<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:blogger='http://schemas.google.com/blogger/2008' xmlns:georss='http://www.georss.org/georss' xmlns:gd="http://schemas.google.com/g/2005" xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-3024142488278385395</id><updated>2024-11-01T03:38:07.868-07:00</updated><category term="Ricoeur"/><category term="Heidegger"/><category term="Derrida"/><category term="Jervolino"/><category term="Quine"/><category term="phenomenology"/><category term="Benjamin"/><category term="Berman"/><category term="Davidson"/><category term="Sallis"/><category term="Wittgenstein"/><category term="Gadamer."/><category term="Gramsci"/><category term="Kuhn"/><category term="Levinas"/><category term="Stolze"/><category term="Aristotle"/><category term="Badiou."/><category term="Bahbah"/><category term="Balibar"/><category term="Bassnett"/><category term="Cavell"/><category term="Chomsky"/><category term="Church"/><category term="Deleuze"/><category term="Derrida."/><category term="Eco"/><category term="Feyerabend"/><category term="Gadamer"/><category term="Habermas"/><category term="Hacker"/><category term="Husserl"/><category term="Ikkyu"/><category term="Kearney"/><category term="Nida"/><category term="Ortega"/><category term="Putnam"/><category term="Rawls"/><category term="Rushdie"/><category term="Schleiermacher"/><category term="Stefanink."/><category term="Steiner"/><category term="Tarski"/><category term="Toury"/><category term="Young"/><category term="phenomenology."/><title type='text'>Philosophy of Translation</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default?redirect=false'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default?start-index=26&amp;max-results=25&amp;redirect=false'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>99</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-6241029346937383983</id><published>2015-12-31T07:05:00.002-08:00</published><updated>2015-12-31T07:05:20.369-08:00</updated><title type='text'>“Translational Hermeneutics as a Research Paradigm”</title><content type='html'>&lt;div class=&quot;page-header&quot; style=&quot;background-color: white; border-bottom-color: rgb(238, 238, 238); border-bottom-style: solid; border-bottom-width: 1px; font-family: &#39;Open Sans&#39;, sans-serif; font-size: 16px; line-height: 24px; margin: 2px 0px 10px; padding-bottom: 5px;&quot;&gt;
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Call for Papers&lt;/h2&gt;
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&lt;a class=&quot;btn dropdown-toggle&quot; data-toggle=&quot;dropdown&quot; href=&quot;http://www.phenhermcommresearch.de/index.php/conferences/16-call-for-papers#&quot; style=&quot;background-color: whitesmoke; background-image: linear-gradient(rgb(255, 255, 255), rgb(230, 230, 230)); background-repeat: repeat-x; border-color: rgb(187, 187, 187) rgb(187, 187, 187) rgb(162, 162, 162); border-radius: 4px; border-style: solid; border-width: 1px; box-shadow: rgba(255, 255, 255, 0.2) 0px 1px 0px inset, rgba(0, 0, 0, 0.0470588) 0px 1px 2px; color: #333333; cursor: pointer; display: inline-block; font-size: 13px; line-height: 18px; margin-bottom: 0px; margin-left: 0px; padding: 4px 12px; position: relative; text-align: center; text-decoration: none; text-shadow: rgba(255, 255, 255, 0.74902) 0px 1px 1px; vertical-align: middle;&quot;&gt;&lt;span class=&quot;icon-cog&quot; style=&quot;display: inline-block; height: 14px; line-height: 14px; width: 14px;&quot;&gt;&lt;/span&gt;&lt;span class=&quot;caret&quot; style=&quot;border-left-color: transparent; border-left-style: solid; border-left-width: 4px; border-right-color: transparent; border-right-style: solid; border-right-width: 4px; border-top-color: rgb(0, 0, 0); border-top-style: solid; border-top-width: 4px; content: &amp;quot;&amp;quot;; display: inline-block; height: 0px; margin-bottom: 7px; margin-left: 0px; margin-top: 8px; vertical-align: top; width: 0px;&quot;&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;
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&lt;strong&gt;&lt;span style=&quot;color: red; font-size: 16pt;&quot;&gt;The Third Hermeneutics and Translation Studies Symposium&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: center;&quot;&gt;
&lt;span style=&quot;color: red; font-family: &#39;Times New Roman&#39;, serif; font-size: 14pt;&quot;&gt;“Translational Hermeneutics as&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: red; font-family: &#39;Times New Roman&#39;, serif; font-size: 14pt;&quot;&gt;a&amp;nbsp;&lt;/span&gt;&lt;span style=&quot;color: red; font-family: &#39;Times New Roman&#39;, serif; font-size: 14pt;&quot;&gt;Research Paradigm”&lt;/span&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: center;&quot;&gt;
&lt;strong&gt;&lt;span style=&quot;color: red; font-size: 14pt;&quot;&gt;1&lt;span style=&quot;font-size: 14px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;&quot;&gt;st&lt;/span&gt;&amp;nbsp;Call for Papers&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
The objective of this series of symposia is to study how Hermeneutics and Translation Studies can complement each other. The first symposium in 2011 opened up the main avenues of enquiry, while the second, in 2013, focused on new areas of research in Translational Hermeneutics. The papers presented covered a wide range of topics, including literary and specialized translation, the role of hermeneutics in the Muslim tradition of exegetics, and the importance of translation in the interpretation of postcolonial texts. In particular, questions concerning the proper place and definition of “subjectivity,” “phenomenology,” and “method” within Translational Hermeneutics emerged as the primary points of scholarly debate.&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
The objective of the third symposium is to frame Translational Hermeneutics as a research paradigm capable of engaging both the theory and practice of translation. In terms of theory, hermeneutics broaches a wide field of philosophical enquiry, inasmuch as it draws upon phenomenology and deconstruction, on theology, and on aesthetic, ethical, and political philosophy. In terms of practice, hermeneutics offers a useful framework in which to elaborate concrete research agendas in translation studies. There will also be a discussion session held during the symposium geared to foster research in Translational Hermeneutics: We hope to discuss concrete, collaborative research projects and how to get them financed. We therefore invite you to bring your research interests and ideas with you to Cologne. Hopefully these discussions will lead to the submission of a few concrete research proposals for funding.&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
We invite participants to consider the relationship between hermeneutics and translation studies both as a practical methodology informing specific (empirical) research projects as well as a philosophically rigorous investigation into the (cognitive) processes involved in the mediating activities surrounding translation.&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
One outcome of this symposium on hermeneutics and translation, we hope, will be a map for the future of research in translation studies. But since there is no future without a past, this symposium will – as did the last two – endeavor to deepen the sense of the roots of hermeneutics, be they in e.g. Schleiermacher, Heidegger, Gadamer,&amp;nbsp;&lt;em&gt;Schütz&lt;/em&gt;, or Steiner. Because this can be regarded as an exercise in reminding hermeneutics of its own intellectual debts, it is appropriate to declare one debt in particular: one of the great proponents of the hermeneutic approach to translation studies in Germany was Fritz Paepcke. He would have celebrated his 100&lt;span style=&quot;font-size: 12px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;&quot;&gt;th&lt;/span&gt;&amp;nbsp;birthday on the 6&lt;span style=&quot;font-size: 12px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;&quot;&gt;th&lt;/span&gt;&amp;nbsp;of June, and the symposium accordingly invites all participants to join in a celebration of his life and work.&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
The third conference will take place over two days, the 30&lt;span style=&quot;font-size: 12px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;&quot;&gt;th&lt;/span&gt;&amp;nbsp;of June and 1&lt;span style=&quot;font-size: 12px; line-height: 0; position: relative; top: -0.5em; vertical-align: baseline;&quot;&gt;st&lt;/span&gt;&amp;nbsp;of July 2016, at the Technische Hochschule in Cologne, Germany. A selection of papers presented at the conference will be published in association with Zeta Books. Participants might wish to view&amp;nbsp;&lt;em&gt;Translational Hermeneutics: The First Symposium,&lt;/em&gt;&amp;nbsp;edited by Radegundis Stolze, John Stanley and Larisa Cercel (Zeta Books, 2015). The proceedings of the second symposium is forthcoming in 2016.&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px;&quot;&gt;
&lt;strong&gt;The keynote speaker is Anthony Pym.&lt;/strong&gt;&amp;nbsp;He will be speaking on the “Modes of&amp;nbsp;&lt;em&gt;Erlebnis&lt;/em&gt;&amp;nbsp;within translation knowledge” and will be dealing with the ways practice, involvement, commitment and activism all produce special kinds of knowledge specific to translation (and why empiricism is still mostly better).&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
&lt;strong&gt;The following three distinguished scholars will be speaking as well:&lt;/strong&gt;&lt;/div&gt;
&lt;ol style=&quot;margin: 0px 0px 9px 25px; padding: 0px;&quot;&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;&lt;strong&gt;Philippe Forget&lt;/strong&gt;&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;&lt;strong&gt;Radegundis Stolze&lt;/strong&gt;Zur Anschlussfähigkeit der Hermeneutik in der Übersetzungswissenschaft”&lt;/li&gt;
&lt;/ol&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: center;&quot;&gt;
&lt;em&gt;&lt;span style=&quot;color: red; font-size: 14pt;&quot;&gt;SUGGESTED TOPICS&lt;/span&gt;&lt;/em&gt;&lt;/div&gt;
&lt;div style=&quot;margin-bottom: 9px; text-align: justify;&quot;&gt;
We are inviting papers on new research areas relevant to Translational Hermeneutics. The topics include – but are not limited – to the following:&lt;/div&gt;
&lt;ol start=&quot;1&quot; style=&quot;margin: 0cm 0px 9px 25px; padding: 0px;&quot;&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;Using hermeneutics to define the object (the&amp;nbsp;&lt;em&gt;Sache&lt;/em&gt;) of translatory enquiry&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;Using hermeneutics and phenomenology to describe the implications of subjectivity in the translator&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;Deploying hermeneutics to mediate ‘translation’ to both philosophy and the empirical sciences&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;The relevance of hermeneutics for media translation&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;Theological hermeneutics and the task of translating sacred texts&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;The hermeneutical approach in translational didactics&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;The place of individual knowledge and experience in practical translation&lt;/li&gt;
&lt;li style=&quot;line-height: 18px;&quot;&gt;The role of historical and/or cultural “fore-understanding” in the process of interpreting and translating&lt;/li&gt;
&lt;/ol&gt;
&lt;div style=&quot;margin-bottom: 9px;&quot;&gt;
&amp;nbsp;More here:&amp;nbsp;http://www.phenhermcommresearch.de/index.php/conferences/16-call-for-papers&lt;/div&gt;
&lt;/div&gt;
</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/6241029346937383983/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/6241029346937383983' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6241029346937383983'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6241029346937383983'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2015/12/translational-hermeneutics-as-research.html' title='“Translational Hermeneutics as a Research Paradigm”'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-7654846364510194701</id><published>2015-01-29T04:40:00.002-08:00</published><updated>2015-01-29T04:42:58.534-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Badiou."/><category scheme="http://www.blogger.com/atom/ns#" term="Heidegger"/><category scheme="http://www.blogger.com/atom/ns#" term="Wittgenstein"/><title type='text'>Review: Barbara Cassin, editor DICTIONARY OF UNTRANSLATABLES A philosophical lexicon</title><content type='html'>The philosophy of translation
by TIM CRANE


