With the new  Sony SLT-A37 camera what will the evil queen do as there is no mirror.  Sorry for her and great for us as we rapid fire away catching more scenes in a second than before.  The constant autofocus will have us capturing all the beauties in the kingdom.

Read on for more info and the New A-Mount 18-135mm Telephoto Zoom Lens and Accessories

Sony Introduces Speedy α37 Camera with Full-time Continuous AF Powered by Translucent Mirror Technology

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A sprint and a dive and I am here to get this up on Photocomment.  Any compact mega photo shooting machine is hailed as marvellous around here – such handy tech when you are on the run.  Get the small but powerful specs of a NEX-F3 below.

SAN DIEGO, May 16, 2012 – Sony’s α NEX-F3 digital camera delivers professional quality photos with a compact, pocket-sized body, allowing consumers to explore the creative world of high-quality, interchangeable lens photography in a refreshingly fun and entertaining way.

The new NEX-F3 camera features the same space-saving mirrorless design as other models in Sony’s E-mount family as well as an advanced, 16.1 effective megapixel Exmor™ APS HD CMOS sensor, identical in size to sensors found in traditional DSLR cameras. The large sensor takes in more light during image capture, resulting in flawless, low-noise photographs and crisply detailed Full HD videos (60i/24p). Photographers can also easily create images with beautiful defocus effects, where the subject is focused sharply against a smoothly blurred background.

“Sony continues to redefine digital photography with our E-mount series, packing a large APS-C size sensor into a small, lightweight camera body to produce professional-quality images with ease,” said Mike Kahn, director of the Alpha business at Sony.

“Featuring a diverse set of imaging technologies and offered at a great price, the new NEX-F3 model reinforces our commitment to this rapidly growing compact system camera market.”

The NEX-F3 camera adds a whole new perspective to self-portraits with a 180° Tiltable LCD screen, a first for Sony’s E-mount camera line. By simply holding the camera at arm’s length and flipping the LCD screen vertically, users can adjust the on-screen preview image and properly frame photos.

Additionally, the new model features a useful built-in flash to broaden shooting options indoors or in low light situations. Already introduced on Sony’s acclaimed NEX-7 camera, this pop-up flash handily brightens portraits and other shots without the need to carry an additional flash accessory.

The new NEX-F3 camera also includes the new Auto Portrait Framing feature for creating top-quality portraits quickly and easily. This innovative feature identifies a subject’s position in a composed image, and follows the “rule of thirds” to trim the scene appropriately around the subject’s face, creating a beautifully composed portrait.  The cropped portrait is then boosted to full resolution using Sony’s unique By Pixel Super Resolution technology, which uses pattern matching to maintain superb image detail, tones and textures in the photo.   Both the original and cropped image files are saved for review.

By Pixel Super Resolution Technology is also used for the “Clear Image Zoom” feature, which digitally doubles the effective magnification of any lens attached to the camera. Ideal for travel and everyday shooting, it’s a great way to boost maximum focal length without carrying extra hardware.

Other convenient essentials added to the new NEX-F3 camera include the Superior Auto mode,  which intelligently recognizes a wide range of scenes and subjects and adjusts settings automatically. Battery stamina has been boosted to an industry-leading 470 shots (approx.) on a single charge – an approximate 18% improvement over its predecessor, the NEX-C3 model.

The camera is compatible with the FDA-EV1S viewfinder accessory (sold separately), which offers a high-contrast, high-resolution OLED viewfinder display and a wide viewing angle. The NEX-F3 model also features a high-quality, premium-feel grip for more comfortable handling and can be charged via either USB or a standard AC outlet.

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Cover Image by Natalie Field

(Summary of this issue by site contributor “Married to the photographer”. Links below will open the digital edition of the magazine on the relevant page)

The May 2012 Photocomment Magazine is out on the web and being delivered to stores today.  Mine was delivered to my pillow an hour ago and what a perfect excuse to stay in bed a little longer while reviving my inspiration reserves for life and photography.

In this issue the March theme decathlon winners are announced.  The Professional Portfolio features photographers Ashley Cooper & Filip Cederholm in their international quest to highlight charitable causes.  Learn more about food photography or just ache with hunger at the photographs like me.

Then prepare to drool.  I always drool over a Hasselblad they just look so pro.  Natalie Field uses a Hasselblad for a day with cover worthy photographic results.

Read about a company rescuing film.

Colourful portraits fill the Reader’s Portfolio with Jackie Hulme’s work.  She has a talent for capturing personality and culture with dramatic backgrounds.

