven together the family&#39;s remarkable photographic archive along with their memoirs and oral histories, to describe how  through ingenuity and professional connections, the family and with them much of their art survived the genocide in 1915-16. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-902347207506341793Fri, 08 Jul 2016 14:05:00 +00002020-04-02T00:32:40.479+03:00ArchitectureEmily NeumeierGermanyHistoryIstanbulLorenz KornSotiris DimitriadisThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <span style="font-size: large;"><b><a href="https://uni-bamberg.academia.edu/LorenzKorn" target="_blank">with Lorenz Korn</a></b></span><br><br><i>hosted by </i><span style="text-align: left;"><i><a href="https://upenn.academia.edu/EmilyNeumeier" target="_blank">Emily Neumeier</a> and <a href="https://soas.academia.edu/SotiriosDimitriadis" target="_blank">Sotirios Dimitriadis</a></i></span></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/m/Idu7nhligwgytnv77wvecdx3slq?t=Ottoman_History_Podcast" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/the-german-imperial-fountain-in-istanbul-lorenz-korn" target="_blank">SoundCloud</a></center> <br> <div style="text-align: justify;"> The fountain standing in the Hippodrome (At Meydanı) in Istanbul, located just a few steps away from some of Turkey’s most famous tourist attractions like Hagia Sophia and the Blue Mosque, doesn’t attract much notice these days. But wrapped up in this monument, gifted to the people of the city by the German Emperor Wilhelm II, is a story that sheds some light on the bilateral relations between the Ottoman Empire and their European neighbors before WWI. What is the role that the arts play in this diplomatic relationship? Under what conditions could such an object be inserted in the topography of Istanbul’s historic monuments? In this episode, <a href="https://upenn.academia.edu/EmilyNeumeier" target="_blank">Emily Neumeier</a> and <a href="https://soas.academia.edu/SotiriosDimitriadis" target="_blank">Sotirios Dimitriadis</a> speak with <a href="https://uni-bamberg.academia.edu/LorenzKorn" target="_blank">Lorenz Korn</a> about his research on the imperial fountain, tracing the process of its design, construction and reception.<br> <br></div> </div></div><a href="https://www.ottomanhistorypodcast.com/2016/07/german-fountain.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/07/german-fountain.html0Bamberg, Germany49.8988135 10.90276360000007149.816524 10.740715100000072 49.981103000000004 11.06481210000007admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Lorenz Korn hosted by Emily Neumeier and Sotirios Dimitriadis Download the podcast Feed | iTunes | GooglePlay | SoundCloud The fountain standing in the Hippodrome (At Meydanı) in Istanbul, located just a few steps away from some of Turkey’s most famous tourist attractions like Hagia Sophia and the Blue Mosque, doesn’t attract much notice these days. But wrapped up in this monument, gifted to the people of the city by the German Emperor Wilhelm II, is a story that sheds some light on the bilateral relations between the Ottoman Empire and their European neighbors before WWI. What is the role that the arts play in this diplomatic relationship? Under what conditions could such an object be inserted in the topography of Istanbul’s historic monuments? In this episode, Emily Neumeier and Sotirios Dimitriadis speak with Lorenz Korn about his research on the imperial fountain, tracing the process of its design, construction and reception. « Click for More »Ottoman History Podcastwith Lorenz Korn hosted by Emily Neumeier and Sotirios Dimitriadis Download the podcast Feed | iTunes | GooglePlay | SoundCloud The fountain standing in the Hippodrome (At Meydanı) in Istanbul, located just a few steps away from some of Turkey’s most famous tourist attractions like Hagia Sophia and the Blue Mosque, doesn’t attract much notice these days. But wrapped up in this monument, gifted to the people of the city by the German Emperor Wilhelm II, is a story that sheds some light on the bilateral relations between the Ottoman Empire and their European neighbors before WWI. What is the role that the arts play in this diplomatic relationship? Under what conditions could such an object be inserted in the topography of Istanbul’s historic monuments? In this episode, Emily Neumeier and Sotirios Dimitriadis speak with Lorenz Korn about his research on the imperial fountain, tracing the process of its design, construction and reception. