Palm Coast Jazz

New Episode of Palm Coast Jazz Podcast!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 31 Mar 2019 11:45:00 -0400

Episode 33 features brand new fusion from La Lucha, sultry Caribbean beats from Lauren Henderson, romantic and dreamy piano from Lynne Arriale, Balkan-infused rhythms from Errol Rackipov Group and a stellar live performance from The What ? Thing!

Support this podcast and get perks and bonus episodes at Patreon!
Hosts: Kenny MacKenzie & Allison Paris

1. Errol Rackipov Group - "The Dream of the Little Gypsy"from the album "Distant Dreams"

2. Lynne Arriale Trio - "Finding Home"
from the album "Give Us These Days"

3. Lauren Henderson - "Ámame"
from the e.p. "Riptide"

4. La Lucha - "The Burg"
from the album "Pa'Lante"

5. The What ? Thing - "Hot Tea"
from the album Live @

All music copyright of the artists - all rights reserved.

This podcast copyright 2019 Kenny MacKenzie - all rights reserved.

New Episode! Re-boot of the show!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Fri, 11 Jan 2019 10:29:00 -0500

Hello! We're back with a brand new episode of the podcast! Listen to five distinctive and vibrant selections from some of the most talented jazz artists in Florida!

Robotman at Stardust Orlando FL May 2017

Hosts: Kenny MacKenzie & Allison Paris

1. Tom McCormick - "South Beat" - from the album South Beat

2. Jeff Rupert with Veronica Swift - "Let's Sail Away" - from the album Let's Sail Away

3. Robotman - "The Chase" - from the album Robotman

4. The Mica Bethea Big Band - "Frahm Out of Nowhere" - from the album Stage 'n Studio 5. Perry Joslin - "Rain" - from the album Dreams of Reality

New Mini Palm Coast Jazz Podcast!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Thu, 16 Jun 2016 12:36:00 -0400

For the summer of 2016 we will be producing mini-episodes of Palm Coast Jazz - about 15-17 minutes long, on a regular basis! This episode features guitarist Phill Fest (Brazilian jazz), Acme Jazz Garage (funk jazz) and vibraphonist Christian Tamburr (straight-ahead jazz). Enjoy!!

Host: Kenny MacKenzie & Allison Paris Our Facebook page!

Kenny also hosts:
"Jazz Greats" on WFCF St. Augustine
every Tuesday 3-7pm EST
Listen on iHeart! USA Only

Kenny's DJ Twitter

1. Introduction - Kenny
(download our theme song "In Control" on i Tunes!)

2. "That's What She Said" - Phill Fest (West Palm Beach) website

Phill Fest - guitar; Robert Prester - piano; Jonathan Sigel - trumpet; Russ Howard - bass; Carlomagno Araya - drums

from the album "That's What She Said"

Purchase at Amazon!

3. "Mr. G.P." - Acme Jazz Garage (Tampa, FL) website

Bryan Lewis - keyboards; Matt Swenson - guitars;
Phillip Booth - bass; Tim Diehl - drums:
Rick Runion - tenor sax; Ron Wilder - trumpet;
Austin Vickrey - baritone sax

from the album "Acme Jazz Garage".

Purchase at Amazon!

4. Announcements - Kenny
(background music from the album Second Chances by Allison Paris)

5. "The City Suite: New York City - A Walk Through Central Park" - Christian Tamburr (Melbourne, FL) website

Christiann Tamburr - vibes

Takana Miyamoto - piano

from the album "People Talk".

Purchase at Amazon!

6. Closing Announcements - Kenny

Palm Coast Jazz closing theme by Seven Octaves.

produced by Kenny MacKenzie

Palm Coast Jazz Podcast Episode 31

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sat, 10 Oct 2015 17:16:00 -0400

First episode since the winter but worth the wait!! Great performances from Christian Tamburr, Michael Ross, Gerald Stockton (with Danny Jordan on flute & sax!), Lisa Casalino (with Kenny Drew Jr.!), Michael Petrovich and Errol Rackipov! All killer cuts!

1. Introduction - Kenny
(download our theme song "In Control" on i Tunes!)

2. "Folk Dance" - Errol Rackipov Group (Hollywood, FL)     website

Errol Rackipov - vibes, marimba; Lubomir Gospodinov - sax;
Hristo Vitchev - guitar; Martin Bejerano - piano;
Josh Allen - bass; Rodolfo Zuniga - drums
          from the album "Pictures from a Train Window.
          Purchase at iTunes or Amazon!

3. "No Denying" - Lisa Casalino (Formerly Tampa, FL)      website

Lisa Casalino - vocals; Kenny Drew Jr. - piano;
Nate Najar - guitar; Alejandro Arenas - bass;
Mark Feinman - drums
          from the album "I'm Old Fashioned".
          Purchase at Amazon or iTunes!

4. Announcements - Kenny
(background music from the album Gettin' In the Groove by Ron Pirtle)

5. "Blue Steel" - Gerald Stockton (Orlando, FL)      website

Gerald Stockton - bass; Danny Jordan - flute/tenor sax;
Elton Reyes - trumpet; Steve Wiest - trombone;
Pat Coil - Hammond organ; Michael Waldrop - drums
          from the album "My Gentle Breeze".
          Purchase at CD Baby or iTunes!

Christian Tamburr

6. "It Rained Again Last Night" - Christian Tamburr (Melbourne, FL)      websiteChristian Tamburr - vibes; Dominick Farinacci - trumpet;
Kevin Bales - piano; Billy Thornton - bass;
Quentin Baxter - drums
          From the album "Voyage".
          Purchase album at Amazon or iTunes!

7. Announcements - Kenny

8. "Yak Attack" - Michael Ross (Tampa, FL)     website

Michael Ross - bass; Danny Jordan - tenor sax;
William Evans - piano/rhodes; LaRue Nickelson - guitar:
Walt Hubbard - drums
          from the album "Ginger".
          Purchase the album at Amazon, iTunes!

9. "San Juan Nights" - Michael Petrovich (Orlando, FL)       website

Michael Petrovich - guitars, sequencing, percussion
Michael Bloomer - fretless bass
Tony Rios - congas, bongos, woodblock
Ed White - djembe, percussion
          from the album "The Train to San Lorenzo".
          Purchase at Amazon or iTunes!10. Announcements - Kenny
(background music from the album Gettin' In the Groove by Ron Pirtle)

11. Closing Announcements - Kenny
Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie

All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2015 Kenny MacKenzie. All rights reserved.

Palm Coast Jazz Episode 30!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 18 Jan 2015 09:18:00 -0500

click the play arrow above to listen! Artist info is below the greeting/statistics.

It's the first episode of 2015 (in case you missed it) and our 30th, not counting bonus episodes! Lots of jazz guitar this week with music from all over the state, plus a feature from the dynamic and creative Jazz Conceptions Orchestra out of Jacksonville, and some excellent and very cool jazz 'n bass from Erik Jackson in Orlando.

Podcast stats for 2014 go as follows: 9,300 downloads/plays. A bit low, but actually pretty good since there were only 4 episodes produced! The countries with the most plays are:

USA
Japan
Brazil
UK
France

The countries with the most downloads are:

Japan (4,528)

Germany

Italy

Thank you for all your support, for liking, sharing and listening to the show! Hope you like the new episode, and there is much more to come!! Best to all - Kenny

Kenny also hosts: "Jazz Greats" on WFCF St. Augustine every Tuesday 3-7pm EST

Listen on iHeart! USA Only

and "Kendo's Jazz Sampler" on Radio KSCR every Wednesday 2-3pm EST

Listen via radio365!

~EPISODE 30~
1. Introduction - Kenny
(download our theme song "In Control" on i Tunes!)

2. "Somerset's Mom" - Rich Walker (Orlando, FL) website

Rich Walker - guitar, Rex Wertz - tenor sax,
Tom Parmeter - trumpet, Richard Drexler - piano,
Carlos Fernandez - percussion, Walt Hubbard - drums,
Mark Neuenschwander - bass

from the album "Lazybird Revisited"

3. "A Morning Walk" - The Jazz Conceptions Orchestra (Jacksonville, FL) website; Alex LoRe's website

Alex Nguyen - trumpet, leader; Brandon Lee - trumpet,
Alex LoRe - alto, Jeremy Fratti - tenor, Matt Zettlemoyer - bari,
Robert Edwards - trombone, Joshua Bowlus - piano,
Paul Sikivie - bass, Ben Adkins - drums

from the album "The Jazz Conceptions Orchestra".

4. Announcements - Kenny
(background music from the album Gettin' In the Groove by Ron Pirtle)

5. "The Whispering Eye" - Mark Johnson (Daytona Beach, FL) website

Mark Johnson - saxes
Norbert Marius - bass
Yaaki Levi - drums

unreleased track.

Smooth Players Play The Blues by Mark Johnson

6. "Esmaralda" - George Grosman & Bohemian Swing (Orlando, FL) website

George Grosman - guitar, Brandon Walker - sax, piano;
Ian MacGillivray - trumpet, Rachel Melas - bass;
Rafael Keren - accordian, David MacDougall - drums

From the album "Sydney, Mon Ami".