Oh and the products reviewed are:

Review of  Canon 28mm f2.8 IS USM & 24mm F2.8 IS USM

Review of Lexar UDMA7 1000x Compact Flash & USB 3.0 Card Reader

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“Photographers are invited to submit their images to be considered for the prestigious Masters Awards. Categories and qualifications for the 2014 Awards have been expanded, opening the competition to more photographers than ever before …”

Hasselblad today announced that it is accepting submissions for the 2014 Masters Awards competition. The title of Master is awarded to one photographer in each of 12 categories in recognition of his or her contribution to the art of photography. Judging is based on photographic ability in the areas of creativity, composition, conceptual strength and technical skill.

“We’ve made some adjustments to the 2014 Masters Awards competition, which will allow more photographers to participate,” says Paul Waterworth, Hasselblad Global Photographer Relations Manager. “Since many photographers are using both medium format and 35mm-type DSLRs, image entries may be captured with either format – as well as film,” explains Waterworth, adding that DSLRs must have a minimum resolution of 16 megapixels.

Other modifications include the addition of an underwater category for images captured using a professional housing and the transition of the Up & Coming category to Project//21. The latter is open to amateurs, students, assistants and young professionals who are 21 years old or younger. Waterworth adds that, “I think Project//21 is an exceptional part of the 2014 competition. There are so many gifted young photographers around the world and the Masters Awards gives us the opportunity to help their careers evolve.”

Waterworth anticipates a record number of entries and encourages all qualified photographers to participate. “I expect this will be our most exciting competition to date and I very much look forward to seeing the work of both new and established photographers from every corner of the world.”

Finalists will be announced in 2013, with winners revealed in January 2014. Masters Awards winners will be provided with Hasselblad equipment to work on their projects for the Masters Book Volume 4. The Masters Book will be launched at photokina 2014 in Cologne, Germany. Submissions are being accepted from May 1st to August 31st 2012 at:www.hasselblad.com/masters-registration

Submission Guidelines:

Applicants are invited to submit 3 images in one or more of the following categories: Fine Art, Landscape/Nature, Wedding/Social, Portrait, Fashion/Beauty, Editorial, Products, Architecture, General, Wildlife, Project//21 and Underwater.

To qualify for categories other than Project//21, the competition is open to all photographers who have been active professionals for at least three years. Submissions may be captured with digital or analogue medium, large format or 35mm system. All images must be submitted digitally (including full EXIF data) regardless of capture format. Digital SLR submissions must be captured with a 16 megapixel or higher camera. For full details on competition Rules & Regulations, please visit:www.hasselblad.com/member/masters/rulesregulations

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Book Review by Natalie Field

Title: Shoot and Share by Stuart Sipahigil

Format: eBook

Available at Craft and Vision, www.craftandvision.com

As photographers, we are constantly capturing the world around us; be it for personal pleasure, or commercial projects. But how do we follow through and make our art accessible to the general public? Too often, great images are left forgotten in shoe boxes and on hard drives. Stuart Sipahigil’s eBook “Shoot + Share” sheds light on this dilemma.

Sipahigil points to the digital age as a catalyst for the explosion of photo sharing and has written this book to share his thoughts on the various avenues available to photographers (both amateur and professional) from simple photo sharing to blogging. With the myriad of choices available, he focuses the reader’s attention onto some of the pertinent questions one should ask in order to determine which options would work best for your self-promotion.

The first question Sipahigil looks at is the Why? Beyond the sharing of memories with family and friends, what is the driving force behind the sharing of imagery? He suggests that for some, it would be to evoke a reaction; while others may wish to have their work reviewed and so grow from the experience, or even build a client base.

The second question is Who? (pondering the audience to whom the reader may wish to subject his work). Besides connecting with people you already know, Sipahigil suggests that photographers use social media and photo sharing platforms to engage with other creatives, so as to build a network and get feedback from their peers. However, the author points at pitfalls in the latter, as criticisms from photo sharing sites are often less than constructive. For those making a career of photography, the most important audience is – of course – the client.

The author proposes that photographers utilise the knowledge of the audience they wish to attract in order to determine which images to display in the portfolio. He points at the importance of editing skills in making a final selection and advises that failure to remove yourself from your work may require a reliable and experienced third party to help in this regard.

The greater part of the book focuses on the Where? (to help determine which venues the artist’s particular audience may visit). Sipahigil goes on to explain the difference between social networks such as Facebook and Twitter and online photo sharing platforms like Flickr. He also covers other options including: blogging, hosted sites and building your own website. By sharing links and website addresses for all of the platforms discussed, the author has created a valuable set of resources in this book.