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-8990612893718063016Tue, 05 Jul 2016 13:40:00 +00002021-10-18T14:36:23.320+03:00ArchitectureEmily NeumeierHistoryPaolo GirardelliThe Visual PastUrban History<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <span style="font-size: large;"><b><a href="https://boun.academia.edu/PaoloGirardelli" target="_blank">with Paolo Girardelli</a></b></span><br><br><i><a href="https://upenn.academia.edu/EmilyNeumeier" target="_blank">hosted by Emily Neumeier</a></i></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/listen?u=0#/ps/Idu7nhligwgytnv77wvecdx3slq" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/landscapes-of-the-eastern-question-paolo-girardelli" target="_blank">SoundCloud</a></center> <br> <div style="text-align: justify;"> In the classical Ottoman period, European embassies in Istanbul pretty much looked like any other residential building. At the end of the eighteenth century, however, a period of dramatic geo-political and social change, official foreign residences likewise underwent a process of transformation. Architectural designs shifted from Ottoman to Western styles, and these landmarks became increasingly prominent and visible in the urban landscape. In this episode, Emily Neumeier speaks with Paolo Girardelli about how Pera became the “district of diplomacy” in the Ottoman capital, the subject of his forthcoming book project, Landscapes of the Eastern Question: Architecture and Identity in Galata, Pera, and the Bosphorus, 1774-1919.<br> <br></div> </div></div><a href="https://www.ottomanhistorypodcast.com/2016/07/pera.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/07/pera.html0Via Giuseppe Giusti, 44, 50121 Firenze, Italy43.777268199999988 11.26394789999994818.122196699999989 -30.220427100000052 69.432339699999986 52.748322899999948admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Paolo Girardelli hosted by Emily Neumeier Download the podcast Feed | iTunes | GooglePlay | SoundCloud In the classical Ottoman period, European embassies in Istanbul pretty much looked like any other residential building. At the end of the eighteenth century, however, a period of dramatic geo-political and social change, official foreign residences likewise underwent a process of transformation. Architectural designs shifted from Ottoman to Western styles, and these landmarks became increasingly prominent and visible in the urban landscape. In this episode, Emily Neumeier speaks with Paolo Girardelli about how Pera became the “district of diplomacy” in the Ottoman capital, the subject of his forthcoming book project, Landscapes of the Eastern Question: Architecture and Identity in Galata, Pera, and the Bosphorus, 1774-1919. « Click for More »Ottoman History Podcastwith Paolo Girardelli hosted by Emily Neumeier Download the podcast Feed | iTunes | GooglePlay | SoundCloud In the classical Ottoman period, European embassies in Istanbul pretty much looked like any other residential building. At the end of the eighteenth century, however, a period of dramatic geo-political and social change, official foreign residences likewise underwent a process of transformation. Architectural designs shifted from Ottoman to Western styles, and these landmarks became increasingly prominent and visible in the urban landscape. In this episode, Emily Neumeier speaks with Paolo Girardelli about how Pera became the “district of diplomacy” in the Ottoman capital, the subject of his forthcoming book project, Landscapes of the Eastern Question: Architecture and Identity in Galata, Pera, and the Bosphorus, 1774-1919. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-517620741443910776Fri, 01 Jul 2016 22:29:00 +00002020-04-02T00:32:14.358+03:00ArchitectureArtBest of 2016 ListChris GratienHistoryKishwar RizviModern TurkeyNeo-OttomanismThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <span style="font-size: large;"><b><a href="http://arthistory.yale.edu/faculty/faculty/faculty_rizvi.html" target="_blank">with Kishwar Rizvi</a></b></span><br><br><i><a href="https://yale.academia.edu/ChrisGratien" target="_blank">hosted by Chris Gratien</a></i></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.feedburner.com/soundcloud/OHP" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://play.google.com/music/listen?u=0#/ps/Idu7nhligwgytnv77wvecdx3slq" target="_blank">GooglePlay</a> | <a