&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;Times New Roman&#39;, Times, serif; font-size: 13px; line-height: 19.5px;&quot;&gt;This extraordinary book, a huge dictionary of philosophical terms from many languages, is a translation of&amp;nbsp;&lt;/span&gt;&lt;i style=&quot;background-color: white; border: 0px; font-family: Georgia, &#39;Times New Roman&#39;, Times, serif; font-size: 13px; line-height: 19.5px; margin: 0px; outline: 0px; padding: 0px; vertical-align: baseline;&quot;&gt;Vocabulaire européen des philosophies: Dictionnaire des intraduisibles&lt;/i&gt;&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;Times New Roman&#39;, Times, serif; font-size: 13px; line-height: 19.5px;&quot;&gt;, originally published in 2004, the brainchild of the French philosopher Barbara Cassin. If the original project was paradoxical, then the present version is doubly so: not just a dictionary of untranslatable words, but a translation of that dictionary. Rather than despair at the self-undermining self-referentiality of the whole idea, the editors rejoice in it. Indeed, moving the word “untranslatable” to the beginning of the English title proudly asserts the paradox even more forcefully than the original French title does, and forms what the English-language editor Emily Apter calls “an organising principle of the entire project”.&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;Times New Roman&#39;, Times, serif; font-size: 13px; line-height: 19.5px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;Times New Roman&#39;, Times, serif; font-size: 13px; line-height: 19.5px;&quot;&gt;More here:&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Georgia, &#39;Times New Roman&#39;, Times, serif; font-size: 13px; line-height: 19.5px;&quot;&gt;&lt;a href=&quot;http://www.the-tls.co.uk/tls/public/article1512220.ece&quot;&gt;http://www.the-tls.co.uk/tls/public/article1512220.ece&lt;/a&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/7654846364510194701/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/7654846364510194701' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7654846364510194701'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7654846364510194701'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2015/01/review-barbara-cassin-editor-dictionary.html' title='Review: Barbara Cassin, editor DICTIONARY OF UNTRANSLATABLES A philosophical lexicon'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-119018421988214116</id><published>2014-02-05T14:29:00.002-08:00</published><updated>2014-02-05T14:29:25.836-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Aristotle"/><title type='text'>Lecture: On Translating Aristotle</title><content type='html'>&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;The Dabis Lecture, 2014&lt;/b&gt;&lt;/div&gt;
&lt;div&gt;
&lt;br /&gt;
&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&amp;nbsp;&lt;b&gt;Professor Sir Anthony Kenny&lt;/b&gt;&lt;/div&gt;
&lt;div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;ON TRANSLATING ARISTOTLE&lt;/b&gt;&lt;/div&gt;
&lt;div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;Tuesday 11 February 2014 6.15pm&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;The Picture Gallery&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;Royal Holloway, University of London&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
Directions: &lt;a href=&quot;http://www.rhul.ac.uk/aboutus/locationmap/home.aspx&quot; target=&quot;_blank&quot;&gt;
http://www.rhul.ac.uk/aboutus/locationmap/home.aspx&lt;/a&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
For more information: &lt;a href=&quot;mailto:events@royalholloway.ac.uk&quot; target=&quot;_blank&quot;&gt;
events@royalholloway.ac.uk&lt;/a&gt;&amp;nbsp; &lt;/div&gt;
&lt;div&gt;
&amp;nbsp;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;All welcome, admission free&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;The lecture will be followed by a reception&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;For more information:&lt;/b&gt; &lt;a href=&quot;mailto:events@royalholloway.ac.uk&quot; target=&quot;_blank&quot;&gt;
&lt;b&gt;events@royalholloway.ac.uk&lt;/b&gt;&lt;/a&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&lt;b&gt;&amp;nbsp;&lt;/b&gt;&lt;/div&gt;
&lt;div align=&quot;center&quot;&gt;
&amp;nbsp;&lt;/div&gt;
Aristotle&#39;s Greek word&lt;i&gt; kalon&lt;/i&gt; can mean beautiful and also 
morally noble. Does that mean that for Aristotle ethics and aesthetics 
are the same thing? When we in English have many different words to 
translate one word of his, does that mean that we
 are sensitive to differences he ignored, or that we are insensitive to 
similarities that were important for him?&lt;br /&gt;
</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/119018421988214116/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/119018421988214116' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/119018421988214116'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/119018421988214116'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2014/02/lecture-on-translating-aristotle.html' title='Lecture: On Translating Aristotle'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-629297157230192738</id><published>2014-02-03T03:04:00.000-08:00</published><updated>2014-02-03T03:04:09.955-08:00</updated><title type='text'>Conference programme</title><content type='html'>&lt;pre wrap=&quot;&quot;&gt;Registration is now open for the conference

&quot;The Philosophy of Translation and the Translation of Philosophy&quot;

hosted by the Institute of Philosophy of the University of Zurich

Programme:

Monday, 17th February 2014
University of Zurich, Room KO2-F-174


18:00 - 18:15 Welcome Address

18:15 - 19:15 Keynote: Hans-Johann Glock (University of Zurich):
Translation, Incommensurability and Indeterminacy

19:15 - 19:45 - Discussion

Tuesday,  18th February 2014
University of Zurich, Room KOL-G-212

10:00 - 10:45 Vasso Kindi (University of Athens):
Incommensurability and Translation

10:55 - 11:40 Simon J. Evnine (University of Miami):
Translation and the Ontology of Language

11:50 - 12:35 Gabriele M. Mras (WU/University of Vienna):
Where There Is No Real Question of Choice: Translation and Correctness

12:35 - 14:00 Lunch break

14:00 - 14:45 Piers Rawling (Florida State University):
Have Our Beliefs Got Lost in Translation?

14:55 - 15:40 Stefan Riegelnik (University of Zurich):
Intermediaries and the Object of Translation

15:40 - 16:00 Coffee break

16:00 - 16:45 Mélika Ouelbani (University of Tunis):
Can One Learn to Translate as One Learns to &quot;Play the Piano&quot;?

16:55 - 17:35 Susanne Huber (University of Zurich):
Translating Pictures: a Wittgensteinian Approach to the Question of Translation


Wednesday, 19th February 2014
University of Zurich, Room KOL-G-212

10:00 - 10:45 Joachim Schulte (University of Zurich):
The Impossible Business of Translating Philosophical Works

10:55 - 11:40 Joachim Adler (University of Zurich):
Conceptual Clarification and its Language

11:50 - 12:35 Nenad Miscevic (CEU/University of Maribor):
Translating Pejoratives

12:35 - 14:00 Lunch break

14:00 - 14:45 Georg Bossong (University of Zurich):
Typology and Creativity in Translation: Expressing Philosophy in Indo-European and Semitic

14:55 - 15:40 Philip Wilson (Inönü University):
Maybe a Completely Different Poem: a View from Literary Translation

15:40 - 16:00 Coffee break

16:00 - 16:45 Piotr Stalmaszyk (University of Lodz):
Proper Names in Translation: Philosophy of Language Meets Linguistics

16:45 - 17:00 Concluding Remarks

Venue:
University of Zurich
Rämistrasse 71
8006 Zurich&lt;/pre&gt;
</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/629297157230192738/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/629297157230192738' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/629297157230192738'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/629297157230192738'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2014/02/conference-programme.html' title='Conference programme'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-6110135848640706263</id><published>2013-11-14T08:23:00.001-08:00</published><updated>2013-11-14T08:23:03.984-08:00</updated><title type='text'>Conference:  &quot;The Philosophy of Translation and the Translation of Philosophy&quot;</title><content type='html'>&lt;pre wrap=&quot;&quot;&gt;The Institute of Philosophy of the University of Zurich is organizing a Conference and a Graduate Workshop on 

&quot;The Philosophy of Translation and the Translation of Philosophy&quot;

Dates
Conference: Monday, 17th February - Wednesday, 19th February 2014
Workshop: Thursday, 20th February

Place
University of Zurich, Zurich

The conference aims to examine the concept of translation and its place
in contemporary analytic philosophy. Although the notion of translation
has played an important role throughout the history of analytic
philosophy, the notion itself has not been explored sufficiently.
The conference intends to address the following questions: What does it
mean to translate something, in particular regarding different theories
of meaning? What are the criteria for the correctness of a translation? Are
conceptual clarifications translatable or are they confined to a
language? What is the role of linguistic kinship? Is the translation of
philosophical works special?

Speakers:

Georg Bossong (University of Zurich)
Simon Evnine (University of Miami)
Susanne Huber (University of Zurich)
Hans-Johann Glock (University of Zurich)
Vasso Kindi (University of Athens)
Gabriele M. Mras (University of Vienna, WU Vienna)
Nenad Miscevic (CEU, University of Maribor)
Mélika Ouelbani (University of Paris) 
Piers Rawling (Florida State University)
Piotr Stalmaszczyk (University of Lodz)
Joachim Schulte (University of Zurich)
Philip Wilson (University of East Anglia/Inönü University)

Call for Abstracts

Graduate Workshop: &quot;The Philosophy of Translation and the Translation of Philosophy&quot;

with 
Vasso Kindi (University of Athens)
Joachim Schulte (University of Zurich)

We invite submissions from PhD candidates studying philosophy or/and
linguistics for presentations at the graduate workshop on this topic to
be held on 20th February 2014 at the University of Zurich. Please submit
abstracts of no more than 300 words suitable for 30 minutes
presentations to &lt;a class=&quot;moz-txt-link-abbreviated&quot; href=&quot;mailto:translation2014@philos.uzh.ch&quot;&gt;translation2014@philos.uzh.ch&lt;/a&gt;. The deadline for
submission is 15th December 2013. Notifications of acceptance will be
sent by 31st December 2013. 


Conference and workshop organizers:
Joachim Adler &lt;a class=&quot;moz-txt-link-abbreviated&quot; href=&quot;mailto:joachim.adler@philos.uzh.ch&quot;&gt;joachim.adler@philos.uzh.ch&lt;/a&gt;
Stefan Riegelnik &lt;a class=&quot;moz-txt-link-abbreviated&quot; href=&quot;mailto:stefan.riegelnik@philos.uzh.ch&quot;&gt;stefan.riegelnik@philos.uzh.ch&lt;/a&gt;