7. Announcements - Kenny

8. "Through the Storm" - Erik Jackson (Orlando, FL) website

Erik Jackson - production, rhodes, bass, synths, Akai MPC
KJ Sawka - drums
Joey Crown - trumpet

from the album "Rainy Days".

9. "Blade's Groove" - Dan Heck (Naples, FL) website

Dan Heck - guitar
Thomas Marriott - trumpet
Stuart Shelton - piano
Rick Doll - bass
Jose Martinez - drums

from the album "Compositionality" courtesy of Origin Records.

Purchase at Amazon!

10. Announcements - Kenny
(background music from the album Gettin' In the Groove by Ron Pirtle)

11. "Monday Morning" - Herb Silverstein (Sarasota, FL) website

Herb Silverstein - piano
Jeff Rupert - tenor sax
LaRue Nickelson - guitar
Richard Drexler - bass
Marty Morrell - drums

from the album "Monday Morning".

12. Closing Announcements - Kenny

Kenny's Twitter

Palm Coast Jazz closing theme by Seven Octaves.

produced by Kenny MacKenzie

If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at jazzploration@gmail.com

All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2014 Kenny MacKenzie. All rights reserved.

Stetson Triumphs With Kenton Concert

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Thu, 24 Apr 2014 12:23:00 -0400

Stetson Jazz Ensemble set up in Kenton formation!

A towering success was the spring concert from Stetson's Jazz Ensemble, "A Tribute to Stan Kenton". Kudos both to the students and conductor Don Waldrop for pulling off with grace and aplomb what easily could have been a jumbled mess with other young bands. The ballads ("Yesterdays", "Here's That Rainy Day" & "My Old Flame") were nothing short of mesmerizing; a special nod to the trombone section who had wonderful balance for the whole show, with remarkable pianissimos and gorgeous tone. The entire ensemble glistened and blared in all the right places. The trumpet section enjoyed the presence of guest performer Jack Nedorostek, nailing the insane high notes, and treating us all to a soaring rendition of Maynard Ferguson's "Maria".

Maestro Waldrop called up his wife for a sweet & memorable moment; the conductor serenading her with Kenton's comical "You and I and George" with delightfully sombre trombones behind him!

The standout solo from a student came on the popular "Dynaflow" from guitarist Lyndell Vickers, who started a few concerts back already sounding excellent, and continues to progress with fine technique and expanded jazz vocabulary. A well-mic'd Justin Weber on piano also stood out, ease & grace now added to his arsenal. A nice touch were back-to-back numbers featuring Jessica Rice (alto) and Samantha Olek (tpt) who showed marvelous confidence & ample ability. The rhythm section was solid and swingin' thoughout. Capping off the night was a rollicking romp through Kenton's daring "Peanut Vendor", trumpets doing the nasty dissonances justice and leaving the SRO crowd (picture shows about a third of audience) wanting much more. Congrats to Mr. Waldrop and all the band for hands down the best Stetson concert Palm Coast Jazz has witnessed! - PCJ

12 Questions for Ron Miller!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 8 Dec 2013 14:52:00 -0500

Enjoy the music from the video above featuring Gary Keller and Ron Miller live in Hilsinki while you read the interview!

Ron at home

There is so very much to tell you about Ron Miller that he tells you better on his website, so we'll give you "just the facts, ma'am".

1) Born in Springfield, MA, raised in Hollywood, FL, lives in Dania Beach, FL. 2) Became a faculty member at a then evolving UM Jazz Studies department; teaching Jazz Composition, Advanced Improvisation, and Jazz Piano; directing the Monk/Mingus and Avant-garde ensembles, the Wayne/Herbie ensemble, and the Horace Silver ensemble. 3) Currently Professor Emeritus of Jazz Studies. 4) Authored "Modal Jazz Composition and Harmony Vol 1 (in 3rd printing) and Vol 2.

4) Composition students under Ron include: Pat Metheny, Bobby Watson, Bruce Hornsby, Mark Egan, Matt Harris, Gil Goldstein & Jon Secada. 5) Ron has performed with: Ira Sullivan, Allen Eager, James Moody, Bill Pace, John Yarling, Rick Margitza, Kenny Wheeler, David Liebman, Tim Ries, Santi Quintans and Pat Metheny 6) His compositions have been recorded by Hal Galper, Danny Gottlieb/John Abercrombie, Red Rodney & Ira Sullivan, Gary Kelley (with Kenny Werner/Billy Hart) and Barry Ries (with Joe Lovano), to name a few. 7) He's a pretty fabulous pianist. 8) He recently released a terrific album called "Peacock Park"with 7 of his finest compositions and a killer line-up .

The Questions:

1) Do you come from a musical family?

Yes. My father played guitar, his brother, my uncle played piano and violin. They both played by ‘ear’ and there were many family jam sessions. Another uncle played organ, my grandfather played violin. Two uncles on my mother’s side played trumpet, one was a professional playing with bands like the Dorsey band.

2) When did you begin playing music? Were you a diligent student as a boy?

My mother told me that as a toddler, I would work my way to the piano, reach up and pick out tunes. I started lessons around 10 years old. The lessons were not with a serious musician so I did not acquire diligence until my early twenties.

3) Is there a pianist who influenced you more than others? Is there a current, young pianist you are impressed with?

Early on I was more influenced by composers, so Horace Silver was my first big first influence, Then Thelonius Monk. As I got more interested in piano playing, the biggest influence was Herbie Hancock, then Joe Zawinul and McCoy Tyner. In my mature years, Bill Evans and classical pianist Arthur Rubinstein are a big influence. Of the younger pianists, I find myself listening to Fred Hersh more than others.

4) You've got quite the piano ($35k Seilor grand) at home! Does your wife have to pull you off of it? Do you have a practicing regimen?

This piano has a sound that I love. It is similar to a Bösendorpher, but darker; it has the famous Renner action. Yet, I do not play it as much as it deserves, but when I get ‘into it” I do spent much time on it as well as when working on classic pieces. Now, I tend to practice mostly prior to a jam or recording session. I have found that much musical execution is 90% mind, the rest physical.

5) You've had some amazing bands over the years. Does any performance of yours stand out as the most memorable?

For a few years.I played a weekly gig at a club in Hollywood, Fla. One Night Stan’s

Miller Keller Band at One Night Stans, Hollywood

6) Your compositions are another part of your legacy. Is composing easy for you or a labor of love? Do you compose at the piano?

Composing is clearly my strongest talent. It is very easy for me. It all just ‘comes to me’ as if I am just a conduit of a massive source. I compose mostly in my head these days and realize my efforts sitting in my chair on my MacBook Pro with the notation app, Sibelius 7. Most of my previous compositions came from practicing rhythms, vamps, and melodic figures from which a composition evolved.

7) Do you remember what it felt like the first time someone else recorded your music?

I felt grateful, pleased, and honored.

8) As witnessed on your album "Peacock Park", your compositions are often serious or 'deep', but one walks away with an uplifted or positive feeling. Is this intentional?

No intention. I compose what sounds good to me. Believe me, I am the biggest fan of my compositions. I am also the cook in the family, and like most cooks, I devise my recipes to please my pallet. That my family also enjoys my cooking completes the process. When others enjoy my music, it gives me the same satisfaction.

9) Who is your dream rhythm section?

Hard call, but, I would pick bassist Reggie Workman and drummer Joe Chambers. Their playing on the Wayne Shorter CD "Etcetera" is a good reference. Of course, the rhythm section on the CD "Blues For The Old New Age, Gary Keller Plays The Music of Ron Miller": drummer Billy Hart and bassist Drew Gress are both excellent for my tunes too.

Marc Colby, Billy Bowker, Mark Egan Ron Miller 1972

10) You've mentioned that Gil Evans is a compositional influence. What is your favorite work by him? Who is the consummate jazz artist for you?

I am more influenced by Gil’s arranging… too much so. I love his arranging on Miles + 19. Jazz artist - Wayne Shorter, classical - Rachmaninoff.

11) In addition to 35 years as Professor of Jazz Studies at the University of Miami, your books are taught and read all over the world. What do you hope a student walks away with after having been instructed by you?

To truly love music and to share that love and the beauty of his or her compositions with the world.

12) You entered computer programming as a 'backup career'. Is this something you recommend to aspiring artists & students?

There are a lot of musicians that have become good code writers the reason being that programming is quite similar to arranging where events occur in a time line. Many non-musician programmers don’t have that sense. There was a time when one could be a casual programmer. but the hardware is getting so complex these days and the competition so high I would be reluctant suggest any musician take time away from much needed work on music.

13) Is there a program or app you've developed that you are particularly pleased with?

I am pleased with the code I wrote for the app called Drum Thing. The code is very compact, sturdy and fast. Most of the app was written in regular C, the rest in Cocoa, apple's version of Objective C. And, the app sold very well until iOS apps hit the market. The app Patterns X is also popular and has been purchased by some ’name’ players.

14) Name 3-5 albums that are currently in rotation in the Miller home.

