Design and sustainability in a small space

Six eco-friendly micro-homes designed by mlab.design have been built in the Eifel region, offering sustainable, mindful living in compact spaces. Keuco products form a central feature of the bathroom fittings.

The matt black fittings and accessories blend seamlessly into the calm, modern colour scheme of the homes, yet still create an intriguing contrast.

All photos: mlab.relax Eifel, Bastian Ramakers

On the outskirts of Eifel National Park, just a short distance from Aachen, six ecological microhouses designed by mlab.design have been developed, seamlessly integrating sustainability, mindful living, and high-quality design within a compact space. Products from Keuco are central to the fittings in the bathrooms. They complement the architecture of the holiday homes and combine functionality, durability and timeless design.

At the heart of the design is the idea of creating spaces where people feel comfortable and rejuvenated – places of calm, clarity, and inspiration. The interior design of the microhouses draws inspiration from nature and features a minimalist, precise design language. High-quality materials, lots of wood, natural colours and carefully selected details characterise the atmosphere. Each component serves a clear purpose and contributes to the overall experience: more focus, more order, more relaxation.

A central component of this design principle are the Keuco products that are inserted in the baths of the microhouses. The matt black version in particular fits into the calm, modern colour concept of the houses and still provides a tasteful contrast.

Black as a contrast in a modern colour concept

Keuco’s products – such as the IXMO tap shown here – are designed to create a calm, uncluttered aesthetic that complements the architectural vision of micro-homes.

Sink mixer taps IXMO soft and thermostatic shower mixer taps Plan Blue, which impress with their delicate design and intuitive operation, are among the products inserted. The bathroom fittings are complemented by a selection of Keuco Plan Accessories – from hair dryers and waste bins to toilet paper holders, spare roll holders, toilet brush sets, and towel holders. Thanks to the Keuco shower shelf and shower wiper, the shower always remains tidy and the shower glass free of drips.

The interplay of the products creates a calm, clean aesthetic that corresponds to the architectural vision of the microhouses. The uniform design, wood and high-quality workmanship create a bathroom ambience that is both functional and relaxing.

The mlab.design holiday homes in the Eifel National Park are designed to be a place that invites guests to savour the experience – a harmonious blend of nature, architecture and design.

Bungalow in Bali’s Jungle

Canadian vlogger Christian LeBlanc has created a picturesque retreat for himself in Bali's jungle. Organic fittings from Axor bring the natural environment into the bathroom.

In the master bathroom, fittings from the MyEdition collection in brushed bronze were chosen to match the Italian marble.

All photos: Axor, Hansgrohe

The Lost Villa is a serene retreat nestled on a plot of old-growth jungle in Bali. Dreamed up by seasoned blogger Christian LeBlanc, the six-bedroom home expresses his admiration for the island and unique journey in getting there.

“I started off as an accountant, working nine-to-five,” Christian explains. “I felt a lack of inspiration and creativity and needed an escape.” In search of the extraordinary, he “picked up a GoPro, started traveling, and committed to making a video every day.” Some years of jet setting later, Christian slowly settled in Bali and drawn to the island’s breathtaking nature and inspiring energy, decided to fulfill a lifelong dream of building his own home.

Christian’s purchase of the Lost Villa site was equal parts luck and perseverance: “During the pandemic, I rode around on my motorbike asking locals if they or their families had land. After a few days, I found it: this wild jungle plot, which is now this sanctuary with towering trees—some over 100 years old.” From there on, Christian began a years-long process of developing the Lost Villa, piece by piece, into an extraordinary residence. Naturally, Christian selected Axor for the bathrooms of this deeply personal project.

Blue and Green everywhere

Fittings from the MyEdition collection in brushed bronze

LeBlanc collaborated with Romania-based Singleart Design & Architecture to create an immersive design inspired by Bali’s rich nature and local craftsmanship. “Everything is blue and green,” LeBlanc explains, from the infinity pool and volcanic rock koi pond to a soaring treehouse and rooftop garden laden with bougainvillea flowers. LeBlanc’s own neighbor, an expert craftsman, hand carved doors, beams and shelving with wood sourced from decommissioned boats, docks and bridges. A host of curated objects—handmade Jakarta carpets, bespoke coffee tables by Singleart and mouth-blown pendant lights from Christian’s native Toronto—rounds out the space.

Organic fittings in a wild environment

The virtually invisible Starck V tap focuses attention on the element of water. 

When LeBlanc first discovered Axor, he was immediately inspired: “I thought, this is Lost Villa. The designs felt like they grew out of the earth.” An ensemble of fixtures throughout the home reflects his artful interpretation. In one corner, a floor-standing Starck Organic bath thermostat services a monolithic stone soaking tub; its sensuous shape echoing the lush greenery around it. In another, guests can discover a secluded powder room, its emerald marble displaying a faucet with the swirling vortex of Axor’s Starck V in Brushed Bronze—“a collection that feels experimental, elegant, and totally aligned with our space.”

Keen on ensuring “every space has its own palette and story,” Christian called in the services of FinishPlus to create matching finishes for each private bathroom’s unique palette of stone. A master bathroom matches elegant Italian marble with fixtures from the MyEdition collection shown in Brushed Bronze, finished with a custom black walnut plate. A different bedroom’s bathroom pairs Iranian platinum travertine with an Uno washbasin faucet and an Overhead Showers arrangement in contrasting Brushed Black Chrome.

