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	<title>Tama Leaver dot NetTama Leaver dot Net</title>
	
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	<description>Tama's thoughts about digital culture, whatever that might mean ...</description>
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		<title>Digital Culture Links: May 21st</title>
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		<comments>http://www.tamaleaver.net/2013/05/21/digital-culture-links-may-21st/#comments</comments>
		<pubDate>Tue, 21 May 2013 08:24:50 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[australia]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3680</guid>
		<description><![CDATA[Links through to May 21st: Sensis Yellow Social Media Report 2013 [PDF] &#8211; The new Sensis Yellow Social Media Report is out (based on a survey of 937 Australians in March and April 2013), showing widespread social media use, with &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/05/21/digital-culture-links-may-21st/">Read more &#187;</a></p>]]></description>
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<p>Links through to May 21st:</p>
<ul>
<li><a href="http://about.sensis.com.au/IgnitionSuite/uploads/docs/Yellow%20Pages%20Social%20Media%20Report_F.PDF">Sensis Yellow Social Media Report 2013 [PDF]</a> &#8211; The new Sensis Yellow Social Media Report is out (based on a survey of 937 Australians in March and April 2013), showing widespread social media use, with growth in mobile and second screen uses:<br />
* 95% of AUstralian social media users use Facebook<br />
* The typical Australian spends 7 hrs/wk on Facebook<br />
* 67% of Australians access social sites on a smartphone<br />
* 42% of Australians use social media while watching TV</li>
<li><a href="http://blog.flickr.net/en/2013/05/20/a-better-brighter-flickr/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Flickrblog+%28FlickrBlog%29">A better, brighter Flickr [Flickr Blog]</a> &#8211; Yahoo have majorly redesigned Flickr, giving new free (ad-supported) accounts 1Tb of storage, which is an awful lot of photos. The Android app is now almost identitcal to the iOS app, but the new aesthetics of the web-based version are a big change, looking more and more like every other photo-sharing service around today. Quite a few long-term Flickr users (of which I am one) have <a href="http://www.flickr.com/help/forum/en-us/72157633547442506/">voiced a range of concerns about the design changes</a>. Also, what this redesign means for people who&#8217;ve already paid for Pro accounts is deeply unclear on the main Flickr pages. (The Twitter account seems to suggest nothing changes.)</li>
<li><a href="http://pressroom.yahoo.net/pr/ycorp/246196.aspx">Yahoo! to Acquire Tumblr / Yahoo [Yahoo News Centre]</a> &#8211; Yahoo buys Tumblr for $1.1 billion and, in their words, &#8220;promises not to screw it up&#8221;. A clever buy for Yahoo, but it&#8217;ll be hard to integrate the rebellious/youth Tumblr userbase into the Yahoo brand.</li>
<li><a href="http://blog.instagram.com/post/49445004952/photosofyou">Introducing Photos of You [Instagram Blog]</a> &#8211; Just in case you momentarily forgot that Facebook owns Instagram, the photo-sharing service has just added the ability to tag photos (remarkably similar to Facebook&#8217;s tagging function). Looks like Instagram needs a better map of your personal networks before they can harness it commercially.</li>
<li><a href="http://youtube-global.blogspot.com.au/2013/05/yt-brandcast-2013.html">Follow the audience&#8230; [YouTube Blog]</a> &#8211; May 2013 and YouTube users &#8220;are watching more than 6 billion hours of video each month on YouTube; almost an hour a month for every person on Earth and 50 percent more this year than last.&#8221;</li>
</ul>

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		<item>
		<title>The Social Media Contradiction: Data Mining and Digital Death</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/et-MYdX1QVY/</link>
		<comments>http://www.tamaleaver.net/2013/05/06/the-social-media-contradiction-data-mining-and-digital-death/#comments</comments>
		<pubDate>Mon, 06 May 2013 03:22:02 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[Digital Death]]></category>
		<category><![CDATA[Ends of Identity]]></category>
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		<category><![CDATA[Google]]></category>
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		<category><![CDATA[afterlife]]></category>
		<category><![CDATA[data mining]]></category>
		<category><![CDATA[death]]></category>
		<category><![CDATA[lives on]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3681</guid>
		<description><![CDATA[I’ve got a new article in the most recent issue of the M/C Journal entitled ‘The Social Media Contradiction: Data Mining and Digital Death’. Here’s the abstract: Many social media tools and services are free to use. This fact often &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/05/06/the-social-media-contradiction-data-mining-and-digital-death/">Read more &#187;</a></p>]]></description>
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<p>I’ve got a new article in the most recent issue of the M/C Journal entitled ‘<a href="http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/625">The Social Media Contradiction: Data Mining and Digital Death’</a>. Here’s the abstract:</p>
<blockquote><p>Many social media tools and services are free to use. This fact often leads users to the mistaken presumption that the associated data generated whilst utilising these tools and services is without value. Users often focus on the <em>social</em> and presumed ephemeral nature of communication – imagining something that happens but then has no further record or value, akin to a telephone call – while corporations behind these tools tend to focus on the <em>media </em>side, the lasting value of these traces which can be combined, mined and analysed for new insight and revenue generation. This paper seeks to explore this social media contradiction in two ways. Firstly, a cursory examination of Google and Facebook will demonstrate how data mining and analysis are core practices for these corporate giants, central to their functioning, development and expansion. Yet the public rhetoric of these companies is not about the exchange of personal information for services, but rather the more utopian notions of organising the world’s information, or bringing everyone together through sharing.</p>
<p>The second section of this paper examines some of the core ramifications of death in terms of social media, asking what happens when a user suddenly exists only as recorded media fragments, at least in digital terms. Death, at first glance, renders users (or post-users) without agency or, implicitly, value to companies which data-mine ongoing social practices. Yet the emergence of digital legacy management highlights the value of the data generated using social media, a value which persists even after death. The question of a digital estate thus illustrates the cumulative value of social media as <em>media</em>, even on an individual level. The ways Facebook and Google approach digital death are examined, demonstrating policies which enshrine the agency and rights of living users, but become far less coherent posthumously. Finally, along with digital legacy management, I will examine the potential for posthumous digital legacies which may, in some macabre ways, actually reanimate some aspects of a deceased user’s presence, such as the <em><a href="http://www.liveson.org/">Lives On</a></em> service which touts the slogan “when your heart stops beating, you&#8217;ll keep tweeting”. Cumulatively, mapping digital legacy management by large online corporations, and the affordances of more focussed services dealing with digital death, illustrates the value of data generated by social media users, and the continued importance of the data even beyond the grave.</p>
</blockquote>
<p>Read the rest at the <a href="http://journal.media-culture.org.au/index.php/mcjournal/article/viewArticle/625">M/C Journal (open access).</a></p>
<p>Incidentally, yes, one of the points in this article is already out of date as last month Google <a href="http://googlepublicpolicy.blogspot.co.il/2013/04/plan-your-digital-afterlife-with.html">quietly launched</a> their <a href="https://www.google.com/settings/u/0/account/inactive">Inactive Account Manager</a>. While far from perfect, this Inactive Account manager gives Google users more control over what happens to their Google stored assets after they pass away (well, actually, after they don’t log in for a specified period of time). It is, however, far from perfect.</p>

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		<item>
		<title>Joss Whedon, Dr. Horrible, and the Future of Web Media?</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/7jIZP2y1-Nk/</link>
		<comments>http://www.tamaleaver.net/2013/04/30/joss-whedon-dr-horrible-and-the-future-of-web-media/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 06:38:33 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[convergence]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3668</guid>
		<description><![CDATA[I’m pleased to announce that my article Joss Whedon, Dr. Horrible, and the Future of Web Media? is finally available. Here’s the abstract: In the 2007 Writers Guild of America strike, one of the areas in dispute was the question &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/04/30/joss-whedon-dr-horrible-and-the-future-of-web-media/">Read more &#187;</a></p>]]></description>
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<p><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 5px; padding-left: 0px; padding-right: 0px; display: inline; float: left; border-top: 0px; border-right: 0px; padding-top: 0px" title="drH" border="0" alt="drH" align="left" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2013/04/drH.jpg" width="169" height="242" /></p>
<p>I’m pleased to announce that my article <em>Joss Whedon,</em> Dr. Horrible,<em> and the Future of Web Media?</em> is finally available. Here’s the abstract: </p>
<blockquote><p>In the 2007 Writers Guild of America strike, one of the areas in dispute was the question of residual payments for online material. On the picket line, <i>Buffy</i> creator Joss Whedon discussed new ways online media production could be financed. After the strike, Whedon self-funded a web media production, <i>Dr. Horrible&#8217;s Sing-Along Blog</i>. Whedon and his collaborators positioned <i>Dr. Horrible</i> as an experiment, investigating whether original online media content created outside of studio funding could be financially viable. <i>Dr. Horrible</i> was a bigger hit than expected, with a paid version topping the iTunes charts and a DVD release hitting the number two position on Amazon. This article explores which factors most obviously contributed to <i>Dr. Horrible&#8217;s</i> success, whether these factors are replicable by other media creators, the incorporation of fan labor into web media projects, and how web-specific content creation relates to more traditional forms of media production.</p>
</blockquote>
<p>The official version is available in the <a href="http://www.tandfonline.com/doi/abs/10.1080/15405702.2013.779510">new issue of Popular Communication (vol 11, no. 2).</a> If you can’t access the article due to the paywall, then there’s <a href="http://www.academia.edu/3420630/Joss_Whedon_Dr._Horrible_and_the_Future_of_Web_Media">an open access pre-print available at Academia.edu</a>.</p>

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		<title>Digital Culture Links: April 25th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/36P6xSK5xFY/</link>
		<comments>http://www.tamaleaver.net/2013/04/25/digital-culture-links-february-27th-through-april-22nd/#comments</comments>
		<pubDate>Thu, 25 Apr 2013 03:33:16 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links through to April 22nd (catching up!): Siri secrets stored for up to 2 years [WA Today] &#8211; &#8220;Siri isn&#8217;t just a pretty voice with the answers. It&#8217;s also been recording and keeping all the questions users ask. Exactly what &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/04/25/digital-culture-links-february-27th-through-april-22nd/">Read more &#187;</a></p>]]></description>
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<p>Links through to April 22nd (catching up!):</p>
<ul>
<li><a href="http://www.watoday.com.au/digital-life/digital-life-news/siri-secrets-stored-for-up-to-2-years-20130422-2i910.html">Siri secrets stored for up to 2 years [WA Today]</a> &#8211; &#8220;Siri isn&#8217;t just a pretty voice with the answers. It&#8217;s also been recording and keeping all the questions users ask. Exactly what the voice assistant does with the data isn&#8217;t clear, but Apple confirmed that it keeps users&#8217; questions for up to two years. Siri, which needs to be connected to the internet to function, sends all of its users&#8217; queries to Apple. Apple revealed the information after<br />
<a>Wired posted an article raising the question</a> and highlighting the fact that the privacy statement for Siri wasn&#8217;t very clear about how long that information is kept or what would be done with it.&#8221;</li>
<li><a href="http://blog.twitter.com/2013/04/now-playing-twitter-music.html">Now playing: Twitter #music [Twitter Blog]</a> &#8211; Not content to be TV&#8217;s second screen, Twitter wants to be the locus of conversations about music, too: &#8220;Today, we&#8217;re releasing Twitter #music, a new service that will change the way people find music, based on Twitter. It uses Twitter activity, including Tweets and engagement, to detect and surface the most popular tracks and emerging artists. It also brings artists’ music-related Twitter activity front and center: go to their profiles to see which music artists they follow and listen to songs by those artists. And, of course, you can tweet songs right from the app. The songs on Twitter #music currently come from three sources: iTunes, Spotify or Rdio. By default, you will hear previews from iTunes when exploring music in the app. Subscribers to Rdio and Spotify can log in to their accounts to enjoy full tracks that are available in those respective catalogs.</li>
<li><a href="http://www.theage.com.au/digital-life/mobiles/android-to-reach-1-billion-mark-this-year-schmidt-20130418-2i1n7.html">Android To Reach 1 Billion This Year | Google, Eric Schmidt, Mobiles [The Age]</a> &#8211; &#8220;Google executive chairman Eric Schmidt predicts there will be more than 1 billion Android smartphones in use by the end of the year.&#8221;</li>
<li><a href="http://www.chutry.wordherders.net/wp/?p=3634">Soda Fountains, Speeding, and Password Sharing [The Chutry Experiment]</a> &#8211; Fascinating post about the phenomenon of Netflix and HBO Go password sharing in the US. When a NY Times journalist admitted to this (seemingly mainstream) practice, it provoked a wide-ranging discussion about the ethics and legality of many people pooling resources to buy a single account. Is this theft? Is it illegal (apparently so)? And, of course, Game of Thrones take a centre seat!</li>
<li><a href="http://vimeo.com/62839607">&#8220;Welcome to the New Prohibition&#8221; [Andy Baio on Vimeo]</a> &#8211; Insightful talk from Andy Baio about the devolution of copyright into an enforcement tool and revenue extraction device rather than protecting or further the production of artistic material in any meaningful way. For background to this video see Baio&#8217;s posts <a href="http://waxy.org/2011/12/no_copyright_intended/">&#8220;No Copyright Intended&#8221;</a> and <a href="http://waxy.org/2011/06/kind_of_screwed/">&#8220;Kind of Screwed&#8221;</a>.</li>
<li><a href="http://blog.instagram.com/post/44078783561/100-million">Instagram Today: 100 Million People [Instagram Blog]</a> &#8211; Instagram crosses the 100 million (monthly) user mark.</li>
</ul>

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		<title>Digital Culture Links: February 23rd</title>
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		<pubDate>Sun, 24 Feb 2013 06:47:00 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links through February 23rd: Nielsen Agrees to Expand Definition of TV Viewing [The Hollywood Reporter] &#8211; Nielsen ratings reflect that online TV ratings are growing and matter: &#8220;The Nielsen Co. is expanding its definition of television and will introduce a &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/02/24/digital-culture-links-february-23rd/">Read more &#187;</a></p>]]></description>
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<p>Links through February 23rd:</p>
<ul>
<li><a href="http://www.hollywoodreporter.com/news/nielsen-agrees-expand-definition-tv-422795">Nielsen Agrees to Expand Definition of TV Viewing [The Hollywood Reporter]</a> &#8211; Nielsen ratings reflect that online TV ratings are growing and matter: &#8220;The Nielsen Co. is expanding its definition of television and will introduce a comprehensive plan to capture all video viewing including broadband and Xbox and iPads &#8230; By September 2013, when the next TV season begins, Nielsen expects to have in place new hardware and software tools in the nearly 23,000 TV homes it samples. Those measurement systems will capture viewership not just from the 75 percent of homes that rely on cable, satellite and over the air broadcasts but also viewing via devices that deliver video from streaming services such as Netflix and Amazon, from so-called over-the-top services and from TV enabled game systems like the X-Box and PlayStation. While some use of iPads and other tablets that receive broadband in the home will be included in the first phase of measurement improvements, a second phase is envisioned to include such devices in a more comprehensive fashion.&#8221;</li>
<li><a href="http://www.billboard.com/articles/news/1549399/hot-100-news-billboard-and-nielsen-add-youtube-video-streaming-to-platforms">Billboard and Nielsen Add YouTube Video Streaming to Platforms [Billboard]</a> &#8211; The Billboard music charts in the US finally adapt to include online activity, including YouTube streaming data, and suddenly Baauer&#8217;s meme-tastic &#8216;Harlem Shake&#8217; debuts at the top of the Billboard chart! The ratings, they are a-changing.</li>
<li><a href="http://www.chicagonow.com/families-in-the-loop/2013/02/posting-kids-photos-on-facebook/">Why I&#8217;m Done Posting Photos of My Kid On Facebook [Chicago Now]</a> &#8211; Short but well written piece on why parents should be more careful about what photos etc they share of their kids online. Author calls parents &#8220;online guardians&#8221;. &#8220;We all want to believe that Facebook takes parents’ concerns about privacy seriously. But the truth is that Facebook is a publicly traded company that cares first and foremost about making its shareholders happy. We have no idea how far it will go to do so, especially since the company is not extraordinarily profitable right now. But what we do know is that Facebook is pushing our boundaries now, often, to see just how much of our privacy we’re willing to give away.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/us-news-blog/2013/feb/05/instagram-users-fightback-stolen-photos">Instagram users begin fightback against stolen photos [Technology | guardian.co.uk]</a> &#8211; Solid piece on the challenges of photos from Instagram (and the web in general) being used by others without permission. Copyright, theft, credit and ethics all get a mention, but the short version is: if copyright is understood on the web (often it&#8217;s not), it&#8217;s often not respected whatsoever. For the Instagram examples, I can only image this will get worse, not better, with Instagram moving more solidly onto the web proper, not just mobile devices.</li>
<li><a href="http://blog.instagram.com/post/42363074191/instagramfeed">Introducing Your Instagram Feed on the Web [Instagram Blog]</a> &#8211; Furthering their shift to looking more and more like parent-company Facebook, Instagram have expanded the web presence associated with each username, allowing the liking, commenting and exploring of the people you follow on Instagram without use of a mobile device. The only thing you can&#8217;t do is upload an image from the web (yet).</li>
<li><a href="http://pewinternet.org/Reports/2013/Coming-and-going-on-facebook.aspx">Coming and Going on Facebook [Pew Research Center's Internet &amp; American Life Project]</a> &#8211; &#8220;Two-thirds of online American adults (67%) are Facebook users, making Facebook the dominant social networking site in this country. And new findings from the Pew Research Center’s Internet &amp; American Life Project indicate there is considerable fluidity in the Facebook user population: * 61% of current Facebook users say that at one time or another in the past they have voluntarily taken a break from using Facebook for a period of several weeks or more. * 20% of the online adults who do not currently use Facebook say they once used the site but no longer do so. * 8% of online adults who do not currently use Facebook are interested in becoming Facebook users in the future.&#8221;</li>
</ul>

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		<title>RIOT gear: your online trail just got way more visible</title>
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		<pubDate>Mon, 18 Feb 2013 22:05:00 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[By Tama Leaver, Curtin University The recent publication of a leaked video demonstrating American security firm Raytheon’s social media mining tool RIOT (Rapid Information Overlay Technology) has rightly incensed individuals and online privacy groups. In a nutshell, RIOT – already &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/02/19/riot-gear-your-online-trail-just-got-way-more-visible/">Read more &#187;</a></p>]]></description>
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<p><span>By <a href="http://theconversation.edu.au/profiles/tama-leaver-1798">Tama Leaver</a><em>, Curtin University</em></span></p>
<p>The <a href="http://www.guardian.co.uk/world/2013/feb/10/software-tracks-social-media-defence">recent publication</a> of a leaked video demonstrating American security firm <a href="http://www.raytheon.com/">Raytheon’s</a> social media mining tool RIOT (Rapid Information Overlay Technology) has rightly incensed individuals and <a href="http://www.aclu.org/blog/technology-and-liberty-national-security/raytheons-riot-social-network-data-mining-software">online privacy groups</a>.</p>
<p>In a nutshell, RIOT – already shared with US government and industry as part of a joint research and development effort in 2010 – uses social media traces to profile people’s activities, map their contacts, and predict their future activities.</p>
<p>Yet the most surprising thing isn’t how RIOT works, but that the information it mines is what we’ve each already shared publicly.</p>
<h2>Getting to know you</h2>
<p>
<figure><iframe height="260" src="//www.youtube.com/embed/7mcVA_D3sAg?wmode=transparent" frameborder="0" width="440" allowfullscreen="allowfullscreen"></iframe><br />
<figcaption>How Raytheon software tracks you online.</figcaption>
</figure>
<p>In the above video, RIOT analyses social media accounts – specifically Facebook, Twitter, Gowalla and Foursquare – and profiles an individual.</p>
<p>In just a few seconds, RIOT manages to extract photographs as well are the times and exact location of frequently visited places. This information is then sorted and graphed, making it relatively easy to predict likely times and locations of future activity.</p>
<p>RIOT can also map an individual’s network of personal and professional connections. In the demonstration video, a Raytheon employee is surveyed, and the software shows who his friends are, where he’s been and, most ominously, predicts that the most likely time and place to find him is at a specific gym at 6am on a Monday morning.</p>
<h2>Privacy concerns</h2>
<p>The RIOT software quite rightly raises concerns about the way online information is being treated.</p>
<p>Since privacy rules and regulations around social media are still in their infancy, it’s hard to tell if any legal boundaries have been crossed. This is especially unclear since it appears, from the video at least, that RIOT only scrutinises information already publicly visible on the web.</p>
<p>
<figure class="align-centre"><img src="https://c479107.ssl.cf2.rackcdn.com/files/20260/width668/czm8xyqg-1360815746.jpg" /><br />
<figcaption>Your friends, photos and ‘check-ins’ online leave a digital footprint that programs like RIOT can trace. <span class="source">Gavin Llewellyn</span></figcaption>
</figure>
<p>The usefulness of some social media tools for mapping a person’s activity are abundantly clear. Foursquare, for example, basically produces a database of the times and places someone elects to <a href="http://online.wsj.com/article/SB10001424052748703597204575483832278936028.html?mod=googlenews_wsj">“check-in”</a> to specific locations.</p>
<p>Checking-in allows other Foursquare users to interact with that individual, but the record is basically a map of someone’s activities. Foursquare can be a great service, allowing social networking, discounts from businesses, and various location-based activities, but it also leaves a huge data trail.</p>
<p>Foursquare, though, has a (relatively) small user base (<a href="https://foursquare.com/about/">around 30 million</a>) compared to Facebook (<a href="http://newsroom.fb.com/Key-Facts">more than one billion</a>) – although Facebook, as we know, also allows users to check-in by specifying a location in updates and posts. But the richest source of information we tend to share publicly, but not even think about, is our photographs.</p>
<h2>Picture this</h2>
<p>Every modern smartphone, whether an iPhone, Windows or Android device, by default saves certain information every time you take a photograph. This information about the photograph is saved using something called the <a href="http://www.photographymad.com/pages/view/exif-data-explained">Exchangeable image file format</a>, or “exif” data.</p>
<p>Exif data typically includes camera settings, such as how long the camera lens was open and whether the flash fired, but on smartphones also includes the exact geographic location (latitude and longitude) and time that each photograph is taken.</p>
<p>Thus, all of those photographs of celebrations, birthdays, and our kids at the beach all include a digital record of where and when each and every event occurred.</p>
<p>
<figure class="align-right"><img src="https://c479107.ssl.cf2.rackcdn.com/files/20257/width237/c7q3t4wm-1360814400.jpg" /><br />
<figcaption>We should consider how the information we post online could be used before posting it. <span class="source">shutterstock.com</span></figcaption>
</figure>
<p>Given that so many of us share photographs online using Facebook or Twitter or Instagram or Flickr, it’s not surprising that RIOT might be able to build a picture of where we’ve been and use that to guess where we might be in the future.</p>
<p>Yet we don’t have to leave this trail. Most smartphones have the ability to <a href="http://www.tech-recipes.com/rx/11712/how-to-disable-geotagging-on-your-smartphones-camera-android-iphone-blackberry/">turn geographic location information off</a> so that it’s not recorded when we take photographs.</p>
<p>Most of us never think to turn these options off because we don’t think about our social media persisting, but it does. Our social media fragments – our photos and posts – have no expiry date so it’s worth taking a moment when we set up a new phone or account and tweak the settings to only share what you really want to share.</p>
<p>If RIOT demonstrates anything, it’s the fact that information shared publicly online will likely be read, shared, copied, stored and analysed in ways we didn’t immediately think about.</p>
<p>If we take the time to adjust our privacy settings and sharing options, we can exercise some control over the sort of profile RIOT, or any future tool, might build about us.</p>
<p><em>Tama Leaver receives funding from the Australian Research Council.</em></p>
<p> <img alt="The Conversation" src="//counter.theconversation.edu.au/content/12146/count.gif" width="1" height="1" />
<link rel="canonical" href="http://theconversation.edu.au/riot-gear-your-online-trail-just-got-way-more-visible-12146" /> <meta name="syndication-source" content="http://theconversation.edu.au/riot-gear-your-online-trail-just-got-way-more-visible-12146" />
<p>This article was originally published at <a href="http://theconversation.edu.au">The Conversation</a>. Read the <a href="http://theconversation.edu.au/riot-gear-your-online-trail-just-got-way-more-visible-12146">original article</a>. </p>

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		<title>Digital Culture Links: January 29th</title>
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		<comments>http://www.tamaleaver.net/2013/01/29/digital-culture-links-january-29th/#comments</comments>
		<pubDate>Tue, 29 Jan 2013 05:26:19 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for January 29th: Vines Map Mashup &#8211; See where Vines are being posted in real-time on a map &#8211; And now there is a mashup, showing where Vine video snippets are being posted in realtime across the globe. Quite &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/01/29/digital-culture-links-january-29th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 29th:</p>
<ul>
<li><a href="http://vinesmap.com/">Vines Map Mashup &#8211; See where Vines are being posted in real-time on a map</a> &#8211; And now there is a mashup, showing where Vine video snippets are being posted in realtime across the globe. Quite compelling to watch.</li>
<li><a href="http://www.guardian.co.uk/artanddesign/architecture-design-blog/2013/jan/25/3d-print-chocolate-face-valentines-day">3D-print your face in chocolate for that special Valentine&#8217;s Day gift [guardian.co.uk]</a> &#8211; While I&#8217;m a big fan of 3d printing, this seems just a little too creepy for me: &#8220;Stuck for a Valentine&#8217;s Day gift with that special personal touch? A Japanese 3D-printing company may well have the answer – providing the opportunity for you to print your own face in chocolate. Shibuya&#8217;s FabCafe is offering a two-day workshop for budding techno-chocolatiers to learn how to transform their face into a sinister edible treat. For 6,000 Yen (£40), you can have your head scanned and turned into a 3D digital model, which is then printed in plastic in high definition on a ProjetHD printer. A silicon mould is made from this positive form and filled with melted chocolate – and the final product can be secreted in a box of chocolates and presented to your unsuspecting loved one.&#8221;</li>
<li><a href="http://techcrunch.com/2013/01/27/twitters-vine-has-a-porn-problem/">Twitter’s Vine Has A Porn Problem [TechCrunch]</a> &#8211; Everyone is shocked to discover that since anyone can post their 6-second videos on Vine, a few people are posting porn. *OMFG*</li>
<li><a href="http://vinepeek.com/">vinepeek</a> &#8211; An endless stream of recent Vine video posts (hypnotic): &#8220;vinepeek shows you newly posted Vines in realtime. Sit back and watch the world in 6 second bites. Best viewed on a desktop browser. This stream is coming straight from Vine and is unmoderated. You have been warned! <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' />  Unlike lightning, sometimes Vines strike twice. Please be patient if you see a Vine more than once. If it seems to freeze, refresh the page.&#8221;</li>
<li><a href="http://blog.twitter.com/2013/01/vine-new-way-to-share-video.html">Vine: A new way to share video [Twitter Blog]</a> &#8211; Twitter releases <a href="http://vine.co">Vine</a>, a micro-video-sharing app, which lets users post videos of up to 6 seconds in length (mp4s, not GIFs).</li>
<li><a href="http://www.guardian.co.uk/technology/2013/jan/23/facebook-graph-search-privacy-concerns">Facebook&#8217;s Graph Search tool causes increasing privacy concerns [Technology | guardian.co.uk]</a> &#8211; actualfacebookgraphsearches.tumblr.com makes the news: &#8220;Privacy concerns are mounting around Facebook&#8217;s recently announced search tool, after it was used to unearth lists of people related to supporters of the outlawed Chinese group Falun Gong and companies apparently employing self-declared racists. Graph Search, Facebook&#8217;s answer to Google&#8217;s search engine, was launched last week by founder Mark Zuckerberg, who promised it would help people find friends who share their interests. Critics argued it could be also be used to unearth compromising information on Facebook&#8217;s 1 billion members. In a blog launched on Wednesday, a series of controversial search results have been made public, showing the extent to which those who share photos, personal information and &#8220;likes&#8221; on Facebook could have their privacy invaded.&#8221;</li>
<li><a href="https://www.eff.org/deeplinks/2013/01/how-protect-your-privacy-facebooks-graph-search">How to Protect Your Privacy from Facebook&#8217;s Graph Search [Electronic Frontier Foundation]</a> &#8211; &#8220;Earlier this week, Facebook launched a new feature—Graph Search—that raised some privacy concerns with us. Graph Search allows users to make structured searches to filter through friends, friends of friends, and strangers. This feature relies on your profile information being made widely or publicly available, yet there are some Likes, photos, or other pieces of information that you might not want out there. Since Facebook removed the ability to remove yourself from search results altogether, we&#8217;ve put together a quick how-to guide to help you take control over what is featured on your Facebook profile and on Graph Search results.&#8221;</li>
</ul>

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		<title>Facebook’s Graph Search, privacy and the social media contradiction</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/iSAHFV7u44Y/</link>
		<comments>http://www.tamaleaver.net/2013/01/21/facebooks-graph-search-privacy-and-the-social-media-contradiction/#comments</comments>
		<pubDate>Sun, 20 Jan 2013 23:00:00 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[graph search]]></category>
		<category><![CDATA[social media contradiction]]></category>