David Fernandez and Ron Miller

Well, I listen mostly to internet radio via Pandora or Slacker. My channels on Slacker include: Bill Evans, Gil Evans, Roland Kirk, Wayne Shorter, Charles Mingus. On Pandora: Ravel, Stravinsky, Mozart, Baroque, Respighi. I did recently buy "Domino" by Roland Kirk from the iTunes store.

15) Are there any performances or an album in the works?

In the works is a CD: "Steve Rucker Plays the Music of Ron Miller", Two concerts at Gusman hall, U.M. in March (one is with Danny Gottlieb, Marc Egan and Mark Colby, the other is a presentation of my compositions by the UM jazz faculty. I will play on a few tunes), finishing the book: "Jazz Composition, The Creative Process". A week long lecture/performance teaching gig in Manhattan in late spring.

Thank you Ron for doing the interview!!

You can hear Ron Miller on episodes 8 and 12 of our podcast! There is also a wealth of audio on his website from all periods of his career and from his famous RonJams. Below is a link to his album "Peacock Park" at CD Baby. Thanks for stopping by! - PCJ

15 Recommended CDs for 2013!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 1 Dec 2013 14:56:00 -0500

It's that time of year: Black Friday this, holiday-spend that, cyber-whatever. Holidays can be stressful, with endless pressure from media advertisers and corporations taking advantage of mankind's natural love for gift-giving.

We don't want to contribute to this pressure, but thought you might like to know our 15 recommended cds for the year 2013. Maybe one or two will fit your gift giving needs; or maybe you want to indulge in some jazz yourself, for those de-stress/unwind moments. Or maybe you just want to window shop! :)

The link below takes you to our streamlined page where you can see the albums and read a very brief review of each. The links are to CD Baby - who offers the artists the best % of sales of any online vendor. Most albums have cd or download options, and you can listen to song excerpts, as well!

Finally, all the artists are Floridian - so whenever you purchase one of their cds you support local art as well as local economy. And if you're all shopped out, the link will stay up for most of the coming year. Congrats to the artists, and thank you for stopping by! - PCJ*

Click Here to see Top 15 for 2013!

* please bear with us while we re-post this list a few times on Facebook. Facebook only shows page posts to about 20% of a page's followers, so we want to be sure more of our viewers know about the list.

David Fernandez's Favorite Concert - Henderson!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Mon, 25 Nov 2013 15:32:00 -0500

One of Miami's most startlingly original voices in jazz is David Fernandez. His technical fluency and ease of expression on the saxophone are matched with a supple and gorgeous tone; his solos often develop into pleasing deluges of romanticism, backed up with broad harmonic intelligence and a wealth of ideas.

David has toured with Latin pop stars Chayanne, Jon Secada and Gloria Estefan, as well as jazz flute legend Nester Torres. He's shared the stage with the likes of Randy Brecker, Paquito D'Rivera, Gerry Mulligan, Bob Mintzer and Arturo Sandoval. He's currently the Adjunct Professor of Saxophones at Miami-Dade College, also
instructing at MDC-Kendall and Barry University. David has 2 albums available - "Transition Project" and "Symmetry". Both are highly recommended, with killer performances and top-notch, feast-for-the-soul compositions.

David's concert remembrance is unique, in that he was on the stage rather than in the audience. Catch a glimpse into a more intimate observance with one of jazz's most brilliant legends!

Joe Henderson - Miami University 1990's

Joe Henderson - courtesy of Verve Records

I would say the best jazz concert I have ever attended was a concert I took part in when I was at the University of Miami. We had the honor of performing with the late Joe Henderson. He had just recorded a trilogy of records that included a tribute to Miles, Billy Strayhorn, and a big band album, and I also believe he might have even done a tribute to Jobim around that era. Even more spectacular, was rehearsing with Mr. Henderson. I still have the sound of his saxophone engraved in my ears and in my mind. The bell of his saxophone was literally inches away from me since I was playing alto at the time. He had the softest,

warmest, and fullest tone I have ever heard. I also recall the forum he had where he spoke about capturing the lyrics of a song without the benefit of words and how Thelonious Monk was a big influence on his playing even though he played a totally different instrument. Finally, I also remember him dressed to impress. He wore nice trousers with a tie and suspenders. This gentleman was not only a throwback from the great Blue Note era, but an icon and a legend standing before us. A night I carry with me everyday.

Thank you, David, for fun and exclusive insight into Joe Henderson, and especially for taking part in our poll! - PC Jazz

Upcoming dates for David Fernandez include 11/30 at the Globe Cafe in Coral Gables and 12/10 at Van Dykes Cafe, Miami. His albums are available wherever jazz is sold online. For your convenience, links are provided below to albums available on Amazon. Green links take you to the album page for review and info. Below links please enjoy a video of Dave and his band!

.......

New Podcast Opens Our 3rd Season!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Wed, 6 Nov 2013 10:59:00 -0500

Thank you to all our faithful listeners who have helped make our podcast a big success! This month features two Jazz Orchestras! Featured players include Phil Woods, Ed Callé, Gary Brown and Jason Carder. Larry Coryell & Kenny Drew Jr supply an exquisite duet tribute to Hank Jones, George Grosman pays homage to Sidney Bechet & much more! At the end of the show we pay our own tribute to the late bassist/composer/friend Frank Capek and Gers Yowell, the saxophonist whose story we told in our second episode. Every number is a gem! Thanks for all the shares, likes and for spreading the word. :) Enjoy!!

Pictured: George Grosman (photo by Greg King)

Host: Kenny MacKenzie

Our Facebook page!
Kenny's hosts"Jazz Greats" on WFCF every Tuesday 3-7pm EST. Listen on iHeart!

Kenny's Twitter

1. Introduction - Kenny
(download our theme song "In Control" on iTunes!)

2. "Read My Lips" - South Florida Jazz Orchestra (Miami, FL)     websiteChuck Bergeron - director, bass;
Trumpet: Jason Carder, Greg Gisbert, Alex Norris, Augie Haas
Alto Saxes: Gary Keller, Gary Lindsay,
Tenor/Baritone saxes: Ed Calle, Ken Mattis, Mike Brignola
Trombones: Dante Luciani, John Kricker, Joanna Sabater
Bass trombone: Jennifer Wharton
Piano: Martin Bejerano
Drums: John Yarling
Timbales: Raymer Olalde; Congas: Roberto Quintero

from the album "Trumpet Summit".

Purchase at Amazon or iTunes!

3. "Pasajé Tennessee" - Jamie Ousley (Hallandale, FL)      website

Jamie Ousley - double bass, Phillip Strange - piano,
Johnny Mendoza - Violin, mandolin, quatro, marracas
Larry Marshall - drums

from the album "Back Home".

Purchase at Amazon, CD Baby or iTunes!

4. Announcements - Kenny
(background music from the album "Second Chances" by Allison Paris)

5. "Feeling His Groove" - Jose Valentino (Tampa, FL)      Facebook

Jose Valentino Ruiz - vocals, flute, sax, bass, guitar, rhodes
Jonathan Thomas - drums
Benny Maldonado - congas

From the album "Messiah"

6. "Goodbye Mr. Jones" - Larry Coryell & Kenny Drew Jr (Tampa, FL)     Kenny's website

Larry Coryell - guitar
Kenny Drew Jr. - piano

From the album "Duality", courtesy of Random Act Records (website).

Purchase album at Amazon or CD Baby!

7. Announcements - Kenny(background music from the album KMT I by Kenny MacKenzie Trio)

8. "Sidney Fandango" - George Grosman & Bohemian Swing (Orlando, FL)     website

George Grosman - guitar, Brandon Walker - soprano sax,
Ian MacGillivray - trumpet, David MacDougall - drums,
Rachel Melas - bass, Refael Keren - accordian

from the album "Sidney, Mon Ami".
Purchase cd at Amazon, CD Baby or iTunes!

9. "Birth Without Violence" - Gary Wofsey and the Contemporary Jazz Orchestra (Alford, FL)     website
Trumpet/Flugelhorn: Gary Wofsey (solo), Moose Foyer, Laurie Frink, Bob Freeberg
Alto Saxes: Phil Woods (solo)
Flute/Tenor/Baritone saxes: Gary Brown, Dick Oates, Ronnie Cuber
Trombones: Bob Carlson, Joe Letizia
Piano/Electric Piano: Mike Abene
Guitar: Melanie MacQuarrie
Bass: Paul Adamy
Drums: Jim Mola
Timbales/congas/perc: Bob Merigliano

from the album "Kef's Pool".

Purchase vinyl lp at Amazon!
10. Announcements - Kenny(background music from the album "Live From the Warehouse" by Dot Wilder)

11. "Blues for L.T." - Gers Yowell Quartet (Ormond Beach, FL)

Gers Yowell - EWI, Kenny MacKenzie - piano
Frank Capek - bass, Frankie Capek - drums

recorded October 21, 2011 ~ PC Jazz exclusive.
In memoriam: Frank Capek and Gers Yowell.