The conference and the workshop are sponsored by the Swiss National
Science Foundation (SNF), the Institute of Philosophy of the University
of Zurich and the Doctoral program &quot;Philosophy: Language, Mind and Practice&quot;.
General questions concerning the conference and the workshop should be
directed in the first instance to &lt;a class=&quot;moz-txt-link-abbreviated&quot; href=&quot;mailto:translation2014@philos.uzh.ch&quot;&gt;translation2014@philos.uzh.ch&lt;/a&gt;.&lt;/pre&gt;
</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/6110135848640706263/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/6110135848640706263' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6110135848640706263'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6110135848640706263'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2013/11/conference-philosophy-of-translation.html' title='Conference:  &quot;The Philosophy of Translation and the Translation of Philosophy&quot;'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-478542350978310248</id><published>2013-06-21T14:00:00.003-07:00</published><updated>2013-06-21T14:00:57.079-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Gadamer."/><category scheme="http://www.blogger.com/atom/ns#" term="Heidegger"/><title type='text'>New book: Die Latinisierung des Griechischen. Übersetzung, Verstehen und Sprache im Ausgang von Martin Heidegger und Hans-Georg Gadamer.</title><content type='html'>&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px;&quot;&gt;Kosmas Raspitsos, Die Latinisierung des Griechischen. Übersetzung, Verstehen und Sprache im Ausgang von Martin Heidegger und Hans-Georg Gadamer.&amp;nbsp;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px;&quot;&gt;Epistemata Philosphie 531 € 36,00&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 12px; line-height: 18px;&quot;&gt;&lt;br /&gt;&lt;/span&gt;
&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;ISBN:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;978-3-8260-5128-9&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Reihen Nr:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;EpiP&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Band Nr:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;531&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Erscheinungsahr:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;2013&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Seitenanzahl:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;230&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Sprache:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;deutsch&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;b style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Kurzinhalt:&lt;/b&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;&amp;nbsp;Welche Verwandlung erfährt das Denken der Griechen durch seine Übersetzung in die lateinische Sprache, in die Welt und in die Kultur der Römer? Martin Heidegger charakterisierte diese Latinisierung als Entfremdung der griechischen Philosophie. Reichen die Folgen dieser Umformung bis heutzutage und ist es eigentlich nicht mehr möglich, die Grundbegriffe der griechischen Philosophen angemessen zu verstehen? Das vorliegende Buch versucht mit Heidegger, aber gleichzeitig anders als bei ihm, eine Antwort auf diese Aporie zu geben. Dabei wird auch das Werk Hans-Georg Gadamers herangezogen. Das Ergebnis dürfte vielleicht etwas mehr Licht in die Interpretation der beiden Philosophen werfen, in die eigentümliche Beschaffenheit der philosophischen Sprache und auch in die Diskussion über die Probleme des Übersetzens, des Verstehens und der Sprache, d. h. über zentrale Fragen der philosophischen Hermeneutik.&amp;nbsp;&lt;/span&gt;&lt;br style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot; /&gt;&lt;span style=&quot;background-color: white; font-family: Verdana, Arial, sans-serif; font-size: 11px; line-height: 16px;&quot;&gt;Der Autor Kosmas Raspitsos hat Philosophie, Germanistik und Übersetzungswissenschaft in Athen, Berlin und Freiburg i.Br. (Promotion) studiert. Außer seinen Forschungsschwerpunkten in Hermeneutik, antiker Philosophie und moderner Vernunftkritik übersetzt er philosophische und literarische Texte.&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/478542350978310248/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/478542350978310248' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/478542350978310248'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/478542350978310248'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2013/06/new-book-die-latinisierung-des.html' title='New book: Die Latinisierung des Griechischen. Übersetzung, Verstehen und Sprache im Ausgang von Martin Heidegger und Hans-Georg Gadamer.'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-449632095649962492</id><published>2013-03-12T02:20:00.001-07:00</published><updated>2013-03-12T02:20:38.454-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Derrida"/><category scheme="http://www.blogger.com/atom/ns#" term="Gadamer."/><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><title type='text'>Article: Ricoeur&#39;s later thought</title><content type='html'>&lt;br /&gt;
Scott Davidson: &lt;a href=&quot;http://www.academia.edu/2275988/Ricoeurs_Later_Thought_From_Hermeneutics_to_Translation_and_Back_Again&quot;&gt;Ricoeur&#39;s later thought: from hermeneutics to translation and back again&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/449632095649962492/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/449632095649962492' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/449632095649962492'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/449632095649962492'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2013/03/article-ricoeurs-later-thought.html' title='Article: Ricoeur&#39;s later thought'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-4183315633545656881</id><published>2012-06-28T04:13:00.000-07:00</published><updated>2012-06-28T04:14:14.315-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Bassnett"/><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><category scheme="http://www.blogger.com/atom/ns#" term="Rushdie"/><category scheme="http://www.blogger.com/atom/ns#" term="Young"/><title type='text'>Article: Chasing Ricoeur, in pursuit of the translation paradigm</title><content type='html'>&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; margin-top: 0px !important; outline: none 0px;&quot;&gt;Chasing Ricoeur: in pursuit of the translational paradigm&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;Deborah M. Shadd, University of Ottawa, CANADA&lt;/span&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;ABSTRACT&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;It was in the midst of negotiations leading up to the formation of the European Union that&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;Paul Ricoeur published an article arguing for the &amp;nbsp;adoption of translation as an ethical&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;model for dealing with the political and cultural challenges facing the emerging&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;international community. Twenty years later, his idea is gaining new currency among&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;Translation Studies scholars, as broader conceptions &amp;nbsp;of translation open the way for a&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;fuller consideration of translation as a paradigm for interrogating other forms of&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;intercultural encounter. &amp;nbsp;Drawing on the work of scholars ranging from Susan Bassnett&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;and Harish Trivedi to Robert Young and Salman Rushdie, this paper seeks to examine&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;how translation has been used as a model for addressing cultural issues in recent studies&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;and to explore how a more paradigmatic view of translation could help us to apply what&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;has been learned from centuries of dialogue about the cultural negotiations demanded by&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;textual translation to other non-textual transformative processes.&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif;&quot;&gt;&lt;span style=&quot;font-size: 14px; line-height: 19px;&quot;&gt;&lt;u&gt;&lt;br /&gt;&lt;/u&gt;&lt;/span&gt;&lt;/span&gt;&lt;br /&gt;
&lt;a href=&quot;http://www.iatis.org/images/stories/publications/new-voices/Issue8-2012/IPCITI/abstract-shadd-2012.pdf&quot; style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; outline: none 0px;&quot;&gt;[Abstract]&lt;/a&gt;&lt;span style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px;&quot;&gt;&amp;nbsp;&lt;/span&gt;&lt;a href=&quot;http://www.iatis.org/images/stories/publications/new-voices/Issue8-2012/IPCITI/article-shadd-2012.pdf&quot; style=&quot;color: #444444; font-family: &#39;Helvetica Neue&#39;, HelveticaNeue, Helvetica, Arial, sans-serif; font-size: 14px; line-height: 19px; margin-bottom: 0px !important; outline: none 0px;&quot;&gt;[Article]&lt;/a&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/4183315633545656881/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/4183315633545656881' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/4183315633545656881'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/4183315633545656881'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2012/06/article-chasing-ricoeur-in-pursuit-of.html' title='Article: Chasing Ricoeur, in pursuit of the translation paradigm'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-3433600077023362438</id><published>2012-05-07T00:57:00.004-07:00</published><updated>2012-05-07T01:13:33.830-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berman"/><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><title type='text'>Article: Ricoeur and Berman, an encounter between hermeneutics and translation studies</title><content type='html'>&lt;h1 id=&quot;docTitle&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 27px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; text-align: -webkit-auto; background-color: rgb(255, 255, 255); &quot;&gt;&lt;span&gt;&lt;span style=&quot;line-height: 31px; font-weight: normal; &quot;&gt;Ricoeur and Berman, an encounter between hermeneutics and translation studies&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;div&gt;&lt;span&gt;&lt;span style=&quot;color: rgb(51, 51, 51); line-height: 15px; background-color: rgb(255, 255, 255); &quot;&gt;Philosophy Today | February 1, 2012 | &lt;/span&gt;&lt;span id=&quot;authorSpan&quot; style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(51, 51, 51); line-height: 15px; background-color: rgb(255, 255, 255); &quot;&gt;Lee, Hyang; Yun, Seong-Woo&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(51, 51, 51); line-height: 15px; background-color: rgb(255, 255, 255); &quot;&gt;&lt;span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div&gt;&lt;span style=&quot;border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; outline-width: 0px; outline-style: initial; outline-color: initial; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; vertical-align: baseline; color: rgb(51, 51, 51); line-height: 15px; background-color: rgb(255, 255, 255); &quot;&gt;&lt;span&gt;This essay surveys commonalities and differences between Antoine Berman, a translation philosopher, and Paul Ricoeur, a hermeneutic philosopher, and thereby tries to discover where and how Translation Studies and hermeneutics might come into contact. Ricoeur and Berman are known as leading representatives of modern hermeneutics and modern Translation Studies, respectively. Ricoeur, however, takes translation as his last philosophical topic in the context of his research about the problematics of meaning, textual interpretation, Self-and-Other. On the other hand, Berman incorporates a variety of philosophers&#39; thoughts on translation - such as Schleiermacher&#39;s, Benjamin&#39;s, Heidegger&#39;s, and Derrida&#39;s - into today&#39;s Translation Studies, and thereby develops philosophical reflections in Translation Studies that we can call translation philosophy, per se.&lt;/span&gt; &lt;/span&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/3433600077023362438/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/3433600077023362438' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/3433600077023362438'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/3433600077023362438'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2012/05/article-ricoeur-and-berman-encounter.html' title='Article: Ricoeur and Berman, an encounter between hermeneutics and translation studies'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-8442791167971027962</id><published>2012-04-09T16:47:00.002-07:00</published><updated>2012-04-09T16:50:08.372-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Heidegger"/><category scheme="http://www.blogger.com/atom/ns#" term="Husserl"/><category scheme="http://www.blogger.com/atom/ns#" term="phenomenology."/><title type='text'>Klaus Held: Observaciones sobre la fenomenología de la traducción</title><content type='html'>Klaus Held: &lt;a href=&quot;http://www.ggthusserl.org/ensayos/ensayo.html&quot;&gt;Observaciones sobre la fenomenología de la traducción&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/8442791167971027962/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/8442791167971027962' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/8442791167971027962'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/8442791167971027962'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2012/04/klaus-held-observaciones-sobre-la.html' title='Klaus Held: Observaciones sobre la fenomenología de la traducción'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-7631984868489369069</id><published>2011-12-26T06:00:00.000-08:00</published><updated>2011-12-26T06:02:07.341-08:00</updated><title type='text'>New book: Translation and Philosophy</title><content type='html'>&lt;div class=&quot;form-box&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(230, 230, 229); border-right-color: rgb(230, 230, 229); border-bottom-color: rgb(230, 230, 229); border-left-color: rgb(230, 230, 229); color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; &quot;&gt;&lt;div class=&quot;form-body&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;&lt;h3 style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 5px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 11px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; color: rgb(88, 88, 90); line-height: 16px; &quot;&gt;Foran, Lisa (ed.)&lt;/h3&gt;&lt;h1 style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 7px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 14px; vertical-align: baseline; background-image: none; background-attachment: scroll; background-origin: initial; background-clip: initial; color: rgb(0, 81, 149); background-position: 0px 0px; background-repeat: repeat repeat; &quot;&gt;Translation and Philosophy&lt;/h1&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 11px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; &quot;&gt;&lt;/p&gt;&lt;p class=&quot;caption2&quot; style=&quot;margin-top: -3px !important; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 11px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; color: rgb(0, 0, 0); line-height: 16px; &quot;&gt;Series: &lt;a href=&quot;http://www.peterlang.com/index.cfm?event=cmp.ccc.seitenstruktur.detailseiten&amp;amp;seitentyp=series&amp;amp;pk=1541&amp;amp;concordeid=ISFLL&quot; title=&quot;Intercultural Studies and Foreign Language Learning&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; color: rgb(0, 81, 149); text-decoration: none !important; cursor: pointer !important; &quot;&gt;Intercultural Studies and Foreign Language Learning&lt;/a&gt; - Volume 11&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 11px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; &quot;&gt;Year of Publication: 2012&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 10px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 11px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; &quot;&gt;Oxford, Bern, Berlin, Bruxelles, Frankfurt am Main, New York, Wien, 2012. VIII, 188 pp., num. tables&lt;br /&gt;&lt;/p&gt;&lt;h2 style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 10px; padding-bottom: 3px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(228, 229, 230); color: rgb(0, 81, 149); &quot;&gt;&lt;span style=&quot;font-size: 11px; background-color: transparent; color: rgb(51, 51, 51); &quot;&gt;ISBN 978-3-0343-0794-9 pb.