A modern spirit with a sea view

A design hotspot in Ostend combines the charm of the past with the modern design language of today. The 113 minimalist bathrooms are equipped with products from Duravit and Dornbracht and sustainable materials.

Not your standard bathroom: Bold colors meet clean lines and gentle curves. This contrast is reflected both in the tile design and in the overall visual language of the space.

Photo: BLCN DESIGN, Buro Bonito

With its eventful history, the port city of Ostend is certainly one of the most important cities on the Belgian coast. With The Ostendian Hotel, the historic city now has a new design hotspot that aims to combine the charm of bygone times with contemporary design. The 113 rooms feature minimalist bathrooms and sustainable materials.

Ostend is a city full of contrasts: here, rugged charm meets classic elegance, maritime down-to-earthness meets sophisticated flair, and artistic atmosphere meets lively drive. And this is exactly where The Ostendian, located in the new Sky District, wants to come in and combine nostalgia and modernity. The holistic concept created by The Brand Guys was implemented by BLCN Design. The aim was to capture the atmosphere of the 70s and 80s without falling into a retro parody. Warm colours, gently curved lines and materials with retro charm characterise the image from the entrance area to the hotel rooms and ensure a high recognition value. Inspired by the classic Art Deco look, this lifestyle hotel playfully evokes the bathing culture of days gone by.

One concept – from the entrance hall to the bathroom

Inclusive comfort: The accessible bathroom blends seamlessly into the overall concept. A spacious, walk-in shower with a fold-down seat provides comfort, while grab bars ensure safety. Warm color tones and the interplay of smooth and textured tiles create a modern, welcoming atmosphere.

Photo: BLCN DESIGN, Buro Bonito

For special getaways, The Ostendian offers themed rooms, each of which opens up its own little world. The hotel collaborated with local artists to design the interiors. This is evident in the individually designed suites – such as the "Herr Seele Studio" with hand-painted murals by the cartoonist and artist of the same name. The "Red Light Suite", on the other hand, is a tongue-in-cheek reminder of Ostend's former red-light district, Hazegras. Another highlight is the "Record Suite", which invites guests to engage in spontaneous jam sessions with its own recording studio, electric guitar and keyboard. The regular rooms are also stylishly designed with great attention to detail. Red and pink tones meet bold yellow here. Behind the beds, rounded fabric panels add striking accents.

The bathrooms blend seamlessly into this aesthetic. Even the retreat is staged here. In all 113 bathrooms, clean lines, pleasant textures and functional elegance create the unmistakable Ostende style. Minimalist D-Neo toilets by Belgian designer Bertrand Lejoly, timeless washbasins from the DuraStyle series and Sustano shower trays made of recyclable DuroCast Nature by Duravit, as well as Madison, the grand dame of Dornbracht's fittings series, contribute to the hotel's unmistakable design signature. White and ochre-yellow tiles, wooden washbasins and tall arched mirrors revive the bathroom culture of the turn of the century. Different tile colours, attractive glossy surfaces and carefully coordinated materials ensure that each bathroom has its own unique style and stands out from the rest of the room.

The decision to use recyclable materials and particularly durable ceramics is a statement for a future that shows that luxury and environmental awareness do not have to be mutually exclusive.

KWC Homebox – easy to use, easy to install

 The Homebox from KWC is a compact concealed shower system with a wide range of options – from simple shower setups to complete thermostatic systems with two outlets.

With its modular design and specific functions, the Homebox is the ideal universal concealed system for any application.

Photo: KWC

 The Homebox from KWC is a compact concealed shower system with a wide range of options – from simple shower setups to complete thermostatic systems with two outlets in different surface colours. The Choice function is conveniently operated at the touch of a button.

As simple as a light switch. The water starts flowing when you press the Choice control button and stops when you press the button again. The water flow can also be precisely regulated on all thermostats using the control button.

With its modular design and specific functions, the Homebox is the ideal universal concealed system for any application. Lever or thermostatic mixer, single or dual outlet: the modularity of the com-ponents enables the system to fit seamlessly into the KWC product lines.

Safety as standard. The hose outlet is secured against backflow in all variants in accordance with DIN EN 1717. A shutoff prevents possible scalding on all thermostatic mixers and the water temperature remains constantly below the critical value, even if the cold water fails.

Easy installation and assembly

Pressing the Choice knob turns the water on and off. The knob can also be used to regulate the water flow.

Photo: KWC

The clever mounting concept makes installation particularly easy. The modules of the set are already connected to each other. Guaranteed easy alignment and installation thanks to pre-assembled boxes. The mounting rail for the boxes can be easily attached to the surface with millimetre precision. Screws secure the escutcheon holders firmly to the box and prevent splash water from penetrating. The escutcheons are attached to the escutcheon holder without a single screw. The minimal projection of the operating units leaves plenty of space for installing the fittings, for example in narrow shower cubicles.

The mounting rail is ideal for shell construction. It allows the box to be perfectly positioned and easily aligned. Retaining rings on the boxes mean that the Homebox can also be attached to partition walls. If the hot and cold water inlets are installed incorrectly, the water flow can be reversed. If the box does not sit in the wall at the required installation depth, this can be corrected with the extension sets.

Colour in the bathroom: Not all whites are the same

Differences in shades of white are a challenge when planning bathrooms. That's why bathroom planners should work with original samples wherever possible. With Pantone's colour of the year for 2026, a special shade of white is now coming into play: Cloud Dancer.