While the focus of the book is clearly on online options, the writer still encourages the reader to consider printed media; be it as a printed portfolio, photo book, or public display and discusses various options surrounding each of these.

In conclusion, Sipahigil advices that you continually evaluate your choices in sharing; keeping abreast with the latest developments in online portfolios and constantly reviewing the traffic and feedback from the selected sources to ascertain whether there is value in your efforts to create an online presence. Sipahigil himself seems to have opted for posting on his own site and using social media to socialize and drive traffic to his website. With fewer pages to update, this may well leave more time for that which really interests us: photography.
Review by Natalie Field

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The guys at PetaPixel have shared this story on a brilliant new digital camera launching soon from IKEA. Don’t let it’s cardboard design fool you. Inside is an advanced zoom and stabilization system (big dose of sarcasm). Check out the video after the break for more.

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Save the date for the Canon Eos Adventure Roadshow in South Africa.  Dates and times for major city centres below.  Further details to follow in the coming weeks.

Durban
Saturday, 26 May 2012
Time: 10h00 – 13h00

Port Elizabeth
Sunday, 27 May 2012
Time: 14h00 – 18h00

Cape Town
Saturday, 2 June 2012
Time: 10h00 – 13h00

Johannesburg
Saturday, 23 June 2012
Time: 10h00 – 13h00

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A “how to” book to get your photographs “out there”.

“Do you want to attract more fans, followers, and buyers? Are your best photographs buried in a shoebox or hard-drive? Stuart will help you define your goals, understand your opportunities, and determine the best approach to navigating the seemingly endless choices of where and how to display your work. SHOOT + SHARE is packed with great ideas that will help you process why you want to share your photographs, who needs to see them, which photographs they need to see, and where to find your audience.”

New eBook Available
SHOOT + SHARE by Stuart Sipahigil is an inspiring and insightful eBook about making photographs you’re proud of and successfully sharing them with an eager audience…

…This 56-spread PDF eBook is full of practical and down-to-earth advice by a photographer who has over 30 years experience. Stuart is a great teacher, and SHOOT + SHARE will help both the amateur and vocational photographer formulate a sharing strategy that includes websites, social media, self-published books, prints, canvases and more.

Special Offer on PDFs
For the next five days only, use the promotional code SHARE4 when you check out so you can have the PDF version of SHOOT + SHARE for only $4 OR use the code SHARE20to get 20% off when you buy 5+ PDF eBooks from the Craft & Vision collection. These codes expire at 11:59pm PST April 28, 2012. Click here to visit Craft And Vision.

20% Off the Author Collection
Visit Stuart’s Craft & Vision author page to buy both his eBooks for just $8!

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This prestigious South African photography award was initiated under the auspices of the University of Cape Town Libraries, and offers a unique opportunity for photographers to complete an existing project. The winning photographer will receive R150 000, with which to complete the project, have exhibitions during 2013 and publish a book thereof.

The Ernest Cole Photographic Award is now in its second year. We are excited to invite photographers to submit their work for the 2012 Ernest Cole Photographic Award, with all submissions received by the 15th June 2012. These should be submitted in line with the submission guidelines provided on the website.

The Ernest Cole Photographic Award was established to stimulate creative documentary work in photography in Southern Africa. The emphasis will be on creative responses to South African society and is open to anyone whose work focuses on South African society, with preference being given to people living within the country. The purpose of the Award is to support the realisation of a significant body of work that the photographer has been engaged with.

The 2011 winner, Dale Yudelman, will be launching his book later in 2012 to coincide with exhibitions of his work at Wits Gallery in Johannesburg from 21 August-21 September, at the UKZNSA Gallery in Durban from 2 -21 October and at the AVA Gallery in Cape Town from 29th October – 23 November.

This Award has been made possible by the generous support of the Peter Brown, Gavin Relly Educational and Kirsh Family Trusts, and is managed by the UCT Libraries.

Further information about the award can be obtained on the
website: http://www.ernestcoleaward.org/

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“Launched for use with Nikon’s new D3200 D-SLR, the WU-1a is a USB dongle that lets photographers connect their camera to smart mobile devices. Designed to enable easy sharing, backup and remote camera control, the W-1a is equipped with built-in Wi-Fi for direct camera-to-device communication without the need to connect to external Wi-Fi hotspots first. Users can send high-quality photos and movies directly from their D3200 to a smartphone or tablet, or control their camera from their smart device.”

Johannesburg, South Africa, 19 April 2012 – Nikon today announces the launch of a Wireless Mobile Adapter that brings Wi-Fi capability to their D-SLR cameras.

