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		<title>Digital Culture Links: May 10th</title>
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		<comments>http://www.tamaleaver.net/2012/05/10/digital-culture-links-april-12th-through-may-7th/#comments</comments>
		<pubDate>Thu, 10 May 2012 07:52:57 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3427</guid>
		<description><![CDATA[Links &#8211; catching up &#8211; through to May 7th: YouTube’s content explosion: 60 hours of video every minute [Online Video News] &#8211; &#8220;“More video is uploaded to YouTube in one month than the 3 major US TV networks created in &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/05/10/digital-culture-links-april-12th-through-may-7th/">Read more &#187;</a></p>]]></description>
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<p>Links &#8211; catching up &#8211; through to May 7th:</p>
<ul>
<li><a href="http://gigaom.com/video/youtubes-content-explosion-60-hours-of-video-every-minute/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newteevee+%28GigaOM%3A+Video%29">YouTube’s content explosion: 60 hours of video every minute [Online Video News]</a> &#8211; &#8220;“More video is uploaded to YouTube in one month than the 3 major US TV networks created in 60 years.” Hunter Walk, YouTube Director of Product Management, Google in a tweet. Google told TechCrunch Monday that YouTube users now upload 60 hours of video every minute.&#8221; (That&#8217;s almost 10 years of content uploaded each day. Wowzers!)</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/may/07/angry-birds-rovio-revenues-2011?newsfeed=true">Angry Birds maker Rovio reports £60.8m revenues for 2011 [Technology | guardian.co.uk]</a> &#8211; Angry Birds has generated hundreds of millions of downloads for Finnish mobile games firm Rovio Entertainment, but the company&#8217;s <a href="http://www.rovio.com/en/news/press-releases/161/rovio-entertainment-reports-2011-financial-results/">financial results for 2011 reveal just how lucrative the franchise was that year</a>. The company has reported total revenues of €75.4m (£60.8m) for 2011, with earnings before tax of €48m (£38.7m). 30% of Rovio&#8217;s revenues for the year came from its consumer products business, which includes merchandising and licensing income. Rovio says that the total number of Angry Birds game downloads reached 648m by the end of 2011, with 200m monthly active users (MAUs) across all platforms. As context for that figure, social games publisher Zynga had 21m MAUs at the end of March 2012, while also acquiring US developer OMGPOP, whose Draw Something mobile game currently has 33.9m MAUs.</li>
<li><a href="http://www.guardian.co.uk/technology/2012/apr/30/angry-birds-games">Angry Birds Space rockets to 50m downloads in 35 days [Technology | guardian.co.uk]</a> &#8211; &#8220;Angry Birds Space, the latest mobile game from Finnish developer Rovio, has reached the 50m downloads mark just 35 days after its release on 22 March. The publisher claims on its blog that this makes its tile &#8220;the fastest growing mobile game yet&#8221;, beating all previous records for the Angry Birds series. The announcement may be a deliberate reminder to challengers like Draw Something of the scale of Angry Birds. Draw Something was released on 1 February, notched up 35m downloads in its first seven weeks – yes, a similar time period to that required for Rovio&#8217;s new milestone – and was promptly acquired by Zynga for $180m. Draw Something passed 50m downloads in early April, while another recently-released game, Temple Run, is also past that milestone. &#8220;While numbers like this certainly say something about the popularity of Angry Birds, for us the main goal is to keep creating fun new experiences that everybody can enjoy,&#8221; <a href="http://bit.ly/Ihez6R">explains Rovio on its blog</a>.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-17838885">London 2012: Olympic photo ban &#8216;unenforceable&#8217; [BBC News]</a> &#8211; &#8220;Olympic bosses have admitted their ban on spectators posting videos and images on websites will be unenforceable. In the terms and conditions of ticket purchases for the London 2012 Games it states ticket holders cannot publish images, video or sound online. However, Sir Keith Mills, deputy chairman of organisers Locog, said &#8220;we live in an internet world&#8230; and there&#8217;s not much we can do about it&#8221;. He said a &#8220;common sense approach&#8221; would be used to protect media rights. Spectators will be able to watch many events, including the cycle road race, triathlon and marathon, without a ticket. But the ticket conditions as they currently stand prohibit ticket holders from posting photos and personal footage of the Olympics on sites such as Facebook, Twitter and YouTube.&#8221;</li>
<li><a href="http://www.watoday.com.au/technology/technology-news/british-isps-forced-to-block-the-pirate-bay-20120501-1xvnu.html">British ISPs forced to block The Pirate Bay [WA Today]</a> &#8211; &#8220;Britain&#8217;s High Court has ordered the country&#8217;s internet service providers to block file-sharing website The Pirate Bay. A High Court judge told Sky, Everything Everywhere, TalkTalk, O2 and Virgin Media to prevent access to the Swedish site, which helps millions of people download copyrighted music, movies and computer games. Music industry group BPI welcomed the order by justice Richard Arnold that the service providers block the site within the next few weeks. BPI chief executive Geoff Taylor said sites like The Pirate Bay &#8220;destroy jobs in the U.K. and undermine investment in new British artists.&#8221; The service providers said they would comply with the order. A sixth provider, BT, has been given several weeks to consider its position, but BPI said it expected BT would also block the website. Providers who refuse could find themselves in breach of a court order, which can carry a large fine or jail time.&#8221;</li>
<li><a href="https://drive.google.com/start#home">Google Drive</a>- Google&#8217;s cloud storage drive &#8211; the GDrive or Google Drive &#8211; has arrived, offering 5Gb for free, with the option to upgrade storage to 25GB for $2.49/month, 100GB for $4.99/month or 1TB for $49.99/month. While Google&#8217;s entry is a late entry to the cloud storage arena, the integration with Google&#8217;s other products, and Android in particular, will probably see the GDrive rapidly rise in popularity.<iframe src="http://www.youtube.com/embed/wKJ9KzGQq0w" frameborder="0" width="560" height="315"></iframe></li>
<li><a href="http://www.watoday.com.au/technology/man-jailed-over-nude-facebook-photos-20120421-1xe2c.html">Man jailed over nude Facebook photos [WA Today]</a> &#8211; &#8220;A jilted boyfriend who put nude pictures of his former lover on Facebook has been sentenced to six months jail &#8211; a landmark social media-related conviction for Australia and one of just a handful in the world. Ravshan &#8221;Ronnie&#8221; Usmanov told police: &#8221;I put the photos up because she hurt me and it was the only thing [I had] to hurt her.&#8221; &#8230; Privacy experts say Usmanov&#8217;s case has exposed the &#8221;tip of the iceberg&#8221; of online offences that are rarely punished.<br />
In sentencing the 20-year-old, NSW Deputy-Chief Magistrate Jane Mottley said she was &#8221;deterring both the offender and the community generally from committing similar crimes&#8221;. &#8221;New-age technology through Facebook gives instant access to the world … Incalculable damage can be done to a person&#8217;s reputation by the irresponsible posting of information through that medium. With its popularity and potential for real harm, there is a genuine need to ensure the use of this medium to commit offences of this type is deterred,&#8221;.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=UN1qzNgadh8">The Filtered Network &#8211; Mark Zuckerberg of facebook buying Instagram for $1 BILLION [YouTube]</a> &#8211; Fun remix of the trailer for The Social Network, playing with the question of what exactly Facebook purchased for a billion dollars!</li>
<li><a href="http://www.youtube.com/watch?v=B60eo6HcFJg">Introducing Facebook Offers [YouTube]</a> &#8211; Facebook Offers = Facebook&#8217;s answer to Scoopon.</li>
<li><a href="http://allfacebook.com/facebook-children_b85244?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">4% Of Children On Facebook Are Under 6 Years [AllFacebook]</a> &#8211; I&#8217;m a bit suspicious of these statistics since they&#8217;re generated by a company that markets tools allowing parents to monitor the social networking of their kids, but the numbers certainly warrant attention: &#8220;Kids are learning to use computers at ever younger ages, and some are figuring out how to lie about their age to access Facebook. The site has a minimum age requirement of 13, yet four percent of children using the site are under age six. That’s the most startling statistic in the infographic compiled by Minor Monitor, one of the newer entrants into the already crowded market for surveiling kids’ activity online. According to the vendor, barely half of parents use technology to keep a digital eye on children, despite worries about sexual predators and bullying.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2012/apr/11/google-plus-redesign-users">Google+ redesigns and says 100m of its 170m users used it in past 30 days [Technology | guardian.co.uk]</a> &#8211; &#8220;Google says 170m people have registered for its Google+ service since it was launched 10 months ago – and that 100m have &#8220;engaged&#8221; with the service at least once in the past 30 days and 50m have engaged with the service at least once a day in the past month.&#8221;</li>
</ul>

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		<item>
		<title>Digital Culture Links: April 11th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/rXzMCZH4sHk/</link>
		<comments>http://www.tamaleaver.net/2012/04/11/digital-culture-links-april-11th/#comments</comments>
		<pubDate>Wed, 11 Apr 2012 10:49:49 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3413</guid>
		<description><![CDATA[Links for April 11th: Hillary Clinton Responds to Her Meme &#8230; With a Meme [The Atlantic] &#8211; Hillary Clinton responds to the Texts from Hillary Tumblr/meme by penning her own version and meeting with the two guys who started the &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/04/11/digital-culture-links-april-11th/">Read more &#187;</a></p>]]></description>
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<p>Links for April 11th:</p>
<ul>
<li><a href="http://www.theatlantic.com/technology/archive/2012/04/hillary-clinton-responds-to-her-meme-with-a-meme/255698/">Hillary Clinton Responds to Her Meme &#8230; With a Meme [The Atlantic]</a> &#8211; Hillary Clinton responds to the <a href="http://textsfromhillaryclinton.tumblr.com/">Texts from Hillary</a> Tumblr/meme by <a href="http://imwithkanye.tumblr.com/post/20851638598/yep-this-just-happened">penning her own version</a> and meeting with the two guys who started the Tumblr. Hilarity ensues, and Clinton&#8217;s online credibility goes up about 5000%. The <a href="http://www.nytimes.com/2012/04/11/opinion/dowd-state-of-cool.html?_r=1">pundits are impressed</a>, too.</li>
<li><a href="http://online.wsj.com/article/SB10001424052702303302504577327744009046230.html">Selling You on Facebook [WSJ.com]</a> &#8211; Useful article from the Wall Street Journal looking at how Facebook and Facebook apps utilise user&#8217;s data: &#8220;This appetite for personal data reflects a fundamental truth about Facebook and, by extension, the Internet economy as a whole: Facebook provides a free service that users pay for, in effect, by providing details about their lives, friendships, interests and activities. Facebook, in turn, uses that trove of information to attract advertisers, app makers and other business opportunities.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/apr/01/rovio-angry-birds-animated-series">Angry Birds animated TV series to premiere in Autumn 2012 [Technology | guardian.co.uk]</a> &#8211; &#8220;Rovio Mobile is launching a series of 52 shortform animations for its Angry Birds in Autumn, but has ruled out a movie until after 2014. &#8220;We&#8217;re going to roll out a weekly animation series later this year of shortform content,&#8221; said Rovio&#8217;s head of animation Nick Dorra, speaking at the MIPTV conference in Cannes. The series will consist of 52 episodes lasting between two-and-a-half and three minutes each. &#8220;We&#8217;re going to roll it out on all possible devices,&#8221; said Dorra. &#8220;We&#8217;re looking at building a video app for that, and we&#8217;re also looking at partnerships and so on&#8230; We want to be on all screens.&#8221; Those partnerships include a deal with Samsung announced in January 2012 that involves an app for the company&#8217;s range of Smart TV internet-connected televisions.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/mar/30/twitter-social-tv-broadcasters">Twitter UK boss says social TV happens whether broadcasters like it or not [Technology | guardian.co.uk]</a> &#8211; &#8220;Twitter&#8217;s UK general manager Tony Wang expects broadcasters to start using the microblogging service in more &#8220;artful&#8221; ways beyond showing hashtags and account handles on-air. &#8220;Broadcasters are not the ones to choose whether to have social TV. It happens whether they like it or not. But they have a choice about how to harness that social TV energy,&#8221; he told the MIPCube conference in Cannes. Wang cited stats showing that 80% of under-25s are using a second screen to communicate with friends while watching TV, while 72% of them are using Twitter, Facebook and other mobile apps to comment on the shows they watch. He added that Twitter sees three distinct strategies from broadcasters when it comes to social TV: some are doing nothing, others are doing something, and a few are doing &#8220;artful&#8221; things on-air. &#8220;It&#8217;s the past, present and future of social TV.&#8221;"</li>
</ul>

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		<title>If I’ve taught you in the last three years, please read this …</title>
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		<pubDate>Tue, 10 Apr 2012 05:43:39 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[If I’ve taught you at Curtin or via Open University Australia in the last three years, please read this … Curtin University has invited me to put my name forward for this year’s Australian Awards for University Teaching in the &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/04/10/if-ive-taught-you-in-the-last-three-years-please-read-this/">Read more &#187;</a></p>]]></description>
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<p>If I’ve taught you at Curtin or via Open University Australia in the last three years, please read this …</p>
<p>Curtin University has invited me to put my name forward for this year’s <a href="http://www.olt.gov.au/awards" target="_blank">Australian Awards for University Teaching</a> in the ‘Humanities and the Arts’ category. This is hugely flattering, but also involves a bit of work to gather ‘evidence’ of my teaching quality. That’s, hopefully, where you come in. Rather than blanket email spamming everyone I’ve taught over the last 3 years (which, thanks to Web Communications 101 and Web Media 207 would be well over 1000 people), I’m asking past students of mine who’re interested in commenting on my teaching to get in touch.</p>
<p>If you’re happy to offer your thoughts on my teaching, could please email me (<a href="mailto:t.leaver@curtin.edu.au">t.leaver@curtin.edu.au</a>), or comment below, leaving (1) your full name (this is so Curtin can confirm that you were, indeed, enrolled in a unit that I taught) and (2) your current preferred email address. Once I’ve gathered the contact details of enough people (the award requires feedback from 30 students) then I’ll pass them onto <a href="http://otl.curtin.edu.au/" target="_blank">Curtin’s Office of Teaching and Learning</a> who will get in touch with a Student Feedback Questionnaire. I gather the questionnaires aren’t overly long, so hopefully they shouldn’t take up much of your time.</p>
<p>Please note: <strong><em>this process is entirely invisible to me</em></strong>; I’ll never know who said what, as the Office of Teaching and Learning collates and forwards all the questionnaires that are returned, and I never see them. So, you’re free to say what you really think! Oh, and feedback needs to be from students I’ve taught over the last three years. So, if I’ve taught you as a lecturer, tutor or unit coordinator at any time during 2009, 2010 and 2011 and I made sufficient of an impression that you’d be willing to fill in a short questionnaire about my teaching, that’d be great.</p>
<p>Thanks in advance to anyone willing to comment! <img style="border-bottom-style: none; border-left-style: none; border-top-style: none; border-right-style: none" class="wlEmoticon wlEmoticon-smile" alt="Smile" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2012/04/wlEmoticon-smile.png" /></p>
<p>-Tama</p>

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		<item>
		<title>Digital Culture Links: March 30th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/eIVY9euD9Gk/</link>
		<comments>http://www.tamaleaver.net/2012/03/30/digital-culture-links-march-26th-through-march-30th/#comments</comments>
		<pubDate>Fri, 30 Mar 2012 12:34:02 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3401</guid>
		<description><![CDATA[Links for March 26th through March 30th: The Dark Knight Rises Trailer 2: IN LEGO [YouTube] &#8211; Beautifully put together Lego version of the new Dark Knight trailer. &#8220;LEGO Dark Knight Rises Movie Trailer By ParanickFilmz. http://paranickfilmz.co.nr/ Thanks to Adviceversas &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/30/digital-culture-links-march-26th-through-march-30th/">Read more &#187;</a></p>]]></description>
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<p>Links for March 26th through March 30th:</p>
<ul>
<li><a href="http://www.youtube.com/watch?v=ONebtUty3AI">The Dark Knight Rises Trailer 2: IN LEGO [YouTube]</a> &#8211; Beautifully put together Lego version of the new Dark Knight trailer. &#8220;LEGO Dark Knight Rises Movie Trailer By ParanickFilmz. http://paranickfilmz.co.nr/ Thanks to Adviceversas for the mouth animation and JediMasterSoda for the CGI. Movie (2012) HD.&#8221;<iframe width="560" height="315" src="http://www.youtube.com/embed/ONebtUty3AI" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.nytimes.com/2012/03/29/arts/television/cbs-blocks-use-of-unused-star-trek-script-by-spinrad.html?_r=1&amp;partner=rss&amp;emc=rss">CBS Blocks Use of Unused ‘Star Trek’ Script by Spinrad [NYTimes.com]</a> &#8211; &#8220;For “Star Trek” fans it was like finding a lost Shakespeare play — only to have it snatched away by the playwright’s heirs.Last fall an unused script for the cult 1960s television show turned up after being forgotten for years. Its author, the science-fiction writer Norman Spinrad, announced that it would become an episode of a popular Web series, “Star Trek New Voyages: Phase II,” which features amateur actors in the classic roles of Capt. James T. Kirk, Mr. Spock and other crew members of the starship Enterprise. But then another player stepped in: CBS, which said it owned the script and blocked a planned Web production of it. Trekkies were appalled. “These executives should be phasered on heavy stun,” said Harmon Fields of Manhattan, who called himself “a ‘Star Trek’ fan of galactic proportions.” &#8230; By all indications CBS is within its rights. In the entertainment industry the paid writer of a teleplay generally cedes the rights to the material, even if it remains unproduced.&#8221;</li>
<li><a href="http://www.getshitter.com/">Shitter: Social Media has never been so disposable</a> &#8211; Online service that prints a twitter feed onto toilet paper. I suppose such a thing was inevitable.</li>
<li><a href="http://afr.com/p/business/marketing_media/pay_tv_piracy_hits_news_OV8K5fhBeGawgosSzi52MM">Pay TV piracy hits News [AFR]</a> &#8211; A detailed investigative report accuses NewsCorp of actively promoting and facilitating the piracy of competitors pay TV network content: &#8221; A secret unit within Rupert Murdoch’s News Corporation promoted a wave of high-tech piracy in Australia that damaged Austar, Optus and Foxtel at a time when News was moving to take control of the Australian pay TV industry.&#8221; These are hugely important accusations both in terms of NewsCorp but also in terms of how piracy is framed and understood.</li>
<li><a href="http://gigaom.com/2012/03/27/what-book-publishers-should-learn-from-harry-potter/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed:+OmMalik+(GigaOM:+Tech)&amp;utm_content=Google+Reader">What book publishers should learn from Harry Potter — Tech News and Analysis</a> &#8211; Useful post detailing the DRM-free release of the Harry Potter ebooks and audio books for sale on J K Rowling&#8217;s Pottermore website. The lesson here is that DRM really isn&#8217;t necessary, and you&#8217;re more likely to reach a wider audience without it. Admittedly Rowling has unprecedented clout in managing her own books in electronic form, and has already made so much money off these books there&#8217;s no real risk involved, but the strategy is an important one nevertheless.</li>
<li><a href="http://www.bbc.co.uk/newsbeat/17521380">Angry Birds Space gets 10m downloads in three days [BBC]</a> &#8211; The latest version of the Angry Birds game notched up 10 million download in its first three days of release, says its developer Rovio. Angry Birds Space only came out on 22 March, but in a tweet on Monday Rovio announced the game&#8217;s swift success. &#8230; The new Angry Birds instalment features 60 initial levels and six new characters and has what Rovio calls a &#8220;unique twist in a variable gravity environment&#8221;. As well as Google Android and Apple iOS devices, last week also saw the game released simultaneously on PC and Mac. Nasa was also involved in promoting the game, posting a video showing an astronaut on the International Space Station explaining the laws of physics using Angry Bird characters.<br />
The space agency called it &#8220;an exciting way to get people engaged with Nasa&#8217;s missions of exploration and discover&#8221;.</li>
<li><a href="http://www.japantimes.co.jp/text/nn20120326a2.html">Google ordered to suspend autocomplete function over cyber-harassment [The Japan Times Online]</a> &#8211; &#8220;The Tokyo District Court approved a petition demanding that Google Inc. suspend its autocomplete search feature for Internet browsers after a man alleged that it breached his privacy and got him fired, his lawyer said Sunday. Google is refusing to suspend the feature, saying that its headquarters in the United States will not be regulated by Japanese law and that the case does not warrant deleting the autocomplete suggestions related to the petition under its in-house privacy policy, lawyer Hiroyuki Tomita said. The case, which was adjudicated on March 19, is believed to be the first to order the suspension of the Web search feature, which attempts to instantly anticipate and list the words or phrases a person will type into a browser&#8217;s search box, Tomita said. [..] The man discovered that when people type his name into Google&#8217;s search engine, words suggesting criminal acts, which he is unfamiliar with, appear.&#8221;</li>
<li><a href="http://www.wired.com/threatlevel/2012/03/facebook-book-trademark/#more-39376">Facebook Asserts Trademark on Word &#8216;Book&#8217; in New User Agreement [Threat Level | Wired.com]</a> &#8211; &#8220;Facebook is trying to expand its trademark rights over the word “book” by adding the claim to a newly revised version of its “Statement of Rights and Responsibilities,” the agreement all users implicitly consent to by using or accessing Facebook.&#8221;</li>
</ul>

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		<title>Digital Culture Links:  March 16th through March 22nd</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/I629dChAZF8/</link>
		<comments>http://www.tamaleaver.net/2012/03/22/digital-culture-links-march-16th-through-march-22nd/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 08:26:18 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3386</guid>
		<description><![CDATA[Links for March 16th through March 22nd: The Hunger Games Game [CollegeHumor Video] &#8211; A parody video from College Humor, turning The Hunger Games into a tween-girl fantasy boardgame focusing on the love-triangle, to great comic effect. On some level, &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/22/digital-culture-links-march-16th-through-march-22nd/">Read more &#187;</a></p>]]></description>
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<p>Links for March 16th through March 22nd:</p>
<ul>
<li><a href="http://www.collegehumor.com/video/6743777/the-hunger-games-game">The Hunger Games Game [CollegeHumor Video]</a> &#8211; A parody video from College Humor, turning The Hunger Games into a tween-girl fantasy boardgame focusing on the love-triangle, to great comic effect. On some level, though, this is also a pretty decent critique of the way a film which and certain elements of the fandom around it miss the core critique of authority and a media culture, reducing it to a vapid romance tale.<iframe src="http://www.collegehumor.com/e/6743777" width="600" height="338" frameborder="0" webkitAllowFullScreen allowFullScreen></iframe></li>
<li><a href="http://www.mwtnewsandviews.com/2012/03/dragon-tattoo-has-unique-dvd-design.html">Dragon Tattoo Has Unique DVD Design</a> &#8211; Sony&#8217;s DVD release of The Girl with the Dragon Tattoo has confused some people because it&#8217;s designed to look like a ripped copy and, sporting letters which look like they&#8217;re written in felt-tip pen on a DVD-R. Confusing messages you&#8217;re sending there, Sony!</li>
<li><a href="http://blog.twitter.com/2012/03/twitter-turns-six.html">Twitter turns six [Twitter Blog]</a> &#8211; On the sixth anniversary of Twitter&#8217;s launch, the service has reached <em>140 million users</em>, with 340 million tweets made daily. That said, since most active users seem to tweet a lot more than 3 times a day, a significant proportion of users don&#8217;t actually seem to tweet much.</li>
<li><a href="http://www.bbc.co.uk/news/technology-17458205">Game sales surpassed video in UK, says report [BBC News]</a> &#8211; &#8220;Sales of computer games in the UK have surpassed those of videos for the first time, new figures suggest. The Electronic Retailers Association (ERA) said sales of £1.93bn in 2011 made the gaming industry the country&#8217;s biggest entertainment sector. By contrast, sales of DVDs and other video formats totalled £1.80bn, while music pulled in £1.07bn.&#8221;</li>
<li><a href="https://www.youtube.com/watch?v=bxch-yi14BE">Will The Real Mitt Romney Please Stand Up (feat. Eminem) &#8211; YouTube</a> &#8211; Clever political mashup video in search of the &#8216;real&#8217; Mitt Romney featuring Romney and Obama in the style of Eninem&#8217;s Slim Shady.<iframe width="560" height="315" src="http://www.youtube.com/embed/bxch-yi14BE" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.ted.com/talks/rob_reid_the_8_billion_ipod.html">Rob Reid: The $8 billion iPod | Video on TED.com</a> &#8211; Fantastic TED parody explanation of the logic behind copyright lawsuits and litigation: copyright maths. From TED: &#8220;Comic author Rob Reid unveils Copyright Math (TM), a remarkable new field of study based on actual numbers from entertainment industry lawyers and lobbyists. Rob Reid is a humor author and the founder of the company that created the music subscription service Rhapsody&#8221;<object width="526" height="374"><param name="movie" value="http://video.ted.com/assets/player/swf/EmbedPlayer.swf"></param><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always"/><param name="wmode" value="transparent"></param><param name="bgColor" value="#ffffff"></param><param name="flashvars" value="vu=http://video.ted.com/talk/stream/2012/Blank/RobReid_2012-320k.mp4&#038;su=http://images.ted.com/images/ted/tedindex/embed-posters/RobReid_2012-embed.jpg&#038;vw=512&#038;vh=288&#038;ap=0&#038;ti=1390&#038;lang=&#038;introDuration=15330&#038;adDuration=4000&#038;postAdDuration=830&#038;adKeys=talk=rob_reid_the_8_billion_ipod;year=2012;event=TED2012;tag=business;tag=entertainment;tag=humor;tag=music;&#038;preAdTag=tconf.ted/embed;tile=1;sz=512x288;" /><embed src="http://video.ted.com/assets/player/swf/EmbedPlayer.swf" pluginspace="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" wmode="transparent" bgColor="#ffffff" width="526" height="374" allowFullScreen="true" allowScriptAccess="always" flashvars="vu=http://video.ted.com/talk/stream/2012/Blank/RobReid_2012-320k.mp4&#038;su=http://images.ted.com/images/ted/tedindex/embed-posters/RobReid_2012-embed.jpg&#038;vw=512&#038;vh=288&#038;ap=0&#038;ti=1390&#038;lang=&#038;introDuration=15330&#038;adDuration=4000&#038;postAdDuration=830&#038;adKeys=talk=rob_reid_the_8_billion_ipod;year=2012;event=TED2012;tag=business;tag=entertainment;tag=humor;tag=music;&#038;preAdTag=tconf.ted/embed;tile=1;sz=512x288;"></embed></object>
</li>
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		<title>Artificial Culture (my first book!)</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/sm6VfgCdqsY/</link>
		<comments>http://www.tamaleaver.net/2012/03/22/artificial-culture-my-first-book/#comments</comments>
		<pubDate>Thu, 22 Mar 2012 08:19:36 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[Ponderings]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3392</guid>
		<description><![CDATA[While I set up a page for my new book, and told Twitter and Facebook a while ago, I realised I never actually blogged about my book finally coming out! So, without any ado at all, here’s the announcement: Artificial &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/22/artificial-culture-my-first-book/">Read more &#187;</a></p>]]></description>
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<p>While I set up <a href="http://www.tamaleaver.net/artificial-culture/" target="_blank">a page for my new book</a>, and told Twitter and Facebook a while ago, I realised I never actually blogged about my book finally coming out! So, without any ado at all, here’s the announcement:</p>
<p>Artificial Culture: Identity, Technology, and Bodies (Routledge, 2012)   <br />Tama Leaver, Curtin University</p>
<p>Amazon <a href="http://amzn.to/wRe4PN">http://amzn.to/wRe4PN</a>    <br />Routledge: <a href="http://bit.ly/mivLzx">http://bit.ly/mivLzx</a></p>
<p><img style="margin: 2px; display: inline; float: left" align="left" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/12/ArtificialCulture_Cover1.jpg" width="250" height="377" />Artificial Culture is an examination of the articulation, construction, and representation of &quot;the artificial&quot; in contemporary popular cultural texts, with a focus on science fiction films and novels, but also addressing digital culture more broadly including analysis of Wikileaks, the Visible Human Project and the emergence of synthespians. The book argues that today we live in an artificial culture due to the deep and inextricable relationships between people and technology, with human bodies as a key marker of these symbiotic connections. While the artificial is often imagined as outside of the natural order and thus also beyond the realm of humanity, paradoxically, artificial concepts are simultaneously produced and constructed by human ideas and labor. The artificial can thus act as a boundary point against which it is possible in some respects to measure what it might mean to be human. More importantly, the artificial often blurs the boundary between humans, technology and the environment at large in often purposefully unsettling ways. </p>
<p>The core texts analysed in the book are: 2001 A Space Odyssey; the four Terminator films; Greg Egan’s novels Permutation City and Diaspora; The Visible Human Project; William Gibson’s bridge trilogy (Virtual Light, Idoru, and All Tomorrow’s Parties); Wikileaks; The Matrix films and franchise; WETA’s digital effects in the Lord of the Rings films, with a particular focus on the synthespian Gollum; the Spider-Man trilogy; Wall-E; and Avatar.</p>
<p>Contents:</p>
<p>Part1: Artificial Intelligence    <br />&#160;&#160; 1. Early Artificial Intelligence Films: ‘When are you going to let me out of this box?     <br />&#160;&#160; 2. &quot;I am a machine!&quot;: Artificial Intelligences in Contemporary Cinema    <br />Part 2: Artificial Life    <br />&#160;&#160; 3. From Digital Genesis to the Artificial Other     <br />&#160;&#160; 4. Diasporic Subjectivities: Not Quite ‘Beyond the Infinite’    <br />Part 3: Artificial Space    <br />&#160;&#160; 5. The Fortification of Place in the Digital Age    <br />&#160;&#160; 6. Resistance is Spatial    <br />&#160;&#160; 7. The Infinite Plasticity of the Digital?    <br />Part 4: Artificial Culture    <br />&#160;&#160; 8. Matrices of Embodiment    <br />&#160;&#160; 9. The Symbiosis of Special Effects    <br />Part 5: Artificial Culture    <br />&#160;&#160; 10. Before the Mourning    <br />&#160;&#160; 11. Artificial Mourning: Spider-Man, Special Effects and September 11</p>
<p>For slightly more information (and <a href="http://www.tamaleaver.net/artificial-culture/images/" target="_blank">colour versions of the images used in the book</a>) please visit <a href="http://www.tamaleaver.net/artificial-culture/">http://www.tamaleaver.net/artificial-culture/</a> . My apologies that the book on the expensive side; if you have access to a university library, perhaps recommend they purchase it in the first instance.</p>

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		<title>Digital Culture Links: March 14th</title>
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		<pubDate>Thu, 15 Mar 2012 05:27:17 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3380</guid>
		<description><![CDATA[Links for March 11th through March 14th: A Sign of the Times: Encyclopaedia Britannica to End Its Print Run [The Atlantic] &#8211; &#8220;After nearly two-and-a-half centuries in print, the publishers of the Encyclopaedia Britannica are expected to announce tomorrow that &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/15/digital-culture-links-march-14th/">Read more &#187;</a></p>]]></description>
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<p>Links for March 11th through March 14th:</p>
<ul>
<li><a href="http://www.theatlantic.com/technology/archive/2012/03/end-of-an-era-encyclopaedia-britannica-to-end-its-print-run/254457/#.T1_YOrc0DVI.twitter">A Sign of the Times: Encyclopaedia Britannica to End Its Print Run [The Atlantic]</a> &#8211; &#8220;After nearly two-and-a-half centuries in print, the publishers of the Encyclopaedia Britannica are expected to announce tomorrow that they are stopping their presses &#8230; As Wikipedia emerged over the past decade, the question has always been, but how does it compare to the Encyclopaedia Britannica? (Answer: mostly favorably, with bonus points for breadth and accessibility.) &#8230; Recent years have seen a sharp decline: The 1990 edition sold 120,000 editions in the United States &#8212; the most ever &#8212; but the 2010 edition sold just 8,000. Four thousand copies are still in a warehouse, waiting for owners. Today, the printed encyclopedia accounts for less than one percent of the company&#8217;s revenues. Britannica, as a whole, is not moribund, though: a half a million people pay $70 each year for complete access online.&#8221;</li>
<li><a href="http://www.macstories.net/news/apple-reveals-new-all-time-top-apps-following-25-billion-downloads/">Apple Reveals New “All-Time Top Apps” Following 25 Billion Downloads [Mac Stories]</a> &#8211; Following the downloading of the 25 billionth app from the App Store, Apple have release top-downloads of all time charts for iPhone and iPad, breaking them down into free and paid lists. Angry Birds features prominently on all lists!</li>
<li><a href="http://www.youtube.com/watch?v=FrHkKXFRbCI">The Story of Keep Calm and Carry On [YouTube]</a> &#8211; Well-made little video which tells the history of the now iconic and meme-ready &#8216;Keep Calm and Carry On&#8217; poster which was originally designed and produced in England during the Second World War.<iframe width="560" height="315" src="http://www.youtube.com/embed/FrHkKXFRbCI" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.kickstarter.com/projects/zefrank/a-show-with-ze-frank">A Show with Ze Frank by Ze Frank [Kickstarter]</a> &#8211; Ze Frank (of &#8216;The Show with Ze Frank&#8217;) uses Kickstarter to ask fans to contribute to a new version of The Show, aiming to raise $50,000 to do The Show for a year. Instead, he raised $146,752, with over 3,900 backers (with one parting with $4000 &#8230; that&#8217;s a LOT of love for The Show)!</li>
</ul>