Differences in white tones in the bathroom: professional bathroom planning leads to a perfect overall experience.

Photo: FAR.consulting, Vereinigung Deutsche Sanitärwirtschaft e.V. (VDS)

Differences in shades of white are a challenge when planning bathrooms. And although some shades of white have become something of a standard here, it is good to know what factors play a role in colour planning with white and why bathroom planners should work with original samples wherever possible. With Pantone's colour of the year for 2026, a special shade of white is currently coming into play: Cloud Dancer.

White is an indispensable colour in the bathroom: sanitary ceramics, mineral cast washbasins, walls, even tiles... white dominates the bathroom as far as the eye can see. Even white surfaces are en vogue for fittings. However, from a design perspective, this achromatic ‘non-colour’ (physically speaking, it is the result of adding all visible light colours) is highly sensitive: no other colour stands for purity and purism to such an extent; however, as every shade of white has a subtle colour nuance, differences between neighbouring shades of white can be particularly distracting. Small deviations in material white and light colour are enough to make the interior design appear restless, ‘dirty’ or cool and technical. For professional bathroom planners, it is a challenge to control white in a targeted manner – on surfaces, joints, sanitary objects, accessories and lighting. Now another shade of white is being added, the Pantone trend colour of the year 2026 PANTONE 11-4201 Cloud Dancer.

Cloud Dancer – Pantone Trend Colour 2026

Poto: Pantone

Pantone, a global colour expert and provider of professional colour standards and digital solutions for the design community, introduced PANTONE 11-4201 Cloud Dancer at the end of the year, a weightless white tone designed to convey a feeling of deep serenity. According to the colour expert, the delicate white shade is intended to symbolise calm in a hectic world that is rediscovering the value of mindfulness and quiet reflection. The colour specialist is well aware of the importance of this colour family for long-lasting interior design: Cloud Dancer is intended to convey a feeling of calm and relaxation, especially in the bathroom, while in the kitchen, the shade is designed to create an impression of openness and space. Unfortunately, no further information about colour nuances can be found in the press and marketing materials; when looking at the numerous examples, one can only guess at what the shade actually looks like. Professionals will therefore probably have to decide to purchase the sample cards.

Purist to ethereal: cosy all-white interiors for bathrooms are currently in vogue

Photo: FAR.consulting, Vereinigung Deutsche Sanitärwirtschaft e.V. (VDS)

No sooner does white seem to face serious competition as the dominant colour in bathrooms, ranging from neutral concrete greige to natural light beige, than it is rediscovered as a trend colour. The first impression of Pantone's colour of the year for 2026 is that Cloud Dancer could be a white with a tendency towards a beige tone and is intended for combinations with greige and grey tones. This would make it perfect for adding a cosy touch to the interior design of the bathroom. The fact that Pantone has chosen a shade of white as its colour of the year speaks for the topicality of the colour when used in an original way.

Trendy interior design concepts that seek to break down boundaries in rooms through low-contrast, emphatically matt tone-on-tone designs naturally also find a particularly suitable stage in the bathroom. A room designed in white-on-white or all-white is likely to have an almost ethereal effect – an idea that fits very well with the name ‘Cloud Dancer’ for Pantone's trend colour for 2026. However, it is questionable whether sanitaryware manufacturers will take up the colour expert's idea and offer sanitaryware products in matching shades. The new trend colour gives bathroom designers a new approach to trend-conscious planning, but no certainty. The uncertainties surrounding the major design theme of white therefore remain. The only certainty is that white will remain a strong base colour – with a new, trendy perspective.

White in the bathroom: opportunities and risks

Photo: FAR.consulting, Vereinigung Deutsche Sanitärwirtschaft e.V. (VDS)

There is, of course, a history behind the fact that white has dominated bathroom design since sanitary facilities were first installed in homes. Not only did white become a prestigious material with the introduction of sanitary ceramics in the late 19th century, but white also conveys hygiene, clarity and visual spaciousness. At the same time, the colour provides a neutral environment for personal hygiene and cosmetics. One might think that a basic colour present in various products and applications would make uniform design much easier. However, in highly reflective rooms such as bathrooms, even minimal colour variations are amplified; even slight nuances in tiles, ceramics or fronts stand out clearly in the overall picture.

For interior designers, this means that white is less a colour than a system of tones, degrees of gloss and lighting moods that must be planned consistently. If this system is neglected, the impression quickly shifts from ‘clear’ to ‘clinical’ or from “fresh” to ‘yellowed’.

Different shades of white from sanitaryware manufacturers

Photo: FAR.consulting, Vereinigung Deutsche Sanitärwirtschaft e.V. (VDS)

Every manufacturer seems to define its own ‘standard white’, which can range from cooler, bluish shades to warmer, cream-coloured nuances. Combining sanitary ceramics, tiles, furniture and ceiling paint from different brands without coordination results in visible discrepancies – such as greyish ceramics against light ivory-coloured wall tiles. Even within a manufacturer's product range, there may be different shades of white. As a rule, the shades of white within a manufacturer's range always match each other better and are precisely coordinated. A sanitary ceramic toilet and a matching toilet seat made of plastic (Duraplast) then look as if they were made from the same mould. Professional bathroom planners plan with these product combinations per se or, in the case of colour-sensitive products, fall back on manufacturer collections.