Romi Jacobs, the Chief Brand Officer for Nikon in South Africa says: “Advancements in smart device technologies have made sharing photos and videos on the go a key part of the photographic experience for many people. With WU-1a, Nikon D-SLR users aren’t going to have to compromise between quality and immediacy anymore: high-quality images can be shared with friends and family moments after they were taken.”

Wireless image transfer

With the WU-1a, you no longer have to choose between sharing low-quality mobile images on the spot or uploading high-quality images later through your computer: now you can share exceptional D-SLR images instantly.

No matter where you are, photos and movies can be sent directly from your camera to your smartphone or tablet: you don’t need to connect the adapter to an external Wi-Fi hot spot, and the device is powered by the camera. Images are transferred without hassle, ready for instant sharing via social media, easy uploading to photo sharing and storage sites, or for sending by email. You can also use the adapter to free up space on your camera’s memory card by transferring photos and movies for storage on your smart device.

Remote camera control

In addition to transferring images directly from the camera, the WU-1a also lets you use your smartphone or tablet to control your D-SLR camera remotely. You can preview or compose images from your smart device, or check camera settings and trigger the shutter release from a distance. This makes it an exceptionally useful accessory to have if you want to take a self-portrait—or if you want to take advantage of the bigger screen on your tablet to compose more elaborate shots.

Connected world

The WU-1a is compact to carry, easy to use and is powered by the camera, so there’s no need for batteries. It currently supports Android OS 2.3 or later for smartphones, and Android OS 3.0 or later for tablets; an application called “Wireless Mobile Adapter Utility” is available for free download to your smart device from the Android Market. Firmware can be easily updated via your smart device.

For more information about Nikon’s award winning products please visit: www.nikon.co.za

To join our Facebook page: www.facebook.com/nikonsouthafrica

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D3200 Nikon weighed in at approx. 505g (with battery and memory card) and length at 125 x 96 x 76.5.  This baby can have a healthy blush too.

Johannesburg, South Africa, 19 April 2012 – Nikon introduces the D3200, a new easy-to-use entry-level D-SLR, boasting latest-generation Guide Mode with full HD video to deliver beautiful, high-quality pictures and cinematic quality movies.

Romi Jacobs, Chief Brand Officer for Nikon in South Africa, says: “The D3200 follows Europe’s best selling   D-SLR camera, the D3100 . It’s a powerful camera that offers superior image quality, with an incredibly high megapixel count, as well as full HD video. For newcomers to D-SLR photography, taking stunning pictures is made easier with Guide Mode which takes you step-by-step through the photography process with clear instructions and images. This is the ideal camera for those looking to easily capture amazing images of the things that matter to you, like family or exciting travels.”

D-SLR photography made easy         

The D3200 is perfect for those looking to capture quality photos and videos. Whether you are starting a family or about to embark on a big trip, the D3200’s easy to understand functions mean you can take beautiful pictures even if you have never used a D-SLR camera before.

Guide Mode, previously seen on the popular D3000 and D3100 D-SLRs, is now in its third generation with significant improvements to help you grasp the more creative options, taking you through the entire process step-by-step. Running in parallel, Assist Images uses visual examples to help you to identify the shot that you are imagining. Capturing that beautiful background blur in portraits or sharp pictures of your children playing has never been easier. New items have been added to the Advanced operation menu. For example, to help you to enhance the red in sunsets or reduce blur.

Nikon’s automatic Scene Recognition System will meticulously analyse the scene you are shooting and adjust the focus, exposure and white balance for optimum results. And, if you want your camera to do the work for you there is still a range of automatic functions such as Scene Auto Selector in Live View and Scene Modes that will apply the most relevant setting.

Superior image quality               

The D3200’s incredibly high 24.2 megapixels deliver images in rich detail, meaning you can crop or print large favourites, keeping memories alive without a loss of image sharpness. Nikon’s latest image processor, the fast and powerful EXPEED 3, provides high-speed operation, producing remarkably clear images with excellent colour reproduction; and enhanced movie recording. ISO 100-6400 (extendable to 12800 equivalent) helps you take sharp images, even in low light. The razor-sharp 11-point autofocus system will make sure everything is in focus, delivering sharp results even if your subject is off centre, or completely unpredictable, like your baby smiling or laughing. By shooting action at four frames per second, the D3200 helps capture fast moving objects, like children playing on their skateboards, at exactly the right moment.

Should you find yourself taking shots in high-contrast conditions, such as backlit scenes, Nikon’s Active D-Lighting automatically adjusts the lighting while retaining detail in both dark and bright areas for stunning images with natural contrast.