12. Closing Announcements - Kenny
Palm Coast Jazz closing theme by Seven Octaves.produced by Kenny MacKenzie

If you are a jazz musician residing in Florida with quality recordings of your original music (new or old) and would like to submit for future podcasts, please contact us at palmcoastjazz@gmail.com

All recordings and compositions are the property of their respective performers and composers, all rights reserved. This podcast copyright 2013 Kenny MacKenzie. All rights reserved.

Pete Gemski's Favorite Concert - Faddis!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 3 Nov 2013 00:40:00 -0400

Pete Gemski with new 'weapon'.

Pete Gemski is the founder & leader of The Lighthouse Little Big Band - an 8-piece unit in St. Augustine that promotes creativity in the region by performing original arrangements as well as more famous ones. Pete plays valve trombone & bass trumpet in the band, but the instrument for most of his life is the trumpet; playing professionally from 11th grade on. He studied at Brown University, did graduate school at the University of Pittsburgh Medical School, post doctoral research at the Stanford University Medical School and put in 30 years at the Walter Reed Army Institute of Research in Washington, DC. In DC he played in the Bill Potts Big Band, also performing at several inauguration Balls; in particular, Ronald Reagan's 2nd inauguration with the Benny Carter Big Band.

After retiring as Chief of the Department of Molecular Pathology at Walter Reed, he and wife Lenny moved to New Hampshire where he performed and expanded his "arsenal of brass weapons" to euphonium, baritone horn, valve trombone and bass trumpet. The Gemski's became St. Augustine residents in 2005. In 2012 The Lighthouse Little Big Band put out their

The Lighthouse Little Big Band

self-titled first cd featuring arrangements by Pete, Dave Wolpe, Ralph Martin, Larry Dickson and the late bassist, composer and member Frank Capek.

At 77 years young, Pete's 'bucket list' is to play all the brass instruments. He's currently learning the Bb tuba, with thoughts of forming a Dixieland group in the future. Below is his very entertaining anecdote about an encounter between two trumpet players...

Jon Faddis Quartet at The Wolf Trap, D.C. Area November 24, 1989

(Renee Rosnes - piano, Louis Nash - drums, ????? - Bass (sorry, I can't remember----too many high notes played as I age as a trumpet player)

As is typical of Jon Faddis, he paid homage to Louis Armstrong by performing (ala Satchmo) "West End Blues" at the end of the set. A standing ovation from the
audience was almost universal. Faddis responded with a big grin and shared the moment with his group that also caught the essence of Satchmo's style in their playing.

As Faddis walked off the stage, he stopped, turned to the audience and said "How about this?" He then did Harry James' version of "Ciribiribin" for a few measures, this time having the style and sound associated with Harry James. Someone in the audience requested his version of Wynton---he smiled, took a proper concert posture and played several measures of the Hayden Trumpet Concerto as recorded at one time by Wynton---then gave it a Faddis touch by repeating the same measures octaves above. He then continued interacting with the audience saying "Ready for Miles?"---walked off the stage, returned wearing a borrowed long coat, turned his back to audience, stooped over with the horn pointing at the floor and started

L-R: Lewis Nash, Bill Charlap, Jon Faddis &
Renee Rosnes - from reneerosnes.coml

playing "Freddie Freeloader". Standing ovation again. "Any other requests?" he inquired. The big mouth of yours truly took over and from the front row I said "How about the famous Faddis Double C's?" Faddis grinned and said "How many?". Not to be outdone, I answered "100". Because he 'clamed' on the 86th double C, I treasure an autographed program by Faddis to "Mr 86" on my music wall. PS--that's how I know the exact date of this memory.

Thanks, Pete, for a very fun concert story and for insight into the congeniality and good humor of a world-class star! - PCJ

Don Durkee's Favorite Concert - D.C. Festival!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 20 Oct 2013 16:19:00 -0400

Pianist Don Durkee is a Palm Coast resident who's been mighty busy over the years, working with familiar Florida jazz names like Linda Cole, Ray Guiser, Bill Doyle, Pat D'Aguanno, Ron Gillotti, Bill Prince, Jan Crawford, Roland Fleming, Barry Kelsey and many, many more! His attractive playing is characterized by both thoughtfulness and verve. Last year he released a wonderful trio album called "Our Delight".

Don with Pete Gemski 2012

Don attended an almost unbelievable happening during one of the greatest peaks of jazz: a festival sponsored by JFK's Music Committee of the People to People program. The festival took place at the Uline Arena (now the Washington Coliseum). Below is Don's telling of the incredible experience!

1st International Jazz Festival May 31 - June 3 1962

I went to this concert my senior year in High School... I was just getting into jazz, buying 33 1/3 rpm records and listening to them on an inexpensive record player which I had bought at a drug store for about $24.95.

I went to the Saturday evening event and it was a barn-burner. It looked like a sellout crowd because I
did not see many empty seats.Oscar Peterson Trio led

Oscar Peterson Trio, early sixties

off the set with guest artist Roy Eldridge followed by Gerry Mulligan Quartet. Horace Silver Quintet was next and then Herbie Mann. Dave Brubeck had his quartet, and then up stepped Monk with his unmistakable harmonic style and his quartet. The Clara Ward Singers provided a nice change of pace. Duke Ellington Orchestra led off with "Cottontail" at a very high tempo. I remember it had the whole place jumping. "Mood Indigo" followed by "Satin Doll" were next. I went down to the stage after the concert and spoke with several of the Ellington sidemen: Johnny Hodges, Aaron Bell, Cat Anderson and Paul Gonsalves. I got them to autograph my program as well.

Basie Band in 1962

I returned for the Sunday, June 3 concert. The Count Basie Orchestra opened to a packed house. I remember the fantastic trumpet section featuring solos by Thad Jones and Snooky Young. And yes, the drummer was a powerhouse named Sonny Payne. I think Frank Wess and Eddie Newman were also there in the sax section along with Marshall Royal. I remember Basie trying to wave the spotlight off him and onto the soloist then performing. He tried several times and the lighting man finally got the message. An uptempo chart called "Whirlybird" had the crowd going and then, of course, they ended with the immortal "One 'O Clock Jump". The Slide Hampton Octet was next followed by Gloria Lynne and the Earl May Trio.

Thelonious in NY 1962

Then the George Shearing Sextet.

I had a great two days there and saw/heard a lot of the top masters and legends of jazz. By the way, I don't
remember how much tickets cost, but they were not expensive. A lot of things were cheaper back then.

Thanks so much Don - for giving us a glimpse into such a momentous occasion for jazz and the world! You can check out some of Don's music and playing at his very stylish blog. - PCJ

Woody Herman at the Uline Arena;
photo courtesy of 1959 BHS Mustangs.

Bill Doyle's Favorite Concert - Dizzy!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 13 Oct 2013 15:24:00 -0400

Bill performing at 3 Dogs Grille in PC, 2012

Drummer Bill Doyle inaugurates our new poll for jazz musicians in Florida: What's the best jazz show you've ever seen? Not an easy question! We figured we'd begin by asking a few Palm Coast musicians. Locals who've been following jazz over the years here in PC are surely familiar with the solid & tasteful swinging of Bill Doyle. Bill studied with several teachers, including entrepreneur and co-founder of GRP records, Larry Rosen (who at the

Bill Doyle Trio backing up Cheryl Paige

time was backing up Andy Williams). Along with his own excellent trio, Bill has played with Floridian luminaries like Ray Guiser, former Basie vocalist Cheryl Paige & popular diva Linda Cole; as well as sensational Canadian trumpet player Mickey Erbe and guitarist Wayne Kirby.

Below are Bill's remembrances of his favorite concert:

Dizzy Gillespie - Birdland NYC 1961

I was 15 years old. My Dad, being a musician, allowed me to take a bus from New Jersey to Manhatten with my

friend to see Dizzy. At Birdland, we were pretty close to the bandstand. When Dizzy and his group started to play, my love for jazz became cast in stone. I do not recall all of the musicians who were in his group on that date, but I was in awe. I had been studying drums for 3 years, at the time, and this night left a huge impression. Also, his cheeks...unbelievable expansion when he was playing. I thought, "what about embouchure? I guess it doesn't matter because this man is great."

Live Dizzy recorded around the same time!

Birdland, at the time, was periodically open to teens (section called the "peanut gallery"). My friend, Castig and I talked "Tiny" the host, into letting us sit closer... He let us near the band...I remember going down the steps, mentioned in the tune "Birdland".

Thank you Bill, for the great jazz flashback, and for getting the new poll off to a fantastic start! Here is Bill's Youtube page; and we'll be keeping you posted about his trio's upcoming dates! - PC Jazz

Russell George Interview - Legendary NYC Session Bassist!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Tue, 4 Jun 2013 22:55:00 -0400

The following photos and visuals of amazing bassist/violinist and St. Augustine resident Russell George are posted to accompany our interview podcast with him (episode 22 - June 2013). We think you'll agree he's had one incredible life & career! Thanks to Russell for both the wonderful interview and the fun, intriguing photos.

Click on photos to view enlarged!