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		<description><![CDATA[[Last week I wrote the article below for The Conversation. It’s reproduced here mainly for my records …] &#160; Initial responses to Facebook’s newly announced Graph Search (a name only a software engineer could love) appear to be split into &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/01/21/facebooks-graph-search-privacy-and-the-social-media-contradiction/">Read more &#187;</a></p>]]></description>
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<p>[Last week I wrote <a href="https://theconversation.edu.au/facebooks-graph-search-privacy-and-the-social-media-contradiction-11647">the article below for The Conversation</a>. It’s reproduced here mainly for my records …]</p>
<p>&#160;<a title="Facebook Jelly Belly by vincos, on Flickr" href="http://www.flickr.com/photos/vincos/5195538730/"><img alt="Facebook Jelly Belly" src="http://farm5.staticflickr.com/4130/5195538730_253dd634e6.jpg" width="500" height="333" /></a> </p>
<p>Initial responses to Facebook’s newly announced <a href="https://www.facebook.com/about/graphsearch/">Graph Search</a> (a name only a software engineer could love) appear to be split into two main camps:</p>
<ul>
<li>those who have <a href="http://www.computerworld.com/s/article/9235866/Facebook_s_new_Graph_Search_could_be_social_game_changer">celebrated the level of nuanced detail that can be retrieved by the tool</a> </li>
<li>those who suggest Graph Search represents <a href="http://www.infoworld.com/t/internet-privacy/facebook-graph-search-may-be-social-engineering-nightmare-211002">further erosion of privacy on the social networking giant</a>. </li>
</ul>
<p>Both responses are entirely valid.</p>
<h4>So, what is Graph Search?</h4>
<p>If Graph Search works as advertised, then it’s a technical marvel, allowing a huge array of complex searches using real questions, not just keywords.</p>
<p>Type in “Which females in my area, around my age, support the Fremantle Dockers and are single?” and suddenly Facebook becomes a very specific and useful dating service. But this nuanced, “natural language” searching also means that, for many users, it will be even easier to delve into the minute details that are seemingly hidden on your connections’ Timelines.</p>
<p>The discussion around the release of Graph Search highlights something more important – something that could be described as the “social media contradiction”.</p>
<p> <span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='620' height='379' src='http://www.youtube.com/embed/SD951tHz38g?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span><br />
<h4>&#160;</h4>
<h4>‘Social’ media?</h4>
<p>“Social” implies conversation and other communication which we are accustomed to thinking of as ephemeral – largely disappearing after the interaction is finished. Conversations in the street or telephone calls generally don’t persist once they’re done.</p>
<p>To Facebook and other social media service providers, it’s the media side of social media that matters. Media fills the databases – the most valuable part of Facebook to marketers (the actual customers of Facebook) – and this media has no expiration date.</p>
<p>Once entered, my relationship status, likes, photos, comments on friends’ photos, silly news stories I share and current location are all media elements which are in the Facebook database in perpetuity … unless I go to some pains to remove them.</p>
<p>Social media networks generally aren’t run by governments, and rarely by philanthropists. Most are for-profit corporations. Facebook, Google, LinkedIn and most other online services have shareholders and are out to make a profit.</p>
<h4>Different, but increasingly similar</h4>
<p>Every time someone has a conversation on Facebook, or does a search on Google, that information gets stored in a database. Google and Facebook make their money by harnessing that enormous database and allowing advertisers to reach people making specific searches or discussing specific topics.</p>
<p><img style="margin: 10px 0px" src="https://c479107.ssl.cf2.rackcdn.com/files/19310/width668/vhnn26dr-1358385187.jpg" width="570" height="225" /></p>
<p>Graph Search makes the experience of Facebook more like the experience of Google. An <a href="http://www.wired.com/business/2013/01/the-inside-story-of-graph-search-facebooks-weapon-to-challenge-google/all/">effusive profile of the Graph Search team in Wired</a> notes that the core software engineers have both defected from Google, including Lars Rasmussen who was one of the original creators of Google Maps (and the ill-fated <a href="http://support.google.com/bin/answer.py?hl=en&amp;answer=1083134">Google Wave</a>).</p>
<p>Notably, while Facebook is becoming more searchable, Google has been trying to gather more social information about its users by <a href="http://techcrunch.com/2012/01/24/google-consolidates-privacy-policy-will-combine-user-data-across-services/">merging the privacy policies governing all of its products</a> into one, and linking them all to the company’s social network, Google Plus.</p>
<p>These two online giants might have different origins, but they are looking increasingly alike.</p>
<h4>‘Privacy aware’?</h4>
<p>Be it Google or Facebook, privacy is a key issue in social media, and one which is at the heart of the social media contradiction. At any given moment, the design of a service like Facebook may make some information feel private, even when it’s technically not.</p>
<p>When <a href="http://www.tamaleaver.net/2011/10/02/facebooks-new-timeline-perceptions-of-privacy/">Facebook shifted from profiles to Timelines</a>, old conversations that were buried in the past were suddenly easy to find by scrolling back through the years. Graph Search takes that a step further, as anything in your history – any past conversations, any old photos or anything else shared on Facebook – will be searchable by others if your privacy settings allow it.</p>
<p>Limiting the visibility of a photo to “friends of friends” doesn’t just control who will see it initially on their newsfeed. It now controls who is able to search for that photo, in terms of location, caption, people tagged in it, or whatever other data exists about that photograph.</p>
<p>Facebook touts Graph Search as “privacy aware” but all that really means is the service will respect Facebook’s already complicated privacy options.</p>
<p> <span class='embed-youtube' style='text-align:center; display: block;'><iframe class='youtube-player' type='text/html' width='620' height='379' src='http://www.youtube.com/embed/bSji6Y66aKo?version=3&#038;rel=1&#038;fs=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;wmode=transparent' frameborder='0'></iframe></span><br />
<h4>&#160;</h4>
<h4>Be aware, act sensibly</h4>
<p>As Facebook makes our data accessible in yet another unexpected way, it’s perhaps time to stop reacting to each change with outrage, and become aware of the ongoing social media contradiction.</p>
<p>Every online conversation we have, every photo we upload, every item we share goes into a database. Corporations will try to harness that database to make money. That doesn’t make Google or Facebook malicious, it just makes them a business.</p>
<p>The social media contradiction occurs when we imagine Facebook or Google to be a service, not a business. If we keep in mind anything shared will be stored forever, analysed, and harnessed to make money, then, like Facebook, we’ll be aware that social media is <em>media</em>, not just social.</p>
<p>As users, our business is to try and be aware of the privacy settings available on these services and take our options seriously. Facebook might change how their database is accessed and utilised, but if we’ve only shared something with our Facebook friends, they’re the only ones who can search for it.</p>
<p>Of course, if it’s not on Facebook at all, no-one can use Facebook to find it.</p>
<p>[This article was originally published at <a href="http://theconversation.edu.au">The Conversation</a>. Read the <a href="http://theconversation.edu.au/facebooks-graph-search-privacy-and-the-social-media-contradiction-11647">original article</a>. ]</p>

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		<title>Digital Culture Links: January 16th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/Z0uDQFIb59w/</link>
		<comments>http://www.tamaleaver.net/2013/01/16/digital-culture-links-january-16th/#comments</comments>
		<pubDate>Wed, 16 Jan 2013 14:22:58 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[angrybirds]]></category>
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		<category><![CDATA[beatles]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3622</guid>
		<description><![CDATA[Links through to January 16th: Beatles&#8217; First Single Enters Public Domain &#8212; In Europe [Techdirt] &#8211; The Beatles remain the iconic pop group, so news on VVN/Music that their very first single has now entered the public domain is something &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/01/16/digital-culture-links-january-16th/">Read more &#187;</a></p>]]></description>
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<p>Links through to January 16th:</p>
<ul>
<li><a href="http://www.techdirt.com/articles/20130114/12250721668/beatles-first-single-enters-public-domain-europe.shtml">Beatles&#8217; First Single Enters Public Domain &#8212; In Europe [Techdirt]</a> &#8211; The Beatles remain the iconic pop group, <a href="&quot;http://www.vintagevinylnews.com/2013/01/beatles-love-me-do-and-ps-i-love-you.html'">so news on VVN/Music that their very first single has now entered the public domain</a> is something of a landmark moment in music:<br />
<em>The Beatles first single, Love Me Do / P.S. I Love You, has entered the public domain in Europe and small labels are already taking advantage of the situation.The European copyright laws grant ownership of a recorded track for fifty years, which Love Me Do just passed. That means that, starting January 1 of 2013, anyone who wants to put out the track is free to do so.</em><br />
Unfortunately, if you&#8217;re in the US, you&#8217;ll probably have to wait until 2049 or so. And things are about to get worse in Europe too. As Techdirt reported, back in 2011 the European Union agreed to increase the copyright term for sound recordings by 20 years,</li>
<li><a href="http://www.apple.com/pr/library/2013/01/07App-Store-Tops-40-Billion-Downloads-with-Almost-Half-in-2012.html">App Store Tops 40 Billion Downloads with Almost Half in 2012 [Apple - Press Info]</a> &#8211; Apple passes 40 billion app downloads: &#8220;Apple® today announced that customers have downloaded over 40 billion apps*, with nearly 20 billion in 2012 alone. The App Store℠ has over 500 million active accounts and had a record-breaking December with over two billion downloads during the month. Apple’s incredible developer community has created over 775,000 apps for iPhone®, iPad® and iPod touch® users worldwide, and developers have been paid over seven billion dollars by Apple.&#8221;</li>
<li><a href="http://vincos.it/world-map-of-social-networks/">World Map of Social Networks [Vincos Blog]</a> -<img alt="" src="http://vincos.it/wp-content/uploads/2012/12/WMSN1212_1024.png" width="1024" height="722" />&#8220;December 2012, a new edition of my World Map of Social Networks, showing the most popular social networking sites by country, according to Alexa traffic data (Google Trends for Websites was shut down on September 2012). Facebook with 1 billion active users has established its leadership position in 127 out of 137 countries analyzed. One of the drivers of its growth is Asia that with 278 million users, surpassed Europe, 251 million, as the largest continent on Facebook. North America has 243 million users, South America 142 million. Africa, almost 52 million, and Oceania just 15 million (source: Facebook Ads Platform). In the latest months Zuckerberg’s Army conquered Armenia, Kyrgyzstan, Latvia and Vietnam.&#8221;</li>
<li><a href="http://www.rovio.com/en/news/blog/256/over-8-million-game-downloads-on-christmas-day">Over 8 million game downloads on Christmas Day! [Rovio Entertainment Ltd]</a> &#8211; Rovio&#8217;s big Christmas download haul: &#8220;Wow, what a year! We released four critically-acclaimed bestselling mobile games, developed two top-rated Facebook games, and reached more than a billion downloads &#8212; all before our 3rd “Birdday”! Angry Birds Star Wars and Bad Piggies in particular have dominated the app charts, with Angry Birds Star Wars holding the #1 position on the US iPhone chart ever since its release! To top it all off, we had 30 million downloads during Christmas week (December 22-29) and, on Christmas Day, over 8 million downloads in 24 hours alone!&#8221;</li>
<li><a href="http://www.abc.net.au/news/2013-01-01/r182b-rating-comes-into-effect/4449370">R18+ game rating comes into effect [ABC News (Australian Broadcasting Corporation)]</a> &#8211; Finally: &#8220;An R18+ video game rating has come into effect across Australia after a deal between the states and the Commonwealth last year. The change means some games that were previously unavailable to adults can go on sale, whereas others that could be accessed by children will become restricted. The issue had divided interest groups, with some claiming the new classification would protect children but others feared it would expose them to more violent games. Legislation to approve the rating was passed by the Senate in June. Under the previous classification regime, the highest rating for computer games was MA15+, meaning overseas adults-only games were either banned in Australia or given a lower classification, allowing children to obtain them.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2012/dec/28/youtube-video-views-disappear-migrate">Two billion YouTube music video views disappear &#8230; or just migrate? [Technology | guardian.co.uk]</a> &#8211; Despite rumours of massive cuts to major record labels&#8217; YouTube channel counts, the explanation is rather more banal: &#8220;Universal and Sony have, since 2009, been moving their music videos away from their YouTube channels and over to Vevo, the music industry site the two companies own with some investors from Abu Dhabi. YouTube, meanwhile, thinks that is only right to count channel video views for videos that are still actually present on the channels &#8211; which means that whenever YouTube got round to reviewing the music majors&#8217; channels on its site, a massive cut was always going to be in order.&#8221;</li>
</ul>

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		<title>A reminder about academics giving comments to journalists (and sex, and the web, too!)</title>
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		<comments>http://www.tamaleaver.net/2013/01/06/a-reminder-academics-giving-comments-to-journalists-and-sex-and-the-web-too/#comments</comments>
		<pubDate>Sun, 06 Jan 2013 05:44:45 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[My Sunday began with a twinge of disappointment as I found out that an interview I’d given to a local reporter had been used to give credence to an awfully sensationalist moral panic piece about young people, sexting, and anonymous &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2013/01/06/a-reminder-academics-giving-comments-to-journalists-and-sex-and-the-web-too/">Read more &#187;</a></p>]]></description>
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<p>My Sunday began with a twinge of disappointment as I found out that an interview I’d given to a local reporter had been used to give credence to an awfully sensationalist moral panic piece about young people, <a href="http://en.wikipedia.org/wiki/Sexting" target="_blank">sexting</a>, and anonymous messaging apps (mainly <a href="http://www.snapchat.com/" target="_blank">Snapchat</a> and <a href="https://itunes.apple.com/au/app/facebook-poke/id588594730?mt=8" target="_blank">Facebook’s new Poke</a>). While The Sunday Times isn’t exactly a bastion of investigative journalism, I was nevertheless disappointed since I’d tried to provide a bit of context for these apps, emphasising that in the vast majority of cases the material being sent was harmless, but that when more intimate material was shared, the most important dynamic was trust between the people communicating, not the nitty gritty technical details of the app itself (if someone really wants to find a way around deleting online material, they will). I know academics should always be wary of journalists reporting on sensationalist topics, and to be fair I’m not actually misquoted, just used to add support to an otherwise pretty vacuous piece, but it nevertheless smarts to be associated with a story using the headline ‘Teen Sext Trap’ in giant letters.</p>
<p>My first instinct was to be very annoyed with the journalist, <a href="https://twitter.com/katie_robertson" target="_blank">Katie Robertson</a>, who I’ve provided comments for in the past. However, after searching the web, I was swiftly reminded that journalists are but one (small) cog in the machinery of sensationalism. This became evident when I found several versions of the same story, in different locations all owned by Murdoch’s NewsCorp (as is the Sunday Times). </p>
<p>Take a look, for example, at the Sunday Times version:</p>
<p> <a title="Sunday Times Version by Tama Leaver, on Flickr" href="http://www.flickr.com/photos/tamaleaver/8352464642/"><img alt="Sunday Times Version" src="http://farm9.staticflickr.com/8500/8352464642_94d9760e72_n.jpg" width="320" height="299" /></a>
<p>(<a href="https://twitter.com/wrongdorey/status/287524447978651649/photo/1/large" target="_blank">You can see article on the Sunday Times front page in all its glory</a>.) An online version under the headline ‘Teenagers embrace new secret sexting craze on smartphones’, with the same text from the Sunday Times version, also appeared on the <a href="http://www.perthnow.com.au/news/western-australia/teenagers-embrace-new-secret-sexting-craze-on-smartphones/story-e6frg13u-1226548210148" target="_blank">Perth Now website</a>, and <a href="http://www.theaustralian.com.au/news/teenagers-embrace-new-secret-sexting-craze-on-smartphones/story-e6frg6n6-1226548210148" target="_blank">The Australian website</a>.</p>
<p>However, in contrast, another version appears in print on the other side of the country in the Tasmanian Sunday:</p>
<p> <a title="Sunday Tasmanian Version by Tama Leaver, on Flickr" href="http://www.flickr.com/photos/tamaleaver/8352464478/"><img style="margin: 10px 0px" alt="Sunday Tasmanian Version" src="http://farm9.staticflickr.com/8231/8352464478_fee8b00322_n.jpg" width="320" height="187" /></a>
<p>The Tasmanian Sunday version, written by the same reporter, released on the same day, is far more balanced and does justice to what I’d mentioned in her interview. I suspect&#160; &#8211; and haven’t yet asked – that this second version is closest to the article&#160; originally written, and that the Sunday Times (and online) version has seen a lot more input from editors seeking to increase sales. This is always the case – that the editors overrule the journalists – but often this input is, initially, invisible. Now I’ve been reminded, I’ll do a better job of remembering that even when you feel a decent rapport with a journalist, they often won’t have control of the words that are released under their name. That said, I do think it’s very important that academics engage with the press since it’s often in that arena where the public come across important information. For me, it just means being a little more wary (and possibly sticking to radio whenever possible).</p>
<p>In terms of this story, it’s the last few lines of the Tasmanian Sunday version that I think matter the most, and since they’re my words, I thought it would be worth posting them here. With regard to Snapchat, Facebook’s Poke or any other self-deleting messaging app that comes along:</p>
<blockquote><p>There will always be safeguards in place, but you can almost always get around them if you try. Any form of communication online has to involve a level of trust. In 99.9 per cent of cases, though, the fact that it is deleted will mean it is deleted. &#8230; But parents should always have a chat with their kids about anything shared online as it has the potential to last forever.</p></blockquote>

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		<title>Digital Culture Links: Last Links for 2012.</title>
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		<pubDate>Mon, 31 Dec 2012 04:08:35 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Happy New Year, originally uploaded by Tama Leaver. End of year links: Best Memes of 2012: Editorial Choices [Know Your Meme] &#8211; The best memes of 2012, according to Know Your Meme: #10: Sh*t People Say #9: What People Think &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/12/31/digital-culture-links-last-links-for-2012/">Read more &#187;</a></p>]]></description>
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<div style="text-align: left; padding: 3px;"><a title="photo sharing" href="http://www.flickr.com/photos/tamaleaver/8328799160/"><img style="border: solid 2px #000000;" alt="" src="http://farm9.staticflickr.com/8211/8328799160_a992ce4180.jpg" /><br />
</a><span style="font-size: 0.8em; margin-top: 0px;"><a href="http://www.flickr.com/photos/tamaleaver/8328799160/">Happy New Year</a>, originally uploaded by <a href="http://www.flickr.com/photos/tamaleaver/">Tama Leaver</a>.</span></div>
<p>End of year links:</p>
<ul>
<li><a href="http://knowyourmeme.com/blog/meme-review/best-memes-of-2012-editorial-choices">Best Memes of 2012: Editorial Choices [Know Your Meme]</a> &#8211; The best memes of 2012, according to Know Your Meme:<br />
#10: Sh*t People Say<br />
#9: What People Think I Do<br />
#8: Overly Attached Girlfriend<br />
#7: Ehrmagerd<br />
#6: Ridiculously Photogenic Guy<br />
#5: Somebody That I Used to Know<br />
#4: Kony 2012<br />
#3: Call Me Maybe<br />
#2: Grumpy Cat<br />
#1: Gangnam Style<br />
Personally, I&#8217;d add <a href="http://textsfromhillaryclinton.tumblr.com/" target="_blank">Texts from Hillary</a>, <a href="http://mckaylaisnotimpressed.tumblr.com/" target="_blank">McKayla is Not Impressed</a> and <a href="http://bindersfullofwomen.tumblr.com/" target="_blank">Binders Full of Women</a> to the list!</li>
<li><a href="http://blog.posterous.com/posterous-spaces-backup-tool-available-now">Posterous Spaces backup tool available now [The Official Posterous Space]</a> &#8211; Posterous adds the ability for users to download their entire Posterous sites as a zip file, complete with images and a usable (if dull) html interface. There hasn&#8217;t been a lot of movement with Posterous since the team were bought out by Twitter, so this new tool may signal the beginning of the end of the end for Posterous, which is a real shame since it&#8217;s still a more robust tool than Tumblr in a number of ways.</li>
<li><a href="http://www.guardian.co.uk/technology/2012/dec/26/apps-apple-store-games">App sales soar in 2012 [Technology | The Guardian]</a> &#8211; &#8220;Shiny new tablets and smartphones given as presents make Christmas Day and Boxing Day the two most lucrative days of the year for app sales. Yet in the apps economy, turkeys are a year-round phenomenon. Thousands of new apps are released every week for devices running Apple&#8217;s iOS and Google&#8217;s Android, but most sink without trace. With an estimated 1bn apps released so far on those two platforms alone, there are relatively few winners and many losers. This month, industry analyst Canalys claimed that in the first 20 days of November, Apple&#8217;s US App Store generated $120m (£75m) of app revenues, with just 25 publishers accounting for half of that. And 24 of those 25 companies make games, including the likes of Zynga, Electronic Arts and Angry Birds publisher Rovio. But analysts suggested in August that two-thirds of Apple store apps had never been downloaded – a lifeless long tail of more than 400,000 unwanted apps.&#8221;</li>
<li><a href="http://blog.instagram.com/post/38962824191/2012s-most-popular-locations-on-instagram-what">2012’s Most Popular Locations on Instagram [Instagram Blog]</a> &#8211; &#8220;What was the most-Instagrammed place in the world this past year? The answer may surprise you. Out of anywhere else in the world, Bangkok’s Suvarnabhumi Airport tops the list. Over 100,000 photos were taken there last year! What other locations were popular in 2012? From Asia to Europe to North America, Instagrammers shared their view of the world. Read on for the full list:<br />
* Suvarnabhumi Airport (BKK) ท่าอากาศยานสุวรรณภูมิ in Bangkok, Thailand<br />
* Siam Paragon (สยามพารากอน) shopping mall in Bangkok, Thailand<br />
* Disneyland Park in Anaheim, California<br />
* Times Square in New York City<br />
* AT&amp;T; Park in San Francisco<br />
* Los Angeles International Airport (LAX)<br />
* Dodger Stadium in Los Angeles<br />
* Eiffel Tower in Paris<br />
* Staples Center in Los Angeles<br />
* Santa Monica Pier in Los Angeles&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-20858333">Wikipedia&#8217;s most searched articles of the year revealed [BBC News]</a> &#8211; &#8220;A study of 2012&#8242;s most read Wikipedia articles reveals striking differences in what proved popular across the different language versions of the online encyclopaedia. Facebook topped the English edition while an entry for adult video actresses did best in Japan. Hua Shan &#8211; a Chinese mountain featuring &#8220;the world&#8217;s deadliest hiking trail&#8221; &#8211; topped the Dutch list. By contrast, cul-de-sacs were the German site&#8217;s most clicked entry. &#8230; Lower entries on the lists also proved revealing. While articles about Iran, its capital city Tehran and the country&#8217;s New Year celebrations topped the Persian list, entries about sex, female circumcision and homosexuality also made its top 10. &#8230;<br />
English language most viewed<br />
1. Facebook<br />
2. Wiki<br />
3. Deaths in 2012<br />
4. One Direction<br />
5. The Avengers<br />
6. Fifty Shades of Grey<br />
7. 2012 phenomenon<br />
8. The Dark Knight Rises<br />
9. Google<br />
10. The Hunger Games&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-20857300#sa-ns_mchannel=rss&amp;ns_source=PublicRSS20-sa">Bug reveals &#8216;erased&#8217; Snapchat videos [BBC News]</a> &#8211; Using a simple file browser tool, users are able to find and save files sent via Snapchat, an app that&#8217;s meant to share and then erase photos, messages and video. Not surprisingly really, since all communication online is, essentially, copying files of some sort or another.</li>
<li><a href="http://www.theaustralian.com.au/news/web-tools-whitewash-students-online/story-e6frg6n6-1226543975690?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+TheAustralianHigherEducationNews+%28The+Australian+%7C+Higher+Education%29">Web tools whitewash students online [The Australian]</a> &#8211; Universities offering web presence washing at graduation. Perhaps teaching grads to manage their own would be better.<br />
&#8220;Samantha Grossman wasn&#8217;t always thrilled with the impression that emerged when people Googled her name. “It wasn&#8217;t anything too horrible,” she said. “I just have a common name. There would be pictures, college partying pictures, that weren&#8217;t of me, things I wouldn&#8217;t want associated with me.” So before she graduated from Syracuse University last spring, the school provided her with a tool that allowed her to put her best web foot forward. Now when people Google her, they go straight to a positive image &#8211; professional photo, cum laude degree and credentials &#8211; that she credits with helping her land a digital advertising job in New York. “I wanted to make sure people would find the actual me and not these other people,” she said. Syracuse, Rochester and Johns Hopkins in Baltimore are among the universities that offer such online tools to their students free of charge &#8230;&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/us-news-blog/2012/dec/27/facebook-founder-sister-zuckerberg-photo">Mark Zuckerberg&#8217;s sister learns life lesson after Facebook photo flap [Technology | The Guardian]</a> &#8211; A photo from Randi Zuckerberg&#8217;s Facebook page gets taken out of context and reposted on Twitter and she complains, then goes overtly moral, tweeting: &#8220;Digital etiquette: always ask permission before posting a friend&#8217;s photo publicly. It&#8217;s not about privacy settings, it&#8217;s about human decency&#8221;The Guardian&#8217;s take: &#8220;But what&#8217;s most odious about the episode is the high-handedness of Zuckerberg&#8217;s response. Facebook makes money when users surrender their privacy. The company has made it the user&#8217;s job to defend personal information, which otherwise might be made public by default. Got a problem with that? The company&#8217;s answer always has been that users should read the privacy settings, closely, no matter how often they change. &#8230; Eva Galperin said that while Facebook has made amendments to their privacy settings, they still remain confusing to a large number of people. &#8220;Even Randi Zuckerberg can get it wrong,&#8221; she said. &#8220;That&#8217;s an illustration of how confusing they can be.&#8221;</li>
<li><a href="http://www.guardian.co.uk/media/2012/dec/26/twitter-facebook-school-libel-lessons">Twitter and Facebook get on the school timetable in anti-libel lessons [Media | The Guardian]</a> &#8211; Some private schools in the UK are now embedding social media literacies into their curriculum, especially how to avoid defamation of others, and, I guess, how not to get sued. While it&#8217;d be nice to hear about more well-rounded literacies &#8211; like managing your identity online in its early forms &#8211; this is nevertheless a step in the right direction. I fear, though, a new digital divide might appear if social media literacies are embedded for some, not all.</li>
<li><a href="https://2012.twitter.com/en/golden-tweets.html">Top Tweets of 2012: Golden Tweets</a> &#8211; Twitter&#8217;s official list of top 2012 tweets, led by Barack Obama&#8217;s &#8220;Four more years&#8221; and in second place &#8230; Justin Bieber.</li>
<li><a href="http://bits.blogs.nytimes.com/2012/12/24/test-run-facebook-poke-app/?partner=rss&amp;emc=rss">Facebook&#8217;s Poke App Is a Head-Scratcher [NYTimes.com]</a> &#8211; Ephemeral Mobile Media: &#8220;.. it’s hard to grasp what the point of the Facebook Poke app really is. Poke, which came out last week, is a clone of Snapchat, an app popular among teenagers. Many have labeled Snapchat a “sexting” app — a messaging platform ideally suited for people who want to send short-lived photos and videos of you-know-what to get each other feeling lusty. The files self-destruct in a few seconds, ideally relieving you of any shame or consequence, unless, of course, the recipient snaps a screen shot. (Poke and Snapchat alert you if a screen shot has been taken.) It’s a bit of a head-scratcher for adults, like me and my Facebook friends, who aren’t inclined to sext with one another. We’re more used to uploading photos of pets, food, babies and concerts, which aren’t nearly as provocative. The most interesting aspect of Poke is that you can send photos and videos only of what you’re doing at that moment; you cannot send people a nice photo saved in your library &#8230;&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-20836739">Game of Thrones tops TV show internet piracy chart [BBC News]</a> &#8211; Game of Thrones has emerged as the most-pirated TV show over the internet this year, according to news site Torrentfreak&#8217;s latest annual survey. It said one episode of the series had racked up 4,280,000 illegal global downloads &#8211; slightly more than than its estimated US television audience. &#8230; Despite all the closures, one episode of of Game of Thrones racked up 4,280,000 illegal global downloads, according to Torrentfreak. That was slightly more than than its estimated US television audience. The level of piracy may be linked to the fact that the TV company behind it &#8211; HBO &#8211; does not allow Netflix, Hulu, Amazon Prime or other US streaming services access to its programmes. It instead restricts them to its own HBO Go online product, which is only available to its cable subscribers. Outside the US, Torrentfreak noted that Australia was responsible for a disproportionate amount of illegal copies of Game of Thrones&#8230;&#8221;</li>
</ul>

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		<title>Digital Culture Links: December 24th</title>
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		<comments>http://www.tamaleaver.net/2012/12/24/digital-culture-links-december-24th/#comments</comments>
		<pubDate>Mon, 24 Dec 2012 01:01:01 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for December 18th through December 22nd: From Grumpy Cat to Gangnam Style: The Best Memes of 2012 [Wired.com] &#8211; 2012 was a big year for memes, from McKayla Is Not Impressed to Texts From Hillary. And Gangnam Style &#8230; &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/12/24/digital-culture-links-december-24th/">Read more &#187;</a></p>]]></description>
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<p>Links for December 18th through December 22nd:</p>
<ul>
<li><a href="http://www.wired.com/underwire/2012/12/best-memes-2012/">From Grumpy Cat to Gangnam Style: The Best Memes of 2012 [Wired.com]</a> &#8211; 2012 was a big year for memes, from McKayla Is Not Impressed to Texts From Hillary. And Gangnam Style &#8230;</li>
<li><a href="http://youtube-global.blogspot.com/2012/12/ytvev.html">Gangnam Style Makes YouTube History: First Video to Hit 1 Billion Views [YouTube Blog]</a> &#8211; Gangnam Style the first YouTube video to clock one billion views! &#8221;A million views? You know what&#8217;s cool? A billion views. Today, a 34-year-old K-Pop artist made online video history when his viral video, Gangnam Style, smashed our records and became the first video ever to reach one billion views. Yup, that’s right one BILLION views! PSY&#8217;s success is a great testament to the universal appeal of catchy music&#8211; and er, great equine dance moves. In the past, music distribution was mostly regional. It was more difficult to learn about great artists from around the world. But with a global platform at their fingertips, people are now discovering and sharing amazing music from all over the planet, by artists like Brazilian Michel Teló and Belgian-Australian Gotye.&#8221;</li>
<li><a href="http://blog.twitter.com/2012/12/your-twitter-archive.html">Your Twitter archive [Twitter Blog]</a> &#8211; Twitter finally rolls out &#8211; for everyone &#8211; the ability to download your entire Twitter archive: &#8220;Today, we’re introducing the ability to download your Twitter archive, so you’ll get all your Tweets (including Retweets) going back to the beginning. Once you have your Twitter archive, you can view your Tweets by month, or search your archive to find Tweets with certain words, phrases, hashtags or @usernames. You can even engage with your old Tweets just as you would with current ones. Go to Settings and scroll down to the bottom to check for the option to request your Twitter archive. If you do see it, go ahead and click the button. You’ll receive an email with instructions on how to access your archive when it’s ready for you to download.&#8221;</li>
<li><a href="http://i-am-cc.org/">i-am-cc.org &#8211; Free your Instagram photos with a Creative Commons license!</a> &#8211; That&#8217;s a clever idea: an explicit tool for adding a Creative Commons license to your Instagram photos, and for finding Instagram photos which have Creative Commons licenses.</li>
<li><a href="http://www.bbc.co.uk/news/technology-20766682">Germany orders changes to Facebook real name policy [BBC News]</a> &#8211; &#8220;A German data protection body has ordered Facebook to end its policy of making members use their real names. The policy violates German laws that give people the right to use pseudonyms online, said the data protection agency in Schleswig-Holstein. The agency has issued a decree demanding that Facebook let people use fake names immediately. Facebook said it would fight the decree &#8220;vigorously&#8221; and that its naming policy met European data protection rules. &#8220;It is unacceptable that a US portal like Facebook violates German data protection law unopposed and with no prospect of an end,&#8221; said Thilo Weichert, head of the regional data protection office in Schleswig Holstein, in a statement. &#8230; The decree issued by the Schleswig Holstein office was &#8220;without merit&#8221; a Facebook spokeswoman told tech news site IT World adding that it planned to fight the order.&#8221;</li>
<li><a href="http://blog.twitter.com/2012/12/coming-soon-nielsen-twitter-tv-rating.html">Coming Soon: Nielsen Twitter TV Rating [Twitter Blog]</a> &#8211; The second screen just got serious: &#8220;Today Nielsen announced an agreement with Twitter to create the “Nielsen Twitter TV Rating,” an industry-standard metric that is based entirely on Twitter data.  As the experience of TV viewing continues to evolve, our TV partners have consistently asked for one common benchmark from which to measure the engagement of their programming. This new metric is intended to answer that request, and to act as a complement and companion to the Nielsen TV rating. You can read more about the news <a href="http://www.nielsen.com/us/en/insights/press-room/2012/nielsen-and-twitter-establish-social-tv-rating.html">on Nielsen’s site here</a>. Ultimately, we have one goal for this new metric: to make watching TV with Twitter even better for you, the TV fan. I look forward to sharing more about this effort in the months to come.&#8221;</li>
</ul>

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		<title>Instagram’s Terms of Use Updated … Badly.</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/IjdoEd1AoAY/</link>
		<comments>http://www.tamaleaver.net/2012/12/18/instagrams-terms-of-use-updated-badly/#comments</comments>
		<pubDate>Tue, 18 Dec 2012 04:03:08 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[Terms of Use]]></category>