Enhanced HD movies             

If you are looking to capture a milestone moment, such as your child’s first steps or their role in a school play, a picture is not always enough.

Record your own stunning full HD (1080p) movies to play back on your high definition TV using the D3200’s easy-access movie record button. The camera’s large sensor and high ISO offer exceptional image quality. There is a high quality microphone built in to the camera, but if you want to take a further step in sound recording, you can utilise the optional external microphone input. You can easily edit your movies on the camera by selecting the start and end point as well as saving selected frames so that you never miss a moment. When coupled with a wide variety of NIKKOR lenses, you can create fantastic cinematic effects to bring your home HD movies to life.

Connect the camera              

Wirelessly transmitting images from your camera to a smart device is now possible by using the optional WU-1a Wireless Mobile Adapter. This means it is easy to share them with your friends and family instantly via social networks and e-mail or save and back them up when you are on the move. Because you don’t need a Wi-Fi connection to transfer images from the camera to your smart device, the WU-1a Wireless Mobile Adapter is an ideal accessory when you’re travelling. It is even possible to control your camera remotely from your smart device, so you can be part of group photos like a family portrait, previewing the image before shooting. The D3200 is compatible with Android smart devices.

In-camera editing                  

There are a variety of editing functions available to help draw out your artistic flare. Adding creative effects such as Miniature, Selective Colour, Colour Sketch and Filter Effects – to add a warm or soft filter – will bring a personal touch to the finished image. It also lets you resize your images, give them a quick retouch, or even straighten them if necessary, directly on the camera to quickly and easily improve the quality of your photos.

In addition, the large 7.5cm (3 inch) high-resolution (921k-dot) LCD monitor makes it a pleasure to review and edit your movies and photos.

Easy operation                       

Its lightweight, small body makes the D3200 easy to pack and carry around so you never miss those important moments. When you come to use the camera, the controls have been intuitively laid out to ensure you have a secure grip that it is comfortable to handle. The most common functions, such as Live View and Release mode, have dedicated buttons. If you want to take a picture of yourself using the optional ML-3 remote control, the D3200 has a receiver which has been positioned on the front and back to make it easier to do so. The Info button is also close to hand, should you need any further help.

Other key features: 

• Smart autofocus for movies: enjoy continuous autofocus (AF) when you shoot D-movies. Full-time servo AF (AF-F) and subject-tracking AF maintain the focus when you shoot moving subjects. Face-priority AF is ideal for filming events where you want to relax and let the camera focus on faces.

• Extensive movie options: you can record Full HD (1080p) and the camera supports use of Nikon’s ME-1 stereo microphone. In-camera edit functions let you perform tasks such as setting the start and end point of your movie. A mini HDMI output enables playback on an HDTV.

• NIKKOR lenses: take advantage of Nikon’s legendary NIKKOR lenses to capture images with vivid colour, striking contrast and crisp detail, or to experiment with cinematic effects. Use fast prime lenses for stunning portraits, micro lenses for life-size close-ups or telephoto lenses for distant subjects.

• Nikon system options: offer endless creative opportunities with a wide range of accessories. These include the GP-1 GPS unit so that you always remember where a picture for taken. The D3200 comes equipped with a convenient built-in pop-up flash, but with optional Speedlights, inspired flash photography becomes even easier and more creative. The compact and lightweight SB-400 delivers intelligent through-the-lens (i-TTL) flash control and bounce flash capability for a more natural lighting effect without strong shadows. The multifunctional SB-700 offers the exciting potential of wireless multiple-flash operation via the Nikon Creative Lighting System.

For more information about Nikon’s award winning products please visit: www.nikon.co.za

To join our Facebook page: www.facebook.com/nikonsouthafrica

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“…It’s ideal for any wide-angle enthusiast’s kit bag” says South African Nikon Chief Brand Officer, Romi Jacobs.

Read why in the full press release…

A welcome addition to Nikon’s range of FX-format prime lenses, the AF-S NIKKOR 28mm F/1.8G boasts a new optical design that makes it a perfect match for today’s high-resolution D-SLRs. Its large (f/1.8) aperture delivers sharper shots in low light and enables wonderfully smooth bokeh. The new optical construction results in beautifully rendered images.

Romi Jacobs, the Chief Brand Officer for Nikon in South Africa, says: “This highly anticipated lens sees Nikon expand its already extensive range of wide-angle lenses, and fill the gap between the 24mm and 35mm NIKKOR lenses perfectly. The 28 mm focal length lets you put subjects in a wide, pronounced perspective, while the improved optical construction controls unwanted distortion. It’s ideal for any wide-angle enthusiast’s kit bag.”