&lt;/span&gt;&lt;/h2&gt;&lt;br class=&quot;Apple-interchange-newline&quot;&gt;&lt;h2 style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 10px; padding-bottom: 3px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(228, 229, 230); color: rgb(0, 81, 149); &quot;&gt;Book synopsis&lt;/h2&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;&lt;br /&gt;&lt;/p&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;To what extent is philosophy reliant on translation and how does this practice impact on philosophy itself? How should philosophical texts be translated? Is translation inherently philosophical? Can philosophy be described as a &#39;type of translation&#39;? The essays in this collection seek to respond to these intriguing and provocative questions. Exploring a wide range of issues, from the complexities of translating ambiguous philosophical terms to the role of language in concepts of identity and society, each essay highlights the manner in which the two disciplines rely on (and intersect with) each other. Drawing the collection together is an understanding of both translation and philosophy as practices which seek for meaning in our complex relationship with language and the world.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-box&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(230, 230, 229); border-right-color: rgb(230, 230, 229); border-bottom-color: rgb(230, 230, 229); border-left-color: rgb(230, 230, 229); color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; &quot;&gt;&lt;div class=&quot;form-head&quot; style=&quot;margin-top: 1px; margin-right: 1px; margin-bottom: 1px; margin-left: 1px; padding-top: 3px; padding-right: 3px; padding-bottom: 3px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: none; background-attachment: scroll; background-origin: initial; background-clip: initial; background-color: rgb(228, 229, 230); color: rgb(0, 81, 149); background-position: 0px 0px; background-repeat: repeat repeat; &quot;&gt;&lt;h2 style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 10px; padding-bottom: 3px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; &quot;&gt;Contents&lt;/h2&gt;&lt;/div&gt;&lt;div class=&quot;form-body&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;Contents: Theo Harden: The Awful German Language, or, Is &#39;&lt;i&gt;Die Geistige Entwicklung&lt;/i&gt;&#39; &#39;The Mental Development&#39;? - David Charlston: Translating Hegel&#39;s Ambiguity: A Culture of &lt;i&gt;Humor&lt;/i&gt; and &lt;i&gt;Witz&lt;/i&gt; - Daphna Erdinast-Vulcan: Reading Oneself in Quotation Marks: At the Crossing of Disciplines - Andrew Whitehead: Moonless Moons and a Pretty Girl: Translating Ikkyu Sojun - Angelo Bottone: Translation and Justice in Paul Ricoeur - Lisa Foran: Translation as a Path to the Other: Derrida and Ricoeur - Elad Lapidot: What is the Reason for Translating Philosophy? I. Undoing Babel - Alena Dvorakova: Pleasure in Translation: Translating Mill&#39;s &#39;Utilitarianism&#39; from English into Czech - Veronica O&#39;Neill: The Underlying Role of Translation: A Discussion of Walter Benjamin&#39;s &#39;Kinship&#39; - Sergey Tyulenev: Systemics and Lifeworld of Translation - Feargus Denman: Translation, Philosophy and Language: What Counts?&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;&lt;div class=&quot;form-box&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 20px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 1px; border-right-width: 1px; border-bottom-width: 1px; border-left-width: 1px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: rgb(255, 255, 255); border-top-style: solid; border-right-style: solid; border-bottom-style: solid; border-left-style: solid; border-top-color: rgb(230, 230, 229); border-right-color: rgb(230, 230, 229); border-bottom-color: rgb(230, 230, 229); border-left-color: rgb(230, 230, 229); color: rgb(51, 51, 51); font-family: Arial, Helvetica, sans-serif; &quot;&gt;&lt;div class=&quot;form-head&quot; style=&quot;margin-top: 1px; margin-right: 1px; margin-bottom: 1px; margin-left: 1px; padding-top: 3px; padding-right: 3px; padding-bottom: 3px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: none; background-attachment: scroll; background-origin: initial; background-clip: initial; background-color: rgb(228, 229, 230); color: rgb(0, 81, 149); background-position: 0px 0px; background-repeat: repeat repeat; &quot;&gt;&lt;h2 style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 3px; padding-right: 10px; padding-bottom: 3px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; font-size: 13px; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; &quot;&gt;About the author(s)/editor(s)&lt;/h2&gt;&lt;/div&gt;&lt;div class=&quot;form-body&quot; style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 10px; padding-right: 10px; padding-bottom: 10px; padding-left: 10px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;&lt;p style=&quot;margin-top: 0px; margin-right: 0px; margin-bottom: 0px; margin-left: 0px; padding-top: 0px; padding-right: 0px; padding-bottom: 0px; padding-left: 0px; border-top-width: 0px; border-right-width: 0px; border-bottom-width: 0px; border-left-width: 0px; border-style: initial; border-color: initial; border-image: initial; outline-width: 0px; outline-style: initial; outline-color: initial; vertical-align: baseline; background-image: initial; background-attachment: initial; background-origin: initial; background-clip: initial; background-color: transparent; &quot;&gt;Lisa Foran is a tutor and doctoral candidate in the School of Philosophy at University College Dublin and a visiting graduate student at the Archives Husserl (ÉNS) Paris. Her research, funded by the Irish Research Council for the Humanities and Social Sciences, focuses on the relationship between translation and the Other in the work of Jacques Derrida.&lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/7631984868489369069/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/7631984868489369069' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7631984868489369069'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7631984868489369069'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/12/new-book-translation-and-philosophy.html' title='New book: Translation and Philosophy'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-6006813714552559038</id><published>2011-12-24T02:23:00.000-08:00</published><updated>2011-12-24T02:24:11.028-08:00</updated><title type='text'>Translating Dietrich von Hildebrand</title><content type='html'>&lt;span class=&quot;bodyHeader&quot; style=&quot;font-family: &#39;Book Antiqua&#39;, &#39;Times New Roman&#39;, Times, serif; font-size: 12pt; font-weight: bold; color: rgb(158, 13, 12); text-align: -webkit-auto; background-color: rgb(246, 232, 215); &quot;&gt;Translator Search Fall 2011&lt;/span&gt;&lt;br style=&quot;color: rgb(103, 54, 50); font-family: Verdana, Arial, Helvetica, sans-serif; font-size: 13px; text-align: -webkit-auto; background-color: rgb(246, 232, 215); &quot;&gt;&lt;span class=&quot;body&quot; style=&quot;font-family: Arial, Helvetica, sans-serif; font-size: 13px; color: rgb(103, 54, 50); text-align: -webkit-auto; background-color: rgb(246, 232, 215); &quot;&gt;&lt;p&gt;&lt;span style=&quot;font-family: verdana, geneva, sans-serif; &quot;&gt;&lt;strong&gt;General Description&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;The Dietrich von Hildebrand Legacy Project exists to produce, publish, and disseminate English translations of the philosophical works of the German phenomenologist, Dietrich von Hildebrand. The Legacy Project seeks translators who are philosophically trained and who are familiar with the philosophical language used within the school of Husserl.  Candidates should be capable of making translations of the highest quality, uniting aspirations for conceptual fidelity with the ability to produce a flowing and natural English text. They should also be in a position to translate a German text of several hundred pages within 7-8 months.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;Contracts for translating the works of von Hildebrand will be offered to those who are deemed by the Legacy Project to be the best translators. Compensation will be in accordance with current standards for academic translation.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;h1&gt;&lt;span style=&quot;font-family: verdana, geneva, sans-serif; &quot;&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;Upcoming Translation Projects:&lt;/span&gt;&lt;/span&gt;&lt;/h1&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;The following books are scheduled to be translated in 2012 and 2013:&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;ol start=&quot;1&quot; type=&quot;1&quot;&gt;&lt;li&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;&lt;em&gt;Die Metaphysik der Gemeinschaft&lt;/em&gt; (&lt;em&gt;The Metaphysics of Community&lt;/em&gt;, 380pp.) Von Hildebrand’s major work in the philosophy of community in which he develops a distinctively personalist vision of community. Of particular significance in this work is von Hildebrand’s original analysis of the essential connection between objective values and the formation of genuine community.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;&lt;em&gt;Moralia &lt;/em&gt;(523 pp.) A late work in ethics in which von Hildebrand develops, expands, and even revises elements of his earlier writings in ethics and the philosophy of love.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;&lt;em&gt;Die Idee der sittlichen Handlung&lt;/em&gt; (&lt;em&gt;The Idea of Moral Action&lt;/em&gt;, 126 pp.). Von Hildebrand’s dissertation, written under Edmund Husserl, of which Husserl remarked: “I almost want to say that the [artistic] genius of Adolf von Hildebrand [the father of Dietrich von Hildebrand] has been inherited by his son, the author, as a philosophical genius.” This work saw the first developments of von Hildebrand’s value philosophy.&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;&lt;em&gt;Sittlichkeit und ethische Werterkenntnis&lt;/em&gt; (&lt;em&gt;Morality and the Knowledge of Ethical Values&lt;/em&gt;, 140 pp.) Von Hildebrand’s habilitation in which he makes important contributions to our understanding of the depth character of personal existence.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;h2&gt;&lt;span style=&quot;font-family: verdana, geneva, sans-serif; &quot;&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;To Apply:&lt;/span&gt;&lt;/span&gt;&lt;/h2&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;&lt;strong&gt;Persons interested in translating a work of von Hildebrand should submit the following materials to&lt;a href=&quot;mailto:publications@hildebrandlegacy.org&quot; style=&quot;color: rgb(162, 23, 20); &quot;&gt;publications@hildebrandlegacy.org&lt;/a&gt; &lt;em&gt;by midnight EST on Wednesday, January 4th, 2012&lt;/em&gt;&lt;/strong&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;ol&gt;&lt;li&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;A polished translation of the following excerpt from &lt;em&gt;Sittlichkeit und ethische Werterkenntnis&lt;/em&gt;, available for download &lt;a href=&quot;http://www.hildebrandlegacy.org/docs/Translation%20Excerpt%20Sittlichkeit%20und%20ethische%20Werterkenntnis%20Kapitel%201%20through%20Kapitel%202%20a.pdf&quot; style=&quot;color: rgb(162, 23, 20); &quot;&gt;here&lt;/a&gt; &lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;(for the title page, table of contents, and forward of &lt;em&gt;Sittlichkeit&lt;/em&gt;, click &lt;a href=&quot;http://www.hildebrandlegacy.org/docs/Title%20Page%20Table%20of%20Contents%20and%20Forward%20to%20Sittlichekeit%20und%20ethische%20Werterkenntnis.pdf&quot; style=&quot;color: rgb(162, 23, 20); &quot;&gt;here&lt;/a&gt;). &lt;/span&gt;&lt;/span&gt;&lt;br /&gt; &lt;/li&gt;&lt;li&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;A current CV/resume, which includes a list of your translations, noting publication where applicable.&lt;/span&gt;&lt;/span&gt;&lt;/li&gt;&lt;/ol&gt;&lt;p&gt;&lt;span style=&quot;font-size: 12px; &quot;&gt;&lt;span style=&quot;font-family: arial, helvetica, sans-serif; &quot;&gt;All applicants will be contacted by January 18th, 2012. The Legacy Project reserves the right to not select an applicant and to announce future translator searches.&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/6006813714552559038/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/6006813714552559038' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6006813714552559038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6006813714552559038'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/12/translating-dietrich-von-hildebrand.html' title='Translating Dietrich von Hildebrand'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-5155591354891348687</id><published>2011-07-15T00:55:00.000-07:00</published><updated>2011-07-15T00:58:03.066-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Davidson"/><category scheme="http://www.blogger.com/atom/ns#" term="Tarski"/><title type='text'>Article: Jeff Speaks, Truth theories, translation manuals and theories of meaning</title><content type='html'>&lt;div&gt;Truth theories, translation manuals, and theories of meaning&lt;/div&gt;&lt;div&gt;Jeﬀ Speaks&lt;/div&gt;&lt;div&gt;January 20, 2006&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;Versions of the Davidsonian program in semantics aim to use a Tarskian truth theory to accomplish the tasks of a theory of meaning. In “Truth and Meaning,” Davidson identiﬁed two related aims for the theory of meaning: (i) to give the meanings of expressions of the language, and (ii) to explain the semantic competence of speakers of the language, by stating information knowledge of which would be suﬃcient to understand the language.&lt;/div&gt;&lt;div&gt;From the start, the attempt to use a truth theory to accomplish these tasks faced a number of fundamental objections. In the last thirty years, though, a number of variants of Davidson’s original framework have been proposed to avoid these objections.&lt;/div&gt;&lt;div&gt;The question I wish to raise in this paper is: do any of the proposed modiﬁcations of Davidson’s original theory validate the idea that, as Davidson put it, we ﬁnd in Tarskian truth theories “the sophisticated and powerful foundation of a competent theory of meaning”?&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;I will argue that they do not. To show this, it will be useful to begin with a discussion of two traditional problems for the Davidsonian program, and the solution to these problems oﬀered by Max K¨olbel in his “Two Dogmas of Davidsonian Semantics.” &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://www.nd.edu/~jspeaks/papers/translation-semantics.pdf&quot;&gt;Here&lt;/a&gt;.&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/5155591354891348687/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/5155591354891348687' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/5155591354891348687'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/5155591354891348687'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/07/article-jeff-speaks-truth-theories.html' title='Article: Jeff Speaks, Truth theories, translation manuals and theories of meaning'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-1293662825303941576</id><published>2011-05-19T01:21:00.001-07:00</published><updated>2011-05-19T01:22:03.020-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="phenomenology"/><title type='text'>Book: Analisi riflessiva</title><content type='html'>&lt;a onblur=&quot;try {parent.deselectBloggerImageGracefully();} catch(e) {}&quot; href=&quot;http://www.edizionistudium.it/imm_2011/embree.jpg&quot;&gt;&lt;img style=&quot;display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 200px; height: 273px;&quot; src=&quot;http://www.edizionistudium.it/imm_2011/embree.jpg&quot; border=&quot;0&quot; alt=&quot;&quot; /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;div&gt;&lt;br /&gt;&lt;br /&gt;Lester Embree&lt;br /&gt;&lt;br /&gt;ANALISI RIFLESSIVA&lt;br /&gt;Una prima introduzione allʼinvestigazione fenomenologica&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Presentazione di Angela Ales Bello&lt;br /&gt;Traduzione di Angelo Bottone&lt;br /&gt;&lt;br /&gt;Edizioni Studium &lt;br /&gt;pp. 168, € 11,50&lt;br /&gt;ISBN 978-88-382-4071-3&lt;br /&gt;&lt;br /&gt;La fenomenologia, teorizzata da Husserl alla fine dellʼOttocento, rappresenta una corrente fondamentale nella filosofia contemporanea. Nel corso dei decenni si è progressivamente diffusa in tutti i continenti, influenzando discipline non filosofiche: dapprima la psicologia e la psichiatria, per poi coinvolgere il teatro, la letteratura, lʼarchitettura, la medicina, le scienze infermieristiche, la psicologia sociale, lʼecologia.&lt;br /&gt;Il volume propone unʼintroduzione alla fenomenologia intesa come analisi riflessiva. Essa viene affrontata non in senso storico, attraverso la presentazione di temi o autori appartenenti a questo filone teoretico, ma come metodo applicabile a qualsiasi ambito di esperienza, sia diretta che indiretta. Lʼautore distingue due stili filosofici: lʼargomentazione, prevalente nella filosofia analitica contemporanea, e lʼanalisi riflessiva che, a suo giudizio, è propria della fenomenologia. Scopo di questo lavoro è familiarizzare con il metodo fenomenologico e quindi migliorare le proprie abilità riflessive e teoretiche.