In practice, it helps to physically compare shades of white for each project rather than relying on sample cards in catalogues or images on screens. It makes sense to have a clear strategy, such as choosing a dominant basic white for all large surfaces, complemented by a maximum of one contrasting accent white (e.g. for furniture) with a recognisable, deliberate difference.

Current standard: sanitary white / alpine white

At Geberit, the toilet seat, sanitary ceramic toilet and flush plate are colour-coordinated to match each other perfectly.

Photo: Geberit

By far the most common colour is ‘Alpine White’ or ‘Sanitary White’; estimates suggest that this shade is used in the vast majority of white sanitary ware installed in Germany. Alpine white is a relatively neutral, slightly warm white that has been specially defined for bathrooms and is similar in appearance to common architectural white shades such as RAL 9010 or similar nuances. Some sanitaryware manufacturers also offer variants such as ‘glossy white’, ‘snow white’, “edelweiss” or ‘pure white’, all of which fall within this spectrum but differ slightly in brightness and temperature. Important for bathroom planners: the names are not standardised, so original samples from different brands should always be compared directly with each other.

Role of gloss level and materiality

Shades of white are currently in vogue and create space for structure and clarity in modern living environments.

Photo: Villeroy & Boch

The degree of gloss and surface structure influence the perception of white almost as much as the colour tone itself. High-gloss tiles reflect light in a concentrated manner and amplify colour temperature deviations, while matt surfaces make white appear softer and more homogeneous. The currently popular 3D tiles refract light and provide another source of error when evaluating a colour impression.

In the bathroom context, different materials also collide: glazed ceramics, lacquered fronts, solid surface materials, lime plaster, mirrors and glass. An identical NCS, Pantone or RAL value has a different effect on each of these substrates, which bathroom planners should take into account when sampling with 1:1 samples.

Light temperature of bathroom lighting

Adjustable light temperature: rl40 mirror cabinet by Burgbad

Photo: Burgbad

The light colour of luminaires is specified in Kelvin and typically ranges from warm white (approx. 2,700–3,300 K) to neutral white (approx. 3,300–5,300 K) to daylight white from approx. 5,300 K for white light sources. Warm white light tends towards yellow and quickly makes white surfaces appear creamy or slightly beige; neutral white and daylight white, on the other hand, emphasise cool, bluish tones.

Especially in the bathroom, where skin tones and the colour rendering of cosmetic products are important, neutral white in the range of approximately 3,500–4,500 K often appears more balanced than extremely warm or cool white. Light that is too cool can make the room appear ‘hygienically bright,’ but at the same time uncomfortable and unflattering for the mirror area.

Lighting design in the bathroom: daylight and mixed light

Targeted lighting design in the bathroom: coordinated light temperatures and flexible control instead of universal lighting.

Photo: Duravit

Natural daylight changes its colour temperature significantly depending on the time of day and weather conditions: in the morning and evening, warmer, reddish tones around 3,000 K predominate, while the midday sun reaches values of around 5,500 K and above. A clear blue sky can even produce higher, very cool light temperatures, which make white appear significantly bluer.

In bathrooms, mixed light from daylight and artificial light is almost always present, which constantly changes the effect of white surfaces. Planners should therefore not rely solely on a ‘universal’ luminaire, but should specifically control the lighting atmosphere with coordinated colour temperatures, dimmable or tunable white systems and differentiated switching.

Design strategies for professionals

Photo: Pantone

Define a uniform white base: Set a main white (tiles/walls) as a reference and explicitly check all other elements – ceramics, furniture, joints, ceiling – against it.

Conscious contrasts instead of random nuances: If different shades of white are unavoidable, they should be clearly differentiated (e.g. warm off-white for furniture with cooler, clear wall white) instead of varying only minimally.

Think integratively when planning lighting: for functional lighting above the mirror, use a neutral white in the range of approx. 3,500–4,500 K, and provide warmer zones for ambient lighting. Some mirrors and mirror cabinets also offer light temperature control, which allows for more flexibility in bathroom planning when it comes to colour design.

Check your plans in real light: view sample surfaces not only in the showroom, but also on site in real daylight and with artificial lighting switched on in order to reliably assess the effect of white and light.

The colour white is essential in the bathroom

With this approach, white in the bathroom transforms from a risky colour into a deliberately controlled design tool that combines brands, materials and light to create a professional overall experience. PANTONE 11-4201 Cloud Dancer could play an important role in bathroom wall and floor design as a first step. ‘With the Colour of the Year 2026, Pantone wants to focus on the symbolic emptiness of the canvas that Cloud Dancer embodies,’ according to Pantone's marketing message.  For precise bathroom planning, it is always advisable to coordinate colours for specific objects: the series name and exact ceramic colour of the manufacturer should be documented and all adjacent white tones (walls, furniture, bathtubs, radiators) should be visually checked against it.

Villa Fernblick: Designer villa in the Swiss Alps

Lots of wood, lots of marble and lots of nature: Villa Fernblick is furnished to an extremely high standard of comfort. This also applies to the bathrooms, which feature fittings from Dornbracht.

In the open-plan bathrooms, Dornbracht's Vaia fittings in brushed dark platinum lend a contemporary feel to the space.

All photos: Ina Rinderknecht, Reto Guntli & Agi Simoes

Exquisite luxury and spectacular views: together with Studio Sito Architekten, interior designer Ina Rinderknecht has created an impressive private residence that blends harmoniously into the rugged mountain landscape of the Appenzell Alps. Showers and fittings from Dornbracht complete the interior.

