My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Youth has no age
Led by Yannick Nézet-Séguin and Yoann Combémorel, the Curtis Symphony Orchestra proves themselves the equal of any major American orchestra in a program of Mahler, Wagner, and Dawson.
Anime sante degli avi
Madama Butterfly confronts anime, virtual reality, and weeaboos in Matthew Ozawa‘s bold production at the Lyric Opera of Chicago.
A favorite art song performance from feliks
This song has always been one of my favorites.
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The song recitals I remember most vividly were, unsurprisingly, the most vivid ones.
The staggeringly great Ukraine-born Jewish bass Mark Reizen sings “The Ebullient Kura Swirls” a/k/a “The Persian Love Song” by Moldova-born Jewish composer Anton Rubinstein.
Parterre Box is announcing a formal partnership with Kalshi Inc.
Frida Leider is a major Wagnerian soprano who does not sound like a Wagnerian soprano.
Barrie Kosky’s zany production of The Nose time-steps back onto the Komische Oper Berlin stage.
As a (former) bass singer myself, I’ve always been captivated by this aria.
Calixto Bieito‘s production of Idomeneo at La Monnaie is anchored by a committed cast, but gets swept up in pseudo-psychoanalytic imagery — and foot fetishism.
Tell us: What’s your favorite Verdi performance?
Hasten thee to feed another quarter of conversation for The Talk of the Town!
Grand Tier Grab Bag
Grand Tier Grab Bag
My 600 performance life
My 600 performance life
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Parterre Box acknowledges Riccardo Muti‘s 600th performance with the Chicago Symphony Orchestra by highlighting two of his favorite singers — under a different conductor.
Grand Tier Grab Bag
Life imitates art
Life imitates art
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
Grand Tier Grab Bag
Drink me
Drink me
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Parterre Box answers the question, “how can a singer do both Tristan and Nemorino within a few month of each other?” with a clip of a recent role debut from Michael Spyres.
Grand Tier Grab Bag
Otherwise occupied
Otherwise occupied
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Parterre Box features a performance from two belcantisti who would rather you not think about their political affiliations.
Grand Tier Grab Bag
Northern star
Northern star
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Parterre Box previews an upcoming performance of Hercules with Ann Hallenberg in some very unique Baroque repertoire.
Grand Tier Grab Bag
Tra voi belle
Tra voi belle
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Following the announcement that she’ll make her Met debut next season, Grand Tier Grab Bag brings Italian soprano Erika Grimaldi to your attention with a duet from Manon Lescaut.
Washington National Opera offered a searing production of Robert Ward’s opera The Crucible, directed by WNO Artistic Director Francesca Zambello, as the second installment in the company’s next chapter.
Pure class. Kurt Moll really knew his own voice inside out.
As we reach the end of “Bass Month” I’d like to call attention to the superb American Gregory Reinhart who particularly shone in music by Jean-Philippe Rameau.
Opera directors could learn a thing or two from Deaf Broadway’s vivacious performance of Jeanine Tesori‘s Violet.
The greatest bass performance I ever experienced was actually four – four performances in four roles.
Talk of the Town
The Talk of the Town
A favorite art song performance from feliks
A favorite art song performance from feliks
This song has always been one of my favorites.
This song has always been one of my favorites.
The Talk of the Town
A favorite art song performance from Remko Jas
A favorite art song performance from Remko Jas
The song recitals I remember most vividly were, unsurprisingly, the most vivid ones.
The song recitals I remember most vividly were, unsurprisingly, the most vivid ones.
The Talk of the Town
A favorite art song performance from Krunoslav
A favorite art song performance from Krunoslav
The staggeringly great Ukraine-born Jewish bass Mark Reizen sings “The Ebullient Kura Swirls” a/k/a “The Persian Love Song” by Moldova-born Jewish composer Anton Rubinstein.
The staggeringly great Ukraine-born Jewish bass Mark Reizen sings “The Ebullient Kura Swirls” a/k/a “The Persian Love Song” by Moldova-born Jewish composer Anton Rubinstein.
The Talk of the Town
A favorite art song performance from Ivy Lin
A favorite art song performance from Ivy Lin
Frida Leider is a major Wagnerian soprano who does not sound like a Wagnerian soprano.
Frida Leider is a major Wagnerian soprano who does not sound like a Wagnerian soprano.
The Talk of the Town
A favorite bass performance from Michael Anthonio
A favorite bass performance from Michael Anthonio
As a (former) bass singer myself, I’ve always been captivated by this aria.
As a (former) bass singer myself, I’ve always been captivated by this aria.
The Talk of the Town
A favorite performance from Margarete Cum Klose
A favorite performance from Margarete Cum Klose
Pure class. Kurt Moll really knew his own voice inside out.
Pure class. Kurt Moll really knew his own voice inside out.
Brendan Latimer hitches a ride with members of the “site-responsive opera” movement who are taking their shows out of the opera house — and out of the box.
Lisette Oropesa, Piotr Buszewski, and Luca Salsi feature in a rote revival of Michael Mayer‘s cloying production of La traviata.
This performance was introduced to me by Norman Treigle’s granddaughter —very fine mezzo-soprano Emily Treigle; while I was preparing the role of Olin Blitch, and it completely changed my understanding of the character.
With Gustavo Dudamel in the spotlight at Parterre Box this week, Grand Tier Grab Bag foreshadows one of the New York Philharmonic’s upcoming operatic engagements.
El último sueño de Frida y Diego at the Lyric Opera of Chicago is a visual and sonic wonder, but a weak libretto dampens its effect.
Kent Nagano gives a boost to the Opéra national de Paris‘s revival of Nixon in China.
The Met in HD proved to be a major gateway drug for me, showing me my first Don Carlo in 2010.
In its first production since departing the Kennedy Center, the Washington National Opera presents a new adaptation of “King of Ragtime” Scott Joplin’s opera Treemonisha.