&lt;br /&gt;Il testo, già tradotto in diverse lingue e qui presentato per la prima volta in traduzione italiana, ha un intento pedagogico – ogni capitolo si conclude con degli esercizi – ma non è orientato limitatamente ad un pubblico di studenti, bensì a chiunque voglia imparare ad analizzare e a riflettere. La prima metà del lavoro presenta gli strumenti del metodo fenomenologico mentre i capitoli finali si concentrano su alcuni ambiti particolari dellʼesperienza quali il credere, il valutare ed il volere.&lt;br /&gt;Lester Embree è William F. Dietrich Eminent Scholar in Philosophy presso la Florida Atlantic University. Ha studiato presso la New School for Social Research con Dorion Cairns e Aron Gurwitsch, discepoli di Edmund Husserl. Ha insegnato presso la Northern Illinois University (1969-1974) e la Duquesne University (1974-1990). Autore di oltre 200 pubblicazioni, ha diretto per ventʼanni il Center for Advanced Research in Phenomenology e curato la Encyclopedia of Phenomenology (Kluwer 1997). È fondatore della Organization of Phenomenological Organizations (OPO), che raccoglie 160 organizzazioni filosofiche di ispirazione fenomenologica.&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/1293662825303941576/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/1293662825303941576' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/1293662825303941576'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/1293662825303941576'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/05/analisi-riflessiva.html' title='Book: Analisi riflessiva'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-7736407599604425838</id><published>2011-05-03T01:21:00.000-07:00</published><updated>2011-05-03T01:22:20.534-07:00</updated><title type='text'>Rhétorique et traduction</title><content type='html'>&lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:18.0pt&quot;&gt;Colloque international&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span class=&quot;Apple-style-span&quot; &gt;&lt;b&gt;&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-size: 16px; font-weight: normal; &quot;&gt;&lt;b&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size: 18pt; &quot;&gt;Rhétorique et traduction&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/b&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:18.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Organisé par &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;SEPTET, Société d’Etudes des Pratiques et Théories en Traduction&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;et&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;LLL, Laboratoire Ligérien de Linguistique&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:18.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;Université d’Orléans&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;26-27 janvier 2012 &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; align=&quot;center&quot; style=&quot;text-align:center&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;5 rue du Carbone (Bât IRD)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Comité organisateur&lt;/span&gt;&lt;/i&gt;&lt;span lang=&quot;FR&quot;&gt;  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Pierre Cadiot (Université d’Orléans) &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Florence Lautel-Ribstein (Université d’Artois)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Antonia Cristinoi (Université d’Orléans) &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Gabriel Bergounioux (Université d’Orléans) ( ?)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:14.2pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Pour les Latins, le terme de &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Traductio &lt;/i&gt;désignait une figure de rhétorique. On mesure ainsi la pertinence d’une rencontre portant sur les liens entre traduction et rhétorique.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:14.2pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Aujourd’hui, la rhétorique, tout comme la traduction, rapproche des champs disciplinaires variés : linguistique, littérature, anthropologie culturelle, philosophie du langage, etc.&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Les différents axes de travail suivants pourront être explorés :&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;1. La traduction et la nature de la rhétorique&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:14.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;La      rhétorique peut-elle être encore aujourd’hui conçue comme un ajout, un      supplément d’âme et de présentation, voire même un masque (plutôt qu’un      visage) ? Autrement dit, la rhétorique cessant progressivement de se      confondre comme dans l’Antiquité gréco-romaine avec l’art de dire, mais      aussi de penser, peut-elle être confondue avec un ensemble de procédés,      qui sans être strictement ornementaux, l’engage néanmoins dans le sens      d’une esthétique seconde, comme c’est le cas chez un Fontanier par      exemple ? Le traducteur doit-il alors considérer qu’un      « contenu » invariant est ainsi masqué ? Par voie de      conséquence, la rhétorique peut-elle se confondre avec un aspect de l’art      du traducteur qui serait de faciliter (mais aussi éventuellement      d’agrémenter) la lecture ? Les dimensions clairement      « rhétoriques » du texte-source (par exemple les questions      précisément dites « rhétoriques », liées à la seule gestation du      texte) doivent-elles être gommées dans le travail du traducteur ? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;La      rhétorique du traducteur a-t-elle une dimension      « critique » ? Est-elle censée véhiculer (aussi) le point      de vue singulier du traducteur ? Quelle est la part de la rhétorique      dans le fait qu’historiquement les traductions ont si souvent fait l’objet      d’adaptations marquées par la censure, l’idéologie, la volonté      pédagogique, etc ? Quels sont les liens avec l’argumentation ?      Le texte, la « lettre », doivent-ils dans l’acte de traduire      s’effacer derrière des intentions, représentationnelles, polémiques et      autres ? La rhétorique est-elle une « technique » ou un art      « tactique ? Le traducteur doit-il être rusé ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;Doit-on à      rebours s’attacher à relever, comme le fait un Dumarsais, des liens      étroits entre grammaire et rhétorique (nonobstant le trivium      médiéval) ? La rhétorique, au contraire de l’idée commune,      plonge-t-elle ses racines au cœur même de la langue ? Quelles      seraient les conséquences d’une réponse positive pour la traduction ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;2. La traduction entre champs rhétorique, poétique et émotionnel&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;Quels sont      les liens entre &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;rhétorique&lt;/i&gt; en      tant que visée d’action, proche de la pragmatique moderne et &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;poétique&lt;/i&gt; en tant qu’imitation      d’action (&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;mimesis&lt;/i&gt;) ? La      traduction doit-elle être conçue comme une action, rendre le texte-source      toujours plus efficace, ou doit-elle déployer et explorer les sources de      sa propre poéticité ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;la      rhétorique est-elle délibérément « cibliste » ? Est-elle      idiosyncrasique, un art différent dans chaque langue particulière… ou      relève-t-elle au contraire de techniques tendanciellement      universelles ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;La      distinction entre rhétorique et poétique ne serait-elle pas une      conséquence d’une vision réductrice de ce qu’était la rhétorique des      origines, celle d’Aristote, comme semblent en attester certaines des plus      récentes traductions de son texte fondateur et qui montrent      l’indissociabilité non seulement des propriétés sémantiques et esthétiques      du langage, mais aussi de ses propriétés esthétiques et poétiques ? &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;On pourra      s’interroger sur l’instabilité du statut de l’émotion et de ses      inscriptions passionnelles dans le champ rhétorique. Qu’à l’occasion d’un      événement émotionnel, on convoque le concept de thymie en sémiotique, ou      tout autre concept affine, comment&lt;/span&gt;&lt;span lang=&quot;FR&quot;&gt; &lt;/span&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;cette « subconscience » où se      déploient les instances affectivo-émotives est-elle saisie dans l’acte      traductif ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;3. Rhétorique et traduction dans leurs dimensions philosophiques et sémiologiques&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;D’une part : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;la      rhétorique ne serait-elle pas au fond de nature philosophique ?      Peut-on y voir l’art même de former des concepts en les délivrant ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;la      rhétorique se confond-elle avec la pragmatique moderne (wittgensteinienne,      austinienne …) ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;Paragraphedeliste&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;D’autre part :&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;Quels liens      avec la sémiologie et/ou la sémantique discursive et textuelle ?      Comment la traduction doit-elle prendre en compte des effets comme      l’idiomaticité, le cliché, le stéréotype, l’emblèmatisation, les      « métaphores conceptuelles », etc. Les questions évidemment      décisives de l’analogie, de la polysémie, de l’implicite, de l’inférence,      comme mécanismes de production des textes sont-elles rhétoriques et      relèvent-elles à ce titre d’un chapitre autonome de l’art du bien      traduire ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;Et finalement : &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;ul style=&quot;margin-top:0cm&quot; type=&quot;disc&quot;&gt;  &lt;li class=&quot;MsoNormal&quot; style=&quot;text-indent:-18.0pt;mso-list:l0 level1 lfo1;      tab-stops:list 36.0pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;Quels liens      entre rhétorique, traduction et phénoménologie : le      « contenu » peut-il être distingué de son apparaître, de ses      modalités de donation ? L’essence figurale du langage renvoie à      l’expérience immédiate, au « corps vécu » ? La traduction est      sans arrêt confrontée à cette alternance de &lt;i style=&quot;mso-bidi-font-style:      normal&quot;&gt;présentation&lt;/i&gt; (figurale, motivée, phénoménologique) et la      gestation de contenus de &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;représentation&lt;/i&gt;.      Tout accès au réel est partiel, de l’ordre de l’esquisse, mais il s’impose      avec la force du tout : ce que la tradition figure en termes - trop      analytiques - de métaphore, métonymie, synecdoque, etc. renvoie à cette      réalité en quelque sorte anthropologique. Mais très différemment d’une      langue à l’autre. Comment la traduction doit-elle affronter ce      problème ?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/li&gt; &lt;/ul&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:17.2pt&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size: 11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot; style=&quot;font-size:11.0pt&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Calendrier&lt;/span&gt;&lt;/b&gt;&lt;span lang=&quot;FR&quot;&gt; &lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;1 juin 2011 : envoi d’un résumé de deux pages environ et d’une courte bio-bibliographie à Florence Lautel-Ribstein : &lt;florence.lautel@univ-artois.fr&gt;&lt;/florence.lautel@univ-artois.fr&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;30 juin 2011 : notification de la décision du Comité scientifique&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;1 mars 2012 : envoi des articles (max. 45, 000 caractères espaces compris) à Camille Fort&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;span style=&quot;mso-spacerun:yes&quot;&gt; &lt;/span&gt;&lt;camillefort@yahoo.fr&gt;&lt;/camillefort@yahoo.fr&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Les textes des communications seront publiés dans la revue SEPTET, &lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;Des mots aux actes&lt;o:p&gt;&lt;/o:p&gt;&lt;/i&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;(ou le cas échéant soumis à la revue R.S.P.)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight:normal&quot;&gt;&lt;i style=&quot;mso-bidi-font-style:normal&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Comité scientifique  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/b&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Antonia Cristinoi (Université d’Orléans)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Annie Cointre (Université de Metz)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Véronique Duché (Université de Melbourne)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Camille Fort (Université de Picardie)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Jean-René Ladmiral (Université de Paris Ouest-Nanterre et ISIT)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Michèle Lorgnet (Université de Bologne)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;François Nemo (Université d’Orléans)&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;Yen-Mai Tran-Gervat (Université de Paris III).&lt;/span&gt;&lt;/p&gt;  &lt;p class=&quot;MsoNormal&quot; style=&quot;margin-left:18.0pt;text-indent:0cm&quot;&gt;&lt;span lang=&quot;FR&quot;&gt;&lt;o:p&gt; &lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/7736407599604425838/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/7736407599604425838' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7736407599604425838'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7736407599604425838'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/05/rhetorique-et-traduction.html' title='Rhétorique et traduction'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-5323467445577742980</id><published>2011-03-17T01:57:00.002-07:00</published><updated>2011-03-17T02:00:02.140-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Balibar"/><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><title type='text'>Article: The Vanishing Mediator and Linguistic Hospitality</title><content type='html'>&lt;div&gt;The Vanishing Mediator and Linguistic Hospitality&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;We, the People of Europe?&lt;/i&gt; Balibar argues for a Europe as the interpreter of the world, a ‘vanishing mediator’ translating languages and cultures. &lt;/div&gt;&lt;div&gt;Ricoeur in his last works has considered translation as a paradigm of the attitude towards the other, holding the view that the ethical purposes relating to linguistic hospitality are the model for any kind of hospitality. I intend to contrast Balibar’s vanishing mediator with Ricoeur’s concept of linguistic hospitality. &lt;/div&gt;&lt;div&gt;In spite of the fact that Étienne Balibar and Paul Ricoeur practically ignore each other in their works, I found some striking similarities in their thoughts regarding the role of languages and translation in Europe. In my paper, I will highlight these common views, with the intention of also showing their differences. &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://www.kritike.org/journal/issue_8/bottone_december2010.pdf&quot;&gt;Here&lt;/a&gt;.&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/5323467445577742980/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/5323467445577742980' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/5323467445577742980'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/5323467445577742980'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/03/article-vanishing-mediator-and_4254.html' title='Article: The Vanishing Mediator and Linguistic Hospitality'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-8934947906589312439</id><published>2011-03-17T01:57:00.001-07:00</published><updated>2011-03-17T01:59:28.429-07:00</updated><title type='text'>Article: The Vanishing Mediator and Linguistic Hospitality</title><content type='html'>&lt;div&gt;The Vanishing Mediator and Linguistic Hospitality&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;We, the People of Europe?&lt;/i&gt; Balibar argues for a Europe as the interpreter of the world, a ‘vanishing mediator’ translating languages and cultures. &lt;/div&gt;&lt;div&gt;Ricoeur in his last works has considered translation as a paradigm of the attitude towards the other, holding the view that the ethical purposes relating to linguistic hospitality are the model for any kind of hospitality. I intend to contrast Balibar’s vanishing mediator with Ricoeur’s concept of linguistic hospitality. &lt;/div&gt;&lt;div&gt;In spite of the fact that Étienne Balibar and Paul Ricoeur practically ignore each other in their works, I found some striking similarities in their thoughts regarding the role of languages and translation in Europe. In my paper, I will highlight these common views, with the intention of also showing their differences. &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://www.kritike.org/journal/issue_8/bottone_december2010.pdf&quot;&gt;Here&lt;/a&gt;.