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		<description><![CDATA[Despite Mark Zuckerberg implying that Facebook’s purchase wouldn’t alter the core fabric of Instagram, a billion dollar purchase price (okay, less than that after Facebook’s share price tanked) means an expectation of a significant return. Sadly, today, Instagram announced a &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/12/18/instagrams-terms-of-use-updated-badly/">Read more &#187;</a></p>]]></description>
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<p><img style="background-image: none; border-right-width: 0px; margin: 5px; padding-left: 0px; padding-right: 0px; display: inline; float: left; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="Instagram-logo-336x336" border="0" alt="Instagram Logo" align="left" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/12/Instagram-logo-336x336.png" width="200" height="200" />Despite Mark Zuckerberg <a href="https://www.facebook.com/zuck/posts/10100318398827991">implying</a> that Facebook’s purchase wouldn’t alter the core fabric of Instagram, a billion dollar purchase price (okay, less than that after Facebook’s share price tanked) means an expectation of a significant return. Sadly, today, Instagram announced a significant update to their Terms of Use which show the decidedly Facebooksih direction that the photo-sharing service is taking to try and bring in the cash. The changes were framed by <a href="http://blog.instagram.com/post/38143346554/privacy-and-terms-of-service-changes-on-instagram">a blog</a> post which suggests nothing major is changing, but that’s just not true. Here’s a key passage from the <a href="http://instagram.com/about/legal/terms/updated/">updated Terms of Use</a> (which are legally binding as of 16 January 2013):</p>
<blockquote><p>2. Some or all of the Service may be supported by advertising revenue. To help us deliver interesting paid or sponsored content or promotions, you agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you. If you are under the age of eighteen (18), or under any other applicable age of majority, you represent that at least one of your parents or legal guardians has also agreed to this provision (and the use of your name, likeness, username, and/or photos (along with any associated metadata)) on your behalf.</p>
<p>3. You acknowledge that we may not always identify paid services, sponsored content, or commercial communications as such.</p>
</blockquote>
<p>Or, if I could translate slightly: Instagram may, at their discretion and without telling you, use your photo to sell or promote something to other Instagram users – most likely your followers – and not even clearly identify this as an advertisement or promotion. While, strictly speaking, these Terms don’t alter the copyright status of your photos on Instagram (you own them, but give Instagram explicit permission to use them, re-use them, or let third parties use them as long as you’re still an Instagram user) the tone and spirit behind those uses have changed substantially. Sure, this might be a trade-off that many people are happy with: they get to keep using Instagram for free, and all sorts of new advertisements and promotions appear, some using images you’ve posted.</p>
<p>However, I fear that most people will ignore these Terms of Use changes and notifications. Ignore them, that is, until an advertisement pops up with their head or photo in it and then everyone will get loud, and angry, but unless you’re prepared to delete your Instagram account, there new Terms are absolutely binding. In the mean time, keep in mind you can always <a href="http://instaport.me/">export and download all of your Instagram photos</a> and maybe set up with a different service. For more details about what the changes mean, I recommend reading these overviews at the <a href="http://bits.blogs.nytimes.com/2012/12/17/what-instagrams-new-terms-of-service-mean-for-you/">NY Times Bits Blog</a> and <a href="http://socialtimes.com/what-you-need-to-know-about-instagrams-policy-changes_b113598">the Social Times</a>.</p>
<p>These updated changes may not worry you in the slightest, but please take the time to consider what they mean <em>before they come into effect</em>.</p>
<p><strong>Update (21 December 2012):</strong> After considerable public backlash against the new Terms, Instagram have, for now, <a href="http://blog.instagram.com/post/38421250999/updated-terms-of-service-based-on-your-feedback" target="_blank">chosen</a> to largely <a href="http://instagram.com/about/legal/terms/updated/" target="_blank">revert to their previous terms</a>. This is a short-term win insomuch as Instagram are now aware that there are lines that their users don’t want to see crossed. Even though there was considerable misinterpretation (as far as I can see, Instagram never intended, for example, to wholesale sell anyone’s photos), concerns raised were legitimate. However, the longer term problem remains: <a href="http://www.guardian.co.uk/money/2011/may/11/terms-conditions-small-print-big-problems" target="_blank">few people ever read Terms of Use</a>, so a change like this is only ever interpreted as a knee-jerk response against the most sensational media reports. Perhaps the salient lesson here is that at least a passing familiarity with all Terms we’ve signed up for makes us more aware of where we really stand as users, consumers and participants in a mobile media culture?</p>
<p>Incidentally, I’d love it if <a href="http://creativecommons.org/weblog/entry/36047" target="_blank">Instagram added native support for Creative Commons licenses</a>, but I understand that as a Facebook-owned company, that’s highly unlikely. The lesson Instagram might learn from a conversation with Creative Commons, though, is <a href="http://creativecommons.org/licenses/" target="_blank">having layered Terms</a> where human-readable terms means read by all humans, not just those with law degrees.</p>

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		<title>Digital Culture Links: December 17th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/B71NMT9quSM/</link>
		<comments>http://www.tamaleaver.net/2012/12/17/digital-culture-links-december-4th-through-december-17th/#comments</comments>
		<pubDate>Mon, 17 Dec 2012 06:14:45 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3585</guid>
		<description><![CDATA[Links through to December 17th: The Web We Lost [Anil Dash] &#8211; Spot on: “Facebook and Twitter and Pinterest and LinkedIn and the rest are great sites, and they give their users a lot of value. … But they&#8217;re based &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/12/17/digital-culture-links-december-4th-through-december-17th/">Read more &#187;</a></p>]]></description>
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<p>Links through to December 17th:</p>
<ul>
<li><a href="http://dashes.com/anil/2012/12/the-web-we-lost.html">The Web We Lost [Anil Dash]</a> &#8211; Spot on: “Facebook and Twitter and Pinterest and LinkedIn and the rest are great sites, and they give their users a lot of value. … But they&#8217;re based on a few assumptions that aren&#8217;t necessarily correct. The primary fallacy that underpins many of their mistakes is that user flexibility and control necessarily lead to a user experience complexity that hurts growth. And the second, more grave fallacy, is the thinking that exerting extreme control over users is the best way to maximize the profitability and sustainability of their networks. The first step to disabusing them of this notion is for the people creating the next generation of social applications to learn a little bit of history, to know your shit, whether that&#8217;s about Twitter&#8217;s business model or Google&#8217;s social features or anything else. We have to know what&#8217;s been tried and failed, what good ideas were simply ahead of their time, and what opportunities have been lost in the current generation of dominant social networks.”</li>
<li><a href="http://www.nytimes.com/2012/11/13/technology/false-posts-on-facebook-undermine-its-credibility.html?pagewanted=2&amp;_r=4&amp;smid=tw-nytimesbusiness&amp;partner=socialflow&amp;pagewanted=all">False Posts on Facebook Undermine Its Credibility [NYTimes.com]</a> &#8211; A reminder that Facebook&#8217;s battle against fake accounts is all about the authenticity the SELL ADVERTISERS: &#8220;For the world’s largest social network, it is an especially acute problem, because it calls into question its basic premise. Facebook has sought to distinguish itself as a place for real identity on the Web. As the company tells its users: “Facebook is a community where people use their real identities.” It goes on to advise: “The name you use should be your real name as it would be listed on your credit card, student ID, etc.” Fraudulent “likes” damage the trust of advertisers, who want clicks from real people they can sell to and whom Facebook now relies on to make money. Fakery also can ruin the credibility of search results for the social search engine that Facebook says it is building. &#8230; The research firm Gartner estimates that while less than 4 percent of all social media interactions are false today, that figure could rise to over 10 percent by 2014.&#8221;</li>
<li><a href="http://ausdroid.net/2012/12/12/android-overtakes-ios-in-australian-usage/">Android overtakes iOS in Australian usage [Ausdroid]</a> &#8211; December 2012: &#8220;Android has been growing globally at an extremely rapid rate with statistics from November indicating that Android currently enjoys a 75% market share. In Australia this year over 67% of Smart Phone sales were Android handsets and now research analysis firm Telsyte is advising that market penetration of Android devices in Australia has finally overtaken iOS with Android now on 44% of the 10 Million mobile phones currently in use here. iOS still enjoys a 43% market share &#8230;&#8221;</li>
<li><a href="http://blog.nielsen.com/nielsenwire/social/2012/#showcase">Social Media Report 2012 [Nielsen]</a> &#8211; Nielsen&#8217;s Social Media Report 2012 provides statistical evidence of the trends for 2012, which shows the internet use, mobile use and social networking time are all up. A third of people engaging in social networking &#8220;from the bathroom&#8221;!</li>
<li><a href="http://www.guardian.co.uk/technology/2012/dec/01/text-messaging-20-years">Text messaging turns 20 [Technology | The Observer]</a> &#8211; &#8220;Long ago, back before Twitter, way before Facebook, in a time when people still lifted a receiver to make a call and telephone boxes graced streets where people didn&#8217;t lock their doors, Neil Papworth, a software programmer from Reading, sent an early festive greeting to a mate. &#8220;Since mobile phones didn&#8217;t yet have keyboards, I typed the message out on a PC. It read &#8216;Merry Christmas&#8217; and I sent it to Richard Jarvis of Vodafone, who was enjoying his office Christmas party at the time,&#8221; said Papworth. On 3 December 1992, he had sent the world&#8217;s first text message. Text messaging turns 20 tomorrow. More than 8 trillion were sent last year. Around 15 million leave our mobile screens every minute. There is now text poetry, text adverts and text prayers (dad@hvn, 4giv r sins) and an entire generation that&#8217;s SMS savvy. Last week saw the first major act of the text watchdog, the Information Commissioner&#8217;s Office, in fining two men £440,000 over spam texts.&#8221;</li>
</ul>

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		<title>Digital Culture Links: November 29th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/xIUwGXPOnsU/</link>
		<comments>http://www.tamaleaver.net/2012/11/29/digital-culture-links-november-29th/#comments</comments>
		<pubDate>Thu, 29 Nov 2012 07:10:22 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for November 25th through November 29th: Aussie viral video, &#8216;Dumb Ways to Die&#8217;, lives on [The Age]- &#8220;Australia&#8217;s fastest-spreading viral video, &#8220;Dumb Ways to Die&#8221;, has taken on a life of its own, inspiring more than 65 cover versions, &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/11/29/digital-culture-links-november-29th/">Read more &#187;</a></p>]]></description>
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<p>Links for November 25th through November 29th:</p>
<ul>
<li><a href="http://www.theage.com.au/technology/technology-news/aussie-viral-video-dumb-ways-to-die-lives-on-20121129-2ahm0.html">Aussie viral video, &#8216;Dumb Ways to Die&#8217;, lives on [The Age]</a>- &#8220;Australia&#8217;s fastest-spreading viral video, &#8220;Dumb Ways to Die&#8221;, has taken on a life of its own, inspiring more than 65 cover versions, 85 parodies and 170 re-posts on YouTube. The original clip, made to promote safety on Melbourne Metro Trains, has amassed more than 28 million views on YouTube since it was posted on November 14. Its creator, ad agency McCann Worldgroup Australia, said its “conservative” estimate was that the campaign had generated $50 million in &#8220;global-earned media value&#8221; so far, in addition to more than 700 press hits. A new parody clip by Seattle-based creative team Cinesaurus about the Curiosity Mars mission, dubbed “<a title="Cool Things to Find" href="http://www.youtube.com/watch?v=bIy6w_iubSs" target="_blank">Cool Things to Find</a>”, joins dozens of other parodies and covers including a classic rock version, a Russian cover &#8230; “It&#8217;s entered popular culture,” said John Mescall, executive creative director of McCann Worldgroup Australia.&#8221; <iframe src="http://www.youtube.com/embed/IJNR2EpS0jw" frameborder="0" width="560" height="315"></iframe></li>
<li><a href="http://www.guardian.co.uk/law/2012/nov/26/google-defamation-libel-australia">Google is publisher according to Australian court [David Banks | Law | guardian.co.uk]</a> &#8211; “Google will have to be quicker to remove defamatory content, at least in Australia, after it lost a $200,000 libel action there. […] the tale of Australia&#8217;s most successful libel litigant may give Google and other search engines pause for thought. Milorad Trkulja, a music promoter, took action against Google over material online, which linked him with criminal figures in Melbourne. Trkulja has never been involved in any criminal activity, but was unfortunate enough to have been shot in a restaurant in 2004. His lawyers wrote to Google in October 2009 asking for the offending material, which included a number of images, to be removed, but received a reply saying that in line with Google&#8217;s policies on content removal he should contact the owners of the website concerned instead. Trkulja sued Google and the jury concluded that the search engine was the publisher of images of Trkjulja and related information which suggested he was involved in crime &#8230; &#8220;</li>
<li><a href="http://www.theage.com.au/digital-life/smartphone-apps/the-oneway-street-to-digital-lockin-20121123-29xrc.html">The one-way street to digital lock-in [The Age]</a> &#8211; A simple but very important reminder from Hayley Tsukayama that when you buy a mobile device, you&#8217;re not just buying a device &#8211; you&#8217;re committing to a cloud ecosystem and a provider of apps and content that you&#8217;ll be locked into for a long time, and probably can&#8217;t easily transfer between devices. iPhone apps won&#8217;t ever work on a Nexus tablet, nor will Google Play books end up being read on iPads any time soon.</li>
<li><a href="http://youtube-trends.blogspot.com/2012/11/psy-passes-bieber-gangnam-style.html">PSY Passes Bieber; &#8216;Gangnam Style&#8217; New Most-Viewed Video of All Time [YouTube Trends]</a> &#8211; &#8220;Today, global sensation <a href="http://youtu.be/9bZkp7q19f0">PSY and his wildly popular &#8220;Gangnam Style&#8221; music video</a> surpassed Justin Bieber&#8217;s &#8220;Baby&#8221; as the most viewed music video (and overall video) of all time on YouTube. As of noon on Saturday (24 Nov 2012), the viewcounts stood at 805 million to 803 million.&#8221;</li>
</ul>

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		<item>
		<title>National Teaching Award!</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/jj5pqXvd6wE/</link>
		<comments>http://www.tamaleaver.net/2012/11/19/national-teaching-award/#comments</comments>
		<pubDate>Mon, 19 Nov 2012 12:36:51 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[Australian Awards for University Teaching]]></category>
		<category><![CDATA[Canberra]]></category>
		<category><![CDATA[netstudies]]></category>
		<category><![CDATA[Office of Learning and Teaching]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3568</guid>
		<description><![CDATA[At an amazing ceremony and dinner at the National Gallery in Canberra tonight I was surprised, flattered and delighted to receive an Australian Award for University Teaching in the Humanities and Arts. This is a huge honour, and I&#8217;m extremely &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/11/19/national-teaching-award/">Read more &#187;</a></p>]]></description>
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<div style="text-align: left; clear: both" class="separator"><a style="margin-bottom: 1em; float: left; clear: left; margin-right: 1em" href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/11/wpid-Photo-19112012-801-PM.jpg" target="_blank"><img id="blogsy-1353328611658.13" class="alignleft" alt="Australian Award for University Teaching" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/11/wpid-Photo-19112012-801-PM.jpg" width="300" height="501" /></a></div>
<p>At an amazing ceremony and dinner at the <a href="http://nga.gov.au">National Gallery</a> in Canberra tonight I was surprised, flattered and delighted to receive <a href="http://www.olt.gov.au/system/files/2012_Awards_recipients.pdf">an Australian Award for University Teaching in the Humanities and Arts</a>. This is a huge honour, and I&#8217;m extremely grateful to have my approaches to learning and teaching acknowledged in this manner. That said, I&#8217;m incredibly conscious that no one teaches in a vacuum, and in <a href="http://humanities.curtin.edu.au/schools/MCCA/netstudies/">Internet Communications</a> I am but one cog in a very complex and well-maintained machine, so this award is at least as much testimony to all of our team at Curtin University as it is to me.</p>
<p>Most importantly, though, I wanted to publicly thank the students who offered their thoughts and feedback about my teaching. We live in an era where students get asked to fill in an awfully large number of feedback forms, surveys and evaluations, so adding even one more thing to that pile is a big ask. So, THANK YOU to all of my students, current and past, whose kind words led to this award.</p>
<p>I&#8217;d also like to think that this award is a reminder that despite the huge media attention being paid to MOOCs and so forth, quality online education has been available and refined over more than a decade, and our Internet Communications program is one such example. I truly hope that as this next generation of online learning matures, close attention will be paid to successful examples already available! Successful learning and teaching is, after all, built on understanding the successes and failures of the past.</p>

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		<item>
		<title>Who Do You Think You Are 2.0?</title>
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		<comments>http://www.tamaleaver.net/2012/11/12/who-do-you-think-you-are-2-0/#comments</comments>
		<pubDate>Mon, 12 Nov 2012 09:07:01 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3561</guid>
		<description><![CDATA[At today’s first day of the Perth CCI Symposium I presented the next section of my ongoing Ends of Identity research project as part of the Cultural Science session. I’ve attempted to use the BBC TV series Who Do You &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/11/12/who-do-you-think-you-are-2-0/">Read more &#187;</a></p>]]></description>
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<p>At today’s first day of the <a href="http://cci.edu.au/node/1407">Perth CCI Symposium</a> I presented the next section of my ongoing Ends of Identity research project as part of the Cultural Science session. I’ve attempted to use the <a href="http://www.bbc.co.uk/programmes/b007t575">BBC TV series Who Do You Think You Are?</a><em></em> to explore how social media both before, during and after our lives shapes, frames and reframes who ‘we’ are in various ways. </p>
<p> <iframe style="border-bottom: #ccc 0px solid; border-left: #ccc 1px solid; margin-bottom: 5px; border-top: #ccc 1px solid; border-right: #ccc 1px solid" height="356" marginheight="0" src="http://www.slideshare.net/slideshow/embed_code/15125346" frameborder="0" width="427" marginwidth="0" scrolling="no" mozallowfullscreen="mozallowfullscreen" webkitallowfullscreen="webkitallowfullscreen" allowfullscreen="allowfullscreen"> </iframe>
<div style="margin-bottom: 5px"><strong><a title="Who Do You Think You Are 2.0" href="http://www.slideshare.net/Tama/who-do-you-think-you-are-20" target="_blank">Who Do You Think You Are 2.0</a> </strong>from <strong><a href="http://www.slideshare.net/Tama" target="_blank">Tama Leaver</a></strong> </div>
<p>As always, comments, questions and criticism are most welcome! <img style="border-bottom-style: none; border-left-style: none; border-top-style: none; border-right-style: none" class="wlEmoticon wlEmoticon-smile" alt="Smile" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/11/wlEmoticon-smile.png" /></p>

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		<item>
		<title>Digital Culture Links:  October 29th through November 8th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/-TJpw_OeVKY/</link>
		<comments>http://www.tamaleaver.net/2012/11/09/digital-culture-links-october-29th-through-november-8th/#comments</comments>
		<pubDate>Fri, 09 Nov 2012 11:51:12 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3543</guid>
		<description><![CDATA[Links for October 29th through November 8th: Backdown on internet filter plan [SMH] &#8211; YAY! &#8220;The [Australian] government has finally backed down on its plan for a controversial mandatory internet filter, and will instead rely on major service providers to &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/11/09/digital-culture-links-october-29th-through-november-8th/">Read more &#187;</a></p>]]></description>
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<p>Links for October 29th through November 8th:</p>
<ul>
<li><a href="http://www.smh.com.au/technology/technology-news/backdown-on-internet-filter-plan-20121108-290qr.html">Backdown on internet filter plan [SMH]</a> &#8211; YAY! &#8220;The [Australian] government has finally backed down on its plan for a controversial mandatory internet filter, and will instead rely on major service providers to block &#8221;the worst of the worst&#8221; child abuse sites. The retreat on the filter, which Labor proposed from early in its term, comes after a strong campaign by providers. Opponents argued it would not be effective, would be costly and slow down services, and involved too much censorship. Communications Minister Stephen Conroy, who strongly argued the case for years, will announce on Friday that providers blocking the Interpol worst of the worst list &#8221;will help keep children safe from abuse&#8221;. &#8221;It meets community expectations, and fulfils the government&#8217;s commitment to preventing Australian internet users from accessing child-abuse material online.&#8221; The government will use its powers under the telecommunications legislation, so Senator Conroy will say a filter law will not be needed.&#8221;</li>
<li><a href="http://www.guardian.co.uk/world/2012/nov/07/how-barack-obama-celebrated-twitter">Barack Obama victory tweet becomes most retweeted ever [guardian.co.uk]</a> &#8211; &#8220;Barack Obama has celebrated winning another term as US president by <a href="https://twitter.com/BarackObama/statuses/266031293945503744">tweeting a photograph of himself hugging his wife, Michelle</a> – which almost immediately became the most popular tweet of all time. The tweet, captioned &#8220;Four more years&#8221;, had been shared more than 400,000 times within a few hours of being posted, and marked as a favourite by more than 70,000.&#8221; (It&#8217;s now over 800,000 retweets!)</li>
<li><a href="http://blog.instagram.com/post/35068144047/announcing-instagram-profiles-on-the-web">Announcing Instagram Profiles on the Web! [Instagram Blog]</a> &#8211; Instagram adds full web profiles for all (public) Instagram accounts. While users can still only upload from mobile devices (for now), Instagram embracing the fuller web, probably as part of the larger integration with Facebook.</li>
<li><a href="http://www.nytimes.com/2012/10/29/technology/mobile-apps-have-a-ravenous-ability-to-collect-personal-data.html">Mobile Apps Have a Ravenous Ability to Collect Personal Data [NYTimes.com]</a> &#8211; &#8220;Angry Birds, the top-selling paid mobile app for the iPhone in the United States and Europe, has been downloaded more than a billion times by devoted game players around the world, who often spend hours slinging squawking fowl at groups of egg-stealing pigs. While regular players are familiar with the particular destructive qualities of certain of these birds, many are unaware of one facet: The game possesses a ravenous ability to collect personal information on its users. When Jason Hong, an associate professor at the Human Computer Interaction Institute at Carnegie Mellon University, surveyed 40 users, all but two were unaware that the game was noting and storing their locations so that they could later be the targets of advertising.&#8221;</li>
</ul>

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		<title>Relief. Now, back to work …</title>
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		<comments>http://www.tamaleaver.net/2012/11/07/relief-now-back-to-work/#comments</comments>
		<pubDate>Wed, 07 Nov 2012 04:48:07 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Four more years. twitter.com/BarackObama/st… &#8212; Barack Obama (@BarackObama) November 7, 2012]]></description>
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<blockquote class="twitter-tweet"><p>Four more years. <a href="http://t.co/bAJE6Vom" title="http://twitter.com/BarackObama/status/266031293945503744/photo/1">twitter.com/BarackObama/st…</a></p>
<p>&mdash; Barack Obama (@BarackObama) <a href="https://twitter.com/BarackObama/status/266031293945503744" data-datetime="2012-11-07T04:16:18+00:00">November 7, 2012</a></p></blockquote>
<p><script src="//platform.twitter.com/widgets.js" charset="utf-8"></script></p>

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		<title>CFP: An Education In Facebook?</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/acSKahALqvM/</link>
		<comments>http://www.tamaleaver.net/2012/10/29/cfp-an-education-in-facebook/#comments</comments>
		<pubDate>Mon, 29 Oct 2012 03:52:45 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[An Education in Facebook]]></category>
		<category><![CDATA[Call for Papers]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[elearning]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[Learning Futures]]></category>
		<category><![CDATA[Mobile Media]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[student engagement]]></category>
		<category><![CDATA[informal learning]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3544</guid>
		<description><![CDATA[Along with my colleagues Mike Kent and Clare Lloyd we’re working on an edited collection about the joys, perils and uses of Facebook in higher education (of any sort). Here’s the CFP (call for papers) if you’re interested. Please feel &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/10/29/cfp-an-education-in-facebook/">Read more &#187;</a></p>]]></description>
				<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=3544"><!-- &nbsp; --></abbr>

<p>Along with my colleagues Mike Kent and Clare Lloyd we’re working on an edited collection about the joys, perils and uses of Facebook in higher education (of any sort). Here’s the CFP (call for papers) if you’re interested. Please feel free to distribute this post wide and far if you’d be so kind!</p>
<blockquote>
<h3>An Education in Facebook?<br />
Higher Education and the World’s Largest Social Network</h3>
<p>Editors: Dr Mike Kent, Dr Tama Leaver and Dr Clare Lloyd, Internet Studies, Curtin University</p>
<p>Abstract Submission Deadline 18 January 2013</p>
<p>Full Chapters Due 31 May 2013</p>
<p>We are soliciting chapter proposals for an edited collection entitled <em>An Education in Facebook?</em> This edited collection will focus on the relationship between Facebook and Higher Education. Facebook first emerged in 2004 as a social network for students studying at universities in the United States. It soon grew beyond North America, and beyond the confines of student networking. Having evolved initially as a student social space the platform continues to play a prominent role in the lives of many students and staff at higher education institutions.</p>
<p>The collection will explore the use of Facebook the higher education environment as both a social space, and also its growing use as part of teaching and learning processes, both formally and informally. From students creating informal social groups around a course of study or particular unit, and dedicated online study groups, to the use of Facebook as a formal venue for teaching, we are seeking chapters that explore these and related areas.</p>
<p>Is there an appropriate place for Facebook in formal higher education? What are the tensions between private and professional spaces online for students and teachers and what are the potential dangers of unintentional overlap? What are appropriate roles and responsibilities for staff, students and institutions in relation to the social network? What are the dangers of moving important aspects of the higher education learning environment to an external company that exploits social interaction for profit? How is the shift to online learning in many institutions complemented or challenged by mobile uses of social networks, including app use on smartphones and tablets? This book will explore these and other topics interrogating the contemporary role of Facebook in Higher Education.</p>
<p>Some suggested topics (which are by no means exhaustive):</p>
<ul>
<li>· Facebook and/as/or Learning Management Systems?</li>
<li>· Facebook as support network (for online and overseas learners, for example)</li>
<li>· Teacher-led Facebook uses as in/formal learning</li>
<li>· Student-led Facebook uses as in/formal learning</li>
<li>· Case studies of Facebook implementation in formal learning</li>
<li>· Informal versus formal learning online</li>
<li>· Social networks and the flipped classroom</li>
<li>· Context collapse</li>
<li>· Privacy issues in social network use</li>
<li>· Copyright issues in social network use</li>
<li>· Mobile learning</li>
<li>· The Facebook App in education</li>
<li>· Roles and boundaries in networked learning</li>
<li>· Facebook as a backchannel (either positive or disruptive)</li>
<li>· The politics of ‘friending’ in staff and student relations</li>
<li>· Examples of innovative Facebook integration in higher education</li>
<li>· Whether Facebook has a place in formal education</li>
<li>· MOOCs and Facebook</li>
<li>· Comparative uses of Facebook and other online networks (eg Twitter)</li>
</ul>
<p>Submission procedure:</p>
<p>Potential authors are invited to submit chapter abstract of no more than 500 words, including a title, 4 to 6 keywords, and a brief bio, by email to both Dr Mike Kent &lt;m.kent@curtin.edu.au&gt; and Dr Tama Leaver &lt;t.leaver@curtin.edu.au&gt; by 18 January 2013. (Please indicate in your proposal if you wish to use any visual material, and how you have or will gain copyright clearance for visual material.) Authors will receive a response by February 15, 2013, with those provisionally accepted due as chapters of no more than 6000 words (including references) by 31 May 2013.</p>
<p>About the editors:</p>
<p>The three editors are from the Department of Internet Studies at Curtin University. Dr Mike Kent’s research focus is on people with disabilities and their use of, and access to, information technology and the Internet. He recently co-authored the monograph <em>Disability and New Media</em> (Routledge, 2011). His other area a research interest is in higher education and particularly online education. Dr Tama Leaver researches online identities, digital media distribution and networked learning. He previously spent several years as a lecturer in Higher Education Development, and is currently also a Research Fellow in Curtin’s Centre for Culture and Technology. His recent book is <em>Artificial Culture: Identity, Technology and Bodies</em> (Routledge, 2012), and he is currently co-authoring a monograph entitled <em>Web Presence: Staying Noticed in a Networked World</em>. Dr Clare Lloyd specialises in mobile communication and mobile media. Her recent publications include the co-authored papers ‘Consuming apps: the Australian woman’s slow appetite for apps’ (2012); and ‘Fun and useful apps: female identity construction and social connectedness using the mobile phone’ apps’ (2012).</p></blockquote>
<p>The <a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/10/CFP_AnEducationInFacebook.pdf">CFP is also available as a PDF</a>.</p>

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		<title>My #ir13 Storify(ed)</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/g8jjVDF5CSk/</link>
		<comments>http://www.tamaleaver.net/2012/10/26/my-ir13-storifyed/#comments</comments>
		<pubDate>Fri, 26 Oct 2012 09:38:10 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[conference]]></category>
		<category><![CDATA[Twitter]]></category>
		<category><![CDATA[Internet Research 13]]></category>
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		<category><![CDATA[storify]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3532</guid>
		<description><![CDATA[Tweets from Internet Research 13 that I want to remember ...<p class="read-more"><a href="http://www.tamaleaver.net/2012/10/26/my-ir13-storifyed/">Read more &#187;</a></p>]]></description>
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<p>One of the best things about a healthy conference back channel (or, indeed, simply channel now) is the vibrant discussion of and around the various presentations. The down side, though, is that tweets are decidedly ephemeral and tend to disappear quickly afterwards. So, considering the really useful discussion around my papers at <a href="http://ir13.aoir.org/">Internet Research 13</a>, I figured I should experiment in capturing the most useful bits with <a href="http://storify.com">Storify</a>. I’ve not used Storify before, but it was very straight forward to create a quick timeline of the tweets I want to keep, <a href=" &lt;p&gt;Tweets from Internet Research 13 that I want to remember ...&lt;/p&gt; &lt;p&gt;http://storify.com/tamaleaver/my-ir13-tweets">like so</a>:</p>
<p><script src="http://storify.com/tamaleaver/my-ir13-tweets.js?header=false&#038;sharing=false&#038;border=false"></script><br />
<noscript><a href="http://storify.com/tamaleaver/my-ir13-tweets.html" target="_blank">View the story &#8220;My #ir13 tweets &#8230;&#8221; on Storify</a></noscript>
<p>I’ll definitely be keeping Storify in mind for archiving relevant tweets from future conferences; it’s the best of the conversation and the archive.</p>

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		<title>Facebook, Student Engagement, and the ‘Uni Coffee Shop’ Group</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/cdHJGdNXyeA/</link>
		<comments>http://www.tamaleaver.net/2012/10/25/facebook-student-engagement-and-the-uni-coffee-shop-group/#comments</comments>
		<pubDate>Thu, 25 Oct 2012 08:42:35 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[student engagement]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3530</guid>
		<description><![CDATA[Here are the final slides and audio from Internet Research 13 in MediaCityUK, Salford. My last paper ‘Facebook, Student Engagement, and the ‘Uni Coffee Shop’ Group’ was presented as part of a panel about Facebook and Higher Education which also &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/10/25/facebook-student-engagement-and-the-uni-coffee-shop-group/">Read more &#187;</a></p>]]></description>
				<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=3530"><!-- &nbsp; --></abbr>

<p>Here are the final slides and audio from <a href="http://ir13.aoir.org/">Internet Research 13</a> in MediaCityUK, Salford. My last paper ‘<a href="http://www.slideshare.net/Tama/facebook-student-engagement-and-the-uni-coffee-shop-group">Facebook, Student Engagement, and the ‘Uni Coffee Shop’ Group’</a> was presented as part of a panel about Facebook and Higher Education which also featured work by my collegues <a href="http://www.cultware.com/">Mike Kent</a>, <a href="http://www.k4t3.org/">Kate Raynes-Golide</a> and Clare Lloyd. </p>
<p> <iframe style="border-bottom: #ccc 0px solid; border-left: #ccc 1px solid; margin-bottom: 5px; border-top: #ccc 1px solid; border-right: #ccc 1px solid" height="356" marginheight="0" src="http://www.slideshare.net/slideshow/embed_code/14821035" frameborder="0" width="427" marginwidth="0" scrolling="no" allowfullscreen="allowfullscreen"> </iframe>
<div style="margin-bottom: 5px"><strong><a title="Facebook, Student Engagement, and the ‘Uni Coffee Shop’ Group" href="http://www.slideshare.net/Tama/facebook-student-engagement-and-the-uni-coffee-shop-group" target="_blank">Facebook, Student Engagement, and the ‘Uni Coffee Shop’ Group</a> </strong>from <strong><a href="http://www.slideshare.net/Tama" target="_blank">Tama Leaver</a></strong> </div>
<p>The abstract: </p>
<p>While the curriculum, lecturers and tutors teaching Internet Communications via Open Universities Australia (OUA) have been engaging with students for several years using Twitter (see Leaver, 2012), in the past Facebook had been largely left alone since this was viewed as a more casual space where students might interact with each other, but not with teaching staff. However, in the last two years, more and more students have created groups to use Facebook as a discussion space about their units, often attracting a significant proportion of students from that unit. While these groups are important, of even more interest is the establishment of the group called the ‘Uni Coffee Shop’. Unlike the unit-specific groups, the Coffee Shop group, established by two Internet Communications students but open to anyone studying online via OUA, affords group support, social connectivity and a persistent online space for conversation which does not disappear or grow stagnant when students complete a specific unit.</p>
<p>This paper will outline an investigation into the effectiveness of the Uni Coffee Shop group as a student-created space for engagement and informal learning. Three modes of inquiry were used: a textual analysis of the common topics of discussion in the group over several months; a quantitative survey of members of the Coffee Shop group; and several follow-up qualitative interviews with Coffee Shop group members, including the two students who administer the group.&#160; In addition, the paper includes the perspectives of teaching staff who have been invited to join the group by students and who, at times, answer specific questions and engage with students in a less formal manner. In detailing the results of these mechanisms, this paper will argue that fostering student-run spaces of engagement using Facebook can be a very effective means to create spaces of engagement and informal learning (Krause &amp; Coates, 2008; Greenhow &amp; Robelia, 2009); the support students give each other can persist over the length of an entire degree; and teaching staff engaging with students in their space, often on their terms, can create a better rapport and a stronger sense of connectivity over the length of a student’s entire degree (and potentially beyond). A student-run Facebook group also provide a space where teaching staff and students can interact using the affordances of Facebook without staff having to explicitly ‘friend’ students (something many staff are reluctant to do for a range of reasons).</p>
<p>References   <br />Greenhow, C., &amp; Robelia, B. (2009). Informal learning and identity formation in online social networks. Learning, Media and Technology, 34(2), 119 &#8211; 140.</p>
<p>Krause, K., &amp; Coates, H. (2008). Students’ engagement in first‐year university. Assessment &amp; Evaluation in Higher Education, 33(5), 493-505. doi:10.1080/02602930701698892</p>
<p>Leaver, T. (2012). Twittering informal learning and student engagement in first-year units. In A. Herrington, J. Schrape, &amp; K. Singh (Eds.), Engaging students with learning technologies (pp. 97–110). Perth, Australia: Curtin University. Retrieved from <a href="http://espace.library.curtin.edu.au/R?func=dbin-jump-full&amp;local_base=gen01-era02&amp;object_id=187303">http://espace.library.curtin.edu.au/R?func=dbin-jump-full&amp;local_base=gen01-era02&amp;object_id=187303</a></p>