Initiating a harmonious dialogue with the surrounding nature while setting new standards for luxurious living: this was the task set by the architects involved. The newly built private residence comprises of a large, lavishly furnished main villa with a guest house and garden. In addition, there is also a pool house with an outdoor kitchen and natural swimming pool. The interior designed by Ina Rinderknecht is in close harmony with the architecture and external surroundings.

High-quality materials and customised furniture

From the spacious sofa area, you can enjoy spectacular views of the Alpine landscape.

A warm material palette of beige travertine was selected, combined with several types of wood. Oak and Douglas fir veneers can be found in almost all rooms of the main and guest houses, whether on walls, doors, or furniture fronts. The fine bronze coatings for the handles and cupboard slats repeatedly emphasise the vibrancy of the wood. In addition, only the highest quality materials and customised furniture were used. In the dining room, for example, a chandelier made of golden gingko leaves is an eye-catcher. The living room, on the other hand, boasts an expansive sofa landscape, complemented by elegant side tables and armchairs.

In the kitchen, the imposing marble island and three pendant lights structure the spacious room.

In the kitchen, a spectacular marble island takes centre stage. Together with three pendant lights, which form a cosy canopy over the dining area, it structures the spacious room. In front of the kitchen splashback, Dornbracht's Tara takes on an almost sculptural character. Its surface in Brushed Dark Platinum is carefully matched to the dark veins in the stone. In the billiard room, the design icon is part of a lavishly equipped bar, which disappears behind an oak sliding wall when required.

Lots of wood and marble in the bathrooms too

The open-plan bathrooms feature fine marble, light wood surfaces and large mirrors.

The bathrooms in the property are characterised by fine grey marble, light wooden surfaces, and full length mirrors. Vaia in Brushed Dark Platinum provides contemporary elegance in various ensembles. In the larger bathrooms, the fine silhouette of the fitting skilfully complements the clear, open room design. Vaia also blends in stylishly and unobtrusively in smaller bathroom designs – for example as a wall-mounted mixer tap above a round pillar basin. Dornbracht's rain showers also provide comfort when showering, with controls that match the fittings on the washbasins.

Impressive oasis of well-being

An absolute highlight of the hotel: the impressive spa area. An oasis of peace and relaxation, it leaves nothing to be desired in terms of wellness.

An absolute highlight of the house is the impressive spa area. It enriches the villa with an intimate oasis of peace and well-being. In addition to a swimming pool and steam bath, Finnish sauna and a massage room, there is also a tea station and a large, separate fitness area. The design language of Vaia is also a recurring design feature here: the rain showers from Dornbracht are complemented by matching control elements, as well as towel hooks in the Vaia look. Sophisticated details such as these emphasise the care with which all finishings were chosen – and once again highlight the exclusivity of the property. 

Innovative design for a comfortable shower experience

Ultra-flat design, mesh shower head, RainAir-PowderRain combination – Hansgrohe's Raindance Alive combines cosy design with a special shower experience.

Ultra-flat design, mesh shower head, RainAir-PowderRain combination – Hansgrohe's Raindance Alive combines cosy design with a special shower experience.

Photos: Hansgrohe SE

The lifestyle bathroom becomes a cosy bathroom with a feel-good factor. Why shouldn't every area of the bathroom have a cosy atmosphere – including the shower area? Cosiness, well-being and technical finesse do not have to be mutually exclusive. At least, that is what Hansgrohe's Raindance Alive aims to convey.

According to Hansgrohe, the combination of RainAir and PowderRain alone creates a unique shower experience that combines relaxation and refreshment. The innovative mesh design of the spray disc made of anodised aluminium gives the showers an additional homely aesthetic. And the geometrically designed thermostat with its ultra-flat construction creates the impression that it blends into the wall and looks like a flush-mounted module.

Surface-mounted thermostat in slim format

Thanks to its extremely flat design, the Raindance Alive surface-mounted thermostat looks like a flush-mounted module.

Photo: Hansgrohe SE

Although the Raindance Alive showerpipes technically have a normal surface-mounted thermostat, they give the impression that the product merges with the wall. This effect is made possible by the geometric thermostat with its high-quality brass base and zinc coating. In addition, the shower rail with aluminum profile continues in straight line to emphasize this effect. Without having to replace the entire tiling, Raindance Alive is designed to achieve the visual appeal of flush-mounted modules – making it ideal for bathroom renovations.

Shower head in mesh design

With its invisible jets and mesh design, the shower head aims to bring a touch of cosiness to the shower area.

Photo: Hansgrohe SE

Particular attention was paid to the design of the showers. The new mesh design made of anodized aluminum, which almost looks like fabric, gives Raindance Alive overhead showers a more homogeneous and less technical appearance. The aim was to create a structure that forms an open, soft surface from which water droplets emerge organically. This is why the nozzles are no longer visible, but have been concealed by the design surface. This look is intended to make the shower area appear more homely.

Water saving included on request

Optionally equipped with EcoSmart water-saving technology, Raindance Alive reduces water consumption and thus saves energy costs. Raindance Alive EcoSmart showers offer potential savings of around 40%. These figures are based on a comparison with a conventional Hansgrohe shower without EcoSmart and are made possible by a flow limiter in the shower. Raindance Alive enriches Hansgrohe's Raindance series with a refreshing design language, numerous additional configuration options and six different FinishPlus surfaces.