Wide appeal

Fast and compact, the AF-S NIKKOR 28mm F/1.8G is a great choice for photographers who want to shoot wide-angle images, and get the best out of a high-resolution D-SLR. The 28 mm focal length is ideal for shooting in confined spaces, capturing stunning vistas or photographing cityscapes and street scenes. The large f/1.8 aperture delivers sharper shots in low light and achieves a perfect balance of sharpness and bokeh, singling out subjects beautifully. The fast aperture also provides a bright viewfinder image.

Broad advantage

Equipped with a brand new optical design, the AF-S NIKKOR 28mm F/1.8G supports the increasing resolution of modern D-SLRs with sharp, beautifully rendered stills and movies. Two aspherical lens elements effectively minimize aberrations and correct the distortion that can occur with a wide angle of view. Nikon’s exclusive Nano Crystal Coat reduces ghost and flare, and Silent Wave Motor (SWM) ensures discreet but accurate autofocus.

Compact and durable

With a weather sealed mount and weighing just 330g, the AF-S NIKKOR 28mm F/1.8G is a solid yet lightweight and compact option that will fit easily into any kit bag. Compatible with Nikon FX-format D-SLRs, it offers a 42 mm (equivalent) focal length when used with Nikon DX-format D-SLRs and is fully compatible with entry-level models that do not have a built-in autofocus motor.

The lens is supplied with bayonet lens hood HB-64 and lens pouch CL-0915.

Specifications:

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Get the most out of your Hasselblad with Phocus 2.6.6 for Mac OS and it’s mobile version 2.0 for iPhone, iPad and iPod Touch.

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Johannesburg, South Africa. 16 April 2012. Canon today announces the company has been awarded six separate honours by the Technical Image Press Association (TIPA) – Europe’s leading photo imaging and press association. Designed to recognise the best products launched in the preceding year, theTIPA Awards are considered the most coveted imaging honours worldwide. The 2012 awards again acknowledge the quality present across Canon’s wide portfolio, including the revolutionary new Cinema EOS range.

Comprising editors from leading photography titles worldwide, the TIPA panel meets annually to discuss the latest products, taking everything from innovation to design and overall product quality into account. The panel selects and acknowledges the outstanding imaging products from the previous 12 month period, and this year awarded prestigious accolades to the following Canon products:

·       Best DSLR Professional: Canon EOS-1D X

·       Best Expert Compact Camera: Canon PowerShot G1 X

·       Best Professional DSLR Lens: Canon EF 8-15mm f/4L USM fisheye

·       Best Multifunction Photo Printer: Canon PIXMA MG8250

·       Best Video DSLR: Canon EOS 5D Mark III

·       Best Professional Videocamera: Canon EOS C300 Digital Cinema Camera
“It is a great accolade to have received six awards from TIPA. This past year has been exceptional for Canon, with a range of ground-breaking product launches, including the landmark EOS C300 and the much awaited EOS 5D Mark III,” said Kieran Magee, Marketing Director, Professional Imaging, Canon Europe. “The phenomenal reception from the TIPA judging panel highlights Canon’s commitment to imaging excellence and the impressive consumer and professional products we have developed.”

After honouring Canon’s award-winning products, the TIPA judging panel offered the following citations:

Best DSLR Professional: Canon EOS-1D X

Canon’s new top of the line professional DSLR combines the creative advantages of afull frame sensor with high speed, high sensitivity technology to serve theneeds of pro news, sports and wildlife photographers. Featuring an 18 MP CMOS sensor and powered by dual DIGIC 5+ image processors the EOS-1D X offers a well-balanced package of image quality and shooting speed that can go as high as 14 frames per second. Its standard 100-51,200 ISO range can be expanded to ISO 50 and 204,800. The newly engineered 61-point AF-system with 41 cross type sensors is the fastest and most accurate ever, enabling the camera to detect and track fast moving subjects even under lowlight conditions. Full HD video recording and built-in Ethernet complete the pro model.

Best Expert Compact Camera: Canon PowerShot G1 X

Image quality is often associated with interchangeable lenses, but the truth is that these two options are not necessarily linked. Canon has realized that many photographers do want DSLR-like image quality, but in a compact camera style body with an excellent fixed zoom lens. The PowerShot G1 X features a large 4:3 aspect ratio 14.3 MP CMOS sensor measuring 18.7mm x 14mm – similar in size to the APS-C sensors used in EOS DSLR models. The result is a compact camera that delivers superior image quality even when working in low light.