&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/8934947906589312439/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/8934947906589312439' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/8934947906589312439'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/8934947906589312439'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/03/article-vanishing-mediator-and_17.html' title='Article: The Vanishing Mediator and Linguistic Hospitality'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-6922314011696504732</id><published>2011-03-17T01:57:00.000-07:00</published><updated>2011-03-17T01:59:10.396-07:00</updated><title type='text'>Article: The Vanishing Mediator and Linguisti Hospitality</title><content type='html'>&lt;div&gt;The Vanishing Mediator and Linguisti Hospitality&lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;We, the People of Europe?&lt;/i&gt; Balibar argues for a Europe as the interpreter of the world, a ‘vanishing mediator’ translating languages and cultures. &lt;/div&gt;&lt;div&gt;Ricoeur in his last works has considered translation as a paradigm of the attitude towards the other, holding the view that the ethical purposes relating to linguistic hospitality are the model for any kind of hospitality. I intend to contrast Balibar’s vanishing mediator with Ricoeur’s concept of linguistic hospitality. &lt;/div&gt;&lt;div&gt;In spite of the fact that Étienne Balibar and Paul Ricoeur practically ignore each other in their works, I found some striking similarities in their thoughts regarding the role of languages and translation in Europe. In my paper, I will highlight these common views, with the intention of also showing their differences. &lt;/div&gt;&lt;div&gt;&lt;br /&gt;&lt;/div&gt;&lt;div&gt;&lt;a href=&quot;http://www.kritike.org/journal/issue_8/bottone_december2010.pdf&quot;&gt;Here&lt;/a&gt;.&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/6922314011696504732/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/6922314011696504732' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6922314011696504732'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6922314011696504732'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2011/03/article-vanishing-mediator-and.html' title='Article: The Vanishing Mediator and Linguisti Hospitality'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-6678925350315828518</id><published>2010-11-29T14:15:00.000-08:00</published><updated>2010-11-29T14:16:11.909-08:00</updated><title type='text'>Call for papers: Hermeneutics and Translation Studies</title><content type='html'>&lt;div&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;b style=&quot;mso-bidi-font-weight: normal&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;FONT-SIZE: 16pt; COLOR: red&quot;&gt;Hermeneutics and Translation  Studies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;b&gt;&lt;span style=&quot;FONT-SIZE: 14pt; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;b&gt;&lt;span style=&quot;FONT-SIZE: 14pt; COLOR: red; mso-ansi-language: EN-GB&quot;&gt;1&lt;sup&gt;st&lt;/sup&gt;  Call for Papers&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-SIZE: 11pt; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;Even though  Translation Studies and Hermeneutics share a common interest in the mediating  processes, these two disciplines have co-existed and developed since the advent  of Translation Studies in the mid 20&lt;sup&gt;th&lt;/sup&gt; century with strikingly little  interaction. The purpose of this symposium is to explore avenues in which  Hermeneutics and Translation Studies could complement one another, thereby  strengthen research on both oral and written mediation and the mediating  processes. The symposium is conceived of as &lt;/span&gt;&lt;span style=&quot;mso-ansi-language: EN-GB&quot;&gt;a forum for posing and discussing questions of  relevance to these two disciplines. In particular, the purpose of the symposium  is to begin developing the contours and goals of and simultaneously setting  limits to the scope of an emerging discipline, Translational Hermeneutics, which  could be developed by merging these heretofore distinct research  strands.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;COLOR: red&quot;&gt;SUGGESTED TOPICS&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;1.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;A  Retrospective: Hermeneutics and the Development of Translation  Studies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;2.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;The  Future: the New Field of “Translational Hermeneutics”&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;3.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;Didactics  of Translation and Interpreting from a Hermeneutical Point of  View&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;4.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;Translation  in Practice – Specialized Texts versus Literature&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;5.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;Hermeneutics,  Culture and Postcolonial Translation Studies&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;6.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;Synergies:  Hermeneutics and Cognitive Linguistics&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Listenabsatz&quot; style=&quot;MARGIN: 0cm 0cm 0pt 18pt; TEXT-INDENT: -18pt; mso-list: l0 level1 lfo1&quot;&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;7.&lt;span style=&quot;FONT: 7pt &#39;Times New Roman&#39;&quot;&gt;      &lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-family: &#39;Times New Roman&#39;&quot;&gt;Hermeneutics,  Corpus Studies and Empirical Research – Conflicting  Paradigms?&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;b&gt;&lt;span lang=&quot;EN-US&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;PROGRAM&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;The symposium  is scheduled to start in the morning of 26&lt;sup&gt;th&lt;/sup&gt; of May, 2011 and end by  5:00 p.m. on the 27&lt;sup&gt;th&lt;/sup&gt; of May, 2011. It will include papers and panel  discussions. An evening dinner will be provided on the 26th of May to foster a  discussion in a less formal atmosphere. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; mso-bidi-font-weight: bold; mso-ansi-language: EN-GB&quot;&gt;VENUE&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;COLOR: red; mso-bidi-font-weight: bold; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-GB&quot;&gt;The symposium will take place in the Rotunde, a  large, circular room overlooking the Rhine River at the University of Applied  Sciences in Cologne. Accommodations are available within walking distance.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;PAPER  AND PANEL PROPOSALS&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;Abstracts for  papers should be sent electronically as an attached file (MS Word format) to:  Dr. John Stanley (&lt;a title=&quot;mailto:john_wrae.stanley@fh-koeln.de&quot; href=&quot;mailto:john_wrae.stanley@fh-koeln.de&quot;&gt;john_wrae.stanley@fh-koeln.de&lt;/a&gt;).  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;Abstracts for  panel proposals should be submitted by the moderator as a single abstract of  300-500 words with a list of panellists (names and affiliations). Panels should  deal with a clearly defined topic and consist of a 90-minute debate. These  abstracts should be sent to: Dr. John Stanley (&lt;a title=&quot;mailto:john_wrae.stanley@fh-koeln.de&quot; href=&quot;mailto:john_wrae.stanley@fh-koeln.de&quot;&gt;john_wrae.stanley@fh-koeln.de&lt;/a&gt;).&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;All submissions  should include a short author profile. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;SYMPOSIUM  LANGUAGES&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;Congress  languages will be English and German. Please submit your abstracts in the  language the paper or panel discussion will be held in. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;DEADLINES&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: justify&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;The deadline  for submission of abstracts and panel proposals is 15&lt;sup&gt;th&lt;/sup&gt; of February,  2011. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;The scientific  committee will inform potential contributors of its decision around March 1,  2011. &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;SCIENTIFIC  COMMITTEE&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;Radegundis  Stolze, Larisa Cercel, John Stanley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;LOCAL  ORGANIZATION&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/i&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;John  Stanley&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;Default&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;PUBLICATION&lt;/span&gt;&lt;/i&gt;&lt;span style=&quot;COLOR: red; FONT-FAMILY: &#39;Times New Roman&#39;; mso-ansi-language: EN-GB&quot;&gt;&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;h1 style=&quot;MARGIN: 0cm 0.3pt 0pt 0cm&quot;&gt;&lt;span style=&quot;FONT-WEIGHT: normal; FONT-SIZE: 12pt; mso-ansi-language: EN-GB&quot;&gt;A  selection of contributions will be published as a volume of proceedings.  &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt; &lt;h1 style=&quot;MARGIN: 0cm 0.3pt 0pt 0cm&quot;&gt;&lt;span style=&quot;FONT-WEIGHT: normal; FONT-SIZE: 12pt; mso-ansi-language: EN-GB&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/h1&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; TEXT-ALIGN: center&quot; align=&quot;center&quot;&gt;&lt;i style=&quot;mso-bidi-font-style: normal&quot;&gt;&lt;span style=&quot;COLOR: red; 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(2 Days, including refreshments and evening  dinner)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt; &lt;tr style=&quot;HEIGHT: 78.75pt&quot;&gt; &lt;td style=&quot;BORDER-RIGHT: windowtext 0.5pt solid; PADDING-RIGHT: 3.5pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 3.5pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: windowtext 0.5pt solid; WIDTH: 297pt; PADDING-TOP: 0cm; BORDER-BOTTOM: windowtext 0.5pt solid; HEIGHT: 78.75pt; BACKGROUND-COLOR: transparent; mso-border-top-alt: solid windowtext .5pt&quot; valign=&quot;top&quot; width=&quot;396&quot;&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-GB&quot;&gt;Early Registration (by March 31,  2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span style=&quot;mso-ansi-language: EN-GB&quot;&gt;Late Registration (as of April 1,  2011)&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; 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PADDING-RIGHT: 3.5pt; BORDER-TOP: #ece9d8; PADDING-LEFT: 3.5pt; PADDING-BOTTOM: 0cm; BORDER-LEFT: #ece9d8; WIDTH: 153pt; PADDING-TOP: 0cm; BORDER-BOTTOM: windowtext 0.5pt solid; HEIGHT: 78.75pt; BACKGROUND-COLOR: transparent; mso-border-top-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt&quot; valign=&quot;top&quot; width=&quot;204&quot;&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;€  40,00&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;€  60,00&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;€  25,00&lt;/span&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt;€  50,00&lt;/span&gt;&lt;/p&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/tbody&gt;&lt;/table&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;span lang=&quot;EN-US&quot;&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/p&gt;&lt;/div&gt;&lt;!-- |**|begin egp html banner|**| --&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/6678925350315828518/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/6678925350315828518' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6678925350315828518'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/6678925350315828518'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/11/call-for-papers-hermeneutics-and.html' title='Call for papers: Hermeneutics and Translation Studies'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-7662802918071424496</id><published>2010-11-16T03:06:00.000-08:00</published><updated>2010-11-16T03:06:00.584-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Derrida."/><category scheme="http://www.blogger.com/atom/ns#" term="Heidegger"/><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><title type='text'>Review: The Truth (and Untruth) of Language: Heidegger, Ricoeur and Derrida on Disclosure and Displacement</title><content type='html'>Gert-Jan van der Heiden, The Truth (and Untruth) of Language: Heidegger, Ricoeur and Derrida on Disclosure and Displacement, Duquesne University Press, 2010, 296pp, $25.00 (pbk), ISBN 9780820704340. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Reviewed by Karl Simms, University of Liverpool&lt;br /&gt;&lt;br /&gt;Van der Heiden&#39;s project is deceptively modest: to understand how Heidegger, Ricoeur and Derrida address poetic language and truth through the twin concepts of disclosure and displacement. This, of course, already presupposes much: that truth is to be found in poetic language rather than any other sort (scientific, propositional, etc.), and that the concepts of disclosure and displacement are central to discerning a certain commonality of purpose between these three thinkers.&lt;br /&gt;&lt;br /&gt;Van der Heiden&#39;s book is organised into four principal chapters: &#39;Heidegger on Disclosure and Language&#39;, &#39;The Transference of Writing&#39;, &#39;Inventions of Metaphor&#39;, and &#39;Mimesis in Myth and Translation&#39;. In the first, he reminds us that for Heidegger, Being arrives to Dasein in a state of unconcealedness (alētheia), but that metaphysics from Plato on has veiled the way whereby Being brings its unconcealedness with it. In Sein und Zeit, the &#39;fundamental phenomenon of truth&#39; is &#39;the disclosedness of Dasein&#39; (p. 46), and on this rests a conception of language that is &#39;apophantic&#39;, which is to say, it reveals beings (to themselves), rather than representing the world. This apophantic, or showing, character of language is dependent on Dasein&#39;s disclosedness. In his later work, Heidegger turns towards the essence of language and in so doing sees language as the origin of disclosure itself, rather than being derivative of it. Along the way, Heidegger rejects the project (associated with Frege and the analytic tradition) of producing an unambiguous computable metalanguage: such a metalanguage by definition cannot find truth as disclosure within the heart of language itself, as a lived experience. By the same token Heidegger also rejects everyday speaking which, through its forgetting of the originarily authentic in its adoption of cliché and idle talk, does not bring language to language itself. This bringing of language to language can only be achieved, according to Heidegger, through poetic language, leading him to readings of Stefan George and Hölderlin as exemplars of poets who unconceal the essence of language to beings. Heidegger thus privileges Ereignis, the event whereby the appropriate word is said in poetry as an unconcealment of truth and reality. The essence of language is this poetic Sage, saying.&lt;br /&gt;&lt;br /&gt;This leads Heidegger to a dismissal of writing as a displacement of this Sage, a displacement which conceals the essence of language. Thus disclosure and displacement are the two opposing poles which delimit the field of Heidegger&#39;s enquiry into language: disclosure as the unconcealment of language&#39;s essence and displacement as its concealment. It is at this point that van der Heiden sees Ricoeur and Derrida as engaging with Heidegger, both in accepting his premises regarding the alētheic nature of language, and in rejecting the opposition he establishes between writing and authentic saying. Ricoeur, we recall, appropriates and radicalises Gadamer&#39;s notion of distanciation. For Ricoeur, writing entails a fourfold distanciation. Firstly, it partakes of the distanciation common to any form of discourse, that between event and signification. What a piece of discourse means can always in principle be distanced from the event of its being articulated: I can have a conversation on a certain topic one day and tell a third party about it on another day. The second form of distanciation is peculiar to writing, in that a written text may be distanced from its explicit addressee, if it has one: &#39;the text addresses everyone who can read&#39; (p.79). Thirdly, writing distances from the world, insofar as in hearing speech I understand meaning directly, whereas writing draws attention to its structure, form, genre and so on. What is significant about this for Ricoeur is that through this suspension of the world, written text is able to present an imaginary or fictive world: fiction refigures and redescribes the world we inhabit (it is not clear from Ricoeur&#39;s account, or from van der Heiden&#39;s summary of it, why the stories produced by oral cultures do not enjoy the same privilege). And fourthly, writing distances self from self, as when we &#39;lose ourselves&#39; in a book. Contrary to Gadamer, who held that we impose our Vor-urteile (pre-judgements or prejudices) on texts, for Ricoeur we expose ourselves to texts. Texts increase the interpreter&#39;s understanding of the world while exposing his or her illusions.