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		<title>Digital Culture Links: March 8th</title>
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		<pubDate>Thu, 08 Mar 2012 04:13:50 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3370</guid>
		<description><![CDATA[Links for March 4th through March 8th: Animated GIFs: The Birth of a Medium [Off Book &#124; PBS - YouTube] &#8211; Nifty little video looking at the history of the GIF (Graphics Interchange Format) image, from the 1987 creation (pre-web) &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/08/digital-culture-links-march-4th-through-march-8th/">Read more &#187;</a></p>]]></description>
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<p>Links for March 4th through March 8th:</p>
<ul>
<li><a href="http://www.youtube.com/watch?v=vuxKb5mxM8g">Animated GIFs: The Birth of a Medium [Off Book | PBS - YouTube]</a> &#8211; Nifty little video looking at the history of the GIF (Graphics Interchange Format) image, from the 1987 creation (pre-web) through tothe Under Construction GIFs the were prevalent on the early web, the disappearance of GIFS, and their resurgence as an art-form (cinemagraphs) and a memey means of expression (Tumblr!).<iframe width="560" height="315" src="http://www.youtube.com/embed/vuxKb5mxM8g" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://blog.delicious.com/2012/03/tweet-a-link-save-a-link/">Tweet a Link, Save a Link [Delicious Blog]</a> &#8211; Delicious adds a native Twitter connector, with which you can save tweets, links in tweets, and filter by a specific hashtag.</li>
<li><a href="http://www.watoday.com.au/business/coles-twitter-campaign-goes-down-down-gurgler-20120307-1uj4c.html">Coles Twitter campaign goes down, down gurgler [WA Today]</a> &#8211; &#8220;A social media experiment has backfired for Coles, exposing the supermarket to a flood of negative comments on Twitter. The supermarket is the latest company to have a social media marketing exercise go terribly wrong, following blunders from Qantas and Coca-Cola. The official Coles account last night urged followers to complete the sentence &#8220;in my house it&#8217;s a crime not to buy&#8230;..&#8221; But the PR exercise quickly fizzled as Twitter users inundated the supermarket&#8217;s account with negative comments. User @Pollytics wrote, &#8220;Food from markets while Coles exploits mental illness via pokies.&#8221; Other users raised concerns about the supermarket not giving farmers a fair price for their produce. @TaraMacca wrote, &#8220;In my house, its a crime not to buy LOCALLY- and I don&#8217;t mean from a @coles supermarket.&#8221; &#8220;In my house it&#8217;s a crime not to buy&#8230;BREAD AND MILK AT PRICES THAT ALLOW PRIMARY PRODUCERS TO SURVIVE,&#8221; said @downesy.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/mar/05/apple-ipad-iphone-25bn-downloads">Apple passes 25bn iPhone and iPad app downloads milestone [Technology | guardian.co.uk]</a> &#8211; &#8220;Apple&#8217;s App Store has passed 25 billion downloads, with Disney&#8217;s iOS game Where&#8217;s My Water? Free nudging it past the milestone. Apple had been running a counter on its website and store, so the 25bn mark was actually reached over the weekend. The company has now revealed which app was the 25 billionth, as well as the name of the downloader: Chunli Fu in Qingdao, China. Late chief executive Steve Jobs would surely have approved of both. He was Disney&#8217;s largest shareholder in his later years, after it acquired his Pixar Animation Studios. Meanwhile, China has been an important growth market for Apple in the last year, as the iPhone went on sale there. [...] As a comparison, Google recently announced that its Android Market store is generating 1bn monthly app downloads.&#8221;</li>
<li><a href="http://torillsin.blogspot.com.au/2012/02/lego-blondes.html">Lego blondes [thinking with my fingers]</a> &#8211; Torill Mortensen looks at the differences between normal Lego figure (minifigs) and the new &#8216;for girls&#8217; Lego. The fact that &#8216;girl&#8217; lego figures are incompatible with the &#8216;normal&#8217; accessories and parts is telling. <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_sad.gif' alt=':(' class='wp-smiley' /> </li>
<li><a href="http://youtu.be/BpxVIwCbBK0">Kevin Allocca: Why videos go viral [TED - YouTube]</a> &#8211; Seven minute TED talk by Kevin Allocca explaining why he (on behalf of YouTube) thinks videos &#8216;go viral&#8217;.<iframe width="560" height="315" src="http://www.youtube.com/embed/BpxVIwCbBK0" frameborder="0" allowfullscreen></iframe></li>
</ul>

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		<title>Digital Culture Links: March 2nd</title>
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		<pubDate>Sat, 03 Mar 2012 10:39:22 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3363</guid>
		<description><![CDATA[Links for February 23rd through March 2nd: Angry Birds&#8217; Mighty Eagle: &#8216;We have expanded the market for games&#8217; [Technology &#124; guardian.co.uk] &#8211; They may be familiar, but the stats around Angry Birds remain startling, starting with the franchise&#8217;s 700m downloads &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/03/03/digital-culture-links-march-2nd/">Read more &#187;</a></p>]]></description>
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<p>Links for February 23rd through March 2nd:</p>
<ul>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/mar/01/angry-birds-peter-vesterbacka-rovio">Angry Birds&#8217; Mighty Eagle: &#8216;We have expanded the market for games&#8217; [Technology | guardian.co.uk]</a> &#8211; They may be familiar, but the stats around Angry Birds remain startling, starting with the franchise&#8217;s 700m downloads across all platforms – a figure likely to top 1bn sometime in 2012. The original iPhone game is the biggest-selling paid app ever on both the UK and US App Stores according to Apple, with follow-ups Angry Birds Seasons and Angry Birds Rio also in the top 10 in both countries.More than 1m people have reviewed the Android version of Angry Birds on Google&#8217;s Android Market, and Rovio has sold 25m plush toys so far. On the back of that, there are now more than 20,000 licensed Angry Birds products on sale [...] Next up is Angry Birds Space, with a 22 March launch that will include a game, animated content, physical products and books. Rovio is working with NASA on the project, and National Geographic on the book, with more products to come. &#8220;It&#8217;s the first time we have everything available on launch day: animation, toys, books, candy, everything,&#8221; says Vesterbacka.&#8221;</li>
<li><a href="http://www.nytimes.com/2012/03/02/technology/zynga-seeks-to-broaden-reach-with-new-gaming-platform.html?_r=1&amp;partner=rss&amp;emc=rss">Zynga Seeks to Broaden Reach With New Gaming Platform [NYTimes.com]</a> &#8211; &#8220;Zynga, the creator of FarmVille, Words With Friends, Mafia Wars and other popular social games, is going to start supplying friends for those who are lacking. The company announced a new gaming platform on Thursday that will match up players who do not know one another but who have a mutual interest in getting the crops in and spelling words with J, Q and X. The goal is to make social gaming, which was pretty easy to begin with, even easier for everyone. The platform will be introduced in a trial version on Zynga.com later this month. The move is likely to reduce Zynga’s reliance on Facebook, something analysts have said the company needs to do. Most Zynga games are played on that social network, which derives 12 percent of its revenue from Zynga. In the future, hard-core players will most likely go to Zynga’s own site, finding not only Zynga games but also offerings from independent developers.&#8221;</li>
<li><a href="http://culturedigitally.org/2012/02/the-dirty-job-of-keeping-facebook-clean/">The dirty job of keeping Facebook clean [Culture Digitally]</a> &#8211; Fascinating post looking at Facebook&#8217;s leaked content moderation manual <a href="http://www.scribd.com/fullscreen/81863464">&#8220;Abuse Standards 6.1: Operation Manual for Live Content Moderators&#8221;</a> which reveals a great deal about how Facebook decides what to delete and what to effectively sanction. As Gillespie says:&#8221;Facebook or otherwise, it’s hard not to be struck by the depravity of some of the stuff that content moderators are reviewing. It’s a bit disingenuous of me to start with camel toes and man-man foreplay, when what most of this document deals with is so, so much more reprehensible: child pornography, rape, bestiality, graphic obscenities, animal torture, racial and ethnic hatred, self-mutilation, suicide. There is something deeply unsettling about this document in the way it must, with all the delicacy of a badly written training manual, explain and sometimes show the kinds of things that fall into these categories.&#8221;</li>
<li><a href="http://thenextweb.com/au/2012/02/23/bbc-iplayer-booms-in-australia-with-a-quarter-of-global-subscribers-now-down-under/?awesm=tnw.to_1DQwg&amp;utm_campaign=social%20media&amp;utm_medium=Spreadus&amp;utm_source=Twitter&amp;utm_content=BBC%20iPlayer%20booms%20in%20Australia,%20with%20a%20quarter%20of%20global%20subscribers%20now%20%E2%80%98Down%20Under%E2%80%99">BBC iPlayer Booms in Australia [The Next Web]</a> &#8211; &#8220;Two months after BBC Worldwide launched its global iPlayer app to 11 Western European countries in July, the app arrived in Australia, followed swiftly by Canada and then Scandinavia. The global BBC iPlayer app is a Video-on-Demand (VoD) pilot (paid) subscription service that differs from the UK version of iPlayer, in that it gives international users access to an extensive archive of classic and contemporary British TV programmes. Whilst it was initially restricted to iPads, it was finally rolled out to the iPhone and iPod Touch too. Australia is now the biggest market for global iPlayer, and is giving BBC Worldwide, the commercial arm of the BBC, significant consumer insight as the company begins to look beyond the current pilot phase. Access to BBC iPlayer content in Australia costs AU$9.49 a month, or AU$89.99 a year, and an equivalent figure in Euros and Canadian dollars.&#8221;</li>
<li><a href="http://www.capturefullpage.com/">Capture full page &#8211; Screenshot Full web page &#8211; Capture full web page</a> &#8211; Useful tool, lets you take a screenshot of an entire webpage by simply entering the URL.</li>
<li><a href="http://www.guardian.co.uk/books/2012/feb/22/author-raises-1m-self-publish-webcomic">Author raises $1m to self-publish Order of the Stick webcomic book [Books | guardian.co.uk]</a> &#8211; &#8220;The author of a self-published webcomic about a band of heroes in a fantasy role-playing world has raised more than $1m (£600,000) from fans on &#8220;crowdfunding&#8221; website Kickstarter to bring his stories back into print, making The Order of the Stick the richest creative work in the crowdfunding site&#8217;s history. Author and illustrator Rich Burlew launched The Order of the Stick online in 2003. Following the comic fantasy adventures of a collection of stick figures in a role-playing game world as they struggle with enemies and the rules of the game, much of the story is available online for free, but Burlew also began self-publishing parts of it in paper format in 2005. When the costs of keeping it in print proved too high, Burlew turned to Kickstarter following repeated demands from readers, launching a project in January to raise the $57,750 he needed to rerelease the books in print. Yesterday, he closed his fundraising project with 14,952 backers and $1,254,120 raised &#8230;&#8221;</li>
</ul>

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		<title>Digital Culture Links:  February 15th</title>
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		<comments>http://www.tamaleaver.net/2012/02/15/digital-culture-links-february-5th-through-february-13th/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 04:55:19 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for through to February 15th: Westpac in Facebook crackdown [The Age] &#8211; A case-study in how mis-manage community relations on Facebook: &#8220;WESTPAC is censoring criticism on social media sites amid growing public fury over its decision to retrench staff &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/02/15/digital-culture-links-february-5th-through-february-13th/">Read more &#187;</a></p>]]></description>
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<p>Links for through to February 15th:</p>
<ul>
<li><a href="http://www.theage.com.au/technology/technology-news/westpac-in-facebook-crackdown-20120211-1sylt.html">Westpac in Facebook crackdown [The Age]</a> &#8211; A case-study in how mis-manage community relations on Facebook: &#8220;WESTPAC is censoring criticism on social media sites amid growing public fury over its decision to retrench staff and raise interest rates independently of the Reserve Bank of Australia. Negative comments posted on Westpac&#8217;s Facebook page over the past week have been deleted within minutes, which has prompted accusations of a &#8221;propaganda campaign&#8221; by the bank. But Westpac has defended the practice, claiming that &#8221;partisan views&#8221; could deter customers from researching its financial products on social media sites.&#8221;</li>
<li><a href="http://bits.blogs.nytimes.com/2012/02/12/disruptions-so-many-apologies-so-much-data-mining/?partner=rss&amp;emc=rss">Anger for Path Social Network After Privacy Breach [NYTimes.com]</a> &#8211; &#8220;Last week, Arun Thampi, a programmer in Singapore, discovered that the mobile social network Path was surreptitiously copying address book information from users’ iPhones without notifying them. David Morin, Path’s voluble chief executive, quickly commented on Mr. Thampi’s blog that Path’s actions were an “industry best practice.” He then became uncharacteristically quiet as the Internet disagreed and erupted in outrage.[...] Mr. Morin eventually did bow to pressure with an earnest apology on the company’s blog. He said that Path would begin asking for permission before grabbing address books and that the company would destroy the data collected. [...] At Mr. Morin’s last job at Facebook, his boss Mark Zuckerberg apologized publicly more than 10 times for privacy breaches. It seems the management philosophy of “ask for forgiveness, not permission” is becoming the “industry best practice.” And based on the response to Mr. Morin, tech executives are even lauded for it.&#8221;</li>
<li><a href="http://gigaom.com/2012/02/08/lessons-from-path-and-pinterest-tell-users-everything/">Lessons from Path and Pinterest: Tell users everything [GigaOm]</a> &#8211; &#8220;Path and Pinterest are probably two of the hottest social services right now, racking up millions of users and generating an ocean of favorable coverage. But both have gotten tripped up by the same thing that has made the social web a minefield for both Facebook and Google: namely, decisions that put their interests ahead of their users and a lack of disclosure about what was going on behind the scenes or under the hood of their services. Will these missteps spell doom for either company? Probably not. But the backlash is a welcome reminder that for social apps, the trust of users is not something to be toyed with. Path, a mobile photo-sharing app that expanded to become a full-fledged mobile social app when it relaunched a couple of months ago, was co-founded and is run by Dave Morin, an early Facebook staffer.&#8221;</li>
<li><a href="http://www.guardian.co.uk/books/2012/feb/09/amazon-publishing-bookshop-boycott-grows">Amazon Publishing bookshop boycott grows [Books | guardian.co.uk]</a> &#8211; &#8220;The cold war between north American booksellers and Amazon has hotted up this week, with the booksellers joining together to announce that they will not be selling any of the titles published by the online retailer. The opening salvo was fired last week by America&#8217;s biggest book chain Barnes &amp; Noble, when it announced that it would not be stocking Amazon Publishing&#8217;s books. The website publishes a large range of titles, with imprints covering everything from romance to thrillers, and major authors including Deepak Chopra and self-help guru Timothy Ferriss. &#8220;Our decision is based on Amazon&#8217;s continued push for exclusivity with publishers, agents and the authors they represent,&#8221; said Jaime Carey, chief merchandising officer, in a statement.&#8221;</li>
<li><a href="http://arstechnica.com/business/news/2012/02/nearly-3-years-later-deleted-facebook-photos-are-still-online.ars">Over 3 years later, &#8220;deleted&#8221; Facebook photos are still online [Ars Technica]</a> &#8211; Despite the issue being raised over 3 years ago, Facebook still does not immediately (or even quickly) remove deleted photos from Facebook. While the ability to access these photos is removed, the photo itself can linger on for years, still accessible to anyone who has the direct link. When asked, once again, when this would be fixed, Facebook have commented that they&#8217;ve almost moved to a new system that should delete photos within 45 days. That&#8217;s still a long time after the remove button is pressed!</li>
<li><a href="http://nymag.com/daily/entertainment/2012/01/how-much-can-a-celebrity-make-for-tweeting.html">How Much Can a Celebrity Make for Tweeting? [NY Mag]</a> &#8211; &#8220;The weirdest thing about the rumor that Kim Kardashian gets paid $10,000 for a Twitter endorsement is that it’s true. (She recently plugged ShoeDazzle.com*, for instance.) The biggest player in the pay-to-tweet market is Ad.ly, a social-media advertorial clearinghouse pairing brands with celebs to inject highly personalized advertising into their Twitter streams.<br />
The pay rate for endorsing companies like Old Navy, Toyota, Best Buy, and American Airlines is determined by the size of a celeb’s following and how that group responds to his tweets with shares and retweets. On that sliding scale, Snoop Dogg (6.3 million followers) is in the top tier of payments, on the upside of $8,000 apiece, while Paula Abdul (2.2 million followers) falls somewhere in the middle, in the $5,000-each range, and Whitney Port (800,000 followers) falls in the bottom tier, making around $2,500 per tweet.&#8221;</li>
<li><a href="http://www.guardian.co.uk/money/work-blog/2012/jan/30/facebook-timeline-employers-applications">What if Facebook Timeline was read instead of your CV? [guardian.co.uk]</a> &#8211; If the thought irks you, make sure your privacy settings are set appropriately on Facebook as Timeline rolls out: &#8220;It&#8217;s all change at Facebook in the next few weeks as its timeline feature is rolled out to all users – whether they want it or not. This will make it easier for people to dig into your past from your homepage in an unprecedented manner. Pull up someone&#8217;s profile with Timeline enabled and you can scroll back through their entire Facebook history. Click on a year (say, 2008) and you can see everything they did in those 12 months, including status updates, photos, and wall posts.[...] Does this matter from an employment point of view? Well, yes it does. Numerous surveys have shown that employers are using Facebook and other social media sites to vet job applicants. In January 2010, a survey for Careerbuilder.co.uk found that more than half of employers used social networking sites to research job candidates.&#8221;</li>
<li><a href="http://www.news.com.au/breaking-news/man-charged-over-youtube-driving/story-e6frfku0-1226258482837?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newscomaunationalbreakingnewsndm+%28NEWS.com.au+%7C+National+Breaking+News%29">Man charged over YouTube driving [News.com.au]</a> &#8211; &#8220;A P-PLATE driver who posted video of his antics on YouTube faces eight dangerous driving charges and losing his car forever.<br />
The 22-year-old from Kadina, on South Australia&#8217;s Yorke Peninsula, has had his Holden Commodore impounded for 28 days, police said today. He was nabbed after footage of his alleged driving offences was uploaded to YouTube and police learned about his alleged behaviour on roads near Kadina. &#8220;</li>
<li><a href="http://www.nytimes.com/2012/01/29/us/politics/twitter-is-a-critical-tool-in-republican-campaigns.html?_r=3&amp;pagewanted=all">Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com]</a> &#8211; &#8220;When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking Twitter messages with a hashtag, “#grandiosenewt”, encouraging voters to add their own examples of occasions when they felt Mr. Gingrich had been “grandiose.” Within minutes, the hashtag was trending on Twitter. Reporters picked up on it, sending out their own Twitter posts and writing their own articles. The result: for at least one news cycle, the Romney campaign had stamped a virtual “grandiose” on Mr. Gingrich’s forehead. If the 2008 presidential race embraced a 24/7 news cycle, four years later politicos are finding themselves in the middle of an election most starkly defined by Twitter, complete with 24-second news cycles and pithy bursts. With 100 million active users, more than 10 times as many as in the 2008 election, Twitter has emerged as a critical tool for political campaigns, allowing them to reach voters, gather data and respond &#8230;&#8221;</li>
<li><a href="http://www.huffingtonpost.com/2012/01/20/google-ceo-larry-page_n_1217379.html">Google CEO Larry Page: Identity Is A &#8216;Deep, Deep Part Of What We&#8217;re Doing&#8217; [Huffington Post]</a> &#8211; &#8220;Watch out: Google is getting personal. CEO Larry Page emphasized that Google is determined to deliver online experiences tailored to each individual&#8217;s interests and social circles, an ambitious goal that requires the web giant to learn even more about its users&#8217; preferences and personal information. &#8220;Engaging with users, really deeply understanding who they are, and delivering things that make sense for them is really, really important. We&#8217;re at the early stages of that and Google+ is a big effort,&#8221; said Page during an earnings call Thursday. &#8220;This notion of identity is a deep, deep part of what we&#8217;re doing and an example of how we can make all our products better by understanding people.&#8221; Though Google already knows a great deal about the people who use its services, from what YouTube videos they&#8217;ve watched to whom they email most on Gmail, the web giant still lusts after the treasure trove of personal data Facebook has accumulated over the past eight years &#8230;&#8221;</li>
<li><a href="http://mashable.com/2012/01/31/google-twitter-country-censorship/">Google Will Start Country-Specific Censorship for Blogs</a> &#8211; &#8220;Google figured out Twitter‘s trick for avoiding universally censoring content weeks ago, but it managed to go unnoticed — for a while. That is, until TechDows wrote about Blogger‘s plan for country-specific URLs Tuesday. At some point “over the coming weeks,” Google’s Blogger will begin redirecting users to country-specific domain names — think Google.fr in France rather than Google.com — to avoid universally removing content that would not be tolerated in specific jurisdictions. A Blogger support post, “Why does my blog redirect to a country-specific URL?,” last updated Jan. 9, explains that Google is using the method to limit the impact of censored content. Readers will be redirected to sites with their own country’s domain name when they try to visit blogs recognized as foreign, as determined by their IP addresses. If you would like to see a non-affected page, you can direct to google.com/ncr (NCR stands for “no country redirect”) &#8230;&#8221;</li>
<li><a href="http://arstechnica.com/tech-policy/news/2012/01/twitter-uncloaks-a-years-worth-of-dmca-takedown-notices-4410-in-all.ars">Twitter uncloaks a year&#8217;s worth of DMCA takedown notices, 4,410 in all [Ars Technica]</a> &#8211; &#8220;On almost any given day, Twitter receives a handful of requests to delete tweets that link to pirated versions of copyrighted content—and quickly complies by erasing the offending tweets from its site. That fact itself is probably unsurprising to people familiar with the Digital Millennium Copyright Act (DMCA) takedown process, which gives sites like Twitter a &#8220;safe harbor&#8221; against lawsuits related to user behavior and uploads—so long as the sites don&#8217;t knowingly tolerate pirated material or links to such material. But Twitter has taken the unusual step of <a href="http://chillingeffects.org/twitter">making DMCA takedown notices public, in partnership with Chilling Effects</a>, a project of the Electronic Frontier Foundation and several universities. [...] Scrolling through recent takedown notices, you&#8217;ll see names like Magnolia Pictures, Simon and Schuster, Warner Music Group, Universal Music Group, among those of many other media companies.&#8221;</li>
<li><a href="http://blog.twitter.com/2012/01/tweets-still-must-flow.html">Tweets still must flow [Twitter Blog]</a> &#8211; Twitter starts blocking tweets nationally: &#8220;As we continue to grow internationally, we will enter countries that have different ideas about the contours of freedom of expression. Some differ so much from our ideas that we will not be able to exist there. Others are similar but, for historical or cultural reasons, restrict certain types of content, such as France or Germany, which ban pro-Nazi content. Until now, the only way we could take account of those countries’ limits was to remove content globally. Starting today, we give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world. We have also built in a way to communicate transparently to users when content is withheld, and why. We haven’t yet used this ability, but if and when we are required to withhold a Tweet in a specific country, we will attempt to let the user know, and we will clearly mark when the content has been withheld.&#8221;</li>
<li><a href="http://mashable.com/2012/01/31/google-twitter-country-censorship/">Google Will Start Country-Specific Censorship for Blogs</a> &#8211; &#8220;Google figured out Twitter‘s trick for avoiding universally censoring content weeks ago, but it managed to go unnoticed — for a while. That is, until TechDows wrote about Blogger‘s plan for country-specific URLs Tuesday. At some point “over the coming weeks,” Google’s Blogger will begin redirecting users to country-specific domain names — think Google.fr in France rather than Google.com — to avoid universally removing content that would not be tolerated in specific jurisdictions. A Blogger support post, “Why does my blog redirect to a country-specific URL?,” last updated Jan. 9, explains that Google is using the method to limit the impact of censored content. Readers will be redirected to sites with their own country’s domain name when they try to visit blogs recognized as foreign, as determined by their IP addresses. If you would like to see a non-affected page, you can direct to google.com/ncr (NCR stands for “no country redirect”) &#8230;&#8221;</li>
<li><a href="http://www.news.com.au/breaking-news/man-charged-over-youtube-driving/story-e6frfku0-1226258482837?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newscomaunationalbreakingnewsndm+%28NEWS.com.au+%7C+National+Breaking+News%29">Man charged over YouTube driving [News.com.au]</a> &#8211; &#8220;A P-PLATE driver who posted video of his antics on YouTube faces eight dangerous driving charges and losing his car forever.<br />
The 22-year-old from Kadina, on South Australia&#8217;s Yorke Peninsula, has had his Holden Commodore impounded for 28 days, police said today. He was nabbed after footage of his alleged driving offences was uploaded to YouTube and police learned about his alleged behaviour on roads near Kadina. &#8220;</li>
<li><a href="http://www.guardian.co.uk/money/work-blog/2012/jan/30/facebook-timeline-employers-applications">What if Facebook Timeline was read instead of your CV? [guardian.co.uk]</a> &#8211; If the thought irks you, make sure your privacy settings are set appropriately on Facebook as Timeline rolls out: &#8220;It&#8217;s all change at Facebook in the next few weeks as its timeline feature is rolled out to all users – whether they want it or not. This will make it easier for people to dig into your past from your homepage in an unprecedented manner. Pull up someone&#8217;s profile with Timeline enabled and you can scroll back through their entire Facebook history. Click on a year (say, 2008) and you can see everything they did in those 12 months, including status updates, photos, and wall posts.[...] Does this matter from an employment point of view? Well, yes it does. Numerous surveys have shown that employers are using Facebook and other social media sites to vet job applicants. In January 2010, a survey for Careerbuilder.co.uk found that more than half of employers used social networking sites to research job candidates.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/jan/30/angry-birds-music-midem">Angry Birds boss: &#8216;Piracy may not be a bad thing: it can get us more business&#8217; [Technology | guardian.co.uk]</a> &#8211; &#8220;Rovio Mobile learned from the music industry&#8217;s mistakes when deciding how to deal with piracy of its Angry Birds games and merchandise, chief executive Mikael Hed told the Midem conference in Cannes this morning. &#8220;We have some issues with piracy, not only in apps, but also especially in the consumer products. There is tons and tons of merchandise out there, especially in Asia, which is not officially licensed products,&#8221; said Hed. &#8220;We could learn a lot from the music industry, and the rather terrible ways the music industry has tried to combat piracy.&#8221; Hed explained that Rovio sees it as &#8220;futile&#8221; to pursue pirates through the courts, except in cases where it feels the products they are selling are harmful to the Angry Birds brand, or ripping off its fans. When that&#8217;s not the case, Rovio sees it as a way to attract more fans, even if it is not making money from the products. &#8220;Piracy may not be a bad thing: it can get us more business at the end of the day.&#8221;"</li>
</ul>

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		<title>Digital Culture Links:  January 30th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/lMUhuIJ1oGQ/</link>
		<comments>http://www.tamaleaver.net/2012/01/30/digital-culture-links-january-25th-through-january-30th/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 01:12:38 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3341</guid>
		<description><![CDATA[Links for January 25th through January 30th: Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com] &#8211; &#8220;When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/30/digital-culture-links-january-25th-through-january-30th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 25th through January 30th:</p>
<ul>
<li><a href="http://www.nytimes.com/2012/01/29/us/politics/twitter-is-a-critical-tool-in-republican-campaigns.html?_r=3&amp;pagewanted=all">Twitter Is a Critical Tool in Republican Campaigns [NYTimes.com]</a> &#8211; &#8220;When Newt Gingrich said in a recent debate that he was a man of “grandiose” ideas, Mitt Romney’s campaign pounced. It sent mocking Twitter messages with a hashtag, “#grandiosenewt”, encouraging voters to add their own examples of occasions when they felt Mr. Gingrich had been “grandiose.” Within minutes, the hashtag was trending on Twitter. Reporters picked up on it, sending out their own Twitter posts and writing their own articles. The result: for at least one news cycle, the Romney campaign had stamped a virtual “grandiose” on Mr. Gingrich’s forehead. If the 2008 presidential race embraced a 24/7 news cycle, four years later politicos are finding themselves in the middle of an election most starkly defined by Twitter, complete with 24-second news cycles and pithy bursts. With 100 million active users, more than 10 times as many as in the 2008 election, Twitter has emerged as a critical tool for political campaigns, allowing them to reach voters, gather data and respond &#8230;&#8221;</li>
<li><a href="http://www.huffingtonpost.com/2012/01/20/google-ceo-larry-page_n_1217379.html">Google CEO Larry Page: Identity Is A &#8216;Deep, Deep Part Of What We&#8217;re Doing&#8217; [Huffington Post]</a> &#8211; &#8220;Watch out: Google is getting personal. CEO Larry Page emphasized that Google is determined to deliver online experiences tailored to each individual&#8217;s interests and social circles, an ambitious goal that requires the web giant to learn even more about its users&#8217; preferences and personal information. &#8220;Engaging with users, really deeply understanding who they are, and delivering things that make sense for them is really, really important. We&#8217;re at the early stages of that and Google+ is a big effort,&#8221; said Page during an earnings call Thursday. &#8220;This notion of identity is a deep, deep part of what we&#8217;re doing and an example of how we can make all our products better by understanding people.&#8221; Though Google already knows a great deal about the people who use its services, from what YouTube videos they&#8217;ve watched to whom they email most on Gmail, the web giant still lusts after the treasure trove of personal data Facebook has accumulated over the past eight years &#8230;&#8221;</li>
<li><a href="http://arstechnica.com/tech-policy/news/2012/01/twitter-uncloaks-a-years-worth-of-dmca-takedown-notices-4410-in-all.ars">Twitter uncloaks a year&#8217;s worth of DMCA takedown notices, 4,410 in all [Ars Technica]</a> &#8211; &#8220;On almost any given day, Twitter receives a handful of requests to delete tweets that link to pirated versions of copyrighted content—and quickly complies by erasing the offending tweets from its site. That fact itself is probably unsurprising to people familiar with the Digital Millennium Copyright Act (DMCA) takedown process, which gives sites like Twitter a &#8220;safe harbor&#8221; against lawsuits related to user behavior and uploads—so long as the sites don&#8217;t knowingly tolerate pirated material or links to such material. But Twitter has taken the unusual step of <a href="http://chillingeffects.org/twitter">making DMCA takedown notices public, in partnership with Chilling Effects</a>, a project of the Electronic Frontier Foundation and several universities. [...] Scrolling through recent takedown notices, you&#8217;ll see names like Magnolia Pictures, Simon and Schuster, Warner Music Group, Universal Music Group, among those of many other media companies.&#8221;</li>
<li><a href="http://www.nytimes.com/2012/01/26/business/ieconomy-apples-ipad-and-the-human-costs-for-workers-in-china.html?_r=2&amp;ref=business&amp;pagewanted=all">Apple’s iPad and the Human Costs for Workers in China [NYTimes.com]</a> &#8211; Long and important piece which looks at the poor working conditions in some of the factories which assemble and supply the parts for Apple&#8217;s most popular products. It balances the enormous profits Apple makes with the human cost which have, in some cases, led to worker suicide.</li>
<li><a href="http://www.wired.com/epicenter/2012/01/oscar-screener-battle/">MPAA Wins the Oscar Screener Battle, but Loses the War [Epicenter | Wired.com]</a> &#8211; &#8220;Every year, the MPAA tries desperately to stop Oscar screeners — the review copies sent to Academy voters — from leaking online. And every year, teenage boys battling for street cred always seem to defeat whatever obstacles Hollywood throws at them. For the last 10 years, I’ve tracked the online distribution of Oscar-nominated films, going back to 2003. Using a number of sources (see below for methodology), I’ve compiled a massive spreadsheet, now updated to include 310 films. This year, for the first time, I’m calling it: The MPAA is winning the battle to stop screener leaks. A record 37 films were nominated this year, and the studios sent out screeners for all but four of them. But, so far, only eight of those 33 screeners have leaked online, a record low that continues the downward trend from last year. They may be winning the battle, but they’ve lost the war. While screeners declined in popularity, 34 of the nominated films (92 percent) were leaked online by nomination day &#8230;&#8221;</li>
<li><a href="http://blog.twitter.com/2012/01/tweets-still-must-flow.html">Tweets still must flow [Twitter Blog]</a> &#8211; Twitter starts blocking tweets nationally: &#8220;As we continue to grow internationally, we will enter countries that have different ideas about the contours of freedom of expression. Some differ so much from our ideas that we will not be able to exist there. Others are similar but, for historical or cultural reasons, restrict certain types of content, such as France or Germany, which ban pro-Nazi content. Until now, the only way we could take account of those countries’ limits was to remove content globally. Starting today, we give ourselves the ability to reactively withhold content from users in a specific country — while keeping it available in the rest of the world. We have also built in a way to communicate transparently to users when content is withheld, and why. We haven’t yet used this ability, but if and when we are required to withhold a Tweet in a specific country, we will attempt to let the user know, and we will clearly mark when the content has been withheld.&#8221;</li>
<li><a href="http://online.wsj.com/article/SB10001424052970203750404577173031991814896.html?mod=WSJ_hp_mostpop_read">No More Résumés, Say Some Firms [WSJ.com]</a> &#8211; &#8220;Union Square Ventures recently posted an opening for an investment analyst. Instead of asking for résumés, the New York venture-capital firm—which has invested in Twitter, Foursquare, Zynga and other technology companies—asked applicants to send links representing their &#8220;Web presence,&#8221; such as a Twitter account or Tumblr blog. Applicants also had to submit short videos demonstrating their interest in the position. Union Square says its process nets better-quality candidates —especially for a venture-capital operation that invests heavily in the Internet and social-media—and the firm plans to use it going forward to fill analyst positions and other jobs. Companies are increasingly relying on social networks such as LinkedIn, video profiles and online quizzes to gauge candidates&#8217; suitability for a job. While most still request a résumé as part of the application package, some are bypassing the staid requirement altogether.&#8221;</li>
<li><a href="http://www.slate.com/articles/technology/technology/2012/01/online_echo_chambers_a_study_of_250_million_facebook_users_reveals_the_web_isn_t_as_polarized_as_we_thought_.single.html">Online echo chambers: A study of 250 million Facebook users reveals the Web isn’t as polarized as we thought. &#8211; Slate Magazine</a> &#8211; A large-scale controlled study of Facebook users and their sharing habits suggests that far from an echo chamber (our social networks reinforcing the views and interests of our strong ties), Facebook users appear to get as much information from their weak ties (ie not as good friends/acquaintances) and thus suggesting social networks introduce diversity of information and perspectives. [Read Eytan Bakshy's <a href="https://www.facebook.com/notes/facebook-data-team/rethinking-information-diversity-in-networks/10150503499618859">Rethinking Information Diversity in Networks</a>]</li>
</ul>

