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	<title>Parallax View</title>
	
	<link>http://parallax-view.org</link>
	<description>Smart Words About Cinema</description>
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		<title>DVD/Blu-ray: Abbas Kiarostami’s ‘Certified Copy’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/f1wqyi3OLTg/</link>
		<comments>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/#comments</comments>
		<pubDate>Tue, 22 May 2012 16:18:11 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Abbas Kiarostami]]></category>
		<category><![CDATA[Certified Copy]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11162</guid>
		<description>The Certified Copy (Criterion) of Iranian master Abbas Kiarostami&amp;#8217;s first European production refers to artworks – Why do we value a reproduction less than an original and what does authenticity even mean? – but resonates just as effectively with the art of filmmaking and its relationship to reproduction and recreation. &amp;#8220;It&amp;#8217;s our perception that gives it [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/f1wqyi3OLTg" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/22/dvdblu-ray-abbas-kiarostamis-certified-copy/</feedburner:origLink></item>
		<item>
		<title>Still Life: ‘Robin and Marian’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/b7witlOMS1M/</link>
		<comments>http://parallax-view.org/2012/05/21/still-life-robin-and-marian/#comments</comments>
		<pubDate>Mon, 21 May 2012 18:22:07 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Audrey Hepburn]]></category>
		<category><![CDATA[David Watkin]]></category>
		<category><![CDATA[Denholm Elliott]]></category>
		<category><![CDATA[Esmond Knight]]></category>
		<category><![CDATA[Ian Holm]]></category>
		<category><![CDATA[James Goldman]]></category>
		<category><![CDATA[John Barrett]]></category>
		<category><![CDATA[John Barry]]></category>
		<category><![CDATA[Kenneth Haigh]]></category>
		<category><![CDATA[Movietone News 49]]></category>
		<category><![CDATA[Nicol Williamson]]></category>
		<category><![CDATA[Richard Harris]]></category>
		<category><![CDATA[Richard Lester]]></category>
		<category><![CDATA[Robert Shaw]]></category>
		<category><![CDATA[Robin and Marian]]></category>
		<category><![CDATA[Ronnie Barker]]></category>
		<category><![CDATA[Sean Connery]]></category>
		<category><![CDATA[Victoria Abril]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11142</guid>
		<description>[Originally published in Movietone News 49, April 1976] Ripeness has gone to rot with a vengeance in Richard Lester&amp;#8217;s latest film. In some wasteland out at the edge of the world (patently not a holy land) a one-eyed old man and some women and children hide out in a cracked, ungarrisoned castle and do not [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/b7witlOMS1M" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/21/still-life-robin-and-marian/</feedburner:origLink></item>
		<item>
		<title>SIFFing: Parallax View’s SIFF 2012 Guide</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/aYGVJMQrfoM/</link>
		<comments>http://parallax-view.org/2012/05/20/siffing-parallax-views-siff-2012-guide/#comments</comments>
		<pubDate>Sun, 20 May 2012 16:41:46 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[Editor]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Seattle International Film Festival]]></category>
		<category><![CDATA[SIFF 2012]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11137</guid>
		<description>The 38th Annual Seattle International Film Festival opened on Thursday, May 17, with a screening of Lynn Shelton&amp;#8217;s locally-produced My Sister&amp;#8217;s Sister, and runs 25 days through Sunday, June 12. Here is Parallax View’s coverage and guide to SIFF resources. SIFF Week by Week: SIFF Highlights – Tuesday, May 22 (Seattle Times) SIFF Highlights – [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/aYGVJMQrfoM" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/20/siffing-parallax-views-siff-2012-guide/</feedburner:origLink></item>
		<item>
		<title>Good ‘Samaritan’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/hrCK2BCxaWk/</link>
		<comments>http://parallax-view.org/2012/05/19/good-samaritan/#comments</comments>
		<pubDate>Sat, 19 May 2012 14:12:10 +0000</pubDate>
		<dc:creator>Kathleen Murphy</dc:creator>
				<category><![CDATA[by Kathleen Murphy]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[David Weaver]]></category>
		<category><![CDATA[Samuel L. Jackson]]></category>
		<category><![CDATA[The Samaritan]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11132</guid>
		<description>Like most casualties of Noirland, Foley (Samuel L. Jackson) is pretty much DOA from the get-go. Haunted by the moment he put a bullet into his grifter partner&amp;#8217;s head, he gets out of jail after a 25-year stretch to find his world mostly emptied of old friends, lovers, fellow thieves. Foley walks heavy, age and [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/hrCK2BCxaWk" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/19/good-samaritan/</feedburner:origLink></item>
		<item>
		<title>The View Beyond Parallax… more reads for week of May 18</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/VksOscu0YCI/</link>
		<comments>http://parallax-view.org/2012/05/18/the-view-beyond-parallax-more-reads-for-week-of-may-18/#comments</comments>
		<pubDate>Fri, 18 May 2012 18:03:46 +0000</pubDate>
		<dc:creator>Editor</dc:creator>
				<category><![CDATA[by Bruce Reid]]></category>
		<category><![CDATA[Links]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11127</guid>