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		<title>Global Media Distribution and the Tyranny of Digital Distance</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/3FrW-sWSSPI/</link>
		<comments>http://www.tamaleaver.net/2012/10/21/global-media-distribution-and-the-tyranny-of-digital-distance/#comments</comments>
		<pubDate>Sun, 21 Oct 2012 08:32:00 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[mark scott]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3528</guid>
		<description><![CDATA[Here are the slides and audio from my paper ‘Global Media Distribution and the Tyranny of Digital Distance’ presented on Saturday, 20 October 2012 at Internet Research 13 in MediaCityUK, Salford: Global Media Distribution and the Tyranny of Digital Distance &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/10/21/global-media-distribution-and-the-tyranny-of-digital-distance/">Read more &#187;</a></p>]]></description>
				<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=3528"><!-- &nbsp; --></abbr>

<p>Here are the slides and audio from my paper ‘<a href="http://www.slideshare.net/Tama/global-media-distribution-and-the-tyranny-of-digital-distance">Global Media Distribution and the Tyranny of Digital Distance’</a> presented on Saturday, 20 October 2012 at <a href="http://ir13.aoir.org/">Internet Research 13</a> in MediaCityUK, Salford:</p>
<p> <iframe style="border-bottom: #ccc 0px solid; border-left: #ccc 1px solid; margin-bottom: 5px; border-top: #ccc 1px solid; border-right: #ccc 1px solid" height="356" marginheight="0" src="http://www.slideshare.net/slideshow/embed_code/14809287" frameborder="0" width="427" marginwidth="0" scrolling="no" allowfullscreen="allowfullscreen"> </iframe>
<div style="margin-bottom: 5px"><strong><a title="Global Media Distribution and the Tyranny of Digital Distance" href="http://www.slideshare.net/Tama/global-media-distribution-and-the-tyranny-of-digital-distance" target="_blank">Global Media Distribution and the Tyranny of Digital Distance</a> </strong>from <strong><a href="http://www.slideshare.net/Tama" target="_blank">Tama Leaver</a></strong> </div>
<p>The paper drifted somewhat from the original abstract, but in a nutshell asks why it is taking television networks so long to escape the tyranny of digital distance (in this instance embodied by the national delays in re-broadcasting overseas-produced television shows). I look at several examples, including the recent Olympics broadcasts, as well as the deep-seated resistance from commercial TV networks in Australia. I conclude following Mark Scott that the future is already here, in the visage of young viewers and <em>Peppa Pig</em> fans who will never know the broadcast schedule and that these are the viewers for whom networks should be preparing to entertain today.</p>

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		<title>News and Trolls: Olympic Games Coverage in the Twenty-First Century</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/7vZ6mYQSw5E/</link>
		<comments>http://www.tamaleaver.net/2012/10/19/news-and-trolls-olympic-games-coverage-in-the-twenty-first-century/#comments</comments>
		<pubDate>Thu, 18 Oct 2012 16:01:54 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3522</guid>
		<description><![CDATA[I’m at MediaCityUK in Salford for the annual Association of Internet Researchers conference (IR13) and today gave the first of three papers I’m involved with. Today’s was part of a great pre-conference session organised by Holly Kruse. My talk was &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/10/19/news-and-trolls-olympic-games-coverage-in-the-twenty-first-century/">Read more &#187;</a></p>]]></description>
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<p>I’m at <a href="http://www.mediacityuk.co.uk/">MediaCityUK</a> in Salford for the annual <a href="http://ir13.aoir.org/">Association of Internet Researchers conference (IR13)</a> and today gave the first of three papers I’m involved with. Today’s was part of a great pre-conference session organised by Holly Kruse. My talk was called <a href="http://www.slideshare.net/Tama/news-and-trolls-olympic-games-coverage-in-the-twentyfirst-century">“News and Trolls: Olympic Games Coverage in the Twenty-First Century</a>”; it’s very much a work in progress, but the slides are embedded below in case anyone’s interested.</p>
<p> <iframe style="border-bottom: #ccc 0px solid; border-left: #ccc 1px solid; margin-bottom: 5px; border-top: #ccc 1px solid; border-right: #ccc 1px solid" height="356" marginheight="0" src="http://www.slideshare.net/slideshow/embed_code/14785869" frameborder="0" width="427" marginwidth="0" scrolling="no" allowfullscreen="allowfullscreen"> </iframe>
<div style="margin-bottom: 5px"><strong><a title="News and Trolls: Olympic Games Coverage in the Twenty-First Century" href="http://www.slideshare.net/Tama/news-and-trolls-olympic-games-coverage-in-the-twentyfirst-century" target="_blank">News and Trolls: Olympic Games Coverage in the Twenty-First Century</a> </strong>from <strong><a href="http://www.slideshare.net/Tama" target="_blank">Tama Leaver</a></strong> </div>
<p>Sadly I didn’t record the audio, so the slides may lack contextualisation.</p>

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		<item>
		<title>Digital Culture Links: October 7th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/IPI59JlF1Vc/</link>
		<comments>http://www.tamaleaver.net/2012/10/08/digital-culture-links-october-7th/#comments</comments>
		<pubDate>Mon, 08 Oct 2012 02:33:31 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3509</guid>
		<description><![CDATA[Links for September 25th through October 7th: Facebook surpasses one billion users as it tempts new markets [BBC News] &#8211; &#34;Facebook now has more than one billion people using it every month, the company has said. The passing of the &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/10/08/digital-culture-links-october-7th/">Read more &#187;</a></p>]]></description>
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<p>Links for September 25th through October 7th:</p>
<ul>
<li><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/10/chart-of-the-day-facebook-monthly-active-users-oct-2012.jpg"><img src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/10/chart-of-the-day-facebook-monthly-active-users-oct-2012-300x225.jpg" alt="" title="chart-of-the-day-facebook-monthly-active-users-oct-2012" width="300" height="225" class="alignleft size-medium wp-image-3518" /></a><a href="http://www.bbc.co.uk/news/technology-19816709">Facebook surpasses one billion users as it tempts new markets [BBC News]</a> &#8211; &quot;Facebook now has more than one billion people using it every month, the company has said. The passing of the milestone was announced by founder Mark Zuckerberg on US television on Thursday. The company said that those billion users were to date responsible for 1.13 trillion &quot;likes&quot;, 219 billion photos and 17 billion location check-ins. The site, which was launched in 2004, is now looking towards emerging markets to build its user base further. &quot;If you&#039;re reading this: thank you for giving me and my little team the honor of serving you,&quot; Mr Zuckerberg wrote in a status update. &quot;Helping a billion people connect is amazing, humbling and by far the thing I am most proud of in my life.&quot; Statistics released to coincide with the announcement revealed there were now 600 million users accessing the site via a mobile device &#8211; up 48 million from 552 million in June this year.&quot; [<a href="http://www.businessinsider.com/chart-of-the-day-facebook-monthly-users-2012-10#ixzz28NnIdOC9">Chart Source</a>]</li>
<li><a href="http://www.theage.com.au/technology/technology-news/trial-by-social-media-worry-in-meagher-case-20120928-26pe4.html">Jill Meagher | Trial by Social Media A Worry, Experts Say [The Age]</a> &#8211; &quot;The case of Jill Meagher has had the country talking, particularly on social media, but now that someone has been charged it&#039;s time to stop being specific, experts say. Jill Meagher was mentioned on social media, both Twitter and Facebook, every 11 seconds early this morning. And the CCTV footage which showed her walking on Sydney Road on the morning she disappeared was shared on the same platforms about 7500 times within two hours &#8230; .A Facebook hate group against the accused in the Meagher case has already attracted almost 18,000 &quot;likes&quot;. Victoria Police has posted a message on its Facebook page this morning warning users of their legal responsibilities in posting and reminding that &quot;it is inappropriate to post speculation or comments about matters before the courts Thomas Meagher, Jill&#039;s husband, today urged people to consider what they posted on Twitter and Facebook.&quot;</li>
<li><a href="http://dataliberation.blogspot.com.au/2012/09/your-youtube-original-videos-now.html">Your YouTube original videos now available in Google Takeout [Google Data Liberation]</a> &#8211; YouTube just became a lot more interesting as a storage space for video, not just a distribution platform: &quot;Your Takeout menu is growing. &nbsp;Today&#039;s entr&eacute;e: &nbsp;YouTube videos. Previously, you&#039;ve been able to download individual transcoded videos from your YouTube Video Manager. &nbsp;But starting today, you also have a more efficient way to download your videos from YouTube. With Google Takeout, you can download all of the original videos that you have uploaded in a few simple clicks. &nbsp;No transcoding or transformation &#8212; you&rsquo;ll get exactly the same videos that you first uploaded. &nbsp;Your videos in. &nbsp;Your videos out.&quot;</li>
<li><a href="http://www.telegraph.co.uk/finance/newsbysector/mediatechnologyandtelecoms/9566353/Rupert-Murdoch-backs-down-in-war-with-parasite-Google.html">Rupert Murdoch backs down in war with &#8216;parasite&#8217; Google &#8211; Telegraph</a> &#8211; &quot;News Corporation plans to reverse an earlier decision to stop articles from its quality papers, such as The Times and The Sunday Times, from featuring in Google&rsquo;s listings. The effort to stop users from accessing content for free will be watered down, with Google featuring stories in search rankings from next month. The move comes amid fears that the newspapers&rsquo; exclusion is limiting their influence and driving down advertising revenues. Sources claim the change was a &ldquo;marketing exercise&rdquo;. In the past, Mr Murdoch has lambasted Google as a &ldquo;parasite&rdquo; and a &ldquo;content kleptomaniac&rdquo; because it only allows companies to feature in search rankings if users are able to click through to at least one page without paying.&quot;</li>
<li><a href="http://officialandroid.blogspot.com.au/2012/09/google-play-hits-25-billion-downloads.html">Google Play hits 25 billion downloads [Official Android Blog]</a> &#8211; Google announces that the Google Play store now offers over  675,000 apps and games and that there have been over 25 billion individual app installations to date. (September 2012).</li>
<li><a href="http://edition.cnn.com/2012/09/23/business/facebook-datalogix/">Facebook raises fears with ad tracking [CNN.com]</a> &#8211; &quot;Facebook is working with a controversial data company called Datalogix that can track whether people who see ads on the social networking site end up buying those products in stores.<br />
Amid growing pressure for the social networking site to prove the value of its advertising, Facebook is gradually wading into new techniques for tracking and using data about users that raise concerns among privacy advocates.[...] Datalogix has purchasing data from about 70m American households largely drawn from loyalty cards and programmes at more than 1,000 retailers, including grocers and drug stores. By matching email addresses or other identifying information associated with those cards against emails or information used to establish Facebook accounts, Datalogix can track whether people bought a product in a store after seeing an ad on Facebook. The emails and other identifying information are made anonymous and collected into groups of people who saw an ad and people who did not.&quot;</li>
<li><a href="http://www.gizmodo.com.au/2012/09/facebook-is-now-recording-everyone-you-stalk/">Facebook Is Now Recording Everyone You Stalk [Gizmodo Australia]</a> &#8211; Facebook has <a href="http://newsroom.fb.com/News/An-Update-to-Activity-Log-1bc.aspx">announced</a> that they will now record your Facebook search history; every time you search for someone&#039;s name, that information will be stored, accessible as part of your &#039;Activity Log&#039;. The search entries are individually delectable and only visible to you (and Facebook) but the existence of a Facebook search history is a sure sign that Facebook sees real value in recording &#8211; and thus data crunching and somehow monetizing &#8211; your search history.</li>
</ul>

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		<title>Digital Culture Links:  September 24th through September 25th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/x9MYeKddR-A/</link>
		<comments>http://www.tamaleaver.net/2012/09/25/digital-culture-links-september-24th-through-september-25th/#comments</comments>
		<pubDate>Tue, 25 Sep 2012 04:11:09 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3504</guid>
		<description><![CDATA[Links for September 24th through September 25th: Disruptions and dividends: a fast broadband Australia [ABC] &#8211; A fantastic speech from the ABC&#039;s Managing Director Mark Scott, given in September 2012, highlighting the challenges and opportunities the public broadcaster faces in &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/09/25/digital-culture-links-september-24th-through-september-25th/">Read more &#187;</a></p>]]></description>
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<p>Links for September 24th through September 25th:</p>
<ul>
<li><a href="http://about.abc.net.au/speeches/disruptions-and-dividends-a-fast-broadband-australia/">Disruptions and dividends: a fast broadband Australia [ABC]</a> &#8211; A fantastic speech from the ABC&#039;s Managing Director Mark Scott, given in September 2012, highlighting the challenges and opportunities the public broadcaster faces in the era of broadband and digital distribution. Scott sees the huge amount of time-shifted streaming of children&#039;s television as a harbinger of a future driven by immediacy, while the recent move to make episodes of Doctor Who available online (on iView) the second they finish in the UK signals the only way to answer online piracy: provide a better and easier service.</li>
<li><a href="http://www.guardian.co.uk/culture/2012/sep/22/creepshots-revenge-porn-paparazzi-women">Creepshots and revenge porn: how paparazzi culture affects women [The Guardian]</a> &#8211; Disturbing but well-written piece on &#039;creepshots&#039; and the broader cultural context in which they exist: &quot;&#8230; we arguably all live in a paparazzi culture now. Cameras are ubiquitous, as is the technology to share and publicise pictures instantly. The throb of surveillance plays out in different ways. On the more benign side are the mild nerves many people feel when an email pops up to tell them they have been tagged in a Facebook photo, an image that could be from any moment in their life &ndash; recent or historical &ndash; now public, and open for comments. But it also plays out in more insidious ways. This includes the creepshot websites, and others where people collect images of ordinary women they have culled from around the internet.&quot;</li>
<li><a href="http://blogs.wsj.com/tech-europe/2012/09/24/facebook-suspends-facial-recognition-in-europe/?mod=google_news_blog">Facebook Suspends Facial Recognition in Europe [Wall Street Journal]</a> &#8211; &quot;Facebook has voluntarily switched off its facial recognition service in Europe following a privacy audit by the Irish Data Protection Commission (DPC). The company says it wants to reinstate the feature once a form of consent can be found that meets the guidelines.&quot;</li>
<li><a href="http://www.theatlantic.com/international/archive/2012/08/gangnam-style-dissected-the-subversive-message-within-south-koreas-music-video-sensation/261462/#.UFm6BlfxJ8g.twitter">Gangnam Style, Dissected: The Subversive Message Within South Korea&#8217;s Music Video Sensation [The Atlantic]</a> &#8211; &quot;Park Jaesang is an unlikely poster boy for South Korea&#039;s youth-obsessed, highly lucrative, and famously&nbsp;vacuous&nbsp;pop music. Park, who performs as Psy (short for psycho), is a relatively ancient 34, has been busted for marijuana and for avoiding the country&#039;s mandatory military service, and is not particularly good-looking. His first album got him fined for &quot;inappropriate content&quot; and the second was banned. He&#039;s mainstream in the way that South Korea&#039;s monolithically corporate media demands of its stars, who typically appear regularly on TV variety and even game shows, but as a harlequin, a performer known for his parodies, outrageous costumes, and jokey concerts. Still, there&#039;s a long history of fools and court jesters as society&#039;s most cutting social critics, and he might be one of them. [...] Gangnam is a tony Seoul neighborhood, and Park&#039;s &quot;Gangnam Style&quot; video lampoons its self-importance and ostentatious wealth, with Psy playing a clownish caricature of a Gangnam man.&quot;</li>
</ul>

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		<title>Digital Culture Links:  August 29th through September 3rd</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/3q9QwXyjNR0/</link>
		<comments>http://www.tamaleaver.net/2012/09/03/digital-culture-links-august-29th-through-september-3rd/#comments</comments>
		<pubDate>Mon, 03 Sep 2012 14:29:57 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3491</guid>
		<description><![CDATA[Links for August 29th through September 3rd: Navigating the new multi-screen world: Insights show how consumers use different devices together &#8211; Google Mobile Ads Blog &#8211; New report funded by Google: &#8220;The New Multi-screen World: Understanding Cross-Platform Consumer Behavior&#8221; &#34;discovered &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/09/03/digital-culture-links-august-29th-through-september-3rd/">Read more &#187;</a></p>]]></description>
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<p>Links for August 29th through September 3rd:</p>
<ul>
<li><a href="http://googlemobileads.blogspot.co.uk/2012/08/navigating-new-multi-screen-world.html">Navigating the new multi-screen world: Insights show how consumers use different devices together &#8211; Google Mobile Ads Blog</a> &#8211; New report funded by Google: &ldquo;The New Multi-screen World: Understanding Cross-Platform Consumer Behavior&rdquo; &quot;discovered that 90% of people move between devices to accomplish a goal, whether that&rsquo;s on smartphones, PCs, tablets or TV. We set out to learn not just how much of our media consumption happens on screens, but also how we use these multiple devices together, and what that means for the way that businesses connect with consumers. In understanding what it means to multi-screen, we discovered two main modes of usage:<br />
* Sequential screening where we move from one device to another to complete a single goal<br />
* Simultaneous screening where we use multiple devices at the same time<br />
We found that nine out of ten people use multiple screens sequentially and that smartphones are by far the most common starting point for sequential activity.&quot; [<a href="http://services.google.com/fh/files/misc/multiscreenworld_final.pdf">Full Report PDF</a>]</li>
<li><a href="http://www.bbc.com/news/technology-19401429">UKNova made to halt television and radio torrent links [BBC News]</a> &#8211; &quot;UKNova has stopped offering BitTorrent links after becoming the latest file-sharing site to be targeted by copyright defenders. Its administrators said they took the action after receiving a demand from the Federation Against Copyright Theft (Fact). UKNova had pitched itself as a free catch-up TV and radio service and had asked its members not to add material available for sale elsewhere. It has been in operation since 2003. UKNova&#039;s use of BitTorrent links meant it did not keep any pirated material on its own servers, but rather provided the means for its members to download and upload material to and from each others&#039; computers. [...] Unlike many other file-sharing sites, UKNova did not run adverts on its pages. One of its administrators said it was not run for profit, had survived purely from voluntary donations and nobody involved had been paid.&quot;</li>
<li><a href="http://www.youtube.com/watch?v=rAtje5weAU0&amp;feature=youtu.be">Apple kills Star Trek [YouTube]</a> &#8211; Clever re-dub of classic Star Trek: The Next Generation footage in the aftermath of Apple&#039;s patent lawsuits. Things don&#039;t go well for the Enterprise!<br />
<iframe width="550" height="413" src="http://www.youtube.com/embed/rAtje5weAU0" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://edition.cnn.com/2012/08/28/opinion/rushkoff-apple-samsung/index.html">Are Apple&#8217;s innovations inside us now? [CNN.com]</a> &#8211; Douglas Rushkoff: &quot;Imagine that we were just developing spoken language for the first time. And someone came up with a new word to describe an action, thought or feeling &#8212; like &quot;magnify&quot; or &quot;dreadful.&quot; But in this strange world, the person who came up with the word demanded that anyone else who used it pay him a dollar every time the word was uttered. That would make it pretty difficult for us to negotiate our way to a society that communicated through speech. That&#039;s the way the patent wars on smartphone and tablet advances are beginning to feel to me. [...] Usually, advancements of this sort are developed through consortia of companies. The HTML standards through which the Web is rendered are not owned by a single company, but developed together and used by everyone. Imagine if one musical instrument company owned the patent on the piano keyboard, and another on the tuning of a violin. Or what if every typewriter company had to develop its own layout of letters?&quot;</li>
</ul>

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		<title>Digital Culture Links: August 22nd</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/EiMBdDbMY08/</link>
		<comments>http://www.tamaleaver.net/2012/08/22/digital-culture-links-july-31st-through-august-22nd/#comments</comments>
		<pubDate>Wed, 22 Aug 2012 13:24:48 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links &#8211; catching up &#8211; through to August 22nd: Instagram 3.0 – Photo Maps &#38; More [Instagram Blog]- Instagram releases a substantial new update for iOS and Android, adding a new photo maps feature. If the user chooses to do &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/08/22/digital-culture-links-july-31st-through-august-22nd/">Read more &#187;</a></p>]]></description>
				<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=3480"><!-- &nbsp; --></abbr>

<p>Links &#8211; catching up &#8211; through to August 22nd:</p>
<ul>
<li><a href="http://blog.instagram.com/post/29555443184/instagram-3-0-photo-maps-more-weve-been">Instagram 3.0 – Photo Maps &amp; More [Instagram Blog]</a>- Instagram releases a substantial new update for iOS and Android, adding a new photo maps feature. If the user chooses to do so, the photo maps places all geotagged photos onto an interactive map of the globe which can be navigated by Instagram users&#8217; contacts.<br />
<iframe src="http://player.vimeo.com/video/47138800" frameborder="0" width="550" height="309"></iframe><a href="http://vimeo.com/47138800">Instagram 3.0 &#8211; Photo Maps Walkthrough</a> from <a href="http://vimeo.com/instagram">Instagram</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>While the maps function is being rolled out with very clear warnings about revealing locations publicly &#8211; with tools to remove geotags from some, groups or all photos &#8211; this rollout will no doubt remind (and shock many) users that the geographic tags on their photos mean that these aren&#8217;t just photos &#8211; they&#8217;re important and complex assemblages of data that can be reused and repurposed in a variety of ways.</li>
<li><a href="http://www.bbc.co.uk/newsbeat/19229349">Google to push pirate sites down search results [BBC - Newsbeat]</a> &#8211; &#8220;Google is changing the way it calculates search results in an effort to make sure legal download websites appear higher than pirate sites. The world&#8217;s biggest search engine announced the change in a blog post on its website. The move has been welcomed by record companies in the UK and Hollywood film studios. Movie and music firms have complained in the past that Google should have been doing more to fight piracy. They say searching for an artist, song or film often brings up pages of illegal sites, making it hard to find a place to download a legal version. From next week, search results will take into account the number of &#8220;valid copyright removal notices&#8221;. Sites with more notices will rank lower, although Google has not said what it considers a valid notice.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=opg4VGvyi3M&amp;feature=youtu.be">Gotye &#8211; Somebodies: A YouTube Orchestra [YouTube]</a>- Fantastic remix by Gotye, using a huge range of fan remixes of Somebody that I Used to Know and mashing them together. Comes with a full credits list, too: <a href="http://gotye.com/reader/items/original-videos-used-in-somebodies-a-youtube-orchestra.html">http://gotye.com/reader/items/original-videos-used-in-somebodies-a-youtube-orchestra.html</a> (A great example for Web Media 207.)<iframe width="560" height="315" src="http://www.youtube.com/embed/opg4VGvyi3M" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.bbc.co.uk/news/world-asia-19191595">Facebook removes &#8216;racist&#8217; page in Australia [BBC News]</a> &#8211; &#8220;A Facebook page that depicted Aboriginal people in Australia as drunks and welfare cheats has been removed after a public outcry. The Aboriginal Memes page had allowed users to post jokes about indigenous people. An online petition calling for the removal of &#8220;the racist page&#8221; has generated thousands of signatures. The government has also condemned it. The page&#8217;s creator is believed to be a 16-year-old boy in Perth, reports say. &#8220;We recognise the public concern that controversial meme pages that Australians have created on Facebook have caused,&#8221; Facebook said in a statement to local media. A meme is an idea that spreads through the internet.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2012/jul/31/guy-adams-twitter-growing-pains">Twitter &#8216;sorry&#8217; for suspending Guy Adams as NBC withdraws complaint [Technology | guardian.co.uk]</a> &#8211; &#8220;Twitter on Tuesday reinstated the account of a British journalist it suspended for publishing the email address of an executive at NBC, which had been attracting a significant amount of incoming fire over its Olympics coverage. The incident has not done Guy Adams of the Independent much harm. Apart perhaps from a little hurt pride, he has returned to the twittersphere with tens of thousands of new followers. For NBC, it was another blow to its already battered reputation over its coverage of the London Olympic Games. But Twitter found itself in a deeply unfamiliar situation: as the subject of one of the firestorms of indignation that characterises the platform, but which are usually directed at others.&#8221;</li>
<li><a href="http://www.guardian.co.uk/media/2012/jul/31/tablet-daily-lays-off-staff">Murdoch&#8217;s tablet The Daily lays off nearly a third of its staff [Media | guardian.co.uk]</a> &#8211; &#8220;The Daily, Rupert Murdoch&#8217;s tablet newspaper, has laid off close to a third of its staff just 18 months after its glitzy launch. Executives at the News Corp-owned title told its 170 employees on Tuesday that 50 of them would be let go. Sources told the Guardian that security staff were brought onto the Daily&#8217;s editorial floor at News Corp in New York to escort the laid-off employees out of the building. Earlier this month the paper&#8217;s editor-in-chief Jesse Angelo denied reports that the media giant had put the title &#8220;on watch&#8221; and was considering closing it. In a statement Tuesday Angelo said the title was dropping its opinion section and would be taking sports coverage from Fox Sports, also part of News Corp, and other partners. In another cost-saving move the title will also stop producing pages that can be read vertically and horizontally on a tablet, sticking to straight up and down.&#8221;</li>
<li><a href="http://www.guardian.co.uk/commentisfree/2012/jul/30/twitter-suspends-guy-adams-independent">If Twitter doesn&#8217;t reinstate Guy Adams, it&#8217;s a defining moment [Dan Gillmor | Comment is free | guardian.co.uk]</a> &#8211; &#8220;Once again, we&#8217;re reminded of a maxim when it comes to publishing on other people&#8217;s platforms: we publish at their sufferance. But there&#8217;s a corollary: When they take down what we publish, they take an enormous risk with their own futures.<br />
This time, Twitter has suspended the account of a British journalist who tweeted the corporate email address of an NBC executive. The reporter, Guy Adams of the Independent, has been acerbic in his criticisms of NBC&#8217;s (awful) performance during the Olympics in London. Adams has posted his correspondence with Twitter, which claims he published a private email address. It was nothing of the kind, as many, including the Deadspin sports blog, have pointed out. &#8230; What makes this a serious issue is that Twitter has partnered with NBC during the Olympics. And it was NBC&#8217;s complaint about Adams that led to the suspension. That alone raises reasonable suspicions about Twitter&#8217;s motives.&#8221;</li>
</ul>

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		<title>Digital Culture Links:  July 25th through July 30th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/cYAgTp-34cc/</link>
		<comments>http://www.tamaleaver.net/2012/07/30/digital-culture-links-july-25th-through-july-30th/#comments</comments>
		<pubDate>Mon, 30 Jul 2012 10:35:31 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for July 25th through July 30th: Apple, Microsoft refuse to appear before IT pricing inquiry [The Age] - &#8220;A[n Australian] parliamentary committee wants to force computer giant Apple to appear before it after members became frustrated with the company&#8217;s refusal &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/07/30/digital-culture-links-july-25th-through-july-30th/">Read more &#187;</a></p>]]></description>
				<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=3473"><!-- &nbsp; --></abbr>

<p>Links for July 25th through July 30th:</p>
<ul>
<li><a href="http://www.theage.com.au/digital-life/digital-life-news/apple-microsoft-refuse-to-appear-before-it-pricing-inquiry-20120728-232uh.html">Apple, Microsoft refuse to appear before IT pricing inquiry [The Age]</a> - &#8220;A[n Australian] parliamentary committee wants to force computer giant Apple to appear before it after members became frustrated with the company&#8217;s refusal to co-operate. Hearings into the pricing of software and other IT-related material such as games and music downloads will begin in Sydney tomorrow but neither Apple nor Microsoft will appear. &#8221;Some of the big names in IT have taken local consumers for a ride for years but when legitimate questions are asked about their pricing, they disappear in a flash,&#8221; Labor MP and committee member Ed Husic told Fairfax Media. &#8221;Within our growing digital economy, there are reasonable questions to be answered by major IT companies on their Australian pricing. These companies would never treat US consumers in this way.&#8221; Both Microsoft and Adobe provided submissions to the inquiry.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/dont-tweet-if-you-want-tv-london-fans-told-20120730-2383h.html">Don&#8217;t tweet if you want TV, London fans told [The Age]</a> &#8211; &#8220;Sports fans attending the London Olympics were told on Sunday to avoid non-urgent text messages and tweets during events because overloading of data networks was affecting television coverage. Commentators on Saturday&#8217;s men&#8217;s cycling road race were unable to tell viewers how far the leaders were ahead of the chasing pack because data could not get through from the GPS satellite navigation system travelling with the cyclists. It was particularly annoying for British viewers, who had tuned in hoping to see a medal for sprint king Mark Cavendish. Many inadvertently made matters worse by venting their anger on Twitter at the lack of information. An International Olympic Committee spokesman said the network problem had been caused by the messages sent by the hundreds of thousands of fans who lined the streets to cheer on the British team. &#8220;Of course, if you want to send something, we are not going to say &#8216;Don&#8217;t, you can&#8217;t do it&#8217;,&#8230; &#8220;</li>
<li><a href="http://cerebrux.net/2012/07/28/olympics-2012-sir-tim-berners-lee-and-open-internet/">Olympics 2012, Sir Tim Berners Lee and Open Internet [Cerebrux]</a> &#8211; Great to see the 2012 London Olympics celebrating World Wide Web inventor, Sir Tim Berners-Lee. &#8220;Flash forward to last night, he was honored as the ‘Inventor of the World Wide Web’ at the 2012 Summer Olympics opening ceremony. Berners-Lee is revealed in front of a computer keyboard into which he types a message, which is then rendered in lights in the stands of Olympic Stadium: &#8220;This is for everyone.&#8221; and a message simultaneously appeared on his Twitter account: <a href="https://twitter.com/timberners_lee/statuses/228960085672599552">Tim Berners-Lee@timberners_lee This is for everyone #london2012 #oneweb #openingceremony @webfoundation @w3c<br />
28 Jul 12</a>. A great quote that resembles the openness and the fact that some things should belong to humanity.&#8221;</li>
<li><a href="http://pewinternet.org/Reports/2012/Connected-viewers.aspx">The Rise of the “Connected Viewer” [Pew Research Center's Internet &amp; American Life Project]</a> &#8211; &#8220;Half of all adult cell phone owners now incorporate their mobile devices into their television watching experiences. These “connected viewers” used their cell phones for a wide range of activities during the 30 days preceding our April 2012 survey:</li>
</ul>
<ol>
<ol>
<ol>
<li>38% of cell owners used their phone to keep themselves occupied during commercials or breaks in something they were watching</li>
<li>23% used their phone to exchange text messages with someone else who was watching the same program in a different location</li>
<li>22% used their phone to check whether something they heard on television was true</li>
<li>20% used their phone to visit a website that was mentioned on television</li>
<li>11% used their phone to see what other people were saying online about a program they were watching, and 11% posted their own comments online about a program they were watching using their mobile phone</li>
<li>Taken together, 52% of all cell owners are “connected viewers”—meaning they use their phones while watching television &#8230;&#8221;</li>
</ol>
</ol>
</ol>
<ul>
<li><a href="http://torrentfreak.com/riaa-online-music-piracy-pales-in-comparison-to-offline-swapping-120726/">RIAA: Online Music Piracy Pales In Comparison to Offline Swapping [TorrentFreak]</a> &#8211; &#8220;A leaked presentation from the RIAA shows that online file-sharing isn’t the biggest source of illegal music acquisition in the U.S. The confidential data reveals that 65% of all music files are “unpaid” but the vast majority of these are obtained through offline swapping. [...] In total, 15 percent of all acquired music (paid + unpaid) comes from P2P file-sharing and just 4 percent from cyberlockers. Offline swapping in the form of hard drive trading and burning/ripping from others is much more prevalent with 19 and 27 percent respectively. This leads to the, for us, surprising conclusion that more than 70% of all unpaid music comes from offline swapping. The chart is marked “confidential” which suggests that the RIAA doesn’t want this data to be out in the open. This is perhaps understandable since the figures don’t really help their crusade against online piracy.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-19009344">Robin Hood Airport tweet bomb joke man wins case [BBC News]</a> &#8211; Finally: &#8220;A man found guilty of sending a menacing tweet threatening to blow up an airport has won a challenge against his conviction. Paul Chambers, 28, of Northern Ireland, was found guilty in May 2010 of sending a &#8220;menacing electronic communication&#8221;. He was living in Doncaster, South Yorkshire, when he tweeted that he would blow up nearby Robin Hood Airport when it closed after heavy snow.<br />
After a hearing at the High Court in London his conviction was quashed.&#8221;</li>
<li><a href="http://blog.instagram.com/post/28067043504/the-instagram-community-hits-80-million-users">The Instagram Community Hits 80 Million Users [Instagram Blog]</a> &#8211; As of July 2012, after finally launching an Android app, and being purchased by Facebook, Instagram has 80 million registered users, who&#8217;ve posted cumulatively more than 4 billion photos.</li>
<li><a href="http://www.watoday.com.au/technology/technology-news/music-stars-accuse-google-of-helping-pirates-rip-off-material-20120724-22n73.html">Music stars accuse Google of helping pirates rip off material [WA Today]</a> &#8211; &#8220;LONDON: Roger Daltry of the Who and Brian May of Queen are among rock and pop stars who publicly attacked search engines such as Google for helping users get access to pirated copies of their music. Elton John, Andrew Lloyd Webber and Robert Plant of Led Zeppelin have also signed a letter to The Daily Telegraph in London calling for more action to tackle the illegal copying and distribution of music. Other signatories include the producer and creator of The X Factor, Simon Cowell. The letter, which will also be sent to the British Prime Minister, David Cameron, this week, highlighted the role that search engines can play in giving people access to illegal copies. Search engines must &#8221;play their part in protecting consumers and creators from illegal sites&#8221;, the signatories said, adding that broadband companies and online advertisers must also do more to prevent piracy.&#8221;</li>
</ul>