Russell at the Green Cove Springs Naval Base, July 1952

Marian McPartland with Roy Lundberg - drums
& Russell George - bass

Art Magyar - drums, Russell George - bass,
Marian McPartland - piano circa '60-'61

Russell & Ross Tompkins at the Playboy Club.
Russ also did a (clothed) stand in for a shoot!

L-R: Roger Kellaway - p, Russell - b,
Bobby Hackett - tp, Nick Stabulas - d,
Marshall Brown - tb. Cape Cod

L-R: Marshall Brown, Run Lundberg,
Russell George & Pee Wee Russell. '63
Photo by 'Popsie' Randolph

L-R: Joe Newman - tp, Ron Lundberg - dms,
Russell - bass, Ross Tompkins - p
at Embers (NYC) Aug 1965

Russell George with Anita O'Day
at the Half Note (NYC) 1966

L-R: Roy Burns - d, Russell George - b,
Ben Webster - ts at the Metropole 1966.
Photo by Planetary Photo.

L-R: Russell George, Ruby Braff,
Bud Freeman, Buzzy Drooten.
Photo by Jack Bradley Jazz Photography.

L-R: Tom Whaley - dm, Russell - elec bass,
Red Rodney - tp, Jerry Dodgion - ts,
Joe Beck - guitar. Good grief,
what a killer line-up!! Club Med

What a day!!

A once in a lifetime
jazz nativity!

A cap-off to a long & illustrious
career on bass!

Several artists graciously contributed their sound recordings to enhance the interview. Consider purchasing some excellent jazz via the Amazon links below to both support the artists and Palm Coast Jazz!

Visit wonderful vocalist Ed Reed's site by clicking here!

Visit astounding bassist Ray Parker's site by clicking here!

Thanks for visiting Palm Coast Jazz!

12 Questions (+ 2) for Valerie Gillespie!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Fri, 19 Apr 2013 11:32:00 -0400

photo by Jennifer Smith

Valerie Gillespie is about as talented as they come. Astoundingly proficient on soprano, alto, tenor and baritone saxes as well as flute, she's also a vocalist, with a natural, easy-going, soulful sound. She's played with artists like Chick Corea, Bobby McFerrin, Ray Charles, Rosemary Clooney and even the Xavier Cugat Orchestra. Comfortable in both jazz and classical settings, she also plays with many top symphonic orchestras and is hence one of the busiest musicians in Tampa. So busy, in fact, we felt guilty asking her to do the interview! She cheerfully obliged in between an orchestra gig, teaching a jazz vocal master class and her long-running stand at The Garden Café in Dade City. Because her talents span so wide a territory (we didn't even get into the motorcycle riding), we had to add a few extra questions!

1) Your dad was a singer, did you learn a lot from him? Do you hear him in yourself when you sing, or even play?

Yes! All the tunes I learned as youngster, I learned from him, always by ear. He'd come in to my practice room (the breakfast nook) and sing tunes to me, and I would just copy them by ear. It was good because it improved my ability to do any song in any key.

2) What was your first professional gig?

I think I was about 13, and played at the local Elks club with an organ player who played jazz tunes. The thing I remember about that gig is that I needed to work on remembering the bridges to tunes. The way most tunes are laid out, the A section is done 3 times for every 1 time of the bridge so I sometimes had to have him play the bridge because I couldn't remember it. It was a great learning experience for me.

3) Along with a masters in jazz saxophone (USF), you also have a bachelors in classical (Carnegie-Mellon). Is there a favorite composer or piece that you love to play in that milieu?

Just yesterday I listened to Stravinsky's "Firedbird Suite". He is probably my favorite, but I also love Debussy, Mussorgsky, Bizet and Ravel. I perform with the Florida Orchestra frequently, and usually end up having solos in the works for which they call me. This evening is our third performance of Leonard Bernstein's "On The Town" and I have two sultry solos in the third movement.

photo by George Lindsay - Tungsten Photography

4) So far – what has been one of the most memorable onstage jazz experiences for you? Classical?

There are so many, but one that comes to mind is doing a concert with Bobby McFerrin with the Florida Orchestra. It was mostly classical, but at one point he started to do a jazz jam on Blue Monk with the bass player, and then pointed to me and had me take a solo… it was completely impromptu! I had a blast, and what an adrenaline rush! For classical it would probably be the time I played Pictures at an Exhibition, and the conductor Vladimir Verbitski loved it so much, he brought me out onto the podium... 4 nights in a row. That was truly an honor.

5) Name 3 albums (any genre) that are currently getting a lot of rotation in your home or ipod.

Ingrid Jensen- Project O, Kenny Garrett- Pursuance, Tierney Sutton- Blue in Green

6) Who do you look to as the ideal jazz instrumentalist? Vocalist?

Kenny Garrett-saxophone, and Ella Fitzgerald-vocalist. I love these two specifically because they play and sing with such control and yet such abandon, and those are the qualities that draw me to jazz.

7) Tell us about your saxophones/flutes!

Saxes alto, tenor, bari I play Selmer Mark VI, soprano I play a Yamaha Custom. Clarinet, I play a Buffet. Flute, I play a Yamaha.

Valerie on Bari sax - photo by John DePaola

8) I'm sure you hate this question... if you had to be stranded on a desert isle with only one horn, which would you choose? (or would you hide your soprano and flute in the bari?)

My alto sax, definitely. It seems to be my natural voice, and feels the most comfortable to me. I would probably be tempted to sneak the flute and clarinet in as well, though. 'Clara' and I have a secret love affair going on… Don't tell anyone!

9) Is there a composer that you love to sing?

Cole Porter and George Gershwin are two of my favorites, and anything with Johnny Mercer lyrics. Oh, and also Billy Strayhorn…. So many songs, so little time!

10) As an artist, do you have specific goals that you are trying to achieve when you perform?

On horns, I am trying to create a good shape to the solo, so that it has a definite peak. Sort of like an author writing a book with a good climax. Vocally, I love a good ballad, and the key for me is to be understated, not to push too hard. I always like a relaxed tone, so the warmth is there. That seems to be my strength vocally, so I try to make sure that comes through.

11) Which of your albums do you feel has come closest to sounding and relaying exactly what you wanted it to?

This is a tough one… I find that I like certain tracks on each CD. If I had to choose, I might be inclined to say "Lush Life" because that is my all-time favorite tune, and I was thrilled to get to record it… "Rough Around the Edges" has been very popular, though, in fact, I'm going to have to place an order for some more, so I guess that one was successful, as well.

12) As an adjunct at USF - what's the most important thing to impart or inspire in a student?

Probably getting the student to feel motivated just for the sake of music, not for any particular performance. If they can practice consistently simply because they want to try new things, then I feel I have really done my job. And probably the best way to keep that in the forefront is to do a lot of listening.

photo by Alex R. Spassoff

13) I've noticed that even though their are plenty of female jazz musicians out there, many of them very famous - it still seems to be a 'man's world'. I don't see many famous jazz men hiring women, and I don't see women equally talented as their male counterparts reaching the same status. Do you agree? Did you have struggles in this area? Do you have advice for young ladies going into jazz?

I have usually been the only woman in the band, with the exception of some great players like Ingrid Jensen and Anat Cohen, but it does not bother me at all. I've always been treated with the greatest respect, I think because musicians are only interested in whether you can play or not. As soon as they hear that, then they're unconcerned with anything else: they just want to play! My advice to women is practice hard, make sure you have a GOOD sound, and that you know your stuff. Don't worry about anything except that you play with confidence.

14) What's coming up for you?

I have been doing some jazz festivals and jazz vocal workshops lately, and as far as the band goes, I am looking to add to our repertoire with some obscure ballads, and hopefully some originals. Also, June 7th & 8th I'll be at Heidi's in Cocoa Beach. Maybe I will have a couple of originals by then!

We asked Valerie to choose a video of her performing for this article - she chose a sizzling live version of Chick Corea's "Got a Match?", also featuring flute sensation Jose Valentino on flute! (former student)

Thank you Valerie for a highly entertaining interview. Keep an eye out for appearances by Valerie throughout Florida & don't miss 'em! You can hear her exceptional playing and singing on episodes 11, 13 and 16a of our podcast. Her music is available at iTunes and CD Baby. Below are some purchase links for Valerie's excellent albums on Amazon. Treat yourself! - PCJ

12 Questions for Jamie Ousley!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Fri, 15 Mar 2013 12:35:00 -0400

Jamie Ousley perfoming at Arturo Sandoval's club in Miami

Jamie Ousley has been a favorite at Palm Coast Jazz on our podcasts and otherwise. A master of his instrument, he's one of the most in-demand bassists in Miami. Some of the world-class artists he's performed with include Ira Sullivan, Arturo Sandoval, Benny Golson, George Shearing,
James Moody, Dave Liebman, Maria Schneider, Vince Mendoza, Nestor Torres, Bucky and John Pizzarelli, Harry Allen and Bob Berg. His cds are a joy to listen to and filled with his appealing compositions as well as clever arrangements of standards, pop songs and classical works; all handled with finesse and dexterity by brilliant musicians. Finally - he's the nicest guy! We hope you enjoy our short interview, as well as the video & links underneath.