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		<title>Digital Culture Links:  January 25th</title>
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		<comments>http://www.tamaleaver.net/2012/01/25/digital-culture-links-january-25th/#comments</comments>
		<pubDate>Wed, 25 Jan 2012 05:22:29 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3336</guid>
		<description><![CDATA[Links for January 25th: MEGAUPLOAD (by Dan Bull) &#8211; Independent artist Dan Bull raps about the harm shutting down MegaUpload has done to smaller artists. In the name of protecting the intellectual property of Hollywood and the MPAA, it seems &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/25/digital-culture-links-january-25th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 25th:</p>
<ul>
<li><a href="http://youtu.be/Tw3DjJJhEjM">MEGAUPLOAD (by Dan Bull)</a> &#8211; Independent artist Dan Bull raps about the harm shutting down MegaUpload has done to smaller artists. In the name of protecting the intellectual property of Hollywood and the MPAA, it seems that smaller artists who rely on cyberlockers like MegaUpload have found their means of distribution erased without noticed or recourse to protest.<iframe width="560" height="315" src="http://www.youtube.com/embed/Tw3DjJJhEjM" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.bbc.co.uk/news/technology-16700913">Star Wars crowdsourced film reaches million YouTube views [BBC News]</a> &#8211; &#8220;A &#8220;directors cut&#8221; of a fan-made version of Star Wars has passed one million views on YouTube. The film, uploaded on 18 January, is made up of hundreds of 15-second scenes created by internet users. The Star Wars Uncut project is widely regarded as an example of the power of crowdsourcing. Ramon Youseph, of the Crowdsourcing Gazette blog, told the BBC it showed &#8220;the power of the web to engage people in a global collaborative effort&#8221;. The website starwarsuncut.com began asking for fan-made scenes in 2009. It went on to win an interactive media Emmy in 2010.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-16677370">EU proposes &#8216;right to be forgotten&#8217; by internet firms [BBC News]</a> &#8211; A new law promising internet users the &#8220;right to be forgotten&#8221; will be proposed by the European Commission on Wednesday. It says people will be able to ask for data about them to be deleted and firms will have to comply unless there are &#8220;legitimate&#8221; grounds to retain it. [...] A spokesman for the commissioner clarified that the action was designed to help teenagers and young adults manage their online reputations. &#8220;These rules are particularly aimed at young people as they are not always as aware as they could be about the consequence of putting photos and other information on social network websites, or about the various privacy settings available,&#8221; said Matthew Newman. He noted that this could cause problems later if the users had no way of deleting embarrassing material when applying for jobs. However, he stressed that it would not give them the right to ask for material such as their police or medical records to be deleted.&#8221;</li>
<li><a href="http://youtube-global.blogspot.com/2012/01/holy-nyans-60-hours-per-minute-and-4.html">60 hours per minute and 4 billion views a day on YouTube [YouTube Blog]</a> &#8211; &#8220;Since the dawn of YouTube, we’ve been sharing the hours of video you upload every minute. In 2007 we started at six hours, then in 2010 we were at 24 hours, then 35, then 48, and now&#8230;60 hours of video every minute, an increase of more than 30 percent in the last eight months. In other words, you’re uploading one hour of video to YouTube every second.&#8221;</li>
<li><a href="http://www.zephoria.org/thoughts/archives/2012/01/23/how-parents-normalized-teen-password-sharing.html">How Parents Normalized Teen Password Sharing [danah boyd | apophenia]</a> &#8211; Interesting insights from danah boyd regarding teens sharing passwords to social media services with each other. It&#8217;s all about trust, and that&#8217;s something learnt at home since parents ask kids to trust them and let parents look after (or at least know) their passwords in the early years (normally): &#8220;When teens share their passwords with friends or significant others, they regularly employ the language of trust, as Richtel noted in his story. Teens are drawing on experiences they’ve had in the home and shifting them into their peer groups in order to understand how their relationships make sense in a broader context. This shouldn’t be surprising to anyone because this is all-too-common for teen practices. Household norms shape peer norms.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=9h2dF-IsH0I">Defend our freedom to share (or why SOPA is a bad idea) [YouTube]</a> &#8211; A great talk from Clay Shirky explaining the history, context and potential impact of the US SOPA and PIPA bills which seek to radically censor the internet in the name of stopping &#8220;piracy&#8221;. Important to listen to since, as Shirky argues, there&#8217;s no doubt more of the same just around the corner.<iframe width="560" height="315" src="http://www.youtube.com/embed/9h2dF-IsH0I" frameborder="0" allowfullscreen></iframe></li>
</ul>

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		<title>Digital Culture Links:  January 21st</title>
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		<pubDate>Sat, 21 Jan 2012 01:29:04 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3327</guid>
		<description><![CDATA[Links for January 21st: iBooks Textbooks for iPad [Apple - Education] &#8211; Apple jumps into the textbook market, with impressive pricing and engaging looking media-rich books which, of course, rely on students already owning an iPad. However, with a proprietary &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/21/digital-culture-links-january-21st/">Read more &#187;</a></p>]]></description>
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<p>Links for January 21st:</p>
<ul>
<li><a href="http://www.apple.com/education/ibooks-textbooks/">iBooks Textbooks for iPad [Apple - Education</a>] &#8211; Apple jumps into the textbook market, with impressive pricing and engaging looking media-rich books which, of course, rely on students already owning an iPad. However, with a proprietary book creation tool, <a href="http://www.apple.com/ibooks-author/">iBooks</a> and a supposedly course-encompassing tool <a href="http://www.apple.com/education/itunes-u/">iTunes U</a> which reduces education to content provision, at the very least Apple&#8217;s latest entry into education will need to be carefully contextualised and managed by educators. Kathleen Fitzpatrick <a href="http://chronicle.com/blogs/profhacker/reflections-on-the-apple-education-event/37998">highlights some other important concerns, too</a>.</li>
<li><a href="http://www.washingtonpost.com/business/technology/apnewsbreak-workers-indicted-at-one-of-worlds-largest-file-sharing-sites-megauploadcom/2012/01/19/gIQAJPIRBQ_story.html">US prosecutors shut down one of world’s largest file-sharing sites, Megaupload [The Washington Post]</a> &#8211; &#8220;One of the world’s largest file-sharing sites was shut down Thursday, and its founder and several company executives were charged with violating piracy laws, federal prosecutors said. An indictment accuses Megaupload.com of costing copyright holders more than $500 million in lost revenue from pirated films and other content. The indictment was unsealed one day after websites including Wikipedia and Craigslist shut down in protest of two congressional proposals intended to thwart online piracy. The Justice Department said in a statement said that Kim Dotcom, formerly known as Kim Schmitz, and three others were arrested Thursday in New Zealand at the request of U.S. officials. Two other defendants are at large. Megaupload was unique not only because of its massive size and the volume of downloaded content, but also because it had high-profile support from celebrities, musicians and other content producers who are most often the victims of copyright infringement and piracy.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/business-16625725">Eastman Kodak files for bankruptcy protection [BBC News]</a> &#8211; &#8220;Eastman Kodak, the company that invented the hand-held camera, has filed for bankruptcy protection. The move gives the company time to reorganise itself without facing its creditors, and Kodak said that it would mean business as normal for customers. The company has recently moved away from cameras to refocus on making printers, to stem falling profits. The 133-year-old firm has struggled to keep up with competitors who were quicker to adapt to the digital era. &#8220;Kodak made all its money from selling film, then the digital camera came along and now no-ones buying film. It&#8217;s not like they didn&#8217;t see it coming. Kodak hesitated because they didn&#8217;t want to eviscerate their business,&#8221; said Rupert Goodwins, editor of technology website ZDNet.&#8221; For visuals, see [<a href="http://www.guardian.co.uk/business/gallery/2012/jan/19/eastman-kodak-history-pictures">The Guardian's Kodachrome Photo Retrospective</a>]</li>
<li><a href="http://www.nytimes.com/2012/01/18/us/teenagers-sharing-passwords-as-show-of-affection.html?_r=1&amp;pagewanted=all%3Fsrc%3Dtp&amp;smid=fb-share">Teenagers Sharing Passwords as Show of Affection [NYTimes.com]</a> &#8211; &#8220;Young couples have long signaled their devotion to each other by various means — the gift of a letterman jacket, or an exchange of class rings or ID bracelets. Best friends share locker combinations. The digital era has given rise to a more intimate custom. It has become fashionable for young people to express their affection for each other by sharing their passwords to e-mail, Facebook and other accounts. Boyfriends and girlfriends sometimes even create identical passwords, and let each other read their private e-mails and texts. They say they know such digital entanglements are risky, because a souring relationship can lead to people using online secrets against each other. But that, they say, is part of what makes the symbolism of the shared password so powerful.&#8221;</li>
<li><a href="http://www.aclu.org/blog/technology-and-liberty/facebook-making-your-political-opinions-less-private-2012">Facebook: Making Your Political Opinions Less Private Since 2012 [Blog of Rights: Official Blog of the American Civil Liberties Union]</a> &#8211; &#8220;Facebook announced yesterday that “every post and comment — both public and private — by a U.S. user that mentions a presidential candidate’s name will be fed through a sentiment analysis tool that spits out anonymized measures of the general U.S. Facebook population.” This analysis, along with reader polls and other information, will in turn be shared with politico.com. The brief announcement of this new feature raises serious questions and offers few answers. Most troubling is Facebook’s willingness to search and collect users’ private political preferences and thoughts, preferences they may have shared only with their closest friend in a private email. This raises at least three concerns. The first is that many users may not want to be part of any “sentiment analysis” or poll &#8230;&#8221;</li>
</ul>

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		<title>Digital Culture Links: January 12th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/L30VjiGAkYg/</link>
		<comments>http://www.tamaleaver.net/2012/01/12/digital-culture-links-january-1st-through-january-12th/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 04:15:46 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for January 1st through January 12th: Amazon Launches iPad Kindle Store to Dodge Apple&#8217;s Restrictions [RWW] &#8211; Amazon launches even further into Apple&#8217;s regulated home turf: &#8220;Amazon has launched a more touch-friendly, Web-based iPad Kindle Store. A tablet-optimized Kindle &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/12/digital-culture-links-january-1st-through-january-12th/">Read more &#187;</a></p>]]></description>
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<p>Links for January 1st through January 12th:</p>
<ul>
<li><a href="http://www.readwriteweb.com/archives/amazon_launches_ipad_kindle_store_to_dodge_apples.php">Amazon Launches iPad Kindle Store to Dodge Apple&#8217;s Restrictions [RWW]</a> &#8211; Amazon launches even further into Apple&#8217;s regulated home turf: &#8220;Amazon has launched a more touch-friendly, Web-based iPad Kindle Store. A tablet-optimized Kindle store was available through the HTML5 Kindle Cloud Reader Amazon launched last August, but the new iPad Kindle Store is a standalone Web app. Upon visiting amazon.com/iPadKindleStore from Safari, a pop-up prompts the user to add it to the home screen. This is the most seamless way for Kindle users to buy books on the iPad. Apple&#8217;s in-app purchasing rules prevent e-book sellers from offering stores in their native apps (without giving Apple a 30% cut). The route around that was to include a link to the Web store inside the native reader app. Last July, Apple forced Amazon and other e-reader apps to remove this link, so users of e-book platforms other than Apple&#8217;s iBooks must buy their books in the browser, in a separate place from where they read.&#8221;</li>
<li><a href="http://www.google.com/insidesearch/plus.html">Search, plus Your World [Inside Google Search]</a>- Google adds more personalisation with &#8220;Search, plus Your World&#8221; which heavily (but OPTIONALLY) integrates Google+ and other social search results into the first page results when searching Google (if signed in to Google+).Twitter (and presumably Facebook) <a href="http://www.guardian.co.uk/technology/2012/jan/11/google-search-changes-internet-twitter">are unhappy</a> since this competes with their social search roles, but Google have responded that <a href="https://plus.google.com/116899029375914044550/posts/24uqWqvALud">this seems a bit rich</a> since Twitter refused to let Google pay to index Twitter in realtime.<br />
<iframe src="http://www.youtube.com/embed/8Z9TTBxarbs" frameborder="0" width="500" height="254"></iframe></li>
<li><a href="http://www.thinkdigit.com/Apps/Angry-Birds-named-most-downloaded-paid-app_8279.html">Angry Birds named most downloaded paid app [Think Digit]</a> &#8211; &#8220;Rovio&#8217;s Angry Birds has been named the most downloaded paid app for the smartphones and tablets in 2011. According to research firm Distimo, Angry Birds was downloaded more than any other application across all major operating systems including Android, iOS, Windows Phone and others. The only platform missing out on the list is BlackBerry. However, the game was recently made available on the BlackBerry&#8217;s App World. Angry Birds was followed by Fruit Ninja, while another variant of Angry Birds, Angry Birds Season grabbed the third spot on the list of the paid apps for the year 2011. Among the free apps, Facebook grabbed the top spot, while Pandora Radio followed at the second spot. The free versions of Word with Friends and Angry Birds remained on third and fourth position respectively. The Distimo report covers data collected from January to November 2011. The report has various notable findings such as Apple App Store has four times more revenue than Google&#8217;s Android Market.&#8221;</li>
<li><a href="http://moneyland.time.com/2012/01/06/digital-music-sales-finally-surpassed-physical-sales-in-2011/?iid=pf-main-lede">Digital Music Sales Surpass Physical Music Sales For the First Time Ever [Moneyland | TIME.com]</a> &#8211; &#8220;Last year, for the first time in history, digital music sales exceeded physical sales, according to a newly released Nielsen/Billboard report <a href="http://money.cnn.com/2012/01/05/technology/digital_music_sales/index.htm">cited by CNNMoney</a>. In 2011, digital music sales climbed past physical sales to take a 50.3% market share of all music purchases. In a continuation of a multi-year trend, digital sales increased by 8.4% from 2010, while physical sales declined 5%.<br />
In the decade since Apple launched its iTunes music store, a host of digital music ventures have appeared, with varying degrees of success. iTunes remains the market leader but faces increasing competition from upstarts like Rdio, Spotify and Pandora, which went public earlier this year.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2012/jan/04/angry-birds-christmas-downloads">Angry Birds bags 6.5m Christmas Day downloads [guardian.co.uk]</a> &#8211; Rovio Mobile says its three Angry Birds games generated 6.5m downloads on Christmas Day alone. The company&#8217;s vice president of franchise development Ville Heijari revealed the milestone to All Things Digital, while promising new games in the year ahead. &#8220;We&#8217;re really excited to have such a massive number of new people get acquainted with Angry Birds over the holidays – we have exciting new releases lined up for 2012, and can&#8217;t wait to introduce them to the public,&#8221; said Heijari. He did not break down the 6.5m figure by game – Angry Birds, Angry Birds Seasons and Angry Birds Rio are the three available titles – nor did he split them out by platform. While the lion&#8217;s share are likely to have come from iOS and Android, Angry Birds is also available on Windows Phone, while all three games are available for Nokia handsets and RIM&#8217;s BlackBerry PlayBook tablet.&#8221; Angry Birds was downloaded more than 600 million times in 2011, with over a million branded toy and shirt sales each month.</li>
<li><a href="http://www.medacity.com/3145/facebook-blamed-for-a-third-of-british-divorces/">Facebook Blamed For a Third of British Divorces [MediaCity]</a> &#8211; &#8220;So Facebook is again at the other end of the blame-hammer, this time for precipitating about a third of divorces in Britain. The stats come from a website- the UK’s Divorce-Online, and cull stats from 5,000 divorce petitions. The same stats were pulled in 2009, and at that time, Facebook made an appearance in 20% of the petitions. Infidelity-related complaints were a forerunner, along with using Facebook walls to make nasty comments about soon to be exes.&#8221;</li>
<li><a href="http://www.postsecret.com/2012/01/postsecret-app-is-now-closed.html">The PostSecret App is Now Closed [PostSecret]</a> &#8211; The PostSecret App (iPhone/iPad) closes after anonymous posts and comments prove unmanageable as part of a confessional community. (The closed app is now dubbed an &#8220;experimental community&#8221; that failed. Despite being a paid app, there is no mention, or apology, to those who paid for it in good faith.) From the PostSecret blog: &#8220;Like the PostSecret Blog, the App was designed so each secret was absolutely anonymous. Unfortunately, that absolute anonymity made it very challenging to permanently remove determined users with malicious intent. 99% of the secrets created were in the spirit of PostSecret. Unfortunately, the scale of secrets was so large that even 1% of bad content was overwhelming for our dedicated team of volunteer moderators who worked 24 hours a day 7 days a week removing content that was not just pornographic but also gruesome and at times threatening.&#8221;</li>
<li><a href="http://blog.instagram.com/post/15086846976/year-in-review-2011-in-numbers">Year in Review: 2011 in Numbers [Instagram]</a> &#8211; &#8220;We’ve seen the Instagram community grow from 1 million to over 15 million users in 2011. To celebrate, we’re recapping the year’s activity in our Year in Review series.<br />
Accounts<br />
1 million: The number of accounts on Jan 1, 2011.<br />
15 million (and counting): The number of accounts on Jan 1, 2012.<br />
Photos<br />
3: The average number of photos uploaded per second, one year ago.<br />
60: The average number of photos uploaded per second, today.<br />
400 million: The total number of photos shared on Instagram so far.&#8221;</li>
</ul>

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		<title>Digital Culture Links:  January 1st 2012</title>
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		<pubDate>Sun, 01 Jan 2012 01:33:54 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3292</guid>
		<description><![CDATA[Happy New Year! Links for December 21st through January 1st: My New Year Wish [Neil Gaiman's Journal:] &#8211; As New Years wishes go, I think Neil Gaiman wins this year: &#8220;I hope that in this year to come, you make &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2012/01/01/digital-culture-links-january-1st-2012/">Read more &#187;</a></p>]]></description>
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<p>Happy New Year! Links for December 21st through January 1st:</p>
<ul>
<li><a href="http://journal.neilgaiman.com/2011/12/my-new-year-wish.html">My New Year Wish [Neil Gaiman's Journal:]</a> &#8211; As New Years wishes go, I think Neil Gaiman wins this year: &#8220;I hope that in this year to come, you make mistakes. Because if you are making mistakes, then you are making new things, trying new things, learning, living, pushing yourself, changing yourself, changing your world. You&#8217;re doing things you&#8217;ve never done before, and more importantly, you&#8217;re Doing Something. So that&#8217;s my wish for you, and all of us, and my wish for myself. Make New Mistakes. Make glorious, amazing mistakes. Make mistakes nobody&#8217;s ever made before. Don&#8217;t freeze, don&#8217;t stop, don&#8217;t worry that it isn&#8217;t good enough, or it isn&#8217;t perfect, whatever it is: art, or love, or work or family or life. Whatever it is you&#8217;re scared of doing, Do it. Make your mistakes, next year and forever.&#8221;</li>
<li><a href="http://collegemisery.blogspot.com/2011/12/henchminion-sends-in-tale-of-magna.html">Henchminion Sends In the Tale of &#8220;The Magna Carta Essay!&#8221; [College Misery]</a> &#8211; In 2005 a frustrated US college professor wrote a fake essay about the Magna Carta &#8211; filled with notable errors, jokes and almost no substance &#8211; and posted it online to several notable paper mills and plagiarism websites. Six years later it&#8217;s still out there and still being quoted. A notable tale for would-be undergraduates cutting corners with their research and citation!</li>
<li><a href="http://boingboing.net/2011/12/30/marvels-lawyers-get-into-fan.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+boingboing%2FiBag+%28Boing+Boing%29">Marvel&#8217;s lawyers get into fanboy flamewar with IRS about human-status of its mutants [Boing Boing]</a> &#8211; Marvel&#8217;s lawyers argue that the X-Men aren&#8217;t human for tax purposes. Of course, this undermines almost 50 years of the X-Men as repressed and misunderstood humanity. Looks like the lawyers are running Marvel!</li>
<li><a href="http://www.youtube.com/watch?v=84TkQxWnBYs">Doctor Who Meets Star Wars Episode I &#8211; The Prequel Menace [Mashup]</a> &#8211; Extremely silly, but made with so much love and affection that it&#8217;s well worth 6 minutes of your time! <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> <iframe width="480" height="360" src="http://www.youtube.com/embed/84TkQxWnBYs" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.bbcamerica.com/anglophenia/2011/12/doctor-who-tops-modern-family-as-itunes-best-seller-of-2011/">&#8216;Doctor Who&#8217; Tops &#8216;Modern Family&#8217; as iTunes Best-Seller of 2011 [Anglophenia | BBC America]</a> &#8211; &#8220;Never underestimate the power of Whovians. That loyal fan base has lifted Doctor Who to the very top of iTunes’ list of most downloaded full TV seasons of 2011! Yes, more than any other show on TV. Can I get a Woo-Who? That means Doctor Who beat ABC’s hit, Emmy-winning sitcom Modern Family (No. 2), Dexter (No. 3), Breaking Bad (No. 4), and True Blood (No. 5) in downloads. Just behind them at No. 6 is BBC America’s Top Gear. Here’s the full top 10 via The Hollywood Reporter:<br />
TOP-SELLING SEASONS:<br />
1. Doctor Who<br />
2. Modern Family<br />
3. Dexter<br />
4. Breaking Bad<br />
5. True Blood<br />
6. Top Gear<br />
7. Glee<br />
8. Entourage<br />
9. Archer<br />
10. The Walking Dead&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2011/dec/27/company-sues-ex-employee-twitter">Company sues ex-employee for his Twitter followers [The Guardian]</a> &#8211; &#8220;A Twitter user is being sued for £217,000 by his former employer for taking his online followers with him when he switched jobs. Noah Kravitz, a writer from Oakland, California, amassed 17,000 followers on the social networking site when he worked for PhoneDog, a website providing news and reviews about mobile phones. He posted Twitter messages under the name @Phonedog_Noah, but in October 2010 he left the company, renamed his account @noahkravitz and took his following with him. PhoneDog has launched legal proceedings seeking damages of $2.50 a month per follower for eight months, for a total of $340,000. The company is arguing that Kravitz&#8217;s list of followers constitutes a customer database and the valuation is an estimate of how much each follower is worth to the company.&#8221;</li>
<li><a href="http://www.comicsalliance.com/2011/12/20/x-men-origins-wolverine-pirate-one-year-prison/">&#8216;X-Men Origins: Wolverine&#8217; Pirate Sentenced to One Year in Prison [ComicsAlliance]</a> &#8211; &#8220;A man who&#8217;s confessed to uploading an early cut of X-Men Origins: Wolverine to the Internet a month before the film was to debut in cinemas has been sentenced to a year in federal prison. Deadline reports that 49-year-old Gilberto Sanchez pleaded guilty in March to one count of &#8220;uploading a copyrighted work being prepared for commercial distribution,&#8221; a charge which United States District Judge Margaret M. Morrow described as &#8220;extremely serious.&#8221; The early leaking of the DVD-quality workprint of Wolverine created quite a commotion back in 2009. The pirated cut was downloaded at least four million times, which according to Reuters could have translated to $28.7 million in lost ticket sales if the downloaders opted out of seeing Wolverine in the theater. Compounding fears, the leaked copy was missing final special effects shots and other material, and the advance spoiler-filled reviews were incredibly damning of the X-Men sequel, which cost $150 million to produce.&#8221;</li>
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		<title>Digital Culture Links: December 15th</title>
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		<comments>http://www.tamaleaver.net/2011/12/15/digital-culture-links-december-15th/#comments</comments>
		<pubDate>Thu, 15 Dec 2011 03:01:20 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links, catching up through to December 15th: What Louis CK knows that most media companies don’t — Tech News and Analysis &#8211; Good round up of Louis CK&#8217;s online non-DRMed release of “Live at the Beacon Theater&#8221;. While a direct &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/12/15/digital-culture-links-december-15th/">Read more &#187;</a></p>]]></description>
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<p>Links, catching up through to December 15th:</p>
<ul>
<li><a href="http://gigaom.com/2011/12/14/what-louis-ck-knows-that-most-media-companies-dont/">What Louis CK knows that most media companies don’t — Tech News and Analysis</a> &#8211; Good round up of Louis CK&#8217;s online non-DRMed release of “Live at the Beacon Theater&#8221;. While a direct plea to fans didn&#8217;t prevent pirate versions altogether, CK&#8217;s fantastic online sales and healthy profit within 4 days show that this is a huge success (and arguably the torrent versions may still be helping with publicity).</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-hereford-worcester-16185152">Facebook riot page: Danny Cook jailed for 30 months [BBC News]</a> &#8211; &#8220;A man has been jailed for 30 months for creating a Facebook group page called &#8220;Letz start a riot&#8221;. Danny Cook, 22, of Marlpool Place, Kidderminster, admitted intentionally encouraging or assisting in the commission of theft or criminal damage. Worcester Crown Court heard he made the Facebook page during the August riots. The judge, Mr Justice Butterfield, said: &#8220;I would be failing in my public duty if I did not impose a substantial custodial sentence.&#8221;"</li>
<li><a href="https://buy.louisck.net/statement">Louis CK &#8211; Live at the Beacon Theater Statement</a> &#8211; Comedian Louis CK released his new standup video &#8220;Louis C.K. Live at the Beacon Theater&#8221; online for $5 via PayPal, available anywhere in the world, which in his words has &#8220;No DRM, no regional restrictions, no crap. You can download this file, play it as much as you like, burn it to a DVD, whatever.&#8221; A bold experiment in doing away with any sort of rights restrictions or DRM, Louis CK has released a statement thanking his fans and showing that this experiment has been a huge success. After just 4 days of sales: &#8220;As of Today, we&#8217;ve sold over 110,000 copies for a total of over $500,000. Minus some money for PayPal charges etc, I have a profit around $200,000 (after taxes $75.58).&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2011/dec/12/google-buys-licensing-firm-rightsflow">Google buys licensing firm RightsFlow‎ [guardian.co.uk]</a> &#8211; &#8220;Google is getting serious about paying artists royalties for songs that are used as soundtracks or videos on YouTube. The company said on Friday that it has acquired RightsFlow, a New York-based company that will help it identify the owners of music that people use in videos they post. &#8220;YouTube has had a long-standing commitment to solving the really tough challenges around online copyright – how to manage content rights in a quickly evolving technology world,&#8221; said David King, YouTube&#8217;s product manager, in a blog post. &#8220;We&#8217;ve already invested tens of millions of dollars in content management technology such as Content ID. We want to keep pushing things forward.&#8221; The deal should help YouTube, part of Google, manage the complex relationship it has with content owners, who are rarely consulted when their work is put online for free.&#8221;</li>
<li><a href="http://waxy.org/2011/12/no_copyright_intended/">No Copyright Intended [Waxy.org]</a> &#8211; Great post from Andy Baio on the immense confusion around copyright and remix: &#8220;These &#8220;no copyright infringement intended&#8221; messages are everywhere on YouTube, and about as effective as a drug dealer asking if you&#8217;re a cop. It&#8217;s like a little voodoo charm that people post on their videos to ward off evil spirits. How pervasive is it? There are about 489,000 YouTube videos that say &#8220;no copyright intended&#8221; or some variation, and about 664,000 videos have a &#8220;copyright disclaimer&#8221; citing the fair use provision in Section 107 of the Copyright Act. [...] On YouTube&#8217;s support forums, there&#8217;s rampant confusion over what copyright is. People genuinely confused that their videos were blocked even with a disclosure, confused that audio was removed even though there was no &#8220;intentional copyright infringement.&#8221; Some ask for the best wording of a disclaimer, not knowing that virtually all video is blocked without human intervention using ContentID.&#8221;</li>
<li><a href="https://fly.twitter.com/">(New) Twitter: Yours to discover</a> &#8211; Twitter&#8217;s official announcement of the new interface. It&#8217;s a bit busier, with more of a nod towards larger social networking sites, shifting away from the focus on the trademark tweet brevity. Mashable has some <a href="http://mashable.com/2011/12/08/the-new-twitter-everything-you-need-to-know/">useful notes on the new version</a>.</li>
<li><a href="http://mashable.com/2011/12/07/blogger-vs-journalist/">Judge Hits Blogger with $2.5 Million Charge for Not Being a Journalist</a> &#8211; In a case that’s sending a frightening message to the blogger community, a U.S. District Court judge ruled that a blogger must pay $2.5 million to an investment firm she wrote about — because she isn’t a real journalist. As reported by, Judge Marco A. Hernandez said Crystal Cox, who runs several blogs, wasn’t entitled to the protections afforded to journalists — specifically, Oregon’s media shield law for sources — because she wasn’t “affiliated with any newspaper, magazine, periodical, book, pamphlet, news service, wire service, news or feature syndicate, broadcast station or network, or cable television system.” The Obsidian Finance Group sued Cox in January for $10 million for writing several blog posts critical of the company and its co-founder, Kevin Padrick. Obsidian argued that the writing was defamatory. Cox represented herself in court.&#8221;</li>
<li><a href="http://nymag.com/daily/fashion/2011/12/hms-new-lingerie-models-are-computer-generated.html">H&amp;M;’s New Lingerie Models Are Computer-Generated [The Cut - NY Mag]</a> &#8211; &#8220;The models fronting H&amp;M;&#8217;s new holiday lingerie campaign are unreal, literally. <a href="http://jezebel.com/5865114/hm-puts-real-model-heads-on-fake-bodies">Jezebel translated an article</a> from Swedish newspaper Aftonbladet in which H&amp;M; press officer Håcan Andersson confirms that their new lingerie-clad bodies are &#8220;completely virtual.&#8221; For H&amp;M;&#8217;s website or catalogues, much of the store&#8217;s clothing is now shot on mannequins, which are then humanized via photo-editing software — which explains the eerily uniform pose now increasingly commonplace online.H&amp;M; also shot real models for the campaign, but only to superimpose their heads on the standard body form. Aptly, H&amp;M; calls them &#8220;facial models,&#8221; who are apparently aware of their abridged role in the finished catalogue shots.&#8221;</li>
<li><a href="http://www.technipages.com/ps3-delete-browser-cookies-and-cache.html">PS3: Delete Browser Cookies and Cache [Technipages]</a> &#8211; Useful if iView is buggy on PS3 in Australia.</li>
<li><a href="https://torrentfreak.com/swiss-govt-downloading-movies-and-music-will-stay-legal-111202/">Swiss Govt: Downloading Movies and Music Will Stay Legal [TorrentFreak]</a> - &#8220;One in three people in Switzerland download unauthorized music, movies and games from the Internet and since last year the government has been wondering what to do about it. This week their response was published and it was crystal clear. Not only will downloading for personal use stay completely legal, but the copyright holders won’t suffer because of it, since people eventually spend the money saved on entertainment products. In Switzerland, just as in dozens of other countries, the entertainment industries have been complaining about dramatic losses in revenue due to online piracy. In a response, the Swiss government has been conducting a study into the impact downloading has on society, and this week their findings were presented. [...] The report states that around a third of Swiss citizens over 15 years old download pirated music, movies and games from the Internet. However, these people don’t spend less money as a result &#8230;&#8221;</li>
<li><a href="http://mediadecoder.blogs.nytimes.com/2011/12/04/book-shopping-in-stores-then-buying-online/">Many Online Book Buyers First Shop Around in Stores [NYTimes.com]</a> - &#8220;Bookstore owners everywhere have a lurking suspicion: that the customers who type into their smartphones while browsing in the store, and then leave, are planning to buy the books online later — probably at a steep discount from the bookstores’ archrival, Amazon.com. Now a survey has confirmed that the practice, known among booksellers as showrooming, is not a figment of their imaginations. According to the survey, conducted in October by the Codex Group, a book market research and consulting company, 24 percent of people who said they had bought books from an online retailer in the last month also said they had seen the book in a brick-and-mortar bookstore first. Thirty-nine percent of people who bought books from Amazon in the same period said they had looked at the book in a bookstore before buying it from Amazon, the survey said.&#8221;</li>
<li><a href="http://dealbook.nytimes.com/2011/12/02/zynga-aims-to-raise-up-to-1-billion/?partner=rss&amp;emc=rss">Zynga Sets Offering Price at $8.50 to $10 a Share [NYTimes.com]</a> - &#8220;Zynga set the price range for its initial public offering at $8.50 to $10 a share, a highly anticipated debut that could value the company at $7 billion. At the top end of that range, the company, a four-year-old online game maker, is on track to raise $1 billion, which would make it the largest United States-based Internet offering since Google in 2004. [...] Zynga, unlike many of its peers, is churning out a profit, a crucial selling point as it starts its road show on Monday. It recorded earnings of $30.7 million for the first nine months of this year, on revenue of $828.9 million. The company, which makes the bulk of its money from the sale of virtual goods, is the top game maker on Facebook, with some 227 million monthly active users. Its latest franchise, Castleville, which started about two weeks ago, has already attracted about 20 million users on Facebook, according to AppData, a site that tracks online games.&#8221;</li>
<li><a href="http://www.allfacebook.com/facebook-friends-moms-2011-12?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">9 In 10 Moms Are Facebook Friends With Their Kids [All Facebook]</a> - &#8220;While 90 percent of mothers are friends with their children on Facebook, 46 percent of them restrict their kids’ access to their profiles, according to a study by the publisher of Parenting and Babytalk magazines. This percentage is significantly higher than what we’ve seen in a Kaplan survey of teens, about 65 percent of whom said they are Facebook friends with their parents. We wonder whether the moms have a more idealized view of things, but it’s possible that some of these mothers might have separate, made-up aliases for befriending their kids on Facebook. Meanwhile, other findings from the email survey of 1,146 mothers by The Parenting Group are: 33 percent of mothers allowed their children to create Facebook pages by age 12, despite the age limit of 13 set by the Children’s Online Privacy Protection Act and the social network’s own rules. 73 percent of moms who aren’t Facebook friends with their kids monitor their Facebook usage by accessing their pages as someone else.&#8221;</li>
<li><a href="http://www.allfacebook.com/facebook-status-updat-2011-11?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+allfacebook+%28Facebook+Blog%29">Facebook Extends Maximum Status Update 12-Fold [All Facebook]</a> - &#8220;Facebook has extended the maximum length of status updates to 60,000 characters, 12 times what it used to be. Perhaps this move intends to offset the site’s recently announced plan to end support of RSS in the Notes application.The change might offer longer thoughts better visibility in the news feed than the old Notes had.  However, longer statuses don’t jibe with the ticker, which tends to clip posts after a period mark.&#8221;</li>
<li><a href="http://www.technipages.com/ps3-delete-browser-cookies-and-cache.html">PS3: Delete Browser Cookies and Cache [Technipages]</a> - Useful if iView is buggy on PS3 in Australia.</li>
<li><a href="http://www.perthnow.com.au/news/fail-qantas-red-faced-after-twitter-campaign-backfires/story-e6frg12c-1226202669183">Fail! Qantas red-faced after Twitter campaign backfires [Perth Now]</a> - Social media #fail: &#8220;It probably seemed like a great idea in the marketing meeting. But a social media campaign in the midst of a bitter industrial battle spilling over to thousands of angry passengers has backfired for Qantas. The airline posted a seemingly innocent tweet this morning using the hashtag #qantasluxury asking for entries to a competition with suggestions for a dream in-flight experience: @QantasAirwaysTo enter tell us &#8216;What is your dream luxury inflight experience? (Be creative!) Answer must include #QantasLuxury. Little did they know just how &#8220;creative&#8221; &#8211; and angry &#8211; the responses would be as Twitter users seized the opportunity to have their say in their hundreds. While many of the tweets were sarcastic, most were from passengers unhappy with the state of the airline or who had experienced the disruption first-hand.  timwattsau#qantasluxury was being abandoned at Heathrow for 4 days in the snow with no customer support while trying to get home to 8mo pregnant wife!&#8221;</li>
</ul>