Restoring balance

An open layout and a bathroom ensemble from Duravit bring a new quality of design into a Milan apartment

Form-conscious calm: in the master bathroom, the geometric Vero Air countertop basin and L-Cube furniture meet the minimalist design of the ME by Starck WC and bidet. In combination with a Vero bath, the ensemble blends into the architectural grid.

Photo: Simone Furiosi, Duravit

Dark colours and angled, baroque room structures once dominated an apartment in a Milan suburb. Today, the light-flooded airy rooms with a clear layout exude an open, contemporary charm.

The architects’ firm, Tommaso Giunchi completely reimagined a duplex apartment near Milan. The existing floor plan was dispensed with, separating walls removed, relationships between the rooms reconceived, and the internal staircase relocated – all with the aim of reinterpreting a sense of openness, clarity, and functional quality.

The open floor plan and balanced proportions create a minimalistic aesthetic. The impact of the room is tranquil yet expressive thanks to clear lines, natural textures, and a reserved color scheme. The apartment structure consists of different defined areas, each with its own bathroom. The master area is close to the entrance and staircase, while the children’s bedroom is discreetly located behind the kitchen. A separate guest area enhances the spatial concept by adding an extra place of retreat.

Three bathrooms, one vision

Photo: Simone Furiosi, Duravit

Form in balance: the circular Starck 1 countertop basin from Duravit harmonises with the clearly structured guest bathroom. The continuous mosaic tiling in blue-green emphasises the calm geometry of the room.

Photo: Simone Furiosi

In terms of the bathroom design, Tommaso Giunchi Architetti opted for selected products from Duravit. The Vero Air above-counter basin mounted on the L-Cube vanity unit, the ME by Starck wall-mounted toilet, and the Duravit No.1 bathtub create a clear and spacious layout for the master bathroom. A sleek and airy effect is created in the children’s ensuite thanks to the ME by Starck washbasin and L-Cube vanity unit. The compact Starck 1 above-counter basin provides a clear focus in the guest bedroom, showing the organic texture of the mosaic tiles in the best light.

The Dylan: history meets contemporary design

The Dylan boutique hotel in Amsterdam combines the old with the new. This is particularly striking in the loft bathrooms with the visible roof gables of the old building.

The brushed platinum finish of the Dornbracht Tara fitting emphasises the understated elegance of the bathroom architecture.

Photo: The Dylan, Roel Ruijs

One of the most exclusive boutique hotels in the Dutch metropolis is located on a historic site in Amsterdam's canal belt. With carefully designed interiors and discreet luxury, The Dylan offers a stylish retreat in the heart of the vibrant city centre. Dornbracht's Tara fittings emphasise the architectural signature in the bathrooms of the rooms and suites.

Located on the Keizersgracht in the heart of the "9 Straatjes" district, the 5-star boutique hotel is in the immediate vicinity of numerous boutiques, galleries and cafés in a location of historical significance: One of the most influential and important theatres in the Netherlands was opened here in 1638. For almost two centuries, the so-called “Schouwburg” was the cultural heart and entertainment centre of the city. After a devastating fire, the magnificent building was replaced in the 18th century by a building with classic Amsterdam canal architecture. Only the imposing stone gate is a reminder of the legendary theatre of yesteryear - and today it welcomes guests to the boutique hotel.

Careful renovation in harmony with the history

In the "Vinkeles" restaurant, the old Amsterdam canal architecture is reflected in every detail.

Photo: The Dylan, Roel Ruijs

Opened in 1999, The Dylan features 41 uniquely curated rooms and suites, each designed in a distinct style. Those located in the “Serendipity” building were renewed in 2024 as part of an extensive renovation. Studio Linse was responsible for the redesign of these areas as well as the public spaces. “Creating something new in a historic building from the Dutch Golden Age is not something you take lightly,” says Paul Linse about the challenges of the project. “But my design team and I ended up doing what we value most: creating an atmosphere of timelessness that respects the past and welcomes the present.”

Historic substance and modern minimalism

The bathrooms in the suites at The Dylan Amsterdam are airy and clearly designed. The sleeping area and bathroom merge directly into one another.

Photo: The Dylan, Roel Ruijs

Light-flooded rooms, high ceilings and exposed wooden beams from the 17th century lend the bathrooms character and spaciousness.

Photo: The Dylan, Roel Ruijs

Light-flooded rooms, high ceilings and exposed wooden beams from the 17th century lend the bathrooms character and spaciousness.

Photo: The Dylan, Roel Ruijs

The interior design of The Dylan is characterised by a skilful interplay of historical substance and modern minimalism. In the brasserie “Occo”, for example, there are customised velvet sofas and quartzite tables with subtle textures. The leafy inner courtyard is also reflected in the lush mirrored surfaces, lending the room brightness and spaciousness. In the “Vinkeles” restaurant, a grey velvet curtain refers to the famous theatre that once stood here. The same attention to detail is also evident in the rooms and suites. The lofts in the gable of the historic building are among the most striking: With their steep staircases and sharp angles, they are typical of the architecture of their time, with the 17th century wooden beams in particular emphasising the age of the building. They are complemented by minimalist furnishings in beige and black, creating a warm, intimate ambience.