Best Professional DSLR Lens: Canon EF 8-15mm f/4L USM fisheye

Fisheye lenses allow photographers to shoot spectacular pictures with extreme viewing angles. In combination with a 24x36mm full frame sensor DSLR camera, the Canon EF 8-15mm allows for either full frame or circular fisheye images; with smaller sensors it covers the full frame. Its 180-degree field of view offers exceptional creative capture capabilities. This Canon premium L-series lensfeatures exceptional optical design, quality and durability. The patented SubWavelength Structure Coating (SWC) reduces ghosting effects and flare, while the additional Fluorine coating aids in easy cleaning of the large front element.

Best Multifunction Photo Printer: Canon PIXMA MG8250

With a sleek design and enhanced connectivity, which includes access to the new PIXMA Cloud Link and wireless printing from mobile devices, the Canon PIXMAMG8250 offers photo lab-quality printing at impressive speed. The print head produces 1-picolitre droplets and delivers up to 9600dpi print resolution. The 6-ink system includes Pigment Black, Dye Black, Magenta, Cyan, Yellow and Grey ink, which produce a grain free, smooth colour 10×15 cm photo in just 20 seconds. Added to the package is a CCD scanner with 35mm film scanning at 4800 x 9600 dpi, making this multifunction a very desirable tool for every photoenthusiast.

Best Video DSLR: Canon EOS 5D Mark III

The Canon EOS 5D Mark II changed the landscape of digital photography. No longer are digital still and video two separate worlds, shot with two distinctly different systems. Now users can decide whether to shoot stills or video (or both) on the spot, carrying just one camera system. The EOS 5D Mark III further improves this experience with a newly designed 61-point AF and 63-zone metering system, and a new 22 MP sensor with an incredibly high ISO sensitivity. Additional movie functions include manual exposure control and an enhanced range of high bit-rate video compression options, with intraframe (ALL-I) and interframe (IPB) methods both supported.

Best Professional Videocamera: Canon EOS C300 Digital Cinema Camera

To implement the revolutionary C300, Canon called upon expertise from diverse fields including sensors, image processors and optics. The result is landmark video camera technology available in two versions: EOS C300 with an EF interchangeable lens mount and EOS C300 PL with a PL mount. A high-resolution 8.3 MP Super 35mm-equivalent CMOS sensor has been especially developed for the system. Both versions feature modular architecture and are accompanied by a new range of video lenses.

Related posts:

• Canon wins two iF Design awards
• Canon EOS C300 Brief Hands On at Canon Expo South Africa
• Press Release: Nikon South Africa Offers 5 Year Warranty on Selected Models

A little while back we reviewed the Drift Innovation X170. In an action camera world dominated by Go-Pro the Drift had the advantage of a built in LCD screen and a remote control for taking snaps and pressing record that strapped to your wrist like a watch. (See the review here) Now Drift have announced a new, more compact Drift HD720 as a new entry level model. It offers 720p HD video and 5mp stills images. Full details in the press release when you click on “Continue Reading”.

DRIFT ARE PROUD TO ANNOUNCE THE LAUNCH OF THE HD720

Drift, the world’s most innovative action sports technology company is proud to announce the launch of the new Drift HD720, an entry level version of the feature rich Drift HD.

Drift’s signature features such as the integrated LCD screen, wireless remote control and 300-degree rotating lens continue to be ever present in the HD720. The camera records in high definition video shot in 720p @ 30 and 25 fps. The HD720 also has the capability to shoot 5MP still photos, and includes Drift’s proprietary mounting system, which utilises the universal ¼ inch thread allowing usage with all existing Drift mounts.

“We understand and value the investment it takes to purchase a point of view camera,” said Drift co-founder, Robin Parker. “We are excited to expand our line and offer something for everyone from those interested in breaking in to the point of view camera market to professional videographers and extreme action sports enthusiasts.”

Drift’s mission is to ensure that the unique product features found on our cameras and accessories, enhance the user experience by simplifying the process of capturing, editing & sharing key moments of their lives.  Whether you’re jamming down a hill in knee deep powder, riding a track on your mountain bike, surfing your local beach break or engaged in any other action sport, the Drift HD 720 has got you covered.

The Drift HD720 is now available through authorised Drift retailers worldwide and in South Africa for R2,250. For more information about Drift cameras in SA please visit www.driftcameras.co.za or call 011 781 2700.

About Drift:

Drift is a wearable Point of View Camera product company offering consumers wide-angle recording capabilities to capture all their adventures and activities. Designed with smart real-life use features, it is highly recommended by the specialists in outdoor sports, motorsports, and snow sports. Drift captures the action from every individual’s point of view and offers easy ways to share and re-live the experience with friends and family. For more information about Drift Innovation, visit www.driftinnovation.com.