href="https://soundcloud.com/ottoman-history-podcast/neo-ottoman-architecture-and-the-transnational-mosque-kishwar-rizvi" target="blank" title="May not open in Turkey | Türkiye&#39;de açılamaması mümkündür">SoundCloud</a></center> <br> <div style="text-align: justify;"> As spaces fundamental to Muslim religious and communal life, mosques have historically served as sites of not just architectural but also ideological construction. As our guest <a href="http://arthistory.yale.edu/faculty/faculty/faculty_rizvi.html" target="_blank">Kishwar Rizvi</a> argues in her latest book entitled <a href="http://uncpress.unc.edu/books/11919.html" target="_blank"><i>The Transnational Mosque</i> (UNC Press 2015)</a>, states operating in transnational contexts have taken a leading role in the building of mosques and in doing so, they forge political, economic, and architectural networks that span the globe. In this episode, we discuss the architectural exports of the four states covered in Prof. Rizvi&#39;s monograph: Saudi Arabia, Turkey, Iran, and the United Arab Emirates. In addition to situating and comparing transnational mosques of different states, we give special attention to the rise of Neo-Ottoman architecture in modern Turkey and its role in re-branding Turkey&#39;s image on the global stage.<br> <br></div> </div></div><a href="https://www.ottomanhistorypodcast.com/2016/07/mosque.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/07/mosque.html0Downtown, New Haven, CT, USA41.310690162504372 -72.92614387724603441.309191162504369 -72.928675877246036 41.312189162504374 -72.923611877246032admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Kishwar Rizvi hosted by Chris Gratien Download the podcast Feed | iTunes | GooglePlay | SoundCloud As spaces fundamental to Muslim religious and communal life, mosques have historically served as sites of not just architectural but also ideological construction. As our guest Kishwar Rizvi argues in her latest book entitled The Transnational Mosque (UNC Press 2015), states operating in transnational contexts have taken a leading role in the building of mosques and in doing so, they forge political, economic, and architectural networks that span the globe. In this episode, we discuss the architectural exports of the four states covered in Prof. Rizvi&#39;s monograph: Saudi Arabia, Turkey, Iran, and the United Arab Emirates. In addition to situating and comparing transnational mosques of different states, we give special attention to the rise of Neo-Ottoman architecture in modern Turkey and its role in re-branding Turkey&#39;s image on the global stage. « Click for More »Ottoman History Podcastwith Kishwar Rizvi hosted by Chris Gratien Download the podcast Feed | iTunes | GooglePlay | SoundCloud As spaces fundamental to Muslim religious and communal life, mosques have historically served as sites of not just architectural but also ideological construction. As our guest Kishwar Rizvi argues in her latest book entitled The Transnational Mosque (UNC Press 2015), states operating in transnational contexts have taken a leading role in the building of mosques and in doing so, they forge political, economic, and architectural networks that span the globe. In this episode, we discuss the architectural exports of the four states covered in Prof. Rizvi&#39;s monograph: Saudi Arabia, Turkey, Iran, and the United Arab Emirates. In addition to situating and comparing transnational mosques of different states, we give special attention to the rise of Neo-Ottoman architecture in modern Turkey and its role in re-branding Turkey&#39;s image on the global stage. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-4578412873007818264Sat, 30 Apr 2016 01:02:00 +00002020-01-16T07:44:08.951+03:00ArtBest of 2016 ListBülent EcevitDemocracyHistoryModern TurkeyNicholas DanforthPoliticsSarah-Neel SmithThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b><span style="font-size: large;"><a href="https://mica.academia.edu/SarahNeelSmith" target="_blank">with Sarah-Neel Smith</a></span></b><br><br><i><a href="https://georgetown.academia.edu/NicholasDanforth" target="_blank">hosted by Nicholas Danforth</a></i></center> <center> <i><br></i></center> <center> </center> <div dir="ltr" style="text-align: left;" trbidi="on"> <center> <b style="text-align: left;">Download the podcast</b></center> <center> <a href="http://feeds.soundcloud.com/users/soundcloud:users:6652990/sounds.rss" target="blank" title="Click