&lt;br /&gt;&lt;br /&gt;More &lt;a href=&quot;http://ndpr.nd.edu/review.cfm?id=21870&quot;&gt;here&lt;/a&gt;.</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/7662802918071424496/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/7662802918071424496' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7662802918071424496'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7662802918071424496'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/11/review-truth-and-untruth-of-language.html' title='Review: The Truth (and Untruth) of Language: Heidegger, Ricoeur and Derrida on Disclosure and Displacement'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-696922079578365082</id><published>2010-11-13T03:00:00.001-08:00</published><updated>2010-11-13T03:04:04.398-08:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Derrida"/><category scheme="http://www.blogger.com/atom/ns#" term="Heidegger"/><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><title type='text'>Book: The Truth (and Untruth) of Language</title><content type='html'>The Truth (and Untruth) of Language&lt;br /&gt;&lt;br /&gt;Heidegger, Ricoeur, and Derrida on Disclosure and Displacement&lt;br /&gt;&lt;br /&gt;By Gert-Jan van der Heiden&lt;br /&gt;&lt;br /&gt;$25.00  paper &lt;br /&gt;ISBN: 978-0-8207-0434-0&lt;br /&gt;300 pages&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Book Information&lt;br /&gt;&lt;br /&gt;Throughout the history of philosophy, the truth of language has often been considered from the perspective of the distinction between language that serves the transparency and univocality to which philosophy strives and language that threatens this goal. Linguistic phenomena such as writing, metaphor, and poetic mimesis are often considered examples of the latter form, and as a result, treacherous to truth; they would exemplify the “seduction of language,” as Husserl beautifully called it. Against this background, it is remarkable that contemporary hermeneutics often inquires into the relation between truth and language by taking these seductive forms of language as a point of departure. Contemporary hermeneutics does so in order to provide a new understanding of truth and untruth in relation to language.&lt;br /&gt;&lt;br /&gt;In this study, Gert-Jan van der Heiden shows that this hermeneutic understanding of the relation between truth, untruth, and language can be clarified by inquiring into the meaning of two notions: disclosure and displacement. Unconcealment and hiding, truth and untruth, disclosure and displacement are the key notions to understanding the various conceptions of language in contemporary approaches to hermeneutics in continental philosophy. By painting a picture of the different meanings of these concepts in the work of Heidegger, Ricoeur, and Derrida, illuminating the differences and affinities of their respective projects, he finds an original way of showing how these three thinkers mutually discuss the relation between truth and language.&lt;br /&gt;&lt;br /&gt;The Truth (and Untruth) of Language also confirms Heidegger’s continued influence in contemporary debates by tracing the influence of his account of the disclosure and displacement of language in the reigning schools of hermeneutical thought in continental philosophy. As a result, he offers a clear account of the comparison between hermeneutics and deconstruction by elucidating Ricoeur and Derrida’s shared resource of Heidegger’s project.&lt;br /&gt;&lt;br /&gt;“Van der Heiden clearly locates the problem of language around its double ability to disclose the essence of things and displace the essence of things. No one has penetrated the Heidegger hinge between Ricoeur and Derrida as much as van der Heiden has.” — Leonard Lawlor, Edwin Erie Sparks Professor of Philosophy, Penn State University&lt;br /&gt;&lt;br /&gt;Author Information&lt;br /&gt;&lt;br /&gt;GERT-JAN VAN DER HEIDEN is assistant professor at the Faculty of Philosophy of the Radboud University Nijmegen (the Netherlands) and holds doctoral degrees in both mathematics and philosophy. He has previously published journal articles in Philosophy Today, Symposium, and International Journal for Philosophy and Theology.&lt;br /&gt;&lt;br /&gt;Book Reviews&lt;br /&gt;&lt;br /&gt;Van der Heiden clearly locates the problem of language around its double ability to disclose the essence of things and displace the essence of things . . . No one has penetrated the Heidegger hinge between Ricoeur and Derrida as much as van der Heiden has.” — Leonard Lawlor, Edwin Erie Sparks Professor of Philosophy, Penn State University</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/696922079578365082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/696922079578365082' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/696922079578365082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/696922079578365082'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/11/book-truth-and-untruth-of-language_13.html' title='Book: The Truth (and Untruth) of Language'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-4811515212357697448</id><published>2010-10-23T02:01:00.001-07:00</published><updated>2010-10-23T02:04:01.979-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Ricoeur"/><title type='text'>Article: Carolina Paganine: A tradução ou o absurdo do possível: ‘On Translation’ de Paul Ricœur.</title><content type='html'>&lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;b&gt;&lt;span&gt;Carolina Paganine (2010): “A tradução ou o absurdo do possível: ‘On Translation’  de Paul Ricœur” in: &lt;/span&gt;&lt;a title=&quot;http://www.periodicos.ufsc.br/index.php/scientia/issue/current&quot; href=&quot;http://www.periodicos.ufsc.br/index.php/scientia/issue/current&quot;&gt;&lt;span title=&quot;http://www.periodicos.ufsc.br/index.php/scientia/issue/current&quot;&gt;Scientia traductionis&lt;/span&gt;&lt;/a&gt;&lt;span&gt;&lt;span&gt;, 7 (2010), 93-102.&lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt&quot;&gt;&lt;b&gt;&lt;span&gt;&lt;span&gt; &lt;o:p&gt;&lt;/o:p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/b&gt;&lt;/p&gt; &lt;p class=&quot;MsoNormal&quot; style=&quot;MARGIN: 0cm 0cm 0pt; mso-layout-grid-align: none&quot;&gt;&lt;span&gt;&lt;span&gt;&lt;b&gt;&lt;i&gt;Abstract&lt;/i&gt;: &lt;/b&gt;&lt;span lang=&quot;EN-US&quot; style=&quot;mso-ansi-language: EN-US; mso-bidi-font-size: 13.0pt&quot;&gt;This article seeks  to present Paul Ricoeur’s main idea on translation as exposed in his book &lt;i&gt;On  translation &lt;/i&gt;(2006) which ultimately views the various translation’s dilemma  in a positive perspective. By calling up theories of different thinkers on  translation and on language issues, we aim at emphasizing translation’s  intrinsically paradoxical character, something that serves at the foundation of  its own possibility of its achievement, that is, to think of translation as a  task that lies in the “absurd of the possible”.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/4811515212357697448/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/4811515212357697448' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/4811515212357697448'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/4811515212357697448'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/10/article-carolina-paganine-traducao-ou-o_23.html' title='Article: Carolina Paganine: A tradução ou o absurdo do possível: ‘On Translation’ de Paul Ricœur.'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-7856005026199940958</id><published>2010-10-07T00:54:00.000-07:00</published><updated>2010-10-07T00:54:45.038-07:00</updated><title type='text'>New book: Thinking through Translation with Metaphors</title><content type='html'>&lt;a href=&quot;http://cetra.mikt.net/forum/read.php?4,1558,1558#msg-1558&quot;&gt;New book: Thinking through Translation with Metaphors&lt;/a&gt;: &quot;Thinking through Translation with Metaphors&lt;br /&gt;Edited by James St. Andre&lt;br /&gt;ISBN 1-905763-22-0, 22.50 (inc. postage and packing)&lt;br /&gt;http://www.stjerome.co.uk/page.php?id=543&amp;amp;doctype=StJBooks&amp;amp;section=3&lt;br /&gt;Thinking through Translation with Metaphors explores a wide range of metaphorical figures used to describe the translation process, from Aristotle to the present.&lt;br /&gt;Most practitioners and theorists of translation are familiar with a number of metaphors for translation, such as the metaphor of the bridge, following in another?s footsteps, performing a musical score, changing clothes, or painting a portrait; yet relatively little attention has been paid to what these metaphorical models reveal about how we conceptualize translation. Drawing on insights from recent developments in metaphor theory, contributors to this volume reveal how central metaphorical language has been to translation studies at all periods of time and in various cultures. Metaphors have played a key role in shaping the way in which we understand translation, determining what facets of the translation process are deemed to be important and therefore merit study, and aiding in the training of successive generations of translators and theorists. While some of the papers focus mainly on past metaphorical representations, others discuss recent shifts in both metaphor and translation theory, while others still propose innovative metaphors in a bid to transform translation studies.&lt;br /&gt;The volume also includes an annotated bibliography of works centrally concerned with metaphors of translation.&lt;br /&gt;Table of Contents&lt;br /&gt;Translation and Metaphor: Setting the Terms&lt;br /&gt;James St. Andr, University of Manchester, UK&lt;br /&gt;Abstract. Theorists of translation have persistently used a wide, at times bewildering, range of metaphors to describe the translation process. Despite a period of roughly forty years in the post WWII era (1945-85) in which such metaphoric language was downplayed or even denigrated, recent developments in metaphor theory have led to a resurgence in interest in how metaphors shape our basic understanding of the world and may in fact lead to breakthroughs in a wide variety of scientific fields. This paper first traces briefly the combination of factors (historic mistrust of metaphoric language in Western philosophy, the rise of logical positivism in the sciences, the linguistic basis of translation studies in the post-war period, and problems with the misuse of metaphors in translation studies) that led to the neglect of the study of metaphors in a wide variety of academic discourses in the 20th century, and translation studies in particular. Two developments in metaphor theory that led to its redeployment are then briefly explored: the work of Max Black and others on metaphor as cognitive instrument in the sciences, and the work of Lakoff and Johnson on the pervasive presence of conceptual metaphors in everyday language. Finally, the article situates the individual essays in the current volume and suggests ways in which the study of metaphors of translation may further enrich the field.&lt;br /&gt;Something old&lt;br /&gt;Imitating Bodies, Clothes: Refashioning the Western Conception of Translation&lt;br /&gt;Ben Van Wyke, Indiana University-Purdue, University Indianapolis (IUPUI), USA&lt;br /&gt;Abstract. The concepts of translation and metaphor are intimately connected in the West. Not only do they share a common etymology in many European languages, but both have been designated as secondary forms of representation in the Platonic tradition. Consequently, translation and metaphor have undergone similar revisions in contemporary, post-Nietzschean philosophy, which has given them positions of primary importance. One metaphor that has frequently been used to describe translation is that of dressmaking ? meaning is viewed as a body and the translator?s job is to redress this meaning in the clothes of another language. Using this common metaphor, I will highlight a common thread in our conception of translation that has basically remained unchanged throughout the ages, a thread that can be tied directly to Plato?s theory of representation. Nietzsche radically placed into question this Platonic model, beginning with a reformulation of the traditional relationship between metaphor and truth. After examining the implications of his critique of Platonism, I will turn to Nietzsche?s own use of the metaphor of dress, which will help us recast our conception of translation by focusing on elements that have traditionally been left out of the picture.&lt;br /&gt;Performing Translation&lt;br /&gt;Yotam Benshalom, Centre of Translation and Comparative Cultural Studies, University of Warwick, UK&lt;br /&gt;Abstract. Translators are similar to actors: they both assume altered identities in an effort to modify a sign system and represent it in front of an audience. They are both praised for being creative, but also blamed for being technicians; treated as servants of truth, but also as masters of deceit. This paper aims at further developing the metaphor of translation as performance by isolating specific issues dealt with by actors and theatre scholars and reviewing their relevance to translation practice. One of these issues is the question of time concept: translators, used to revising their work when they wish, may still benefit from strategies developed by performers who cannot go back in time and correct their errors. Another issue involves impersonation: performance scholars, like Diderot and Stanislavsky, have dealt with the question whether practitioners who imitate a persona should perfect their external performances or change their internal natures. The conclusions they draw may be relevant to translators. The limits of this metaphor can be pushed even further by adapting additional performance issues to the realities of translation. The acting metaphor thus exemplifies the fertility of interaction between translation studies and other disciplines and also contributes to the status of translation as an art.&lt;br /&gt;Metaphorical Models of Translation: Transfer vs Imitation and Action&lt;br /&gt;Celia Martn de Len, PETRA Research Group, University of Las Palmas, Spain&lt;br /&gt;Abstract. Metaphorical models play an essential role in scientific reasoning. Through analogical thinking, they guide the elaboration of hypotheses in domains that do not have a clear conceptual structure. Traditionally, the domain of translation has been conceptualized through different metaphors, some of which are still used in modern translation studies. According to the principles of cognitive linguistics, it can be hypothesized that the way in which a person translates might be associated with the way in which that person conceptualizes translation. Since metaphor is an important tool for conceptualizing complex domains, conceptual metaphor theory offers a coherent theoretical frame for both a systematic study of metaphorical models of translation and research into the relations and potential interaction between those models and translation practice. Following this approach, the paper analyzes the basic structure underlying some prevalent metaphors in writings on translation (transfer, footsteps, target, assimilation, reincarnation, and projection) and the implicit communication models they assume, and puts forward some hypotheses about the way in which each metaphor might influence the translator?s work.&lt;br /&gt;Something new&lt;br /&gt;Western Metaphorical Discourses Implicit in Translation Studies&lt;br /&gt;Maria Tymoczko, Department of Comparative Literature, University of Massachusetts, USA&lt;br /&gt;Abstract. Dominant words for ?translation? in most (Western) European languages (such as translation, traduccin, traduction, and bersetzung) represent central cognitive metaphors for translation, signifying such things as carrying, setting, or leading across. These metaphors for textual translation became dominant in the late Middle Ages, associated with pressures to translate the Bible into the vernacular languages and encoding orientations related to the beginnings of the European age of imperialism. In a densely woven argument, this article demonstrates that the ascendancy of dominant contemporary Eurocentric cognitive metaphors for ?translation? inverted Cicero?s valorization of sense-for-sense over word-for-word translation, resulting in a pervasive orientation toward literalism in modern Eurocentric expectations about textual translation. The metaphors suggest there should be full semantic transfer between source text and target text and that protocols for achieving such results are possible. A central contention is that the strength of these metaphors rests in large part on Western European sacralization of the word, itself a consequence of the early Christian translation of the logos of God in New Testament Greek as verbum, ?word (Word)?, in Latin translations of the Bible, with the result that Jesus became equated with the Word become flesh. This metaphorical conceptualization persists in vernacular translations of the Bible into Western European languages to the present, contributing to the view of words themselves as numinous and the valorization of literalism in translation and other domains.