Fittings emphasise bathroom design

In the loft bathrooms, wood and quartzite meet light-coloured floors and walls. Tara is used here both as a free-standing bath mixer and on the washbasin.

Photo: The Dylan, Roel Ruijs

In the loft bathrooms, wood and quartzite meet light-coloured floors and walls. Tara is used here both as a free-standing bath mixer and on the washbasin.

Photo: The Dylan, Roel Ruijs

The brushed platinum finish of the Dornbracht Tara fitting emphasises the understated elegance of the bathroom architecture.

Photo: The Dylan, Roel Ruijs

All bathrooms at The Dylan have a light, airy design in common: Visible roof beams, some with old inscriptions, white walls and light-coloured floors create an atmosphere of lightness and clarity. Depending on the room or suite, the bathrooms unfold differently – sometimes in a compact design, sometimes as an open structure that flows seamlessly into the sleeping area. Tara from Dornbracht is used in all variants, for example as a free-standing bath mixer or in combination with wooden and quartzite washbasins. The matt finish in Brushed Platinum sets subtle accents and lends the rooms an understated elegance.

Laufen continues successful product series with PRO X

With the new PRO X collection, Laufen presents the evolution of one of its longest-running and most successful series.

PRO X is characterised by a comprehensive range that stands out for its diversity and high adaptability.

Photo: Laufen

Laufen has further developed one of its most durable and successful product lines with the new PRO X collection. Designed in collaboration with Swiss designer Peter Wirz (Studio Vetica), the product series aims to offer product diversity and a high degree of customisability.

For two decades, the PRO series from Laufen has focussed on a holistic approach to bathroom design - with an extensive range in a simple, harmonious design language For its 20th anniversary, Laufen is continuing its successful collaboration with Peter Wirz, which over the years has led to the creation of collections responding to the different needs of designers and architects, always looking for solutions blending technological innovation with timeless design. For the third generation of the PRO series, the characteristic design language has been carefully developed further and specifically adapted to modern requirements.

PRO X is characterised by a comprehensive range that stands out for its diversity and high adaptability. The new design integrates seamlessly with existing installations of the PRO A, B and S collections and, thanks to its versatility, is perfectly suited to private residential bathrooms as well as semi-public and public spaces.

“As a designer I feel honoured to be able to continue to shape a product for so many years. Thanks to mutual trust and many years of collaboration with Laufen experts, it has been possible to create a new generation of products that maintain the same design philosophy as the original collection: a minimal, accessible design that promises to be timeless and adapt to any bathroom environment,” explains Peter Wirz.

Ceramics in great variety

In terms of washbasins, the collection offers a range from compact 45 cm washbasins to standard models in various widths and generous 120 cm double washbasins.

Photo: Laufen

Laufen has further developed one of its most durable and successful product lines with the new PRO X collection. Developed in collaboration with Swiss designer Peter Wirz (Studio Vetica), the product series aims to offer product diversity and a high degree of customisability.

For two decades, the PRO series from Laufen has focussed on a holistic approach to bathroom design - with an extensive range in a simple, harmonious design language For its 20th anniversary, Laufen is continuing its successful collaboration with Peter Wirz, which over the years has led to the creation of collections responding to the different needs of designers and architects, always looking for solutions blending technological innovation with timeless design. For the third generation of the PRO series, the characteristic design language has been carefully developed further and specifically adapted to modern requirements.

PRO X is characterised by a comprehensive range that stands out for its diversity and high adaptability. The new design integrates seamlessly with existing installations of the PRO A, B and S collections and, thanks to its versatility, is perfectly suited to private residential bathrooms as well as semi-public and public spaces.

“As a designer I feel honoured to be able to continue to shape a product for so many years. Thanks to mutual trust and many years of collaboration with Laufen experts, it has been possible to create a new generation of products that maintain the same design philosophy as the original collection: a minimal, accessible design that promises to be timeless and adapt to any bathroom environment,” explains Peter Wirz.

The new Base 2.0 furniture collection as an ideal partner 

Base 2.0 is available in a variety of widths, storage space solutions and colour variants.

Photo: Laufen

Also new: the Base 2.0 furniture collection in a minimalist, understated design. The rounded edges of the furniture correspond with the soft corner radii of the washbasins and create a consistent, aesthetic unit. The full-extension drawers, the integrated drawer organisation system and the integrated recessed handle offer convenience in everyday use. Base 2.0 is available in a variety of widths, storage space solutions and 45 colour variants to meet as many space and style requirements as possible. PRO X and Base 2.0 fit into private, public or semi-public projects. The large number of finishes and sizes provide a great deal of personalisation and configurations.

Also matching: the mirrors with a matt black metal frame and integrated lighting. They are available in various round or rectangular formats and include a practical one-touch sensor control for lighting and colour temperature.

Patricia Urquiola on Balcoon: "All elements are based on a double geometry."

In this interview, Patricia Urquiola talks about the bathroom series, her work and her approach to the project with Duravit.

Patricia Urquiola with the Balcoon collection she designed for Duravit.

Photo: Duravit

The internationally renowned designer Patricia Urquiola has designed her first bathroom range for Duravit: Architectural shapes and clear lines create an aesthetic that simultaneously radiates warmth and accessibility. The Balcoon ceramics, bathroom furniture, bathtubs and faucets create a combination of modernity, timeless elegance and minimalism. In this interview, Patricia Urquiola talks about the bathroom series, her work and her approach to this project.