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		<item>
		<title>And then there were four …</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/y0DqNiyBXsM/</link>
		<comments>http://www.tamaleaver.net/2011/11/29/and-then-there-were-four/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 06:06:40 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[personal]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/2011/11/29/and-then-there-were-four/</guid>
		<description><![CDATA[Em and I are delighted to share the news of the birth of our son, and Henry’s little brother, Thomas Frederick who arrived in the world last week. After a somewhat dramatic entrance into the world, both Em and Tom &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/29/and-then-there-were-four/">Read more &#187;</a></p>]]></description>
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<p><a href="http://www.flickr.com/photos/tamaleaver/6423106147/" target="_blank"><img style="background-image: none; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border: 0px;" title="Thomas" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/11/Thomas.jpg" alt="Thomas" width="504" height="302" border="0" /></a></p>
<p>Em and I are delighted to share the news of the birth of our son, and Henry’s little brother, Thomas Frederick who arrived in the world last week. After a somewhat dramatic entrance into the world, both Em and Tom are doing well, and Henry seems fascinated by his very cute but very small little brother. Em and I are, as you might imagine, besotted.</p>
<p>Needless to say, blogging and anything not family related will be somewhere between slow and non-existent for some time.  I’m not back at work until late January, so I apologize in advance for any communication delays. I’m going to be enjoying some time just being a dad and a husband! <img class="wlEmoticon wlEmoticon-smile" style="border-style: none;" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/11/wlEmoticon-smile.png" alt="Smile" /></p>
<p>[This photograph is © All rights reserved, and is an <em>exception</em> to the Creative Commons license otherwise covering this blog.]</p>

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		<title>Ctrl-Z Symposium: Writing in the Age of New Media</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/lnuu7AGS9BY/</link>
		<comments>http://www.tamaleaver.net/2011/11/17/ctrl-z-symposium-writing-in-the-age-of-new-media/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 09:24:49 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[This Saturday I’ll be participating in the Ctrl-Z Symposium at Fremantle Arts Centre. It’s broadly exploring ideas of ‘writing’ with a focus on new media (being very conscious of the provocative nature of that term, especially its newness!). The symposium &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/17/ctrl-z-symposium-writing-in-the-age-of-new-media/">Read more &#187;</a></p>]]></description>
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<p>This Saturday I’ll be participating in the <a href="http://ccat.curtin.edu.au/events/">Ctrl-Z Symposium</a> at <a href="http://www.fac.org.au/Events/Upcoming.aspx?eId=5c086cb2-15f8-4c16-879d-0927e2c22bbe">Fremantle Arts Centre</a>. It’s broadly exploring ideas of ‘writing’ with a focus on new media (being very conscious of the provocative nature of that term, especially its newness!). The symposium is the first big event arranged under the umbrella of Curtin’s new <a href="http://ccat.curtin.edu.au/">Centre for Culture and Technology</a>, and the title is shared by the upcoming <a href="http://www.ctrl-z.net.au/">Ctrl-Z journal</a> which will launch next year. You can find the <a href="http://ccat.curtin.edu.au/events/">programme here</a> and a spiffy flyer below.&#160; If you’re in Perth and free, it’d be great if you can join the discussions this weekend. The event kicks off at 1pm.</p>
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		<title>Digital Culture Links: November 17th</title>
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		<comments>http://www.tamaleaver.net/2011/11/17/digital-culture-links-november-17th/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 05:07:45 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for November 12th through November 17th: An Oscar for Andy? by Tama Leaver [Antenna] &#8211; My first Antenna post looks at the possibility of a synthespian in the running for an acting Oscar: &#8220;On the back of the unexpected &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/17/digital-culture-links-november-17th/">Read more &#187;</a></p>]]></description>
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<p>Links for November 12th through November 17th:</p>
<ul>
<li><a href="http://blog.commarts.wisc.edu/2011/11/16/an-oscar-for-andy/">An Oscar for Andy? by Tama Leaver [Antenna]</a> &#8211; My first Antenna post looks at the possibility of a synthespian in the running for an acting Oscar: &#8220;On the back of the unexpected success of Rise of the Planet of the Apes, the big news isn’t a planned sequel but rather a “a healthy seven-figure deal for Andy Serkis to reprise his role as lead ape Caesar” along with the announcement that 20th Century Fox will be mounting an Oscar campaign aimed at getting Serkis a long overdue nod for Best Supporting Actor. It’s significant, too, because we never see Andy Serkis directly in Rise; rather, Caesar was created by the meshing of Serkis’s visceral, physical acting and the state-of-the-art computer wizardry from Weta Digital. Whether you prefer the term virtual actor, synthespian (‘synthetic thespian’) or just performance capture, an Academy Award for Serkis would demonstrate a widening understanding of what ‘acting’ actually means.&#8221;</li>
<li><a href="http://googleblog.blogspot.com/2011/11/google-music-is-open-for-business.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+blogspot%2FMKuf+%28Official+Google+Blog%29">Google Music is open for business [Official Google Blog]</a> &#8211; Google&#8217;s competitor to Apple&#8217;s iTunes has gone live, cleverly basing itself in the Android store. Of course, it&#8217;s not yet available in Australia.</li>
<li><a href="http://www.bbc.co.uk/news/uk-15733026">Salman Rushdie claims victory in Facebook name battle [BBC News ]</a> &#8211; &#8220;Author Salman Rushdie says he has won a battle with Facebook over what to call himself on his profile page on the social network. Rushdie&#8217;s dispute with Facebook began after he asked to be allowed to use his middle name Salman &#8211; the one he is known by across the world. But Facebook, which has strict real name policies, had insisted on Ahmed &#8211; the novelist&#8217;s first name. Rushdie says Facebook has &#8220;buckled&#8221; after he began tweeting about the row. &#8220;Victory! #Facebook has buckled! I&#8217;m Salman Rushdie again. I feel SO much better. An identity crisis at my age is no fun. Thank you Twitter!&#8221; wrote the British Indian author, who is known as SalmanRushdie on Twitter. &#8220;Just received an apology from The #Facebook Team. All is sweetness and light.&#8221;"</li>
<li><a href="http://www.smh.com.au/technology/technology-news/aussie-expats-tv-torrent-site-shut-down-as-the-slap-producers-intervene-20111115-1ng2p.html">Aussie expat&#8217;s TV torrent site shut down as The Slap producers intervene [SMH]</a> &#8211; &#8220;The producers of ABC1 drama The Slap have succeeded in shutting down a Netherlands-based piracy website that over 40,000 Australian and New Zealand expats use to illegally watch local shows. The site, diwana.org, is run by an Australian expat who started the site over five years ago and is popular with expats and others based overseas who are looking to access Australia and New Zealand TV content, which is often difficult to access internationally.[...] Despite the shutdown of Diwana.org, The Slap is still widely available on other pirate websites.&#8221;</li>
<li><a href="https://market.android.com/details?id=com.worb.android.exfoliate">Exfoliate for Facebook [Android Market]</a> &#8211; Android app to delete unwanted Facebook history: &#8220;Exfoliate automates the removal of old, forgotten, content from Facebook(tm). Old content on social networking sites is a threat to your privacy. Removing this old content by hand is tedious, and practically impossible. On your wall, Exfoliate can remove any post, comment, or like, whether made by you or by others, older than a time you specify. Exfoliate can remove your own posts, comments, and likes, from your friends&#8217; walls too. You can choose the age of items you wish removed, and Exfoliate will remove any items that are at least as old as your selection from any of your selected content areas. It is important, though, to understand that Exfoliate truly deletes the content. It is not backed up and it is not recoverable – well, that&#8217;s kinda the point. [...] Exfoliate is a network and battery hog, and there&#8217;s simply no way around this. To manage the impact, you can stop Exfoliate at any time, and restart Exfoliate later.&#8221;</li>
<li><a href="http://www.daniellesucher.com/2011/11/jailbreak-the-patriarchy-my-first-chrome-extension/">Jailbreak the Patriarchy: my first Chrome extension [Danielle Sucher]</a> &#8211; Clever: &#8220;I just released my first Chrome extension! It’s called Jailbreak the Patriarchy, and if you’re running Chrome, you can head <a href="https://chrome.google.com/webstore/detail/fiidcfoaaciclafodoficaofidfencgd?hl=en-US&amp;gl=US">over here to install it</a>. What does it do? Jailbreak the Patriarchy genderswaps the world for you. When it’s installed, everything you read in Chrome (except for gmail, so far) loads with pronouns and a reasonably thorough set of other gendered words swapped. For example: “he loved his mother very much” would read as “she loved her father very much”, “the patriarchy also hurts men” would read as “the matriarchy also hurts women”, that sort of thing. This makes reading stuff on the internet a pretty fascinating and eye-opening experience, I must say. What would the world be like if we reversed the way we speak about women and men? Well, now you can find out!&#8221;</li>
</ul>

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		<title>Digital Culture Links:  November 6th through November 8th</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/iq7ifDZgTmg/</link>
		<comments>http://www.tamaleaver.net/2011/11/08/digital-culture-links-november-6th-through-november-8th/#comments</comments>
		<pubDate>Tue, 08 Nov 2011 05:11:37 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3126</guid>
		<description><![CDATA[Links for November 6th through November 8th: It’s as easy as d.me [Delicious] &#8211; As the new owners, Avos make some useful changes to Delicious, add Posterous-like email updating and d.me as a permanent shorturl. Screen Time Higher Than Ever &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/08/digital-culture-links-november-6th-through-november-8th/">Read more &#187;</a></p>]]></description>
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<p>Links for November 6th through November 8th:</p>
<ul>
<li><a href="http://www.avos.com/as-easy-as-d-me/">It’s as easy as d.me [Delicious]</a> &#8211; As the new owners, Avos make some useful changes to Delicious, add Posterous-like email updating and d.me as a permanent shorturl.</li>
<li><a href="http://www.nytimes.com/2011/10/25/us/screen-time-higher-than-ever-for-children-study-finds.html?_r=2">Screen Time Higher Than Ever for Children, Study Finds [NYTimes.com]</a> &#8211; &#8220;Despite the American Academy of Pediatrics’ longstanding recommendations to the contrary, children under 8 are spending more time than ever in front of screens, according to a study scheduled for release Tuesday. The report also documents for the first time an emerging “app gap” in which affluent children are likely to use mobile educational games while those in low-income families are the most likely to have televisions in their bedrooms. The study, by Common Sense Media, a San Francisco nonprofit group, is the first of its kind since apps became widespread, and the first to look at screen time from birth. It found that almost half the families with incomes above $75,000 had downloaded apps specifically for their young children, compared with one in eight of the families earning less than $30,000. More than a third of those low-income parents said they did not know what an “app” — short for application — was.&#8221;</li>
<li><a href="http://google-au.blogspot.com/2011/11/google-ebooks-arrive-down-under.html">Google eBooks arrive Down Under [Official Google Australia Blog]</a> &#8211; Google eBooks are <a href="http://books.google.com.au/ebooks">now for sale in Australia.</a></li>
<li><a href="http://technorati.com/blogging/article/state-of-the-blogosphere-2011-introduction/">State of the Blogosphere 2011 [Technorati]</a> &#8211; Using a survey of just over 4000 self-identified bloggers, Technorati has produced this year&#8217;s statistical snapshot of blogging. Interestingly, as with last year, they&#8217;ve not mad any attempt to quanify how many blogs are out there. Notable stats:<br />
* 82% of blogger surveyed are using Twitter.<br />
* 89% use Facebook.<br />
* Unsurprisingly, Facebook and Twitter were the services that most effective drove traffic back to blogs.<br />
* Just over 60% use Google+ (demonstrating exactly who was likely to respond to this sort of survey!).<br />
* Significantly, even amongst people who identify as bloggers, only 54% had blogged in the past 3 months, and only 11% in the last 24 hours.<br />
* Blogging is dominated by the middle-aged, not the young.</li>
</ul>

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		<title>Digital Culture Links:  October 31st through November 4th</title>
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		<pubDate>Fri, 04 Nov 2011 06:32:51 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=3102</guid>
		<description><![CDATA[Links for October 31st through November 4th: Anonymous online comments [The Age] - &#8220;Online news readers should be forced to reveal their identity when commenting on a story, a parliamentarian has argued while complaining about West Australian&#8217;s poor online behaviour. WA &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/04/digital-culture-links-october-31st-through-november-4th/">Read more &#187;</a></p>]]></description>
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<p>Links for October 31st through November 4th:</p>
<ul>
<li><a href="http://www.theage.com.au/technology/technology-news/call-to-lift-the-veil-of-anonymity-in-online-commenting-20111103-1my5g.html#poll">Anonymous online comments [The Age]</a> - &#8220;Online news readers should be forced to reveal their identity when commenting on a story, a parliamentarian has argued while complaining about West Australian&#8217;s poor online behaviour. WA Labor MP Andrew Waddell called on news websites, including this one, to publish readers&#8217; names with their post. &#8220;It has become an unfortunate fact that there is a group of cowards who, hiding behind the veil of anonymity, abuse their right to free speech to perpetuate lies, abuse others, commit hate crimes, libel others and behave in an unacceptable manner,&#8221; Mr Waddell told parliament yesterday. &#8220;It is often possible to post a comment on a very public site without there being any need to provide real validated identification. This gives &#8230; courage to those who may not otherwise be willing to stand behind their comments and face the consequences of their opinions. &#8220;A vibrant society has a healthy ongoing political debate &#8230; [but] vicious, nasty, anonymous trolls have no place in that debate.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-nottinghamshire-15522222">Man jailed for posting sex images of ex-partner online</a> [<a href="http://www.bbc.co.uk/news/uk-england-nottinghamshire-15522222">BBC News</a>] - &#8220;&#8221;A Nottingham man who posted sexual images of his former girlfriend online as he stalked her via social networking sites has been jailed for four months. Shane Webber, 23, of Hodgkin Close in Clifton, sent photographs and personal details about Ruth Jeffery, 22, to her family and strangers. Webber admitted one count of harassment at an earlier hearing at Southampton Magistrates&#8217; Court. Miss Jeffery said she was devastated by Webber&#8217;s actions. Outside court she said even if Webber had received the maximum jail sentence magistrates could impose &#8211; six months &#8211; it would not have made up for the hurt she had been caused. She said: &#8220;I am extremely pleased with the outcome. The maximum sentence in a magistrates&#8217; court will never make up for the hurt he had put me through but I am pleased I can now put it behind me.&#8221;</li>
<li><a href="http://latimesblogs.latimes.com/showtracker/2011/10/felicia-day.html">Q&amp;A: Felicia Day, from &#8216;The Guild&#8217; to &#8216;Dragon Age&#8217; [latimes.com]</a> &#8211; &#8220;Playing&#8221; Felicia Day: &#8220;And when Electric Arts [makers of Dragon Age] called, that was the first call in years that was really like, &#8220;Oh!&#8221; They asked, &#8220;What would you like to do?&#8221; and I said, &#8220;What properties do you have?&#8221; And when Dragon Age came up I was, like, &#8220;Yes!&#8221; Because when am I ever going to be able to be in a medieval world as an actor? Probably never. So I&#8217;ll help create it myself. This will be the first time that a video game property is a Web series; and the elf is an actual playable character. So my character will be a DLC [downloadable content] piece; if people own Dragon Age II, they&#8217;ll be able to purchase an extension pack and play with my character. It&#8217;s full motion capture with me, full facial capture, full vocal acting. It&#8217;s pretty much the coolest thing I could ever imagine: Not only am I in a game, but it&#8217;s as a character I created.&#8221;</li>
<li><a href="http://www.youtube.com/watch?feature=player_embedded&amp;v=hGdwUiTRn-I">Angry Birds smashes half a billion downloads! [YouTube]</a> &#8211; Cute little video with statistics about Angry Birds including the big one: half a billion downloads so far. That&#8217;s an awful lot! (Personally, I can account for 5 of those &#8211; 3 on Android, 2 on the iPad!) <iframe src="http://www.youtube.com/embed/hGdwUiTRn-I" frameborder="0" width="500" height="284"></iframe></li>
<li><a href="http://www.commoncraft.com/video/plagiarism">Plagiarism [Common Craft]</a> &#8211; Basic but very accessible and useful video explaining plagiarism: &#8220;While Plagiarism can be intentional, it is more often caused by misunderstanding.  Avoiding it means understanding the role of intellectual property and what makes plagiarism wrong.  This video teaches: Why giving credit to others is necessary; A definition of plagiarism; Steps to avoiding plagiarism; Types of ideas and media that can be plagiarized&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/uk-england-nottinghamshire-15522222">BBC News &#8211; Man jailed for posting sex images of ex-partner online</a> &#8211; &#8220;A Nottingham man who posted sexual images of his former girlfriend online as he stalked her via social networking sites has been jailed for four months. Shane Webber, 23, of Hodgkin Close in Clifton, sent photographs and personal details about Ruth Jeffery, 22, to her family and strangers. Webber admitted one count of harassment at an earlier hearing at Southampton Magistrates&#8217; Court. Miss Jeffery said she was devastated by Webber&#8217;s actions. Outside court she said even if Webber had received the maximum jail sentence magistrates could impose &#8211; six months &#8211; it would not have made up for the hurt she had been caused. She said: &#8220;I am extremely pleased with the outcome. The maximum sentence in a magistrates&#8217; court will never make up for the hurt he had put me through but I am pleased I can now put it behind me.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-15520163">Angry Birds developer Rovio to open stores in China [BBC News]</a> &#8211; Angry Birds maker Rovio has announced plans to open stores in China within 12 months. Unofficial merchandise connected to the videogame has already proved popular in the country. The company&#8217;s chief marketing officer, Peter Vesterbacka, made the announcement at the Techcrunch conference in Beijing. He said he was targeting $100m (£62m) in sales from the shops in their first year of operation. &#8220;On the physical side, we don&#8217;t have a lot of our officially licensed products out here, so we have ourselves to blame,&#8221; he told the conference. Mr Vesterbacka said he had been to China many times &#8220;checking out the Angry Birds&#8217; presence&#8221;. He told delegates he was unhappy with the quality of the unofficial products, but had also gained &#8220;a lot of inspiration from the copyists&#8221;. The comment drew laughter from the audience.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/computer-says-no-qantas-rapped-for-bad-social-media-service-20111031-1mr8t.html">Qantas&#8217; Social Media Response Rapped For Bad Service [The Age]</a> &#8211; &#8220;Qantas has been criticised for its mechanical, impersonal social media response to the grounding of its fleet and the ensuing customer chaos. The announcement sparked a torrent of posts on Twitter, with independent social media analyst Thomas Tudehope noting that, at its peak, &#8220;Alan Joyce&#8221;, &#8220;Qantas&#8221; and &#8220;Anthony Albanese&#8221; were all trending worldwide – indicating in excess of a thousand tweets per minute. &#8220;This is particularly remarkable given that Australia only has an estimated 2 million Twitter accounts compared to a global audience pushing towards 250 million accounts,&#8221; Tudehope said. [...] Several Twitter accounts have sprung up lampooning Qantas and its CEO, Alan Joyce, including @AlanJoyceCEO and @Qantas_VH_OQA.&#8221;</li>
</ul>

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		<title>Yahoo finally starting to ‘get’ Flickr with funky Android Weather app!</title>
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		<comments>http://www.tamaleaver.net/2011/11/03/yahoo-finally-starting-to-get-flickr-with-funky-android-weather-app/#comments</comments>
		<pubDate>Thu, 03 Nov 2011 01:45:35 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[yahoo]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/2011/11/03/yahoo-finally-starting-to-get-flickr-with-funky-android-weather-app/</guid>
		<description><![CDATA[Hot on the heels of their official Flickr app for Android, Yahoo have released a their unimaginatively titled Yahoo! Weather Android app, but behind the banal name are signs that Yahoo are finally starting to understand how the vast treasures &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/11/03/yahoo-finally-starting-to-get-flickr-with-funky-android-weather-app/">Read more &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/2011/11/03/yahoo-finally-starting-to-get-flickr-with-funky-android-weather-app/"><!-- &nbsp; --></abbr>

<p><a href="http://www.flickr.com/photos/tamaleaver/6307680132/"><img style="background-image: none; border-right-width: 0px; margin: 0px 5px 5px 0px; padding-left: 0px; padding-right: 0px; display: inline; float: left; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="YahooWeather_London" border="0" alt="YahooWeather_London" align="left" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/11/YahooWeather_London.jpg" width="254" height="401" /></a>Hot on the heels of their <a href="http://www.tamaleaver.net/2011/09/29/flickr-android-app-its-all-about-getting-there-before-instagram/">official Flickr app for Android</a>, Yahoo have released a their unimaginatively titled <a href="http://blog.flickr.net/en/2011/11/02/flickr-members-in-the-new-yahoo-weather-android-app/">Yahoo! Weather Android app</a>, but behind the banal name are signs that Yahoo are finally starting to understand how the vast treasures of Flickr might integrate into a mobile media world. While this is a fairly simple idea &#8211; combining global weather data with matching photographs – it’s the sort of thing we’ve not seen from Yahoo in a long time. More to the point, the simple design actually houses a great weather app, and it’s free. Yahoo are probably paying&#160; a license to use the Weather Channel data, but the real riches are the Flickr photos which are all provided by users for free. That said, I don’t think this is exploitation: each photo comes with credit to the photographer (well, their Flickr username) and a link back to the original photograph. For most Flickr users, the exposure far outweighs any thought of payment, especially in a free app. </p>
<p>Currently all photos are drawn from <a href="http://www.flickr.com/groups/projectweather">a specific purpose-driven Flickr group</a>, so no one’s image will appear without them explicitly adding it to that group. However, there were just over 2500 photos when I looked this morning, so I guess a lot of the world isn’t covered yet. I’d suggest that in the next version, Yahoo make the most of those thousands and thousands of Creative Commons licensed images which folks have already explicitly given permission to re-use via their copyright license choice. Everything under a Creative Commons Attribution license, for example, would clearly be suitable for inclusion in the app. Given there are, literally, billions of Flickr photos, perhaps asking a whole lot of users to add specific photos to the Weather app group could broaden the potential photos rapidly.</p>
<p>It’s also noteworthy that Yahoo are focusing on Android apps right now. Rather than compete with the very entrenched iOS photo apps, Yahoo are courting Android users who’ve not really found their killer photo apps just yet.</p>
<p>Overall, though, it’s great to see Yahoo realising just how rich a resource Flickr can be for mobile apps. Flickr really is the jewel in Yahoo’s rusting crown, and if they can make it shine perhaps we’ll see the beginning of a fresh start for Yahoo, at least in terms of mobile development. This weather app just scratches the surface, but I suspect we’ll see tourism and other location-based apps quickly emerging, finally utilising the rich diversity of photos and metadata that constitutes the core of Flickr.</p>
<p>[<a href="https://market.android.com/details?id=com.yahoo.mobile.client.android.weather">Link to Yahoo! Weather in the Android Market</a>]</p>

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		<title>Digital Culture Links: October 30th 2011</title>
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		<pubDate>Mon, 31 Oct 2011 00:36:39 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[death]]></category>
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		<description><![CDATA[Links for October 30th 2011: Cashing In on Your Hit YouTube Video [NYTimes.com] &#8211; In the unlikely but not impossible event of a YouTube video going unexpectedly viral, here&#8217;s a quick guide from the New York Times on how to &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/31/digital-culture-links-october-30th-2011-3/">Read more &#187;</a></p>]]></description>
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<p>Links for October 30th 2011:</p>
<ul>
<li><a href="http://www.nytimes.com/2011/10/27/technology/personaltech/cashing-in-on-your-hit-youtube-video.html?_r=1&amp;partner=rss&amp;emc=rss">Cashing In on Your Hit YouTube Video [NYTimes.com]</a> &#8211; In the unlikely but not impossible event of a YouTube video going unexpectedly viral, here&#8217;s a quick guide from the New York Times on how to act quickly and make the most of your possible revenue and exposure.</li>
<li><a href="http://www.guardian.co.uk/commentisfree/2011/oct/19/when-i-died-on-wikipedia">When I died on Wikipedia | David McKie [The Guardian]</a> &#8211; Amusing and insightful column from David McKie who Wikipedia incorrectly claimed, was dead. McKie points out that the Wikipedia is far from the first media service to prematurely announce people&#8217;s demise: &#8220;It was disconcerting to learn recently from a much used reference source that I had died on Friday August the 26th. True, one&#8217;s memory gets more fitful as one grows older, but I didn&#8217;t remember this happening. When I looked that day up in my diary, I found that I had noted it down as &#8220;a very empty day&#8221; when it rained and nothing much happened. Empty, perhaps, but not as empty as that. Still, there it was, in all its bleak finality, in a summary on Wikipedia: &#8220;David McKie (1935 – 26 August 2011) was a British journalist and historian.&#8221; [...] Wikipedia, I see, welcomes corrections. Indeed, its section on premature obituaries accepts it is incomplete and appeals for more, well-sourced, entries. So now I shall write to correct their error &#8230;&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/2011/oct/30/untangling-web-aleks-krotoski-death">Untangling the web: how the internet has changed the way we treat death [Technology | The Observer]</a> &#8211; Good overview by Aleks Krotoski looking at death in a networked, digital world: &#8220;Death in the age of the web reminds us how much the technology has become part of the fabric of our personal and social identities. Once we&#8217;re gone, what we leave behind is a rich resource of who we are. We may not survive beyond the release of the next social network, but our inevitable ends are being extended by our digital lives.&#8221;</li>
<li><a href="http://www.perthnow.com.au/news/special-features/alanjoyce-abused-on-twitter-but-hes-not-the-qantas-boss/story-e6frg1ac-1226180522072">@AlanJoyce abused on Twitter, but he&#8217;s not the Qantas boss [Perth Now]</a> - &#8220;An American science student who shares his name with the CEO of Qantas has found himself the target of a deluge of abuse on Twitter. The unfortunate American, whose name is Alan Joyce and who holds the name @alanjoyce on Twitter, is currently studying computer science at Stanford University, as well as having written two guidebooks to the Disneyland Resort in California. To clarify his identity the American replied to one accusation: &#8220;I&#8217;m glad to see someone appreciating my impeccable American accent, but I&#8217;m guessing you&#8217;re looking for a different Alan Joyce.&#8221; [...] The American Alan Joyce first responded to the attacks after @DognutsTom tweeted, “Well I&#8217;m stuck at home with broken wheelchair thanks to QANTAS! You think @alanjoyce CEO of QANTAS could work it out right?” Alan replied, “Sorry about your wheelchair, but I&#8217;m no more CEO of Qantas than @willsmith is a famous movie actor.”&#8221;</li>
<li><a href="http://latimesblogs.latimes.com/showtracker/2011/10/felicia-day.html">Q&amp;A;: Felicia Day, from &#8216;The Guild&#8217; to &#8216;Dragon Age&#8217; [latimes.com]</a> - &#8220;Playing&#8221; Felicia Day: &#8220;And when Electric Arts [makers of Dragon Age] called, that was the first call in years that was really like, &#8220;Oh!&#8221; They asked, &#8220;What would you like to do?&#8221; and I said, &#8220;What properties do you have?&#8221; And when Dragon Age came up I was, like, &#8220;Yes!&#8221; Because when am I ever going to be able to be in a medieval world as an actor? Probably never. So I&#8217;ll help create it myself. This will be the first time that a video game property is a Web series; and the elf is an actual playable character. So my character will be a DLC [downloadable content] piece; if people own Dragon Age II, they&#8217;ll be able to purchase an extension pack and play with my character. It&#8217;s full motion capture with me, full facial capture, full vocal acting. It&#8217;s pretty much the coolest thing I could ever imagine: Not only am I in a game, but it&#8217;s as a character I created.&#8221;</li>
</ul>

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		<title>Digital Australia 12: A Snapshot of Australian Gamers</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/7VP0JW08CAQ/</link>
		<comments>http://www.tamaleaver.net/2011/10/20/digital-australia-12-a-snapshot-of-australia-gamers/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 07:17:01 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[australia]]></category>
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		<description><![CDATA[Bond University and iGEA (Interactive Games &#38; Entertainment Association) have released their Digital Australia 2012 (DA12) report based on a representative sample of Australians (1252 Australian households with 3533 people in them) further demonstrates that gamers are neither outsiders, anti-social, &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/20/digital-australia-12-a-snapshot-of-australia-gamers/">Read more &#187;</a></p>]]></description>
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<p><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="Fullscreen capture 20102011 31411 PM.bmp" border="0" alt="Fullscreen capture 20102011 31411 PM.bmp" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/10/Fullscreen-capture-20102011-31411-PM.bmp.jpg" width="404" height="154" /></p>
<p>Bond University and iGEA (Interactive Games &amp; Entertainment Association) have released their <a href="http://www.igea.net/2011/10/digital-australia-2012-">Digital Australia 2012 (DA12) report</a> based on a representative sample of Australians (1252 Australian households with 3533 people in them) further demonstrates that gamers are neither outsiders, anti-social, nor all men (almost half aren’t). Some key findings:</p>
<ul>
<li><strong>Females make up 47%</strong> of the total game population, up from 46% in 2008. </li>
<li>The average age of video game players in Australia is <strong>32 years</strong>, up from 30 in 2008. </li>
<li>75% of gamers in Australia are aged 18 years or older. </li>
<li>94% aged 6 to 15 years compared with 43% of those aged 51 or older play video games. </li>
<li>The average adult gamer has been playing video games for 12 years, 26% have been playing for more than 20. </li>
<li>Nearly 1 in 5 gamers play social network games and 1 in 10 massively multiplayer games. </li>
<li>Playing habits are moderate with 59% playing for up to an hour at one time and only 3% playing for five or more hours in one sitting. </li>
<li>Of parents who play games, 88% play with their children, up from 80% in 2008. </li>
<li>90% of parents who play computer games themselves use them to help educate their children, up from 75% in 2008 </li>
<li>79% of parents say an adult makes the purchase when games are purchased for their children. </li>
</ul>
<p>[<a href="http://www.igea.net/wp-content/uploads/2011/10/DA12FinalLinkVideo.pdf">Full Report PDF</a>] [<a href="http://www.igea.net/wp-content/uploads/2011/10/DA12KeyFindings.pdf">Key Findings PDF</a>]</p>

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		<title>takethislollipop.com: Creepy Personalised Facebook Stalker Short Film!</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/aIZM2REXwsg/</link>
		<comments>http://www.tamaleaver.net/2011/10/20/takethislollipop-com-creepy-personalised-facebook-stalker-short-film/#comments</comments>
		<pubDate>Thu, 20 Oct 2011 06:48:38 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/2011/10/20/takethislollipop-com-creepy-personalised-facebook-stalker-short-film/</guid>
		<description><![CDATA[Just in time for All Hallow’s Eve comes takethislollipop.com an extremely clever and deeply unsettling personalised short film experience. The short asks you to share your Facebook data, then imports images, personal details and geographic information to customize a stalking &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/20/takethislollipop-com-creepy-personalised-facebook-stalker-short-film/">Read more &#187;</a></p>]]></description>
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<p><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/10/Fullscreen-capture-20102011-23544-PM.bmp.jpg"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="Fullscreen capture 20102011 23544 PM.bmp" border="0" alt="Fullscreen capture 20102011 23544 PM.bmp" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/10/Fullscreen-capture-20102011-23544-PM.bmp_thumb.jpg" width="504" height="288" /></a></p>
<p>Just in time for All Hallow’s Eve comes <a href="http://www.takethislollipop.com/">takethislollipop.com</a> an extremely clever and deeply unsettling personalised short film experience. The short asks you to share your Facebook data, then imports images, personal details and geographic information to customize a stalking experience just for you! The resulting short (which takes just a few seconds to generate) uses very clever graphics and a recognisable but well-shot set-up that would be right at home in one of the endless torture porn movies gracing cinemas in the last few years. It’s all about you, and a very creepy guy who has decided to come and find you …</p>
<p><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="Fullscreen capture 20102011 23650 PM.bmp" border="0" alt="Fullscreen capture 20102011 23650 PM.bmp" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/10/Fullscreen-capture-20102011-23650-PM.bmp.jpg" width="504" height="284" /></p>
<p>I can’t imagine <a href="http://www.takethislollipop.com/">Take This Lollipop</a> will do much to ease fears about cyberstalking, nor will it win fans who hold privacy concerns (the film DOES access all of your Facebook data – they promise not to keep it, but I revoked the app’s access as soon as I’d seen the short). It is, however, VERY effective.&#160; It’s also fun to imagine this stalker is an advertising executive who works closely with Facebook … <img style="border-bottom-style: none; border-right-style: none; border-top-style: none; border-left-style: none" class="wlEmoticon wlEmoticon-smilewithtongueout" alt="Smile with tongue out" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/10/wlEmoticon-smilewithtongueout.png" /></p>