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		<title>Digital Culture Links:  July 10th through July 19th</title>
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		<comments>http://www.tamaleaver.net/2012/07/20/digital-culture-links-july-10th-through-july-19th/#comments</comments>
		<pubDate>Fri, 20 Jul 2012 14:02:53 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for July 10th through July 19th: Jon Stewart Blasts Viacom For Stupid Blackout; Viacom Sheepishly Turns Web Streams Back On [Techdirt] &#8211; Geography isn&#8217;t the only rationale behind imposing digital distance: &#8220;Last week, we wrote about Viacom&#8217;s really short-sighted &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/07/20/digital-culture-links-july-10th-through-july-19th/">Read more &#187;</a></p>]]></description>
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<p>Links for July 10th through July 19th:</p>
<ul>
<li><a href="http://www.techdirt.com/articles/20120717/11403219732/jon-stewart-blasts-viacom-stupid-blackout-viacom-sheepishly-turns-web-streams-back.shtml">Jon Stewart Blasts Viacom For Stupid Blackout; Viacom Sheepishly Turns Web Streams Back On [Techdirt]</a> &#8211; Geography isn&#8217;t the only rationale behind imposing digital distance: &#8220;Last week, we wrote about Viacom&#8217;s really short-sighted decision to use its fans as hostages in a silly dispute with DirecTV over fees. To prevent any DirecTV customer from seeing any of its key shows, Viacom stopped streaming them online&#8230; for all customers, meaning that even those who had nothing to do with any of this couldn&#8217;t legally watch the shows they liked. As we noted, this would likely only serve to drive more people to find unauthorized versions&#8230;. Of course, one of Viacom&#8217;s most popular shows &#8212; and one of the key ones turned off from streaming &#8212; is The Daily Show with Jon Stewart, which had been on break last week anyway. However, it returned last night with a vengeance, and target number one: his corporate masters at Viacom for acting as if they were China in blocking the internet, and likely driving more fans to unauthorized streams.&#8221;</li>
<li><a href="http://youtube-global.blogspot.co.uk/2012/07/face-blurring-when-footage-requires.html">Face blurring: when footage requires anonymity [YouTube Blog]</a> &#8211; YouTube launches a face-blurring tool within YouTube: &#8220;Whether you want to share sensitive protest footage without exposing the faces of the activists involved, or share the winning point in your 8-year-old’s basketball game without broadcasting the children’s faces to the world, our face blurring technology is a first step towards providing visual anonymity for video on YouTube.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/shell-social-media-oil-spill-a-coordinated-online-assassination-20120719-22bpe.html">Shell social media oil spill a &#8216;coordinated online assassination&#8217; [The Age]</a> &#8211; Shell&#8217;s brand has been hijacked in what marketing experts say is a &#8220;social media oil spill&#8221; and a &#8220;coordinated online assassination of the Shell brand&#8221;. It&#8217;s a fake PR disaster that has snowballed into a very real one for Shell as web users are under the impression that it is an official company campaign. It started when an Arctic Ready website appeared online about two months ago that looked almost identical to the Arctic section on Shell&#8217;s own site. The site appeared to be an educational site about Shell&#8217;s oil drilling in the Arctic &#8211; complete with &#8220;Angry Bergs&#8221; kids game &#8211; but invited people to create their own ads by adding their own marketing copy over supplied photographs of the Arctic. User-generated ads could then be shared on social media. &#8230; For all intents and purposes, it looks like a real Shell marketing idea that has spun out of control &#8230;<br />
But in reality &#8230; the Arctic Ready website, and the viral video, were created by activists Greenpeace and The Yes Men.&#8221;</li>
<li><a href="http://www.smh.com.au/technology/technology-news/downloads-its-cheaper-to-pay-a-wage-fly-to-the-us-and-back-twice-20120718-229in.html">Downloads: &#8216;It&#8217;s cheaper to pay a wage, fly to the US and back twice&#8217; [SMH]</a>- &#8220;Australians are paying 50 per cent more than American shoppers for downloaded music and games, as well as computer software and hardware, consumer watchdog Choice says. In a submission to a parliamentary inquiry into IT Pricing, Choice says Australians are on the wrong end of of international price discrimination by copyright holders. New research carried out by the group found price differences across a range of IT products including iTunes downloads, PC games, personal and business software, Wii console games and computer hardware. &#8220;In Australia you pay, on average, 52 per cent more than an American consumer will for the same 50 top iTunes songs,&#8221; says Choice head of campaigns, Matt Levey.&#8221;"A selection of 44 popular home and business software products were, on average, 34 per cent more expensive in Australia than the US.&#8221;</li>
<li><a href="http://marketingsummit.australiacouncil.gov.au/blog/new-social-media-policy/">Council’s new social media policy – rethinking our networks [Marketing Summit 2012]</a> &#8211; While these things are never perfect, <a href="http://australiacouncil.gov.au/smpolicy">the new Australia Council for the Arts Social Media Policy</a> is well-written, mindful of the specificities of social media platforms and engagement (not risk!) centred. This policy will probably prove a useful template for corporations and organisations trying to figure out their own policies for social media use. Kudos to former Creative Commons stalwart Elliot Bledsoe for spearheading the new policy development.</li>
<li><a href="http://news.cnet.com/8301-1023_3-57471570-93/facebook-scans-chats-and-posts-for-criminal-activity/">Facebook scans chats and posts for criminal activity [Internet &amp; Media - CNET News]</a> &#8211; Facebook is intensively data-mining Facebook chat; the justification: &#8220;If [Facebook] detects suspicious behavior, it flags the content and determines if further steps, such as informing the police, are required. The new tidbit about the company&#8217;s monitoring system comes from a Reuters interview with Facebook Chief Security Officer Joe Sullivan. Here&#8217;s the lead-in to the Reuters story: &#8220;A man in his early 30s was chatting about sex with a 13-year-old South Florida girl and planned to meet her after middle-school classes the next day. Facebook&#8217;s extensive but little-discussed technology for scanning postings and chats for criminal activity automatically flagged the conversation for employees, who read it and quickly called police. Officers took control of the teenager&#8217;s computer and arrested the man the next day.&#8221; Facebook&#8217;s software focuses on conversations between members who have a loose relationship on the social network.&#8221;</li>
<li><a href="http://www.independent.co.uk/life-style/gadgets-and-tech/news/facebook-set-to-unfriend-anonymous-snooping-7944451.html">Facebook set to unfriend anonymous snooping[The Independent]</a>- I genuinely doubt this will be rolled out on Timelines; it&#8217;d reduce time spent on Facebook. Stalking &#8211; more advertising views, after all.&#8221;The end is nigh for anonymous stalking on the social media website Facebook. The website has announced that it is going to start letting users know who has viewed items on the social network, a change which is expected to cause the amount of online snooping to plummet. For now, the change to the Facebook website, which has more than 900m active users, applies to group pages, meaning users can see who has visited any group of which they are a member. But already there are suggestions that Facebook may unfurl the technology across the site, meaning the naughty-naughty-stalky-stalky generation may soon see their fingerprint-free snooping habits curtailed, or face the embarrassment of their ex&#8217;s new boyfriend/girlfriend realising they were too curious to resist an online-curtain twitch.&#8221;</li>
<li><a href="http://cvdazzle.com/">CV Dazzle: Camouflage From Computer Vision by Adam Harvey</a> &#8211; &#8220;CV Dazzle™ is camouflage from computer vision (CV). It is a form of expressive interference that combines makeup and hair styling (or other modifications) with face-detection thwarting designs. The name is derived from a type of camouflage used during WWI, called Dazzle, which was used to break apart the gestalt-image of warships, making it hard to discern their directionality, size, and orientation. Likewise, the goal of CV Dazzle is to break apart the gestalt of a face, or object, and make it undetectable to computer vision algorithms, in particular face detection. Because face detection is the first step in automated facial recognition, CV Dazzle can be used in any environment where automated face recognition systems are in use, such as Google&#8217;s Picasa, Flickr, or Facebook (<a href="http://vimeo.com/12308527">see CV Dazzle vs PhotoTagger by Face.com</a>). [<a href="http://jilltxt.net/?p=3069">Via Jill</a>]</li>
</ul>

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		<title>Digital Culture Links: July 10th</title>
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		<comments>http://www.tamaleaver.net/2012/07/10/digital-culture-links-july-10th/#comments</comments>
		<pubDate>Tue, 10 Jul 2012 04:06:04 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3456</guid>
		<description><![CDATA[Links, catching up, through to July 10th: What to Watch? AUDIENCE MOTIVATION IN A MULTI-SCREEN WORLD [Screen Australia: Research] &#8211; New report from Screen Australia (released June 2012) which investigates the viewing habits of audiences in Australia. The report is careful to &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/07/10/digital-culture-links-july-10th/">Read more &#187;</a></p>]]></description>
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<p>Links, catching up, through to July 10th:</p>
<ul>
<li><a href="http://www.screenaustralia.gov.au/research/what_to_watch.aspx">What to Watch? AUDIENCE MOTIVATION IN A MULTI-SCREEN WORLD [Screen Australia: Research]</a> &#8211; New report from Screen Australia (released June 2012) which investigates the viewing habits of audiences in Australia. The report is careful to highlight the ongoing impact of traditional methods and advertising, but focuses most significantly on social media users. The report characterises 35% of Australians over the age of 14 as &#8216;connectors&#8217; who both enjoy screen culture and are frequent social media users, often using social media to discuss their favourite content. The reach of these online discussions, and impact on other viewers (including those who don&#8217;t use social media) is substantial and significant. [<a href="http://www.screenaustralia.gov.au/documents/SA_publications/Rpt_WhattoWatch.pdf">Read the full report.</a>]</li>
<li><a href="http://allfacebook.com/jobvite-social-recruiting-infographic_b93870?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">Recruiting Via Facebook, LinkedIn, Twitter Continues To Grow [AllFacebook]</a> &#8211; &#8220;A total of 92 percent of U.S. companies use social networks and social media to recruit talent, up from 78 percent five years ago, according to new research from recruitment platform Jobvite, which also found that although LinkedIn remains dominant in the sector, Facebook and Twitter continue to make inroads. Other findings in the 2012 annual Social Recruiting Survey from Jobvite: Two-thirds of companies now use Facebook for recruiting, while 54 percent use Twitter. LinkedIn continues to rule this category, at 93 percent.&#8221; [<a href="http://allfacebook.com/files/2012/07/JobviteSocialRecruitingSurveyInfographic.png">Infographic</a>]</li>
<li><a href="http://anarchogeek.com/2012/07/09/origin-of-the-reply-digging-through-twitters-history/">Origin of the @reply – Digging through twitter’s history [Anarchogeek]</a> &#8211; A quick overview of the social emergence of the @reply convention on Twitter.</li>
<li><a href="http://www.sfgate.com/news/article/Some-YouTube-Partners-Are-Making-Tens-of-Millions-3529425.php">Some YouTube Partners Are Making Tens of Millions Of Dollars A Year [SFGate]</a> &#8211; &#8220;Speaking at IGNITION West, Shishir Mehrotra, vice president of product management of YouTube, said the channels have increased engagement. Mehrotra also said TV creators are now running test shows on YouTube before running it on TV. &#8221;We are the world&#8217;s biggest focus group,&#8221; he said. Business Insider&#8217;s Matt Rosoff, who was leading the discussion, questioned whether or not we are going to see big time stars come out of YouTube anytime soon. Mehrotra answered, &#8220;hundreds of people are making 6 figures, some are making tens of millions of dollars.&#8221;"</li>
<li><a href="http://www.bbc.co.uk/news/world-us-canada-18684128">Twitter ordered to hand over Occupy tweets [BBC News]</a> &#8211; &#8220;A US court has ordered Twitter to release old messages and details about a user arrested during an Occupy Wall Street protest in New York. The micro-blogging firm contested the subpoena, saying the tweets were owned by users rather than the company. But a judge said defendant Malcolm Harris&#8217; privacy would not be violated if the material was handed over. Earlier, the American Civil Liberties Union commended Twitter for defending free speech rights. &#8220;If you post a tweet, just like if you scream it out the window, there is no reasonable expectation of privacy,&#8221; Judge Matthew Sciarrino wrote in his decision. Nevertheless, the judge said he would personally review the information and would only release the relevant sections to prosecution and defence lawyers.&#8221;</li>
<li><a href="http://www.bbc.com/news/technology-18590929">Facebook&#8217;s email switch prompts criticism by users [BBC News]</a> &#8211; &#8220;Facebook is facing a backlash from users after replacing email addresses listed in members&#8217; contacts with those provided by its @facebook.com system. The company said it had acted to make details &#8220;consistent&#8221; across its site. If Facebook&#8217;s email system takes off it could drive more traffic to the firm&#8217;s pages helping boost advertising sales. But some users have branded the move &#8220;annoying&#8221; and &#8220;lame&#8221; and publicised instructions on how to display original addresses instead of the Facebook ones.&#8221; And <a href="http://www.forbes.com/sites/larrymagid/2012/07/01/dont-like-displaying-your-facebook-com-email-address-change-it-back/">here&#8217;s a guide on Forbes showing how to change your Facebook email address back</a> if you&#8217;d prefer.</li>
<li><a href="http://www.theage.com.au/digital-life/games/gamers-get-adultsonly-r18-classification-20120618-20kiw.html">Gamers get adults-only R18+ classification [The Age]</a> &#8211; Finally! &#8220;An adults-only computer game rating category will at last become a reality with legislation passing federal parliament yesterday. The new law fulfils the Commonwealth&#8217;s part of a deal with states and territories to include an R18+ rating in the games classification system. &#8220;These are important reforms over 10 years in the making,&#8221; Home Affairs Minister Jason Clare said in a statement yesterday. &#8220;The R18+ category will inform consumers, parents and retailers about which games are not suitable for minors to play and will prevent minors from purchasing unsuitable material. [...] Previously, the highest rating for computer games has been MA15+ meaning overseas adult-only games are usually banned here or given a lower classification allowing children to obtain them.<br />
The new laws bring computer games in line with the classification system for films and other material and make Australia more consistent with international standards.&#8221;</li>
</ul>

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		<title>Digital Culture Links: June 15th</title>
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		<comments>http://www.tamaleaver.net/2012/06/15/digital-culture-links-june-15th/#comments</comments>
		<pubDate>Fri, 15 Jun 2012 14:45:46 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for June 5th through June 15th: Hundreds of dollars, no sense as Gillard&#8217;s #cashforyou tweets backfire [The Age] &#8211; Poorly thought through promotional hashtags &#8211; a new Australian tradition, it seems: &#8220;The federal government has been bombarded with scorn &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/06/15/digital-culture-links-june-15th/">Read more &#187;</a></p>]]></description>
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<p>Links for June 5th through June 15th:</p>
<ul>
<li><a href="http://www.theage.com.au/technology/technology-news/hundreds-of-dollars-no-sense-as-gillards-cashforyou-tweets-backfire-20120615-20e5k.html">Hundreds of dollars, no sense as Gillard&#8217;s #cashforyou tweets backfire [The Age]</a> &#8211; Poorly thought through promotional hashtags &#8211; a new Australian tradition, it seems: &#8220;The federal government has been bombarded with scorn on Twitter this morning after its ministers used the hashtag &#8220;cash for you&#8221; to promote its School Kids Bonus. [...] Ms Gillard&#8217;s advisers, known as TeamJG on Twitter, tweeted: &#8220;Talking to parents &amp; students about the Schoolkids Bonus at Marrickville West Public School #cashforyou.&#8221; #cashforyou has quickly become the top trending topic on Twitter in Australia today, ahead of usual placegetters Justin Bieber and local singer Reece Mastin. But the hashtag has drawn scathing responses from users. &#8220;#CashForYou? That&#8217;s the line the ALP is going for? At least when Howard did middle-class welfare he wrapped it up in patriotism,&#8221; tweeted one. Another read: &#8220;I&#8217;m worried the #cashforyou message might be too subtle and nuanced to really cut through.&#8221;</li>
<li><a href="http://www.reuters.com/article/2012/06/14/net-us-media-tech-summit-youtube-idUSBRE85D1NQ20120614">YouTube chief mulls paid subscription [Reuters]</a> &#8211; &#8220;YouTube is exploring selling subscriptions to access to some of its video offerings, potentially providing a way for certain cable channels to be available outside the traditional &#8220;bundles&#8221; offered by cable network providers, said YouTube boss Salar Kamangar. Cable channels with smaller audiences will in the future migrate to the Web and become available on an &#8220;a la carte&#8221; basis, Kamangar said at the Reuters Media and Technology Summit on Thursday. [...] &#8220;We don&#8217;t have anything to announce now. It is something that&#8217;s really important to a lot of our top existing content creators as well as ones that aren&#8217;t on YouTube today, so we&#8217;re taking very seriously and we&#8217;re thinking about it very carefully,&#8221; said Kamangar, Google senior vice president, YouTube and video.&#8221;</li>
<li><a href="http://youtube-global.blogspot.com.au/2012/06/ioc-to-show-live-coverage-of-london.html">The IOC to show live coverage of the London 2012 Olympic Games on YouTube in Asia and Sub-Saharan Africa [YouTube Blog]</a> &#8211; In short, anyone in a country that DOESN&#8217;T have a broadcaster paying the IOC for exclusive rights TV rights will be getting the Olympics for free on YouTube. Australians, however, get a team led by Eddie McGuire. *sigh* &#8220;This summer, from July 27 to August 12, the world will turn their attention to London to watch the daily trials and triumphs of the greatest living athletes at the Summer Olympic Games. Today, we’re excited to announce that millions of Olympic fans from across 64 territories in Asia and Sub-Saharan Africa will have a chance to watch the games live from London on the International Olympic Committee’s (IOC) YouTube Channel at www.youtube.com/olympic. In total, the IOC’s YouTube Channel will offer fans in these countries over 2,200 hours of high-definition sporting event coverage from London 2012, including all the medal finals.&#8221;</li>
<li><a href="http://about.sensis.com.au/News/Media-Releases/?ItemID=1159&amp;count=1">The Yellow Australian Social Media Report 2012 [Sensis]</a> &#8211; &#8220;The consumer survey found that 62% of internet users have a presence on social networking sites such as Facebook, Twitter or Linkedin. Facebook dominates the social media space, capturing 97% of social networking users. it is used by more than 90% of social media users from both sexes and all age groups, with average users spending more than six hours a week on the site. Whilst some sites have dominated in the social media space, this is sometimes at the expense of other site. People were most likely to nominate having stopped using MySpace in the past year.&#8221; [<a href="http://about.sensis.com.au/IgnitionSuite/uploads/docs/FinalYellow_SocialMediaReport_digital_screen.pdf">Full Report PDF</a>]</li>
<li><a href="http://blog.picplz.com/day/2012/06/01/">picplz shutting down [blog plz]</a> &#8211; Just two months after Instagram launched their Android version and PicPlz, one of the better (and much earlier) Android photo tweaking and sharing apps is shutting their doors. They&#8217;ve given a month&#8217;s notice that all data will be deleted and PicPlz erased on 3 July 2012.</li>
</ul>

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		<title>Digital Culture Links:  May 11th through May 21st</title>
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		<comments>http://www.tamaleaver.net/2012/05/22/digital-culture-links-may-11th-through-may-21st/#comments</comments>
		<pubDate>Tue, 22 May 2012 02:06:54 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for May 11th through May 21st: It&#8217;s YouTube&#8217;s 7th birthday&#8230; and you’ve outdone yourselves, again [YouTube Blog]- On YouTube&#8217;s 7th birthday, they annouce 72 HOURS of video are being UPLOADED EVERY MINUTE!&#8221;Today 72 hours of video are uploaded to &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/05/22/digital-culture-links-may-11th-through-may-21st/">Read more &#187;</a></p>]]></description>
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<p>Links for May 11th through May 21st:</p>
<ul>
<li><a href="http://youtube-global.blogspot.com.au/2012/05/its-youtubes-7th-birthday-and-youve.html">It&#8217;s YouTube&#8217;s 7th birthday&#8230; and you’ve outdone yourselves, again [YouTube Blog]</a>- On YouTube&#8217;s 7th birthday, they annouce 72 HOURS of video are being UPLOADED EVERY MINUTE!&#8221;Today 72 hours of video are uploaded to the site every minute. Like many 7 year olds around the world, we’re growing up so fast! In other words, every single minute you now upload three whole days worth of video instead of two. That&#8217;s 61 Royal Wedding Ceremonies, 841 Bad Romances, and 1,194 Nyan Cats.&#8221;<iframe src="http://www.youtube.com/embed/GLQDPH0ulCg" frameborder="0" width="560" height="315"></iframe></li>
<li><a href="http://googleblog.blogspot.com.au/2012/05/introducing-knowledge-graph-things-not.html">Introducing the Knowledge Graph: things, not strings [Official Google Blog]</a>- Google diversifies the sort of search results returned (initially in the US, but other countries to follow) along the lines of what they&#8217;re calling the &#8216;knowledge graph&#8217; which appears to be an initial foray into indexing using semantics.<iframe src="http://www.youtube.com/embed/mmQl6VGvX-c" frameborder="0" width="560" height="315"></iframe></li>
<li><a href="http://thinkingbrickly.blogspot.com.au/2012/01/lego-gender-gap.html">The LEGO Gender Gap: A Historical Perspective [Thinking Brickly]</a> &#8211; A detailed and thoughtful historical overview of gendered figures and advertising from LEGO. Well worth a read.</li>
<li><a href="http://gizmodo.com/5910223/how-yahoo-killed-flickr-and-lost-the-internet">How Yahoo Killed Flickr and Lost the Internet [Gizmodo]</a> &#8211; The sad tale of Flickr&#8217;s purchase by Yahoo and decline from the greatest photo sharing community online in the world to whatever status it still has. A failure to embrace the mobile web (and a terrible app) along with a buy-out by a company that fundamentally doesn&#8217;t understand community are highlighted as the main culprits.</li>
<li><a href="http://www.rovio.com/en/news/blog/164/competition-thanking-all-our-fans-for-1-billion-downloads/">COMPETITION: Thanking all our fans for 1 billion downloads [Rovio Entertainment Ltd]</a> &#8211; Rovio announce that there have been one billion downloads of the Angry Birds games. That&#8217;s a lot!</li>
</ul>

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		<title>Digital Culture Links: May 10th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/CrlSBMxuOYo/</link>
		<comments>http://www.tamaleaver.net/2012/05/10/digital-culture-links-april-12th-through-may-7th/#comments</comments>
		<pubDate>Thu, 10 May 2012 07:52:57 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links &#8211; catching up &#8211; through to May 7th: YouTube’s content explosion: 60 hours of video every minute [Online Video News] &#8211; &#8220;“More video is uploaded to YouTube in one month than the 3 major US TV networks created in &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/05/10/digital-culture-links-april-12th-through-may-7th/">Read more &#187;</a></p>]]></description>
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<p>Links &#8211; catching up &#8211; through to May 7th:</p>
<ul>
<li><a href="http://gigaom.com/video/youtubes-content-explosion-60-hours-of-video-every-minute/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newteevee+%28GigaOM%3A+Video%29">YouTube’s content explosion: 60 hours of video every minute [Online Video News]</a> &#8211; &#8220;“More video is uploaded to YouTube in one month than the 3 major US TV networks created in 60 years.” Hunter Walk, YouTube Director of Product Management, Google in a tweet. Google told TechCrunch Monday that YouTube users now upload 60 hours of video every minute.&#8221; (That&#8217;s almost 10 years of content uploaded each day. Wowzers!)</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/may/07/angry-birds-rovio-revenues-2011?newsfeed=true">Angry Birds maker Rovio reports £60.8m revenues for 2011 [Technology | guardian.co.uk]</a> &#8211; Angry Birds has generated hundreds of millions of downloads for Finnish mobile games firm Rovio Entertainment, but the company&#8217;s <a href="http://www.rovio.com/en/news/press-releases/161/rovio-entertainment-reports-2011-financial-results/">financial results for 2011 reveal just how lucrative the franchise was that year</a>. The company has reported total revenues of €75.4m (£60.8m) for 2011, with earnings before tax of €48m (£38.7m). 30% of Rovio&#8217;s revenues for the year came from its consumer products business, which includes merchandising and licensing income. Rovio says that the total number of Angry Birds game downloads reached 648m by the end of 2011, with 200m monthly active users (MAUs) across all platforms. As context for that figure, social games publisher Zynga had 21m MAUs at the end of March 2012, while also acquiring US developer OMGPOP, whose Draw Something mobile game currently has 33.9m MAUs.</li>
<li><a href="http://www.guardian.co.uk/technology/2012/apr/30/angry-birds-games">Angry Birds Space rockets to 50m downloads in 35 days [Technology | guardian.co.uk]</a> &#8211; &#8220;Angry Birds Space, the latest mobile game from Finnish developer Rovio, has reached the 50m downloads mark just 35 days after its release on 22 March. The publisher claims on its blog that this makes its tile &#8220;the fastest growing mobile game yet&#8221;, beating all previous records for the Angry Birds series. The announcement may be a deliberate reminder to challengers like Draw Something of the scale of Angry Birds. Draw Something was released on 1 February, notched up 35m downloads in its first seven weeks – yes, a similar time period to that required for Rovio&#8217;s new milestone – and was promptly acquired by Zynga for $180m. Draw Something passed 50m downloads in early April, while another recently-released game, Temple Run, is also past that milestone. &#8220;While numbers like this certainly say something about the popularity of Angry Birds, for us the main goal is to keep creating fun new experiences that everybody can enjoy,&#8221; <a href="http://bit.ly/Ihez6R">explains Rovio on its blog</a>.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-17838885">London 2012: Olympic photo ban &#8216;unenforceable&#8217; [BBC News]</a> &#8211; &#8220;Olympic bosses have admitted their ban on spectators posting videos and images on websites will be unenforceable. In the terms and conditions of ticket purchases for the London 2012 Games it states ticket holders cannot publish images, video or sound online. However, Sir Keith Mills, deputy chairman of organisers Locog, said &#8220;we live in an internet world&#8230; and there&#8217;s not much we can do about it&#8221;. He said a &#8220;common sense approach&#8221; would be used to protect media rights. Spectators will be able to watch many events, including the cycle road race, triathlon and marathon, without a ticket. But the ticket conditions as they currently stand prohibit ticket holders from posting photos and personal footage of the Olympics on sites such as Facebook, Twitter and YouTube.&#8221;</li>
<li><a href="http://www.watoday.com.au/technology/technology-news/british-isps-forced-to-block-the-pirate-bay-20120501-1xvnu.html">British ISPs forced to block The Pirate Bay [WA Today]</a> &#8211; &#8220;Britain&#8217;s High Court has ordered the country&#8217;s internet service providers to block file-sharing website The Pirate Bay. A High Court judge told Sky, Everything Everywhere, TalkTalk, O2 and Virgin Media to prevent access to the Swedish site, which helps millions of people download copyrighted music, movies and computer games. Music industry group BPI welcomed the order by justice Richard Arnold that the service providers block the site within the next few weeks. BPI chief executive Geoff Taylor said sites like The Pirate Bay &#8220;destroy jobs in the U.K. and undermine investment in new British artists.&#8221; The service providers said they would comply with the order. A sixth provider, BT, has been given several weeks to consider its position, but BPI said it expected BT would also block the website. Providers who refuse could find themselves in breach of a court order, which can carry a large fine or jail time.&#8221;</li>
<li><a href="https://drive.google.com/start#home">Google Drive</a>- Google&#8217;s cloud storage drive &#8211; the GDrive or Google Drive &#8211; has arrived, offering 5Gb for free, with the option to upgrade storage to 25GB for $2.49/month, 100GB for $4.99/month or 1TB for $49.99/month. While Google&#8217;s entry is a late entry to the cloud storage arena, the integration with Google&#8217;s other products, and Android in particular, will probably see the GDrive rapidly rise in popularity.<iframe src="http://www.youtube.com/embed/wKJ9KzGQq0w" frameborder="0" width="560" height="315"></iframe></li>
<li><a href="http://www.watoday.com.au/technology/man-jailed-over-nude-facebook-photos-20120421-1xe2c.html">Man jailed over nude Facebook photos [WA Today]</a> &#8211; &#8220;A jilted boyfriend who put nude pictures of his former lover on Facebook has been sentenced to six months jail &#8211; a landmark social media-related conviction for Australia and one of just a handful in the world. Ravshan &#8221;Ronnie&#8221; Usmanov told police: &#8221;I put the photos up because she hurt me and it was the only thing [I had] to hurt her.&#8221; &#8230; Privacy experts say Usmanov&#8217;s case has exposed the &#8221;tip of the iceberg&#8221; of online offences that are rarely punished.<br />
In sentencing the 20-year-old, NSW Deputy-Chief Magistrate Jane Mottley said she was &#8221;deterring both the offender and the community generally from committing similar crimes&#8221;. &#8221;New-age technology through Facebook gives instant access to the world … Incalculable damage can be done to a person&#8217;s reputation by the irresponsible posting of information through that medium. With its popularity and potential for real harm, there is a genuine need to ensure the use of this medium to commit offences of this type is deterred,&#8221;.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=UN1qzNgadh8">The Filtered Network &#8211; Mark Zuckerberg of facebook buying Instagram for $1 BILLION [YouTube]</a> &#8211; Fun remix of the trailer for The Social Network, playing with the question of what exactly Facebook purchased for a billion dollars!</li>
<li><a href="http://www.youtube.com/watch?v=B60eo6HcFJg">Introducing Facebook Offers [YouTube]</a> &#8211; Facebook Offers = Facebook&#8217;s answer to Scoopon.</li>
<li><a href="http://allfacebook.com/facebook-children_b85244?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">4% Of Children On Facebook Are Under 6 Years [AllFacebook]</a> &#8211; I&#8217;m a bit suspicious of these statistics since they&#8217;re generated by a company that markets tools allowing parents to monitor the social networking of their kids, but the numbers certainly warrant attention: &#8220;Kids are learning to use computers at ever younger ages, and some are figuring out how to lie about their age to access Facebook. The site has a minimum age requirement of 13, yet four percent of children using the site are under age six. That’s the most startling statistic in the infographic compiled by Minor Monitor, one of the newer entrants into the already crowded market for surveiling kids’ activity online. According to the vendor, barely half of parents use technology to keep a digital eye on children, despite worries about sexual predators and bullying.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2012/apr/11/google-plus-redesign-users">Google+ redesigns and says 100m of its 170m users used it in past 30 days [Technology | guardian.co.uk]</a> &#8211; &#8220;Google says 170m people have registered for its Google+ service since it was launched 10 months ago – and that 100m have &#8220;engaged&#8221; with the service at least once in the past 30 days and 50m have engaged with the service at least once a day in the past month.&#8221;</li>
</ul>