Ms. Urquiola, how did the bathroom range come about?

The Balcoon bathroom range is not a high-end project, but rather the result of an intensive exploration around a product in the medium price segment. Duravit had a gap in its portfolio at this price point and asked me for a design that stands out from the crowd. They wanted a simple, quick project with a clear and direct design language – while simultaneously lending a degree of dignity and recognition value to the medium segment.

What approach did you take?

I started with two essential forms: a cubic base and a cylindrical basin. These two very pure geometries form the basis of the project. We then incorporated some offsets, extended the form, and played with perspectives to create an architecture that is still compatible with an affordable price point. All elements are based on this double geometry. While the volume of the objects is strictly controlled, but there is a degree of leeway with the proportions.

You inject some color into the bathroom…

Yes, this was a deliberate departure from the minimalistic aesthetic of pure White or Black. Our aim was to use clay as a material to create a kind of canvas that lends the sanitary objects more depth. The new ceramic color Clay Terra Matt is a true innovation within the range – inspired by traditional craftsmanship, it is central to the overall design. The earthy terracotta shade and the nature-inspired color scheme of the bathroom furniture, with nuances of White, earthy shades of Brown, and Anthracite, herald a new openness to color in the bathroom.

Balcoon is a highly architectural project – the furniture is primed to interact with other design elements…

The furniture elements have a modular structure. The concept includes both open and closed elements – a versatile design that can be adapted to a wide range of room concepts and design approaches. While vanity units in the medium price segment are usually simple cuboids, Balcoon bucks this trend. The design language and the harmonious colors would also be a perfect match for other living areas.

What do you love most about your work?

When I’m working on a new project, I dive into people’s habits and lives – that’s what design is about and I like that about my job. I’m a big fan of hybridization, transformation, and improving things that already exist. It takes courage to redesign things and think differently. I love materials and am constantly rethinking them. Today, working with 3D printing can optimize material waste, but I love ceramic and that ancient side of things just as much... Instead of searching for the perfect line, purity for me is perceiving design as a cycle. Time works on materials and on me... and I work with time.

Information about the Balcoon collection you can find here. 

Patricia Urquiola creates design bathroom range in the medium price segment

The new Balcoon bathroom series from Duravit combines simple geometries with timeless elegance and natural colours.

With its integrated rear panel, the console is just one of the striking details within the Balcoon washing area elements and creates a special spatial dimension. It is overlaid with the drawer front and the open shelf beneath. The visual tension is further reinforced by the combination of contrasting colors.

Photo: Duravit

Modernity, timeless elegance and purism are combined in some of today's design collections in the lifestyle segment of upmarket bathrooms. With the Balcoon bathroom series by Patricia Urquiola, Duravit now wants to make this design feeling accessible to a broad public in a medium price segment.

The objects in the range combine simple geometric forms with clear lines, creating a pared-down, timeless aesthetic that simultaneously exudes warmth and accessibility. “The design plays with differences in height, projections and the overlapping of materials and textures, from which the name 'Balcoon' is derived,” explains Patricia Urquiola.

Form, colour and material of an architectural collection

By placing round and oval washbasins on a square plinth, Patricia Urquiola transformed the Balcoon above-counter basins into an impressive architectural presence.

Photo: Duravit

The Balcoon bathroom range creates a pared-down, timeless aesthetic that simultaneously exudes warmth and accessibility

Photo: Duravit

This play with two levels runs through the entire collection - right down to the WCs and bidets.

Photo: Duravit

The countertop washbasins, which appear to float above the washbasin, are a particular eye-catcher. The designer has placed the round and oval basins on a square plinth. Playing with two different levels in this way is a constant across the entire collection – from the wall-mounted washbasins through the toilets and bidets right up to the furniture elements and bathtubs.

Patricia Urquiola created an earthy terracotta shade for the Balcoon ceramic objects that brings their tactile and material qualities to the fore. “Clay Terra Matt is the central color of the new collection. A shade that makes the ceramics look even more authentic and handmade,” says the designer.

This is also the basis of the nature-inspired color scheme for the bathroom furniture, giving rise to unique combinations that flow from white to earthy brown shades and anthracite. Textured furniture finishes set playful accents. The mineral consoles available in three color shades are yet another way of adding even more depth and authenticity to the furniture.

Everyday furniture with an aesthetic flourish

The compact washbasin combines a black console with a substructure and top-mounted basin in the earthy terracotta colour Clay Terra Matt - the grooved structure is intended to create a playful effect.

Photo: Duravit

The console with its integrated rear panel is just one of the striking details within the Balcoon washing area elements and creates a special spatial dimension. The console is overlaid with the fronts of the storage space beneath, which Patricia Urquiola designed as an partly asymmetric arrangement of drawers and open shelves. The visual tension of the furniture elements is further reinforced by the combination of contrasting colors.

The designer opted for plain décors in a range of color gradations the finishes as standard for the medium price segment. “The furniture is given a very special upgrade with consoles in a sophisticated terrazzo look and ribbed furniture fronts,” says Patricia Urquiola.

Design down to the smallest detail

The oval, raised bath rim rests on a seamless acrylic panel that extends into the corners.

Photo: Duravit

The cylindrical handle merges into the body of the mixer tap in a gentle curve. The wall-hung washbasin offers a clear separation of wet and dry areas with practical storage space on the tap hole bench.

Photo: Duravit