Shooting Gallery presents Joshua Petker, We’re Not As Colorful As We Think We Are

September 11 – October 2, 2010

From the Living Proof Website:

The next piece in the Living Proof Magazine Artist Alliance comes from the infamous Curtis Kulig. While his name may not be a household one (yet), we’re sure you’ve seen his “Love Me” tags, stickers, and prints all over New York City, Los Angeles, and Tokyo. Curtis is also a photographer, documenting the living, breathing souls of the cornucopia of personalities he comes in contact with on a daily basis.

Curtis combined these two major talents of his with a third, skateboarding, to design a limited-edition skate deck with Living Proof Magazine. The board features a multitude of talking heads, culled from photographs Curtis has taken, cut out and lined up in rows. “Love Me NYC” adorns the top of these faces in the bright red marker Curtis always has in his pocket. Some familiar faces on the deck: Harry Jumonji, Ricky Powell, Mike D, Chad Muska, and Craig Wetherby.

Perfect for hand rails or hanging on your wall. Or both.

The deck is available now at the Living Proof Magazine Web Store and will be available soon at Supreme in New York City.

SEE PCP’s CURTIS KULIG  LOVE ME PRINTS

Gestalten x Subliminal Projects
Book Signing
Beyond the Street: The 100 Leading Figures in Urban Art
September 16th / 7 – 8pm

Gestalten and Subliminal Projects cordially invite you to the Los Angeles signing and presentation of the book Beyond the Street: The 100 Leading Figures in Urban Art.

Book signing with featured contributors including Amanda and Shepard Fairey, Dave Kinsey, Jana DesForges of BLK/MRKT, Marsea Goldberg of New Image Art, Patti Astor, Retna and Saber.

Subliminal Projects
1331 W Sunset Blvd
Los Angeles, CA 90026
subliminalprojects.com

PRINTED MATTERS

Printing has changed the world. With the invention of the movable type printing press around 1450, Johannes Gutenberg created arguably the most important instrument for the global democratization of knowledge. Not only did the printing press facilitate the spread of text-based information, it also spread images. Prior to the invention of the printing press, artwork had to be viewed in person, limiting the influence of styles and specific images to local audiences or those wealthy enough to travel great distances.

The printing press may have begun the democratization of art, but another printer evolved it both conceptually and practically. Andy Warhol made art based on accessible products and personalities from pop culture. In addition to his attempts to democratize art through his subject matter, Warhol used screen-printing to produce multiple versions of his images. Where elitism, preciousness, and scarcity had been the ruling principles in the art world, Warhol embraced commercial reproduction techniques and mass culture. Further down the line, two of my biggest street art influences — Barbara Kruger and Robbie Conal — used printed posters to spread their artwork and messages in public spaces.

I’m a product of the era of mass production and the mass culture it has created. I can’t imagine my art practice without the influence of, and the use of, printing. Some of my biggest art influences were not paintings, but printed things like album covers, skateboard graphics, punk flyers, and t-shirt designs. When I discovered stencil making and screen-printing in high school, I used them to make t-shirts and stickers, but by college I began to use screen-printing to make art. I enjoyed illustration, photography, collage, and graphic design separately, but with screen-printing I could synthesize those techniques into an integrated final product. Screen-printing also provided latitude for experimentation and the ability to make multiples, and my style began to evolve as I explored the graphic nature of the medium. I tried to make images that would translate well to screen-print production. A harmony of beauty, power, and utility was my goal.

I always believed in art as a part of public dialogue, and my Obey Giant street art campaign aspired to arrest visually and provoke intellectually. With the need for me to compete with well funded advertising, screen-printing posters myself was the only way I could afford to create large quantities of materials to share on the streets. My theory was that I could print an image on thin paper for the streets and on thicker paper to sell. I was broke, so I needed a process that was affordable and efficient. I printed my posters in a consistent size and color palette so I could build modular grids of images and constantly expand my image library for large outdoor installations.

Repetition, consistency, and persistence over the years yielded a growing audience for both my outdoor art and gallery art. As people started to request more “fine art” of my images, I began to embellish upon my utilitarian printing techniques by printing on wood, metal, and canvas, as well as incorporating stenciling back into the work. Some of these pieces began to function as one-of-a-kind mixed media paintings. To keep my work affordable and accessible, I also made screen-print-on-paper editions of my fine-art pieces.

The Printed Matters show incorporates every variety of my printed works, including prints on wood, metal, album covers, and fine-art collage papers. Some people say print is on its way out, that it will be wiped out by digital media, but I say you can never replace the provocative, tactile experience of an art print on the street or in a gallery. Printing still matters.

-Shepard

International cult cartoonists and creators of the Modern Toss Channel 4 TV series are bringing their unique brand of precision swearing and stylishly cack-handed drawing to the Lazarides gallery in Newcastle for the first time ever.

The scurrilously inventive satirists behind Mr Tourette and the Drive-by Abuser invite you along to witness their incredible range of top notch, limited edition prints, interactive art pieces and assorted, hilarious paraphernalia from the Toss Cabinet of Sh*t-Naks.

Lazarides Newcastle invites you to from 6pm to 9pm on Thursday 2nd September at the private view of ‘The North East England Felt Tip Sh*t House’, a new exhibition from Brighton based cartoonists, Modern Toss.