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		<title>Digital Culture Links: April 11th</title>
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		<comments>http://www.tamaleaver.net/2012/04/11/digital-culture-links-april-11th/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 10:49:49 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for April 11th: Hillary Clinton Responds to Her Meme &#8230; With a Meme [The Atlantic] &#8211; Hillary Clinton responds to the Texts from Hillary Tumblr/meme by penning her own version and meeting with the two guys who started the &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/04/11/digital-culture-links-april-11th/">Read more &#187;</a></p>]]></description>
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<p>Links for April 11th:</p>
<ul>
<li><a href="http://www.theatlantic.com/technology/archive/2012/04/hillary-clinton-responds-to-her-meme-with-a-meme/255698/">Hillary Clinton Responds to Her Meme &#8230; With a Meme [The Atlantic]</a> &#8211; Hillary Clinton responds to the <a href="http://textsfromhillaryclinton.tumblr.com/">Texts from Hillary</a> Tumblr/meme by <a href="http://imwithkanye.tumblr.com/post/20851638598/yep-this-just-happened">penning her own version</a> and meeting with the two guys who started the Tumblr. Hilarity ensues, and Clinton&#8217;s online credibility goes up about 5000%. The <a href="http://www.nytimes.com/2012/04/11/opinion/dowd-state-of-cool.html?_r=1">pundits are impressed</a>, too.</li>
<li><a href="http://online.wsj.com/article/SB10001424052702303302504577327744009046230.html">Selling You on Facebook [WSJ.com]</a> &#8211; Useful article from the Wall Street Journal looking at how Facebook and Facebook apps utilise user&#8217;s data: &#8220;This appetite for personal data reflects a fundamental truth about Facebook and, by extension, the Internet economy as a whole: Facebook provides a free service that users pay for, in effect, by providing details about their lives, friendships, interests and activities. Facebook, in turn, uses that trove of information to attract advertisers, app makers and other business opportunities.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/apr/01/rovio-angry-birds-animated-series">Angry Birds animated TV series to premiere in Autumn 2012 [Technology | guardian.co.uk]</a> &#8211; &#8220;Rovio Mobile is launching a series of 52 shortform animations for its Angry Birds in Autumn, but has ruled out a movie until after 2014. &#8220;We&#8217;re going to roll out a weekly animation series later this year of shortform content,&#8221; said Rovio&#8217;s head of animation Nick Dorra, speaking at the MIPTV conference in Cannes. The series will consist of 52 episodes lasting between two-and-a-half and three minutes each. &#8220;We&#8217;re going to roll it out on all possible devices,&#8221; said Dorra. &#8220;We&#8217;re looking at building a video app for that, and we&#8217;re also looking at partnerships and so on&#8230; We want to be on all screens.&#8221; Those partnerships include a deal with Samsung announced in January 2012 that involves an app for the company&#8217;s range of Smart TV internet-connected televisions.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/mar/30/twitter-social-tv-broadcasters">Twitter UK boss says social TV happens whether broadcasters like it or not [Technology | guardian.co.uk]</a> &#8211; &#8220;Twitter&#8217;s UK general manager Tony Wang expects broadcasters to start using the microblogging service in more &#8220;artful&#8221; ways beyond showing hashtags and account handles on-air. &#8220;Broadcasters are not the ones to choose whether to have social TV. It happens whether they like it or not. But they have a choice about how to harness that social TV energy,&#8221; he told the MIPCube conference in Cannes. Wang cited stats showing that 80% of under-25s are using a second screen to communicate with friends while watching TV, while 72% of them are using Twitter, Facebook and other mobile apps to comment on the shows they watch. He added that Twitter sees three distinct strategies from broadcasters when it comes to social TV: some are doing nothing, others are doing something, and a few are doing &#8220;artful&#8221; things on-air. &#8220;It&#8217;s the past, present and future of social TV.&#8221;"</li>
</ul>

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		<title>Digital Culture Links: March 30th</title>
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		<comments>http://www.tamaleaver.net/2012/03/30/digital-culture-links-march-26th-through-march-30th/#comments</comments>
		<pubDate>Fri, 30 Mar 2012 12:34:02 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3401</guid>
		<description><![CDATA[Links for March 26th through March 30th: The Dark Knight Rises Trailer 2: IN LEGO [YouTube] &#8211; Beautifully put together Lego version of the new Dark Knight trailer. &#8220;LEGO Dark Knight Rises Movie Trailer By ParanickFilmz. http://paranickfilmz.co.nr/ Thanks to Adviceversas &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/30/digital-culture-links-march-26th-through-march-30th/">Read more &#187;</a></p>]]></description>
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<p>Links for March 26th through March 30th:</p>
<ul>
<li><a href="http://www.youtube.com/watch?v=ONebtUty3AI">The Dark Knight Rises Trailer 2: IN LEGO [YouTube]</a> &#8211; Beautifully put together Lego version of the new Dark Knight trailer. &#8220;LEGO Dark Knight Rises Movie Trailer By ParanickFilmz. http://paranickfilmz.co.nr/ Thanks to Adviceversas for the mouth animation and JediMasterSoda for the CGI. Movie (2012) HD.&#8221;<iframe width="560" height="315" src="http://www.youtube.com/embed/ONebtUty3AI" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.nytimes.com/2012/03/29/arts/television/cbs-blocks-use-of-unused-star-trek-script-by-spinrad.html?_r=1&amp;partner=rss&amp;emc=rss">CBS Blocks Use of Unused ‘Star Trek’ Script by Spinrad [NYTimes.com]</a> &#8211; &#8220;For “Star Trek” fans it was like finding a lost Shakespeare play — only to have it snatched away by the playwright’s heirs.Last fall an unused script for the cult 1960s television show turned up after being forgotten for years. Its author, the science-fiction writer Norman Spinrad, announced that it would become an episode of a popular Web series, “Star Trek New Voyages: Phase II,” which features amateur actors in the classic roles of Capt. James T. Kirk, Mr. Spock and other crew members of the starship Enterprise. But then another player stepped in: CBS, which said it owned the script and blocked a planned Web production of it. Trekkies were appalled. “These executives should be phasered on heavy stun,” said Harmon Fields of Manhattan, who called himself “a ‘Star Trek’ fan of galactic proportions.” &#8230; By all indications CBS is within its rights. In the entertainment industry the paid writer of a teleplay generally cedes the rights to the material, even if it remains unproduced.&#8221;</li>
<li><a href="http://www.getshitter.com/">Shitter: Social Media has never been so disposable</a> &#8211; Online service that prints a twitter feed onto toilet paper. I suppose such a thing was inevitable.</li>
<li><a href="http://afr.com/p/business/marketing_media/pay_tv_piracy_hits_news_OV8K5fhBeGawgosSzi52MM">Pay TV piracy hits News [AFR]</a> &#8211; A detailed investigative report accuses NewsCorp of actively promoting and facilitating the piracy of competitors pay TV network content: &#8221; A secret unit within Rupert Murdoch’s News Corporation promoted a wave of high-tech piracy in Australia that damaged Austar, Optus and Foxtel at a time when News was moving to take control of the Australian pay TV industry.&#8221; These are hugely important accusations both in terms of NewsCorp but also in terms of how piracy is framed and understood.</li>
<li><a href="http://gigaom.com/2012/03/27/what-book-publishers-should-learn-from-harry-potter/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+OmMalik+(GigaOM:+Tech)&amp;utm_content=Google+Reader">What book publishers should learn from Harry Potter — Tech News and Analysis</a> &#8211; Useful post detailing the DRM-free release of the Harry Potter ebooks and audio books for sale on J K Rowling&#8217;s Pottermore website. The lesson here is that DRM really isn&#8217;t necessary, and you&#8217;re more likely to reach a wider audience without it. Admittedly Rowling has unprecedented clout in managing her own books in electronic form, and has already made so much money off these books there&#8217;s no real risk involved, but the strategy is an important one nevertheless.</li>
<li><a href="http://www.bbc.co.uk/newsbeat/17521380">Angry Birds Space gets 10m downloads in three days [BBC]</a> &#8211; The latest version of the Angry Birds game notched up 10 million download in its first three days of release, says its developer Rovio. Angry Birds Space only came out on 22 March, but in a tweet on Monday Rovio announced the game&#8217;s swift success. &#8230; The new Angry Birds instalment features 60 initial levels and six new characters and has what Rovio calls a &#8220;unique twist in a variable gravity environment&#8221;. As well as Google Android and Apple iOS devices, last week also saw the game released simultaneously on PC and Mac. Nasa was also involved in promoting the game, posting a video showing an astronaut on the International Space Station explaining the laws of physics using Angry Bird characters.<br />
The space agency called it &#8220;an exciting way to get people engaged with Nasa&#8217;s missions of exploration and discover&#8221;.</li>
<li><a href="http://www.japantimes.co.jp/text/nn20120326a2.html">Google ordered to suspend autocomplete function over cyber-harassment [The Japan Times Online]</a> &#8211; &#8220;The Tokyo District Court approved a petition demanding that Google Inc. suspend its autocomplete search feature for Internet browsers after a man alleged that it breached his privacy and got him fired, his lawyer said Sunday. Google is refusing to suspend the feature, saying that its headquarters in the United States will not be regulated by Japanese law and that the case does not warrant deleting the autocomplete suggestions related to the petition under its in-house privacy policy, lawyer Hiroyuki Tomita said. The case, which was adjudicated on March 19, is believed to be the first to order the suspension of the Web search feature, which attempts to instantly anticipate and list the words or phrases a person will type into a browser&#8217;s search box, Tomita said. [..] The man discovered that when people type his name into Google&#8217;s search engine, words suggesting criminal acts, which he is unfamiliar with, appear.&#8221;</li>
<li><a href="http://www.wired.com/threatlevel/2012/03/facebook-book-trademark/#more-39376">Facebook Asserts Trademark on Word &#8216;Book&#8217; in New User Agreement [Threat Level | Wired.com]</a> &#8211; &#8220;Facebook is trying to expand its trademark rights over the word “book” by adding the claim to a newly revised version of its “Statement of Rights and Responsibilities,” the agreement all users implicitly consent to by using or accessing Facebook.&#8221;</li>
</ul>

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		<title>Digital Culture Links:  March 16th through March 22nd</title>
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		<comments>http://www.tamaleaver.net/2012/03/22/digital-culture-links-march-16th-through-march-22nd/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 08:26:18 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3386</guid>
		<description><![CDATA[Links for March 16th through March 22nd: The Hunger Games Game [CollegeHumor Video] &#8211; A parody video from College Humor, turning The Hunger Games into a tween-girl fantasy boardgame focusing on the love-triangle, to great comic effect. On some level, &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/22/digital-culture-links-march-16th-through-march-22nd/">Read more &#187;</a></p>]]></description>
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<p>Links for March 16th through March 22nd:</p>
<ul>
<li><a href="http://www.collegehumor.com/video/6743777/the-hunger-games-game">The Hunger Games Game [CollegeHumor Video]</a> &#8211; A parody video from College Humor, turning The Hunger Games into a tween-girl fantasy boardgame focusing on the love-triangle, to great comic effect. On some level, though, this is also a pretty decent critique of the way a film which and certain elements of the fandom around it miss the core critique of authority and a media culture, reducing it to a vapid romance tale.<iframe src="http://www.collegehumor.com/e/6743777" width="600" height="338" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></li>
<li><a href="http://www.mwtnewsandviews.com/2012/03/dragon-tattoo-has-unique-dvd-design.html">Dragon Tattoo Has Unique DVD Design</a> &#8211; Sony&#8217;s DVD release of The Girl with the Dragon Tattoo has confused some people because it&#8217;s designed to look like a ripped copy and, sporting letters which look like they&#8217;re written in felt-tip pen on a DVD-R. Confusing messages you&#8217;re sending there, Sony!</li>
<li><a href="http://blog.twitter.com/2012/03/twitter-turns-six.html">Twitter turns six [Twitter Blog]</a> &#8211; On the sixth anniversary of Twitter&#8217;s launch, the service has reached <em>140 million users</em>, with 340 million tweets made daily. That said, since most active users seem to tweet a lot more than 3 times a day, a significant proportion of users don&#8217;t actually seem to tweet much.</li>
<li><a href="http://www.bbc.co.uk/news/technology-17458205">Game sales surpassed video in UK, says report [BBC News]</a> &#8211; &#8220;Sales of computer games in the UK have surpassed those of videos for the first time, new figures suggest. The Electronic Retailers Association (ERA) said sales of £1.93bn in 2011 made the gaming industry the country&#8217;s biggest entertainment sector. By contrast, sales of DVDs and other video formats totalled £1.80bn, while music pulled in £1.07bn.&#8221;</li>
<li><a href="https://www.youtube.com/watch?v=bxch-yi14BE">Will The Real Mitt Romney Please Stand Up (feat. Eminem) &#8211; YouTube</a> &#8211; Clever political mashup video in search of the &#8216;real&#8217; Mitt Romney featuring Romney and Obama in the style of Eninem&#8217;s Slim Shady.<iframe width="560" height="315" src="http://www.youtube.com/embed/bxch-yi14BE" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.ted.com/talks/rob_reid_the_8_billion_ipod.html">Rob Reid: The $8 billion iPod | Video on TED.com</a> &#8211; Fantastic TED parody explanation of the logic behind copyright lawsuits and litigation: copyright maths. From TED: &#8220;Comic author Rob Reid unveils Copyright Math (TM), a remarkable new field of study based on actual numbers from entertainment industry lawyers and lobbyists. Rob Reid is a humor author and the founder of the company that created the music subscription service Rhapsody&#8221;<object width="526" height="374"><param name="movie" value="http://video.ted.com/assets/player/swf/EmbedPlayer.swf"></param><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always"/><param name="wmode" value="transparent"></param><param name="bgColor" value="#ffffff"></param><param name="flashvars" value="vu=http://video.ted.com/talk/stream/2012/Blank/RobReid_2012-320k.mp4&#038;su=http://images.ted.com/images/ted/tedindex/embed-posters/RobReid_2012-embed.jpg&#038;vw=512&#038;vh=288&#038;ap=0&#038;ti=1390&#038;lang=&#038;introDuration=15330&#038;adDuration=4000&#038;postAdDuration=830&#038;adKeys=talk=rob_reid_the_8_billion_ipod;year=2012;event=TED2012;tag=business;tag=entertainment;tag=humor;tag=music;&#038;preAdTag=tconf.ted/embed;tile=1;sz=512x288;" /><embed src="http://video.ted.com/assets/player/swf/EmbedPlayer.swf" pluginspace="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" wmode="transparent" bgColor="#ffffff" width="526" height="374" allowFullScreen="true" allowScriptAccess="always" flashvars="vu=http://video.ted.com/talk/stream/2012/Blank/RobReid_2012-320k.mp4&#038;su=http://images.ted.com/images/ted/tedindex/embed-posters/RobReid_2012-embed.jpg&#038;vw=512&#038;vh=288&#038;ap=0&#038;ti=1390&#038;lang=&#038;introDuration=15330&#038;adDuration=4000&#038;postAdDuration=830&#038;adKeys=talk=rob_reid_the_8_billion_ipod;year=2012;event=TED2012;tag=business;tag=entertainment;tag=humor;tag=music;&#038;preAdTag=tconf.ted/embed;tile=1;sz=512x288;"></embed></object>
</li>
</ul>

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		<item>
		<title>Artificial Culture (my first book!)</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/sm6VfgCdqsY/</link>
		<comments>http://www.tamaleaver.net/2012/03/22/artificial-culture-my-first-book/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 08:19:36 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[Ponderings]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3392</guid>
		<description><![CDATA[While I set up a page for my new book, and told Twitter and Facebook a while ago, I realised I never actually blogged about my book finally coming out! So, without any ado at all, here’s the announcement: Artificial &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/22/artificial-culture-my-first-book/">Read more &#187;</a></p>]]></description>
				<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=3392"><!-- &nbsp; --></abbr>

<p>While I set up <a href="http://www.tamaleaver.net/artificial-culture/" target="_blank">a page for my new book</a>, and told Twitter and Facebook a while ago, I realised I never actually blogged about my book finally coming out! So, without any ado at all, here’s the announcement:</p>
<p>Artificial Culture: Identity, Technology, and Bodies (Routledge, 2012)   <br />Tama Leaver, Curtin University</p>
<p>Amazon <a href="http://amzn.to/wRe4PN">http://amzn.to/wRe4PN</a>    <br />Routledge: <a href="http://bit.ly/mivLzx">http://bit.ly/mivLzx</a></p>
<p><img style="margin: 2px; display: inline; float: left" align="left" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/12/ArtificialCulture_Cover1.jpg" width="250" height="377" />Artificial Culture is an examination of the articulation, construction, and representation of &quot;the artificial&quot; in contemporary popular cultural texts, with a focus on science fiction films and novels, but also addressing digital culture more broadly including analysis of Wikileaks, the Visible Human Project and the emergence of synthespians. The book argues that today we live in an artificial culture due to the deep and inextricable relationships between people and technology, with human bodies as a key marker of these symbiotic connections. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which it is possible in some respects to measure what it might mean to be human. More importantly, the artificial often blurs the boundary between humans, technology and the environment at large in often purposefully unsettling ways. </p>
<p>The core texts analysed in the book are: 2001 A Space Odyssey; the four Terminator films; Greg Egan’s novels Permutation City and Diaspora; The Visible Human Project; William Gibson’s bridge trilogy (Virtual Light, Idoru, and All Tomorrow’s Parties); Wikileaks; The Matrix films and franchise; WETA’s digital effects in the Lord of the Rings films, with a particular focus on the synthespian Gollum; the Spider-Man trilogy; Wall-E; and Avatar.</p>
<p>Contents:</p>
<p>Part1: Artificial Intelligence    <br />&#160;&#160; 1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box?     <br />&#160;&#160; 2. &quot;I am a machine!&quot;: Artificial Intelligences in Contemporary Cinema    <br />Part 2: Artificial Life    <br />&#160;&#160; 3. From Digital Genesis to the Artificial Other     <br />&#160;&#160; 4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’    <br />Part 3: Artificial Space    <br />&#160;&#160; 5. The Fortification of Place in the Digital Age    <br />&#160;&#160; 6. Resistance is Spatial    <br />&#160;&#160; 7. The Infinite Plasticity of the Digital?    <br />Part 4: Artificial Culture    <br />&#160;&#160; 8. Matrices of Embodiment    <br />&#160;&#160; 9. The Symbiosis of Special Effects    <br />Part 5: Artificial Culture    <br />&#160;&#160; 10. Before the Mourning    <br />&#160;&#160; 11. Artificial Mourning: Spider-Man, Special Effects and September 11</p>
<p>For slightly more information (and <a href="http://www.tamaleaver.net/artificial-culture/images/" target="_blank">colour versions of the images used in the book</a>) please visit <a href="http://www.tamaleaver.net/artificial-culture/">http://www.tamaleaver.net/artificial-culture/</a> . My apologies that the book on the expensive side; if you have access to a university library, perhaps recommend they purchase it in the first instance.</p>

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		<title>Digital Culture Links: March 14th</title>
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		<comments>http://www.tamaleaver.net/2012/03/15/digital-culture-links-march-14th/#comments</comments>
		<pubDate>Thu, 15 Mar 2012 05:27:17 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[apple]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3380</guid>
		<description><![CDATA[Links for March 11th through March 14th: A Sign of the Times: Encyclopaedia Britannica to End Its Print Run [The Atlantic] &#8211; &#8220;After nearly two-and-a-half centuries in print, the publishers of the Encyclopaedia Britannica are expected to announce tomorrow that &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/15/digital-culture-links-march-14th/">Read more &#187;</a></p>]]></description>
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<p>Links for March 11th through March 14th:</p>
<ul>
<li><a href="http://www.theatlantic.com/technology/archive/2012/03/end-of-an-era-encyclopaedia-britannica-to-end-its-print-run/254457/#.T1_YOrc0DVI.twitter">A Sign of the Times: Encyclopaedia Britannica to End Its Print Run [The Atlantic]</a> &#8211; &#8220;After nearly two-and-a-half centuries in print, the publishers of the Encyclopaedia Britannica are expected to announce tomorrow that they are stopping their presses &#8230; As Wikipedia emerged over the past decade, the question has always been, but how does it compare to the Encyclopaedia Britannica? (Answer: mostly favorably, with bonus points for breadth and accessibility.) &#8230; Recent years have seen a sharp decline: The 1990 edition sold 120,000 editions in the United States &#8212; the most ever &#8212; but the 2010 edition sold just 8,000. Four thousand copies are still in a warehouse, waiting for owners. Today, the printed encyclopedia accounts for less than one percent of the company&#8217;s revenues. Britannica, as a whole, is not moribund, though: a half a million people pay $70 each year for complete access online.&#8221;</li>
<li><a href="http://www.macstories.net/news/apple-reveals-new-all-time-top-apps-following-25-billion-downloads/">Apple Reveals New “All-Time Top Apps” Following 25 Billion Downloads [Mac Stories]</a> &#8211; Following the downloading of the 25 billionth app from the App Store, Apple have release top-downloads of all time charts for iPhone and iPad, breaking them down into free and paid lists. Angry Birds features prominently on all lists!</li>
<li><a href="http://www.youtube.com/watch?v=FrHkKXFRbCI">The Story of Keep Calm and Carry On [YouTube]</a> &#8211; Well-made little video which tells the history of the now iconic and meme-ready &#8216;Keep Calm and Carry On&#8217; poster which was originally designed and produced in England during the Second World War.<iframe width="560" height="315" src="http://www.youtube.com/embed/FrHkKXFRbCI" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.kickstarter.com/projects/zefrank/a-show-with-ze-frank">A Show with Ze Frank by Ze Frank [Kickstarter]</a> &#8211; Ze Frank (of &#8216;The Show with Ze Frank&#8217;) uses Kickstarter to ask fans to contribute to a new version of The Show, aiming to raise $50,000 to do The Show for a year. Instead, he raised $146,752, with over 3,900 backers (with one parting with $4000 &#8230; that&#8217;s a LOT of love for The Show)!</li>
</ul>

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		<title>Digital Culture Links: March 8th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/7IHzliy-OEc/</link>
		<comments>http://www.tamaleaver.net/2012/03/08/digital-culture-links-march-4th-through-march-8th/#comments</comments>
		<pubDate>Thu, 08 Mar 2012 04:13:50 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[apps]]></category>
		<category><![CDATA[authenticity]]></category>
		<category><![CDATA[coles]]></category>
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		<category><![CDATA[gif]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[lego]]></category>
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		<category><![CDATA[pr]]></category>
		<category><![CDATA[spreadability]]></category>
		<category><![CDATA[stats]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3370</guid>
		<description><![CDATA[Links for March 4th through March 8th: Animated GIFs: The Birth of a Medium [Off Book &#124; PBS - YouTube] &#8211; Nifty little video looking at the history of the GIF (Graphics Interchange Format) image, from the 1987 creation (pre-web) &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/08/digital-culture-links-march-4th-through-march-8th/">Read more &#187;</a></p>]]></description>
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<p>Links for March 4th through March 8th:</p>
<ul>
<li><a href="http://www.youtube.com/watch?v=vuxKb5mxM8g">Animated GIFs: The Birth of a Medium [Off Book | PBS - YouTube]</a> &#8211; Nifty little video looking at the history of the GIF (Graphics Interchange Format) image, from the 1987 creation (pre-web) through tothe Under Construction GIFs the were prevalent on the early web, the disappearance of GIFS, and their resurgence as an art-form (cinemagraphs) and a memey means of expression (Tumblr!).<iframe width="560" height="315" src="http://www.youtube.com/embed/vuxKb5mxM8g" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://blog.delicious.com/2012/03/tweet-a-link-save-a-link/">Tweet a Link, Save a Link [Delicious Blog]</a> &#8211; Delicious adds a native Twitter connector, with which you can save tweets, links in tweets, and filter by a specific hashtag.</li>
<li><a href="http://www.watoday.com.au/business/coles-twitter-campaign-goes-down-down-gurgler-20120307-1uj4c.html">Coles Twitter campaign goes down, down gurgler [WA Today]</a> &#8211; &#8220;A social media experiment has backfired for Coles, exposing the supermarket to a flood of negative comments on Twitter. The supermarket is the latest company to have a social media marketing exercise go terribly wrong, following blunders from Qantas and Coca-Cola. The official Coles account last night urged followers to complete the sentence &#8220;in my house it&#8217;s a crime not to buy&#8230;..&#8221; But the PR exercise quickly fizzled as Twitter users inundated the supermarket&#8217;s account with negative comments. User @Pollytics wrote, &#8220;Food from markets while Coles exploits mental illness via pokies.&#8221; Other users raised concerns about the supermarket not giving farmers a fair price for their produce. @TaraMacca wrote, &#8220;In my house, its a crime not to buy LOCALLY- and I don&#8217;t mean from a @coles supermarket.&#8221; &#8220;In my house it&#8217;s a crime not to buy&#8230;BREAD AND MILK AT PRICES THAT ALLOW PRIMARY PRODUCERS TO SURVIVE,&#8221; said @downesy.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/mar/05/apple-ipad-iphone-25bn-downloads">Apple passes 25bn iPhone and iPad app downloads milestone [Technology | guardian.co.uk]</a> &#8211; &#8220;Apple&#8217;s App Store has passed 25 billion downloads, with Disney&#8217;s iOS game Where&#8217;s My Water? Free nudging it past the milestone. Apple had been running a counter on its website and store, so the 25bn mark was actually reached over the weekend. The company has now revealed which app was the 25 billionth, as well as the name of the downloader: Chunli Fu in Qingdao, China. Late chief executive Steve Jobs would surely have approved of both. He was Disney&#8217;s largest shareholder in his later years, after it acquired his Pixar Animation Studios. Meanwhile, China has been an important growth market for Apple in the last year, as the iPhone went on sale there. [...] As a comparison, Google recently announced that its Android Market store is generating 1bn monthly app downloads.&#8221;</li>
<li><a href="http://torillsin.blogspot.com.au/2012/02/lego-blondes.html">Lego blondes [thinking with my fingers]</a> &#8211; Torill Mortensen looks at the differences between normal Lego figure (minifigs) and the new &#8216;for girls&#8217; Lego. The fact that &#8216;girl&#8217; lego figures are incompatible with the &#8216;normal&#8217; accessories and parts is telling. <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' /> </li>
<li><a href="http://youtu.be/BpxVIwCbBK0">Kevin Allocca: Why videos go viral [TED - YouTube]</a> &#8211; Seven minute TED talk by Kevin Allocca explaining why he (on behalf of YouTube) thinks videos &#8216;go viral&#8217;.<iframe width="560" height="315" src="http://www.youtube.com/embed/BpxVIwCbBK0" frameborder="0" allowfullscreen></iframe></li>
</ul>

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		<title>Digital Culture Links: March 2nd</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/901nPCM8WWw/</link>
		<comments>http://www.tamaleaver.net/2012/03/03/digital-culture-links-march-2nd/#comments</comments>
		<pubDate>Sat, 03 Mar 2012 10:39:22 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3363</guid>
		<description><![CDATA[Links for February 23rd through March 2nd: Angry Birds&#8217; Mighty Eagle: &#8216;We have expanded the market for games&#8217; [Technology &#124; guardian.co.uk] &#8211; They may be familiar, but the stats around Angry Birds remain startling, starting with the franchise&#8217;s 700m downloads &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/03/digital-culture-links-march-2nd/">Read more &#187;</a></p>]]></description>
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<p>Links for February 23rd through March 2nd:</p>
<ul>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/mar/01/angry-birds-peter-vesterbacka-rovio">Angry Birds&#8217; Mighty Eagle: &#8216;We have expanded the market for games&#8217; [Technology | guardian.co.uk]</a> &#8211; They may be familiar, but the stats around Angry Birds remain startling, starting with the franchise&#8217;s 700m downloads across all platforms – a figure likely to top 1bn sometime in 2012. The original iPhone game is the biggest-selling paid app ever on both the UK and US App Stores according to Apple, with follow-ups Angry Birds Seasons and Angry Birds Rio also in the top 10 in both countries.More than 1m people have reviewed the Android version of Angry Birds on Google&#8217;s Android Market, and Rovio has sold 25m plush toys so far. On the back of that, there are now more than 20,000 licensed Angry Birds products on sale [...] Next up is Angry Birds Space, with a 22 March launch that will include a game, animated content, physical products and books. Rovio is working with NASA on the project, and National Geographic on the book, with more products to come. &#8220;It&#8217;s the first time we have everything available on launch day: animation, toys, books, candy, everything,&#8221; says Vesterbacka.&#8221;</li>
<li><a href="http://www.nytimes.com/2012/03/02/technology/zynga-seeks-to-broaden-reach-with-new-gaming-platform.html?_r=1&amp;partner=rss&amp;emc=rss">Zynga Seeks to Broaden Reach With New Gaming Platform [NYTimes.com]</a> &#8211; &#8220;Zynga, the creator of FarmVille, Words With Friends, Mafia Wars and other popular social games, is going to start supplying friends for those who are lacking. The company announced a new gaming platform on Thursday that will match up players who do not know one another but who have a mutual interest in getting the crops in and spelling words with J, Q and X. The goal is to make social gaming, which was pretty easy to begin with, even easier for everyone. The platform will be introduced in a trial version on Zynga.com later this month. The move is likely to reduce Zynga’s reliance on Facebook, something analysts have said the company needs to do. Most Zynga games are played on that social network, which derives 12 percent of its revenue from Zynga. In the future, hard-core players will most likely go to Zynga’s own site, finding not only Zynga games but also offerings from independent developers.&#8221;</li>
<li><a href="http://culturedigitally.org/2012/02/the-dirty-job-of-keeping-facebook-clean/">The dirty job of keeping Facebook clean [Culture Digitally]</a> &#8211; Fascinating post looking at Facebook&#8217;s leaked content moderation manual <a href="http://www.scribd.com/fullscreen/81863464">&#8220;Abuse Standards 6.1: Operation Manual for Live Content Moderators&#8221;</a> which reveals a great deal about how Facebook decides what to delete and what to effectively sanction. As Gillespie says:&#8221;Facebook or otherwise, it’s hard not to be struck by the depravity of some of the stuff that content moderators are reviewing. It’s a bit disingenuous of me to start with camel toes and man-man foreplay, when what most of this document deals with is so, so much more reprehensible: child pornography, rape, bestiality, graphic obscenities, animal torture, racial and ethnic hatred, self-mutilation, suicide. There is something deeply unsettling about this document in the way it must, with all the delicacy of a badly written training manual, explain and sometimes show the kinds of things that fall into these categories.&#8221;</li>
<li><a href="http://thenextweb.com/au/2012/02/23/bbc-iplayer-booms-in-australia-with-a-quarter-of-global-subscribers-now-down-under/?awesm=tnw.to_1DQwg&amp;utm_campaign=social%20media&amp;utm_medium=Spreadus&amp;utm_source=Twitter&amp;utm_content=BBC%20iPlayer%20booms%20in%20Australia,%20with%20a%20quarter%20of%20global%20subscribers%20now%20%E2%80%98Down%20Under%E2%80%99">BBC iPlayer Booms in Australia [The Next Web]</a> &#8211; &#8220;Two months after BBC Worldwide launched its global iPlayer app to 11 Western European countries in July, the app arrived in Australia, followed swiftly by Canada and then Scandinavia. The global BBC iPlayer app is a Video-on-Demand (VoD) pilot (paid) subscription service that differs from the UK version of iPlayer, in that it gives international users access to an extensive archive of classic and contemporary British TV programmes. Whilst it was initially restricted to iPads, it was finally rolled out to the iPhone and iPod Touch too. Australia is now the biggest market for global iPlayer, and is giving BBC Worldwide, the commercial arm of the BBC, significant consumer insight as the company begins to look beyond the current pilot phase. Access to BBC iPlayer content in Australia costs AU$9.49 a month, or AU$89.99 a year, and an equivalent figure in Euros and Canadian dollars.&#8221;</li>
<li><a href="http://www.capturefullpage.com/">Capture full page &#8211; Screenshot Full web page &#8211; Capture full web page</a> &#8211; Useful tool, lets you take a screenshot of an entire webpage by simply entering the URL.</li>
<li><a href="http://www.guardian.co.uk/books/2012/feb/22/author-raises-1m-self-publish-webcomic">Author raises $1m to self-publish Order of the Stick webcomic book [Books | guardian.co.uk]</a> &#8211; &#8220;The author of a self-published webcomic about a band of heroes in a fantasy role-playing world has raised more than $1m (£600,000) from fans on &#8220;crowdfunding&#8221; website Kickstarter to bring his stories back into print, making The Order of the Stick the richest creative work in the crowdfunding site&#8217;s history. Author and illustrator Rich Burlew launched The Order of the Stick online in 2003. Following the comic fantasy adventures of a collection of stick figures in a role-playing game world as they struggle with enemies and the rules of the game, much of the story is available online for free, but Burlew also began self-publishing parts of it in paper format in 2005. When the costs of keeping it in print proved too high, Burlew turned to Kickstarter following repeated demands from readers, launching a project in January to raise the $57,750 he needed to rerelease the books in print. Yesterday, he closed his fundraising project with 14,952 backers and $1,254,120 raised &#8230;&#8221;</li>
</ul>