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		<item>
		<title>Digital Culture Links: October 17th 2011</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/3ttOCJoWeZM/</link>
		<comments>http://www.tamaleaver.net/2011/10/17/digital-culture-links-october-17th-2011/#comments</comments>
		<pubDate>Mon, 17 Oct 2011 09:40:22 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2812</guid>
		<description><![CDATA[Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!): New YouTube features for music artists [YouTube Blog] &#8211; YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/17/digital-culture-links-october-17th-2011/">Read more &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=2812"><!-- &nbsp; --></abbr>

<p>Links for October 5th 2011 through October 17th 2011 (catching up on a backlog of good links!):</p>
<ul>
<li><a href="http://youtube-global.blogspot.com/2011/10/new-youtube-features-for-music-artists.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+youtube%2FPKJx+%28YouTube+Blog%29">New YouTube features for music artists [YouTube Blog]</a> &#8211; YouTube gets even further on the disintermediation bandwagon (ie cutting out the middle people), letting bands and music partners offer merchandising, concert tickets and link to digital sales (including iTunes) from their music videos. It&#8217;s all about the integration!</li>
<li><a href="http://www.nytimes.com/2011/10/17/technology/amazon-rewrites-the-rules-of-book-publishing.html?_r=1&amp;partner=rss&amp;emc=rss&amp;pagewanted=all">Amazon Rewrites the Rules of Book Publishing [NYTimes.com]</a> &#8211; &#8220;Amazon.com has taught readers that they do not need bookstores. Now it is encouraging writers to cast aside their publishers. Amazon will publish 122 books this fall in an array of genres, in both physical and e-book form. It is a striking acceleration of the retailer’s fledging publishing program that will place Amazon squarely in competition with the New York houses that are also its most prominent suppliers. It has set up a flagship line run by a publishing veteran, Laurence Kirshbaum, to bring out brand-name fiction and nonfiction. It signed its first deal with the self-help author Tim Ferriss. Last week it announced a memoir by the actress and director Penny Marshall, for which it paid $800,000, a person with direct knowledge of the deal said. Publishers say Amazon is aggressively wooing some of their top authors. And the company is gnawing away at the services that publishers, critics and agents used to provide.&#8221;</li>
<li><a href="http://www.theage.com.au/digital-life/tablets/buyers-dodge-courts-samsung-tablet-ban-20111017-1lsdg.html">Buyers dodge court&#8217;s Samsung tablet ban [The Age]</a> &#8211; Surprising no one: &#8220;Australians are making a mockery of a Federal Court injunction banning the sale of Samsung Galaxy Tab 10.1 tablets in Australia by ordering them from online stores. Meanwhile, in the US, Samsung&#8217;s own lawyers were left red-faced after being unable to differentiate between Samsung&#8217;s and Apple&#8217;s tablets in court. Samsung has been forbidden by Federal Court Justice Annabelle Bennett from selling or marketing the device in Australia until a full hearing in its patent infringement case with Apple, which isn&#8217;t expected to take place until next year. Justice Bennett said Apple had a prima facie case that Samsung infringed two of its patents. But online sellers on eBay, and web stores such as MobiCity.com.au, Expansys, Techrific and dMavo, are bypassing Samsung Australia and obtaining stock from other countries, such as Hong Kong.&#8221;</li>
<li><a href="http://investor.google.com/earnings/2011/Q3_google_earnings.html">Google Announces Third Quarter 2011 Financial Results (GooglePlus = 40 million+) [Google Investor Relations]</a> &#8211; In their third quarter financial resuts, Larry Page announces that Goole+ has passed 40 million users.</li>
<li><a href="http://www.bbc.co.uk/news/entertainment-arts-15307052">Lady Gaga bans Lady Goo Goo song [BBC News]</a> &#8211; Given Lady Gaga&#8217;s rhetoric about respecting her fans ignoring (her) copyright and that this effort seems like parody to me, I&#8217;ll be interested to see how this is justified: &#8220;Lady Gaga has won an injunction at London&#8217;s High Court to stop animated character Lady Goo Goo from releasing a single, its makers have said. Lady Goo Goo, a baby with a long blonde fringe from the Moshi Monsters online game &#8211; owned by UK firm Mind Candy &#8211; released The Moshi Dance on YouTube. But Lady Gaga&#8217;s injunction has stopped its full release, Mind Candy said. Law firm Mishcon de Reya confirmed it had represented Lady Gaga but said it could not comment further.&#8221;</li>
<li><a href="http://googleblog.blogspot.com/2011/10/fall-sweep.html">A fall sweep [Official Google Blog]</a> &#8211; Google is killing off a number of poorly performing products. Google Buzz is the most notable closure. Hopefully Google learnt a lot from Buzz, especially about privacy.</li>
<li><a href="http://gigaom.com/video/felicia-day-hangout-housecalls/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newteevee+%28GigaOM%3A+Video%29">Felicia Day turns to Hangouts to promote new show [NewTeeVee - Online Video News]</a> &#8211; &#8220;Web series veteran Felicia Day will promote her new online show Dragon Age: Redemption with a unique twist on Google+ Hangouts: The actress will be experimenting with something she dubbed Hangout Housecalls this coming Tuesday. Day is promising to visit as many Hangouts of her fans within a three-hour window as possible. She announced the house calls on Google+, where she explained: I’ll answer questions about the show and we can even pose for a photo that you can screencap and post later! Cool? Cool. The Dragon Age: Redemption house calls will kick off with a post on Day’s Google+ profile on Tuesday at 10 a.m. PST that will ask viewers to post links to their Hangouts in the comments. Day will then click through those links, visiting one Hangout after another.&#8221;</li>
<li><a href="http://gigaom.com/video/the-guild-merchandising/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newteevee+%28GigaOM%3A+Video%29">The Guild turns product placement into merchandising gold [NewTeeVee - Online Video News]</a> &#8211; Good wrap-up of the many, many different types of merchandise now available surrounding Felicia Day&#8217;s web series The Guild. Also interesting are both the careful deals &#8211; finding merchandise options which don&#8217;t threaten existing sponsorship from Microsoft and Sprint &#8211; but also how a lot of merchandise was strategically linked to Comic Conventions so that, eventually, they could be integrated into Season Five of The Guild which is largely set at a con. Day really is a canny business person and shows how far a recognisable web series can the deployed to make money across a wide range of products and tie-ins.</li>
<li><a href="http://blog.flickr.net/en/2011/10/05/200-million-creative-commons-photos-and-counting/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Flickrblog+%28FlickrBlog%29">200 million Creative Commons photos and counting! [Flickr Blog]</a> &#8211; Flickr users have now explicitly licensed and shared over 200 million photos using Creative Commons licenses. This is a fantastic and valuable resource. However, given there are more than 5 billion photos on Flickr, surely there could be more under CC licenses if the world was really spread? After all, being able to specify your license is one of the key things that Facebook really can&#8217;t do right now/</li>
<li><a href="http://jmschanck.github.com/Scanner-For-Zotero/">Barcode Scanner for Zotero [Android App]</a> &#8211; Android barcode scanning app for Zotero. If the barcode links to a book metadata, you can automatically add it to your Zotero library. &#8220;Scanner For Zotero brings Zotero&#8217;s magic wand tool out into the physical world. Scan the ISBN barcode on any book, and Scanner For Zotero will fetch that item&#8217;s bibliographic info from the web and allow you to add it to your Zotero library.That&#8217;s pretty cool.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/facebooks-privacy-lie-aussie-exposes-tracking-as-new-patent-uncovered-20111004-1l61i.html">Facebook&#8217;s privacy lie: Aussie exposes &#8216;tracking&#8217; as new patent uncovered [The Age]</a> &#8211; &#8220;Facebook has been caught telling porkies by an Australian technologist whose revelations that the site tracks its 800 million users even when they are logged out have embroiled Facebook in a global public policy – and legal – nightmare. Facebook&#8217;s <a href="http://nikcub.appspot.com/logging-out-of-facebook-is-not-enough#comment-319881438">assurances</a> that “we have no interest in tracking people” have been laid bare by <a href="http://appft.uspto.gov/netacgi/nph-Parser?Sect1=PTO2&amp;Sect2=HITOFF&amp;u=%2Fnetahtml%2FPTO%2Fsearch-adv.html&amp;r=1&amp;p=1&amp;f=G&amp;l=50&amp;d=PG01&amp;S1=20110231240.PGNR.&amp;OS=dn/20110231240&amp;RS=DN/20110231240">a new Facebook patent</a>, dated this month, that describes a method “for tracking information about the activities of users of a social networking system while on another domain”.&#8221;</li>
</ul>

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<a href="http://feeds.feedburner.com/~ff/Ponderance?a=3ttOCJoWeZM:zXR5-U5ezbM:yIl2AUoC8zA"><img src="http://feeds.feedburner.com/~ff/Ponderance?d=yIl2AUoC8zA" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Ponderance?a=3ttOCJoWeZM:zXR5-U5ezbM:dnMXMwOfBR0"><img src="http://feeds.feedburner.com/~ff/Ponderance?d=dnMXMwOfBR0" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Ponderance?a=3ttOCJoWeZM:zXR5-U5ezbM:F7zBnMyn0Lo"><img src="http://feeds.feedburner.com/~ff/Ponderance?i=3ttOCJoWeZM:zXR5-U5ezbM:F7zBnMyn0Lo" border="0"></img></a> <a href="http://feeds.feedburner.com/~ff/Ponderance?a=3ttOCJoWeZM:zXR5-U5ezbM:D7DqB2pKExk"><img src="http://feeds.feedburner.com/~ff/Ponderance?i=3ttOCJoWeZM:zXR5-U5ezbM:D7DqB2pKExk" border="0"></img></a>
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		<item>
		<title>The Ends of Online Identity – Presentation</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/g1WCVDUq6sA/</link>
		<comments>http://www.tamaleaver.net/2011/10/12/the-ends-of-online-identity-presentation/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 22:14:47 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[Internet Research 12]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/2011/10/12/the-ends-of-online-identity-presentation/</guid>
		<description><![CDATA[Here are the slides and audio for my ‘The Ends of Online Identity’ paper (abstract) I’m presenting in a couple of hours here at Internet Research 12 in Seattle: The Ends of Online Identity View more presentations from Tama Leaver &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/12/the-ends-of-online-identity-presentation/">Read more &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/2011/10/12/the-ends-of-online-identity-presentation/"><!-- &nbsp; --></abbr>

<p>Here are <a href="http://www.slideshare.net/Tama/the-ends-of-online-identity">the slides</a> <em>and audio</em> for my ‘The Ends of Online Identity’ paper (<a href="http://www.tamaleaver.net/2011/09/28/the-ends-of-online-identity/">abstract</a>) I’m presenting in a couple of hours here at <a href="http://ir12.aoir.org/">Internet Research 12</a> in Seattle:</p>
<div style="width: 425px" id="__ss_9645737"><strong style="margin: 12px 0px 4px; display: block"><a title="The Ends of Online Identity" href="http://www.slideshare.net/Tama/the-ends-of-online-identity" target="_blank">The Ends of Online Identity</a></strong> <iframe height="355" marginheight="0" src="http://www.slideshare.net/slideshow/embed_code/9645737" frameborder="0" width="425" marginwidth="0" scrolling="no"></iframe>
<div style="padding-bottom: 12px; padding-left: 0px; padding-right: 0px; padding-top: 5px">View more <a href="http://www.slideshare.net/" target="_blank">presentations</a> from <a href="http://www.slideshare.net/Tama" target="_blank">Tama Leaver</a> </div>
</p></div>
<p><strike>I’ll try and record the talk and if it’s decent quality, I’ll synchronise the audio and slides as soon as I get a chance.</strike> <strong>Update</strong>: the audio turned out okay, so it’s now synchronised with the slides. If you’re interested, have a listen. I’d love to hear your thoughts and responses!</p>

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		<item>
		<title>Digital Culture Links: October 3rd 2011</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/9t5Pypc3kR8/</link>
		<comments>http://www.tamaleaver.net/2011/10/03/digital-culture-links-october-3rd-2011/#comments</comments>
		<pubDate>Mon, 03 Oct 2011 12:22:20 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<category><![CDATA[usa]]></category>
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		<description><![CDATA[Links for September 27th 2011 through October 3rd 2011: How Social Networking Is Reviving Communal TV Viewing [The Next Web] &#8211; Real-time TV viewing is on the rise once more thanks to cleverly design related apps and strategic use of &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/03/digital-culture-links-october-3rd-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for September 27th 2011 through October 3rd 2011:</p>
<ul>
<li><a href="http://thenextweb.com/media/2011/10/01/how-social-networking-is-reviving-communal-tv-viewing/">How Social Networking Is Reviving Communal TV Viewing [The Next Web]</a> &#8211; Real-time TV viewing is on the rise once more thanks to cleverly design related apps and strategic use of related #hashtags: &#8220;There are some signs that TV’s re-engaging its most coveted viewers. According to Nielsen, tech-savvy 12-24 year-olds are more connected and therefore more adept at using mobile devices to watch shows. This doesn’t bode well for the networks or for advertisers since, sometimes, the ads can be skipped. However, by turning TV programming into a true two-screen experience, it changes the equation. It makes the live experience more valuable, especially for the younger set. The data show that 18-34 year-olds are the most active demographic on social networks.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/facebook-sued-over-claims-it-tracks-users-activity-20111001-1l2qv.html">Facebook sued over claims it tracks users&#8217; activity [The Age]</a> &#8211; &#8220;Facebook is being sued by a group of users over claims it tracks their online activity after they log off. [...] On Friday, 10 public interest groups asked the US Federal Trade Commission to investigate Facebook&#8217;s tracking of internet users after they log off. They urged the commission to examine whether Facebook&#8217;s new ticker and timeline features increased privacy risks for users by combining biographical information in an easily accessible format. The lawsuit &#8211; filed by Perrin Aikens Davis, of Illinois &#8211; seeks class status on behalf of other Facebook users in the US. Davis seeks unspecified damages and a court order blocking the tracking based on violations of federal laws, including restrictions on wiretapping, as well as computer fraud and abuse statutes.&#8221;</li>
<li><a href="http://www.timeshighereducation.co.uk/story.asp?sectioncode=26&amp;storycode=417576&amp;c=1">Peers, review your actions [Times Higher Education ]</a> &#8211; Interesting proposition: academics should boycott doing peer review (for free) for journals which aren&#8217;t open access (ie charge a lot to be viewed).</li>
<li><a href="http://theconversation.edu.au/princeton-goes-open-access-to-stop-staff-handing-all-copyright-to-journals-unless-waiver-granted-3596?utm_source=twitter&amp;utm_medium=tweetbutton&amp;utm_campaign=footer">Princeton goes open access to stop staff handing all copyright to journals – unless waiver granted [The Conversation]</a> &#8211; Princeton University policy prevents their academics from publishing in journals which demand full copyright over their work (unless explicit permission is sought from the institution). A bold move to try and reign in the big copyright holders and publishers who currently have a strangle-hold over a great deal of academic work!</li>
<li><a href="http://www.tvtonight.com.au/2011/09/bbc-iplayer-launches-on-ipad.html">BBC iPlayer launches on iPad in Australia [TV Tonight]</a> &#8211; The BBC iPlayer comes to Australia, for a fee. For $10 a month you can access more than 1000 hours of BBC archives (at launch, growing regularly) but NOT current TV shows. In part this is probably due to existing contracts with local networks (why would the ABC bother to screen Doctor Who if it was available via iPlayer before broadcast), but this really doesn&#8217;t then address the problem of the tyranny of digital distance. This is a clever commercial move, but is unlikely to address the issue of unauthroised downloading of UK TV shows in Australia.</li>
<li><a href="http://www.avos.com/new-delicious/">A New Flavor…Still Delicious [AVOS]</a> &#8211; AVOS launch the re-imagined Delicious. Being a long-term Delicious user, I&#8217;ve got to admit I find the new version a bit confronting, especially the changes to tag clouds and so forth. And I really don&#8217;t want &#8220;stacks&#8221; &#8211; that&#8217;s what something like Pinterest is for (and I don&#8217;t use that much, either). However, I&#8217;m delighted Delicious lives on, so I&#8217;ll give it a go!</li>
</ul>

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		<title>Facebook’s New Timeline &amp; Perceptions of Privacy</title>
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		<comments>http://www.tamaleaver.net/2011/10/02/facebooks-new-timeline-perceptions-of-privacy/#comments</comments>
		<pubDate>Sun, 02 Oct 2011 05:33:00 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[facebook]]></category>
		<category><![CDATA[privacy]]></category>
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		<category><![CDATA[timeline]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2792</guid>
		<description><![CDATA[Everyone’s Facebook profile will disappear in 6 October 2011, December 2011 replaced with a Timeline. Here are my thoughts and concerns about that Timeline, and some suggestions about managing your Timeline when it arrives … I’ve been testing out Facebook’s &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/10/02/facebooks-new-timeline-perceptions-of-privacy/">Read more &#187;</a></p>]]></description>
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<p><em>Everyone’s Facebook profile will disappear in <span style="text-decoration: line-through;"><a href="http://ansonalex.com/technology/when-will-facebook-timeline-be-released-to-the-public/">6 October 2011</a></span>, December 2011 replaced with a Timeline. Here are my thoughts and concerns about that Timeline, and some suggestions about managing your Timeline when it arrives …</em></p>
<p>I’ve been testing out <a href="https://www.facebook.com/about/timeline">Facebook’s new Timeline</a> which will shortly replace profiles for all 800 million Facebook users. I have some concerns which I’ll outline in a minute, but I have to give credit where credit is due: Timeline looks amazing. I think this is the first time Facebook has stopped looking like a direct descendant of the profiles found on online dating websites! The new cover image, which is separate from your avatar or profile picture, stretches across the entire screen and is much more richly visual experience, combined with far better navigation tools for exploring the entirety of someone’s Facebook history, not just their current statuses and photos. Here’s what the top of my Timeline looks like:</p>
<p><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/New_FB_public_1.jpg"><img style="background-image: none; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border-width: 0px;" title="New_FB_public_1" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/New_FB_public_1_thumb.jpg" alt="New_FB_public_1" width="554" height="485" border="0" /></a></p>
<p>The tools which allow you to emphasise certain events on your timeline let individuals build an engaging and carefully curated story of themselves. And in a move which deliberately situates Facebook as telling the story of your life, Timeline actively encourages users to add in missing details. When I look at the notification of my 2000 university graduation, Timeline suggests I add to the story and post a picture, enriching the tale visually. If I add a picture, then the event ‘looks’ more interesting and is more engaging than a bit of text in an ‘Info’ box. However, in moving from being primarily about current communication to adding the archival/historical emphasis, a number of privacy-related issues arise.</p>
<p>My Timeline image above is missing a lot of detail since it’s the view that the public can see – ie someone who I’m not connecting to at all – and my privacy settings are high (almost everything is ‘Friends Only’; incidentally, once your Timeline is visible you can use the right-hand setting indicator – the one that looks like a wheel – and select ‘View as …’ to check how your Timeline will look to anyone else, including the public view). It’s notable, then, that the cover photo &#8212; the big one, at the top of your Timeline, which isn’t your profile photo &#8212; joins your profile photo as an image that you can’t make private; if you can be found on Facebook, it’s there. (I presume this might disappear if you prevented your profile being found in searches, but I can’t say that definitively.) Profile pictures have been unavoidably public for a while, so we just need to remember this about cover photos, too.</p>
<p>If you scroll down my Timeline (which, as I said, is now absurdly easy with the right hand date-based navigation tools) this is what you can see for 2011 and 2010 (there’s not much there, but take a look at what <em>is</em> visible):</p>
<p><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/New_FB_public2.jpg"><img style="background-image: none; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border-width: 0px;" title="New_FB_public2" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/New_FB_public2_thumb.jpg" alt="New_FB_public2" width="554" height="559" border="0" /></a></p>
<p><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/New_FB_public3.jpg"><img style="background-image: none; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border-width: 0px;" title="New_FB_public3" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/New_FB_public3_thumb.jpg" alt="New_FB_public3" width="554" height="341" border="0" /></a></p>
<p>On some abstract level, I was aware that when I ‘voted’ or clicked ‘Attending’ I was committing to something that was visible beyond my immediate ‘friend’ network (notable for me since, due to my privacy settings, not much else is). However, most of these actions or events had, from my perspective, long since ‘disappeared’ to the extent that, in order to find them, someone would have to click to ‘load more’ on my Facebook profile page 20 times or more to see anything. Timeline changes that. Now my voting and the public events I attended are very prominent since that’s pretty much the only thing public. And while these were largely very quick responses, these little bits of information suddenly ‘say’ a great deal about me; indeed, for the public, these are the main bits of the story Facebook tells about me.</p>
<p>Now, some of the things I’ve said I’ve attended are pretty trivial, but some are political (it’s very clear what my political views are) and others are on the boundary of personal and political. When I voted ‘Yes’ to ‘Should Same Sex Marriage Be Legal In Australia’ I was stating something publicly, but I’d never considered that my response would be so prominent on Facebook (it wasn’t on my profile page very long, for example). Now, for me, this isn’t a big issue; I’ve got sufficient workplace security that I can’t imagine these views would jeopardise my employment, and I stand by my politics proudly. I suspect, though, this won’t be the case for everyone. I can think of numerous scenarios where this information might be misused by other people and I strongly recommend folks take a look at their Timeline view from the public perspective as soon as it’s available to them.</p>
<p>From what I can see, it is possible to remove certain items from Timeline, or at least reduce their prominence, but you have to do it from your view (not the public view I used to generate the above images) so if you’re a prolific Facebook user, it’ll take a while to find these items and reduce their visibility.</p>
<p>Now, I’m not suggesting Facebook ‘made public’ something that was private. This information may have felt private, but that was based on use, not on a technical sense of security. Indeed, danah boyd expressed this problem in her paper <a href="http://www.danah.org/papers/FacebookPrivacyTrainwreck.pdf">‘Facebook&#8217;s Privacy Trainwreck: Exposure, Invasion, and Social Convergence’</a> explaining:</p>
<blockquote><p>The tech world has a tendency to view the concept of ‘private’ as a single bit that is either 0 or 1. Data are either exposed or not. When companies make a decision to make data visible in a more ‘efﬁcient’ manner, it is often startling, prompting users to speak of a disruption of ‘privacy’.</p></blockquote>
<p>Technically, the information above was always public, but my experience of it meant it felt largely private. My example is extremely banal, but for other people, the sudden prominence of certain information may make it feel a lot more public than they ever intended. While I acknowledge Facebook has started to provide more robust privacy tools, I’ve seen nothing in the hype around Timeline to warn folks about the way their Timeline will tell a different story about them (and a different story to different people – your Friends will see one ‘you’, but the public may see a quite different one). If Facebook is going to be an ongoing repository, the always-being-edited ‘This Is Your Life’, then Facebook and those of us teaching about these tools need to ensure folks have a much better understanding about Timeline and similar changes. When your life story is a series of entries in a database, then the line between public and private is a single setting. However, that database, as we can see, can always be sorted, ordered and presented in very different ways.</p>

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		<title>Flickr Android App: It’s all about getting there before Instagram!</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/nrbHbLyN9Hk/</link>
		<comments>http://www.tamaleaver.net/2011/09/29/flickr-android-app-its-all-about-getting-there-before-instagram/#comments</comments>
		<pubDate>Thu, 29 Sep 2011 04:27:22 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2797</guid>
		<description><![CDATA[&#160; Barely rating a mention since it’s not a new tablet (hello Amazon), Flickr relatively quietly launched their official app for Android today. The app itself isn’t bad, pretty seamlessly uploading photos, with a set of basic filters, tagging and &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/09/29/flickr-android-app-its-all-about-getting-there-before-instagram/">Read more &#187;</a></p>]]></description>
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<p><a href="http://www.flickr.com/android"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="FlickrAndroidApp_2" border="0" alt="FlickrAndroidApp_2" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/FlickrAndroidApp_2.jpg" width="166" height="279" /></a><a href="http://www.flickr.com/android"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="FlickrAndroidApp_1" border="0" alt="FlickrAndroidApp_1" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/FlickrAndroidApp_1.jpg" width="166" height="278" /></a>&#160; <a href="http://www.flickr.com/android"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="FlickrAndroidApp_3" border="0" alt="FlickrAndroidApp_3" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/FlickrAndroidApp_3.jpg" width="166" height="279" /></a>
<p>Barely rating a mention since it’s not a new tablet (<a href="http://www.amazon.com/Kindle-Color-Multi-touch-Display-Wi-Fi/dp/B0051VVOB2/" target="_blank">hello Amazon</a>), Flickr relatively quietly <a href="http://www.flickr.com/android" target="_blank">launched their official app for Android today</a>. The app itself isn’t bad, pretty seamlessly uploading photos, with a set of basic filters, tagging and some rudimentary tools to engage with your Flickr connections (or ‘friends’ if we were speaking Facebook). However, as the <a href="http://bits.blogs.nytimes.com/2011/09/28/flickr-builds-an-online-photo-album-for-sharing/?partner=rss&amp;emc=rss" target="_blank">few commentaries</a> have noted, it’s very close to too little, too late. There are a lot of photography-based apps, ranging from <a href="http://instagr.am/">Instagram</a>, which is iOS-only for now but clearly the major player there, through to Android equivalents like <a href="http://picplz.com">PicPlz</a> or the ubiquitous photo <a href="https://market.android.com/details?id=com.facebook.katana">uploading with Facebook</a>.</p>
<p>Now, don’t get me wrong, I’ve been a huge fan of Flickr for a long time. I’ve been posting my photos to Flickr <a href="http://www.flickr.com/photos/tamaleaver/974875/" target="_blank">since September 2004</a> &#8212; there’s <a href="http://www.flickr.com/photos/tamaleaver/">more than 3000</a> on there now &#8212; with over half a million views collectively. I’ve also been a paid member “<a href="http://www.flickr.com/upgrade/" target="_blank">Flickr Pro</a>” for most of that time, and while a few years ago $25/year seemed reasonable for unlimited uploads and the ability to share 90-second HD video, I can only imagine it’s a much tougher sell today (indeed, I suspect most Flickr Pro accounts are maintained by folks like me not wanting to lose their archive rather than any new sign-ups). All of that said, Flickr has summarily failed to embrace mobile devices and tablets. To some extent this has been countered by great APIs which have meant the vast majority of photography apps at least have the option to upload a copy to Flickr. However, it has also meant that Flickr isn’t the destination, it’s the cupboard. Whatever app people have been using, a secondary copy on Flickr means it’s there for the long haul, but the activity has been in the new app ecology, of which Instagram is the exemplar. And I suspect the main reason for the app’s launch now is to try and carve out a space on Android devices before Instagram arrives.</p>
<p>For an application with, lets be fair, <a href="http://instagr.am/">a rubbish presence on the web</a>, Instagram has done incredibly well focusing on building their core business: a great photo-sharing app that makes everyone feel like an artful photographer and, more importantly, builds a curational community who love to look at each other’s photos. Instagram is a light-weight app in many ways, but every single feature is the right one; the LIKE button is central, commenting is central, and tagging was lifted wholesale from Twitter and reinforces the seamlessness with which Instagram photos appear in social media streams. And they’ve done so well that within 12 month Instagram have clocked up <a href="http://blog.instagram.com/post/10692926832/10million">10 million users</a>. But Instagram hasn’t arrived on Android yet and none of the various Android-based clones have stood out enough to reign supreme.</p>
<p>For the Flickr Android app, then, the question is how well it compares to Instagram. Now, with the basic filters, tagging, geo-tagging and photo uploading, they are on an even level. Flickr, however, needs to learn very quickly that interacting with photos in a <a href="http://www.annehelmond.nl/2011/04/16/paper-hit-link-like-and-share-organizing-the-social-and-the-fabric-of-the-web-in-a-like-economy/">Like Economy</a> means that if you need to open a new menu to Like or Favourite a photo (which you currently do – it’s not on the same initial screen as the photos) then the odds of people liking and sharing pictures is greatly reduced. Flickr also need to radically re-vitalise the community nature of photo-sharing via their app. At the moment, interactions feel cold and forced, compared to the socialability and vibrance of sharing and commenting on Instagram. If Flickr can learn and push out a new version within a few weeks, perhaps they can become the shining light in the Yahoo crown they once were (it’s not like much else in the Yahoo world is getting much attention at the moment).</p>
<p>That said, Flickr does have the advantage of a robust and rich interface on the web. Indeed, I still cherish many of the fine-grain controls offered by Flickr on the web, such as the ability to explicitly chose Creative Commons licenses, and a rich set of tools for grouping and sharing photos in various ways. These tools aren’t widely replicated in apps, and I suspect its the richness of Flickr on the web which might be harnessed to encourage the app users, and build a bridge between the app and the web versions of Flickr. Only time will tell, but I can guarantee if Flickr aren’t monitoring feedback closely and already building a new version of the app, their one shot at establishing themselves in the app ecology will be lost.</p>
<p>Oh, today Flickr also launched “<a href="http://www.flickr.com/photosession" target="_blank">Photo Session</a>” which basically looks like the <a href="http://www.youtube.com/watch?v=QN38vHZjWXw" target="_blank">Hangouts from Google Plus</a>, but based around images, not videos. I can’t imagine Photo Session will find much of a crowd, but we’ll have to see.</p>
<p>You can download the <a href="https://market.android.com/details?id=com.yahoo.mobile.client.android.flickr">Flickr Android App from the Android Marketplace</a>. </p>
<p> <a href="http://www.flickr.com/photos/tamaleaver/6194065810/in/photostream/" target="_blank"><img style="background-image: none; border-right-width: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="FlickrApp_BeforeInstagram" border="0" alt="FlickrApp_BeforeInstagram" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/FlickrApp_BeforeInstagram.jpg" width="450" height="256" /></a></p>