to access RSS feed">Feed</a> | <a href="https://itunes.apple.com/us/podcast/ottoman-history-podcast/id513808150" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://soundcloud.com/ottoman-history-podcast/ecevit-art-and-politics-in-1950s-turkey-sarah-neel-smith" target="blank" title="May not open in Turkey | Türkiye&#39;de açılamaması mümkündür">Soundcloud</a></center> <br> <div style="text-align: justify;"> Although artistic production occurs in a political context, art and politics are often studied as separate fields of historical inquiry. Our guest in this episode, Dr. Sarah-Neel Smith, offers a reflection on the close relationship between art and politics in Turkey through a discussion of her research on the figure of Bülent Ecevit. As a politician, Ecevit is remembered for his four stints as Prime Minister of Turkey and his prominent positions in the Republican People&#39;s Party (CHP) and later in the Democratic Left Party (DSP). Yet during the early years of his career, Ecevit was also extremely active in intellectual pursuits as a writer and art critic. In this episode, Dr. Smith explores the intellectual life of Bülent Ecevit and the link between debates about art and culture and the development of democratic politics in Turkey during the 1950s. <br> </div></div></div><a href="https://www.ottomanhistorypodcast.com/2016/04/art-and-politics-in-1950s-turkey.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/04/art-and-politics-in-1950s-turkey.html0Washington, DC, USA38.9071923 -77.03687070000000938.7094713 -77.3595942 39.1049133 -76.714147200000014admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Sarah-Neel Smith hosted by Nicholas Danforth Download the podcast Feed | iTunes | Soundcloud Although artistic production occurs in a political context, art and politics are often studied as separate fields of historical inquiry. Our guest in this episode, Dr. Sarah-Neel Smith, offers a reflection on the close relationship between art and politics in Turkey through a discussion of her research on the figure of Bülent Ecevit. As a politician, Ecevit is remembered for his four stints as Prime Minister of Turkey and his prominent positions in the Republican People&#39;s Party (CHP) and later in the Democratic Left Party (DSP). Yet during the early years of his career, Ecevit was also extremely active in intellectual pursuits as a writer and art critic. In this episode, Dr. Smith explores the intellectual life of Bülent Ecevit and the link between debates about art and culture and the development of democratic politics in Turkey during the 1950s. « Click for More »Ottoman History Podcastwith Sarah-Neel Smith hosted by Nicholas Danforth Download the podcast Feed | iTunes | Soundcloud Although artistic production occurs in a political context, art and politics are often studied as separate fields of historical inquiry. Our guest in this episode, Dr. Sarah-Neel Smith, offers a reflection on the close relationship between art and politics in Turkey through a discussion of her research on the figure of Bülent Ecevit. As a politician, Ecevit is remembered for his four stints as Prime Minister of Turkey and his prominent positions in the Republican People&#39;s Party (CHP) and later in the Democratic Left Party (DSP). Yet during the early years of his career, Ecevit was also extremely active in intellectual pursuits as a writer and art critic. In this episode, Dr. Smith explores the intellectual life of Bülent Ecevit and the link between debates about art and culture and the development of democratic politics in Turkey during the 1950s. « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Presstag:blogger.com,1999:blog-1793063735579568706.post-6119972998015064589Wed, 27 Jan 2016 16:03:00 +00002020-04-02T19:41:11.380+03:00ArtEmily NeumeierEmine FetvacıHistoryManuscriptsNir ShafirOHP EpisodesOttoman CourtPaintingThe Visual Past<div dir="ltr" style="text-align: left;" trbidi="on"> <div style="text-align: center;"> <b><span style="font-size: large;">with Emine Fetvacı</span></b></div> <br> <div style="text-align: center;"> <i>hosted by Emily Neumeier and Nir Shafir</i></div> <br> <div dir="ltr" style="text-align: left;" trbidi="on"> <div style="display: none;"> Emine Fetvacı discusses her research for Picturing History at the Ottoman Court (Indiana University Press) with Emily Neumeier and Nir Shafir.