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		<title>Digital Culture Links:  February 15th</title>
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		<description><![CDATA[Links for through to February 15th: Westpac in Facebook crackdown [The Age] &#8211; A case-study in how mis-manage community relations on Facebook: &#8220;WESTPAC is censoring criticism on social media sites amid growing public fury over its decision to retrench staff &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/02/15/digital-culture-links-february-5th-through-february-13th/">Read more &#187;</a></p>]]></description>
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<p>Links for through to February 15th:</p>
<ul>
<li><a href="http://www.theage.com.au/technology/technology-news/westpac-in-facebook-crackdown-20120211-1sylt.html">Westpac in Facebook crackdown [The Age]</a> &#8211; A case-study in how mis-manage community relations on Facebook: &#8220;WESTPAC is censoring criticism on social media sites amid growing public fury over its decision to retrench staff and raise interest rates independently of the Reserve Bank of Australia. Negative comments posted on Westpac&#8217;s Facebook page over the past week have been deleted within minutes, which has prompted accusations of a &#8221;propaganda campaign&#8221; by the bank. But Westpac has defended the practice, claiming that &#8221;partisan views&#8221; could deter customers from researching its financial products on social media sites.&#8221;</li>
<li><a href="http://bits.blogs.nytimes.com/2012/02/12/disruptions-so-many-apologies-so-much-data-mining/?partner=rss&amp;emc=rss">Anger for Path Social Network After Privacy Breach [NYTimes.com]</a> &#8211; &#8220;Last week, Arun Thampi, a programmer in Singapore, discovered that the mobile social network Path was surreptitiously copying address book information from users’ iPhones without notifying them. David Morin, Path’s voluble chief executive, quickly commented on Mr. Thampi’s blog that Path’s actions were an “industry best practice.” He then became uncharacteristically quiet as the Internet disagreed and erupted in outrage.[...] Mr. Morin eventually did bow to pressure with an earnest apology on the company’s blog. He said that Path would begin asking for permission before grabbing address books and that the company would destroy the data collected. [...] At Mr. Morin’s last job at Facebook, his boss Mark Zuckerberg apologized publicly more than 10 times for privacy breaches. It seems the management philosophy of “ask for forgiveness, not permission” is becoming the “industry best practice.” And based on the response to Mr. Morin, tech executives are even lauded for it.&#8221;</li>
<li><a href="http://gigaom.com/2012/02/08/lessons-from-path-and-pinterest-tell-users-everything/">Lessons from Path and Pinterest: Tell users everything [GigaOm]</a> &#8211; &#8220;Path and Pinterest are probably two of the hottest social services right now, racking up millions of users and generating an ocean of favorable coverage. But both have gotten tripped up by the same thing that has made the social web a minefield for both Facebook and Google: namely, decisions that put their interests ahead of their users and a lack of disclosure about what was going on behind the scenes or under the hood of their services. Will these missteps spell doom for either company? Probably not. But the backlash is a welcome reminder that for social apps, the trust of users is not something to be toyed with. Path, a mobile photo-sharing app that expanded to become a full-fledged mobile social app when it relaunched a couple of months ago, was co-founded and is run by Dave Morin, an early Facebook staffer.&#8221;</li>
<li><a href="http://www.guardian.co.uk/books/2012/feb/09/amazon-publishing-bookshop-boycott-grows">Amazon Publishing bookshop boycott grows [Books | guardian.co.uk]</a> &#8211; &#8220;The cold war between north American booksellers and Amazon has hotted up this week, with the booksellers joining together to announce that they will not be selling any of the titles published by the online retailer. The opening salvo was fired last week by America&#8217;s biggest book chain Barnes &amp; Noble, when it announced that it would not be stocking Amazon Publishing&#8217;s books. The website publishes a large range of titles, with imprints covering everything from romance to thrillers, and major authors including Deepak Chopra and self-help guru Timothy Ferriss. &#8220;Our decision is based on Amazon&#8217;s continued push for exclusivity with publishers, agents and the authors they represent,&#8221; said Jaime Carey, chief merchandising officer, in a statement.&#8221;</li>
<li><a href="http://arstechnica.com/business/news/2012/02/nearly-3-years-later-deleted-facebook-photos-are-still-online.ars">Over 3 years later, &#8220;deleted&#8221; Facebook photos are still online [Ars Technica]</a> &#8211; Despite the issue being raised over 3 years ago, Facebook still does not immediately (or even quickly) remove deleted photos from Facebook. While the ability to access these photos is removed, the photo itself can linger on for years, still accessible to anyone who has the direct link. When asked, once again, when this would be fixed, Facebook have commented that they&#8217;ve almost moved to a new system that should delete photos within 45 days. That&#8217;s still a long time after the remove button is pressed!</li>
<li><a href="http://nymag.com/daily/entertainment/2012/01/how-much-can-a-celebrity-make-for-tweeting.html">How Much Can a Celebrity Make for Tweeting? [NY Mag]</a> &#8211; &#8220;The weirdest thing about the rumor that Kim Kardashian gets paid $10,000 for a Twitter endorsement is that it’s true. (She recently plugged ShoeDazzle.com*, for instance.) The biggest player in the pay-to-tweet market is Ad.ly, a social-media advertorial clearinghouse pairing brands with celebs to inject highly personalized advertising into their Twitter streams.<br />
The pay rate for endorsing companies like Old Navy, Toyota, Best Buy, and American Airlines is determined by the size of a celeb’s following and how that group responds to his tweets with shares and retweets. On that sliding scale, Snoop Dogg (6.3 million followers) is in the top tier of payments, on the upside of $8,000 apiece, while Paula Abdul (2.2 million followers) falls somewhere in the middle, in the $5,000-each range, and Whitney Port (800,000 followers) falls in the bottom tier, making around $2,500 per tweet.&#8221;</li>
<li><a href="http://www.guardian.co.uk/money/work-blog/2012/jan/30/facebook-timeline-employers-applications">What if Facebook Timeline was read instead of your CV? [guardian.co.uk]</a> &#8211; If the thought irks you, make sure your privacy settings are set appropriately on Facebook as Timeline rolls out: &#8220;It&#8217;s all change at Facebook in the next few weeks as its timeline feature is rolled out to all users – whether they want it or not. This will make it easier for people to dig into your past from your homepage in an unprecedented manner. Pull up someone&#8217;s profile with Timeline enabled and you can scroll back through their entire Facebook history. Click on a year (say, 2008) and you can see everything they did in those 12 months, including status updates, photos, and wall posts.[...] Does this matter from an employment point of view? Well, yes it does. Numerous surveys have shown that employers are using Facebook and other social media sites to vet job applicants. In January 2010, a survey for Careerbuilder.co.uk found that more than half of employers used social networking sites to research job candidates.&#8221;</li>
<li><a href="http://www.news.com.au/breaking-news/man-charged-over-youtube-driving/story-e6frfku0-1226258482837?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newscomaunationalbreakingnewsndm+%28NEWS.com.au+%7C+National+Breaking+News%29">Man charged over YouTube driving [News.com.au]</a> &#8211; &#8220;A P-PLATE driver who posted video of his antics on YouTube faces eight dangerous driving charges and losing his car forever.<br />
The 22-year-old from Kadina, on South Australia&#8217;s Yorke Peninsula, has had his Holden Commodore impounded for 28 days, police said today. He was nabbed after footage of his alleged driving offences was uploaded to YouTube and police learned about his alleged behaviour on roads near Kadina. &#8220;</li>
<li><a href="http://www.nytimes.com/2012/01/29/us/politics/twitter-is-a-critical-tool-in-republican-campaigns.html?_r=3&amp;pagewanted=all">Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com]</a> &#8211; &#8220;When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking Twitter messages with a hashtag, “#grandiosenewt”, encouraging voters to add their own examples of occasions when they felt Mr. Gingrich had been “grandiose.” Within minutes, the hashtag was trending on Twitter. Reporters picked up on it, sending out their own Twitter posts and writing their own articles. The result: for at least one news cycle, the Romney campaign had stamped a virtual “grandiose” on Mr. Gingrich’s forehead. If the 2008 presidential race embraced a 24/7 news cycle, four years later politicos are finding themselves in the middle of an election most starkly defined by Twitter, complete with 24-second news cycles and pithy bursts. With 100 million active users, more than 10 times as many as in the 2008 election, Twitter has emerged as a critical tool for political campaigns, allowing them to reach voters, gather data and respond &#8230;&#8221;</li>
<li><a href="http://www.huffingtonpost.com/2012/01/20/google-ceo-larry-page_n_1217379.html">Google CEO Larry Page: Identity Is A &#8216;Deep, Deep Part Of What We&#8217;re Doing&#8217; [Huffington Post]</a> &#8211; &#8220;Watch out: Google is getting personal. CEO Larry Page emphasized that Google is determined to deliver online experiences tailored to each individual&#8217;s interests and social circles, an ambitious goal that requires the web giant to learn even more about its users&#8217; preferences and personal information. &#8220;Engaging with users, really deeply understanding who they are, and delivering things that make sense for them is really, really important. We&#8217;re at the early stages of that and Google+ is a big effort,&#8221; said Page during an earnings call Thursday. &#8220;This notion of identity is a deep, deep part of what we&#8217;re doing and an example of how we can make all our products better by understanding people.&#8221; Though Google already knows a great deal about the people who use its services, from what YouTube videos they&#8217;ve watched to whom they email most on Gmail, the web giant still lusts after the treasure trove of personal data Facebook has accumulated over the past eight years &#8230;&#8221;</li>
<li><a href="http://mashable.com/2012/01/31/google-twitter-country-censorship/">Google Will Start Country-Specific Censorship for Blogs</a> &#8211; &#8220;Google figured out Twitter‘s trick for avoiding universally censoring content weeks ago, but it managed to go unnoticed — for a while. That is, until TechDows wrote about Blogger‘s plan for country-specific URLs Tuesday. At some point “over the coming weeks,” Google’s Blogger will begin redirecting users to country-specific domain names — think Google.fr in France rather than Google.com — to avoid universally removing content that would not be tolerated in specific jurisdictions. A Blogger support post, “Why does my blog redirect to a country-specific URL?,” last updated Jan. 9, explains that Google is using the method to limit the impact of censored content. Readers will be redirected to sites with their own country’s domain name when they try to visit blogs recognized as foreign, as determined by their IP addresses. If you would like to see a non-affected page, you can direct to google.com/ncr (NCR stands for “no country redirect”) &#8230;&#8221;</li>
<li><a href="http://arstechnica.com/tech-policy/news/2012/01/twitter-uncloaks-a-years-worth-of-dmca-takedown-notices-4410-in-all.ars">Twitter uncloaks a year&#8217;s worth of DMCA takedown notices, 4,410 in all [Ars Technica]</a> &#8211; &#8220;On almost any given day, Twitter receives a handful of requests to delete tweets that link to pirated versions of copyrighted content—and quickly complies by erasing the offending tweets from its site. That fact itself is probably unsurprising to people familiar with the Digital Millennium Copyright Act (DMCA) takedown process, which gives sites like Twitter a &#8220;safe harbor&#8221; against lawsuits related to user behavior and uploads—so long as the sites don&#8217;t knowingly tolerate pirated material or links to such material. But Twitter has taken the unusual step of <a href="http://chillingeffects.org/twitter">making DMCA takedown notices public, in partnership with Chilling Effects</a>, a project of the Electronic Frontier Foundation and several universities. [...] Scrolling through recent takedown notices, you&#8217;ll see names like Magnolia Pictures, Simon and Schuster, Warner Music Group, Universal Music Group, among those of many other media companies.&#8221;</li>
<li><a href="http://blog.twitter.com/2012/01/tweets-still-must-flow.html">Tweets still must flow [Twitter Blog]</a> &#8211; Twitter starts blocking tweets nationally: &#8220;As we continue to grow internationally, we will enter countries that have different ideas about the contours of freedom of expression. Some differ so much from our ideas that we will not be able to exist there. Others are similar but, for historical or cultural reasons, restrict certain types of content, such as France or Germany, which ban pro-Nazi content. Until now, the only way we could take account of those countries’ limits was to remove content globally. Starting today, we give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world. We have also built in a way to communicate transparently to users when content is withheld, and why. We haven’t yet used this ability, but if and when we are required to withhold a Tweet in a specific country, we will attempt to let the user know, and we will clearly mark when the content has been withheld.&#8221;</li>
<li><a href="http://mashable.com/2012/01/31/google-twitter-country-censorship/">Google Will Start Country-Specific Censorship for Blogs</a> &#8211; &#8220;Google figured out Twitter‘s trick for avoiding universally censoring content weeks ago, but it managed to go unnoticed — for a while. That is, until TechDows wrote about Blogger‘s plan for country-specific URLs Tuesday. At some point “over the coming weeks,” Google’s Blogger will begin redirecting users to country-specific domain names — think Google.fr in France rather than Google.com — to avoid universally removing content that would not be tolerated in specific jurisdictions. A Blogger support post, “Why does my blog redirect to a country-specific URL?,” last updated Jan. 9, explains that Google is using the method to limit the impact of censored content. Readers will be redirected to sites with their own country’s domain name when they try to visit blogs recognized as foreign, as determined by their IP addresses. If you would like to see a non-affected page, you can direct to google.com/ncr (NCR stands for “no country redirect”) &#8230;&#8221;</li>
<li><a href="http://www.news.com.au/breaking-news/man-charged-over-youtube-driving/story-e6frfku0-1226258482837?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newscomaunationalbreakingnewsndm+%28NEWS.com.au+%7C+National+Breaking+News%29">Man charged over YouTube driving [News.com.au]</a> &#8211; &#8220;A P-PLATE driver who posted video of his antics on YouTube faces eight dangerous driving charges and losing his car forever.<br />
The 22-year-old from Kadina, on South Australia&#8217;s Yorke Peninsula, has had his Holden Commodore impounded for 28 days, police said today. He was nabbed after footage of his alleged driving offences was uploaded to YouTube and police learned about his alleged behaviour on roads near Kadina. &#8220;</li>
<li><a href="http://www.guardian.co.uk/money/work-blog/2012/jan/30/facebook-timeline-employers-applications">What if Facebook Timeline was read instead of your CV? [guardian.co.uk]</a> &#8211; If the thought irks you, make sure your privacy settings are set appropriately on Facebook as Timeline rolls out: &#8220;It&#8217;s all change at Facebook in the next few weeks as its timeline feature is rolled out to all users – whether they want it or not. This will make it easier for people to dig into your past from your homepage in an unprecedented manner. Pull up someone&#8217;s profile with Timeline enabled and you can scroll back through their entire Facebook history. Click on a year (say, 2008) and you can see everything they did in those 12 months, including status updates, photos, and wall posts.[...] Does this matter from an employment point of view? Well, yes it does. Numerous surveys have shown that employers are using Facebook and other social media sites to vet job applicants. In January 2010, a survey for Careerbuilder.co.uk found that more than half of employers used social networking sites to research job candidates.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/jan/30/angry-birds-music-midem">Angry Birds boss: &#8216;Piracy may not be a bad thing: it can get us more business&#8217; [Technology | guardian.co.uk]</a> &#8211; &#8220;Rovio Mobile learned from the music industry&#8217;s mistakes when deciding how to deal with piracy of its Angry Birds games and merchandise, chief executive Mikael Hed told the Midem conference in Cannes this morning. &#8220;We have some issues with piracy, not only in apps, but also especially in the consumer products. There is tons and tons of merchandise out there, especially in Asia, which is not officially licensed products,&#8221; said Hed. &#8220;We could learn a lot from the music industry, and the rather terrible ways the music industry has tried to combat piracy.&#8221; Hed explained that Rovio sees it as &#8220;futile&#8221; to pursue pirates through the courts, except in cases where it feels the products they are selling are harmful to the Angry Birds brand, or ripping off its fans. When that&#8217;s not the case, Rovio sees it as a way to attract more fans, even if it is not making money from the products. &#8220;Piracy may not be a bad thing: it can get us more business at the end of the day.&#8221;"</li>
</ul>

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		<title>Digital Culture Links:  January 30th</title>
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		<comments>http://www.tamaleaver.net/2012/01/30/digital-culture-links-january-25th-through-january-30th/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 01:12:38 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3341</guid>
		<description><![CDATA[Links for January 25th through January 30th: Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com] &#8211; &#8220;When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/30/digital-culture-links-january-25th-through-january-30th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 25th through January 30th:</p>
<ul>
<li><a href="http://www.nytimes.com/2012/01/29/us/politics/twitter-is-a-critical-tool-in-republican-campaigns.html?_r=3&amp;pagewanted=all">Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com]</a> &#8211; &#8220;When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking Twitter messages with a hashtag, “#grandiosenewt”, encouraging voters to add their own examples of occasions when they felt Mr. Gingrich had been “grandiose.” Within minutes, the hashtag was trending on Twitter. Reporters picked up on it, sending out their own Twitter posts and writing their own articles. The result: for at least one news cycle, the Romney campaign had stamped a virtual “grandiose” on Mr. Gingrich’s forehead. If the 2008 presidential race embraced a 24/7 news cycle, four years later politicos are finding themselves in the middle of an election most starkly defined by Twitter, complete with 24-second news cycles and pithy bursts. With 100 million active users, more than 10 times as many as in the 2008 election, Twitter has emerged as a critical tool for political campaigns, allowing them to reach voters, gather data and respond &#8230;&#8221;</li>
<li><a href="http://www.huffingtonpost.com/2012/01/20/google-ceo-larry-page_n_1217379.html">Google CEO Larry Page: Identity Is A &#8216;Deep, Deep Part Of What We&#8217;re Doing&#8217; [Huffington Post]</a> &#8211; &#8220;Watch out: Google is getting personal. CEO Larry Page emphasized that Google is determined to deliver online experiences tailored to each individual&#8217;s interests and social circles, an ambitious goal that requires the web giant to learn even more about its users&#8217; preferences and personal information. &#8220;Engaging with users, really deeply understanding who they are, and delivering things that make sense for them is really, really important. We&#8217;re at the early stages of that and Google+ is a big effort,&#8221; said Page during an earnings call Thursday. &#8220;This notion of identity is a deep, deep part of what we&#8217;re doing and an example of how we can make all our products better by understanding people.&#8221; Though Google already knows a great deal about the people who use its services, from what YouTube videos they&#8217;ve watched to whom they email most on Gmail, the web giant still lusts after the treasure trove of personal data Facebook has accumulated over the past eight years &#8230;&#8221;</li>
<li><a href="http://arstechnica.com/tech-policy/news/2012/01/twitter-uncloaks-a-years-worth-of-dmca-takedown-notices-4410-in-all.ars">Twitter uncloaks a year&#8217;s worth of DMCA takedown notices, 4,410 in all [Ars Technica]</a> &#8211; &#8220;On almost any given day, Twitter receives a handful of requests to delete tweets that link to pirated versions of copyrighted content—and quickly complies by erasing the offending tweets from its site. That fact itself is probably unsurprising to people familiar with the Digital Millennium Copyright Act (DMCA) takedown process, which gives sites like Twitter a &#8220;safe harbor&#8221; against lawsuits related to user behavior and uploads—so long as the sites don&#8217;t knowingly tolerate pirated material or links to such material. But Twitter has taken the unusual step of <a href="http://chillingeffects.org/twitter">making DMCA takedown notices public, in partnership with Chilling Effects</a>, a project of the Electronic Frontier Foundation and several universities. [...] Scrolling through recent takedown notices, you&#8217;ll see names like Magnolia Pictures, Simon and Schuster, Warner Music Group, Universal Music Group, among those of many other media companies.&#8221;</li>
<li><a href="http://www.nytimes.com/2012/01/26/business/ieconomy-apples-ipad-and-the-human-costs-for-workers-in-china.html?_r=2&amp;ref=business&amp;pagewanted=all">Apple’s iPad and the Human Costs for Workers in China [NYTimes.com]</a> &#8211; Long and important piece which looks at the poor working conditions in some of the factories which assemble and supply the parts for Apple&#8217;s most popular products. It balances the enormous profits Apple makes with the human cost which have, in some cases, led to worker suicide.</li>
<li><a href="http://www.wired.com/epicenter/2012/01/oscar-screener-battle/">MPAA Wins the Oscar Screener Battle, but Loses the War [Epicenter | Wired.com]</a> &#8211; &#8220;Every year, the MPAA tries desperately to stop Oscar screeners — the review copies sent to Academy voters — from leaking online. And every year, teenage boys battling for street cred always seem to defeat whatever obstacles Hollywood throws at them. For the last 10 years, I’ve tracked the online distribution of Oscar-nominated films, going back to 2003. Using a number of sources (see below for methodology), I’ve compiled a massive spreadsheet, now updated to include 310 films. This year, for the first time, I’m calling it: The MPAA is winning the battle to stop screener leaks. A record 37 films were nominated this year, and the studios sent out screeners for all but four of them. But, so far, only eight of those 33 screeners have leaked online, a record low that continues the downward trend from last year. They may be winning the battle, but they’ve lost the war. While screeners declined in popularity, 34 of the nominated films (92 percent) were leaked online by nomination day &#8230;&#8221;</li>
<li><a href="http://blog.twitter.com/2012/01/tweets-still-must-flow.html">Tweets still must flow [Twitter Blog]</a> &#8211; Twitter starts blocking tweets nationally: &#8220;As we continue to grow internationally, we will enter countries that have different ideas about the contours of freedom of expression. Some differ so much from our ideas that we will not be able to exist there. Others are similar but, for historical or cultural reasons, restrict certain types of content, such as France or Germany, which ban pro-Nazi content. Until now, the only way we could take account of those countries’ limits was to remove content globally. Starting today, we give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world. We have also built in a way to communicate transparently to users when content is withheld, and why. We haven’t yet used this ability, but if and when we are required to withhold a Tweet in a specific country, we will attempt to let the user know, and we will clearly mark when the content has been withheld.&#8221;</li>
<li><a href="http://online.wsj.com/article/SB10001424052970203750404577173031991814896.html?mod=WSJ_hp_mostpop_read">No More Résumés, Say Some Firms [WSJ.com]</a> &#8211; &#8220;Union Square Ventures recently posted an opening for an investment analyst. Instead of asking for résumés, the New York venture-capital firm—which has invested in Twitter, Foursquare, Zynga and other technology companies—asked applicants to send links representing their &#8220;Web presence,&#8221; such as a Twitter account or Tumblr blog. Applicants also had to submit short videos demonstrating their interest in the position. Union Square says its process nets better-quality candidates —especially for a venture-capital operation that invests heavily in the Internet and social-media—and the firm plans to use it going forward to fill analyst positions and other jobs. Companies are increasingly relying on social networks such as LinkedIn, video profiles and online quizzes to gauge candidates&#8217; suitability for a job. While most still request a résumé as part of the application package, some are bypassing the staid requirement altogether.&#8221;</li>
<li><a href="http://www.slate.com/articles/technology/technology/2012/01/online_echo_chambers_a_study_of_250_million_facebook_users_reveals_the_web_isn_t_as_polarized_as_we_thought_.single.html">Online echo chambers: A study of 250 million Facebook users reveals the Web isn’t as polarized as we thought. &#8211; Slate Magazine</a> &#8211; A large-scale controlled study of Facebook users and their sharing habits suggests that far from an echo chamber (our social networks reinforcing the views and interests of our strong ties), Facebook users appear to get as much information from their weak ties (ie not as good friends/acquaintances) and thus suggesting social networks introduce diversity of information and perspectives. [Read Eytan Bakshy's <a href="https://www.facebook.com/notes/facebook-data-team/rethinking-information-diversity-in-networks/10150503499618859">Rethinking Information Diversity in Networks</a>]</li>
</ul>

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		<title>Digital Culture Links:  January 25th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/JqOfpQmbDrg/</link>
		<comments>http://www.tamaleaver.net/2012/01/25/digital-culture-links-january-25th/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 05:22:29 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3336</guid>
		<description><![CDATA[Links for January 25th: MEGAUPLOAD (by Dan Bull) &#8211; Independent artist Dan Bull raps about the harm shutting down MegaUpload has done to smaller artists. In the name of protecting the intellectual property of Hollywood and the MPAA, it seems &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/25/digital-culture-links-january-25th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 25th:</p>
<ul>
<li><a href="http://youtu.be/Tw3DjJJhEjM">MEGAUPLOAD (by Dan Bull)</a> &#8211; Independent artist Dan Bull raps about the harm shutting down MegaUpload has done to smaller artists. In the name of protecting the intellectual property of Hollywood and the MPAA, it seems that smaller artists who rely on cyberlockers like MegaUpload have found their means of distribution erased without noticed or recourse to protest.<iframe width="560" height="315" src="http://www.youtube.com/embed/Tw3DjJJhEjM" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.bbc.co.uk/news/technology-16700913">Star Wars crowdsourced film reaches million YouTube views [BBC News]</a> &#8211; &#8220;A &#8220;directors cut&#8221; of a fan-made version of Star Wars has passed one million views on YouTube. The film, uploaded on 18 January, is made up of hundreds of 15-second scenes created by internet users. The Star Wars Uncut project is widely regarded as an example of the power of crowdsourcing. Ramon Youseph, of the Crowdsourcing Gazette blog, told the BBC it showed &#8220;the power of the web to engage people in a global collaborative effort&#8221;. The website starwarsuncut.com began asking for fan-made scenes in 2009. It went on to win an interactive media Emmy in 2010.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-16677370">EU proposes &#8216;right to be forgotten&#8217; by internet firms [BBC News]</a> &#8211; A new law promising internet users the &#8220;right to be forgotten&#8221; will be proposed by the European Commission on Wednesday. It says people will be able to ask for data about them to be deleted and firms will have to comply unless there are &#8220;legitimate&#8221; grounds to retain it. [...] A spokesman for the commissioner clarified that the action was designed to help teenagers and young adults manage their online reputations. &#8220;These rules are particularly aimed at young people as they are not always as aware as they could be about the consequence of putting photos and other information on social network websites, or about the various privacy settings available,&#8221; said Matthew Newman. He noted that this could cause problems later if the users had no way of deleting embarrassing material when applying for jobs. However, he stressed that it would not give them the right to ask for material such as their police or medical records to be deleted.&#8221;</li>
<li><a href="http://youtube-global.blogspot.com/2012/01/holy-nyans-60-hours-per-minute-and-4.html">60 hours per minute and 4 billion views a day on YouTube [YouTube Blog]</a> &#8211; &#8220;Since the dawn of YouTube, we’ve been sharing the hours of video you upload every minute. In 2007 we started at six hours, then in 2010 we were at 24 hours, then 35, then 48, and now&#8230;60 hours of video every minute, an increase of more than 30 percent in the last eight months. In other words, you’re uploading one hour of video to YouTube every second.&#8221;</li>
<li><a href="http://www.zephoria.org/thoughts/archives/2012/01/23/how-parents-normalized-teen-password-sharing.html">How Parents Normalized Teen Password Sharing [danah boyd | apophenia]</a> &#8211; Interesting insights from danah boyd regarding teens sharing passwords to social media services with each other. It&#8217;s all about trust, and that&#8217;s something learnt at home since parents ask kids to trust them and let parents look after (or at least know) their passwords in the early years (normally): &#8220;When teens share their passwords with friends or significant others, they regularly employ the language of trust, as Richtel noted in his story. Teens are drawing on experiences they’ve had in the home and shifting them into their peer groups in order to understand how their relationships make sense in a broader context. This shouldn’t be surprising to anyone because this is all-too-common for teen practices. Household norms shape peer norms.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=9h2dF-IsH0I">Defend our freedom to share (or why SOPA is a bad idea) [YouTube]</a> &#8211; A great talk from Clay Shirky explaining the history, context and potential impact of the US SOPA and PIPA bills which seek to radically censor the internet in the name of stopping &#8220;piracy&#8221;. Important to listen to since, as Shirky argues, there&#8217;s no doubt more of the same just around the corner.<iframe width="560" height="315" src="http://www.youtube.com/embed/9h2dF-IsH0I" frameborder="0" allowfullscreen></iframe></li>
</ul>