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		<title>The Ends of Online Identity?</title>
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		<comments>http://www.tamaleaver.net/2011/09/28/the-ends-of-online-identity/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 04:57:41 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[In just over a week I hop on the first of three planes and head to Seattle for Internet Research 12. I’m looking forward to seeing many colleagues I rarely get to see in the flesh, and indeed adding flesh &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/09/28/the-ends-of-online-identity/">Read more &#187;</a></p>]]></description>
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<p>In just over a week I hop on the first of three planes and head to Seattle for <a href="http://ir12.aoir.org/">Internet Research 12</a>. I’m looking forward to seeing many colleagues I rarely get to see in the flesh, and indeed adding flesh to many folks who I only really know as Twitter or Facebook profile pictures.</p>
<p>The paper I’m presenting is called “The Ends of Online Identity” and is the first step in a larger research project which looks at online identities before or after they are really owned by the person to which they refer. Indeed, the many varied responses to Facebook’s <a href="https://www.facebook.com/about/timeline">upcoming shift to the new Timeline</a> which replace profiles with a curated historical story fits in perfectly with the terrain I’m exploring, which focuses on what happens to identity online when other people are responsible for shaping it (such as parents, before someone is old enough to really manage their online self, or post-mortem when someone’s profiles and digital shadow become the memorialised self).  The project itself is only in the initial stages and this paper is more about establishing the parameters and scoping out the field, but I think there’s enough in there to make it an interesting conversation.</p>
<p>For those of you who might be interested, here’s the abstract:</p>
<blockquote><p><strong>The Ends of Online Identity?</strong></p>
<p><img style="background-image: none; margin: 10px 5px 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; float: left; padding-top: 0px; border: 0px;" title="FB_Born" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/FB_Born.jpg" alt="FB_Born" width="222" height="118" align="left" border="0" />While the early years of online interaction were often framed by notions of identity play, anonymity, pseudonymity and multiplicity, the last five years have seen many of these playful boundaries collapsing with online and offline identity no longer presumed to be easily separable. The dominance of Facebook as <em>the </em>social networking service, and their firm insistence on ‘real’ names and identities has been one of the clearest causes and indicators of this shift. However, once online and offline identity are more firmly attached to real names, an individual’s web presence becomes harder and harder to escape. Moreover, while notions like ‘Identity 2.0’ (Helmond, 2010), ‘the networked self’ (Papacharissi, 2010) and others tend to emphasise at least some degree of agency, the persistence of digital information and the permanence of names suggests it is timely to revisit the ends of identity where the agency of the named individual is less, if at all, applicable.</p>
<p>At one end, identity fragments can be created even before an individual is born, from Facebook updates, blogs and photos detailing attempts to get pregnant, through to ultrasounds images and the like. Early childhood too, can often be documented online by parents who embrace every recording technology possible, both capturing and often sharing online every smile, every outfit and all those initial milestones of development. While most parents consider some degree of security when posting information about children, many of these digital traces persist and can often be easily (re-)attached to the children in question later in life. This initial digital contextualisation and the power of parents and others to ‘set up’ the initial web presence of individuals before they are active participants online deserves greater attention. Victor Mayer-Schonberger (2009), for example, has proposed that information online, including social information, should come with an expiry date, after which digital identity fragments are automatically erased. While an admirable strategy, implementation of such a proposal in a widespread enough manner to be useful would be very challenging.</p>
<p>At the other end of identity, the question of what happens to our digital selves when we die is also increasingly important. While our corporeal forms are subject to entropy and decay, the same is not necessarily true of online identities. From blog posts and social networking profiles to photographs and more personal files, the need to ‘do something’ with digital identity fragments is increasingly pressing. In some instances the keys to digital identities (our passwords) are being left in wills as part of individuals’ estates, but far more often this question is left unasked until an individual has died. Facebook, for example, had to institute the possibility to allow family members to memorialise or delete the Facebook profiles of deceased loved ones after many people reported Facebook suggesting they ‘reconnected’ with recently deceased relatives and friends.</p>
<p><img style="background-image: none; margin: 10px 0px 10px 5px; padding-left: 0px; padding-right: 0px; display: inline; float: right; padding-top: 0px; border: 0px;" title="FB_LostALovedOne" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/09/FB_LostALovedOne.jpg" alt="FB_LostALovedOne" width="172" height="72" align="right" border="0" />This paper will outline some initial ways that our ‘ends of identity’ might be conceptualised, including a brief review of current approaches, with the intention of outlining an emerging research project which examines the impact of digital identity creation which is not readily controlled by the individual whose identity is being created or transformed.</p>
<p><strong>References</strong></p>
<p>Helmond, A. (2010). Identity 2.0: Constructing identity with cultural software. <em>www.annehelmond.nl </em>, PDF: <a href="http://www.annehelmond.nl/wordpress/wp-content/uploads//2010/01/helmond_identity20_dmiconference.pdf">http://www.annehelmond.nl/wordpress/wp-content/uploads//2010/01/helmond_identity20_dmiconference.pdf</a>.</p>
<p>Mayer-Schonberger, V. (2009). <a href="http://press.princeton.edu/titles/8981.html">Delete: The Virtue of Forgetting in the Digital Age</a><em> </em>. Princeton University Press.</p>
<p>Papacharissi, Z. (Ed.). (2010). <a href="http://www.routledge.com/books/details/9780415801812/">A Networked Self: Identity, Community, and Culture on Social Network Sites</a><em> </em>. Routledge.</p></blockquote>
<p>My presentation is part of a four-paper panel entitled “<a href="https://www.conftool.net/aoir-ir12/index.php?page=browseSessions&amp;form_session=18">Coherency, Authenticity, Plurality and the Trace</a>” which also features papers by <a href="http://erikap.tumblr.com/">Erika Pearson</a> / <a href="http://twitter.com/erikapearson">@erikapearson</a> (University of Otago), Stephanie Tuszynski (Bethany College) and <a href="http://bradyrobards.com/">Brady Robards</a> / <a href="http://twitter.com/bradyjay">@bradyjay</a><sup> (</sup>Griffith University). Our panel is currently scheduled for Tuesday, 11/Oct/2011: 4:00pm &#8211; 5:30pm in “South” if you’ll be at <a href="http://ir12.aoir.org/">IR12</a>. I hope to post the slides before our panel session and, if I get the chance, I’ll try and capture the audio and post it some time shortly thereafter.</p>
<p>Any comments, thoughts or questions are most welcome! <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>

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		<title>Digital Culture Links: September 21st 2011</title>
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		<comments>http://www.tamaleaver.net/2011/09/21/digital-culture-links-september-21st-2011/#comments</comments>
		<pubDate>Wed, 21 Sep 2011 06:10:15 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2733</guid>
		<description><![CDATA[Links for September 7th 2011 through September 21st 2011: Game over for Japanese teens as grey gamblers take prime slot at arcades [News.com.au] &#8211; &#8220;The country which gave the world classic arcade games such as &#8220;Space Invaders&#8221; and &#8220;PacMan&#8221; is &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/09/21/digital-culture-links-september-21st-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for September 7th 2011 through September 21st 2011:</p>
<ul>
<li><a href="http://www.news.com.au/world/game-over-for-japanese-teens-as-grey-gamblers-take-prime-slot-at-arcades/story-e6frfkyi-1226142701736">Game over for Japanese teens as grey gamblers take prime slot at arcades [News.com.au]</a> &#8211; &#8220;The country which gave the world classic arcade games such as &#8220;Space Invaders&#8221; and &#8220;PacMan&#8221; is facing a demographic crisis, with a dwindling birth rate and ever-swelling numbers of elderly people. So Japan&#8217;s amusement arcades, once an exclusive resort of youth, are increasingly becoming the abode of the old, The (London) Times said today. According to the Hello Taito game centre in the Tokyo suburb of Kameari, as many as 90 per cent of its weekday visitors are over 60 years old. In an effort to encourage elderly customers, the company is making concerted efforts to appeal to this unfamiliar demographic. Metal stools have been replaced by benches covered with old-fashioned tatami mats. Seaweed tea, popular among retired people, is provided free, as well as blankets and reading glasses. Even the deafening noises emitted by the arcade machines have been turned down to a minimum out of consideration for geriatric sensibilities.&#8221;</li>
<li><a href="http://www.ctrl-z.net.au/">Ctrl-Z new media philosophy</a> &#8211; New broadly-themed and inclusive academic journal looking for submissions under the broad umbrella of &#8220;New Media Philosophy&#8221;.</li>
<li><a href="http://www.theaustralian.com.au/higher-education/harried-underpaid-staff-plan-to-flee-the-sector/story-e6frgcjx-1226142115463">Harried, underpaid staff plan to flee the sector [The Australian]</a> &#8211; *sigh* &#8220;Two in five academics under the age of 30 plan to leave Australian higher education within the next five to 10 years because of high levels of dissatisfaction caused by lack of job security, poor pay and mountains of paperwork and red tape. And for those aged between 30 and 40, the figure is one in three. Dissatisfaction and insecurity are so rife among casual and sessional staff that a new report for the Department of Education, Employment and Workplace Relations estimates that close to half the academic workforce will retire, move to an overseas university or leave higher education altogether within the next decade.&#8221;</li>
<li><a href="http://www.theage.com.au/digital-life/games/online-gamers-crack-aids-enzyme-puzzle-20110919-1kgq2.html">Online gamers crack AIDS enzyme puzzle [The Age]</a> &#8211; Collaborative online gamers manage to crack a crucial enzyme which is key to combating HIV. This is tangible evidence of collective intelligence of game players when usefully directed and harnessed.</li>
<li><a href="http://www.zephoria.org/thoughts/archives/2011/09/12/guilt-through-algorithmic-association.html">danah boyd | apophenia » Guilt Through Algorithmic Association</a> &#8211; How algorithms can make someone look guilty or attached to something, even if it&#8217;s only other searchers making that connection: &#8220;You’re a 16-year-old Muslim kid in America. Say your name is Mohammad Abdullah. Your schoolmates are convinced that you’re a terrorist. They keep typing in Google queries likes “is Mohammad Abdullah a terrorist?” and “Mohammad Abdullah al Qaeda.” Google’s search engine learns. All of a sudden, auto-complete starts suggesting terms like “Al Qaeda” as the next term in relation to your name. You know that colleges are looking up your name and you’re afraid of the impression that they might get based on that auto-complete. You are already getting hostile comments in your hometown, a decidedly anti-Muslim environment. You know that you have nothing to do with Al Qaeda, but Google gives the impression that you do. And people are drawing that conclusion. You write to Google but nothing comes of it. What do you do? This is guilt through algorithmic association.&#8221;</li>
<li><a href="http://www.dailymail.co.uk/femail/article-2034382/Marilyn-Monroe-Grace-Kelly-Marlene-Dietrich-join-Charlize-Theron-new-Dior-JAdore-advert.html">Marilyn Monroe, Grace Kelly and Marlene Dietrich join Charlize Theron in new Dior J&#8217;Adore advert [Mail Online]</a> &#8211; Marilyn Monroe, Grace Kelly and Marlene Dietrich all posthumously join Charlize Theron in a new perfume advertisement thanks to the plasticity of computer generated imagery.</li>
</ul>

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		<title>Digital Culture Links: September 7th 2011</title>
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		<comments>http://www.tamaleaver.net/2011/09/07/digital-culture-links-september-7th-2011/#comments</comments>
		<pubDate>Wed, 07 Sep 2011 05:35:14 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2724</guid>
		<description><![CDATA[Links for September 2nd 2011 through September 7th 2011: 28% of American adults use mobile and social location-based services [Pew Research Center's Internet &#38; American Life Project] &#8211; Pew research, September 2011: &#8220;More than a quarter (28%) of all American &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/09/07/digital-culture-links-september-7th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for September 2nd 2011 through September 7th 2011:</p>
<ul>
<li><a href="http://pewinternet.org/Reports/2011/Location.aspx">28% of American adults use mobile and social location-based services [Pew Research Center's Internet &amp; American Life Project]</a> &#8211; Pew research, September 2011: &#8220;More than a quarter (28%) of all American adults use mobile or social location-based services of some kind. This includes anyone who takes part in one or more of the following activities:<br />
* 28% of cell owners use phones to get directions or recommendations based on their current location—that works out to 23% of all adults.<br />
* A much smaller number (5% of cell owners, equaling 4% of all adults) use their phones to check in to locations using geosocial services such as Foursquare or Gowalla. Smartphone owners are especially likely to use these services on their phones.<br />
* 9% of internet users set up social media services such as Facebook, Twitter, or LinkedIn so that their location is automatically included in their posts on those services. That works out to 7% of all adults.&#8221; [<a href="http://pewinternet.org/~/media//Files/Reports/2011/PIP_Location-based-services.pdf">Full PDF Report</a>]</li>
<li><a href="http://socialmediacollective.org/2011/08/26/random-thoughts-about-piracy/">Random thoughts about piracy [Social Media Collective]</a> &#8211; boyd on the culturally-specific takes on media piracy: &#8220;I was absolutely enthralled with how the discourse around piracy in India was radically different than anything I had seen elsewhere. In India, piracy is either 1) a point of pride; or 2) a practical response to an illogical system. There is no guilt, no shame. I loved hearing people talk about mastering different techniques for pirating media, software, and even infrastructural needs (like water, electricity, even sewage…) There was a machismo involved in showing off the ability to pirate. To pay was to be cheated, which was decidedly un-masculine. Of course, getting caught is also part of the whole system, but the next move is not to feel guilty; it is to bribe the person who catches you. Ironically, people will often pay more to bribe inspectors than it would’ve cost them to pay for the service/item in the first place. Again, we’re back to pride/masculinity. Pirating was an honorable thing to do; not pirating is to be cheated.&#8221;</li>
<li><a href="http://www.smh.com.au/technology/security/practise-the-web-safety-you-teach-20110904-1js8b.html">Practise the web safety you teach [SMH]</a> &#8211; Important little piece reminder K-12 schools that they need to practice what they are starting to preach. It&#8217;s great to give students and parents tips on protecting their identity online, but when schools post photographs of students with full names online &#8211; often without getting parental or student consent &#8211; that&#8217;s hardly reinforcing the privacy-aware message.</li>
<li><a href="http://techpresident.com/blog-entry/fall-wikileaks-cablegate2-assange-and-icarus">The Fall of WikiLeaks: Cablegate2, Assange and Icarus [techPresident]</a> &#8211; One (of many) takes on how Julian Assange and Wikileaks went too far in releasing entirely unedited records unedited. They&#8217;ve not only lost the moral highground, but tarnished past partners and ensured anyone in a position to leak something in the future would be even less likely to do so: &#8220;WikiLeaks has now indiscriminately dumped the whole cable set into the public arena, and in doing so it has tossed away whatever claim it might have had to the moral high ground. The argument that others were doing it already, or that bad actors were already getting access to the leaked master file and thus this was a mitigating step to reduce coming harms, or that it&#8217;s somehow The Guardian&#8217;s fault for publishing what it thought was a defunct password, doesn&#8217;t absolve WikiLeaks of its large share of responsibility for this dump. People are human; to err is human. But refusing to admit error, that is hubris. Assange, like Icarus, thought he could fly to the sun.&#8221;</li>
<li><a href="http://www.smh.com.au/digital-life/computers/blogs/gadgets-on-the-go/afact-uncle-sams-puppet-in-iinet-trial-20110902-1jp4w.html#ixzz1WlipuoP3">AFACT Uncle Sam&#8217;s puppet in iiNet trial [SMH]</a> &#8211; &#8220;US copyright police are pulling AFACT&#8217;s strings as it drags iiNet through Australian courts, but is anyone really surprised? The Motion Picture Association of America is driving AFACT’s legal attack on Australian ISP iiNet, bringing in Village Roadshow and the Seven Network to avoid the impression of US bullying, according to <a href="http://delimiter.com.au/2011/08/30/wikileaks-cable-outs-secret-iitrial-background/">US diplomatic cables released by Wikileaks</a>. It seems the MPAA deliberately avoided picking a fight with the more powerful Telstra, instead hoping for a quick victory against the smaller iiNet which could set a national and perhaps even international legal precedent to aid the Americans in their global fight against piracy. The undertones of American imperialism and Australian subservience are disturbing &#8230;&#8221;</li>
</ul>

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		<title>Performing Animals: Synthespians, Primates and Cinematic Sympathy</title>
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		<pubDate>Wed, 31 Aug 2011 07:42:30 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[Artificial Culture]]></category>
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		<description><![CDATA[Having let this blog become more link digests than anything else, I promised myself I’d write a bit more about my research activities, so with that in mind, I’m looking down a new research path and thought I’d share my &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/31/performing-animals-synthespians-primates-and-cinematic-sympathy/">Read more &#187;</a></p>]]></description>
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<p>Having let this blog become more link digests than anything else, I promised myself I’d write a bit more about my research activities, so with that in mind, I’m looking down a new research path and thought I’d share my very first thoughts.&#160; As usual, it has taken a deadline to galvanise any writing, but the Call for Papers for the <a href="http://gerrycanavan.wordpress.com/2011/07/06/cfp-green-planets-ecology-and-science-fiction/">Green Planets: Ecology and Science Fiction</a> sounded enticing so, below is the chapter abstract I submitted today.&#160; (There’s no guarentee it’ll be accepted, of course, but this chapter will get written one way or another as it has definitely fired my imagination).&#160; Feedback or thoughts are welcome, of course!</p>
<p><i>Performing Animals: Synthespians, Primates and Cinematic Sympathy</i></p>
<p>Chapter abstract. </p>
<p>Virtual actors, or synthespians (‘synthetic thespians’), simultaneously expand what ‘acting’ actually entails whilst also asking film viewers to sympathise with often non-human entities in contexts which strive for verisimilitude. Initial industry responses to synthespians centred on fears that unpaid virtual actors could replace human beings but Dan North argues that rather than making actors superfluous, synthespians actually illustrate ‘an interdependence between the human and the machine, the digital and the analogue, the real and the simulated’ (2008, p. 183). The performance capture technologies behind synthespians facilitate a complex symbiosis between the visceral, physical performance of actors and the informatic and computational artistry of cutting edge digital media. While scholarly attention has been paid to virtual actors portraying fictional creatures or aliens – such as Jar Jar Binks in <i>Star Wars: Episode I &#8211; The Phantom Menace </i>(1999), Gollum in <i>The Lord of the Rings</i> trilogy (2001, 2002, 2003) or the Na’vi in <i>Avatar</i> (2009) – this chapter instead examines synthespians who are performing (as) animals.</p>
<p>Focusing on Kong from Peter Jackson’s <i>King Kong</i> (2005) and Caesar from Rupert Wyatt’s <i>Rise of the Planet of the Apes</i> (2011), both of whom are performed by actor Andy Serkis and the special effects team at WETA Digital, this chapter will argue that primate synthespians complicate and challenge the boundaries between people and animals, between natural and technological, and between the computational and ecological (amongst others). To provide historical and cultural context, I will draw on antecedents from the <i>Kong</i> and <i>Planet of the Apes</i> franchises as well as contemporary texts, such as the documentary <i>Project Nim</i> (2011) which details a 1970s experiment scrutinising the nature/nurture divide in which a chimpanzee was raised as a human child. The strong critical and commercial success of <i>Rise of the Planet of the Apes</i> suggests audiences can readily sympathise with a primate protagonist, while Barbara Creed has similarly argued that Jackson’s Kong is ‘a screen animal who holds our sympathies throughout the film’ (2009, p. 191). Indeed, recognising its role in promoting animal rights, People for the Ethical Treatment of Animals (PETA) has actually given <i>Rise of the Planet of the Apes</i> their <a href="http://www.peta.org/features/rise-of-the-planet-of-the-apes.aspx">official approval</a>. Ultimately, this chapter will explore the way these films generate sympathetic digital primates, the inherent contradictions in provoking sympathy by replacing animals with actors performing animals, and how these films and audience reactions may serve as a focal point for broader consideration of the relationships between people, primates, nature and technology. </p>
<p><strong>References</strong></p>
<p>Creed, B. (2009). <i><a href="http://catalogue.mup.com.au/978-0-522-85258-5.html">Darwin’s Screens: Evolutionary Aesthetics, Time and Sexual Display in the Cinema</a></i>. Melbourne: Melbourne University Press.</p>
<p>North, D. (2008). <i><a href="http://cup.columbia.edu/book/978-1-905674-54-1/performing-illusions">Performing Illusions: Cinema, Special Effects and the Virtual Actor</a></i>. London &amp; New York: Wallflower Press.</p>
<p align="center"><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/08/Serkis_Caesar.jpg"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="Serkis_Caesar" border="0" alt="Serkis_Caesar" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/08/Serkis_Caesar_thumb.jpg" width="652" height="369" /></a>    <br />[Image Source: <a href="http://www.hollywoodreporter.com/gallery/rise-planet-apes-first-look-218818#4">The Hollywood Reporter</a>]</p>

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		<title>Digital Culture Links: August 30th 2011</title>
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		<pubDate>Tue, 30 Aug 2011 04:06:32 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[apple]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2712</guid>
		<description><![CDATA[Links for August 25th 2011 through August 30th 2011: Academic publishers make Murdoch look like a socialist [The Guardian] &#8211; George Monbiot looks at the monopolistic world of academic publishing and finds a world where profits are soaring while the &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/30/digital-culture-links-august-30th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for August 25th 2011 through August 30th 2011:</p>
<ul>
<li><a href="http://www.guardian.co.uk/commentisfree/2011/aug/29/academic-publishers-murdoch-socialist">Academic publishers make Murdoch look like a socialist [The Guardian]</a> &#8211; George Monbiot looks at the monopolistic world of academic publishing and finds a world where profits are soaring while the broader media landscape around them is crumbling. On the ethical side, the important question: should publicly funded reseach end up in journals that cost $20+ an article to read if you&#8217;re not attached to a university? Open access might be one answer to the problem!</li>
<li><a href="http://www.thechronicle.com.au/story/2011/08/26/teens-hack-ex-mates-facebook/">Teen hacks ex-mate&#8217;s Facebook [Toowoomba Chronicle]</a> &#8211; &#8220;Bad blood between former teenage mates had driven one to hack into the other&#8217;s Facebook page and leave a posting that he was gay and wanted to come out of the closet, Toowoomba Magistrates Court heard yesterday. [...] Woodside then hacked into the victim&#8217;s Facebook page and posted that the victim was gay and wanted to “come out of the closet”, a posting which anyone accessing the page could have read, the court heard.&#8221;</li>
<li><a href="http://henryjenkins.org/2011/08/does_this_technology_serve_hum_1.html">&#8220;Does This Technology Serve Human Purposes?&#8221;: A &#8220;Necessary Conversation&#8221; with Sherry Turkle (Part Three) [Confessions of an Aca/Fan: Archives]</a> &#8211; Sherry Turkle interviewed by Henry Jenkins, clarifying many important points from <em>Alone Together:</em> &#8220;My earlier enthusiasm for identity play on the Internet, [...] relied heavily on the work of psychologist and psychoanalyst Erik Erikson. Erikson wrote about the developmental need for a moratorium or &#8220;time out&#8221; during adolescence, a kind of play space in which one had a chance to experiment with identity. In the mid-1990s, I wrote about the Internet as a space where anonymity was possible and where one could experiment with aspects of self in a safe environment. Today, adolescents grow up with a sense of wearing their online selves on their backs &#8220;like a turtle&#8221; for the rest of their lives. The internet is forever. And anonymity on the Internet seems a dream of another century, another technology.&#8221; [<a href="http://henryjenkins.org/2011/08/an_interview_with_sherry_turkl.html">Part 1</a>] [<a href="http://henryjenkins.org/2011/08/does_this_technology_serve_hum.html">Part 2</a>]</li>
<li><a href="http://gigaom.com/apple/apple-cancels-itunes-tv-rentals/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newteevee+%28GigaOM%3A+Video%29&amp;utm_content=Google+Reader">Apple cancels iTunes TV rentals [GigaOM]</a> &#8211; &#8220;Despite its role as a major selling point of the revamped Apple TV last fall, Apple has done away with TV show rentals. Several bloggers noticed the option to rent individual episodes missing from iTunes and Apple TV Friday, and Apple later confirmed the decision was based on lack of interest. “iTunes customers have shown they overwhelmingly prefer buying TV shows,” Apple spokesman Tom Neumayr told AllThingsD Friday. “iTunes in the Cloud lets customers download and watch their past TV purchases from their iOS devices, Apple TV, Mac or PC allowing them to enjoy their programming whenever and however they choose.” Very few TV studios were on board with the idea in the first place–only Fox and ABC–so this isn’t a huge change. But now the only option in iTunes when it comes to TV shows is to buy. You can buy a full season or “Season Pass,” or if you want to cherry pick a season, you can still buy individual episodes.&#8221;</li>
<li><a href="http://www.theawl.com/2011/08/case-history-of-a-wikipedia-page-nabokov%E2%80%99s-lolita">Case History Of A Wikipedia Page: Nabokov’s &#8216;Lolita&#8217; [The Awl]</a> &#8211; Fascinating: &#8220;Entries such as the one on Lolita demonstrate why perfection on Wikipedia remains an &#8220;unattainable&#8221; goal—when the topic is contentious, perfection will always butt heads against &#8220;is completely neutral and unbiased.&#8221; One man&#8217;s undeniable literary masterpiece is another man&#8217;s abominable pedophilic trash, and they&#8217;re both editors on Wikipedia. The edits to the Lolita page (and any Wikipedia page) can seem tedious and petty, and many of them are. But the users’ vigilance in keeping some words and changing others, and debating over content and style, does have a purpose: it keeps critical thinking alive and well. The writing, editing, rewriting and re-editing process of a Wikipedia page creates a new entity—the Lolita Wikipedia page, which is not Nabokov&#8217;s Lolita, but a work in its own right. In the collaborative editing process, any reader can use the Lolita page to challenge its meaning. In fact, he can reach right in and edit it himself, until someone else edits it again.&#8221;</li>
</ul>

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		<title>Lego: Dads don’t play with toddlers?</title>
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		<comments>http://www.tamaleaver.net/2011/08/29/lego-dads-dont-play-with-toddlers/#comments</comments>
		<pubDate>Mon, 29 Aug 2011 01:06:21 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[personal]]></category>
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		<category><![CDATA[lego]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/2011/08/29/lego-dads-dont-play-with-toddlers/</guid>
		<description><![CDATA[Let me start be saying I love Lego and our 2-year old loves his Duplo (the bigger Lego blocks aimed at toddlers).&#160; I was excited to hear Lego had created and released an online Duplo space, with games and interactions. &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/29/lego-dads-dont-play-with-toddlers/">Read more &#187;</a></p>]]></description>
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<p>Let me start be saying I love <a href="http://www.lego.com/en-us/default.aspx">Lego</a> and our 2-year old loves his Duplo (the bigger Lego blocks aimed at toddlers).&#160; I was excited to hear Lego had created and released <a href="http://duplo.lego.com/en-us/Games/Default.aspx">an online Duplo space</a>, with games and interactions. Sounds like a perfect safe space to share with Mr2. However, I was incredibly disappointed when I turned up, only to discover that someone at Lego seems to have entirely forgotten that Dad’s exist …</p>
<p><a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/08/DuploWorld.jpg"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="DuploWorld" border="0" alt="DuploWorld" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/08/DuploWorld_thumb.jpg" width="918" height="565" /></a></p>
<p>“Hello Moms!” really? This is very disappointing for a dad. And for equality in general.&#160; </p>
<p>Lego, please lift your game: I want to be able to enjoy this space with my son, and enjoying many, many hours of Lego and Duplo together.</p>

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		<title>Digital Culture Links: August 25th 2011</title>
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		<comments>http://www.tamaleaver.net/2011/08/25/digital-culture-links-august-25th-2011/#comments</comments>
		<pubDate>Thu, 25 Aug 2011 04:36:14 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2697</guid>
		<description><![CDATA[Links for August 16th 2011 through August 25th 2011: OK Go and The Muppets &#8211; Muppet Show Theme Song [YouTube] &#8211; OK Go and the Muppets, doing The Muppets Theme. I&#8217;m pretty sure this is what teh interwebz were built &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/25/digital-culture-links-august-25th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for August 16th 2011 through August 25th 2011:</p>
<ul>
<li><a href="http://www.youtube.com/watch?v=oiMZa8flyYY">OK Go and The Muppets &#8211; Muppet Show Theme Song [YouTube]</a> &#8211; OK Go and the Muppets, doing The Muppets Theme. I&#8217;m pretty sure this is what teh interwebz were built for! (Also, the new <em>Muppets: The Green Album</em> looks great [<a href="http://itunes.apple.com/us/album/muppets-the-green-album/id452905746">iTunes link</a>]). <iframe src="http://www.youtube.com/embed/oiMZa8flyYY" frameborder="0" width="560" height="345"></iframe></li>
<li><a href="http://io9.com/5834189/compare-the-new-cgi-yoda-from-the-blu+ray-star-wars-episode-one-with-the-original-puppet">Compare the new CGI Yoda from the Blu-Ray Star Wars Episode One with the original puppet [io9]</a> &#8211; George Lucas goes back to Star Wars Episode 1 (The Phantom Menace) and replaces the scenes of Yoda that still used some puppetry with completely CGI ones. I guess Lucas is now fully postmodern: there is no original.</li>
<li><a href="http://io9.com/5833739/samsung-uses-2001-a-space-odyssey-as-prior-art-in-apples-ipad-lawsuit">Samsung uses 2001: A Space Odyssey as prior art in Apple&#8217;s iPad lawsuit [io9]</a> &#8211; &#8220;Did Apple invent the iPad? Or did Stanley Kubrick and Arthur C. Clarke? Samsung is using the above clip as a piece of evidence in its defense against Apple&#8217;s patent lawsuit over the Galaxy S and similar tablet computers. Samsung notes that &#8220;the tablet disclosed in the clip has an overall rectangular shape with a dominant display screen, narrow borders, a predominately flat front surface, a flat back surface (which is evident because the tablets are lying flat on the table&#8217;s surface), and a thin form factor.&#8221; You don&#8217;t actually see the actor interacting with the tablet&#8217;s user interface, but plenty of other science fiction movies and TV shows have depicted tablets, including Star Trek&#8217;s PADD.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=tk862BbjWx4">Copyright: Forever Less One Day &#8211; YouTube</a> &#8211; Concise, clear and well-argued video decrying the current length (and beneficiaries) of copyright law. <iframe src="http://www.youtube.com/embed/tk862BbjWx4" frameborder="0" width="560" height="345"></iframe></li>
<li><a href="http://www.marrowbones.com/commons/technosocial/2011/07/on_pseudonymity_privacy_and_re.html">On Pseudonymity, Privacy and Responsibility on Google+ [TechnoSocial]</a> &#8211; Superb post by Kee Hinckley looking at the many challenges and issues raised by the &#8216;nymwars&#8217; (Google+ forcing users to have &#8216;real names&#8217;, not pseudonyms).</li>
<li><a href="http://www.abc.net.au/news/2011-08-22/20110822-youth-and-sexting/2850406">Youth in the dark about sexting [ABC News (Australian Broadcasting Corporation)]</a> &#8211; &#8220;Australia&#8217;s leading cyber-safety expert has told a women and policing conference young people do not understand the consequences of sending sexually explicit images via mobile phones. [...] Susan McLean from Cyber Safety Solutions Victoria says many people under 18 do not realise taking and sending sexual images of themselves can be child pornography. [...] Ms McLean is calling for child pornography law reform to address the growing number of young people exchanging sexual photos. She says while some people under 18 send explicit pictures through coercion, others are just expressing themselves and child pornography laws are not designed for that. [...] &#8220;What I think we need to look at is the consensual sexting if you like, the image that might go from A to B and no further. Should these people be charged with manufacturing child pornography and should they risk being placed on the sex offenders register and of course the answer is no.&#8221;"</li>
<li><a href="http://torrentfreak.com/foxs-8-day-delay-on-hulu-triggers-piracy-surge-110822/">Fox’s 8-Day Delay on Hulu Triggers Piracy Surge [TorrentFreak]</a> &#8211; Despite having had streaming versions of man of their shows legally available online immediately after broadcast via Hulu and their own websites, Fox in the US have now added a 7-day delay to all streaming releases (ostensibly to drive viewers back to scheduled TV). And the result of increasing the tyranny of digital distance? More TV show piracy: &#8220;Over the last week TorrentFreak tracked two Fox shows on BitTorrent to see if there was an upturn in the number of downloads compared to the previous weeks, and the results are as expected. For both Gordon Ramsay’s Hell’s Kitchen and MasterChef the download numbers have surged. During the first 5 days, the number of downloads from the U.S. for the latest episode of Hell’s Kitchen increased by 114% compared to the previous 3 episodes. For MasterChef the upturn was even higher with 189% more downloads from the U.S. For MasterChef; the extra high demand may in part have been facilitated by the fact that it was the season finale.&#8221;</li>
<li><a href="http://www.couriermail.com.au/news/national/facebook-site-ruined-by-racists/story-e6freooo-1226119165795">Facebook tribute site for Ayen Chol ruined by racists [Courier Mail]</a> &#8211; &#8220;Vulgar photographs and racist posts have ruined a Facebook tribute site dedicated to the little girl mauled to death by a dog last week. The State Government and police will try to erase the posts. The two pages have 35,000 followers, several of whom have contacted Crimestoppers. Some vile comments and images already have been removed. But others remain on the sites dedicated to four-year-old Ayen Chol. One post on a page described the pit bull-cross linked to the girl&#8217;s death last Wednesday as a legend. [...] A Victoria Police spokeswoman said police would work with Facebook to try to have any offensive content removed. A Facebook spokeswoman said the site wanted to express its sympathies to Ayen&#8217;s family and friends.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/inquiry-ordered-as-law-lags-behind-teen-sexting-20110820-1j3x8.html">Inquiry ordered as law lags behind teen sexting [The Age]</a> &#8211; The Victorian government will launch an inquiry into sexting to investigate whether the law needs an overhaul [...] Victorian Attorney-General Robert Clark said sexting raised serious issues for victims and offenders and the law needed to catch up with changes in behaviour and technology [...] The inquiry is to report back by mid-next year. In America, some states have changed their laws to decriminalise the consensual exchange of sexts between teenagers. But forwarding the pictures to others without permission remains an offence. In the cases of youths who were registered as sex offenders after sexting offences, Mr Clark said: &#8221;The implications of the sex offender register are a key part of what we would expect the inquiry to look at. This seems to be an example of where the law can apply in a context which was not in mind at the time the law was enacted and which may well be having consequences that the community would not think were appropriate or intended.&#8221;&#8221;</li>
<li><a href="http://www.news.com.au/business/business-smarts/fair-work-upholds-sack-for-workers-facebook-diatribe-the-good-guys/story-e6frfm9r-1226117112087">Warning: Those Facebook rants can get you sacked [News.com.au]</a> &#8211; &#8220;Fair Work Australia has upheld the right of an employer to sack a worker over an expletive-filled Facebook rant against a manager that was posted out of hours on his home computer. In a case that highlights the hazy line between work and private lives, computer technician Damian O&#8217;Keefe was dismissed after posting on Facebook last year that he &#8220;wonders how the f *** work can be so f***ing useless and mess up my pay again. C***s are going down tomorrow.&#8221; Mr O&#8217;Keefe&#8217;s employer, a Townsville franchise of the retail electrical goods business, The Good Guys, believed the post constituted a threat to Kelly Taylor, an operations manager responsible for processing the pay of employees. [...] The tribunal&#8217;s deputy president, Deidre Swan, said &#8220;common sense would dictate&#8221; that a worker could not publish insulting and threatening comments about another employee. &#8220;The fact that the comments were made on the applicant&#8217;s home computer, out of work hours, does not make any difference,&#8221; she said.&#8221;</li>
<li><a href="http://www.guardian.co.uk/uk/2011/aug/16/uk-riots-four-years-disorder-facebook">England riots: pair jailed for four years for using Facebook to incite disorder [guardian.co.uk]</a> &#8211; &#8220;Two men have been jailed for four years for using Facebook to incite disorder. Jordan Blackshaw, 20, from Marston near Northwich, and Perry Sutcliffe-Keenan, 22, from Warrington, appeared at Chester crown court on Tuesday. They were arrested last week following incidents of violent disorder in London and other cities across the UK. Neither of their Facebook posts resulted in a riot-related event. During the sentencing, the recorder of Chester, Elgin Edwards, praised the swift actions of Cheshire police and said he hoped the sentences would act as a deterrent to others. Assistant Chief Constable Phil Thompson said: &#8220;If we cast our minds back just a few days to last week and recall the way in which technology was used to spread incitement and bring people together to commit acts of criminality, it is easy to understand the four year sentences that were handed down in court today.&#8221;</li>
<li><a href="http://www.bbc.co.uk/news/technology-14527103">Study finds third of teachers have been bullied online [BBC News]</a> &#8211; &#8220;More than a third of teachers have been subject to online abuse, according to a survey conducted by Plymouth University. The majority of the abuse &#8211; 72% &#8211; came via pupils but over a quarter was initiated by parents. The majority of teachers claiming online abuse were women. Much of the abuse is via chat on social networks but the study also found that many were setting up Facebook groups specifically to abuse teachers. In some cases, people posted videos of teachers in action on YouTube while others put abusive comments on ratemyteacher.com. In total, 35% of teachers questioned said they had been the victim of some form of online abuse. Of these, 60% were women.&#8221;</li>
</ul>