1) It’s clear from your albums that you embrace many kinds of music, including world, rock & classical. How did you get turned on to jazz?

I started playing jazz in my high school jazz band, but I didn't really even know what jazz was at that point. I really got seriously into jazz in college. I had the choice to go down the classical or jazz paths, and I chose jazz because it's always new.

photo by Jacek Andrzej Gancarz

2) Was bass your first instrument?

Violin was my first instrument, beginning with suzuki lessons at age 5. I switched to bass when I was 12, and I was lucky enough my public school program had orchestra.

3) A question for fellow bass players – tell us about your gear…

I play a 1983 Horst Gruenert double bass from Germany, which I feel very lucky to have! I use a fishman full-circle pickup and acoustic image amp. I just ordered one of those new DPA bass mics, so we'll see how that goes.

4) Name 3 albums that are currently getting a lot of rotation in your home or ipod.

Tony Bennett: The Art of Excellence
Fred Hersch Trio: Alive at the Vanguard
Hilary Hahn: Bach Partitas for Solo Violin

5) Who do you look to as the ideal jazz instrumentalist, bass or otherwise?

Ray Brown is my bass hero. Bill Evans, Keith Jarrett, Charlie Haden, and Sonny Rollins are my favorite improvisors.

6) Name a favorite rhythm section of yours.

Bill Evans, Scott LaFaro & Paul Motian. They pioneered and developed interaction and conversational aspects within a rhythm section. "Waltz for Debby" remains one of my favorite recordings of all time.

Jamie performing with jazz legend Ira Sullivan

7) What was your first professional gig?

I guess my first professional gig was with my high school rock band "Cataclysm." I think we made money? We played for an after-prom party at a YMCA... Our band slogan was "Music so bad, you have to spank it!"

8) So far – what has been one of the most memorable onstage experiences for you?

The first that came to mind was one particular night at Arturo Sandovall's old jazz club on Miami Beach with jazz legend Ira Sullivan. Brian Murphy was on piano and John Yarling on drums... I've played with this same band dozens of times, but this particular night I had the most profound feeling of being in the "zone" or groove, whatever you want to call it. I remember the experience as being almost like I was an observer and laughing at the fun musical banter John & Brian were having. It was effortless to play and there was no possibility that any note could have been wrong.

9) Does composing/ finishing pieces happen easily for you or do you labor over it?

Definitely not easy! Occasionally ideas (usually the best ideas) come easily and without effort, but even those take a lot of work and editing to finish. One exception is a song off my first CD titled "Epiphany" in which I purposefully sat down to write a song in one session, start-to-finish, in a stream-of-consciousness style, just accepting whatever notes popped into my head next. It took about 2 hours.

10) I consider all your albums “successful”, but “A Sea of Voices” did very well on the Jazzweek charts. Was this a surprise for you?

It was definitely a surprise, but it was also a goal of mine to reach the top 10. A Sea of Voices reached #8. . .so I guess I have to set the goal a little higher next time!

11) Do you have specific goals as an artist, or for the music you compose/release?

Philosophically, my purpose is to contribute to and touch peoples lives with my music. But I don't always think about that every day. My biggest practical goal is to become known well enough so I can travel the world playing music. I really enjoy experiencing other cultures - which is a great part about living in Miami.

Photo by David Schanzer

12) What’s coming up for you?

I just submitted a proposal for a grant at my university to make a bass & vocal duo CD, so we'll see how that goes. I have a couple of fun trips coming up. Next week I'll be in Costa Rica playing a Jobim Bossa Nova with Strings concert with vocalist Rose Max and the National Symphony. I'll be playing with Joe & Austin (the guys from my last CD) at the Nashville Jazz Workshop in April and in the Boston area in August.

We asked Jamie to supply us with a video of his choice. Here's what he had to say about the video below: "Here's a youtube video collage with my song "Loving Beauty" from A Sea of Voices. These are some of my personal photos over the past few years traveling, and the studio 'rough mix' from the session. . .it was a first take!"

Thank you, Jamie, for doing the interview, and for all your contributions to jazz in FL, and around the globe! You can enjoy full-length tracks by Jamie Ousley on episodes 7, 9 & 13 of our podcast: and you can treat yourself to his excellent albums at iTunes and Amazon. - PCJ

Palm Coast Jazz Episode 16 - Revisited!

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sun, 10 Mar 2013 23:16:00 -0400

This episode warrants repeating, so we added some nice photos, removed the clutter & put buy links at the very bottom. Wonderful musicians making wonderful music from start to finish. Enjoy the soul-moving sounds! (Note: clicking on pictures causes audio to stop)

Most of these selections are available wherever cds & downloads are sold online, but if you enjoy our presentation, please consider using the links at the bottom of this post! Thank you for supporting creativity in jazz!

1. Introduction - Allison & Kenny

2. "MG 1020" - David Fernandez

(Miami Springs, FL)
from the album "Symmetry"

David Fernandez - soprano sax
Carlos Vega - tenor sax
Gabriel Saientz - piano
Gabriel Vivas - bass
Ludwig Alfonso - drums

3. "Coral Sea" - Kenny Drew Jr.

(St. Petersburg, FL)
from the album "Coral Sea"
courtesy of Random Act Records

Kenny Drew Jr. - piano
Jon Burr - bass
Marty Morell - drums

4. Announcements - Kenny
(background music from the album "Live in the City" by Jack Pierson)

5. "Julie's Lament" - Michael Royal Trio

(Sarasota, FL)
from the album "Transition"

Michael Royal - piano
Richard Drexler - bass
Steve Davis - drums

6. "Madcap" - Chuck Owen & the Jazz Surge
(Temple Terrace, FL)
From the album "Madcap"

Chuck Owen - keyboard, composer, arranger
Jack Wilkins - tenor solo, John Abercrombie - guitar
Clay Perry - piano, Mark Neuenschwander - bass
Dave Hardman - drums

woodwinds: Valerie Gillespie, Tami Danielsson, Jack Wilkins,
Rex Wertz, Matt Vance
trumpets: John Robinson, Ron Turner, Mike Iapichino, Tom Parmerter
trombones: Keith Oshiro, Chris Clifton, Andrea Rawlison, Jim Hall

7. Announcements - Allison
(background music from the album "Moved" by Kenny MacKenzie Trio)

8. "Pheonix Phunk" - Clay Foster & Carey Frank
(Orlando, FL)
from the album "Bona Fide Sea Monsters"

Clay Foster - guitar
Carey Frank - organ
Frank Brunot - bass
Jonathan "Jon-Jon" Parks - drums

9. "La Noche" - Lynne Arriale

(Jacksonville, FL)
from the album "Solo"
courtesy of Motéma Records

Lynne Arriale - piano

10. Announcements - Kenny
(background music from the album "Second Chances" by Allison Paris)

11. Closing Announcements - Allison

Palm Coast Jazz closing theme by Seven Octaves.

produced by Kenny MacKenzie

Last Year's Numbers...

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Sat, 2 Mar 2013 11:57:00 -0500

Hello! This post is for anyone who likes such things, but mostly for the musicians featured on our podcast. Below are statistics from the year 2012 for the podcast. Things to keep in mind: 1) the show almost exclusively features original compositions 2) of jazz! 3) from regionally specific artists!

For "glass half-empty" souls, remember that podcasts have what in industry lingo is called a "long tail". This means that their effect on the artist (and label) is long lasting - since they're available online indefinitely, and have potential to gain an ever-increasing audience (as opposed to regular airplay - when it's over, it's over!) Also - the shows audiences are not random people, but actual jazz lovers who came to the show looking for quality jazz; many come back for more. Finally - nearly 3/4 of our listeners download the show - which means they are potentially listening to your track over & over, if they like it!

Total Plays/Downloads - 15,125

Downloads - 11,263
Plays (Streams) - 3,862

Top 10 Downloading Countries:

Russia
Japan
USA
UK
Ghana
Turkey
UAE
Germany
Italy
South Korea

Top 10 Playing/Streaming Countries:

US
Equador
Kenya
France
Italy
Mexico
Germany
Canada
Japan
Taiwan

The Most downloads in USA coming from Wichita, KS
The Most plays in USA from Jacksonville, FL.

The top 5 episodes in 2012:

Episode 5 Jan 2012 - 1341 downloads/270 plays total - 1,611
Episode 7 Mar 2012 - 798 downloads/403 plays total- 1,201
Episode 6 Feb 2012 - 819 downloads/303 plays total - 1,122
Episode 9 May 2012 - 617 downloads/338 plays total - 955
Episode 4 Dec 2011 - 850 downloads/94 plays total - 944

I hope you find these numbers encouraging. I'm always looking for ways to increase our audience and promote all the phenomenal jams being produced here in FL. If you enjoy what the show is about, the best ways to help are to keep sending me your cds; share the shows you're on with Facebook friends/fans and listen to an episode or two that you are not on! (Always an idea behind the show - that we influence, inspire or provoke each other to move forward, make new albums in spite of the odds/cost, and have an overall appreciation for each other.) Thanks for being a part & sharing your music with jazz lovers all over the world! - Kenny MacKenzie

Longineu Parsons' Top 10 Jazz Albums

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Fri, 18 Jan 2013 11:22:00 -0500

"...a mutant offspring of Lee Morgan and Woody Shaw... Funky fresh, overdue yet right on time."
- Tom Terrell (JazzTimes)

A Jacksonville native and Tallahassee resident, Longineu Parsons has been wowing jazz critics all over the world for decades; from his extended stint with Sun Ra, performances or recordings with the likes of Philly Joe Jones, Nancy Wilson, Cab Calloway, Nat Adderley, Cecil Taylor, Joe Williams, Herbie Mann, Frank Foster, Mal Waldron, Sam Rivers & many more; to being a soloist with the Jacksonville Symphony, Palm Beach Pops, Tallahassee Symphony, Augusta Symphony, Gainesville Symphony et al.