&lt;br /&gt;Squeezing the Jellyfish: Early Western Attempts to Characterize Translation from the Japanese&lt;br /&gt;Valerie Heniuk, University of East Anglia, UK&lt;br /&gt;Abstract. Translation has typically been conceptualized as a bridge, a mirror, a window through which we gaze at the original, a fountain from which we obtain water when we cannot go directly to the stream, the action of carrying across, and so on. Most of these images have lost their power to make us take seriously how they filter or even distort what we see as being involved in the process. Setting aside such dead metaphors and instead trying to think of translation as the squeezing of a jellyfish, as one early anthology of Japanese literature puts it, cannot help but force us to come at the problem from a fresh perspective. When Japan opened to the West in the mid-19th century, translators struggled to describe their experience of rendering this newly discovered canon into a foreign tongue, and often ended up employing eccentric images in order to do so. This article considers some of those images, including the jellyfish one and a cluster referring to such chemical or alchemical processes as distillation, filtration and sublimation. It thereby explores how translation is conceptualized via figurative language, and thus how metaphor may constitute a particular view ? if not a theory ? of cross-cultural transposition.&lt;br /&gt;Something borrowed&lt;br /&gt;Metaphor as a Metaphor for Translation&lt;br /&gt;Rainer Guldin, Universit della Svizzera Italiana, Lugano, Switzerland&lt;br /&gt;Abstract. There are three major points of contact between translation studies and metaphor theory: the use of specific metaphors to describe the functioning of translation, the use of translation as a metaphor for exchange and transformation within different forms of discourse, and the question of the translatability of metaphors and the development of translational strategies necessary to achieve this. There is, however, a fourth possibility that has not encountered yet all the attention it deserves: Metaphor and translation share a series of structural similarities and their history within the Western tradition has been interlinked from the very beginning. Traces of this shared but not always explicitly acknowledged history can be detected in the common etymology of the two notions in Greek, Latin and English. Throughout history, furthermore, shifts in the appraisal of metaphor have very often found their echo in corresponding reappraisals within translation studies. Instead of studying the different metaphors used to describe translational processes and the theoretical points of view they imply, this paper therefore focuses on the different theoretical approaches developed with regard to the functioning of metaphor in an attempt to investigate the workings of translation and some of the stages translation studies has gone through. To put it in other words, the paper focuses on the meta-communicative potential of metaphor as a metaphor for translation.&lt;br /&gt;Metaphors for Metaphor Translation&lt;br /&gt;Enrico Monti, Universit di Bologna , Italy&lt;br /&gt;Abstract. This essay analyzes the metaphors used by translation scholars to define metaphor translation. The topic has elicited a surge of interest in translation studies since the late 1970s, and here a corpus of some 15 essays is taken into account, covering a diverse range of approaches to the issue. The main narrative is that of metaphor as a problem in translation, which finds its way through most if not all of the essays considered here. While not being dissociated from the traditional narrative of a more general theory of translation, in this specific case the activity seems almost doomed to failure. This is also confirmed by a number of spatial metaphors drawing a borderline space for metaphor translation and locating metaphors at the ?limits of translatability?. A final set of metaphors identified in the corpus resorts to the concepts of dimensions and forces, in order to allow a more encompassing view of the figure and its translation. Such models attempt to move beyond the narrative of a troublesome, unsolvable activity, towards a non-simplistic, quantitative approach to the issue.&lt;br /&gt;&lt;br /&gt;Yves Bonnefoy?s Metaphors on Translation&lt;br /&gt;Stphanie Roesler, McGill University, Canada&lt;br /&gt;Abstract. Although poet-translators rarely share details of their craft, Yves Bonnefoy is one notable exception. This article examines the ways in which Bonnefoy employs metaphors to elucidate both the role of the translator and the translation process. One is immediately struck by a group of metaphors Bonnefoy employs to describe the relationship between author and translator, all of which suggest friendship and intimacy and establish the translator as a privileged interlocutor. Another set of metaphors depicts the translator as an explorer. The translator journeys into the recesses of the poet?s psyche, trying to decipher his thoughts in order to re-express them through another poetic language. A third set of metaphors suggests that translating is less about the original text and its author than about the translator himself. In these metaphors, Bonnefoy invokes the senses: he proposes, for example, that translating consists in feeding on the teachings of another poet. Last but not least, translation is, in Bonnefoy?s words, an occasion for self-reflection, suggesting a self-oriented and narcissistic process. Ultimately, the metaphors used by Bonnefoy in his articulation of the translation process ask us to reconsider both the translator?s role in the translation of poetry and the profound motivations that lie behind this enterprise.&lt;br /&gt;Something blue&lt;br /&gt;Translation as Smuggling&lt;br /&gt;Sergey Tyulenev, Cambridge University, UK&lt;br /&gt;Abstract. This paper considers the epistemological and methodological potential of the metaphor ?translation is smuggling?, in particular as it relates to the axis of visibility/invisibility of the translator or other agents of the translation process. The metaphorization of translation as smuggling is shown to be a middle case between the two extremes: visibility and invisibility of the translator, allowing researchers to overcome this simplistic dichotomy. In the illustrative part of the paper, translation as smuggling is analyzed in two domains: the social-political and the sexual. Examples are taken from Russian translation history, mainly Boris Pasternak?s and Ivan Dmitriev?s translations of Western European writers. The metaphor ?translation is smuggling? is shown to be a useful methodological tool for studying translation as practised under various ideological and ethical pressures. Under the surface of its text, the translator as smuggler introduces a hidden content charged with a concealed subversive mission. This content represents the translator?s own convictions, sentiments, and anxieties not found in the source text.&lt;br /&gt;&lt;br /&gt;Passing through Translation&lt;br /&gt;James St. Andr, University of Manchester, UK&lt;br /&gt;Abstract. In this paper I demonstrate that cross-identity performance, a new and specific metaphor for translation related to acting, has several points to recommend it. It covers a number of different but related types of performance, including passing, slumming, drag, blackface, yellowface, impersonation and masquerade. In each of these activities, a number of variables, including appearance versus reality, the relative power relationship between representer and represented, how knowledge of the Other is linked to knowledge of the self, and the meaning of border crossing, lead to a spectrum of practices which can be mapped on to an extremely wide variety of translation practices. The metaphor also draws attention to the importance of both aural and visual signs. The ability to mimic the speech patterns of others is crucial to successful cross-identity performance, and this should make us more aware of the importance of ?voice? even in written translation, to say nothing of oral interpretation. Furthermore, various dichotomies in translation studies, such as the visibility or invisibility of the translator, source norms versus target norms and domestication versus foreignization, might be overcome, or at least problematized, by the metaphor of cross-identity performance. Finally, I suggest that there are links with post-structural attempts to dislodge the author and the original text from their throne and open up translation studies to a more radical vision of the field.&lt;br /&gt;&lt;br /&gt;Appendix&lt;br /&gt;An Annotated Bibliography of Works Concerned with Metaphors of Translation&lt;br /&gt;James St. Andre&lt;br /&gt;List of Contributors&lt;br /&gt;Index&quot;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/7856005026199940958/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/7856005026199940958' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7856005026199940958'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/7856005026199940958'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/10/new-book-thinking-through-translation.html' title='New book: Thinking through Translation with Metaphors'/><author><name>Angelo Bottone</name><uri>http://www.blogger.com/profile/08694770130932744073</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-2409780780013101320</id><published>2010-10-04T01:00:00.000-07:00</published><updated>2010-10-04T01:00:01.582-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berman"/><title type='text'>Review: Irène Kuhn, Antoine Bermanns &quot;produktive&quot; Übersetzungskritik</title><content type='html'>&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Arial, sans-serif; font-size: 13px; color: rgb(51, 51, 51); line-height: 17px; &quot;&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;&lt;span class=&quot;autor&quot;&gt;Rolf Pütter &lt;/span&gt;über &lt;span class=&quot;buch&quot; style=&quot;font-weight: bold; &quot;&gt;Antoine Bermans „produktive“ Übersetzungskritik&lt;/span&gt; &lt;span class=&quot;buchautor&quot;&gt;von Irène Kuhn&lt;/span&gt;,&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;Schon 1995, anlässlich eines Kolloquiums zum Thema Literaturimport und Literaturkritik in Düsseldorf, berief sich die Übersetzerin Irène Kuhn auf ihren französischen Kollegen Antoine Berman, indem sie ihrem Beitrag ein Zitat aus seinem letzten, postum erschienenen Werk &lt;em&gt;Pour une critique des traductions: John Donne&lt;/em&gt;&lt;a name=&quot;_ednref1&quot; href=&quot;http://www.relue-online.de/neu/2010/07/aus-der-erfahrung-das-denken/#_edn1&quot; style=&quot;text-decoration: none; color: rgb(0, 0, 0); &quot;&gt;[1]&lt;/a&gt; voranstellte:&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;Wenn Kritik folgendes bedeutet: strenge Analyse einer Übersetzung, Analyse ihrer Grundzüge, des Übersetzungsprojekts, aus dem sie hervorgegangen ist, Analyse des Horizonts, an dem sie aufgetaucht ist, Eingehen auf die Position des Übersetzers; wenn also Kritik grundsätzlich darauf abzielt, &lt;em&gt;die innere Wahrheit einer jeden Übersetzung&lt;/em&gt;herauszuarbeiten, dann muß man zugeben, daß die Übersetzungskritik über ihre Anfänge noch nicht hinweggekommen ist.&lt;a name=&quot;_ednref2&quot; href=&quot;http://www.relue-online.de/neu/2010/07/aus-der-erfahrung-das-denken/#_edn2&quot; style=&quot;text-decoration: none; color: rgb(0, 0, 0); &quot;&gt;[2]&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;&lt;a name=&quot;_ednref2&quot; href=&quot;http://www.relue-online.de/neu/2010/07/aus-der-erfahrung-das-denken/#_edn2&quot; style=&quot;text-decoration: none; color: rgb(0, 0, 0); &quot;&gt;&lt;/a&gt;Sie fühlte sich von dieser Einschätzung Bermans wohl auch deshalb unmittelbar angesprochen, weil ihre eigenen Erfahrungen als Übersetzerin in die gleiche Richtung wiesen:&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;In all diesen Jahren, bei all den sehr verschiedenen Titeln – viele Romane, aber auch Sachbücher, Essays, Theaterstücke, Kunstkritik, Kinderliteratur – ist mir noch nie von Seiten der offiziellen Kritik ein einziges ernst zu nehmendes Wort über das Geleistete gesagt worden, ein Wort der Beachtung, sei es lobend oder tadelnd, geschweige denn ein Wort der Würdigung. Damit meine ich durchaus Konkretes: Antworten auf Fragen, die ich mir selbst stelle, die ich aus mangelnder Distanz zur Sache nicht zu beantworten vermag. Ist es mir etwa gelungen, die Übersetzung in ein „reines Deutsch“ zu bringen, ein dem Original angemessenes? Gibt es Stellen, die noch „übersetzt“ wirken, ungelöst? Hat mein Ohr den Grundton, den Sprachgestus des Originals gehört und ist er wenigstens annähernd in meinen Text eingegangen? Was ist gut geworden, was ist mißglückt?&lt;a name=&quot;_ednref3&quot; href=&quot;http://www.relue-online.de/neu/2010/07/aus-der-erfahrung-das-denken/#_edn3&quot; style=&quot;text-decoration: none; color: rgb(0, 0, 0); &quot;&gt;[3]&lt;/a&gt;&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;&lt;br /&gt;&lt;/div&gt;&lt;div class=&quot;metainfo&quot; style=&quot;margin-bottom: 5px; &quot;&gt;More &lt;a href=&quot;http://www.relue-online.de/neu/2010/07/aus-der-erfahrung-das-denken/&quot;&gt;here&lt;/a&gt;.&lt;/div&gt;&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/2409780780013101320/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/2409780780013101320' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/2409780780013101320'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/2409780780013101320'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/10/review-irene-kuhn-antoine-bermanns.html' title='Review: Irène Kuhn, Antoine Bermanns &quot;produktive&quot; Übersetzungskritik'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-3024142488278385395.post-8689062601525129150</id><published>2010-10-01T00:58:00.000-07:00</published><updated>2010-10-01T01:01:25.580-07:00</updated><category scheme="http://www.blogger.com/atom/ns#" term="Berman"/><title type='text'>Book: Irène Kuhn, Antoine Bermanns &quot;produktive&quot; Übersetzungskritik</title><content type='html'>&lt;span class=&quot;Apple-style-span&quot; style=&quot;font-family: Verdana, Arial, sans-serif; font-size: 12px; &quot;&gt;Irène Kuhn&lt;br /&gt;&lt;span class=&quot;details_titel&quot; style=&quot;color: rgb(64, 82, 104); font-family: verdana, helvetica, arial; font-weight: 100; font-size: 13px; text-decoration: none; &quot;&gt;&lt;b&gt;Antoine Bermanns &quot;produktive&quot; Übersetzungskritik&lt;/b&gt;&lt;/span&gt;&lt;br /&gt;Entwurf und Erprobung einer Methode&lt;br /&gt;&lt;br /&gt;Series: &lt;a href=&quot;http://www.narr.de/suchergebniss.php?keywords=Transfer&amp;amp;isbn=&amp;amp;title=&amp;amp;autor=&amp;amp;categories_id=&amp;amp;inc_subcat=1&amp;amp;manufacturers_id=0&amp;amp;pfrom=&amp;amp;pto=&amp;amp;wkeywords=&amp;amp;x=0&amp;amp;y=0&quot; target=&quot;_self&quot; class=&quot;text_black&quot; style=&quot;color: rgb(64, 82, 104); text-decoration: none; font-family: verdana, helvetica, arial; font-weight: 100; font-size: 12px; &quot;&gt;Transfer&lt;/a&gt;&lt;br /&gt;Volume: 15&lt;br /&gt;&lt;br /&gt;Number of pages: 214&lt;br /&gt;Cover: kartoniert&lt;br /&gt;&lt;br /&gt;Date of publication: 24.10.2007&lt;br /&gt;&lt;b&gt;lieferbar&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Edition: 1. Auflage&lt;br /&gt;ISBN: 9783823340942&lt;br /&gt;ISBN13: 978-3-8233-4094-2&lt;br /&gt;Reference number: 14094&lt;/span&gt;</content><link rel='replies' type='application/atom+xml' href='http://philosophyoftranslation.blogspot.com/feeds/8689062601525129150/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment/fullpage/post/3024142488278385395/8689062601525129150' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/8689062601525129150'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/3024142488278385395/posts/default/8689062601525129150'/><link rel='alternate' type='text/html' href='http://philosophyoftranslation.blogspot.com/2010/10/book-irene-kuhn-antoine-bermanns.html' title='Book: Irène Kuhn, Antoine Bermanns &quot;produktive&quot; Übersetzungskritik'/><author><name>Angelo</name><uri>http://www.blogger.com/profile/08700583384744567752</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='https://img1.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry></feed>