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		<item>
		<title>Digital Culture Links: August 15th 2011</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/1PpRp5caqQI/</link>
		<comments>http://www.tamaleaver.net/2011/08/15/digital-culture-links-august-15th-2011/#comments</comments>
		<pubDate>Mon, 15 Aug 2011 14:02:36 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2690</guid>
		<description><![CDATA[Links for August 13th 2011 through August 15th 2011: Google looks to &#8216;supercharge&#8217; Android with Motorola Mobility [guardian.co.uk] &#8211; Wow, Google take their ball and head straight onto Apple&#8217;s turf (and Microsoft&#8217;s by way of Nokia): &#8220;Google is to acquire &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/15/digital-culture-links-august-15th-2011/">Read more &#187;</a></p>]]></description>
			<content:encoded><![CDATA[<abbr class="unapi-id" title="http://www.tamaleaver.net/?p=2690"><!-- &nbsp; --></abbr>

<p>Links for August 13th 2011 through August 15th 2011:</p>
<ul>
<li><a href="http://www.guardian.co.uk/technology/2011/aug/15/google-buys-motorola-mobility">Google looks to &#8216;supercharge&#8217; Android with Motorola Mobility [guardian.co.uk]</a> &#8211; Wow, Google take their ball and head straight onto Apple&#8217;s turf (and Microsoft&#8217;s by way of Nokia): &#8220;Google is to acquire Motorola Mobility, the US mobile company&#8217;s smartphone business, in a $12.5bn (£7.6bn) cash deal. The takeover will boost Google&#8217;s increasing dominance in the nascent smartphone and tablet computer market. The $40 a share deal is a 63% premium on Motorola Mobility&#8217;s closing price on the New York Stock Exchange on Friday. Larry Page, Google chief executive, said: &#8220;Motorola Mobility&#8217;s total commitment to Android has created a natural fit for our two companies. Together, we will create amazing user experiences that supercharge the entire Android ecosystem for the benefit of consumers, partners and developers. I look forward to welcoming Motorolans to our family of Googlers.&#8221;"</li>
<li><a href="http://www.abc.net.au/news/2011-08-13/company-paid-by-schools-to-monitor-cyber-bullying/2837810">Schools employ company to monitor students online [ABC News (Australian Broadcasting Corporation)]</a> &#8211; Inevitable, but deeply troubling: &#8220;Independent schools are using private companies to monitor what their students say and do online on sites such as Facebook. An internet monitoring company, SR7, says it is been employed by some private high schools around Australia to keep track of students&#8217; social media activity. Privacy advocates have expressed concerns, but the &#8220;social media intelligence&#8221; company says its work will help prevent cyber bullying. S7R partner James Griffin says the company identifies and &#8220;attempts to stop&#8221; cyber bullying that is increasingly occurring on Facebook and another social media platform, Formspring. Mr Griffin says the increasing number of fake profiles is &#8220;striking&#8221;.&#8221;</li>
<li><a href="http://socialmediacollective.org/2011/08/11/if-you-dont-like-it-dont-use-it-its-that-simple-orly/">“If you don’t like it, don’t use it. It’s that simple.” ORLY? [Social Media Collective]</a> &#8211; Great post by Alice Marwick looking at the problems with the idea that you can simply stop using social media and other technologies due to issues or challenges they pose. Refuting (easy) opting out, or technology refusal, is important is showing how much people actually have to give up if they do opt out, and why it&#8217;s a decision many people can&#8217;t (or won&#8217;t) readily make.</li>
<li><a href="http://www.smh.com.au/technology/technology-news/sexting-punishment-is-unjust-says-magistrate-20110813-1isa0.html">Sexting punishment is unjust says magistrate [SMH]</a> &#8211; &#8220;A senior Victorian magistrate who presided over a case in which a youth pleaded guilty to teenage sexting offences has condemned as &#8221;so unjust&#8221; the mandatory laws that meant the young man was registered as a sex offender. The magistrate, who works in country Victoria, said the lack of judicial discretion in such cases meant severe consequences for young people who posed no threat to society and were often guilty of little more than naivety. The magistrate, who spoke on condition of anonymity, said he had made the unusual decision to speak out because he was troubled by cases recently identified by Fairfax. He presided over the case of the country youth, then aged 18, who was sent four uninvited text message pictures of girls, aged between 15 and 17 years, topless or in their underwear. Police found the pictures on his mobile phone and laptop and charged him with child pornography offences.&#8221;</li>
<li><a href="http://theconversation.edu.au/dont-shoot-the-instant-messenger-david-camerons-social-media-shutdown-plan-wont-stop-uk-riots-2854">Don&#8217;t shoot the instant messenger: David Cameron&#8217;s social media shutdown plan won&#8217;t stop UK riots [The Conversation]</a> &#8211; Axel Bruns refutes the logic of social media control or blocking in times of crisis (regarding the UK riots): &#8220;David Cameron’s thought bubble (let’s be charitable and call it that) in the UK parliament on Thursday, in which he said it might be a good idea to shut down social networking services if there were to be a repeat of the riots that have rocked Britain, is one such moment. It is, to be blunt, just staggeringly dumb. Where do we even begin? Consider, for example, the fact that Cameron, along with just about all the other leaders of the Western world – you know, we who claim to believe in freedom of expression – lauded the role of social media in the “Arab spring” uprisings in Tunisia, Libya, Egypt, Yemen and elsewhere. But now he wants to shut Twitter and Facebook down, just because someone, somewhere might use them to plan criminal activities? You must be joking. By the same reasoning, why not take out the entire Internet and phone network as well?&#8221;</li>
<li><a href="http://www.theglobeandmail.com/news/technology/panicked-over-social-media-mr-cameron-joins-company-of-autocrats/article2127400/">Panicked over social media, Mr. Cameron joins company of autocrats [The Globe and Mail]</a> &#8211; &#8220;Eight months ago, as Egyptians flooded the streets of Cairo in protest, the government tried to stem the tide by cutting off access to Twitter and Facebook – social networks that had been so associated with democratic uprisings that labels such as “the Twitter Revolution” were being bandied about. On Wednesday, British Prime Minister David Cameron addressed the rioting that swept his country and declared that he was looking into blocking unspecified troublemakers’ access to Twitter and another network, BlackBerry Messenger. With the speed of a looter on the make, social networks have gone from heroes of the Arab Spring to the newly-anointed villains of the British riots. One day, implement of utopia; the next, yob’s best friend. Throwing his digital lot in with Hosni Mubarak is hardly a flattering comparison for Mr. Cameron. But his choice of target reflects a very real public unease with the way social networks seem to inspire people to action.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/london-riot-social-media-blocks-totalitarian-20110812-1iq0o.html#poll">London riot social media blocks &#8216;totalitarian&#8217; [The Age]</a> &#8211; &#8220;Social media and legal experts have ridiculed a proposal by British Prime Minister David Cameron to restrict the use of services like Facebook, Twitter and BlackBerry Messenger to prevent riots. The services were used by rioters to organise looting and vandalism across London and beyond, prompting Cameron to demand the companies take more responsibility for content posted on their networks. Home secretary Theresa May is due to hold meetings with Facebook, Twitter and BlackBerry-maker Research in Motion this week. But social media experts and free speech campaigners have rejected the idea, saying it is an impractical knee-jerk response that is akin to moves by Arab rulers to block online communications during this year&#8217;s pro-democracy uprisings.&#8221;</li>
</ul>

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		<title>Digital Culture Links: August 10th 2011</title>
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		<pubDate>Wed, 10 Aug 2011 07:54:57 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2679</guid>
		<description><![CDATA[Links for August 6th 2011 through August 10th 2011: Gamification is Bullshit [Ian Bogost] &#8211; Bogost gets straight to the point: &#8220;In his short treatise On Bullshit, the moral philosopher Harry Frankfurt gives us a useful theory of bullshit. We &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/10/digital-culture-links-august-10th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for August 6th 2011 through August 10th 2011:</p>
<ul>
<li><a href="http://www.bogost.com/blog/gamification_is_bullshit.shtml">Gamification is Bullshit [Ian Bogost]</a> &#8211; Bogost gets straight to the point: &#8220;In his short treatise On Bullshit, the moral philosopher Harry Frankfurt gives us a useful theory of bullshit. We normally think of bullshit as a synonym—albeit a somewhat vulgar one—for lies or deceit. But Frankfurt argues that bullshit has nothing to do with truth. Rather, bullshit is used to conceal, to impress or to coerce. Unlike liars, bullshitters have no use for the truth. All that matters to them is hiding their ignorance or bringing about their own benefit. Gamification is bullshit. I&#8217;m not being flip or glib or provocative. I&#8217;m speaking philosophically. More specifically, gamification is marketing bullshit, invented by consultants as a means to capture the wild, coveted beast that is videogames and to domesticate it for use in the grey, hopeless wasteland of big business, where bullshit already reigns anyway.&#8221;</li>
<li><a href="http://bits.blogs.nytimes.com/2011/08/09/london-police-use-flickr-to-identify-looters/?partner=rss&amp;emc=rss">London Police Use Flickr to Identify Looters [NYTimes.com]</a> &#8211; &#8220;As rioting continues to roil the streets of London, local police forces are turning to the Web to help unmask those involved in the torching and looting. On Tuesday, the Metropolitan Police of London <a href="http://www.flickr.com/photos/metropolitanpolice/sets/72157627267892973/">posted a set of photos on Flickr</a> showing people they believed to be participants in the riots. Right now the images are primarily from the Croydon and West Norwood neighborhoods in south London, although the site says that more will be posted soon. With the initiative, called Operation Withern, the police are asking the public to identify anyone they recognize from photographs captured by CCTV surveillance cameras in areas where stores were looted. They say on the Flickr page that they hope to “bring to justice those who have committed violent and criminal acts.”&#8221;</li>
<li><a href="http://people.oii.ox.ac.uk/hogan/2011/08/real-name-sites-are-necessarily-inadequate-for-free-speech/">Real name sites are necessarily inadequate for free speech [Bernie Hogan]</a> &#8211; Important take on real names: &#8220;Offline people say things appropriate to the group they are in. That doesn’t mean they are two-faced, insincere or liars. It means people are context aware. People observe walls, clocks, furniture, fashion and music. These things guide us as to the appropriate way of acting. The guy writing his novel at the bar on Friday night is out-of-place. The guy who shows up to work drunk on Monday morning has a problem. Offline people don’t have to worry about their real name, because their behavior is tied to the context and the impressions the foster in that context. In fact, I’ll say that even more strongly – if your speech is not confined to the context you are in – but available to a potentially unknowable audience – you are online. This is why real name sites are necessarily inadequate. They deny individuals the right to be context-specific. They turn the performance of impression management into the process of curation.&#8221;</li>
<li><a href="http://eu.techcrunch.com/2011/08/08/how-blackberry-not-twitter-fuelled-the-fire-under-londons-riots/">How Blackberry, not Twitter, fuelled the fire under London’s riots [Tech Crunch]</a> &#8211; All &#8216;social media caused it&#8217; reports are exaggerated, but it is noteworthy that Blackberries are popular for communication in this context specificially because they are encrupted and not open: &#8220;Over the weekend parts of London descended into chaos as riots and looting spread after a protest organised around the yet unexplained shooting of a man by Police. Of course, there was huge amounts of chatter on social networks like Facebook and Twitter, with the latter coming under enormous amounts of criticism from the UK press for fuelling the fire. But while Twitter has largely been the venue of spectators to violence and is a handy public venue for journalists to observe, it would appear the non-public BlackBerry BBM messaging network has been the method of choice for organising it.&#8221;</li>
<li><a href="http://mashable.com/2011/08/05/facebook-face-recognizion-irl/">Facebook&#8217;s Photo Archive Can Be Used for Face Recognition in Real Life</a> &#8211; &#8220;Facebook has had its share of problems over face recognition — a feature that connects a photo of a person’s face with their Facebook profile, making it easier to tag people in photos — but researchers from Heinz College, Carnegie Mellon University recently proved that Facebook’s vast photo archive can be used to identify people on the street, too. [...] They used publicly available data — photos from Facebook profiles of students — and then used face recognition technology to recognize these students as they look into a web camera. The results? Using a database of 25,000 photos taken from Facebook profiles, the authors’ face recognition software correctly identified 31 percent of the students after fewer than three (on average) quick comparisons. In another test, the authors took photos from 277,978 Facebook profiles and compared them to nearly 6,000 profiles from an unnamed dating Web site, managing to identify approximately 10 percent of the site’s members.&#8221;</li>
</ul>

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		<title>Digital Culture Links: August 5th 2011</title>
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		<pubDate>Fri, 05 Aug 2011 06:09:39 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2662</guid>
		<description><![CDATA[Links for July 27th 2011 through August 5th 2011: The freedom to be who you want to be… [Google Public Policy Blog] &#8211; A February 2011 post from the Google Public Policy blog, which included this: &#8220;Pseudonymous. Using a pseudonym &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/05/digital-culture-links-august-5th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for July 27th 2011 through August 5th 2011:</p>
<ul>
<li><a href="http://googlepublicpolicy.blogspot.com/2011/02/freedom-to-be-who-you-want-to-be.html">The freedom to be who you want to be… [Google Public Policy Blog]</a> &#8211; A February 2011 post from the Google Public Policy blog, which included this: &#8220;Pseudonymous. Using a pseudonym has been one of the great benefits of the Internet, because it has enabled people to express themselves freely—they may be in physical danger, looking for help, or have a condition they don’t want people to know about. People in these circumstances may need a consistent identity, but one that is not linked to their offline self. You can use pseudonyms to upload videos in YouTube or post to Blogger.&#8221; In light of the real names policy on Google Plus, I wonder if Google is getting so big that the left hand is writing policies while the right hand thinks about things?</li>
<li><a href="http://www.zephoria.org/thoughts/archives/2011/08/04/real-names.html">“Real Names” Policies Are an Abuse of Power [danah boyd | apophenia]</a> &#8211; Some important thoughts about the increasing in &#8216;real names&#8217; policies, especially on Google Plus. From an historical point of view, boyd makes the important distinction between Facebook&#8217;s evolution (starting in a closed , trusted community where real-names are the norm) and GooglePlus, which has most directly courted the geek/coder/developer communities which have a much stronger tradition of handles, avatars and other non-real (where real = legal) names. And, as most people have pointed out, the disempowered, disenfranchised and non-elite members of society are often those who have the best (and convincing) need to use names other than their legal ones.</li>
<li><a href="http://www.theage.com.au/technology/technology-news/evil-fiction-teacher-a-target-of-fake-facebook-profile-20110805-1iefm.html">Evil fiction: teacher a target of fake Facebook profile [the Age]</a> &#8211; &#8220;Police are hunting the creator of a fake Facebook profile that was used to impersonate a Sydney primary school teacher and frame him as a paedophile by targeting kids at his school. The teacher, who cannot be named, is a long-time campaigner against racism online and with others he runs a blog that names and shames racists by publishing their hate-filled Facebook postings. In a phone interview, he said he believed this is why he was targeted. He said he and his family had been harassed over the phone, received death threats and had threatening notes left in his mail box after his personal details &#8211; including his address, phone number, photos and work details &#8211; were posted on a white supremacist website. &#8220;This Facebook profile opened up a couple of days ago with a picture of me and a friend with shirts off holding a beer &#8230; they were writing things on the wall such as &#8216;i&#8217;m gay and I like little boys&#8217; and all sorts of things like that,&#8221; the teacher said in a phone interview.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/pda/2011/aug/04/google-plus-pseudonym-wars">Google+ pseudonym wars escalate – is it the new being &#8216;banned from the ranch&#8217;? [guardian.co.uk]</a> &#8211; &#8220;Google is handling the issue of monikers rather badly when it comes to Google+. The list of blocked users is what is now being referred to as the NymWars extends to some fairly influential users. [...] Blocked users are told: &#8220;After reviewing your profile, we determined that the name you provided violates our Community Standards.&#8221; Standards that are being used to ensure that everyone using Google+ is signed up using their real name. It doesn&#8217;t take much imagination to work up a few conspiracy theories about why Google should be so insistent on a real-name policy, alongside some more rational, soft-policy theories on encouraging a more, mature constructive level of engagement that reflects how we best communicate in the real world – ie, when we know who we&#8217;re talking to. But online identity is more nuanced than that. Though the roots of pseudonyms may have been in the murky, early web days when users may have felt safer protecting their identity when exploring this new world &#8230;&#8221;</li>
<li><a href="http://blog.flickr.net/en/2011/08/04/6000000000/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+Flickrblog+%28FlickrBlog%29&amp;utm_content=Google+Reader">6,000,000,000[ Flickr Blog]</a> &#8211; Flickr reaches 6 billion photos in size, increasingly roughly 20% the number of uploads per year. This is a lot of photos, but a good, official (instagram-like) Flickr mobile app would probably mean this number would be much higher.</li>
<li><a href="http://www.theage.com.au/technology/technology-news/facebooks-new-expected-child-tag-sparks-outcry-20110804-1icwd.html">Facebook&#8217;s new &#8216;Expected: Child&#8217; tag sparks outcry [The Age]</a> &#8211; &#8220;Facebook just made it easier to tell all your friends and acquaintances about your new pregnancy in one fell swoop. The social networking site recently added &#8220;Expected: Child&#8221; to its list of friends and family tags. The company also allows you to write in your due date and has optional space for the soon-to-be little one&#8217;s name. [...] When I heard the news I put in a call to a friend who is 10 weeks pregnant to see if she would consider adding an &#8220;Expected: Child&#8221; on her Facebook account. The answer? A big fat no. &#8220;I&#8217;m so curious to see who would even do that,&#8221; she said. She identified three main problems with this new designation.<br />
1. It might hurt her friends&#8217; feelings to hear about her pregnancy over Facebook rather than in person.<br />
2. The issues around having a miscarriage.<br />
3. For people who have had trouble conceiving, Facebook was already a minefield of pregnancy announcements and new baby photos.&#8221;</li>
<li><a href="http://news.cnet.com/8301-1023_3-20083912-93/fox-network-to-limit-web-access-to-its-shows/?part=rss&amp;subj=news&amp;tag=2547-1_3-0-20&amp;dlvrit=142337">Fox Network to limit Web access to its shows [CNET News]</a> &#8211; Fox in the US increases the tyranny of digital distance and provides massive incentives for unauthorised downloading of TV shows: &#8220;Fox Network announced late today that it will begin delaying Web access to many of its popular TV shows to give cable and satellite TV providers greater exclusivity with programming, essentially putting up a de facto pay wall around its content. Beginning August 15, only those people who subscribe to a participating video distributor will be able to view TV shows on an Internet portal the day after shows air on the network, the company said in a press release. All other viewers who are used to seeing episodes of &#8220;The Simpsons,&#8221; &#8220;Bones,&#8221; and &#8220;Glee&#8221; for free the next day on sites such as Hulu or Fox.com will now have to wait eight days to catch their shows.&#8221;</li>
<li><a href="http://www.guardian.co.uk/technology/appsblog/2011/jul/28/bbc-iplayer-global-ipad-launch">BBC iPlayer goes global with iPad app launch in 11 countries [guardian.co.uk]</a> &#8211; &#8220;BBC Worldwide is launching its global iPlayer service today, via an iPad app that will be made available in 11 countries in Western Europe. The US, Canada and Australia will follow later this year, as part of what is intended to be a one-year pilot. The service will offer a limited amount of content for free, supported by pre-roll ads and sponsorship, but its core business model is subscription, with users paying €6.99 a month or €49.99 a year. The 11 launch countries are Austria, Belgium, France, Germany, Italy, Luxembourg, The Republic of Ireland, The Netherlands, Portugal, Spain and Switzerland. The global iPlayer app includes some features that are not in the UK version, including the ability to stream shows over 3G as well as Wi-Fi, and a downloading feature to store programmes on the iPad for offline viewing. &#8220;We think we have a load of unmet demand for BBC and British content internationally,&#8221; said BBC.com managing director Luke Bradley-Jones in an interview with Apps Blog.&#8221;</li>
<li><a href="http://piracy.ssrc.org/the-report/">Media Piracy in Emerging Economies | A Report by the Social Science Research Council</a> &#8211; &#8220;Media Piracy in Emerging Economies is the first independent, large-scale study of music, film and software piracy in emerging economies, with a focus on Brazil, India, Russia, South Africa, Mexico and Bolivia. Based on three years of work by some thirty-five researchers, Media Piracy in Emerging Economies tells two overarching stories: one tracing the explosive growth of piracy as digital technologies became cheap and ubiquitous around the world, and another following the growth of industry lobbies that have reshaped laws and law enforcement around copyright protection. The report argues that these efforts have largely failed, and that the problem of piracy is better conceived as a failure of affordable access to media in legal markets.&#8221; [<a href="http://piracy.ssrc.org/wp-content/uploads/2011/06/MPEE-PDF-1.0.4.pdf">PDF</a>]</li>
</ul>

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		<item>
		<title>The Centre for PostNatural History</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/sul3nO-fLH4/</link>
		<comments>http://www.tamaleaver.net/2011/08/04/the-centre-for-postnatural-history/#comments</comments>
		<pubDate>Thu, 04 Aug 2011 02:55:47 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[Artificial Culture]]></category>
		<category><![CDATA[postnatural]]></category>

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		<description><![CDATA[I find the Centre for PostNatural History equal parts fascinating and provocative: The Center for PostNatural History: An Introduction from Rich Pell on Vimeo. Their mission: “dedicated to the advancement of knowledge relating to the complex interplay between culture, nature &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/08/04/the-centre-for-postnatural-history/">Read more &#187;</a></p>]]></description>
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<p>I find the <a href="http://www.postnatural.org/">Centre for PostNatural History</a> equal parts fascinating and provocative:</p>
<p> <iframe height="309" src="http://player.vimeo.com/video/22484891?title=0&amp;byline=0&amp;portrait=0" frameborder="0" width="549"></iframe>
<p><a href="http://vimeo.com/22484891">The Center for PostNatural History: An Introduction</a> from <a href="http://vimeo.com/madcap">Rich Pell</a> on <a href="http://vimeo.com">Vimeo</a>.</p>
<p>Their <a href="http://www.postnatural.org/about.html">mission</a>: “dedicated to the advancement of knowledge relating to the complex interplay between culture, nature and biotechnology. The ‘postnatural’&#160; refers to living organisms that have been altered through processes such as selective breeding or&#160; genetic engineering to meet human desires. The mission of the Center for PostNatural History is to acquire, interpret and provide access to a collection of living, preserved and documented organisms of postnatural origin.”</p>
<p>The ‘postnatural’ isn’t a new term, but I love the idea of this as the theme for a museum; it destabilises the sense of natural history so often associated with museums, and really throws the interweaving of technology and nature into focus. Having just finished a marathon writing effort on my book, I can see many significant connections between the postnatural and what my work on <a href="http://www.routledge.com/books/details/9780415899161/">Artificial Culture</a> tries to do in terms of popular culture. More on that in a later post.</p>
<p>For more information on the postnatural, there’s a <a href="http://www.we-make-money-not-art.com/archives/2011/04/richard-pell-director-of-the-c.php">good interview with the Centre’s director Richard Pell</a> over at Make Money, Not Art.</p>

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		<item>
		<title>Old Spice Guy … versus Fabio?!?</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/rSBotK6b004/</link>
		<comments>http://www.tamaleaver.net/2011/07/27/old-spice-guy-versus-fabio/#comments</comments>
		<pubDate>Wed, 27 Jul 2011 05:53:58 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[advertising]]></category>
		<category><![CDATA[convergence]]></category>
		<category><![CDATA[humour]]></category>
		<category><![CDATA[participatory culture]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[web2.0]]></category>
		<category><![CDATA[youtube]]></category>
		<category><![CDATA[Fabio]]></category>
		<category><![CDATA[Isaiah Mustafa]]></category>
		<category><![CDATA[masculinity]]></category>
		<category><![CDATA[Old Spice]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2660</guid>
		<description><![CDATA[It has been just over a year since Isaiah Mustafa’s Old Spice Man character moved from traditional advertising spaces and conquered the internet with the fantastic rolling campaign of YouTube ‘reply’ videos. I am a huge fan of that 2010 &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/07/27/old-spice-guy-versus-fabio/">Read more &#187;</a></p>]]></description>
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<p><img style="background-image: none; border-right-width: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="Mustafa_Fabio" border="0" alt="Mustafa_Fabio" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/Mustafa_Fabio.jpg" width="404" height="238" /></p>
<p>It has been just over a year since Isaiah Mustafa’s Old Spice Man character moved from traditional advertising spaces and <a href="http://www.tamaleaver.net/2010/07/14/old-spice-2-0/">conquered the internet</a> <a href="http://www.tamaleaver.net/2010/07/15/old-spice-2-0-day-2/">with the fantastic rolling campaign of YouTube ‘reply’ videos</a>. I am a huge fan of that 2010 campaign and think it’s still one of the best examples of a dusty brand embracing participatory culture completely and reaping the rewards. This week, the next iteration in that social media campaign has kicked off, with cultural manhood cliché Fabio <a href="http://youtu.be/H73O8zaHmAo">attempting to wrestle away Mustafa’s Old Spice man crown</a>. Mustafa <a href="http://youtu.be/ykCExCla1tE">accepted the challenge</a> and now <a href="http://www.youtube.com/oldspice">a ‘battle’ rages ‘Live at Internet Stadium’</a> with the two both replying to challenges and comments from participants online.</p>
<p>Commentators have already jumped on this as an example of advertising embracing transmedia storytelling in what seems a quite meaningful way. For example, <a href="http://hypervocal.com/entertainment/2011/get-ready-for-old-spices-mano-a-mano-in-el-bano-throwdown/">Hypervocal comments</a>:</p>
<blockquote><p>We don’t know how this will all play out today, but the Old Spice Guy campaign has now transcended mere advertising into the realm of long form digital storytelling. It’s fairly incredible what <a href="http://www.oldspice.com/">Old Spice</a> and <a href="http://www.wk.com/">W+K</a> have established. We’re seeing a full-on social media duel unfold across Twitter and YouTube that doubles as a quasi-advertising campaign (except that nobody cares about the Old Spice connection, they care about the characters and story) — people are being called out directly on both platforms, dates and times for the duel were announced, and tweets and videos will surely be published in a real-time, but coordinated, environment later today.</p>
</blockquote>
<p>I agree that this has transcended traditional advertising, but in doing so it asks to be judged in terms of storytelling, not just advertising. Now perhaps I’m not the right person to ‘get’ this duel; I’ve never found Fabio a convincing character and just don’t find him funny. (Nor it seems does the internet; <a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/Fabio_Challenge.jpg">his challenge has more ‘dislikes’ than likes</a>, but Mustafa’s reply is <a href="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/Mustafa_Challenge.jpg">almost entirely ‘liked’</a>.) However, for me, as a narrative experience, the Old Spice campaign has <a href="http://en.wikipedia.org/wiki/Jumping_the_shark">jumped the shark</a>. The ‘duel’ doesn’t appear to be over yet, and perhaps I’ll be won over, but for now both the manly men vying for the Old Spice crown seem burdened by their roles, not excited by it. Fabio is a weary icon at best, and Mustafa’s lines just aren’t as funny as last year.</p>
<p><img style="background-image: none; border-right-width: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="Live_at_Internet_Stadium" border="0" alt="Live_at_Internet_Stadium" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/Live_at_Internet_Stadium.jpg" width="404" height="228" /></p>
<p><a href="http://www.youtube.com/oldspice"><img style="background-image: none; border-right-width: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="Mano_A_Mano_in_El_Bano" border="0" alt="Mano_A_Mano_in_El_Bano" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/Mano_A_Mano_in_El_Bano.jpg" width="404" height="229" /></a></p>
<p><strong>Update:</strong> Surprising no one, the Old Spice guy (Mustafa) won the ‘duel’, but the pathway there, through numerous odd videos, was a bizarre one, even by internet standards. Just watch the final showdown video to see odd things really got:</p>
<p><iframe height="349" src="http://www.youtube.com/embed/HUvBTb-0lH8" frameborder="0" width="560"></iframe></p>
<p><img style="background-image: none; border-right-width: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top-width: 0px; border-bottom-width: 0px; border-left-width: 0px; padding-top: 0px" title="OldSpice_Fabio_Winner" border="0" alt="OldSpice_Fabio_Winner" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/OldSpice_Fabio_Winner_thumb.jpg" width="404" height="229" /></p>
<p>Update 2: YouTube have <a href="http://youtube-trends.blogspot.com/2011/08/old-spice-guy-vs-fabio-draws-millions.html">run the numbers</a>, and the Old Spice Guy versus Fabio videos (over 100 of them) clocked up <strong>22 million views in a week</strong>, with the viewing peaking with just over 5 million views in a single day.</p>
<p><a href="http://youtube-trends.blogspot.com/2011/08/old-spice-guy-vs-fabio-draws-millions.html"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="OldSpice_Graph" border="0" alt="OldSpice_Graph" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/08/OldSpice_Graph.jpg" width="554" height="204" /></a></p>

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		<title>Digital Culture Links: July 26th 2011</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/ptx_g3_Jpmw/</link>
		<comments>http://www.tamaleaver.net/2011/07/26/digital-culture-links-july-26th-2011/#comments</comments>
		<pubDate>Tue, 26 Jul 2011 08:53:25 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[apple]]></category>
		<category><![CDATA[convergence]]></category>
		<category><![CDATA[del.icio.us links]]></category>
		<category><![CDATA[facebook]]></category>
		<category><![CDATA[Google]]></category>
		<category><![CDATA[social media]]></category>
		<category><![CDATA[amazon]]></category>
		<category><![CDATA[angrybirds]]></category>
		<category><![CDATA[anonymity]]></category>
		<category><![CDATA[cheating]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2644</guid>
		<description><![CDATA[Links for July 21st 2011 through July 26th 2011: Bradley Horowitz &#8211; Google+ &#8211; Google addresses a number of the concerns arising from the &#8216;real names&#8217; policy in Google+. Not all the issues are resolved by a long shot, but &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/07/26/digital-culture-links-july-26th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for July 21st 2011 through July 26th 2011:</p>
<ul>
<li><a href="https://plus.google.com/113116318008017777871/posts/VJoZMS8zVqU">Bradley Horowitz &#8211; Google+</a> &#8211; Google addresses a number of the concerns arising from the &#8216;real names&#8217; policy in Google+. Not all the issues are resolved by a long shot, but Google+ is in trial mode and many solutions seems forthcoming. Also: &#8220;MYTH: Not abiding by the Google+ common name policy can lead to wholesale suspension of one’s entire Google account. When an account is suspended for violating the Google+ common name standards, access to Gmail or other products that don’t require a Google+ profile are not removed. Please help get the word out: if your Google+ Profile is suspended for not using a common name, you won&#8217;t be able to use Google services that require a Google+ Profile, but you&#8217;ll still be able to use Gmail, Docs, Calendar, Blogger, and so on. (Of course there are other Google-wide policies (e.g. egregious spamming, illegal activity, etc) that do apply to all Google products, and violations of these policies could in fact lead to a Google-wide suspension.)&#8221;</li>
<li><a href="http://techcrunch.com/2011/07/25/ipad-books-hobbled/">iPad Book Apps Hobbled: Only Existing Account-Holders Can Use The Apps, Google Books Booted [TechCrunch]</a> &#8211; Apple takes 30%, or your app dies: &#8220;At the beginning of the year, Apple said it wanted 30% of everything sold through the iPad platform. You could sell almost anything – books, downloadable content, magazines, pictures of kittens – but, according to their subscription rules, everything had to go through Apple itself and you could not, in short, go out to a web page to complete the transaction. That promise – to shut down external web stores on the iPad – has been fulfilled and the Nook, Kindle, Kobo, and Google Books apps have just been either drastically changed or removed from the App Store entirely. Nook, Kindle, and Kobo now have no access to the web-based bookstore and you can no longer create accounts in the app.&#8221;</li>
<li><a href="http://www.news.com.au/technology/angry-birds-boss-peter-vesterbacka-puffs-his-chest-at-tech-conference-its-not-rocket-science/story-e6frfro0-1226101317054">Not rocket science &#8211; Angry Birds boss puffs his chest at Fortune tech conference [News.com.au]</a> &#8211; Convergence in action: &#8220;Peter Vesterbacka, the chief marketing officer of Angry Birds creator Rovio, outlined the company&#8217;s ambitions last week at the Fortune Brainstorm Tech conference at a Colorado ski resort. &#8230; downloads of the addictive Angry Birds game had hit 300 million. Angry Birds involves catapulting cartoonish birds into fortresses built by egg-stealing green pigs but Mr Vesterbacka said Rovio was &#8220;not a games company&#8221;. &#8220;What we are building is a next generation entertainment franchise,&#8221; he said. &#8220;I think we&#8217;re the fastest growing consumer franchise ever.&#8221; Mr Vesterbacka said Rovio had acquired an animation studio and started producing two-minute animated Angry Birds shorts, and a full-length movie was two or three years away. &#8220;We&#8217;re working on new Angry Birds experiences,&#8221; he said. &#8220;We&#8217;ll expose a bit more of the Angry Birds story.&#8221; The Rovio executive said the company&#8217;s next project was its first book. &#8220;It&#8217;s the Angry Birds cookbook,&#8221; he said.&#8221;</li>
<li><a href="http://membracid.wordpress.com/2011/07/24/why-google-hates-women/">Does Google+ hate women? [Bug Girl’s Blog]</a> &#8211; As Google&#8217;s new social network Google+ matches Facebook in demanding that users only use their real (legal) names, a host of issues emerge for people who have good and legitimate reasons to use anonymity or pseudonymity online (including those who wish to address hate, abuse and other crimes without explicitly naming names or having that cemented to their online selves). <del>Importantly, too, as Google+ is linked to Google in general, declaring a real name (or your age) on Google+ can end up forfitting other Google services, such as GMail, which can be a much larger issue.</del></li>
<li><a href="http://chronicle.com/blogs/wiredcampus/nyu-prof-vows-never-to-probe-cheating-again%E2%80%94and-faces-a-backlash/32351?sid=wc&amp;utm_source=wc&amp;utm_medium=en">NYU Prof Vows Never to Probe Cheating Again—and Faces a Backlash [The Chronicle of Higher Education]</a> &#8211; &#8220;A New York University professor’s blog post is opening a rare public window on the painful classroom consequences of using plagiarism-detection software to aggressively police cheating students. And the post, by Panagiotis Ipeirotis, raises questions about whether the incentives in higher education are set up to reward such vigilance. But after the candid personal tale went viral online this week, drawing hundreds of thousands of readers, the professor took it down on NYU’s advice. As Mr. Ipeirotis understands it, a faculty member from another university sent NYU a cease-and-desist letter saying his blog post violated a federal law protecting students’ privacy.&#8221;</li>
<li><a href="http://www.nytimes.com/2011/07/21/technology/social-media-history-becomes-a-new-job-hurdle.html?_r=1&amp;pagewanted=all">Start-Up Handles Social Media Background Checks [NYTimes.com]</a> &#8211; &#8220;Companies have long used criminal background checks, credit reports and even searches on Google and LinkedIn to probe the previous lives of prospective employees. Now, some companies are requiring job candidates to also pass a social media background check. A year-old start-up, Social Intelligence, scrapes the Internet for everything prospective employees may have said or done online in the past seven years. Then it assembles a dossier with examples of professional honors and charitable work, along with negative information that meets specific criteria: online evidence of racist remarks; references to drugs; sexually explicit photos, text messages or videos; flagrant displays of weapons or bombs and clearly identifiable violent activity. “We are not detectives,” said Max Drucker, chief executive of the company, which is based in Santa Barbara, Calif. “All we assemble is what is publicly available on the Internet today.”&#8221;</li>
</ul>