Recently returned from performances in Paris, Longineu will be headlining the winter concert of the North East Florida Jazz Association this Sunday (1/20/13) at the Daytona Museum of Arts & Sciences. For details & tickets visit NEFJA (tickets are available at the concert).

With a masters in classical trumpet & a position at Florida's A&M University, Longineu's top 10 list is a study in the deeper things of jazz, even capturing Art Blakey at his most profound. In keeping with his own musical personality - there are overlooked gems as well as cornerstones of America's premiere art form. Every entry is an example of eloquence and the height of expressive playing!

1. Miles Davis - Bitches Brew "This recording brings together the cultural and musical elements of that time. It's not a demonstration of technique but a real artistic statement. Every note that Miles played was exactly right, nothing wasted."

2. John Coltrane - Africa Brass

3. Sun Ra - Heliocentric Worlds

4. Sarah Vaughan - Brazilian Romance

5. Bird & Diz - Jazz at Massey Hall

6. Louis Armstrong - Any Recording is in the top 10

7. Art Blakey - Free For All

8. Duke Ellington - Far East Suite

9. Ornette Coleman - The Shape of Jazz to Come

10. McCoy Tyner - Enlightenment Suite

The upcoming concert is a must-see for jazz lovers and students of the art. Also check out Longineu's release "Tribal Disorder" on his own label, and visit his website here. Thank you Longineu for taking the time from your heavy teaching & performing schedule to be a part of our poll! - PC Jazz

Treasures on Youtube 1

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Fri, 4 Jan 2013 09:49:00 -0500

Most jazz lovers already know youtube is a veritable treasure trove one can get lost in for hours. Our focus on jazz in Florida can occasionally dig up a little piece of music history that charms based on it's place in time, and excites from it's dynamic content! Here's one from 1988, filmed in Tampa. Herbie Hancock on piano, Branford Marsalis on sax and Sting on vocals; just jamming the day before the big show ("Nothing Like The Sun" tour). A very fine "Oh Lady Be Good" including the verses is played as well as Sting's own "Sister Moon" - along with some enjoyable banter. Hope you dig it! - PCJ

Gary Burton's Top 10 Jazz Albums

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Tue, 13 Nov 2012 11:05:00 -0500

6 decades of breaking ground might be an apt description of the artistry and career of Gary Burton. Here's some things you may or may not know. The pianistic, four-mallet playing technique is pretty much his creation. After 3 years with Stan Getz he intrinsically pioneered jazz-rock in the 60's ("Duster" with Larry Coryell, Roy Haynes and Steve Swallow is considered by many to be the first important album of the genre, if not the actual first). He was the youngest recipient of Downbeat's Jazzman of the Year (1968). In 1971 he turned the risky venture of a solo vibes concert at the Montreaux Jazz Festival into a show stopper and his first Grammy award. In the 70's he continued taking chances with his "New Quartet" and duo albums including the extremely popular and ongoing collaborations with Chick Corea. By 1985 he was Dean of Curriculum at Berklee and in 1996 he was appointed Executive Vice President. Along with jazz, Gary ventured into Tango and even classical with long-time collaborator pianist Makoto Ozone - winning a Grammy in each genre around the millenium mark. Last year his newest quartet released "Common Ground" on Mack Ave records, and this year saw "Hot House" - another amazing duo with Chick Corea. He's just completed his own Online Improvisation Course, and most recently - the Downbeat Readers Poll just crowned him the best vibes player of 2012. And that's the short version.

Almost unbelievably - Mr. Burton took time out of his intense schedule to contribute to our Top 50 Jazz Albums of All Time poll, so we have the remarkable opportunity to see a list of some of the music that pleases and inspires a master creator and craftsman. A great list & what a treat!

"Here are ten of my favorite records, not sure if I could narrow it down to my 10 best, but I would readily recommend any of these for their lasting qualities."

1. (Anything by Miles and Gil, but let's go with) PORGY AND BESS - Miles Davis/Gil Evans "I consider the entire set of Miles and Gil records to be one of the great achievements in recorded jazz. Incredible writing and playing, and a very original concept. Those records changed the nature of large ensemble jazz for all time."

2. PORTRAITS IN JAZZ - Bill Evans Trio

3. EXPLORATIONS - Bill Evans Trio "Bill Evans influenced practically every young musician coming up in the 60s, especially the piano players, of course."

4. RELAXIN' - Miles Davis Quintet

5. NEWK'S TIME - Sonny Rollins

6. THE BRIDGE - Sonny Rollins

7. BLUES AND THE ABSTRACT TRUTH - Oliver Nelson "Oliver Nelson's signature recording was innovative, and brought together an amazing group of major players. Definitely a must-have record."

8. KIND OF BLUE - Miles Davis "Miles Davis, generally speaking, was the most influential jazz musician of the past fifty years, introducing a host of majorly talented players through his bands, and pretty much reshaping the current style of jazz every decade (BIRTH OF THE COOL'49, KIND OF BLUE '59, BITCHES BREW '69)."

9. NOW HE SINGS, NOW HE SOBS - Chick Corea

10. GETZ AND J.J. AT THE OPERA HOUSE - Stan Getz and J.J. Johnson

A thousand thanks to Gary for his insights and list, making our poll that much more awesome and fun! You can visit Gary's website here and pick up any of his latest releases wherever jazz is sold. Below are some links for your convenience. Thanks to all the many artists who contributed and help to make the jazz scene throughout Florida flourish. And thanks to YOU for visiting! - PC Jazz

La Lucha Nails It

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Wed, 17 Oct 2012 11:41:00 -0400

Album cover photo - "Eruption of the Popocatepti Volcano" - John O'Leary

La Lucha - La Lucha

In case you haven't noticed - PC Jazz only reviews albums we like. (Why waste time?) There's a concerted effort made to keep album reviews brief - very hard to do when you are excited about the music, and nearly impossible in this case. If you're looking for the short version, here it is: you must go out and buy this album. You won't want to miss it; and we wouldn't steer you wrong!

The bio: La Lucha is a Tampa-area based piano trio with members from 3 different countries (Columbia, Mexico & United States). Alejandro Arenas - bass, Mark Feinman - drums, John O'Leary - piano. They've many accolades including the Umbria Jazz Festival, a grant from Hampton Arts Management and a commission from American Stage. This is their second release.

The aesthetics: "to create music that transcends genres and classifications". La Lucha is not the first jazz act to 'jazzify' music by current (or older) pop acts; nor is this their only output (very fine originals and a bright "Stella by Starlight" also grace the cd). The difference being that they are so incredibly successful at doing it; the results are so dang pleasing and often surprising, that one instantly embraces their ideas, and fans are won quickly (the first run of the cd sold out within a few months - rare in jazz!).

The music: John Lennon's "I'm So Tired" opens the album & sums up neatly the aesthetics of the band - simple production, stark emotion, tongue-in-cheek melodrama, bittersweet piano, organic meter changes and a trio very frequently functioning as one. The addition of vocalist Jun Bustamente is nothing short of genius - her broad range; warm, wonderful tone and conviction (with a grand sense of irony) are entirely perfect for this project, and frankly - indispensable. As an instrumental, No Doubt's "Don't Speak" becomes a rhapsodic jazz saga, showcasing O'Leary's subtle style and skill, suddenly breaking down into naked, gritty funk with both bass & piano endowed with fascinating electronic processing. More importantly, these boys can play! Attention to detail in the arranging is also a high mark.

Saxophonist Austin Vickrey joins the trio for both originals and "Stella", his tenor sound is clear with enough bite (a la Brecker); adding a welcome new color, some extra fire and a chance for the arrangements to expand in depth. The latin "La Migra" airs out some refined and modern compositional abilities from Feinman & Arenas, the melodies stand up well next to all the familiar tunes.

Other highlights include the Beach Boys' "Dont Talk (Put Your Head On My Shoulder", an exquisite rendering with Bustamante and trio giving a hear-a-pin-drop, edge-of-your-seat performance. Seriously, you need to hear this.

"Papparazzi" (Lady Gaga) is stunning and dramatic, putty in La Lucha's hands; another must hear (see video below). The groove from Feinman & Arenas is first-rate, and O'Leary responds every step of the way. The bass solo is gorgeous. (ps - this album is well recorded, mixed and produced.)