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		<title>Digital Culture Links:  January 21st</title>
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		<comments>http://www.tamaleaver.net/2012/01/21/digital-culture-links-january-21st/#comments</comments>
		<pubDate>Sat, 21 Jan 2012 01:29:04 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3327</guid>
		<description><![CDATA[Links for January 21st: iBooks Textbooks for iPad [Apple - Education] &#8211; Apple jumps into the textbook market, with impressive pricing and engaging looking media-rich books which, of course, rely on students already owning an iPad. However, with a proprietary &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/21/digital-culture-links-january-21st/">Read more &#187;</a></p>]]></description>
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<p>Links for January 21st:</p>
<ul>
<li><a href="http://www.apple.com/education/ibooks-textbooks/">iBooks Textbooks for iPad [Apple - Education</a>] &#8211; Apple jumps into the textbook market, with impressive pricing and engaging looking media-rich books which, of course, rely on students already owning an iPad. However, with a proprietary book creation tool, <a href="http://www.apple.com/ibooks-author/">iBooks</a> and a supposedly course-encompassing tool <a href="http://www.apple.com/education/itunes-u/">iTunes U</a> which reduces education to content provision, at the very least Apple&#8217;s latest entry into education will need to be carefully contextualised and managed by educators. Kathleen Fitzpatrick <a href="http://chronicle.com/blogs/profhacker/reflections-on-the-apple-education-event/37998">highlights some other important concerns, too</a>.</li>
<li><a href="http://www.washingtonpost.com/business/technology/apnewsbreak-workers-indicted-at-one-of-worlds-largest-file-sharing-sites-megauploadcom/2012/01/19/gIQAJPIRBQ_story.html">US prosecutors shut down one of world’s largest file-sharing sites, Megaupload [The Washington Post]</a> &#8211; &#8220;One of the world’s largest file-sharing sites was shut down Thursday, and its founder and several company executives were charged with violating piracy laws, federal prosecutors said. An indictment accuses Megaupload.com of costing copyright holders more than $500 million in lost revenue from pirated films and other content. The indictment was unsealed one day after websites including Wikipedia and Craigslist shut down in protest of two congressional proposals intended to thwart online piracy. The Justice Department said in a statement said that Kim Dotcom, formerly known as Kim Schmitz, and three others were arrested Thursday in New Zealand at the request of U.S. officials. Two other defendants are at large. Megaupload was unique not only because of its massive size and the volume of downloaded content, but also because it had high-profile support from celebrities, musicians and other content producers who are most often the victims of copyright infringement and piracy.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/business-16625725">Eastman Kodak files for bankruptcy protection [BBC News]</a> &#8211; &#8220;Eastman Kodak, the company that invented the hand-held camera, has filed for bankruptcy protection. The move gives the company time to reorganise itself without facing its creditors, and Kodak said that it would mean business as normal for customers. The company has recently moved away from cameras to refocus on making printers, to stem falling profits. The 133-year-old firm has struggled to keep up with competitors who were quicker to adapt to the digital era. &#8220;Kodak made all its money from selling film, then the digital camera came along and now no-ones buying film. It&#8217;s not like they didn&#8217;t see it coming. Kodak hesitated because they didn&#8217;t want to eviscerate their business,&#8221; said Rupert Goodwins, editor of technology website ZDNet.&#8221; For visuals, see [<a href="http://www.guardian.co.uk/business/gallery/2012/jan/19/eastman-kodak-history-pictures">The Guardian's Kodachrome Photo Retrospective</a>]</li>
<li><a href="http://www.nytimes.com/2012/01/18/us/teenagers-sharing-passwords-as-show-of-affection.html?_r=1&amp;pagewanted=all%3Fsrc%3Dtp&amp;smid=fb-share">Teenagers Sharing Passwords as Show of Affection [NYTimes.com]</a> &#8211; &#8220;Young couples have long signaled their devotion to each other by various means — the gift of a letterman jacket, or an exchange of class rings or ID bracelets. Best friends share locker combinations. The digital era has given rise to a more intimate custom. It has become fashionable for young people to express their affection for each other by sharing their passwords to e-mail, Facebook and other accounts. Boyfriends and girlfriends sometimes even create identical passwords, and let each other read their private e-mails and texts. They say they know such digital entanglements are risky, because a souring relationship can lead to people using online secrets against each other. But that, they say, is part of what makes the symbolism of the shared password so powerful.&#8221;</li>
<li><a href="http://www.aclu.org/blog/technology-and-liberty/facebook-making-your-political-opinions-less-private-2012">Facebook: Making Your Political Opinions Less Private Since 2012 [Blog of Rights: Official Blog of the American Civil Liberties Union]</a> &#8211; &#8220;Facebook announced yesterday that “every post and comment — both public and private — by a U.S. user that mentions a presidential candidate’s name will be fed through a sentiment analysis tool that spits out anonymized measures of the general U.S. Facebook population.” This analysis, along with reader polls and other information, will in turn be shared with politico.com. The brief announcement of this new feature raises serious questions and offers few answers. Most troubling is Facebook’s willingness to search and collect users’ private political preferences and thoughts, preferences they may have shared only with their closest friend in a private email. This raises at least three concerns. The first is that many users may not want to be part of any “sentiment analysis” or poll &#8230;&#8221;</li>
</ul>

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		<title>Digital Culture Links: January 12th</title>
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		<comments>http://www.tamaleaver.net/2012/01/12/digital-culture-links-january-1st-through-january-12th/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 04:15:46 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for January 1st through January 12th: Amazon Launches iPad Kindle Store to Dodge Apple&#8217;s Restrictions [RWW] &#8211; Amazon launches even further into Apple&#8217;s regulated home turf: &#8220;Amazon has launched a more touch-friendly, Web-based iPad Kindle Store. A tablet-optimized Kindle &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/12/digital-culture-links-january-1st-through-january-12th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 1st through January 12th:</p>
<ul>
<li><a href="http://www.readwriteweb.com/archives/amazon_launches_ipad_kindle_store_to_dodge_apples.php">Amazon Launches iPad Kindle Store to Dodge Apple&#8217;s Restrictions [RWW]</a> &#8211; Amazon launches even further into Apple&#8217;s regulated home turf: &#8220;Amazon has launched a more touch-friendly, Web-based iPad Kindle Store. A tablet-optimized Kindle store was available through the HTML5 Kindle Cloud Reader Amazon launched last August, but the new iPad Kindle Store is a standalone Web app. Upon visiting amazon.com/iPadKindleStore from Safari, a pop-up prompts the user to add it to the home screen. This is the most seamless way for Kindle users to buy books on the iPad. Apple&#8217;s in-app purchasing rules prevent e-book sellers from offering stores in their native apps (without giving Apple a 30% cut). The route around that was to include a link to the Web store inside the native reader app. Last July, Apple forced Amazon and other e-reader apps to remove this link, so users of e-book platforms other than Apple&#8217;s iBooks must buy their books in the browser, in a separate place from where they read.&#8221;</li>
<li><a href="http://www.google.com/insidesearch/plus.html">Search, plus Your World [Inside Google Search]</a>- Google adds more personalisation with &#8220;Search, plus Your World&#8221; which heavily (but OPTIONALLY) integrates Google+ and other social search results into the first page results when searching Google (if signed in to Google+).Twitter (and presumably Facebook) <a href="http://www.guardian.co.uk/technology/2012/jan/11/google-search-changes-internet-twitter">are unhappy</a> since this competes with their social search roles, but Google have responded that <a href="https://plus.google.com/116899029375914044550/posts/24uqWqvALud">this seems a bit rich</a> since Twitter refused to let Google pay to index Twitter in realtime.<br />
<iframe src="http://www.youtube.com/embed/8Z9TTBxarbs" frameborder="0" width="500" height="254"></iframe></li>
<li><a href="http://www.thinkdigit.com/Apps/Angry-Birds-named-most-downloaded-paid-app_8279.html">Angry Birds named most downloaded paid app [Think Digit]</a> &#8211; &#8220;Rovio&#8217;s Angry Birds has been named the most downloaded paid app for the smartphones and tablets in 2011. According to research firm Distimo, Angry Birds was downloaded more than any other application across all major operating systems including Android, iOS, Windows Phone and others. The only platform missing out on the list is BlackBerry. However, the game was recently made available on the BlackBerry&#8217;s App World. Angry Birds was followed by Fruit Ninja, while another variant of Angry Birds, Angry Birds Season grabbed the third spot on the list of the paid apps for the year 2011. Among the free apps, Facebook grabbed the top spot, while Pandora Radio followed at the second spot. The free versions of Word with Friends and Angry Birds remained on third and fourth position respectively. The Distimo report covers data collected from January to November 2011. The report has various notable findings such as Apple App Store has four times more revenue than Google&#8217;s Android Market.&#8221;</li>
<li><a href="http://moneyland.time.com/2012/01/06/digital-music-sales-finally-surpassed-physical-sales-in-2011/?iid=pf-main-lede">Digital Music Sales Surpass Physical Music Sales For the First Time Ever [Moneyland | TIME.com]</a> &#8211; &#8220;Last year, for the first time in history, digital music sales exceeded physical sales, according to a newly released Nielsen/Billboard report <a href="http://money.cnn.com/2012/01/05/technology/digital_music_sales/index.htm">cited by CNNMoney</a>. In 2011, digital music sales climbed past physical sales to take a 50.3% market share of all music purchases. In a continuation of a multi-year trend, digital sales increased by 8.4% from 2010, while physical sales declined 5%.<br />
In the decade since Apple launched its iTunes music store, a host of digital music ventures have appeared, with varying degrees of success. iTunes remains the market leader but faces increasing competition from upstarts like Rdio, Spotify and Pandora, which went public earlier this year.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/jan/04/angry-birds-christmas-downloads">Angry Birds bags 6.5m Christmas Day downloads [guardian.co.uk]</a> &#8211; Rovio Mobile says its three Angry Birds games generated 6.5m downloads on Christmas Day alone. The company&#8217;s vice president of franchise development Ville Heijari revealed the milestone to All Things Digital, while promising new games in the year ahead. &#8220;We&#8217;re really excited to have such a massive number of new people get acquainted with Angry Birds over the holidays – we have exciting new releases lined up for 2012, and can&#8217;t wait to introduce them to the public,&#8221; said Heijari. He did not break down the 6.5m figure by game – Angry Birds, Angry Birds Seasons and Angry Birds Rio are the three available titles – nor did he split them out by platform. While the lion&#8217;s share are likely to have come from iOS and Android, Angry Birds is also available on Windows Phone, while all three games are available for Nokia handsets and RIM&#8217;s BlackBerry PlayBook tablet.&#8221; Angry Birds was downloaded more than 600 million times in 2011, with over a million branded toy and shirt sales each month.</li>
<li><a href="http://www.medacity.com/3145/facebook-blamed-for-a-third-of-british-divorces/">Facebook Blamed For a Third of British Divorces [MediaCity]</a> &#8211; &#8220;So Facebook is again at the other end of the blame-hammer, this time for precipitating about a third of divorces in Britain. The stats come from a website- the UK’s Divorce-Online, and cull stats from 5,000 divorce petitions. The same stats were pulled in 2009, and at that time, Facebook made an appearance in 20% of the petitions. Infidelity-related complaints were a forerunner, along with using Facebook walls to make nasty comments about soon to be exes.&#8221;</li>
<li><a href="http://www.postsecret.com/2012/01/postsecret-app-is-now-closed.html">The PostSecret App is Now Closed [PostSecret]</a> &#8211; The PostSecret App (iPhone/iPad) closes after anonymous posts and comments prove unmanageable as part of a confessional community. (The closed app is now dubbed an &#8220;experimental community&#8221; that failed. Despite being a paid app, there is no mention, or apology, to those who paid for it in good faith.) From the PostSecret blog: &#8220;Like the PostSecret Blog, the App was designed so each secret was absolutely anonymous. Unfortunately, that absolute anonymity made it very challenging to permanently remove determined users with malicious intent. 99% of the secrets created were in the spirit of PostSecret. Unfortunately, the scale of secrets was so large that even 1% of bad content was overwhelming for our dedicated team of volunteer moderators who worked 24 hours a day 7 days a week removing content that was not just pornographic but also gruesome and at times threatening.&#8221;</li>
<li><a href="http://blog.instagram.com/post/15086846976/year-in-review-2011-in-numbers">Year in Review: 2011 in Numbers [Instagram]</a> &#8211; &#8220;We’ve seen the Instagram community grow from 1 million to over 15 million users in 2011. To celebrate, we’re recapping the year’s activity in our Year in Review series.<br />
Accounts<br />
1 million: The number of accounts on Jan 1, 2011.<br />
15 million (and counting): The number of accounts on Jan 1, 2012.<br />
Photos<br />
3: The average number of photos uploaded per second, one year ago.<br />
60: The average number of photos uploaded per second, today.<br />
400 million: The total number of photos shared on Instagram so far.&#8221;</li>
</ul>

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		<title>Digital Culture Links:  January 1st 2012</title>
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		<pubDate>Sun, 01 Jan 2012 01:33:54 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3292</guid>
		<description><![CDATA[Happy New Year! Links for December 21st through January 1st: My New Year Wish [Neil Gaiman's Journal:] &#8211; As New Years wishes go, I think Neil Gaiman wins this year: &#8220;I hope that in this year to come, you make &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/01/digital-culture-links-january-1st-2012/">Read more &#187;</a></p>]]></description>
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<p>Happy New Year! Links for December 21st through January 1st:</p>
<ul>
<li><a href="http://journal.neilgaiman.com/2011/12/my-new-year-wish.html">My New Year Wish [Neil Gaiman's Journal:]</a> &#8211; As New Years wishes go, I think Neil Gaiman wins this year: &#8220;I hope that in this year to come, you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You&#8217;re doing things you&#8217;ve never done before, and more importantly, you&#8217;re Doing Something. So that&#8217;s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody&#8217;s ever made before. Don&#8217;t freeze, don&#8217;t stop, don&#8217;t worry that it isn&#8217;t good enough, or it isn&#8217;t perfect, whatever it is: art, or love, or work or family or life. Whatever it is you&#8217;re scared of doing, Do it. Make your mistakes, next year and forever.&#8221;</li>
<li><a href="http://collegemisery.blogspot.com/2011/12/henchminion-sends-in-tale-of-magna.html">Henchminion Sends In the Tale of &#8220;The Magna Carta Essay!&#8221; [College Misery]</a> &#8211; In 2005 a frustrated US college professor wrote a fake essay about the Magna Carta &#8211; filled with notable errors, jokes and almost no substance &#8211; and posted it online to several notable paper mills and plagiarism websites. Six years later it&#8217;s still out there and still being quoted. A notable tale for would-be undergraduates cutting corners with their research and citation!</li>
<li><a href="http://boingboing.net/2011/12/30/marvels-lawyers-get-into-fan.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29">Marvel&#8217;s lawyers get into fanboy flamewar with IRS about human-status of its mutants [Boing Boing]</a> &#8211; Marvel&#8217;s lawyers argue that the X-Men aren&#8217;t human for tax purposes. Of course, this undermines almost 50 years of the X-Men as repressed and misunderstood humanity. Looks like the lawyers are running Marvel!</li>
<li><a href="http://www.youtube.com/watch?v=84TkQxWnBYs">Doctor Who Meets Star Wars Episode I &#8211; The Prequel Menace [Mashup]</a> &#8211; Extremely silly, but made with so much love and affection that it&#8217;s well worth 6 minutes of your time! <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> <iframe width="480" height="360" src="http://www.youtube.com/embed/84TkQxWnBYs" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.bbcamerica.com/anglophenia/2011/12/doctor-who-tops-modern-family-as-itunes-best-seller-of-2011/">&#8216;Doctor Who&#8217; Tops &#8216;Modern Family&#8217; as iTunes Best-Seller of 2011 [Anglophenia | BBC America]</a> &#8211; &#8220;Never underestimate the power of Whovians. That loyal fan base has lifted Doctor Who to the very top of iTunes’ list of most downloaded full TV seasons of 2011! Yes, more than any other show on TV. Can I get a Woo-Who? That means Doctor Who beat ABC’s hit, Emmy-winning sitcom Modern Family (No. 2), Dexter (No. 3), Breaking Bad (No. 4), and True Blood (No. 5) in downloads. Just behind them at No. 6 is BBC America’s Top Gear. Here’s the full top 10 via The Hollywood Reporter:<br />
TOP-SELLING SEASONS:<br />
1. Doctor Who<br />
2. Modern Family<br />
3. Dexter<br />
4. Breaking Bad<br />
5. True Blood<br />
6. Top Gear<br />
7. Glee<br />
8. Entourage<br />
9. Archer<br />
10. The Walking Dead&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2011/dec/27/company-sues-ex-employee-twitter">Company sues ex-employee for his Twitter followers [The Guardian]</a> &#8211; &#8220;A Twitter user is being sued for £217,000 by his former employer for taking his online followers with him when he switched jobs. Noah Kravitz, a writer from Oakland, California, amassed 17,000 followers on the social networking site when he worked for PhoneDog, a website providing news and reviews about mobile phones. He posted Twitter messages under the name @Phonedog_Noah, but in October 2010 he left the company, renamed his account @noahkravitz and took his following with him. PhoneDog has launched legal proceedings seeking damages of $2.50 a month per follower for eight months, for a total of $340,000. The company is arguing that Kravitz&#8217;s list of followers constitutes a customer database and the valuation is an estimate of how much each follower is worth to the company.&#8221;</li>
<li><a href="http://www.comicsalliance.com/2011/12/20/x-men-origins-wolverine-pirate-one-year-prison/">&#8216;X-Men Origins: Wolverine&#8217; Pirate Sentenced to One Year in Prison [ComicsAlliance]</a> &#8211; &#8220;A man who&#8217;s confessed to uploading an early cut of X-Men Origins: Wolverine to the Internet a month before the film was to debut in cinemas has been sentenced to a year in federal prison. Deadline reports that 49-year-old Gilberto Sanchez pleaded guilty in March to one count of &#8220;uploading a copyrighted work being prepared for commercial distribution,&#8221; a charge which United States District Judge Margaret M. Morrow described as &#8220;extremely serious.&#8221; The early leaking of the DVD-quality workprint of Wolverine created quite a commotion back in 2009. The pirated cut was downloaded at least four million times, which according to Reuters could have translated to $28.7 million in lost ticket sales if the downloaders opted out of seeing Wolverine in the theater. Compounding fears, the leaked copy was missing final special effects shots and other material, and the advance spoiler-filled reviews were incredibly damning of the X-Men sequel, which cost $150 million to produce.&#8221;</li>
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		<title>Digital Culture Links: December 15th</title>
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		<comments>http://www.tamaleaver.net/2011/12/15/digital-culture-links-december-15th/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 03:01:20 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links, catching up through to December 15th: What Louis CK knows that most media companies don’t — Tech News and Analysis &#8211; Good round up of Louis CK&#8217;s online non-DRMed release of “Live at the Beacon Theater&#8221;. While a direct &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/12/15/digital-culture-links-december-15th/">Read more &#187;</a></p>]]></description>
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<p>Links, catching up through to December 15th:</p>
<ul>
<li><a href="http://gigaom.com/2011/12/14/what-louis-ck-knows-that-most-media-companies-dont/">What Louis CK knows that most media companies don’t — Tech News and Analysis</a> &#8211; Good round up of Louis CK&#8217;s online non-DRMed release of “Live at the Beacon Theater&#8221;. While a direct plea to fans didn&#8217;t prevent pirate versions altogether, CK&#8217;s fantastic online sales and healthy profit within 4 days show that this is a huge success (and arguably the torrent versions may still be helping with publicity).</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-hereford-worcester-16185152">Facebook riot page: Danny Cook jailed for 30 months [BBC News]</a> &#8211; &#8220;A man has been jailed for 30 months for creating a Facebook group page called &#8220;Letz start a riot&#8221;. Danny Cook, 22, of Marlpool Place, Kidderminster, admitted intentionally encouraging or assisting in the commission of theft or criminal damage. Worcester Crown Court heard he made the Facebook page during the August riots. The judge, Mr Justice Butterfield, said: &#8220;I would be failing in my public duty if I did not impose a substantial custodial sentence.&#8221;"</li>
<li><a href="https://buy.louisck.net/statement">Louis CK &#8211; Live at the Beacon Theater Statement</a> &#8211; Comedian Louis CK released his new standup video &#8220;Louis C.K. Live at the Beacon Theater&#8221; online for $5 via PayPal, available anywhere in the world, which in his words has &#8220;No DRM, no regional restrictions, no crap. You can download this file, play it as much as you like, burn it to a DVD, whatever.&#8221; A bold experiment in doing away with any sort of rights restrictions or DRM, Louis CK has released a statement thanking his fans and showing that this experiment has been a huge success. After just 4 days of sales: &#8220;As of Today, we&#8217;ve sold over 110,000 copies for a total of over $500,000. Minus some money for PayPal charges etc, I have a profit around $200,000 (after taxes $75.58).&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2011/dec/12/google-buys-licensing-firm-rightsflow">Google buys licensing firm RightsFlow‎ [guardian.co.uk]</a> &#8211; &#8220;Google is getting serious about paying artists royalties for songs that are used as soundtracks or videos on YouTube. The company said on Friday that it has acquired RightsFlow, a New York-based company that will help it identify the owners of music that people use in videos they post. &#8220;YouTube has had a long-standing commitment to solving the really tough challenges around online copyright – how to manage content rights in a quickly evolving technology world,&#8221; said David King, YouTube&#8217;s product manager, in a blog post. &#8220;We&#8217;ve already invested tens of millions of dollars in content management technology such as Content ID. We want to keep pushing things forward.&#8221; The deal should help YouTube, part of Google, manage the complex relationship it has with content owners, who are rarely consulted when their work is put online for free.&#8221;</li>
<li><a href="http://waxy.org/2011/12/no_copyright_intended/">No Copyright Intended [Waxy.org]</a> &#8211; Great post from Andy Baio on the immense confusion around copyright and remix: &#8220;These &#8220;no copyright infringement intended&#8221; messages are everywhere on YouTube, and about as effective as a drug dealer asking if you&#8217;re a cop. It&#8217;s like a little voodoo charm that people post on their videos to ward off evil spirits. How pervasive is it? There are about 489,000 YouTube videos that say &#8220;no copyright intended&#8221; or some variation, and about 664,000 videos have a &#8220;copyright disclaimer&#8221; citing the fair use provision in Section 107 of the Copyright Act. [...] On YouTube&#8217;s support forums, there&#8217;s rampant confusion over what copyright is. People genuinely confused that their videos were blocked even with a disclosure, confused that audio was removed even though there was no &#8220;intentional copyright infringement.&#8221; Some ask for the best wording of a disclaimer, not knowing that virtually all video is blocked without human intervention using ContentID.&#8221;</li>
<li><a href="https://fly.twitter.com/">(New) Twitter: Yours to discover</a> &#8211; Twitter&#8217;s official announcement of the new interface. It&#8217;s a bit busier, with more of a nod towards larger social networking sites, shifting away from the focus on the trademark tweet brevity. Mashable has some <a href="http://mashable.com/2011/12/08/the-new-twitter-everything-you-need-to-know/">useful notes on the new version</a>.</li>
<li><a href="http://mashable.com/2011/12/07/blogger-vs-journalist/">Judge Hits Blogger with $2.5 Million Charge for Not Being a Journalist</a> &#8211; In a case that’s sending a frightening message to the blogger community, a U.S. District Court judge ruled that a blogger must pay $2.5 million to an investment firm she wrote about — because she isn’t a real journalist. As reported by, Judge Marco A. Hernandez said Crystal Cox, who runs several blogs, wasn’t entitled to the protections afforded to journalists — specifically, Oregon’s media shield law for sources — because she wasn’t “affiliated with any newspaper, magazine, periodical, book, pamphlet, news service, wire service, news or feature syndicate, broadcast station or network, or cable television system.” The Obsidian Finance Group sued Cox in January for $10 million for writing several blog posts critical of the company and its co-founder, Kevin Padrick. Obsidian argued that the writing was defamatory. Cox represented herself in court.&#8221;</li>
<li><a href="http://nymag.com/daily/fashion/2011/12/hms-new-lingerie-models-are-computer-generated.html">H&amp;M;’s New Lingerie Models Are Computer-Generated [The Cut - NY Mag]</a> &#8211; &#8220;The models fronting H&amp;M;&#8217;s new holiday lingerie campaign are unreal, literally. <a href="http://jezebel.com/5865114/hm-puts-real-model-heads-on-fake-bodies">Jezebel translated an article</a> from Swedish newspaper Aftonbladet in which H&amp;M; press officer Håcan Andersson confirms that their new lingerie-clad bodies are &#8220;completely virtual.&#8221; For H&amp;M;&#8217;s website or catalogues, much of the store&#8217;s clothing is now shot on mannequins, which are then humanized via photo-editing software — which explains the eerily uniform pose now increasingly commonplace online.H&amp;M; also shot real models for the campaign, but only to superimpose their heads on the standard body form. Aptly, H&amp;M; calls them &#8220;facial models,&#8221; who are apparently aware of their abridged role in the finished catalogue shots.&#8221;</li>
<li><a href="http://www.technipages.com/ps3-delete-browser-cookies-and-cache.html">PS3: Delete Browser Cookies and Cache [Technipages]</a> &#8211; Useful if iView is buggy on PS3 in Australia.</li>
<li><a href="https://torrentfreak.com/swiss-govt-downloading-movies-and-music-will-stay-legal-111202/">Swiss Govt: Downloading Movies and Music Will Stay Legal [TorrentFreak]</a> - &#8220;One in three people in Switzerland download unauthorized music, movies and games from the Internet and since last year the government has been wondering what to do about it. This week their response was published and it was crystal clear. Not only will downloading for personal use stay completely legal, but the copyright holders won’t suffer because of it, since people eventually spend the money saved on entertainment products. In Switzerland, just as in dozens of other countries, the entertainment industries have been complaining about dramatic losses in revenue due to online piracy. In a response, the Swiss government has been conducting a study into the impact downloading has on society, and this week their findings were presented. [...] The report states that around a third of Swiss citizens over 15 years old download pirated music, movies and games from the Internet. However, these people don’t spend less money as a result &#8230;&#8221;</li>
<li><a href="http://mediadecoder.blogs.nytimes.com/2011/12/04/book-shopping-in-stores-then-buying-online/">Many Online Book Buyers First Shop Around in Stores [NYTimes.com]</a> - &#8220;Bookstore owners everywhere have a lurking suspicion: that the customers who type into their smartphones while browsing in the store, and then leave, are planning to buy the books online later — probably at a steep discount from the bookstores’ archrival, Amazon.com. Now a survey has confirmed that the practice, known among booksellers as showrooming, is not a figment of their imaginations. According to the survey, conducted in October by the Codex Group, a book market research and consulting company, 24 percent of people who said they had bought books from an online retailer in the last month also said they had seen the book in a brick-and-mortar bookstore first. Thirty-nine percent of people who bought books from Amazon in the same period said they had looked at the book in a bookstore before buying it from Amazon, the survey said.&#8221;</li>
<li><a href="http://dealbook.nytimes.com/2011/12/02/zynga-aims-to-raise-up-to-1-billion/?partner=rss&amp;emc=rss">Zynga Sets Offering Price at $8.50 to $10 a Share [NYTimes.com]</a> - &#8220;Zynga set the price range for its initial public offering at $8.50 to $10 a share, a highly anticipated debut that could value the company at $7 billion. At the top end of that range, the company, a four-year-old online game maker, is on track to raise $1 billion, which would make it the largest United States-based Internet offering since Google in 2004. [...] Zynga, unlike many of its peers, is churning out a profit, a crucial selling point as it starts its road show on Monday. It recorded earnings of $30.7 million for the first nine months of this year, on revenue of $828.9 million. The company, which makes the bulk of its money from the sale of virtual goods, is the top game maker on Facebook, with some 227 million monthly active users. Its latest franchise, Castleville, which started about two weeks ago, has already attracted about 20 million users on Facebook, according to AppData, a site that tracks online games.&#8221;</li>
<li><a href="http://www.allfacebook.com/facebook-friends-moms-2011-12?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">9 In 10 Moms Are Facebook Friends With Their Kids [All Facebook]</a> - &#8220;While 90 percent of mothers are friends with their children on Facebook, 46 percent of them restrict their kids’ access to their profiles, according to a study by the publisher of Parenting and Babytalk magazines. This percentage is significantly higher than what we’ve seen in a Kaplan survey of teens, about 65 percent of whom said they are Facebook friends with their parents. We wonder whether the moms have a more idealized view of things, but it’s possible that some of these mothers might have separate, made-up aliases for befriending their kids on Facebook. Meanwhile, other findings from the email survey of 1,146 mothers by The Parenting Group are: 33 percent of mothers allowed their children to create Facebook pages by age 12, despite the age limit of 13 set by the Children’s Online Privacy Protection Act and the social network’s own rules. 73 percent of moms who aren’t Facebook friends with their kids monitor their Facebook usage by accessing their pages as someone else.&#8221;</li>
<li><a href="http://www.allfacebook.com/facebook-status-updat-2011-11?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">Facebook Extends Maximum Status Update 12-Fold [All Facebook]</a> - &#8220;Facebook has extended the maximum length of status updates to 60,000 characters, 12 times what it used to be. Perhaps this move intends to offset the site’s recently announced plan to end support of RSS in the Notes application.The change might offer longer thoughts better visibility in the news feed than the old Notes had.  However, longer statuses don’t jibe with the ticker, which tends to clip posts after a period mark.&#8221;</li>
<li><a href="http://www.technipages.com/ps3-delete-browser-cookies-and-cache.html">PS3: Delete Browser Cookies and Cache [Technipages]</a> - Useful if iView is buggy on PS3 in Australia.</li>
<li><a href="http://www.perthnow.com.au/news/fail-qantas-red-faced-after-twitter-campaign-backfires/story-e6frg12c-1226202669183">Fail! Qantas red-faced after Twitter campaign backfires [Perth Now]</a> - Social media #fail: &#8220;It probably seemed like a great idea in the marketing meeting. But a social media campaign in the midst of a bitter industrial battle spilling over to thousands of angry passengers has backfired for Qantas. The airline posted a seemingly innocent tweet this morning using the hashtag #qantasluxury asking for entries to a competition with suggestions for a dream in-flight experience: @QantasAirwaysTo enter tell us &#8216;What is your dream luxury inflight experience? (Be creative!) Answer must include #QantasLuxury. Little did they know just how &#8220;creative&#8221; &#8211; and angry &#8211; the responses would be as Twitter users seized the opportunity to have their say in their hundreds. While many of the tweets were sarcastic, most were from passengers unhappy with the state of the airline or who had experienced the disruption first-hand.  timwattsau#qantasluxury was being abandoned at Heathrow for 4 days in the snow with no customer support while trying to get home to 8mo pregnant wife!&#8221;</li>
</ul>

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		<item>
		<title>And then there were four …</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/y0DqNiyBXsM/</link>
		<comments>http://www.tamaleaver.net/2011/11/29/and-then-there-were-four/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 06:06:40 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[personal]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/2011/11/29/and-then-there-were-four/</guid>
		<description><![CDATA[Em and I are delighted to share the news of the birth of our son, and Henry’s little brother, Thomas Frederick who arrived in the world last week. After a somewhat dramatic entrance into the world, both Em and Tom &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/29/and-then-there-were-four/">Read more &#187;</a></p>]]></description>
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<p><a href="http://www.flickr.com/photos/tamaleaver/6423106147/" target="_blank"><img style="background-image: none; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border: 0px;" title="Thomas" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/11/Thomas.jpg" alt="Thomas" width="504" height="302" border="0" /></a></p>
<p>Em and I are delighted to share the news of the birth of our son, and Henry’s little brother, Thomas Frederick who arrived in the world last week. After a somewhat dramatic entrance into the world, both Em and Tom are doing well, and Henry seems fascinated by his very cute but very small little brother. Em and I are, as you might imagine, besotted.</p>
<p>Needless to say, blogging and anything not family related will be somewhere between slow and non-existent for some time.  I’m not back at work until late January, so I apologize in advance for any communication delays. I’m going to be enjoying some time just being a dad and a husband! <img class="wlEmoticon wlEmoticon-smile" style="border-style: none;" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/11/wlEmoticon-smile.png" alt="Smile" /></p>
<p>[This photograph is © All rights reserved, and is an <em>exception</em> to the Creative Commons license otherwise covering this blog.]</p>

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		<title>Ctrl-Z Symposium: Writing in the Age of New Media</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/lnuu7AGS9BY/</link>
		<comments>http://www.tamaleaver.net/2011/11/17/ctrl-z-symposium-writing-in-the-age-of-new-media/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 09:24:49 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[This Saturday I’ll be participating in the Ctrl-Z Symposium at Fremantle Arts Centre. It’s broadly exploring ideas of ‘writing’ with a focus on new media (being very conscious of the provocative nature of that term, especially its newness!). The symposium &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/17/ctrl-z-symposium-writing-in-the-age-of-new-media/">Read more &#187;</a></p>]]></description>
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<p>This Saturday I’ll be participating in the <a href="http://ccat.curtin.edu.au/events/">Ctrl-Z Symposium</a> at <a href="http://www.fac.org.au/Events/Upcoming.aspx?eId=5c086cb2-15f8-4c16-879d-0927e2c22bbe">Fremantle Arts Centre</a>. It’s broadly exploring ideas of ‘writing’ with a focus on new media (being very conscious of the provocative nature of that term, especially its newness!). The symposium is the first big event arranged under the umbrella of Curtin’s new <a href="http://ccat.curtin.edu.au/">Centre for Culture and Technology</a>, and the title is shared by the upcoming <a href="http://www.ctrl-z.net.au/">Ctrl-Z journal</a> which will launch next year. You can find the <a href="http://ccat.curtin.edu.au/events/">programme here</a> and a spiffy flyer below.&#160; If you’re in Perth and free, it’d be great if you can join the discussions this weekend. The event kicks off at 1pm.</p>
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