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		<item>
		<title>Digital Culture Links: July 21st 2011</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/sR06TjDR-fI/</link>
		<comments>http://www.tamaleaver.net/2011/07/21/digital-culture-links-july-21st-2011/#comments</comments>
		<pubDate>Thu, 21 Jul 2011 08:05:49 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[australia]]></category>
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		<category><![CDATA[Google]]></category>
		<category><![CDATA[politics]]></category>
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		<category><![CDATA[performance]]></category>
		<category><![CDATA[pottermore]]></category>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2631</guid>
		<description><![CDATA[Links for July 13th 2011 through July 21st 2011: Google Scholar Citations [Google Scholar Blog] &#8211; Google launches (in very limited release) Google Scholar Citations, their own citation statistics for scholarly articles and books. Google Scholar has appeared to be &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/07/21/digital-culture-links-july-21st-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for July 13th 2011 through July 21st 2011:</p>
<ul>
<li><a href="http://googlescholar.blogspot.com/2011/07/google-scholar-citations.html">Google Scholar Citations [Google Scholar Blog]</a> &#8211; Google launches (in very limited release) Google Scholar Citations, their own citation statistics for scholarly articles and books. Google Scholar has appeared to be one of Google&#8217;s least loved and least developed projects, so I&#8217;m glad to see it&#8217;s getting some TLC. That said, citation metrics are funny things and tend to be used in far more ways than intended, especially in evaluating &#8216;academic performance&#8217;. What sets these metrics apart from others is that thanks to Google Books, many citations from books and of books are in here too (many citation metrics are articles only). Which leaves me with one big question for now: <em>carrot (what Google can do for struggling scholars out to prove their worth) or stick (is your data in Google Books, and if not, why aren&#8217;t you hassling your publisher to get included and thus get better metrics?)?</em></li>
<li><a href="http://booksearch.blogspot.com/2011/07/pottermore-and-google-team-up-to-enable.html?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+blogspot%2FCjSP+%28Book+Search%3A+Inside+Google+Book+Search%29&amp;utm_content=Google+Reader">Pottermore and Google team up to enable Harry Potter ebooks push to Google Books libraries [Inside Google Books]</a> &#8211; Google Potter &#8211; definitely a win for Google: &#8220;When JK Rowling’s new website Pottermore opens its doors this Fall, we’ll provide services to help fans make the most of their ebook purchasing experience. Pottermore and Google are teaming up to integrate Pottermore with a number of Google products and APIs. So when the series of Harry Potter ebooks launches on Pottermore.com in early October, these bestsellers will be available in the U.S. via the open Google eBooks platform. When you buy a Harry Potter ebook from Pottermore, you will be able to choose to keep it in your Google Books library in-the-cloud, as well as on other e-reading platforms. [...] Also under this agreement, Google Checkout will be the preferred third party payment platform for all purchases made on Pottermore.com.&#8221;</li>
<li><a href="http://www.youtube.com/watch?v=p5z4CJRFBKY">‪Rebekah Brooks &#8220;Friday&#8221; (Rebecca Black Parody)‬‏ [YouTube]</a> &#8211; Impressive mashup lampooing Rebekah Brooks and the News of the World phone hacking scandal.<iframe width="560" height="349" src="http://www.youtube.com/embed/p5z4CJRFBKY" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.watoday.com.au/entertainment/movies/pain-in-the-box-office-for-aussie-movie-fans-20110719-1hndy.html">Australian Cinema Tickets Most Expensive: Choice [WA Today]</a> &#8211; Throw in 3D for good measure and it&#8217;s close to $100 for a family of 4! &#8220;Australian cinema-goers pay more for their silver screen experience than anyone else in the Western world, according to consumer advocate Choice. Spokeswoman Ingrid Just said that Australians heading to the cinema paid far more than movie audiences in the US and New Zealand. Research found that, on average, Australian adults paid around $18 per ticket, while families of four can expect to fork out up to $67 for admission to the local multi-national cinema complex. &#8220;Taking into account exchange rates, an Aussie family of four spends just over $34 more than a New Zealand family and $28 more than a US family on a trip to the flicks,&#8221; Ms Just said.&#8221;</li>
<li><a href="http://www.theage.com.au/technology/technology-news/lulzsec-hack-into-murdochs-british-websites-20110719-1hm6r.html">LulzSec hack into Murdoch&#8217;s British websites [The Age]</a> &#8211; &#8220;Hackers who broke into the News Corporation network and forced its British websites offline claim to have stolen sensitive data from the company including emails and usernames/passwords. All of News Corporation&#8217;s British websites were taken offline today following an attack on the website of tabloid The Sun, which earlier today was redirecting to a fake story about Rupert Murdoch&#8217;s death. Further pain is expected for the media mogul as the hacker group responsible for the attack claims to have also stolen emails and passwords for News International executives and journalists. It said it would release more information tomorrow. [...] The infamous hacking group LulzSec have claimed responsibility for taking over The Sun&#8217;s website, linking to a site with the fake story under the headline &#8220;Media moguls body discovered&#8221;, with &#8220;Lulz&#8221; printed at the bottom of the page.&#8221;</li>
<li><a href="http://www.guardian.co.uk/culture/2011/jul/15/slavoj-zizek-interview-life-writing?CMP=twt_gu">A life in writing: Slavoj Žižek [Culture | The Guardian]</a> &#8211; Short and sweet interview with Slavoj Žižek. Notable quote regarding Wikileaks: &#8220;&#8221;We learned nothing new really from WikiLeaks,&#8221; he tells me later. &#8220;Julian is like the boy who tells us the emperor is naked – until the boy says it everybody could pretend the emperor wasn&#8217;t. Don&#8217;t confuse this with the usual bourgeois heroism which says there is rottenness but the system is basically sound. [...] Julian strips away that pretence. All power is hypocritical like this. What power finds intolerable is when the hypocrisy is revealed.&#8221;"</li>
<li><a href="http://www.tvtonight.com.au/2011/07/bbc-rents-out-doctor-who-via-facebook.html">BBC rents out Doctor Who via Facebook [TV Tonight]</a> &#8211; &#8220;BBC Worldwide will offer a series of digitally remastered Doctor Who stories to ‘rent’ via Facebook in Europe, the USA, Canada, Australia and New Zealand. By using Facebook credits, users visiting the official Doctor Who page will be able to stream a selection of nine stories (each containing several episodes) from the history of the Time Lord, including digitally remastered classics such as ‘Tomb of the Cybermen’, ‘Silence in the Library’ and ‘End of the World’. [...] John Smith, Chief Executive at BBC Worldwide said “As we have grown internationally, we’ve seen through our Facebook channel that fans who are loving the new series are asking for a guide into our rich Doctor Who back catalogue. Our approach to Facebook and other leading edge platforms is to be right there alongside them in fostering innovation. We see this service as a perfect way to give our fans what they want, as well as a great way for them to get their fix between now and the autumn when Series Six continues.”</li>
</ul>

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		<title>This Painting is not available in your country.</title>
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		<comments>http://www.tamaleaver.net/2011/07/18/this-painting-is-not-available-in-your-country/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 15:30:36 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Paul Mutant’s painting &#8220;This Painting is Not Available in Your Country&#8221; perfectly captures the Tyranny of Digital Distance.]]></description>
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<p><a href="http://www.flickr.com/photos/paulmutant/4992725876/"><img style="background-image: none; padding-left: 0px; padding-right: 0px; display: inline; padding-top: 0px; border: 0px;" title="ThisPainting" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/ThisPainting.jpg" alt="ThisPainting" width="554" height="371" border="0" /></a></p>
<p><a href="https://www.facebook.com/paulmutant?sk=photos">Paul Mutant’s</a> painting <a href="http://www.flickr.com/photos/paulmutant/4992725876/">&#8220;This Painting is Not Available in Your Country&#8221;</a> perfectly captures the <a href="http://www.tamaleaver.net/2008/03/24/beyond-broadcasting-watching-battlestar-galactica-in-australia-and-the-tyranny-of-digital-distance/">Tyranny of Digital Distance</a>.</p>

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		<title>Digital Culture Links: July 12th 2011</title>
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		<pubDate>Tue, 12 Jul 2011 03:07:07 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for July 5th 2011 through July 12th 2011: China&#8217;s first &#8216;virtual property&#8217; insurance launched for online gaming sector [Global Times] &#8211; &#8220;A Chinese insurance company has unveiled a new type of &#8220;virtual property&#8221; insurance that might be the first &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/07/12/digital-culture-links-july-12th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for July 5th 2011 through July 12th 2011:</p>
<ul>
<li><a href="http://www.globaltimes.cn/NEWS/tabid/99/articleType/ArticleView/articleId/665124/Chinas-first-virtual-property-insurance-launched-for-online-gaming-sector.aspx">China&#8217;s first &#8216;virtual property&#8217; insurance launched for online gaming sector [Global Times]</a> &#8211; &#8220;A Chinese insurance company has unveiled a new type of &#8220;virtual property&#8221; insurance that might be the first of its kind in the world. The new service, tailored for online game players, was jointly launched by Sunshine Insurance Group Corporation and online game operator and manufacturer Gamebar. The two companies agreed to create the virtual property insurance amid an increasing number of disputes between online game operators and their customers, often related to the loss or theft of players&#8217; &#8220;virtual property&#8221; such as &#8220;land&#8221; and &#8220;currency.&#8221; Over 300 million people engage in online gaming in China, and these players sometimes become involved in arguments with game operators due to the loss of property.&#8221; [<a href="http://terranova.blogs.com/terra_nova/2011/07/insurance-for-virtual-goods.html">Via</a>]</li>
<li><a href="http://gigaom.com/video/planet-of-the-apes-viral-video/?utm_source=feedburner&amp;utm_medium=feed&amp;utm_campaign=Feed%3A+newteevee+%28GigaOM%3A+Video%29&amp;utm_content=Google+Reader">First lesson of viral video: No monkey business [Online Video News]</a> &#8211; &#8220;Apes with assault rifles are just a bad idea: That’s the lesson 20th Century Fox wanted to convey <a href="http://www.youtube.com/watch?v=GhxqIITtTtU" target="_blank">with a viral video it published on YouTube last week</a>. The video shows a group of soldiers from an unidentified African country having some fun with a chimpanzee. Then one of the soldiers hands the ape an AK-47, and the animal takes aim at the soldiers. The clip is a viral video ad for the upcoming Rise of the Planet of the Apes movie, complete with a semi-authentic and amateurish look and some subtle branding that identifies it as content of the “20th Century Fox Research Library.” And so far it has been a success, if you only measure view counts: The video has attracted more than 4.5 million views since being published last Wednesday. But a look at the YouTube comment section tells a different story: A substantial number of commenters take the opportunity to drop the n-word, compare black people to monkeys or publish other kinds of racial slurs.&#8221;<iframe src="http://www.youtube.com/embed/GhxqIITtTtU" frameborder="0" width="560" height="349"></iframe></li>
<li><a href="http://ma.tt/2011/07/fifty-million/">Fifty Million [Matt Mullenweg]</a> &#8211; On July 11, 2001, Worpress &#8220;passed over 50,000,000 websites, blogs, portfolios, stores, pet projects, and of course cat websites powered by WordPress.&#8221; That&#8217;s a lot! <img src='http://www.tamaleaver.net/wordpress/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </li>
<li><a href="http://pewinternet.org/Reports/2011/Smartphones.aspx?utm_source=Mailing+List&amp;utm_campaign=473d460132-Smartphone_Alert7_11_2011&amp;utm_medium=email">Smartphone Adoption and Usage &#8211; 11 July 2011 [Pew Research Center's Internet &amp; American Life Project]</a> &#8211; &#8220;In its first standalone measure of smartphone ownership, the Pew Internet Project finds that one third of American adults – 35% – own smartphones. The Project’s May survey found that 83% of US adults have a cell phone of some kind, and that 42% of them own a smartphone. That translates into 35% of all adults. [...] Some 87% of smartphone owners access the internet or email on their handheld, including two-thirds (68%) who do so on a typical day. When asked what device they normally use to access the internet, 25% of smartphone owners say that they mostly go online using their phone, rather than with a computer.&#8221; [<a href="http://pewinternet.org/~/media//Files/Reports/2011/PIP_Smartphones.pdf">Full Report PDF</a>]</li>
<li><a href="http://mashable.com/2011/07/07/apple-app-store-15-billion/">Apple App Store: 15 Billion Downloads &amp; Counting [Mashable]</a> &#8211; &#8220;Apple’s App Store has generated 15 billion downloads since its launch in July 2008, Apple has announced. The App Store now offers more than 425,000 apps, 100,000 of which are created specifically for Apple’s tablet, the iPad. Apple has paid developers more than $2.5 billion to date. Given Apple’s 30/70 revenue split with app developers, that means Apple itself has netted more than $1 billion directly from app sales. In January 2010, the App Store surpassed 3 billion downloads, and in January 2011, Apple announced that the App Store surpassed 10 billion downloads. It took Apple’s App Store only six months to jump from 10 billion to 15 billion downloads.&#8221;</li>
<li><a href="http://www.insidesocialgames.com/2011/07/07/zynga-launches-privacyville-a-gamification-version-of-its-privacy-policies/">Zynga Launches PrivacyVille, a Gamified Version of Its Privacy Policies [Inside Social Games]</a> &#8211; Gamification of Zynga&#8217;s privacy policy! &#8220;As Zynga edges closer to its initial public offering, the social game developer seems concerned with educating the masses both on social game revenue models and on the actual fine print of social game privacy policies. Today, the company announces <a href="http://www.zynga.com/privacy/">PrivacyVille</a>, an interactive walkthrough of its privacy policies that rewards participants with zPoints to spend in gift network RewardVille. The experience can be clicked through in about two minutes, with each structure on the CityVille-like map representing a different component of Zynga’s privacy policy. The tutorial text seems to stress to readers that Zynga will collect players’ information from Facebook and from mobile devices and share it with third-party service providers, the legal system in the case of a court ordered disclosure, and with other players in cases where a player’s icon displays a link back to their Facebook account.&#8221;</li>
<li><a href="http://blogs.forbes.com/michaelhumphrey/2011/07/05/natalie-tran-down-unders-top-youtuber-considers-her-next-move/">Natalie Tran: Down Under’s Top YouTuber Considers Her Next Move [Forbes]</a> &#8211; Quick profile of Natalie Tran, the person behind Australia&#8217;s most subscribed to YouTube channel (communitychannel): &#8220;Around the world, young adults like Natalie Tran are facing a key moment in their lives: they’ve been graduated from university and are examining the success and failures of their academic years to decide which direction to take their careers. It’s just that most of those students have not built an international fan-base at this point. Tran, 23, has. The Sydney, Australia resident recently received her Digital Media degree from the University of New South Wales. I hope she got at least one high mark for this fact: Tran is Australia’s most-subscribed-to YouTuber. Over the past five years, her “communitychannel” has amassed nearly 1 million subscribers and her videos have garnered nearly 400 million upload views. Reasons: Smart, funny, quirky, beautiful. Why complicate matters?&#8221;</li>
<li><a href="http://venturebeat.com/2011/07/04/google-realtime-goes-dark-after-twitter-agreement-expires/">Google Realtime goes dark after Twitter agreement expires [VentureBeat]</a> &#8211; &#8220;Google has taken its powerful Realtime search product offline after a 2009 agreement to display up-to-the-minute Twitter results expired. The shutdown of Realtime comes just as Google is in the process of rolling out Google+, its new social networking initiative that competes with Twitter. Google said it planned to relaunch Realtime search after retooling it and adding in Google+ results. “Since October of 2009, we have had an agreement with Twitter to include their updates in our search results through a special feed, and that agreement expired on July 2,” Google told Search Engine Land. “While we will not have access to this special feed from Twitter, information on Twitter that’s publicly available to our crawlers will still be searchable and discoverable on Google. Our vision is to have google.com/realtime include Google+ information along with other realtime data from a variety of sources.”&#8221;</li>
</ul>

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		<title>Digital Culture Links: July 4th 2011</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/g6ahipXrzYA/</link>
		<comments>http://www.tamaleaver.net/2011/07/04/digital-culture-links-july-4th-2011/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 15:12:27 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<description><![CDATA[Links for June 30th 2011 through July 4th 2011: Google Chrome hits 20% global share as Microsoft continues browser slide [Network World] &#8211; &#8220;Google Chrome&#8217;s rise in popularity has been remarkably fast and it&#8217;s just hit a new milestone: more &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/07/04/digital-culture-links-july-4th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for June 30th 2011 through July 4th 2011:</p>
<ul>
<li><a href="http://www.networkworld.com/news/2011/070111-chrome-usage.html">Google Chrome hits 20% global share as Microsoft continues browser slide [Network World]</a> &#8211; &#8220;Google Chrome&#8217;s rise in popularity has been remarkably fast and it&#8217;s just hit a new milestone: more than 20% of all browser usage, according to StatCounter. Chrome rose from only 2.8% in June 2009 to 20.7% worldwide in June 2011, while Microsoft&#8217;s Internet Explorer fell from 59% to 44% in the same time frame. Firefox dropped only slightly in the past two years, from 30% to 28%.&#8221;</li>
<li><a href="http://www.guardian.co.uk/film/2011/jul/04/angry-birds-film-david-maisel">Angry Birds film takes off [guardian.co.uk]</a> &#8211; &#8220;An Angry Birds movie is slingshotting its way into development with the announcement that former Marvel Studios chairman David Maisel has been recruited as a special adviser by Rovio – the mobile game company that developed the popular pig-popping franchise. &#8220;There has been so much chatter about an Angry Birds movie, but it&#8217;s now real,&#8221; Maisel told Variety. &#8220;The process is starting now.&#8221; Maisel, who was responsible for shepherding mega-hits such as Iron Man to the big screen while at Marvel, said he was interested in the &#8220;emotional connection&#8221; that players have with the Angry Birds characters.&#8221;</li>
<li><a href="http://abs.gov.au/ausstats/abs@.nsf/Latestproducts/4102.0Main%20Features1Jun%202011?opendocument&amp;tabname=Summary&amp;prodno=4102.0&amp;issue=Jun+2011&amp;num&amp;view">Australian Social Trends, Jun 2011</a> &#8211; Summary data released in the Australian Bureau of Statistics in 2011 about social and cultural trends in Australia (as measured by a variety of stats).  Useful for lectures.</li>
<li><a href="http://allthingsd.com/20110629/exclusive-myspace-to-be-sold-to-specific-media-at-35-million/?p=92835?mod=tweet">Exclusive: Myspace to Be Sold to Specific Media for $35 Million [AllThingsD]</a> &#8211; MySpace purchase price in 2005: $580 million.<br />
MySpace sale price in 2011: $35 million.<br />
NewsCorp: not winning.</li>
<li><a href="http://www.guardian.co.uk/world/2011/jun/29/chinese-county-ridicule-doctored-photograph">Chinese faked photograph leaves officials on street of shame [The Guardian]</a> &#8211; &#8220;For government officials in Huili, a distinctly modest county in a rural corner of south-west China, attracting national media coverage would normally seem a dream come true. Unfortunately, their moment in the spotlight was not so welcome: mass ridicule over what may well be one of the worst-doctored photographs in internet history. The saga began on Monday when Huili&#8217;s website published a picture showing, according to the accompanying story, three local officials inspecting a newly completed road construction project this month. The picture certainly portrayed the men, and the road, but the officials appeared to be levitating several inches above the tarmac. As photographic fakery goes it was astonishingly clumsy.&#8221; [<a href="http://www.zonaeuropa.com/20110629_1.htm">Gallery of photoshop 'responses.</a>]</li>
<li><a href="http://www.youtube.com/watch?v=dPtH2KPuQbs">‪Credit Is Due (The Attribution Song)‬‏ [YouTube]</a> &#8211; Nina Paley&#8217;s excellent short video explaining why copying WITHOUT ATTRIBUTION is plagiarism. (And why that&#8217;s wrong.) Surely this clip will find its way into first-year university lectures everywhere! <object width="560" height="349"><param name="movie" value="http://www.youtube.com/v/dPtH2KPuQbs?version=3&amp;hl=en_US&amp;rel=0" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed type="application/x-shockwave-flash" width="560" height="349" src="http://www.youtube.com/v/dPtH2KPuQbs?version=3&amp;hl=en_US&amp;rel=0" allowscriptaccess="always" allowfullscreen="true"></embed></object></li>
<li><a href="http://www.rocketboom.com/bitcoins/">Bitcoins [Rocketboom]</a> &#8211; Molly on Rocketboom makes a valiant, if slightly confused, effort to explain <a href="http://www.bitcoin.org/">Bitcoins</a>.<object width="560" height="349"><param name="movie" value="http://www.youtube.com/v/9LaSrxtWfgc?version=3&amp;hl=en_US&amp;rel=0" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed type="application/x-shockwave-flash" width="560" height="349" src="http://www.youtube.com/v/9LaSrxtWfgc?version=3&amp;hl=en_US&amp;rel=0" allowscriptaccess="always" allowfullscreen="true"></embed></object></li>
</ul>

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		<title>Twenty Years Ago: Terminator 2 …</title>
		<link>http://feedproxy.google.com/~r/Ponderance/~3/lo3PWwbPSAM/</link>
		<comments>http://www.tamaleaver.net/2011/07/04/twenty-years-ago-terminator-2/#comments</comments>
		<pubDate>Mon, 04 Jul 2011 02:42:14 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/2011/07/04/twenty-years-ago-terminator-2/</guid>
		<description><![CDATA[Apparently Terminator 2 was released 20 years ago for the US Fourth of July weekend. I’ve been writing about the four Terminator films recently, but realising this film is older than half of my students makes me feel old! At &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/07/04/twenty-years-ago-terminator-2/">Read more &#187;</a></p>]]></description>
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<p>Apparently <a href="http://en.wikipedia.org/wiki/Terminator_2:_Judgment_Day">Terminator 2</a> was released 20 years ago for the US Fourth of July weekend. I’ve been writing about the four Terminator films recently, but realising this film is older than half of my students makes me feel old! At least Terminator humour is still current:</p>
<p><a href="http://www.flickr.com/photos/31812242@N02/5195183229/"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="TerminatorTravel" border="0" alt="TerminatorTravel" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/07/TerminatorTravel.jpg" width="644" height="593" /></a></p>
<p>[<a href="http://www.flickr.com/photos/31812242@N02/5195183229/">Image</a> by <a href="http://www.flickr.com/photos/31812242@N02/">zero-lives</a>]</p>

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		<title>Google+</title>
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		<pubDate>Wed, 29 Jun 2011 13:21:49 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
				<category><![CDATA[facebook]]></category>
		<category><![CDATA[Google]]></category>
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		<category><![CDATA[web101]]></category>

		<guid isPermaLink="false">http://www.tamaleaver.net/2011/06/29/google/</guid>
		<description><![CDATA[Yes Google+ is the Googleplex’s latest foray into social networking, trying to explicitly tackle the same territory Facebook’s Social Graph, but sadly I don’t have time right now to write about it (I’ll wait until I actually have access, rather &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/06/29/google/">Read more &#187;</a></p>]]></description>
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<p>Yes <a href="https://plus.google.com/up/start/?sw=1&amp;type=st">Google+</a> is the Googleplex’s latest foray into social networking, trying to explicitly tackle the same territory Facebook’s Social Graph, but sadly I don’t have time right now to write about it (I’ll wait until I actually have access, rather than the screenshots floating around). In the meantime, <a href="http://xkcd.com/918/">XKCD have a great summary</a>:</p>
<p><a href="http://xkcd.com/918/"><img style="background-image: none; border-bottom: 0px; border-left: 0px; margin: 10px 0px; padding-left: 0px; padding-right: 0px; display: inline; border-top: 0px; border-right: 0px; padding-top: 0px" title="googleplus" border="0" alt="googleplus" src="http://www.tamaleaver.net/wordpress/wp-content/uploads/2011/06/googleplus.png" width="535" height="275" /></a></p>
<p>You could also read <a href="http://googleblog.blogspot.com/2011/06/introducing-google-project-real-life.html">Google’s official announcement</a> and commentary in the <a href="http://www.nytimes.com/2011/06/29/technology/29google.html">New York Times</a>, the <a href="http://www.guardian.co.uk/technology/2011/jun/29/google-plus-facebook-social-networking">Guardian</a> or from <a href="http://www.wired.com/epicenter/2011/06/inside-google-plus-social/all/1">Steven Levy in Wired</a> (and <a href="http://news.google.com/news/search?aq=f&amp;pz=1&amp;cf=all&amp;ned=us&amp;hl=en&amp;q=Google%2B&amp;btnmeta_news_search=Search+News">quite a few other places, too</a>). </p>

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		<title>Digital Culture Links: June 24th 2011</title>
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		<pubDate>Fri, 24 Jun 2011 05:22:44 +0000</pubDate>
		<dc:creator>Tama</dc:creator>
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		<guid isPermaLink="false">http://www.tamaleaver.net/?p=2573</guid>
		<description><![CDATA[Links for June 7th 2011 through June 24th 2011: Harry Potter and the amazing exploding book industry [GigaOM] &#8211; &#8220;Despite the obvious demand, Harry Potter author J.K. Rowling has adamantly refused to offer electronic versions of her phenomenally popular series &#8230;<p class="read-more"><a href="http://www.tamaleaver.net/2011/06/24/digital-culture-links-june-24th-2011/">Read more &#187;</a></p>]]></description>
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<p>Links for June 7th 2011 through June 24th 2011:</p>
<ul>
<li><a href="http://gigaom.com/2011/06/23/harry-potter-and-the-amazing-exploding-book-industry/">Harry Potter and the amazing exploding book industry [GigaOM]</a> &#8211; &#8220;Despite the obvious demand, Harry Potter author J.K. Rowling has adamantly refused to offer electronic versions of her phenomenally popular series for young adults — until now. As part of Thursday’s launch of <a href="http://www.pottermore.com/">an interactive website called Pottermore</a>, the billionaire writer also announced that e-book versions of the novels will be available directly through the site for all major platforms. In one fell swoop, Rowling has cut both her publishers and booksellers such as Amazon out of the picture. Not everyone has that kind of power, of course, but Rowling’s move shows how the playing field in publishing continues to be disrupted. The author said the Pottermore site will offer extra content that she has written about the characters in the books &#8230; There will also be a social network of sorts built into the site that allows readers to connect with each other, play games and share their thoughts about the novels and their characters.&#8221; <iframe width="560" height="349" src="http://www.youtube.com/embed/oYs1d3jAdG0" frameborder="0" allowfullscreen></iframe></li>
<li><a href="http://www.guardian.co.uk/technology/2011/jun/23/google-investigation-federal-trade-commission">Google to be formally investigated over potential abuse of web dominance [guardian.co.uk]</a> &#8211; &#8220;US regulators are poised to launch a formal investigation into whether Google has abused its dominance on the web, according to reports. The Federal Trade Commission (FTC) is days away from serving subpoenas on the internet giant in what could be the biggest investigation yet of the search company&#8217;s business, according to The Wall Street Journal. Both Google and the FTC declined to comment. A wide-ranging investigation into Google has been discussed for months. Google has faced several antitrust probes in recent years, and is already the subject of a similar investigation in Europe. In the US inquiries have so far largely been limited to reviews of the company&#8217;s mergers and acquisitions. The inquiry will examine the heart of Google&#8217;s search-advertising business, and the source of most of Google&#8217;s revenue. Google accounts for around two-thirds of internet searches in the US &#8230;&#8221;</li>
<li><a href="http://waxy.org/2011/06/kind_of_screwed/">Kind of Screwed [Waxy.org]</a> &#8211; The really sad story of how Andy Baio ended up paying over $US30,000 for a pixel-art cover on an homage album because a photographer (and his lawyers) don&#8217;t believe it&#8217;s fair use: &#8220;Last year, I was threatened with a lawsuit over the pixel art album cover for <a href="http://kindofbloop.com/">Kind of Bloop</a>. Despite my firm belief that I was legally in the right, I settled out of court to cut my losses. This ordeal was very nerve-wracking for me and my family, and I&#8217;ve had trouble writing about it publicly until now.&#8221;</li>
<li><a href="http://www.guardian.co.uk/film/2011/jun/22/aaron-sorkin-social-network-facebook?mobile-redirect=false">The Social Network&#8217;s Aaron Sorkin quits Facebook [guardian.co.uk]</a> &#8211; &#8220;Aaron Sorkin, 50, was speaking at the Cannes Lions International Festival of Creativity at a session alongside David Simon, creator of The Wire and Treme. His admission came as part of a discussion of the downsides of sites such as Twitter. Sorkin described himself as &#8220;this side of being a Luddite&#8221;, and said he had been on Facebook while he making the film, but had since given up his account. &#8220;I have a lot of opinions on social media that make me sound like a grumpy old man sitting on the porch yelling at kids,&#8221; he said. Sorkin&#8217;s scepticism of social media was shared by the film&#8217;s star, Jesse Eisenberg, who joined Facebook under a false name while in production but left soon afterwards, unnerved by the experience. &#8220;[I] was sent a message from Facebook suggesting people I should befriend,&#8221; Eisenberg said last October. &#8220;One of them was a girl my sister was friends with in high school. I don&#8217;t know how they found her, no idea. I signed off right then.&#8221;"</li>
<li><a href="http://www.danah.org/papers/talks/2011/RWW2011.html">&#8220;Teen Sexting and Its Impact on the Tech Industry&#8221;</a> &#8211; Provocative talk well worth reading: &#8220;Most of you have probably read the panic-laden stories about teens who got caught sexting. You may even have read the salacious stories about teachers who sext with students. And, unless you&#8217;ve been on a remote island this month, you&#8217;ve probably heard countless jokes about Anthony Weiner&#8217;s recent sexting scandal. While most Americans had never heard of the term &#8220;sexting&#8221; a few years ago, it&#8217;s hot news these days. And while you might have read these stories in the press, you might not realize how relevant they are to you. More than any other teen phenomenon, more than Justin Bieber or cute cats, teen sexting is something that you need to deal with. And you need to deal with it ASAP, both because it&#8217;s the right thing to do and because you face serious legal liabilities if you don&#8217;t. When first coined by Australian press only a few short years ago &#8230;&#8221; (boyd, danah. 2011 Read Write Web 2WAY conference.New York, NY, June 13)</li>
<li><a href="http://bits.blogs.nytimes.com/2011/06/07/facebook-changes-privacy-settings-to-enable-facial-recognition/?partner=rss&amp;emc=rss">Facebook Changes Privacy Settings to Enable Facial Recognition [NYTimes.com]</a> &#8211; &#8220;Facebook is pushing the privacy line once again, according to a new report from a security and antivirus company. According to the report, from Sophos, Facebook recently began changing its users’ privacy settings to automatically turn on a facial recognition feature that detects a user’s face in an image. Once the person’s face is detected, the Web site then encourages Facebook friends to tag them. Facebook introduced this feature last year for its North American users; it is now rolling it out globally. Facebook also doesn’t give users the option to avoid being tagged in a photo; instead, people who don’t want their name attached to an image must untag themselves after the fact. In response to a reporter’s inquiry, posted on a Facebook blog, the company said, “We should have been more clear with people during the roll-out process when this became available to them.”&#8221;</li>
<li><a href="http://ausdroid.net/2011/06/07/apples-new-ios5-features-really-that-new/">Apple’s new iOS5 features – really that new? [Ausdroid]</a> &#8211; A quick comparison of Apple&#8217;s new iOS 5 mobile and the current offering from Android.  Good points on both sides, but no clear &#8220;winner&#8221;.</li>
</ul>

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