A jazz version of Britney Spears is laughable. Of course it is! La Lucha have nailed it twice - this time around it's a delightfully re-harmonized "Oops...I Did It Again". Bustamante magnificently laments, moans and croons her social faux pas, almost Shirley Bassey-esque, all flirt; while slinky bass lines & film noir jazz creep and crawl under her. It will change your thoughts about the song, (surely their goal).

A lot of great jazz albums have come our way this year, and labeling one 'the best' can't be done. If you're looking for jazz that's essential; both stimulating and easy on the ears; an album that will satisfy nearly every age group - this might be the best album in decades. - PC Jazz

places you can get a copy:
Itunes
CD Baby
Amazon

La Lucha - Paparazzi from La Lucha on Vimeo.

Stetson Jazz Ensemble Concert 10-3-12

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Thu, 4 Oct 2012 09:11:00 -0400


Joe Burns singing out

Palm Coast Jazz caught the first concert of the fall season from Stetson University's Jazz Ensemble last night in DeLand - a fine opening performance from the 19 piece unit led by Don Waldrop.

The concert was short and sweet - dominated by swingin' Count Basie charts from Sammy Nestico - handled with finesse and soul by the band. The balance was especially delightful & lush during the quite, mellow numbers like "Li'l Darlin'" (Neil Hefti) and former director George West's neat arrangement of "Round Midnight" for the trombones.

Joe Davis wailing on baritone

Joe Burns and Andrew Fridsma listen while Tim Eggen lays it down

Frank Foster's crowd pleaser "Shiny Stockings" had panache, as did "Look for the Silver Lining", with a cool harmon mute solo from Tim Eggen. Joe Burns' displayed a clarion tone and well-honed technique during Nestico's "Rachael"; and a fascinating sound color brightened the rhythm section via Rahkeem George's tenor pan drum (Rahkeem also soloing well).

Rakeem George adding a new texture on tenor pan

Johnny Mandel's "A Time for Love" got the Nestico treatment along with superb sounds from trombonist Joe Warner. The 8 piece combo then took over with impressive drives through "Impanema" and "Ladybird".

Saving the best for last on a few fronts - Waldrop led the band through Bob Florence's "Cole Porter Stomp". Here the band was at it's tightest, swinging hard and filling the Stetson Room with layers of brass, wind and cymbals (drummer Joshua Albert rocked the whole evening) and letting loose with the most centered improvisations of the night from baritone saxophonist Joe Davis and Paul Kollas on the alto. The crowd was instantly on it's feet.

Joe Warner - trombone, Don Waldrop leading the Jazz Ensemble

The sound in the room is surprisingly full bodied. A thoughtful touch to the evening was to mic and skype the concert to long-time director George West - who is very ill.

Kudos and respect to director Don Waldrop, an A-lister from the Los Angeles music scene for 35 years (who among other things, recorded 11 albums with Bob Florence); and congrats to the band for the skilled performance. The next concert is in November - check the Stetson schedule for details. - PCJ


Some of the Stetson Jazz Ensemble brass section playing the last note of the evening!

Ed Calle's Top 10 Jazz Albums (+ 2)

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Thu, 23 Aug 2012 12:43:00 -0400

Mind-blowing saxophonist Ed Calle lives in So. Florida. In the last 10 years alone, the Caracas-born musician has appeared on albums by artists like Santana, Placido Domingo, Pet Shop Boys, Michael Bolton, Arturo Sandoval, Wyclef Jean, Jose Feliciano, Jennifer Lopez, Al DiMeola, Gloria Estefan & Rihanna... just for starters. He's even on Grammy-winning albums by the Chairman of the Board himself. He's had 2 latin Grammy nominations for his own albums, and is a member of the Miami Saxophone Quartet. When he's not laying down unbelievable & memorable woodwind solos or writing horn arrangements for the artists above, he's busy as Associate Professor Senior of Music Business and Production at Miami-Dade College.

It was then thrilling, of course, to have Dr. Calle participate in our humble top-50 jazz albums poll. We celebrate our blog's one year anniversary with his top 12 jazz albums. Though his list favors saxophonists, the stylistic scope is vast, and his thoughts on the albums are both intimate and exuberant.

1. John Coltrane - "Coltrane's Sound" – My favorite Coltrane album and time period. The re-harmonization on Body and Soul is so beautiful.
2. John Coltrane - "Giant Steps" - Giant Steps, Countdown, Naima, and the rest. A definitive recording if there ever was one.
3. Miles Davis - "Kind of Blue" - No comment is worthy.

4. Steps - "Smokin' In the Pit" – Michael Brecker, Mike Mainieri, Steve Gadd, Don Grolnick, Eddie Gomez, and Kazumi Watanabe. On fire.
5. Claus Ogerman and Michael Brecker - "Cityscape" – A masterpiece.
6. Elvin Jones - "Live at the Lighthouse" – Liebman and Grossman. Influences for a lifetime.
7. Dave Sanborn - "A Change of Heart" – Dave is too great. A giant among giants.

8. Tom Scott – "Desire" – Tom Scott is a master musician, composer, arranger, and leader. Like the rest of the artists mentioned, Tom established a unique sound that has inspired and enriched all of us.
9. Grover Washington – "Winelight" – Beautiful.
10. Arturo Sandoval – "Flight to Freedom and Swingin'" – Making music with Sandoval, Corea, Weckl, Jackson, Brecker, Patitucci, Daniels, Calderazo, and the rest – Life is great.
11. Gato Barbieri – "Caliente" – I still love that record. Beautiful vibe, arrangements, and playing. I could care less what the jazz police thinks, Gato is a major musical figure and is particular special to me as someone who comes from South America.
12. Jaco Pastorious - "The Birthday Album" – I met Michael Brecker for the first time that day. That day and concert changed my life in a very positive way.

"Truthfully, how can we even rank or comment on all of the beautiful music that has been shared by so many brilliant musicians of yesterday and today? I am thankful and indebted to all of them for the inspiration, information, and joy they share with us. God bless them one and all."

Thank you Ed for your personal list and for participating in our poll! You can visit Ed Calle at his website, where all his releases are also available. Below is a video of Ed playing "Rice and Beans". It's amateur video, but worth it. Hold on to your seat! - PCJ

CD Review ~ Out of this Town, Zach Bartholomew Trio

noreply@blogger.com (Palm Coast Jazz/Kenny MacKenzie) — Tue, 14 Aug 2012 09:05:00 -0400

Something for Northern Florida to be proud of.

"Like" ZBT on Facebook!

"Fresh new spin on jazz" might be a phrase tossed around frequently, as might be "distinctive sound"; when the truth is, this guy is just revamping 70's soul-jazz nicely, that girl is riding the coattails of The Krall, and this quartet sounds like it wrote their new album in 1961, and so on.

I caught ZBT live a few months back, and knew immediately I was privy to something 'new'. I can't always put my finger on it - which, might be a good description for something new. Not to say you wont hear snatches of Bill Evans, Keith Jarrett or Brad Mehldau; but all three members of the group (particularly Bartholomew) have somehow allowed themselves to get right to themselves; and one knows at once upon listening that the experience is original and indeed, fresh.

The album starts strongly - "Stop and Go" efficiently introduces you to each member and is a fine listen - clever on many levels; with a head that will make other musicians go 'wow', a phrase or two reminding me of the great Herbie Nichols. Striking is a confidence in playing that endures for the entire album; an easy-going assurance that your ears are in capable and caring hands. The mid-song tempo change is bold and welcome. Also clever is putting such a track in the lead-off slot where many artists go with "this is what you want me to do"; ZBT instead choosing "This is what we can do, check it out."

"Out of This Town" is an uptempo jazz waltz sporting a certain pleasant liberation in rhythm thanks to drummer Miles Bozeman, Who also takes a dandy solo at the end. The sunny tune could easily be adapted to a throwback r&b hit. "Shades of Blue" relaxes and swings with enjoyable sprawling lines and lush solos; bassist Brandon Robertson hitting a number of nails on the head.

Zach at the recording sessions for "Out of This Town"

A full-bodied, romantic melody permeates the entire track of "Lovers Lament"; carrying it amply from rhapsodic, meterless strumming to mildly-angry driving rock and back again. The plaintiff melody is there even when it's not - making it comparable to the many fine, early RTF compositions.

One could go on. These boys play very well together, and that undefinable something really comes through in both "New Beginnings" and "Road Trip". The former is a jaunty & delightful romp in 5 with prime soloing by Bartholomew and all three enjoying the proceedings; while extended form, a smattering of Monk-like harmonies and modern funk feel make "Road Trip" a most enjoyable ride.

No filler, excellent compositions and even a smart rendering of Coltrane bolster the album. A small distraction is the slightly dull mastering job, hardly noticeable once you're tuned in to all that's going on: both the spirit and accuracy of the performance. Certainly, this is one of the best jazz 'things' to come out of Florida in some time. Don't let it escape you. In one word: "refreshing". - PCJ

Get your copy of "Out of This Town" at:
Itunes, Amazon or CD Baby.