A few weeks ago, I wrote about a creative block. I wrote about a few ideas I had to help me find my “Mojo”. I thought it time I write a follow up on what I have been up to since my journey to find the infamous “Mojo” started.

It’s been 1 month since I last used my 50mm f1.4 lens and – to be perfectly honest – I don’t miss it much. I went back to basics and put on the 18mm-55mm kit lens that came with my first camera. Never underestimate that lens. I took some amazing images with an entry level body and standard lens. I realized that my “Mojo” is in me, not in the camera or the lens. I put some things together and made some pictures.

I learnt a new Photoshop technique. Those who read the review I wrote on Scott Kelby’s latest book; ‘Light It, Shoot It, Retouch It’ would have read that I noted that the book can even just be used for the Photoshop techniques therein. I gave a picture I took of my son a grungy look. That kind of editing is not for everyone, but I love it. Just don’t think that you can do that to all your images. It doesn’t work. Ask me, I know this. The novelty has luckily worn off and I now take specific images for that kind of look, which in many ways has helped me to be less “trigger happy”.

I have been focusing on photographing things that I love. I love photographing ‘stuff’ and children. I think too often we get caught up on what other people like and forget what really makes us tick as photographers. We lose our passion when we don’t do it for us. We will do what everyone else is doing because that’s what people like and that’s what puts food on the table. I have yet to see some unique wedding photos these days and that – in my opinion – is sad. If you love what you are doing and are doing what you love, this will reveal itself in your images.

I have attempted panoramas. What a trip. I love it. I attempted to do one of my lounge and kitchen. It didn’t really come out that well, but it was a learning curve. I think that if I don’t turn so much, it can create a very interesting take on photographing interiors.

On a recent trip to Cape Town, I only took one lens. Many thought I was crazy. I was actually crazy to only take one camera. My boyfriend had my camera quite a lot and it was then that I thought, “I don’t need fancy equipment. Let’s see what my Blackberry Bold can do! And in all honesty, the image quality leaves a lot to be desired. It certainly cannot rank anywhere near an iPhone or a Samsung. Some interesting images were created though. Part of our Cape Town album is loaded with phone photos that I was not shy to share on my blog.

My journey still continues. I don’t think we ever stop wanting to keep our “Mojo”. This means that it will be a never-ending journey. I have a lot of work to do. And I have learnt that clicking merrily away not only takes up unnecessary space on your memory cards and hard drives, it also stifles creativity. My brain is starting to think in pictures again and my smile has returned.

Related posts:

• New eBook from Craft & Vision – The Inspired Eye, Volume 3

If you missed Umuzi’s successful exhibition opening – there are special viewings for the next three Saturdays in Braamfontein. Visit the Neighbourgoods Market and pop into the exhibition between 9am-3pm on April 14, 21, and 28?

Umuzi Photo Club is a youth activism organization that works in Jo’burg’s under-resourced communities. We create socially aware multimedia and facilitate youth activism, leadership, and engaged citizenry. All exhibition proceeds will go towards youth empowerment through creative media.

To find out more click on “Continue Reading” or visit umuzi.org

Related posts:

• David Goldblatt Exhibition at Market Photo Workshop
• Photo Website of the Week: Camera Club
• Exhibition: Working the City – 17 March 2011

We have an exciting Photo Walk to announce. Sony South Africa want you to experience the new range of NEX and Alpha cameras in a real world enviroment. Among the new machines to get to grips with is the NEX-7 we just reviewed. We have teamed up with Mark Straw from Joburg Photowalkers to host this event at Sci-Bono in Newtown, Johannesburg on Saturday, 21 April 2012.

There will be two groups on the day with limited space in each so as to provide everyone with a chance to shoot with at least one of the new cameras that will be there. Read on for details of the event and to register.

Other Information

For a map to the venue please click here.

You may also bring your own camera to use on the day (or your smart phone if you want to enter our May Photo Decathlon theme still.)

Registrations are now closed.

Registrations are now closed.

Related posts:

• Event: Yeoville Photo Walk – 27 Nov 2010
• April 2012 Issue of PhotoComment Magazine
• PhotoComment Pretoria Photo Walk – 22 Jan 2011

If you have been looking to learn about Studio Lighting for your portraits then this full day workshop with professional photographer, Emil Wessels, is for you. Space is limited so be sure to contact him. Details in the poster above.

Related posts:

• Full Day Workshop with Emil Wessels
• Potch Snow Flake Mill Studio Workshop 29 Oct 2011
• Potch Full Day Studio Workshop 30 July 2011