</div> <center> <b style="text-align: left;">Download the episode</b></center> <center> <a href="http://ottomanhistory.hipcast.com/rss/science.xml" target="blank" title="Click to access RSS feed">Podcast Feed</a> | <a href="https://itunes.apple.com/us/podcast/history-science-ottoman-or/id1017658972" target="blank" title="Click to access series listing in iTunes">iTunes</a> | <a href="https://soundcloud.com/ottoman-history-podcast/picturing-history-at-the-ottoman-court-emine-fetvaci" target="blank" title="May not open in Turkey | Türkiye&#39;de açılamaması mümkündür">Soundcloud</a></center> <br> <div dir="ltr" style="text-align: left;" trbidi="on"> <div style="text-align: justify;"> In the second half of the sixteenth century, the Ottoman court became particularly invested in writing its own history. This initiative primarily took the form of official chronicles, and the court historian (şehnameci), a new position established in the 1550s, set to work producing manuscripts accompanied by lavish illustrations. However, the paintings in these texts should not be understood merely as passive descriptions of historical events. Rather, these images served as complex conveyors of meaning in their own right, designed by teams of artists to satisfy the aspirations of their patrons, which included not only the sultan but also other members of the court. In this episode, <a href="https://upenn.academia.edu/EmilyNeumeier" target="_blank">Emily Neumeier</a> and <a href="https://ucla.academia.edu/NirShafir" target="_blank">Nir Shafir</a> speak with <a href="https://bu.academia.edu/EmineFetvaci" target="_blank">Emine Fetvacı</a> about these illustrated histories, the subject of her 2013 volume <i>Picturing History at the Ottoman Court</i>. </div> <br> </div></div></div><a href="https://www.ottomanhistorypodcast.com/2016/01/ottoman-painting.html#more">« Click for More »</a>https://www.ottomanhistorypodcast.com/2016/01/ottoman-painting.html0Brookline, MA, USA42.350452908074864 -71.10549442800342.347518908074861 -71.110536928003 42.353386908074867 -71.100451928003admin@ottomanhistorypodcast.com (Ottoman History Podcast)nowith Emine Fetvacı hosted by Emily Neumeier and Nir Shafir Emine Fetvacı discusses her research for Picturing History at the Ottoman Court (Indiana University Press) with Emily Neumeier and Nir Shafir. Download the episode Podcast Feed | iTunes | Soundcloud In the second half of the sixteenth century, the Ottoman court became particularly invested in writing its own history. This initiative primarily took the form of official chronicles, and the court historian (şehnameci), a new position established in the 1550s, set to work producing manuscripts accompanied by lavish illustrations. However, the paintings in these texts should not be understood merely as passive descriptions of historical events. Rather, these images served as complex conveyors of meaning in their own right, designed by teams of artists to satisfy the aspirations of their patrons, which included not only the sultan but also other members of the court. In this episode, Emily Neumeier and Nir Shafir speak with Emine Fetvacı about these illustrated histories, the subject of her 2013 volume Picturing History at the Ottoman Court.  « Click for More »Ottoman History Podcastwith Emine Fetvacı hosted by Emily Neumeier and Nir Shafir Emine Fetvacı discusses her research for Picturing History at the Ottoman Court (Indiana University Press) with Emily Neumeier and Nir Shafir. Download the episode Podcast Feed | iTunes | Soundcloud In the second half of the sixteenth century, the Ottoman court became particularly invested in writing its own history. This initiative primarily took the form of official chronicles, and the court historian (şehnameci), a new position established in the 1550s, set to work producing manuscripts accompanied by lavish illustrations. However, the paintings in these texts should not be understood merely as passive descriptions of historical events. Rather, these images served as complex conveyors of meaning in their own right, designed by teams of artists to satisfy the aspirations of their patrons, which included not only the sultan but also other members of the court. In this episode, Emily Neumeier and Nir Shafir speak with Emine Fetvacı about these illustrated histories, the subject of her 2013 volume Picturing History at the Ottoman Court.  « Click for More »History,Islam,Ottoman,Empire,Turkey,Middle,East,Art,Painting,Architecture,Marketing,Press