		<description>The only links page that matters… except for all the others. Seattle screenings and cinema events are surveyed at Parallax View here, with a focus on SIFF 2012. Whatever the financial tally when all&amp;#8217;s said and done, the contributors to this year&amp;#8217;s For the Love of Film blogathon have simply provided too many riches on [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/VksOscu0YCI" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://parallax-view.org/2012/05/18/the-view-beyond-parallax-more-reads-for-week-of-may-18/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/18/the-view-beyond-parallax-more-reads-for-week-of-may-18/</feedburner:origLink></item>
		<item>
		<title>Seattle Screens: All SIFF 2012, All the Time (or so it seems)</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/lwDPoLVjgOA/</link>
		<comments>http://parallax-view.org/2012/05/17/seattle-screens-all-siff-2012-all-the-time-or-so-it-seems/#comments</comments>
		<pubDate>Fri, 18 May 2012 01:13:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Seattle Screens]]></category>
		<category><![CDATA[SIFF 2012]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11112</guid>
		<description>While The Dictator and Battleship compete for multiplex audiences, the usually robust Seattle film scene has otherwise given a wide berth to the annual event that devours all. Yes, SIFF 2012 has begun. Opening night celebrates local filmmaker Lynn Shelton&amp;#8217;s latest, My Sister&amp;#8217;s Sister, and by extension an impressive line-up of Washington State-born films. From [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/lwDPoLVjgOA" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://parallax-view.org/2012/05/17/seattle-screens-all-siff-2012-all-the-time-or-so-it-seems/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/17/seattle-screens-all-siff-2012-all-the-time-or-so-it-seems/</feedburner:origLink></item>
		<item>
		<title>Notes on Abel Gance’s ‘Napoleon’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/v_6E0eV9tpU/</link>
		<comments>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/#comments</comments>
		<pubDate>Fri, 18 May 2012 00:41:59 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[Abel Gance]]></category>
		<category><![CDATA[Napoleon]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11119</guid>
		<description>For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/v_6E0eV9tpU" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/17/notes-on-abel-gances-napoleon/</feedburner:origLink></item>
		<item>
		<title>DVD: ‘The Buccaneer’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/KH4jMTJxmBE/</link>
		<comments>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/#comments</comments>
		<pubDate>Thu, 17 May 2012 17:38:16 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Cecil B. DeMille]]></category>
		<category><![CDATA[Fredric March]]></category>
		<category><![CDATA[The Buccaneer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11108</guid>
		<description>Cecil B. DeMille&amp;#8217;s The Buccaneer is a pirate movie by way of a grand historical adventure a la DeMille. Based loosely on the true story of the French-born &amp;#8220;privateer&amp;#8221; Jean Lafitte (he preferred the term to pirate), who fought side-by-side with General Andrew Jackson against the British in the War of 1812, it stars Fredric March as [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/KH4jMTJxmBE" height="1" width="1"/&gt;</description>
		<wfw:commentRss>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/17/dvd-the-buccaneer/</feedburner:origLink></item>
		<item>
		<title>DVD/Blu-ray: Mario Monicelli’s ‘The Organizer’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/516_CRAb0mw/</link>
		<comments>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/#comments</comments>
		<pubDate>Wed, 16 May 2012 15:21:14 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[Blu-ray]]></category>
		<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[DVD]]></category>
		<category><![CDATA[Film Reviews]]></category>
		<category><![CDATA[Marcello Mastroianni]]></category>
		<category><![CDATA[Mario Monicelli]]></category>
		<category><![CDATA[The Organizer]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11106</guid>
		<description>Mario Monicelli, one of the most prolific and popular directors of post-war Italian cinema, never earned a reputation in the U.S. like his compadre, Federico Fellini, despite the international success of numerous films, from Big Deal on Madonna Street (1958) to A Very Petit Bourgeois (1977). Perhaps it&amp;#8217;s because his preferred genre was comedy, notably the commedia all&amp;#8217;italiana, a mix [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/516_CRAb0mw" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
		<feedburner:origLink>http://parallax-view.org/2012/05/16/dvdblu-ray-mario-monicellis-the-organizer/</feedburner:origLink></item>
		<item>
		<title>Restoring the Lost ‘Metropolis’</title>
		<link>http://feedproxy.google.com/~r/parallax-view/Kacv/~3/TQYFnX50qB8/</link>
		<comments>http://parallax-view.org/2012/05/15/restoring-the-lost-metropolis/#comments</comments>
		<pubDate>Wed, 16 May 2012 02:22:48 +0000</pubDate>
		<dc:creator>Sean Axmaker</dc:creator>
				<category><![CDATA[by Sean Axmaker]]></category>
		<category><![CDATA[Essays]]></category>
		<category><![CDATA[Silent Cinema]]></category>
		<category><![CDATA[film restoration]]></category>
		<category><![CDATA[Fritz Lang]]></category>
		<category><![CDATA[Metropolis]]></category>

		<guid isPermaLink="false">http://parallax-view.org/?p=11102</guid>
		<description>For the Love of Film: The Film Preservation Blogathon III, which runs from Sunday, May 13 through Friday, May 18, 2012, is dedicated to helping the National Film Preservation Foundation raise money to score and stream the recently unearthed reels of The White Shadow, a silent film from director Graham Cutts that young Alfred Hitchcock worked [...]&lt;img src="http://feeds.feedburner.com/~r/parallax-view/Kacv/~4/TQYFnX50qB8" height="1" width="1"/&gt;</description>
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		<slash:comments>0</slash:comments>
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